All language subtitles for The.Blacklist.S06E13.iNTERNAL.1080p.WEB.H264-AMRAP

REDDINGTON: Fabricio?
Yes, sir?

They need help
in the back room.

More servers.
At least one. Maybe two.

Yes, sir,
Mr. Reddington.

And, also, let's open
another couple of cases
of the Reserva.

And, please, tell Amelia
to keep the drinks flowing.

Champagne, the wines,
cocktails.

I don't care if
they're drinking milk...

I don't want an empty glass
out there.

(CHUCKLES) Of course,
Mr. Reddington.

And, Mr. Reddington,
it's good to have
you back, sir.

Oh, it's good to be had.

(JAZZ MUSIC PLAYS)

Nolan! You made it!

Thank you for coming.
Wouldn't miss it
for the world.

(LAUGHS)
Wonderful party, Red.

Not nearly as wonderful
as your daughter's
beautiful wedding in Berlin.

My head's still throbbing.

Vivian,
where's your husband?

He couldn't make it.
Thank goodness.

Find me later.
We have some
catching up to do.

Red! Hey! Red!

Teddy!
I can't hear a damn thing
with all this music!

It's much quieter
on the veranda.

Miranda's in the toilet!

The balcony.
It's much quieter outside.

Forget it!
I'll be out on the veranda!

I can't hear a word
you're sayin'!

Oh.
Uh, Mr. Reddington.

Hey. Help me out. I'm looking
for a girl on the wait staff.

A brunette
with a nose ring?

Sidney.
Yeah, Sidney.

Think you could
introduce me to Sidney?
Funny thing, that.

She asked me to
introduce her to you.

Oh.
Heddie!

Would you be a dear
and introduce Vontae

to your young
waitress friend?

Oh, my God. Will you
come with me
and meet this girl already?

She has been making eyes
at you all night.
She has?

MAN: Heard about
the break-out, Red!
Genius!

How many lives
do you have anyway?

(CHUCKLES) Honestly, Roger,
I lost count
at a baker's dozen.

Give my regards
to the captain.

Good to see you guys.

Hey! There you are.

We've got a situation
at the buffet.

Oh, dear. What's wrong?
You're out of those
jumbo shrimps.

I let the kitchen know.

(CHUCKLES)

Hey, uh, while I got ya,
I've been meaning to apologize

about that whole
jury mix-up.

I feel real bad.
Eh. It's behind us.

Mmm-mmm.
Not to me, it's not.

I dropped the ball.
Screwed the pooch.

Bungled the job.
If there's anything you need,

any way I can
make it up to you,
just let ol' Jelly Bean know.

Thank you for coming, Glen.
No problemo.

Hey. I thought
you'd want me here.

I'm sort of the straw
that stirs the drink.

(BOTH CHUCKLE)
By the way, Mom's over
at the punch bowl.

She's always
had her eye on ya,
if you know what I mean.

(CELL PHONE RINGS)
Drop by. Say hi.

And don't forget
the shrimps. (CHUCKLES)

(RINGING CONTINUES)

Dembe. Did you find it?

I did.
And?

There's a body.

What? That can't be.

I'm staring at it
right now.

Put it on the jet.
Bring it here.

I want confirmation.

You want me to bring you
a decomposed body from Cuba?

Yes. And hurry home, Dembe.

Heddie's dying for a dance.
(CHUCKLES)

(MRI MACHINE CLICKING)

SAMAR: I went to the
neurologist for another MRI.

The headaches,
the forgetfulness,
the confusion...

It's all symptomatic
of something called
vascular dementia.

Apparently I have been having
a series of mini-strokes.

I don't feel them.
I don't know that
they're happening.

But they are, and
each one causes damage.

I'm glad you resigned.
That gives us the time

to get you the treatment
that you need.

It's not just work.

It's family, too.
Aram, I can't have kids.

Let's just stick to one major
life decision at a time.

We have to talk
about this.

And we will.
After you get better.

**

I'm up for anything
but false hope.

No anger, no denial.

No bargaining, no depression.
Can you do that for me?

No.

Okay, then please
promise me this.

Don't tell anyone
about my condition.

I don't want them to know.

Of course.

That I can do.

REDDINGTON: Walt Whitman
lived in a boarding house

at this address
during the Civil War.

Did you know he was
an ardent prohibitionist?

Imagine that,
a sober poet.

(SLURPS) Mmm!

Have I ever told you
about my mentor?

You mean, somebody
actually taught you
how to drink this early?

Is it early?
I thought it was late.

Robert Vesco.

Robert took me
under his wing.

He taught me how
to be a fugitive.

I trusted him with my life,
and my life's savings.

Which he convinced me
to invest

in a cattle ranch
in Paraguay.

Or so I thought,
until I went down there

and found out
it was a whorehouse

just outside of Asuncion.

He conned you.
Out of everything.

I got my first taste
for vengeance,

which I was never
able to satisfy.

Why not?

Because Vesco
up and died on me.

Robert Vesco
was a central player

in American financial
and political scandals
in the 1970s.

In 1971, the SEC accused Vesco

of looting $200 million out of
a mutual fund he controlled.

And a year later,
Vesco made an illegal
campaign contribution

to Richard Nixon,

hoping that Nixon's
attorney general
would let him off the hook.

And when he didn't,
Vesco fled the country,

living the rest of his life in
glamorous exile in Costa Rica,

Nicaragua, The Bahamas,
and Cuba,

where he reportedly died
in 2007.

Reportedly?
When Reddington
was in prison,

he heard a rumor
that Vesco

faked his death
to avoid capture.

Does he have any proof?
He sent Dembe to Havana
to dig up his grave.

He asked me
to have the M.E.

run the DNA on the remains
he unearthed.

COOPER: There was a time
when the Bureau was actively

hunting for Vesco,
but we're not anymore.

If he did fake his death,

I doubt it was
to avoid capture.
Reddington agrees.

He thinks Vesco
found the De La Cruz,

a Spanish ship
filled with gold

that sank off the coast
of Florida in the 1700s.

Vesco always told him that
if he found that treasure,

that he would
disappear forever.

Does Mr. Reddington
know him?
Know him?

Vesco was Reddington's
mentor,

until he swindled him
out of every penny he had

and left him high and dry
in a whorehouse in Paraguay.

I like this guy already.
COOPER: In the last 50 years,

there have been two truly
mythic fugitives...

Robert Vesco
and Raymond Reddington.

If one can help us get
the other, I'm all for it.

Ressler, Keen, find out
where the M.E. is at
with the remains.

Before you do that,
I want you to know
that I'm resigning.

You're leaving?

For what? The Mossad?

No, I'm leaving them, too.

COOPER:
Which reminds me...

They've called to schedule
an exit interview.

I know I speak for everyone
when I say

we'll miss you
and we're happy for you.

Thank you.

Pop quiz... Guess who's
buried in Vesco's grave.

So it's not Vesco?
No.

His name was
Anderson Mount.

Who's that?
Run-of-the-mill goon.

His greatest hits.

Did enough damage
to get into CODIS.

And when we put
the DNA from the body

into the system,
we got a match.

RESSLER: Thanks, Doc.

So, if Mount's
in Vesco's grave,

maybe Vesco's
in Mount's life.

It says in his file, Mount
was in Truro, Nova Scotia.

If you want to
get off the grid,

you can't get much
further than that.

Looks like we're going
to Nova Scotia.

In the middle of winter.
Come on.

We're gonna need
warmer clothes.

LEVI: Hello, Samar.

Levi.
It's good to see you.

I hear congratulations
are in order.

Yeah. Can you believe it?
I'm engaged.

Um, this is Dr. Sands.

He will administer
the polygraph.

Is this
really necessary?

It's protocol.
You know that.

Let me guess,
Tel Aviv regrets

having loaned me out
to the FBI.

They think my allegiances
have shifted.

You have level-four
clearance.

They want to make sure
I've kept what I know
from the Americans.

Or Reddington. Hey.
I'm just the messenger.

Yeah, and the message
I'm getting is that

you think I have
something to hide.

LIZ: So much for
glamorous exile.

I don't get it.
Why would Vesco

fake his death so he could
live here of all places?

I think we need to get
the local police involved.

We talked about this.
Reddington said
a guy like Vesco

would have every cop
in town on payroll.
We go to them,

they tell Vesco,
and he slips away.

**

DR. SANDS: Have you
provided any classified
information to the FBI?

SAMAR: No.
Were you loyal to
the state of Israel?

Yes.
Have you broken any laws

while working with
Raymond Reddington?

Yes.
Have you withheld
any information

from your Mossad handlers?
Yes.

Information about
your resignation?
Yes.

Have you shared it
with the FBI?
No.

Is this personal
information?
Yes.

Do you have any
serious medical issues?

Yes.

What is it?

I'm pregnant.

Vesco, or whatever
he's calling himself,

he would have the resources
to go anywhere he wanted to,

create any life.
(KETTLE WHISTLING)

Whatever brought him here,
it's personal.

RESSLER: Well, you can ask him
all the questions you want
once we find him.

First, we got to
clear those kids.

Something about this guy,
what Reddington told us,

it doesn't add up.

(KETTLE WHISTLING)

(WHISTLING STOPS)

(KETTLE CLATTERS)

(CELL PHONE RINGING)

**

(RINGING CONTINUES)

Yeah.
MAN: One unmarked outside.

Two agents just entered
your building.

Exit down the alley
to the east.

Will advise.

**

(CAT MEOWS)

He's on the move!
Alley to the east! On foot!

MAN: Exit the alley
and turn right.

Street's clear.

Keen, tell me
you got something.

Head south
towards the shoreline.

Crossing Acadia Street!
Headed east!

Blue denim. Tan sweater.

Stop!

MAN: Get in.

Robert.
(PANTING)

Stop!
(TIRES SCREECH)

LIZ: (SCOFFS) Reddington.

Like I said,
whatever brought him here,
it's personal.

REDDINGTON: You look
awfully good
for a dead man.

Where the hell's
my money?

**

Are you still upset
about Asuncion?

I trusted you.

You were my mentor.

And I was mentoring you in
survival, in being selfish.

And looking out
for yourself.

Robert. My money.

You think I'd be living
in Nova Scotia if I had it?

I know why
you're living there.

You found the De La Cruz.

The treasure.
Where is it?

If it's real, I believe
I know where it is.

I never went after it.

Oh, I wanted to,
but enemies were circling.

I had to flee.

So I staged my own death
and I fled the country.

And by the time
the dust had settled,

I... I realized
that I had changed.

"Changed."
I'd lost the itch.

I walked away.

Being forced to lie low
and live the simple life

was the best thing that
could've happened to me.

I-It forced me to turn
the world off
and to tune into myself.

Oh, my God.
I have my cat.

I have plenty of
glorious books.

Robert, you conned me once.
I won't be conned again.

Untether yourself from
social expectations

and this destructive life of
crime and... And look inward.

I'm happy to.
Right after I get the gold.

You can have it, Ray,
but... (SIGHS)

It won't give you
inner peace.

I already have
inner peace.

What I could use
is a new yacht.

The last one was seized
in Mallorca.

All right, I believe
the gold is buried

under the Old French
Opera House
in New Orleans.

I can prove it to you,

but we'll have to
reroute the jet.

To where?
Washington.

There isn't a treasure map,
but there is a clue trail
in the Library of Congress.

Robert, if you're lying,

I will shatter your serenity
by burning your home,

drowning your cat,
and cutting off your big toes.

You wouldn't dare
drown my cat.

(CHUCKLES) Maybe not.

But I will take the toes.

(KNOCK ON DOOR)
ARAM: How'd it go?

They sent Levi.

A friendly face
to put me at ease

while they administered
a polygraph.

They gave you
a polygraph? Why?

To make I wasn't leaving
because I'd been turned.

That's ridiculous.
And insulting.

Listen, Aram, I meant
what I said earlier

about having children.
We need to talk about it.

I can't believe they think
that you could be a traitor.

Aram, it doesn't matter.
Listen to me. Listen to me.

You know, we should tell
Mr. Cooper,

and he'll strengthen
them right out.

It doesn't matter
what they think.

What matters is us,
our future,

whether or not
we can have a family.

Why? Why is that so urgent
that it cannot wait

until you get help,
or convince Levi

that you didn't dump him
to join Hamas?

He does know that I'm, like,
a quarter Jewish, right?

Reddington screwed us.
Took Vesco for himself.

He knew Vesco would have
the local cops in his pocket,

so he tipped them off
that we were there.

So he gets his revenge.

Yesterday the world
thought Vesco was dead.

By tomorrow, he will be.

Reddington wants
more than revenge.
He wants treasure.

The De La Cruz? Reddington
said Vesco already found it.

Well, judging by
his modest apartment,

I'd say that if he knew where
it was, he never found it.

Reddington called us from his
jet to give a gloating apology
and to say the hunt was on.

Then let's join in.
If we solve the mystery,

maybe we can
get to the treasure
first and arrest Vesco.

REDDINGTON: Robert,
I appreciate that your
love of literature

is almost as keen as mine,

but why on Earth are we
in the Library of Congress?

Uh, you want to know
how I decoded the myth
and located my white whale?

The answer is in the poem.

"The Ballad
of the De La Cruz."

It was written
under a pseudonym.

The author is a mystery,
but when Reddington

gave us this case,
he said this poem

somehow holds the key to
where the gold was hidden.

The poem is an
opera singer's lament

about a Spanish ship
bringing silver and gold

to the American colonies
during the Revolution.

But the ship sank
in a storm somewhere
along the East Coast,

killing over 120 men aboard

and sending over
half a ton of gold
and treasure into the deep.

RESSLER: We had the NSA
run the text

through decryption and
steganography programs.

They came up empty.

If there's a secret
hidden in that text,

they couldn't find it.
SAMAR: Maybe it's
in the subtext.

Storms. Marauders.
Dates and times.

Who'd know about that?
The Naval College?

The Library of Congress.

They have more
primary source material

than any library
in the world.

COOPER: Keen, Ressler.
Get there. Decode the poem.

Samar, Aram, you're on
Reddington. I want him found.

According to the poem,
the De La Cruz sank

the spring of 1778.

But there's no record
of any storm big enough

to take down a galleon
of that size.

So I started thinking...
What if it never sank?

What if the "storm"

that presumably destroyed
the De La Cruz

was actually
a metaphor...

For something else
catastrophic.

Or someone.

It didn't sink.
It was taken.

**

The De La Cruz was
headed to Philadelphia.

The route from southern waters
would take it right past

what used to be known
as Hell's Gate,

an area known to be
frequented by pirates.

Uh-huh.

Enter Ernesto Hidalgo.

Criminal. Cheat.

Pirate. Drunk.

He and his men dominated
that area at the time.

How can you be sure
he was the one
who took the galleon?

Because Hidalgo
and his men

were in all the papers
in the months before May 1778.

But afterwards? Nothing.

He took the treasure
and he fled inland.

Naval records indicated
the Navy hunted them down,

killing Hidalgo and his entire
crew near New Orleans.

But there's no mention of
any recovered treasure.

Hidalgo hid it somewhere
before he died.

The question is where.

Enter Judith Snell,

one of the most famous
opera singers of her time.

Heh. Just like the poem.

Apparently, Judith liked to
hang around with the bad boys.

And the papers of the day
were full of her exploits

with any number
of rogues and scoundrels,
Hidalgo being one.

And I believe that he gave her
the task of hiding the bounty

in a place where nobody
would dare look,

her dressing room in the
opera house in New Orleans...

Which later burned
to the ground,

killing her and 28 others.

My theory?
Whatever remains of
Judith Snell's dressing room

is located here,
directly under the stage
of the new opera house,

which was built
on the remains of the old one.

If the treasure's real,
it's there.

What a tale.

An opera.

A romance with pirates.

A fire.
Shipwrecks and gold.

Just the sort of thing
that gets me out of bed
in the morning.

It won't make you happy, Ray.
It won't make you whole.

Oh, but you're wrong.

It will make me happy.
Very.

Dembe, phone Ruddiger.
Tell him to sober up.

We're gonna rob the opera.

Hi. Agents Keen
and Ressler, FBI.

How can I help you?
We got a poem
we're looking for.

We think it may be some
sort of treasure map.

I know that sounds crazy...
"The Ballad
of the De La Cruz."

How could you
possibly know that?

Because you're not
the first people
who've asked me about it.

Two old white guys.

And an African-American
gentlemen.

We need to see whatever
they looked at.

Whatever you gave them,
you need to get for us
right now.

**

VESCO: To access the treasure,
we need to get inside

Judith Snell's
old dressing room,

which is located here,
under the stage.

Now, the only way to get to
that room is through here,

the south wall
of the basement,

and we would
need that explosion
to be timed precisely

so the audience doesn't hear.
The audience?

In order to
pull off this heist,

the theater has to be full.

(LAUGHS) And why,
pray tell, is that?

For cover!

Look, getting inside
the room is one thing,

but getting the loot out
without detection

is decidedly
more difficult.

We're talking about
a truckload of gold!

And without cover,
we'd be spotted

before we got
the first armful out.

Now, Barber of Seville
closes tomorrow,

which means
we're gonna have to wait
for next month's show

in order to pull off
this heist.

Next month?

Be still my beating heart,
next month.

Raymond,
it's not meant to be.

This is a job
that requires weeks
of planning and practice.

This is a heist that has to
be perfectly arranged,

perfectly choreographed,

each move timed to the opera.

Yes. And literally leading
to an explosive crescendo.

We're gonna need distractions
to get past security.

We're gonna need explosives
to penetrate the concrete.

We're gonna need vehicles
to move the loot.

We're gonna need disguises!

I don't think
you truly appreciate

my dedication
to this project,

so let me tell you exactly
how this is going to play out.

You and I are going to
The Barber of Seville
tomorrow night,

and we're not leaving
until we have that treasure.

So you better start studying
that sheet music.

Raymond,
I don't think you...

I'll take care
of everything else.

You need munitions?

My little German friend
was born

with a schnapps in one hand
and a detonator in the other.

(IMITATES EXPLOSION)
I'll have him here
in eight hours.

You need vehicles?
Drivers?

I've got trucks.
I've got guys.

I've got women
who can handle the guys.

I've got people
with faces so fresh,

they'll never
see them coming.

You need a distraction
to get backstage?

I've got a guy
who can talk faster

than a hot,
buttered bullet.

The truth is, Robert,
my only real concern is you.

Your attitude.
My attitude?

The pep in your step.
The lust in your life.

If we're gonna pull this off,
we need to get you right.

You need to be
your very best.

We need to reawaken
the old Robert Vesco,

rediscover
that dapper rascal

whose charm and wit
could deceive

even the very best of us.

How do you feel?

Like I'd rather be home
with my cat.

Trust me, Robert,
that feeling will pass

the moment
you hear the music.

You'll feel your heart
pump again.

You'll feel truly alive.
I'm sure of it.

Franton, we'll take two.

This is really happening.

I mean,
I know it is, but...

Whoa. You are tall.

What?
That's the first thing
I ever said to you.

When, uh,
Mr. Cooper brought you
into the war room.

I was thinking, "Whoa.
You are, like, super pretty."

But instead
you said I'm tall?

We need to talk.

And as my dad used to say,

now is as bad a time
as any, so...

How many aliases
do you have?

Four. I won't need them
for work anymore.

But if I ever
want to disappear,
they'll come in handy.

Well, then I better
memorize them.

That way, I can always
find you, if, um...

Wait.

Oh, my God. That's it.

How to find
Mr. Reddington.

Better tell Cooper.

Yes. Um...

Uh, you stay here.
I'll... I'll tell Mr. Cooper.

And then, um, I'll get us some
coffees, and we'll talk.

**

You're really tall.
(SMOOCHES)

I didn't read this many books
in high school.

(THUD ECHOES)

The answer's here
somewhere.

I'm sure Reddington
figured it out.

Well, he had Vesco.
We got nothing.

(CELL PHONE RING ECHOING)

Aram, did you find him?

Mr. Homan just made
a sizable donation

to the Marigny Foundation
for the Arts.

Mr. Homan?

He's one of
Mr. Reddington's aliases.

So, Reddington made

an anonymous donation
to an arts organization?

COOPER: One that comes
with season tickets
to the New Orleans Opera.

Aram, you're a genius.

Reddington just bought tickets
to the opera in New Orleans,

just like the one
mentioned in the poem.

So we don't have to
decrypt it.

No. We're going
to the opera.

I thought the library
was dull.

(INDISTINCT CONVERSATIONS)

Samar failed
her polygraph.

Levi. What...
What are you doing here?

She's
hiding something from me.
I need to know what it is.

I have no idea what
you're talking about.

And I-I don't really
appreciate being followed.

Hey, we both want
what's best for her.

Yeah, well,
questioning her loyalty

is a funny way
of showing it.

I know she didn't betray us.
But my bosses,

they might look
at the results

and come to
a different conclusion.

What is that supposed to mean?
Is that some kind of threat?

She knows too much.
This could be a liability.

Uh, are you guys
gonna order, or...

ARAM: Sorry.
Please go ahead.

Look, Samar, she's not
looking out for herself.

I'm here because
I was hoping you will.

**

Okay. Here.

In case you change your mind.

Just... Hang on.

There was an accident.

She...

Her brain was...

Was deprived of oxygen.

I'm sorry to hear that.

Listen. This is very private.

And she wants to
keep this to herself.

It's something called
vascular dementia.

Will that be enough
to satisfy your bosses?

Uh, I would think so.

Hey, uh, congratulations,
by the way.

Samar told me
the good news.

Do you know if it's
a girl or a boy?

I...
(EXHALES SHARPLY)

Um, I-I have, uh,
absolutely no idea.

Yeah.
It's better that way.

Why ruin the surprise,
you know?

(CHEERS AND APPLAUSE)

Okay. That's our door.
Stage left.

I hate to walk out
on Figaro's Aria,

but I've seen it before.
I'll see it again.

Places, everyone.
Places.

(ROSSINI'S
LARGO AL FACTOTUM PLAYS)

Here comes our cue.

Three, two, one...

**

(VOCALIZING)

Germany, you're up.

Four bars out.

Hold. And hold.

And cue Germany!

I did no such thing.
And I've only had two drinks.

(SOUTHERN ACCENT)
The hell you have.

And you touched
my breasts!

What's going on here?

He's drunk!
He's drunk.

I told you I took
those drinks to my wife.

I am not drunk!

You were hittin' on me,
you ape,

and you most certainly
are drunk!

Okay. That's enough.
Aah!

No more drinks.
That's it.

(EXHALES SHARPLY)

Hit me.
(TAPS ON COUNTER)

(VOCALIZING)

(SINGING IN ITALIAN)

**

(GRUNTS)

He's drunk. We need to
take him through the back.

Okay.
We're past security.

Mr. Carter,
we're on our way to you.

Watch your tempo, Ray.

Allegro vivace.

Half note, whole note,
turn to the left.

Are you the guy
from the pharmacy?

What took you so long?

This big guy
won't let me past!

He says he has a delivery.
I've got it all.

Everything from wet wipes
to adult diapers.

I got your Maalox,
your Mylanta,
your Kaopectate.

1I got a vaporizer...

Those things don't even
all do the same thing!

What's going on?
All I know is I got
a call 45 minutes ago

saying Count
someone-or-another
had the runs.

It's for Count Almaviva.

Rolando, he's come down
with the flu.

What did he eat?
Maybe he got a bad oyster.

(GROANS) I had a nasty
Blue Point once.

Ohh, turned me
inside out.

I was playing tango
with the toilet

for the better part
of a day.

(VOCALIZING)
* One, two, three
One, two, three *

Fascinating as this is,
we need to get you
to the Count now.

He's on in 10.

(VOCALIZING)

(WHIRRING)

(CLATTERING)

* Tutti mi vogliono

* Donne, ragazzi

* Vecchi, fanciulle

* Qua la parrucca

* Presto la barba

* Qua la sanguigna

Cue Vontae and Dembe!

Step-ball-change,

step-ball-change,
step-ball-change.

**

* Figaro *

Ruddiger,
what the hell's going on?

(VOICE BREAKING)
The voice.

The heartbreak and sorrow!

Ah.
It's a comedy!

No, my sorrow!

When I was a boy,
all my friends wanted
to be football players

and racecar drivers,
and I dreamed to be a tenor!

Oh, dear God.
This is bad, Ray.

I'm sorry, Raymond.
I lost my place!

The music,
it took me back!

We're on a clock!
We're timed to the music.

If the detonation
doesn't go off exactly
with the applause,

everyone will hear it!

I'm so sorry!
Okay, that's it.

Set the charges.
Robert, give us a hand.

Ray, we don't have time
to set all the charges.

He's nearing the end
of the aria now.
(RUDDIGER SOBS)

(VOCALIZING)

Glen!
We have a situation.

(SIGHS) What situation?
(APPLAUSE)

REDDINGTON: We're behind,
and if we blow
the charges late,

we're gonna have
the police here in seconds.

We need a distraction.
Something loud. Really loud!

What the hell do you
want me to do?
I don't know, Glen!

That's why you're here!
You wanted a second chance!

This is it! Figure it out!
Think fast! Make some noise!

(BOTH SINGING IN ITALIAN)

**

It's time to make your...
Broadway debut.

(BEEP)

Fire! Fire!

(AUDIENCE MURMURING)
Everybody out!

There's a grease fire
in the kitchen! It ain't good!

(AUDIENCE SHOUTING)

(ALARM RINGING)

**

(BEEP)

Run for your lives!
Run for your lives!

Blow it. Now!

(BEEP, EXPLOSION)

Oh, my God.

The De La Cruz.

It is real.

(CHUCKLES) Now, there's
the twinkle in your eye

I've been looking for.

(LAUGHS)

Sir, what on Earth would make
you shout "fire" in the middle

of a crowded theater when
in fact there was no fire?

I thought
I smelled smoke.

All I was trying to do
was save lives!

RESSLER: I'm telling you,
Keen, he double-crossed us.

We're not getting Vesco
or the money.

He gave me his word.
I believe him.

Is that it?
Last one. Time to roll.

RESSLER: Look, I'll talk
to the local PD.

See what they have to say.
I'll talk to fire.

**

Mr. Carter.
FIREMAN: You know this guy?

Elizabeth Keen, FBI.
Can I talk to him
for a minute?

(RADIO CHATTER)

Hey! What are the odds
of seeing you here?

You an opera fan?
Drop the act. Where is he?

Don't know what
you're talking about.

Reddington. He was here.
How long ago?

Don't lie to me.

You just missed him.

(CELL PHONE RINGING)

Elizabeth.

This isn't a good time.
I'm at the opera house.

Did you enjoy the show?

You got your treasure.
Now I want Vesco.

We'll be at Lulu's enjoying
their key lime pie.

I'll get your slice to go.

(CELL PHONE BEEPS)
(SIGHS)

Sex and treasure.

People will betray
for both.

Like you're betraying me now
that I've gotten you the gold.

You can turn me in
at Lulu's,

and your revenge
will be complete.

It's okay, Ray.
I forgive you.

More, I understand.

You were my protege, Ray.
I loved you.

But I took you for
everything you were worth,

and I left you in
an Asuncion whorehouse,

and I never gave it
a second thought.

And now?

Now I'm free.

**

I have no intention of
turning you in, Robert.

And we're certainly
not going to Lulu's.

Place is bursting
with tourists,

and their pies
are terrible.

We're gonna go find
ourselves a nice,

quiet cup of coffee
somewhere.

Is it true that you introduced
Nixon's brother to Castro

and then
swindled them both

into investing in
a bogus drug trial?

And got tossed in a Cuban jail
for my troubles.

(LAUGHS)
Nixon and Castro!

My God!
It boggles the mind.

Truck's in the warehouse.

Locked tighter than
a clam at high tide.

Where are the others?
(KEYS CLATTER)

Killin' bourbon
on Bourbon Street.

Why don't you join them?
(LAUGHS) Hoo!

Well, boys, I am off
for a night of debauchery
in the Big Easy.

Like Blanche DuBois,

I depend on the kindness
of strangers.

Cheerio!

(REDDINGTON CHUCKLES)

Well, I feel like
a walk by the river.

That's a great idea.

Oh, I'm afraid I wouldn't
be very good company.

I'm old. I'm tired.

And I'm at peace.

The airport, then.

Tomorrow at 10:00.

I'll drop you
wherever you want.

I was filled with vengeance
for so long,

I never saw the gift
you gave me in Asuncion.

I never trusted anyone
easily after that.

That's why
I'm still alive.

I'm in your debt,
my friend.

Ohh.

Believe me, Ray.

You've more than repaid
your debt.

**

(CELL PHONE SPEED-DIALS)

Change of plans.

I just got off
the phone with Levi.

I have been honorably
discharged.

I'm, uh, not surprised.
I am.

During the polygraph test
when he asked me

why I was leaving,
I said it was personal.

I didn't want him to know
the truth, so I lied.

Well, whatever you told him,
it's over.

So now we can talk.

About you being pregnant.

Aram...
That's what you've been
trying to tell me, isn't it?

(CLATTERING)

(RATTLING)

So, my parents
made this for me

thirty years ago for the day
I became a dad.

Uh, all I, uh, remember
are the fruit-flies

and the, uh, cheesecloth.
(LAUGHS)

And the fancy crystal that
my mom insists on using

nine months from now
when we pop the cork

to celebrate
unimaginable love.

**

I'm not pregnant, Aram.

That was the lie
that I told Levi

to cover the truth
about my health.

You're not...

The truth is that I've never
wanted children.

I used to be self-conscious
about that, about the fact

that I didn't have any
kind of maternal instinct.

But I made my peace with it
a long time ago.

And then I met you.

And you changed everything.

And now there's nothing
I would like more
than to be pregnant.

Nothing either of us
would like more.

But it can't happen.

I can't raise a child.

Ever.

Okay.

Okay?

If you don't think
we should have kids,
then we shouldn't have them.

You say that now, Aram,
but in a year or five years...

I'll be saying
the same thing.
No.

Someday you will
have regrets,

and I don't want to
be the reason why.

Aram, that's why
I've been wanting to talk.

I think you deserve more.

That's quite
the little stunt you pulled.

REDDINGTON:
It was, wasn't it?

I was quite pleased with
how it all came together.

LIZ: Where's Vesco?

He inside?
No, he's not.

The treasure is.
You let him go.

Turns out, he's reformed.

(LAUGHS)
A reformed fugitive.

Sworn off greed
and avarice.

LIZ: So you commuted
his sentence

like the President
commuted yours?

Yes, and in honor
of his ascetic existence,

I've decided to hand over
$100-something million

worth of
18th-century gold.

You're just gonna
give it to us?

Every last doubloon.
It's inside.

Or it isn't.

(LAUGHS)

I'm in your debt,
my friend.

VESCO: Ohh.
Believe me, Ray.

You've more than repaid
your debt.

LIZ: (LAUGHS)
He's reformed, is he?

"Given up greed
and avarice"?

**

Do you have a phone?
(LAUGHS)

(LAUGHING) I'm sure
he'll be a real ascetic
with your $100 million.

Come on.
Take my picture.

It's not often
I get egg on my face.

But to be egged
by the same person twice?

That needs memorializing.

RESSLER:
You think this is funny?

This was a complete
waste of time.

Waste of time?

We've been
decrypting legends.

Chasing pirates.

Hunting hidden treasure.

And come up empty.
We lost Vesco.

How can you lose
something you never had?

I gave you a Blacklister
you thought was dead.

Now that you know he's alive,
you can hunt him down.

Plus, you witnessed
my humiliation.

I think that would salve
any wound.

It doesn't.
But it's a start.

Get in here, Dembe.

I see a little yolk
on your cheek.

(SIGHS)

Smile, suckers.

(CAMERA SHUTTER CLICKS)

(LIZ LAUGHING)

(LAUGHING)

(LAUGHING)

(FOOTSTEPS APPROACH)

You're wrong about me.
How did you find me?

When you said there's
nothing I want more
than to have a child.

I mean, that is...

That is what I thought,
what I had always imagined.

Until I met you.

And then you changed
everything.

What we have...

This is our story,

and if our story doesn't
involve having kids,

well, that's okay.

* Tell me there's
nothing to fear

I don't need
to wait nine months

to celebrate
unimaginable love.

And I certainly don't need
fancy crystal.

Aram.
We are never
breaking up. Okay?

Like, ever.

And I don't want
any denial,

anger, bargaining,
or depression.

Only acceptance.

Can you do that for me?

No.

Okay.

Promise me this...

That you will do everything
humanly possible

to try and get better.

**

I promise.

* I'll tell you what
you want to hear

* I'm not gonna go nowhere

* I'm not gonna
break your plans

ARAM: It's gonna be okay.

* I could never disappear

Tell me that again.

Everything's gonna be okay.

**

**