Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,767 --> 00:00:03,267
♪ ♪
2
00:00:03,267 --> 00:00:04,267
You're going in late
today.
3
00:00:04,267 --> 00:00:05,467
{\an1}Well, things have eased up
4
00:00:05,467 --> 00:00:07,900
{\an4}since I've become Inspector
Blake's assistant.
5
00:00:07,900 --> 00:00:09,700
♪ ♪
6
00:00:09,700 --> 00:00:10,700
{\an4}BLAKE: I will need a full report
of the case
7
00:00:10,700 --> 00:00:11,933
on my desk first thing.
8
00:00:11,933 --> 00:00:13,900
{\an5}Are you otherwise engaged
this evening?
9
00:00:13,900 --> 00:00:15,100
{\an1}I'm going to start afresh.
10
00:00:15,100 --> 00:00:16,700
{\an4}I can't be a private
investigator here anymore,
11
00:00:16,700 --> 00:00:19,500
{\an4}but Australia-- out there,
anything's possible.
12
00:00:19,500 --> 00:00:20,367
Reverend Harvey.
13
00:00:20,367 --> 00:00:21,533
{\an1}What are you doing here?
14
00:00:21,533 --> 00:00:22,833
{\an1}
We've set a date
for the wedding.
15
00:00:22,833 --> 00:00:24,267
(gasps)
16
00:00:24,267 --> 00:00:27,500
♪ ♪
17
00:00:28,533 --> 00:00:33,333
♪ ♪
18
00:00:33,333 --> 00:00:35,767
(thunder claps)
19
00:00:35,767 --> 00:00:38,433
(whimpering)
20
00:00:38,433 --> 00:00:39,467
(click)
21
00:00:40,900 --> 00:00:45,200
♪ ♪
22
00:00:51,000 --> 00:00:54,567
♪ ♪
23
00:00:56,933 --> 00:01:01,000
{\an1}(bell ringing, crow cawing)
24
00:01:01,000 --> 00:01:02,933
(bell continues)
25
00:01:09,633 --> 00:01:10,867
(door opens)
26
00:01:12,633 --> 00:01:14,600
(door closes)
27
00:01:14,600 --> 00:01:17,767
HEADMISTRESS (sighs):
Eliza Scarlet, yet again.
28
00:01:24,567 --> 00:01:27,967
{\an1}Do you think
you're someone special?
29
00:01:27,967 --> 00:01:30,967
Like the normal rules
do not apply?
30
00:01:33,267 --> 00:01:35,067
Well, you're wrong.
31
00:01:35,067 --> 00:01:37,833
{\an1}You're not special.
32
00:01:37,833 --> 00:01:40,000
Far from it.
33
00:01:41,100 --> 00:01:44,133
{\an1}(pounds):
Eliza Scarlet,
are you listening to me?
34
00:01:45,833 --> 00:01:47,867
Good.
35
00:01:47,867 --> 00:01:50,433
And to get it through
that stubborn head of yours,
36
00:01:50,433 --> 00:01:51,867
you will write out
37
00:01:51,867 --> 00:01:54,167
{\an1}100 times...
38
00:01:58,633 --> 00:02:00,733
{\an1}..."I am no one special."
39
00:02:02,733 --> 00:02:06,633
{\an7}Come on, hurry up--
"I am no one special."
40
00:02:06,633 --> 00:02:09,767
{\an7}"I am no one special."
41
00:02:09,767 --> 00:02:13,000
{\an7}
"I am no one special."
42
00:02:13,000 --> 00:02:16,300
{\an8}♪ ♪
43
00:02:18,633 --> 00:02:23,200
{\an1}(dogs barking, Eliza panting)
44
00:02:23,200 --> 00:02:28,300
♪ ♪
45
00:02:43,233 --> 00:02:46,767
{\an1}Whatever it is you think I know,
you're mistaken.
46
00:02:46,767 --> 00:02:49,533
{\an1}You've been poking around,
47
00:02:49,533 --> 00:02:51,600
asking questions.
48
00:02:51,600 --> 00:02:53,800
And then I find you
in my room.
49
00:02:53,800 --> 00:02:56,267
{\an1}Yeah, I, I can explain,
but not here.
50
00:02:56,267 --> 00:02:57,767
{\an1}At Scotland Yard.
51
00:02:57,767 --> 00:03:00,800
{\an1}Because that's where
you're going, Mr. Skinner.
52
00:03:00,800 --> 00:03:03,167
{\an1}Right now, in fact.
53
00:03:05,733 --> 00:03:07,100
Good evening,
Miss Scarlet.
54
00:03:07,100 --> 00:03:10,967
{\an1}Detective Fitzroy,
gentlemen, punctual as ever.
55
00:03:10,967 --> 00:03:12,967
{\an1}As promised, I deliver
to you
56
00:03:12,967 --> 00:03:15,300
{\an1}Mr. Silas Skinner, arsonist,
57
00:03:15,300 --> 00:03:18,300
{\an1}robber, and blackmailer
to a client of mine.
58
00:03:18,300 --> 00:03:21,033
{\an1}FITZROY:
Put him in the wagon.
59
00:03:21,033 --> 00:03:22,267
Who are you?
60
00:03:23,500 --> 00:03:25,100
No one special.
61
00:03:25,100 --> 00:03:29,467
♪ ♪
62
00:03:44,467 --> 00:03:50,300
♪ ♪
63
00:04:05,167 --> 00:04:10,267
♪ ♪
64
00:04:34,233 --> 00:04:37,900
♪ ♪
65
00:04:44,700 --> 00:04:47,333
{\an1}Ah, good, you're here,
Detective Fitzroy.
66
00:04:47,333 --> 00:04:50,800
{\an1}I had to read your message three
times before it sunk in, sir.
67
00:04:50,800 --> 00:04:52,533
{\an1}I could hardly believe it!
68
00:04:52,533 --> 00:04:55,300
{\an1}The great Abraham Barratt,
dead.
69
00:04:55,300 --> 00:04:58,800
{\an5}I take it
you're an admirer.
Indeed I am, sir.
70
00:04:58,800 --> 00:05:01,633
{\an1}In my estimation,
Barratt and Kapoor
71
00:05:01,633 --> 00:05:04,100
{\an1}are second only
to Gilbert and Sullivan.
72
00:05:04,100 --> 00:05:08,133
{\an1}I have often wondered...
73
00:05:08,133 --> 00:05:09,900
Forgive me, sir,
this is not the time.
74
00:05:09,900 --> 00:05:11,567
Go on.
75
00:05:11,567 --> 00:05:13,067
Briefly.
76
00:05:13,067 --> 00:05:16,000
{\an1}I have often wondered,
77
00:05:16,000 --> 00:05:19,400
{\an1}in such a partnership,
which I would prefer.
78
00:05:19,400 --> 00:05:23,233
{\an1}To be the composer of the music,
like poor Mr. Barratt here,
79
00:05:23,233 --> 00:05:26,400
{\an1}or to write the stories,
like Mr. Kapoor.
80
00:05:26,400 --> 00:05:28,167
{\an1}And what was your conclusion?
81
00:05:29,533 --> 00:05:31,700
{\an1}I should prefer to be a writer.
82
00:05:31,700 --> 00:05:34,133
{\an1}But a composer is still
quite a thing.
83
00:05:34,133 --> 00:05:36,100
The man's dead,
Detective Fitzroy.
84
00:05:36,100 --> 00:05:37,933
{\an1}He will not be offended.
85
00:05:37,933 --> 00:05:39,600
{\an1}Speaking of the writer,
86
00:05:39,600 --> 00:05:41,633
{\an1}it was Mr. Kapoor who was last
seen with the deceased.
87
00:05:41,633 --> 00:05:44,067
A stagehand saw them
arguing in the auditorium
88
00:05:44,067 --> 00:05:45,767
after tonight's
performance.
89
00:05:45,767 --> 00:05:48,300
20 minutes later,
a gunshot rang out from in here.
90
00:05:48,300 --> 00:05:50,833
The press has always
fueled rumors
91
00:05:50,833 --> 00:05:52,767
{\an1}of a tempestuous relationship
between the two men.
92
00:05:52,767 --> 00:05:56,333
{\an1}But whatever
their tensions,
93
00:05:56,333 --> 00:05:57,900
{\an1}their operettas were a joy.
94
00:05:59,500 --> 00:06:01,367
In fact,
I tried to obtain tickets
95
00:06:01,367 --> 00:06:03,700
{\an1}to tonight's final performance
of "The Shadow Queen,"
96
00:06:03,700 --> 00:06:05,200
but it was sold out.
97
00:06:05,200 --> 00:06:07,533
{\an1}Can you imagine anything
so disappointing, sir?
98
00:06:07,533 --> 00:06:10,533
Yes, several things.
99
00:06:10,533 --> 00:06:15,000
So, we have
a gunshot to the heart,
100
00:06:15,000 --> 00:06:19,633
{\an1}and from the powder burn on
the shirt, it was close range.
101
00:06:19,633 --> 00:06:21,500
{\an8}But no murder weapon.
102
00:06:21,500 --> 00:06:23,067
{\an8}However,
103
00:06:23,067 --> 00:06:25,433
{\an7}we do have this glove
covered in specks of blood.
104
00:06:25,433 --> 00:06:27,367
{\an7}The deceased
still wears his gloves,
105
00:06:27,367 --> 00:06:30,033
{\an7}so I'm assuming this
belonged to the shooter.
106
00:06:30,033 --> 00:06:32,967
A safe disguised
as a mirror.
107
00:06:32,967 --> 00:06:33,967
Ingenious!
108
00:06:33,967 --> 00:06:35,567
An empty safe.
109
00:06:35,567 --> 00:06:37,400
{\an1}Could it be a robbery, sir?
110
00:06:37,400 --> 00:06:39,533
{\an1}Possible,
or made to look like one.
111
00:06:39,533 --> 00:06:42,500
{\an1}Let's start with his partner,
Mr. Kapoor.
112
00:06:42,500 --> 00:06:43,900
Gather some men,
go to his house,
113
00:06:43,900 --> 00:06:45,200
{\an1}see what you can find,
114
00:06:45,200 --> 00:06:47,067
and then bring him in
for questioning.
115
00:06:47,067 --> 00:06:49,500
Oh, and Detective
Fitzroy.
116
00:06:49,500 --> 00:06:50,567
Sir?
117
00:06:50,567 --> 00:06:51,667
The man's a suspect.
118
00:06:51,667 --> 00:06:53,067
Don't ask him
for his autograph.
119
00:06:53,067 --> 00:06:56,400
{\an1}Yes, sir.
120
00:06:56,400 --> 00:07:01,300
{\an1}(people talking in background)
121
00:07:01,300 --> 00:07:03,300
{\an1}Morning, sir.
122
00:07:03,300 --> 00:07:05,400
{\an1}BLAKE:
Detective Phelps.
123
00:07:05,400 --> 00:07:07,267
{\an1}I thought you had
some days off.
124
00:07:07,267 --> 00:07:09,100
I do, but I heard
about the Barratt murder
125
00:07:09,100 --> 00:07:10,900
and I thought
you might need me in.
126
00:07:10,900 --> 00:07:12,200
{\an1}I appreciate the offer,
but there's no need.
127
00:07:12,200 --> 00:07:14,233
{\an1}Enjoy your time off.
With respect, sir,
128
00:07:14,233 --> 00:07:16,100
{\an1}something this high-profile
129
00:07:16,100 --> 00:07:17,733
{\an1}needs one of your
more senior men.
130
00:07:17,733 --> 00:07:19,500
{\an1}An experienced eye.
131
00:07:19,500 --> 00:07:21,067
As I have said,
132
00:07:21,067 --> 00:07:22,700
{\an1}I don't need any more assistance
on the investigation.
133
00:07:22,700 --> 00:07:25,800
{\an1}What's she doing here, then?
134
00:07:32,200 --> 00:07:34,067
Oh.
135
00:07:34,067 --> 00:07:35,733
{\an1}Good morning,
Inspector Blake.
136
00:07:35,733 --> 00:07:38,433
Miss Scarlet, we seem
to have a communication problem.
137
00:07:38,433 --> 00:07:39,867
I have requested
on several occasions
138
00:07:39,867 --> 00:07:41,467
{\an1}that you do not enter my office
139
00:07:41,467 --> 00:07:42,767
without permission.
140
00:07:42,767 --> 00:07:46,867
{\an1}I heard about
the murder of Abraham Barratt.
141
00:07:46,867 --> 00:07:48,800
{\an1}The mighty composer, dead.
142
00:07:48,800 --> 00:07:50,267
{\an1}You assume changing the subject
143
00:07:50,267 --> 00:07:52,433
{\an1}will somehow distract me
from your unauthorized entry.
144
00:07:52,433 --> 00:07:54,200
{\an1}Did it?
No.
145
00:07:54,200 --> 00:07:55,433
{\an1}Oh.
146
00:07:55,433 --> 00:07:56,833
Just state your business
and then please allow me
147
00:07:56,833 --> 00:07:58,767
to get on with mine.
148
00:07:58,767 --> 00:08:01,133
{\an1}My, uh, my colleague,
Mr. Clarence Pettigrew,
149
00:08:01,133 --> 00:08:03,367
{\an1}is visiting Liverpool
on financial business,
150
00:08:03,367 --> 00:08:04,967
{\an1}and in his absence,
151
00:08:04,967 --> 00:08:07,533
{\an1}he's left me a list of unpaid
accounts he wishes me to settle,
152
00:08:07,533 --> 00:08:09,533
{\an1}one of which is my fee
for the Hawkins case.
153
00:08:09,533 --> 00:08:10,900
{\an1}It's been a month.
154
00:08:10,900 --> 00:08:14,633
That is a matter for the
accounts department, not me.
155
00:08:14,633 --> 00:08:16,900
{\an1}I also heard that you're
the lead investigator
156
00:08:16,900 --> 00:08:18,533
{\an1}on the Barratt case.
157
00:08:18,533 --> 00:08:20,067
The accounts department's
on the ground floor.
158
00:08:20,067 --> 00:08:21,133
Third door on the right.
159
00:08:23,433 --> 00:08:26,133
Miss Scarlet!
How nice to see you!
160
00:08:26,133 --> 00:08:28,033
{\an1}Good morning to you, too,
Detective Fitzroy.
161
00:08:28,033 --> 00:08:30,033
{\an1}How is Mr. Skinner this morning?
162
00:08:30,033 --> 00:08:32,333
{\an1}On his way to Wormwood Scrubs
as we speak.
163
00:08:32,333 --> 00:08:34,467
BLAKE:
Ah, yes, I heard
about his arrest.
164
00:08:34,467 --> 00:08:37,133
{\an1}Silas Skinner has evaded us
for more time
165
00:08:37,133 --> 00:08:39,467
than I'd like to admit--
bravo, Detective.
166
00:08:39,467 --> 00:08:41,867
Oh, I had very little
to do with it, sir.
167
00:08:41,867 --> 00:08:43,333
It was all down to
168
00:08:43,333 --> 00:08:46,500
{\an1}Miss Scarlet-- she practically
hand-delivered him.
169
00:08:46,500 --> 00:08:48,733
Oh.
170
00:08:48,733 --> 00:08:50,200
Well, in that case,
bravo, Miss Scarlet.
171
00:08:50,200 --> 00:08:52,700
{\an1}Thank you, Inspector Blake.
172
00:08:54,100 --> 00:08:56,500
{\an1}So, I gather from your presence
in my office, you have something
173
00:08:56,500 --> 00:08:58,133
you wish to share with me,
Detective Fitzroy.
174
00:08:58,133 --> 00:08:59,567
Yes, sir.
175
00:08:59,567 --> 00:09:01,433
Mr. Kapoor is ready
in interview room two.
176
00:09:01,433 --> 00:09:03,800
Mr. Kapoor?
As in Amil Kapoor?
177
00:09:03,800 --> 00:09:05,600
As in Amil Kapoor,
the dead man's partner?
178
00:09:05,600 --> 00:09:06,867
Yes.
BLAKE:
No.
179
00:09:06,867 --> 00:09:09,067
{\an1}Thank you, Detective Fitzroy.
180
00:09:10,500 --> 00:09:12,700
{\an5}I will be along
momentarily.
Yes, sir.
181
00:09:16,000 --> 00:09:18,067
{\an1}I heard a rumor
that you searched
182
00:09:18,067 --> 00:09:20,433
{\an1}Mr. Kapoor's house.
Good day.
183
00:09:25,300 --> 00:09:27,233
May I just point out
that I'm between cases
184
00:09:27,233 --> 00:09:30,200
{\an5}at the moment, so should
you need any assistance...
I won't.
185
00:09:30,200 --> 00:09:31,333
Then I will bid you
good day.
186
00:09:32,967 --> 00:09:35,000
(chuckles softly)
187
00:09:38,100 --> 00:09:40,433
My friend is dead,
and I am dragged in here
188
00:09:40,433 --> 00:09:42,067
and thrown into a cell
for the night,
189
00:09:42,067 --> 00:09:43,833
suspected of his murder?
190
00:09:43,833 --> 00:09:46,567
{\an1}You were not dragged anywhere,
Mr. Kapoor, nor were you thrown.
191
00:09:46,567 --> 00:09:48,567
{\an1}I presented my evidence to you
last night
192
00:09:48,567 --> 00:09:50,900
{\an1}and you have
no plausible explanation.
193
00:09:50,900 --> 00:09:52,333
{\an1}I did not kill Abraham.
194
00:09:52,333 --> 00:09:54,333
There's nothing more
to say on the matter.
195
00:09:54,333 --> 00:09:56,700
{\an1}You were the last person
to be seen with the deceased,
196
00:09:56,700 --> 00:09:58,467
{\an1}and witnesses claim there
was an argument between you.
197
00:09:58,467 --> 00:10:01,300
(sighs):
As I explained, Inspector,
198
00:10:01,300 --> 00:10:04,267
Abraham and I had
some cross words.
199
00:10:04,267 --> 00:10:07,200
{\an5}Nothing out
of the ordinary.
Cross words about what?
200
00:10:08,667 --> 00:10:11,600
{\an1}My wife was one of the cast.
201
00:10:11,600 --> 00:10:14,233
He was criticizing her
performance like he always did.
202
00:10:15,933 --> 00:10:18,067
{\an1}Hm, there's also the
matter of a white glove
203
00:10:18,067 --> 00:10:19,667
{\an1}matching the one left
at the crime scene
204
00:10:19,667 --> 00:10:21,067
{\an1}found at your property.
205
00:10:21,067 --> 00:10:25,100
{\an1}So, too, was a revolver, one
which had recently been fired.
206
00:10:25,100 --> 00:10:27,233
{\an1}The bullets match the one
found in Mr. Barratt's body.
207
00:10:27,233 --> 00:10:30,767
{\an1}I have no idea how my glove
got into Abraham's office,
208
00:10:30,767 --> 00:10:32,733
nor can I account
for my revolver,
209
00:10:32,733 --> 00:10:36,500
but as I have said
numerous times,
210
00:10:36,500 --> 00:10:38,033
I went straight home
after our disagreement
211
00:10:38,033 --> 00:10:40,033
and I remained there
all evening.
212
00:10:40,033 --> 00:10:42,033
{\an1}To an empty house where
no one can verify your presence.
213
00:10:42,033 --> 00:10:44,533
My wife was out with
the rest of the cast
214
00:10:44,533 --> 00:10:46,767
celebrating
the final curtain.
215
00:10:46,767 --> 00:10:49,200
How many times
must I explain that?!
216
00:10:51,000 --> 00:10:53,000
{\an1}Have you had any more
thoughts on what might have
217
00:10:53,000 --> 00:10:54,533
{\an1}been stolen
from Mr. Barratt's safe?
218
00:10:54,533 --> 00:10:58,033
No, I have not.
219
00:10:58,033 --> 00:11:00,633
And I find it difficult
to think about anything
220
00:11:00,633 --> 00:11:04,467
other than the fact
that my oldest friend is dead
221
00:11:04,467 --> 00:11:06,567
and I have been accused
of killing him!
222
00:11:06,567 --> 00:11:08,000
{\an1}(sighs):
Mr. Kapoor, I have no choice
223
00:11:08,000 --> 00:11:09,767
{\an1}but to charge you with
the murder of Abraham Barratt.
224
00:11:09,767 --> 00:11:13,133
{\an1}So you will be taken from here
and held at Newgate Prison
225
00:11:13,133 --> 00:11:16,567
{\an1}pending further investigation.
226
00:11:16,567 --> 00:11:19,800
♪ ♪
227
00:11:19,800 --> 00:11:21,767
(breathes deeply)
228
00:11:29,067 --> 00:11:30,467
Can I help you?
229
00:11:30,467 --> 00:11:33,267
{\an1}I'm looking
for Miss Scarlet.
230
00:11:33,267 --> 00:11:35,067
You've found her.
231
00:11:35,067 --> 00:11:39,667
{\an1}My name is Matilda Barratt,
widow of Abraham Barratt.
232
00:11:39,667 --> 00:11:42,933
♪ ♪
233
00:11:42,933 --> 00:11:46,533
{\an1}Abraham is not yet cold, and
I should be at home in mourning,
234
00:11:46,533 --> 00:11:49,067
{\an1}but I was asked to find
a private investigator,
235
00:11:49,067 --> 00:11:51,100
{\an1}and it is a call for help
I could not ignore.
236
00:11:51,100 --> 00:11:52,933
By whom?
237
00:11:52,933 --> 00:11:56,367
The man accused
of killing my husband.
238
00:11:56,367 --> 00:11:58,967
Wha... His partner?
239
00:11:58,967 --> 00:12:00,333
Mr. Kapoor?
240
00:12:00,333 --> 00:12:05,033
Amil Kapoor is not
just my husband's partner.
241
00:12:05,033 --> 00:12:09,467
He has been my lover
for the past year.
242
00:12:09,467 --> 00:12:11,000
{\an1}Amil protests his innocence,
243
00:12:11,000 --> 00:12:13,800
{\an1}but they're now transferring him
to Newgate Prison,
244
00:12:13,800 --> 00:12:16,900
which is why he sent me
an urgent message this morning.
245
00:12:16,900 --> 00:12:18,733
He instructed that I go
to the two largest
246
00:12:18,733 --> 00:12:20,567
investigation agencies
in the city,
247
00:12:20,567 --> 00:12:22,767
{\an1}Gill and Son and Culpepper's,
248
00:12:22,767 --> 00:12:24,967
and prior to coming here,
I did just that,
249
00:12:24,967 --> 00:12:28,067
but they both refused
to take the case.
250
00:12:29,933 --> 00:12:33,533
{\an1}Well, if Mr. Kapoor has
been transferred to Newgate,
251
00:12:33,533 --> 00:12:35,967
{\an1}the evidence against him
must be robust indeed.
252
00:12:35,967 --> 00:12:40,033
{\an1}It'll be a hard case
to prove him innocent.
253
00:12:40,033 --> 00:12:42,733
Do you believe he is?
254
00:12:44,533 --> 00:12:47,567
{\an1}I'm unsure what to believe.
255
00:12:49,333 --> 00:12:51,900
{\an1}I know that I love him,
and that if he's convicted,
256
00:12:51,900 --> 00:12:54,533
he will hang.
257
00:12:54,533 --> 00:12:58,467
Amil is married, and
my husband is not yet buried.
258
00:12:58,467 --> 00:13:00,600
I must ask
that you keep my involvement
259
00:13:00,600 --> 00:13:02,467
in this matter
strictly confidential.
260
00:13:06,000 --> 00:13:08,033
{\an1}I will need the full facts,
261
00:13:08,033 --> 00:13:10,433
{\an1}both Mr. Kapoor's side
of the story
262
00:13:10,433 --> 00:13:11,800
{\an1}and the evidence
against him.
263
00:13:11,800 --> 00:13:14,833
{\an1}But he, he won't be allowed
visitors at Newgate,
264
00:13:14,833 --> 00:13:18,067
{\an1}and even if he was, women aren't
permitted access to the prison.
265
00:13:21,300 --> 00:13:23,300
But I'll find a way,
Mrs. Barratt.
266
00:13:26,133 --> 00:13:29,167
OFFICER:
Come on, in you go.
267
00:13:29,167 --> 00:13:34,567
♪ ♪
268
00:13:34,567 --> 00:13:35,767
Uh, Mr. Fulton.
269
00:13:35,767 --> 00:13:38,133
I apologize for
the interruption,
270
00:13:38,133 --> 00:13:40,700
but I believe you know
an associate of mine,
271
00:13:40,700 --> 00:13:42,433
Mr. Patrick Nash.
272
00:13:44,633 --> 00:13:46,433
{\an1}It was through your arrangement
that I was able
273
00:13:46,433 --> 00:13:48,867
{\an1}to visit Mr. Nash here,
and I was hoping
274
00:13:48,867 --> 00:13:51,533
{\an1}for a similar arrangement
to visit another inmate.
275
00:13:51,533 --> 00:13:54,300
{\an1}Don't remember no Nash.
276
00:13:54,300 --> 00:13:57,367
Uh, cocky? Irish?
277
00:13:57,367 --> 00:13:59,300
Owes you money?
278
00:14:01,100 --> 00:14:03,600
Very well.
279
00:14:03,600 --> 00:14:05,300
Perhaps I can inform
the prison governor
280
00:14:05,300 --> 00:14:07,433
{\an1}about your little sideline.
281
00:14:07,433 --> 00:14:09,600
{\an1}Might that jog your memory?
282
00:14:11,567 --> 00:14:13,333
(inhales sharply)
283
00:14:13,333 --> 00:14:17,533
ELIZA:
I need a thorough understanding
of your case, Mr. Kapoor.
284
00:14:17,533 --> 00:14:19,733
The bullet
that killed Mr. Barratt
285
00:14:19,733 --> 00:14:22,700
matches the ones
found in your revolver.
286
00:14:22,700 --> 00:14:25,100
{\an1}How do you account for that?
287
00:14:25,100 --> 00:14:27,900
{\an1}I cannot,
nor can I square the fact
288
00:14:27,900 --> 00:14:30,300
{\an1}that my glove was found
at the crime scene,
289
00:14:30,300 --> 00:14:33,167
{\an1}but I did not kill
my partner, I swear it.
290
00:14:33,167 --> 00:14:36,300
And I assume
the police are unaware
291
00:14:36,300 --> 00:14:37,933
of your relationship
with his wife.
292
00:14:39,500 --> 00:14:41,633
Mm-hmm.
293
00:14:41,633 --> 00:14:43,533
(inhales)
294
00:14:43,533 --> 00:14:46,967
{\an1}There is something else
I did not share with them.
295
00:14:49,133 --> 00:14:51,467
{\an1}After the final show last night,
296
00:14:51,467 --> 00:14:53,833
{\an1}Abraham told me that locked
inside his safe
297
00:14:53,833 --> 00:14:56,667
was a manuscript
for a new operetta,
298
00:14:56,667 --> 00:14:58,533
{\an1}but the police informed me
299
00:14:58,533 --> 00:15:01,633
{\an1}that when they found Abraham
dead,
300
00:15:01,633 --> 00:15:04,733
{\an1}the safe was unlocked
and empty.
301
00:15:04,733 --> 00:15:07,733
{\an1}So, someone had stolen
the manuscript.
302
00:15:07,733 --> 00:15:09,400
{\an1}Then why not tell the police
that?
303
00:15:09,400 --> 00:15:14,433
{\an1}Because the manuscript was for
Abraham's first solo production.
304
00:15:14,433 --> 00:15:17,833
{\an1}That was the real reason
for our argument.
305
00:15:17,833 --> 00:15:21,767
(laughs):
He was dissolving
our partnership.
306
00:15:21,767 --> 00:15:25,767
{\an1}(chuckles):
Gloated that it would
be the biggest hit yet,
307
00:15:25,767 --> 00:15:30,933
{\an1}some magical story
about an enchanted mirror.
308
00:15:30,933 --> 00:15:33,167
{\an1}The truth is,
309
00:15:33,167 --> 00:15:37,000
{\an1}Abraham was the real talent
in our partnership.
310
00:15:37,000 --> 00:15:39,000
We began as equals.
311
00:15:39,000 --> 00:15:42,267
I wrote the book--
the story and the dialogue--
312
00:15:42,267 --> 00:15:44,400
{\an1}and he composed the music.
313
00:15:44,400 --> 00:15:47,400
{\an1}We set up a theater company
314
00:15:47,400 --> 00:15:49,300
{\an1}with actors and musicians,
315
00:15:49,300 --> 00:15:52,000
{\an1}and we had residency
in so many theaters,
316
00:15:52,000 --> 00:15:55,200
{\an1}but increasingly,
he began to do it all--
317
00:15:55,200 --> 00:15:59,167
{\an1}the story and the composing.
318
00:16:00,900 --> 00:16:04,433
{\an1}And the more his talent grew,
319
00:16:04,433 --> 00:16:06,400
the more mine seemed
to diminish.
320
00:16:08,567 --> 00:16:10,133
(sighs)
321
00:16:10,133 --> 00:16:13,433
{\an1}Abraham leaving me behind
would be the end of my career.
322
00:16:15,600 --> 00:16:17,633
Yes.
323
00:16:19,300 --> 00:16:20,833
{\an1}That look on your face
is exactly
324
00:16:20,833 --> 00:16:22,100
{\an1}why I didn't tell the police.
325
00:16:24,067 --> 00:16:26,067
(chuckles)
326
00:16:26,067 --> 00:16:28,767
{\an1}Quite the motive for murder,
is it not?
327
00:16:32,500 --> 00:16:35,333
{\an1}So you think whoever stole
the manuscript is the killer.
328
00:16:35,333 --> 00:16:37,233
I do.
329
00:16:37,233 --> 00:16:39,133
{\an1}And I think they're doing
their best
330
00:16:39,133 --> 00:16:41,333
{\an1}to implicate me in the crime.
331
00:16:41,333 --> 00:16:43,100
Well, do you know
who would do such a thing?
332
00:16:43,100 --> 00:16:45,667
{\an1}That's why I hired you.
333
00:16:45,667 --> 00:16:48,167
♪ ♪
334
00:16:52,833 --> 00:16:55,000
Thank you for waiting.
335
00:16:55,000 --> 00:16:58,467
PHELPS:
Miss Scarlet.
336
00:16:58,467 --> 00:16:59,833
ELIZA:
Detective Phelps.
337
00:16:59,833 --> 00:17:02,567
{\an1}This is no place for a lady.
338
00:17:02,567 --> 00:17:05,167
{\an1}What on Earth could
have brought you here?
339
00:17:05,167 --> 00:17:07,233
Research.
Research?
340
00:17:07,233 --> 00:17:09,367
(chuckles):
Well, do go on.
341
00:17:09,367 --> 00:17:11,367
I've been interviewing
a number of prisoners
342
00:17:11,367 --> 00:17:13,633
to better understand
the nature of the criminal mind.
343
00:17:13,633 --> 00:17:15,567
{\an1}Oh, that's good,
that's very good.
344
00:17:15,567 --> 00:17:18,200
{\an1}You do know how to
cheer me up, Miss Scarlet.
345
00:17:18,200 --> 00:17:21,700
{\an1}Now, what are you really
doing here?
346
00:17:21,700 --> 00:17:23,233
I believe I just told you.
347
00:17:23,233 --> 00:17:25,167
Good day.
348
00:17:26,933 --> 00:17:27,967
(door closes)
349
00:17:27,967 --> 00:17:30,633
{\an1}As senior detective,
350
00:17:30,633 --> 00:17:33,567
{\an1}I'm leading the investigation
into the Barratt murder,
351
00:17:33,567 --> 00:17:35,667
{\an1}and I have a strong suspicion
352
00:17:35,667 --> 00:17:37,833
{\an1}you've been talking
to our prime suspect,
353
00:17:37,833 --> 00:17:41,933
{\an1}so I'm asking-- no.
354
00:17:41,933 --> 00:17:44,767
{\an1}Instructing that you share
355
00:17:44,767 --> 00:17:47,467
{\an1}any and all information
about this case.
356
00:17:47,467 --> 00:17:50,700
Have you never heard
of client confidentiality?
357
00:17:50,700 --> 00:17:53,333
{\an1}So, the accused
is your client?
358
00:17:56,067 --> 00:18:01,200
{\an4}Well, now you've shared
summat with me...
(door opens)
359
00:18:01,200 --> 00:18:07,000
{\an1}...would you like me
to share something with you?
360
00:18:07,000 --> 00:18:10,333
Not really.
(sniffs)
361
00:18:10,333 --> 00:18:14,967
{\an1}I went to see Mrs. Barratt to
ask about her husband's murder.
362
00:18:14,967 --> 00:18:19,033
{\an1}She wasn't at home, so
I spoke to her driver instead.
363
00:18:19,033 --> 00:18:23,067
{\an1}He told me she'd paid
a visit this morning
364
00:18:23,067 --> 00:18:26,933
{\an1}to the lady detective.
365
00:18:26,933 --> 00:18:28,967
{\an1}So that got me thinking.
366
00:18:28,967 --> 00:18:31,467
You must have spoken
to the widow before
367
00:18:31,467 --> 00:18:36,533
{\an1}you spoke to the man accused
of killing her husband.
368
00:18:36,533 --> 00:18:41,500
{\an1}Which is all
very intriguing.
369
00:18:41,500 --> 00:18:44,100
Are you drunk?
370
00:18:44,100 --> 00:18:46,267
{\an1}You didn't answer
my question.
371
00:18:46,267 --> 00:18:48,367
You didn't answer mine.
372
00:18:48,367 --> 00:18:51,600
Perhaps I should ask
Inspector Blake instead.
373
00:18:51,600 --> 00:18:54,333
{\an1}Hm-- very well.
374
00:18:54,333 --> 00:18:57,467
{\an1}I'll find out what's
going on meself.
375
00:19:00,233 --> 00:19:01,867
{\an1}(door closes)
376
00:19:04,267 --> 00:19:07,533
{\an1}VIOLET:
Julius! Julius!
377
00:19:09,167 --> 00:19:13,067
{\an1}Have you any idea the distress
that this episode has caused me?
378
00:19:13,067 --> 00:19:15,167
{\an1}My husband is in prison!
379
00:19:15,167 --> 00:19:17,133
Which is exactly where
he belongs!
380
00:19:17,133 --> 00:19:20,267
{\an1}How dare you speak to me
in that manner!
381
00:19:20,267 --> 00:19:22,467
I will speak to you
in any manner I choose!
382
00:19:22,467 --> 00:19:25,800
Your husband
is a murderer, Violet,
383
00:19:25,800 --> 00:19:28,500
and nothing you say
can convince me otherwise!
384
00:19:28,500 --> 00:19:31,000
{\an1}Come back here this instant
and apologize!
385
00:19:31,000 --> 00:19:32,800
{\an1}Julius!
386
00:19:32,800 --> 00:19:35,500
{\an1}Julius!
387
00:19:41,367 --> 00:19:44,633
How typical of Amil--
to hire a private detective
388
00:19:44,633 --> 00:19:46,867
rather than contact
his own wife.
389
00:19:46,867 --> 00:19:48,633
Selfish to the core.
390
00:19:48,633 --> 00:19:52,367
{\an1}I doubt it's even occurred
to him how all this affects me.
391
00:19:52,367 --> 00:19:55,933
{\an1}I am completely alone.
392
00:19:58,100 --> 00:19:59,800
{\an1}Well, I'm here, Mrs. Kapoor,
393
00:19:59,800 --> 00:20:01,700
because your husband
pleads his innocence,
394
00:20:01,700 --> 00:20:03,800
and if I can prove
that that's the case,
395
00:20:03,800 --> 00:20:05,033
{\an1}then he can return home to you.
396
00:20:06,700 --> 00:20:09,033
{\an1}The night of the murder,
you were not at your house
397
00:20:09,033 --> 00:20:10,600
when he returned?
398
00:20:10,600 --> 00:20:13,433
{\an1}As always, we have a soirée
at the end of the run.
399
00:20:13,433 --> 00:20:16,133
{\an1}I was with the rest of the cast,
and we had dinner.
400
00:20:16,133 --> 00:20:19,500
{\an1}Amil was meant to attend,
but he didn't show up.
401
00:20:19,500 --> 00:20:21,900
{\an1}And by the time I got home,
the police were there
402
00:20:21,900 --> 00:20:24,300
searching the house,
and they arrested him.
403
00:20:25,600 --> 00:20:27,667
Can you imagine
my humiliation?
404
00:20:27,667 --> 00:20:30,000
{\an1}In front of all the neighbors!
405
00:20:30,000 --> 00:20:34,033
That man has ruined
my life!
406
00:20:34,033 --> 00:20:37,767
He has let me down
time and time again.
407
00:20:37,767 --> 00:20:39,800
(sighs)
408
00:20:39,800 --> 00:20:42,800
{\an1}I would have made
a magnificent Shadow Queen.
409
00:20:44,133 --> 00:20:46,400
{\an1}And yet again, Amil's promises
were never fulfilled,
410
00:20:46,400 --> 00:20:48,533
{\an1}and I was stuck in the role
411
00:20:48,533 --> 00:20:50,067
of lady-in-waiting.
412
00:20:50,067 --> 00:20:53,633
{\an1}Always the bridesmaid,
never the bride.
413
00:20:53,633 --> 00:20:55,900
The gentleman
you were arguing with
414
00:20:55,900 --> 00:20:58,033
seems convinced
of your husband's guilt.
415
00:20:58,033 --> 00:20:59,967
{\an1}Who cares about Julius?
416
00:20:59,967 --> 00:21:03,000
{\an1}He's just a talentless fool
with delusions of grandeur.
417
00:21:03,000 --> 00:21:06,267
{\an1}No doubt he will be insufferable
at his brother's funeral,
418
00:21:06,267 --> 00:21:09,333
certain to make it all
about him and his grief.
419
00:21:09,333 --> 00:21:11,433
{\an1}He is Abraham Barratt's
brother?
420
00:21:11,433 --> 00:21:13,300
Well, not that it did him
much good.
421
00:21:13,300 --> 00:21:15,100
Always desperate
to get some of his own writing
422
00:21:15,100 --> 00:21:17,700
into one of the shows,
and never was it good enough.
423
00:21:17,700 --> 00:21:19,800
He's only the violinist
in the orchestra
424
00:21:19,800 --> 00:21:21,733
because his brother
felt sorry for him.
425
00:21:21,733 --> 00:21:23,700
He's a dreadful musician.
426
00:21:23,700 --> 00:21:26,467
{\an1}I only came here to pack up
my dressing room,
427
00:21:26,467 --> 00:21:28,900
{\an1}and instead I had to suffer
that man
428
00:21:28,900 --> 00:21:31,033
screaming at me in such
an unseemly manner.
429
00:21:31,033 --> 00:21:34,200
He is no gentleman--
no gentleman at all.
430
00:21:35,567 --> 00:21:38,833
{\an4}I heard a rumor,
Mrs. Kapoor...
It is not true.
431
00:21:38,833 --> 00:21:42,167
{\an1}I have always been faithful
to Amil.
432
00:21:42,167 --> 00:21:47,167
{\an1}A rumor about Mr. Barratt
writing a new operetta?
433
00:21:47,167 --> 00:21:49,167
{\an1}A solo endeavor.
434
00:21:49,167 --> 00:21:51,033
Solo? What nonsense!
435
00:21:51,033 --> 00:21:52,567
My husband would never
have stood for it.
436
00:21:52,567 --> 00:21:54,533
{\an1}They have been a partnership,
437
00:21:54,533 --> 00:21:56,133
always.
438
00:21:56,133 --> 00:21:57,933
{\an1}So you are unaware
of a new production
439
00:21:57,933 --> 00:22:00,800
{\an1}about a magical mirror.
440
00:22:00,800 --> 00:22:04,733
A magical mirror?
441
00:22:04,733 --> 00:22:08,600
Is there a part in it
for a leading lady?
442
00:22:08,600 --> 00:22:13,167
♪ ♪
443
00:22:13,167 --> 00:22:17,433
I hear you're a private
investigator, working for Amil.
444
00:22:17,433 --> 00:22:19,467
{\an1}Word travels fast.
445
00:22:19,467 --> 00:22:23,767
Well, I could tell you
a thing or two about him.
446
00:22:23,767 --> 00:22:25,733
And his vile wife.
447
00:22:25,733 --> 00:22:29,333
{\an1}Amil is an arrogant snob,
448
00:22:29,333 --> 00:22:32,300
disliked by many.
449
00:22:32,300 --> 00:22:35,867
Including his own wife.
450
00:22:35,867 --> 00:22:37,967
{\an1}You think Violet Kapoor
capable of murder?
451
00:22:37,967 --> 00:22:40,600
{\an1}Her husband wasn't the
only person she loathed.
452
00:22:40,600 --> 00:22:42,433
{\an1}She hated my brother, too.
453
00:22:42,433 --> 00:22:45,833
And the feeling
was mutual.
454
00:22:45,833 --> 00:22:47,567
(chuckles)
455
00:22:47,567 --> 00:22:49,633
Abraham used to say
456
00:22:49,633 --> 00:22:52,400
{\an1}the only successful acting
that woman ever did
457
00:22:52,400 --> 00:22:54,000
{\an1}was pretending to fall in love
with Amil
458
00:22:54,000 --> 00:22:55,500
{\an1}so that he would marry her.
459
00:22:57,300 --> 00:22:59,167
Let me tell you
460
00:22:59,167 --> 00:23:01,167
the type of woman
Violet Kapoor is.
461
00:23:01,167 --> 00:23:03,900
{\an1}While her husband festers
in prison,
462
00:23:03,900 --> 00:23:07,033
{\an1}she carries on performing
in any godforsaken hole
463
00:23:07,033 --> 00:23:08,200
that'll have her.
464
00:23:08,200 --> 00:23:10,700
All that woman cares about
is her fame.
465
00:23:10,700 --> 00:23:14,633
Nothing else--
certainly not her husband.
466
00:23:17,400 --> 00:23:20,967
{\an1}(church bells ringing)
467
00:23:20,967 --> 00:23:23,600
BLAKE:
"Alice watched the White Rabbit
as he fumbled with the list,
468
00:23:23,600 --> 00:23:26,067
{\an1}"feeling very curious to see
469
00:23:26,067 --> 00:23:28,033
{\an1}"what the next witness
would be like.
470
00:23:28,033 --> 00:23:31,633
{\an1}"So imagine her surprise
when the White Rabbit read out,
471
00:23:31,633 --> 00:23:36,233
{\an1}"at the top of his shrill little
voice, the name, 'Alice!'"
472
00:23:37,567 --> 00:23:40,367
{\an1}Right, time for sleep--
you have school tomorrow.
473
00:23:40,367 --> 00:23:43,767
I hate it there, Papa.
474
00:23:43,767 --> 00:23:46,100
{\an1}It'll get better, I promise.
475
00:23:46,100 --> 00:23:48,633
Did Eliza Scarlet
like school?
476
00:23:48,633 --> 00:23:50,533
{\an1}Eliza Scarlet?
477
00:23:52,500 --> 00:23:55,000
Who is she?
478
00:23:55,000 --> 00:23:56,767
{\an1}She came to the house
not so long ago.
479
00:23:56,767 --> 00:23:58,700
{\an1}Remember that morning
you were late for school?
480
00:23:58,700 --> 00:24:00,667
{\an1}Is she a lady policeman?
481
00:24:00,667 --> 00:24:02,967
{\an1}(chuckles):
No, sweetheart,
there's no such thing.
482
00:24:02,967 --> 00:24:05,667
{\an1}She is a private detective.
483
00:24:05,667 --> 00:24:06,967
Is that allowed?
484
00:24:07,967 --> 00:24:10,033
{\an1}(chuckles):
No more questions.
485
00:24:10,033 --> 00:24:12,667
{\an1}Now, Alice has gone to bed,
and so must you.
486
00:24:12,667 --> 00:24:14,300
(sighs):
How do you know that?
487
00:24:14,300 --> 00:24:19,333
{\an1}Because when I close the book,
Alice goes to sleep.
488
00:24:19,333 --> 00:24:22,900
{\an1}And tomorrow night,
when I read the next chapter,
489
00:24:22,900 --> 00:24:25,100
{\an1}she will awaken, like magic!
490
00:24:25,100 --> 00:24:27,133
You're silly, Papa.
491
00:24:27,133 --> 00:24:29,300
{\an1}I know.
492
00:24:31,100 --> 00:24:33,133
(horse neighs)
493
00:24:36,667 --> 00:24:38,533
{\an1}Morning, Inspector Blake.
494
00:24:38,533 --> 00:24:41,333
{\an5}Miss Scarlet.
I wonder if I might
have a word.
495
00:24:41,333 --> 00:24:42,733
Does that word involve me
sharing information
496
00:24:42,733 --> 00:24:44,100
about the Barratt case?
497
00:24:44,100 --> 00:24:46,100
Since apparently,
Mr. Kapoor is now your client.
498
00:24:46,100 --> 00:24:48,500
{\an1}I, I don't know what
Detective Phelps told you,
499
00:24:48,500 --> 00:24:50,667
{\an4}but...
Phelps isn't working the case--
he's on leave.
500
00:24:50,667 --> 00:24:52,067
{\an1}What?
501
00:24:52,067 --> 00:24:53,433
One of my men was
delivering a prisoner
502
00:24:53,433 --> 00:24:55,300
to Newgate Prison--
he saw you there.
503
00:24:55,300 --> 00:24:57,733
I don't know how
you wrangled your way inside.
504
00:24:57,733 --> 00:25:00,167
Nor do I want to.
505
00:25:00,167 --> 00:25:01,833
{\an1}Oh...
(sighs)
506
00:25:01,833 --> 00:25:04,767
{\an1}Yes, I'm, I'm working
for Mr. Kapoor,
507
00:25:04,767 --> 00:25:06,267
{\an1}but surely it would
benefit all parties
508
00:25:06,267 --> 00:25:07,767
{\an1}to share some basic
information.
509
00:25:07,767 --> 00:25:09,633
Very well--
what do you have?
510
00:25:09,633 --> 00:25:13,033
{\an1}Well, I, I've only just
begun my investigation,
511
00:25:13,033 --> 00:25:14,667
{\an1}but I know of the evidence
against him.
512
00:25:14,667 --> 00:25:16,767
Then you will also know
that it is most substantial.
513
00:25:16,767 --> 00:25:18,500
{\an1}Yes, but cases are
rarely this open and shut.
514
00:25:18,500 --> 00:25:22,500
{\an1}Shouldn't we consider
all lines of inquiry?
515
00:25:22,500 --> 00:25:25,533
There is no "we,"
Miss Scarlet.
516
00:25:28,567 --> 00:25:32,633
How about this: we each
allow each other one question
517
00:25:32,633 --> 00:25:34,100
and see where
we go from there?
518
00:25:34,100 --> 00:25:36,200
{\an1}Very well--
what's your question?
519
00:25:37,267 --> 00:25:39,633
I wish to see the evidence
against Mr. Kapoor:
520
00:25:39,633 --> 00:25:42,233
the glove, the revolver.
521
00:25:42,233 --> 00:25:44,000
May I have access to it?
No.
522
00:25:46,333 --> 00:25:48,367
{\an1}When you were a child,
did you enjoy school?
523
00:25:48,367 --> 00:25:49,900
What?
524
00:25:49,900 --> 00:25:51,233
{\an1}That's my question.
525
00:25:52,267 --> 00:25:53,700
I meant a question
about the case.
526
00:25:53,700 --> 00:25:56,800
{\an1}It's my question,
so it should be of my choosing.
527
00:25:59,333 --> 00:26:01,333
{\an1}I attended a convent school.
528
00:26:01,333 --> 00:26:04,400
The nuns were cruel,
and my classmates even more so.
529
00:26:04,400 --> 00:26:05,633
I, I hated it there.
530
00:26:07,033 --> 00:26:09,633
{\an1}Thank you, Miss Scarlet--
good day.
531
00:26:12,967 --> 00:26:15,000
(exhales)
532
00:26:22,467 --> 00:26:24,467
ELIZA:
Please forgive my lateness.
533
00:26:24,467 --> 00:26:27,500
{\an1}I, uh, I did receive
your message,
534
00:26:27,500 --> 00:26:28,833
{\an1}but I had some business
to attend to
535
00:26:28,833 --> 00:26:30,600
{\an1}regarding Mr. Kapoor's case.
536
00:26:30,600 --> 00:26:32,367
Did you manage to see
Amil?
537
00:26:32,367 --> 00:26:34,700
I did.
538
00:26:34,700 --> 00:26:36,533
{\an1}He mentioned something to me.
539
00:26:36,533 --> 00:26:40,300
{\an1}A new operetta that your husband
had written by himself.
540
00:26:40,300 --> 00:26:42,133
{\an1}A solo production.
541
00:26:42,133 --> 00:26:44,333
{\an1}Were you aware of this?
542
00:26:44,333 --> 00:26:46,033
A solo production,
without Amil?
543
00:26:46,033 --> 00:26:47,767
{\an1}Well, no, I know nothing of it.
544
00:26:47,767 --> 00:26:51,233
Mr. Kapoor believed
that the manuscript
545
00:26:51,233 --> 00:26:53,167
for the operetta
was stolen the night
546
00:26:53,167 --> 00:26:54,667
{\an1}that your husband was murdered.
547
00:26:54,667 --> 00:26:57,333
{\an1}If Amil says this is true,
then who am I to question it?
548
00:26:57,333 --> 00:26:59,933
But please be aware,
Miss Scarlet,
549
00:26:59,933 --> 00:27:03,733
{\an1}his and Abraham's relationship
was increasingly strained.
550
00:27:03,733 --> 00:27:06,533
{\an1}My husband may have said it
out of spite?
551
00:27:08,333 --> 00:27:11,100
{\an1}How did Amil seem to you?
552
00:27:12,300 --> 00:27:13,967
{\an1}Well, considering
the circumstances,
553
00:27:13,967 --> 00:27:15,833
{\an1}I think extremely well.
554
00:27:15,833 --> 00:27:18,500
{\an1}Do you think you might
be able to assist him?
555
00:27:18,500 --> 00:27:21,033
I am working on it.
556
00:27:22,033 --> 00:27:23,933
Thank you.
557
00:27:23,933 --> 00:27:27,367
I needed to hear
something uplifting.
558
00:27:27,367 --> 00:27:29,733
My days are filled with
a constant stream of mourners
559
00:27:29,733 --> 00:27:30,900
coming to the house
560
00:27:30,900 --> 00:27:34,033
and black
everywhere I look.
561
00:27:34,033 --> 00:27:35,567
I must confess,
562
00:27:35,567 --> 00:27:38,033
I never understood
the covering of mirrors.
563
00:27:39,367 --> 00:27:41,900
The notion that it stops
the deceased's spirit from being
564
00:27:41,900 --> 00:27:44,733
{\an1}trapped inside is odd,
don't you think?
565
00:27:44,733 --> 00:27:48,100
{\an1}I think we have many customs
that are more than a little odd,
566
00:27:48,100 --> 00:27:51,500
{\an4}yet we follow them
without question.
(chuckles)
567
00:27:51,500 --> 00:27:53,367
Your note said
568
00:27:53,367 --> 00:27:55,167
{\an1}that you wished
to tell me something?
569
00:27:55,167 --> 00:27:56,900
There was a man outside
the house this morning
570
00:27:56,900 --> 00:27:58,700
taking photographs.
571
00:27:58,700 --> 00:28:00,567
I sent the maid out
to speak to him,
572
00:28:00,567 --> 00:28:03,433
but he hurried off
without saying a word.
573
00:28:03,433 --> 00:28:05,233
I believe
he might be a journalist?
574
00:28:05,233 --> 00:28:06,933
Perhaps he's learnt
about myself and Amil.
575
00:28:06,933 --> 00:28:09,500
{\an1}Oh, if it should ever get out,
the scandal...
576
00:28:09,500 --> 00:28:11,900
{\an1}Could you describe this man?
577
00:28:13,233 --> 00:28:15,400
Red hair, red beard.
578
00:28:15,400 --> 00:28:17,933
An unsteady gait,
as if he'd been drinking.
579
00:28:17,933 --> 00:28:23,233
♪ ♪
580
00:28:23,233 --> 00:28:25,267
(knocks)
581
00:28:27,033 --> 00:28:29,800
{\an1}(footsteps approaching)
582
00:28:29,800 --> 00:28:31,200
(door creaks)
583
00:28:34,667 --> 00:28:35,967
(sniffs)
584
00:28:35,967 --> 00:28:37,667
How did you find me?
585
00:28:38,800 --> 00:28:42,167
{\an1}I'm a private detective.
586
00:28:42,167 --> 00:28:43,467
May I come in?
587
00:28:43,467 --> 00:28:45,833
No.
588
00:28:45,833 --> 00:28:49,867
{\an1}(door bangs, footsteps receding)
589
00:28:49,867 --> 00:28:52,733
(door creaks)
590
00:28:59,333 --> 00:29:01,000
{\an1}Inspector Blake told me
591
00:29:01,000 --> 00:29:03,167
{\an1}that you're not working
the Barratt murder case.
592
00:29:03,167 --> 00:29:08,200
{\an1}Why lie to me
and tell me that you were?
593
00:29:08,200 --> 00:29:10,967
Someone matching
your description
594
00:29:10,967 --> 00:29:14,367
{\an1}was seen outside Mrs. Barratt's
house taking photographs.
595
00:29:16,733 --> 00:29:18,400
Either you tell me
what's going on
596
00:29:18,400 --> 00:29:19,867
{\an1}or I'll inform
Inspector Blake
597
00:29:19,867 --> 00:29:22,233
{\an1}that you're working this case
without his authorization.
598
00:29:22,233 --> 00:29:23,867
(crying)
599
00:29:25,133 --> 00:29:26,133
Phelps?
600
00:29:26,133 --> 00:29:28,600
(sniffles)
601
00:29:29,733 --> 00:29:31,067
(sniffling)
602
00:29:32,267 --> 00:29:34,567
Charlie!
603
00:29:37,500 --> 00:29:40,067
PHELPS:
My missus left a couple
of months back,
604
00:29:40,067 --> 00:29:42,633
and took the kids
and went to her sister's.
605
00:29:42,633 --> 00:29:44,467
(sniffles)
606
00:29:44,467 --> 00:29:47,367
I started drinking a bit.
607
00:29:47,367 --> 00:29:49,700
(chuckles)
608
00:29:49,700 --> 00:29:53,333
Well, a lot.
609
00:29:53,333 --> 00:29:59,000
(sniffles):
That's when the landlord turfed
me out, and I ended up here.
610
00:29:59,000 --> 00:30:01,367
{\an1}It's all 'cause of him-- Blake.
611
00:30:01,367 --> 00:30:05,533
{\an1}Your, your wife left you
because of Inspector Blake?
612
00:30:05,533 --> 00:30:07,633
{\an1}After 20 years in the force,
613
00:30:07,633 --> 00:30:11,167
getting that promotion
to detective inspector
614
00:30:11,167 --> 00:30:13,033
was the best day
of my life.
615
00:30:13,033 --> 00:30:15,500
{\an1}I knew it was only temporary,
but I was sure
616
00:30:15,500 --> 00:30:17,533
it would end up permanent.
617
00:30:17,533 --> 00:30:22,100
Then he came along, Blake.
618
00:30:22,100 --> 00:30:24,367
{\an1}And the powers-that-be dropped
me like a tart's knickers.
619
00:30:26,133 --> 00:30:29,367
That's when I started
drinking.
620
00:30:29,367 --> 00:30:31,567
{\an1}That's when the missus left me.
621
00:30:33,500 --> 00:30:35,367
{\an1}I still don't understand
622
00:30:35,367 --> 00:30:37,833
{\an1}why you're investigating
the murder of Abraham Barratt.
623
00:30:37,833 --> 00:30:41,700
I know what my superiors
think.
624
00:30:41,700 --> 00:30:44,367
{\an1}That I'm some useless old sod
625
00:30:44,367 --> 00:30:46,867
who should have retired
years ago.
626
00:30:46,867 --> 00:30:50,333
So, I wanted to show them
what I can do.
627
00:30:50,333 --> 00:30:53,667
{\an1}You know, maybe find something
that he'd missed.
628
00:30:55,533 --> 00:31:01,100
{\an1}There's a vacancy for inspector
coming up at Bow Street.
629
00:31:01,100 --> 00:31:04,400
I thought solving such
a high-profile case might help.
630
00:31:04,400 --> 00:31:07,033
I even got a camera
from Scotland Yard
631
00:31:07,033 --> 00:31:09,800
to build up a picture
of Barratt's life--
632
00:31:09,800 --> 00:31:12,433
his home, the theater.
633
00:31:12,433 --> 00:31:15,267
But I'd had a skinful,
so now I don't know what I got
634
00:31:15,267 --> 00:31:18,367
in the end--
a couple of the actors.
635
00:31:18,367 --> 00:31:20,967
His brother.
636
00:31:20,967 --> 00:31:23,733
Is it Julian-- Julius?
637
00:31:25,633 --> 00:31:27,400
Waste of time.
638
00:31:29,300 --> 00:31:31,833
(voice trembling):
Maybe they're right.
639
00:31:31,833 --> 00:31:34,867
I am useless!
640
00:31:38,767 --> 00:31:40,867
(sniffs)
641
00:31:40,867 --> 00:31:43,267
You'll tell Blake
all of this, I suppose.
642
00:31:43,267 --> 00:31:46,200
Give him an excuse
to get rid of me.
643
00:31:46,200 --> 00:31:48,067
I will tell no one.
644
00:31:48,067 --> 00:31:49,933
(sniffs)
645
00:31:49,933 --> 00:31:51,900
{\an1}And for what it's worth,
646
00:31:51,900 --> 00:31:53,967
you are respected
by your colleagues.
647
00:31:53,967 --> 00:31:58,433
Fitzroy, maybe,
but he likes everyone.
648
00:31:58,433 --> 00:31:59,967
{\an1}No, not just Oliver.
649
00:31:59,967 --> 00:32:02,367
There are many
who sing your praises.
650
00:32:02,367 --> 00:32:05,200
{\an1}They're not always complimentary
about your manner,
651
00:32:05,200 --> 00:32:08,533
{\an1}but no one questions your skill
in the job.
652
00:32:12,567 --> 00:32:16,767
{\an1}May I offer you some advice?
653
00:32:16,767 --> 00:32:19,733
{\an1}Put the self-pity aside,
ease off the whisky,
654
00:32:19,733 --> 00:32:22,733
{\an1}and, um, maybe tidy up a little.
655
00:32:22,733 --> 00:32:24,100
It's not my fault.
656
00:32:24,100 --> 00:32:25,833
I got robbed earlier!
657
00:32:25,833 --> 00:32:27,867
Robbed?
658
00:32:27,867 --> 00:32:29,867
It's no surprise,
the door don't shut properly.
659
00:32:29,867 --> 00:32:33,467
(shouting):
Bloody dump!
660
00:32:33,467 --> 00:32:35,400
(sniffles)
661
00:32:35,400 --> 00:32:36,933
(normally):
I haven't got much to nick,
662
00:32:36,933 --> 00:32:40,033
but they took the camera
and the photographic plates.
663
00:32:40,033 --> 00:32:42,067
I borrowed them
from Scotland Yard.
664
00:32:42,067 --> 00:32:44,900
I'll have to replace them
now.
665
00:32:44,900 --> 00:32:49,133
(sniffles):
God knows how-- I'm broke!
666
00:32:52,567 --> 00:32:56,067
(pats)
667
00:32:56,067 --> 00:32:58,133
(sniffles)
668
00:32:58,133 --> 00:32:59,667
{\an1}Would you like me
to make you another coffee?
669
00:33:01,633 --> 00:33:03,000
Nah, that was horrible.
670
00:33:05,500 --> 00:33:11,400
(rain pelting)
671
00:33:22,933 --> 00:33:24,700
{\an1}What do we have?
672
00:33:24,700 --> 00:33:26,500
FITZROY:
The victim was
stabbed several times,
673
00:33:26,500 --> 00:33:28,867
{\an1}mostly from behind,
once through the neck.
674
00:33:28,867 --> 00:33:31,733
{\an1}The landlady has identified him
as Julius Barratt,
675
00:33:31,733 --> 00:33:35,033
{\an1}brother of Abraham Barratt.
676
00:33:35,033 --> 00:33:36,833
{\an1}Anything found on him?
677
00:33:36,833 --> 00:33:38,200
A pocket watch
and a wallet.
678
00:33:38,200 --> 00:33:40,000
{\an1}And inside was this.
679
00:33:41,933 --> 00:33:44,500
Hm.
680
00:33:44,500 --> 00:33:46,933
{\an1}I gave Julius Barratt
my business card
681
00:33:46,933 --> 00:33:49,433
{\an1}should anything else occur
to him.
682
00:33:49,433 --> 00:33:53,567
{\an1}It's shocking indeed
to hear of his death.
683
00:33:54,733 --> 00:33:56,767
(sighs)
684
00:33:56,767 --> 00:33:59,367
{\an1}It is, of course, possible
685
00:33:59,367 --> 00:34:02,033
{\an1}that Julius Barratt's death
is unconnected to his brother's,
686
00:34:02,033 --> 00:34:05,967
{\an1}but I would wager the same
person killed them both.
687
00:34:05,967 --> 00:34:08,867
{\an1}That's the line of inquiry
I believe we should follow.
688
00:34:08,867 --> 00:34:11,500
(chuckles):
There's that "we" again.
689
00:34:11,500 --> 00:34:15,133
Let us not forget
that it was me who warned
690
00:34:15,133 --> 00:34:17,233
{\an1}that this may not be
an open-and-shut case after all.
691
00:34:17,233 --> 00:34:19,167
I'm curious, Miss Scarlet,
do you think any conversation
692
00:34:19,167 --> 00:34:20,967
with the underlying point
of "I told you so"
693
00:34:20,967 --> 00:34:22,767
ever ends well?
694
00:34:24,833 --> 00:34:26,667
Is that drinkable?
695
00:34:26,667 --> 00:34:28,833
{\an1}Mm, just about.
696
00:34:32,267 --> 00:34:34,433
(thunder rumbles)
697
00:34:34,433 --> 00:34:38,467
(pouring)
698
00:34:39,600 --> 00:34:40,767
{\an1}Thank you.
699
00:34:45,300 --> 00:34:48,000
Why did you ask me
if I enjoyed being at school?
700
00:34:50,200 --> 00:34:52,100
Oh, that.
701
00:34:53,633 --> 00:34:55,733
{\an1}My daughter's struggling
with her teachers.
702
00:34:55,733 --> 00:34:58,567
Her classmates
seem no kinder.
703
00:34:58,567 --> 00:35:01,233
She's never found it easy
to make friends.
704
00:35:03,633 --> 00:35:05,633
Now, I know
she misses her mother,
705
00:35:05,633 --> 00:35:10,733
and I try my best
to fill the void, but...
706
00:35:14,900 --> 00:35:17,700
When I was at school,
I was continually made
707
00:35:17,700 --> 00:35:22,533
{\an1}to feel unimportant, worthless.
708
00:35:24,867 --> 00:35:26,300
{\an1}But I was lucky.
709
00:35:28,033 --> 00:35:30,367
{\an1}My father made me feel special.
710
00:35:32,900 --> 00:35:35,000
Sophia has you.
711
00:35:35,000 --> 00:35:37,633
{\an1}And from what I've seen,
you are a fine father.
712
00:35:43,600 --> 00:35:45,700
{\an1}How long since your wife died?
713
00:35:47,900 --> 00:35:49,200
Three years.
714
00:35:50,500 --> 00:35:53,967
It was the anniversary
not so long ago.
715
00:35:55,767 --> 00:35:59,333
I had hoped this year
would be easier.
716
00:36:02,600 --> 00:36:05,233
But thankfully,
my job keeps me busy.
717
00:36:05,233 --> 00:36:07,633
Work is indeed
a good distraction
718
00:36:07,633 --> 00:36:11,633
{\an1}from matters of the heart.
719
00:36:11,633 --> 00:36:15,467
♪ ♪
720
00:36:19,733 --> 00:36:21,867
Speaking of work,
721
00:36:21,867 --> 00:36:23,567
{\an1}in light of the second murder,
722
00:36:23,567 --> 00:36:25,267
there is something
I should perhaps share with you.
723
00:36:25,267 --> 00:36:28,367
{\an1}My client, Mr. Kapoor,
724
00:36:28,367 --> 00:36:30,200
{\an1}believes there was
something stolen
725
00:36:30,200 --> 00:36:32,000
{\an1}from Abraham Barratt's safe.
726
00:36:32,000 --> 00:36:34,133
{\an1}It's a manuscript.
727
00:36:34,133 --> 00:36:37,600
{\an1}It's a new operetta
that he'd written by himself.
728
00:36:37,600 --> 00:36:40,767
{\an1}He was ending
their partnership.
729
00:36:40,767 --> 00:36:42,200
{\an1}Well, I can understand
why Kapoor
730
00:36:42,200 --> 00:36:43,467
{\an1}wanted to keep that quiet.
731
00:36:43,467 --> 00:36:44,933
It is indeed
a strong motive for murder.
732
00:36:48,367 --> 00:36:50,067
{\an1}Julius Barratt
thought it possible
733
00:36:50,067 --> 00:36:53,000
{\an1}Violet Kapoor could have
murdered his brother
734
00:36:53,000 --> 00:36:54,967
{\an1}and placed the blame
on her husband.
735
00:36:58,600 --> 00:37:00,467
{\an1}What if Julius found out
that she was the killer
736
00:37:00,467 --> 00:37:02,500
{\an1}and she got rid of him, too?
737
00:37:02,500 --> 00:37:05,033
Hm.
738
00:37:05,033 --> 00:37:09,200
If Violet Kapoor is
involved in their murders,
739
00:37:09,200 --> 00:37:12,233
{\an1}how would the manuscript
benefit her?
740
00:37:12,233 --> 00:37:15,033
Well, she's an actress,
desperate for a leading role.
741
00:37:15,033 --> 00:37:17,600
I believe she'd kill
her own mother for one.
742
00:37:17,600 --> 00:37:20,567
So, she steals
the manuscript,
743
00:37:20,567 --> 00:37:23,900
kills Barratt,
plants evidence on her husband,
744
00:37:23,900 --> 00:37:26,800
{\an1}then plans to produce this
new show under her own name?
745
00:37:26,800 --> 00:37:29,000
{\an1}Little bit far-fetched,
don't you think?
746
00:37:29,000 --> 00:37:32,000
{\an1}These are theater people,
Inspector Blake.
747
00:37:32,000 --> 00:37:34,967
{\an1}They're not your everyday folk.
748
00:37:34,967 --> 00:37:39,500
{\an1}♪ Come into the garden, Maude ♪
749
00:37:39,500 --> 00:37:45,133
{\an1}♪ For I'm at the gate alone ♪
750
00:37:45,133 --> 00:37:47,267
{\an1}♪ For I am at the gate ♪
751
00:37:47,267 --> 00:37:50,667
♪ Alone ♪
752
00:37:50,667 --> 00:37:53,433
♪ For I ♪
753
00:37:53,433 --> 00:37:57,433
♪ Am at the gate ♪
754
00:37:57,433 --> 00:38:02,267
♪ Alone ♪
755
00:38:02,267 --> 00:38:08,833
{\an1}(audience cheers and applauds)
756
00:38:11,533 --> 00:38:14,233
(applause continues)
757
00:38:20,333 --> 00:38:22,533
{\an1}BLAKE:
Where were you earlier this
evening, around 8:00?
758
00:38:22,533 --> 00:38:25,767
I was here, rehearsing.
759
00:38:25,767 --> 00:38:28,000
{\an1}And when was the last time
you saw Julius Barratt?
760
00:38:29,333 --> 00:38:30,767
The other day.
761
00:38:30,767 --> 00:38:32,967
{\an1}I had a meeting with a producer.
762
00:38:32,967 --> 00:38:35,833
{\an1}Completely pointless, of course,
because no one will hire me now.
763
00:38:35,833 --> 00:38:37,933
{\an1}All anyone cares about
is the fact
764
00:38:37,933 --> 00:38:39,533
{\an1}that my husband is a murderer.
765
00:38:39,533 --> 00:38:41,700
{\an1}What has this got to do
with Julius Barratt?
766
00:38:41,700 --> 00:38:44,000
As I left my meeting,
767
00:38:44,000 --> 00:38:46,200
{\an1}Julius was waiting to see
the producer, too,
768
00:38:46,200 --> 00:38:48,500
{\an1}always trying to come out from
769
00:38:48,500 --> 00:38:51,167
his brother's shadow,
peddling his own music.
770
00:38:51,167 --> 00:38:53,800
Not that anyone
is ever interested.
771
00:38:53,800 --> 00:38:56,600
{\an1}And that was the last time
I saw him.
772
00:38:56,600 --> 00:39:00,267
What's this producer's
name?
773
00:39:00,267 --> 00:39:03,933
♪ ♪
774
00:39:05,167 --> 00:39:08,067
{\an1}CINELLI: Have you ever
considered the stage, my dear?
775
00:39:08,067 --> 00:39:09,500
{\an1}You have the face of an angel.
776
00:39:09,500 --> 00:39:12,967
{\an1}Does she not,
Inspector?
777
00:39:12,967 --> 00:39:15,767
{\an1}Mr. Cinelli, if you wouldn't
mind keeping to the point.
778
00:39:15,767 --> 00:39:18,100
You were talking
about Mr. Barratt.
779
00:39:18,100 --> 00:39:22,100
(sniffs):
Mm-hmm, yes, Julius.
780
00:39:22,100 --> 00:39:24,100
{\an1}He had the
misguided notion
781
00:39:24,100 --> 00:39:26,833
{\an1}that he was as talented
as his brother.
782
00:39:26,833 --> 00:39:29,600
An inflated sense
of his own self.
783
00:39:29,600 --> 00:39:34,767
{\an1}He even got his initials
engraved on his violin case
784
00:39:34,767 --> 00:39:36,867
in gold, "JB."
785
00:39:36,867 --> 00:39:40,633
(laughs):
As if anyone would want
to steal it!
786
00:39:40,633 --> 00:39:42,467
{\an1}(laughing)
787
00:39:42,467 --> 00:39:44,433
Excuse me.
788
00:39:45,900 --> 00:39:49,167
And you had a meeting
with Mr. Barratt on Tuesday?
789
00:39:51,067 --> 00:39:52,633
Those cheekbones.
790
00:39:52,633 --> 00:39:56,500
{\an1}Those cheekbones would set
fire to the coldest of hearts,
791
00:39:56,500 --> 00:39:58,967
and those eyes--
I could make you a star!
792
00:39:58,967 --> 00:40:01,233
(laughs)
793
00:40:01,233 --> 00:40:03,967
That's very kind of you,
Mr. Cinelli,
794
00:40:03,967 --> 00:40:06,400
but I, I have no desire
nor, indeed, talent
795
00:40:06,400 --> 00:40:07,667
for a life in the theater.
796
00:40:07,667 --> 00:40:11,967
{\an1}When a woman is as beautiful
as you are,
797
00:40:11,967 --> 00:40:13,967
my dear,
there's no need for talent.
798
00:40:13,967 --> 00:40:15,667
{\an1}Oh, for God's sake, man!
799
00:40:15,667 --> 00:40:17,833
We're not here
to discuss Miss Scarlet
800
00:40:17,833 --> 00:40:20,267
{\an1}changing professions--
she asked you a question.
801
00:40:20,267 --> 00:40:22,633
{\an1}My apologies, Inspector.
802
00:40:22,633 --> 00:40:25,000
{\an1}I seem to have hit a nerve.
803
00:40:25,000 --> 00:40:28,567
{\an1}Yes, we had a meeting
on Tuesday.
804
00:40:28,567 --> 00:40:32,433
{\an1}He said to me that he had
written a new operetta.
805
00:40:32,433 --> 00:40:34,767
{\an1}He kept it locked
in his violin case,
806
00:40:34,767 --> 00:40:37,300
{\an1}like some dramatic secret.
807
00:40:37,300 --> 00:40:40,133
{\an1}As he put out his instrument
and prepared to play,
808
00:40:40,133 --> 00:40:42,400
{\an1}I assumed it would be dull,
as always.
809
00:40:42,400 --> 00:40:45,300
But it wasn't?
No.
810
00:40:45,300 --> 00:40:48,433
Not at all--
it was absolutely astonishing.
811
00:40:48,433 --> 00:40:51,467
The best work
he had ever produced.
812
00:40:53,067 --> 00:40:54,967
Can you tell us
about his operetta?
813
00:40:54,967 --> 00:40:59,567
{\an1}Ah, hm, the title needed
some work.
814
00:40:59,567 --> 00:41:02,133
{\an1}But the music, it was exquisite.
815
00:41:02,133 --> 00:41:07,900
{\an1}A story of alchemy,
witchery, and magic.
816
00:41:07,900 --> 00:41:09,867
{\an1}"The Enchanted Mirror."
817
00:41:13,533 --> 00:41:16,900
{\an1}Are the two of you courting?
818
00:41:16,900 --> 00:41:18,400
{\an1}Because I think he likes you.
819
00:41:18,400 --> 00:41:21,333
♪ ♪
820
00:41:29,833 --> 00:41:33,700
Idiotic man.
I quite agree.
821
00:41:36,367 --> 00:41:38,533
{\an1}So, the case?
Yes, the case.
822
00:41:38,533 --> 00:41:41,567
{\an1}If Julius Barratt stole his
brother's new manuscript,
823
00:41:41,567 --> 00:41:43,500
then perhaps
he was the murderer.
824
00:41:43,500 --> 00:41:45,433
But who killed him?
825
00:41:45,433 --> 00:41:48,567
{\an1}We must go to Julius's lodgings,
see what we can find.
826
00:41:48,567 --> 00:41:50,200
{\an1}I should have arrested him.
827
00:41:50,200 --> 00:41:52,200
{\an1}That would have wiped
the smile off his face.
828
00:41:52,200 --> 00:41:54,533
{\an3}Who?
Cinelli!
829
00:41:54,533 --> 00:41:58,700
{\an1}Impresario--
bloody imbecile, more like.
830
00:42:02,233 --> 00:42:05,800
♪ ♪
831
00:42:05,800 --> 00:42:07,500
Cinelli said
that the manuscript
832
00:42:07,500 --> 00:42:10,100
was locked
inside a violin case.
833
00:42:10,100 --> 00:42:12,167
It doesn't seem
to be here, though.
834
00:42:14,133 --> 00:42:15,833
{\an1}It must have been
difficult for him,
835
00:42:15,833 --> 00:42:18,100
{\an1}having such
a successful brother.
836
00:42:18,100 --> 00:42:19,800
{\an1}I went to a lecture once
837
00:42:19,800 --> 00:42:23,467
on the nature
of sibling rivalry.
838
00:42:23,467 --> 00:42:25,600
It was at
the Royal Institute.
839
00:42:25,600 --> 00:42:28,933
{\an1}The conclusion was that pursuing
the attention of our parents
840
00:42:28,933 --> 00:42:30,700
ensures our survival.
841
00:42:30,700 --> 00:42:32,900
It's a continual fight
to be noticed,
842
00:42:32,900 --> 00:42:35,033
{\an1}to be the best in the tribe.
843
00:42:35,033 --> 00:42:37,667
(chuckles):
And I should know,
I'm one of seven.
844
00:42:37,667 --> 00:42:40,433
Do you get along
with your siblings?
845
00:42:40,433 --> 00:42:43,867
{\an1}Yes, when I don't see them.
846
00:42:43,867 --> 00:42:45,733
And you.
847
00:42:45,733 --> 00:42:47,733
I would wager
848
00:42:47,733 --> 00:42:48,900
an only child.
849
00:42:48,900 --> 00:42:51,000
How did you guess?
850
00:42:51,000 --> 00:42:52,833
Independent.
851
00:42:52,833 --> 00:42:54,600
Ambitious.
852
00:42:54,600 --> 00:42:56,300
Determined.
853
00:42:56,300 --> 00:42:58,900
{\an1}But in need of a little
reassurance now and again.
854
00:43:00,433 --> 00:43:03,300
{\an1}You have all the answers,
don't you, Inspector Blake?
855
00:43:03,300 --> 00:43:04,933
Well, I have the advantage
of having one
856
00:43:04,933 --> 00:43:06,267
just like you at home.
857
00:43:06,267 --> 00:43:08,333
My only wish is
that your father
858
00:43:08,333 --> 00:43:10,333
{\an5}were alive
to advise me.
Well, he'd surely tell you
859
00:43:10,333 --> 00:43:12,233
{\an1}that you have your work
cut out for you.
860
00:43:20,133 --> 00:43:21,900
Inspector Blake?
861
00:43:27,200 --> 00:43:31,067
{\an1}I suspect these didn't belong
to Julius Barratt.
862
00:43:33,500 --> 00:43:35,633
In fact,
863
00:43:35,633 --> 00:43:38,433
I believe he stole them.
864
00:43:38,433 --> 00:43:41,000
And I know who from.
865
00:43:43,767 --> 00:43:45,700
BLAKE:
The camera was stolen
from your lodgings?
866
00:43:45,700 --> 00:43:49,900
Yes, sir,
and the photographic plates.
867
00:43:49,900 --> 00:43:51,833
{\an1}What's your connection
to all this?
868
00:43:51,833 --> 00:43:55,133
{\an1}You're not working
on the Barratt case.
869
00:43:56,200 --> 00:43:58,300
{\an1}Well, Detective Phelps and I
have known each other
870
00:43:58,300 --> 00:44:00,367
for some time,
and on occasion, he's been
871
00:44:00,367 --> 00:44:02,267
{\an1}kind enough to help me
with my investigations.
872
00:44:02,267 --> 00:44:05,200
{\an1}For free, I should add,
during his time off work.
873
00:44:05,200 --> 00:44:06,900
{\an1}Detective Phelps helps you?
874
00:44:06,900 --> 00:44:07,900
For free?
875
00:44:07,900 --> 00:44:09,400
{\an1}ELIZA:
Yes.
876
00:44:09,400 --> 00:44:11,933
{\an1}And on this occasion, I required
surveillance photographs
877
00:44:11,933 --> 00:44:13,800
{\an1}to further build a picture
of the key players
878
00:44:13,800 --> 00:44:15,167
in the Barratt murder.
879
00:44:15,167 --> 00:44:17,367
I didn't want to risk
being spotted myself,
880
00:44:17,367 --> 00:44:18,533
{\an1}so I asked Detective Phelps.
881
00:44:19,700 --> 00:44:22,267
Who, as you say, is,
uh, not working the case.
882
00:44:22,267 --> 00:44:23,600
Is that true?
883
00:44:23,600 --> 00:44:25,700
{\an1}ELIZA:
The question is,
884
00:44:25,700 --> 00:44:28,133
{\an1}why did Julius Barratt steal
the photographic plates?
885
00:44:28,133 --> 00:44:29,767
He must have
followed Phelps home
886
00:44:29,767 --> 00:44:32,033
{\an1}and broken into his lodgings.
887
00:44:32,033 --> 00:44:34,033
Why risk it?
888
00:44:34,033 --> 00:44:35,733
What was so important
about them?
889
00:44:35,733 --> 00:44:37,100
(knock at door)
Come.
890
00:44:37,100 --> 00:44:40,867
{\an1}The developed
photographs, sir.
891
00:44:40,867 --> 00:44:42,433
All right.
892
00:44:43,667 --> 00:44:45,533
{\an1}Let's see what we have.
893
00:44:53,467 --> 00:44:55,267
Interesting.
894
00:44:55,267 --> 00:44:57,733
Very interesting.
895
00:44:57,733 --> 00:45:00,800
{\an5}These are actually
quite good.
They are.
896
00:45:00,800 --> 00:45:02,733
And thanks to you,
Detective Phelps,
897
00:45:02,733 --> 00:45:04,333
{\an1}I think we may have found
our murderer.
898
00:45:04,333 --> 00:45:07,467
♪ ♪
899
00:45:07,467 --> 00:45:10,533
{\an1}MATILDA:
Julius and I were talking
about my husband's funeral.
900
00:45:10,533 --> 00:45:12,100
{\an1}We couldn't agree
on the music.
901
00:45:12,100 --> 00:45:13,867
What of it?
902
00:45:13,867 --> 00:45:16,367
{\an1}Well, we also have this
photograph of you, Mrs. Barratt.
903
00:45:16,367 --> 00:45:18,000
{\an1}BLAKE:
If you look closely,
904
00:45:18,000 --> 00:45:19,967
{\an1}there are gold initials
on that violin case.
905
00:45:19,967 --> 00:45:22,600
{\an1}"JB" for Julius Barratt.
906
00:45:24,133 --> 00:45:26,000
What are you insinuating?
907
00:45:26,000 --> 00:45:28,033
{\an1}That you stole his violin case
because you knew
908
00:45:28,033 --> 00:45:30,267
{\an1}he had your husband's
manuscript locked inside.
909
00:45:30,267 --> 00:45:32,767
{\an1}A manuscript you told me
that you had no knowledge of.
910
00:45:32,767 --> 00:45:35,533
{\an1}BLAKE:
That's why you were arguing with
Julius Barratt, wasn't it?
911
00:45:35,533 --> 00:45:38,433
{\an1}He knew you'd stolen it from
him, and he wanted it back.
912
00:45:38,433 --> 00:45:40,833
I know nothing
of any manuscript.
913
00:45:40,833 --> 00:45:43,500
{\an1}Search the house if you want--
you won't find it here.
914
00:45:43,500 --> 00:45:45,933
{\an1}We don't need to search
the property, Mrs. Barratt,
915
00:45:45,933 --> 00:45:49,333
{\an1}because we know
exactly where it is.
916
00:45:49,333 --> 00:45:51,467
{\an1}That mirror wasn't here
917
00:45:51,467 --> 00:45:54,800
when I previously
visited.
918
00:45:54,800 --> 00:45:56,200
{\an1}Inspector Blake,
am I right in thinking
919
00:45:56,200 --> 00:45:58,467
that the police
returned Abraham Barratt's
920
00:45:58,467 --> 00:46:01,200
{\an1}possessions from his office
to Mrs. Barratt?
921
00:46:01,200 --> 00:46:02,933
{\an1}You're correct,
Miss Scarlet.
922
00:46:02,933 --> 00:46:05,433
And this, this is
the mirror from his office?
923
00:46:05,433 --> 00:46:06,733
It is.
924
00:46:08,100 --> 00:46:12,000
MATILDA:
What are you doing?
I'm in mourning!
925
00:46:12,000 --> 00:46:14,033
{\an1}(tools clinking)
926
00:46:17,767 --> 00:46:19,567
(lock clicks)
927
00:46:26,067 --> 00:46:28,633
♪ ♪
928
00:46:28,633 --> 00:46:32,100
{\an1}"The Enchanted Mirror"
by Abraham Barratt.
929
00:46:35,633 --> 00:46:37,767
Very well, I lied--
I knew about the manuscript.
930
00:46:37,767 --> 00:46:39,833
But it is not a crime
to take back the property
931
00:46:39,833 --> 00:46:41,233
{\an1}of my deceased husband.
932
00:46:41,233 --> 00:46:43,700
No, no,
but it is a crime
933
00:46:43,700 --> 00:46:46,333
to murder the person
who stole it from him.
934
00:46:46,333 --> 00:46:47,433
(chuckles)
935
00:46:47,433 --> 00:46:49,233
I've murdered no one!
936
00:46:49,233 --> 00:46:51,500
{\an1}Why on Earth would I hire you
if I were the murderer?
937
00:46:51,500 --> 00:46:54,900
{\an1}Yes, you did hire me,
after you informed me
938
00:46:54,900 --> 00:46:57,267
{\an1}that the city's two
biggest investigation agencies,
939
00:46:57,267 --> 00:47:00,500
{\an1}Gill and Son and Culpepper's,
had turned your case down,
940
00:47:00,500 --> 00:47:02,467
{\an1}both of which myself
941
00:47:02,467 --> 00:47:04,467
{\an1}and Inspector Blake visited
before coming here today,
942
00:47:04,467 --> 00:47:06,500
and none of them
had any record
943
00:47:06,500 --> 00:47:08,400
of even meeting you,
Mrs. Barratt.
944
00:47:08,400 --> 00:47:11,167
{\an1}BLAKE:
Contrary to Mr. Kapoor's
request,
945
00:47:11,167 --> 00:47:13,467
{\an1}you didn't even attempt
to hire a large agency
946
00:47:13,467 --> 00:47:15,433
{\an1}with endless resources,
947
00:47:15,433 --> 00:47:17,633
{\an1}because you didn't want him
to be proven innocent.
948
00:47:17,633 --> 00:47:20,633
{\an1}Instead,
you hired Miss Scarlet here,
949
00:47:20,633 --> 00:47:25,667
{\an1}a lone female investigator,
the odds stacked against her.
950
00:47:25,667 --> 00:47:28,067
{\an1}But you underestimated her.
951
00:47:38,433 --> 00:47:41,000
Why did you wish
to be rid of your lover?
952
00:47:43,967 --> 00:47:45,333
{\an1}Because like my husband,
953
00:47:45,333 --> 00:47:47,467
I discovered he was
also being unfaithful to me.
954
00:47:47,467 --> 00:47:50,133
{\an1}I was tired of them both.
955
00:47:50,133 --> 00:47:52,967
{\an1}The great Barratt and Kapoor.
956
00:47:52,967 --> 00:47:56,500
{\an1}Never was there a pair of more
self-serving, grandiose fools.
957
00:47:56,500 --> 00:48:01,200
So your plan was to get
rid of them both, and then what?
958
00:48:03,300 --> 00:48:05,000
{\an1}When everything calmed down,
959
00:48:05,000 --> 00:48:06,900
{\an1}I would discover my husband's
new operetta
960
00:48:06,900 --> 00:48:08,733
in the mirrored safe.
961
00:48:08,733 --> 00:48:10,933
{\an1}I would have it produced
in his memory
962
00:48:10,933 --> 00:48:13,500
{\an1}and enjoy the limelight
as his widow.
963
00:48:13,500 --> 00:48:17,233
{\an1}The attention of the world
would be on me.
964
00:48:17,233 --> 00:48:20,167
{\an1}Attention he never gave me.
965
00:48:20,167 --> 00:48:23,033
Neither gave me.
966
00:48:23,033 --> 00:48:25,667
{\an1}I thought I was the only one
that knew about the manuscript.
967
00:48:25,667 --> 00:48:27,300
{\an1}But I was wrong.
968
00:48:27,300 --> 00:48:28,800
{\an1}Julius Barratt also knew.
969
00:48:31,800 --> 00:48:35,533
After I shot Abraham,
I heard footsteps.
970
00:48:35,533 --> 00:48:37,600
{\an1}I hid behind the velvet drapes
in the office
971
00:48:37,600 --> 00:48:39,233
{\an1}and watched Julius step in.
972
00:48:40,933 --> 00:48:44,067
{\an1}He looked at Abraham in shock,
but he didn't call for help.
973
00:48:44,067 --> 00:48:46,433
Instead, he went
straight to the safe.
974
00:48:46,433 --> 00:48:48,200
{\an1}He knew where the key was kept,
he unlocked it,
975
00:48:48,200 --> 00:48:51,933
{\an1}and took the manuscript.
976
00:48:51,933 --> 00:48:53,967
{\an1}It's ironic that the only people
my husband trusted
977
00:48:53,967 --> 00:48:56,167
{\an1}were me and his brother Julius.
978
00:48:56,167 --> 00:48:59,133
And then you killed him,
too.
979
00:49:01,100 --> 00:49:03,267
{\an1}GUARD:
Come on, hurry up.
980
00:49:03,267 --> 00:49:06,467
{\an1}Get a move on!
981
00:49:08,633 --> 00:49:10,100
I did love Matilda.
982
00:49:10,100 --> 00:49:13,367
{\an1}But I can't deny much of the
attraction was
983
00:49:13,367 --> 00:49:16,633
because she was married
to Abraham,
984
00:49:16,633 --> 00:49:18,667
the man who began
as my friend
985
00:49:18,667 --> 00:49:20,933
but who became
my biggest rival.
(chuckles)
986
00:49:23,600 --> 00:49:25,567
{\an1}I suppose it was my revenge.
987
00:49:25,567 --> 00:49:30,333
{\an1}And how I have paid the price
for it.
988
00:49:30,333 --> 00:49:32,800
Abraham, too.
989
00:49:32,800 --> 00:49:34,733
{\an1}What will you do now?
990
00:49:35,733 --> 00:49:37,467
(inhales)
991
00:49:37,467 --> 00:49:39,367
{\an1}I'm in need of a stiff drink.
992
00:49:43,367 --> 00:49:45,533
{\an1}I might be able
to help you there.
993
00:49:49,833 --> 00:49:51,400
{\an1}(lock clicks, drawer opens)
994
00:49:53,267 --> 00:49:56,900
(exhales):
Is there no end to your talents,
Miss Scarlet?
995
00:49:56,900 --> 00:50:00,567
{\an1}(church bells ringing)
996
00:50:00,567 --> 00:50:02,533
BLAKE:
"'Here', cried Alice,
quite forgetting,
997
00:50:02,533 --> 00:50:05,667
{\an1}"in the flurry of the moment,
quite how large she had grown
998
00:50:05,667 --> 00:50:08,300
"in the last few moments,
and she jumped up
999
00:50:08,300 --> 00:50:09,333
in such a hurry..."
1000
00:50:09,333 --> 00:50:12,533
{\an1}My classmates
were mean to me again.
1001
00:50:12,533 --> 00:50:14,433
Why? What happened?
1002
00:50:14,433 --> 00:50:17,100
They don't believe
Miss Scarlet is real.
1003
00:50:19,567 --> 00:50:22,133
{\an1}Well, who cares what they think?
1004
00:50:22,133 --> 00:50:23,967
They are nitwits!
1005
00:50:23,967 --> 00:50:25,733
You swore, Papa.
1006
00:50:25,733 --> 00:50:27,433
{\an1}Nitwits is not a swear word.
1007
00:50:27,433 --> 00:50:28,933
{\an1}Neither is nincompoops!
1008
00:50:28,933 --> 00:50:30,867
Which is also
what they are.
1009
00:50:30,867 --> 00:50:32,433
(both laugh)
1010
00:50:32,433 --> 00:50:36,233
{\an1}Eliza Scarlet is real,
isn't she, Papa?
1011
00:50:36,233 --> 00:50:40,300
She is, sweetheart.
1012
00:50:40,300 --> 00:50:42,567
Very much so.
1013
00:50:42,567 --> 00:50:47,533
{\an1}(church bells ringing)
1014
00:50:47,533 --> 00:50:49,733
(knock at door)
1015
00:50:49,733 --> 00:50:52,667
(knock repeats)
1016
00:50:52,667 --> 00:50:54,300
Inspector Blake,
you wanted to see me?
1017
00:50:54,300 --> 00:50:56,367
{\an1}I chased up
the accounting department.
1018
00:50:56,367 --> 00:50:58,633
{\an1}This is what you're owed
for the Hawkins investigation.
1019
00:50:58,633 --> 00:51:01,600
Oh, thank you.
1020
00:51:01,600 --> 00:51:04,833
{\an1}There was one other thing:
are you available later?
1021
00:51:06,767 --> 00:51:09,700
When you say later,
do you mean...
1022
00:51:09,700 --> 00:51:11,100
{\an1}This afternoon.
1023
00:51:12,700 --> 00:51:14,167
This afternoon?
1024
00:51:14,167 --> 00:51:15,800
{\an1}What did you think I meant?
1025
00:51:15,800 --> 00:51:17,933
{\an1}Nothing-- I'll be at my office.
1026
00:51:17,933 --> 00:51:20,667
{\an1}Good, because
I have a favor to ask.
1027
00:51:20,667 --> 00:51:25,500
♪ ♪
1028
00:51:31,833 --> 00:51:32,867
BLAKE:
Sophia.
1029
00:51:32,867 --> 00:51:34,600
{\an1}You remember Miss Scarlet.
1030
00:51:34,600 --> 00:51:36,000
{\an1}Good afternoon, Sophia.
1031
00:51:36,000 --> 00:51:37,767
Good afternoon.
1032
00:51:37,767 --> 00:51:40,067
{\an1}And this is her office.
1033
00:51:40,067 --> 00:51:41,167
You see?
1034
00:51:41,167 --> 00:51:42,667
Miss Scarlet
is a private detective.
1035
00:51:42,667 --> 00:51:44,533
She is real.
1036
00:51:44,533 --> 00:51:47,433
(chuckles):
Goodness, it's quite a relief
to hear that I am.
1037
00:51:47,433 --> 00:51:48,967
Well, I suppose
1038
00:51:48,967 --> 00:51:50,567
I should show you up
to my office
1039
00:51:50,567 --> 00:51:53,933
{\an1}so you can tell your classmates
about that, too.
1040
00:51:53,933 --> 00:51:57,333
{\an1}Although I can't promise
that it's very tidy.
1041
00:52:00,900 --> 00:52:02,400
(door closes)
1042
00:52:02,400 --> 00:52:07,433
{\an8}♪ ♪
1043
00:52:11,700 --> 00:52:12,733
(click)
1044
00:52:16,533 --> 00:52:17,633
♪ ♪
1045
00:52:17,633 --> 00:52:18,833
{\an4}FITZROY: Miss Scarlet,
this is my father,
1046
00:52:18,833 --> 00:52:19,767
Sir George Fitzroy.
1047
00:52:19,767 --> 00:52:20,833
I know he's lying.
1048
00:52:20,833 --> 00:52:22,267
{\an5}ELIZA: If I were
to take your case,
1049
00:52:22,267 --> 00:52:23,733
{\an5}it would be put me
in a difficult position.
1050
00:52:23,733 --> 00:52:25,400
{\an4}MISS SCOTT: You will cease
your investigation
1051
00:52:25,400 --> 00:52:26,500
{\an1}with immediate effect.
1052
00:52:26,500 --> 00:52:27,367
{\an5}ELIZA: There's a lot
to explain.
1053
00:52:27,367 --> 00:52:28,400
{\an1}I'll tell you on the way.
1054
00:52:28,400 --> 00:52:29,600
On the way to where?
1055
00:52:29,600 --> 00:52:31,067
Come along.
1056
00:52:31,067 --> 00:52:34,633
♪ ♪
1057
00:52:36,367 --> 00:52:39,700
♪ ♪
1058
00:52:39,700 --> 00:52:43,567
{\an8}ANNOUNCER:
Visit our website for videos,
newsletters, podcasts and more.
1059
00:52:43,567 --> 00:52:45,800
{\an7}And join us on social media.
1060
00:52:45,800 --> 00:52:49,000
{\an7}♪ ♪
1061
00:52:55,700 --> 00:52:59,300
{\an1}♪ ♪80571
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Quechua
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof