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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,133 --> 00:00:03,367 ♪ [orchestral fanfare, bright in tone] ♪ 2 00:00:03,367 --> 00:00:15,200 ♪ ♪ 3 00:00:33,333 --> 00:00:43,367 ♪♪ 4 00:00:43,367 --> 00:00:52,767 ♪♪ 5 00:00:52,767 --> 00:00:55,033 [siren wailing] 6 00:00:55,033 --> 00:00:56,200 [door banging] 7 00:00:56,200 --> 00:00:57,233 (intern) WHAT HAVE WE GOT? 8 00:00:57,233 --> 00:00:58,166 MALE, AGE 10, 9 00:00:58,166 --> 00:00:59,066 ACUTE ABDOMEN, 10 00:00:59,066 --> 00:00:59,934 LOW BLOOD PRESSURE, 11 00:00:59,934 --> 00:01:01,000 POSSIBLE SHOCK. 12 00:01:01,000 --> 00:01:02,533 (intern) LOOKS LIKE A RUPTURED VISCOUS. 13 00:01:02,533 --> 00:01:03,734 RUN THE BLOOD WORK. 14 00:01:03,734 --> 00:01:05,667 CALL SURGERY. LOOK, STAY IN THE WAITING ROOM. 15 00:01:05,667 --> 00:01:08,367 I'LL BE BACK TO TELL YOU HOW HE'S DOING. 16 00:01:12,934 --> 00:01:15,467 ♪♪ 17 00:01:15,467 --> 00:01:16,967 [flute plays softly] 18 00:01:16,967 --> 00:01:21,100 ♪♪ 19 00:01:21,100 --> 00:01:24,266 ♪♪ 20 00:01:24,266 --> 00:01:36,100 ♪♪ 21 00:01:36,100 --> 00:01:40,066 (Alexander) IT'S GOOD TO BE ABLE TO COME IN HERE AND KNEEL ALONE. 22 00:01:40,066 --> 00:01:45,266 ♪♪ 23 00:01:45,266 --> 00:01:47,967 BUT SOMETIMES. . . 24 00:01:47,967 --> 00:01:50,100 YOU NEED SOMEBODY 25 00:01:50,100 --> 00:01:53,433 TO KNEEL BESIDE YOU. 26 00:01:53,433 --> 00:01:55,200 MAY I? 27 00:01:55,200 --> 00:01:57,000 PLEASE. 28 00:01:57,000 --> 00:02:01,800 ♪♪ 29 00:02:01,800 --> 00:02:03,633 I'M ALEXANDER. 30 00:02:03,633 --> 00:02:05,300 JOHN BRIGHTON. 31 00:02:07,600 --> 00:02:11,800 IT'S MY SON, KYLE. 32 00:02:11,800 --> 00:02:15,233 HIS APPENDIX BURST 33 00:02:15,233 --> 00:02:17,467 AND. . . 34 00:02:17,467 --> 00:02:18,967 I'M. . .AFRAID. . . 35 00:02:18,967 --> 00:02:20,900 OF LOSING HIM. 36 00:02:22,900 --> 00:02:25,300 SOMETIMES OUR BURDENS ARE SO HEAVY 37 00:02:25,300 --> 00:02:27,533 THAT WE CAN'T FIND THE WORDS 38 00:02:27,533 --> 00:02:29,800 TO EXPRESS WHAT'S IN OUR HEARTS. 39 00:02:31,433 --> 00:02:34,700 DO YOU MIND IF I SAY A PRAYER FOR YOUR SON? 40 00:02:34,700 --> 00:02:37,000 PLEASE. 41 00:02:37,000 --> 00:02:41,667 YOU TOLD US, LORD IF THERE WAS ANYTHING WE WANTED, 42 00:02:41,667 --> 00:02:44,934 TO COME TO YOU. 43 00:02:44,934 --> 00:02:47,066 WELL, WE COME TO YOU NOW. 44 00:02:47,066 --> 00:02:50,000 THIS IS JOHN, LORD, 45 00:02:50,000 --> 00:02:54,700 WHOSE HEART IS BURDENED AND HEAVY-LADEN. 46 00:02:54,700 --> 00:02:59,734 HE HAS A SON, KYLE, WHOM HE LOVES VERY MUCH 47 00:02:59,734 --> 00:03:04,367 AND KYLE IS SICK, KYLE IS DEATHLY SICK, 48 00:03:04,367 --> 00:03:08,567 SO WE'RE ASKING YOU LORD, TO SAVE KYLE. 49 00:03:08,567 --> 00:03:10,633 AND WE KNOW YOU CAN DO IT 50 00:03:10,633 --> 00:03:12,867 THROUGH THE BLOOD THAT YOU SHED FOR US. 51 00:03:12,867 --> 00:03:15,200 HEAL HIM LORD. . . 52 00:03:15,200 --> 00:03:17,600 AND HEAL HIM NOW. 53 00:03:17,600 --> 00:03:19,467 THIS WE ASK IN THE NAME 54 00:03:19,467 --> 00:03:21,233 OF THY SON, JESUS. 55 00:03:21,233 --> 00:03:23,033 AMEN. 56 00:03:24,734 --> 00:03:26,834 WELL. . . 57 00:03:26,834 --> 00:03:29,133 WE'VE LAID IT OUT BEFORE HIM 58 00:03:29,133 --> 00:03:31,734 LIKE HE TOLD US. 59 00:03:31,734 --> 00:03:34,800 THE REST. . . IS UP TO HIM. 60 00:03:36,667 --> 00:03:38,767 (John) THANK YOU. 61 00:03:38,767 --> 00:03:42,367 THANK YOU SO MUCH, ALEXANDER. 62 00:03:42,367 --> 00:03:45,567 ARE YOU A CHAPLAIN HERE? 63 00:03:45,567 --> 00:03:47,700 NO, NO. 64 00:03:47,700 --> 00:03:52,700 BUT I'VE COME HERE MANY TIMES. 65 00:03:52,700 --> 00:03:56,066 MANY TIMES BUT. . . 66 00:03:56,066 --> 00:04:01,166 I, AH. . .WON'T BE COMING ANYMORE. 67 00:04:01,166 --> 00:04:02,867 NOT NOW. 68 00:04:02,867 --> 00:04:05,467 WHAT WERE YOU HERE TO PRAY ABOUT? 69 00:04:05,467 --> 00:04:10,600 MY WIFE. . .MY MARJORIE. 70 00:04:10,600 --> 00:04:13,900 SHE HAD CANCER. . . 71 00:04:13,900 --> 00:04:18,300 AND SHE PASSED AWAY THIS MORNING. 72 00:04:18,300 --> 00:04:20,266 I'M SORRY. 73 00:04:22,066 --> 00:04:26,700 JOHN, YOU ARE A LUCKY MAN. 74 00:04:26,700 --> 00:04:30,633 MARJORIE AND I, WE WANTED TO HAVE KIDS BUT WE NEVER DID. 75 00:04:30,633 --> 00:04:33,367 YOU HAVE A FAMILY. 76 00:04:33,367 --> 00:04:36,567 LOVE YOUR FAMILY, JOHN. 77 00:04:36,567 --> 00:04:39,433 LOVE THEM WITH EVERYTHING YOU GOT. 78 00:04:41,333 --> 00:04:47,033 AND ABOUT KYLE. . .TRUST HIM. 79 00:04:48,333 --> 00:04:50,667 KYLE WILL BE ALL RIGHT. 80 00:04:52,567 --> 00:04:55,967 (woman) EVERETT WAYNE ANDERSON. 81 00:04:55,967 --> 00:05:00,433 [loud applause] 82 00:05:00,433 --> 00:05:05,567 TERRY ERNESTINE ANDERSON, 83 00:05:05,567 --> 00:05:09,433 [loud applause] 84 00:05:09,433 --> 00:05:11,300 WHERE'S THE CAMERA? 85 00:05:11,300 --> 00:05:12,934 I GAVE IT TO YOU. 86 00:05:15,667 --> 00:05:17,667 IT'S HANGING ON YOUR SHOULDER! 87 00:05:17,667 --> 00:05:20,867 OH, OH! I DON'T BELIEVE IT. 88 00:05:20,867 --> 00:05:23,633 IF YOU NEED HELP LOCATING YOUR SUNGLASSES LATER, 89 00:05:23,633 --> 00:05:25,533 I'D BE HAPPY TO HELP YOU LOOK. 90 00:05:25,533 --> 00:05:27,300 THANK YOU VERY MUCH. 91 00:05:27,300 --> 00:05:29,367 (woman) KYLE ALEXANDER BRIGHTON. 92 00:05:29,367 --> 00:05:38,700 [loud applause] 93 00:05:38,700 --> 00:05:41,867 ♪ [drums, bass, & guitar-- light, lively rock beat] ♪ 94 00:05:41,867 --> 00:05:53,600 ♪ ♪ 95 00:05:53,600 --> 00:05:55,934 HOW ARE THOSE BURGERS COMING, PASTOR? 96 00:05:55,934 --> 00:05:58,033 WELL, JOHN, THEY'RE SORT OF A BURNT OFFERING. 97 00:05:58,033 --> 00:06:00,567 I THOUGHT KYLE ATE A LOT. 98 00:06:00,567 --> 00:06:04,100 HE DOES, BUT NOW YOU'VE GOT 50 KYLES TOGETHER IN ONE PLACE. 99 00:06:04,100 --> 00:06:08,166 REMINDS ME OF THE MOVIE "THE THING THAT ATE PITTSBURGH." 100 00:06:08,166 --> 00:06:10,967 (Phil) SO ANYWAY, THIS ACCOUNT IS SITTING THERE 101 00:06:10,967 --> 00:06:13,800 LIKE THIS, LIKE THIS BIG PLUM READY TO BE PICKED OFF THE TREE 102 00:06:13,800 --> 00:06:15,967 YOU KNOW WHAT YOUR OLD MAN SAYS? 103 00:06:15,967 --> 00:06:18,300 "I THINK WE SHOULD STOP AND THINK ABOUT IT." 104 00:06:18,300 --> 00:06:20,300 WHAT IS THAT ALL ABOUT, KYLE? 105 00:06:20,300 --> 00:06:22,300 YOU'RE MAJORING IN BUSINESS, RIGHT? 106 00:06:22,300 --> 00:06:24,300 (Kyle) THAT'S RIGHT UNCLE PHIL. 107 00:06:24,300 --> 00:06:25,567 (Phil) HERE'S YOUR FIRST LESSON. . . 108 00:06:29,033 --> 00:06:31,767 (John) GREAT-- EACH MINUTE KYLE TALKS WITH MY BROTHER 109 00:06:31,767 --> 00:06:34,400 IT TAKES ME AN HOUR TO DEPROGRAM HIM. 110 00:06:34,400 --> 00:06:37,100 I CALL IT UNCLE PHIL DETOX. 111 00:06:37,100 --> 00:06:39,967 (Phil) LISTEN TO ME. CANDI AND I WANT TO GIVE YOU SOMETHING THAT'S 112 00:06:39,967 --> 00:06:42,533 WELL, A LITTLE SOMETHING THAT'S REAL. . . 113 00:06:42,533 --> 00:06:43,967 A LITTLE GOING AWAY PRESENT. 114 00:06:43,967 --> 00:06:45,367 NO, NO. . . 115 00:06:45,367 --> 00:06:48,467 (Phil) C'MON KYLE, LOOK AT IT AS AN INVESTMENT IN YOUR FUTURE. 116 00:06:48,467 --> 00:06:50,867 NOW REMEMBER, IF YOU WANT SOMETHING IN LIFE 117 00:06:50,867 --> 00:06:53,200 YOU GOT TO GO FOR IT. 118 00:06:53,200 --> 00:06:55,066 C'MON KYLE, PULL HARDER! 119 00:06:55,066 --> 00:06:57,600 OHHHH!! 120 00:06:57,600 --> 00:07:00,367 YOU WERE RIGHT, TERI. 121 00:07:00,367 --> 00:07:03,633 I DIDN'T THINK IT WOULD WORK BUT, SURE ENOUGH! 122 00:07:03,633 --> 00:07:05,200 [Phil laughs heartily] 123 00:07:05,200 --> 00:07:07,300 AH, YOU'RE A GOOD KID, KYLE. 124 00:07:07,300 --> 00:07:08,734 I LIKE YOU. 125 00:07:08,734 --> 00:07:11,166 DID YOU SEE WHAT PHIL DID TO KYLE? 126 00:07:11,166 --> 00:07:14,300 YOU AND PHIL ARE JUST LIKE YOUR DAD-- ALWAYS. . . 127 00:07:14,300 --> 00:07:17,500 DON'T EVER SAY THAT-- PHIL'S LIKE DAD, I'M NOT. 128 00:07:17,500 --> 00:07:21,734 HEY, THIS IS ME REMEMBER, THE ONE WHO'S ON YOUR SIDE. 129 00:07:21,734 --> 00:07:25,400 WHY CAN'T HE BE COMMITTED TO ONE WOMAN AND SETTLE DOWN? 130 00:07:25,400 --> 00:07:28,367 LOOK AT HIM, HE'S GOT A DIFFERENT WOMAN EVERY TIME WE SEE HIM. 131 00:07:28,367 --> 00:07:31,200 JOHN, PHIL IS NOT YOUR RESPONSIBILITY. 132 00:07:31,200 --> 00:07:34,533 LET GOD HANDLE IT. 133 00:07:34,533 --> 00:07:37,133 ♪ [orchestra plays softly ♪ 134 00:07:37,133 --> 00:07:44,633 ♪♪ 135 00:07:44,633 --> 00:07:50,266 AH, WAIT. . . [breathing very heavily] 136 00:07:50,266 --> 00:07:52,066 I'M. . . 137 00:07:52,066 --> 00:07:53,367 [breathing heavily] 138 00:07:53,367 --> 00:07:56,400 I'M WINDED-- I'M NEVER WINDED. 139 00:07:56,400 --> 00:07:59,734 WELL, YOU KNOW WHAT THEY SAY ABOUT GROWING OLD. 140 00:07:59,734 --> 00:08:02,667 NO, WHAT DO THEY SAY ABOUT GROWING OLD? 141 00:08:02,667 --> 00:08:06,266 ACTUALLY, THEY DON'T SAY ANYTHING AT ALL. 142 00:08:06,266 --> 00:08:08,800 BUT I DO REMEMBER YOU SAYING 143 00:08:08,800 --> 00:08:10,600 THAT I'M THE ONE WHO'S GROWING OLD 144 00:08:10,600 --> 00:08:12,433 WHILE YOU STAY THE SAME AGE. 145 00:08:12,433 --> 00:08:15,533 THAT'S TRUE-- YOU'RE A CRADLE ROBBER. I'M GOING TO GO BACK. 146 00:08:15,533 --> 00:08:17,600 YOU WANT ME TO GO WITH YOU? 147 00:08:17,600 --> 00:08:19,433 NO, NO. NO. NO. 148 00:08:19,433 --> 00:08:21,834 [chuckles] YOU NEED THE EXERCISE. 149 00:08:21,834 --> 00:08:24,800 YOU KNOW WHAT THEY SAY ABOUT MIDDLE-AGED MEN? 150 00:08:24,800 --> 00:08:26,800 WHAT DO THEY SAY? 151 00:08:26,800 --> 00:08:28,967 THE LEGS ARE THE FIRST TO GO. 152 00:08:28,967 --> 00:08:30,533 OH, THANKS A LOT. 153 00:08:30,533 --> 00:08:32,533 YOU GOING TO BE OKAY? 154 00:08:32,533 --> 00:08:35,700 I'M FINE-- I MAY LIE DOWN A BIT, BUT I'M FINE. 155 00:08:35,700 --> 00:08:37,967 ALL RIGHT. SEE YOU IN A WHILE. 156 00:08:42,567 --> 00:08:45,633 OH, KYLE. . .YOU FORGOT JOHNNY. 157 00:08:45,633 --> 00:08:47,633 MA, I DON'T NEED JOHNNY. 158 00:08:47,633 --> 00:08:49,633 BUT YOU'VE ALWAYS TAKEN HIM. 159 00:08:49,633 --> 00:08:51,633 I KNOW, BUT, KEEP HIM HERE. 160 00:08:51,633 --> 00:08:53,467 I'LL BE HOME LOTS OF WEEKENDS, 161 00:08:53,467 --> 00:08:55,367 DON'T WORRY, WITH BIG BAGS OF LAUNDRY. 162 00:08:55,367 --> 00:08:57,100 SO THINGS WON'T CHANGE THAT MUCH. 163 00:08:57,100 --> 00:08:58,700 I LOVE YOU, SWEETHEART. 164 00:08:58,700 --> 00:09:00,367 I LOVE YOU TOO, MOM. 165 00:09:00,367 --> 00:09:01,934 DON'T WORRY. 166 00:09:01,934 --> 00:09:04,467 I'LL TELL YOU ABOUT WHAT WORRIES ME. 167 00:09:04,467 --> 00:09:06,266 WHAT'S THAT, DAD? 168 00:09:06,266 --> 00:09:08,433 WELL, YOU LETTING YOURSELF BE INFLUENCED 169 00:09:08,433 --> 00:09:10,633 BY YOUR UNCLE PHIL'S SCHOOL OF BUSINESS. 170 00:09:10,633 --> 00:09:12,066 DAD. 171 00:09:12,066 --> 00:09:14,567 NOW REMEMBER, LIVING BY GOD'S PRINCIPLES IS NOT EXACTLY 172 00:09:14,567 --> 00:09:16,967 ON THE TOP OF HIS LIST OF PRIORITIES. 173 00:09:16,967 --> 00:09:19,166 EVEN THOUGH HE'S MY BUSINESS PARTNER AND MY BROTHER 174 00:09:19,166 --> 00:09:21,233 WE ALWAYS DON'T SEE EYE-TO-EYE ON THINGS. 175 00:09:21,233 --> 00:09:22,633 DAD, DON'T WORRY. 176 00:09:22,633 --> 00:09:24,300 I'M NOT AS DUMB AS I LOOK. 177 00:09:24,300 --> 00:09:25,934 DAD, I CAN SEE WHAT'S GOING ON. 178 00:09:25,934 --> 00:09:27,200 DON'T WORRY. 179 00:09:27,200 --> 00:09:29,000 I LOVE YOU SON. 180 00:09:29,000 --> 00:09:30,667 I'M PROUD OF YOU. 181 00:09:30,667 --> 00:09:32,967 I LOVE YOU TOO, DAD. 182 00:09:32,967 --> 00:09:34,600 SEE YOU SQUIRT! 183 00:09:34,600 --> 00:09:36,734 I'M ALMOST 16-- YOU CAN'T CALL ME THAT ANYMORE! 184 00:09:36,734 --> 00:09:39,800 OKAY-- TRY NOT TO FLUNK OUT OF SCHOOL THIS YEAR, OKAY? 185 00:09:39,800 --> 00:09:43,734 OH RIGHT, AND HOW MANY ACADEMIC SCHOLARSHIPS DID MR. IQ GET? 186 00:09:43,734 --> 00:09:45,166 HUH? 187 00:09:48,567 --> 00:09:51,467 NOW THEY DECIDE TO GET ALONG. 188 00:09:53,433 --> 00:09:55,700 NOW GET OUT OF HERE, WILL YA? 189 00:09:55,700 --> 00:09:58,266 I LOVE YOU GUYS. 190 00:09:59,934 --> 00:10:04,967 [engine purrs] 191 00:10:04,967 --> 00:10:07,300 FIGHT YOU FOR HIS ROOM? 192 00:10:07,300 --> 00:10:10,066 DON'T YOU MEAN MY NEW STUDY? 193 00:10:10,066 --> 00:10:11,166 OH!!! 194 00:10:14,266 --> 00:10:16,633 (Phil) THEY'RE RIGHT IN THE PALM OF OUR HAND. 195 00:10:16,633 --> 00:10:18,867 ALL WE HAVE TO DO IS SQUEEZE THEM A LITTLE BIT. 196 00:10:18,867 --> 00:10:21,133 C'MON JOHN, USE THAT CHARM OF YOURS. 197 00:10:21,133 --> 00:10:22,800 SLOW DOWN WILL YOU? 198 00:10:22,800 --> 00:10:24,333 DON'T USE SUCH A BIG CLUB. 199 00:10:24,333 --> 00:10:25,834 WHAT DO YOU MEAN? 200 00:10:25,834 --> 00:10:28,133 I MEAN, YOU DON'T HAVE TO STEAMROLL EVERY DEAL, PHIL, 201 00:10:28,133 --> 00:10:30,333 I WANT YOU TO WALK A LITTLE SOFTER ON THIS ONE, 202 00:10:30,333 --> 00:10:32,133 OKAY? FOR ONCE! 203 00:10:32,133 --> 00:10:34,033 IT'S THE WAY TO DO BUSINESS. 204 00:10:34,033 --> 00:10:35,633 IT'S THE WAY YOU DO BUSINESS. 205 00:10:35,633 --> 00:10:37,767 IT'S NOT MY WAY, NOT LIKE THE CALLAHAN DEAL. 206 00:10:37,767 --> 00:10:39,767 WHAT ABOUT THE CALLAHAN DEAL? 207 00:10:39,767 --> 00:10:41,967 YOU PROMISED THEM THE WORLD, THEN WE COULDN'T DELIVER. 208 00:10:41,967 --> 00:10:44,567 NO FIRM COULD-- YOU MISLED THEM, PHIL. 209 00:10:44,567 --> 00:10:46,533 LIED, REALLY. 210 00:10:46,533 --> 00:10:48,834 OOOO-- HERE COMES THE MORAL POLICE AGAIN. 211 00:10:48,834 --> 00:10:50,834 YEAH, I LIED! EVERYBODY DOES. 212 00:10:50,834 --> 00:10:52,967 IF OUR WORD IS NO GOOD, 213 00:10:52,967 --> 00:10:55,433 WE CAN'T EXPECT THEIR WORD TO BE ANY GOOD, 214 00:10:55,433 --> 00:10:57,633 THEN NOBODY IS COMMITTED TO THE DEAL 215 00:10:57,633 --> 00:10:59,633 ON EITHER SIDE OF THE TABLE. 216 00:10:59,633 --> 00:11:02,166 WE DO NOT APPROACH THIS DEAL THAT WAY. 217 00:11:02,967 --> 00:11:04,567 FINE. 218 00:11:06,166 --> 00:11:08,166 ♪ [hard rock plays faintly] ♪ 219 00:11:08,166 --> 00:11:10,166 (Teri) WOULD YOU MIND KNOCKING? 220 00:11:10,166 --> 00:11:11,734 WHAT ARE YOU WEARING??? 221 00:11:11,734 --> 00:11:13,567 STUFF FOR SCHOOL. 222 00:11:13,567 --> 00:11:16,667 WELL, YOU CAN JUST TAKE IT BACK TO WHEREVER YOU GOT IT. 223 00:11:16,667 --> 00:11:19,600 YOU'RE NOT GOING TO GO OUT OF THIS HOUSE DRESSED LIKE THAT. 224 00:11:19,600 --> 00:11:22,367 WHY NOT? ALL THE GIRLS DRESS LIKE THIS. 225 00:11:22,367 --> 00:11:24,567 WELL YOU'RE NOT GOING TO DRESS LIKE THIS. 226 00:11:24,567 --> 00:11:26,934 WHAT DO YOU WANT ME TO DO? WEAR SKIRTS DOWN TO MY ANKLES? 227 00:11:26,934 --> 00:11:29,367 JUST DO AS I TELL YOU, TERI-- THAT'S ENOUGH!! 228 00:11:29,367 --> 00:11:32,133 LOOK, JUST BECAUSE YOUR BABY LEFT FOR COLLEGE DOESN'T MEAN 229 00:11:32,133 --> 00:11:34,266 YOU CAN TAKE YOUR FRUSTRATIONS OUT ON ME. 230 00:11:34,266 --> 00:11:36,100 I'M JUST DOING NOTHING. . . 231 00:11:36,100 --> 00:11:38,867 [sounds become foggy and jumbled together] 232 00:11:40,333 --> 00:11:42,133 (Ellen) STOP IT. . .STOP IT. 233 00:11:42,133 --> 00:11:43,533 STOP IT! STOP IT! 234 00:11:46,100 --> 00:11:48,000 STOP IT! STOP IT! 235 00:11:48,000 --> 00:11:52,233 [gasping] 236 00:11:58,767 --> 00:11:59,934 HI, HONEY. 237 00:11:59,934 --> 00:12:01,100 HI, SWEETHEART. 238 00:12:01,100 --> 00:12:02,467 HOW WAS YOUR DAY? 239 00:12:02,467 --> 00:12:04,867 GOOD, I THINK. WE'RE WAITING TO FIND OUT ANY TIME 240 00:12:04,867 --> 00:12:07,066 ABOUT THAT ATLANTIC PETROLEUM ACCOUNT-- WE'RE REALLY CLOSE. 241 00:12:07,066 --> 00:12:08,767 WHERE IS THE MAIL? 242 00:12:08,767 --> 00:12:10,800 (Ellen) I DON'T KNOW, MAYBE TERI HAS IT. 243 00:12:10,800 --> 00:12:11,867 HAS WHAT? 244 00:12:11,867 --> 00:12:12,934 THE MAIL. 245 00:12:12,934 --> 00:12:14,700 HOW COULD I HAVE IT? I JUST GOT HOME. 246 00:12:14,700 --> 00:12:17,100 (John) YOU'RE KIDDING. THAT'S GREAT! WE GOT THE ACCOUNT. 247 00:12:17,100 --> 00:12:18,767 OH, WONDERFUL. 248 00:12:18,767 --> 00:12:20,533 WELL, I FOUND THE MAIL. 249 00:12:20,533 --> 00:12:23,433 IT'S RIGHT HERE WHERE IT SHOULD BE-- NEXT TO THE MARGARINE!? 250 00:12:23,433 --> 00:12:25,266 (Ellen) HOW DID IT GET IN THERE? 251 00:12:25,266 --> 00:12:27,166 HOLD ON A SECOND, PHIL. 252 00:12:27,166 --> 00:12:28,800 DON'T LOOK AT ME. 253 00:12:28,800 --> 00:12:31,367 WELL, I DIDN'T PUT IT IN THERE, JOHN? 254 00:12:31,367 --> 00:12:34,100 ELLEN, DON'T LOOK AT ME, IT HAD TO BE YOU. 255 00:12:34,100 --> 00:12:36,367 (Teri) UNLESS THE MAIL CARRIER DECIDED TO PUT IT IN THERE. 256 00:12:36,367 --> 00:12:38,266 ELLEN, YOU'RE GETTING NUTS ON US. 257 00:12:38,266 --> 00:12:40,834 NO, SHE PUT THE MAIL IN THE REFRIGERATOR. 258 00:12:40,834 --> 00:12:42,667 YEAH, THAT'S RIGHT-- 259 00:12:42,667 --> 00:12:45,633 PROBABLY TRYING TO FREEZE SOME OF MY ASSETS. 260 00:12:45,633 --> 00:12:47,633 AT LEAST WHAT I'VE GOT. 261 00:12:47,633 --> 00:12:49,700 WELL, THIS IS GREAT! 262 00:12:49,700 --> 00:12:52,266 OUR NEXT SPEAKER WAS AWARDED HARRISON ELEMENTARY'S 263 00:12:52,266 --> 00:12:54,467 TEACHER OF THE YEAR THIS SPRING. 264 00:12:54,467 --> 00:12:57,633 I'VE HEARD RUMORS SHE MIGHT RUN FOR SCHOOL BOARD NEXT YEAR, 265 00:12:57,633 --> 00:13:00,700 AND I WANT TO GO ON RECORD RIGHT NOW 266 00:13:00,700 --> 00:13:03,834 AND SAY THAT I WILL PERSONALLY CAMPAIGN FOR 267 00:13:03,834 --> 00:13:07,500 ANYONE WHO RUNS AGAINST HER. . .[laughter] 268 00:13:07,500 --> 00:13:10,300 BECAUSE WE SIMPLY CAN'T LOSE HER AS A TEACHER. 269 00:13:10,300 --> 00:13:13,567 PLEASE WELCOME, ELLEN BRIGHTON. 270 00:13:13,567 --> 00:13:20,934 [loud applause] 271 00:13:20,934 --> 00:13:24,834 AFTER 6 LONG MONTHS OF HARD WORK FROM ALL OF US, 272 00:13:24,834 --> 00:13:27,533 (Phil) WELL, MAYBE NOT ALL OF 'EM. 273 00:13:27,533 --> 00:13:29,533 (John) I THINK WE FINALLY REACHED 274 00:13:29,533 --> 00:13:31,667 THE NEXT PLATEAU WITH ATLANTIC PETROLEUM. 275 00:13:31,667 --> 00:13:34,467 THIS TIME WE FINALLY STRUCK OIL! 276 00:13:34,467 --> 00:13:36,133 [board members groan] 277 00:13:36,133 --> 00:13:38,600 NOW IF YOU'LL OPEN YOUR PRESENTATION. . . 278 00:13:38,600 --> 00:13:41,500 (Ellen) IF EVERY TEACHER HAD SOMEONE AS SUPPORTIVE AS VALERIE, 279 00:13:41,500 --> 00:13:44,600 THIS PROFESSION WOULD BE A LOT EASIER. 280 00:13:50,266 --> 00:13:52,100 I'D LIKE TO. . . 281 00:13:53,967 --> 00:13:56,633 I'D LIKE TO, UM. . . 282 00:13:56,633 --> 00:13:59,567 I'D LIKE TO TALK TO YOU TODAY. . . 283 00:14:02,800 --> 00:14:06,633 I-I I MUST NEED GLASSES, 284 00:14:06,633 --> 00:14:08,900 I CAN'T. . . 285 00:14:08,900 --> 00:14:11,633 I NEVER THOUGHT I'D NEED GLASSES. 286 00:14:15,200 --> 00:14:17,567 UM. . . 287 00:14:17,567 --> 00:14:19,867 OH GOODNESS. . . 288 00:14:19,867 --> 00:14:22,400 I'M SORRY VALERIE, I. . . 289 00:14:25,700 --> 00:14:28,900 DO YOU MIND IF I DON'T. . . 290 00:14:31,000 --> 00:14:32,934 [audience gasps] 291 00:14:34,433 --> 00:14:36,967 (Valerie) IS THERE A DOCTOR! 292 00:14:36,967 --> 00:14:40,000 [synthesizer plays in suspenseful tone] 293 00:14:40,000 --> 00:14:54,967 ♪♪ 294 00:14:54,967 --> 00:15:09,533 ♪♪ 295 00:15:09,533 --> 00:15:19,567 ♪♪ 296 00:15:19,567 --> 00:15:29,300 ♪♪ 297 00:15:29,300 --> 00:15:32,734 WELL, IT ISN'T CANCER-- THAT MUCH WE KNOW FOR CERTAIN. 298 00:15:32,734 --> 00:15:36,066 NO SIGN OF A BRAIN TUMOR THAT MIGHT HAVE CAUSED YOU TO COLLAPSE. 299 00:15:36,066 --> 00:15:38,033 OH, THANK GOD. 300 00:15:38,033 --> 00:15:40,467 BUT I'M AFRAID THE NEWS ISN'T GOOD. 301 00:15:40,467 --> 00:15:43,467 ALL OF OUR TESTS ARE POINTING IN ONE DIRECTION. 302 00:15:43,467 --> 00:15:47,600 ELLEN, WE BELIEVE THAT YOU HAVE A FORM OF DEMENTIA. 303 00:15:47,600 --> 00:15:50,800 IT COULD BE ALZHEIMER'S DISEASE. 304 00:15:50,800 --> 00:15:53,700 WHY. . .THA. . . 305 00:15:53,700 --> 00:15:56,266 THAT'S RIDICULOUS. 306 00:15:56,266 --> 00:15:58,967 ALZHEIMER'S IS AN OLD PERSON'S DISEASE. 307 00:15:58,967 --> 00:16:01,800 (neurologist) YOU'RE RIGHT. IN THE VAST MAJORITY OF CASES 308 00:16:01,800 --> 00:16:03,834 IT STRIKES PEOPLE OVER 65. 309 00:16:03,834 --> 00:16:07,133 BUT A VERY SMALL MINORITY CONTRACT IT MUCH YOUNGER. 310 00:16:07,133 --> 00:16:11,834 YOUR TEST RESULTS INDICATE A 90% PROBABILITY THAT YOU HAVE THE DISEASE. 311 00:16:11,834 --> 00:16:14,633 BUT WHAT ABOUT THE OTHER 10%? 312 00:16:14,633 --> 00:16:17,400 SHOULDN'T WE GET A SECOND OPINION? 313 00:16:17,400 --> 00:16:19,567 >> OF COURSE, WE WANT YOU TO. 314 00:16:19,567 --> 00:16:22,533 NOTHING WOULD MAKE US HAPPIER THAN TO BE PROVEN WRONG. 315 00:16:30,934 --> 00:16:33,467 LOOK, WE CAN FIGHT THIS. 316 00:16:33,467 --> 00:16:35,266 MAYBE THEY'RE WRONG. 317 00:16:35,266 --> 00:16:37,066 THEY'RE NOT WRONG. 318 00:16:37,066 --> 00:16:39,133 SWEETHEART, WE'LL GET EVERYONE AT CHURCH TO PRAY. 319 00:16:39,133 --> 00:16:40,934 WE CAN FACE THIS TOGETHER. 320 00:16:40,934 --> 00:16:43,166 TOGETHER-- WHAT ARE YOU TALKING ABOUT? 321 00:16:43,166 --> 00:16:46,033 PRETTY SOON YOU ARE GOING TO BE THE ONE 322 00:16:46,033 --> 00:16:48,266 WHO'S GOING TO BE FACING THINGS ALL BY YOURSELF 323 00:16:48,266 --> 00:16:50,967 AND I'M GOING TO BECOME MORE ISOLATED, MORE ALONE. 324 00:16:50,967 --> 00:16:52,967 NO, WE WON'T LET THAT HAPPEN. 325 00:16:52,967 --> 00:16:54,400 THE CHILDREN AND I. . . 326 00:16:54,400 --> 00:16:55,867 NO! YOU'RE NOT GOING TO TELL THE CHILDREN. 327 00:16:55,867 --> 00:16:56,800 ELLEN. . . NO! 328 00:16:56,800 --> 00:16:58,834 I DON'T WANT KYLE AND TERI TO KNOW. 329 00:16:58,834 --> 00:17:00,867 WHY? 330 00:17:02,500 --> 00:17:04,433 I JUST. . . 331 00:17:04,433 --> 00:17:08,667 I WANT MY LIFE TO BE. . . 332 00:17:08,667 --> 00:17:11,700 NORMAL FOR AS LONG AS POSSIBLE. 333 00:17:11,700 --> 00:17:16,433 LOOK AT TERI, SHE DOESN'T EVEN LISTEN TO ME NOW. 334 00:17:16,433 --> 00:17:21,166 IF SHE THINKS I'M BRAIN-DEAD I'LL LOSE HER COMPLETELY. 335 00:17:21,166 --> 00:17:25,533 SO PLEASE, PROMISE ME, DON'T TELL THEM. 336 00:17:25,533 --> 00:17:28,333 ♪ [piano & strings play in tense tone] ♪ 337 00:17:28,333 --> 00:17:38,367 ♪♪ 338 00:17:38,367 --> 00:17:44,300 ♪♪ 339 00:17:44,300 --> 00:17:47,600 WHERE HAVE YOU BEEN? I'VE BEEN PAGING YOU ALL AFTERNOON. 340 00:17:47,600 --> 00:17:50,133 WE HAD A DOCTOR'S APPOINTMENT. 341 00:17:50,133 --> 00:17:53,133 AGAIN?. . .FOR WHO? 342 00:17:53,133 --> 00:17:55,333 ARE YOU BOTH OKAY? 343 00:17:55,333 --> 00:17:58,300 OH, THE APPOINTMENT WAS FOR ME. I'M FINE. JUST SOME TESTS. 344 00:17:58,300 --> 00:18:02,934 I FEEL FINE. SORRY I STOLE JOHN FROM YOU FOR A WHILE. 345 00:18:08,433 --> 00:18:11,033 (Teri) WHERE HAVE YOU GUYS BEEN? HEY UNCLE PHIL. 346 00:18:11,033 --> 00:18:12,567 (Phil) HEY, TERI. 347 00:18:12,567 --> 00:18:14,100 (Ellen) CAN YOU STAY FOR DINNER? 348 00:18:14,100 --> 00:18:16,900 NO THANKS. I'M JUST GONNA TALK TO JOHN FOR A SECOND. 349 00:18:16,900 --> 00:18:18,133 SO WHAT'S UP? 350 00:18:18,133 --> 00:18:19,633 SO WHAT'S UP? 351 00:18:19,633 --> 00:18:22,133 JUST THE BIGGEST DEAL OF OUR LIVES!! 352 00:18:22,133 --> 00:18:24,967 HELLO!? I NEEDED TO CONTACT YOU TODAY. 353 00:18:24,967 --> 00:18:27,066 THEY INVENTED PAGERS JUST FOR THAT PURPOSE, 354 00:18:27,066 --> 00:18:29,066 REMEMBER, THEY GO IN YOUR BELT? 355 00:18:29,066 --> 00:18:31,300 PHIL, THERE ARE MORE IMPORTANT THINGS IN LIFE THAN THIS DEAL. 356 00:18:31,300 --> 00:18:32,567 SUCH AS? 357 00:18:32,567 --> 00:18:34,667 I NEEDED TO BE WITH ELLEN. 358 00:18:34,667 --> 00:18:36,667 WHO WERE YOU WITH TODAY? 359 00:18:36,667 --> 00:18:41,133 AH, GEE. . . CLIENTS? 360 00:18:41,133 --> 00:18:43,934 LOOK, I'M SORRY, 361 00:18:43,934 --> 00:18:46,133 I'LL TRY NOT TO LET IT HAPPEN AGAIN. 362 00:18:47,433 --> 00:18:49,533 WANT TO STAY FOR DINNER? 363 00:18:49,533 --> 00:18:50,934 NAH, I CAN'T. 364 00:18:50,934 --> 00:18:53,200 I'VE GOT A HOT DATE. 365 00:18:54,600 --> 00:18:57,233 [alarm buzzes] 366 00:18:57,233 --> 00:18:58,800 [click!] 367 00:18:58,800 --> 00:19:00,700 [John sighs] 368 00:19:07,266 --> 00:19:09,767 (Ellen) I'M GOING TO TELL BARBARA TODAY. 369 00:19:13,400 --> 00:19:15,033 GOOD. 370 00:19:15,033 --> 00:19:18,467 I'M GLAD. YOU NEED TO TELL SOMEONE. 371 00:19:18,467 --> 00:19:20,467 [piano plays softly] 372 00:19:20,467 --> 00:19:27,934 ♪ ♪ 373 00:19:27,934 --> 00:19:30,467 SO DO YOU. 374 00:19:30,467 --> 00:19:33,533 [harp with oboe playing strong melody] 375 00:19:33,533 --> 00:19:43,567 ♪♪ 376 00:19:43,567 --> 00:19:49,967 ♪♪ 377 00:19:49,967 --> 00:19:52,667 (John) HOW CAN HE LET THESE THINGS HAPPEN? 378 00:19:52,667 --> 00:19:55,166 (Alexander) I DON'T KNOW JOHN. 379 00:19:55,166 --> 00:19:59,467 ALL I KNOW IS HOW MUCH I MISS HER EVEN NOW, MY MARJORIE, 380 00:19:59,467 --> 00:20:02,367 AFTER ALL THESE YEARS. 381 00:20:02,367 --> 00:20:07,867 I'VE SPENT A LOT OF PRIVATE TIME PRAYING IN THESE WOODS, JOHN. 382 00:20:11,900 --> 00:20:15,800 (John) I DON'T KNOW IF I EVEN KNOW HOW TO PRAY ANYMORE. 383 00:20:15,800 --> 00:20:18,567 (Alexander) I DIDN'T EITHER. 384 00:20:18,567 --> 00:20:21,734 I AGONIZED AND STRUGGLED-- I FOUGHT. 385 00:20:21,734 --> 00:20:24,834 BUT THE ONE THING I DISCOVERED THAT I COULDN'T DO 386 00:20:24,834 --> 00:20:27,667 WAS HOLD ON TO HER. 387 00:20:27,667 --> 00:20:32,900 I HAD TO LET GO-- IN MY MIND. 388 00:20:32,900 --> 00:20:37,633 I BUILT AN ALTAR, RIGHT HERE. 389 00:20:37,633 --> 00:20:42,133 AND ON IT I LAID THE ONE I LOVED 390 00:20:42,133 --> 00:20:45,367 MORE THAN ANYTHING IN ALL THE WORLD. 391 00:20:45,367 --> 00:20:48,800 I GAVE HER UP TO HIM. 392 00:20:48,800 --> 00:20:53,133 IT'S ALL RIGHT IF WE WRESTLE WITH GOD ON SOME THINGS, 393 00:20:53,133 --> 00:20:58,900 BUT REMEMBER. . . WE CAN TRUST HIS HAND, 394 00:20:58,900 --> 00:21:02,767 EVEN IF WE DON'T UNDERSTAND HIS PLAN. 395 00:21:02,767 --> 00:21:08,166 WHEN ALL IS SAID AND DONE, WE HAVE TO TRUST IN HIM, 396 00:21:08,166 --> 00:21:12,967 EVEN THOUGH OUR QUESTIONS ARE NOT ANSWERED. 397 00:21:12,967 --> 00:21:16,200 [orchestra-- strings play strong melody] 398 00:21:16,200 --> 00:21:21,000 ♪♪ 399 00:21:21,000 --> 00:21:23,533 (Jim) NOW I'VE GONE OVER THE FIGURES AND EVERYTHING LOOKS FINE, 400 00:21:23,533 --> 00:21:26,834 BUT WHAT WE NEED ARE THE RESULTS OF THAT LAND SURVEY. 401 00:21:26,834 --> 00:21:30,133 DO YOU KNOW ANYTHING ABOUT IT JOHN? 402 00:21:32,400 --> 00:21:34,467 JOHN? 403 00:21:34,467 --> 00:21:37,533 I'M SORRY, WHAT DID YOU SAY? 404 00:21:38,800 --> 00:21:42,567 YES, ALEX, I'LL TAKE DISTRACTED EXECUTIVES FOR $300. 405 00:21:42,567 --> 00:21:46,166 (imitates Alex Travec) "HE AT IMPORTANT MEETINGS SEEMS FREQUENTLY PRE-OCCUPIED AND INATTENTIVE." 406 00:21:46,166 --> 00:21:48,266 WHO IS JOHN BRIGHTON? 407 00:21:48,266 --> 00:21:51,667 THAT'S CORRECT! BRIGHTON ASSOCIATES IS NOW IN DOUBLE JEOPARDY. 408 00:21:51,667 --> 00:21:54,533 ALL RIGHT. ALL RIGHT. LET'S KEEP GOING. 409 00:21:54,533 --> 00:21:57,900 (boy) "WILLIAM PULLED OUT THE CANTEEN AND TOOK A LONG DRINK. 410 00:21:57,900 --> 00:22:01,734 THE WATER FELT GOOD AS IT ROLLED DOWN HIS PARCH-ED THROAT." 411 00:22:01,734 --> 00:22:04,967 MRS. BRIGHTON, HE SAID "PARCH-ED." 412 00:22:04,967 --> 00:22:06,100 WHAT? 413 00:22:06,100 --> 00:22:08,300 IT'S SUPPOSED TO BE "PARCHED." 414 00:22:08,300 --> 00:22:14,233 OH, YES, THAT'S "PARCHED", JIM. 415 00:22:14,233 --> 00:22:16,066 PLEASE CONTINUE. 416 00:22:16,066 --> 00:22:17,734 IT'S JUSTIN. 417 00:22:17,734 --> 00:22:21,000 OH. . .OH, OF COURSE IT IS. 418 00:22:21,000 --> 00:22:23,133 I'M SORRY. 419 00:22:23,133 --> 00:22:26,433 "DOWN HIS PARCHED THROAT. 420 00:22:26,433 --> 00:22:29,066 "THEN HE PASSED THE CANTEEN TO HIS FRIENDS 421 00:22:29,066 --> 00:22:32,433 AND THEY EACH TOOK LONG DRINKS UNTIL IT WAS EMPTY." 422 00:22:32,433 --> 00:22:35,066 DO YOU WANT ME TO GO ON MRS. BRIGHTON? 423 00:22:35,066 --> 00:22:39,367 NO, NO, THAT WAS FINE. THANK YOU. 424 00:22:39,367 --> 00:22:42,133 UM. . . 425 00:22:42,133 --> 00:22:44,433 WHO WOULD LIKE TO CONTINUE? 426 00:22:45,867 --> 00:22:48,000 [clicking of computer keyboard] 427 00:22:48,000 --> 00:22:50,066 [piano plays softly] 428 00:22:50,066 --> 00:22:52,300 [footsteps] 429 00:22:52,300 --> 00:23:00,500 ♪ ♪ 430 00:23:00,500 --> 00:23:03,700 I'M NOT A TEACHER ANYMORE. 431 00:23:03,700 --> 00:23:07,300 I RESIGNED TODAY. 432 00:23:07,300 --> 00:23:09,967 VALERIE WAS JUST TERRIFIC, SHE. . . 433 00:23:09,967 --> 00:23:16,300 SHE SAID THAT SHE WOULD GET A SUB FOR AS LONG AS I NEEDED 434 00:23:16,300 --> 00:23:22,033 AND THAT WHEN I WAS READY TO COME BACK. . . 435 00:23:22,033 --> 00:23:26,400 [sobbing] 436 00:23:26,400 --> 00:23:28,734 OH, ELLEN. 437 00:23:28,734 --> 00:23:30,533 [deep exhale] 438 00:23:30,533 --> 00:23:32,433 [soft moaning] 439 00:23:37,033 --> 00:23:40,333 KYLE IS COMING HOME THIS WEEKEND 440 00:23:40,333 --> 00:23:44,000 AND I THINK IT'S TIME TO TELL THE CHILDREN. 441 00:23:44,000 --> 00:23:54,033 ♪ ♪ 442 00:23:54,033 --> 00:24:00,533 ♪ ♪ 443 00:24:00,533 --> 00:24:02,433 ♪ ♪ 444 00:24:02,433 --> 00:24:04,467 [motor purrs] 445 00:24:04,467 --> 00:24:06,867 (Kyle) I'M GOING TO DROP OUT OF COLLEGE-- 446 00:24:06,867 --> 00:24:09,600 YOU'RE GOING TO NEED HELP. 447 00:24:09,600 --> 00:24:11,867 NO, KYLE, I DON'T WANT YOU TO DO THAT. 448 00:24:11,867 --> 00:24:14,200 BUT I WANT TO BE HERE. 449 00:24:14,200 --> 00:24:16,300 YOU'VE ALWAYS BEEN THERE FOR US AND NOW IT'S OUR TURN. 450 00:24:16,300 --> 00:24:18,200 WE'LL BE FINE. 451 00:24:18,200 --> 00:24:19,800 WHAT I WANT IS 452 00:24:19,800 --> 00:24:25,867 FOR BOTH OF YOU TO GO ON WITH YOUR LIVES, GROW, LOVE GOD. 453 00:24:25,867 --> 00:24:30,166 IT WOULD BREAK MY HEART IF YOU STOPPED DOING THAT. 454 00:24:30,166 --> 00:24:34,400 YOU DON'T WANT TO BREAK YOUR MOTHER'S HEART DO YOU? 455 00:24:34,400 --> 00:24:38,533 WHAT'S GOING TO HAPPEN TO YOU, MOM? 456 00:24:45,734 --> 00:24:48,600 NOBODY KNOWS EXACTLY. . . 457 00:24:48,600 --> 00:24:54,934 WHAT WILL HAPPEN BUT I'LL, I'LL PROBABLY. . . 458 00:24:57,300 --> 00:25:01,000 I WILL LOSE MY MEMORY. 459 00:25:01,000 --> 00:25:06,734 MAYBE SLOWLY. . . AND MAYBE QUICKLY. 460 00:25:07,967 --> 00:25:10,266 I MAY NOT. . . 461 00:25:13,767 --> 00:25:17,333 I MAY NOT KNOW YOU. . . 462 00:25:17,333 --> 00:25:20,100 ANY OF YOU. 463 00:25:21,433 --> 00:25:25,767 BUT IF THAT DAY COMES, I WANT YOU TO REMEMBER 464 00:25:25,767 --> 00:25:28,300 THAT THE REAL ME. . . 465 00:25:30,600 --> 00:25:33,467 IS STILL THERE. . . 466 00:25:33,467 --> 00:25:36,800 LOVING YOU AS MUCH AS EVER. 467 00:25:38,367 --> 00:25:43,233 EACH OF US IS IN GOD'S HANDS. 468 00:25:43,233 --> 00:25:48,467 AND I THINK HE WANTS US 469 00:25:48,467 --> 00:25:51,934 TO LIVE EACH DAY. . . 470 00:25:51,934 --> 00:25:59,033 EACH MINUTE. . . AS BEST AS WE CAN. 471 00:25:59,033 --> 00:26:03,467 SO SHOULD WE START NOW? 472 00:26:03,467 --> 00:26:05,667 [piano, harp, & strings play softly] 473 00:26:05,667 --> 00:26:07,867 ♪♪ 474 00:26:07,867 --> 00:26:10,367 [Ellen sighs] 475 00:26:10,367 --> 00:26:24,967 ♪♪ 476 00:26:24,967 --> 00:26:39,567 ♪♪ 477 00:26:39,567 --> 00:26:42,100 ♪ [piano, drums, & guitar in bright rhythm] ♪ 478 00:26:42,100 --> 00:26:43,367 ♪♪♪ 479 00:26:43,367 --> 00:26:46,700 OH! OH LOOK AT IT!! 480 00:26:46,700 --> 00:26:49,433 IT'S JUST AS BEAUTIFUL AS I REMEMBERED. 481 00:26:49,433 --> 00:26:51,533 SO ARE YOU. 482 00:26:51,533 --> 00:26:54,166 EVEN MORE BEAUTIFUL THAN WHEN WE FIRST CAME HERE. 483 00:26:54,166 --> 00:27:01,533 ♪♪♪ 484 00:27:01,533 --> 00:27:02,667 (John) WHOA!! 485 00:27:03,467 --> 00:27:06,834 (Ellen) WHOA! NO! NO!! 486 00:27:06,834 --> 00:27:08,433 OH-OH-OH!! 487 00:27:08,433 --> 00:27:10,533 NO!! NO!!! 488 00:27:10,533 --> 00:27:24,700 ♪♪♪ 489 00:27:24,700 --> 00:27:34,734 ♪♪♪ 490 00:27:34,734 --> 00:27:40,533 ♪♪♪ 491 00:27:40,533 --> 00:27:53,633 ♪♪♪ 492 00:27:53,633 --> 00:27:57,500 (Ellen) I'VE HAD SUCH WONDERFUL MOMENTS WITH YOU. 493 00:27:57,500 --> 00:28:07,333 ♪♪♪ 494 00:28:07,333 --> 00:28:13,433 (John) OH, I JUST WISH WE COULD MAKE TIME. . .STOP. . . 495 00:28:15,633 --> 00:28:18,867 STAY LIKE THIS FOREVER. 496 00:28:18,867 --> 00:28:21,333 [Ellen sighs] 497 00:28:21,333 --> 00:28:25,600 I LOVE YOU, SWEETHEART. 498 00:28:25,600 --> 00:28:27,333 [piano softly plays] 499 00:28:27,333 --> 00:28:29,734 ♪♪ 500 00:28:29,734 --> 00:28:31,133 [Ellen sighs] 501 00:28:31,133 --> 00:28:33,533 [fire crackles] 502 00:28:33,533 --> 00:28:40,600 ♪♪ 503 00:28:40,600 --> 00:28:43,066 OH. . . HM? 504 00:28:43,066 --> 00:28:47,100 I. . .I'D BETTER SEE TO KYLE. 505 00:28:47,100 --> 00:28:49,967 I THINK HE'S CRYING. 506 00:28:49,967 --> 00:28:51,800 HONEY? 507 00:28:51,800 --> 00:28:54,300 [orchestra plays in suspenseful tone] 508 00:28:54,300 --> 00:29:04,400 ♪ ♪ 509 00:29:04,400 --> 00:29:10,233 ♪ ♪ 510 00:29:10,233 --> 00:29:20,600 ♪ ♪ 511 00:29:20,600 --> 00:29:22,467 [exhales deeply] 512 00:29:22,467 --> 00:29:23,567 [inhales deeply] 513 00:29:23,567 --> 00:29:26,200 OH, PLEASE GOD, HELP HER. 514 00:29:29,433 --> 00:29:31,633 [exhales deeply] 515 00:29:31,633 --> 00:29:34,767 GOD, WHY IS THIS HAPPENING? 516 00:29:34,767 --> 00:29:37,000 [harp and strings playing] 517 00:29:37,000 --> 00:29:43,900 ♪ ♪ 518 00:29:50,867 --> 00:29:52,967 BYE, MOM. 519 00:29:52,967 --> 00:29:55,467 I'M GONNA TO GO TO SCHOOL NOW. 520 00:29:57,000 --> 00:29:59,200 ALL RIGHT, GRACE. 521 00:29:59,200 --> 00:30:04,433 I'M. . .YOUR DAUGHTER, TERI. 522 00:30:09,633 --> 00:30:11,567 THIS ONE RIGHT HERE. 523 00:30:12,266 --> 00:30:13,700 TERI. 524 00:30:13,700 --> 00:30:15,934 YEAH, AND THAT'S KYLE. 525 00:30:15,934 --> 00:30:17,967 KYLE. 526 00:30:17,967 --> 00:30:19,367 YEAH. 527 00:30:22,233 --> 00:30:24,133 I GOTTA GO. 528 00:30:24,133 --> 00:30:26,600 I'll SEE YOU THIS AFTERNOON. 529 00:30:44,433 --> 00:30:46,767 (dismayed) AW. . . 530 00:30:46,767 --> 00:30:47,767 [splat!] 531 00:30:47,767 --> 00:30:49,800 [piano plays slowly and softly] 532 00:30:49,800 --> 00:30:56,934 ♪♪ 533 00:30:56,934 --> 00:30:58,967 ARE YOU FEELING GOOD, MRS. BRIGHTON? 534 00:30:58,967 --> 00:31:01,734 YOU WANT TO GET UP AND GET DRESSED? 535 00:31:01,734 --> 00:31:04,100 [screaming] NO! NO! NO! NO! NO! NO! 536 00:31:04,100 --> 00:31:06,133 NO! NO! NO! NO! NO! NO! NO! 537 00:31:06,133 --> 00:31:08,133 (Mrs. Lopez) IT'S ALL RIGHT. 538 00:31:08,133 --> 00:31:10,133 HE'S COMING BACK IN A LITTLE WHILE. 539 00:31:10,133 --> 00:31:12,133 MAYBE I BETTER NOT GO JUST YET. 540 00:31:12,133 --> 00:31:13,800 (Mrs. Lopez) YOU GO AHEAD, MR. BRIGHTON. . . 541 00:31:13,800 --> 00:31:15,300 NO!!!! 542 00:31:15,300 --> 00:31:17,300 . . .IT'S IMPORTANT YOU HAVE SOME TIME FOR YOURSELF. 543 00:31:17,300 --> 00:31:18,300 GO ON NOW. 544 00:31:18,300 --> 00:31:20,000 (Ellen) NO! NO! NO! NO! 545 00:31:20,000 --> 00:31:22,400 (Mrs. Lopez) HE'S COMING BACK IN A LITTLE WHILE. 546 00:31:22,400 --> 00:31:32,567 ♪♪ 547 00:31:32,567 --> 00:31:35,367 [breathing heavily] 548 00:31:35,367 --> 00:31:38,367 OH, GOD HELP ME. 549 00:31:38,367 --> 00:31:41,200 [breathing heavily] 550 00:31:43,700 --> 00:31:45,633 [breathing heavily] 551 00:31:45,633 --> 00:31:48,300 I'M SORRY. . .YOU OKAY? 552 00:31:48,300 --> 00:31:50,800 SORRY, JUST RESTING. 553 00:31:50,800 --> 00:31:54,300 OH, I THOUGHT YOU WERE. . .WELL. . . 554 00:31:54,300 --> 00:31:57,533 HAVING A HEART ATTACK OR SOMETHING? 555 00:31:57,533 --> 00:32:00,767 [chuckles] DOES IT LOOK LIKE I SHOULD BE? 556 00:32:00,767 --> 00:32:04,100 NO, IT'S NOT THAT, I SEE YOU RUNNING HERE 557 00:32:04,100 --> 00:32:06,467 EVERY ONCE IN A WHILE BUT YOU'RE NOT VERY REGULAR. 558 00:32:06,467 --> 00:32:08,433 KEEPING TRACK, EH? 559 00:32:08,433 --> 00:32:10,834 I JUST HAPPENED TO NOTICE. 560 00:32:10,834 --> 00:32:13,467 IT'S HARD TO DO IT EVERY DAY. 561 00:32:13,467 --> 00:32:16,667 OH, YEAH, I HEARD. 562 00:32:16,667 --> 00:32:18,767 HEARD WHAT? 563 00:32:18,767 --> 00:32:21,467 OH WELL, NOTHIN', IT'S JUST THAT. . . 564 00:32:21,467 --> 00:32:23,567 WHAT? 565 00:32:23,567 --> 00:32:26,166 WELL, I HEARD THAT THE LEGS ARE THE FIRST TO GO. 566 00:32:27,667 --> 00:32:28,967 REALLY? 567 00:32:30,400 --> 00:32:33,200 THE NEXT TO GO IS YOUR SENSE OF HUMOR. 568 00:32:33,200 --> 00:32:35,800 [both chuckle] 569 00:32:35,800 --> 00:32:37,467 JULIA SINCLAIR 570 00:32:37,467 --> 00:32:39,133 JOHN BRIGHTON. 571 00:32:39,133 --> 00:32:41,633 (man) ♪ JINGLE BELL SWING AND JINGLE BELL RING ♪ 572 00:32:41,633 --> 00:32:45,066 ♪ DANCIN' AND PRANCIN' IN JINGLE BELL SQUARE ♪ 573 00:32:45,066 --> 00:32:48,900 (Kyle sings along) ♪ IN THE FROSTY AIR ♪ 574 00:32:48,900 --> 00:32:50,934 ♪ OH, RIGHT TIME ♪ 575 00:32:50,934 --> 00:32:53,000 ♪ IT'S THE RIGHT TIME ♪ 576 00:32:53,000 --> 00:32:55,867 ♪ TO ROCK THE NIGHT AWAY ♪ 577 00:32:55,867 --> 00:32:57,967 (imitates Elvis) THANK YOU-- THANK YOU VERY MUCH. 578 00:32:57,967 --> 00:33:01,367 ♪ JINGLE BELL TIME IS A SWELL TIME ♪ 579 00:33:01,367 --> 00:33:05,133 ♪ TO GO RIDIN' IN A ONE-HORSE SLEIGH ♪ 580 00:33:05,133 --> 00:33:08,800 ♪ GIDDYUP JINGLE HORSE PICK UP YOUR FEET ♪ 581 00:33:08,800 --> 00:33:12,900 ♪ JINGLE AROUND THE CLOCK ♪ 582 00:33:12,900 --> 00:33:16,834 ♪ MIX AND MINGLE AND A-JINGLIN' BE ♪ 583 00:33:16,834 --> 00:33:20,967 ♪ THAT'S THE JINGLE BELL ROCK ♪ 584 00:33:20,967 --> 00:33:23,033 (vocal chorus) ♪ JINGLE BELL JINGLE BELL ♪ 585 00:33:23,033 --> 00:33:24,300 ♪ JINGLE BELL ROCK ♪ 586 00:33:24,300 --> 00:33:26,133 ANYBODY HOME? 587 00:33:26,133 --> 00:33:29,233 ♪ JINGLE BELL CHIME AND JINGLE BELL TIME ♪ 588 00:33:29,233 --> 00:33:32,567 ♪ DANCIN' AND PRANCIN' IN THE JINGLE BELL SQUARE ♪ 589 00:33:32,567 --> 00:33:36,900 ♪ IN THE FROSTY AIR ♪ 590 00:33:36,900 --> 00:33:40,867 ♪ WHAT A BRIGHT TIME, IT'S THE RIGHT TIME ♪ 591 00:33:40,867 --> 00:33:44,433 ♪ TO ROCK THE NIGHT AWAY ♪ 592 00:33:44,433 --> 00:33:46,834 [deep exhale] 593 00:33:48,066 --> 00:33:50,500 HELLO. 594 00:33:50,500 --> 00:33:51,967 (softly) HI. 595 00:33:53,934 --> 00:33:56,300 YOU ALL RIGHT? 596 00:33:56,300 --> 00:33:59,100 (sarcastically) JUST BUBBLING WITH HAPPINESS. 597 00:33:59,100 --> 00:34:01,834 HOW'S MOM? 598 00:34:01,834 --> 00:34:06,000 ON A SCALE OF ONE TO TEN, ABOUT A MINUS 4. 599 00:34:06,000 --> 00:34:09,266 HOW'S DAD HOLDING UP? 600 00:34:09,266 --> 00:34:12,667 YOU MEAN THAT GUY WHO WANDERS THROUGH HERE EVERY NOW AND THEN? 601 00:34:12,667 --> 00:34:15,333 WOULDN'T KNOW-- HARDLY EVER SEE HIM. 602 00:34:15,333 --> 00:34:18,567 THIS ISN'T A FAMILY ANYMORE, IT'S AN ASYLUM. 603 00:34:18,567 --> 00:34:21,800 AND I GET TO LIVE HERE. . . LUCKY ME. 604 00:34:21,800 --> 00:34:24,100 LOOK, DAD'S DOING THE BEST HE CAN. 605 00:34:24,100 --> 00:34:27,200 I SAW HIM THIS WEEK FOR ABOUT 10 MINUTES 606 00:34:27,200 --> 00:34:30,266 AND LAST WEEK I GOT 15. 607 00:34:30,266 --> 00:34:32,667 MOM THINKS I'M HER COUSIN, GRACE. 608 00:34:32,667 --> 00:34:34,633 I DON'T HAVE PARENTS ANYMORE. 609 00:34:34,633 --> 00:34:36,934 I MIGHT AS WELL BE A BOARDER. 610 00:34:36,934 --> 00:34:39,000 AND IT'S CHRISTMAS, KYLE, 611 00:34:39,000 --> 00:34:41,000 DO YOU SEE ANY DECORATIONS? 612 00:34:41,000 --> 00:34:43,000 DO YOU SEE ANY COOKIES? 613 00:34:43,000 --> 00:34:46,000 DAD HASN'T EVEN HAD TIME TO GO OUT AND BUY PRESENTS. 614 00:34:46,000 --> 00:34:49,166 THERE WON'T BE A CHRISTMAS THIS YEAR-- 615 00:34:49,166 --> 00:34:51,066 MAYBE IT'S FOR THE BEST. 616 00:34:51,066 --> 00:34:53,867 I MEAN, WHY FAKE IT? 617 00:34:55,433 --> 00:34:57,467 OKAY, PITIFUL, LET'S GO. 618 00:34:57,467 --> 00:34:58,467 WHAT? 619 00:34:58,467 --> 00:35:00,200 I SAID, LET'S GO. 620 00:35:00,200 --> 00:35:01,333 WHAT ARE YOU TALKING ABOUT? 621 00:35:01,333 --> 00:35:02,100 COME ON. 622 00:35:02,100 --> 00:35:03,300 LEAVE ME ALONE. NO! 623 00:35:03,300 --> 00:35:04,967 NO, YOU'RE COMING-- WE'VE GOT WORK TO DO. 624 00:35:04,967 --> 00:35:07,066 YOU'RE CRAZY! YOU BELONG IN THIS FAMILY. 625 00:35:07,066 --> 00:35:08,166 I KNOW. 626 00:35:08,166 --> 00:35:09,667 [click!] 627 00:35:09,667 --> 00:35:11,400 HEY-HEY! 628 00:35:11,400 --> 00:35:13,633 HEY DAD, HOW ARE YOU? 629 00:35:13,633 --> 00:35:15,467 [orchestra plays softly] 630 00:35:15,467 --> 00:35:17,266 ♪♪ 631 00:35:17,266 --> 00:35:19,967 (Kyle) HEY MOM, HOW'S IT GOIN'? 632 00:35:21,600 --> 00:35:23,867 (John) ELLEN, IT'S KYLE. 633 00:35:25,000 --> 00:35:27,066 (politely) OH, HELLO. 634 00:35:27,600 --> 00:35:29,033 HI MOM. 635 00:35:30,600 --> 00:35:32,200 YOU LOOK GREAT! 636 00:35:36,367 --> 00:35:39,166 WHEN DID YOU GET HOME? 637 00:35:39,166 --> 00:35:41,200 A LITTLE WHILE AGO. 638 00:35:42,433 --> 00:35:44,200 YOU READY SQUIRT? 639 00:35:44,200 --> 00:35:45,300 (Teri) READY. 640 00:35:45,300 --> 00:35:46,700 WHAT'S GOING ON HERE? 641 00:35:46,700 --> 00:35:48,200 AH, YOU'LL SEE. 642 00:35:48,200 --> 00:35:50,100 OKAY, LET HER RIP. 643 00:35:51,433 --> 00:35:54,700 (John) OH, I DON'T BELIEVE THAT. 644 00:35:56,533 --> 00:35:58,867 (Ellen) OH!!! 645 00:35:58,867 --> 00:36:01,600 [orchestra-- lush in tone] 646 00:36:01,600 --> 00:36:11,633 ♪♪ 647 00:36:11,633 --> 00:36:17,533 ♪♪ 648 00:36:17,533 --> 00:36:24,967 ♪♪ 649 00:36:24,967 --> 00:36:27,600 (softly) THANK YOU. . . 650 00:36:27,600 --> 00:36:29,700 BOTH OF YOU. 651 00:36:29,700 --> 00:36:39,533 ♪♪ 652 00:36:39,533 --> 00:36:43,800 (Ellen) GOD BLESS US, EVERYONE. 653 00:36:43,800 --> 00:36:46,633 ♪♪ 654 00:36:46,633 --> 00:36:49,900 MOM, DO YOU WANT SOME HOT CHOCOLATE? 655 00:36:49,900 --> 00:36:53,967 ♪♪ 656 00:36:53,967 --> 00:36:56,166 YOU'RE NOT GOING TO BLOW A FUSE, ARE YOU? 657 00:36:56,166 --> 00:36:58,166 HOW MANY AMPS YOU GOT GOING? 658 00:36:58,166 --> 00:36:59,900 DAD, DON'T WORRY ABOUT IT. 659 00:36:59,900 --> 00:37:02,133 OKAY, IF YOU SAY SO. 660 00:37:02,133 --> 00:37:04,367 I'LL TELL YOU WHAT TO WORRY ABOUT. 661 00:37:04,367 --> 00:37:05,367 HMMM? 662 00:37:05,367 --> 00:37:07,166 TERI'S PLANNING TO COOK CHRISTMAS DINNER 663 00:37:07,166 --> 00:37:08,300 OH, NO. 664 00:37:08,300 --> 00:37:11,233 OH, YEAH, AND GOD HELP US-- EVERYONE. 665 00:37:11,233 --> 00:37:13,633 ♪♪ 666 00:37:13,633 --> 00:37:16,166 (Phil) LIKE TRYING TO PUT THE WINDOWS UP WITH THE HEATER ON 667 00:37:16,166 --> 00:37:17,867 WE'RE GOING 75. 668 00:37:17,867 --> 00:37:19,467 MY HAIR-- RUINING. . . 669 00:37:19,467 --> 00:37:20,800 YOU HAVE THIS SCARF ON. 670 00:37:20,800 --> 00:37:22,967 ANYWAY IT WAS NOTHING. I MEAN, IN FLORIDA WHEN IT'S RAINING 671 00:37:22,967 --> 00:37:24,433 YOU PUT THE WINDOWS UP. . . 672 00:37:24,433 --> 00:37:26,800 YOU GUYS NEED TO KNOW THAT TERI IS THE MASTERMIND 673 00:37:26,800 --> 00:37:28,800 BEHIND THIS ENTIRE DINNER. 674 00:37:28,800 --> 00:37:31,100 SO SHE'S WORKED REALLY HARD AND WE NEED TO THANK HER. 675 00:37:31,100 --> 00:37:33,100 [loud applause] 676 00:37:33,100 --> 00:37:35,100 OKAY, LADIES AND GENTLEMEN. . . 677 00:37:35,100 --> 00:37:37,767 TERI'S GRAND OPUS. . . IS SERVED! 678 00:37:37,767 --> 00:37:42,633 [all laugh] 679 00:37:42,633 --> 00:37:46,600 IT'S NICE WHEN SOMEONE LENDS YOU A HAND IN THE KITCHEN. 680 00:37:46,600 --> 00:37:49,033 [all chuckle] 681 00:37:49,033 --> 00:37:51,867 [all conversing] 682 00:37:53,066 --> 00:37:56,166 WELL, LET'S ALL GIVE THANKS, SHALL WE? 683 00:37:56,166 --> 00:37:58,233 YOU KNOW, I'D LIKE TO SAY SOMETHING FIRST 684 00:37:58,233 --> 00:38:00,934 IF IT'S OKAY. (John) SURE, FINE. 685 00:38:00,934 --> 00:38:03,000 WELL, UM. . . 686 00:38:03,000 --> 00:38:05,500 LAST NIGHT I ASKED CINDY TO MARRY ME. . . 687 00:38:05,500 --> 00:38:07,500 AND SHE SAID YES!! 688 00:38:07,500 --> 00:38:09,967 (Teri) ALL RIGHT! I FINALLY GET A SISTER. 689 00:38:09,967 --> 00:38:11,967 BLESSINGS ON BOTH OF YOU. 690 00:38:11,967 --> 00:38:13,467 THANK YOU ALEXANDER. 691 00:38:13,467 --> 00:38:15,500 I DIDN'T REALIZE THINGS HAD GOTTEN SO SERIOUS. 692 00:38:15,500 --> 00:38:17,433 I KNOW, DAD. YOU'VE BEEN SO BUSY 693 00:38:17,433 --> 00:38:19,433 WE HAVEN'T HAD TIME TO TELL YOU. 694 00:38:19,433 --> 00:38:20,567 (John) WELCOME, CINDY. 695 00:38:20,567 --> 00:38:21,600 (Phil) WOW!! 696 00:38:21,600 --> 00:38:22,767 (Kristi) CONGRATULATIONS. 697 00:38:22,767 --> 00:38:24,600 (Teri) WHEN'S THE WEDDING? 698 00:38:24,600 --> 00:38:25,900 WELL, UM. . . 699 00:38:26,967 --> 00:38:29,000 AS SOON AS POSSIBLE! 700 00:38:29,000 --> 00:38:30,533 (John) WELCOME TO THE FAMILY. 701 00:38:30,533 --> 00:38:32,500 (Cindy) THANK YOU. (Phil) WELCOME! 702 00:38:32,500 --> 00:38:34,233 SOMETHING TO THINK ABOUT. 703 00:38:34,233 --> 00:38:35,633 DON'T GET ANY IDEAS. 704 00:38:35,633 --> 00:38:38,633 WE CERTAINLY HAVE A LOT TO BE THANKFUL FOR THIS YEAR. 705 00:38:38,633 --> 00:38:40,166 (John) YOU'RE ABSOLUTELY RIGHT. 706 00:38:40,166 --> 00:38:41,567 LET'S PRAY. 707 00:38:41,567 --> 00:38:42,800 OH!! 708 00:38:44,433 --> 00:38:47,066 (John) FATHER ON THIS CHRISTMAS DAY, 709 00:38:47,066 --> 00:38:50,734 WE WANT TO THANK YOU FOR ALL THESE GIFTS OF JOY. 710 00:38:50,734 --> 00:38:55,700 FOR OUR CHILDREN, KYLE AND TERI. . . 711 00:38:55,700 --> 00:38:58,567 [flute, piano, & harp-- light and bright in tone] 712 00:38:58,567 --> 00:39:08,667 ♪♪♪ 713 00:39:08,667 --> 00:39:14,200 ♪♪♪ 714 00:39:14,200 --> 00:39:23,767 ♪♪♪ 715 00:39:23,767 --> 00:39:27,433 [pleasant conversations] 716 00:39:27,433 --> 00:39:41,000 ♪♪♪ 717 00:39:42,600 --> 00:39:44,667 EVERYBODY TOLD ME NOT TO MARRY HIM 718 00:39:44,667 --> 00:39:47,000 BUT I WAS STUBBORN. 719 00:39:47,000 --> 00:39:48,367 I KNEW BETTER. . . 720 00:39:48,367 --> 00:39:50,633 OR SO I THOUGHT. 721 00:39:50,633 --> 00:39:53,300 I'M SORRY, JULIA. 722 00:39:54,600 --> 00:39:57,633 THANKS, I APPRECIATE YOUR LISTENING. 723 00:39:57,633 --> 00:39:59,967 YOU DON'T INTERRUPT THE WAY MY COCKATIEL DOES. 724 00:39:59,967 --> 00:40:01,300 [chuckles] 725 00:40:01,300 --> 00:40:04,333 ONCE THE LEGS ARE GONE, WHAT CAN YOU DO BUT SIT AND LISTEN? 726 00:40:04,333 --> 00:40:07,734 [guitar, strings, and drums play in smooth rhythm] 727 00:40:07,734 --> 00:40:21,400 ♪ ♪ 728 00:40:21,400 --> 00:40:31,433 ♪ ♪ 729 00:40:31,433 --> 00:40:37,000 ♪ ♪ 730 00:40:37,000 --> 00:40:44,433 ♪ ♪ 731 00:40:44,433 --> 00:40:46,967 [music becomes tense in tone] 732 00:40:46,967 --> 00:40:52,767 ♪ ♪ 733 00:40:52,767 --> 00:40:54,133 OOP!! 734 00:40:54,700 --> 00:40:56,967 WOOP! 735 00:40:56,967 --> 00:41:05,567 ♪ ♪ 736 00:41:05,567 --> 00:41:08,200 (Teri) YOU RUIN EVERYTHING!! 737 00:41:08,200 --> 00:41:10,734 THESE ARE MY FAVORITE LIPSTICKS. 738 00:41:10,734 --> 00:41:12,600 HOW DID YOU DO THIS? 739 00:41:12,600 --> 00:41:14,900 LOOK WHAT SHE DID. 740 00:41:14,900 --> 00:41:17,667 EVERYTHING IS COMPLETELY RUINED! 741 00:41:17,667 --> 00:41:20,467 HONEY, IT'S ALL RIGHT. 742 00:41:20,467 --> 00:41:22,667 LET ME TAKE CARE OF THIS. 743 00:41:22,667 --> 00:41:25,200 [sighs] 744 00:41:25,200 --> 00:41:27,734 [piano plays softly] 745 00:41:27,734 --> 00:41:37,767 ♪♪ 746 00:41:37,767 --> 00:41:46,066 ♪♪ 747 00:41:46,066 --> 00:41:48,867 MRS. BRIGHTON, DON'T YOU LIKE YOUR BREAKFAST? 748 00:41:51,433 --> 00:41:53,367 YOU NEED TO EAT. 749 00:41:56,433 --> 00:41:59,967 OH, YOU'RE LOOKING FOR YOUR HUSBAND AREN'T YOU? 750 00:41:59,967 --> 00:42:02,467 YOU DON'T LIKE IT WHEN HE'S GONE. 751 00:42:02,467 --> 00:42:05,667 BUT EVERYTHING IS GOING TO BE JUST FINE. 752 00:42:05,667 --> 00:42:08,100 HE'S AWAY ON A LITTLE BUSINESS TRIP 753 00:42:08,100 --> 00:42:10,467 AND HE'LL BE BACK TOMORROW NIGHT. 754 00:42:10,467 --> 00:42:12,700 TOMORROW NIGHT. 755 00:42:12,700 --> 00:42:15,200 IT'S PRETTY ISN'T IT? YOU LIKE IT? 756 00:42:17,567 --> 00:42:20,433 I'LL BE RIGHT BACK, I'M JUST GOING TO FOLD SOME CLOTHES. 757 00:42:24,767 --> 00:42:27,100 [humming happily] 758 00:42:27,100 --> 00:42:39,800 ♪ ♪ 759 00:42:54,734 --> 00:42:57,000 (Ellen whispering) Teacher. 760 00:42:57,000 --> 00:42:59,633 Teacher. 761 00:42:59,633 --> 00:43:04,000 The. . .teacher, teacher. 762 00:43:04,000 --> 00:43:07,233 [frustrated sigh] 763 00:43:07,233 --> 00:43:09,633 [orchestra-- tense in tone] 764 00:43:09,633 --> 00:43:20,266 ♪ ♪ 765 00:43:20,266 --> 00:43:22,700 [humming happily] 766 00:43:22,700 --> 00:43:32,734 ♪ ♪ 767 00:43:32,734 --> 00:43:39,300 ♪ ♪ 768 00:43:39,300 --> 00:43:41,433 Señora?? 769 00:43:41,433 --> 00:43:45,233 ♪ ♪ 770 00:43:45,233 --> 00:43:47,233 Señora!!!! 771 00:43:47,233 --> 00:43:49,300 [starter grinding] 772 00:43:49,300 --> 00:43:50,934 MRS. BRIGHTON! 773 00:43:50,934 --> 00:43:52,500 [engine starts] 774 00:43:52,500 --> 00:43:54,500 MRS. BRIGHTON! 775 00:43:54,500 --> 00:43:56,033 MRS. BRIGHTON! 776 00:43:56,033 --> 00:43:57,900 MRS. BRIGHTON. 777 00:43:57,900 --> 00:44:00,300 [loud clattering] 778 00:44:00,300 --> 00:44:08,934 ♪ ♪ 779 00:44:08,934 --> 00:44:10,900 Ay Dios Mío! 780 00:44:10,900 --> 00:44:14,767 ♪ ♪ 781 00:44:14,767 --> 00:44:16,233 [screeching] 782 00:44:16,233 --> 00:44:18,400 WE AT BRIGHTON ASSOCIATES ARE 783 00:44:18,400 --> 00:44:20,467 PLEASE TO HAVE THE OPPORTUNITY 784 00:44:20,467 --> 00:44:22,633 TO BRIEF YOU ON THE PROGRESS 785 00:44:22,633 --> 00:44:24,867 OF OUR SOUTHWEST CORRIDOR EXPLORATIONS. 786 00:44:24,867 --> 00:44:27,300 WE FIRST CHARTERED THIS REGION. . . 787 00:44:27,300 --> 00:44:30,867 ♪ ♪ 788 00:44:30,867 --> 00:44:32,567 COME ON. 789 00:44:32,567 --> 00:44:37,967 ♪ ♪ 790 00:44:37,967 --> 00:44:42,667 [man yelling] 791 00:44:42,667 --> 00:44:46,200 . . .NUMBER 630 IN YOUR PROSPECTUS. 792 00:44:46,200 --> 00:44:48,300 IF YOU'LL TURN TO PAGE 16. 793 00:44:48,300 --> 00:44:49,800 (man) BEFORE WE GET INTO ALL THAT 794 00:44:49,800 --> 00:44:53,133 I WOULD LIKE AN EXPLANATION AS TO WHY 795 00:44:53,133 --> 00:44:56,867 THIS BRIEFING HAS BEEN REPEATEDLY RESCHEDULED. 796 00:44:58,700 --> 00:45:01,300 I'M GLAD YOU ASKED ABOUT THAT AND IT IS SOMETHING WE. . . 797 00:45:01,300 --> 00:45:03,567 HOW FAR BEHIND SCHEDULE ARE WE? 798 00:45:03,567 --> 00:45:05,967 (Phil) WELL. . .WELL YOU HAVE TO UNDERSTAND. 799 00:45:05,967 --> 00:45:08,467 SOUTHWEST CORRIDOR HAS NEVER EXACTLY 800 00:45:08,467 --> 00:45:10,467 BEEN EXPLORED BEFORE SO. . . 801 00:45:10,467 --> 00:45:12,967 [children conversing] 802 00:45:12,967 --> 00:45:19,967 ♪ ♪ 803 00:45:19,967 --> 00:45:21,266 [loud screech] 804 00:45:21,266 --> 00:45:23,300 [loud screaming] 805 00:45:23,300 --> 00:45:25,500 [tires screeching] 806 00:45:25,500 --> 00:45:26,400 [loud screaming] 807 00:45:26,400 --> 00:45:28,100 [SCREECH!!!!] 808 00:45:28,100 --> 00:45:29,567 (Ellen) AAAHH!! 809 00:45:29,567 --> 00:45:31,967 (Phil) EXACTLY-- THE SOUTHWEST CORRIDOR IS 810 00:45:31,967 --> 00:45:34,700 A VERY HAZARDOUS, CAVERNOUS REGION OF THE OCEAN. 811 00:45:34,700 --> 00:45:36,700 MR. BRIGHTON, IT'S FOR YOU. 812 00:45:36,700 --> 00:45:38,266 A FAMILY EMERGENCY. 813 00:45:38,266 --> 00:45:41,633 [siren wailing] 814 00:45:41,633 --> 00:45:56,467 ♪ ♪ 815 00:45:56,467 --> 00:45:59,467 ♪ ♪ 816 00:45:59,467 --> 00:46:01,800 YOU AND STEPHANIE WILL HAVE TO RUN THE MEETING WITHOUT ME. 817 00:46:01,800 --> 00:46:03,967 JOHN, THAT'S IMPOSSIBLE, THEY WANT TO HEAR FROM YOU!! 818 00:46:03,967 --> 00:46:05,100 I HAVE NO CHOICE. 819 00:46:05,100 --> 00:46:06,400 YOU DO HAVE A CHOICE. 820 00:46:06,400 --> 00:46:07,767 YEAH, YOU TELL ME-- WHAT IS IT? 821 00:46:07,767 --> 00:46:09,533 ARE THE POLICE LOOKING FOR HER? 822 00:46:09,533 --> 00:46:11,000 I ASSUME SO. 823 00:46:11,000 --> 00:46:13,100 WELL FINE, THEY'LL TAKE IT FROM HERE. 824 00:46:13,100 --> 00:46:15,100 I MEAN, WHAT CAN YOU DO? 825 00:46:15,100 --> 00:46:17,800 LOOK, WE HAVE 2 HOURS IN THERE AND WE'VE GOT 'EM. 826 00:46:17,800 --> 00:46:20,066 YOU CAN'T GET THERE IN 2 HOURS ANYWAY. 827 00:46:20,066 --> 00:46:22,367 I'VE GOT TO GO HOME. I HAVE NO OTHER CHOICE. 828 00:46:24,700 --> 00:46:28,333 IT'S FUNNY HOW THIS COMPANY NEVER SEEMS TO BE ON YOUR LIST OF CHOICES. 829 00:46:31,200 --> 00:46:32,900 [exhales deeply] 830 00:46:34,600 --> 00:46:37,033 HOW DO YOU THINK THEY LIKED IT? 831 00:46:37,033 --> 00:46:39,900 ARE YOU KIDDING? YOU DID A NICE JOB. 832 00:46:39,900 --> 00:46:41,734 THANKS FOR PINCH-HITTING. 833 00:46:41,734 --> 00:46:43,133 NO PROBLEM. 834 00:46:43,133 --> 00:46:44,967 I CAN'T BELIEVE JOHN JUST BAILS ON US LIKE THAT. 835 00:46:44,967 --> 00:46:46,567 ELLEN WAS MISSING. 836 00:46:46,567 --> 00:46:48,834 IT'S NOT LIKE HE COULD HAVE DONE ANYTHING ABOUT IT. 837 00:46:48,834 --> 00:46:51,767 I'M SURE SHE'S GLAD SHE MARRIED JOHN AND NOT YOU. 838 00:46:51,767 --> 00:46:53,767 SHE WOULD HAVE BEEN IN A NURSING HOME A LONG TIME AGO. 839 00:46:53,767 --> 00:46:55,467 THAT'S RIGHT. 840 00:46:55,467 --> 00:47:10,400 ♪ ♪ 841 00:47:10,400 --> 00:47:13,333 (woman) JEREMY, KEEP READING, QUIET. 842 00:47:13,333 --> 00:47:16,233 IF YOU FINISH UP THIS LESSON YOU GUYS GET TO GO TO RECESS. 843 00:47:17,600 --> 00:47:23,867 [scraping of chalk on board] 844 00:47:27,767 --> 00:47:30,200 PSST! MRS. EDWARDS. 845 00:47:33,767 --> 00:47:35,867 (Mrs. Edwards) MAY I HELP YOU? 846 00:47:39,633 --> 00:47:42,100 TAKE YOUR SEATS. 847 00:47:42,100 --> 00:47:43,767 TAKE YOUR SEATS, CLASS. 848 00:47:43,767 --> 00:47:45,367 TAKE YOUR SEATS. 849 00:47:46,767 --> 00:47:49,200 MATTHEW, PLEASE GO GET MRS. DEWEY. 850 00:47:55,133 --> 00:47:57,834 WHO KNOWS THE QUESTION? 851 00:47:57,834 --> 00:47:58,800 [all chuckle] 852 00:47:58,800 --> 00:48:00,867 NO! NO! 853 00:48:03,400 --> 00:48:05,200 TAKE YOUR SEATS. 854 00:48:05,200 --> 00:48:06,633 TAKE YOUR SEATS. 855 00:48:06,633 --> 00:48:08,533 TAKE YOUR SEATS. 856 00:48:08,533 --> 00:48:09,667 ELLEN. . . 857 00:48:09,667 --> 00:48:11,066 TAKE YOUR SEAT. 858 00:48:11,066 --> 00:48:13,100 ELLEN, IT'S ME-- VALERIE. 859 00:48:13,100 --> 00:48:15,066 (Ellen) TAKE YOUR SEAT. TAKE YOUR SEATS. 860 00:48:15,066 --> 00:48:16,700 TAKE YOUR SEATS. 861 00:48:16,700 --> 00:48:18,300 ELLEN, WHY DON'T YOU COME INTO MY OFFICE? 862 00:48:18,300 --> 00:48:19,400 TAKE YOUR SEATS. 863 00:48:19,400 --> 00:48:20,800 WE COULD SIT DOWN. NO!!! 864 00:48:20,800 --> 00:48:22,333 WE COULD SIT. . . NO! NO! NO! 865 00:48:22,333 --> 00:48:24,166 TEACH! NO! NO! NO! 866 00:48:24,166 --> 00:48:26,233 TEACH! TEACH! 867 00:48:26,233 --> 00:48:28,700 TEACH! TEACH! 868 00:48:28,700 --> 00:48:39,166 [Ellen screaming loudly] 869 00:48:41,133 --> 00:48:43,967 OH, MR. BRIGHTON, I'M SO SORRY. 870 00:48:43,967 --> 00:48:46,567 I WENT TO THE LAUNDRY ROOM FOR JUST ONE MINUTE 871 00:48:46,567 --> 00:48:48,567 AND SHE WAS GONE. I'M SO SORRY. 872 00:48:48,567 --> 00:48:50,533 IT'S ALL RIGHT, MARIA. 873 00:48:50,533 --> 00:48:52,767 [orchestra plays softly] 874 00:48:52,767 --> 00:48:59,533 ♪♪ 875 00:48:59,533 --> 00:49:01,066 ELLEN. . . 876 00:49:01,066 --> 00:49:02,400 HMMM. 877 00:49:02,400 --> 00:49:05,700 I'M SO GLAD YOU'RE SAFE. 878 00:49:05,700 --> 00:49:18,967 ♪♪ 879 00:49:18,967 --> 00:49:20,633 SHE'S OKAY. 880 00:49:20,633 --> 00:49:22,367 (Teri) WELL I'M NOT! 881 00:49:22,367 --> 00:49:24,367 I CAN'T TAKE THIS ANYMORE. 882 00:49:24,367 --> 00:49:27,166 (with emotion) I'M SORRY TERI, WE'RE ALL TRYING. 883 00:49:27,166 --> 00:49:32,700 ♪♪ 884 00:49:32,700 --> 00:49:36,900 EVERY DAY I THINK THE CHAOS CAN'T GET ANY WORSE. 885 00:49:36,900 --> 00:49:39,133 [chuckles] AND IT DOES. 886 00:49:39,133 --> 00:49:41,533 PEOPLE KEEP TELLING ME 887 00:49:41,533 --> 00:49:43,967 THERE'S NOTHING MORE I CAN DO FOR MY WIFE 888 00:49:43,967 --> 00:49:46,800 THAT SHE DOESN'T EVEN KNOW WHO I AM ANYMORE. 889 00:49:46,800 --> 00:49:49,633 I SHOULD PUT HER AWAY IN A NURSING HOME. 890 00:49:49,633 --> 00:49:52,934 BUT SOMETIMES SHE DOES KNOW WHO I AM, 891 00:49:52,934 --> 00:49:56,567 I CAN SEE IT IN HER EYES. 892 00:49:59,934 --> 00:50:02,633 I'M SORRY TO BE DUMPING ALL THIS ON YOU 893 00:50:02,633 --> 00:50:06,967 BUT HAVING SOMEONE TO TALK TO JUST MEANS SO MUCH TO ME. 894 00:50:06,967 --> 00:50:09,333 NO, IT'S OKAY. 895 00:50:09,333 --> 00:50:12,233 I LOVE TO HEAR YOU TALK. 896 00:50:12,233 --> 00:50:13,500 OH. 897 00:50:13,500 --> 00:50:16,200 THIS TIME THAT WE SPEND TOGETHER, 898 00:50:16,200 --> 00:50:19,667 WELL, IT'S JUST ABOUT THE HIGH POINT OF MY DAY. 899 00:50:21,300 --> 00:50:25,200 I REALLY APPRECIATE YOUR FRIENDSHIP. 900 00:50:27,266 --> 00:50:29,367 (Phil) YOU DON'T RETURN PHONE CALLS. 901 00:50:29,367 --> 00:50:31,400 YOU CANCEL MEETINGS AT THE LAST MINUTE. 902 00:50:31,400 --> 00:50:33,400 YOU'RE NOT AVAILABLE FOR CONSULTATION. 903 00:50:33,400 --> 00:50:36,867 EVERY TIME IT HAPPENS YOU APOLOGIZE, BUT NOTHING CHANGES. 904 00:50:36,867 --> 00:50:39,100 AREN'T YOU THE ONE WHO'S ALWAYS PREACHING 905 00:50:39,100 --> 00:50:42,000 ABOUT HOW REPENTANCE IS SOME SORT OF CHANGE OF CONDUCT? 906 00:50:42,000 --> 00:50:45,033 I'LL CHANGE; THE COMPANY WILL CHANGE. WE'LL REBOUND. 907 00:50:45,033 --> 00:50:46,800 REBOUND? 908 00:50:46,800 --> 00:50:48,900 YESTERDAY ROBIN AND DOUG RESIGNED. 909 00:50:48,900 --> 00:50:51,367 THIS MORNING 3 SALES GUYS-- YOU CALL THAT REBOUNDING? 910 00:50:56,433 --> 00:50:58,367 UM, EXCUSE ME. 911 00:50:58,367 --> 00:50:59,667 MAY I HELP YOU? 912 00:50:59,667 --> 00:51:01,233 IS JOHN BRIGHTON HERE? 913 00:51:01,233 --> 00:51:02,734 THE WORD'S ON THE STREET JOHN, 914 00:51:02,734 --> 00:51:04,033 THE ACCOUNTS ARE GETTING JITTERY, 915 00:51:04,033 --> 00:51:05,333 THE SHARKS ARE CIRCLING! 916 00:51:05,333 --> 00:51:06,567 I'LL MAKE SOME CALLS. 917 00:51:06,567 --> 00:51:08,166 THAT'S NOT ENOUGH. 918 00:51:08,166 --> 00:51:10,333 I NEED YOU HERE EVERY DAY, I NEED YOUR WORD ON IT. 919 00:51:10,333 --> 00:51:12,333 HOW AM I GOING TO DO THAT WITH ELLEN THE WAY SHE IS? 920 00:51:12,333 --> 00:51:14,934 YOU PUT HER IN A HOME FOR PEOPLE LIKE THAT. 921 00:51:14,934 --> 00:51:17,200 COME ON, JOHN, YOU'RE YOUNG, GET A LIFE. 922 00:51:17,200 --> 00:51:19,734 SHE'S NOT PEOPLE LIKE THAT! SHE'S MY WIFE. 923 00:51:19,734 --> 00:51:21,533 I LOVE HER! 924 00:51:25,066 --> 00:51:27,367 [John sighs] 925 00:51:36,266 --> 00:51:38,800 (Phil) JOHN, ELLEN'S DYING. 926 00:51:38,800 --> 00:51:41,967 THERE'S NOTHING YOU CAN DO ABOUT THAT. 927 00:51:43,433 --> 00:51:46,500 PLEASE, JUST GO. 928 00:51:54,934 --> 00:51:56,300 HELLO. 929 00:51:56,300 --> 00:51:57,967 HI. HI JOHN! 930 00:51:57,967 --> 00:51:59,467 JULIA. 931 00:51:59,467 --> 00:52:01,867 OH, I HOPE I'M NOT INTERRUPTING ANYTHING. 932 00:52:01,867 --> 00:52:04,967 OH, EXCUSE ME. PHIL, JULIA SINCLAIR, MY BROTHER, PHIL. 933 00:52:04,967 --> 00:52:06,967 HI. NICE TO MEET YOU. NICE TO MEET YOU. 934 00:52:06,967 --> 00:52:08,533 I WAS RIGHT AROUND THE CORNER. 935 00:52:08,533 --> 00:52:09,800 I WONDERED IF YOU WERE FREE FOR LUNCH. 936 00:52:09,800 --> 00:52:11,567 SURE. 937 00:52:11,567 --> 00:52:13,233 AND YOU'RE WITH. . . 938 00:52:13,233 --> 00:52:15,567 JULIA'S AH, JUST A FRIEND. 939 00:52:15,567 --> 00:52:17,700 OH. . .OH, JUST A FRIEND. 940 00:52:17,700 --> 00:52:20,367 HAVE A NICE LUNCH. 941 00:52:20,367 --> 00:52:22,667 NICE TO MEET YOU. 942 00:52:22,667 --> 00:52:24,467 NICE TO MEET YOU. 943 00:52:26,934 --> 00:52:29,200 (John) I CAN'T SAY I BLAME HIM. 944 00:52:29,200 --> 00:52:31,667 IF IT WAS ANYONE BUT FAMILY, 945 00:52:31,667 --> 00:52:33,834 I'D A GOTTEN THE BOOT A LONG TIME AGO. 946 00:52:33,834 --> 00:52:36,300 (Julia) I'M SO SORRY. 947 00:52:36,300 --> 00:52:38,667 WHAT ARE YOU GOING TO DO? 948 00:52:38,667 --> 00:52:41,066 (John) I DON'T KNOW. 949 00:52:41,066 --> 00:52:45,867 SO MUCH OF WHAT I DID WAS FOR ELLEN AND OUR FUTURE. 950 00:52:47,100 --> 00:52:49,700 YOUR FUTURE ISN'T OVER. 951 00:52:50,934 --> 00:52:53,300 WOULD ELLEN WANT YOU TO GIVE UP YOUR LIFE FOR HER? 952 00:52:53,300 --> 00:52:55,533 SHE LOVED YOU. 953 00:52:55,533 --> 00:52:57,800 I KNOW WHAT A WOMAN WANTS FOR THE MAN SHE LOVES, 954 00:52:57,800 --> 00:53:00,467 SHE WANTS YOU TO GO ON AND BE EVEN MORE SUCCESSFUL. . . 955 00:53:00,467 --> 00:53:04,000 FOR YOURSELF AND KYLE AND TERI. 956 00:53:06,266 --> 00:53:09,100 YOU'RE SUCH A GIVING MAN. 957 00:53:09,100 --> 00:53:11,967 YOU THINK ABOUT EVERYBODY BUT YOURSELF. 958 00:53:11,967 --> 00:53:17,266 BUT JOHN. . . I'M THINKING ABOUT YOU. 959 00:53:19,200 --> 00:53:22,834 IF YOU EVER NEED ANYTHING. . . 960 00:53:22,834 --> 00:53:25,467 I'M HERE FOR YOU. 961 00:53:25,467 --> 00:53:28,333 [piano plays softly] 962 00:53:28,333 --> 00:53:37,133 ♪♪ 963 00:53:37,133 --> 00:53:40,333 CINDY AND I HAVE BEEN PRAYING ABOUT THIS FOR A LONG TIME. 964 00:53:40,333 --> 00:53:44,033 WE SET THE DATE FOR OUR WEDDING. 965 00:53:44,033 --> 00:53:46,433 IT'S A WEEK AFTER GRADUATION. 966 00:53:46,433 --> 00:53:48,500 THAT'S GREAT. 967 00:53:48,500 --> 00:53:51,000 CONGRATULATIONS. 968 00:53:52,033 --> 00:53:53,800 [both laugh] 969 00:53:55,266 --> 00:53:57,567 I'M HAPPY FOR YOU SON. 970 00:53:57,567 --> 00:54:00,400 JUST WISH THINGS COULD HAVE BEEN DIFFERENT, 971 00:54:00,400 --> 00:54:02,800 WE HAVEN'T HAD MUCH TIME TO TALK. 972 00:54:02,800 --> 00:54:04,800 I WANTED TO BE THERE FOR YOU. 973 00:54:04,800 --> 00:54:07,100 MAKE SURE YOU WERE READY FOR THIS. 974 00:54:07,100 --> 00:54:09,000 DON'T WORRY DAD. 975 00:54:09,000 --> 00:54:12,100 CINDY AND I HAVE LEARNED MORE ABOUT MARRIAGE 976 00:54:12,100 --> 00:54:14,800 FROM WATCHING YOU AND MOM THAN YOU COULD EVER PUT INTO WORDS. 977 00:54:19,600 --> 00:54:22,266 LET'S GO FOR ANOTHER SET. 978 00:54:22,266 --> 00:54:24,266 [strings play softly] 979 00:54:24,266 --> 00:54:34,300 ♪♪ 980 00:54:34,300 --> 00:54:40,233 ♪♪ 981 00:54:40,233 --> 00:54:55,266 ♪♪ 982 00:54:55,266 --> 00:55:02,100 ♪♪ 983 00:55:02,100 --> 00:55:04,266 [knock, knock, knock] 984 00:55:08,900 --> 00:55:10,633 JOHN!? 985 00:55:13,700 --> 00:55:16,834 HER NAME IS JULIA SINCLAIR. 986 00:55:16,834 --> 00:55:21,000 SHE'S BECOME A. . . A DEAR FRIEND. 987 00:55:21,000 --> 00:55:23,000 SHE'S AMAZING. 988 00:55:23,000 --> 00:55:26,333 SHE LISTENS ENDLESSLY TO MY WHINING. 989 00:55:28,767 --> 00:55:32,100 I'M JUST SO LONELY, ALEXANDER. 990 00:55:32,100 --> 00:55:35,967 I TRY TO REMEMBER WHAT IT FELT LIKE TO HAVE ELLEN 991 00:55:35,967 --> 00:55:38,867 PUT HER ARMS AROUND ME, KISS ME. . . 992 00:55:41,266 --> 00:55:43,834 BUT THE MEMORY'S FADING. 993 00:55:43,834 --> 00:55:47,867 EVERY MORNING I SEE JULIA AND I'M ALIVE. 994 00:55:51,100 --> 00:55:54,033 I'M AFRAID I'M FALLING IN LOVE WITH HER. 995 00:55:54,033 --> 00:55:56,433 I LOVE ELLEN. . . 996 00:55:58,500 --> 00:56:01,333 BUT I JUST. . . 997 00:56:01,333 --> 00:56:07,200 SOMETIMES I CAN'T STAND THE THOUGHT OF HOLDING HER HAND 998 00:56:07,200 --> 00:56:11,700 AND JUST BEING SO COMPLETELY ALONE. 999 00:56:13,800 --> 00:56:17,467 LONELINESS CAN BE A TERRIBLE THING. 1000 00:56:17,467 --> 00:56:20,500 I KNOW-- I'M AN EXPERT. 1001 00:56:20,500 --> 00:56:24,066 THERE WAS A TIME I THOUGHT I HAD A LONELINESS PROBLEM, 1002 00:56:24,066 --> 00:56:26,900 SAME AS YOU'RE FEELING NOW. 1003 00:56:26,900 --> 00:56:29,500 I KNOW THE SIGNS. 1004 00:56:29,500 --> 00:56:35,066 BUT, JOHN, YOU HAVEN'T GOT A LONELINESS PROBLEM, 1005 00:56:35,066 --> 00:56:41,367 I THINK THE ISSUE FOR YOU IS TRUST. 1006 00:56:44,066 --> 00:56:46,433 ARE YOU FREE TOMORROW NIGHT? 1007 00:56:46,433 --> 00:56:49,567 I SUPPOSE SO. . .WHY? 1008 00:56:49,567 --> 00:56:52,633 YOU'LL HAVE TO TRUST ME ON THIS. 1009 00:56:52,633 --> 00:56:54,300 ALL RIGHT? 1010 00:56:54,300 --> 00:56:57,367 (Billy Graham) I REMEMBER THAT NIGHT IN TEMPLE TERRACE. 1011 00:56:57,367 --> 00:57:01,033 GOD WAS SPEAKING TO MY HEART-- I KNEW THAT. 1012 00:57:01,033 --> 00:57:03,667 AND I REMEMBER GETTING ON MY KNEES 1013 00:57:03,667 --> 00:57:07,200 ON THE 18TH HOLE OF THE GOLF COURSE AND I SAID, 1014 00:57:07,200 --> 00:57:12,433 "OH, GOD. . .I GIVE IN. 1015 00:57:12,433 --> 00:57:16,166 "I NEVER WANTED TO BE A PREACHER. 1016 00:57:16,166 --> 00:57:19,500 "I NEVER WANTED TO BE ANYTHING IN THE CHURCH. 1017 00:57:19,500 --> 00:57:22,300 "I DIDN'T LIKE THE CHURCH, 1018 00:57:22,300 --> 00:57:25,600 BUT I'LL BE WHAT YOU WANT ME TO BE 1019 00:57:25,600 --> 00:57:28,233 "AND I'LL DO WHAT YOU WANT ME TO DO." 1020 00:57:28,233 --> 00:57:33,600 AND THAT CALL HAS NEVER LEFT AND GOD HAS SAID, 1021 00:57:33,600 --> 00:57:39,233 "I WANT YOU TO CONTINUE AS LONG AS I GIVE YOU THE STRENGTH." 1022 00:57:39,233 --> 00:57:41,633 THE VOICE WAS SO DISTINCT 1023 00:57:41,633 --> 00:57:44,633 THAT I COULDN'T MISUNDERSTAND THAT CALL. 1024 00:57:44,633 --> 00:57:47,633 AND EVERY CHRISTIAN IS CALLED TO MINISTRY. 1025 00:57:47,633 --> 00:57:49,767 DID YOU KNOW THAT? 1026 00:57:49,767 --> 00:57:52,834 THE WORD MINISTRY MEANS SERVANT, SERVICE. 1027 00:57:52,834 --> 00:57:56,467 WITH A CALL TO DO SOMETHING FOR OTHER PEOPLE 1028 00:57:56,467 --> 00:57:59,867 THAT ARE LESS FORTUNATE THAN WE ARE. 1029 00:57:59,867 --> 00:58:04,333 JESUS TOOK ON HIMSELF THE FORM OF A SERVANT, THE BIBLE SAYS. 1030 00:58:04,333 --> 00:58:10,033 HE SAID, "I DID NOT COME TO BE SERVED, BUT TO SERVE." 1031 00:58:10,033 --> 00:58:12,100 IN MARK 10. 1032 00:58:12,100 --> 00:58:16,166 IT'S TOUGH TO DO THE WILL OF GOD. 1033 00:58:16,166 --> 00:58:19,166 (Billy Graham) WE HAVE THE HIGHEST STANDARD OF LIVING IN THE WORLD. 1034 00:58:19,166 --> 00:58:22,867 THE HIGHEST STANDARD THAT THE WORLD HAS EVER KNOWN. 1035 00:58:22,867 --> 00:58:25,467 AND YET AS A NATION WE'RE IN DANGER 1036 00:58:25,467 --> 00:58:29,367 OF LEAVING GOD OUT OF OUR LIVES. 1037 00:58:29,367 --> 00:58:32,133 (John) OH, PLEASE, GOD, FORGIVE ME-- 1038 00:58:35,934 --> 00:58:40,367 FORGIVE ME FOR TRYING TO DO ALL THIS ON MY OWN. 1039 00:58:44,633 --> 00:58:47,467 I NEED YOU LORD. . . 1040 00:58:51,066 --> 00:58:54,667 NOW MORE THAN EVER. 1041 00:58:54,667 --> 00:58:57,867 (Billy Graham) THE DEVIL WILL ALWAYS HAVE A SHIP READY 1042 00:58:57,867 --> 00:59:00,900 WHEN A MAN WANTS TO SAIL AWAY FROM GOD. 1043 00:59:04,600 --> 00:59:07,667 YOU SEE GOD GAVE HIS SON, JESUS CHRIST, 1044 00:59:07,667 --> 00:59:10,233 TO DIE ON THAT CROSS FOR YOU. 1045 00:59:10,233 --> 00:59:13,033 THAT'S THE REASON HE WAS THERE. . . 1046 00:59:13,033 --> 00:59:15,333 (Alexander) JOHN?. . . 1047 00:59:15,333 --> 00:59:17,533 ARE YOU ALL RIGHT? 1048 00:59:19,066 --> 00:59:21,000 YEAH! 1049 00:59:21,000 --> 00:59:23,433 I'VE GOT TO GO HOME, ALEXANDER. 1050 00:59:23,433 --> 00:59:27,633 I HAVE SOME THINGS I NEED TO DO. 1051 00:59:27,633 --> 00:59:29,400 SURE. . . 1052 00:59:29,400 --> 00:59:32,200 LET'S GO! 1053 00:59:32,200 --> 00:59:34,800 [orchestra plays full and bright] 1054 00:59:34,800 --> 00:59:47,166 ♪ ♪ ♪ 1055 00:59:47,166 --> 00:59:50,834 [orchestra plays softly] 1056 00:59:50,834 --> 01:00:05,300 ♪♪ 1057 01:00:05,300 --> 01:00:13,033 ♪♪ 1058 01:00:13,033 --> 01:00:15,367 SWEETHEART. . . 1059 01:00:19,100 --> 01:00:21,567 SWEETHEART. . . 1060 01:00:21,567 --> 01:00:24,400 I KNOW IT'S BEEN A WHILE, 1061 01:00:24,400 --> 01:00:27,300 BUT I HAVE SOMETHING TO TELL YOU. 1062 01:00:27,300 --> 01:00:30,533 SOMETHING TO REMIND YOU OF, 1063 01:00:30,533 --> 01:00:36,266 BECAUSE, WELL, I WAS REMINDED OF IT MYSELF TONIGHT. 1064 01:00:36,266 --> 01:00:39,700 LET'S SEE. . . 1065 01:00:39,700 --> 01:00:42,633 BEEN A LONG TIME. 1066 01:00:42,633 --> 01:00:48,333 I, JOHN, TAKE YOU, ELLEN, 1067 01:00:48,333 --> 01:00:52,133 TO BE MY WIFE. 1068 01:00:52,133 --> 01:00:56,500 TO HAVE AND TO HOLD. 1069 01:00:56,500 --> 01:01:00,767 TO HONOR AND TO TREASURE. 1070 01:01:00,767 --> 01:01:04,066 TO BE AT YOUR SIDE 1071 01:01:04,066 --> 01:01:06,900 THROUGH SORROW AND JOY, 1072 01:01:06,900 --> 01:01:10,000 IN SICKNESS AND IN HEALTH. 1073 01:01:10,000 --> 01:01:16,567 TO LOVE AND CHERISH YOU ALWAYS. 1074 01:01:16,567 --> 01:01:21,266 I PROMISE YOU THIS 1075 01:01:21,266 --> 01:01:25,000 FROM MY HEART. . . 1076 01:01:25,000 --> 01:01:28,934 WITH MY SOUL. . . 1077 01:01:28,934 --> 01:01:33,433 FOR AS LONG AS WE BOTH SHALL LIVE. 1078 01:01:33,433 --> 01:01:36,200 ♪♪ 1079 01:01:36,200 --> 01:01:40,000 THIS IS MY PROMISE TO YOU. 1080 01:01:44,133 --> 01:01:47,633 YOU KNOW, UP UNTIL NOW 1081 01:01:47,633 --> 01:01:52,734 I THOUGHT OF TAKING CARE OF YOU AS A CHORE. 1082 01:01:52,734 --> 01:01:57,266 BUT I WANT YOU TO KNOW, 1083 01:01:57,266 --> 01:02:01,100 TAKING CARE OF YOU IS 1084 01:02:01,100 --> 01:02:05,367 AN HONOR. . .A PRIVILEGE. 1085 01:02:09,900 --> 01:02:18,166 THIS BED. . . IS MY ALTAR, LORD. 1086 01:02:18,166 --> 01:02:22,867 AND ON IT IS THE WOMAN I LOVE. 1087 01:02:26,433 --> 01:02:30,333 I GIVE HER INTO YOUR HANDS. 1088 01:02:30,333 --> 01:02:40,367 ♪♪ 1089 01:02:40,367 --> 01:02:45,600 ♪♪ 1090 01:02:45,600 --> 01:02:56,734 ♪♪ 1091 01:02:56,734 --> 01:02:58,767 [doorbell rings] 1092 01:03:00,133 --> 01:03:01,533 WELL, HI. 1093 01:03:01,533 --> 01:03:02,567 HI. 1094 01:03:02,567 --> 01:03:04,066 COME ON IN. 1095 01:03:04,066 --> 01:03:05,300 THANKS. 1096 01:03:05,300 --> 01:03:07,300 I'M SORRY TO SURPRISE YOU LIKE THIS. 1097 01:03:07,300 --> 01:03:09,300 OH NO, IT'S FINE. 1098 01:03:09,300 --> 01:03:24,200 ♪♪ 1099 01:03:24,200 --> 01:03:33,767 ♪♪ 1100 01:03:33,767 --> 01:03:38,433 I HAVE A FEELING WE'RE NOT GOING TO BE RUNNING TOGETHER ANYMORE. 1101 01:03:39,767 --> 01:03:42,133 [Julia crying] 1102 01:03:45,433 --> 01:03:47,367 ISN'T IT STRANGE? 1103 01:03:48,500 --> 01:03:51,967 IT WAS YOUR FAITHFULNESS THAT DREW ME TO YOU 1104 01:03:51,967 --> 01:03:55,867 AND NOW YOUR FAITHFULNESS IS TAKING YOU AWAY. 1105 01:03:55,867 --> 01:04:09,967 ♪♪ 1106 01:04:09,967 --> 01:04:11,567 [birds chirping] 1107 01:04:11,567 --> 01:04:13,200 [knocking] 1108 01:04:14,467 --> 01:04:17,967 JOHN. . .HI. 1109 01:04:17,967 --> 01:04:20,166 PHIL, I'M SORRY TO BOTHER YOU. 1110 01:04:20,166 --> 01:04:24,333 I JUST WANTED TO STOP BY AND TELL YOU, I AM SO SORRY. 1111 01:04:24,333 --> 01:04:26,734 YOU ARE ABSOLUTELY RIGHT. 1112 01:04:26,734 --> 01:04:28,433 ABOUT WHAT? 1113 01:04:28,433 --> 01:04:30,367 ABOUT ME HOLDING THE FIRM BACK. 1114 01:04:30,367 --> 01:04:32,633 I'VE GIVING IT A LOT OF A THOUGHT AND I UNDERSTAND NOW, 1115 01:04:32,633 --> 01:04:35,433 YOU WERE RIGHT ABOUT IT AND THE ONLY SOLUTION IS FOR ME 1116 01:04:35,433 --> 01:04:38,867 TO GIVE YOU MY SHARE-- CONTROLLING INTEREST. 1117 01:04:38,867 --> 01:04:40,967 WHAT ARE YOU TALKIN' ABOUT? 1118 01:04:40,967 --> 01:04:43,467 (John) I'VE GIVEN IT A LOT OF THOUGHT 1119 01:04:43,467 --> 01:04:45,967 AND I JUST THINK IT'S BEST FOR ALL CONCERNED. 1120 01:04:45,967 --> 01:04:48,300 SO, I JUST WANTED YOU TO KNOW THAT. 1121 01:04:48,300 --> 01:04:51,500 SO I'M SORRY I DISTURBED YOU AND. . . 1122 01:04:51,500 --> 01:04:53,200 MICHELLE. 1123 01:04:53,200 --> 01:04:54,900 MICHELLE. . .HI. 1124 01:04:54,900 --> 01:04:55,834 HELLO. 1125 01:04:55,834 --> 01:04:58,233 SO, ANYWAY, HAVE A NICE DAY. 1126 01:05:01,400 --> 01:05:04,266 WHO WAS THAT? 1127 01:05:04,266 --> 01:05:08,934 I THINK IT WAS MY FORMER PARTNER. 1128 01:05:10,767 --> 01:05:13,633 (Phil) WELL, I'M GLAD YOU ALL COULD MAKE IT. 1129 01:05:13,633 --> 01:05:16,633 THERE'S BEEN A FEW CHANGES HERE AT BRIGHTON ASSOCIATES. 1130 01:05:16,633 --> 01:05:19,633 WE HAVE GOOD NEWS AND WE HAVE MORE GOOD NEWS. 1131 01:05:19,633 --> 01:05:24,433 THE GOOD NEWS IS WE'RE NOT GOING TO HAVE ANYMORE PROBLEMS 1132 01:05:24,433 --> 01:05:28,233 WITH JOHN BAILING ON MEETINGS AND SCARING AWAY CLIENTS. 1133 01:05:28,233 --> 01:05:30,500 WHAT DID YOU DO, HIDE HIS PAGER? 1134 01:05:30,500 --> 01:05:32,333 NOT EXACTLY. 1135 01:05:32,333 --> 01:05:34,266 HE STEPPED DOWN FROM THE COMPANY. 1136 01:05:34,266 --> 01:05:36,133 (Jim) WHAT? (Scott) WHAT? 1137 01:05:36,133 --> 01:05:37,734 (Scott) YOU'VE GOT TO BE KIDDING US. 1138 01:05:37,734 --> 01:05:39,800 SO WHAT'S THE MORE GOOD NEWS? 1139 01:05:39,800 --> 01:05:43,200 THE MORE GOOD NEWS. . . IS THAT I'M IN CHARGE NOW. 1140 01:05:47,266 --> 01:05:49,500 AH. . .NO OFFENSE, PHIL, 1141 01:05:49,500 --> 01:05:53,200 BUT WITHOUT JOHN, I'M NOT SURE WE CAN MAKE IT. 1142 01:05:53,200 --> 01:05:56,800 WITHOUT JOHN? GIVE ME A BREAK. 1143 01:05:56,800 --> 01:05:59,700 HE HASN'T BEEN HERE FOR THE LAST 3 MONTHS. 1144 01:05:59,700 --> 01:06:02,367 COME ON GUYS. WE'LL BE FINE! 1145 01:06:02,367 --> 01:06:04,266 WHERE'S THE OLD COMPANY SPIRIT HERE? 1146 01:06:04,266 --> 01:06:06,133 WHO'S GOING TO HANDLE THE EUROPEAN CLIENTS? 1147 01:06:06,133 --> 01:06:08,900 IT TOOK JOHN 3 YEARS TO GET THEM TO SIGN THOSE CONTRACTS. 1148 01:06:08,900 --> 01:06:10,800 AND THEY WON'T EVEN TALK TO YOU, PAL. 1149 01:06:10,800 --> 01:06:12,700 I'LL SEND THEM FLOWERS. 1150 01:06:14,500 --> 01:06:17,033 IS ANYBODY HOT IN HERE? 1151 01:06:17,033 --> 01:06:19,467 LOOK, I'M WITH YOU, PHIL, 1152 01:06:19,467 --> 01:06:22,500 BUT I'M NOT SURE WE'RE GOING TO BE ABLE TO CONVINCE THE OTHERS. 1153 01:06:23,333 --> 01:06:25,266 WE'LL CONVINCE THEM. 1154 01:06:25,934 --> 01:06:27,734 WE HAVE TO. 1155 01:06:28,600 --> 01:06:33,700 [engine purrs] 1156 01:06:35,100 --> 01:06:37,133 I SEE THE LAUNDRY TRUCK HAS ARRIVED. 1157 01:06:37,133 --> 01:06:38,767 HI, UNCLE PHIL. HOW'S IT GOING? 1158 01:06:38,767 --> 01:06:40,100 OKAY. IS YOUR DAD HERE? 1159 01:06:40,100 --> 01:06:42,800 NO. WHY, WHAT'S WRONG? 1160 01:06:42,800 --> 01:06:44,767 NOTHIN'. 1161 01:06:44,767 --> 01:06:47,300 ACTUALLY, PLENTY. 1162 01:06:47,300 --> 01:06:48,967 WHY? 1163 01:06:48,967 --> 01:06:50,967 YOUR DAD TURNED OVER THE CONTROLLING INTEREST 1164 01:06:50,967 --> 01:06:52,967 IN THE COMPANY TO ME. 1165 01:06:52,967 --> 01:06:55,000 REALLY? 1166 01:06:55,000 --> 01:06:57,467 YEAH, REALLY. 1167 01:06:57,467 --> 01:07:00,233 IT'S BEEN A DISASTER. 1168 01:07:00,233 --> 01:07:02,000 I THOUGHT THAT'S WHAT YOU ALWAYS WANTED. 1169 01:07:02,000 --> 01:07:04,333 YEAH, HE JUST DUMPED EVERYTHING ON ME AND SPLIT. 1170 01:07:04,333 --> 01:07:08,800 THE WHOLE OFFICE STAFF IS NERVOUS, SOME OF THEM HAVE QUIT. 1171 01:07:08,800 --> 01:07:12,133 I'M AFRAID IF I TELL THE CLIENTS I'M GOING TO LOSE A LOT MORE THAN JUST EMPLOYEES. 1172 01:07:12,133 --> 01:07:14,467 HE KNOWS HOW VALUABLE HE IS TO THIS COMPANY, 1173 01:07:14,467 --> 01:07:16,467 HE CAN'T JUST DO THIS. 1174 01:07:16,467 --> 01:07:18,800 LOOK, DAD'S HAS BEEN UNDER A LOT OF PRESSURE LATELY 1175 01:07:18,800 --> 01:07:20,166 WITH MOM AND EVERYTHING. 1176 01:07:20,166 --> 01:07:22,233 THERE'S A LOT OF PROFESSIONAL PEOPLE AND PLACES 1177 01:07:22,233 --> 01:07:24,467 THAT CAN DO A MUCH BETTER JOB OF TAKING CARE OF YOUR MOM 1178 01:07:24,467 --> 01:07:26,300 THAN YOUR DAD HAS. 1179 01:07:26,300 --> 01:07:28,700 (firmly) YOU HAVEN'T EVEN SEEN HIM WITH HER. 1180 01:07:28,700 --> 01:07:32,500 ARE THEY GOING TO PUT 1 1/2 TEASPOONS OF HONEY IN HER TEA, 1181 01:07:32,500 --> 01:07:34,367 JUST THE WAY SHE LIKES IT? 1182 01:07:34,367 --> 01:07:36,867 ARE THEY GOING TO READ TO HER OUT OF THE BIBLE 1183 01:07:36,867 --> 01:07:39,567 AND BRUSH HER HAIR EVERY NIGHT? 1184 01:07:39,567 --> 01:07:42,033 DO THEY EVEN KNOW WHAT HER FAVORITE COLOR IS? 1185 01:07:42,033 --> 01:07:44,300 LOOK, UNCLE PHIL, I LOVE YOU A LOT. 1186 01:07:44,300 --> 01:07:46,500 I ALWAYS HAVE AND I ALWAYS WILL 1187 01:07:46,500 --> 01:07:49,467 AND I APPRECIATE THE THINGS YOU'VE TRIED TO TELL ME 1188 01:07:49,467 --> 01:07:52,600 ABOUT LIFE BUT, YOU GOT TO UNDERSTAND SOMETHING, 1189 01:07:52,600 --> 01:07:57,200 MY FATHER, HE LIVES EVERY DAY ACCORDING TO THE PRINCIPLES OF THE BIBLE. 1190 01:07:57,200 --> 01:08:01,367 NOW, I KNOW THAT DOESN'T MEAN ANYTHING TO YOU, 1191 01:08:01,367 --> 01:08:04,633 BUT I GOTTA ASK YOU. . . 1192 01:08:04,633 --> 01:08:08,233 WHAT PRINCIPLES DO YOU LIVE BY? 1193 01:08:08,233 --> 01:08:20,867 ♪♪ 1194 01:08:20,867 --> 01:08:23,166 IF YOU WANT TO FIND DAD, 1195 01:08:23,166 --> 01:08:26,734 HE'S PROBABLY AT ALEXANDER'S. 1196 01:08:26,734 --> 01:08:40,300 ♪♪ 1197 01:08:40,300 --> 01:08:41,600 [knock, knock, knock] 1198 01:08:41,600 --> 01:08:45,800 ♪♪ 1199 01:08:45,800 --> 01:08:49,867 (John) AND SO I DID WHAT YOU SAID, ALEXANDER, 1200 01:08:49,867 --> 01:08:52,834 I LET GO OF EVERYTHING I COULD THINK OF. . . 1201 01:08:54,100 --> 01:08:57,266 AND I LET GO OF ELLEN. 1202 01:08:59,300 --> 01:09:02,500 I GAVE HER OVER TO GOD. 1203 01:09:04,667 --> 01:09:10,300 I FEEL. . .PEACE. 1204 01:09:10,300 --> 01:09:12,767 THANKS, ALEXANDER. 1205 01:09:12,767 --> 01:09:15,266 [Alexander laughs softly] 1206 01:09:15,266 --> 01:09:17,367 [both laugh] 1207 01:09:17,367 --> 01:09:26,967 ♪♪ 1208 01:09:26,967 --> 01:09:29,500 (Phil) HI, ALEXANDER. 1209 01:09:29,500 --> 01:09:34,567 PHIL. . .I DIDN'T KNOW YOU WERE HERE. 1210 01:09:34,567 --> 01:09:37,367 WELL, I HEARD JOHN SPILLING HIS GUTS, 1211 01:09:37,367 --> 01:09:39,700 I DIDN'T THINK I SHOULD INTERRUPT. 1212 01:09:39,700 --> 01:09:42,633 MAN, WHAT IS GOING ON WITH HIM? 1213 01:09:42,633 --> 01:09:45,400 HE LET GO OF THE BUSINESS, HE LET GO OF JULIA, 1214 01:09:45,400 --> 01:09:47,533 HE LET GO OF ELLEN. 1215 01:09:47,533 --> 01:09:50,166 HE DOESN'T HAVE ANYTHING LEFT. 1216 01:09:50,166 --> 01:09:53,333 I MEAN, HOW DO YOU GET PEACE BY LETTING GO OF EVERYTHING? 1217 01:09:53,333 --> 01:09:56,033 I THOUGHT YOU GET PEACE BY HAVING EVERYTHING. 1218 01:09:56,033 --> 01:09:58,533 WELL, IT'S EASY ENOUGH TO UNDERSTAND, 1219 01:09:58,533 --> 01:10:01,400 BUT NOT SO EASY WHEN YOU TRY AND DO IT. 1220 01:10:01,400 --> 01:10:05,700 YOU KNOW, I THINK WHAT MATTERS IS TO RECOGNIZE THAT IT TAKES 1221 01:10:05,700 --> 01:10:10,367 SOMEONE BIGGER THAN OURSELVES TO HELP US FIND TRUE PEACE. 1222 01:10:10,367 --> 01:10:15,033 WE WEREN'T DESIGNED TO DO IT ALONE. 1223 01:10:15,033 --> 01:10:17,900 SO HOW DOES JOHN DO IT? 1224 01:10:17,900 --> 01:10:21,800 HE FINALLY RECOGNIZED THAT GOD WAS FULLY CAPABLE 1225 01:10:21,800 --> 01:10:24,433 OF HANDLING ANYTHING WE GIVE HIM TO HANDLE 1226 01:10:24,433 --> 01:10:28,400 AND THAT THERE IS NO TRUE PEACE WITHOUT THAT STEP. 1227 01:10:28,400 --> 01:10:32,667 I THOUGHT GOD HELPS THOSE WHO HELP THEMSELVES. 1228 01:10:32,667 --> 01:10:38,834 HOW CAN HE IF YOU'RE TOO BUSY HANDLING THINGS YOURSELF? 1229 01:10:38,834 --> 01:10:43,100 YOU SEE, GOD LOVES US SO MUCH, 1230 01:10:43,100 --> 01:10:47,166 HE GAVE HIS ONLY SON, JESUS CHRIST, 1231 01:10:47,166 --> 01:10:50,633 TO DIE IN OUR PLACE. 1232 01:10:50,633 --> 01:10:55,300 THEN HE RAISED HIM FROM THE DEAD 1233 01:10:55,300 --> 01:10:58,433 TO PROVE THAT HE WAS HIS SON 1234 01:10:58,433 --> 01:11:02,867 AND TO SHOW US THAT WE TOO COULD HAVE ETERNAL LIFE. 1235 01:11:02,867 --> 01:11:06,967 IF HE'S WILLING TO DO ALL THAT WITHOUT ANY HELP FROM US, 1236 01:11:06,967 --> 01:11:11,166 WHY SHOULD HE WANT TO SEE US CARRY OUR OTHER BURDENS? 1237 01:11:13,266 --> 01:11:15,467 I DON'T KNOW. 1238 01:11:15,467 --> 01:11:19,767 WELL, HE DOESN'T WANT US TO CARRY THEM. 1239 01:11:19,767 --> 01:11:23,166 AND THE GOOD NEWS IS, WE DON'T HAVE TO. 1240 01:11:23,166 --> 01:11:27,066 HE'S MORE THAN CAPABLE OF MANAGING OUR LIVES 1241 01:11:27,066 --> 01:11:29,767 IF WE JUST LET HIM. 1242 01:11:29,767 --> 01:11:33,600 BUT WE NEED TO ACKNOWLEDGE THAT WE NEED HIM 1243 01:11:33,600 --> 01:11:38,767 AND THEN LEARN TO TRUST HIM, 1244 01:11:38,767 --> 01:11:43,834 TO BELIEVE IN HIM-- LET HIM TAKE CONTROL. 1245 01:11:43,834 --> 01:11:48,734 INVITE HIM TO BE THE LORD OF YOUR LIFE. 1246 01:11:50,734 --> 01:11:53,433 SO, IS THAT WHAT JOHN DID? 1247 01:11:53,433 --> 01:11:55,333 UH-HM. 1248 01:11:57,333 --> 01:12:00,667 IS THAT HOW HE GOT THAT PEACE HE WAS TALKING ABOUT? 1249 01:12:00,667 --> 01:12:02,433 THAT'S HOW. 1250 01:12:02,433 --> 01:12:05,100 YOU WANT SOME OF THAT? 1251 01:12:07,934 --> 01:12:10,700 SOUNDS LIKE TOO GOOD OF A DEAL. 1252 01:12:10,700 --> 01:12:13,600 IT'S ALWAYS ABOUT THE DEAL. 1253 01:12:15,533 --> 01:12:18,166 BUT YOU KNOW-- YOU'RE RIGHT! 1254 01:12:18,166 --> 01:12:21,967 IT IS A GOOD DEAL. 1255 01:12:21,967 --> 01:12:26,867 PHIL, WHY DON'T YOU GO ON BACK IN THE WOODS 1256 01:12:26,867 --> 01:12:30,233 AND TALK TO THE LORD. 1257 01:12:30,233 --> 01:12:34,633 LET HIM TAKE CONTROLLING INTEREST IN YOUR LIFE. 1258 01:12:34,633 --> 01:12:38,433 BEGIN TO FEEL HIS POWER AT WORK. 1259 01:12:39,100 --> 01:12:41,433 [Phil sniffles] 1260 01:12:41,433 --> 01:12:43,433 [orchestra plays softly] 1261 01:12:43,433 --> 01:12:49,100 ♪♪ 1262 01:12:49,100 --> 01:12:50,367 [Phil sniffles] 1263 01:12:50,367 --> 01:13:02,767 ♪♪ 1264 01:13:02,767 --> 01:13:05,200 LISTEN TO PHIL, LORD, 1265 01:13:05,200 --> 01:13:08,467 JUST LIKE YOU LISTENED TO JOHN AND TO ME 1266 01:13:08,467 --> 01:13:11,166 SO MANY TIMES. 1267 01:13:11,166 --> 01:13:21,200 ♪♪ 1268 01:13:21,200 --> 01:13:26,433 ♪♪ 1269 01:13:26,433 --> 01:13:29,433 ♪♪ 1270 01:13:29,433 --> 01:13:31,967 (Phil) GOD, ARE YOU THERE? 1271 01:13:31,967 --> 01:13:34,000 CAN YOU HEAR ME? 1272 01:13:35,667 --> 01:13:38,867 I THINK I NEED YOU, LORD. 1273 01:13:40,600 --> 01:13:43,867 I'M GETTING REALLY TIRED OF DOING THIS ON MY OWN. 1274 01:13:47,600 --> 01:13:50,767 I'M JUST TIRED OF BEING A CONTROL FREAK, GOD 1275 01:13:50,767 --> 01:13:54,200 AND TELLING EVERYBODY WHAT TO DO ALL THE TIME. 1276 01:13:56,767 --> 01:14:00,300 JUST FORGIVE ME, GOD. 1277 01:14:00,300 --> 01:14:05,500 FORGIVE ME FOR BEING SO SELF-CENTERED AND. . . 1278 01:14:05,500 --> 01:14:09,200 JUST SUCH A JERK. 1279 01:14:10,767 --> 01:14:13,633 FORGIVE ME FOR THAT, WILL YA? 1280 01:14:13,633 --> 01:14:16,300 COULD YOU DO THAT? 1281 01:14:16,300 --> 01:14:17,800 [softly crying] 1282 01:14:17,800 --> 01:14:21,500 JUST CHANGE ME, JESUS. 1283 01:14:21,500 --> 01:14:24,233 OKAY? 1284 01:14:25,700 --> 01:14:29,567 I GIVE YOU CONTROLLING INTEREST. 1285 01:14:29,567 --> 01:14:35,000 JUST COME AND TAKE CONTROL OF MY LIFE. 1286 01:14:35,000 --> 01:14:37,500 WILL YA? 1287 01:14:37,500 --> 01:14:41,133 AND GIVE ME PEACE. 1288 01:14:41,133 --> 01:14:46,867 I JUST GIVE IT TO YOU. 1289 01:14:49,800 --> 01:14:52,367 IS THAT A DEAL? 1290 01:14:54,033 --> 01:14:57,000 HAVE I GOT A DEAL, LORD? 1291 01:14:58,633 --> 01:15:00,900 DEAL!! 1292 01:15:02,200 --> 01:15:05,600 IT'S A GOOD DEAL! 1293 01:15:05,600 --> 01:15:15,633 [orchestra plays full and bright] 1294 01:15:15,633 --> 01:15:20,934 [orchestra plays full and bright] 1295 01:15:20,934 --> 01:15:35,667 ♪ ♪ 1296 01:15:35,667 --> 01:15:45,700 ♪ ♪ 1297 01:15:45,700 --> 01:15:50,800 ♪ ♪ 1298 01:15:50,800 --> 01:16:05,900 ♪ ♪ 1299 01:16:05,900 --> 01:16:20,233 ♪ ♪ 1300 01:16:20,233 --> 01:16:25,967 ♪ ♪ 1301 01:16:25,967 --> 01:16:28,967 (Teri) THE TEST WAS PRETTY HARD. 1302 01:16:28,967 --> 01:16:32,734 I HATE CHEMISTRY AND WHEN I'M DONE WITH THIS CLASS, 1303 01:16:32,734 --> 01:16:35,200 I'M NEVER GETTING NEAR IT AGAIN. 1304 01:16:35,200 --> 01:16:40,100 BUT THERE IS THIS GUY IN THE CLASS I-I KINDA LIKE HIM. 1305 01:16:40,100 --> 01:16:44,734 HE'S CUTE, BUT I DON'T EVEN THINK HE KNOWS I EXIST. 1306 01:16:44,734 --> 01:16:49,066 BUT. . .COLLEGE IS SO DIFFERENT. 1307 01:16:49,066 --> 01:16:55,233 BUT LATELY, I WAS THINKING ABOUT EVEN GETTING INTO TEACHING 1308 01:16:55,233 --> 01:17:00,867 'CUZ I-I REMEMBERED HOW MUCH IT REALLY MEANT TO YOU 1309 01:17:00,867 --> 01:17:04,266 AND IT'S. . .IT'S KIND. . . 1310 01:17:21,333 --> 01:17:24,333 (softly) TERI. . . 1311 01:17:27,033 --> 01:17:33,533 I. . .LOVE. . .YOU. 1312 01:17:33,533 --> 01:17:36,533 [gasps softly] 1313 01:17:36,533 --> 01:17:38,433 MOMMY. . . 1314 01:17:38,433 --> 01:17:41,834 YOU KNOW WHO I AM. 1315 01:17:41,834 --> 01:17:44,867 I LOVE YOU TOO. 1316 01:17:46,934 --> 01:17:49,633 (with quivering voice) MOM. . . 1317 01:17:49,633 --> 01:17:52,200 I'M GOING TO GO GET KYLE AND DAD, 1318 01:17:52,200 --> 01:17:54,200 I'LL BE RIGHT BACK, MOM. 1319 01:17:57,767 --> 01:18:01,000 JOHN! 1320 01:18:03,033 --> 01:18:04,367 ELLEN! 1321 01:18:04,367 --> 01:18:05,700 MOM!! ELLEN!! 1322 01:18:05,700 --> 01:18:07,567 (Teri) MOM!! 1323 01:18:07,567 --> 01:18:10,734 ELLEN, HONEY. . . 1324 01:18:10,734 --> 01:18:12,700 ELLEN? 1325 01:18:14,000 --> 01:18:16,367 SHE LOOKED RIGHT AT ME. 1326 01:18:16,367 --> 01:18:18,533 SHE SAID MY NAME. 1327 01:18:21,467 --> 01:18:23,400 IT'S ALL RIGHT. 1328 01:18:25,500 --> 01:18:29,166 MAYBE IT WAS GOD'S GIFT TO YOU. 1329 01:18:29,166 --> 01:18:37,667 ♪ ♪ 1330 01:18:37,667 --> 01:18:41,333 (Phil) LOOKS LIKE YOU FINALLY FOUND THE STUDS TO THAT SHIRT. 1331 01:18:41,333 --> 01:18:43,834 GOT A LITTLE CLASS WORKING FOR YOU THERE 1332 01:18:43,834 --> 01:18:45,233 JUST LIKE YOUR LITTLE BROTHER. 1333 01:18:45,233 --> 01:18:46,533 THANKS. 1334 01:18:47,900 --> 01:18:50,300 YOU KNOW, JOHN, WE AH, 1335 01:18:50,300 --> 01:18:53,033 WE WANT YOU BACK AT THE FIRM. 1336 01:18:53,033 --> 01:18:56,100 I WANT YOU BACK AS CONTROLLING PARTNER. 1337 01:18:56,100 --> 01:18:58,800 NOW YOU DON'T HAVE TO ANSWER TO ME RIGHT NOW, 1338 01:18:58,800 --> 01:19:01,567 I. . .I KNOW YOU GOT A LOT ON YOUR MIND AND STUFF. 1339 01:19:01,567 --> 01:19:04,734 THERE IS ONE OTHER THING I WANT TO CLEAR UP. 1340 01:19:04,734 --> 01:19:07,633 I AH. . . 1341 01:19:09,700 --> 01:19:14,100 I NEED YOU TO FORGIVE ME-- FOR THE WAY I ACTED, 1342 01:19:14,100 --> 01:19:17,000 FOR AH. . . 1343 01:19:17,000 --> 01:19:19,900 PUTTING THE COMPANY AHEAD OF ELLEN. 1344 01:19:21,667 --> 01:19:24,800 WILL YOU FORGIVE ME FOR THAT? 1345 01:19:24,800 --> 01:19:26,367 [softly chuckles] 1346 01:19:29,066 --> 01:19:31,433 [organ plays "The Wedding March"] 1347 01:19:31,433 --> 01:19:45,967 ♪♪ 1348 01:19:45,967 --> 01:20:00,734 ♪♪ 1349 01:20:00,734 --> 01:20:04,934 ♪♪ 1350 01:20:04,934 --> 01:20:09,600 I, KYLE, TAKE YOU, CINDY, TO BE MY BELOVED WIFE. 1351 01:20:09,600 --> 01:20:12,533 TO HAVE AND TO HOLD YOU, 1352 01:20:12,533 --> 01:20:15,166 TO HONOR AND TREASURE YOU, 1353 01:20:15,166 --> 01:20:18,567 TO BE BY YOUR SIDE IN SORROW AND IN JOY, 1354 01:20:18,567 --> 01:20:22,367 IN SICKNESS AND IN HEALTH, 1355 01:20:22,367 --> 01:20:25,700 TO LOVE AND CHERISH YOU ALWAYS. 1356 01:20:25,700 --> 01:20:30,633 I PROMISE YOU THIS WITH MY HEART, 1357 01:20:30,633 --> 01:20:33,734 WITH MY SOUL. . . 1358 01:20:33,734 --> 01:20:37,467 AS LONG AS WE BOTH SHALL LIVE. 1359 01:20:37,467 --> 01:20:40,900 THIS IS MY PROMISE TO YOU. 1360 01:20:40,900 --> 01:20:54,967 ♪♪ 1361 01:20:54,967 --> 01:21:01,100 ♪♪ 1362 01:21:01,100 --> 01:21:04,700 (John) YES, IT IS BEAUTIFUL, ISN'T IT? 1363 01:21:04,700 --> 01:21:07,133 [strings and harp play softly] 1364 01:21:07,133 --> 01:21:17,166 ♪ ♪ 1365 01:21:17,166 --> 01:21:24,834 ♪ ♪ 1366 01:21:30,667 --> 01:21:45,400 ♪♪ 1367 01:21:45,400 --> 01:21:55,433 ♪♪ 1368 01:21:55,433 --> 01:22:00,934 ♪♪ 1369 01:22:00,934 --> 01:22:15,967 ♪♪ 1370 01:22:15,967 --> 01:22:26,000 ♪♪ 1371 01:22:26,000 --> 01:22:46,000 ♪♪ 1372 01:22:46,000 --> 01:23:06,066 ♪♪ 1373 01:23:06,066 --> 01:23:27,967 ♪♪ 1374 01:23:27,967 --> 01:23:31,233 CAPTIONING BY ARMOUR CAPTIONING 1375 01:23:31,233 --> 01:23:42,533 ♪♪ 88545