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(slow country playing in car) (Resync by Chuck)
♪ I've been over ♪
♪ I've been under And down again ♪
You don't mind if I change this, do you?
Yes, I do mind. Come on. You're not gonna make me
listen to another chorus of some gal losing her guy
to some pickup truck named Lucille?
At least you can understand the words.
That's more than I can say about your music.
What, this is the tape that C.D. got you?
Merrilee Summers.
Hey, she's pretty good-looking. Look at that.
Hey, I'm trying to drive.
"Take My Word For It."
I don't have to take your word for it.
C.D. plays her video over and over again.
He's like a child with his first crush.
Well, he's excited about her playing at the bar and grill.
What can you say? ♪ What a feelin' it is ♪
What's going on over here?
♪ When you learn To let go ♪
(crowd chattering)
TRIVETTE: Hey, how long has he been up there?
Climbed out there just shy on 10 minutes ago.
Bank here foreclosed on his ranch.
Just broke down and bawled like a baby.
Then, next thing you know... Yeah. Hey, look,
call 911, all right? All right?
Tell them the Texas Rangers are on it.
TRIVETTE: Why didn't you wait for me?
'Cause I don't think this guy's gonna wait.
Hey, buddy.
Don't!
Don't come any closer.
All right. Just take it easy. We just want to talk.
There's nothing to talk about. Nothing at all.
Look, it can't be as bad as all that.
Let's discuss it.
Walker, let me handle this. I know how to talk to this guy.
Are you sure? Yeah.
He wants attention. He wants to be saved.
Otherwise, he'd have jumped already.
I don't know, Trivette.
Yeah. Watch and learn.
Hey.
Hey, don't! I-I'll jump, I swear it.
I can dig it, buddy, all right?
Now, look, I know you think
that it's the end of everything, all right?
But you're gonna find
you got a lot to live for.
Yeah?
Now, everybody's had bad breaks.
Now, if you talk to me,
you're gonna find... that just maybe...
Maybe I've had just as many bad breaks as you have.
All right. What's going on?
I can't have kids.
Not ever, the doctor said.
So my wife left me.
(sobs)
Then my pa died.
And on his deathbed, he called me a fool
and he said I was going to lose the farm, which I did.
What happened to you this week?
And talking to you, it all makes sense.
I'm gonna do it!
No, wait! No, wait, wait, wait!
I just got one more thing to say, one more thing.
What?
What are you doing?
Now, you want to kill yourself, right?
But you don't want to take an innocent guy with you.
Suit yourself.
(screaming)
(crowd screaming)
(grunting)
Walker!
Don't let go, Walker.
Oh, don't you let go, Walker. Oh!
Mama... Oh.
(grunting)
(crowd chattering)
Well, it worked for Mel Gibson
in Lethal Weapon.
Trivette, that was a movie.
( rock action theme playing)
TRIVETTE: You sold this thing out in three hours?
There you go.
Yeah. I sold this thing out in three hours.
Biggest thing I ever saw in my life.
People gonna be clamoring in here.
I guess I'm gonna have to ask Merrilee
to do me a couple of extra shows.
Merrilee?
Merrilee? First-name basis already.
(Trivette laughing)
C.D.: When I found out that Ethan was representing her,
I could've got down on my knees
to beg him to get her in this place.
When she said yes,
hey, I shed real tears of joy.
Boy, you got it bad.
Well, she is pretty, all right.
And smart and let me tell you this,
very, very friendly.
You haven't even met her yet.
Well, I just know, that's how I know.
When's she supposed to get here anyway?
Any minute.
(sighs)
Lord, I hope she hasn't changed her mind.
She ain't gonna change her mind.
She's a woman, ain't she?
(guests chattering)
(tires squeal)
Well, well, well.
What the hell is all this?
Oh, Wayland, can't you leave us alone?
Wayland, we're tired of this. You're terrorizing Merrilee.
You back off, old man.
You're her business manager. This is family matter.
Now, you're not my family anymore, Wayland.
Nobody walks out on me, precious. Nobody.
Hey, Merrilee.
Hey, Bobby.
Would you please tell your boss to leave us alone?
Come on, let's get out... Bobby,
I will get when I'm ready to get, all right?
Oh! Wayland... All I want to do is talk.
I'm all talked out, Wayland. I got nothing left to say.
Well, maybe I got something to say, Merrilee.
Okay. Shh, baby. Okay.
You just... You just tell me what you want from me.
I just... I want a second chance.
Come on, baby. Baby, just another chance.
We're family. I want my family back.
And I know I can make it,
but you gotta try, Merrilee. You gotta try.
I did try, Wayland.
(sighs)
For too hard, and too long.
Now, that's why we're divorced.
Now, please, you have got to leave me be.
Well... (sniffs)
I ain't... I ain't never gonna leave you be.
Mm... Oof!
Till we're both dead and buried.
See ya.
I'm sorry, Merrilee.
Oh, Bobby.
Let's go. Get the hell out of here.
(car engine starts)
( slow country music playing)
MERRILEE: ♪ What a feelin' it is ♪
♪ When you learn to let go ♪
♪ You look down At your feet ♪
♪ And find you're Standin' alone ♪
♪ You've held back the tears ♪
♪ Now you're holdin' Your own ♪
♪ Oh, what a feelin' ♪
♪ When you learn To let go ♪
♪ I've been careful ♪
♪ I've been careless ♪
♪ And it's been A long haul... ♪
I sure do appreciate this, Ethan.
Glad to oblige you, C.D.,
but I'm gonna have to ask you to return the favor.
Anything. You name it.
Merrilee's been going through
a kind of a rough time lately.
I know you used to be a Ranger and all.
Could you maybe get one of your Ranger buddies
kind of keep an extra-special eye on her?
No problem at all. You got it.
♪ When you learn to let go ♪
♪ What a feelin' it is ♪
♪ When you learn to let go ♪
♪ You look down At your feet ♪
♪ And find you're Standin' alone ♪
♪ You've held back The tears ♪
♪ Now you're holdi" Your own ♪
♪ Oh, what a feelin' ♪
♪ When you learn To let go ♪
♪ Oh, what a feelin' ♪
♪ When you learn to let ♪
♪ Go ♪
(cheering and applause)
(coughs)
That's wonderful, baby. Wonderful.
Just like I taught you, huh?
Come on, everybody.
Let's hear it for my pretty little wife, huh?
One time, pretty little wife. (clapping)
Oh, you see, shh.
My pretty little ex-wife.
Uh, folks, this next song...
(crowd chattering angrily)
WOMAN: Sit down, buddy.
No, baby, baby.
Why don't you play that song you used to sing
when it was real cold when you'd say, "Wayland,
Wayland..." Okay. Hey, that's enough.
What? You're interrupting the show,
and you're bothering the patrons.
I'm bothering the patrons?
(chuckles)
Sir, I am the patrons.
Not anymore. Let's go. You don't understand.
I made that woman, up there, okay?
I taught her everything she knows.
(crowd chattering)
MAN: Sing another one, Merrilee! (upbeat country music plays)
Is that the trouble you was talking about? That's it.
Well, you don't have to worry about it then.
You got a Ranger on it. Good.
Hi, Bobby.
Hey, Wayland. Thank you.
(grunts)
Now get your boss home
and keep him there till he sobers up.
Yes, sir, Ranger.
There wasn't no trouble in there, was it?
I mean, Wayland, he don't mean no harm.
WALKER: No. No trouble. Let's keep it that way.
Yes, sir.
MERRILEE: ♪ Down by the river ♪
♪ Just like they said ♪
(burps)
(knock on door)
C.D.: Knock, knock, knock.
Come on in.
Oh, yes, ma'am.
How are you, Miss Winters? I mean, Miss Summers.
I, uh, E-Ethan said
that we might come by and see you, and, uh...
If you're busy or something, we'll just come back.
Oh, no, no, no. Don't go running off.
No, Ethan promised me I was gonna meet
my biggest fan in these here parts.
You certainly are.
I'm C.D. Parker. Nice to meet you.
It's sure nice to meet you too.
I, uh...
These are my friends. Uh, this is, uh...
(chuckles)
I'm Cordell Walker, Miss Summers.
You have to excuse C.D. He's, uh,
a little excited right now.
James Trivette. Hi.
Will you excuse them both? Yeah.
It won't be hard, I'm sure. C.D.: I know it will.
Uh, I would really like to thank you for, uh,
taking care of that earlier.
C.D., I am so sorry about all that.
Well, uh, you know, some people,
they just can't keep their personal problems at home.
And that's perfectly okay. Yes.
Well, Wayland and I don't have any personal problems.
Certainly none to conduct in my home.
Oh, is this your little girl?
Yes. Yes.
Yes, she is. This is Tammy Fay.
Tammy Fay Summers. She's pretty.
TRIVETTE: Gorgeous. C.D.: How sweet.
She's about the only thing that keeps me going these days,
except my music, of course, and nice folks like you.
C.D., can I ask a favor?
Would you mind running and finding Ethan and tell him
that I'll be ready to go in a couple of minutes?
Well, now, Ethan had to take
a couple guys over to the motel,
and he said, well, ahem,
maybe I could take you home.
Why, that'd be just fine. Course now...
Now, I've got to close up.
I have to... I have to close up. Ha, ha.
And I'll bet you're just as tired
as a cat 9 miles from dirt, aren't ya?
Yeah. So I'll just have, uh...
I'll, I'll... Uh...
Oh, I'll be glad to, if you don't mind.
Oh, I don't mind at all. In fact, it'd be my pleasure.
(slow country theme playing over stereo)
♪ I've been over ♪
♪ I've been under ♪
♪ And down again And again ♪
♪ Taken chances ♪
♪ And they've Taken their toll ♪
♪ I felt like giving up ♪
♪ Felt like just givin' in ♪
♪ What a feelin' ♪
♪ When you learn To let go ♪
There you are, ma'am.
It's funny. I keep waitin' for you to ask me
what was really the problem back there.
I figured you'd tell me if you wanted.
Mm. It's a real old-time,
country-song kind of story, I guess.
He was a big star then.
He made me feel so good about myself and my music.
I thought he was the best man God had ever created
until we got married.
He beat that notion out of me.
So I grabbed Tammy Fay, filed for divorce, and ran.
Old Wayland's chased me from county to county,
and state to state.
He's busted down doors, broken through windows,
callin' all hours of the morning saying,
I'm his woman and he's never gonna never let me go.
( ominous theme playing)
Oh!
(Tires squealing)
You okay? Yeah. Yeah.
I couldn't make out the car.
It was him. I know it was Wayland.
He's never gonna let me go until I'm dead.
( suspenseful theme playing)
ALEX: We've made some progress in stalking cases,
but it's very, very difficult to prove.
We can get a restraining order.
And, at this point,
that's about the best we can do.
So what do I do?
I can't exactly change my name and take my baby
to a place that no one's gonna recognize me.
She's right, Alex. I mean, she's a celebrity.
She got her songs all over the radio.
Oh, I'm just so tired of all of this.
Look, I want a normal life
for me and Tammy.
I want to stop being so afraid all the time.
WALKER: Merrilee.
Running's not gonna solve your problems.
I realize that it's difficult
to trust people that you don't even know,
but give us a chance, okay?
You really think you can help me?
We can help you.
Okay.
(horse whinnies)
Uncle Ray, this is Merrilee Summers
and her daughter, Tammy.
Very nice to meet you.
Very nice.
Pleasure's ours.
I'll put a couple more steaks on.
Okay.
Look, Tammy. They got a horse over there.
(gasps)
Oh.
(chuckles)
Oh, you got trouble now.
She's never going to want to leave.
That's okay.
Tammy, this is Amigo. He likes you.
Well, I like him.
He's nice, just like you.
Thanks.
( "Streets of Laredo" playing)
♪ As I walked out In the streets of Laredo ♪
♪ As I walked out In Laredo one day ♪
♪ I spied a young cowboy All wrapped in white linen ♪
♪ Wrapped in white linen And cold as the clay ♪
♪ "I see by Your outfit..." ♪
Thank you for tonight.
I can't remember when I've felt so relaxed.
And so safe.
I'm glad you're here.
Me too.
♪ "For I'm a young cowboy And I know I must die" ♪
I like your friend Alex.
Are you two very close?
Well, Alex and I, uh... We, uh...
You know, that's just what this ranch needs.
A little girl, a woman...
Isn't your cherry pie burning, Uncle Ray?
(chuckles)
Sweetheart, it's gettin' late.
We should go back to the hotel.
Oh, Mommy, I want to listen to more songs.
I know, sweetheart.
Another time, maybe?
Sure.
Bye, Uncle Ray. Bye.
( tender country theme playing)
Come on, honey.
Here we go. That a girl. Just hold on.
Leave the truck here. I'll be right back.
Yes, sir.
Ma'am.
Thank you for being so sweet to Tammy Fay.
That's quite all right.
And for being so sweet to me.
I'll, uh, see you tomorrow?
(chuckles)
Yeah, I better.
Bye. Bye.
( ominous theme playing)
(kisses)
(humming)
Well.
One week in town, you're already
steppin' out with somebody else.
I should've blowed him away.
Now, you take it easy, Wayland, okay?
I don't want you waking up Tammy.
Really?
Well, hell, let's wake her up, huh?!
I mean, this is family business, isn't it?
I think she should know how her mama's
runnin' around with some other man.
Now that's enough, Wayland!
Wayland Hampton, you are not gonna shame me anymore.
Not in front of my daughter, not in front of anyone.
Do you hear me?
Now, I have begged you to get help.
You think I need help?
Yeah, I do. Well come here.
No!
(muffled cries)
Mama?
Tammy... Tammy, you go in the other room now.
WAYLAND: Hey, baby. MERRILEE: Go in the other room.
Now!
You know, I raised... I raised her,
like she's my little darling.
I did.
'Cause she is.
Like you're my wife and I know my rights.
I am not your wife anymore. We have been divorced
for three months, okay? Look, I got the papers
in the drawer if you wanna see 'em.
I don't care about your papers! Papers!
(grunting)
(people chattering)
Where's Hampton?
I don't know.
He told me to pick him up here.
Oh, no, no, no. No! Oh!
We gotta talk. I got to straighten you out. No.
N... Aah! Wayland!
(panicked cries)
Leave me alone!
Wayland! Open the door!
(shrieks) Open the...!
MERRILEE: Stop! Hampton!
(grunts)
What the hell you think you're doin'?
This is family business, Walker!
You got no right comin' in here, breakin' down doors.
Aw, c...
WALKER: Are you all right? I'm okay.
You have the right to remain silent.
Anything you say can and will be used against you...
(door closes)
Mommy?
Is Wayland going to jail?
I don't know, sweetheart. I hope so.
Are you scared?
Alex did everything she could,
but he's gonna make bail.
Courts are so dang full, they had to let him go.
It's how he gets off every time.
It's not fair.
No, it's not.
But we'll find a way to get him, I promise you that.
I'm sorry.
( tender country theme playing)
(horse whinnies)
Don't you worry none, Washoe.
Nobody can harm those two
as long as they're in this house.
Thanks, Uncle Ray.
Evening. Evening.
Tammy wants you to tuck her in. Do you mind?
Yeah, sure.
(chuckling)
Don't you say anything, Uncle Ray.
What's so funny?
He's been waiting a long time to see me do this.
Would you hold this? (chuckling)
Will Mommy be all right?
Yeah, your mama's going to be fine.
I promise.
Go to sleep.
(sighs)
Night, sweet pea.
( tender theme playing)
I wish she didn't have to go through all this.
I can only imagine what it's doing to her.
Children are a lot stronger
than we give 'em credit for.
(sobs)
Would you mind terribly if I cried?
(crying)
It's just been so long
since I felt safe enough with anyone.
(crying)
( tender theme playing)
What is the judge's problem, Alex?
All we're asking for is a restraining order.
That's routine, for crying out loud.
It's not that routine. We're talking about
two famous people here, you know.
TRIVETTE: Yeah, I never thought I'd be the one to say this,
but it sounds like reverse discrimination to me, folks.
C.D.: Well, I tell you, in the old days,
we'd just take him out in the alley
and beat the compound hell out of him.
Don't egg Walker on, C.D.
He's already getting too involved.
What do you mean, getting involved?
C.D.: Cordell, come on.
Everyone can tell when a man's been smitten
by a... high-country skirt (puck sliding)
and a low-country voice.
I'm just trying to help the gal out, that's all.
You and Merrilee, huh?
Look, I'm just... C.D.: Smitten. Admit it.
That's right. You got the classic symptoms:
Your eyes glaze over when her name is mentioned,
the untouched beer, and the washed truck.
The truck was dirty.
You washed your truck?
(puck sliding, clattering)
( upbeat country theme playing)
(crowd chattering excitedly)
MERRILEE: ♪ Oh, no ♪
♪ I didn't see it comin' ♪
♪ I was lookin' Straight ahead ♪
♪ Too slow ♪
♪ You were off and runnin' ♪
♪ Down by the river With a pretty redhead ♪
♪ Down by the river Just like they said ♪
♪ Was the water warm? ♪
♪ Was the wine all right? ♪
♪ Were the flames any hotter Than they were last night? ♪
♪ Was her kiss as sweet? ♪
♪ Did she first say no? ♪
(Giggling) I believe your partner's
getting ready to sing the lovesick blues.
Never seen him like that before.
Oh, he's been bitten, let me tell you.
♪ Did you feel like You've been there before ♪
♪ When you said You'd be forever true? ♪
Wayland, this is gettin' heavy.
I mean, if they find out what you gone and did...
I don't even wanna think about it.
Bobby, ain't nothing gonna go wrong, all right?
It's "Prankster tear-gases a crowd."
Oh, it's a pity, all right,
but it happens all the time, don't it?
Yeah, what about Merrilee?
Well, that's pretty much up to her, ain't it?
Okay.
♪ Did it feel to you Like a déjà vu? ♪
♪ Did it feel to you Like a déjà vu? ♪♪
(crowd screaming)
C.D.: What the hell's goin' on here?
(gas hissing)
Hey, Jimmy!
(crowd coughing)
(tires squealing)
WALKER: Trivette, you drive.
(crowd shouting and screaming)
(engine starts)
( dramatic country theme playing)
Move up, Trivette!
Ha ha! What did I tell you, Bobby?
Ain't nothing to worry about, nothing whatsoever.
(Wayland grunting)
WALKER: Pull over! Okay! Okay!
(tires squealing)
(handcuff clicking)
(grunts)
You want to know
what Wayland Hampton's gonna do next?
Well, my mama raised nothin' but fighters, sir.
And this Texas Ranger
is going to get his a%@ kicked.
Now, I am filing charges against Cordell Walker
in an hour or so,
using the best Philadelphia lawyers around.
Conduct unbecoming of a peace officer,
assault, false statements,
attempted manslaughter.
You see, I aim to cut him down to his proper size
using his own law.
And from now on, I'll be traveling
in the company of my good friends.
Thank you very much, and God bless.
(sighs) (switches TV off)
What am I gonna do now?
There was a hell of a lot of people out there last night.
Couldn't somebody identify who threw that tear gas?
Everybody we questioned claimed they didn't see anything.
Well, that's it.
Forget it. My mind is made up.
I'm gonna go back to the ranch, and I'm gonna get my things,
and we're gonna leave.
I'm sorry, C.D.,
I just don't know what else to do.
Look, Merrilee,
you can't let this guy ruin your life.
You don't understand, Walker.
Wayland doesn't want to just ruin my life.
He wants to kill me.
( suspenseful theme playing)
Oh.
Uncle Ray, they're gonna stay here until I get back.
Something wrong, Washoe?
Not for long.
(engine starts)
Be careful, Cord.
TRIVETTE: I'm betting Alex
isn't gonna like this one bit.
Won't be the first time.
We don't have anything to book him on.
Trivette, patience is a virtue.
( suspenseful theme playing)
See what I mean?
All right, all right, all right, all right.
(laughing)
Step out of the car, please.
What?
You heard the man.
Why? I mean, what did I do?
Drinking in public's against the law.
Out of the car.
But we sure appreciate
you buying enough for everybody.
(sarcastic chuckle)
Hands behind your back.
(groans)
You have the right to remain silent.
Look, you ain't gonna
get me to say anything against Wayland,
so you may as well just let me go.
You've known Wayland for a long time, haven't you, Bobby?
That's right. We been together
since we were little kids.
So then you know his first wife?
Tracy Lynn?
Yeah. I knew her. So what?
Keep in touch with her?
Hey, I don't know what that has to do
with anything, so why don't you just book me,
or whatever, and then just leave me be?
You seem a little nervous now, Bobby.
No, I'm just tired. Just tired is all.
Tired of being bothered by you.
Harassment, that's what it is, plain and simple.
And just leave Tracy Lynn out of this.
You know what he did to Tracy Lynn, don't you, Bobby?
I don't know what you're talkin' about.
You know exactly what we're talking about.
We're talking about when Wayland beat her
and put her in the hospital. You know everything about it!
You know every little detail.
You probably even helped him, didn't you? What'd you do?
Did you hold her down while he beat her, Bobby?
No! No, he did it himself! Look... (sighs)
He was drunk.
It was an accident.
Well, the next time there's an accident,
when he loses control,
when he hurts Merrilee and Tammy,
you get to be an accessory,
you get to go down with him!
No. No, I would never hurt them, never.
I want to know what Wayland's planning on doing.
(scoffs)
I don't know. He's crazy.
I don't care if he's crazy or not.
I want to know what his next move is.
If he tells me, I'll call you.
Do that.
( ominous theme playing)
(horse neighs)
What if Bobby changes his mind or won't help?
I mean, he's afraid of Waylon something awful.
He's got every right to be.
Nah. He knows I'm gonna take Waylon down.
He doesn't wanna go down with him.
Oh, I can't believe there's actually a chance
this all might be over.
After all this time.
It will be.
Yeah.
Thanks to you.
( slow acoustic guitar theme playing)
Hey, Bobby.
Where the hell you think you're going?
No place. I'm just doing my laundry.
You know what I heard?
I heard that you went down to the courthouse
to talk with the DA and that ranger.
What'd they wanna know about, Bobby?
Nothing.
You know, just the same old stuff.
They just wanted to know about you, is all.
I didn't tell them anything.
What did they wanna know about me, Bobby?
Nothing.
Just the dirt. You know. I swear.
You sure about that?
Come on, Waylon.
I mean, you and I been together too long.
You told them about Tracy Lynn, didn't you, Bobby?
No. Damn you, boy!
I treated you like a brother, didn't I?
I treated you just like a brother.
(ringing)
Walker.
Ranger Walker, this is Bobby.
I may have something for you tonight.
What is it?
Just meet me at my place about 9:00,
and come alone. Don't be seen.
I think Waylon knows. He damn near killed me.
You all right?
Just be there at 9:00.
I'll be there.
See, Waylon? I done what you told me.
I know you did, Bobby.
Now, I want you to listen to me. Here's what I want you to do.
You gotta get out of my sight forever...
or die, boy!
Quesadilla, Bobby.
♪ Down at the courthouse ♪
♪ I had a rough mornin' ♪
♪ I heard what the judge said ♪
♪ What's yours and what's mine ♪
♪ For all that you've taken ♪
♪ I had plenty of warnin' ♪
♪ I wasn't prepared for ♪
♪ What you left behind ♪
♪ Where was it written ♪
♪ That I'd take the blame? ♪
♪ You took the pictures ♪
♪ And even the frames ♪
♪ The new kitchen table ♪
♪ You were able to claim ♪
♪ But where was it written ♪
♪ That I'd take the blame? ♪
That Merrilee is something else, isn't she?
I mean, singing like that.
After all she's been through
the last couple of days.
Yeah, she sure is.
Cordell, how special is she to you?
♪ With the slam of his mallet ♪
Very special, C.D.
♪ The closets were bare... ♪
I'm all set with the warrants.
If Bobby gives you anything tonight,
we can pick up Hampton immediately.
Good.
♪ Were the nails... ♪
Trivette, will you stay here and keep an eye on Merrilee?
I'm gonna go talk to Bobby.
You got it.
♪ Even took out the garbage ♪
♪ And took out the maid ♪
Did Hampton send you?
Yeah, yeah, it was Hampton.
(uptempo country music playing in distance)
MERRILEE: Okay, folks.
I'm gonna need your help.
(hands clapping) Whoo! Make a little noise!
(whooping and hollering)
♪ Oh, no ♪
♪ I didn't see it comin' ♪
♪ I was lookin' straight ahead ♪
♪ Too slow You were off and runnin' ♪
♪ Down by the river With a pretty redhead ♪
♪ Down by the river ♪
♪ Just like they said ♪
♪ Was the water warm? ♪
♪ Was the wine all right? ♪
♪ Were the flames any hotter Than they were last night? ♪
(tires squealing)
♪ Was her kiss as sweet? ♪
♪ Did she first say...? ♪
WOMAN: He's got a gun!
Drop it, Hampton!
You can't have her, ranger.
She's mine... for eternity.
Now, that's what our wedding vows said.
It's over.
Well, maybe it's over, and maybe it's not.
You pull that trigger, you're a dead man.
Son, I'm already dead.
What about Tammy?
What about her? Don't you love her too?
Maybe I do.
Well, if you do...
don't take her mother away from her.
Look, nobody cared about me for my whole life.
Nobody gave a damn!
But Tammy does!
I'm asking ya.
Don't take her mother away from her.
Hell.
Look at her.
She's the most beautiful thing
I've ever seen in my life.
(gun thuds)
And the way you sing...
Baby, there ought to be a law.
Oh, Waylon. I'm so sorry.
MAN: He's going out!
(yelling)
( action theme playing)
(tires squealing)
(honks horn)
(tires squealing)
♪ I am leavin' ♪
♪ Though I never say goodbye ♪
♪ To the only one Who gave a damn ♪
♪ The one who brought Tears to my eyes ♪
♪ I am bleedin' ♪
♪ I am bleedin' inside out ♪
♪ Like a wreck On a lonesome highway ♪
♪ Ain't nobody hear me shout ♪
♪ I am leavin' ♪
♪ I am leavin' you behind ♪
What the hell's he doing?
♪ Leavin'... ♪
I guess he got what he wanted.
( mournful country theme plays)
"Thank you" seems like...
such a small thing to say
for what you've done for me.
You've given me the freedom...
to follow a dream that I have had
burning inside of me for so long.
And yet...
Oh, Walker.
I know.
Right guy... wrong time.
Yeah.
I can't seem to get it right, can I?
You will.
One day.
I hope so.
Who knows?
I gotta come back here sometime.
Yeah.
(drumroll playing)
ANNOUNCER: Hey, folks.
I just wanted to come up here real quick...
I gotta go.
ANNOUNCER: We've got C.D.'s famous barbequed ribs.
Hope you're all enjoying yourselves.
In just a couple minutes,
Merrilee Summers is gonna come up here.
Last performance here at C.D.'s.
She's gonna be singing her heart out for you,
so I hope you guys just all sit back,
enjoy yourselves, and, uh...
enjoy the show.
You ready?
Yes, ma'am. Let's do it.
Okay.
Here she is, Miss Merrilee Summers.
(audience cheers)
Thank you, ladies and gentlemen.
I'd like to dedicate this, uh, final number...
to the owner of this fine establishment,
Mr. C.D.
(applause continues)
And to my new friends,
Mr. Jimmy Trivette on guitar...
(applauding)
and Alex Cahill over at the end of the bar.
And, uh... Ooh.
Uh... excuse me.
Uh, also... to a very special person.
And he knows who he is.
Whoo! Hit it, boys.
(uptempo country theme playing)
♪ I push and you pull ♪
♪ I run and you walk ♪
♪ I smile and you frown ♪
♪ When I'm quiet, You talk ♪
♪ We cannot agree ♪
♪ It's either black Or it's white ♪
BOTH: ♪ But we come together ♪
♪ Almost every night ♪
♪ If I'm not romantic ♪
♪ You're Marilyn Monroe ♪
♪ But if I'm feeling frisky ♪
♪ You're cold as the snow ♪
C.D.: ♪ We're opposite people ♪
♪ Like day is to night ♪
BOTH: ♪ But we come together ♪
♪ Almost every night ♪
♪ We come together Almost every night ♪
(Resync by Chuck)
( uptempo theme playing)
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