All language subtitles for Emergency.S06E24.All.Night.Long.1080p.AMZN.WEB-DL.DDP2.0.H.264-DarkSaber_track3_[eng]

[music playing]

[ball bouncing]

You guys finish cleaning
up the kitchen already?

Yeah.

Sound of that TV in there
was driving us crazy.

Yeah.

Still watching, huh?

What do you think?

Where's Marco?

In the locker room, captain.

Roy?

It's my serve.

Aw.
[tv blaring]

This is the dumbest
stuff I've ever seen.

Can't believe they
actually put her on TV.

Well, there are worse game
shows on TV, Gage, believe me.

Yeah, well, I
haven't seen them.

Anyway, I have half a mind to
write a format about a game

show myself.

I can't believe you said that.

I can write a better
television show than that.

Oh, wonderful.

The little engine that could.

What?

Gage, you couldn't write your
way out of a wrong way street.

Hey!

Let me tell you something that
I'm sure that you don't know.

Did you know that I
used to be the editor

of my high school paper?

I've been writing all my life.

I just haven't had a chance
to sit down and stick with it.

That's all.

Gage, I've known you a
long and arduous six years.

I've never known you to
sit down and stay with.

Anything

Hey, Kelly--

Gage, you're all talk.

And when it comes
to storytelling,

you take a back seat to no one.

And I'll bet in that rich
fantasy world of yours.

You're about ready to
win the Nobel Prize.

Well, I wonder if the camp's
typewriter is available.

You know, Kelly?

By the time I get through,
you're going to be awe inspired

at my creative ingenuity.

More than that, you'll be
dumbstruck by my determination.

You, too.

Guess who wants?

Who cares?

Oh, you missed it, Roy.

Missed what?

I'm not sure what.

He's on one of his creative
ingenuity kicks again.

Oh, what's new?

This time it could be
serious brain damage, you know?

[fire station signal sounds]

Station 51, man
down, Hotel Potter,

11876 Fishburn, Room 308.

11876 Fishburn, Room 308,
between MacArthur and West

Seventh Street, time out 2130.

[engine running]

Station 51, KMG365.

Station 51, KMG365.

Station 51, KMG365.

Station 51, KMG365.

All right.
People keep this door clear, OK.

There's nothing to see.
He's going to be all right.

There we go.

Ambulance is on the way if you
guys don't need us anymore.

Thanks, kid.

OK, we're gonna put four
liters of oxygen on you.

Is that enough for you?

That's fine.

I don't really
know if I need it.

You sure?

I'm just a little
bit shaky, that's all.

Yeah, well, I tell you
what, we'll leave it on.

If you feel better, then
we'll take it off, OK?

All right.

Does he have any
relatives or next of kin.

No, he ain't got nobody.

Just me.

Now you can see why I'm
in the trouble I'm in.

And you gonna
be in a whole lot

more trouble if
you ain't careful.

27 years I've been putting
up with this old boy.

You, know, doc?

In 1933, we played right down
the street from the Crescendo.

You remember that, Julius?

You remember the Crescendo.

[laughter] Hey.

We didn't make much money,
but we sure had a lot of fun.

You still having pains in your
chest or any trouble breathing?

I'm feeling a
little bit better now.

But I was having quite
a bit of pain in here.

Felt like some big daddy
was sitting on my chest

and wouldn't get up.

When did this all start?

Well, I had a few
friends in this evening.

A few drinks, a lot of good
talk, I was playing the piano.

Right in the middle
of everything

I got this terrific pain.

Julius told everybody to leave.

But you shouldn't
have done that.

Oh, I should have, too.

We're having such a good time.

So I popped a nitro and
the pains went away.

You know, stopped.

But in a little while,
they came back again.

Rampart, this is--
[interposing voices]

This is County--
[interposing voices]

Do you read me?

The worst I ever had.

Rampart, we have a male,
approximately-- how old is he?

He's 66.

65.

Oh, whatever.

Rampart.

We have a male, approximately
65, 66 years old.

He has crushing
pain in his chest.

retrosternal.

It's the worst pain
he's had so far.

Pains just like--

The onset of the pain was
approximately an hour ago.

I just pop a nitro
and they go away.

Can I see your prescription?

Julius?

There's no known There's
no known infarction.

He's on nitroglycerin.

Patient--

Are you on any other
kind of medication?

No.

[inaudible]

When was the last
time this was filled?

I had it filled
about a week ago.

Distinction--

Been taking quite
a few of these, huh?

Not too many.

Only when the pain
gets real bad.

Vital signs are 140
over 80 on the BP.

Pulse is 80.

Respiration is 20 and shallow.

OK, we got him patched in.

Standby Rampart.

We've got him patched in.

This will be lead 2.

[printer humming]

51, Minimal ST elevations.

Could be an acute MI.

Start IV D5 WTKO and
transport as soon as possible.

OK, we're going to start
an IV on you, all right?

You'll feel a little pin
prick and then it's all over.

Well, you won't hear
me complain about that.

Uh, 10 minutes.

10 Four.

Could be an MI.

OK, I'll notify Joe.

They need you in one.

There's an OD in there
doesn't want to be here.

So what else is new?

Dr. Lloyd, please.

[fire station signals]

[sirens]

Foreman reports
toxic chemicals

are stored in the tanker.

Use caution.

[explosion]

151, this is Rampart.

Can you send me some EKG.

10-4.

Transmitting EKG.

We're sending you a strip.

Vitals to follow.

Pulse is 160.

The victim is in
extreme pain, Rampart.

[phone buzzing] -

Patient is in defib.

Rampart, we have lost
the victim's pulse.

Beginning CPR.

[beeping]

We're defibrillating
victim, Rampart.

Rampart, we've
defibrillated victim.

He's in sinus rhythm.

Administer two amps sodium
bicarbonate, insert an airway.

Start an IV, 51.

[inaudible]

Car 51.

Continue monitoring vitals
and transport immediately.

Me

We're on our way, Rampart.

OK, fellows.

I could have done that.
- Now you just let us do it, OK?

That's what we get paid for.
There you are.

There we go.

I heard you talking
to Rampart Hospital.

My papa worked on Rampart
Street in New Orleans.

He was a cigar maker.

I can still see that
long line of guys

wrapping that sweet smell
in those brown skins.

Hey, Julius.

Yeah?

Remember that
little guy that ran

the speakeasy down by the pier?
- Yeah.

You know the one with
that hefty old lady.

Yeah.

Boy, I sure would have
hated to do it with her.

Shorty.

That was his name, Shorty.

Had that harelip.

Shorty, that old boy.

It ran right, right in there.

Well, anyway.

Oh Shorty used to
bring in hot stuff.

Diamond rings, Persian
rugs, tractors.

Tractors!

[laughter]

Give me my watch, Julius.

Where's my watch?

Where's my watch?

Thank you.

I bought this watch
off of old Shorty.

Dig that inscription.

I got what I wanted,
but I lost what I had.

Mercy, mercy, mercy.

We're going to be
taking him in now.

You want to ride with him?

No, I got my own car
and I'll follow you.

OK, we're going to be
taking him to Rampart.

Do you know where that is?

And then there was a
drummer named Shorty.

You know, worked
down Joe's Place.

And he had a way of barely
stroking anything he touched.

And man he had a
beautiful woman.

She had real dark eyes.

A fire way down deep inside
her, way deep inside.

Four?

Chest pains still there.

But they're using ST segments.

They're slightly
elevated and he's

still got normal sinus rhythm.
His friend's back there.

He's going to be coming in.

OK, have him wait
in the reception area.

We'll take it from here.
Dixie, you can go with Roy.

He should be out here.

What's his name?

Clark.

Julius Clark.

OK.

Let's get a 12-lead EKG stat.

I have that.

And Dorothy, draw bloods.

Mr. Jefferson, I'm Dr. Early.

And this is Dr. Morgan.

Pleased to meet you.

How are you feeling?

I've felt better, doc.

Well, let's check you
out here and see if we

can find out what's wrong.

BP 120 over 80.

Pupils equal, reactive.

Pulse is to 60.

Respirations are about 20.

Ready, doctor.

ST segments are elevated and
fluctuating in B1 through 3.

And there are no two ways.

Possibly a variant angina, Mike.

If it is, we have problems.

Type and cross-match for
12 units, electrolytes,

CBC, and enzymes stat.

Yes, doctor.

Chest is clear.

No sign of failure.

Let's get him up to CCU stat
and for close monitoring.

I'll take care of that, John.

Take another BP.

Yes, doctor.

I've been around
a long time, Doc.

In my day, the toons came
out in the Sunday papers.

Yes, indeed.

I've been around a long time.

And you're going to be around
a lot longer, Mr. Jefferson.

You know you're one
of the very best.

You know who I am?

Yeah.

I know who you are.

Well, all right.

Hey, you know what time it is?

What are you doing?

What does it look
like I'm doing?

I'm staying here
until I finish this.

Well, you certainly
are well-fortified.

I didn't know you could type.

Well, we learn something
new everyday, don't we?

[types very slowly]

[sighs]

Boy, I'd-- yeah, right.

I can read your mind.

You think I'm on another
one of my crazy kicks,

and I won't finish it, right?

I haven't said a word.

Well, you don't have to.

Roy, I've got a hit on my hands.

This is a hit television show.

That's not such a far
out idea, you know.

You're going to write it, huh?

No, I'm going to
have a mystic come down

and give me a message.

Of course, I'm
going to write it.

You're a firefighter,
not a writer.

Writers write all the time.

Yeah, well, I'm writing now.

Yeah, well, this,
too, shall come to pass.

What did you mean by that?

Well, I just--

I just--

You just-- you just what?

Well, you know how you
get excited over everything.

And then all of a sudden, bingo,
it's gone, just like that.

Bingo, I'm over
them just like that.

Yeah, just like that.

OK, well, it won't
be long now, will it?

I'll be through, and then
we'll both know, won't we?

And when this is a hit, and I am
successful and famous and rich,

you'll be sorry you
even brought it up.

I doubt it.

Now see what you did.

Since we've been
monitoring him in the CCU,

he's had four episodes
of severe chest pain.

And we suspect there's high
grade coronary artery blockage

somewhere.

So we're doing catheterization
in case there's a possibility

of immediate surgery.

What exactly is this
catheterization thing?

Well, we numb the
groin area and make

a needle puncture there.

Now through two needles, we
thread two very thin Teflon

wires and then catheters
into the right and left side

at the heart.

And we position the
catheters in various places,

record pressures, and
finally, inject a die.

In this way, we can watch
it all on a movie screen.

See how the different
chambers are working

and know where our problems lie.

That sounds
awfully complicated.

No, the actual process
doesn't last long.

I mean he should be
out by two, 2:30.

Shouldn't be feeling any
pain, just discomfort, worry,

like you.

He's gotta be all
right, you know.

He's my best friend.

He's my only friend.

And he's just-- he's
gotta be all right.

[typing slowly]

Well, if it isn't
Ernest Hemingway.

Hey babe, it looks
like you're burning

the eraser on both ends.

Tilly, go torment Henry.

I'm busy.

Aw, Henry looks like he's been
tormented enough this evening.

How about it Henry, old pal.

It must be tough getting
sleep around this

literary battleground, huh?

Would you please
try to keep it down?

What are you
writing about, anyway?

I said what are
you writing about.

I heard what you said.

I don't know.

You mean you've been
in here all this time.

You don't even know what
you're writing about?

I know what I'm writing about.

It's just I don't
know what I'm--

look, let me try to
explain it to you this way.

Sometimes your first ideas
are the most difficult ideas.

Well, seeing it's your
idea, I can understand that.

Beat it.

You know, Gage, you got your
own special brand of craziness.

You know what you
ought to do, you

ought to copyright
it alongside all

the other crazies in the world.

What?

- I said, you--
- That's it!

I said?

That's it!

Crazy people.

Crazy people dressed in crazy
clothes doing crazy things.

A television show
about absurd acts.

You're an absurd act.

That is an incredible idea.

It's incredible.

OK.

You know, it isn't a bad idea.

It's not at all, look.

You're responsible part of this.

OK, what do you say?

You and me, co-produce it.

Oh, oh, no thanks.

- Why not?
- Why not?

Because every time I
get involved with you,

I get involved in trouble.

I mean real trouble.

Isn't that kind of like the
coffee calling the pot black?

You want to run
that one by me again?

Look, Kelly.

You are no longer an
inspiration to me.

You're becoming a drag.

Now beat it.

OK.

OK, pal.

Beat it.

Crazy people.

How's he doing?

We have to do a bypass
operation, right now.

Don't worry.

[phone ringing]

Station 51, vehicle
accident, intersection

of Eastern and Olympic, Eastern
and Olympic, time up, 150.

Station 51, EMG 365.

[sirens]

[sirens]

[hose spraying]

[hose spraying]

Ned, are you OK?

Are you all right?

So I haven't got a carotid.

I'm going to have
to get him out.

Vance, can you give me a hand?

Are you OK?

Hit my head against
the windshield.

I'm bleeding a little bit.

It wasn't my fault. He came
right through that stop sign.

Just sit down.

I hope they're all right.

Look this way
for me, all right?

Tell me exactly how.

Well, I was coming
up the street.

And they went right through
that stop sign, and I hit them.

I didn't mean to.

- OK, OK.
- It just wasn't my fault.

All right, just relax.

[engines running]

I can't get a carotid on him.

I'm going to have
to pull her out.

Let me get his arm up here.

Let me grab his legs.

[interposing voices]

Just grab his legs there, OK.

Let's get him over
here on the sidewalk.

I'm gonna lay his head this way.

OK.

[inaudible] yeah,
just like this.

Lay him down there.

OK.

Can you get a yellow
blanket out of the squad?

[inaudible]

Senora, no hablo ingles?

No.

Bueno.

[speaking spanish]

[interposing voices]

Marco, what do you got?

It doesn't look good.

Her legs are wedged
underneath the dash.

We're going to have to use
the jaws to get her out.

All right.
OK.

Take it easy.

Take it easy.

[speaking spanish]

All right, ma'am.
Just take it easy, OK?

We'll get you out of here.
- She doesn't speak any English.

No English?

[speaking spanish] OK?

[inaudible] Can
I give you a hand?

Uh, no.

Not right now, Vince.

We got to get her
out with the jaws.

Oh.

OK, I'll put in a call
for some ambulances and see

if I can get a [inaudible].

OK.

[speaking spanish]

What she saying,
her children, what?

Yeah, her children.

She's asking for her children.

He's fine.

He's fine.

He's OK.

OK.

I'm going to look
at your pupils.

Tell her to look
straight up here, OK?

[speaking spanish]

- [SPEAKING SPANISH
- It's OK.

It's OK.

All right.

South Olympic Boulevard
at Eastern Drive.

10-4.

What do you have, Roy?

Just a mild
laceration, nothing else.

Well, maybe you'd
better give Johnny a hand.

Here's the tape.

OK.

See you later.

OK.

What's your name?

John Boland.

How long ago did the
accident happen, John?

I don't know,
about 10 minutes ago.

Little bit before you got here.

I tried to get you
soon as I could.

- Yeah, well, how did it happen?
- Well, it wasn't my fault.

Yeah, hold your
head still, will you?

They cut out right
in front of me.

I mean they went right
through that stop sign.

You see, I was coming
up that street.

You're going to
have to sit still, OK?

I was coming up that street
about 35 miles an hour.

I can't believe it.

In the middle of the
night, only two cars, and I

had to hit them.
I can't believe it.

OK, just take it easy.
Don't worry about it.

I hope she's all right.

Yeah, they're going to be OK.

You have your driver's
license with you?

Yeah.

[speaking spanish]

OK, yeah, Roy.

She's complaining of a lot
of pain in her abdomen.

I haven't really
checked her out yet.

OK pulse is 160.

Respirations at 25.

OK, pupils are
equal and reactive.

OK.

[speaking spanish]

In your stomach?

OK.

All right.

OK.
OK.

[speaking spanish]

Take it easy.

[speaking spanish]

Your legs?

[cries in pain]

All right.
All right.

OK.
I won't do it again.

No, I told the nurse that
all reports were negative.

Rampart, this is County 51.

I got to go.

I'll talk to you later.

Go ahead, 51.

Rampart, we have a
female victim here.

Age approximately 40.

The Patient's been thrown
against the vehicle floor shift

with resulting
abdominal injuries.

[machinery noise]
- All right, Marcos.

Pull her straight
up and then out.

Hey, can you hear me?

Say again 51?

Victim has sustained
abdominal injuries.

No obvious head injuries.

Breath sounds are
equal bilaterally.

BP is 100.

All right, she's out.

Pulse is 160.

Respirations are 25 and shallow.

[sirens]

Uh, the patient is trapped
at this present time.

[interposing voices]

Ambulance just arrived.

[interposing voices]

51, there may be
some internal bleeding.

Start an IV with ringers and
put her in antishock trousers.

[speaking spanish]

[interposing voices]

[interposing voices]

[interposing voices]

How's he doing?

Well, he's going
to be all right,

but I'm going to
take him in with me.

The more I talk to him, the
more his story falls apart.

- Well, we'll talk to you later.
- OK.

Maybe I'll see
you again tonight.

Hope not.

Now let's clear
this gear out of here.

Show me.

[sirens]

[sirens]

She's going out on us.

Get another IV started.

Draw blood, tag and
cross for 10 units stat.

Mike intubate her.

65 palpation, doc.

Let's slow her
down a little bit.

Mike, intubate her.

Right.

Help me lift her.

OK, the respiration
is 40 and shallow.

Pulse is 160.

Bring me that
machine over here.

65 Palpation.

Belly's distended and rigid.

Got a ruptured spleen or liver.

We better get her up
to the OR right now.

She's in defib.

Defibrillators.

400 watt [inaudible]

[flatline signal]

One, two, three, four.

Clear.

Nothing.

Again.

One, two, three, four.

Clear.

Still nothing.

All right, two amps bicarb.

10 cc's 1 to 1,000
epinephrine IV push.

All right.

OK, again 400 watts.

One, two, three, four.

Clear.

Again.

One, two, three, four.

Clear.

Julius?

Yeah.

Looks like the
bypass was successful.

Aw.
That's terrific.

Come on, I'll buy
you a cup of coffee.

All right.

You take like Perdido Street.

What a place that was.

Something going on all the time.

And them horns would just
be blasting your mind away.

And ain't nothing going on
but the Pond Street special.

Which reminds me, you ever hear
this tune this old boy wrote?

I'm going to give you
a little taste of it.

Hello, Central.

Give me Dr. Jazz.

[laughter]

- I've heard it many times.
- All right.

And we could play a
chorus 10 different ways.

Let's see, as I remember,
he had six pieces then--

cornet, clarinet, trombone,
piano, drums and tuba, right?

Oh, you know a little
something about jazz,

don't you, doc?

Say, did you ever
play a club called

the Topsy, just across from
the old railroad depot?

You better hush your mouth.

Used to cook there all the time.

But hold it now?

What's a little cupcake
like you doing knowing

something about the Topsy?

You been holding out?

You been doing a
little moonlighting?

Only in my spare time.

All right.

But I'm going to
tell you something.

That Topsy used to be a
dangerous club in its day.

And more than
once, we barely got

out of there with our lives.

Oh, there used to be
some bad customers

that hung out in that place.

But now they're
going uptown, uptown.

Oh, but listen at me.

I'm just running
off at the mouth.

I'm just as bad as
my old boy in there.

But I'm just happy.
You know what I mean?

I should've known he was
going to pull through.

Yeah, but you know, he's going
to cut down on his activity

for a little while.

Yeah, plenty of
rest and quiet.

Yeah, well, you know the
trouble is that the man's

pride's been hurt.

And it ain't easy to
realize that you're

getting up there in age.

It tends to settle you down.
You know what I mean, doc?

I know what you mean.

But it is going to be
easy for him to settle.

But I hear you.

And I tell you what I'm going
to have that old boy so spoiled

that ain't nobody
going to be able to get

along with him but me.

Because I am the manager,
and he is the managee.

Well, I'm sure he's
going to be just fine.

Well, kid, back
to the salt mines.

OK, thanks.

Yeah, and listen.

What can I say to you?

Congratulations.

You've been doing
real fine so far.

[laughter]

Whoo!

Where you going?

Can't stop now.

Got the creative juices going.

You've been working
on it all night.

Aren't you going
to get some sleep?

Sleep?
Sleep, are you kidding me?

Didn't you hear what I said?
I'm almost done.

I'd say I got about
another about another--

you ought to read my new format.

It's incredible.

You'll be the first
one to read it.

Yeah, I know I've
been listening to you

talk about it for
the last three hours.

You know something?
I am tired.

We've been running
all night long.

And you want to
know something else?

You are crazy.

Sure, I'm crazy.

This show is crazy.

But you want to
know something else?

The contestants of
my show, they've

got to be crazier than me, see?

You get six contestants.

Good night.

Aren't you even interested?

Oh, well.

Writing is a
thankless, lonely job.

[dog moans]

Sorry.

Didn't mean to disturb you.

Acting kind of
uppity, aren't you?

I may put you in this script.

Yeah, a dog that does
nothing, just sits there.

People like that, you know.

The schleppy dog, you'll
schlep out on stage

and sleep on a couch.

Dumb dog, making me feel guilty.

Why don't you howl or something?

That's not a bad
idea, a schleppy dog.

I've finished!

I finished it.

It's done.

It's done.

And its foolproof.

It can't miss.

And I've finished it.

Henry, take a look at this.

Looky here, Henry.

Look at that.

Isn't that a thing of beauty?

And I finished it.

Look, kid, you play
your cards right,

and I may make you a star.

That better not be my pillow.

[station signals]

Station 51, man
trapped between two

buildings on the rooftop
of 243 Sydney Avenue.

243 Sydney Avenue.

Cross street Melrose.

Time up 7:40.

Station 51, BMG 365.

[engines starting]

[sirens]

Can you believe that?

Well, we can't
reach out and grab him

from the side of the
building, so I guess

you all know what we need.

Yeah, all right.

Oh, am I glad you guys
got here so quickly.

Do you see that?

I see it.

What in the world is
he doing up there?

I don't know.
I should have known better.

I mean I knew he was
strange when he came here.

Man, I could write a book about
the people in this building,

I'll tell you.
- Bet you could.

Got everything?

Yeah.

Everything here?

Come on this way, boys.
How long has he been up there?

Oh, I don't know.
Lester, that's his friend.

He came down to me
about 10 minutes ago.

And then I called
you guys right away.

Ma'am, does he have a
history of any heart problems,

any medical history at all?
- Nah, him?

He's healthy, except
for up here, you know?

Man's only working with
a quarter of a deck.

You know what I mean?
- Yeah, I know what you mean.

All right, boy,
can you hear me?

Or are you still passed out?

Well, man, the fire
department's here.

They'll be right up.

Now don't go away.

Darn old fool.

Nothing like an old fool.

Hey, hurry up.

He's got to be passed out cold
for at least fifteen minutes.

He hit his head on the pole.
Now I told him not to do it.

Look at the rigging
he's got there.

He spent all night
getting it up here.

Setting it up

Oh my god.

I gotta get out of here, boys.

My tenants are going
to be going crazy.

Don't let them up
on the roof, please.

How are we going to do that?

I don't want to put any more
weight on this guy's line.

We'd better rig two of our own.

Marco, you and Chet
go on over there.

Check his rigging
and secure our lines.

I think that corner's
our best bet there.

You see he was rehearsing for
hig big stunt this afternoon.

At least he was
wearing a safety line.

I was watching him.

He just kept going back
and forth, back and forth.

Hold it.

Hold it.

I don't think--

I don't think anyone
could have worked so

hard to accomplish so little.

OK.

[sirens]

[inaudible]

He's such an old fool.

All right.

Yeah, can you grab it?

He's got all of these news
people coming this afternoon

to watch him do it for

real.

Hey, Vince, could you lend
a hand back here, please?

Just last night he started
to do this whole thing.

You see, now he's been
a flagpole sitter.

You name it, and he's done it.

I've seen pictures of it.

He's got a whole scrapbook
he took full of them.

Golly, they sure take a
lot of time, don't they?

We take a lot of time because
we want to do it safely,

that's all.

Oh.

- You get it?
- Yeah.

OK.

Hold it there.

All set to go?

Yeah.

Can we get some
room here, please?

Sure.

You're the boss.

OK, ready?

Lower us down.

All right.

Let him down.

Keep them coming.

A little more.

OK, you want to lower me down?

A little more on the right.

OK.

OK, hold the right one.

Don't move the left one.

Lower his line.

A little more
on the right one.

- Yeah.
- Good?

Go ahead.

I got him from back here.

All right.

I'm going to try to
swing this around.

Can you grab-- wait a minute.

Wait a minute.

He's coming to, Roy.

Hey, come on.
Just relax.

Keep still.
Hey.

Hey, hold still.

Come on, stop wiggling around.

Relax.

Hold it.

Watch.

Come on up.

His line broke.

That's his line.

Can you pull his rope?

All right.
That's got it.

Tie it off.

And get over here.

You get hold of him, OK.

Come on.

You're going to have
to stop moving around.

OK, pull us in.

It's OK, we got
you, [inaudible].

Don't worry, Mark.

We got you.

We got you.

Swing your leg over.

OK, wait a minute.

Watch the rope.

Watch your step.

Everybody OK?

[inaudible]

Boy, Mark.

You really had us scared.

All right.

There we go.

Take it easy now.

[engine running]

[interposing voices]

[interposing voices]

It's all right,
just take it easy.

No, no.
I'm doing just fine.

All right.
OK, OK.

Let's just check you out, OK?
- It just seems a little--

Pulse is normal.

I was there a long time.

Yes, sir.

I could have been in a
lot of trouble out there.

Yes, sir, you were.

You know, I just
don't understand it.

I used to do this
three times a day.

How long ago, Mark?

Oh, yes.

You guys think I'm a little
bit off kilter there,

but I got my reason.

Now, sir, if you
don't mind telling us,

what were your reasons?

I'm preparing for my TV debut.

Your TV debut?

Yeah, haven't you heard
about the new game show?

No, sir, I haven't.

Oh, it's a brand new
show coming on this year.

They just talked about
it on the TV last night.

Open auditions, well, if
you've got a hook, you know?

And they hire six acts for the
show, so I thought why not.

Are you kidding me?

No, I'm not kidding you.

What, you think I do this
sort of thing for my health?

No, I practice some.

Practice, right?

There's over $1,000 in prizes,
and I get to be in a movie

if I win.

You win.

I think I lost.

Co-producers, huh?

You blew it again, dummy.

How's he doing?

He's fine.

Yeah, he's going to be fine.

But we want to take
him into the hospital.

Check him out.

Well, we've worked
two hours overtime now.

Let's keep going.
- All right.

You boys look a little
under the weather.

You all right now, Mr. Hart.

Yes, thank you.

Miss [inaudible].

I'm fine.

[inaudible] Mr. Hart.

You and I are going to
have a little talk, OK?

Well, it's good to
have you back, Mark.

Well, it's nice to be back.

See now, by the
way, somebody's

going to have to talk
to all those newspeople.

You know.

Well, you can always
come up with a new idea.

The show is gone.

No more ideas.

Can I count on that?

Aw, leave me alone.

Will ya?

You don't know how much
energy I put into that.

I put a lot of energy into that.

Just to go down the
tubes like that.

You ever think about
writing a show about fireman?

Nah, it's the
story of my life.

[theme music]