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MUSIC: "Back to Black" by Amy Winehouse
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♪ I go back to black
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♪ Black
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♪ Black
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♪ Black
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♪ Black
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♪ Black
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♪ Black
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♪ I go back to
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♪ I go back to
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♪ We only said goodbye with words
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♪ I died a hundred times
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♪ You go back to her
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♪ And I, I...
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♪ We only said goodbye with words
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♪ I died a hundred times
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♪ You go back to her
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♪ And I go back...
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♪ To black. ♪
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APPLAUSE AND CHEERING
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Thank you.
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This programme contains some strong language.
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Five years ago, Amy Winehouse went to Dingle -
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the westernmost town on the coast of County Kerry.
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She had accepted an invitation to appear
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at one of the world's most exclusive music festivals.
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The Dingle Festival, set in a tiny church in the middle of the town,
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provides the raw material for the Irish TV series, Other Voices.
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Everyone who plays there wants to come back.
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CHEERING AND APPLAUSE
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Amy Winehouse arrived on a wild, stormy night,
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ready to sing, and ready to talk, especially about her musical heroes.
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Arena pays tribute to Other Voices, and together they joined forces
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to present the whole of that performance,
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and allow Amy Winehouse to tell the story of her music in her own words.
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Amy appeared in the fifth series of Other Voices,
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which we film every winter, here in Dingle.
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As the crow flies, Dingle is about the same distance from London
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as, say, Aberdeen.
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But you can't get to Dingle by crow.
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Whether you start your journey by plane, or by train,
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you finish it by automobile, weather permitting.
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You just don't go to Dingle by accident, it takes a commitment.
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A commitment musicians have been making to Other Voices
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for ten years now.
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A commitment Amy made back in 2006.
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The truth is, there's something very, very special about Dingle,
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and there's something quite unique about Other Voices.
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'Other Voices was never planned - it did just happen.
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'Here, there are conditions that are special,
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'and that are very conducive to great music.'
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It's peripheral - people feel safe here.
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Artists sense something here.
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Over the years,
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as we've asked people to come,
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some say no, but many say yes.
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And if you go down through the lists
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of people who have come -
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Irish artists, who begin their careers here,
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great artists from all the world around,
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whether it's The National,
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whether it's Rufus Wainwright, his sister, Martha,
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Ray Davies, Ryan Adams.
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All these people come, and something special happens.
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But something really special happened the day Amy came to Dingle.
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MUSIC: "Another Green World" by Brian Eno
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PARED DOWN INTRO TO "Back To Black"
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It started off bit-by-bit. Not with rock concerts,
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but there was a parishioner here, Steve Coulter -
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he noticed that the church was only being used one day of the week,
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and said, "This is a pity. I can do something for all the tourists
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"visiting Dingle".
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He was looking for a place to have music, that wasn't a pub.
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So he started folk concerts here,
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with the permission of the Select Vestry, the parish council,
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to help him in his work,
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but also to help the parish do a bit of fundraising.
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The parish here would have been very badly hit over the years
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with emigration,
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It would have once been a thriving parish
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Now, it's quite small in numbers,
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so it's difficult for a small congregation
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to keep a building like this up and running.
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From that, somebody had the idea,
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"Maybe if there are folk concerts here, we can have other things".
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So Philip King approached Steve,
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and they approached the Select Vestry
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with the idea of maybe bringing other musicians in,
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for wider variety.
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Look at where we are. We're at the edge of the known world,
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as it was, before we found out it was round.
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We used to think that if you stood at the edge of the Dingle Peninsula
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and looked west, and walked out there, you would fall off.
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We were at the edge of the known world.
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There is something about places that are at the edge.
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Artists sense something when they come here,
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of that I have no doubt,
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and they make an effort to come,
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and there's something in the effort of getting here
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that makes the way that they perform different,
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because the budget isn't big -
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the production doesn't have
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all of the clipboard people running around,
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wondering if everything is all right.
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There is something communal and collegiate about the place,
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and people come here.
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It's real, and they're cherished,
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and they take to the stage,
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and sometimes I think that when people go on stage in the church
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they are a little bit wary of it, or almost put off by it,
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or find it very difficult.
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If you are Snow Patrol and you played to 40,000 people last night,
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and you play to 80 people tonight,
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you're smack up against it.
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You're sitting in the lap of the person in the front row.
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So this is different - it is a different experience.
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It was a bad evening, a terrible evening - very wet, windy and wet,
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actually very windy and wet.
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They gave me a name, but I hadn't a clue from Adam
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who the lady was - not a clue, just got the name.
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I remember going up to the airport, and writing it out
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at the information desk,
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getting the paper thing and writing her name on it,
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and standing there with it.
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I didn't have a clue who Amy Winehouse was.
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I know the flight was late, and I was waiting there for a while,
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and this girl came along, and a man with her,
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and I was looking out for more people,
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and I said to her, "Where's your mother?"
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She said, "My mother's back in London".
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She was laughing, and we were laughing in-between her.
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I thought she was a child of Amy Winehouse's, to tell you the truth.
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My first reaction of seeing her was that she was a child!
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I remember it being a very long day,
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getting here, and then going to the hotel to get ready,
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and then coming to do the performance,
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and then going straight back to the airport.
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- And it was so long, it was a blur.
- HE LAUGHS
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- Can I stick my phone in there?
- Sure - by all means.
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We had a great time - we always did.
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She loved coming to Ireland, actually.
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We'd been a few times...
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..and she always enjoyed herself a lot.
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APPLAUSE AND CHEERING
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The label - Chantal - was texting me,
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"Is she there? Is she OK? Who's arrived, who's picked her up?
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"Is everything OK?"
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And I was like, "Everything is wonderful".
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She marched up the stairs in Benners, into her room, and says,
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"Can you give me a hand?" I said, "What?" and she said,
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"Will you hold my hair while I backcomb it?"
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I was like, "OK". I'm holding the back of her hair
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and she's backcombing the front, and I was like,
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"Can I get you something to eat?" She was like, "No, no, no -
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"I'm late. I'm sure you're way behind schedule
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"We've got work to do".
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We are delighted to have here tonight Amy Winehouse.
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CHEERING AND APPLAUSE
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♪ All I can ever be to you is the darkness that we knew
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♪ And this regret I got accustomed to
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♪ Once it was so right When we were at our height
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♪ Waiting for you in the hotel at night
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♪ I knew I hadn't met my match But every moment we could snatch
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♪ I don't know why I got so attached
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♪ It's my responsibility You don't owe nothing to me
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♪ But to walk away I have no capacity
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♪ He walks away, the sun goes down
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♪ He takes the day, but I'm grown
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♪ And in your way
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♪ In this blue shade
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♪ My tears dry on their own
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♪ I don't understand Why do I stress a man
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♪ When there's so many bigger things ahead?
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♪ We could have never had it all We had to hit a wall
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♪ So this is inevitable withdrawal
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♪ Even if I stop wanting you And perspective pushes through
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♪ I'll be some next man's other woman soon
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♪ I cannot play myself again I should just be my own best friend
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♪ Not fuck myself in the head with stupid men
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♪ He walks away, the sun goes down
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♪ He takes the day, but I am grown
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♪ And in your way In this blue shade
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♪ My tears dry on their own
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♪ So we are history Your shadow covers me
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♪ The sky above ablaze
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♪ He walks away, the sun goes down
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♪ He takes the day, but I am grown
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♪ And in your way In this blue shade
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♪ My tears dry on...
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♪ I wish I could say, "No regrets" No emotional debts
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♪ Boy, as we kiss goodbye The sun sets
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♪ So we are history
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♪ Your shadow covers me
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♪ The sky above ablaze That only lovers see
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♪ He walks away The sun goes down
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♪ He takes the day, but I am grown
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♪ And in your way In this blue shade
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♪ My tears dry on...
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♪ He walks away, the sun goes down
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♪ He takes the day, but I am grown
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♪ And in your way In this blue shade
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♪ My tears dry on their own
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♪ He walks away, the sun goes down
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♪ He takes the day, but I am grown
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♪ And in your way In this blue shade
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♪ My tears dry on their own. ♪
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Thank you.
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APPLAUSE AND CHEERING
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Amy, you've just done a set which is clearly
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"Amy Winehouse - soul singer".
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We don't get to hear that kind of music in real life often,
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but we do hear it on record.
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Presumably, you heard this kind of music first on record, as well?
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- Yes.
- So who was it?
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When I was younger, I didn't really listen to a lot of soul,
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but in the last year I got very into Motown girl groups,
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and that kind of thing.
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- Just in the last year?
- Yeah - two, maybe... Year-and-a-half.
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It seems like it's in your bones.
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Yeah, I liked Otis Redding when I was younger.
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Well, I've liked Otis Redding from when I was about 14 or 15,
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but I listened to hip-hop and jazz for so many years
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that it took me a while to...
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That's pretty much it...
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Soul comes in the middle -
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it goes jazz, soul, Motown, then hip-hop.
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You know,
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obviously, I've gone in the middle of them two.
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Just recently, I've been listening to a lot of gospel singers
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like Mahalia Jackson and Aretha Franklin.
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I love gospel singers, cos gospel is so truthful.
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There's nothing... I'm not religious,
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but there's nothing more pure than the relationship you have
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with your God or what you believe in, your faith -
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there's nothing stronger than that, apart from your love of music.
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Gospel to me is very inspirational.
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MUSIC: "Didn't It Rain" by Mahalia Jackson
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VINYL CRACKLES
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♪ My Lord, Oh Lord
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♪ Mm, my Lord
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♪ Rained 40 days and 40 nights without stopping
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♪ Noah was glad when the rain stopped dropping
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♪ Knock at the window Knock at the door
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♪ Crying, "Brother Noah Can't you take on more?"
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♪ No, I can't, no You're full of sin
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♪ Lord's got the key and you can't get in
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♪ Just listen, how sweet
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♪ All day, all night
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♪ All night, all day
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♪ Just listen, how it's raining
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♪ Some crying, some praying
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♪ Some running, some shouting
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♪ Just listen, how it's raining
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♪ Didn't it rain, children? Rain all night long
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♪ Didn't it, didn't it, didn't it?
256
00:16:06,400 --> 00:16:08,560
♪ Oh, my Lord
257
00:16:08,560 --> 00:16:10,920
♪ Didn't it rain?
258
00:16:10,920 --> 00:16:13,280
♪ Mmmm... ♪
259
00:16:13,280 --> 00:16:15,640
It's our musicians and our artists
260
00:16:15,640 --> 00:16:18,280
who are the prophets of today,
261
00:16:18,280 --> 00:16:19,880
because a prophet,
262
00:16:19,880 --> 00:16:22,720
biblically speaking, isn't a fortune teller.
263
00:16:22,720 --> 00:16:24,880
A prophet is somebody
264
00:16:24,880 --> 00:16:29,400
who tells it how it is, who can hopefully see things
265
00:16:29,400 --> 00:16:30,840
the way God sees things -
266
00:16:30,840 --> 00:16:35,800
so tell you how things really are, as opposed to the way
267
00:16:35,800 --> 00:16:37,680
that people might think they are.
268
00:16:37,680 --> 00:16:42,360
When you have people singing rock'n'roll songs, pop songs,
269
00:16:42,360 --> 00:16:48,440
or whatever that is, that gives you a window into where society is.
270
00:16:48,440 --> 00:16:51,640
The musicians don't create that, they just reflect it.
271
00:16:51,640 --> 00:16:56,480
Sometimes you do get people writing
272
00:16:56,480 --> 00:17:04,160
really insightful, beautiful pieces that they've brought here...
273
00:17:04,160 --> 00:17:08,600
and it does feel nearly like, erm...
274
00:17:10,200 --> 00:17:12,880
..an act of praise or an act of worship
275
00:17:12,880 --> 00:17:15,240
to have them performed in this space.
276
00:17:16,880 --> 00:17:20,240
This is the next single - this is out January 15th.
277
00:17:20,240 --> 00:17:21,760
This is called I'm No Good.
278
00:17:21,760 --> 00:17:26,560
BASS GUITAR
279
00:17:31,480 --> 00:17:35,440
♪ Meet you downstairs in the bar and heard
280
00:17:35,440 --> 00:17:39,160
♪ Your rolled-up sleeves and your skull T-shirt
281
00:17:39,160 --> 00:17:44,400
♪ You say, "What did you do with him today?"
282
00:17:44,400 --> 00:17:49,440
♪ And sniff me out like I was Tanqueray
283
00:17:50,600 --> 00:17:54,320
♪ Cos you're my fellow, my guy
284
00:17:55,560 --> 00:17:58,480
♪ Hand me your Stella and fly
285
00:17:58,480 --> 00:18:02,480
♪ By the time I'm out the door
286
00:18:02,480 --> 00:18:07,520
♪ You tear me down like Roger Moore
287
00:18:07,520 --> 00:18:10,040
♪ I cheated myself
288
00:18:11,800 --> 00:18:15,240
♪ Like I knew I would
289
00:18:16,640 --> 00:18:20,880
♪ I told you I was trouble
290
00:18:20,880 --> 00:18:24,200
♪ Yeah, you know that I'm no good
291
00:18:30,520 --> 00:18:35,480
♪ Upstairs in bed with my ex-boy
292
00:18:35,480 --> 00:18:39,480
♪ He's in the place But I can't get joy
293
00:18:39,480 --> 00:18:43,800
♪ Thinking of you in the final throes
294
00:18:43,800 --> 00:18:49,120
♪ This is where my buzzer blows
295
00:18:49,120 --> 00:18:50,960
♪ Run out to meet you
296
00:18:50,960 --> 00:18:53,360
♪ Chips in pitta
297
00:18:53,360 --> 00:18:58,160
♪ You say, "When we're we married" Cos you're not bitter
298
00:18:58,160 --> 00:19:03,000
♪ "There'll be none of him, no more"
299
00:19:03,000 --> 00:19:07,840
♪ I cry for you on the kitchen floor
300
00:19:07,840 --> 00:19:10,320
♪ I cheated myself
301
00:19:11,840 --> 00:19:15,840
♪ Like I knew I would
302
00:19:16,840 --> 00:19:21,000
♪ I told you I was trouble
303
00:19:21,000 --> 00:19:24,240
♪ Yeah, you know that I'm no good
304
00:19:26,880 --> 00:19:30,680
♪ Sweet reunion, Jamaica and Spain
305
00:19:30,680 --> 00:19:34,720
♪ We're like how we were again
306
00:19:35,760 --> 00:19:39,520
♪ I'm in the tub, and you on the seat
307
00:19:40,280 --> 00:19:43,720
♪ Lick your lips as I soak my feet
308
00:19:45,360 --> 00:19:49,560
♪ Then you notice little carpet burn
309
00:19:49,560 --> 00:19:54,040
♪ My stomach drops, and my guts churn
310
00:19:54,040 --> 00:19:58,280
♪ You shrug, and it's the worst
311
00:19:58,280 --> 00:20:03,560
♪ Who truly stuck the knife in first?
312
00:20:03,560 --> 00:20:05,760
♪ I cheated myself
313
00:20:07,640 --> 00:20:10,760
♪ Like I knew I would
314
00:20:12,160 --> 00:20:17,040
♪ I told you I was trouble
315
00:20:17,040 --> 00:20:19,960
♪ Yeah, you know that I'm no good
316
00:20:21,880 --> 00:20:24,920
♪ I cheated myself
317
00:20:26,120 --> 00:20:29,320
♪ Like I knew I would
318
00:20:30,320 --> 00:20:34,960
♪ I told you I was trouble
319
00:20:34,960 --> 00:20:39,120
♪ Yeah, you know that I'm no good. ♪
320
00:20:39,120 --> 00:20:42,400
GUITAR SOLO
321
00:20:59,720 --> 00:21:01,840
APPLAUSE AND CHEERING
322
00:21:01,840 --> 00:21:03,280
Thank you.
323
00:21:05,600 --> 00:21:07,080
When you're a singer,
324
00:21:07,080 --> 00:21:10,040
and you haven't heard someone like Mahalia Jackson
325
00:21:10,040 --> 00:21:14,880
until later in life, that must make you reassess yourself as a singer.
326
00:21:14,880 --> 00:21:18,920
You just kind of... There are a lot of singers who, if you are singing,
327
00:21:18,920 --> 00:21:23,320
and you don't know certain people's work intimately, you give up.
328
00:21:23,320 --> 00:21:27,160
Like Sarah Vaughan, Minnie Riperton is another singer like that.
329
00:21:27,160 --> 00:21:29,320
Mahalia Jackson, Dinah Washington.
330
00:21:29,320 --> 00:21:31,280
Kim Burrell is another one.
331
00:21:32,720 --> 00:21:37,000
To see... For live performances, you have to see Carleen Anderson
332
00:21:37,000 --> 00:21:40,560
at least three times in your life - you have to.
333
00:21:40,560 --> 00:21:44,000
She's someone who I would sit around the venue all day
334
00:21:44,000 --> 00:21:46,760
just to hear her sound check, all day.
335
00:21:47,800 --> 00:21:50,680
She did a version of Don't Look Back in Anger,
336
00:21:50,680 --> 00:21:52,600
and I was just crying. Oh!
337
00:21:52,600 --> 00:21:56,560
♪ Take me to the place where you go
338
00:21:57,560 --> 00:22:02,440
♪ Where nobody knows
339
00:22:02,440 --> 00:22:06,240
♪ If it's night or day
340
00:22:07,920 --> 00:22:14,080
♪ And please don't put your life in the hands
341
00:22:14,080 --> 00:22:18,760
♪ Of a rock'n'roll band
342
00:22:18,760 --> 00:22:22,560
♪ And throw it all away
343
00:22:24,240 --> 00:22:31,080
♪ So I'll start a revolution from my bed
344
00:22:32,560 --> 00:22:40,600
♪ Cos you said the brains I had weren't in my head
345
00:22:40,600 --> 00:22:48,280
♪ Step outside, the summertime's in bloom
346
00:22:48,280 --> 00:22:52,800
♪ Stand up beside the fireplace
347
00:22:52,800 --> 00:22:56,440
♪ And take that look from off your face
348
00:22:56,440 --> 00:22:59,240
♪ Cos you ain't ever
349
00:22:59,240 --> 00:23:08,400
♪ Gonna burn my heart out
350
00:23:09,800 --> 00:23:14,800
♪ All I do is wait
351
00:23:14,800 --> 00:23:18,560
♪ I know it's too late
352
00:23:18,560 --> 00:23:23,480
♪ As they're walking on by. ♪
353
00:23:23,480 --> 00:23:25,640
These are very inspirational people,
354
00:23:25,640 --> 00:23:27,480
but they're also very hard to emulate,
355
00:23:27,480 --> 00:23:30,600
because they're so extraordinary, some of these people you talk about.
356
00:23:30,600 --> 00:23:32,560
I admire both dex...
357
00:23:32,560 --> 00:23:35,640
What's that word? Dexterity,
358
00:23:35,640 --> 00:23:38,720
but also the way they stand out.
359
00:23:38,720 --> 00:23:40,040
You know, you can't...
360
00:23:41,200 --> 00:23:43,080
They're very...
361
00:23:43,080 --> 00:23:45,800
Singers like Ella Fitzgerald,
362
00:23:45,800 --> 00:23:48,320
I always say she was one of the greatest singers of all time.
363
00:23:48,320 --> 00:23:51,280
She knew how to carry a tune. To me, really, she doesn't stand out.
364
00:23:51,280 --> 00:23:54,200
She just sounded like a lot of other people. You can hear her, and go,
365
00:23:54,200 --> 00:23:56,880
"That's Ella Fitzgerald". But it's not like she stood out.
366
00:23:56,880 --> 00:23:59,160
Would you prefer Sarah Vaughan to Ella Fitzgerald?
367
00:23:59,160 --> 00:24:02,240
Easily. Sarah Vaughan is one of my favourite singers of all time.
368
00:24:02,240 --> 00:24:04,120
Sarah Vaughan was an instrument.
369
00:24:04,120 --> 00:24:08,840
I've heard her on record humming - she does like, a humming solo.
370
00:24:08,840 --> 00:24:14,200
She sounds like a reed instrument, a clarinet, or something. It's mad.
371
00:24:19,680 --> 00:24:24,400
♪ ..is sentimental
372
00:24:24,400 --> 00:24:28,040
♪ Not made
373
00:24:30,720 --> 00:24:35,200
♪ Not made of wood
374
00:24:35,200 --> 00:24:44,800
♪ I got it bad
375
00:24:45,720 --> 00:24:55,320
♪ And that ain't good
376
00:24:56,600 --> 00:25:06,520
♪ But when the weekend's over
377
00:25:08,680 --> 00:25:17,440
♪ And Monday rolls around
378
00:25:17,440 --> 00:25:25,960
♪ I end up like I started
379
00:25:27,600 --> 00:25:31,960
♪ Just crying
380
00:25:31,960 --> 00:25:36,000
♪ My poor heart out
381
00:25:36,000 --> 00:25:43,440
♪ Lord, lord, lord, lord above me
382
00:25:44,760 --> 00:25:50,000
♪ Make him love me
383
00:25:52,280 --> 00:26:00,280
♪ The way he should
384
00:26:01,880 --> 00:26:05,440
♪ I got it bad
385
00:26:06,960 --> 00:26:14,040
♪ And that ain't good. ♪
386
00:26:14,040 --> 00:26:16,920
When you started to sing, first of all,
387
00:26:16,920 --> 00:26:20,560
was it singers like Sarah Vaughan you were trying to copy, or be?
388
00:26:20,560 --> 00:26:24,480
No, I think I came to Sarah Vaughan a lot later, I was about 18.
389
00:26:24,480 --> 00:26:28,280
But I'd started listening to Ella Fitzgerald,
390
00:26:28,280 --> 00:26:32,000
then I was, like, my brother had all the good stuff, and my brother was like,
391
00:26:32,000 --> 00:26:33,840
"Tsk-tsk, Dinah Washington".
392
00:26:33,840 --> 00:26:35,960
I learnt to sing from Dinah Washington a lot.
393
00:26:35,960 --> 00:26:40,240
But I learnt to sing from stuff like Monk, and a lot of soloists.
394
00:26:40,240 --> 00:26:44,360
That's how I learned to sing, rather than just listening to singers.
395
00:26:44,360 --> 00:26:47,280
Because I loved jazz - it wasn't really the vocal jazz,
396
00:26:47,280 --> 00:26:50,520
I just loved jazz, so I learnt from everything, really.
397
00:26:50,520 --> 00:26:53,400
And when you started to perform as a jazz singer,
398
00:26:53,400 --> 00:26:54,880
what was the set-up?
399
00:26:54,880 --> 00:26:58,480
Were you part of a band - were you invited to sit in with people?
400
00:26:58,480 --> 00:27:02,320
I think I did one gig as a jazz singer
401
00:27:02,320 --> 00:27:04,600
for the National Youth Jazz Orchestra,
402
00:27:04,600 --> 00:27:07,680
which everyone has come through,
403
00:27:07,680 --> 00:27:11,240
comes through or goes through at some point.
404
00:27:11,240 --> 00:27:13,080
That was my first and last gig,
405
00:27:13,080 --> 00:27:15,560
cos after that, my manager came to that gig and said,
406
00:27:15,560 --> 00:27:18,600
"I'll give you loads of studio time - just go in and play guitar,
407
00:27:18,600 --> 00:27:20,960
"and write songs". I was like, "Thanks, why?"
408
00:27:20,960 --> 00:27:22,960
And he was like, "You're going to make an album,
409
00:27:22,960 --> 00:27:25,440
"and then I'm going to get you signed and everything".
410
00:27:25,440 --> 00:27:28,240
And I was like, "Really?"
411
00:27:28,240 --> 00:27:30,080
It was cool.
412
00:27:30,080 --> 00:27:33,040
But I did a lot of... I still did,
413
00:27:33,040 --> 00:27:35,680
up until a couple of months ago,
414
00:27:35,680 --> 00:27:39,600
I'd do a massive opening for a casino.
415
00:27:39,600 --> 00:27:43,760
I'd go out with just my piano player, and we'd do jazz all night.
416
00:27:43,760 --> 00:27:47,480
Or sometimes we'd get these Russian bankers
417
00:27:47,480 --> 00:27:50,160
that really like me cos I'm Russian Jew.
418
00:27:50,160 --> 00:27:53,040
They always book me if they're in town and we do jazz for them.
419
00:27:53,040 --> 00:27:55,240
We don't do my stuff.
420
00:27:55,240 --> 00:27:57,920
So I still sing jazz, but I do it in a duo context.
421
00:28:04,200 --> 00:28:07,040
♪ For you, I was a flame
422
00:28:08,880 --> 00:28:14,400
♪ Love is a losing game
423
00:28:14,400 --> 00:28:20,440
♪ Five-storey fire as you came
424
00:28:20,440 --> 00:28:22,560
♪ Love
425
00:28:23,480 --> 00:28:27,480
♪ Is a losing game
426
00:28:27,480 --> 00:28:34,360
♪ One I wish I'd never played
427
00:28:34,360 --> 00:28:35,880
♪ Oh
428
00:28:35,880 --> 00:28:39,440
♪ What a mess we made
429
00:28:42,280 --> 00:28:45,320
♪ And now, the final frame
430
00:28:46,920 --> 00:28:48,880
♪ Love
431
00:28:48,880 --> 00:28:51,840
♪ Is a losing game
432
00:28:58,000 --> 00:29:01,320
♪ Played out by the band
433
00:29:03,400 --> 00:29:08,640
♪ Love is a losing hand
434
00:29:10,240 --> 00:29:14,280
♪ And it was more than I could stand
435
00:29:16,640 --> 00:29:22,520
♪ Love is a losing hand
436
00:29:23,920 --> 00:29:28,960
♪ Self-professed, profound
437
00:29:30,000 --> 00:29:35,600
♪ Till the chips were down
438
00:29:37,480 --> 00:29:40,920
♪ Though you're a gambling man
439
00:29:42,680 --> 00:29:47,320
♪ Love is a losing hand
440
00:29:54,200 --> 00:29:58,440
♪ Though I battle blind
441
00:30:00,160 --> 00:30:06,200
♪ Love is a fate resigned
442
00:30:06,200 --> 00:30:09,320
♪ And my memories
443
00:30:09,320 --> 00:30:12,240
♪ They mark my mind
444
00:30:13,640 --> 00:30:17,280
♪ Love is a fate resigned
445
00:30:17,280 --> 00:30:20,520
♪ Oh-ho-oh-oh
446
00:30:20,520 --> 00:30:25,560
♪ Over futile odds
447
00:30:26,560 --> 00:30:30,040
♪ And laughed at by the gods
448
00:30:34,640 --> 00:30:37,120
♪ Now the final frame
449
00:30:39,080 --> 00:30:40,760
♪ Love
450
00:30:40,760 --> 00:30:44,880
♪ Is a losing game. ♪
451
00:30:44,880 --> 00:30:48,440
Thank you. APPLAUSE AND CHEERING
452
00:30:50,120 --> 00:30:52,680
The whole jazz thing has gone a bit strange,
453
00:30:52,680 --> 00:30:55,520
because anybody who sings any kind of acoustic folk, even,
454
00:30:55,520 --> 00:30:56,800
is called a "jazz singer".
455
00:30:56,800 --> 00:30:59,320
Yet you grew up singing the real stuff.
456
00:30:59,320 --> 00:31:01,320
- You were into Monk, and all of that.
- Yeah.
457
00:31:01,320 --> 00:31:04,800
Is there a good jazz scene in England at the moment in London?
458
00:31:04,800 --> 00:31:07,400
Yes, there is - not in London, necessarily,
459
00:31:07,400 --> 00:31:10,160
but we have Dune Records.
460
00:31:10,160 --> 00:31:12,280
My guitarist actually plays for them,
461
00:31:12,280 --> 00:31:15,080
it's not really their house band, but they have a band.
462
00:31:15,080 --> 00:31:19,240
There's a band signed to Dune Records called Jazz Jamaica -
463
00:31:19,240 --> 00:31:21,440
they're amazing.
464
00:31:21,440 --> 00:31:24,120
Saw them at Brecon.
465
00:31:24,120 --> 00:31:27,400
It was a massive auditorium, and they were on quite early in the day,
466
00:31:27,400 --> 00:31:29,520
cos not a lot of people know who they are.
467
00:31:29,520 --> 00:31:32,200
We sat at the back of the auditorium, expecting it to fill up,
468
00:31:32,200 --> 00:31:35,320
and there was probably about 30 people in there.
469
00:31:35,320 --> 00:31:40,520
When I say "massive", I mean the size of 1,000-capacity,
470
00:31:40,520 --> 00:31:43,200
and we were practically alone, it was amazing.
471
00:31:43,200 --> 00:31:44,680
They were so cool.
472
00:31:44,680 --> 00:31:48,560
Their stuff is literally like ska jazz, and they're wicked.
473
00:31:48,560 --> 00:31:51,080
Then there's members of that...
474
00:31:51,080 --> 00:31:56,880
Denys Baptiste is in there, and there's Abraham Wilson,
475
00:31:56,880 --> 00:31:59,640
who's a great trumpet player - he's doing his own thing.
476
00:31:59,640 --> 00:32:04,440
But I think my favourite jazz artist in England
477
00:32:04,440 --> 00:32:06,480
is definitely Soweto Kinch.
478
00:32:06,480 --> 00:32:09,920
- He's great.
- I love Soweto. I melt every time I see him.
479
00:32:09,920 --> 00:32:13,200
I'm like, "Hi, have you still got a girlfriend?"
480
00:32:13,200 --> 00:32:15,960
And he's like, "I'll chuck her for you".
481
00:32:20,080 --> 00:32:23,280
The mission to excel is a solitary one.
482
00:32:23,280 --> 00:32:26,440
Hours of dedicated practice every day,
483
00:32:26,440 --> 00:32:28,720
for little or no financial reward.
484
00:32:40,000 --> 00:32:43,680
Milkmen and paperboys have long finished their rounds,
485
00:32:43,680 --> 00:32:46,240
schoolchildren are on their way,
486
00:32:46,240 --> 00:32:49,000
and the ordinary bustle goes on around.
487
00:32:49,000 --> 00:32:52,040
The jazz musician's quest goes on regardless
488
00:32:52,040 --> 00:32:55,040
in this unlikely setting.
489
00:32:55,040 --> 00:32:57,800
High above the drudgery of routine,
490
00:32:57,800 --> 00:32:59,840
trying to climb the stratosphere,
491
00:32:59,840 --> 00:33:01,480
and be heard.
492
00:33:23,160 --> 00:33:26,840
Were you also listening - I presume you were, when you were at school,
493
00:33:26,840 --> 00:33:29,160
all girls together - listening to Top of the Pops
494
00:33:29,160 --> 00:33:31,520
and regular pop music, as well?
495
00:33:31,520 --> 00:33:36,160
Yeah. When I was very young, only when I was very young.
496
00:33:36,160 --> 00:33:39,200
I watched Top of the Pops because you do watch Top of the Pops,
497
00:33:39,200 --> 00:33:41,760
until you're old enough to go out on a Friday night -
498
00:33:41,760 --> 00:33:43,000
is it Friday night?
499
00:33:43,000 --> 00:33:45,320
It was Thursday, I don't know when it is now.
500
00:33:45,320 --> 00:33:49,440
- I don't even think there is Top of the Pops any more.
- No, there isn't!
501
00:33:49,440 --> 00:33:51,240
But, um...
502
00:33:51,240 --> 00:33:54,880
But I loved Kylie when I was about six.
503
00:33:54,880 --> 00:33:57,960
Then, when I was... Yeah, I loved Kylie when I was about six,
504
00:33:57,960 --> 00:34:02,840
then Madonna. I graduated to the church of Madonna.
505
00:34:02,840 --> 00:34:05,800
I converted to the church of Madonna. I loved Madonna so much.
506
00:34:05,800 --> 00:34:07,160
And, um...
507
00:34:08,520 --> 00:34:13,200
And when I was ten, I got wind of Salt'n'Pepa, and my life changed.
508
00:34:13,200 --> 00:34:16,040
- What A Man.
- Completely, my life changed -
509
00:34:16,040 --> 00:34:21,800
and from then on it was like R&B only from about ten.
510
00:34:21,800 --> 00:34:24,600
Then, when I was about 14, jazz.
511
00:34:24,600 --> 00:34:28,160
MUSIC: "Rhythm-a-ning" by Thelonious Monk
512
00:34:37,560 --> 00:34:41,440
She was heavily influenced with Thelonious Monk
513
00:34:41,440 --> 00:34:46,200
and I'd spend time in the evenings with her, listening to Monk,
514
00:34:46,200 --> 00:34:48,720
and her following everything note for note.
515
00:34:48,720 --> 00:34:51,760
It was amazing, really, because it's such heavy music, anyway.
516
00:35:01,440 --> 00:35:04,200
Yeah, she was very much into instrumentation
517
00:35:04,200 --> 00:35:07,200
as well as the voice, really,
518
00:35:07,200 --> 00:35:10,560
and it came out when she'd sing.
519
00:35:10,560 --> 00:35:13,000
She had that ability to improvise phrases,
520
00:35:13,000 --> 00:35:15,400
and her rhythm was phenomenal,
521
00:35:15,400 --> 00:35:18,320
so she could just literally manipulate it
522
00:35:18,320 --> 00:35:19,520
in the way she wanted to,
523
00:35:19,520 --> 00:35:23,000
and every night when we'd go on stage,
524
00:35:23,000 --> 00:35:25,680
she could sing the same song, but different every night
525
00:35:25,680 --> 00:35:27,040
and she'd give her all.
526
00:35:33,600 --> 00:35:35,920
Did you have help in finding this stuff?
527
00:35:35,920 --> 00:35:39,600
Did your parents have these records, or did you have to look for them?
528
00:35:39,600 --> 00:35:43,240
No, my brother had everything - all the R&B
529
00:35:43,240 --> 00:35:46,120
and all that stuff that I came to, it was called "swing" at the time.
530
00:35:46,120 --> 00:35:48,320
Stuff like that, I would buy.
531
00:35:48,320 --> 00:35:51,600
At the time my brother was listening to a lot of,
532
00:35:51,600 --> 00:35:56,040
like, Sonic Youth, and Pearl Jam and Therapy?,
533
00:35:56,040 --> 00:35:57,680
"I-want-to-die" bands,
534
00:35:57,680 --> 00:35:59,960
and I had a very brief flirtation with that,
535
00:35:59,960 --> 00:36:02,760
but I must have been literally, like I said, nine,
536
00:36:02,760 --> 00:36:05,400
and then I discovered Salt'n'Pepa and I was like,
537
00:36:05,400 --> 00:36:06,720
"I've got my music now".
538
00:36:06,720 --> 00:36:09,080
He started listening to jazz when he was about 18,
539
00:36:09,080 --> 00:36:12,560
and I was 14, and I just remember the first time I ever heard
540
00:36:12,560 --> 00:36:15,560
Round Midnight, through the wall.
541
00:36:15,560 --> 00:36:17,280
I was just like...
542
00:36:17,280 --> 00:36:19,560
- Was it Monk or Miles playing it?
- Monk.
543
00:36:19,560 --> 00:36:21,920
I was just like, "What is that?!"
544
00:36:23,160 --> 00:36:25,480
I'll never forget that.
545
00:36:25,480 --> 00:36:27,440
Yeah, I still remember hearing it.
546
00:36:27,440 --> 00:36:30,120
Ella sings it, too - a great version of it.
547
00:36:30,120 --> 00:36:33,320
Oh, really? Oh, yeah - of course.
548
00:36:33,320 --> 00:36:36,360
I remember the first time I heard Ray Charles, ever.
549
00:36:36,360 --> 00:36:39,360
It was Unchain My Heart.
550
00:36:39,360 --> 00:36:42,400
And, um... Yeah, it was Unchain My Heart.
551
00:36:42,400 --> 00:36:44,840
I remember walking into my brother's room,
552
00:36:44,840 --> 00:36:48,200
and I opened the door... I always used to knock -
553
00:36:48,200 --> 00:36:51,560
I opened the door and I was just like that...
554
00:36:51,560 --> 00:36:53,000
and he goes "What?"
555
00:36:53,000 --> 00:36:56,160
He looked at me like I was about to go, "Mum's dead",
556
00:36:56,160 --> 00:36:58,640
or something like that. Touch wood.
557
00:36:58,640 --> 00:37:02,560
He goes, "What's wrong?" I went, "Who is this?"
558
00:37:02,560 --> 00:37:05,920
And he went, "It's Ray Charles." I was like, "(Ray Charles)".
559
00:37:05,920 --> 00:37:08,760
From then on, I think I just listened to Ray Charles
560
00:37:08,760 --> 00:37:12,400
for three months, exclusively. I was just like, "(Oh, my God)"
561
00:37:13,480 --> 00:37:16,720
- # Unchain my heart
- Unchain my heart
562
00:37:16,720 --> 00:37:19,760
- # Baby, let me go
- Unchain my heart
563
00:37:19,760 --> 00:37:22,720
- # Unchain my heart
- Unchain my heart
564
00:37:22,720 --> 00:37:26,440
- # Cos you don't love me no more
- Unchain my heart
565
00:37:27,680 --> 00:37:30,360
♪ Every time I call you on the phone
566
00:37:30,360 --> 00:37:32,960
♪ Some fella tells me that you're not at home
567
00:37:32,960 --> 00:37:37,120
♪ So unchain my heart Oh, please, set me free. ♪
568
00:37:37,120 --> 00:37:40,960
99% of all the songs, I start with the lyrics.
569
00:37:40,960 --> 00:37:44,560
The lyrics must tell me a nice story - I must get some feeling.
570
00:37:44,560 --> 00:37:47,800
It must be some kind of way
571
00:37:47,800 --> 00:37:51,760
I can identify with that song,
572
00:37:51,760 --> 00:37:55,040
and then it's like being a good actor or actress -
573
00:37:55,040 --> 00:37:59,680
how you do a part on the stage where people become so involved with you,
574
00:37:59,680 --> 00:38:03,800
they forget that you're just playing a part that somebody written,
575
00:38:03,800 --> 00:38:06,160
and they getting mad at you,
576
00:38:06,160 --> 00:38:08,960
or if you're funny, they laugh.
577
00:38:08,960 --> 00:38:10,720
It's that kind of a thing.
578
00:38:10,720 --> 00:38:14,560
If it's sad, they'll cry - because you do what you're doing
579
00:38:14,560 --> 00:38:17,480
so well that you get the people involved
580
00:38:17,480 --> 00:38:19,960
in the feeling of what you're doing.
581
00:38:19,960 --> 00:38:22,160
And it's the same thing with singing a song,
582
00:38:22,160 --> 00:38:23,520
and that's what I try to do.
583
00:38:23,520 --> 00:38:28,960
I find songs that I feel I put myself into, and make you believe
584
00:38:28,960 --> 00:38:31,880
in what I am singing about must have happened to me,
585
00:38:31,880 --> 00:38:34,480
and you too, maybe.
586
00:38:34,480 --> 00:38:38,960
She talked about music in a really beautiful way -
587
00:38:38,960 --> 00:38:42,600
in a way that a real singer does.
588
00:38:42,600 --> 00:38:44,880
And there's something about singers.
589
00:38:44,880 --> 00:38:46,440
Um...
590
00:38:46,440 --> 00:38:48,080
They're sort of...
591
00:38:48,080 --> 00:38:52,280
They're odd - they carry songs with them.
592
00:38:52,280 --> 00:38:55,920
How many songs is any singer singing at one time?
593
00:38:55,920 --> 00:39:00,000
How many songs are in a singer's head, for example?
594
00:39:00,000 --> 00:39:02,920
If you talk to a great jazz singer they'll say,
595
00:39:02,920 --> 00:39:06,320
"I know 500 songs, but I'm singing 30 of them at the minute".
596
00:39:07,560 --> 00:39:10,000
With Amy, even one so young,
597
00:39:10,000 --> 00:39:17,640
who was only 22, on the edge of what became a truly brilliant career...
598
00:39:18,960 --> 00:39:21,200
..that ended in tragedy.
599
00:39:21,200 --> 00:39:27,040
When she was here, I felt she was really happy in some way.
600
00:39:27,040 --> 00:39:28,960
That she...
601
00:39:28,960 --> 00:39:33,760
Certainly, the way that she sang that night, she sang the blues away,
602
00:39:33,760 --> 00:39:35,640
if you know what I mean.
603
00:39:35,640 --> 00:39:38,520
She used her gift
604
00:39:38,520 --> 00:39:41,000
to still her trembling soul.
605
00:39:41,000 --> 00:39:46,640
She used her gift as a way to explain herself to herself,
606
00:39:46,640 --> 00:39:48,600
to entertain people, sure.
607
00:39:48,600 --> 00:39:51,960
But to sing the blues, and to give herself some relief.
608
00:39:51,960 --> 00:39:56,160
INTRO: "Back To Black"
609
00:40:07,400 --> 00:40:12,640
♪ He left no time to regret
610
00:40:14,120 --> 00:40:16,560
♪ Kept his dick wet
611
00:40:17,440 --> 00:40:21,720
♪ With his same old safe bet
612
00:40:22,960 --> 00:40:26,080
♪ Me
613
00:40:26,080 --> 00:40:28,120
♪ And my head high
614
00:40:29,720 --> 00:40:31,880
♪ And my tears dry
615
00:40:33,000 --> 00:40:37,640
♪ Get on without my guy
616
00:40:38,920 --> 00:40:44,880
♪ You went back to what you know
617
00:40:45,480 --> 00:40:48,320
♪ So far removed
618
00:40:48,320 --> 00:40:52,600
♪ From all that we went through
619
00:40:53,720 --> 00:41:01,160
♪ And I tread a troubled track
620
00:41:01,160 --> 00:41:03,000
♪ My odds are stacked
621
00:41:04,160 --> 00:41:09,160
♪ I'll go back to black
622
00:41:10,480 --> 00:41:14,720
♪ We only said goodbye with words
623
00:41:14,720 --> 00:41:17,680
♪ I died a hundred times
624
00:41:18,520 --> 00:41:20,920
♪ You go back to her
625
00:41:22,760 --> 00:41:25,560
♪ And I go back to...
626
00:41:25,560 --> 00:41:30,520
♪ I go back to us
627
00:41:32,040 --> 00:41:34,840
♪ I love you much
628
00:41:36,440 --> 00:41:38,680
♪ It's not enough
629
00:41:38,680 --> 00:41:43,400
♪ You love blow and I love puff
630
00:41:44,680 --> 00:41:50,400
♪ And life, life is like a pipe
631
00:41:51,040 --> 00:41:54,280
♪ And I'm a tiny penny
632
00:41:54,280 --> 00:41:59,480
♪ Rolling up the walls inside
633
00:42:01,320 --> 00:42:05,080
♪ We only said goodbye with words
634
00:42:05,080 --> 00:42:08,160
♪ I died a hundred times
635
00:42:09,320 --> 00:42:12,040
♪ You go back to her
636
00:42:12,040 --> 00:42:16,680
♪ And I go back to...
637
00:42:16,680 --> 00:42:20,880
♪ We only said goodbye with words
638
00:42:20,880 --> 00:42:24,640
♪ I died a hundred times
639
00:42:24,640 --> 00:42:27,720
♪ You go back to her
640
00:42:27,720 --> 00:42:32,000
♪ And I go back to...
641
00:42:32,000 --> 00:42:37,360
♪ I go back to...
642
00:42:37,360 --> 00:42:41,240
♪ Black
643
00:42:42,280 --> 00:42:44,320
♪ Black
644
00:42:47,400 --> 00:42:50,200
♪ Black
645
00:42:52,200 --> 00:42:54,960
♪ Black
646
00:42:56,880 --> 00:42:59,840
♪ Black
647
00:43:01,920 --> 00:43:04,560
♪ Black
648
00:43:06,440 --> 00:43:09,600
♪ Black
649
00:43:12,160 --> 00:43:20,160
♪ I go back to...
650
00:43:21,360 --> 00:43:25,480
♪ We only said goodbye with words
651
00:43:25,480 --> 00:43:29,000
♪ I died a hundred times
652
00:43:29,000 --> 00:43:32,640
♪ You go back to her
653
00:43:32,640 --> 00:43:34,080
♪ And I...
654
00:43:34,080 --> 00:43:36,560
♪ I
655
00:43:36,560 --> 00:43:40,480
♪ We only said goodbye with words
656
00:43:40,480 --> 00:43:44,480
♪ I died a hundred times
657
00:43:44,480 --> 00:43:48,360
♪ You go back to her
658
00:43:48,360 --> 00:43:52,440
♪ And I go back
659
00:43:52,440 --> 00:43:55,960
♪ To black. ♪
660
00:43:57,080 --> 00:43:59,000
APPLAUSE
661
00:43:59,000 --> 00:44:00,800
Thank you.
662
00:44:06,520 --> 00:44:09,480
The reference points on the new album, however,
663
00:44:09,480 --> 00:44:11,840
in terms of soul music,
664
00:44:11,840 --> 00:44:14,360
very often they're on the pop/soul end of things,
665
00:44:14,360 --> 00:44:18,720
the girl groups, the Shangri-Las and those sorts of people.
666
00:44:18,720 --> 00:44:22,120
What appeals to you in those groups, because they are so...some of them,
667
00:44:22,120 --> 00:44:25,280
over the top, you know, melodrama by the bucket load?
668
00:44:25,280 --> 00:44:30,560
Yeah, I love the drama, I love the atmosphere, I love the sound effects.
669
00:44:30,560 --> 00:44:33,440
People will know Leader Of The Pack and things like that,
670
00:44:33,440 --> 00:44:36,520
but there's so many of them, Sophisticated Boom Boom...
671
00:44:36,520 --> 00:44:40,000
Yeah, and they write the most depressing songs ever
672
00:44:40,000 --> 00:44:42,320
like I Can Never Go Home Any More.
673
00:44:42,320 --> 00:44:44,280
When me and my boyfriend finished,
674
00:44:44,280 --> 00:44:46,400
I used to listen to that song on repeat.
675
00:44:46,400 --> 00:44:49,760
I listened to that song for two weeks just sitting on my kitchen floor,
676
00:44:49,760 --> 00:44:51,160
with a bottle of Jack Daniels,
677
00:44:51,160 --> 00:44:55,200
drinking the Jack Daniels and pass out, wake up and just do it again.
678
00:44:55,200 --> 00:44:58,600
My flatmate used to come in, leave me bags of KFC and just leave.
679
00:44:58,600 --> 00:45:00,200
She'd come in and see me,
680
00:45:00,200 --> 00:45:03,120
and be like, "There's your dinner, I'm going out."
681
00:45:03,120 --> 00:45:05,680
Listening to I Can Never Go Home Anymore...
682
00:45:05,680 --> 00:45:07,400
Yeah. On repeat, like that.
683
00:45:07,400 --> 00:45:11,280
♪ I'm gonna hide if she don't leave me alone
684
00:45:53,480 --> 00:45:55,200
That's the saddest song in the world,
685
00:45:55,200 --> 00:45:58,120
that is the most depressing song. It's like, "Mum, I'm in love."
686
00:45:58,120 --> 00:46:00,080
She's like, "You're too young, you can't be."
687
00:46:00,080 --> 00:46:02,280
"Well, Mum, I'm leaving." First of all she's like,
688
00:46:02,280 --> 00:46:05,600
"I've got nothing in my life, I just go to school." And then, a miracle.
689
00:46:05,600 --> 00:46:08,720
- The angels came.
- A boy. Her mum dies of grief because she never goes home.
690
00:46:08,720 --> 00:46:11,560
And when she leaves home, she's like, "I don't love him anyway."
691
00:46:11,560 --> 00:46:13,040
It's like, so depressing.
692
00:46:13,040 --> 00:46:15,680
What's that line? "The angels came and took her for a friend."
693
00:46:15,680 --> 00:46:17,360
Yeah, "She grew so lonely in the end,
694
00:46:17,360 --> 00:46:19,560
"that the angels took her for their friend
695
00:46:19,560 --> 00:46:22,400
"and I can never go home anymore and that's sad."
696
00:46:22,400 --> 00:46:26,040
♪ Never
697
00:46:26,040 --> 00:46:30,040
♪ Go home anymore... ♪
698
00:46:31,120 --> 00:46:36,560
There is this sense in our culture of the suffering artist
699
00:46:36,560 --> 00:46:43,600
or that art come out of a sense of things not being right.
700
00:46:43,600 --> 00:46:48,360
And it's that struggle, the struggle of suffering,
701
00:46:48,360 --> 00:46:51,600
or people being really extreme
702
00:46:51,600 --> 00:46:55,480
and being on the edge
703
00:46:55,480 --> 00:46:59,520
and that is where great art comes from,
704
00:46:59,520 --> 00:47:03,240
and with Amy there is this sense that, yes,
705
00:47:03,240 --> 00:47:07,520
there was this wonderful art, this wonderful music that came out
706
00:47:07,520 --> 00:47:13,280
and to a certain extent came out from her living a life on the edge
707
00:47:13,280 --> 00:47:19,120
but I think there is sort of, like a category mistake.
708
00:47:19,120 --> 00:47:25,120
It's not, it doesn't have to stay on the edge, you know,
709
00:47:25,120 --> 00:47:31,520
it's maybe the great art comes out of the resolution between
710
00:47:31,520 --> 00:47:38,760
being on the edge and then coming to a comfortable, safe place.
711
00:47:38,760 --> 00:47:43,480
Sort of a more whole place for a person.
712
00:47:43,480 --> 00:47:47,240
I find that any time I listen to any of Amy's music,
713
00:47:47,240 --> 00:47:50,000
it is tinged with that touch of sadness -
714
00:47:50,000 --> 00:47:56,320
that she never got the resolution, it seems so very tragic.
715
00:47:56,320 --> 00:47:58,520
This is my first single. Before I go on,
716
00:47:58,520 --> 00:48:00,960
I'd like to introduce my band to you.
717
00:48:00,960 --> 00:48:04,440
We've got Robin Banerjee on the guitar.
718
00:48:04,440 --> 00:48:07,000
And Dale Davis on the bass.
719
00:48:07,000 --> 00:48:08,320
APPLAUSE AND CHEERING
720
00:48:11,600 --> 00:48:13,480
He's got his on fan club, you know.
721
00:48:13,480 --> 00:48:15,880
All right, this is called Rehab.
722
00:48:19,400 --> 00:48:22,040
You boys going to count me in?
723
00:48:22,040 --> 00:48:24,200
One, two, one, two, three.
724
00:48:25,320 --> 00:48:28,040
♪ They tried to make me go to rehab
725
00:48:28,040 --> 00:48:31,560
♪ I said no, no, no
726
00:48:32,360 --> 00:48:35,800
♪ Yes, I've been black But when I come back
727
00:48:35,800 --> 00:48:39,120
♪ You'll know, know, know
728
00:48:39,120 --> 00:48:42,160
♪ I ain't got the time
729
00:48:42,160 --> 00:48:45,920
♪ And if my daddy thinks I'm fine
730
00:48:45,920 --> 00:48:48,520
♪ Just try to make me go to rehab
731
00:48:48,520 --> 00:48:51,800
♪ I won't go, go, go
732
00:48:53,800 --> 00:48:55,840
♪ I'd rather be
733
00:48:55,840 --> 00:48:58,160
♪ At home with Ray
734
00:49:01,240 --> 00:49:05,480
♪ I ain't got 70 days
735
00:49:06,760 --> 00:49:08,760
♪ Cos there's nothing
736
00:49:08,760 --> 00:49:11,800
♪ There's nothing you can teach me
737
00:49:13,440 --> 00:49:16,120
♪ That I can't learn
738
00:49:16,120 --> 00:49:20,080
♪ From Mr Hathaway
739
00:49:21,720 --> 00:49:26,000
♪ I didn't get a lot in class
740
00:49:27,440 --> 00:49:31,560
♪ But I know it don't come
741
00:49:31,560 --> 00:49:34,640
♪ In a shot glass
742
00:49:34,640 --> 00:49:37,960
♪ They tried to make me go to rehab
743
00:49:37,960 --> 00:49:40,640
♪ I said no, no, no
744
00:49:41,880 --> 00:49:43,600
♪ Yes, I been black
745
00:49:43,600 --> 00:49:47,400
♪ But when I come back you'll know, know, know
746
00:49:49,080 --> 00:49:52,040
♪ I ain't got the time
747
00:49:52,040 --> 00:49:56,040
♪ And if my daddy thinks I'm fine
748
00:49:56,040 --> 00:49:58,960
♪ Just try to make me go to rehab
749
00:49:58,960 --> 00:50:01,560
♪ I won't go, go, go
750
00:50:03,640 --> 00:50:08,960
♪ The man said "Why you think you here?"
751
00:50:10,200 --> 00:50:15,360
♪ I said, "I got no idea"
752
00:50:16,880 --> 00:50:23,000
♪ I said, "I'm gonna, I'm gonna lose my baby
753
00:50:23,000 --> 00:50:30,520
♪ "So I always keep a bottle near here"
754
00:50:30,520 --> 00:50:32,040
♪ He said
755
00:50:32,040 --> 00:50:36,400
♪ "I just think you're depressed"
756
00:50:36,400 --> 00:50:39,600
♪ Just me
757
00:50:39,600 --> 00:50:41,080
♪ Yeah, baby
758
00:50:41,080 --> 00:50:44,760
♪ And the rest
759
00:50:44,760 --> 00:50:46,920
♪ They tried to make me go to rehab
760
00:50:46,920 --> 00:50:50,240
♪ I said no, no, no
761
00:50:51,640 --> 00:50:53,200
♪ Yes, I've been black
762
00:50:53,200 --> 00:50:55,040
♪ But when I come back
763
00:50:55,040 --> 00:50:57,920
♪ You'll know, know, know
764
00:50:59,320 --> 00:51:03,200
♪ I don't never want to drink again
765
00:51:05,480 --> 00:51:08,680
♪ I just
766
00:51:08,680 --> 00:51:12,760
♪ I just need a friend
767
00:51:14,120 --> 00:51:17,600
♪ I'm not going to spend ten weeks
768
00:51:19,360 --> 00:51:22,880
♪ Have everyone think
769
00:51:22,880 --> 00:51:26,840
♪ I'm on the mend
770
00:51:28,960 --> 00:51:31,880
♪ It's not just my pride
771
00:51:33,840 --> 00:51:36,800
♪ It's just till
772
00:51:36,800 --> 00:51:40,640
♪ These tears have dried
773
00:51:40,640 --> 00:51:43,760
♪ They tried to make me go to rehab
774
00:51:43,760 --> 00:51:46,720
♪ I said no, no, no
775
00:51:48,000 --> 00:51:51,720
♪ Yes, I've been black but when I come back
776
00:51:51,720 --> 00:51:54,480
♪ You'll know, know, know
777
00:51:55,640 --> 00:51:58,000
♪ I ain't got the time
778
00:51:58,000 --> 00:52:02,040
♪ And if my daddy thinks I'm fine
779
00:52:02,040 --> 00:52:05,040
♪ Just try to make me go to rehab
780
00:52:05,040 --> 00:52:08,200
♪ I won't go, go, go. ♪
781
00:52:08,200 --> 00:52:10,240
APPLAUSE
782
00:52:13,280 --> 00:52:15,240
Thank you very much.
783
00:52:15,240 --> 00:52:18,920
In any sense was this album, in any way at all,
784
00:52:18,920 --> 00:52:20,960
moving you away from the jazz tag,
785
00:52:20,960 --> 00:52:23,960
- did you want to get away from that at all?
- No. Not at all.
786
00:52:23,960 --> 00:52:26,600
I'm a jazz singer. I can do jazz,
787
00:52:26,600 --> 00:52:31,640
I can do hip-hop and I was just not listening to that any more.
788
00:52:31,640 --> 00:52:37,880
And what I listen to influences what I write. Very much so.
789
00:52:37,880 --> 00:52:40,280
I'm going to do my third album now,
790
00:52:40,280 --> 00:52:43,720
just get it out...not get it out the way, not like, knock it out.
791
00:52:43,720 --> 00:52:45,880
I'm just gonna...
792
00:52:47,040 --> 00:52:50,800
I'm just... I'm just taking every opportunity.
793
00:52:50,800 --> 00:52:53,560
Like, I've got two week off over Christmas, I'm going to work.
794
00:52:53,560 --> 00:53:00,200
I'm not going to sit around and eat chocolates and drink brandy,
795
00:53:00,200 --> 00:53:02,480
I'm not going to do stuff like that.
796
00:53:02,480 --> 00:53:05,200
I'm going to have Christmas Eve with my boyfriend,
797
00:53:05,200 --> 00:53:07,000
I'm going to break him into Christmas.
798
00:53:07,000 --> 00:53:09,800
We're going to watch Bad Santa, Elf and It's A Wonderful Life,
799
00:53:09,800 --> 00:53:12,760
I'm going to cook dinner, and if he doesn't cry, I'm going to leave him.
800
00:53:12,760 --> 00:53:15,640
- If that doesn't work, get rid of him.
- I'm going to leave him!
801
00:53:15,640 --> 00:53:18,880
Bad Santa, Elf, It's A Wonderful Life
802
00:53:18,880 --> 00:53:22,880
and then me packing my bags. Literally.
803
00:53:22,880 --> 00:53:27,200
And then Christmas Day at my mum's, at my auntie's,
804
00:53:27,200 --> 00:53:31,080
Boxing Day at his mum's and then back to work.
805
00:53:35,760 --> 00:53:40,680
It was literally a few week after the album took off in America
806
00:53:40,680 --> 00:53:44,320
and she'd won loads of awards and then that was it, you know.
807
00:53:44,320 --> 00:53:46,920
We just went off and promoted the record
808
00:53:46,920 --> 00:53:49,560
and I think the demand for her was so great then
809
00:53:49,560 --> 00:53:51,720
that she probably didn't have a chance
810
00:53:51,720 --> 00:53:54,880
to sit down and write that next album, really.
811
00:53:56,280 --> 00:53:58,240
She burnt so brightly, you know.
812
00:53:58,240 --> 00:54:00,680
I have no idea what to do now.
813
00:54:00,680 --> 00:54:01,880
What?
814
00:54:01,880 --> 00:54:04,160
- 'Do you miss her?
- Absolutely, I think about her.
815
00:54:04,160 --> 00:54:07,520
'When she was alive I used to think about her all the time, every day,
816
00:54:07,520 --> 00:54:11,440
'and now she's gone, you know, I always think about her.
817
00:54:11,440 --> 00:54:13,080
'It's a big loss.
818
00:54:13,080 --> 00:54:16,880
'It's life but it's a big loss, you know, really.'
819
00:54:16,880 --> 00:54:21,040
Yeah, OK. This is called Me And Mr Jones.
820
00:54:23,800 --> 00:54:27,280
I don't need the pre-chord! Thank you.
821
00:54:31,120 --> 00:54:36,560
♪ Nobody stands in between me and my man
822
00:54:36,560 --> 00:54:39,800
♪ It's me and Mr Jones
823
00:54:42,160 --> 00:54:45,400
♪ What kind of fuckery is this?
824
00:54:47,600 --> 00:54:51,520
♪ You made me miss the Slick Rick gig
825
00:54:54,400 --> 00:54:58,640
♪ You thought I didn't love you when I did
826
00:54:59,880 --> 00:55:06,200
♪ Can't believe you played me out like that
827
00:55:08,880 --> 00:55:12,280
♪ No, you ain't worth guest list
828
00:55:13,720 --> 00:55:18,360
♪ Plus one of all them girls you kissed
829
00:55:20,880 --> 00:55:25,080
♪ You can't keep lying to yourself like this
830
00:55:27,240 --> 00:55:31,560
♪ Can't believe you played yourself
831
00:55:31,560 --> 00:55:35,000
♪ Like this
832
00:55:36,680 --> 00:55:39,880
♪ Slick Rick's one thing
833
00:55:39,880 --> 00:55:43,320
♪ But come Brixton
834
00:55:43,320 --> 00:55:49,520
♪ Nobody stands in between me and my man
835
00:55:49,520 --> 00:55:54,680
♪ Cos it's me and Mr Jones
836
00:55:56,320 --> 00:56:02,560
♪ Me and Mr Jones
837
00:56:02,560 --> 00:56:05,840
♪ What kind of fuckery are we?
838
00:56:07,680 --> 00:56:12,120
♪ Nowadays you don't mean dick to me
839
00:56:13,840 --> 00:56:17,960
♪ But I might let you make it up to me
840
00:56:19,680 --> 00:56:22,480
♪ Yeah, yeah, baby
841
00:56:22,480 --> 00:56:27,680
♪ Who's playing Saturday?
842
00:56:30,080 --> 00:56:32,920
♪ What kind of fuckery are you?
843
00:56:34,240 --> 00:56:39,720
♪ 'Side from Sammy You're my best black Jew
844
00:56:41,800 --> 00:56:45,400
♪ I thought I could swear that we were through
845
00:56:48,760 --> 00:56:58,600
♪ I still wonder 'bout the things you do
846
00:56:58,600 --> 00:57:05,480
♪ Mr Destiny, nine and 14
847
00:57:05,480 --> 00:57:10,880
♪ Nobody stands in between me and my man
848
00:57:10,880 --> 00:57:17,840
♪ Cos it's me and Mr Jones
849
00:57:17,840 --> 00:57:25,800
♪ Yeah
850
00:57:25,800 --> 00:57:29,520
♪ Yeah... ♪
851
00:57:31,360 --> 00:57:35,360
APPLAUSE Thank you.
852
00:57:35,360 --> 00:57:37,840
Thank you very much.
853
00:57:37,840 --> 00:57:42,280
When Amy Winehouse sang, she let us in,
854
00:57:42,280 --> 00:57:45,680
if we have the ears to hear
855
00:57:45,680 --> 00:57:49,920
and the eyes to see into the heart
856
00:57:49,920 --> 00:57:54,520
of what she really was as a person and as an artist.
857
00:57:54,520 --> 00:57:57,600
She touched all of us that year
858
00:57:57,600 --> 00:58:00,920
because she was so "un"
859
00:58:00,920 --> 00:58:05,360
what she had been represented as in the tabloids.
860
00:58:05,360 --> 00:58:08,160
And we didn't care about any of that,
861
00:58:08,160 --> 00:58:11,400
we weren't interested in any of that and still aren't.
862
00:58:11,400 --> 00:58:15,440
It was just brilliant that she came with her spindly little legs
863
00:58:15,440 --> 00:58:21,520
and her mental hair and sang her heart out in Kerry for us.
864
00:58:21,520 --> 00:58:24,240
Brilliant, absolutely brilliant.
865
00:58:36,760 --> 00:58:38,520
Thanks for talking to us.
866
00:58:38,520 --> 00:58:40,960
Thanks for making this trip, I know it was a long journey.
867
00:58:40,960 --> 00:58:44,440
Actually, having heard what some of you had to do to get here,
868
00:58:44,440 --> 00:58:47,240
mine was a walk in the park, to be honest.
869
00:58:47,240 --> 00:58:50,880
All we did was have a two-hour drive from another airport,
870
00:58:50,880 --> 00:58:53,480
at least we got a flight.
871
00:58:53,480 --> 00:58:55,920
You got here and you did the business in there tonight.
872
00:58:55,920 --> 00:58:59,640
- Thanks, Amy, thanks.
- Thank you.
- Cheers.
873
00:58:59,640 --> 00:59:03,360
- Sorry I went off on one of my chats.
- I went off on one, too.
874
00:59:03,360 --> 00:59:06,160
I don't get to talk to people very often.
875
00:59:06,160 --> 00:59:09,240
- Oh, my God!
- Wow!
876
00:59:09,240 --> 00:59:11,240
Thank you so much.
877
00:59:13,600 --> 00:59:16,640
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