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1
00:00:09,792 --> 00:00:11,098
HERE, ART,
YOU'LL NEED THIS.
2
00:00:12,534 --> 00:00:15,058
WHERE'S THE FIRE POLE?
3
00:00:15,102 --> 00:00:16,320
HMM?
4
00:00:16,364 --> 00:00:17,539
THE FIRE POLE.
WHERE IS IT?
5
00:00:17,582 --> 00:00:20,150
OH, THIS IS
A ONE-STORY STRUCTURE.
6
00:00:20,194 --> 00:00:24,502
UH, MAKE THAT A TWO-STORY
FIREHOUSE WITH FIRE POLE.
7
00:00:24,546 --> 00:00:26,287
I WANT YOU TO MEET
SOME OF THE MEN.
8
00:00:27,331 --> 00:00:29,377
FELLOWS?
9
00:00:29,420 --> 00:00:31,118
THIS IS ART FROMMICH.
10
00:00:31,161 --> 00:00:33,120
ROY DESOTO,
JOHN GAGE.
11
00:00:33,163 --> 00:00:34,556
PARAMEDICS ON THE A-SHIFT.
HI, ART.
12
00:00:34,599 --> 00:00:36,166
ART'S A SCREENWRITER.
13
00:00:36,210 --> 00:00:38,516
HERE TO GATHER MATERIAL
FOR A FILM ON PARAMEDICS.
14
00:00:38,560 --> 00:00:41,084
OH, YEAH?
A TRAINING FILM?
15
00:00:41,128 --> 00:00:43,260
WITH A $3.25
MILLION BUDGET,
16
00:00:43,304 --> 00:00:45,219
IT BETTER NOT BE.
17
00:00:45,262 --> 00:00:47,090
ART HAS PERMISSION FROM
CHIEF HOUTS TO RIDE THE SQUAD.
18
00:00:47,134 --> 00:00:49,484
AND I TOLD HIM YOU'D
ANSWER ANY QUESTIONS.
SURE.
19
00:00:49,527 --> 00:00:50,833
SURE.
SEE YOU AROUND, ART.
20
00:00:50,876 --> 00:00:51,834
SO LONG, DICK.
21
00:00:51,877 --> 00:00:53,618
SEE YOU LATER, DICK.
22
00:00:53,662 --> 00:00:56,404
WHAT MOVIES YOU WRITTEN?
23
00:00:56,447 --> 00:00:58,362
EVER SEE THE THING
THAT ATE THE WORLD?
24
00:01:00,451 --> 00:01:01,844
THE THING THAT
ATE THE WORLD?
25
00:01:03,585 --> 00:01:05,282
I ENVISION
THIS PARAMEDIC SCRIPT
26
00:01:05,326 --> 00:01:06,849
A LITTLE DIFFERENT SOMEHOW.
27
00:01:06,892 --> 00:01:09,156
I WANT THE AUDIENCE TO FEEL
RIGHT DOWN IN THEIR GUT
28
00:01:09,199 --> 00:01:11,332
WHAT IT MEANS
TO BE A FIREMAN,
29
00:01:11,375 --> 00:01:14,117
SO THEY CAN IDENTIFY WHEN
YOU START DOING YOUR NUMBER.
30
00:01:14,161 --> 00:01:15,336
OUR NUMBER?
31
00:01:15,379 --> 00:01:17,381
I THINK HE MEANS RESCUES.
32
00:01:17,425 --> 00:01:18,730
RIGHT ON.
33
00:01:18,774 --> 00:01:20,254
DO YOU WANNA SEE
SOME OF OUR EQUIPMENT HERE?
34
00:01:20,297 --> 00:01:22,125
YEAH.
DYNAMITE.
35
00:01:22,169 --> 00:01:23,648
IT'S WHAT WE USE...BUT LET'S
GET IT THIS WAY.
36
00:01:23,692 --> 00:01:25,650
YOU GUYS JUST
GO BACK TO WHAT
37
00:01:25,694 --> 00:01:27,391
YOU WERE DOING
BEFORE I CAME IN,
38
00:01:27,435 --> 00:01:30,438
AND I'LL JUST HANG AROUND,
PICK UP ON THE VIBES.
39
00:01:30,481 --> 00:01:32,831
SURE.
SCENE ONE.
THE FIRE STATION.
40
00:01:32,875 --> 00:01:34,572
THE MEN ARE CHECKING
THEIR EQUIPMENT.
41
00:01:34,616 --> 00:01:36,357
THEY ARE CASUAL
BUT ALERT.
42
00:01:36,400 --> 00:01:39,360
ANY MOMENT
SOMETHING BIG MAY BREAK.
43
00:01:39,403 --> 00:01:40,752
EXCUSE ME!
44
00:01:40,796 --> 00:01:42,493
THE MEN ARE IN A CONSTANT
STATE OF READINESS.
45
00:01:42,537 --> 00:01:44,278
ANY MOMENT
THAT BIG BELL MAY RING.
46
00:01:48,282 --> 00:01:49,500
HE'S A WRITER?
47
00:01:49,544 --> 00:01:51,198
HE'S HERE
TO TELL OUR STORY.
48
00:01:51,241 --> 00:01:52,416
ARE YOU SURE
YOU WANT IT TOLD?
49
00:01:53,852 --> 00:01:57,247
[ alarm sounding ]
50
00:01:57,291 --> 00:02:00,163
Dispatcher: [ on PA ]
SQUAD 51, A MAN DOWN.
51
00:02:00,207 --> 00:02:01,208
CORNER OF GALE
AND WATERSTON.
52
00:02:01,251 --> 00:02:03,471
ART! ART!
THE SQUAD! COME ON!
53
00:02:03,514 --> 00:02:05,299
THE SQUAD!
54
00:02:05,342 --> 00:02:07,605
Stanley:
SQUAD 51, KMG 365.
55
00:02:19,965 --> 00:02:21,489
[ siren wailing ]
56
00:02:27,321 --> 00:02:29,323
THIS IS FANTASTIC.
57
00:02:30,889 --> 00:02:32,630
THIS IS DYNAMITE.
58
00:02:32,674 --> 00:02:34,719
WE COULD MOUNT THE CAMERA
RIGHT ON THE HOOD OF THE TRUCK.
59
00:02:34,763 --> 00:02:36,199
JUST LIKE THAT CHASE
SCENE IN, UH...
60
00:02:36,243 --> 00:02:37,244
ALL RIGHT,
IT'S THE NEXT RIGHT.
61
00:02:37,287 --> 00:02:38,462
THE NEXT RIGHT, ROY.GOT IT.
62
00:02:38,506 --> 00:02:39,637
WHAT WAS THE NAME
OF THAT MOVIE
63
00:02:39,681 --> 00:02:40,638
WHERE THEY HAD
THAT CHASE SCENE?
64
00:02:40,682 --> 00:02:41,683
Roy:
ART!
65
00:02:42,988 --> 00:02:44,642
Art:
THE MOMENT OF TRUTH.
66
00:02:44,686 --> 00:02:47,297
THE SHRIEK OF THE SIREN
IS HEARD THROUGH THE CITY
67
00:02:47,341 --> 00:02:49,430
AS THE FIRE TRUCK,
ON ITS MISSION OF MERCY,
68
00:02:49,473 --> 00:02:52,650
HURTLES TOWARD DESTINY
AT 80 MILES AN HOUR.
69
00:02:58,700 --> 00:03:00,658
Man: [ panting ]
OH, HE...
70
00:03:00,702 --> 00:03:02,356
HE CAME BARRELING
RIGHT INTO THE INTERSECTION.
71
00:03:04,880 --> 00:03:06,273
BACK ON THE CURB, PLEASE.
GIVE US SOME ROOM.
72
00:03:06,316 --> 00:03:07,622
HE DIDN'T EVEN SLOW UP.
73
00:03:07,665 --> 00:03:09,537
[ siren approaching ]BACK ON THE CURB!
74
00:03:09,580 --> 00:03:11,191
ALL RIGHT,
FELLOW, TAKE IT EASY.
HELP'S ON ITS WAY.
75
00:03:15,891 --> 00:03:17,893
[ sirens wailing ]
76
00:04:18,954 --> 00:04:20,956
SIR, ARE YOU
HURT ANYWHERE?
77
00:04:20,999 --> 00:04:22,523
YOU HURT?
YOU FEEL ANY PAIN?
78
00:04:23,567 --> 00:04:24,525
UH...
79
00:04:26,701 --> 00:04:28,006
WHERE AM I?
80
00:04:28,050 --> 00:04:30,357
NICE SMELL, ISN'T IT?YEAH.
81
00:04:30,400 --> 00:04:32,881
I WAS TRAILING HIM
WHEN HE HIT THAT KID.
82
00:04:32,924 --> 00:04:35,753
Johnny: SIR?
ARE YOU FEELING ANY PAIN?
83
00:04:35,797 --> 00:04:37,581
UM... WHO?
84
00:04:37,625 --> 00:04:38,930
ARE YOU FEELING
ANY PAIN?
85
00:04:38,974 --> 00:04:41,106
WOULD YOU, UH...
86
00:04:41,150 --> 00:04:44,414
WOULD YOU TELL JENNY TO WALK
THE DOGS TONIGHT, PLEASE?
87
00:04:44,458 --> 00:04:46,024
NO, HE'S NOT
IN ANY PAIN.
88
00:04:46,068 --> 00:04:48,375
WELL, WE'RE GONNA PUT HIM
IN THE AMBULANCE ANYWAY.
89
00:04:48,418 --> 00:04:49,637
YEAH.
90
00:04:54,946 --> 00:04:57,122
HAROLD, WHY DON'T YOU PUT
THIS GUY IN THE AMBULANCE
91
00:04:57,166 --> 00:05:00,082
AND THEN HANG TIGHT UNTIL
WE CAN GET HIM, OKAY?
92
00:05:02,867 --> 00:05:04,129
[ gasping ]
93
00:05:06,871 --> 00:05:08,133
YOU REALLY GOT
A POPLITEAL PULSE.
94
00:05:08,177 --> 00:05:10,048
I'M GONNA PUT
ON A TOURNIQUET.
95
00:05:10,092 --> 00:05:11,746
HE'S GOT A BP
OF 80 OVER 60.
96
00:05:11,789 --> 00:05:13,835
MY BIKE.
97
00:05:13,878 --> 00:05:16,707
HOW BAD DID SHE GET IT?PULSE IS 120.
98
00:05:16,751 --> 00:05:19,406
HOW BAD DID SHE GET IT?DON'T WORRY ABOUT
YOUR BIKE RIGHT NOW.
99
00:05:20,929 --> 00:05:22,800
OKAY, GOT RESPIRATIONS
ABOUT 24.
100
00:05:22,844 --> 00:05:24,672
YOUR BIKE'S
GONNA BE OKAY.
101
00:05:26,456 --> 00:05:28,023
JUST WORRIED
ABOUT YOU RIGHT NOW.
102
00:05:28,066 --> 00:05:29,851
UH, RAMPART,
103
00:05:29,894 --> 00:05:32,506
THIS IS SQUAD 51.
HOW DO YOU READ?GO AHEAD, 51.
104
00:05:32,549 --> 00:05:35,857
RAMPART, WE HAVE A MALE,
APPROXIMATELY 25 YEARS OLD.
105
00:05:35,900 --> 00:05:38,207
HE'S BEEN INVOLVED
IN A MOTORCYCLE ACCIDENT.
106
00:05:38,250 --> 00:05:41,166
HIS LEFT LEG
IS HEMORRHAGING BADLY.
107
00:05:41,210 --> 00:05:43,952
HE HAS A DEEP LACERATION
IN HIS LEFT THIGH.
108
00:05:45,606 --> 00:05:47,172
I ESTIMATE ABOUT, UH,
109
00:05:47,216 --> 00:05:51,089
1,000 CCS
OF BLOOD LOSS.
110
00:05:51,133 --> 00:05:53,875
PROBABLE
ARTERIAL INJURY.
111
00:05:53,918 --> 00:05:56,486
BP IS 80 OVER 60,
112
00:05:58,227 --> 00:06:00,838
PULSE IS 120,
AND RESPIRATION IS 24.
113
00:06:00,882 --> 00:06:02,231
HAVE YOU GOT
A TOURNIQUET ON IT?
114
00:06:02,274 --> 00:06:04,189
10-4, RAMPART.
115
00:06:04,233 --> 00:06:06,148
START AN IV
WITH RINGER'S AND GET
HIM IN HERE RIGHT AWAY.
116
00:06:06,191 --> 00:06:07,584
10-4, RAMPART.
117
00:06:07,628 --> 00:06:09,760
I JUST PUT
A NEW RAKE ON IT.
118
00:06:09,804 --> 00:06:12,023
COST ME FIVE BILLS.
119
00:06:12,067 --> 00:06:14,199
OFFICER!
120
00:06:14,243 --> 00:06:15,679
YOU WANT TO COME OVER
AND TAKE A LOOK
121
00:06:15,723 --> 00:06:17,638
AT HIS BIKE
AND GET THESE PEOPLE AWAY?
122
00:06:17,681 --> 00:06:19,204
THANK YOU.
123
00:06:19,248 --> 00:06:20,858
NOW, LET'S MOVE OUT
OF THE STREET, NOW, FOLKS.
124
00:06:20,902 --> 00:06:22,469
COME ON, COME ON,
UP ON THE SIDEWALK.
125
00:06:22,512 --> 00:06:23,513
LET'S GO.COME ON.
126
00:06:23,557 --> 00:06:24,601
ALL RIGHT, EASY, NOW.
127
00:06:24,645 --> 00:06:26,603
JUST SETTLE BACK
AND RELAX, HUH?
128
00:06:26,647 --> 00:06:28,213
THAT INCLUDES YOU,
TOO, MISTER.
129
00:06:28,257 --> 00:06:31,042
THAT'S OKAY.
I'M STUDIO PERSONNEL.
130
00:06:31,086 --> 00:06:33,436
AT THE SCENE,
FIREMEN WORK FEVERISHLY,
131
00:06:33,480 --> 00:06:36,613
PULLING TWISTED BODIES
FROM TWISTED WRECKAGE.
132
00:06:36,657 --> 00:06:38,006
THEY WORK IN
TIGHT-LIPPED SILENCE,
133
00:06:38,049 --> 00:06:39,790
KNOWING THE ODDS
BUT WILLING TO DOUBLE DOWN.
134
00:06:39,834 --> 00:06:42,010
EVERY DAY IS ANOTHER
THROW OF THE DICE,
135
00:06:42,053 --> 00:06:44,534
AND SNAKE EYES
IS A WAY OF LIFE.
136
00:06:44,578 --> 00:06:45,840
NOT BAD, EH?
137
00:06:49,757 --> 00:06:51,802
DON'T LET THEM
IMPOUND MY BIKE, MISTER.
138
00:06:51,846 --> 00:06:54,631
THEY LEAVE THEM OUT
IN THE RAIN.
THEY'LL TAKE
GOOD CARE OF IT.
139
00:06:54,675 --> 00:06:56,894
Johnny: DON'T
WORRY ABOUT YOUR BIKE,
IT'S GONNA BE ALL RIGHT.
140
00:06:56,938 --> 00:06:59,027
[ patient panting ]
141
00:07:03,205 --> 00:07:04,293
ALL RIGHT.
142
00:07:07,557 --> 00:07:08,515
OKAY.
143
00:07:20,309 --> 00:07:21,528
GRIFF COLEMAN?RIGHT.
144
00:07:21,571 --> 00:07:22,964
LET'S GET HIM TO ONE.
145
00:07:26,010 --> 00:07:27,055
TAKE HIM INTO THREE.
146
00:07:39,241 --> 00:07:41,765
NOW WE SHOW THE HOSPITAL
EMERGENCY ROOM,
147
00:07:41,809 --> 00:07:45,552
WHERE THE MANY VICTIMS
OF A VIOLENT CITY
WAIT IN SILENCE.
148
00:07:45,595 --> 00:07:47,902
AS THE CAMERA
PANS THE WAITING ROOM...
149
00:07:50,121 --> 00:07:53,603
AS THE CAMERA PANS
THE WAITING ROOM...
150
00:07:53,647 --> 00:07:55,562
AS THE CAMERA PANS
THE WAITING ROOM,
151
00:07:55,605 --> 00:07:57,999
EVERY WOUND
IS A STORY IN ITSELF,
152
00:07:58,042 --> 00:08:01,045
EACH FACE A STOIC MONUMENT
TO THE HUMAN CONDITION.
153
00:08:01,089 --> 00:08:03,221
Cop: I KNOW I GOT
IT HERE SOMEPLACE.
154
00:08:03,265 --> 00:08:05,310
OH, HERE WE ARE.
155
00:08:05,354 --> 00:08:08,052
NOW, YOUR LAST ADMIT,
GENE PORTER.
156
00:08:08,096 --> 00:08:09,358
HE'S IN CUSTODY.
157
00:08:09,401 --> 00:08:11,578
THAT'S HIS
DRIVER'S LICENSE.
158
00:08:11,621 --> 00:08:13,014
OKAY.
159
00:08:13,057 --> 00:08:14,842
FOXY NURSE.
HARD AS NAILS,
160
00:08:14,885 --> 00:08:16,278
BUT THE HEART
IS PURE GOLD.
161
00:08:19,629 --> 00:08:21,718
PSYCHIATRIC ADMIT?
162
00:08:21,762 --> 00:08:22,806
AT LEAST.
163
00:08:24,286 --> 00:08:27,855
DOC, HOW'S THAT
MOTORCYCLE PATIENT DOING?
164
00:08:27,898 --> 00:08:30,292
WE'VE GOT A VASCULAR SURGEON
WORKING ON HIM NOW.
165
00:08:30,335 --> 00:08:31,902
IS HE GONNA
LOSE THAT LEG?
166
00:08:31,946 --> 00:08:34,601
IT DOESN'T LOOK GOOD.
THE ARTERY WAS SEVERED.
167
00:08:34,644 --> 00:08:37,212
LET'S GO GET
WASHED UP.YEAH.
168
00:08:37,255 --> 00:08:38,735
LOOK, I'LL KEEP
YOU GUYS POSTED, HUH?
169
00:08:38,779 --> 00:08:40,607
ALL RIGHT.
THANKS, DOC.
SEE YOU LATER.
170
00:08:46,395 --> 00:08:48,005
HOW'S HE DOING,
MIKE?
171
00:08:48,049 --> 00:08:50,617
WELL, HE'S GOT SOME
DISORIENTATION, VERTIGO.
172
00:08:50,660 --> 00:08:51,618
[ sighs ]
173
00:08:54,185 --> 00:08:55,143
HOW ARE YOU FEELING,
MR. PORTER?
174
00:08:55,186 --> 00:08:57,928
[ chuckles weakly ]
175
00:08:57,972 --> 00:08:59,190
LIKE I GOT
A HANGOVER.
176
00:09:01,976 --> 00:09:03,978
WHEN DID YOU HAVE
YOUR LAST DRINK?
177
00:09:09,810 --> 00:09:11,768
DRINK?
178
00:09:11,812 --> 00:09:13,422
LAST NIGHT?
THIS MORNING?
179
00:09:15,337 --> 00:09:17,078
I CAN'T REMEMBER.
180
00:09:17,121 --> 00:09:19,602
DO YOU HAVE ANY PAIN?
181
00:09:19,646 --> 00:09:21,909
YEAH. MY STOMACH.
182
00:09:29,003 --> 00:09:30,265
[ groans ]
183
00:09:32,702 --> 00:09:34,356
YEAH, THAT'S IT,
RIGHT THERE.
184
00:09:34,399 --> 00:09:36,880
YOU HAD ANY TROUBLE WITH
YOUR PANCREAS BEFORE?
185
00:09:36,924 --> 00:09:39,796
NO, NOT THAT I KNOW OF.
186
00:09:39,840 --> 00:09:42,364
MIKE, I WANT A CBC,
187
00:09:42,407 --> 00:09:45,106
A SERUM AMYLASE,
A FLAT PLATE AND
UPRIGHT OF THE ABDOMEN.
188
00:09:45,149 --> 00:09:47,456
ALSO, A SKULL X-RAY.
OKAY.
189
00:09:48,500 --> 00:09:50,154
[ sighs ]
190
00:09:50,198 --> 00:09:52,679
WELL, I THINK YOU'RE
GONNA BE FINE, MR. PORTER.
191
00:09:52,722 --> 00:09:54,332
I'LL BE BACK TO SEE YOU
AFTER THE TESTS ARE IN.
192
00:09:54,376 --> 00:09:56,421
DOCTOR.
193
00:09:56,465 --> 00:09:58,206
LOOK, UH...
194
00:09:58,249 --> 00:09:59,990
[ sighs ]
195
00:10:00,034 --> 00:10:02,689
DID I HAVE AN ACCIDENT?
196
00:10:02,732 --> 00:10:04,081
YES.
197
00:10:05,387 --> 00:10:06,867
DID I...
198
00:10:09,043 --> 00:10:12,350
I MEAN, WAS THERE
ANYBODY ELSE HURT?
199
00:10:12,394 --> 00:10:15,353
YES, I'M SORRY TO SAY
SOMEONE WAS INJURED.
200
00:10:15,397 --> 00:10:17,878
IT WASN'T ANNE,
WAS IT? OR JENNY?
201
00:10:17,921 --> 00:10:20,271
NO. NO.
202
00:10:20,315 --> 00:10:21,708
NO ONE YOU KNOW.
203
00:10:57,569 --> 00:10:59,876
HI.
204
00:10:59,920 --> 00:11:00,964
CAN I HELP YOU?
205
00:11:01,008 --> 00:11:02,966
YEAH.
206
00:11:03,010 --> 00:11:05,403
WHICH ONE IS
THE COFFEE MACHINE?
207
00:11:05,447 --> 00:11:07,231
THAT'S BACK
IN THE WAITING ROOM.
208
00:11:07,275 --> 00:11:08,493
JUST TURN LEFT
AT THE HALL.
209
00:11:12,106 --> 00:11:13,934
IS THERE
SOMETHING ELSE?
210
00:11:13,977 --> 00:11:17,111
THIS LOOKS LIKE SOMETHING
FROM A SCIENCE-FICTION MOVIE.
211
00:11:17,154 --> 00:11:18,939
OH, THIS IS
OUR BASE STATION.
212
00:11:18,982 --> 00:11:21,898
WE MAKE RADIO CONTACT WITH OUR
FIRE DEPARTMENT PARAMEDICS.
213
00:11:21,942 --> 00:11:24,553
DYNAMITE!
I'VE BEEN LOOKING
FOR THIS PLACE.
214
00:11:24,596 --> 00:11:27,425
WELL, LOOK, THIS IS
A RESTRICTED AREA.
215
00:11:30,254 --> 00:11:31,342
DOC!
216
00:11:34,345 --> 00:11:35,782
HOW'S THAT KID
GRIFF DOING?
217
00:11:35,825 --> 00:11:37,305
WELL, WE'RE WORKING
ON HIM NOW.
218
00:11:37,348 --> 00:11:39,916
YOU KNOW, PORTER'S HAD
DRUNK-DRIVING ARRESTS BEFORE.
219
00:11:39,960 --> 00:11:41,918
OH?
220
00:11:41,962 --> 00:11:45,095
I GET OFF DUTY
IN A HALF-HOUR, DOC.
SO?
221
00:11:45,139 --> 00:11:48,011
SO I'D APPRECIATE
PORTER'S MEDICAL CLEARANCE
AS SOON AS POSSIBLE.
222
00:11:48,055 --> 00:11:49,447
WE HAVE SOME TESTS
TO RUN ON HIM.
223
00:11:49,491 --> 00:11:52,320
TESTS? YOU CAN SMELL
THAT ALCOHOL A MILE OFF!
224
00:11:52,363 --> 00:11:53,538
WHAT DO YOU NEED
TESTS FOR?
225
00:11:53,582 --> 00:11:55,932
TO DETERMINE THE EXTENT
OF HIS INJURIES.
226
00:11:55,976 --> 00:11:58,805
OH, THEY DON'T GET HURT, DOC.
THAT'S THE THING OF IT.
227
00:11:58,848 --> 00:12:00,458
THE DRUNK DRIVER COMES OFF
BETTER THAN THE VICTIM.
228
00:12:00,502 --> 00:12:03,244
IT'S THE ALCOHOL THAT
RELAXES THEIR MUSCLES.
229
00:12:03,287 --> 00:12:06,116
LOOK, I DON'T HAVE TIME
TO ARGUE ACCIDENT
STATISTICS WITH YOU,
230
00:12:06,160 --> 00:12:07,944
SO I'LL MAKE
TWO POINTS FAST.
231
00:12:07,988 --> 00:12:10,251
I'M NOT INFLUENCED BY ANY
CRIME A PATIENT COMMITS,
232
00:12:10,294 --> 00:12:13,254
AND I WON'T CLEAR PORTER
UNTIL I KNOW EXACTLY
WHAT'S WRONG WITH HIM.
233
00:12:13,297 --> 00:12:15,473
YEAH, BUT...
234
00:12:15,517 --> 00:12:17,911
Art:
...CHARM YOU.Dixie: OH, REALLY?
235
00:12:17,954 --> 00:12:21,131
ART, WE'VE BEEN LOOKING
ALL OVER FOR YOU.
236
00:12:21,175 --> 00:12:23,830
I TAKE IT THIS
GENTLEMAN IS WITH YOU?
237
00:12:23,873 --> 00:12:26,833
YOU LEFT THIS
IN THE WAITING ROOM.
AH.
238
00:12:26,876 --> 00:12:28,138
YEAH. UH, WE GOT
SOME WORK HERE TO DO.
239
00:12:28,182 --> 00:12:31,098
MAYBE YOU COULD MEET US
AT THE SQUAD, ART.
240
00:12:31,141 --> 00:12:32,577
I'LL SEE YOU THEN.
241
00:12:37,626 --> 00:12:39,846
SORRY, DIX.
242
00:12:39,889 --> 00:12:42,370
WELL, LISTEN, FELLOWS,
NEXT TIME I'D APPRECIATE IT
243
00:12:42,413 --> 00:12:45,373
IF YOU WOULD BRIEF
YOUR OBSERVERS.
244
00:12:45,416 --> 00:12:46,983
YEAH, WELL
WE TRIED.
245
00:12:47,027 --> 00:12:49,594
THE ONLY THING IS,
ART IS BRIEF-PROOF.
246
00:12:49,638 --> 00:12:52,380
YEAH. WELL I DIDN'T
SPEND MUCH TIME WITH HIM,
247
00:12:52,423 --> 00:12:54,861
BUT I CERTAINLY
GOT THAT FEELING.[ laughs ]
248
00:12:54,904 --> 00:12:57,385
WE BETTER GET OUT THERE TO
HIM BEFORE SOMEBODY ELSE DOES.
249
00:12:57,428 --> 00:12:58,865
YEAH, SEE YOU LATER.SEE YOU LATER.
250
00:12:58,908 --> 00:13:00,040
BYE.
251
00:13:13,923 --> 00:13:17,100
HEY, GUYS, WHERE'S
YOUR WRITER FRIEND?
252
00:13:17,144 --> 00:13:19,407
WHERE HE BELONGS FOR ONCE,
WITH A TYPEWRITER.
253
00:13:19,450 --> 00:13:21,888
OH, HE LEFT ALREADY?NO, NO. HE'S IN
THE OFFICE, THERE.
254
00:13:21,931 --> 00:13:25,195
YOU KNOW, I GET A FEELING
YOU'RE NOT HEAD-OVER-HEELS
IN LOVE WITH THIS GUY.
255
00:13:25,239 --> 00:13:28,024
NO. I DON'T KNOW
WHY HE NEEDS TO
VISIT A FIRE STATION.
256
00:13:28,068 --> 00:13:31,027
HIS IMAGINATION
TOPS ANYTHING WE GOT
AROUND HERE FOR REAL.
257
00:13:31,071 --> 00:13:32,246
ISN'T THAT
THE TRUTH.
258
00:13:32,289 --> 00:13:35,031
THE THING
THAT ATE THE WORLD.
259
00:13:35,075 --> 00:13:36,293
HE WROTE THAT?
260
00:13:36,337 --> 00:13:37,904
THAT'S ONE OF
MY FAVORITE FILMS!
261
00:13:39,949 --> 00:13:41,037
[ sighing ]
262
00:13:41,081 --> 00:13:42,430
FIGURES.
263
00:13:50,612 --> 00:13:52,919
HOW'S THE SCREENPLAY
COMING?
264
00:13:52,962 --> 00:13:55,269
SLOW.
265
00:13:56,357 --> 00:13:58,098
SAY, CAP,
266
00:13:58,141 --> 00:14:01,101
I HEAR YOU WRITE UP
ALL YOUR RESCUES ON A LOG.
267
00:14:01,144 --> 00:14:02,363
YEAH, WE DO.
FIRES, TOO.
268
00:14:04,104 --> 00:14:05,583
DYNAMITE.
269
00:14:05,627 --> 00:14:08,064
MUST BE ENOUGH ACTION
FOR A HUNDRED SCRIPTS.
270
00:14:08,108 --> 00:14:10,414
HOW ABOUT IF
I TAKE A LOOK?
WELL, YOU CAN'T
DO THAT, SEE.
271
00:14:10,458 --> 00:14:12,068
THAT'S LEGALLY
CONFIDENTIAL.
272
00:14:12,112 --> 00:14:13,504
IT'S LIKE A PATIENT'S
MEDICAL RECORD.
273
00:14:13,548 --> 00:14:15,158
ONLY SOMEBODY LIKE A
LAWYER WITH A COURT ORDER
274
00:14:15,202 --> 00:14:16,464
CAN SEE ANY PART OF IT.
275
00:14:16,507 --> 00:14:18,248
OKAY. OKAY.LOOK, I TELL YOU WHAT.
276
00:14:18,292 --> 00:14:19,946
IF YOU DON'T THINK YOU'RE
GETTING ENOUGH MATERIAL
277
00:14:19,989 --> 00:14:21,121
RIDING WITH THE SQUAD,
278
00:14:21,164 --> 00:14:22,426
WHY DON'T YOU
ASK THE GUYS
279
00:14:22,470 --> 00:14:23,688
TO TELL YOU SOME
OF THEIR EXPERIENCES?
280
00:14:23,732 --> 00:14:25,516
THINK THEY WOULD?
281
00:14:25,560 --> 00:14:28,606
I DON'T SEE WHY NOT,
IF YOU APPROACH THEM
THE RIGHT WAY.
282
00:14:34,003 --> 00:14:35,396
ROY DESOTO,
283
00:14:35,439 --> 00:14:37,180
THIS IS YOUR LIFE!
284
00:14:40,662 --> 00:14:43,273
UH, SEE,
I WAS A JUNIOR
AT NORWALK HIGH SCHOOL
285
00:14:43,317 --> 00:14:46,102
WHEN I FIRST GOT INTERESTED
IN BEING A FIREMAN.
286
00:14:46,146 --> 00:14:47,756
ACTUALLY THERE WAS
A FIRE STATION
287
00:14:47,799 --> 00:14:50,150
THAT WAS JUST DOWN THE
STREET FROM WHERE I LIVED...
288
00:14:52,152 --> 00:14:53,980
CHET KELLY,
289
00:14:54,023 --> 00:14:55,720
THIS IS YOUR LIFE.
290
00:14:55,764 --> 00:14:57,461
THANK YOU, RALPH.
291
00:14:58,767 --> 00:15:00,464
HI, MOM!
292
00:15:01,683 --> 00:15:04,294
NOW WAIT
A MINUTE, FELLOWS.
293
00:15:04,338 --> 00:15:06,514
I'M SORRY, I GUESS
I SHOULD HAVE BEEN
MORE SPECIFIC.
294
00:15:06,557 --> 00:15:08,255
ALL I REALLY WANT
IS FOR YOU TO REMINISCE
295
00:15:08,298 --> 00:15:10,474
ABOUT THE GREATEST
EXPERIENCE IN YOUR LIFE.
296
00:15:10,518 --> 00:15:12,128
MY GREATEST
EXPERIENCE?
297
00:15:12,172 --> 00:15:14,000
YOU WOULDN'T BE ABLE
TO FILM IT, PAL.
298
00:15:14,043 --> 00:15:15,392
I'LL TELL YOU
ABOUT IT, THOUGH.
299
00:15:15,436 --> 00:15:18,656
[ alarm sounding ]
300
00:15:18,700 --> 00:15:21,442
Dispatcher: [ on PA]
STATION 51,
INDUSTRIAL ACCIDENT.
301
00:15:21,485 --> 00:15:24,271
FABRICS COMPANY.
SHIRE AND ATWILL.
302
00:15:24,314 --> 00:15:25,663
SHIRE AND ATWILL.
303
00:15:25,707 --> 00:15:27,274
TIME OUT, 1016.
304
00:15:27,317 --> 00:15:30,016
STATION 51,
KMG 365.
305
00:15:32,061 --> 00:15:33,236
WHERE'S ART?
306
00:15:33,280 --> 00:15:34,237
GREAT, LET'S GO!
307
00:15:42,811 --> 00:15:45,292
[ sirens wailing ]
308
00:16:19,630 --> 00:16:21,850
IF YOU'VE GOT ANYTHING
FOR RESTRAINING A WILD BULL,
309
00:16:21,893 --> 00:16:23,852
YOU'D BETTER
BRING IT IN.
WILD BULL?
310
00:16:23,895 --> 00:16:26,724
IT'S ONE OF THE MEN.
ABOUT 260 POUNDS.
311
00:16:26,768 --> 00:16:28,509
WHAT HAPPENED?I DON'T KNOW.
HE JUST WENT BERSERK.
312
00:16:28,552 --> 00:16:30,815
HE'S IN THERE.
313
00:16:30,859 --> 00:16:32,556
HE WAS TREATING
THE LINING WITH SPRAY.
314
00:16:32,600 --> 00:16:34,036
ONE MINUTE
HE'S AT WORK,
315
00:16:34,080 --> 00:16:35,211
AND THE NEXT
HE'S A RAVING ANIMAL.
316
00:16:35,255 --> 00:16:36,865
WHAT WAS HE USING?
WHAT CHEMICAL?
317
00:16:36,908 --> 00:16:38,823
I CAN'T REMEMBER THE NAME.
SOME NEW STUFF.CHET! AIR MASKS!
318
00:16:38,867 --> 00:16:41,609
HE'S QUIET NOW, BUT,
BOY, YOU WOULDN'T
GET ME DOWN THERE.
319
00:16:41,652 --> 00:16:43,611
HE TRIED TO KILL A GUY
WHO WENT IN AFTER HIM.
320
00:16:44,655 --> 00:16:45,743
THERE HE IS.
321
00:16:49,356 --> 00:16:50,835
WHAT'S HIS NAME?AL.
322
00:16:52,141 --> 00:16:54,622
HOW ARE YOU
FEELING, AL?
323
00:16:54,665 --> 00:16:56,711
JUST LOVELY.
HOW ARE YOU FEELING?
324
00:16:56,754 --> 00:16:58,669
COULDN'T BE BETTER.
325
00:16:58,713 --> 00:17:00,367
WHY DON'T YOU
COME ON OUT OF THERE?
326
00:17:02,891 --> 00:17:05,111
WHY DON'T YOU
COME DOWN AND GET ME?
327
00:17:22,258 --> 00:17:23,390
HEY, AL?
328
00:17:23,433 --> 00:17:25,131
YEAH?
329
00:17:25,174 --> 00:17:27,785
HEY, BUDDY, YOUR FOREMAN
SENT THE MEN HOME, WITH PAY.
330
00:17:27,829 --> 00:17:30,397
DON'T YOU WANT TO
SPEND YOUR DAY OFF
SOMEPLACE ELSE?
331
00:17:30,440 --> 00:17:33,443
[ chuckles ]
YOU TELL THE FOREMAN
TO COME DOWN HERE
332
00:17:33,487 --> 00:17:35,097
AND TELL ME THAT
TO MY FACE.
333
00:17:37,056 --> 00:17:39,449
NO WAY AM I
GOING DOWN THERE. MMM!
334
00:17:43,888 --> 00:17:45,412
RAMPART,
THIS IS SQUAD 51.
335
00:17:45,455 --> 00:17:46,935
GO AHEAD, 51.
336
00:17:46,978 --> 00:17:48,937
WE HAVE A MALE PATIENT HERE.
337
00:17:48,980 --> 00:17:50,504
APPROXIMATELY
30 YEARS OF AGE.
338
00:17:50,547 --> 00:17:53,420
HE'S SUFFERING
WHAT APPEARS TO BE
339
00:17:53,463 --> 00:17:55,117
A CHEMICALLY-INDUCED
PSYCHOSIS.
340
00:17:55,161 --> 00:17:56,945
51, DO YOU KNOW
THE NAME OF THE CHEMICAL?
341
00:17:56,988 --> 00:17:58,816
STAN...
342
00:17:58,860 --> 00:18:01,080
UH, IT'S TETRAETHYL LEAD.
343
00:18:01,123 --> 00:18:02,255
THAT'LL DO IT.
344
00:18:02,298 --> 00:18:04,213
TRY TO SEDATE HIM
WITH DIAZEPAM,
345
00:18:04,257 --> 00:18:06,041
10 MILLIGRAMS.1O-4, RAMPART.
346
00:18:06,085 --> 00:18:07,782
THE PATIENT
IS UNRESTRAINED.
347
00:18:07,825 --> 00:18:10,959
HE WEIGHS ABOUT 250
OR 260 POUNDS.
348
00:18:11,002 --> 00:18:12,439
WE MAY ONLY GET
ONE CRACK AT HIM.
349
00:18:12,482 --> 00:18:14,832
10-4, 51.
DO THE BEST YOU CAN,
350
00:18:14,876 --> 00:18:15,877
BUT WATCH YOURSELF.
351
00:18:15,920 --> 00:18:17,313
10-4.
352
00:18:36,289 --> 00:18:37,464
AL!
353
00:18:39,205 --> 00:18:41,207
LISTEN, I'M GONNA
HAVE TWO PARAMEDICS
354
00:18:41,250 --> 00:18:42,860
AND MY CREW
COME DOWN THERE.
355
00:18:42,904 --> 00:18:44,123
THEY'RE GONNA
HELP YOU OUT.
356
00:18:49,302 --> 00:18:52,087
WHAT'S THAT STUFF
ON THEIR FACES?
357
00:18:52,131 --> 00:18:55,177
IT'S JUST AIR-MASKS, SEE?
THAT AIN'T GONNA HURT YOU.
358
00:18:55,221 --> 00:18:56,570
NOBODY'S COMING NEAR ME
WITH THAT STUFF.
359
00:18:59,007 --> 00:19:01,096
HOW LONG SINCE
HE STOPPED SPRAYING?
360
00:19:01,140 --> 00:19:03,011
OH, ABOUT
A HALF-HOUR.
361
00:19:03,054 --> 00:19:04,186
OKAY, TAKE THEM OFF!
362
00:19:10,061 --> 00:19:12,542
OKAY. NOW, JUST
TAKE IT EASY.
363
00:19:14,240 --> 00:19:16,503
NO ONE'S GONNA
HURT YOU. IT'S OKAY.
364
00:19:20,071 --> 00:19:21,203
NOT GONNA HURT YOU.
365
00:19:28,341 --> 00:19:30,604
THERE WE GO. EASY.
366
00:19:31,953 --> 00:19:33,128
NOT GONNA HURT YOU.
367
00:19:36,131 --> 00:19:38,307
ALL RIGHT, NOW, TAKE IT EASY.
TAKE IT EASY, ALL RIGHT?
368
00:19:38,351 --> 00:19:39,482
NOBODY'S GONNA HURT YOU.
369
00:19:39,526 --> 00:19:41,528
NOW, TAKE IT EASY.
HEY, GUYS...
370
00:19:41,571 --> 00:19:42,920
[ bellowing ]
371
00:19:42,964 --> 00:19:43,921
[ screaming ]
372
00:19:52,103 --> 00:19:54,062
WHOA, WHOA, WHOA!
WHOA! HEY!
373
00:19:54,105 --> 00:19:55,106
GET OFF OF ME!
374
00:19:58,414 --> 00:20:00,155
[ screaming ]
375
00:20:00,199 --> 00:20:02,070
Stanley: JOHNNY!Foremen: LET HIM GO!
376
00:20:09,469 --> 00:20:10,644
BACK OFF OF HIM!
377
00:20:23,483 --> 00:20:24,658
[ grunting ]
378
00:20:24,701 --> 00:20:27,617
COME ON, FELLOWS!
HOLD HIM DOWN!
379
00:20:36,147 --> 00:20:37,410
JUST A FEW MORE AMPS.
380
00:20:37,453 --> 00:20:39,673
[ groaning ]
OH, GOD!
381
00:20:46,375 --> 00:20:48,377
NEXT TIME, HOW ABOUT
I GIVE THE SHOT?
382
00:20:52,338 --> 00:20:54,122
ALL RIGHT, LOWER THE STOKES.
383
00:21:06,787 --> 00:21:09,442
Kelly: SHE CAME TO US
WITH A DIAGNOSIS OF...
384
00:21:09,485 --> 00:21:12,314
A TENTATIVE DIAGNOSIS OF INNER-
EAR THEMIA BULOSIS MULTAFORM,
385
00:21:12,358 --> 00:21:14,969
AND I HAVEN'T GOT THE LAB
REPORTS BACK YET.
386
00:21:15,012 --> 00:21:16,318
KEL? EXCUSE ME.
387
00:21:16,362 --> 00:21:18,755
MRS. PORTER'S
IN THE WAITING ROOM.
388
00:21:18,799 --> 00:21:20,322
THANKS, DIX.
389
00:21:20,366 --> 00:21:22,019
MIKE, LET ME CATCH YOU
WITH THAT LATER.
390
00:21:27,634 --> 00:21:29,157
MRS. PORTER?
391
00:21:29,200 --> 00:21:30,289
YES, DOCTOR.
392
00:21:30,332 --> 00:21:31,594
I'M DR. BRACKETT.
393
00:21:31,638 --> 00:21:34,423
I JUST RECEIVED THE TEST
RESULTS ON YOUR HUSBAND.
394
00:21:34,467 --> 00:21:36,425
OH, PLEASE, DOCTOR, NO ONE'S
TOLD ME ANYTHING YET.
395
00:21:36,469 --> 00:21:38,079
IS HE HURT BADLY?
396
00:21:38,122 --> 00:21:39,515
WELL, IT DOESN'T
SEEM SO.
397
00:21:39,559 --> 00:21:41,343
ALTHOUGH THE BLOOD TESTS
DID REVEAL
398
00:21:41,387 --> 00:21:43,563
SOME INFLAMMATION
OF THE PANCREAS.
399
00:21:43,606 --> 00:21:45,042
I CAN'T BE SURE YET,
400
00:21:45,086 --> 00:21:47,567
BUT IT WAS VERY LIKELY
CAUSED BY ALCOHOL.
401
00:21:47,610 --> 00:21:49,482
BUT GENE DOESN'T
DRINK ANYMORE.
402
00:21:49,525 --> 00:21:51,788
WELL, I HAVEN'T DRAWN
ANY CONCLUSIONS YET,
403
00:21:51,832 --> 00:21:53,660
BUT THE CIRCUMSTANCES
SURROUNDING
404
00:21:53,703 --> 00:21:55,357
THE ACCIDENT
MAKE IT APPEAR OTHERWISE.
405
00:21:55,401 --> 00:21:57,403
LOOK, DOCTOR,
I DON'T WANT YOU
406
00:21:57,446 --> 00:22:00,536
TO GET THE WRONG IDEA,
BUT IF...
407
00:22:00,580 --> 00:22:05,585
I SAY, IF HE WAS DRINKING,
WOULD YOU NOTIFY THE POLICE?
408
00:22:05,628 --> 00:22:08,675
MRS. PORTER,
JUST BEFORE THE ACCIDENT,
409
00:22:08,718 --> 00:22:10,764
A POLICEMAN OBSERVED
YOUR HUSBAND DRIVING
410
00:22:10,807 --> 00:22:12,200
IN AN ERRATIC MANNER.
411
00:22:12,243 --> 00:22:14,071
AND LIQUOR WAS
FOUND IN THE CAR.
412
00:22:15,246 --> 00:22:17,118
SO HE'S UNDER ARREST?
413
00:22:17,161 --> 00:22:18,249
YES.
414
00:22:19,555 --> 00:22:22,341
MAY I SEE HIM NOW,
PLEASE, DOCTOR?
415
00:22:22,384 --> 00:22:24,517
JUST AS SOON AS
WE DRAW SAMPLES
FOR ADDITIONAL TESTS.
416
00:22:24,560 --> 00:22:25,605
THANK YOU, DOCTOR.
417
00:22:25,648 --> 00:22:27,128
I'LL LET YOU KNOW.
418
00:22:51,805 --> 00:22:53,850
HERE, HON.
TAKE THIS.
419
00:22:53,894 --> 00:22:55,852
THANK YOU.
420
00:23:07,690 --> 00:23:11,390
ARE YOU HERE
TO SEE A RELATIVE?
421
00:23:11,433 --> 00:23:13,609
YES, MY HUSBAND.
422
00:23:15,219 --> 00:23:17,178
SAME HERE.
423
00:23:20,703 --> 00:23:23,271
[ sighs ]
I THINK I'D BE ALL RIGHT
424
00:23:23,314 --> 00:23:24,577
IF IT WEREN'T
FOR THE WAITING.
425
00:23:27,797 --> 00:23:30,626
I CAN JUST IMAGINE HIS FACE
WHEN THEY TELL HIM.
426
00:23:30,670 --> 00:23:32,149
TELL HIM WHAT?
427
00:23:33,455 --> 00:23:36,110
THAT THEY'VE
AMPUTATED HIS LEG.
428
00:23:36,153 --> 00:23:37,416
OH, NO.
429
00:23:39,809 --> 00:23:40,810
HOW DID IT HAPPEN?
430
00:23:42,725 --> 00:23:44,161
DRUNK DRIVER.
431
00:23:56,739 --> 00:23:59,220
MRS. PORTER, YOU MAY
SEE YOUR HUSBAND NOW.
432
00:23:59,263 --> 00:24:00,787
[ whispering ]
YEAH.
433
00:24:00,830 --> 00:24:01,831
MRS. PORTER?
434
00:24:01,875 --> 00:24:03,877
YES.
435
00:24:03,920 --> 00:24:05,313
THIS WAY.
436
00:24:06,401 --> 00:24:08,882
I'M SO SORRY.
437
00:24:12,842 --> 00:24:14,801
I KNOW.
438
00:24:32,732 --> 00:24:33,820
HI, HONEY.
439
00:24:33,863 --> 00:24:34,864
HI.
440
00:24:44,047 --> 00:24:46,441
WELL, I GUESS
441
00:24:46,485 --> 00:24:48,704
I JUST HAD THE OPPOSITE
OF A GUARDIAN ANGEL.
442
00:24:48,748 --> 00:24:51,359
AIN'T IT A KICK
THE WAY THINGS HAPPEN?
443
00:24:56,407 --> 00:24:58,409
HEY, WHY THE LONG FACE?
YOU'D THINK YOU
444
00:24:58,453 --> 00:25:00,455
WERE THE ONE
IN THE ACCIDENT.
445
00:25:00,499 --> 00:25:02,283
YOU KNOW,
IT COULD HAVE BEEN WORSE.
446
00:25:02,326 --> 00:25:03,850
YOU KNOW, EVEN THE CAR'S
ALL RIGHT? HUH?
447
00:25:03,893 --> 00:25:06,722
I SUPPOSE
IT JUST TAKES A WHILE
448
00:25:06,766 --> 00:25:08,768
FOR GOOD NEWS TO SINK IN.
449
00:25:08,811 --> 00:25:10,726
I KNOW YOU MUST HAVE
BEEN WORRIED
450
00:25:10,770 --> 00:25:13,294
SICK TILL YOU
FOUND OUT I WAS OKAY.
451
00:25:15,731 --> 00:25:17,298
WHERE'S JENNY?
452
00:25:17,341 --> 00:25:18,299
I GOT A SITTER.
453
00:25:21,737 --> 00:25:23,522
DID YOU TELL HER?NO.
454
00:25:23,565 --> 00:25:25,480
I TOLD HER I WAS GOING
TO YOUR OFFICE.
455
00:25:27,787 --> 00:25:31,007
I TOLD YOU, I DON'T LIKE
YOU TO LIE TO JENNY.
456
00:25:31,051 --> 00:25:34,445
I MEAN, HOW IS SHE
GOING TO LEARN TO TELL
THE TRUTH IF WE DON'T?
457
00:25:34,489 --> 00:25:36,926
WELL, SHE'S SURE NOT
GONNA LEARN IT FROM ME.
458
00:25:42,541 --> 00:25:44,543
BECAUSE I'M A LIAR.
459
00:25:46,632 --> 00:25:47,937
THE WORST KIND.
460
00:25:49,809 --> 00:25:51,550
I LIE TO MYSELF,
461
00:25:52,986 --> 00:25:55,423
PRETENDING YOU'VE CHANGED.
462
00:25:57,991 --> 00:26:01,560
BUT, GENE, I JUST MET
A WOMAN OUTSIDE
463
00:26:01,603 --> 00:26:02,952
WHO HAS
TO LIVE WITH THE TRUTH.
464
00:26:04,519 --> 00:26:05,955
WHAT TRUTH?
465
00:26:05,999 --> 00:26:08,567
WHAT YOU DID TO HER HUSBAND.
466
00:26:22,668 --> 00:26:25,584
CHET, WHY IS IT YOU'RE
ALWAYS MAKING CHILI
467
00:26:25,627 --> 00:26:27,760
AND MARCO'S ALWAYS MAKING
CORNED BEEF AND CABBAGE?
468
00:26:27,803 --> 00:26:28,978
WHAT'S THE DIFFERENCE?
469
00:26:29,022 --> 00:26:30,632
IT ALL WINDS UP TASTING
THE SAME ANYWAY.
470
00:26:30,676 --> 00:26:32,852
YOU KNOW, ONE SENSES
FROM YOUR ILL DISPOSITIONS
471
00:26:32,895 --> 00:26:34,767
THAT ART IS FAILING
TO GROW ON YOU.
472
00:26:34,810 --> 00:26:36,638
OH, HE'S GROWING
ON ME, ALL RIGHT.
473
00:26:36,682 --> 00:26:38,379
TROUBLE IS,
I CAN'T GET HIM OFF.
474
00:26:38,422 --> 00:26:39,946
WELL, DON'T FEEL
LIKE YOU'RE ALL ALONE.
475
00:26:39,989 --> 00:26:42,470
HE'S GOT STOKER OUT BACK
EXPLAINING HOW TO HANG HOSE.
476
00:26:42,513 --> 00:26:44,646
WHO'S EXPLAINING?WHO KNOWS?
477
00:26:44,690 --> 00:26:45,865
HEY, WELL, SOMEBODY
BETTER EXPLAIN TO THEM
478
00:26:45,908 --> 00:26:48,084
THAT LUNCH IS READY.
479
00:26:48,128 --> 00:26:50,739
WELL, HE'S PROBABLY ALMOST
THROUGH RESEARCHING ANYWAY.
480
00:26:52,132 --> 00:26:53,786
ISN'T HE?
481
00:26:53,829 --> 00:26:55,875
NICE TRY.
482
00:26:55,918 --> 00:26:57,920
PARDON ME,
IS THIS THE STATION
483
00:26:57,964 --> 00:26:59,835
THAT ART FROMMICH
IS VISITING TODAY?
484
00:26:59,879 --> 00:27:01,620
[ stammering ]
YES. YES.
485
00:27:01,663 --> 00:27:03,622
YES, IT CERTAINLY IS.
486
00:27:03,665 --> 00:27:04,884
HI, THERE,
487
00:27:04,927 --> 00:27:07,147
I'M CAPTAIN STANLEY.
COME ON.
488
00:27:07,190 --> 00:27:10,541
THIS IS ROY DESOTO,
CHET KELLY,
489
00:27:10,585 --> 00:27:11,891
AND MARCO LOPEZ.
490
00:27:11,934 --> 00:27:13,109
HI, BOYS.
491
00:27:13,153 --> 00:27:15,677
WON'T YOU HAVE
A SEAT HERE?
492
00:27:15,721 --> 00:27:17,418
[ whispering ]
I DON'T BELIEVE IT!
493
00:27:17,461 --> 00:27:19,638
SHE'S THE PINUP
ON THE BACK OF GAGE'S LOCKER!
494
00:27:24,077 --> 00:27:27,167
SO, HAVE YOU EVER BEEN
IN A FIRE STATION
495
00:27:27,210 --> 00:27:28,559
BEFORE, MISS...
496
00:27:28,603 --> 00:27:29,822
OCTOBER.
497
00:27:29,865 --> 00:27:31,562
RENEE.
498
00:27:31,606 --> 00:27:34,522
NO, ACTUALLY,
THIS IS MY FIRST TIME.
499
00:27:34,565 --> 00:27:36,829
HOW ABOUT YOU?
500
00:27:36,872 --> 00:27:38,395
WHAT?
501
00:27:38,439 --> 00:27:39,875
HE COMES HERE A LOT.
HE'S THE CAPTAIN.
502
00:27:39,919 --> 00:27:40,876
OH!
503
00:27:40,920 --> 00:27:41,921
YEAH. YEAH. YEAH.
504
00:27:55,630 --> 00:27:58,677
GEE, I THINK I SMELL
SOMETHING BURNING.
505
00:27:58,720 --> 00:28:00,679
OH! MY CHILI!
506
00:28:01,767 --> 00:28:03,638
WOW, THIS IS
REALLY EXCITING!
507
00:28:03,682 --> 00:28:06,206
IMAGINE, MY FIRST TIME
IN A FIRE STATION,
508
00:28:06,249 --> 00:28:08,861
AND I ALMOST GOT
TO SEE A REAL FIRE!
509
00:28:08,904 --> 00:28:10,732
[ chuckling dumbly ]
YEAH. YEAH.
510
00:28:10,776 --> 00:28:11,951
YEAH.
511
00:28:13,256 --> 00:28:14,214
ART!
512
00:28:14,257 --> 00:28:15,911
RENEE! BABY!
513
00:28:15,955 --> 00:28:17,783
[ smooching dramatically ]
514
00:28:17,826 --> 00:28:19,698
[ moaning dramaticallv ]
515
00:28:20,786 --> 00:28:22,526
HI, SWEETIE PIE!
516
00:28:22,570 --> 00:28:24,224
HI, BABY. HOW DID YOU
TRACK ME DOWN?
517
00:28:24,267 --> 00:28:25,921
OH, THE STUDIO TOLD ME.
518
00:28:25,965 --> 00:28:28,837
THEY'RE NOT GOING
TO SHOOT MY SCENE UNTIL 3:00.
519
00:28:28,881 --> 00:28:32,232
SO I THOUGHT MAYBE WE COULD
HAVE LUNCH OR SOMETHING.
520
00:28:32,275 --> 00:28:34,930
DYNAMITE.
COME ON, BABY, LET'S GO.
521
00:28:34,974 --> 00:28:37,716
UH...WHY DON'T YOU
HAVE LUNCH HERE?
522
00:28:37,759 --> 00:28:39,108
I MEAN, WE HAVE
PLENTY OF FOOD,
523
00:28:39,152 --> 00:28:41,502
AND CHET MAKES THE BEST
CHILI IN THE FIRE SERVICE.
524
00:28:41,545 --> 00:28:42,677
RIGHT, CHET?
525
00:28:42,721 --> 00:28:44,113
HUH?
526
00:28:44,157 --> 00:28:47,073
REALLY, YOU'RE A GREAT
BUNCH OF GUYS,
527
00:28:47,116 --> 00:28:48,596
BUT I WOULDN'T WANNA
HOLD YOU UP.
528
00:28:48,639 --> 00:28:49,771
Hank: PLEASE,
IT'S OUR PLEASURE.
529
00:28:49,815 --> 00:28:51,164
RIGHT! SO IT'S
ALL SETTLED.
530
00:28:51,207 --> 00:28:53,122
COME ON, HAVE A SEAT.
HERE, I'LL GET YOU
531
00:28:53,166 --> 00:28:56,212
SOME EXTRA PLATES.COULD SOMEBODY MAKE ME
A BRANDY ALEXANDER?
532
00:28:56,256 --> 00:28:58,562
SURE!
533
00:28:58,606 --> 00:29:01,957
I'M SORRY, RENEE,
WE DON'T HAVE LIQUOR
AT THE FIRE STATION.
534
00:29:02,001 --> 00:29:04,786
OH!
NO.
535
00:29:04,830 --> 00:29:06,962
HONEY, LET'S NOT
HOLD THE GUYS UP.
536
00:29:07,006 --> 00:29:08,529
I KNOW A NICE LITTLE PLACE
537
00:29:08,572 --> 00:29:10,618
NOT FAR FROM HERE,
WE COULD HAVE A STEAK.
538
00:29:10,661 --> 00:29:11,967
NO, YOU'RE NOT
HOLDING US UP!
539
00:29:12,011 --> 00:29:13,099
YOU KNOW WHAT YOU'RE
GONNA BE MISSING?
540
00:29:13,142 --> 00:29:14,622
YOU'RE PROBABLY
GONNA BE MISSING
541
00:29:14,665 --> 00:29:16,232
THE MOST EXCITING
RESCUE OF THE WHOLE DAY.
542
00:29:16,276 --> 00:29:18,234
I MEAN, WE ALWAYS GET A RUN
RIGHT IN THE MIDDLE OF LUNCH.
543
00:29:18,278 --> 00:29:19,540
RIGHT, GUYS?
544
00:29:19,583 --> 00:29:21,672
YEAH!THAT'S RIGHT!
545
00:29:21,716 --> 00:29:23,979
YEAH, BUT YOU KNOW
WHAT THEY SAY, JOHN, BABY.
546
00:29:24,023 --> 00:29:26,068
ALL WORK AND NO PLAY,
IF YOU KNOW WHAT I MEAN.
547
00:29:26,112 --> 00:29:28,723
GEE, I JUST
LOVE TO PLAY.
548
00:29:28,767 --> 00:29:30,203
ISN'T SHE
SOMETHING ELSE?
549
00:29:30,246 --> 00:29:33,119
COME ON, BABY,
LET'S SPLIT, HUH?
BYE!
550
00:29:33,162 --> 00:29:35,948
IT WAS NICE
MEETING ALL OF YOU.
I REALLY ENJOYED MYSELF.
551
00:29:35,991 --> 00:29:37,950
OKAY. ALL RIGHT, BABY.
GO AHEAD. THAT'S IT.
552
00:29:39,778 --> 00:29:40,953
HANG IN THERE, MEN.
553
00:29:48,699 --> 00:29:50,005
JOHNNY?
554
00:29:50,049 --> 00:29:52,007
JOHNNY? HEY.
CHEER UP, PAL.
555
00:29:52,051 --> 00:29:54,749
THE BEST CHILI IN
THE FIRE SERVICE. HUH?
556
00:29:54,793 --> 00:29:58,187
[ alarm sounding ]
557
00:29:58,231 --> 00:30:00,581
Dispatcher: [ on PA ]
SQUAD 51, MATERNITY CASE
558
00:30:00,624 --> 00:30:03,105
IN THE PARKING LOT
OF THE SHOPPING CENTER,
559
00:30:03,149 --> 00:30:05,760
MARCH AND HILLHAVEN.
560
00:30:05,804 --> 00:30:07,109
MARCH AND HILLHAVEN.
561
00:30:07,153 --> 00:30:09,720
TIME OUT, 1205.
562
00:30:09,764 --> 00:30:10,983
KMG 365.
563
00:30:25,258 --> 00:30:27,913
[ siren wailing ]
564
00:31:02,948 --> 00:31:04,601
OKAY, YOU WANNA MOVE
BACK HERE, PLEASE?
565
00:31:04,645 --> 00:31:05,820
THANK YOU.
EXCUSE US, PLEASE.
566
00:31:05,864 --> 00:31:07,256
EXCUSE US.
THANK YOU.
567
00:31:07,300 --> 00:31:09,955
ALL RIGHT, HOW FREQUENT
ARE THE CONTRACTIONS?
568
00:31:13,436 --> 00:31:14,829
HOW OFTEN
ARE THE PAINS?
569
00:31:14,873 --> 00:31:15,830
[ woman groaning ]
570
00:31:15,874 --> 00:31:17,658
SIR? SIR.
571
00:31:17,701 --> 00:31:19,660
WE'RE GOING TO
NEED YOUR COOPERATION.
572
00:31:21,357 --> 00:31:23,142
HOW FREQUENT ARE
THE CONTRACTIONS?
573
00:31:24,839 --> 00:31:26,972
[ inaudible ]
574
00:31:31,193 --> 00:31:34,414
[ groaning ]
575
00:31:37,983 --> 00:31:39,898
THEY'RE BOTH DEAF
AND CAN'T SPEAK.
576
00:31:42,074 --> 00:31:44,076
Johnny: RAMPART,
THIS IS SQUAD 51.
577
00:31:44,119 --> 00:31:46,078
HOW DO YOU READ?Kelly: GO AHEAD, 51.
578
00:31:46,121 --> 00:31:49,820
RAMPART, WE HAVE A FEMALE,
APPROXIMATELY 30 YEARS OLD.
579
00:31:49,864 --> 00:31:51,431
CONTRACTIONS EVERY
TWO TO THREE MINUTES.
580
00:31:51,474 --> 00:31:52,911
Johnny: SHE HAS
LABOR CONTRACTIONS
581
00:31:52,954 --> 00:31:54,782
EVERY TWO TO THREE
MINUTES APART.
582
00:31:54,825 --> 00:31:57,785
RAMPART, THE VICTIM
IS DEAF AND CANNOT SPEAK.
583
00:31:57,828 --> 00:32:00,222
51, CAN SHE READ LIPS?
584
00:32:00,266 --> 00:32:01,876
10-4, RAMPART.
585
00:32:01,920 --> 00:32:03,269
ASK HER IF SHE'S PRIME-IP.
586
00:32:03,312 --> 00:32:05,749
10-4, RAMPART, HOLD ON.
587
00:32:05,793 --> 00:32:10,015
SIR? SIR? HAS SHE HAD
CHILDREN BEFORE?
588
00:32:10,058 --> 00:32:14,019
ONE. RAMPART, THAT'S NEGATIVE.
SHE'S HAD ONE CHILD.
589
00:32:14,062 --> 00:32:16,151
51, WHAT'S YOUR ETA?WELL, RAMPART,
590
00:32:16,195 --> 00:32:17,936
WE'RE ABOUT 10 MINUTES
AWAY FROM THE HOSPITAL,
591
00:32:17,979 --> 00:32:19,763
BUT THE AMBULANCE
HASN'T ARRIVED YET.
592
00:32:19,807 --> 00:32:21,243
ARE YOU INDOORS?
593
00:32:21,287 --> 00:32:23,158
NEGATIVE, RAMPART,
WE'RE OUT ON THE SIDEWALK.
594
00:32:23,202 --> 00:32:24,986
RECOMMEND MOVING HER
INTO THE MARKET.
595
00:32:25,030 --> 00:32:27,684
10-4, 51. WILL STAND BY.
596
00:32:27,728 --> 00:32:28,990
10-4, RAMPART.
597
00:32:29,034 --> 00:32:31,993
OKAY, YOU HAVE...
YOU HAVE TO RELAX!
598
00:32:32,037 --> 00:32:34,343
TAKE SHORT BREATHS!
599
00:32:34,387 --> 00:32:35,475
TELL HER...
600
00:32:37,085 --> 00:32:38,913
"TAKE SHORT BREATHS."
601
00:32:40,045 --> 00:32:41,481
SHORT BREATHS.
602
00:32:47,878 --> 00:32:48,836
[ groans ]
603
00:32:51,317 --> 00:32:53,014
I'LL GET THE GURNEY.ALL RIGHT.
604
00:32:53,058 --> 00:32:57,279
WE'RE GONNA HAVE
TO MOVE HER INSIDE.
605
00:32:57,323 --> 00:32:58,280
INTO THE MARKET.
606
00:33:02,937 --> 00:33:04,330
HEY, WHAT'S GOING ON?
607
00:33:04,373 --> 00:33:05,896
WE GOT A WOMAN WHO'S
GONNA HAVE A CHILD HERE.
608
00:33:05,940 --> 00:33:07,028
CAN WE GET INTO A BACK
ROOM OR SOMETHING?
609
00:33:07,072 --> 00:33:08,377
WE CAN'T GET HER
TO THE HOSPITAL.
610
00:33:08,421 --> 00:33:09,378
SURE, SURE. COME ON,
RIGHT BACK THIS WAY.
611
00:33:09,422 --> 00:33:11,163
ALL RIGHT.
612
00:33:11,206 --> 00:33:12,251
RIGHT IN HERE.
613
00:33:18,953 --> 00:33:20,302
I'LL MAKE SURE
EVERYBODY KEEPS OUT.
614
00:33:20,346 --> 00:33:21,782
THANKS.
615
00:33:26,091 --> 00:33:27,918
SIR.
616
00:33:27,962 --> 00:33:30,269
TELL HER WHEN
THE PAIN STARTS,
617
00:33:30,312 --> 00:33:33,402
TO TAKE A DEEP BREATH,
AND THEN BLOW IT OUT,
618
00:33:33,446 --> 00:33:35,404
AND THEN TAKE
ANOTHER DEEP BREATH,
619
00:33:35,448 --> 00:33:36,971
AND HOLD IT IN
AS LONG AS SHE CAN.
620
00:33:37,015 --> 00:33:37,972
ALL RIGHT?
621
00:33:51,986 --> 00:33:54,858
Roy: BEAR DOWN
REAL HARD, NOW.
622
00:33:54,902 --> 00:33:57,513
SHE'S JUST ABOUT
READY TO CROWN.
623
00:33:58,862 --> 00:34:00,255
PUSH HARDER!
624
00:34:00,299 --> 00:34:01,474
WHAT'S HAPPENING?
625
00:34:01,517 --> 00:34:03,432
DELIVERY.
JOHNNY AND ROY.
626
00:34:03,476 --> 00:34:05,347
THEY LEFT
THE BIOPHONE OPEN.
627
00:34:07,001 --> 00:34:08,481
THE HEAD'S COMING THROUGH.
628
00:34:09,612 --> 00:34:10,570
OKAY.
629
00:34:10,613 --> 00:34:12,441
[ grunting ]
630
00:34:12,485 --> 00:34:14,356
ALL RIGHT, NOW...
631
00:34:14,400 --> 00:34:16,924
YEAH, PUT
A TOWEL THERE.
632
00:34:16,967 --> 00:34:18,447
Johnny:
OKAY, HEAD'S ROTATING.
633
00:34:18,491 --> 00:34:20,536
[ groaning ]
634
00:34:20,580 --> 00:34:22,843
ALL RIGHT.
NOW, HAVE HER PUSH.
635
00:34:25,498 --> 00:34:28,066
CAN YOU HAVE
HER PUSH?
636
00:34:28,109 --> 00:34:30,155
[ panting ]
637
00:34:36,161 --> 00:34:37,379
[ woman panting ]
638
00:34:39,512 --> 00:34:41,470
WAIT A MINUTE.
PULL HER SHOULDER DOWN, TOO.
639
00:34:41,514 --> 00:34:42,993
YEAH.
OKAY.
640
00:34:43,037 --> 00:34:44,865
OKAY, HER CORD'S FREE.
IT'S FREE.
641
00:34:44,908 --> 00:34:45,909
ALL RIGHT.
642
00:34:48,129 --> 00:34:49,087
ALL RIGHT.
643
00:34:51,350 --> 00:34:54,353
Roy: THERE, THAT OUGHT
TO DO IT.
644
00:34:54,396 --> 00:34:56,050
AND GET THE SUCTION.
645
00:34:58,096 --> 00:35:00,228
Johnny: THAT'S GOOD.
646
00:35:00,272 --> 00:35:04,014
NOW, LET'S SEE
HOW STRONG YOUR LUNGS ARE.
647
00:35:04,058 --> 00:35:05,320
[ baby wailing ]
648
00:35:05,364 --> 00:35:08,236
ASPIRATE HER.
OKAY.
649
00:35:08,280 --> 00:35:10,108
[ baby crying ]
650
00:35:10,151 --> 00:35:11,326
IT'S A GIRL.
651
00:35:14,024 --> 00:35:15,896
IT'S A GIRL.
652
00:35:26,602 --> 00:35:28,430
RAMPART, SQUAD 51.
653
00:35:28,474 --> 00:35:31,390
GO AHEAD, 51.
IT'S A GIRL.
654
00:35:31,433 --> 00:35:34,175
YEAH, WE HEARD.
CONGRATULATIONS, YOU GUYS.
655
00:35:34,219 --> 00:35:35,872
TRANSPORT AS SOON
AS POSSIBLE.
656
00:35:35,916 --> 00:35:37,483
10-4, RAMPART.
657
00:35:38,614 --> 00:35:39,572
BYE-BYE.
658
00:35:41,313 --> 00:35:44,098
OH, KEL, HERE ARE THE RESULTS
OF THE OTHER BLOOD TESTS
659
00:35:44,142 --> 00:35:45,578
YOU ORDERED
FOR GENE PORTER.
660
00:35:50,409 --> 00:35:52,237
CALCIUM LEVEL'S NORMAL.
661
00:35:52,280 --> 00:35:54,326
WELL, THAT BLOWS
MY THEORY.
662
00:35:54,369 --> 00:35:57,416
WHAT THEORY?
THAT PORTER HAS
HYPERCALCEMIA.
663
00:35:57,459 --> 00:35:59,244
YOU SOUND
DISAPPOINTED.
664
00:35:59,287 --> 00:36:00,897
WELL, HE'S GONNA FEEL
THE FULL WEIGHT OF THE LAW
665
00:36:00,941 --> 00:36:03,073
UNLESS IT'S SHOWN
HE WASN'T INTOXICATED.
666
00:36:03,117 --> 00:36:04,684
WELL, DO YOU HAVE
ANY DOUBT THAT HE WAS?
667
00:36:04,727 --> 00:36:07,382
I DID. THERE WASN'T
ANY ALCOHOL IN HIS BLOOD.
668
00:36:07,426 --> 00:36:09,297
WHAT ABOUT THE
BOTTLE IN THE CAR?
669
00:36:09,341 --> 00:36:11,560
IT'S JUST POSSIBLE THAT
HE BOUGHT THE BOTTLE
THIS MORNING
670
00:36:11,604 --> 00:36:13,432
BECAUSE SOMETHING MADE HIM
UNUSUALLY DEPRESSED.
671
00:36:13,475 --> 00:36:16,261
HE COULD HAVE
HAD THE ACCIDENT
BEFORE HE TOOK A DRINK.
672
00:36:16,304 --> 00:36:18,088
IS THAT
GENE'S VERSION?
673
00:36:18,132 --> 00:36:20,221
HE DOESN'T REMEMBER ANYTHING
ABOUT THIS MORNING.
674
00:36:20,265 --> 00:36:23,398
WELL, HYPERCALCEMIA
WOULD ACCOUNT FOR THE SAME
675
00:36:23,442 --> 00:36:26,314
SYMPTOMS AS INTOXICATION,
INCLUDING RETROGRADE AMNESIA.
676
00:36:26,358 --> 00:36:27,446
RIGHT.
677
00:36:28,664 --> 00:36:31,058
WAIT A MINUTE.
678
00:36:31,101 --> 00:36:33,103
DIDN'T YOU SAY PORTER
HAD PANCREATITIS?
679
00:36:33,147 --> 00:36:34,235
YEAH.
680
00:36:34,279 --> 00:36:35,454
AND YET THE TEST SHOWED
681
00:36:35,497 --> 00:36:36,977
THAT THE CALCIUM LEVEL
WAS NORMAL.
682
00:36:38,457 --> 00:36:40,372
OF COURSE!
THAT'S IT, JOE!
683
00:36:40,415 --> 00:36:41,634
HEY, THANKS
FOR THE LEAD.
684
00:36:41,677 --> 00:36:43,505
ANYTIME.
685
00:36:48,467 --> 00:36:50,991
HEY, ROY, ART'S
BEEN GONE TO LUNCH
AN AWFUL LONG...
686
00:36:51,034 --> 00:36:52,949
HI, GENTLEMEN,
HOW'S THE FIRE BIZ?
687
00:36:52,993 --> 00:36:55,169
HELLO, ART.
HI, GAGEY, BABY.
688
00:36:55,213 --> 00:36:56,692
WELL, AFTER LUNCH
WITH RENEE,
689
00:36:56,736 --> 00:36:58,477
I FEEL READY
FOR A THREE-ALARM FIRE.
690
00:36:58,520 --> 00:37:01,175
YEAH, WELL
THAT REMINDS ME.
691
00:37:02,481 --> 00:37:05,048
WHY DON'T WE STEP
INTO THE KITCHEN?
692
00:37:05,092 --> 00:37:06,746
I'D LIKE TO TALK TO YOU
FOR A MINUTE.
693
00:37:06,789 --> 00:37:08,051
DYNAMITE.
694
00:37:11,446 --> 00:37:14,014
YOU KNOW, ART,
I'VE BEEN THINKING.
695
00:37:15,624 --> 00:37:17,757
THERE IS NOT REALLY TOO MUCH
EXCITEMENT AROUND HERE.
696
00:37:17,800 --> 00:37:21,500
I MEAN, WE'RE KIND OF A SLOW
STATION AND ALL AND...
697
00:37:21,543 --> 00:37:25,155
I BET THE STUDIO IS KIND
OF BREATHING DOWN YOUR NECK
698
00:37:25,199 --> 00:37:27,201
TO GET THE SCRIPT
FINISHED, AREN'T THEY?
699
00:37:27,245 --> 00:37:29,290
THEY SURE ARE.YEAH.
700
00:37:29,334 --> 00:37:33,729
WELL, STATION 43'S
RIGHT DOWN THE ROAD HERE,
701
00:37:33,773 --> 00:37:37,472
AND THEY'VE BEEN AVERAGING
ABOUT 10 RUNS A DAY.
702
00:37:38,691 --> 00:37:40,475
YOU GET MY MEANING?
703
00:37:40,519 --> 00:37:43,173
YEAH. THEY'RE BUSIER.
704
00:37:45,306 --> 00:37:46,307
NO.
705
00:37:46,351 --> 00:37:47,700
[ stammering ]
706
00:37:47,743 --> 00:37:50,529
NO, THAT ISN'T WHAT
I WAS SAYING, ART.
707
00:37:53,140 --> 00:37:55,795
ART, WHAT I'M SAYING IS,
IS WHY DON'T YOU RIDE
WITH 43?
708
00:37:55,838 --> 00:37:58,319
NOW, I'VE ALREADY TALKED TO
DICK FRIEND ABOUT IT, AND...
709
00:37:58,363 --> 00:38:00,669
FORGET 43.
710
00:38:00,713 --> 00:38:03,498
I GOT A FLASH AT LUNCH.
711
00:38:03,542 --> 00:38:05,326
TO BASE THE HERO
OF THE MOVIE
712
00:38:05,370 --> 00:38:07,763
ON AN ACTUAL PARAMEDIC.
713
00:38:07,807 --> 00:38:10,200
USE HIS OWN NAME
AND LIFE STORY,
714
00:38:10,244 --> 00:38:13,595
LIKE THE MOVIE BASED
ON THAT NEW YORK COP.
715
00:38:13,639 --> 00:38:16,468
GIVE THE PUBLIC
A REAL-LIFE HERO.
WHAT DO YOU THINK?
716
00:38:18,121 --> 00:38:19,253
WELL...
717
00:38:20,602 --> 00:38:21,560
IT MAY PLAY.
718
00:38:21,603 --> 00:38:23,692
YOU BETTER BELIEVE IT.
719
00:38:23,736 --> 00:38:27,522
OF COURSE,
IT NEEDS THE RIGHT GUY,
CAN HANDLE THE PRESSURE,
720
00:38:27,566 --> 00:38:30,351
PROMOTIONAL TOURS,
GUEST SPOTS,
721
00:38:30,395 --> 00:38:34,312
PREMIERES, ENDORSEMENTS,
CHICKS CALLING HIM
NIGHT AND DAY...
722
00:38:43,625 --> 00:38:45,801
CAROL, TELL THEM
I WANT THESE REPORTS
AS SOON AS POSSIBLE.
723
00:38:47,063 --> 00:38:50,023
I'M SORRY TO
KEEP YOU WAITING.
724
00:38:50,066 --> 00:38:52,199
I HAVE A COUPLE
OF QUESTIONS.
725
00:38:52,242 --> 00:38:53,679
HAVE YOU ACTUALLY
726
00:38:53,722 --> 00:38:55,028
SEEN YOUR HUSBAND
TAKE A DRINK RECENTLY?
727
00:38:55,071 --> 00:38:57,509
NO. HE KNOWS I'D BE UPSET.
728
00:38:57,552 --> 00:39:00,729
THEN HAVE YOU DETECTED
ALCOHOL ON HIS BREATH AT ALL?
729
00:39:00,773 --> 00:39:02,992
NOT ACTUALLY, NO.
730
00:39:03,036 --> 00:39:05,212
BUT HE SLURS HIS
SPEECH SOMETIMES,
731
00:39:05,255 --> 00:39:06,344
AND HE FORGETS THINGS.
732
00:39:06,387 --> 00:39:08,215
AND HIS COORDINATION...
733
00:39:08,258 --> 00:39:10,609
WELL, THOSE SYMPTOMS YOU
JUST DESCRIBED WERE CAUSED
734
00:39:10,652 --> 00:39:14,090
BY THE OVER-FUNCTIONING OF
A SMALL GLAND IN GENE'S NECK,
735
00:39:14,134 --> 00:39:16,702
CAUSING A HIGH LEVEL
OF CALCIUM IN HIS BLOOD.
736
00:39:16,745 --> 00:39:18,356
IT TOOK US A WHILE
TO DETECT IT
737
00:39:18,399 --> 00:39:20,967
BECAUSE THE MALFUNCTIONING
OF HIS PANCREAS
738
00:39:21,010 --> 00:39:22,534
MADE THE HIGH LEVEL
APPEAR NORMAL.
739
00:39:22,577 --> 00:39:24,231
IS THAT SERIOUS?
740
00:39:24,274 --> 00:39:26,102
IT WILL REQUIRE
AN OPERATION.
741
00:39:26,146 --> 00:39:28,235
HE SHOULD COME
THROUGH THAT FINE.
742
00:39:28,278 --> 00:39:30,890
BUT THE BOTTLE
IN THE CAR INDICATES
743
00:39:30,933 --> 00:39:32,587
THAT HE WAS VERY CLOSE
TO TAKING A DRINK.
744
00:39:32,631 --> 00:39:34,807
THE HYPERCALCEMIA SYMPTOMS
745
00:39:34,850 --> 00:39:36,809
APPARENTLY PUT HIM UNDER
A LOT OF MENTAL STRESS.
746
00:39:36,852 --> 00:39:38,637
THAT, WE CAN ALLEVIATE.
747
00:39:38,680 --> 00:39:41,161
STILL HE'S' BEEN THROUGH
A VERY TRAUMATIC EXPERIENCE.
748
00:39:41,204 --> 00:39:43,729
AND HE'S GOING TO NEED
A LOT OF SUPPORT, RIGHT?
749
00:39:43,772 --> 00:39:45,383
ALL YOU CAN GIVE HIM.
750
00:39:45,426 --> 00:39:47,907
WELL, DOCTOR,
LET'S GET STARTED.
751
00:39:47,950 --> 00:39:48,951
GOOD.
752
00:39:54,000 --> 00:39:56,916
AND THIS HERE IS THE HELICOPTER
THAT WE USED LAST YEAR
753
00:39:56,959 --> 00:39:59,875
WHEN WE SAVED THOSE KIDS
WHEN THEY WERE TRAPPED
UP ON THAT CLIFF.
754
00:39:59,919 --> 00:40:02,095
OH, YEAH, YEAH.
I REMEMBER.
755
00:40:02,138 --> 00:40:04,053
HELICOPTER SHOTS
ARE BEAUTIFUL THINGS, YOU KNOW?
756
00:40:04,097 --> 00:40:06,926
OH, YEAH?FILM--DELIGHT THE EYE.
757
00:40:06,969 --> 00:40:10,103
YOU TAKE A HELICOPTER,
YOU SHOOT A HELICOPTER.
YEAH.
758
00:40:10,146 --> 00:40:12,758
AND YOU ALWAYS GET
A NICE FEELING ABOUT THE...
759
00:40:12,801 --> 00:40:14,847
HOW MANY KIDS
YOU GOT, GAGE?
760
00:40:16,326 --> 00:40:17,371
KIDS?
761
00:40:17,415 --> 00:40:18,633
[ chuckles ]
762
00:40:18,677 --> 00:40:19,939
I DON'T HAVE ANY KIDS.
763
00:40:19,982 --> 00:40:21,767
WELL, THAT'S
TOO BAD.
764
00:40:22,811 --> 00:40:24,117
GOTTA HAVE A FAMILY MAN,
765
00:40:24,160 --> 00:40:26,772
SOMEONE THE AUDIENCE
CAN IDENTIFY WITH.
766
00:40:27,816 --> 00:40:28,861
OH.
767
00:40:32,168 --> 00:40:34,823
WELL, HOW SOON
ARE YOU GOING TO
SHOOT THIS FILM, ART?
768
00:40:38,914 --> 00:40:41,700
ON THE OTHER HAND,
MAYBE A SINGLE FELLOW
769
00:40:41,743 --> 00:40:42,875
WOULD APPEAL TO
THE YOUNGER SET.
770
00:40:42,918 --> 00:40:44,311
YEAH!
771
00:40:44,354 --> 00:40:47,183
[ alarm sounding ]
772
00:40:55,365 --> 00:40:57,237
Dispatcher: [ on PA ]
STATION 51, ENGINE 29,
773
00:40:57,280 --> 00:40:59,457
ENGINE 31, TRUCK 127.
774
00:40:59,500 --> 00:41:02,155
STRUCTURE FIRE AT THE
KIDDYTIME TOY FACTORY.
775
00:41:02,198 --> 00:41:03,896
805 EAST BILLINGSLEY.
776
00:41:03,939 --> 00:41:05,898
805 EAST BILLINGSLEY.
777
00:41:05,941 --> 00:41:09,684
CROSS STREET, NILES BOULEVARD.
TIME OUT, 1655.
778
00:41:09,728 --> 00:41:11,817
STATION 51.
KMG 365.
779
00:41:21,391 --> 00:41:24,133
[ sirens wailing ]
780
00:42:05,914 --> 00:42:08,047
ONE OF MY MEN
IS STILL IN THERE!
781
00:42:08,090 --> 00:42:10,397
SOMETHING BLEW IN THE SECTION
WHERE WE PAINT OUR DOLLS!
782
00:42:10,440 --> 00:42:11,398
[ explosion ]
783
00:42:13,182 --> 00:42:15,010
OKAY, LOOK,
HELP US OUT, WOULD YOU?
784
00:42:15,054 --> 00:42:16,403
I'VE GOT ANOTHER
ENGINE COMING IN,
785
00:42:16,446 --> 00:42:17,535
SO MOVE THOSE CARS BACK
OUT OF THERE FOR ME.
786
00:42:17,578 --> 00:42:18,536
OKAY!
787
00:42:26,805 --> 00:42:29,111
WE'VE GOT A MAN INSIDE.
WHERE'S...
788
00:42:31,940 --> 00:42:33,768
GET AWAY FROM
UNDER THOSE LINES!
789
00:43:02,318 --> 00:43:03,972
OKAY. GOT HIM.
GOT HIM?
790
00:43:33,175 --> 00:43:34,350
OKAY,
THERE YOU GO.
791
00:43:39,181 --> 00:43:41,140
TIME IT.
792
00:43:41,183 --> 00:43:42,358
Johnny: V-FIB.
HIT HIM.
793
00:43:42,402 --> 00:43:43,490
CLEAR!
794
00:43:47,015 --> 00:43:48,364
V-FIB.
HIT HIM AGAIN.
795
00:43:48,408 --> 00:43:49,365
CLEAR!
796
00:43:55,981 --> 00:43:57,199
SINUS RHYTHM.
797
00:44:01,900 --> 00:44:03,379
CAROTID?
YEAH.
798
00:44:26,359 --> 00:44:29,405
YOU HURT?I THINK I'M ALL RIGHT.
I'M JUST PINNED IN.
799
00:44:29,449 --> 00:44:31,364
MARCO! GIVE ME
A HAND OVER HERE!
800
00:44:33,496 --> 00:44:34,584
JUST RIGHT THERE.
801
00:44:46,074 --> 00:44:47,119
YOU ALL RIGHT?
802
00:44:47,162 --> 00:44:48,120
LET'S GET OUT OF HERE.
803
00:44:51,645 --> 00:44:53,908
RAMPART, THIS IS SQUAD 51.
HOW DO YOU READ?
804
00:44:53,952 --> 00:44:55,040
GO AHEAD, 51.
805
00:44:55,083 --> 00:44:58,696
RAMPART, WE HAVE
A MALE, AGE 30,
806
00:44:58,739 --> 00:45:00,567
DOWNED BY AN
ELECTRICAL SHOCK.
807
00:45:00,610 --> 00:45:03,570
HE WAS IN V-FIB,
HAVE NOW DEFIBBED.
808
00:45:03,613 --> 00:45:06,486
HE'S NOW IN SINUS RHYTHM
WITH PALPABLE CAROTID
809
00:45:06,529 --> 00:45:08,227
AND SPONTANEOUS
RESPIRATION.
810
00:45:08,270 --> 00:45:10,403
VITAL SIGNS TO FOLLOW.
811
00:45:10,446 --> 00:45:12,622
REQUEST PERMISSION
TO START IV.
812
00:45:12,666 --> 00:45:17,062
10-4, 51. START IV WITH D5W
AND GIVE ONE AMP BICARB.
813
00:45:17,105 --> 00:45:18,367
10-4, RAMPART.
814
00:45:21,719 --> 00:45:23,677
YOU ALL RIGHT?THERE'S A MAN IN THERE!
815
00:45:23,721 --> 00:45:25,723
HE'S BACK IN THE
WEST END OF THE BUILDING
NEAR THE SOLVENT TANK.
816
00:45:25,766 --> 00:45:27,594
CAP, WE GOT
ANOTHER MAN IN THERE.
817
00:45:27,637 --> 00:45:29,378
JOHN, GO.
ALL RIGHT.
818
00:45:31,293 --> 00:45:33,382
ENGINE 29,
PULL A TWO AND A HALF.
WE GOT A MAN INSIDE.
819
00:45:33,426 --> 00:45:35,689
ENGINE 31, TAKE THE
WEST SIDE OF THE BUILDING.
820
00:45:53,141 --> 00:45:53,881
Man: HEY! HEY!
OVER HERE!
821
00:45:57,755 --> 00:46:00,148
[ panting ]
822
00:46:00,192 --> 00:46:02,237
GET ME OUT OF HERE BEFORE
THESE TANKS BLOW UP!
823
00:46:02,281 --> 00:46:03,586
HOLD ON,
JUST HANG ON.
824
00:46:03,630 --> 00:46:04,587
[ yells ]
825
00:46:04,631 --> 00:46:07,112
HOLD IT. HOLD IT.
826
00:46:07,155 --> 00:46:09,244
CHET! GIVE ME A HAND!
827
00:46:13,640 --> 00:46:15,511
Johnny:
THIS IS BETTER.
828
00:46:15,555 --> 00:46:16,556
SEE WHAT YOU CAN DO.
829
00:46:16,599 --> 00:46:17,992
OKAY, SLIDE DOWN
A LITTLE.
830
00:46:23,084 --> 00:46:24,477
ALL RIGHT,
GET UP.
831
00:46:24,520 --> 00:46:25,783
LET'S GET OUT
OF HERE.OKAY, GO!
832
00:46:25,826 --> 00:46:28,002
COME ON, GO, GO!
833
00:46:46,542 --> 00:46:49,197
Johnny: GET BACK
WITH YOUR HOSES!
IT'S GONNA GO!
834
00:46:53,027 --> 00:46:54,463
[ explosions ]
835
00:47:02,515 --> 00:47:04,517
DYNAMITE STUFF,
EH, ART?
836
00:47:04,560 --> 00:47:06,388
YEAH. YOU SAID IT.
837
00:47:06,432 --> 00:47:08,564
I CAN SEE THE CLIMACTIC
SCENE RIGHT NOW.
838
00:47:08,608 --> 00:47:11,524
TOY FACTORY CONSUMED
IN FLAMES,
839
00:47:11,567 --> 00:47:14,179
FIREMEN HEROICALLY
TRYING TO SAVE THE DOLLS
840
00:47:14,222 --> 00:47:15,528
FOR THE LITTLE CHILDREN.
841
00:47:15,571 --> 00:47:17,791
BUT WHAT THE FIREMEN
DON'T KNOW
842
00:47:17,835 --> 00:47:21,839
IS THESE DOLLS WERE CREATED
TO DESTROY THE WORLD.
843
00:47:21,882 --> 00:47:25,146
THE OPENING OF THE PICTURE
SHOWS THIS GUY GETTING FIRED
844
00:47:25,190 --> 00:47:27,540
BECAUSE HE INVENTED
A LIFE-SIZED DOLL
845
00:47:27,583 --> 00:47:31,283
THAT LOOKS, TALKS AND ACTS
EXACTLY LIKE RENEE.
846
00:47:31,326 --> 00:47:33,198
ALL RIGHT.
HE VOWS REVENGE.
847
00:47:33,241 --> 00:47:34,808
THEN WE CUT
TO HIS LABORATORY,
848
00:47:34,852 --> 00:47:37,376
WHERE HE'S BUILDING
SEVERAL OF THESE MINIATURES
849
00:47:37,419 --> 00:47:40,292
AND THEY ALL LOOK
LIKE RENEE, THEY ARE...ART? ART.
850
00:47:41,771 --> 00:47:43,556
WHAT HAPPENED
TO THE PARAMEDICS?
851
00:47:43,599 --> 00:47:47,777
AND THE FIRE DEPARTMENT,
AND THE...
852
00:47:47,821 --> 00:47:50,389
PASSé.
PASS...
853
00:47:50,432 --> 00:47:52,217
PASSé. PASSé.
854
00:47:52,260 --> 00:47:54,828
WHAT WITH THESE
NEW COP VERSIONS AND ALL...
855
00:47:54,872 --> 00:47:57,570
NO! GOTTA HAVE
SOMETHING REALLY NEW!
856
00:47:57,613 --> 00:48:01,704
AND THE DOLLS
THAT ATE THE WORLD IS IT.
857
00:48:01,748 --> 00:48:03,271
I'LL INVITE YOU
TO THE PREMIERE.
858
00:48:04,707 --> 00:48:07,406
FADE IN.
SCENE ONE, ACT ONE...
859
00:48:23,901 --> 00:48:25,076
HOW'S HE DOING?
860
00:48:25,119 --> 00:48:26,251
HE'S GONNA
BE FINE.
861
00:48:26,294 --> 00:48:28,166
HOW'S THE SCRIPT
COMING?
862
00:48:28,209 --> 00:48:29,819
I JUST GOT REPLACED
BY A DOLL.
863
00:48:29,863 --> 00:48:31,734
WELL, THAT'S SHOW BIZ.
60468
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