Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
(horn and chime music)
(birds chirping)
(car horns honking)
(suspenseful music)
(frantic music)
- [Man] Stay away from Sister Mary!
(dramatic music)
(bell tolling) (birds chirping)
- Mary?
Sister Mary?
- Larry, but you're supposed to be in Taiwan.
- The deal folded.
Well, aren't you pleased?
- Now get out of here.
You'll get me excommunicated.
- I'll see you later.
- Hamburger? - No thanks.
- The (mumbles) it was all right for them huh, Joe?
Eh?
All right, okay, studio.
(mumbles) Let's have a bit of quiet,
get this show on the road.
- Ms. Mary? - Hmm?
- Have you seen Mark Field?
- No. - Dicky,
have we located Mark here?
- Why no, he's not
in his dressing room. - Well, try the bar.
Don't forget the bar.
- We'll just have to shoot out of sequence, that's all.
Look Joe, have you been managed to get out of secrets?
- [Man] It's all right.
The (mumbles) will you?
Just keep them away from me.
I just counted (mumbles).
(suspenseful music)
(loud clattering)
- What? - Well, that's what
we just heard, yeah.
Of course, Mark wasn't able to talk himself.
They just took him straight
up to hospital. - This is terrible.
How badly was he hurt? - All right, places!
Well, we now have problems. - You have problems?
- You all heard about Mark, I suppose.
Well, it's just too bad, but we'll have to work
around it somehow.
The first thing is we'll drop scene two,
and then the writers are going to invent some reason
to keep him out of this altogether.
That will mean working late, I'm afraid.
Dicky. - Oh, not that.
- Will you check for the crews,
see if it's okay with them?
It's okay with you, isn't it Madame?
Yes. - Works.
- But I thought?
(suspenseful music)
- You're late! - Oh!
Larry, look.
Three surprises in one day are enough.
- Told you I'd see you later
Three?
- Mark Fields.
He's been mugged.
- Mugged - Hm.
- How?
I mean, where? - I don't know the details,
just that he was, that's all.
Bad enough to take him to hospital, too.
But that's why I'm so late, you see.
They wouldn't. - The news I react to
with mixed feelings. - Why?
- Always had the feeling Mark fancied you
more than somewhat.
- Out.
- Out?
I'll give you 10 minutes.
Penny? - Mm-hmm?
- Okay?
- Okay. - I'll bring the car
around the front.
(suspenseful music)
- Hey, you!
What are you getting up to?
Have you got a pass?
Well, I know you got in here, but you can be sure
you're going out right now.
This way.
Come on.
- What's going on?
- Sister Mary! - I found him
outside your door, miss.
- I didn't mean any harm.
I just wanted to see you, that's all,
to talk to you about the fan club, your fan club.
- Come on. - Fan club?
- We're starting one devoted to you,
the Sister Mary Fan Club.
- I'm sorry about this, miss.
- There's been a mistake.
I invited him.
- You, miss? - Sorry, I forgot
to tell the main gate.
Well, come in, won't you?
Well, mister?
- Rook, Charles Rook.
I can't tell you
what a great honor it is. - Oh, you mentioned
fan club, Mr. Rook, and that's an irresistible phrase
to any actor.
Tell me more.
- The formation's all agreed, the membership, everything.
All we need is your blessing, so to speak, Sister Mary.
(laughing)
- My blessing.
- Your patronage to make it official.
There's a magazine planned, club premises lined up.
- Premises?
Well, how big is this club?
- The membership is substantial and loyal.
It's the Sister Mary Fan Club.
- Just for me?
- Oh, you're deeply loved, Sister Mary,
more than you know.
- Oh, but it's crazy!
My part in the show is, well, it is important I suppose,
but it isn't big, certainly not a starring role.
- To us, it is, Sister Mary.
To us you are a shining star, example to all of us.
- It really is crazy. - No, it's not!
We've been preparing layouts for the official magazine.
We haven't been able to decide which on yet,
but we thought that you might make the final choice.
- You really mean it, don't you?
It isn't a joke.
- No, I wouldn't joke about something like this.
- No, of course not.
I'm very flattered.
- Yeah, I think you'll agree.
You see, it won't really mean anything
unless you officially say yes.
- Well, of course I agree.
What actress wouldn't?
By the way, I do wish you'd call me Penny.
That's my real name, you see, Penny Stacy.
- Yes, I prefer Sister Mary.
(Penny laughing)
Oh, it's marvelous that you agree.
There are a lot of things I want to discuss with you
of course, and I'd like to send you
some of the prose brochures.
Do you think I could have your home address?
- I don't see why not.
It's 4B Streetly Towers.
Are you the president, the secretary, or what?
- Both, until we can have formal elections, of course.
I can't tell you what this means to me, Sister Mary.
Do you know, I've watched every episode?
I've collected every bit of information about you,
but to actually meet you. - Mr. Rook,
Mr. Rook, I'm very sorry,
but I'm going to have to throw you out.
- Well, of course.
I'm sorry, you must be tired.
- No, it's just that I do have other things to do.
- Thank you.
Sister Mary.
(suspenseful music)
- [Penny] You were going to tell me about Taiwan.
- It was hot. - My, your descriptions
are so graphic!
- I let my camera tell the story, remember?
Anyway, I hated the place.
- Why? - Two very good reasons.
One, the story I was supposed to be covering didn't happen.
- And two? - And two,
you weren't there. (laughing)
(doorbell buzzing)
- Now who do we think that is?
- Someone with lousy timing. (doorbell buzzing)
- Sister Mary! - Mr. Rook.
- I'm sorry to disturb you so late,
but I saw the light was on.
- Well, if it isn't number one fan.
- Well, you'd better come in.
- No, not if you're busy.
- Not anymore, we aren't. - It's all right.
Come in.
Larry, this is Mr. Rook.
- Larry Turner. - Hi.
- How do you do?
Don't you play one of the monks?
- A monk?
(laughing)
- Well, not exactly, Mr. Rook.
Larry is my fiance.
- Fiance? - Mm-hm, that's right.
- Well, that can't be right.
Nuns aren't allowed to Mary, are they?
- My fiance, Mr. Rook, Penny Stacy's.
Well, you mustn't make the mistake of mixing me up
with Sister Mary. - No, I suppose not.
- Well, what was it that you wanted
to see me about? - Some details
on the magazine, but it doesn't matter now.
- Now you are here, you might just as well discuss
whatever it was
that you were. - No, I'm sorry.
I shouldn't have burst in on you like this.
- It's all right. - It was unthinking of me.
- It's all right. - I'm so.
(loud clattering)
(faint speaking)
- Mr. Rook!
(suspenseful music)
What did you make of him?
- Who? - Rook, him.
What did you think of him? - I didn't think of him.
- It's sad. - A nut.
- No! - Look, anyone who can cherish
an image, someone he doesn't even know,
he's got to be loose somewhere.
- Well then (mumbles) compensating.
I think he's a sad man. - I hate him.
- What? - He interrupted us.
(laughing)
- Yes, well I was about to anyway.
Early morning for me tomorrow and I have lines.
- Okay.
- Will I phone for a cab?
- No, no, I'll get one outside.
But tomorrow night.
- Tomorrow night.
(door slamming)
(car engine revving)
(loud crashing)
(suspenseful music)
Larry!
- Hey Charlie!
Can you come and move this down a bit?
dicky, what's happening
this evening? - I'm doing a Charlie.
(faint speaking)
- Oh hi, Mark.
You okay? - I'm fine, thank you.
- Hello, Mark. - Do you know,
I honestly think that the emphasis is all wrong
in this scene. - But it's my scene.
- You had the lines, but the scene
is about me, my character.
I really don't think the (mumbles) understands
the camera really should pan round.
- She's game. - She's what?
- Penny, I didn't think she'd turn up today.
- Why ever not?
- Her fiance. - Oh yes, of course.
But of course, she had to.
It's the duty of the real trooper.
The show must go on!
- Well, whoever thought up that phrase
is an idiot or a sadist.
(loud knocking)
- Who is it?
- Mark.
- Come in.
- I'll leave if you wish.
- No, I'm due on the floor in a minute.
- Well, there's nothing I can say except
if you need a shoulder.
- Thanks, Mark.
- I'm making a stupid fool of myself.
(sobbing) - No, go ahead, cry.
It's better if you cry.
I wish I had
after my wife died.
Instead, I turned to the bottle.
Tears would have been better and cheaper.
- I haven't even asked you how you are.
- Oh, I'm okay now except for this
and a few bruises that I couldn't show ya
unless I knew ya a whole lot better.
It's crazy, I came all the way from New York
to be mugged in London. - Well, what was it,
a gang or what? - I don't know,
it's all very hazy.
I think it was just one man, though.
Hardly anyone believes me, though.
The story is that I got drunk and fell down
a flight of stairs.
- Oh, how could they? - Oh, I guess I deserve it.
I've tried on some good ones these last couple years,
but not recently and not that night.
Anyway, I better let you get ready,
but if there's anything, anything.
You got the best scene this week.
Tony's ripping mad about it.
(door slamming)
- And that is my last word.
I have nothing more to say, nothing what so ever.
- Okay, studio, that's fine!
On we go! - Precious little
to say in the scene, either.
(faint speaking) - Dicky, can we set up
for scene 12, please?
Oh Penny, my love?
Thank you, dear.
Oh Tony, you've finished now, haven't you?
Thanks very much.
You can go now.
- It's ridiculous giving the whole weight
of the show to that girl.
She has no style at all! - Bye, Gary.
I'll see you tomorrow.
- [Gary] I tell you, it's quite right
to have written after the show all together!
- [Man] Cut!
(suspenseful music)
(car engine revving)
(horn honking)
(dramatic music)
- [Mother Superior] Sister Mary, there is no room
here of individualism.
We all have faults and doubts at the beginning,
but we learn to put them behind us.
We learn through suffering and self-privation.
- I've tried, I promise you.
I'm trying. - You haven't tried
hard enough, so now I must guide you
by punishing your body, by wrecking it.
It's the only way to get to the soul.
Why, it must be driven out of you, Sister Mary.
- Superior, please, try to understand.
- You must find humility, and find humility
you must be humbled.
(church organ music)
- Help you?
CJS.
- CJS Television.
Can I help you?
- Putting you through now. - I'm afraid the producer
isn't available at the moment.
Can I take a message? - Hello, CJS Television.
Can I help you? - Yes, sir.
Well, I am sorry about that, but after all.
Well, it is only a program and I don't.
Sir? - CJS Television,
can I help you? - Not cool.
Saints and Sinners, tell Mother Superior
to lay off Sister Mary or else.
(suspenseful music)
(car tires squealing)
(doorbell buzzing)
- I thought so.
(door slamming)
Can't concentrate on anything?
Everything seem useless, no ray of sunshine anywhere?
I've been there, remember?
And this is no answer.
- I can't get him out of my mind.
He was so alive.
- Yes, I know, and you loved him very much.
You'll forget him.
You have to, Penny.
He's gone.
You have to face that.
The sooner the better.
That's the brutal truth.
That's why I'm here.
This is no time for you to be alone.
What you need now is noise, people around you.
Believe me, it's the best possible thing.
- No, no.
- Look Penny, it won't help you to forget,
but it might help you to cope.
Dicky's throwing a party.
- Hm? - Dicky,
our floor manager. - Oh, yes.
- Well, he wanted to invite you, but he thought
it would be in the worst possible taste.
I have very poor upbringing, so I don't have any taste.
(laughing)
Might do you some good. - Maybe.
- You'll give it a try?
Good, good.
Come on, I'll get a cab.
You go on in there and get some clothes on.
Well, get on with it!
(suspenseful music)
(faint tapping)
(suspenseful music)
- Sister Mary?
(suspenseful music)
Sister Mary?
- Oh!
- I'm sorry, I didn't mean to frighten you.
The door was open. - It's all right.
- The last thing in the world I wanted to do
was frighten you.
I knocked, I called, too.
You look very pretty.
- Oh, thank you.
- I prefer you
in your real clothes, though.
- You mean the nun's habit?
Mr. Rook, I have told you before.
I have a cab waiting. - Mark, this is Mr. Rook.
He's a great fan of mine.
And Mark Fields you know, of course.
- How do you do? - Yes, the American priest.
I'm glad you decided not to let the lust
of the flush get better of you.
- Yeah, he means the show, Mark.
You remember?
A week or so ago they wrote it so that you were taking
a very unhealthy interest in Sister Mary.
- Yes, I hated it, hated it.
- Mr. Rook takes it all very seriously.
Don't you? - Hm, of course.
I haven't missed a single episode,
not since the fifth week.
- Fifth week.
That's when you joined the show, isn't it?
- That's right.
Sister Mary missed the train and had to accept a lift
from that terrible man.
Ooh, I hated him. - George, you mean?
- Yes.
Do you know, I really couldn't stand him.
It was the way he looked at you.
- Well, he isn't in the show anymore.
- Yes, poor Georgie.
He was dropped after he broke his hip.
- I know. - A bit of bad luck.
He just stepped off the curb and the car.
- It was fate.
God's will, perhaps.
- Yes, look, Mr. Rook, I think it's about time
we all said goodbye.
We have a party to go to, don't we?
- Yes. - Party?
- We'll talk some other time, hm?
- Oh, well, I didn't come here to talk.
Well, not just to talk.
I brought you this.
- Oh, thank you. - It's a very fine one.
I'm not religious, but the man I bought it from
assured me that it was a very fine one.
- Yes, it looks like an antique, very old.
Thank you very much.
- And you'll be able to use it.
- In the show, yes!
- No, not just then, all the time.
- Oh, sorry, Mr. Rook, but like you,
I'm not very religious either.
- What?
- To my shame, I'm not much of a church girl at all.
- But you're a nun in the holy order.
- That's just in the show.
I have told you.
If it makes any difference, if you don't want me
to have it.
- No, no.
I bought it for you.
Please keep it.
- Well, we certainly do find them, don't we?
All wound up about Saints and Sinners.
Still, harmless enough.
- I suppose so.
(people chattering) (upbeat music)
- Hey! - Oh wow!
(people chattering)
- Lovely party, dear. - Ah, thank you.
- Quite a noisy party.
Good job I'm your nextdoor neighbor
really there would be some words.
- Especially if I hadn't invited you, eh?
- He had to.
I feed this thing for him whilst he's away.
By the way, have you heard about my car?
- Oh, irksome. - Tires slashed,
absolutely ruined.
I tell you, if I could lay my hands on whoever did it,
I'd kill him!
(people chattering)
- Why hello, girl! (man laughing)
- [Man] You never partied like this.
(man laughing)
- I'm sorry, I got cornered over there.
It was a mistake, wasn't it?
Bringing you to this, it was just a big mistake.
- The very worst, I told you.
- Well, he didn't twist my arm.
He knows that.
Sorry, Mark.
I'm just not in the mood for a party.
- Look, I saw that 10 minutes ago,
so I called a taxi to take you home and it's here now.
- You didn't!
Marvelous.
Listen, it is, it's a super party.
- Yeah, but not for you, eh?
- Well look, I'll see you home.
Come on. - No, no.
- Penny! - Look, there's no sense
of (mumbles), well, stay on
and enjoy yourself, honestly.
I absolutely insist.
I'm going straight home, take a pill, and get some sleep.
- Well at least let me see you to the cab.
- Hey, that's the host's prerogative.
Come on Penny, love.
Look Mark, why don't you go and chat up
that redhead over there?
I don't know her name, but if she goes on
drinking the way she is, we'll have to close up
the place before (mumbles).
Bye, love.
(car engine running)
(car engine revving)
(laughing)
- Well, I think it wrong, quite wrong to give up
these minor characters.
It's much too much for these young actors.
- Well, it's much too much for you,
don't you, Tony? - Oh, nothing (mumbles).
- Harry, you're beginning to get jealous of (mumbles).
- Oh no, it's rubbish.
Why should I be? - You need to develop
as a character.
There's some key scenes between you.
And she'll do them very well, won't she, darling?
- I know she's doing the special ones, especially the.
- Dicky! - Dicky?
Dicky, what happened?
Where's Penny?
- Penny. - Yes, Penny.
Where is she? - She got into the cab.
- Well then, what is it?
- Then some crazy.
He must have been raving drunk.
He just drove straight at me.
If I hadn't jumped.
I need a drink.
- Of course you do.
Tony! - If I could (mumbles).
- Dicky, are you all right? - Yeah, I think so.
I've cut myself and broken my glasses,
but I'm just more shaken than anything.
- Did you see the driver or get the license number?
- Ah, I didn't get the number, I told you.
Another second, if I hadn't jumped.
I didn't get the number. - Come on, here.
- Thanks.
Look, I'm sorry.
There's number damage done, just me glasses.
- But our night, as far as cars are concerned, is it?
Well, first of all, my tires and now this?
A lucky coincidence.
- Yes, coincidence.
(knocking on door)
- Hurry up, Penny! - That'll be lovely.
Thanks.
Okay, just coming.
Mr. Rook! - Good morning, Sister Mary.
- You see?
It'll be on the show today, only there won't be any show
unless I get a move on.
- I wanted you to be the first one to have this,
number one, volume one.
- It's incredibly professional.
It must have cost a fortune.
- It's worth every penny.
- Oh, I doubt a top star rates anything
as grand as this.
- Only the best for you, Sister Mary, the very best.
- I don't know how to thank you.
- I do.
The clubhouse.
- Penny, come on! - Just a second.
What do you mean, the clubhouse?
- Well, as I told you, we were getting premises arranged.
We're cleaning them up tonight and hoping
for an official opening on the 10th.
You can make it?
- The 10th? - Now Joe's going purple
and so am I.
So come on now. - Yes, all right!
- [Man] Can you come to track 19, please?
(people chattering)
- Oh, you see?
What did I tell you?
Give her an extra scene and she thinks
she's the star of the show,
keeping us all waiting like this.
- All right studio, now settle down, please!
Penny is here now (mumbles).
- Oh, about time! - Yes, I'm sorry
I'm late, everybody.
Would you like
to stop (mumbles)? - Let me.
Come on!
- There you go love, please. - Oh.
(faint speaking)
- [Man] Please, come on.
(faint speaking)
- Right, Joe? - Yes, sir?
- I'm not too happy about this scene.
- Oh my love, we discussed
those scenes before. - I know.
I've had enough time to think about it.
Now I now I'm supposed to be a hard man,
but I am a fair one, certainly not a brutal one.
- Well, you just say the lines as we rehearsed them, okay?
- All right.
Quite out of character. - Oh, Dicky!
Come on.
For heaven's sake, let's get this show
on the road. - Okay, studio.
Let's have a bit of quiet.
Now Julie, put that sandwich away.
Quiet on rehearsal studio.
Stand by!
- 10 seconds. - Just a minute
if you don't mind. - Five!
- Thank you. - Four, three.
- Father, it has to be this way, it has to be.
- I shall leave you alone for a few minutes.
Remember, it's Sister Mary's decision.
- Mary, you're too young
to make a decision like this. - My mind is made up.
- Then I shall have to unmake it.
- No, father. - You're my daughter,
for Pete's sake! - I am me, my own person
and you're not going to sway me, twist me.
You're not going to ruin my life
the way you ruined mother's.
(loud slapping)
- [Man] Okay, studio.
That's fine!
We're going for a take.
Stand by for a take on that, studio.
Right, all right? - Yes, thank you.
(faint speaking)
- That wasn't so bad, was it? - On the contrary.
I thought it worked extremely well.
I especially enjoyed slapping that little.
Ah, congratulations, my dear.
Very nicely played, very nicely.
- Thank you, Tony. - (mumbles) Sham.
- Mind your own blasted, (mumbles).
I hope I didn't hurt you too much
with that little slap.
I should hate to think that I, fan club?
- The Sister Mary Fan Club.
Well, must have taken quite a bit to produce
this so glossily.
You've got a lot of fans
that are rooting for you, Penny.
- Goodnight. - Goodnight, Julie.
- Goodnight, Penny. - Goodnight, Mark.
- Ah, Tony, don't worry.
I'm sure somehow, somewhere, there's someone
who loves you, too. - I should hurry.
Probably hordes of fans waiting outside to mob you.
Goodnight, Tony.
- Goodnight.
- Now Tony, do us a favor, will you?
- What? - Well, I got to work late,
so will you feed my cat for me?
- I hate cats. - Oh come on,
you've done it before.
It won't take a minute.
The food's in the cupboard and you can leave the key
under the mat. - No.
- Tony?
Didn't I read in that last interview you gave
that you were very fond of animals?
- All right.
(cat meowing)
Cats.
I'll feed you in a minute.
Stay there!
(cat meowing)
(suspenseful music)
(faint speaking)
(suspenseful music)
(Tony screaming)
(suspenseful music)
- He's a bore, I know, a terrible egotist,
but who would want to do that to him?
- It's horrible.
Horrible. - Poor Tony, and poor Dicky
finding him like that.
- Dicky, how is there any? - What's new?
- Well, he's still in a coma,
transferred to the Intensive Care Unit.
- Intensive Care? - There's a chance
he may not make it.
He's lost a lot of blood.
There was such a lot of blood.
- Well, what happened?
- Well, it was obvious he interrupted somebody
burglaring my place.
If I hadn't worked late, it could have been me.
- A burglar?
That's the police theory? - Well yeah, of course.
What else?
- Now what, the show?
- Well it's obvious Tony isn't coming back.
There are meetings going on now.
Script writers are sorting it out.
Your father is to die in a car accident.
It's gonna throw all the schedules out of gear.
- Including Tony's. - Yeah, I see what you mean.
- What hospital is he in?
- St. Benedict's, but there's no point
you going to see him.
He won't even know you're there.
- Well all the same.
- Well, I better be going.
Could have been me.
- Mary, I'm sorry, I'm desperately sorry.
- An accident.
How badly was he hurt? - Very badly.
You must face it,
he may not recover. - Father.
(church organ music)
- Don't cry!
Oh please, don't cry.
I didn't mean to hurt you.
I did it for you.
(church organ music)
I was so brutal to you.
- Hi. - Hi.
- Down for a drink? - Yes, but remember,
there's not visitors after 8:00.
- How is he? - Oh, he's still in the coma.
Three days now, but there's still a chance.
- Look, hold this.
(phone ringing)
Hello? - Sister Mary?
- Oh, hello, Mr. Rook.
- I said I'd call.
- What? - Well, you haven't forgotten
have you, the 10th?
You said you'd let me know.
- The 10th?
Oh yes, oh sorry, I had forgotten.
- But you can make it?
The official opening, you will be there?
- Well, you see. - I spent so much time,
effort getting it ready.
If you didn't turn up now,
it would be a disaster. - Mr. Rook.
- [Mr. Rook] Everything's arranged, every detail.
- What time did you have in mind?
- About 4:00.
You can make it? - Well you've gone
to so much trouble, I couldn't possibly
let you down, could I?
No, that'll be all right, Mr. Rook, four o'clock.
- [Mr. Rook] Thank you, Sister Mary.
I'm so. - I'm sorry about this.
- I gather it's your pet net. - What, what was that?
- Four o'clock, Mr. Rook.
- [Mr. Rook] I'll pick you up myself
and drive you there. - Yes, fine.
- We'll immortalize you, Sister Mary.
You'll be as you are for ever and ever.
- That sounds great.
Look, I'm awfully sorry.
I've got to rush now, but thanks very much for calling.
Bye.
You know, he's going to immortalize me
so that I stay as I am for ever and ever.
(laughing)
(loud beeping)
- [Moore] Moore, Detective Sergeant Moore.
- How do you do?
- Well, his breathing's easier.
It might be my imagination, but his breathing seems easier.
Are you family, are you?
- No. - No, we just.
We're friends.
We all work together.
- [Moore] Yeah, Saints and Sinners, yeah.
I've seen you.
You're Sister Mary.
- Has he, well, has he tried to say anything yet?
- No, no, not a word since he was brought in.
Probably die that way, without a word, I mean.
(door slamming) - Coffee?
- No, I think I need a drink, scotch.
Come on, sit down.
I'll get you a drink.
- Oh, Mark.
When I saw him, I kept thinking of Larry.
- Well, so did I, but for a different reason.
So many coincidences.
- Thanks.
- A few days before it happened,
somebody slashed the tires on Tony's car.
There's Larry, Tony, and me.
Well, I know it's old ground , but then again
there was George. - George?
- [Mark] You remember.
His hip was broken. - It was a car accident.
- Well accident or not, the result was the same.
He left the show.
Penny, I think someone has a grudge against the show.
- That's ridiculous.
- Is it?
Think about it. - Who would want to?
I mean, for what reason?
- I don't know, that's the puzzling part about it
but every puzzle has an answer somewhere.
Somehow, I think I have it.
- That tune you can't recall?
- Maybe.
Look, you're tired and upset and I'm just agitating you.
I'll see you tomorrow.
Goodnight. - Goodnight.
- Penny, don't pay any attention to me.
I'm just crazy, that's all.
I think that mugging must have rattled my brains.
(suspenseful music)
(car engine starting)
(car engine revving)
(dramatic music)
(doorbell buzzing)
- Mark, did you forget something?
Mark?
- There was a car waiting!
- [Penny] Car waiting for what?
- To kill me.
(suspenseful music)
(doorbell buzzing)
- Four o'clock precisely.
I see you did as I asked. - Well, come in for a minute.
- Thank you. - I must say,
I feel pretty silly going out into the street
with these clothes. - Oh no,
the car's right outside.
I think it's only right that the Sister Mary Fan Club
should be opened by Sister Mary as she is,
as she really. - Excuse me one moment.
Is it far, this place? - No, about 30 minutes.
I looked at so many places before I found the right one.
We've bought the freehold. - Good.
Then you'll be able to make a profit
when you sell it again one day.
- Oh, I'm not going to sell it.
- Hmm? - No, it's a permanent
monument, that was very important.
Permanent, forever and ever.
- (laughing) You'll change your mind when the series
comes to an end and Sister Mary is no more.
- That won't ever happen.
You ready? - Yes.
(people chattering)
(loud beeping)
- Nothing.
Do you have any thoughts about a nine letter
word meaning retribution?
Mind you, it'll have to start with an X and end with a Q,
or I got all the others wrong,
which wouldn't surprise me.
I'm terrible at these.
(faint speaking)
Mr. Barton, can you hear me?
- Perhaps. - Shh!
- Hurt, hurt me. - Who hurt you, Mr. Barton?
Did you see him?
- Voice.
- He spoke and you heard his voice.
Is that what you mean?
What did he say, Mr. Barton?
What did he say to you?
- Away, keep away.
- [Moore] Away from what?
Away from who? - Sis,
Sister.
Sis. - Mr. Barton, Mr. Barton?
(suspenseful music)
That narrows it down a bit.
Keep away from my sister.
Wasn't burglary, it was revenge, either he
or the fella whose flat it was.
Been mucking around with a woman
and she had an angry brother.
Yeah, I'll check on that right away.
- No, don't.
Wait a minute. - Hmm?
- He didn't finish it.
Not my sister, but Sister Mary.
That's what he was trying to say.
It was the same thing with me,
stay away from Sister Mary.
- You're not making yourself clear.
- It was him, and he killed Larry.
(suspenseful music)
- [Mr. Rook] We planned it all very carefully.
It's exactly like Sister Mary's domain,
the convent, the courtyard, everything.
Do you like it? - It's different.
- It's perfect.
Would you like a glass of sherry?
- [Penny] Oh, thank you.
Where are the others?
- They'll be along shortly.
I wanted you to myself for a few moments.
Can't blame me for that, can you, Sister Mary?
(doorbell buzzing)
- Now what? - We'll take a look anyway.
The (mumbles) don't have a key.
- [Mark] No, wait a minute.
She hides the key here somewhere.
Here it is.
- That's great.
She hides a key and then tells you where to find it.
- I'm a friend. - Now statistically,
if a girl's gonna have trouble, it'll come from a relative
or a friend.
There's nobody here.
- I forgot.
She went to open up some fan club.
- It'd be nice if you remember that
before we came rushing over here.
- Well, I'm sorry.
It's just that ever since I made that connection,
my mind had been.
- Look, is that where she's gone?
- Fan, film fan, pop fan.
I just remembered that fan is an abbreviation.
You know what for, don't you?
- I told you, I'm no good at crosswords.
- Well, it's short for fanatic,
the obsessive desire and involvement with a public image.
Keep her the way she is forever and ever.
- What?
- That's what he said to her.
What do you suppose he meant?
- I don't now.
- Look, if he is responsible for what happened,
it's because he cares for Sister Mary,
because he wants to protect her,
so there's no cause for panic, is there?
- All I know is he sounds nutty
and nutty people are dangerous.
They can switch, change course without logic.
Secretary Rook, President Rook.
No address.
The printer.
(phone dial clicking)
(soft music)
- It's awfully cold in here.
- Used to belong to a butcher.
Cold storage.
- Oh, thank you.
Well, show me the rest of it.
- With pleasure.
I designed it all myself.
I had it made up. - Oh, that must have cost
quite a bit. - Mm.
When yeah mother died, she left me comfortably off enough.
Poor mummy.
No, I do miss her.
- What's around there?
- I'd rather you.
(dramatic music)
I was saving this until later, the grand finale.
- I don't know that I should let you in,
but I suppose being police.
- Leave it.
You were wrong.
No need to panic.
You said there's every need.
- What do you mean?
It's obvious by all these pictures
that he just wants to protect her.
He's crazy about her.
- These aren't Penny,
these are a girl we've been looking for fr 18 months!
18 months she's been missing.
He's in a fantasy that could take him anywhere.
- Where do you suppose he's taken her?
- This doesn't appear in the show anywhere.
- I know.
- Well, the writers
would kill you if they knew you were changing the storyline.
- The show's one thing, but this is real.
- [Penny] Shouldn't the others be here by now?
- Others?
- Yes, the other fan club members.
- Yes.
I always intended.
I couldn't share you with anyone, Sister Mary.
I've had to, and I hated that,
but not anymore.
I won't have to share you anymore.
(suspenseful music)
- Here, take a look at some of these, will you?
This could be it.
Purchase of an old cold store.
That's not 10 minutes from here.
- He said he was gonna immortalize her.
- What? - Invoices
for embalming fluid.
- I won't harm you.
I couldn't bear to break your skin.
The drink'll you sleep.
It's just a triple dose of sedative, that's all.
I take them myself when I can't sleep, thinking of you.
And then once you are asleep, I'll suffocate you.
You won't feel a thing.
I've worked it all out for myself.
You see, my mother was wrong.
I can work things out for myself.
Well, I've had to.
There were too many, you see?
Too many people knowing you, touching you, abusing you.
I couldn't deal with them all.
Well look, I couldn't deal with them all, could I?
I got the idea from a magazine.
Then I sent off for all the books, all the materials.
I'm sure I can do it.
It's this place, you see.
It's perfect, so cold.
Constant cold temperature.
That's what they do to saints, you know, embalm them.
They preserve them forever.
You see, I'm not religious,
but then neither are you.
You're not religious at all, but I do know goodness
and you are good.
There's such a lot of badness in this world,
not enough good people.
That's why we have to hang onto it, don't we?
Preserve them.
(suspenseful music)
You are so very good.
(door slamming)
(loud crashing)
(shouting)
(loud crashing)
(loud thudding)
(dramatic music)
(dramatic music)
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.