All language subtitles for Hanna.S01E06.WEBRip.x264-ION101

(door unlocks)

♪ ♪

(intercom beeps)

Where is she?

(air conditioner blowing)

I don't know.

I don't know where she is
because she didn't tell me.

She's smarter than all of us.

Don't look so surprised.
You made her that way.

(grunting)

(birds singing)

(insects buzzing)

♪ ♪

(trees rustling)

(wings flapping)

(inhales sharply)

(rustling nearby)

♪ ♪

(exhales)

(panting)

♪ ♪

(indistinct chatter)

GIRL:
Mommy. Mommy, look.

Can I get you
anything else, madam?

No, just the coffee.

(quiet chatter)

(kettle whistling)

(Sophie humming)

(Dan laughs)

Morning.

Good morning.

I'm making tea.

I passed out last night,
didn't I?

Oh, that's okay.
We, uh...

we crashed out, too.

-Wh-Where's Hanna?
-Don't know.

I think she went out for a walk.

SOPHIE:
Okay.

We should get packing.

Hey, where've you been?

(panting)

Sorry.

It's okay. How's your head?

It's okay.

Lucky you.

Oh, God, I made such a tit
of myself last night.

I think I've missed my chance.

ANTON:
Just grab the bag.

Hey, can you, um...

on the way back,
sit in the front?

Is that okay?

Sure.

You're the best.

Take an edge.

♪ ♪

SOPHIE:
Mm, I'm just so tired,

I could fall asleep right here.

You can be my pillow.

SOPHIE:
Okay, no, wait, wait, wait.

I'm gonna--
I'll walk you to your house.

No, no. No need.
It's all right.

No, no, no, wait, wait.

Look, uh, c-can you, um,
call me later?

ANTON: Do you really think
your parents will

let you out again after this?

SOPHIE: (chuckles) I-I really
don't care what they say.

Look...

I am really sorry about
what happened last night.

I'm so embarrassed.

It's fine.
(chuckles)

I just get really out of it
when I'm around you.

Uh, uh, I think I left my keys
in the front seat.

-Oh.
-(chuckles)

-Yeah, so...
-Sorry.

-I'll go-- I'll go this way.
-Yeah. Great.

Is it all right if I stand--

-Your mom isn't gonna get mad?
-Yeah. No, it's fine.

(knock on window)

When do I see you again?

Sophie likes you.

Yes, well, the problem
with that theory is

I don't want Sophie,
I want you.

She's my friend.

Go.

Hanna, listen to me.

Ow! What the fuck?

SOPHIE:
What is going on?

-What did you do?
-ANTON: Nothing.

-He trapped his hand
in the door.
-Hanna, no. No, he didn't.

-It's all right. It's all right.
-Did you get hurt?

Just leave me alone, all right?

Hanna...

what's going on?

(air conditioner blowing)

(shivering)

Her phone's off.

You were supposed
to be keeping her

under constant surveillance.

You were supposed to be watching
her every fucking move!

(Erik chuckling)

You want to say something?

The people you work for...

I worked for them once.

I was like you, so I know
what you're going through.

Excuse me?

ERIK:
Yeah.

They chew you in their mouth.

Suck all the goodness
out of you.

And one day, they spit you out.

I know, I know.

You think you can delay
that day, but you can't.

You can't.

I can already see the fear
in your eyes.

(air conditioner stops)

Where is the girl?

(grunts)

Where is she?!

DAN:
I should get going.

-I'll leave the keys.
-SOPHIE: No. Wait, wait, wait.

(Dan sighs)

Sophie, I don't want
to be part of this.

-But you are a part of this.
-No, I'm not.

Whoever she is
or whatever she's done,

it's not my fault, okay?

(garage door closes)

It just happened.

Wh-What happened?

I saw him at the party.

I didn't know he had anything
to do with you.

He looked at me,
and it was obvious.

What was obvious?

That he wanted me.

I could smell it.

Di-Did you fuck him?

Did you fuck him?!

(stifled laugh)

You knew that I liked him.

Don't cry, Sophie.

No, don't tell me what to do.

I want you to leave, please.

-Get out.
-But I don't want to go.

SOPHIE:
I don't care.

Can you ju--
can you leave it so it's tidy?

-Sophie, I didn't mean to do it.
-What didn't you mean?

What didn't you mean?
Y-You didn't mean to fuck him?

Is that what you meant?

No wonder your family
don't want you.

Because no one wants
a fucking liar in their house.

-I don't know who I am.
-Just shut up!

Just leave.

-Go on.
-Sophie,

I didn't mean to hurt you.

I'm not normal.

W-What does that even mean?

I can't control my body,

and it does all these things.

And I... I don't know why,

but it's who I am.

That's pretty pathetic.

Even by your standards.

I'm sorry.

It was nice knowing you.

Sophie...

(door opens, closes)

(exhales)

Romania.

(panting)

Fuck!

(whimpers)

(screams)

-No, listen, Mum.
-Sophie...

No, no, no, no. You can say what
you have to say.

Actually, you can ground me,
you can bawl me out

or whatever the fuck
you're gonna do.

Now just leave me alone,
'cause I'm not in the mood,

-all right?
-Sophie, this is Clare.

Clare is Hanna's mother. She's
just flown in from America.

Hi, Sophie.

Clare's trying to find Hanna.

Have you heard from her?

Why don't you come
and sit down, darling?

(panting)

(shuddering breaths)

(door opens)

(door closes)

You are here.

I'm leaving.

-Why?
-Doesn't matter.

But your mother's here.

Where?

At the house,
talking to Mom and Dad.

Hanna called me a few weeks ago,
told me that she was in trouble.

She mentioned
how much she likes you,

so I thought
she might have come here.

RACHEL:
We were just explaining to Clare

that we haven't seen Hanna.

I mean, you haven't seen Hanna,
have you, Soph?

-TOM: Sophie?
-No, I haven't.

MARISSA:
You sure

-you-you don't know
where she is?
-SOPHIE: Nope.

TOM:
So, where were you last night?

SOPHIE:
Um, Dan and Anton and I went

to the forest
to smoke some weed.

TOM (sighs):
Oh, Jesus, Soph.

Do you always go to the forest
for that kind of thing?

Yeah.

Bit of mother nature.
Know what I mean?

-Oh, Sophie.
-I'm really sorry.

It's-it's not usually like this.

Listen, this is as much
my fault as anyone's.

I let her live in, uh, Europe
with her father,

which I shouldn't have done
and I deeply regret.

Hanna's father is not, um,
a healthy presence in her life.

Shh.

MARISSA (distant): Which is why
I need to take her back.

Look, I know teenagers always
want to protect their friends.

You must feel she's like you.

She feels the anger you feel.

She understands you.

But she's not like you, Sophie.

She's a deeply troubled
young woman.

Which is why I need you
to help me help her.

Do you understand?

-Do you have a phone?
-Yes.

-Give it to me.
-It's my phone.

-It's got my stuff.
-Just give it to me.

And don't tell anyone, you hear?

She's not like you, Sophie.
She's not a well girl.

She's ill.

Do you understand?

Um...

Can't help you.

Sophie?

I would do anything for Hanna.

Just like your mother
would do anything for you.

Nobody loves you like a mother.

No one.

So I am asking you,

as a mother
who has made mistakes

but who loves her child,

to please help me save her,
because I can't do it on my own.

And I just want to see her.

My little girl, who's never
done anything to hurt anyone.

RACHEL:
Sophie.

You know it's the right thing
to do.

Hanna needs to be
with her family.

-Fuck off.
-What?
-TOM: Right,

that's enough. Go to your room
now. Now, you hear me?

Fuck off!
Fuck-fuck all of you!

-You talk to me like that?
-What are you gonna do?
You gonna hit me?

-RACHEL: Sophie, stop!
-TOM: What the hell?

Hit me. Hit me,
because at least, at least

-it would be something!
-Get out of my way!

SOPHIE:
You are pathetic.

-Get out. Get out!
-I'm going.

(Rachel crying)

Clare, listen,
I think you should go.

If Sophie says anything,
we'll let you know.

I'm sorry, I don't have time.
I have to fly back.

Just leave, please.

Mum? You okay?

-I'm fine. Tom, please?
-Yeah, yeah, yeah.

Actually, your mom
is really upset.

She's really sad about Hanna.

So if there's anything
that you know

that would help
your mommy feel better,

-now is the time to say it.
-Excuse me.

Get away from my son.

What do you know?

(phone chimes, vibrates)

You, downstairs, now.

(typing)

(phone chimes)

(sounds of creatures chittering)

(phone chimes)

(indistinct chatter)

(phone chimes)

MARISSA:
Hello, Hanna.

Don't do anything stupid.

I'm alone, unarmed.

You can run if you want to.

But you have nowhere to go.

And then you'll place Sophie
and her family in grave danger.

Which she does not want to be.

What happened to Erik?

Erik is dead.

Did you kill him?

Not me personally, no.

Do you know who Erik is?

He's not my father.

No, he's not.

-Then who is?
-I don't know.

Erik and I worked together,
long ago, on a project.

And you were part
of that project.

Do you understand?

Why don't you sit down?

I'm gonna offer you a deal.

You come with me,
and I'll tell you everything.

Who I am, who Erik is.

Who you are.

You know you can't stay here.

I mean...

you've seen Sophie,
you've seen her friends.

You're not like them.

You must know that by now.

You're a danger to them.

You hurt people, Hanna.

That's why I need
to look after you.

You're special.

Come and be special with us.

And Sophie and her family
will be safe?

Mm-hmm.

We'll go and say bye
to them now.

Nice and normal, like a good
mother and daughter should be.

Then I'll take you
to the people who made you,

and you'll know everything.

Do we have a deal?

(quietly):
Okay.

(knocking on door)

(door opens)

(sniffles)

Clare just called.

The meeting went well.

They're gonna
come and say good-bye.

(sniffles)

Listen, you did the right thing.

Didn't really have
much of a choice, did I?

Look, I know everything
must seem so unfair.

But what Hanna's mother said
is right.

You're the most important thing
in my life.

Okay?

(crying):
I'm a terrible person.

No, you're not.

No, I am. I am.

I'm so selfish.

And I lie.

-You should hate me.
-TOM: We don't hate you.

Why not?

(exhales)

We couldn't hate you
even if we tried.

And believe me, we've tried.

(soft laughter)

(laughs):
No, it's not funny.

You need to get some rest.

What about Hanna?

Hanna's gonna be fine.

She's with her family now.

(phone vibrating)

Give me a minute?

Hey. How are you?

OLIVIER (over phone):
Fine.

Listen, this woman just came by.

American.

Wanted to know where you were.

Oh, yeah?

-When was that?
-About an hour ago.

I thought you'd want to know.

And did you tell her I was away?

OLIVIER: I just said
I didn't know where you were,

which is the truth, actually.

Okay, thanks.

Listen, um, I'm sorry,
I have to go.

Sure you do.

(line clicks)

(line ringing)

-TURNER (on phone): Defense Ops.
-Get me Sawyer.

Sir.

It's Wiegler.

Where are you?

What the fuck are you doing
sending somebody

-to my partner's apartment?
-You disappeared.

You broke the tenets
of our agreement.

Fuck your agreement.

That's my life.
That's my private fucking life.

I've got the girl.

What do you want?

I want everything back
just as it was before.

No psych evals.
No reports on my mental health.

I want full authority
over this operation,

and I want to know
why the fuck you're here.

I want to talk
to whoever is behind you,

and find out exactly
what is going on.

SAWYER:
All right.

Where is she?

SAWYER: You should have kept her
in that forest,

my friend.

That's as good
as it was ever gonna get.

And just as a point of order,

I am nothing like you.

I don't make mistakes.

I do my job and then I wash up,

go home to my wife,
and play with my kids

in my beautiful garden.

And all the shit,

I put it in a box

and turn the key.

They'll come for you, too.

They'll take your little box
and blow it the fuck up.

They'll have it all.
They always do.

(whispers indistinctly)

-What's wrong?
-Just come in.

So I found these
in the camper van.

-What is it?
-It's a place in Romania

on the border with Ukraine

and the whole area
is blacked out.

Who's Erik Heller?

-Who-Who's Johanna Petrescu?
-I don't know.

You tell me.

SOPHIE:
What the fuck?

(phone chimes)

Okay, I've got to go.

Sorry, I was just at Dan's, I...

-Hi.
-Hi.

Clare and Hanna
are going home to Chicago.

We wanted to come
and say good-bye,

and let you know
everything is okay.

We'll send you an address
so you two can keep in touch.

Won't we, Hanna?

-Yes.
-Thank you all.

Actually, can I just borrow
Hanna for a sec, just...

I just want to give her
something, it's like...

We haven't got much time, so...

It'll take two minutes.

Come on, let's go.

Two minutes.

(door closes)

-Okay.
-Where did you find it?

Dan found it in the van.

It says here that your mother
is Johanna Petrescu.

Is that true?

Hanna, I am your friend,

and you need to tell me
if that woman downstairs

is your mother or not.

Yes. She is.

-Th-Then what is this?
-It's nothing.

Hanna, that is not nothing.
I'm trying to help you.

Okay?

I'm worried about you.

Why do you even care about me?

Look...

What do you want me to do?

Do I let you go with her or not?

-I don't know.
-(knocking on door)

Hanna, look at me.

We should go, sweetheart.

We'll be late for our plane.

Coming.

What did Sophie give you?

That's just our
little secret, Clare.

♪ Bite my tongue, bide my time ♪

♪ Wearing a warning sign ♪

♪ Wait till the world ♪

♪ Is mine ♪

♪ Visions I vandalize ♪

♪ Cold in my kingdom size ♪

♪ Fell for these ocean eyes ♪

♪ You should see me in a crown ♪

♪ I'm gonna run
this nothing town ♪

♪ Watch me make 'em bow ♪

♪ One by one by one ♪

♪ One by one by ♪

♪ You should see me in a crown ♪

♪ Your silence ♪

♪ Is my favorite sound ♪

♪ Watch me make 'em bow one by ♪

♪ One by one ♪

♪ One by one by one ♪

♪ Count my cards,
watch them fall ♪

♪ Blood on a marble wall ♪

♪ I like the way they all ♪

♪ Scream ♪

♪ Tell me which one is worse ♪

♪ Living or dying first... ♪

-Thank you.
-Enjoy your stay.

Good afternoon. How may I help?

I need a room
for myself and my daughter.

Yeah, let me just see
what we have available.

♪ I'm okay ♪

♪ I'm not your baby ♪

♪ If you think I'm pretty. ♪

Sit down.

You can watch TV if you want.

(sighs)

How long till they come?

Later. Rest now.

We'll get some food in a bit.

(water running)

♪ ♪

-Okay, you have the green light.
-Copy that.

-(shivering)
-(door opens)

Hey.

It's nothing personal.

(door closes)

(gunshot)

-(grunting)
-(bones cracking)

(screaming)

Get out of the way!

Fuck!

(groaning)

(groans)

Where's Sawyer?

Where did he go?

♪ ♪

♪ ♪

Is there really no one like me?

You're unique.

That's why we want
to look after you.

Unique just means alone.

♪ ♪

(trilling)

♪ ♪

(both laughing)

(knocking on door)

I need your help.

You know where she is?

Just drive.

(planes passing overhead)

Taxi!

I need money.

I'll pay you back.

Keep it.

Thanks.

They threatened my kids.

I had no choice.

I'm sorry.

You're lucky.

To have what you have.

(indistinct chatter)

U.S. diplomatic protection.

MAN: Uh, yes, sir.
It's at the end of the hall.

Thank you.

(phone vibrates)

It's all you can eat;
go for it.

And then what happens?

And then they come
and pick you up.

They look after you.

Like we said.

Where are they gonna take me?

We can discuss all of that
when they get here.

You said that you'll protect me.

I will.

Now go get something to eat.

Let's go.

Like this.

(cereal drops)

Thank you.

(elevator dings, doors open)

(distorted laughter)

(high-pitched ringing)

ERIK:
Hanna.

ERIK:
Hanna.

(dishes clattering)

♪ ♪

You okay?

Is that all you want?

I'm not hungry.

MARISSA:
Hmm.

How did my father die?

Erik's not your father.

But how did he die?

He was shot.

At the airfield.

They shot him dead?

Yes.

Why?

-Can I help you, sir?
-I doubt it.

I want one man on the roof
in case she runs.

The rest cover me here.

(elevator dings)

-You going down?
-Sure.

(Muzak playing)

(elevator dings)

(doors open)

There you are.

Thought I missed you.

You two have
a nice breakfast together?

Mum, can we go by taxi
to the museum?

What's wrong with the train?

I like taxis.

Me, too.

-Where's the car parked? Lobby?
-Yes.

Where do we
take the taxi from, Mum?

Was she like her
when she was this age?

(Erik chuckles)

Not exactly, was she, darling?

(elevator dings)

Actually, uh, I want
to show Hanna the spa.

We'll meet you downstairs.

Keep the car waiting.

There's an exit in the basement.

Heller's here.

He's got her. Armed.

-Last seen on the fourth floor.
-All right.

We have a situation.

Cover the basement.
I want men on all floors.

(door closes)

Sir, they left the stairwell
on floor two.

They're on floor two. Let's go.

WOMAN:
The fact is,

the world now
is a more anxious place

than it was 100
or even 50 years ago.

(whispers):
Go sit down.

WOMAN: But it is not
a more dangerous place.

And it's the difference
between these two things

that I want to focus on today.

Feelings of anxiety

versus the reality of danger.

(elevator dings)

♪ Yeah, they look like zombies ♪

♪ Like the world finna end ♪

♪ Yo, the world finna end,
yes, boss ♪

♪ My friend ♪

♪ If you black or brown ♪

♪ Babylon coming
for your head... ♪

So who can give me a thing that

makes them feel anxious
in their daily lives? Yes.

My mum getting sick.

WOMAN:
That's very good, thank you.

What else?

Anyone?

How about you?

♪ They're coming for you,
coming for you... ♪

I'm afraid of being killed.

Good. Good.

♪ They're coming for you... ♪

(indistinct chatter)

(alarm blaring)

Now, please, can we leave the
building as quickly as possible.

This is not a drill.

Leave everything on your,
on your chairs.

(overlapping chatter)

♪ Heemy Hindu... ♪

Everyone down to
the ground floor, please.

♪ Like the guts
in the back woods ♪

-♪ He was wearing a white hood ♪
-(shouting)

♪ I'm always wearing
a black hood ♪

♪ And I kick it
in a white hood ♪

♪ And I kick it
in a black hood, talk shit ♪

♪ I was slapped, dude. ♪

MAN:
This way, please.

Stop there!

Everybody, stay calm.

(elevator dings)

(screaming)

(excited chatter)

Are you okay?

Keep going.

(gunshots)

♪ ♪

(grunts)

(grunting)

♪ ♪

♪ 25 on the left side ♪

♪ 66 on the right side ♪

♪ You see the whites
of their eyes ♪

♪ But don't pull out,
you're gone until ♪

♪ You see the whites
of their eyes ♪

♪ But they're your sisters
and your brothers ♪

♪ Your set of favorite friends ♪

♪ Well, I hate to be a bother ♪

♪ But there's a candle
in your hand ♪

♪ And it's burning
at both ends ♪

♪ You see the whites
of their eyes ♪

♪ Woah-oh, you see the whites
of their eyes ♪

♪ Woah-oh, you see
the whites of their eyes ♪

♪ Not too far away,
on the hillside ♪

♪ You see the whites
of their eyes ♪

♪ Oh, the whites of their eyes ♪

♪ Yeah, you see the whites
of their eyes ♪

♪ Not too far away,
on the hillside ♪

♪ Up on 53rd and 2nd ♪

♪ Pulling back on your heels ♪

♪ Oh, you're not looking
for a lesson ♪

♪ But it's about to jump out
of left field ♪

♪ But they're coming
on their horses ♪

♪ Hey, out for the night ♪

♪ Setting up the armed forces ♪

♪ God will rise
in little white lights ♪

♪ Woah-oh, you see the whites
of their eyes ♪

♪ Not too far away,
on the hillside. ♪