All language subtitles for The Twilight Zone s01e36 A World of His Own.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,418 --> 00:00:02,835 [eerie music] 2 00:00:11,136 --> 00:00:14,138 (male narrator) YOU'RE ABOUT TO ENTER ANOTHER DIMENSION 3 00:00:14,222 --> 00:00:16,765 A DIMENSION NOT ONLY OF SIGHT AND SOUND, BUT OF M IND 4 00:00:16,808 --> 00:00:19,393 A JOURNEY INTO A WONDROUS LAND OF IMAGINATION. 5 00:00:19,477 --> 00:00:21,770 NEXT STOP, THE TWILIGHT ZONE. 6 00:00:31,614 --> 00:00:33,866 (male narrator) THE HOME OF MR. GREGORY WEST-- 7 00:00:33,950 --> 00:00:36,535 ONE OF AMERICA'S MOST NOTED PLAYWRIGHTS. 8 00:00:36,619 --> 00:00:41,040 THE OFFICE OF MR. GREGORY WEST. 9 00:00:41,124 --> 00:00:42,958 MR. GREGORY WEST-- 10 00:00:43,043 --> 00:00:46,795 SHY, QUIET, AND AT THE MOMENT, VERY HAPPY. 11 00:00:46,880 --> 00:00:51,133 MARY-- WARM, AFFECTIONATE. 12 00:00:51,217 --> 00:00:53,302 YOUREALLY SHOU LD BE WORKING, YOU KNOW. 13 00:00:53,344 --> 00:00:55,888 YOU'RE NAGGING ME. 14 00:00:55,972 --> 00:00:58,974 I'M ONLY THINKING OF POSTERITY. 15 00:00:59,017 --> 00:01:00,476 THINK OF ME I NSTEAD. 16 00:01:00,560 --> 00:01:02,644 DON'T I ALWAYS? 17 00:01:05,273 --> 00:01:06,273 YES, YOU DO. 18 00:01:09,986 --> 00:01:12,071 DRY ENOUGH? 19 00:01:12,155 --> 00:01:14,406 WE'LL LET THE MASTER DECI DE. 20 00:01:23,374 --> 00:01:25,167 PERFECT, AS ALWAYS. 21 00:01:25,251 --> 00:01:28,921 ARE YOU DESCRI BING YOURSELF, MR. WEST? 22 00:01:29,005 --> 00:01:31,215 LET THE M ISTRESS DECI DE. 23 00:01:31,299 --> 00:01:33,133 SHE'S DECI DED. 24 00:01:42,852 --> 00:01:44,770 AND THE FINAL INGREDIENT: 25 00:01:44,854 --> 00:01:47,648 MRS. GREGORY WEST. 26 00:01:57,992 --> 00:02:00,786 [front door opening] 27 00:02:00,870 --> 00:02:01,870 [door closing] 28 00:02:06,835 --> 00:02:08,043 (Mrs. West) GREGORY? 29 00:02:08,086 --> 00:02:09,211 [glass breaks] 30 00:02:09,254 --> 00:02:10,295 [knocking] 31 00:02:10,380 --> 00:02:11,797 G REG, NOT AGAIN. 32 00:02:11,881 --> 00:02:13,382 I HAVE TO. 33 00:02:13,424 --> 00:02:14,466 GREGORY, I'M HOME, DARLING. 34 00:02:14,551 --> 00:02:16,802 NO, GREG. 35 00:02:16,886 --> 00:02:18,804 WHAT ELSE CAN I DO? 36 00:02:18,888 --> 00:02:21,140 ARE YOU WORKING? 37 00:02:21,224 --> 00:02:23,100 ARE YOU SO AFRAI D? 38 00:02:25,311 --> 00:02:26,895 [knocking] 39 00:02:26,938 --> 00:02:31,608 I HOPE I'M NOT INTERRUPTING YOU. 40 00:02:31,693 --> 00:02:34,987 DARLING, I'LL ONLY BE A MOM ENT. 41 00:02:35,071 --> 00:02:37,739 I JUST WANT TO COME IN AND-- KISS YOU. 42 00:02:48,710 --> 00:02:50,961 WELL, I DIDN'T EXPECT YOU-- [cIears throat] 43 00:03:01,097 --> 00:03:02,514 WHAT'S THE MATTER, DEAR? 44 00:03:02,599 --> 00:03:04,099 SOMETHING WRONG? 45 00:03:27,790 --> 00:03:30,292 HOW COME YOU'RE HOM E SO EARLY, DEAR? 46 00:03:30,335 --> 00:03:31,710 DIDN'T YOU LIKE THE MOVIE? 47 00:03:31,794 --> 00:03:33,587 NO. NOT VERY MUCH. 48 00:03:37,967 --> 00:03:40,719 I JUST DECI DED I'D COME HOME EARLY. 49 00:03:46,935 --> 00:03:50,229 HAVE YOU, UH, BEEN BUSY? 50 00:03:50,313 --> 00:03:52,522 OH, YES, YES, I GOT QU ITE A BIT DONE. 51 00:03:52,607 --> 00:03:54,691 DID YOU? 52 00:03:54,776 --> 00:03:57,402 OH, I SEE YOU DROPPED A GLASS. 53 00:03:57,487 --> 00:03:58,654 OH, YES. 54 00:04:03,660 --> 00:04:05,744 YOU LOOKING FOR SOMETHING, DEAR? 55 00:04:05,828 --> 00:04:08,413 OH, NO. I JUST THOUGHT I'D SEE 56 00:04:08,498 --> 00:04:10,499 IF YOUR ROOM NEEDED TO BE CLEAN ED. 57 00:04:10,541 --> 00:04:12,042 I DON'T THINK SO. 58 00:04:15,755 --> 00:04:17,047 WHAT ARE YOU DOING, DEAR? 59 00:04:18,758 --> 00:04:20,092 HONEY, WHAT ARE YOU DOING? 60 00:04:20,176 --> 00:04:21,176 H M M? 61 00:04:21,261 --> 00:04:22,719 OH, I, UH... 62 00:04:22,804 --> 00:04:24,513 CHECKING THE WALL. 63 00:04:24,597 --> 00:04:25,806 OH. 64 00:04:32,355 --> 00:04:34,564 WHAT'S THAT? 65 00:04:34,649 --> 00:04:38,110 OH! 66 00:04:38,194 --> 00:04:39,152 MY SCISSORS. 67 00:04:43,116 --> 00:04:44,283 G REGORY? 68 00:04:44,367 --> 00:04:45,784 M M-H M M? 69 00:04:45,868 --> 00:04:47,369 YOU WOULDN'T BY ANY CHANCE 70 00:04:47,453 --> 00:04:51,957 HAVE A SECRET DOOR IN HERE, WOULD YOU? 71 00:04:52,041 --> 00:04:53,792 A SECRET DOOR? 72 00:04:53,876 --> 00:04:56,753 THAT'S WHAT I SAID, DARLING, SECRET DOOR. 73 00:04:56,838 --> 00:04:58,130 NOW, WHAT ON EARTH WOULD I WANT 74 00:04:58,214 --> 00:05:00,132 WITH A SECRET DOOR IN HERE? 75 00:05:00,216 --> 00:05:03,468 YES. WHATEVER ON EARTH FOR? 76 00:05:03,553 --> 00:05:09,224 [sighs] 77 00:05:13,563 --> 00:05:15,480 ARE YOU ALL RIGHT, VICTORIA? 78 00:05:15,565 --> 00:05:18,567 H M M? OH, WELL, I DON'T KNOW. 79 00:05:18,651 --> 00:05:19,651 I'M NOT TOO SURE. 80 00:05:19,736 --> 00:05:21,486 REALLY? 81 00:05:21,571 --> 00:05:23,655 I THINK I MAY BE SU FFERING FROM HALLUCI NATIONS. 82 00:05:23,740 --> 00:05:24,906 OH, YOU POOR DEAR. 83 00:05:24,991 --> 00:05:26,575 IT'S THE STRANG EST THING 84 00:05:26,659 --> 00:05:28,493 BUT I WAS JUST STANDING OUTSIDE THIS WIN DOW 85 00:05:28,578 --> 00:05:31,413 ONLY A MOM ENT AGO RIGHT HERE. 86 00:05:31,456 --> 00:05:32,914 YOU WERE? 87 00:05:32,999 --> 00:05:35,584 YES, I WAS. 88 00:05:35,668 --> 00:05:37,044 AND YOU'LL NEVER GU ESS 89 00:05:37,128 --> 00:05:39,171 WHAT I SAW TH ROUG H THAT WIN DOW-- 90 00:05:39,255 --> 00:05:41,840 OR AT LEAST YOU'LL N EVER GU ESS WHAT I THOUGHT I SAW. 91 00:05:41,924 --> 00:05:44,301 I COULDN'T POSS I BLY GU ESS. 92 00:05:44,385 --> 00:05:49,056 I THOUGHT I SAW A WOMAN IN YOUR ARMS. 93 00:05:54,270 --> 00:05:55,896 DID YOU? 94 00:05:55,980 --> 00:05:58,690 YES. ISN'T THAT J UST TOO RI DICU LOUS? 95 00:05:58,775 --> 00:06:00,525 YES, YES, IT IS. 96 00:06:00,610 --> 00:06:02,486 OH, WELL, LISTEN-- 97 00:06:02,570 --> 00:06:03,862 WOULDN'T YOU LIKE TO HAVE ME DESCRIBE HER TO YOU? 98 00:06:03,946 --> 00:06:04,988 WELL... 99 00:06:05,073 --> 00:06:06,490 OH, LET ME, LET ME. 100 00:06:06,574 --> 00:06:08,241 SHE HAD MASSES OF BLON DE HAIR 101 00:06:08,326 --> 00:06:10,285 AND SHE WORE ONE OF THOSE FRU M PY LITTLE BLOUSES 102 00:06:10,370 --> 00:06:12,621 WITH A TACKY LITTLE BROOCH AT THE BOSOM 103 00:06:12,663 --> 00:06:15,457 AND ONE OF THOSE DREADFUL PEASANT SKI RTS. 104 00:06:15,500 --> 00:06:19,628 BUT THE FU N NY THING WAS THAT SHE HAN DED YOU A DRINK. 105 00:06:19,712 --> 00:06:22,172 [both Iaughing] 106 00:06:22,256 --> 00:06:24,341 OH, SUCH DETAI L. IT'S QU ITE REMARKABLE. 107 00:06:24,425 --> 00:06:25,842 YES. ISN'T IT? 108 00:06:25,927 --> 00:06:27,552 OF COURSE, IF I'D THOUGHT ABOUT IT 109 00:06:27,637 --> 00:06:30,472 I WOULD HAVE REALIZED HOW RI DICU LOUS IT WAS. 110 00:06:30,515 --> 00:06:32,015 I WOULD HAVE REALIZED 111 00:06:32,100 --> 00:06:33,600 IF I HAD THOUGHT ABOUT IT FOR A MINUTE 112 00:06:33,684 --> 00:06:36,853 THAT A MAN OF YOUR EXTRAORDINARY TASTE 113 00:06:36,938 --> 00:06:39,064 COULDN'T POSSIBL Y BE INTERESTED 114 00:06:39,148 --> 00:06:42,818 IN SUCH A DRAB UG LY LITTLE CREATU RE. 115 00:06:42,902 --> 00:06:45,737 OH, SHE'S NOT SO DRAB. 116 00:06:45,822 --> 00:06:47,656 AHA. 117 00:06:47,698 --> 00:06:50,700 DI DN'T THINK I'D BE HOM E SO EARLY, DID YOU? 118 00:06:50,785 --> 00:06:53,537 DI DN'T THINK I'D BE HOM E THE WHOLE AFTERNOON, DID YOU? 119 00:06:53,621 --> 00:06:55,580 THOUGHT YOU HAD ME FOOLED, DIDN'T YOU? 120 00:06:55,665 --> 00:06:57,374 LET ME TELL YOU SOMETHING, 121 00:06:57,458 --> 00:06:59,501 I'VE HAD MY EYE ON YOU FOR SOME TIME NOW. 122 00:06:59,585 --> 00:07:01,670 DI DN'T THINK I SUSPECTED THE REAL REASON 123 00:07:01,712 --> 00:07:04,339 FOR WHY YOU WERE ALWAYS SEN DING ME OUT OF THE HOUSE, 124 00:07:04,382 --> 00:07:05,882 DID YOU? 125 00:07:05,967 --> 00:07:07,342 "I MUST BE ALON E TO WORK," YOU SAID, 126 00:07:07,427 --> 00:07:09,094 THE GREAT AND FAMOUS PLAYWRIGHT, 127 00:07:09,178 --> 00:07:11,388 THE GREAT AND FAMOUS PH I LAN DERER! 128 00:07:11,472 --> 00:07:13,723 NOW, VICTORIA, IT'S SO S IMPLE. 129 00:07:13,808 --> 00:07:15,016 WHERE IS SH E? 130 00:07:15,101 --> 00:07:16,810 I CAN EXPLAIN EVERYTHING. 131 00:07:16,894 --> 00:07:19,771 DO YOUREMEMBER MY PLAY, FURY IN THE NIGHT? 132 00:07:19,856 --> 00:07:21,731 [groaning] OH, YES. 133 00:07:21,816 --> 00:07:23,525 DEAR, DO YOU REMEMBER IT? 134 00:07:23,609 --> 00:07:25,444 YOUREMEMBER THE CHARACTER PH I LI P WAI NWRIGHT? 135 00:07:25,528 --> 00:07:28,613 G REGORY, J UST TELL ME ONE THING. 136 00:07:28,698 --> 00:07:29,698 WHAT'S HER NAME? 137 00:07:29,782 --> 00:07:30,782 WHAT? 138 00:07:30,867 --> 00:07:32,075 WHAT'S HER NAME? 139 00:07:32,160 --> 00:07:33,285 MARY! BUT THAT DOESN'T-- 140 00:07:33,369 --> 00:07:34,786 "MARY!" HOW COMMON. 141 00:07:34,871 --> 00:07:36,455 PLEASE, VICTORIA-- 142 00:07:36,539 --> 00:07:39,207 JUST S IT DOWN HERE AND LET ME EXPLAIN. 143 00:07:39,250 --> 00:07:40,709 I'M LISTENING. 144 00:07:40,793 --> 00:07:42,586 YOU KNOW HOW SOMETIMES I'VE TOLD YOU 145 00:07:42,670 --> 00:07:45,547 THAT F ICTIONAL CHARACTERS COME ALIVE SO VIVI DLY 146 00:07:45,631 --> 00:07:47,382 THEY MAKE DECISIONS OF THEIR OWN? 147 00:07:47,467 --> 00:07:49,050 A PLAYWRIGHT MAY HAVE WORKED OUT 148 00:07:49,135 --> 00:07:50,927 SOME KIND OF MOVE FOR THEM 149 00:07:51,012 --> 00:07:52,888 BUT THEY REFUSE TO DO IT. 150 00:07:52,972 --> 00:07:55,640 THEY WI LL NOT ACCEPT ANYBODY'S-- THEY BECOME SO STRONG 151 00:07:55,725 --> 00:07:58,435 THAT SOMETIMES THEY TAKE OVER THE WHOLE STORY! 152 00:07:58,519 --> 00:08:00,729 I HARDLY SEE THAT THIS HAS ANYTHING... 153 00:08:00,813 --> 00:08:02,647 PLEASE BEAR WITH ME, VICTORIA. 154 00:08:02,732 --> 00:08:05,942 I'VE BORNE WITH YOU FOR YEARS. 155 00:08:06,027 --> 00:08:08,987 PH I LI P WAI NWRIGHT WAS THE FIRST ONE OF MY PLAY CHARACTERS 156 00:08:09,071 --> 00:08:10,572 TO EVER BEHAVE LIKE THAT. 157 00:08:10,656 --> 00:08:12,574 NO MATTER WHAT I HAD PLAN N ED FOR HIM, 158 00:08:12,617 --> 00:08:14,493 HE BALKED, HE REFUSED. 159 00:08:14,577 --> 00:08:17,496 HE WOULDN'T ACCEPT ANY OF MY DECIS IONS. 160 00:08:17,580 --> 00:08:20,165 HE BECAME ALIVE-- WITH A WILL OF HIS OWN! 161 00:08:20,249 --> 00:08:22,292 DO YOU UNDERSTAND? 162 00:08:22,376 --> 00:08:25,170 I UNDERSTAND THAT YOU ARE TRYING TO CHANG E THE SU BJ ECT. 163 00:08:25,254 --> 00:08:26,588 I'M NOT! 164 00:08:26,672 --> 00:08:28,173 THIS IS THE SUBJECT. 165 00:08:28,257 --> 00:08:30,175 PHILIP WAINWRIGHT BECAME ALIVE! 166 00:08:30,259 --> 00:08:33,345 ONE NIGHT, WHILE I WAS WORKING HERE-- 167 00:08:33,429 --> 00:08:39,017 RIGHT UP HERE IN MY OFF ICE-- 168 00:08:39,101 --> 00:08:41,603 PH I LI P WAI NWRIGHT WALKED IN TH ROUG H THAT DOOR. 169 00:08:41,646 --> 00:08:44,648 OH, GREG, NOW, REALLY. 170 00:08:44,732 --> 00:08:47,776 VICTORIA, YOU'VE GOT TO BELIEVE ME! 171 00:08:47,860 --> 00:08:49,694 HE WALKED IN RIGHT TH ROUG H THAT DOOR. 172 00:08:49,779 --> 00:08:52,531 HE CAME IN HERE, AND HE SAT DOWN 173 00:08:52,615 --> 00:08:54,699 IN THAT CHAIR... 174 00:08:54,784 --> 00:08:56,952 ALIVE... 175 00:08:57,036 --> 00:08:59,829 A REAL FLESH AND BLOOD MAN! 176 00:09:02,250 --> 00:09:03,708 AND I CREATED HIM. 177 00:09:05,711 --> 00:09:06,962 OH, MY. 178 00:09:13,928 --> 00:09:15,720 WHAT ARE YOU DOING? 179 00:09:15,805 --> 00:09:18,390 I AM AFRAI D THAT PSYCH IATRY IS NEXT ON THE AG EN DA. 180 00:09:18,474 --> 00:09:20,725 YOU'VE GOT TO BELIEVE M E, VICTORIA. 181 00:09:20,810 --> 00:09:22,811 CHARACTERS IN MY PLAYS DO COME ALIVE. 182 00:09:22,853 --> 00:09:24,479 I'VE SEEN THEM, TALKED TO THEM. 183 00:09:24,564 --> 00:09:26,314 I'VE EVEN SHAKEN HAN DS WITH THEM. 184 00:09:26,399 --> 00:09:28,567 YOU EVEN MADE LOVE TO THEM, REMEMBER? 185 00:09:28,651 --> 00:09:30,652 YES... I MEAN NO! 186 00:09:30,736 --> 00:09:33,989 LOOK, YOU KNOW HOW I WORK. 187 00:09:34,031 --> 00:09:35,740 I DICTATE DIALOG AND STAG E BUS IN ESS 188 00:09:35,825 --> 00:09:37,200 INTO THE TAPE RECORDER. 189 00:09:37,285 --> 00:09:39,411 I DESCRI BE ANY CHARACTER I WANT 190 00:09:39,495 --> 00:09:43,331 AND IF I DO IT WELL ENOUGH, THEY COME TO LIFE-- 191 00:09:43,374 --> 00:09:45,166 TO LIFE, VICTORIA. 192 00:09:45,251 --> 00:09:47,085 AND I DON'T EVEN HAVE TO DESCRI BE THE CHARACTERS 193 00:09:47,169 --> 00:09:49,004 IN MY PLAYS ANYMORE. 194 00:09:49,046 --> 00:09:52,090 I CAN DESCRI BE ANY CHARACTER I WANT! 195 00:09:52,174 --> 00:09:55,010 YOU SHOU LD BE PUT AWAY. 196 00:09:58,723 --> 00:10:01,182 NOW, YOU SAID THAT YOU SAW MARY HERE, RIGHT? 197 00:10:01,267 --> 00:10:03,184 OH, I SAW HER HERE, ALL RIGHT. 198 00:10:03,227 --> 00:10:05,395 THEN HOW DID SHE GET OUT? 199 00:10:05,479 --> 00:10:07,689 THAT'S WHAT I'M TRYING TO F IN D OUT. 200 00:10:10,526 --> 00:10:14,613 SHE COULD NOT HAVE GONE OUT TH ROUG H THE WIN DOW. 201 00:10:14,697 --> 00:10:18,783 YOU KNOW THERE ARE NO SECRET DOORS IN HERE. 202 00:10:18,868 --> 00:10:21,620 BUT I'M GOING TO SHOW YOU HOW SHE GOT OUT OF HERE 203 00:10:21,704 --> 00:10:23,455 BECAUSE I WANT YOU TO UNDERSTAND. 204 00:10:32,965 --> 00:10:36,301 I TAKE MY SCISSORS, 205 00:10:36,385 --> 00:10:38,094 I SN I P OFF THE PART OF THE TAPE 206 00:10:38,179 --> 00:10:41,556 ON WHICH SHE IS DESCRI BED, 207 00:10:41,599 --> 00:10:46,561 I ROLL THE TAPE INTO A LITTLE BALL, 208 00:10:46,646 --> 00:10:49,814 I THROW IT INTO THE F I REPLACE, 209 00:10:49,899 --> 00:10:52,734 SHE'S GONE! 210 00:10:52,777 --> 00:10:54,027 U NCREATED. 211 00:10:56,489 --> 00:10:58,531 I'M GOING TO HAVE YOU COM M ITTED. 212 00:11:00,826 --> 00:11:02,452 YOU'VE GOT TO BELIEVE ME. 213 00:11:02,536 --> 00:11:04,079 WHAT DO YOU THINK YOU'RE DOING? 214 00:11:04,163 --> 00:11:05,580 NOW, JUST A MINUTE. 215 00:11:05,623 --> 00:11:07,165 I'M TRYING TO SAVE OUR MARRIAG E. 216 00:11:09,919 --> 00:11:11,920 DON'T WASTE YOUR TIME. 217 00:11:14,090 --> 00:11:17,342 I COULD DESCRI BE A DOG OR A CAT OR ANY CHARACTER YOU WANT 218 00:11:17,426 --> 00:11:19,844 BUT I'M SURE YOU WOULD PREFER TO SEE MARY 219 00:11:19,929 --> 00:11:21,680 AND I'VE CREATED MARY SO MANY TIMES, 220 00:11:21,764 --> 00:11:23,181 THAT SHE'LL BE MUCH MORE AVAI LABLE. 221 00:11:23,265 --> 00:11:24,766 I'LL JUST BET SHE IS. 222 00:11:24,809 --> 00:11:26,685 GIVE ME THE KEY, GREGORY. 223 00:11:26,769 --> 00:11:30,772 HER NAME--IS MARY. 224 00:11:30,856 --> 00:11:33,775 SHE'S 30 YEARS OLD... 225 00:11:33,859 --> 00:11:36,695 FIVE FEET SIX I NCH ES TALL, 226 00:11:36,779 --> 00:11:38,863 N ICELY BU I LT, 227 00:11:38,948 --> 00:11:40,865 BLON D HAIR, 228 00:11:40,950 --> 00:11:43,159 FAIR COM PLEXION, 229 00:11:43,244 --> 00:11:45,286 A S IMPLE, U NASSU MING FEMALE, 230 00:11:45,329 --> 00:11:48,039 BUT WITH THAT QUALITY OF IN N ER LOVELIN ESS 231 00:11:48,124 --> 00:11:50,875 THAT BRINGS REAL BEAUTY TO A WOMAN. 232 00:11:50,960 --> 00:11:52,669 A TEN DER, G ENTLE WOMAN... 233 00:11:52,753 --> 00:11:55,880 AN UNDERSTANDING WOMAN. 234 00:11:55,965 --> 00:11:59,050 SHE'S DRESSED IN A SOFT BLOUSE... 235 00:11:59,135 --> 00:12:01,720 OLD-FASH ION ED BROOCH... 236 00:12:01,804 --> 00:12:03,138 FU LL SKI RT. 237 00:12:03,222 --> 00:12:05,724 HER HAIR... 238 00:12:05,808 --> 00:12:08,143 IS ATTRACTIVELY ARRANG ED. 239 00:12:08,227 --> 00:12:09,978 SHE'S COMING UP THE FRONT WALK. 240 00:12:10,020 --> 00:12:13,898 SHE'S CROSSING THE PORCH. 241 00:12:13,983 --> 00:12:16,317 SHE'S OPENING THE FRONT DOOR. 242 00:12:16,402 --> 00:12:17,861 [front door opening] 243 00:12:17,945 --> 00:12:19,237 SHE'S CLOSING IT. 244 00:12:19,321 --> 00:12:20,697 [door closing] 245 00:12:20,781 --> 00:12:22,657 SHE'S WALKING ACROSS THE HALL... 246 00:12:22,742 --> 00:12:24,451 [footsteps approaching] 247 00:12:38,340 --> 00:12:40,633 GOOD AFTERNOON, M RS. WEST. 248 00:13:16,587 --> 00:13:19,214 THERE'S NOTHING TO BE AFRAI D OF, MRS. WEST. 249 00:13:19,298 --> 00:13:23,551 DO YOU BELIEVE ME NOW, VICTORIA? 250 00:13:23,636 --> 00:13:25,970 I'LL TELL YOU WHAT I BELIEVE. 251 00:13:26,055 --> 00:13:28,807 I BELIEVE THIS IS SOME SORT OF F I EN DISH PLOT. 252 00:13:28,891 --> 00:13:31,226 YOU LET HER OUT OF HERE TH ROUG H A SECRET DOOR, 253 00:13:31,268 --> 00:13:33,228 THEN YOU TELL ME THIS RI DICU LOUS STORY 254 00:13:33,270 --> 00:13:34,854 ABOUT BRINGING CHARACTERS TO LIFE. 255 00:13:34,939 --> 00:13:36,481 THEN YOU LOCK THE DOOR 256 00:13:36,565 --> 00:13:38,149 AND PRETEN D TO BRING H ER BACK TO LIFE. 257 00:13:38,234 --> 00:13:39,651 THEN SHE COMES IN THE FRONT DOOR 258 00:13:39,735 --> 00:13:41,402 AND TRI ES TO MAKE ME BELIEVE THAT-- 259 00:13:41,487 --> 00:13:43,988 YOU'RE TRYING TO DRIVE ME I NSAN E. 260 00:13:44,073 --> 00:13:46,241 YOU WANT TO HAVE ME COM M ITTED. 261 00:13:46,283 --> 00:13:48,493 YOU WERE GOING TO HAVE ME COM M ITTED. 262 00:13:48,577 --> 00:13:50,078 YOU WANT TO HAVE ME COM M ITTED 263 00:13:50,162 --> 00:13:51,996 SO THAT YOU CAN GET ALL OF OUR PROPERTY 264 00:13:52,081 --> 00:13:54,457 SO THAT YOU CAN SHARE OUR PROPERTY WITH... 265 00:13:54,542 --> 00:13:56,417 I JUST WANTED TO SHOW YOU. 266 00:13:56,502 --> 00:13:58,920 IS THAT WHY YOU BROUGHT ME-- JUST TO SHOW H ER? 267 00:13:58,963 --> 00:14:01,339 NOW, PLEASE TRY TO UNDERSTAND, MARY. 268 00:14:01,423 --> 00:14:03,341 AFTER ALL, VICTORIA IS MY WIFE. 269 00:14:03,425 --> 00:14:04,926 NOT ANY LONG ER, I'M NOT. 270 00:14:04,969 --> 00:14:06,928 NOT AFTER THIS DIABOLIC CONSP I RACY. 271 00:14:06,971 --> 00:14:08,429 CAN'T I DO ANYTHING RIGHT? 272 00:14:08,514 --> 00:14:09,848 NO. 273 00:14:09,932 --> 00:14:11,683 YOU HAVEN'T ANSWERED ME, GREG. 274 00:14:11,767 --> 00:14:13,184 YOU DON'T REALLY BELIEVE THAT I WANT TO HAVE-- 275 00:14:13,269 --> 00:14:16,604 YES. 276 00:14:16,647 --> 00:14:17,772 HERE WE GO AGAIN. 277 00:14:19,400 --> 00:14:22,026 YOU LET ME OUT OF HERE, YOU MONSTER. 278 00:14:22,111 --> 00:14:24,779 G REGORY WEST, YOU LET ME OUT OF HERE 279 00:14:24,864 --> 00:14:26,322 OR I'M GOING TO SCREAM. 280 00:14:26,407 --> 00:14:27,866 I PROMISE YOU, I'M GOING TO SCREAM. 281 00:14:27,950 --> 00:14:28,950 WHAT FOR? 282 00:14:28,993 --> 00:14:33,538 AGAIN? 283 00:14:33,622 --> 00:14:35,331 WHY DO YOU DO THIS TO ME, GREG? 284 00:14:35,416 --> 00:14:38,042 OH, I'M SORRY, MARY, BUT... 285 00:14:38,127 --> 00:14:40,295 WHAT ELSE CAN I DO? 286 00:14:40,379 --> 00:14:42,422 I JUST GOT HERE, GREG. 287 00:14:44,967 --> 00:14:46,509 WHAT ELSE CAN I DO? 288 00:14:46,594 --> 00:14:49,554 THAT'S ALL YOU EVER SAY. 289 00:14:51,682 --> 00:14:53,266 YOU WOULDN'T BELIEVE ME, HUH? 290 00:14:53,350 --> 00:14:55,643 YOU JUST GOT TO MAKE ME SHOW YOU, HUH? 291 00:14:55,686 --> 00:14:59,981 YOU'VE GOT TO MAKE ME FORCE POOR MARY TO LEAVE AGAIN. 292 00:15:00,065 --> 00:15:02,066 VICTORIA... 293 00:15:02,151 --> 00:15:03,985 SOMETIMES I WON DER. 294 00:15:04,069 --> 00:15:05,486 DON'T BRING ME BACK AGAIN. 295 00:15:07,489 --> 00:15:08,573 NOW, MARY... 296 00:15:08,657 --> 00:15:10,491 J UST... DON'T. 297 00:15:10,534 --> 00:15:13,494 I CAN'T BEAR IT ANY LONG ER. 298 00:15:15,664 --> 00:15:16,998 OH... 299 00:15:19,209 --> 00:15:21,336 FORGIVE ME, MARY 300 00:15:21,420 --> 00:15:22,587 BUT SHE IS MY WIFE. 301 00:15:29,678 --> 00:15:31,095 WHERE IS SH E? 302 00:15:31,180 --> 00:15:35,183 I TOLD YOU. 303 00:15:35,225 --> 00:15:36,768 WH-WHERE IS SH E? 304 00:15:36,852 --> 00:15:40,271 YOU STILL DON'T BELIEVE ME, HUH? 305 00:15:40,356 --> 00:15:43,900 G REGORY, WHERE DID SHE GO? 306 00:15:43,984 --> 00:15:45,777 I TOLD YOU! 307 00:15:45,861 --> 00:15:48,112 I... 308 00:15:48,197 --> 00:15:49,280 U NCREATED H ER. 309 00:15:51,367 --> 00:15:52,867 OH, DEAR. 310 00:15:52,910 --> 00:15:55,453 NOW, DON'T YOU WORRY. 311 00:15:55,537 --> 00:15:57,872 WE WON'T LET IT HAPPEN ANYMORE. 312 00:15:57,915 --> 00:16:00,208 I PROMISE YOU, I WON'T DO IT AGAIN. 313 00:16:00,292 --> 00:16:02,126 THE ONLY REASON I DID IT THE FIRST TIME 314 00:16:02,211 --> 00:16:04,379 WAS THAT, WELL, I WAS LON ELY. 315 00:16:04,463 --> 00:16:05,880 DON'T YOU SEE, VICTORIA? 316 00:16:05,965 --> 00:16:07,840 YOU'RE SO PERFECT 317 00:16:07,925 --> 00:16:10,718 YOU'RE SO IMPECCABLE, YOU'RE SO FLAWLESS, AND... 318 00:16:10,761 --> 00:16:12,971 WELL, I JUST FELT INFERIOR. 319 00:16:13,055 --> 00:16:14,555 I WOULDN'T HAVE CREATED MARY. 320 00:16:14,598 --> 00:16:16,391 I DIDN'T CREATE H ER TO I NSU LT YOU. 321 00:16:16,475 --> 00:16:17,934 I WAS LON ELY, THAT WAS ALL. 322 00:16:18,018 --> 00:16:19,560 I WANTED SOMEBODY TO TALK TO. 323 00:16:19,603 --> 00:16:21,479 OH... 324 00:16:21,563 --> 00:16:24,649 SOM EONE THAT I'D FEEL COM FORTABLE WITH. 325 00:16:24,733 --> 00:16:26,693 NOT LIKE A WORM. 326 00:16:26,777 --> 00:16:28,486 WELL, YOU UNDERSTAND, DON'T YOU? 327 00:16:28,570 --> 00:16:30,947 OH, YES, I UNDERSTAND. 328 00:16:31,031 --> 00:16:32,740 OH, F IN E. 329 00:16:32,825 --> 00:16:34,909 WE'LL WORK IT OUT. WE'LL WORK IT OUT SOMEHOW. 330 00:16:34,994 --> 00:16:36,911 IT'S JUST THAT I, I FEEL SO I NADEQUATE 331 00:16:36,996 --> 00:16:39,247 COM PARED WITH YOU. 332 00:16:39,289 --> 00:16:41,082 OF COURSE, THAT'S REALLY MY FAU LT. 333 00:16:41,125 --> 00:16:42,375 I GU ESS I SHOU LD HAVE... 334 00:16:46,296 --> 00:16:48,256 NOW, DON'T TRY TO STOP ME, GREGORY. 335 00:16:48,298 --> 00:16:49,799 WHERE ARE YOU GOING? 336 00:16:49,883 --> 00:16:51,759 I'M GOING TO THE NEAREST LAWYER 337 00:16:51,844 --> 00:16:53,511 AND I'M GOING TO HAVE YOU PUT AWAY 338 00:16:53,595 --> 00:16:55,805 FOR THE REST OF YOUR U N NATU RAL LIFE-- 339 00:16:55,889 --> 00:16:58,016 AWAY FROM TAPE RECORDERS AND FROM ME. 340 00:16:58,100 --> 00:16:59,684 I'M GOING TO LIVE ALL BY MYSELF 341 00:16:59,768 --> 00:17:01,769 IN PERFECT PEACE AND HARMONY IN THIS HOUSE 342 00:17:01,854 --> 00:17:04,439 FREE OF YOUR DISEASED M IND. 343 00:17:04,481 --> 00:17:05,648 NO, VICTORIA! 344 00:17:05,733 --> 00:17:07,567 YES, VICTORIA. 345 00:17:11,947 --> 00:17:14,949 (Greg) A GIANT RED-EYED ELEPHANT IS STANDING IN MY HALLWAY, 346 00:17:14,992 --> 00:17:16,868 AND WILL NOT LET HER PASS. 347 00:17:16,952 --> 00:17:19,620 OH, DON'T BE RI DICU LOUS. 348 00:17:32,968 --> 00:17:37,764 [screams] 349 00:17:44,354 --> 00:17:46,064 G REGORY, WOULD YOU PLEASE 350 00:17:46,148 --> 00:17:48,691 GET THAT ELEPHANT OUT OF MY HALL. 351 00:17:48,776 --> 00:17:51,235 WILL YOU STAY? 352 00:17:51,320 --> 00:17:53,529 YES. 353 00:17:55,616 --> 00:17:58,117 [elephant crying out] 354 00:18:26,021 --> 00:18:30,024 YOU ARE STARK STARING RAVING MAD. 355 00:18:30,109 --> 00:18:33,528 YOU SHOU LDN'T SAY THOSE KIND OF THINGS. 356 00:18:33,612 --> 00:18:34,779 THEN YOU'LL STAY, HM? 357 00:18:34,863 --> 00:18:36,072 YOU DON'T SERIOUSLY THINK 358 00:18:36,156 --> 00:18:37,406 YOU'RE GOING TO KEEP ME 359 00:18:37,491 --> 00:18:39,117 IN THIS HOUSE NOW, DO YOU? 360 00:18:39,201 --> 00:18:40,409 YOU WANT ME TO DO IT AGAIN? 361 00:18:40,494 --> 00:18:42,870 NO! 362 00:18:42,913 --> 00:18:45,206 NO, NO, I--I, UH, 363 00:18:45,249 --> 00:18:48,084 I'LL STAY HERE FOR THE MOM ENT. 364 00:18:48,168 --> 00:18:50,461 BUT BELIEVE ME, THE FIRST OPPORTU N ITY I GET, 365 00:18:50,546 --> 00:18:52,630 I'M GOING TO HAVE YOU PUT AWAY. 366 00:18:52,714 --> 00:18:55,299 BELIEVE ME. 367 00:18:55,384 --> 00:18:58,469 I BELIEVE YOU. 368 00:18:58,554 --> 00:19:00,638 WELL, I GU ESS THERE'S NOTHING ELSE TO DO. 369 00:19:07,521 --> 00:19:09,230 HOW LONG HAS THAT BEEN THERE? 370 00:19:09,314 --> 00:19:13,067 OH, EVER S I NCE YOU AND I WERE, U H... MARRI ED. 371 00:19:22,870 --> 00:19:24,912 WHAT IS THAT? 372 00:19:28,000 --> 00:19:30,751 WHAT IS THIS SU PPOSED TO MEAN? 373 00:19:38,093 --> 00:19:41,762 NOW, VICTORIA, SHALL I PUT THIS BACK IN THE SAFE 374 00:19:41,847 --> 00:19:44,265 OR SHALL I THROW IT IN THE F I RE? 375 00:19:44,349 --> 00:19:49,187 G REGORY, YOU'RE NOT SERIOUSLY TRYING TO MAKE ME BELIEVE-- 376 00:19:49,271 --> 00:19:51,355 I AM TELLING YOU, VICTORIA. 377 00:19:51,440 --> 00:19:53,191 LOOK AT YOURSELF. 378 00:19:53,275 --> 00:19:55,276 REGAL, BEAUTIFUL. 379 00:19:55,319 --> 00:19:58,696 YOU COULD HAVE ANY MAN IN THE WORLD THAT YOU WANTED. 380 00:19:58,780 --> 00:20:00,281 HAVEN'T YOU EVER WON DERED 381 00:20:00,365 --> 00:20:01,490 HOW YOU HAPPENED TO GET STUCK WITH ME? 382 00:20:03,452 --> 00:20:05,286 WELL, I'M TELLING YOU. 383 00:20:05,329 --> 00:20:07,872 YOU'RE AN I M PECCABLE, FLAWLESS-- 384 00:20:07,956 --> 00:20:09,957 YOU'RE JUST THE SORT OF WIFE THAT-- 385 00:20:10,042 --> 00:20:11,542 I ALWAYS USED TO THINK I WANTED 386 00:20:11,627 --> 00:20:13,419 MORE THAN ANYTHING ELSE IN THE WORLD. 387 00:20:13,503 --> 00:20:18,382 IS THIS ANOTHER ONE OF YOUR TAWDRY LITTLE TRICKS? 388 00:20:18,467 --> 00:20:20,134 NOW, WHY DO YOU THINK I GOT SO UPSET 389 00:20:20,219 --> 00:20:22,136 WHEN YOU CAME BACK HERE A WHILE AGO? 390 00:20:22,179 --> 00:20:24,639 NOT BECAUSE OF MARY, BUT BECAUSE YOU CAME BACK 391 00:20:24,681 --> 00:20:26,724 AGAINST MY WI LL FOR THE FIRST TIME. 392 00:20:26,808 --> 00:20:28,309 FOR THE FIRST TIME. 393 00:20:28,393 --> 00:20:32,855 DO YOU THINK YOU'RE FRIGHTENING ME? 394 00:20:32,940 --> 00:20:34,649 NO, I GU ESS NOT. 395 00:20:34,733 --> 00:20:37,818 YOU'RE BEYON D THAT. 396 00:20:37,903 --> 00:20:40,863 I MADE YOU TOO STRONG. 397 00:20:40,948 --> 00:20:43,282 I FORGOT TO ADD A LITTLE-- HUMAN FRAI LTY. 398 00:20:44,660 --> 00:20:47,662 WELL, I ASKED FOR IT. 399 00:20:47,746 --> 00:20:49,664 I'LL PUT THIS BACK IN THE SAFE. 400 00:20:49,706 --> 00:20:50,539 I'VE GOT... 401 00:20:50,624 --> 00:20:52,333 G REGORY. 402 00:20:52,417 --> 00:20:54,043 WOULD YOU LIKE TO KNOW 403 00:20:54,127 --> 00:20:56,712 WHAT I THINK OF YOUR CH I LDISH NONSENSE, HM M? 404 00:20:56,797 --> 00:20:58,714 TH IS. 405 00:21:00,050 --> 00:21:01,509 VICTORIA! 406 00:21:01,593 --> 00:21:03,678 OH, GREG... 407 00:21:03,762 --> 00:21:06,514 G REG, I FEEL SO STRANG E. I-- 408 00:21:09,810 --> 00:21:13,896 YOU, YOU DON'T MEAN THAT YOU WERE TELLING ME THE TRUTH? 409 00:21:18,193 --> 00:21:19,527 YOU WERE RIGHT. 410 00:21:20,487 --> 00:21:21,779 VICTORIA! 411 00:21:21,863 --> 00:21:25,449 NOW, I TOLD H ER, I TOLD H ER. 412 00:21:25,534 --> 00:21:31,414 SHE J UST WOULDN'T LISTEN TO ME. 413 00:21:31,498 --> 00:21:32,873 HER NAME... 414 00:21:32,916 --> 00:21:35,376 HER NAME IS M RS. VICTORIA WEST. 415 00:21:35,419 --> 00:21:36,877 SH E... 416 00:21:49,308 --> 00:21:51,309 WHY NOT LEAVE WELL ENOUGH ALON E? 417 00:21:59,568 --> 00:22:01,986 HER NAME... 418 00:22:02,070 --> 00:22:04,905 IS MARY. 419 00:22:04,990 --> 00:22:09,160 M RS. MARY WEST. 420 00:22:09,244 --> 00:22:12,621 SHE'S 30... 421 00:22:12,706 --> 00:22:16,417 FIVE FEET, SIX I NCH ES TALL... 422 00:22:16,460 --> 00:22:19,462 BLON DE HAIR... 423 00:22:19,546 --> 00:22:22,965 N ICELY BU I LT... 424 00:22:23,050 --> 00:22:25,509 CLEAR COM PLEXION. 425 00:22:25,594 --> 00:22:30,765 SH E'S... A PLAIN, U NASSU MING FEMALE 426 00:22:30,807 --> 00:22:34,518 WITH THAT IN N ER QUALITY OF LOVELIN ESS 427 00:22:34,603 --> 00:22:40,524 THAT MAKES A WOMAN TRU LY BEAUTIFUL. 428 00:22:40,609 --> 00:22:43,652 SHE IS DRESSED IN A SOFT, P IN K BLOUSE 429 00:22:43,737 --> 00:22:47,198 OLD-FASH ION ED BROOCH, FLOWING SKI RT. 430 00:22:47,282 --> 00:22:50,618 HER HAIR IS ATTRACTIVELY ARRANG ED. 431 00:22:50,660 --> 00:22:53,120 SHE IS IN H ER H USBAN D'S STU DY 432 00:22:53,205 --> 00:22:55,414 PREPARING HIM A DRINK. 433 00:22:57,751 --> 00:23:00,836 (male narrator) WE HOPE YOU ENJOYED TONIGHT'S ROMANTIC STORY 434 00:23:00,921 --> 00:23:04,840 ON THE TWILIGHT ZONE. 435 00:23:04,925 --> 00:23:07,468 AT THE SAME TIME, WE WANT YOU TO REALIZE 436 00:23:07,511 --> 00:23:10,221 THAT IT WAS, OF COURSE, PU RELY F ICTIONAL. 437 00:23:10,305 --> 00:23:13,224 IN REAL LIFE, SUCH RIDICULOUS NONSENSE COULD NEVER-- 438 00:23:13,308 --> 00:23:14,475 (Greg) ROD! 439 00:23:14,518 --> 00:23:18,562 [clucking tongue] 440 00:23:18,647 --> 00:23:20,022 YOU SHOU LDN'T. 441 00:23:26,988 --> 00:23:29,407 I MEAN, YOU SHOULDN'T SAY SUCH THINGS AS 442 00:23:29,491 --> 00:23:33,160 "NONSENSE" AND "RI DICU LOUS." 443 00:23:37,332 --> 00:23:39,625 WELL, THAT'S THE WAY IT GOES. 444 00:23:56,893 --> 00:23:59,103 (male narrator) LEAVING MR.GREGORY WEST-- 445 00:23:59,187 --> 00:24:02,523 STILL SHY, QUIET, VERY HAPPY 446 00:24:02,566 --> 00:24:05,443 AND, APPARENTLY, IN COMPLETE CONTROL 447 00:24:05,527 --> 00:24:07,194 OF THE TWILIGHT ZONE. 448 00:24:15,704 --> 00:24:16,871 [eerie music] 449 00:24:56,244 --> 00:24:58,329 KI M BERLEY CLARK I NVITES YOU 450 00:24:58,413 --> 00:24:59,747 TO WATCH STEVE MCQU EEN 451 00:24:59,789 --> 00:25:02,249 IN WANTED DEAD OR ALIVE. 452 00:25:02,292 --> 00:25:05,503 SATURDAY NIGHTS OVER MOST OF THESE SAME STATIONS. 453 00:25:05,553 --> 00:25:10,103 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 30915

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