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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,869 --> 00:00:03,471 - OKAY, AS EVERYBODY KNOWS, 2 00:00:03,504 --> 00:00:06,640 THE SPIRIT OF PAWNEE WAS DEFACED AGAIN LAST NIGHT. 3 00:00:06,674 --> 00:00:08,142 - WHAT WAS IT THIS TIME? 4 00:00:08,176 --> 00:00:10,711 - CHOCOLATE PUDDING. - HUH. THAT'S NEW. 5 00:00:10,744 --> 00:00:12,680 THE MURAL THAT NORMALLY RESIDES HERE 6 00:00:12,713 --> 00:00:15,383 IS CALLED THE SPIRIT OF PAWNEE, 7 00:00:15,416 --> 00:00:16,684 AND IT'S VERY CONTROVERSIAL. 8 00:00:16,717 --> 00:00:20,121 WE'VE HAD SOMEONE THROW ACID AT IT, TOMATO SAUCE. 9 00:00:20,154 --> 00:00:21,722 SOMEONE TRIED TO STAB IT ONCE. 10 00:00:21,755 --> 00:00:24,825 WE REALLY NEED BETTER SECURITY HERE. 11 00:00:24,858 --> 00:00:29,097 WE ALSO NEED... BETTER, LESS-OFFENSIVE HISTORY. 12 00:00:29,130 --> 00:00:30,564 - SO THE CITY COUNCIL HAS DECIDED 13 00:00:30,598 --> 00:00:32,600 THAT THE SPIRIT OF PAWNEE SHOULD BE CHANGED 14 00:00:32,633 --> 00:00:35,303 TO SOMETHING JUST A LITTLE LESS HORRIFYING. 15 00:00:35,336 --> 00:00:38,472 NOW SINCE THE MURALS WERE MADE BY GOVERNMENT EMPLOYEES 16 00:00:38,506 --> 00:00:40,374 BACK IN THE 1930s, 17 00:00:40,408 --> 00:00:43,244 WE THOUGHT IT MIGHT BE FUN IF EACH DEPARTMENT 18 00:00:43,277 --> 00:00:45,713 SUBMITTED THE DESIGN FOR A NEW MURAL... 19 00:00:45,746 --> 00:00:49,183 AND YOU'LL SUBMIT YOUR CONCEPTS TOMORROW AFTERNOON. 20 00:00:49,217 --> 00:00:51,719 ALL RIGHTY, FOLKS? THANK YOU VERY MUCH. 21 00:00:51,752 --> 00:00:53,454 - UH, LESLIE, WHAT'S YOUR DESIGN GONNA BE? 22 00:00:53,487 --> 00:00:54,622 A TREE? 23 00:00:54,655 --> 00:00:56,457 - JOE, YOU WORK IN SEWAGE. 24 00:00:56,490 --> 00:00:59,127 YOUR DEPARTMENT LITERALLY SPECIALIZES IN CRAP. 25 00:00:59,160 --> 00:01:00,828 YOU REALLY WANNA DO THIS? - I TOLD YOU BEFORE. 26 00:01:00,861 --> 00:01:04,498 CRAP IS A SLANG TERM, AND I DON'T LIKE THAT TERM. 27 00:01:04,532 --> 00:01:07,801 BUT AT LEAST WE DON'T SPECIALIZE IN LOSING...LIKE YOU GUYS. 28 00:01:07,835 --> 00:01:09,737 SEWAGE, LET'S ROLL. 29 00:01:09,770 --> 00:01:11,205 - DAMN! 30 00:01:11,239 --> 00:01:13,674 HOW DOES SEWAGE ALWAYS GET THE HOTTEST INTERNS? 31 00:01:13,707 --> 00:01:16,677 [optimistic music] 32 00:01:16,710 --> 00:01:24,718 * 33 00:01:43,737 --> 00:01:46,474 - GUYS, THIS DEPARTMENT HAS THE CHANCE 34 00:01:46,507 --> 00:01:49,777 TO DESIGN SOMETHING THAT COULD BE IN THIS BUILDING FOREVER. 35 00:01:49,810 --> 00:01:51,379 THIS COULD BE OUR LEGACY. 36 00:01:51,412 --> 00:01:52,580 - I THOUGHT BUILDING A PARK ON LOT 48 37 00:01:52,613 --> 00:01:54,215 WAS GONNA BE OUR LEGACY. 38 00:01:54,248 --> 00:01:55,649 - WELL, YOU CAN HAVE TWO LEGACIES. 39 00:01:55,683 --> 00:01:57,585 LOOK AT MADONNA-- GREAT SINGER, AMAZING ARMS. 40 00:01:57,618 --> 00:01:58,852 - LOOK AT O.J. SIMPSON-- 41 00:01:58,886 --> 00:02:00,921 HEISMAN TROPHY WINNER, NAKED GUN. 42 00:02:00,954 --> 00:02:02,690 - MM-HMM. - NO OFFENSE, LESLIE, 43 00:02:02,723 --> 00:02:05,259 BUT I'M NOT AN ARTIST. - OH, THAT'S NOT TRUE, DONNA. 44 00:02:05,293 --> 00:02:08,729 I'VE SEEN YOUR FINGERNAILS. - I PAY SOMEONE TO DO THIS. 45 00:02:08,762 --> 00:02:10,931 - REALLY? OH. WELL... 46 00:02:10,964 --> 00:02:12,766 SHOOT. ANYWAY... 47 00:02:12,800 --> 00:02:15,269 I'M ORDERING ALL OF YOU TO DESIGN A MURAL. 48 00:02:15,303 --> 00:02:16,904 - AH...ONLY RON CAN ORDER THE WHOLE DEPARTMENT 49 00:02:16,937 --> 00:02:18,539 TO DO SOMETHING. 50 00:02:18,572 --> 00:02:21,742 - RON, ORDER THEM TO DO THIS. - DO WHATEVER LESLIE SAYS. 51 00:02:21,775 --> 00:02:23,877 - HA HA! OKAY. SO HERE ARE YOUR SUPPLIES. 52 00:02:23,911 --> 00:02:26,447 I WANT YOU TO GO AND FIND THE SPIRIT OF PAWNEE 53 00:02:26,480 --> 00:02:27,648 AND MAKE ME A SKETCH. 54 00:02:27,681 --> 00:02:31,385 AND IT NEEDS TO BE BREATHTAKING AND MOVING AND HISTORICAL 55 00:02:31,419 --> 00:02:32,586 AND BETTER THAN EVERY DEPARTMENT, 56 00:02:32,620 --> 00:02:34,588 AND YOU HAVE ONE HOUR. 57 00:02:34,622 --> 00:02:37,725 [drawling voice] DESIGNERS, MAKE IT WORK. 58 00:02:37,758 --> 00:02:40,428 TIM GUNN. 59 00:02:40,461 --> 00:02:42,663 - YOU, MY FRIEND, ARE READY TO GO DANCING. 60 00:02:42,696 --> 00:02:44,565 THANK YOU, SIR. 61 00:02:44,598 --> 00:02:45,533 ALL RIGHT, NEXT. [snaps] 62 00:02:45,566 --> 00:02:48,936 - ANDREW, LOOKING GOOD. BUSINESS IS BOOMING. 63 00:02:48,969 --> 00:02:50,604 - YEAH. HEY, RON, HOW ABOUT YOU? 64 00:02:50,638 --> 00:02:52,373 NEED A LITTLE DOG WAXIN'? 65 00:02:52,406 --> 00:02:54,742 IT'S ONLY 5 BUCKS, AND I'LL LET YOU CUT IN FRONT OF THIS GUY. 66 00:02:54,775 --> 00:02:56,277 - WHAT? - COME ON, BEAT IT. 67 00:02:56,310 --> 00:02:58,312 THIS IS RON SWANSON WE'RE TALKING ABOUT. 68 00:02:58,346 --> 00:03:00,781 - I'M IMPRESSED WITH ANDY. 69 00:03:00,814 --> 00:03:03,217 PULLING HIMSELF UP BY HIS BOOTSTRAPS. 70 00:03:03,251 --> 00:03:05,486 REMINDS ME OF ME. 71 00:03:05,519 --> 00:03:07,221 I GOT MY FIRST JOB WHEN I WAS NINE. 72 00:03:07,255 --> 00:03:08,922 WORKED AT A SHEET METAL FACTORY. 73 00:03:08,956 --> 00:03:12,593 IN TWO WEEKS, I WAS RUNNING THE FLOOR. 74 00:03:12,626 --> 00:03:16,530 CHILD LABOR LAWS ARE RUINING THIS COUNTRY. 75 00:03:18,699 --> 00:03:21,335 - DO YOU HAVE A KEY IN YOUR SHOE? 76 00:03:21,369 --> 00:03:23,737 - NO, NO, I HAVE A BUNION THAT'S PRACTICALLY ITS OWN TOE. 77 00:03:23,771 --> 00:03:25,939 NORMALLY, THE PAIN HOWLS THROUGH MY LOAFERS 78 00:03:25,973 --> 00:03:27,908 LIKE A BANSHEE ON THE MOORS, 79 00:03:27,941 --> 00:03:29,943 BUT...FOR THESE PAST THREE MINUTES, 80 00:03:29,977 --> 00:03:31,979 IT'S BEEN REDUCED TO A FAINT GROWL. 81 00:03:32,012 --> 00:03:34,615 - OKAY. 82 00:03:34,648 --> 00:03:35,683 THAT WAS NEAT. 83 00:03:35,716 --> 00:03:38,752 WELL, HEY. WE ARE ALL FINISHED. 84 00:03:38,786 --> 00:03:41,289 - WELL...[grunts] 85 00:03:41,322 --> 00:03:42,956 WHOO. THAT WAS GREAT. 86 00:03:42,990 --> 00:03:46,527 - THANK YOU, SON. - NO SWEAT! 87 00:03:46,560 --> 00:03:47,728 NEXT! 88 00:03:47,761 --> 00:03:49,497 - SHOULDN'T LET YOUR FRIENDS CUT IN LINE. 89 00:03:49,530 --> 00:03:50,431 IT'S NOT GOOD BUSINESS. 90 00:03:50,464 --> 00:03:52,933 - YOU KNOW WHAT ELSE ISN'T GOOD BUSINESS? 91 00:03:52,966 --> 00:03:55,002 THAT GUY'S MY FRIEND. 92 00:03:55,035 --> 00:03:57,471 - RIGHT. I'M SAYING... 93 00:03:57,505 --> 00:03:58,972 YOU SHOULDN'T LET YOUR FRIENDS CUT IN LINE. 94 00:03:59,006 --> 00:04:00,541 - ALL RIGHT. SORRY, KYLE. 95 00:04:00,574 --> 00:04:01,942 HERE, GIVE ME THIS. 96 00:04:01,975 --> 00:04:02,843 NEXT! 97 00:04:02,876 --> 00:04:05,813 - SO WHAT ARE YOU LOOKING FOR EXACTLY? 98 00:04:05,846 --> 00:04:07,715 - I DON'T KNOW, MAN. 99 00:04:07,748 --> 00:04:10,751 THE SPIRIT OF PAWNEE. THAT'S ALL I GOT. 100 00:04:10,784 --> 00:04:12,886 HERE. JUST GIMME $20 WORTH OF ART. 101 00:04:12,920 --> 00:04:14,688 JUST SOMETHING THAT SEEMS PERSONAL 102 00:04:14,722 --> 00:04:16,457 THAT ONLY I COULD HAVE DONE. 103 00:04:16,490 --> 00:04:20,828 - WELL, TELL ME ABOUT YOURSELF. - NO. JUST PAINT. 104 00:04:20,861 --> 00:04:23,797 I HAVE NO INTEREST IN ART. LET ME CLARIFY. 105 00:04:23,831 --> 00:04:26,734 I HAVE NO INTEREST IN NON-NUDE IMAGES. 106 00:04:26,767 --> 00:04:29,437 DUDE, WHAT THE HELL KIND OF ART IS THIS? 107 00:04:29,470 --> 00:04:31,539 LOOKS LIKE A LIZARD PUKING UP SKITTLES! 108 00:04:31,572 --> 00:04:33,607 - I'M AN ABSTRACT EXPRESSIONIST. 109 00:04:33,641 --> 00:04:34,742 - NO, YOU'RE A CON ARTIST, 110 00:04:34,775 --> 00:04:37,411 AND I'M A GUY THAT'S OUT 20 BUCKS. 111 00:04:37,445 --> 00:04:38,679 UGH. WHATEVER. 112 00:04:38,712 --> 00:04:39,680 - I'M A TERRIBLE ARTIST. 113 00:04:39,713 --> 00:04:42,650 BUT THE PARKS DEPARTMENT HAS DONE SO MUCH FOR ME 114 00:04:42,683 --> 00:04:45,919 THAT IF I CAN HELP THEM OUT IN ANY WAY, I WILL. 115 00:04:45,953 --> 00:04:47,855 OH, GOD. 116 00:04:47,888 --> 00:04:51,525 MAYBE I SHOULD JUST GIVE THEM ALL FREE FLU SHOTS. 117 00:04:51,559 --> 00:04:53,060 - I KNOW EVERYTHING ABOUT THIS TOWN 118 00:04:53,093 --> 00:04:54,695 AND THESE MURALS, 119 00:04:54,728 --> 00:04:57,431 AND THAT'S WHY THIS IS A DREAM COME TRUE--LITERALLY. 120 00:04:57,465 --> 00:04:59,933 I HAVE HAD A DREAM WHERE I DESIGNED A MURAL. 121 00:04:59,967 --> 00:05:01,602 BUT THEN IT TURNED INTO A NIGHTMARE 122 00:05:01,635 --> 00:05:03,371 BECAUSE THE MURAL STARTED TALKING, 123 00:05:03,404 --> 00:05:04,772 AND IT CAME ALIVE, AND IT WAS WHISPERING, 124 00:05:04,805 --> 00:05:06,574 AND I COULDN'T HEAR WHAT IT WAS SAYING, 125 00:05:06,607 --> 00:05:09,410 SO I LEANED IN CLOSE, AND THEN IT ATE ME. 126 00:05:09,443 --> 00:05:12,012 AT ONE POINT, GINA GERSHON WAS THERE. 127 00:05:12,045 --> 00:05:14,782 - MY PIECE IS TRULY GOING TO CAPTURE 128 00:05:14,815 --> 00:05:17,518 THE SPIRIT OF PAWNEE. 129 00:05:19,052 --> 00:05:20,454 EEW! 130 00:05:20,488 --> 00:05:23,524 - NEVER UNDERSTOOD THE TERM ELBOW GREASE. 131 00:05:23,557 --> 00:05:25,759 I GUESS IT'S NOT REALLY GREASE. 132 00:05:25,793 --> 00:05:28,028 JUST HARD WORK. 133 00:05:29,763 --> 00:05:32,700 OH, HEY, RON. NICE SHINY SHOES YOU GOT THERE. 134 00:05:32,733 --> 00:05:34,001 - OH, HEY, I WAS JUST, UM... 135 00:05:34,034 --> 00:05:36,537 OH, NO--SHOOT. 136 00:05:36,570 --> 00:05:39,807 ACTUALLY, IT LOOKS LIKE I SCUFFED THIS ONE. 137 00:05:39,840 --> 00:05:41,975 - DO YOU NEED YOUR MONEY BACK, RON? 138 00:05:42,009 --> 00:05:43,711 - 'CAUSE I ALREADY SPENT IT. - REALLY? 139 00:05:43,744 --> 00:05:45,846 HOW DID--NEVER MIND. 140 00:05:45,879 --> 00:05:49,950 UH, I THINK I'LL JUST TAKE ANOTHER FULL POLISH. 141 00:05:49,983 --> 00:05:51,785 CAN I CUT IN LINE AGAIN? 142 00:05:51,819 --> 00:05:54,121 - I FEEL RIGHT AT HOME AS A SHOESHINE. 143 00:05:54,154 --> 00:05:55,923 I HAVE NO IDEA WHAT I'M DOING, 144 00:05:55,956 --> 00:05:59,827 BUT I KNOW I'M DOING IT REALLY, REALLY WELL. 145 00:05:59,860 --> 00:06:03,531 - OKAY, LET'S GET GOIN' WITH THE SPIRIT OF PAWNEE. 146 00:06:03,564 --> 00:06:06,567 ANN, YOU GO FIRST. - OKAY. 147 00:06:06,600 --> 00:06:08,636 UM...OKAY. 148 00:06:08,669 --> 00:06:11,505 WELL, SINCE IT'S THE PARKS DEPARTMENT, 149 00:06:11,539 --> 00:06:13,807 I THOUGHT I WOULD DESIGN A PRETTY PARK. 150 00:06:13,841 --> 00:06:16,444 WITH, UH, DOGS PLAYING. 151 00:06:16,477 --> 00:06:17,711 I CAN'T REALLY DRAW, 152 00:06:17,745 --> 00:06:20,748 SO I JUST CUT SOME STUFF OUT OF A MAGAZINE. 153 00:06:20,781 --> 00:06:22,683 - THAT LOOKS LIKE SOMETHING A DEATH ROW CONVICT 154 00:06:22,716 --> 00:06:24,051 WOULD MAKE IN ART THERAPY. 155 00:06:24,084 --> 00:06:26,053 - DUDE, I TRIED. 156 00:06:26,086 --> 00:06:27,855 - AND YOU FAILED. 157 00:06:27,888 --> 00:06:30,691 - IT'S DOGS AND PEOPLE PLAYING IN A PARK. 158 00:06:30,724 --> 00:06:31,992 - IT'S CUTE! - IT'S OKAY, SWEETHEART. 159 00:06:32,025 --> 00:06:34,695 YOU CAN'T MAKE ART BECAUSE YOU ARE ART. 160 00:06:34,728 --> 00:06:37,631 YOU'RE BEAUTIFUL... BUT THAT SUCKS. 161 00:06:37,665 --> 00:06:39,767 - OKAY. LET'S SEE YOURS! 162 00:06:39,800 --> 00:06:44,772 - FINE. MINE IS AMAZING. IT'S GONNA BLOW YOUR MIND. 163 00:06:48,175 --> 00:06:51,879 OKAY. SOME PROFESSIONAL-ASS ART RIGHT HERE. 164 00:06:51,912 --> 00:06:53,681 - I'M NOT QUITE SURE WHAT I'M LOOKING AT. 165 00:06:53,714 --> 00:06:55,616 - IT'S ABSTRACT, LESLIE. 166 00:06:55,649 --> 00:06:58,018 OVER HERE, YOU GOT SOME SHAPES. 167 00:06:58,051 --> 00:07:01,655 AND THEN YOU COME OVER TO THIS SIDE... 168 00:07:01,689 --> 00:07:04,057 YOU KNOW, IT'S ACTUALLY KIND OF INTERESTING. 169 00:07:04,091 --> 00:07:07,528 EACH SHAPE IS ITS OWN THING... 170 00:07:07,561 --> 00:07:10,598 BUT THEN WHEN IT COMES TOGETHER, 171 00:07:10,631 --> 00:07:14,535 IT REALLY GIVES YOU A SENSE OF... 172 00:07:14,568 --> 00:07:16,604 COMPLETION. 173 00:07:16,637 --> 00:07:18,472 HMM. 174 00:07:18,506 --> 00:07:21,642 A PIECE OF ART CAUSED ME TO HAVE AN EMOTIONAL REACTION. 175 00:07:21,675 --> 00:07:23,711 IS THAT NORMAL? 176 00:07:23,744 --> 00:07:25,979 - SO IT'S THE LAST SUPPER 177 00:07:26,013 --> 00:07:28,916 BUT WITH FAMOUS PEOPLE FROM INDIANA. 178 00:07:28,949 --> 00:07:31,685 JOHN MELLANCAMP, LARRY BIRD, 179 00:07:31,719 --> 00:07:32,953 MICHAEL JACKSON, 180 00:07:32,986 --> 00:07:36,223 DAVID LETTERMAN, VIVICA A. FOX. 181 00:07:36,256 --> 00:07:38,759 OKAY, SO HERE'S WHERE IT GETS A LITTLE DICEY, 182 00:07:38,792 --> 00:07:41,028 'CAUSE THERE'S NOT THAT MANY CELEBRITIES FROM INDIANA, 183 00:07:41,061 --> 00:07:43,497 SO, UM, A NASCAR, 184 00:07:43,531 --> 00:07:47,701 MY FRIEND BECKY, RON SWANSON, UH... 185 00:07:47,735 --> 00:07:50,103 - DONNA? WHO'S THE JESUS? 186 00:07:50,137 --> 00:07:51,939 - THAT WOULD BE GREG KINNEAR. 187 00:07:51,972 --> 00:07:54,107 - I DIDN'T KNOW HE WAS FROM INDIANA. 188 00:07:54,141 --> 00:07:56,544 - YEAH, YOU KNOW, I READ THAT HE WAS. 189 00:07:56,577 --> 00:07:58,546 - DO YOU THINK HE'S THE BEST CHOICE FOR JESUS? 190 00:07:58,579 --> 00:08:00,013 I MEAN, HE WAS GREAT ON ER... 191 00:08:00,047 --> 00:08:02,015 - GREG KINNEAR WASN'T IN ER. - YEAH, HE WAS. 192 00:08:02,049 --> 00:08:04,151 - I DON'T THINK THAT HE WAS. 193 00:08:04,184 --> 00:08:07,254 - WHO AM I THINKING OF? 194 00:08:07,287 --> 00:08:08,989 OKAY. NEXT. 195 00:08:09,022 --> 00:08:11,692 - [exhales] 196 00:08:11,725 --> 00:08:13,661 [clears throat] 197 00:08:13,694 --> 00:08:15,563 - WOW. REALLY GOOD, JERRY. 198 00:08:15,596 --> 00:08:17,197 - FOR MY MURINAL, 199 00:08:17,230 --> 00:08:19,132 I WAS INSPIRED BY THE DEATH OF MY GRANDMA-- 200 00:08:19,166 --> 00:08:20,934 - [laughing] YOU SAID "MURINAL." 201 00:08:20,968 --> 00:08:22,235 [laughter] 202 00:08:22,269 --> 00:08:23,704 - NO, I DIDN'T. - YES, YOU DID. 203 00:08:23,737 --> 00:08:24,838 YOU SAID "MURINAL." I HEARD IT. 204 00:08:24,872 --> 00:08:26,840 - ANYWAY, SHE-- - JERRY... 205 00:08:26,874 --> 00:08:28,809 WHY DON'T YOU PUT THAT MURINAL IN THE MEN'S ROOM 206 00:08:28,842 --> 00:08:30,744 SO PEOPLE CAN MURINATE ALL OVER IT? 207 00:08:30,778 --> 00:08:32,746 [laughter] - JERRY. 208 00:08:32,780 --> 00:08:34,014 GO TO THE DOCTOR. 209 00:08:34,047 --> 00:08:36,617 YOU MIGHT HAVE A MURINARY TRACT INFECTION. 210 00:08:36,650 --> 00:08:37,951 - JUST WANTED TO SHOW YOU MY ART. 211 00:08:37,985 --> 00:08:40,854 all, chanting: MURINAL, MURINAL, MURINAL! 212 00:08:40,888 --> 00:08:44,157 - DISQUALIFIED! [laughter] 213 00:08:44,191 --> 00:08:45,693 - IT'S POINTILLISM. 214 00:08:45,726 --> 00:08:48,596 AND EACH DOT IS A PHOTO OF A CITIZEN OF THE TOWN. 215 00:08:48,629 --> 00:08:50,964 - NO ONE CARES. AT ALL. 216 00:08:50,998 --> 00:08:52,132 [laughing] 217 00:08:54,668 --> 00:08:56,336 - OKAY, SO THIS IS A MULTIMEDIA PROJECT. 218 00:08:56,369 --> 00:08:59,640 FIRST...A BUNCH OF RATS MADE OUT OF GARBAGE. 219 00:08:59,673 --> 00:09:01,341 AND, UM... 220 00:09:01,374 --> 00:09:02,710 THIS IS A TV SCREEN. 221 00:09:02,743 --> 00:09:04,177 IT'LL BE LIKE A BIG FLAT SCREEN TV, 222 00:09:04,211 --> 00:09:07,681 AND IT'LL PLAY LOOPED VIDEO OF KNEE SURGERIES. 223 00:09:07,715 --> 00:09:09,750 AND THEN THIS IS A HUMAN-SIZED HAMSTER WHEEL 224 00:09:09,783 --> 00:09:10,684 THAT WILL BE NEXT TO THE MURAL, 225 00:09:10,718 --> 00:09:13,220 IF WE CAN GET ONE, AND IT'LL BE SPINNING, 226 00:09:13,253 --> 00:09:15,088 AND THERE'LL BE LIKE A FAT GUY IN IT ALL THE TIME 227 00:09:15,122 --> 00:09:16,924 LIKE SCREAMING AND LIKE EATING RAW BEEF 228 00:09:16,957 --> 00:09:18,592 AND LIKE BLEEDING, 229 00:09:18,626 --> 00:09:20,661 AND LIKE BLOOD WILL COME OUT OF HIS MOUTH AND STUFF. 230 00:09:20,694 --> 00:09:25,232 AND THAT'LL BE LIKE RIGHT NEXT TO...THE MURAL. 231 00:09:25,265 --> 00:09:27,735 - I HAVE ONE QUESTION. 232 00:09:27,768 --> 00:09:28,669 WHY? 233 00:09:28,702 --> 00:09:31,104 - IF YOU HAVE TO ASK, YOU DON'T GET IT. 234 00:09:31,138 --> 00:09:33,707 - I DON'T THINK THEY REALLY GOT THE ASSIGNMENT. 235 00:09:33,741 --> 00:09:35,743 IF WE'RE GONNA BEAT ALL THE OTHER DEPARTMENTS, 236 00:09:35,776 --> 00:09:39,146 WE HAVE TO CHOOSE SOMETHING THAT WILL STAND THE TEST OF TIME... 237 00:09:39,179 --> 00:09:43,083 LIKE THE MONA LISA OR THE MUSIC OF SQUEEZE. 238 00:09:44,818 --> 00:09:46,820 JUNE 8, 1922. 239 00:09:46,854 --> 00:09:49,322 THE PAWNEE BREAD FACTORY BURNED TO THE GROUND. 240 00:09:49,356 --> 00:09:51,892 WE LOST A LOT OF GOOD BREAD THAT DAY... 241 00:09:51,925 --> 00:09:54,728 AS WELL AS SEVERAL HUMAN LIVES. 242 00:09:54,762 --> 00:09:57,631 AND IT ALSO MADE THE WHOLE TOWN SMELL LIKE TOAST, 243 00:09:57,665 --> 00:10:01,101 WHICH ONE RESIDENT DESCRIBED AS "DISTURBINGLY ENTICING." 244 00:10:01,134 --> 00:10:02,670 BUT I DIGRESS. 245 00:10:02,703 --> 00:10:04,872 THE POINT IS, WE REBUILT PAWNEE 246 00:10:04,905 --> 00:10:06,306 TO THE WONDERFUL TOWN THAT IT IS TODAY. 247 00:10:06,339 --> 00:10:09,309 - WHY WOULD YOU WANT A MURAL THAT SHOWS PEOPLE DYING 248 00:10:09,342 --> 00:10:12,279 WHEN YOU COULD HAVE SHAPES THAT COME ALIVE? 249 00:10:12,312 --> 00:10:13,947 - WELL, BECAUSE IT'S THE MOST FAMOUS EVENT 250 00:10:13,981 --> 00:10:15,315 IN OUR TOWN'S HISTORY, 251 00:10:15,348 --> 00:10:17,718 AND PEOPLE LOVE VOTING FOR TRAGEDY. 252 00:10:17,751 --> 00:10:21,388 LOOK AT THE OSCARS. THIS IS OUR HOLOCAUST MOVIE. 253 00:10:21,421 --> 00:10:23,791 THIS IS OUR ENGLISH PATIENT. 254 00:10:23,824 --> 00:10:26,694 - SOUNDS LIKE YOU'RE EXPLOITING THE TRAGEDY. 255 00:10:26,727 --> 00:10:29,797 - SEE? ANN GETS IT. OKAY...TIME TO VOTE, EVERYBODY. 256 00:10:29,830 --> 00:10:30,931 CAST YOUR VOTES! 257 00:10:30,964 --> 00:10:35,168 MAY THE BEST, MOST TRAGIC PROJECT WIN. 258 00:10:35,202 --> 00:10:38,305 WHEN WE STARTED THIS, WE WERE SIX DIFFERENT VOICES 259 00:10:38,338 --> 00:10:40,240 WITH SIX IDEAS FOR A MURAL. 260 00:10:40,273 --> 00:10:43,443 AND THEN THOSE SIX VOICES CAME TOGETHER AS A TEAM. 261 00:10:43,476 --> 00:10:45,746 THERE ARE NO LOSERS TODAY. 262 00:10:45,779 --> 00:10:48,849 BUT THERE IS ONE WINNER. US. 263 00:10:48,882 --> 00:10:50,317 THE PARKS DEPARTMENT. 264 00:10:50,350 --> 00:10:53,120 TOM, THE RESULTS OF THE VOTE, PLEASE. 265 00:10:53,153 --> 00:10:55,989 - ONE TO ONE TO ONE TO ONE TO ONE TO ONE. 266 00:10:56,023 --> 00:10:59,092 - WE ALL VOTED FOR OURSELVES, DIDN'T WE? 267 00:11:01,261 --> 00:11:03,396 - YEAH. OKAY. 268 00:11:05,766 --> 00:11:08,736 - [softly] THIRD TIME TODAY. 269 00:11:08,769 --> 00:11:11,905 - MM. THAT'S A GOOD SHOESHINE. 270 00:11:14,374 --> 00:11:19,079 MM-MM! [groans] OHH... 271 00:11:19,112 --> 00:11:21,815 MM! 272 00:11:29,056 --> 00:11:32,726 - AH HA HA HA! EHH! 273 00:11:32,760 --> 00:11:34,828 WHAT THE [bleep], MAN? 274 00:11:34,862 --> 00:11:37,865 - I D-I DON'T KNOW WHAT HAPPENED. 275 00:11:37,898 --> 00:11:39,066 FRANKLY. 276 00:11:39,099 --> 00:11:41,368 - I EMITTED A NOISE. 277 00:11:41,401 --> 00:11:46,874 THE NOISE WAS INVOLUNTARY. 278 00:11:46,907 --> 00:11:49,877 SOMETIMES A SOUND IS JUST A SOUND, YOU KNOW? 279 00:11:51,779 --> 00:11:52,880 - WE NEED TO WHITTLE THESE DOWN. 280 00:11:52,913 --> 00:11:55,949 CAN WE ALL AGREE ON ELIMINATING ANY OF THESE DESIGNS? 281 00:11:55,983 --> 00:11:59,152 - ANN'S BLOWS. - WOW. DON'T HOLD BACK. 282 00:11:59,186 --> 00:12:00,754 - NO OFFENSE, BUT IT'S A GIANT PICTURE OF A PARK. 283 00:12:00,788 --> 00:12:02,222 THAT'S NOT ART. 284 00:12:02,255 --> 00:12:05,492 - WELL, AT LEAST IT'S NOT A FAT HUMAN HAMSTER EATING MEAT. 285 00:12:05,525 --> 00:12:07,527 - YOU DON'T EVEN WORK HERE! - OKAY, GUYS. 286 00:12:07,560 --> 00:12:11,231 YOU BOTH HAVE A POINT. ANN, YOURS WAS A LITTLE TRITE. 287 00:12:11,264 --> 00:12:14,534 AND, APRIL, YOURS WAS HELLISH AND MIGHT MAKE SOMEONE VOMIT. 288 00:12:14,567 --> 00:12:16,837 - THANK YOU. 289 00:12:16,870 --> 00:12:19,006 - LOOK, THERE'S SOMETHING ABOUT THOSE SHAPES. 290 00:12:19,039 --> 00:12:20,407 THERE'S SOME EMOTIONAL ART RIGHT THERE. 291 00:12:20,440 --> 00:12:22,776 - ANY KID COULD DO THAT. - NO KID COULD DO THAT! 292 00:12:22,810 --> 00:12:24,244 ONLY GOD COULD DO THAT! 293 00:12:24,277 --> 00:12:26,847 - WHAT IS SO GREAT ABOUT THE SHAPES? 294 00:12:26,880 --> 00:12:29,449 - HE LIKES THE SHAPES, OKAY? AND HE'S PART OF THE TEAM. 295 00:12:29,482 --> 00:12:30,884 SO HERE, TAKE THESE SCISSORS 296 00:12:30,918 --> 00:12:33,286 AND CUT OUT YOUR FAVORITE SHAPES. 297 00:12:33,320 --> 00:12:37,791 AND THEN WE'LL PUT THEM ON A NEW TEAM MURAL. 298 00:12:37,825 --> 00:12:39,559 WE'RE GONNA MAKE A NEW DESIGN 299 00:12:39,592 --> 00:12:43,096 THAT TAKES THE BEST PARTS OF ALL OF OUR DESIGNS. 300 00:12:43,130 --> 00:12:47,367 IT'S LIKE IF YOU GOT MICHELANGELO AND ANDY WARHOL 301 00:12:47,400 --> 00:12:51,171 AND JACKSON POLLOCK AND JIM DAVIS FROM GARFIELD 302 00:12:51,204 --> 00:12:53,841 TO DO ONE PAINTING. 303 00:12:53,874 --> 00:12:55,909 IMAGINE HOW GOOD THAT PAINTING WOULD BE! 304 00:12:58,545 --> 00:13:02,282 I THINK IT'S REALLY GOOD. 305 00:13:05,085 --> 00:13:07,955 I'LL BE RIGHT BACK. 306 00:13:07,988 --> 00:13:10,323 BRENDANAWICZ, WE NEED YOU FOR SOMETHING. 307 00:13:10,357 --> 00:13:12,860 - CAN IT WAIT? I AM SO SWAMPED HERE. 308 00:13:12,893 --> 00:13:15,362 - ANN'S IN TROUBLE. 309 00:13:15,395 --> 00:13:17,998 WE THINK IT MIGHT BE PILLS. - WHAT? 310 00:13:18,031 --> 00:13:21,401 - NO. THAT'S A LIE. BUT THIS IS JUST AS IMPORTANT. 311 00:13:21,434 --> 00:13:23,603 WE NEED YOU TO LOOK AT A PIECE OF ART. 312 00:13:23,636 --> 00:13:26,840 - OH, GOD. 313 00:13:26,874 --> 00:13:28,341 WHAT IS THAT? 314 00:13:28,375 --> 00:13:30,878 - THIS IS OUR ENTRY FOR THE MURAL CONTEST. 315 00:13:30,911 --> 00:13:32,612 WE COULDN'T DECIDE ON ONE DESIGN, 316 00:13:32,645 --> 00:13:35,415 SO WE TOOK PARTS THAT WE ALL LIKED OF OUR DESIGNS 317 00:13:35,448 --> 00:13:37,117 AND THEN WE JUST KIND OF... 318 00:13:37,150 --> 00:13:40,387 SMOOSHED IT INTO A THING. 319 00:13:40,420 --> 00:13:43,590 - WELL, YOU MADE A CAMEL. 320 00:13:43,623 --> 00:13:46,326 YOU'VE NEVER HEARD THAT SAYING? 321 00:13:46,359 --> 00:13:48,561 A CAMEL IS ACTUALLY A HORSE DESIGNED BY A COMMITTEE, 322 00:13:48,595 --> 00:13:52,866 AND WHAT YOU GUYS HAVE HERE IS ONE UGLY CAMEL... 323 00:13:52,900 --> 00:13:54,634 FEATURING BILL PAXTON. 324 00:13:54,667 --> 00:13:56,236 - GREG KINNEAR. - RIGHT. GREG KINNEAR. 325 00:13:56,269 --> 00:13:58,138 - OH! IS BILL PAXTON FROM INDIANA? 326 00:13:58,171 --> 00:14:00,908 - YOU HAVE TO SAVE US. YOU HAVE TO DESIGN SOMETHING. 327 00:14:00,941 --> 00:14:03,610 - LESLIE, I'M NOT AN ARTIST. - YES, YOU ARE. 328 00:14:03,643 --> 00:14:06,113 I'VE SEEN YOU SKETCH THINGS. - UH, YEAH. 329 00:14:06,146 --> 00:14:07,647 LIKE POLES FOR STOP SIGNS. 330 00:14:07,680 --> 00:14:09,549 - THAT EVERYBODY STOPS AND LOOKS AT. 331 00:14:09,582 --> 00:14:11,318 - BY LAW, LESLIE. THEY'RE REQUIRED TO. 332 00:14:11,351 --> 00:14:12,519 - LOOK, MARK, PLEASE. 333 00:14:12,552 --> 00:14:15,188 YOU'RE THE ONLY ONE OF US WHO'S ACTUALLY GOT ANY TALENT. 334 00:14:15,222 --> 00:14:16,589 I KNOW YOU'LL DO SOMETHING GOOD. 335 00:14:16,623 --> 00:14:18,926 AND I REALLY, REALLY WANT TO WIN THIS. 336 00:14:18,959 --> 00:14:20,627 PLEASE? WHAT ARE YOU GONNA DO TONIGHT? 337 00:14:20,660 --> 00:14:24,597 - I WAS GONNA GO TO ARBY'S AND WATCH FRONTLINE. 338 00:14:29,636 --> 00:14:33,406 - OKAY, HERE WE GO. 339 00:14:33,440 --> 00:14:38,645 - OKAY, SO...IT IS AN OLD MAN FEEDING PIGEONS IN A PARK. 340 00:14:38,678 --> 00:14:41,648 UH...THE SPIRIT OF PAWNEE, MAYBE? 341 00:14:41,681 --> 00:14:42,582 - YOU GOTTA BE KIDDING ME. 342 00:14:42,615 --> 00:14:44,584 - HOW IS THAT BETTER THAN MY PARK SCENE? 343 00:14:44,617 --> 00:14:46,453 - IT ISN'T. AND THAT'S SAYING SOMETHING. 344 00:14:46,486 --> 00:14:48,655 - AND WHO'S THE MAN? IS HE FAMOUS? 345 00:14:48,688 --> 00:14:50,623 IS IT MARTIN LANDAU? 346 00:14:50,657 --> 00:14:52,325 - LOOK, I HAVE NO DOG IN THIS FIGHT. 347 00:14:52,359 --> 00:14:53,927 I'M JUST SAYING THAT THIS'LL WIN. 348 00:14:53,961 --> 00:14:55,628 - IT'S NOTHING. IT'S MUSH! 349 00:14:55,662 --> 00:14:57,397 THERE'S NOT EVEN ONE SHAPE IN THERE, MARK! 350 00:14:57,430 --> 00:14:58,665 WHERE ARE THE SHAPES? 351 00:14:58,698 --> 00:15:00,467 - I'M NOT SAYING THIS IS ANY GOOD. 352 00:15:00,500 --> 00:15:02,602 I'M SAYING THAT THIS'LL WIN. IT'S MASS APPEAL. 353 00:15:02,635 --> 00:15:06,406 IT'S LIKE WHAT MOTELS PUT UP, AND IT HANGS THERE FOR YEARS, 354 00:15:06,439 --> 00:15:08,275 AND NO ONE EVER THROWS ACID AT IT. 355 00:15:08,308 --> 00:15:10,443 - MM. WHO DID THIS? I LIKE IT. 356 00:15:10,477 --> 00:15:13,446 - SERIOUSLY? I MEAN-- 357 00:15:13,480 --> 00:15:14,481 [whispers] SORRY! 358 00:15:14,514 --> 00:15:18,351 - YEAH. IT COMFORTS ME. 359 00:15:18,385 --> 00:15:21,121 THAT'LL WIN. 360 00:15:21,154 --> 00:15:22,689 - THIS IS... 361 00:15:22,722 --> 00:15:23,523 GARBAGE! 362 00:15:23,556 --> 00:15:25,492 WE'VE GOTTA GO BACK TO THE SHAPES. 363 00:15:25,525 --> 00:15:27,694 - NO, THIS IS BORING--WE'VE GOT TO GO BACK TO THE GARBAGE. 364 00:15:27,727 --> 00:15:29,562 - I WOULD TAKE THE SHAPES OVER THIS--I MEAN, COME ON! 365 00:15:29,596 --> 00:15:31,164 - I WOULDN'T TAKE THE SHAPES OVER ANYTHING. 366 00:15:31,198 --> 00:15:33,066 I'D TAKE JERRY'S MURINAL OVER THIS. 367 00:15:33,100 --> 00:15:34,701 - NO, GUYS... 368 00:15:34,734 --> 00:15:36,569 THIS IS THE ONE. - WHAT? 369 00:15:36,603 --> 00:15:38,338 - SORRY. MARK'S RIGHT. - THIS IS AN OUTRAGE! 370 00:15:38,371 --> 00:15:40,140 MARK'S NOT EVEN IN THE DEPARTMENT. 371 00:15:40,173 --> 00:15:42,142 - NEITHER IS ANN. - BUT ANN'S HOT. 372 00:15:42,175 --> 00:15:43,610 AND THAT COUNTS FOR SOMETHING. 373 00:15:43,643 --> 00:15:45,512 - WHATEVER HAPPENED TO, "WE'RE THE PARKS DEPARTMENT. 374 00:15:45,545 --> 00:15:46,313 "RAH, RAH, RAH. 375 00:15:46,346 --> 00:15:47,981 DOWN WITH THE SEWAGE DEPARTMENT"? 376 00:15:48,015 --> 00:15:50,683 - YEAH, WE SPENT ALL DAY HERE FOR NO REASON! 377 00:15:50,717 --> 00:15:52,019 - WE HAVE A REASON! WE'RE GONNA WIN. 378 00:15:52,052 --> 00:15:53,353 THAT'S OUR REASON! 379 00:15:53,386 --> 00:15:56,523 OUR DESIGNS ARE NOT GONNA WIN. MARK'S MIGHT WIN! 380 00:15:56,556 --> 00:15:58,558 HOW GREAT WOULD IT BE IF WE WON, YOU GUYS? 381 00:15:58,591 --> 00:16:00,460 YOU'LL FEEL A LOT BETTER, I PROMISE YOU, 382 00:16:00,493 --> 00:16:01,361 AFTER YOU WIN. 383 00:16:01,394 --> 00:16:03,630 WE'RE GOIN' WITH THIS ONE. - [groaning] 384 00:16:03,663 --> 00:16:05,298 - I'LL SEE YOU AT THE PRESENTATION TOMORROW. 385 00:16:05,332 --> 00:16:07,400 THAT IS AN ORDER, TEAM. 386 00:16:07,434 --> 00:16:09,369 GO, TEAM! 387 00:16:09,402 --> 00:16:11,304 TEAM DISMISSED. 388 00:16:11,338 --> 00:16:14,274 YES, WE ARE A TEAM, BUT I AM THE TEAM LEADER. 389 00:16:14,307 --> 00:16:16,676 SO I MADE A BOLD DECISION. 390 00:16:16,709 --> 00:16:18,645 WE'RE PLAYING IT SAFE. 391 00:16:26,519 --> 00:16:28,221 - HEY, KNOPE. 392 00:16:28,255 --> 00:16:30,323 HOW'S LIFE IN THE PARKS DE-FART-MENT? 393 00:16:30,357 --> 00:16:32,592 - BETTER THAN LIFE IN THE SEWAGE DE-FART-MENT. 394 00:16:32,625 --> 00:16:35,162 WHICH MAKES MORE SENSE. - WHATEVER! 395 00:16:35,195 --> 00:16:39,499 YOU GUYS ARE SCREWED. GET USED TO THIS. 396 00:16:39,532 --> 00:16:41,368 BECAUSE IT'S GONNA BE HANGIN' ON THE WALL 397 00:16:41,401 --> 00:16:42,602 RIGHT OUTSIDE YOUR DOOR 398 00:16:42,635 --> 00:16:46,639 FOR THE NEXT 100 YEARS! 399 00:16:49,676 --> 00:16:51,111 - THAT WAS PRETTY GOOD. 400 00:16:51,144 --> 00:16:53,646 YOU THINK THEY'RE GONNA WIN? - NO. 401 00:16:53,680 --> 00:16:56,616 NO. THEY WENT SUPER-PATRIOTIC. IT'S A CLASSIC MISTAKE. 402 00:16:56,649 --> 00:16:59,252 IT SEEMS CROWD-PLEASING, BUT IT'S STILL A STANCE. 403 00:16:59,286 --> 00:17:00,653 AND IN GOVERNMENT, 404 00:17:00,687 --> 00:17:03,123 THERE'S ALWAYS SOMEONE WHO'LL OPPOSE A STANCE. 405 00:17:03,156 --> 00:17:06,393 US...OLD MAN FEEDING PIGEONS-- NO STANCE. 406 00:17:06,426 --> 00:17:09,262 ABSOLUTELY NO POINT OF VIEW WHATSOEVER. 407 00:17:09,296 --> 00:17:11,264 - NO POINT OF VIEW. SMART. 408 00:17:13,166 --> 00:17:15,435 - NO. I HAVEN'T BEEN BACK. 409 00:17:15,468 --> 00:17:18,705 I WISH HIM GOOD LUCK IN HIS BUSINESS, 410 00:17:18,738 --> 00:17:21,574 AND, YES, I WILL ABSOLUTELY GO BACK 411 00:17:21,608 --> 00:17:24,544 TO GET MY SHOES SHINED SOON. 412 00:17:24,577 --> 00:17:28,748 I DON'T FRANKLY SEE WHY THIS IS A TOPIC 413 00:17:28,781 --> 00:17:31,551 FOR DISCUSSION. 414 00:17:39,792 --> 00:17:42,095 - HEY. 415 00:17:44,664 --> 00:17:46,533 OH, HEY, RON. 416 00:17:46,566 --> 00:17:48,668 WHAT'S UP? - UH... 417 00:17:48,701 --> 00:17:51,438 ANDY... 418 00:17:51,471 --> 00:17:53,640 YOU KNOW THE, UH, THE THING? 419 00:17:53,673 --> 00:17:57,110 THE OTHER DAY? - OTHER DAY...OTHER DAY... 420 00:17:57,144 --> 00:17:58,611 OH, UH...YESTERDAY? 421 00:17:58,645 --> 00:18:00,613 - I AM... 422 00:18:00,647 --> 00:18:01,681 THAT WAS--THAT WAS-- 423 00:18:01,714 --> 00:18:04,551 - YOU KNOW, I'D BE OKAY IF WE... 424 00:18:04,584 --> 00:18:06,653 [clears throat] 425 00:18:06,686 --> 00:18:09,789 [whispers] I'D BE OKAY IF WE NEVER MENTIONED IT AGAIN. 426 00:18:09,822 --> 00:18:11,624 - NEVER MENTIONED WHAT AGAIN? 427 00:18:11,658 --> 00:18:13,826 - THE MOAN, RON. 428 00:18:13,860 --> 00:18:16,263 THE WEIRD MOAN YOU MADE THAT WAS SUPER-WEIRD? 429 00:18:16,296 --> 00:18:17,530 DO YOU NOT REMEMBER THAT? 430 00:18:17,564 --> 00:18:20,200 I TALKED ABOUT IT WITH THE LADY WHO WENT AFTER YOU FOR 1/2 HOUR. 431 00:18:20,233 --> 00:18:22,402 SHE SAID SHE THOUGHT IT WAS AN ANIMAL-- 432 00:18:22,435 --> 00:18:24,171 - OKAY. 433 00:18:24,204 --> 00:18:25,638 IT WAS JUST AN ODD MOMENT. 434 00:18:25,672 --> 00:18:27,907 LET'S JUST NOT TALK ABOUT IT ANYMORE. 435 00:18:27,940 --> 00:18:29,576 - THAT'S WHAT I WAS TRYING TO SAY. 436 00:18:29,609 --> 00:18:32,179 BUT, YEAH...OKAY. 437 00:18:32,212 --> 00:18:34,647 - OKAY. - GOOD JOB. 438 00:18:40,720 --> 00:18:43,356 - MISS KNOPE. - CHIEF KONNER. 439 00:18:43,390 --> 00:18:45,358 WHAT DO YOU GOT THERE? 440 00:18:45,392 --> 00:18:46,693 - WELL, WE AREN'T REALLY ARTISTS, 441 00:18:46,726 --> 00:18:48,628 BUT WE GAVE IT A SHOT. 442 00:18:48,661 --> 00:18:51,631 IT'S YOUR BASIC DOGS PLAYING POKER, BUT... 443 00:18:51,664 --> 00:18:54,434 WITH AN-EVERYTHING'S-ON-FIRE THEME. 444 00:18:54,467 --> 00:18:56,636 THIS IS MY NEPHEW OVER HERE. - MM. 445 00:18:56,669 --> 00:19:00,473 - AND THIS IS AN ATTRACTIVE LADY WITH A HAMBURGER FOR A HEAD. 446 00:19:00,507 --> 00:19:02,309 JUST SOME STUFF WE LIKE, YOU KNOW? 447 00:19:02,342 --> 00:19:04,711 ANYWAY, WE HAD A LOT OF FUN PUTTING IT TOGETHER. 448 00:19:04,744 --> 00:19:05,845 [laughs] 449 00:19:05,878 --> 00:19:07,380 - WELL, GOOD LUCK! - THANKS. 450 00:19:07,414 --> 00:19:09,582 WE THINK IT'S A WINNER. 451 00:19:15,655 --> 00:19:17,590 - GO AHEAD. - WHAT? 452 00:19:17,624 --> 00:19:21,661 - THE CAMEL'S WAY MORE FUN. 453 00:19:21,694 --> 00:19:23,463 - I WANT MY TEAM BACK. 454 00:19:23,496 --> 00:19:27,534 AND MY TEAM MADE THIS HOT, CRAZY CAMEL MESS. 455 00:19:27,567 --> 00:19:29,536 SO THIS IS WHAT WE'RE GONNA SUBMIT, 456 00:19:29,569 --> 00:19:30,903 EVEN IF IT MEANS WE LOSE. 457 00:19:30,937 --> 00:19:34,207 GOD, I HOPE WE WIN. BUT WE'RE DEFINITELY GONNA LOSE. 458 00:19:34,241 --> 00:19:35,708 - PROBABLY. - ALL RIGHT! 459 00:19:35,742 --> 00:19:37,577 LET'S GET IN THERE AND SHOW 'EM HOW PARKS GETS IT DONE! 460 00:19:37,610 --> 00:19:39,546 - AND ANN! HOW ANN GETS IT DONE! 461 00:19:39,579 --> 00:19:43,250 - YES. - LET'S GO! 462 00:19:43,283 --> 00:19:45,618 [pen clicking] 463 00:19:45,652 --> 00:19:48,588 [click click click click] 464 00:19:48,621 --> 00:19:49,589 - WHAT ARE THE SHAPES? 465 00:19:49,622 --> 00:19:52,592 - THE SHAPES ARE AWESOME, IS WHAT THEY ARE. 466 00:19:52,625 --> 00:19:53,593 YOU CAN'T HANDLE IT. 467 00:19:53,626 --> 00:19:56,696 - NO, I-I ACTUALLY LIKE THEM. - FORGIVE ME. 468 00:19:56,729 --> 00:19:58,631 IS THAT MICHAEL JACKSON? 469 00:19:58,665 --> 00:20:00,667 - HEE HEE--YES. THE PRIDE OF INDIANA. 470 00:20:00,700 --> 00:20:03,002 - THAT'S RIGHT. SO IT'S RELEVANT. 471 00:20:03,035 --> 00:20:06,306 - WHO IS HE CARRYING? - JESUS GREG KINNEAR. 472 00:20:06,339 --> 00:20:08,641 - YOU KNOW, IT LOOKS LIKE HE'S CARRYING KINNEAR 473 00:20:08,675 --> 00:20:10,410 INTO THE BURNING BUILDING. 474 00:20:10,443 --> 00:20:13,680 - OH, WELL, THAT'S BECAUSE HE'S MOONWALKING. 475 00:20:13,713 --> 00:20:18,318 SO HE, UM...SHOULD BE GOIN' THE OTHER WAY. 476 00:20:18,351 --> 00:20:20,720 THAT DID NOT OCCUR TO ME. - [laughing] 477 00:20:20,753 --> 00:20:23,556 [laughter] 478 00:20:23,590 --> 00:20:25,725 - SORRY. - SO THERE YOU GO. 479 00:20:25,758 --> 00:20:27,960 THE SPIRIT OF PAWNEE. 480 00:20:27,994 --> 00:20:29,329 WE DIDN'T WIN. 481 00:20:29,362 --> 00:20:31,698 BUT NEITHER DID ANYONE ELSE. 482 00:20:31,731 --> 00:20:33,333 THEY REALIZED IT WAS GONNA COST A TON OF MONEY 483 00:20:33,366 --> 00:20:34,567 TO HIRE A MURALIST. 484 00:20:34,601 --> 00:20:36,703 SO THEY'RE JUST GONNA RESTORE THE OLD ONE. 485 00:20:36,736 --> 00:20:40,707 THEY'RE CHANGING THE TITLE TO THE DIVERSITY EXPRESS. 486 00:20:40,740 --> 00:20:41,674 OH, WELL. 487 00:20:41,708 --> 00:20:43,676 - [laughs] AW! - YAY. 488 00:20:43,710 --> 00:20:47,680 - YAY! - AH! LOOK AT THAT. 489 00:20:50,049 --> 00:20:52,285 - NO, NO! IT'S NOT AS GOOD AS THE OTHER ONE. 490 00:20:52,319 --> 00:20:53,620 - I DON'T KNOW WHAT YOU MEAN BY GOOD. 491 00:20:53,653 --> 00:20:56,589 - NEITHER DO I! JUST DO ANOTHER ONE! 492 00:20:56,623 --> 00:20:58,057 - YOU KNOW, I HAVE ACTUAL ASSIGNMENTS 493 00:20:58,090 --> 00:20:59,792 THAT I HAVE TO FINISH FOR ART SCHOOL. 494 00:20:59,826 --> 00:21:01,961 - SHUT UP AND DO MORE ART FOR ME. 495 00:21:01,994 --> 00:21:04,030 - [sighs] 496 00:21:04,063 --> 00:21:06,799 - THIS ONE'S RACIST. 497 00:21:06,833 --> 00:21:10,637 IT'S BEAUTIFUL. 498 00:21:10,670 --> 00:21:15,041 I'VE LOOKED AT THIS FOR FIVE HOURS NOW. 499 00:21:15,074 --> 00:21:17,310 I LIKE THE GREEN ONE 500 00:21:17,344 --> 00:21:19,979 AND THE RED CIRCLE RIGHT HERE. 501 00:21:20,012 --> 00:21:22,982 Captioning by CaptionMax www.captionmax.com 502 00:21:23,015 --> 00:21:26,018 - [voice breaking] I'M TEARING UP, MAN. 34321

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