Original subtitles

(MultiCom Jingle)

(projector humming)

(suspenseful music)

(glass breaks)

(safe creaking)

- You did that just like a professional, Mr. Robson.

- Yeah, it's the first and last job as far as I'm concerned.

What time's the night maintenance engineer get here?

- Green's train is due here in about ten minutes.

- Good by that time I should be home with this little lot.

- You know this could look as if Green did it,

particularly with his record.

- So much the better, it'll take the heat off us.

- Yeah that little lock should go off about

five after Green gets here.

- Well you'll be alright in here.

(train screeching)

- Running a bit late, aren't we?

- I think so.

(train screeching)

(clock ticking) (suspenseful music)

(explosion)

(train whistling)

(train creaking)

- What's wrong?

- I'll be alright in a minute.

- Sit down.

- No thanks, it's just my head.

- Let me get your coat down here.

- It often happens when I'm traveling.

- Are you quite sure that you're alright now?

- Quite sure, lucky for me you were here.

(train screeching)

- Hey, my wallet!

(train whistling and chugging)

(hurried footsteps)

(clicking)

(ominous music)

- Police.

Police!

(suspenseful music)

(car screeching)

- Stop!

- Hey let me go!

- You're Joe Green aren't you?

- That's right.

- Well I'm taking you in Green.

- Taking me in, but I'm the one who's been robbed!

My wallet is,

- We want to ask you a few questions.

- What for?

- There's just been a robbery at your place of work,

robbery with violence.

Come along.

(ominous music)

- Seen this Dee?

That fellow Green has tried it again.

- Oh you mean the man who keeps on breaking out of prison.

- This is the fifth attempt.

He must be a very determined character.

- What's he in prison for Uncle Peter?

- He and his friends robbed a safe.

- Are his friends in prison too?

- No, they were lucky.

They got away.

Why an attempted escape?

That calls for some courage.

- That would appeal to you.

- He claims here that was innocent.

- Oh all criminals say that.

- Maybe, but they don't all go to such lengths

to try and prove it.

(dogs barking)

(splashing)

(loud barking)

- There he goes! (tense suspenseful music)

(Joe stumbling)

(loud barking)

- You're gonna remember this Green.

This is the last time you'll try an escape.

- This man's no ordinary jail breaker.

This drive for freedom, it must add up to something.

- And you think he's innocent?

- I'd like to find out, I tried to get permission to see

him but the authorities wouldn't even consider it.

- Lucky for you, you're the invisible man.

- What do you mean Sally?

- Uncle Peter wants to help the poor man

and I know you're going to help too.

I'll get your invisible clothes.

- I'm warning you for the last time Green,

you're doing yourself a lot of harm.

- [Joe] I'm an innocent man Governor.

I've got to get out to prove it.

- You tried it five times,

can't you see that it doesn't work?

- And I got to go on trying it til it does.

- I don't want to hear all that again,

you had a fair trial.

- I had an alibi.

Just because I'm a man with a criminal record

they think they can hang anything on me,

but I went straight four years ago Governor.

I'm married now, I've got a kid,

I've been straight ever since.

- The jury found you guilty,

do you think they were all deliberately unfair?

- I'm not saying that Governor,

the full evidence didn't come before the jury,

it never came into court, that's why I've got to

find this girl on the train!

- You can take it from me Green,

the police did all they could to trace such a person!

- Nobody can find her except me,

that's why I have to get out.

She can prove that I was on the train

at the time of the robbery!

- Alright Brenner, take him away.

(sad music)

(engine roaring)

- [Peter] You stay here Dee.

I'll get this over as soon as I can,

once I'm inside.

(loud engine roaring)

- Thank you.

(suspenseful music)

(key jiggling) (jail door creaking)

(footsteps)

- Jail breaker, eh?

- Look Brenner, I know you do favors for some of

the fellers here, will you do one for me?

Will you get a letter through to my wife?

- What's there in it for me?

- I'll see her alright, later.

- Heard all that before.

Get in.

(Joe scrambles) Hey!

(Brenner shouting) (whistle blowing)

- You're not going anywhere Green.

The boys outside don't wanna see you for a long time.

- Alright Green, you asked for it!

Get moving.

(suspenseful music) (door creaking)

(thud)

Now get out of that!

(scary music) - [Peter] Joe Green?

- That's right.

How do you know my?

- [Peter] I'd like a quiet word with you.

(Joe shouting and banging)

- Let me out!

- [Peter] You're alright Green.

- Oh I'm going out of my mind, I must be.

- [Peter] You're not, I'm Peter Brady.

- Peter Brady?

Oh the invisible man.

- [Peter] Yes.

- What's all the noise about?

- [Peter] Get rid of him.

- What's going on in there?

- I'm alright Mr. Brenner.

- Then stop talking to yourself.

- [Peter] Sit down Green.

- What are you doing here?

- [Peter] I've come to see you.

I wanna hear your story.

- Don't tell me that somebody think I'm telling the truth.

- [Peter] I think you could be Joe.

- Thank you Mr. Brady.

- [Peter] I'm not promising anything.

I'm working on a haunch, I could be wrong,

but I'll take a chance.

- You don't know what you're doing for me.

Nobody's ever believed me before.

- [Peter] I read the evidence of your trial,

it certainly makes you look guilty.

- It was a night watchman at the works,

his evidence convicted me.

He said I got there on time, but in fact my train was late,

I never got there at all that night.

- [Peter] Could you prove that?

- I could, if i could find the girl from the train.

- [Peter] Why didn't she come forward as a witness?

- Well she stole my wallet, why should she help me,

she'd end up in jail as (keys jingling)

(footsteps) Shh, somebody's coming.

- Inside you two.

Hey cut that out!

- But Mr. Brenner I didn't do nothing.

(suspenseful music)

- [Peter] Come on let's go. (door slams)

- So they let you out?

- [Peter] I just made it.

- Where do we go now?

- [Peter] The place where Joe Green worked,

I'd like a word with that watchman.

- And am I left sitting in the car again?

- [Peter] Ha, ha not this time Dee, you do the talking.

(engine roars)

You go on in and have a look around his office,

if you have any trouble sing out.

I won't be far behind.

(door slams)

(ominous music)

- Yes, lady?

- Oh I wonder if you can help me,

I'm trying to find out all I can about Joe Green.

Was he really here on the night of the robbery?

- I gave my evidence at the trial, he was here alright.

- He says he wasn't.

- Who's gonna believe a crook like that?

He couldn't even prove his alibi.

- Did you let anyone else in that night?

(ominous music) - What did you say?

- Did anyone else come in?

- Who's asking?

- I am.

- Who sent you?

- No one, I

- You're not the police?

- No, of course not.

- Just a minute lady!

- Let me out!

- You came here to find out something,

why don't you stay and listen?

- Leave me alone, Peter!

- What's the game, who sent you?

You been seeing Joe.

- How could I?

Joe's in prison.

- Lady, you've already been asking too many questions.

(smack) (thud)

(scary music)

(smack) (bang)

(clock chimes)

What hit me?

(door slams)

(dialing)

Mr. Robson?

Taylor here.

- I told you not to phone me at the office.

- There was a girl here just now, she knows something.

Someone's been talking, it must've been Joe.

- It could have been the girl on the train.

- Ha, ha no we frightened her off.

Nah, it must've been Joe.

- Well what ya gonna do?

- We don't give him a second chance.

Now look, he knows how I was lying in that court room

for a start, he knows a lot more than that by now,

he could be dangerous.

There's a crook in jail with him now

called Sharp, that's right, he's a bit of a tear away.

Now he'll do anything if we promise him enough.

I'll send a message through to him

with a packet of cigarettes.

- What you gonna say?

You've got to be careful.

- I'll tell him to shut Joe's mouth.

Shut it for good.

(door clicks)

(footsteps)

- Keep still for the love of Mike!

- It's my kid's birthday.

- And no present?

Oh what's he going to think of daddy, eh?

- I've got to get out of here.

(Joe banging)

- Do that again mate and I'll fix you once and for all.

- Chap?

- Yes, Mr. Brenner?

(dramatic ominous music)

- This is gonna be a pleasure.

(suspenseful music) (engine humming)

(door slams)

(clang)

- Come on water screws down the other end,

don't forget it's got to look like an accident.

Shut the door Mike we want it nice and quiet.

You've got it coming Joe, you talk too much.

Someone outside's been asking questions.

(struggling)

(smack) (exciting music)

(Joe struggling) (smack)

- Right come on out the window!

- Ugh!

(smacking)

- What have you been up to this time Green?

Green I'm gonna teach you a lesson you're never

gonna forget.

(smack)

- [Peter] On your feet.

Keep moving.

(suspenseful music)

Down the ropes and you're a free man,

but if you can't prove yourself innocent believe me

I'll put you right back inside again.

(whistle blowing)

Keep going!

Look out down there, I'm gonna jump!

(clang)

Get into this coat, drive out of sight.

Then you'll have to put my bandages over my face.

It's the only way I can get you through.

Come on let's go.

(engine roaring)

Look out, police.

(tense music)

- Can I see your license sir?

- Certainly.

- Brady?

Oh the invisible man, sorry I should've recognized you.

Go ahead.

(engine revs)

- [Peter] Nice work Joe.

- What now?

- [Peter] We've got to find out who it was

the night watchman talked to on the phone.

He called on the internal line,

somebody inside the factory, number 714.

- It couldn't be!

- [Peter] It was.

- That's Robson's number, the accountant.

- [Peter] Robson, eh?

Where's his office?

- In the front of the building.

- [Peter] There's a phone on the street opposite,

you're gonna call Mr. Robson from there

and when you do I'll be up in his room right behind him.

Maybe he'll lead us to the girl on the train.

- You seen this Robson?

Green's really out this time.

- Alright I can read.

- Well what do we do now?

- Well he'll get picked up this time like he was before.

Don't worry.

Anyway he won't be able to find Doris.

- Seems to be able to find a lot of things.

(phone ringing)

- Hello?

- Joe Green here, Robson.

I've got the evidence that's going to prove my alibi

and it's going to put you inside.

- Hello?

Hello?

(phone clicks) - Who was that?

- It was Green, he says he got the evidence he needed.

- Maybe he's got hold of Doris.

- There's only one way of finding out.

(train whistling)

(train screeching)

- Excuse me, I'm so sorry.

- Oh it's quite alright.

My wallet!

- Not here, alright we'll wait.

(car engine humming)

- [Peter] This is the house.

They must be inside.

(car doors slamming)

(dramatic music)

- Mr. Robson I think.

- Green!

(gun fires)

(smacking)

- [Peter] Leave him to me Joe.

(smack)

Tie them up Joe.

(kids hollering)

Give me a hand.

- How did you know I was here?

- So you do know me.

- No I never set eyes on you before.

- You took my wallet.

(tires screeching)

Police.

(eerie music)

- But I tell you I was following you.

- That's complete nonsense inspector.

I never set eyes on this gentleman before.

- Have you any objection to our searching your room?

- Go ahead.

- Right, that's the bag she was carrying.

(tense music) That's my wallet.

- I'm afraid you'll have to come along with me miss.

- Trying to get out the back, sir.

- Joe Green!

- It's not me you want inspector.

It's these two.

- You've got them.

- She's my alibi.

- Is this correct miss?

- I took his wallet alright, like he said.

Then these two found me, they were going to kill me

if I talked.

- Well you can talk now miss.

Bring em along Sargent.

- You're a free man Joe Green

and believe me, we're as glad to be rid of you

as you are of us, best of luck.

- [Joe] Thank you Governor.

- By the way, how did you make that last escape?

- That would be telling.

(lighthearted music)

(engine roaring)

(suspenseful music)

(MultiCom Jingle)