All language subtitles for Mikes.Murder.1984

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Beautiful.

Come here. Come here.

- Bueno.
- Bien hecho.

Hi. Can I have a medium Pepsi?

Thanks.

Got it?

You got the cash? Great.

- See you next time.
- Okay.

- What's going on, man?
- What's going on here?!

You guys are in our
fucking territory, assholes!

Come on. Let's go!

Pull up!

I'll get you, asshole!

I know where you live!

Just a minute.
Just a minute.

Sam. How you doing?

What's happening?
What's going on?

I just, uh, came
to use the phone, Sam.

Hi. This is Mike.

Um, just tell Pete
that I called, okay?

Yeah, I'm looking for him.

Uh, I'll call later. Bye.

You look good, Sam.

Here, Mike, drink this.

It'll make you feel better.

Watch out. It's hot.

Thank you, Sam.

You wanna talk about it?

I'm going back to bed.

You're welcome
to sleep on the couch.

Jesus!

Fuck.

I got to call him.

I got to call him.

I've to call him.

Phillip?

Hey! Hey, Betty!

Betty! Hey, Betty!

Mike.

You going down Sunset?

Yeah, you need a ride? Get in.

Boy, am I glad to see you.

No, thanks.
I quit three weeks ago.

Ah.

You still living
in the same place?

Same place. You?

Yeah, but I don't think
I'll be going back for a while.

- No?
- No.

Listen, uh, could you
do me a favor?

I want you to make
a right-hand turn
right around the bend up here.

Okay.

Pull over and park.

What's going on, Mike?

I'm in trouble.

How much,
I really don't know yet,

but it's not too good.

- Can we put up your top?
- Sure. I'll help.

Where are you going, Mike?

I've got a job
laying tiles up Doheny.

What happened to you?

I've been dealing.

I got behind on the rent again.

I don't make enough money
teaching tennis

to pay the fucking rent
in Brentwood yet.

So, who's following you,
the police?

No. I don't really
know exactly who,

but I was dealing
in their territory.

♪ When you told me
You were leaving ♪

♪ I knew you had
Your reasons ♪

♪ But you know ♪

♪ I can never believe you ♪

Look, don't tell anybody
what I told you.

Come on, Mike,
who would I tell?

Don't worry.

Make a left
when you get to Doheny.

♪ You ♪

♪ Leaving me
Was a serious crime ♪

♪ No reason ♪

♪ I ♪

♪ Could never live this way ♪

♪ Without you ♪

Turn to the left
right here.

♪ Without you... ♪

- See this driveway up here?
- Yeah.

Pull in there and let me off.

- Thanks.
- You're welcome.

Do you want me
to drive you down wherever?

No. I should walk.

What?

What do you mean, what?

What are you looking at?

You.

I know, but what?

It's nice seeing you.

It's nice seeing you, too.

I'd like to get together again.

So would I.

I'd like to get you
naked again.

Oh, yeah?

It's been a long time.

What?
Like, six months at least.

Yeah, at least.

Why don't you call me?

You still have my number?

That it?

That's it.

I'm kind of worried about you.
Where are you gonna stay?

In a house.

He's an old acquaintance.
He's got lots of room.

I'm just gonna stay there
till it cools off.

Thanks again.

You're welcome again.

Have a nice day.

You, too.

- Hello?
- Hi.

- Who is this?
- It's Mike.

Mike?

Yeah. How's your backhand?
Is your backhand any better?

Mike. Hi.

I'm sorry.
It sounds like I woke you up.

- I was watching TV.
- And you fell asleep.

Sort of.

What, did you have a hard day
handling all that money?

The usual.

I was up here alone, you know,

and I started thinking
about you, Betty.

Alone where?

In the house
where you dropped me off,

where I'm working my ass off.

I'm lying here on
the edge of the pool,

and I started
thinking about you.

Mmm. Nice.

So...

You in for the evening,
or are you up to coming out?

I still don't have a car.

I have to work tomorrow.

On Saturday?

Tomorrow's only Friday.

Are you sure?
I thought today was Friday.

No. Today is Thursday, Mike.

Well, what do you know?

I lost a whole fucking day
there somewhere.

Mike?

Mike?

Yeah, sorry.
I had to find my cigarettes.

I left them in the house.
I'm carrying you around.

So you don't feel like
coming up and swimming with me?

How about tomorrow night?

You know I can't plan
that far in advance.

- Mike?
- Uh-huh.

Are you all right?

I would be if I could see you.

No. About all that stuff
you told me about

when I picked you up
three months ago.

Was it that long ago?
Three months already.

Shit! I'm sorry.
I was gonna call.

Oh, are you still worried?

Has anything else happened?

No, not that I know of.

No one knows
where I am except you,

and you haven't told anyone,
have you, Betty?

No, I didn't.

I got my feelers out,
so we'll see.

What have you got on?

What do you mean?

I mean, besides the TV set.
You got on some clothes?

I told you
I came home from work.

I fell asleep.

You said you sort of
fell asleep.

In all of your clothes?

No. When I come home,
I changed into
a pair of shorts.

Uh-huh. How short are
the shorts, Betty?

Why?

What are you doing?

Well, I'm taking your voice
up to the master bedroom.

If I can't have
your body up here,

I can at least
have your voice.

Mike.

Come on. Relax.
I love your voice.

Did I ever tell you how much
I love your sexy voice?

You're stoned.

Ha! Me, stoned?

- Where are you, Betty?
- Why?

I want to know
so I can remember
and imagine.

You're not in the music room,
are you?

I told you I'm in my bedroom.

Ah, the bedroom.
I remember it well.

What are you doing
in your bedroom right now?

Sitting on the edge of my bed,
talking to you.

What are you doing?

Well, I'm sitting on the edge
of a very big bed

looking at myself
naked in a mirror,

looking at what the thought
of you does to me.

Now I'm lying slowly back.

I can see the moon
through the open door.

You gotta join in, Betty.
It's no fun
if you don't join in.

All right.

I'm just gonna put you
in my mind.

It's all there anyway.

In the mind.

Now I'm remembering our
very first night together.

I'm remembering your piano
with the C-scale out of tune.

That one note out of tune.
You said it was like me
in your life.

That made me laugh.

Turn out the lights
and remember with me, Betty.

It was the same kind
of bright moonlit night.

- Did you turn out the lights?
- Yeah.

Good. Now, let's
connect up together.

We did it in the music room, remember?

Imagine the very first night.

Hey, Mike. It's Pete.

Great news, man.
It's all worked out.

Yeah. No shit.

My friend Charlie
took care of it.

Ah, those guys
don't control nothing.

They're small potatoes.

Yeah. You can go home
anytime you want.

Hey, believe me.

Yeah. Listen, um...

I got something else
I think you might be
interested in.

No, Mike, I know you don't
want to do that anymore.

This is something else.

Much more lucrative.

We could split three grand
for one night's work.

I know these people.

I've done it before.

Charles set it up.

Hey, man,
you could clear all your debts.

Well, I don't want to talk
about it over the phone.

Why don't I come up
and visit you?

Uh, Betty.

- Hi, Ben.
- Hi.

Tell me what you think

about this individual's
previous credit history.

- Oh, John Alexander's.
- Mmm-hmm.

Did you check
this last reference?

I've had a little difficulty
getting ahold of people there.

Why don't we give him
to the end of the week,

and then check back with me.
Let me know.

Great shot!

Set! I'm gonna take a break.

You've been practicing.

Better backhand.
Much better backhand.

What are you doing
in this part of town?

I moved back two weeks ago.

Everything's all right?

As far as I can tell.

You waiting for a court?

Yeah. I'm giving a lesson

to a very rich Iranian lady.

Good, Mike.

Same number?

Same number.

Good. I'll call.

- All right.
- No, I mean it.

This time I'll call and come.

Last time you called you came.

You know what I mean.

What do you mean?

Who's that?

New lover, boyfriend, whatever?

Whatever.

Great. I'll call. I mean it.

Whatever.

I think that television,

video, i.e.,
the electronic media

has totally revolutionized

what we know as art
with a capital "A."

I'm not just talking
about film.

I'm talking about painting
and literature included.

We all have
TV-scrambled brains.

I find myself
less and less interested

in anything that's essentially
a packaged art form.

And by that I mean anything
that's made in the past

and we just look at it.

You know what I mean?

You're not listening to me.

What? What? What?

I'm finding that the only art

I'm truly interested in
is the immediate stuff,

performance art, attitude
as opposed to style,

anything live,
anything happening,

like eyewitness news
with its accidents

and shootouts and hostages.

Anything that,
that comes out of life,

that's concurrent with our own
time experiences.

For example, me...

Making love
with my bank teller.

Oh, Richard.

It's like I always say,
the ephemeral is eternal.

What?

It's like I always say,

the ephemeral is eternal.

You're so full of shit.

I know.

- Hi, Corey.
- Hey, Betty.

Hi, darling.
It's your mother.

Everyone's really,
really excited

about your promotion.

Call me when you can.

Hi. It's Mike.

I told you I'd call.

What are you doing later?
I want to see you.

I'll be at this number...

555-1123 until about 4:00.

If we miss each other,
I'll call you at 6:00 sharp.

If you don't have other plans,
we've got a date, okay. Bye.

This is Sam. I'm out.

Leave your name and number,

any message,
and the time you called.

I'll return it
as soon as I can.

Wait till the beep.

Hi. My name is Betty Parrish.

I'm calling for Mike Chuhutsky.

I'll be at 555-2112.

Thank you.

Hello?

Hi, Betty. It's Patty.
What's new?

Not much. What are you up to?

Oh, usual Saturday stuff.

I ran Sugar over
to the groomers
for her little bath.

And I've been sitting
on my patio grading papers.

I thought you might
wanna go over to Pancho's
and get some enchiladas?

Oh, I'd love to, but I can't.
I have a date.

Well, have a good time.

I intend to.

I bet.
I'll talk to you tomorrow.

Bye, Patty.

Be sweet.

I will.

Hello?

Hi. I'm not at home.

Where are you?

Somewhere between
Ocean Park and Venice.

Look, I'm--

I won't be home
until at least 10:30.

I got hung up.
I'm really sorry.

Let me talk to her.

Look, if I call you
between 10:00 and 11:00,

will you be up?

Sure. I guess.

You're not mad, are you?

Mike, let me talk to her.

Hey, come on.
Let me talk to her.

- Come on.
- Hey, hold on.

Hold on. This asshole
wants to talk to you.

Hey, Betty. Hi. This is Pete.
I'm a buddy of Mike's.

You're not mad at him, are you?

He's so worried you're
gonna be mad at him
for being late.

I told him, no way.

Anybody with that great ass...

It's hard to get mad, right?

I saw these pictures of you
he took on Catalina.

Okay, Mike, take it easy.

I'm talking to Betty here.

- Hey.
- Yes.

We drove by there
the other night.
You got a nice place.

The only thing is Mike
wouldn't let me ring the bell
'cause I was too fucked up.

But do you know what he said?

- He said you were the only--
- Hey!

Betty, you still there?

Yeah, I'm still here.

What was that?

Hey, we gotta go.
They're here.

Oh, Betty, I'm sorry.

We gotta go.

I got to go.
This guy is really nuts.

All his dogs aren't barking.

Don't be mad.

I'm not mad.

These guys do not like
to be kept waiting, Mike.
Come on.

Listen, the minute I get home,
I'll come over

and I'll make it up
to you. Okay?

All right.

Bye.

What number is it?

Seven.

- You're quick.
- Seven.

Seven.

Wanna try some of this?

What the heck!

You boys stay here.

Come on.

- Thanks, Pete.
- Thank you.

- Pete, thank you.
- Mike, thank you very much.

Here's more goody, honey.

- Bye.
- Bye-bye.

Where to?

Phillip's.

Relax. They already weighed it.

Phillip?

Hi. Can I talk to you
for a second alone?

Excuse me, please.

I've got some money
that I owe you.

- All of it?
- No, no. It's half.
It's $1,500.

One, two, three, four--

Come on,
you don't have to count it.

It's your dime. Shoot.

Hello. It's almost 12:00.
Don't bother to call.

I'm going to bed.

All right.

I'll wait right here.
Then I'll take you to Betty's.

Hey, don't forget
where you put it.

Keep it hot, man.

Mike!

Come on, Mike!

Mike, what's happening, baby?

What you doing? What?

Fuck!

I hate being stood up.

I hate it more than anything
in the entire world.

He sounds like this guy
back in Texas...

Clyde Harris.

He was so cowboy cute

and so unbelievably
undependable,
it drove me crazy.

Wonderful. You're not
even listening to a word I say.

Sorry.

Come on. Come on over
and eat your waffle.

Let's not talk
about undependable men

or anything else depressing.

Bring in the butter,
will you, melted butter.

Good.

Thanks.

You like him a lot, don't you?

A lot.

Was he that good?

Mmm-hmm.

Uh, let's get specific.

Uh-uh.

Well, pooh! I told you
about the mushroom man.

- No. Did you?
- Yes, I did! Come on!

I remember.

That's disgusting.

Hi. This is Betty

with one of those
dumb machines.

Hold on.

Hello?

Is this Betty?

This is Betty. Who's this?

- This is Sam.
- Sam who?

I'm a friend of Mike's.

Mike Chuhutsky?

Did you hear about it?

Hear what?

He's dead.

He's been murdered.

Last night they killed him,
two of them.

- What are you saying?
- They were waiting
for him when he got home.

- Who?
- The people in the building

saw two guys run out
of his apartment,

get in a car, and drive away.

Oh, my God.

Oh, God.

Oh, God, no.

No.

I don't want to be alone.

Could you come over
and have a drink or something?

- Um--
- Please, it's important to me.

He talked about you
all the time. Please.

I live across from
the tennis courts.

Just a minute.

Betty?

- Yes.
- Come on in.

I'm on the phone.

Hi.

It's a friend of Mike's. Betty.

I don't know Betty's last name.

Come on around, Betty!

What?

If I can stand it.

Yeah. Okay.
I'll call you back. Bye.

- Where are you?
- I'm over here.

I'm Sam Morris.

Betty Parrish.

Mikey. Poor little Mikey.

Let me get you a drink.

I only have some gin.

Sam, could you
tell me what happened?

All I know, what I was told.

You know Phillip?

Phillip? Phillip who?

Phillip Greene,
record producer,
lives up Doheny.

Is the guy
he was laying tiles for?

Yeah. The police called him.

Found a note
in Mike's apartment

saying he owed Phillip $3,000.

What did Phillip
know about the murder
of Mike Chuhutsky?

Phillip went down
and talked to them,
identified the body.

Phillip called Billy.
Billy called me.

Billy was a friend
who introduced me to Mike.

I used to watch him
play from here.

He was a hell
of a tennis player.

First met him
almost eight years ago.

Billy, his friend
called me one night.

Could he bring him by?

I took a lot of pictures
of him over the years

as he popped
in and out of my life.

He used to teased me about
my photographing everything.

Since I'm so drunk
so much of the time
and can't remember anything.

It helps me
to remember what happened.

- Oh, God.
- What?

Sam, that's me.

I took a lot of pictures
from the balcony.

Where did you meet him?

Right across the street
at the tennis courts.

When?

Almost two years ago.

How?

I was jogging up Barrington,

and the moon was full.

He was practicing his serve
in the moonlight.

Please stop doing that.
It's making me really nervous.

Who's this?

Oh, that's that awful kid

Mike started bringing
around about a year ago.

Son of a bitch had
no respect for
anybody or anything.

First night here,

he ripped off
every prescription drug
from the medicine chest

and then denied it.

What's his name?

Pete. Pete was all I ever knew.

Sam, did you know
Mike was dealing drugs?

What he did
I didn't call dealing.

Well, he was. He told me.

Small amounts.
He wasn't a dealer.

He never had anything.
He never even had a car.

Confused kid who sold
a few drugs to pay his rent.

Hey, Charles? It's Pete.

Why? What happened?

Oh, God.

Jesus.

Why?

It wasn't my fault.

Man, we were stoned!

Well, let me talk to them.
Let me explain it to them.

Listen, give me their number.

Charles, come on, man.
Just give me their number!

I can explain it to them!

Charles, don't hang up
on me, man. Charles!

Son of a bitch!

- Hi, Jim.
- Hey, what's up?

Can I talk to you for a second?

I'm in a jam. I was wondering
if you could help me out.

Yeah?

Is Phillip here?

I don't know. Who's calling?

He doesn't know me.
I'm a friend
of Mike Chuhutsky's.

- Oh, yeah?
- Yes.

What's your name?

Betty. Betty Parrish.

Come on in.

Let me see if he'll see you.
He's not feeling too well.

Just wait here, okay?

All right.

Come on up.
He'll see you for a minute.

All right.

What do you want?

- I heard about it,
and I want to know if--
- If what?

If it's true?

Yes, it's really true.

Hello? Yeah?

Phillip, it's Stretch.

Well, tell him
I'll call him back.

Can Phillip
call you back?
He's got someone here.

Uh, he's in a phone booth,
and he says it's important.

He's, uh, looking for Pete.

Um...

You mind waiting downstairs?

No, of course not.

Why don't you
fix her a drink, Randy?

Have the police
contacted you yet?

Want something to drink?

No, thanks. I'm fine.

Have a seat.

Thanks.

He loved having
his picture taken.

He loved the Polaroids.

He was impatient, and he liked
to see the results immediately.

Oh, my goodness,
what have we here?

Do you want some?

No. No, thanks.

Do you mind?

They're not mine.
They're just out.

Did you know him pretty well?

Pretty well, yeah.

It's been a weird week.

I've known
two people personally
that got murdered this week.

They were both drug related.

Well, they ought to legalize
everything in this country.

That's what Phillip says.

Take it out of the hands
of the criminals.

You know, prostitution,
drugs, everything.

But I guess there's
so much money to be made.

Phillip has this theory, see,

that the moral majority,
whether they know it or not,

is being funded by the mafia

so that they can keep
everything sinful illegal

so they can clean up.

Big business.

You know, 30 million Americans
snort cocaine.

That's me.

Yeah!

I'm auditioning
for Chippendales.

Mike was here when I did this.
That's him yelling at me.

Come on! Rip if off!

Watch this.

Rip it off!

Drive the ladies crazy.

Come on!

Mike does one later on.
He does it with Pete.

Pete was here?

Yeah. You know Pete?

I talked to him
on the phone once.

I like Pete.

He's a little out of control,
but I like him.

Phillip doesn't like Pete.
I'll show you what I mean.

It's a wonderful--

Pete, come on, man.

Take your shades off.

Phillip didn't know
Pete was here.

Hey!

Pete went out
and picked up some girl.

They were all real stoned.

I felt sorry for the way
they were treating her.

Anyway, Mike had opened up
some very expensive wine.

And Phillip went crazy.

Phillip's got
a great wine cellar.

He's real particular

about who drinks what
and where and when.

...not to touch the wine
in the cellar!

I'll pay for the fucking wine!

Pay for it with what?
With what?

Oh, come on!

I told you to keep
that asshole outta my house.

You talking about me?

Yes, I'm talking about you.

Get them outta here.
Just get them outta here!

It's not what you
think it is, man.

Can we just talk
for a second?

Just get them outta here.
Get them outta here now!

Look, if they go, I go!

- Fine. Fine.
- They're my friends.

You didn't hear what I said.

Yes, I heard what you said.

You said you're going,
and I said fine.

Did you hear me? I said fine.

This is the last time!

Just get out of here.
Pack and go!

If that's the way
you want it.

Let him take it!
Let him take it!

Get the fuck outta here!

It's just a fucking shirt!

Come on, come on,
knock it off!

What are you, his white slave?

Yeah!

Come on!

I don't want anything
from you!

Turn that off!

Sorry.

Why don't we talk outside?

I need some air.

I'll have some cranberry juice.

Help yourself.
Everyone else does.

No, thanks.

Now, why are you here?
What do you really want?

I'm not quite sure.

You're not quite sure.

No.

How did you find out about it?

Sam Morris called me.

Oh, yes.

Poor Sam.

And who told him?

I don't know.
Someone named Billy
had called him.

What did Billy tell him?

That the police had
contacted you about a note

they found in Mike's apartment,
that he owed you $3,000--

Billy should
keep his mouth shut!

And that you
identified the body.

And I guess
I wanted to make sure.

You think I made a mistake?

No.

It's just hard to accept.

- I guess I just--
- Had to come.

Yes. Your curiosity wants to
know what they did to him,

how he died,

if he suffered.

You want to know everything?

Well, you don't.
Believe me, you don't.

This was
an enforcement killing,

and they were
making a statement.

What statement?

Are you the girl
with the um...

The C-scale out of tune?

I thought so.

Oh, God, he loved that.

I remember he--
Well, he told me

about the C-scale outta tune
when you first met, you know?

Were you in love with him?

Yes.

So was I.

And in the beginning,
I mean just desperately.

You see, I was the one
that brought him here,

contrary to what
he may have told you

'cause he had
all kinds of stories

that he used
on different people.

He was always preparing a face
for the faces that he met.

But the truth is,

I was driving through,
driving cross-country

on a promotional tour,
and I picked him up.

Picked him up hitchhiking.

I don't think I wanna
hear any more of this.

No, of course you don't.

I understand.

It was, however,

a very brief
physical relationship.

He was bored on a hot Ohio day,

a little drugs, Jack Daniel's.

It was not his true bent...

as you well know.

Whatever,
it was certainly worth

a first-class ticket
right here to California.

He lived here in this house

for as long as he wanted.

And what, about
two years ago he met you?

He liked you.

God, he certainly
talked about you enough.

I had to go on this road tour

with a rock group.

When I came back,
he had moved to Brentwood,

and I knew that...
I'd heard rumors

that he was doing
an awful lot of coke,

which I knew he couldn't
possibly afford.

But I suspected how
he managed to afford it.

I mean,

that $3,000 was not
the first money I lent him,

but I swear,
I never asked Michael

what he was gonna do
with the money
when I gave it to him,

and I never asked him
when he'd paid it back.

I'm very happy
that I know so little.

I don't want to get involved.

You don't want to get involved.

In this instance,
ignorance is a true bliss.

- Can I have a beer?
- Sure.

- Can I use your phone?
- Yeah.

Yeah. Let me talk to Charles.

Hey, don't give me that shit.
I know he's there.

Tell him it's Pete!

Look, all I need is--

Hey, thanks.

Listen, I gotta
get back to work.

Would you help me
get their number?

Talk to Jennifer. She knows it.

If I can talk to them,
I can explain.
It's not my fault.

I'll try.

Listen, I want to
get a shot of this, all right?

- You want
all three of these?
- Yeah, all three.

Get me some close-ups.
Get the chair.

Hi.
This is Betty with
one of those dumb machines.

So please leave your name
and number and time you called

when you hear the sound
of the infamous beep.

Bye.

Jim?

Jim?

Jim.

Jim?

Jim?

I know I saw him earlier.

I heard someone
walking around up there.

Jim?

Come on. Let's go.

Maybe he's around back.
Come on. I'll show you.

Betty boop, it's Richard.

Don't forget
my opening tonight. 8:00.

Jim?

Hi, Betty. Patty.

I'm home.
Call me when you can.

♪ Teenage rebels rule okay ♪

♪ I'll be damned
If I work all day ♪

♪ I think that you look okay ♪

♪ I won't even look your way ♪

♪ Teenage rebels out
All night ♪

♪ T eenage rebels drink
And fight ♪

♪ Teenage rebel rule
Rule, rule ♪

Hey, what's happening?
All right?

All right. Good to see you.

Two cheese enchiladas
without onions.

Two cheese enchiladas,
extra onions.

That's fine.
I'd like another beer, please.

You want one, Betty?

Sure.

Dos.

Betty, don't do this
to yourself.

There's nothing
you could have done.

I should go to the police, though.

Why?

What are you
going to tell them?

I know that this guy
Pete something

was involved.

And that Mike and he were
together last night.

My advice is to stay out of it.

You don't know
what he was up to.

You don't know
what he was doing.

Stay out of it.

Yeah.
Who's there? Who is it?

Charles, it's Pete.
Let me in, please.

I don't know you, man.
Get away from my house.

Charles, come on!
You gotta help me.

Just let me in, please.

You screwed up, Pete.
You broke the rules.

I can explain.

It's not my fault.

"Fault" don't mean shit
to these people.

Charles, I got it right here.

I haven't touched it, man.

You don't understand, kid.

You don't steal
from these people.

They've got a rep to protect.

It's business.

Charles, talk to them.

You got to help me.

Somebody's got to help me!

I tried.

You're a dead man.

Are you sure you're all right?

I will be.

Oh, Richard's opening!
What time is it?

It's 9:45.

What kind of an opening?

I don't know.

But it's Richard's opening.

Let's go.

It'll get your mind
off everything.

Where is it?

All right. Venice.

Spazz Attack,
how does art, um,

represent and present
the impermanence of life

in our society today?

Well, art has always been
an expression

of the backs
of people's minds.

You know, what they conceive
life to actually be.

Do you believe
there are two sides
of the brain?

You talk about
the backs of people's mind--

What I mean by the backs
is the subconscious.

I do believe in the left
and the right hemisphere of
the brain, which separates--

As an artist,

do you believe
you live in your
unconscious mind?

- We all live subconsciously.
- You choose
to live subconsciously.

- Richard. I'm sorry.
- Betty.

Well, this is fantastic.

This is Spazz Attack.

Spazz? Hi. I'm Betty.

- Patty, Spazz. Spazz, Patty.
- Hi.

This is Richard,
this is my show.

This is fantastic!

I'm doing this for a show.

Hopefully for cable television.

That's us.

Excuse me.

How are you? This is Patty.

Hi. How are you?
Nice meeting you.

Where can we get
something to drink?

Is your heart racing?
Isn't it too fabulous?

Here, darling.

Danger zone.

Bring it in here.
Excuse me.

What's happening?

Hey, are you two
as tough as you look?

I think maybe we should...

You don't touch me!

Get the fuck out of my party!

Let's go.

You want to come in?

No, I can't. I've gotta
go home and walk Sugar.

She must be hysterical by now.

Want to come over
and spend the night?

No. Thanks.

You sure?

I'm fine.

You call me if you need me.

Thanks, Patty. Really, thanks.

Sure you won't
change your mind?

- No. I'm fine.
- All right.

- Goodnight.
- Okay. Goodnight.

Drive careful.

Betty.

Shh!

Betty! Shh! Don't. Stop.

I'm not gonna hurt you.
It's Pete.

I'm Pete.
I'm Mike's friend Pete.

I'm not gonna hurt you.

I've been waiting for you.

I'll let you go.
I'll take my hand off you,

but you've got to promise
not to scream, please.

I'm not gonna hurt you.

Good, good.

Oh!

Shh! I'm going to
turn off the light.

No light.

No light. I can see out.

They can't see in.

Mike said you were terrific.

I was with him last night.

I talked to you from Venice.

You remember me
talking to you, don't you?

Uh-huh.

You're not gonna scream.

No.

You got anything to drink?

Yeah.

Good.

Get it.

Don't move fast.

I'm moving with you.

Where does this door go?

To the bedroom

and the bathroom
and the music room.

Any way out?

Okay.

All right.

Keep moving.

Oh, God.

Mike always said you had a...

great ass.

Where I can see
in the moon light,
Mike wasn't bullshitting.

Mike didn't bullshit too much.
He should've bullshit more.

Don't answer it.

Hi.
This is Betty with
one of those dumb machines.

Don't answer it.

Please leave
your name and number
and the time you called

when you hear the sound
of the infamous beep. Bye.

Hi. Betty, this is Sam.

- Sam!
- I just wanna warn you.

If this kid Pete shows up,
please for god's sake,
don't let him in.

- He came here
acting like a crazy man.
- Shut up! You asshole!

Don't listen to him.
Don't listen to him.

No.

He wouldn't let me in the door.

They were right behind me, too.

I saw them pull up
as I came up the stairs.

He said, "Go away!
Go away! Go away!"

I thought he was a friend.

What kind of a friend is that?

He wouldn't let me in.

But you will be my friend...

I need a friend.

You said you wanted
something to drink.

Yeah, I do.

What?

Anything.

Brandy.

Don't move fast.

Real slow.

- Where does--
- Oh!

Where does this door go?

Out to the patio,
to the garage.

Shh!

I heard them.
I heard them.

They're out there.

Did you hear them?
Did you hear them?

No. It's just the wind.

My car. They found my car.

They cut the tires.
They cut the upholstery.

How they found me,
I don't know.

They've been
following me all day.

I've gotta get outta town.

I don't know how
to get out of town.

Where's your car?

Out in front of the garage.

- No way to get to it
without being seen?
- No.

Oh, God.

- They're gonna kill me, too.
- No.

Get down.

We've got to watch.

We've got to wait.

Betty, I'm so tired.

I'm so fucking tired.

Pete, who are they?

Why did they kill Mike?
What do they want from you?

They're just the enforcers.

The enforcers are out there.

It was a mistake.

So simple.

I had done it
a dozen times before.

I needed help.
Mike needed money.

Phillip had thrown him out
and demanded
that he repay the loan.

There was so much.

We took so little.

I just wanted my share.

Do you know how much they have,

how well they live?

Do you know how much I have,

how I live?

I knew better.

I'd...

I'd taken some before.

I was so sure,

so confident that
nobody would know.

So sure,

so very, very, very sure.

Why are you looking
at me like that?

Like what?

No, I wasn't aware of
looking at you in any...

I didn't mean to.

You think it's all my fault!

He knew what had happened.

He was part of it.

He took his share.

I gave him his share.

You don't believe me.

I'll show you.

This... This...

This is what it's all about.

This is the only thing
that matters.

That's what they call it.

The only thing that matters.

Pete...

I'm so thirsty.

Let me get you
your brandy, all right?

You're not...

You're not gonna leave?

No.

You're not gonna run away?

No. I wanna help you.

I'm so tired.

I can't move.

You stay here.

I'll move.

Move slow.

Move slow.

Don't answer it.

Hi.
This is Betty with
one of those dumb machines.

I won't.

Please leave your
name and number
and the time you called

when you hear the sound
of the infamous beep. Bye.

Hi, Betty, it's Patty.
I called to check on...

She dropped me off, Pete.
She knows I'm here.

- Don't touch it.
- Betty...

Come on, darling.
I'm waiting, so is Sugar.

- She could help us.
- Don't touch it.

Betty.

Patty! Patty!

You lied. I trusted you!

I swear, I wanna
help you, Pete.

No, you don't!

- You're like all the rest!
- No.

You think it's all my fault.

No, you listen to me.

I'm gonna get you your drink.
You stay here.

I'll get you
something to drink.

What?

No! Pete, no, no!

Not smart of you!

Not smart of you at all.

You went for the knife.

No!

You went for the knife.

No, I didn't!

I didn't, I swear!
I was going for your drink.

You wanted to stick me
like a pig.

No.

He said he wasn't
good enough for you.

You're as much to blame as me.

Look into my eyes.

He said I wasn't
good enough for you, Betty.

Betty.

The good are guilty, too.

You think it's all my fault.

No.

- No.
- You could have helped me,

but you aren't helping.

What's that, Pete?
What is that?

What's that? What is that?

- It's an earthquake.
- What?

It's an earthquake.
It's an earthquake.

- Earthquake!
- What?

Earthquake!

Help me!

Somebody help me!

Get away from that door!

Betty!

Betty! Let me in!

No. Go away!

Pete, go away!

No!

No!

- No!
- Oh, no!

Please! Please!

No! No!

No!

Oh, please! Don't!

Betty! Betty! Betty!

No! No! No!

It's here! It's here!

I didn't touch it!

Honest, I didn't touch...

Hi.
This is Betty with
one of those dumb machines.

Just a minute.

Hello?

Oh, hi, Mom.

I was just out
getting the mail.

No. I came home last night.

Can't stay at Patty's forever.

No, I didn't sleep too well
last night, but I will.

No, I haven't
talked to the police
in over two weeks.

Mother,
I'm not gonna get a gun.

I told you,
I don't believe in it.

No.

No, don't put Dad--

Hi, Dad.

Dad, don't start
lecturing me again, please.

No.

No, I didn't see their faces,

and they weren't after me.

I am careful.

He could have been anyone.

No, I won't reconsider.

I'm fine.

Take care. Bye.

♪ When you told me
You were leaving ♪

♪ I knew you had
Your reasons ♪

♪ But you know ♪

♪ I can never believe you ♪

♪ When I woke up
On that morning ♪

♪ The truth is so alarming ♪

♪ Then I saw you
That you really ♪

♪ Walked out the door ♪

♪ You ♪

♪ Leaving me
Was a serious crime ♪

♪ No reason ♪

♪ I ♪

♪ Could never live this way ♪

♪ Without you ♪

♪ Without you ♪

♪ All those days
We were together ♪

♪ I tried to show
How much I care ♪

♪ But it's not always easy ♪

♪ To share emotion ♪

♪ The absent days
Were hard to take ♪

♪ I tried to make a change ♪

♪ I don't just want you ♪

♪ For my amusement ♪

♪ You ♪

♪ Give me everything I need ♪

♪ To love you ♪

♪ I ♪

♪ Will never be the same ♪

♪ Without you ♪