Original subtitles

-MAN: Alpha mark. -Yeah, we all set? Good.

[vocalizing Blue Bloodstheme song]

Let's talk Blue Bloods.

WILL ESTES: What's the line? What do I say?

[laughter]

It's New York. It's Blue Bloods.

-Who wants to say grace? -DIRECTOR: Action!

Let's go. [laughs]

NISCHELLE TURNER: As the prime-time drama prepars

to say goodbye...

You never really expect 14 years out of a show.

...tonight theBlue Bloods cast comes together...

How are we feeling emotionally? Yeah.

...to reflect on 14 seasons...

I mean, that-- it changed my life.

...with stories from behind the scenes.

Where's my flip phone? I'll show it to you.

Donnie will eat

the entire scene.

I have laughed so much.

I have new laugh lines thanks to Donnie.

NISCHELLE: What you never knew about their start as strangers...

TOM SELLECK: The first scene we shot,

I was scared.

We only just met.

NISCHELLE: ...and the moments that made them forever family.

-Get out of here, you animal. -[laughing]: Sorry, sorry, sorry.

GREGORY JBARA: This work environment

is a miracle.

We really, uh,

pinch ourselves all the time.

NISCHELLE: Plus a look at the last day on set.

If I talk about it anymore, I will cry.

You're trying to get me emotional.

NISCHELLE: Why the finale is a love letter to fans.

This is getting really personal now.

That was memorable.

?

Family, honor, service.

Blue Bloodshas delivered all of that and more.

Welcome, everybody, I'm Nischelle Turner.

And tonight we are celebrating that legacy

as we prepare to say goodbye

to the Reagans.

?

I got a lot to be thankful for,

starting with everybody at this table.

TOM: I love the show--

we all love the show who work on it-- and, uh,

what is so special to me

is the relationships you form

and the family you form.

And I mean that in the broader sense-- our cre,

our writers,

our cast.

DONNIE: The show has blessed me

in so many ways.

And, um, I'm... you know,

I'm a little teary-eyed right now and emotional,

but more so it's just grateful, it's not, uh, sad.

This is where all the fun happens.

[cheering and applause]

NISCHELLE: These moments behind the scenes

of the final season say it all.

From police procedural

to legal drama to big city politics,

Blue Bloods hits on every level,

but at the heart of it, it is a family

whose dinner table we all want to be invited to.

BRIDGET MOYNAHAN: I don't think I realized

it was gonna be that important

of a scene that resonated week after week.

WILL: People always come up and say,

"I love the family dinner scenes."

Um, I think probably has something to do

with the values of the show.

Reagans say grace.

Name of the Father, the Son, the Holy Spirit.

TOM: I think family dinner was-- you can safely say

it's most of the audience's favorite part.

NISCHELLE: 14 seasons, 293 episodes,

and an ensemble cast that's been together

since the very beginning.

It's a success story no one saw coming,

especially in 2010

before the series even started production.

We love the show. It's character-driven police drama.

It's three generations of cops. Bridget is a prosecutor.

-BRIDGET: I got the brains in the family. -TOM: Yeah.

-And the height. -She's a smart lawyer.

-And the looks. -[laughs]

-We got nothing. -She got the brains and the looks.

DONNIE: I used to walk around and say,

"Oh, seven years, easy, seven years."

And, um, we doubled it, so...

I couldn't have predicted that.

I believed in the show.

I'm not sure I would have done it otherwise.

And I also believed in the cas, that we had the right group

and the right show and the right timing.

BRIDGET: I'm excited to see it all, all put together

in front of other people besids my parents, who, you know,

are thinking it's gonna be a huge hit,

but they're my parents, so... [giggles]

what else are they gonna say?

I'm actually surprised that I said that.

I don't think anybody really had that idea

that it was going to be the hit that it was and still is.

WILL: It felt good from the beginning.

It felt like we were doing something good,

but you never really expect

14 years out of, out of a show.

Yeah, I think that would be, uh,

that would be an arrogant expectation.

NISCHELLE: So just how do you create

a fan-favorite series likeBlue Bloods?

Well, first you take a tried-and-true TV legend...

[Magnum, P.I. theme song playing]

...add one pop star...

? Oh, oh, oh, oh-oh.?

...throw in a cast of seasoned actors,

and you've got a hit show that defied the odds.

We owned Friday night.

GREGORY: Blue Bloods did own the night

on Friday night historically for its entire run,

which is a major accomplishment.

TOM: A lot of people thought,

"God, they put 'em on at 10:00

"Friday night?

That's, that's a death spot." [chuckles]

And it turned out

that if we build it, they came.

And, uh, that was a big surprise for everybody.

And that was a very big surprise when

people not only came and watched it

but it dominated.

It dominated Friday nights for 14 years.

You see, most series don't survive Friday nights,

but this cast and crew

found massive success,

consistently charting as the top show of the night

and ranking among the top scripted series

in television.

They got a pretty famous fan base, too.

WILL: Bill Clinton came to family dinner once.

The Fonz came in

and was like, "I love this show."

One time I saw Ron Howard-- he's like,

"I love your show," and I was like, "What?"

Let's have some fun.

-[laughs] -Give me that mic!

DONNIE: We had something different

and something special. Um, you know,

a lot of TV over the last two decades has

moved away from a family like the Reagans.

And suddenly, here was this show coming

that in some ways seemed

like it was past its time

but in reality it was perfect time.

You know, it was right on time.

Um, people missed that type of show

as an option on the menu.

NISCHELLE: But it all could have looked very different.

For starters, part of the pilot episode was shot

in Toronto, not New York, and it wasn't always

calledBlue Bloods.

LEN: No, it was originally called

Reagan's Law.

What a terrible title.

Boy, I don't think we should've been

saddled with Reagan's Law. [chuckles]

NISCHELLE: And while the show takes great pride

in representing the men and women in blue,

the family dynamic is what really sets the show apar.

It's something Tom felt very strongly about,

so when the series started veering away from that

in the first season, he made sure to bring it back.

Suddenly, there was a, a difference in the tone.

And some new people had been brought in,

and the show was more procedural.

I kind of met with the other actors

and, and said, "Look,

"you can stay out of this.

"I'm gonna have to have broad enough shoulders for this,

"but if you agree with me

"and you liked the pilot

"and not the way the show was beginning,

"then, um,

I'm gonna see what I can do."

I called some people at the network,

I called my agent and said,

"This isn't gonna work."

And we were on episode two, and I said,

"Look, I don't think I belong in this show

if that's what they're gonna do."

And-- but that was done in,

not in a threatening way but in a businesslike way.

And, uh, um...

it worked out pretty good.

BRIDGET: He rallied us

and included us, which was great because, you know,

it-it showed that he cared that, um,

we were all in this together.

Um, you know, it just brought s together tighter as a family.

DONNIE: What we all gravitated towards

was the connection between the family.

And that connection had to be protected.

Tom was really-- he used his experience

and his, you know, influence to ensure

that we could protect the integrity

of the show that we all signed up for.

TOM: You know, you commit to a series like that,

everybody's future's on the line,

and it affected them as much as me.

When we started Blue Bloods, I asked for fourth billing.

I was kind of a supporting character

for what was happening in their lives,

so it was as much their future as mine.

It was an ensemble show which I was delighted to be a part of.

It would have been remiss if they weren't in that meetin.

NISCHELLE: And when it comes to impactful stories,

some of TV's most shocking

and heartfelt moments have taken place on these sets.

FRANK: I'll ask again.

Who shot my boy?

Vinny...

VANESSA RAY: I think that we've

tackled issues, um,

that are current, you know, current events to an extent.

At the end of the day,

we're really telling a story of family working

in an industry and the, the highs and lows.

I can't do this without my wife.

Linda's death wasn't your fault.

So, whose fault was it?

GREGORY: And the subject matter is--

I think they are very courageos

in what we discuss and-- but we don't preach.

And I think that really, uh, allows anyone,

no matter what side of the argument they are on,

it makes everyone feel heard on a particular topic.

-The laws are there for a reason. -HENRY: Yeah.

-To protect the criminals. -ERIN: No.

-To protect society from a police state. -Oh.

NISCHELLE: But the real secret toBlue Bloods' success,

well, it's the relationships on- and off-screen

that have kept fans coming bac.

We're rolling!

[quietly]: I love bossing them around.

[laughs]

A lot of TV and a lot of actors, they're not very nice.

You can cut that out, but don't cut it out.

All right? They're not very nice.

They're not who you think they are.

Here, they're as nice as you think they are.

It's family.

And I think that's

what the audience sees and feels.

ROBERT CLOHESSY: We really,

uh, pinch ourselves all the time,

we-we-we laugh all the time,

we are so grateful.

MARISA RAMIREZ: I think a lot of people can relate

to Blue Bloods'cause they see all of our characters

as just real, genuine human beings.

ABIGAIL HAWK: These are real people.

These are people who are messy.

These are people who are flawed.

You know, they-they do things wrong.

They do many things right.

And it's relatable.

DONNIE: I'm so thankful

to be here and to be part of this show

that I've never lost that gratitude

in 14 seasons.

I've never lost it.

I'm excited

every day, um,

which helps, you know, when it's-- when we're chasing

bad guys out in the cold at 3:00 in the morning

on a Friday night.

After a long week of work, it's rough.

And I think the crew feeds off of that energy,

and-and, um, we all kind of lift each other up.

TOM: Everybody's work ethic

and the ethic to...

making every show as, as good as you could,

that never left us.

The work was preeminent.

That means an enormous amount to me.

If you spend that much time of your life

working on a television series,

you ought to make the ride as good as possible,

and we've had a great ride.

NISCHELLE: Still ahead...

DONNIE: Them eyebrows is what gets me.

-[interviewer laughing] -He got, like,

scary-ass eyebrows.

NISCHELLE: ...Donnie's nickname for Tom.

-Plus... -VANESSA: The belts that we wer

are a third of the weight of what actual cops wear.

NISCHELLE: ...behind the badge.

How the cast prepared to play real-life NYPD officers.

STEVE: I mean, I couldn't handcuff

a 95-year-old woman.

[vocalizing Blue Bloodstheme song]

[laughter]

[belches]

[continues vocalizing]

WOMAN: Whoo!

Yeah, we all set? We-we closed up and quiet?

Good.

Let's go. [laughs]

-Is someone gonna say action? -DIRECTOR: Action!

[both laugh]

It's not my fault we've been here for nine hours!

-We kind of did it. We kind of did it. -[mutters happily]

Dad, I'm really on the edge

-of not coming back. -[laughter]

ANDREW TERRACIANO: Oh, God.

-TOM: It's happening again. -DONNIE: Uh-oh.

This is going well.

MAN: Ready, mark.

This is the squad room.

This is where me and Marisa hold down the fort

with the amazing background actors of 14 years.

-Everyone... -[all cheering]

NISCHELLE: 14 seasons of love,

laughter and a lot of hard wor.

TheBlue Bloods cast spent more than 2,300 days

shooting on set,

and they aren't shy about spilling secrets,

including one of the most frequently asked questions.

What is it really like to work with Mr. Magnum himself,

Tom Selleck?

Without further ado...

People may or may not realize that, you know,

he's about six-foot-four.

And, um, he's just

he's such a, he's such a presence

when he comes into a room.

He's physically imposing, his eyes are very serious...

You know, people talk about his mustache.

Them eyebrows is what gets me.

-[interviewer laughing] -He got, like,

scary-ass eyebrows.

They're scary, right?

Well, at least you got that right.

AMY CARLSON: Some things

that you might not guess about Tom

is that he's very funny.

-Can you say that again? -BRIDGET: Okay.

I was laughing, so...

That's all the faces I have in me.

He's taught me poems, he's taught me jokes.

-Just bear with me. -Don't worry, Tom...

Sorry, it's my first day.

VANESSA: I think Tom Selleck is like

the, the original influencer.

And I'm always like, "Well, whatever Tom says,

I'll try it."

Thank you, it's great to be iconic.

[laughter]

What you see is what you get, a lot, with Tom.

He's the leader on-screen and he really is

our sort of, you know,

our-our leader off-screen as well.

Off-camera, I only refer to Tom as "Dad."

KEVIN FRAZIER: Donnie calls you "Dad."

And I call him "son." W-- Every time I see him,

his dressing room's right down-- a couple doors from mine,

and I'll walk by and I'll go, "Hello, son."

He goes, "Hello, Dad." [chuckles]

DONNIE: It's really sweet.

We have a mutual affection and respect for each other.

It's been really fun building a relationship with him.

NISCHELLE: And while the cast knows they could count on Dad

to keep them on track,

they could always count on this guy

to bring a whole lot of energy...

Ah. Speak of the devil.

[laughs]

[groans, laughs]

-Oh, geez, oh, geez, oh, geez. -NISCHELLE: Oh, here he comes.

...and, of course, dance moves.

?

? I like the remix, baby.?

How long do you have to talk about working with Donnie?

TOM: Donnie is fun

and always positive.

WILL: I always want

more scenes with Donnie.

-What's the line? What do I say? -[laughs]

BRIDGET: He's always goofing off.

Sometimes I'll turn to him

in the middle of the scene and he'll have, like,

string beans coming down like fangs

and-- or, y-you know, little Altoids,

his little Chiclet teeth.

So he's-he's quite the prankster.

All right. Thank you.

-[laughs] -It was her. That wasn't me.

[laughter]

I... have laughed so much.

I have new laugh lines

thanks to Donnie.

[laughing]

NISCHELLE: And there's something else Donnie brought to set

starting from day one:

thousands of New Kids on the Block fans.

DONNIE: Yes, they build

little mini-camps

and stuff, they bring me lunch

some days, they'll set up a barbecue and stuff.

And Tom goes right over and says hi to them all

and takes pictures and--

I mean, he's-he's great.

TOM: I am now.

I love 'em. I have all their albums.

I made that up.

I-I love 'em, but I don't have all their albums.

DONNIE: I've snuck in lyrics

from New Kids songs and song titles and references

throughout all the 14 seasons.

Could you take us through what happened? Step by step?

? Step by step?

? Ooh, baby.?

So, no more games.

? No more games is about positivity.?

DANNY: Or "Please Don't Go Girl."

-JACK: Yeah. -SEAN: What does that even mean?

It's an oldie but goodie. Forget about it.

? Please?

? Don't go, girl...?

DONNIE: My bandmate Jordan Knight

was a background actor at one point.

Yeah, we snuck him in the background of a scene.

NISCHELLE: Donnie was often spotted on set FaceTiming

with wife Jenny McCarthy.

And did you know that she almot had a role on the show

playing his high school girlfriend?

But they didn't want to blur the line for fans,

so she passed.

But Donnie didn't pass on the chance

to get to direct an episode.

All right, ready?

And action.

Bridget directed three.

And while there's a real sense of joy

and camaraderie on set,

there is one thing the entire production

takes very seriously:

the accurate portrayal of the real men and women

of the NYPD.

Police. Don't move!

We have a great technical advisor on the show.

That's Jimmy Nuce. Do you know who Jimmy Nuce is?

He's a cop, and he retired and he works onBlue Bloods.

Well, Jim Nuciforo is like-- holds all of our hands.

ABIGAILL: Everything is authentic with Jim.

Um, his expertise is invaluable.

JAMES: So, I've been a tech consultant

on Blue Bloodssince day one.

I was actually

on the show before it was a show.

NISCHELLE: Jim Nuciforo is a former NYPD detective

who started his law enforcement career in 1982.

Sometimes you'll see him on the show playing himself.

-I'm here if you need me, boss. -Thanks, Jimmy.

I have given them many stories.

In almost every episode that we do, there's either

a story of mine or a piece of a story of mine.

DANNY: Gun! Gun!

NISCHELLE: Jim also works closely with the cast

on everything from weapons training to mastering

the movements and mannerisms of real police officers.

MARISA: I feel like, after each take,

I'm looking for him to see

if he's gonna give me the thumbs-up.

Shooting a gun, he tells you how to hold a gun,

uh, where to put the badge.

JAMES: They've become so good,

they can be cops.

They can go out on that street, and nobody would question.

NISCHELLE: Still, there's one thing

you'll rarely see the stars do on-screen.

Put your hands behind your back.

Handcuffing somebody

is one of the hardest things

you will ever have to do.

I mean, I couldn't, I couldn't handcuff

a 95-year-old woman.

JAMES: So the most that we'll do

is put one handcuff on--

if we do that-- and then the other cuff

they will hold in their hand.

NISCHELLE: Another challenge for the actors? The gear.

VANESSA: The belts that we wear...

are a third of the weight

of what actual cops wear.

And, you know, we're talking like,

that's like 25 pounds on your hips

and pushing on your hips throughout the day.

It's like the number one question

I ask real police officers

when I meet them. It's-- I'm like,

"What do you do with the belt

"when you have to use the restroom?

"What do you think about the pants?

"Like, the pants are, like, tight and loose

in all the wrong places."

Like, I just drill them about

everything about what's on my person.

-[sirens wailing] -[tires screeching]

NISCHELLE: Still ahead...

Somebody please pass me something that's bad for me.

You got to eat something or you're cheating.

NISCHELLE: ...from banned foods

to plastic forks, family dinner secrets

straight from the Reagans' table.

WILL: There's infamous meals.

[laughs]

TOM: I did lose it one time

a couple years ago. [chuckles]

[laughter]

TOM: Today onBlue Bloods?

Today's family dinner day.

DIRECTOR: And action.

Donnie eats like a, like a madman.

DONNIE: I've eaten about

six cannolis right now.

You're going at your food like it's trying to escape.

TOM: I don't think I would have been attracted

to that script

without this family dinner scene.

LEN: I have a lot of people say to e

when they, when they see me on the street,

"I love having dinner with you on Friday nights."

I feel very lucky...

to have you all here.

If we didn't have that,

like, connective tissue,

it would probably just be

like any other procedural, I suppose.

NISCHELLE: It's the heart and soul of the series,

the weekly Sunday dinners where the Reagans come together

to share their hopes and celebrate their triumphs,

even if they don't always agree with each other.

I mean, our best family dinners are when we fight.

Absolutely correct.

[overlapping chatter]

NISCHELLE: But here's something you may not know.

The first time this family sat down

to break bread in 2010,

they were virtual strangers.

TOM: Our first family dinner,

uh, was our first day

of shooting on the pilot.

Boys, guys, dinner.

TOM: I met Donnie

the day before,

and Bridget and Will,

I think, the day of.

DONNIE: It was scary,

but it worked.

You know, the good-- it was easy for me

because I didn't have to get along with anybody.

-Blah, blah, blah, blah. -Such a jerk.

-Hey, screw you, Erin. -No, screw you.

-No, screw you. -You know what I had to... -It's Sunday dinner.

NISCHELLE: Since then, the cast has sat down at this table

a total of 286 times.

A few times meals were at the hospital

or a hotel, but no matter the location,

filming family dinner is anything but a piece of cak.

There's a lot that goes into making them happen,

starting with how long it takes to shoot.

A day in the life on the set is, the dinner scene takes forever.

[laughs] Like, about eight hours.

DIRECTOR: And action, Len.

Okay, who wants to say grace?

VANESSA: The directors have a bit

of a competition among all of them,

-like, who can get the best time. -The record is like...

-There's a record. -...three hours and, like, 45 minutes or something?

-Yeah, and shirts were made. -Shep would know the exa...

-There was shirts with the... -No!

-...with the record time. -Yeah.

TOM: The hard part, of course, is

you got to go all the way around the table.

You got to be doing the same thing in each take and you have

to make it look like it's the first time you've ever done it.

The other castmates all have

their own approach to eating at dinner.

TOM: I eat as little

as I-- possible,

but you got to eat something or you're cheating.

AMY: Tom...

...butters the-the roll.

I do butter rolls, but doesn't everybody?

One dinner scene, Tom wasn't there,

and we all argued over

who was gonna get to butter the roll.

Hey, what more could you need?

Bridget likes to mix up her mashed potatoes a lot.

DONNIE: Bridget, she looks like

she's eating, but she never eats.

You swear she's eating.

BRIDGET: It took me a couple seasons

to learn not to actually eat

the food, so that's my new trick,

is I just don't eat the food. [laughs]

Donnie eats the most.

He eats things I'd never eat like green beans and...

string beans and cucumbers.

DONNIE: I'll start eating

during the first take.

And then it tastes good.

And by the end of a dinner

scene taping, I may literally have

eaten, like, the equivalent of 12 pork chops.

You gonna let that pork chop go to waste?

'Cause if you are, you know, I'll take it off your hands.

NISCHELLE: Zach Badalucco is the prop master forBlue Bloods.

He took over the role in 2021

and knows it's a big responsibility.

Before I got here,

chicken cutlets were banned.

Somebody broke their fork.

'Cause the chicken cutlet was so hard.

TOM: I did lose it one time

a couple years ago.

[laughs] We were having chicken cutlets.

And they were overcooked.

And they were like metal.

And we often used plastic, uh,

knives and forks 'cause it doesn't make noise.

And I just lost it a little bi.

It wasn't a tantrum.

But I just tossed it like a Frisbee out of the room

to make a point, uh... [laughs]

-Okay, so can we eat? -Yeah!

NISCHELLE: To keep the continuity on camera,

the props department is super busy in between takes.

Each scene you cut your food, you eat,

the plate's a bit of a mess,

but then you're going back to the beginning of the scene, so

they have to put everything bak on the plate the way it was.

-Cheers to that. -HENRY: Cheers.

NISCHELLE: As for the alcohol,

well, the wine is really grape juice and water.

And the whiskey, that's iced tea, except...

TOM: If you're doing

a whiskey pour, you don't want to pour tea into a glass.

'Cause you know what?

Tea gets little bubbles.

You can't drink it.

But you want to pour

real whiskey, but that's

just inside information.

NISCHELLE: Something else you may not have noticed?

DONNIE: All of the seats...

...so we can be tall enough in the chair, everyone--

-have a massive cushion. -[laughs]: Oh, my God!

DONNIE: It's partially to make sure we're,

you know, high enough...

above the table for everyone to make the shots look great,

but it's also 'cause we're here, like, six hours,

and people's butts start hurting.

So we need the cushion.

All that time it takes, um...

we were having a ball.

Everybody's kidding around.

Nothing was bad about family dinner.

I came to so look forward to 'em.

One thing I know for sure,

on Sundays I'll be right here.

And I hope all of you will be, too.

NISCHELLE: Coming up...

Sometimes you get an occasional N-New Yorker,

and he'll say, "Shut up, I'm walking here."

NISCHELLE: What it was really like filming on the streets of New York Cit.

Plus a flashback to the very beginning.

This pilot came along, and two weeks later we shot it.

NISCHELLE: And who initially passed on their role?

DONNIE: I said, "You got to do it.

"This will be great for us

to do together."

NISCHELLE: Blue Bloods: Celebrating a Family Legacy will continue.

This is CBS.

-MAN: Background. -DIRECTOR: And action!

DONNIE: When I hear the sirens

in the background,

on a take, on an interview, I'm like,

"It's New York, it's Blue Bloods.

Why are we stopping the take for a siren?"

It's like...

"The ambulance is coming, more cops are coming.

Keep rolling, let's go."

[car horns honking]

There is nothing quite like New York.

But if you ask this cast and crew, they'll tell you

the city they've called home for 14 seasons

isn't just a shooting location.

It's an essential part of what makes Blue Bloods,

well, Blue Bloods.

? Start spreading the news?

-? I'm leaving today...? -WILL: A lot of people,

the powers that be fought hard

to shoot a New York cop show

here in New York.

It's a character in the show, and we, um,

I think we were all lucky to be able to shoot

an NYPD cop show here in New York.

? It's up to you?

? New York, New York.?

You can't make anywhere look like New York

except itself.

BRIDGET: It's the energy, it's the skyline.

It's all the stories that come with the city.

NISCHELLE: From One Police Plaza

to the Reagan family home to the precincts, authenticity

is the law of the land on these Brooklyn sets.

But out on the streets of New York...

DIRECTOR: Three, two, one, action.

[cheering, clamoring]

...sometimes things can get a little too real.

[tires screeching]

Hands up!

Sometimes you get an occasional N-New Yorker

who doesn't want to cross the street

to not walk through the middle of the scene,

and they'll just walk right through it.

And if you ask them to go around,

you know, they'll say, "Shut up, I'm walking here."

You know, it's New York.

What are you gonna do?

MAN: Hey, yo, I'm walking over here.

WILL: I was standing there one time in uniform,

and this guy came up to me, had a briefcase,

very upset, and he said, "Let me ask you something.

Can they really do this?"

And I said, uh, I said, "I... I don't know, I don't know,

I don't know." [laughs]

Let's go! Somebody get a net for this whack job, huh?

Hey, pipe down, okay?

-We're taking care of it. -Come on!

MARISA: There'll be a random person who's angry

about, you know, taking up the parking

on the street or something, but that's,

that's gonna happen anywhere.

VANESSA: There was one time where Will and I

were on the street, someone goes,

"Yo, I'm standing here, Jamie Reagan's right here.

and his partner." [stammers]

Dead in the eye, down the, like--

"And his partner-- I don't remember her name.

"But, yeah, they're just standing here,

right here, right now."

[laughs] You know, it's great.

NISCHELLE: Of course, fans tune in to see landmarks

like Madison Square Garden and Grand Central Station

just as much as they do to wath the Reagans catch the bad guys.

But while everyone plays a native New Yorker,

not everyone's from the city.

ROBERT: I'm the only person born and raised in New York.

That's the only reason I'm on the show.

Because I legitimize the accent.

[laughs] That's what Donnie says.

But, boss, now we got this travesty.

Don't be so dramatic, Sid.

New York City is...

a central character in the show.

I got to say, Donnie relocated to shoot in New York.

Bridget relocated, Will relocated.

And I relocated.

Everybody knew that the city was as much a part

of this as anything else.

And we owe a lot to the city.

The city is home.

We all have friends and family here.

NISCHELLE: For Tom, being commissioner meant commuting

to work from his home in California

every week for the entire run of the show.

It's a commitment he was willing to make

with the help of executive producer,

the late Leonard Goldberg.

He said, "If we shoot an eight-day show,

"bring you in, say the last four of one show,

"and the first four days of the next show,

"and then you can get home

uh, for about half your time."

And I said, "Well, I'm sure willing

"to try that because this show belongs

in New York City."

I have such a-a love for New York now.

I've never been a big New York fan before Blue Bloods.

I've fallen in love with New York

thanks toBlue Bloods, and I,

I have such a love for this city.

There are eight million stories

in the naked city and there's probably about...

eight million selfies going around, too,

of me, uh, with the people of this city.

And I'm very grateful for them.

And grateful... [inhales deeply]

...for the time I've had with them.

NISCHELLE: And it's not just about the city.

The uniforms are as accurate as you can legally get.

WILL: They make us cover up because, you know,

it's illegal to impersonate a cop,

so we can't really, like, walk off the set.

So they, like, chase us down,

they make us, you know, put on a coat or something.

Um, that-that always felt dicey

in the beginning, you know?

Because they'd lock us up... [stammers]

I'd have to run down a-a New York City block

you know, like, a long block,

with my plastic gun out, you know what I mean,

in uniform.

Police!

And I'm like, this could, this could go sideways, you know?

Um, but, um...

we, um, you know, we haven't had any major problems.

NISCHELLE: But one of the biggest perks of shooting in New York:

There's no shortage of world-class guest stars.

Love you, Lenny.

I love you too, Frank.

Oh, my goodness, we've had

so many amazing people pass through.

LOUIS: My boys will be men when I get out.

I hope they turn out like you.

WILL: I was just blown away that we got,

you know, Lou Diamond Phillips and,

um, you know, Chazz Palminteri.

I mean, the li-- the list goes on, yeah.

-DIRECTOR: Action! -Ah, okay.

Can we start over? [laughs]

I was hoping for a romantic, uh,

interlude with maybe Bridget Moynahan,

but that didn't work out, so, um, you know,

I got to work with Tom Selleck, that in itself is great.

Bebe Neuwirth was also a fun one.

I mean, come on.

Lyle Lovett is... amazing.

?

[grunts]

And Whoopi Goldberg, too.

Come on, Regina, don't--

My people don't trust the police.

This is an issue for you.

NISCHELLE: Yet the most important part of shooting in the city

is representing one of the oldest and largest

police departments in the country.

Honoring the men and women in blue

is a responsibility this cast does not take lightly.

One of the ultimate compliments for me was... [laughs]

...you know, if I was walking down the street,

and a uniformed cop saw me,

I'd get a salute from them,

or, "Good afternoon, Commissioner."

WILL: When they love it and they tell us that, you kno,

"You get it-- you get it right more than anybody else,"

or, you know, that,

"You guys, that's what it really feels like,"

you know what I mean?

And, "We don't see that on TV."

You know, like, um, th-that, that's huge, you know?

STEVE: When I was onThe Sopranos,

uh, I used to get advice

from a lot of fat, sweaty guys with cigars.

When you go out to dinner, they would give you advice on...

you know, maybe how to choke someone.

I'm dead serious.

And, uh, I'd much rather

have advice from an NYPD.

And I ask cops all the time, "Do you believe me?"

"Absolutely." And that's all that matters.

You know? Means a lot to me.

NISCHELLE: Coming up...

I already have a minivan for it, and we're ready to go.

NISCHELLE: ...what the cast plans to keep from the set.

Plus, a sneak peek at the emotional finale.

I will tell you what he said.

But not to leave this room.

Good scripts are hard to find.

I spend a lot of my time, in life,

reading bad scripts.

This pilot came along and two weeks later, we shot i.

NISCHELLE: Back in 2010, Tom was hand-picked

for the role of Police Commissioner Frank Reagn

by EP Leonard Goldberg.

But here are two things that you may not know.

First, Tom almost shaved off

his iconic mustache for the role.

But network execs wanted to keep it.

And second...

The night before we were supposed to shoot,

the director says, "I think he should try a New York accent."

Well...

I didn't have a New York accent in my bag of tricks.

That's something you have to work on for weeks.

Boat leaves in ten minutes, Pop.

I've never been late in my life, Francis.

NISCHELLE: A lot has changed for theBlue Bloods cast

over the past 14 years.

Gosh, I mean, I met my wife...

uh, doing a talk show promoting Blue Bloods.

Uh, we started dating while I was doingBlood Bloods.

So much life has been lived.

Get me mushy, you're trying to get me emotional.

NISCHELLE: But one thing's for sure:

They will never forget what it felt like

when they first joined the series.

When I got the script, I was like, "This is...

This character's too good to be true."

And usually when something's too good to be true,

it turns out to be a disaster.

In this case,

it's been everything I hoped it would be and more.

NISCHELLE: Still, getting his on-screen sister

Bridget Moynahan on board was a challenge

that Donnie was up for.

I did talk Bridget into doing the show, sort of.

[laughter]

BRIDGET: Yeah, Donnie and I had done a pilot together,

probably the previous year.

It did not get picked up.

So when he... he took this, he called me immediately

to, um, see if I would take it.

And I-I--

I had already kind of passed on it,

but of course when Donnie calls and says,

"Let's do this together," I-I reconsidered.

DONNIE: She's my sister. Like, on screen and off.

Mm.

I don't want to get emotional.

'Cause I-I-- She's just...

I love Bridget a lot and, um...

I-- We're not here without her.

Thanks, Sis.

NISCHELLE: Donnie's NYPD partner, Marisa Ramirez,

was only supposed to be a guest star

for two weeks back in 2013,

and she came with a New Kids on the Block connection.

I was "the girl"

in Jordan Knight's music video,

so... [laughs]

? You know I can give it to you.?

So I got to, uh, to set and, um,

you know, sitting with Donnie in the car

and then he turned to me

and he said, "You're the girl

in my boy's video."

Yeah. Hi.

So, my audition was for the episode,

um, right after the pilot, once we--

Once it got picked up.

It was really only meant to be one episode.

TOM: You know, Abigail started having--

She had one line.

And she earned...

that position.

Tom advocated for me.

I mean, that-- It changed my life.

NISCHELLE: But the memories aren't all

this cast is leaving with.

I'm making it very public and well-known

what I am taking with me.

It is that door that is directly behind you.

Because I have let

so many people in and out of that office.

I already have a minivan for it, and we're ready to go.

Paul J. Brown, actual DCPI from the NYPD

gifted me these cufflinks

when my character was established.

And I've worn them every show since.

I'll be taking these.

I would like to get the, uh, football

signed by Boomer Esiason, w-who was on the show.

You want me to confess on national TV

to stealing something from CBS?

I'm not gonna steal anything!

Or am I?

-NISCHELLE: Still ahead... -TOM: I flew back.

I wanted to be there for the last day.

And I just got to watch.

NISCHELLE: The end of an era.

What it was like those final days on set.

Plus, a look at scenes from the finale.

It's just getting really personal now.

We can check with Rachel. You told me not to turn.

And then I was doing something different.

This is a Blue Bloodsscene? What show is this?

Even my forget is better than your remember.

How about, "You were right, Mama"?

-"Big Mama." -[laughter]

-[laughing] -DIRECTOR: Action!

[laughter]

NISCHELLE: You only ever laugh like that

with your closest friends and family.

You know, the ones that you've made lifelong memories with

and forged bonds with over tim.

-[cheering] -NISCHELLE: So saying goodbye,

especially for this tight-knit cast...

...it's bittersweet.

How I'm feeling is kind of a...

an ongoing process.

I mean, if you'd worked for 14 years,

it's a part of your life.

I miss myBlue Bloods family.

I know all the viewers...

will probably miss the dinner scene most.

-Yes. -And I bet most of the cast will.

But...

But I'll miss the squad room the most.

This is our-- This is the other Blue Bloodsfamily.

[cheering and whistling]

This is the other Blue Bloodsfamily.

Hey.

[cheers and applause]

How are we feeling emotionally?

Yeah, we're having, um, we're having some issues.

It's been a bit of an emotional roller coaster.

ROBERT: I remember when I came out

of the audition the first time

and 14 years has passed.

I mean, it's, uh...

It's unbelievable.

Why's it got to be, "Oh, my God,

I'm never gonna see you again"?

We all have phones.

I have my flip phone, I could call people.

Hmm. I'm sad. I'm sad.

You know, this is--

A-And this is a miracle, it's a gift, this job.

Where's my flip phone?

I'll show it to you.

Everyone's jealous.

They want this flip phone.

There you go.

NISCHELLE: But, you know, it's not over just yet.

There are two episodes ofBlue Bloods left

to look forward to, and we've got your sneak peek

at the series finale right her.

I think this is where you decide whether you stay or go.

NISCHELLE: Exactly how the family wraps things up

is a closely-guarded secret, but we do know

the Reagans are facing some tough decisions

before signing off.

MARISA: There's gonna be a lot of surprises,

a lot of tears, happy tears, joy,

just so many... so many great, great things.

We're really proud of it.

I always told you not to bring the job home.

I know, leave it in my locker after my tour.

But the problem now is...

That I don't have anybody not to bring it home to.

DIRECTOR: Two, three.

NISCHELLE: Production on season 14 fully wrapped in June,

with Tom shooting his final scene

four days before the rest of the cast.

My second to the last scene

was the last family dinner.

That was memorable. I did say something.

There was a poem that I was very fond of

and it related to family and that...

that seemed to open the floodgates.

And that meant so much.

Family dinner, I look at it as my last scene in Blue Bloods,

and that's...

as it should be.

NISCHELLE: But just like any proud dad,

Tom made sure to be back on set for the very last shot.

DONNIE: It was just so sweet.

You know, um, he's...

He doesn't often show his emotions,

but he couldn't really hold it in that day

and, um, it just...

Yeah, the waterworks were open for all of us.

It was a very, um...

very emotional day.

All good things must come to an end.

DONNIE: You know, my mom loved the sho.

She never missed it, and-and...

In many ways, like, the show was, um...

...it was a special gift to her.

Well, there's nothing left for me to do except...

to ask you to join me

in singing that wonderful song the Reagans always sing

to celebrate special occasions.

Ready? Everybody.

[laughter]

Well, if we had one.

[laughter]

The legacy is family.

We have a couple that met in the background, filming,

and now they're engaged and they're gonna get married.

-Yay! -[crew cheering]

That's how-- That's how many amazing relationships

have been formed in all the years in the squad room.

STEVE: Family, the biggest thing.

That's the legacy of the show.

How much they care for each other.

And have each other's back.

BRIDGET: It's been a giant family for 14 years.

I think that's what will be missed the most,

is that-that family aspect.

I hope it's a little bit of a love letter

to, uh, New York City and the NYPD.

It's something that's, uh...

I'm very proud of.

And it's a legacy for me.

TOM: Throughout 290-some episodes, is family.

And that... isn't a bad signal to send

in the culture we're living in now.

And, um, and that's a nice legacy.

I'm just incredibly grateful for...

all of it, I wouldn't change a moment of it

and I wouldn't change any of the gifts

that have come my way, and most of it,

it has to do with people and human beings.

You know? It's, uh, it's a great job.

But the best part of it is the crew,

the cast, the city, the people I meet every day.

You know, getting a pat on the back from a police officer

who says I did a good job, or...

You know, uh, knowing that my mom

was at home watching it all these years.

Uh, those things...

That's what I'll take away from it.

?

Captioning sponsored by CBS

Captioned by Media Access Group at WGBH access.wgbh.org

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0