Original subtitles

SCHIPPER: Do you feel faint or lightheaded?

Are there any scrapes or abrasions you haven't mentioned?

Are you dizzy or nauseous?

(elevator bell dings)

Kelly?

Um, he... hit me in the ribs and stomach.

Are you sure there's no one you want to call?

A family member or a friend, anyone?

No.

Can you describe him at all?

Scars, tattoo,

jewelry, anything?

I heard him coming.

I should have run.

Kelly, this is not your fault.

We're going to get you through this.

Sgt. Cohen's handled

hundreds of rape cases.

One of them was mine.

But this next part-- the rape kit-- it's not something

any victim is ever prepared for.

Victim?

It involves your personal history, physical exams,

swabs, specimens.

What Nurse Schipper is trying to

say is, if you don't want to continue...

It's your call. You don't have to.

Yeah.

Okay.

(knocking)

Yes.

DYLAN: Open up. It's me.

(knocking)

Uh, hi.

Um, I'm looking for Kelly.

What a surprise. Gina...

It's 4:00 in the morning, Dylan.

Look, I know what time it is.

Here's the deal: we were supposed to meet,

and she did not show up and she did not call me,

so I am worried about her.

Well, she's probably with Matt. No, she's not with Matt.

I went by and her car isn't there, okay?

I'm worried, Gina.

I don't care.

If she shows up here, you tell her to call me.

Yeah, I don't want you to worry about Kelly.

Will you tell her to call me?

Is this some kind of nightmare, you coming over here...

Just tell her to call me! No, I'm not gonna tell her, all right?!

I'm not gonna tell her anything for you.

Did you have any idea how insensitive you are?

Just leave!

Just tell her. Just leave!

SCHIPPER: Your last menstrual period?

A week ago.

Any recent surgeries, diagnostic procedures,

genital injuries?

No.

Last time you had intercourse?

Did he burn you?

No.

Bite you? No.

Threaten you?

He said if I went to the police

that he would kill me.

Do you consent to a physical exam,

including GC and STD cultures?

Yes.

Checks for abrasions, contusions,

fractures, stains, secretions or foreign materials

found in the head, hair or scalp?

Yes.

Do you consent to being photographed?

Did I say "pitch black?"

Because I-I remember

there was a light on.

And this-- a streetlight.

(sniffles)

No, I-I don't, I don't want to be photographed.

We'll need your clothes as evidence

to pin down his DNA.

We have sweats for you to wear home.

800-656-HOPE.

It's RAINN's Rape Crisis Center.

Call them.

Nurse.

When this... happened to you,

was the guy ever caught?

No, he wasn't.

The doctor's about to start though.

You should get ready.

♪ ♪

♪ ♪

♪ ♪

♪ Josephine, you TV queen ♪

♪ You was always on my mind ♪

♪ And raise a time ♪

♪ When was you on and where was you doing time? ♪

♪ Simon Sam, you wandering man ♪

♪ Where is he bound today? ♪

♪ Josephine's got eyes on me ♪

♪ And I think she's ready to play... ♪

(music fades)

Morning.

Hey.

Hey. How you doing?

Mmm.

Remember the house we were gonna rent?

Yeah.

Well, I couldn't figure out why you were being so hesitant.

And all of a sudden, it hits me.

It's a test.

A test.

Yeah, to see how serious, how committed I am.

So I kind of took it upon myself... and got us the house.

And I really negotiated this thing.

Noah, I don't want us to move in together.

Because I read this study on couples that live together,

and they were

46% more likely to divorce than couples

who never lived together before they got married.

You're telling me you don't want to move in right now,

because you're afraid we're gonna get divorced.

Mm-hmm, exactly.

Come on, what's the real reason?

That I feel we're moving too fast.

(chuckles)

After a year and a half?

I'm sorry, that's how I feel.

Really?

This is how I feel, okay?

Either we do this or we should call it quits.

Okay?

Oh, hey.

Do you want to hear this?

It's so ridiculous.

I mean, I started this whole

stupid flirtation thing with Wayne.

Then Noah asks me to move in with him, and next thing I know,

I'm throwing my whole life with Noah away.

Oh, what happened to you?

Oh, this.

I, um, slipped on one of Erin's toys.

Oh.

Anyway, I just feel like

I can't really deal with work right now.

Do you think you can cover for me?

I just need some time to figure things out.

Like, my life's completely out of control.

Thanks, Kel.

♪ ♪

City News wire story.

Ice Skating Parade USA, paragraph seven, out of eight.

"Skater Gina Kincaid to fill in

for Tess Goody."

Mm, it's only if I make the cut.

Oh, come on. This could be

your big comeback, you know that.

Yeah. (clears throat)

I could go back out on the road and live out of a suitcase.

Of course, I'd have to leave

all my really good friends here. (laughs)

Baby, I would drive all the way to Fresno to see you.

Oh.

All right.

Well, now that I know that,

I'm properly motivated to go practice.

You deserve this.

Thank you.

JANET: Yeah, I'll talk to you soon.

And, God, congratulations again.

Okay.

What was that all about?

Oh, nothing.

Just this old boyfriend of mine won an Obie.

Oh, Obie.

Obie, Obi-Wan Kenobi.

You know he's a main character in the Star Wars prequel.

Obie, like "off Broadway."

He's a playwright.

He's an artist.

Excuse me?

Yeah?

Miles Caufield.

Senior art critic, the Chronicle.

I'm wondering if you can tell me--

who took this?

Why do you want to know that?

Well, I liked to publish it

in an anthology.

"Best Photos, L.A."

Is it really that good?

MILES: I think so.

I think it captures

our celebrity-driven culture perfectly.

You know that chick in that picture's a porn star, right?

By design, I'm sure.

It's an action shot.

You know, it was taken in the moment.

But that's what makes it so impressive.

I mean, the angle,

the composition, light.

Whoever took this is an artist.

(laughs)

Steve Sanders.

Artist in residence.

(chuckles): Okay.

Hi. I'm sorry I'm late.

Where have you been?

I just had to think this thing through with Noah.

And?

And I couldn't stop thinking about Wayne.

So I called Wayne,

and then I couldn't stop thinking about Noah.

Well, the place has been a madhouse.

There were customers everywhere.

Really?

I threw them out.

Why? You okay?

Mmm, I don't know.

Well, is there anything I can do?

Yeah, just, um, take over for a while, okay?

Okay.

There you are.

Hey.

Can I get a coffee, please?

What happened last night?

You didn't show; I was worried.

Oh, I'm fine. (clears throat)

I can see that you're not.

Something came up.

Kel, you're my best friend, okay?

I mean, I called you, I said I was thinking about

using heroin, and-and-and when you guys had these little,

uh, interventions, you said you'd do anything,

that you, that you'd walk through fire to be there for me.

I would.

Well, then why didn't you?

I was raped.

Did you go to a doctor?

Yeah.

Did-did you describe him to the police?

Mm-hmm.

(sniffles)

We're gonna get through this.

You're gonna be fine.

I don't know.

Whatever it takes, that's what we're gonna do.

I promise, you're gonna be fine.

MATT: It's just a breaking and entering this time.

They trailed him three blocks

from broken store window to crash pad.

And I take it you had a search warrant.

Exigent circumstances, pal.

They saw the suspect carrying said stolen item

into his apartment. Case closed.

Me, I'd keep my fingers away

from the judge's gavel on this one.

Oh, there's our slime bag now.

Hey, Joe,

I'll be getting you out soon.

You didn't see anything there, okay?

Of course not.

(teakettle whistling)

I wanted to talk to you about me and Gina.

You and Gina.

I just want to make sure you're cool with it?

With it?

Yeah, it.

Apparently, you've moved on, so...

Not that you saw

anything, right?

I would, uh, suggest that you wait--

on Gina.

You're suggesting that as a friend?

Yeah.

It's for Gina's sake.

Are you cool with it or not?

David, you do whatever you want to do, okay?

Thank you.

You know, I keep thinking that if I--

I never asked you to come meet me

that this wouldn't have happened.

It's no one's fault.

That's what they keep telling me.

♪ ♪

You're so sweet.

You're a little blind, but you're definitely sweet.

Get out of here.

Go on, that was a beautiful salchow

and I-- you know, I've seen a lot of salchows in my day.

That one was nice.

That was actually a double sal.

You see I shortchanged you then.

I should go for a six.

You looked really good out there.

Yeah?

I don't think you'll have any problem making the cut

on this whole ice-skating tour.

Thanks.

(chuckles)

What?

I just-- I feel like such an idiot you know,

'cause I know absolutely nothing about ice-skating.

Zero.

I don't know, you know, maybe, maybe we should,

like, go have dinner so you can explain it all to me

so I'm not such a... ice-skating idiot.

Are you asking me out?

What do you mean, like, on a date?

No, no.

Come on, get out of here.

We don't have time for a date.

We got, we got Soul Coughing tonight,

you know, front row, center.

Yes, I can't wait for Soul Coughing.

Neither can I.

Um, I'd love to have dinner.

It's just that...

I don't really know if I'm ready for that, you know?

If this has anything to do with Dylan,

I had a conversation with him about this whole thing

and uh, he said he was fine with it.

You had a conversation with Dylan

about going to dinner with me?

No, not about specifically taking you out to dinner,

just, you know, the whole thing

in general, and I mean he said he was cool. He said it was cool?

That's what he said.

You know what, David, I'd love to have dinner with you.

For you.

Thank you.

Kel.

Hey.

Hey. Is everything okay with us?

Oh, about the mix-up at the store yesterday?

Yeah, it's fine. Forget about it.

Good. Just checking.

Um, I kind of need your advice about something.

Okay.

Exactly how many guys have you slept with?

Donna.

Well, what-- Dylan, Brandon,

Colin, Matt.

Is there a point to this?

Wayne-- I think I want to have sex with him.

So have it.

Yeah, but every guy you've been with,

it's been something serious, and same with me.

And what, you don't take Wayne seriously?

I don't know.

He's a beach volleyball player.

He's fly-by-night, but he's so cute.

I'm, uh, I'm not really sure what you're asking me.

I'm asking about casual sex.

Is it wrong?

There is no such thing as casual sex.

DYLAN: We're late.

Listen, I'm having the locks changed.

Why?

My purse was stolen.

We have to meet that guy.

What guy?

The lock guy.

Bye.

You know, Kel, at some point

you're gonna have to tell your friends what happened.

I'm just not ready.

The police, yes, but everybody else, no.

So run the details by me again.

Okay. I buy 15 rocks a day,

but I only sell ten in order to keep up my own habit.

You with me so far?

Your crack habit, yeah. Right.

So around 2:00 a.m., I'm about to sell out my quota.

This one guy, he's all strung out.

Plus, you know, he's shy the cash.

So he shows you his boom box.

I mean, CD, tape deck,

equalizer, subwoofer.

Tells me it's his brother's.

And you believed him. Look, I know you got me down for low-rent.

But I am telling you, this guy was sick.

So you trade the crack for the stereo.

That's real humanitarian.

Look, I never said I was an angel.

But on this deal, I am innocent.

Where did the police make the bust?

In my apartment. Why?

So I can use a pseudonym?

We'll protect you as much as possible.

Yeah, and when he's caught?

At the trial, you will have to see him.

Why?

He has the right to face his accuser.

I can't believe he has any rights

after what he did.

Look, this is a book of sex offenders.

Take it in the back room, have a seat, take your time.

I'll get you some coffee.

You don't have any leads yet, do you?

Not yet, no.

Steve, it's filthy down there.

Well, I'm capturing the dirty underbelly of L.A.

And your metaphor's the sewer?

(chuckles)

Caufield said he wanted to see more of my work.

This is where I create it.

Um, you said you did this all the way through college?

I remember reading an article by Jackson Pollock.

Oh, uh, from the '50s? Action painting.

He said his style was influenced by road trips

his family would take when he was a kid.

His father would stop

along the roadside to relieve himself

and spatter rocks.

And that's how modern art was changed forever.

Well, you gotta have a muse right?

I got mine.

(chuckles)

Check that out.

Steve, if your eye's focused

through the lens, won't you...?

Fall? A photographer's got to make sacrifices.

Oh!

(laughing)

DAVID: Gina, just wait out here, okay.

I'm gonna run in and get the tickets and we'll be gone.

No. You said that Soul Coughing doesn't start for another hour.

I know, but I like getting there early,

and warming up my seat

and, you know, preparing myself for the show. What're you doing?

Did we not have a good time at dinner tonight?

I actually had a great time at dinner tonight.

Ha, there you go.

Wait here.

Well, um, ten seconds-- don't go anywhere.

Hurry.

Now's not really a good time.

Not a good time for what?

What'd you bring home another one-night wonder?

Got 'em.

Dylan, always a pleasure.

Let's go.

Oh, what a surprise.

DYLAN: I think you guys

should just go now.

Yeah, we should definitely go.

You two deserve each other.

I'm sorry about that. You didn't need that.

Um, I think I'm gonna go home.

Kelly...

Dylan, just take me home, okay?

Okay.

DONNA: I went on a trip

and on this trip in my suitcase

I packed a hairbrush, a pogo stick,

sunblock,

an elephant...

An Indian elephant.

Are you writing this down?

Not a word.

'Cause this is a memory game, so if you're cheating.

A butterfly necklace.

Was that on the list?

No, but you were wearing it the day we met.

(beep)

Is that you or me? It's me.

You want to get it?

No. So tell me what else do you remember?

(phone ringing)

(sighs)

(doorknob rattling)

Donna.

DONNA: What?

Never mind.

(clearing throat)

Hey. Hey.

My, uh, my key.

Oh, yeah.

We had the locks changed.

I'll get you a new one.

You lost your keys, too?

I thought you said you only lost your wallet.

Um, no, my purse.

I said they took my purse.

My keys, everything.

Which you left at the Peach Pit.

Yeah I left it under the table,

and they just took it. I didn't even know.

I'm sorry that happened.

(sighs): Yeah.

So... hey,

what happened to your lip? Hmm?

Uh... mm, I-I just cut it.

Uh, Erin hit me.

She did? Yeah.

What's wrong, baby? You're shaking.

Mm.

I'm just cold. Yeah?

Well, I could take care of that.

Matt?

Yeah?

I'm-I'm just not in a very good mood.

What's going on, Kelly?

It's not... it's not us.

It's, uh, it's not you.

It's me. (laughs)

It's... oh, it's...

That's... that's comforting.

That's-that's great.

Don't do this, okay?

Do what? Ask where you were last night

when your wallet-- no, wait--

your purse was left-- I'm sorry-- stolen

at the Peach Pit before you baby-sat for Erin

at your mom's? Matt...

No, l-look, I don't want

to ask this-- you are making me ask you this.

Were you with Dylan last night? Yes or no?

I think that you should go.

Happy to.

(door opens)

(door slams)

Door was unlocked.

So, you got a Southern Cal Electric bill,

a gas bill and a low, low, low offer for a platinum card.

Confidentiality.

I thought you lawyers

were into that sort of thing.

I want to know

what's going on between you and Kelly.

Nothing.

I asked her if you two

were together the other night. (sighs)

We weren't.

Not in the way that you think, anyway.

But you were together.

I'm telling you, don't go there.

Don't go there? Where, Mexico?

Huh? What's my alternative, Dylan?

To give you the benefit of the doubt?

I don't think so.

You remember my little snort fetish?

I was getting ready to do heroin again.

And Kelly talked you out of it.

She's a good friend.

She's a good person.

Don't take advantage of that.

I'll try to remember that.

(sighs): I'm not gonna make the cut.

Stop. You're doing great.

No. I feel like a zombie today.

That's only 'cause Soul Coughing went on so late.

Yeah, I shouldn't have stayed out till 2:00 in the morning the night before an audition.

I just, I just, uh...

I need a little sugar rush.

You know what? It's my fault.

I mean, if I hadn't've

left the tickets at home,

you wouldn't have run into Dylan and Kelly.

You know, that's what this whole thing's about, right?

Dylan and Kelly. I hate to lose.

What?

I-I hate to lose.

What do you mean, you hate to lose?

What does that... what does that mean?

David, what part don't you understand?

I'm saying I hate to lose.

Is this something like about me?

A little guidance here would be nice.

I was trying to give you some guidance and...

You know what, I-I can't have this conversation

with you right now, okay?

(sighs)

You know what, um...

we are actually closing right now.

What?

It's barely 11:00. Yeah.

We're about to start our annual inventory.

(line rings)

WOMAN: RAINN Rape Crisis Center.

Hi. Um, I was given your name

by one of the nurses at L.A. Memorial.

Are you somewhere you feel safe?

(laughs) Safe.

Uh, I... yeah, I think so.

Okay, look, you're not alone now.

I'm with you.

Can you tell me what happened?

(sighs)

MATT: My client Joe Patch lives here.

The cops chase him three blocks, and they enter here.

He's carrying a boom box, then...

Steve, what are you doing?

This lobby's pure Raymond Chandler.

I figured I'd tag the whole thing. That's great,

but it helps if you take off the lens cap.

Right. I know.

Janet told me you knew what you were doing.

Well, I maybe misled her a little bit.

She said you were an artist.

Okay, so I flat-out lied to her.

Give me a break-- she's so highbrow, it's tough keeping up.

Steve, I asked you to come along

because I need pictures of the crime scene.

Well, how hard can that be?

Well, if you don't know your f-stop from your shutter speed, very.

Here, just keep it on auto focus and shoot where I point, okay?

Right there.

Matt Durning, private eye.

Be serious for a minute.

I just need proof that the police

didn't have exigent circumstances.

And exigent circumstances means what?

Well, that the police

had cause to follow my client,

and then, spotting the stolen goods,

search his apartment without a court order.

All right. Good. Take one right here.

Okay, good. Now, I just want a reenactment shot.

One of me, like, entering the lobby.

Why don't you just use the video camera?

Video camera?

That video camera.

That video camera.

Steve, you are a true genius.

If you say so. (chuckles)

WAYNE: She comes over to my place...

stays for dinner.

Ladies and gentlemen,

I give you the new Donna Martin.

Well, not entirely new or improved.

Well, no improvement necessary.

People do this, right?

They, um...

hook up, no promises, no ties?

Some do. But if you don't want to...

No, I...

I do.

It's just kind of new to me.

New's good.

(exhales)

Sorry.

(laughs) Maybe I just...

I just I need a little more time.

I'm leaving for Acapulco next week.

What? Um, for how long?

Well, it's just a tournament.

First in a series.

How long is the series?

No, Donna, Donna,

I'm asking you to come along with me.

Acapulco is amazing.

I don't think I can get away.

It'd mean a lot to me.

I know this beautiful place, built for privacy.

It's cut into this hillside, right?

And every room in it has a balcony and a pool.

(laughs softly)

How many girls have you taken there?

Look, if you don't want to do this, I understand completely.

No, I'd... I'd like to go-- it's...

(sighs)

...it's just... You are not one

in a line of women.

I don't know.

(sighs) I'm sorry,

I just...

I think I should go home.

It's okay.

I'll take you home.

Thanks.

(sighs)

Hey, oh, I'm not done with that yet.

(laughs): A little girl like you.

Where do you put it all? I don't know.

Oh...

Hey. Hey, Nat.

I saw your car in the parking lot.

Nat, could I get my check right away, please?

Sure, hon.

So, how's the competition?

I don't know.

I've been skating.

Why don't you ask Kelly?

We've been through that, Gina. She hasn't

been home for the last three nights,

so I just figured that you two were, you know, hanging out...

...naming the kids. No, actually,

I was... I've been doing you a favor.

Thanks.

You don't want to be with me.

(chuckles)

I'm poison.

People around me die.

That's such an old story, Dylan.

There's always a new twist.

Will you do me a favor?

Will you stop breaking up with me?

It just makes me feel worse.

(gagging, vomiting)

Kel?

Gina?

Anybody?

Oh, good you're home.

What's up?

Kel, what's wrong?

Give me a reason to kill you and I will.

(echoing): I will.

I was meeting Dylan for coffee.

He wanted to talk.

And this guy...

(Kelly screaming)

...he pushed me.

What do you mean he pushed you?

From behind.

He had a knife.

Someone attacked you?

(shirt rips)

My God.

(sobbing continues)

He said that he would kill me...

...and I will.

and I guess, in a way, he did.

Donna! Oh, wow. Look,

I was hoping to run into you.

Uh, I want to apologize for last night.

No, you don't, you don't have to.

I mean, I'm the one who's sending mixed signals.

No, no, I think, I think maybe I pushed it

just a little too far,

and I'm sorry.

I'm just in a really weird place right now.

Which is why I'm here.

If there's anything I can do to help.

Yeah, there is.

You can give me a little more time.

MATT: Derek, I have proof

the police didn't have exigent circumstances

when they arrested Joe Patch.

Look, I'm up to my ass in some call-girl ring. Another time, okay?

Don't believe me? Come here.

Come on, Durning, grow up.

I want you to release my client or face me

in court on obstruction of justice.

Fine.

See it and weep.

Yeah? So?

Blow me away.

Okay.

What's Joe carrying? It's a plastic bag.

It's not a stolen stereo. It's a plastic bag.

The police filed a false report.

They never saw the stereo. It was covered.

Therefore, they had no legal right to enter Joe's apartment.

They just wanted to lock him away, Derek.

They probably could have, too, if they only followed the law.

I have something for you.

I have a bill of release.

You'll get me next time, counselor.

(frustrated grunt)

(upbeat '50s rock playing)

Remember the glasses you wanted?

From the store on Melrose?

Yep, here they are.

I got 'em for you.

You know how much I hate shopping.

Yeah, I know.

Here we go, two quarts of chicken soup. Somebody sick?

Yeah, Kelly has the flu. Thank you so much.

Okay, honey.

Change your mind about the house?

I can't talk now.

'Cause Kelly has the flu?

Is it okay if I pick up the glasses later?

(scoffs) It's a yes-or-no question.

But you know that it's not.

No, I don't.

Can you please just call me at home later

and we'll talk, okay?

Just trust me. Call me at home.

Okay.

I was innocent.

Drop it, okay?

You swiped the stereo.

Just like you swiped the silver pen off my desk

not three minutes ago.

You think stealing's amusing?

It's a living.

Well, there's some extra hours

the court won't reimburse me for,

so I expect you to pay me in full.

And get your feet off my desk.

How about an in-kind payment? I got this gorgeous stereo.

How about getting out of here, okay?

I got a lot of work to do.

Oh, uh, counselor, hmm?

It was on your desk.

Was hoping for a Rolex. Think about the stereo.

It'll definitely cover your costs.

KELLY: They haven't found him?

No. The sergeant says your description keeps changing.

So he's still out there.

But maybe in a few days, his face will come back to you.

That's just it, Dylan.

I don't want his face to come back to me.

Kelly?

I, uh,

I just want to say I'm sorry

for doubting you guys.

The secrets and stuff-- I know we're, we're past all that.

Forget about it.

And, Dylan, if you need any help, just let me know.

Okay. I'll see ya.

(sighs)

So then, we're okay,

right?

And this?

This is a comment on LA's underbelly.

And this?

This I call

"Overexposed."

What about this?

Oh, this, this,

I, uh, I framed the wall.

I ran out of pictures.

(laughs)

Framed the wall? Yeah.

Okay. My opinion?

Keep the day job.

Hey, hey, what about the picture you liked?

You're still gonna publish that, aren't ya?

(door shuts)

You know, a lot of people

didn't understand Pollock at first.

That's because he was a genius.

I think that your pictures are, are very...

Bad?

No, they're rudimentary.

I mean, people say that Picasso spent his entire life trying

to see through the eyes of a child.

And, Steve, you already have that.

It was a compliment.

You know that picture of the porn star?

I tripped over a bellhop chasing her.

The camera fell out of my hand, hit the ground,

and took the picture by itself.

What was that for?

For caring about me enough

to try and be something that you're not.

You could do a lot better than me, Janet.

You know Jack's award-winning play?

It's about sheep.

(chuckles) All right, what about sheep?

You know, what they think about

while they're waiting in line to be slaughtered.

I think I'm doing all right.

Hmm.

Not that one.

I like that one.

I thought you didn't like being photographed?

I don't. But the guy who took this picture,

he brings out the best in me.

Oh! Mmm...

Hey, what are you doing here?

I'm here to see Gina.

For, like, moral support? Show her you're in her corner?

Yeah, basically.

That's nice.

You know, Dave, I'm sensing a little hostility here.

Are we friends?

Yes, we are.

If I ask you to do something as a friend, would you do it?

That depends.

I want you to leave.

We're supposed to be here to support Gina.

I am.

All right.

(applause)

ANNOUNCER: Tasha, thank you for showing us the routine.

Okay, next up to audition is Gina Kincaid.

Gina Kincaid.

Gina Kincaid.

Gina!

Please help! A girl just threw up and fainted in there!

Gina? Call a doctor. Get a doctor, please!

Gina, hey, Gina, Gina.

Gina?

I just... I can't see you tonight.

Why not?

Because I just can't.

What kind of answer is that?

It's the only one I can give you.

No, it's not even close.

He took my wallet; he knows where we live.

Which is why the police have assigned

extra patrols to the area.

Besides, they said

it was probably a random attack, right?

Meaning what? It was nothing personal?

Look, Kel, I know what happened

to you is unimaginable,

and I'm not trying to take away from that,

but you weren't stalked.

So, most likely, your attacker won't target you again.

Did you know that if a crime isn't solved within 48 hours,

it usually never is.

It's been 116, Donna,

and a half.

You haven't slept at all since then, have you?

(knocking)

I got it.

Who is it?

It's Dylan. Open up.

DONNA: Hey.

Hi. Um, how's she doing?

She needs sleep.

Did you get it?

Yep.

Get what?

Kel, you don't need that.

Be careful. It's loaded.

Do you know what random means?

No pattern or purpose.

No meaning.

What happened to her could happen to anybody.

Just because it happened once

doesn't mean it won't happen again.

This time, I will be ready.