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1
00:00:06,740 --> 00:00:08,309
‫PREVIOUSLY ON
‫ "SWITCHED AT BIRTH"...
2
00:00:08,342 --> 00:00:09,777
‫YOU NEVER TOLD US
‫THAT TY ENLISTED.
3
00:00:10,678 --> 00:00:12,613
‫AND BY PUTTING YOU
‫ON THE BASKETBALL TEAM,
4
00:00:12,646 --> 00:00:15,749
‫BUCKNER QUALIFIES
‫FOR A $20,000 GRANT.
5
00:00:15,783 --> 00:00:18,319
‫SO THE ONLY REASON THAT
‫THEY WANTED ME ON THE TEAM
6
00:00:18,352 --> 00:00:19,753
‫WAS BECAUSE I'M DEAF?
7
00:00:30,264 --> 00:00:32,766
‫- YOU'RE MOVING OUT?
‫- I THINK WE BOTH NEED A BREAK.
8
00:00:32,800 --> 00:00:35,669
‫- HEY, DAPHNE.
‫- THIS IS MONICA.
9
00:00:35,703 --> 00:00:38,472
‫- I KNOW HER FROM--
‫- THEY TOLD US WE COULD
‫ CHANGE IN HERE.
10
00:00:38,506 --> 00:00:40,374
‫- WHO DID?
‫- I DIDN'T STEAL YOUR WATCH.
11
00:00:41,675 --> 00:00:43,411
‫- ( grunts )
‫- STOP IT! CUT IT OUT!
12
00:00:43,444 --> 00:00:45,513
‫HEY!
‫WHAT THE HELL IS GOING ON?
13
00:00:51,819 --> 00:00:54,722
‫I THINK
‫WE JUST SET SOME SORT
‫OF RECORD FOR SUICIDES.
14
00:00:54,755 --> 00:00:57,791
‫THOSE WEREN'T SUICIDES.
‫THAT WAS ATTEMPTED MURDER.
15
00:00:57,825 --> 00:01:01,028
‫LISTEN UP! NOW DESPITE
‫ALL THE CHATTER
‫ON THE COURT,
16
00:01:01,061 --> 00:01:03,297
‫THIS PRACTICE WAS NOT MY WAY
‫OF PUNISHING YOU ALL
17
00:01:03,331 --> 00:01:05,399
‫FOR SATURDAY'S LOSS
‫TO OAKS GLEN.
18
00:01:05,433 --> 00:01:08,136
‫IT'S MY WAY OF GETTING US READY
‫FOR THE PLAYOFFS, WHICH MEANS
19
00:01:08,169 --> 00:01:10,804
‫I'M SHAKING UP
‫THE STARTING LINE-UP.
‫NO POSITIONS ARE A LOCK.
20
00:01:10,838 --> 00:01:14,408
‫WE'LL BE SCRIMMAGING,
‫RUNNING DRILLS AND FACING OFF
‫IN ONE-ON-ONE CONTESTS.
21
00:01:15,776 --> 00:01:18,045
‫HE'S MAKING US PLAY EACH OTHER
‫TO SEE WHO STARTS.
22
00:01:18,078 --> 00:01:19,780
‫THIS IS GREAT,
‫THIS COULD BE YOUR CHANCE!
23
00:01:19,813 --> 00:01:22,616
‫HERE'S THE LIST OF MATCH-UPS.
‫WE'LL START WEDNESDAY.
24
00:01:31,559 --> 00:01:33,093
‫SO?
25
00:01:33,127 --> 00:01:34,828
‫I'M GOING UP AGAINST AVA
‫FOR POINT GUARD.
26
00:01:34,862 --> 00:01:37,498
‫AND YOU ARE GOING UP AGAINST
‫JENNA FOR SMALL FORWARD.
27
00:01:37,531 --> 00:01:39,533
‫JENNA?
28
00:01:39,567 --> 00:01:41,802
‫NOBODY'S BETTER AT
‫POSTING UP THAN SHE IS.
29
00:01:41,835 --> 00:01:44,638
‫HEY, WE ARE BOTH GOING TO BE
‫IN THAT STARTING LINE-UP.
30
00:01:45,639 --> 00:01:47,107
‫THANKS.
31
00:01:47,141 --> 00:01:50,244
‫I AM SERIOUS, DAPHNE.
‫WE WILL PRACTICE AS MUCH
‫AS YOU NEED.
32
00:01:50,278 --> 00:01:52,713
‫YOU DON'T KNOW ME--
‫I'M LIKE A DOG WITH A BONE
33
00:01:52,746 --> 00:01:54,715
‫- WHEN I WANT SOMETHING.
‫- ( laughs )
34
00:01:54,748 --> 00:01:58,286
‫- AND YOU WANT ME
‫ TO START WITH YOU?
‫- ABSOLUTELY.
35
00:01:58,319 --> 00:02:00,288
‫YOU'RE MY GIRL.
36
00:02:03,857 --> 00:02:07,595
‫I'M SORRY WE FOUGHT
‫THE OTHER DAY.
37
00:02:07,628 --> 00:02:09,830
‫IT'S JUST THAT EVERYTHING
38
00:02:09,863 --> 00:02:12,766
‫WITH ANGELO WAS EXPLODING
39
00:02:12,800 --> 00:02:15,736
‫AND I THINK I MAY HAVE
40
00:02:15,769 --> 00:02:18,639
‫TAKEN IT OUT ON YOU.
41
00:02:22,743 --> 00:02:25,813
‫WOW, YOU JUST POLISHED OFF
‫LIKE A VINEYARD-WORTH
‫OF GRAPES.
42
00:02:27,748 --> 00:02:30,551
‫OH HI, EMMETT.
43
00:02:30,584 --> 00:02:32,720
‫IT'S NICE
‫TO SEE YOU.
44
00:02:32,753 --> 00:02:34,154
‫HI, SWEETHEART.
45
00:02:34,188 --> 00:02:37,658
‫OH, TO HAVE THE METABOLISM
‫OF A 17-YEAR-OLD BOY.
46
00:02:37,691 --> 00:02:40,261
‫I DON'T THINK
‫HE'S EATEN A LOT
‫OF MEALS LATELY.
47
00:02:40,294 --> 00:02:43,697
‫YOU KNOW WHAT?
‫LET ME MAKE YOU
‫SOMETHING GOOD.
48
00:02:43,731 --> 00:02:45,766
‫HOW ABOUT SOME
‫ROSEMARY-GARLIC CHICKEN?
49
00:02:45,799 --> 00:02:48,168
‫JUST TAKES 15 MINUTES.
50
00:02:48,202 --> 00:02:50,571
‫NO NO NO, HE'S FINE.
‫YOU'RE FINE, RIGHT?
51
00:02:50,604 --> 00:02:52,540
‫YOU DON'T WANT
‫ANYTHING.
52
00:02:53,941 --> 00:02:55,509
‫I SAW THAT.
‫( laughs )
53
00:02:56,610 --> 00:03:00,214
‫ONE ROSEMARY-GARLIC
‫CHICKEN COMING UP!
54
00:03:00,248 --> 00:03:02,683
‫SO, EMMETT, WHAT'S NEW?
‫HOW'S SCHOOL?
55
00:03:13,861 --> 00:03:15,396
‫FAMILY...
56
00:03:15,429 --> 00:03:17,365
‫HE HAS A LOT OF HOMEWORK
57
00:03:17,398 --> 00:03:20,634
‫- AND HE HAS TO TAKE
‫ A FAMILY PORTRAIT.
‫- I SAW. I GET IT.
58
00:03:22,803 --> 00:03:24,972
‫CAN'T USE YOUR FAMILY
‫BECAUSE...
59
00:03:27,875 --> 00:03:30,711
‫I'M SORRY.
‫I DIDN'T KNOW THINGS
‫WERE THAT BAD.
60
00:03:31,845 --> 00:03:34,848
‫- ME NEITHER.
‫- YOU KNOW, EMMETT,
61
00:03:34,882 --> 00:03:37,751
‫WE COULD USE
‫A NEW FAMILY PORTRAIT
62
00:03:37,785 --> 00:03:39,887
‫BECAUSE WE DON'T
‫HAVE ONE WITH DAPHNE
63
00:03:39,920 --> 00:03:42,189
‫- AND REGINA.
‫ DO YOU THINK MAYBE--
‫- NO.
64
00:03:42,222 --> 00:03:45,259
‫- USE OUR FAMILY
‫ FOR YOUR ASSIGNMENT?
‫- NO NO NO NO NO.
65
00:03:45,293 --> 00:03:48,896
‫HUH-UH! NO.
‫SHE'S JUST USING THIS AS
‫A WAY TO GET TO KNOW YOU.
66
00:03:48,929 --> 00:03:50,698
‫NO.
67
00:03:50,731 --> 00:03:52,933
‫- SO?
‫- SO...
68
00:03:52,966 --> 00:03:55,903
‫FINE, THERE'S ALWAYS
‫"SOUND OF MUSIC" NIGHT.
69
00:03:55,936 --> 00:03:58,572
‫HE'D MAKE
‫A GREAT KURT.
70
00:03:58,606 --> 00:04:01,275
‫OKAY OKAY OKAY--
‫FAMILY PORTRAIT.
71
00:04:02,843 --> 00:04:05,713
‫FAMILY PORTRAIT.
72
00:04:08,549 --> 00:04:10,551
‫( theme music playing )
73
00:04:14,655 --> 00:04:16,790
‫* IT'S EASIER TO SEE
74
00:04:16,824 --> 00:04:19,493
‫* JUST DRAW BACK THE CURTAINS
‫ AND TURN UP THE LIGHTS *
75
00:04:19,527 --> 00:04:21,562
‫* AND YOU'LL SEE...
76
00:04:21,595 --> 00:04:23,431
‫SO?
‫WHAT DO YOU THINK?
77
00:04:23,464 --> 00:04:25,799
‫NICE. WHAT DO
‫YOU CALL THIS? BEDHEAD?
78
00:04:25,833 --> 00:04:28,001
‫WHATEVER IT IS,
‫I APPRECIATE YOUR VISION.
79
00:04:28,035 --> 00:04:29,737
‫( chuckles )
‫AND THANK YOU.
80
00:04:29,770 --> 00:04:31,839
‫I APPRECIATE YOU
‫CALLING IT A VISION.
81
00:04:31,872 --> 00:04:35,409
‫WHEN YOU DEAL WITH ARTISTS
‫ALL DAY, IT BECOMES AN ESSENTIAL
‫PART OF YOUR VOCABULARY.
82
00:04:35,443 --> 00:04:38,879
‫- ARTISTS. WHAT DO YOU DO?
‫- I JUST OPENED A GALLERY IN
‫ THE CROSSROADS-- MEDIUM WEST.
83
00:04:38,912 --> 00:04:41,815
‫- OH, FANCY.
‫- I'M GOING FOR EDGY.
84
00:04:41,849 --> 00:04:45,853
‫OH, THEN YOU
‫SHOULD CHECK OUT
‫THE FRINGE FESTIVAL.
85
00:04:45,886 --> 00:04:47,955
‫LAST YEAR SOME GUY
‫SHAVED HIS HEAD,
86
00:04:47,988 --> 00:04:51,559
‫SET THE HAIR ON FIRE
‫AND THEN SHELLACKED
‫THE ASHES BACK ONTO HIS HEAD.
87
00:04:51,592 --> 00:04:54,362
‫OKAY, THAT'S THE KIND OF THING
‫THAT GIVES BOTH ARTISTS
88
00:04:54,395 --> 00:04:56,497
‫AND HAIR TRANSPLANTS
‫A BAD NAME.
89
00:04:56,530 --> 00:04:59,400
‫BUT I'LL CHECK IT OUT.
‫I LOVE FINDING NEW ARTISTS.
90
00:04:59,433 --> 00:05:01,402
‫UM, I'M SURE YOU GET THIS
‫ALL THE TIME,
91
00:05:01,435 --> 00:05:03,971
‫BUT WOULD YOU BE WILLING
‫TO MEET WITH A YOUNG ARTIST?
92
00:05:04,004 --> 00:05:05,973
‫MAYBE GIVE SOME ADVICE
‫OR FEEDBACK?
93
00:05:06,006 --> 00:05:07,841
‫DOES HE SHOW AT A GALLERY
‫HERE IN TOWN?
94
00:05:07,875 --> 00:05:10,411
‫SHE IS NOT WITH ANYONE
‫RIGHT NOW.
95
00:05:10,444 --> 00:05:12,746
‫HER NAME IS BAY KENNISH.
‫SHE'S MY DAUGHTER
96
00:05:12,780 --> 00:05:15,949
‫BUT JUST SO YOU DON'T
‫THINK I'M SOME PROUD MOM
‫PIMPING OUT HER DAUGHTER--
97
00:05:15,983 --> 00:05:19,953
‫I MEAN, I AM PROUD,
‫BUT SHE REALLY IS TALENTED.
98
00:05:19,987 --> 00:05:22,322
‫THIS IS A MURAL
‫SHE JUST DID.
99
00:05:24,024 --> 00:05:26,760
‫WOW, KIND OF A CHICANO-
‫SOCIALIST VIBE.
100
00:05:26,794 --> 00:05:28,061
‫- MM-HMM.
‫- I LIKE IT.
101
00:05:28,095 --> 00:05:30,531
‫I WOULD BE HAPPY
‫TO CHECK OUT HER STUDIO,
102
00:05:30,564 --> 00:05:33,434
‫- SEE WHAT ELSE SHE'S DONE.
‫- AND YOU'RE NOT JUST
‫ SAYING THAT
103
00:05:33,467 --> 00:05:35,769
‫BECAUSE I'M THE ONE
‫WITH THE SCISSORS?
104
00:05:35,803 --> 00:05:37,371
‫( laughs )
‫NO.
105
00:05:38,772 --> 00:05:40,674
‫BUT PEOPLE ARE
‫INTERESTED, HONEY.
106
00:05:40,708 --> 00:05:43,043
‫MOM, NO ONE IS GONNA READ
‫YOUR BOOK TO FIND OUT
107
00:05:43,076 --> 00:05:45,045
‫HOW TOBY KENNISH IS
‫DEALING WITH THE SWITCH.
108
00:05:45,078 --> 00:05:48,849
‫IT'S ABOUT ALL OF US.
‫HOW ONE FAMILY WAS TURNED
‫UPSIDE DOWN
109
00:05:48,882 --> 00:05:51,318
‫AND STILL MANAGED
‫TO LAND ON ITS FEET.
110
00:05:51,351 --> 00:05:53,921
‫THAT'S A LINE
‫FROM MY BOOK PROPOSAL.
111
00:05:53,954 --> 00:05:56,390
‫- WHEN DO I GET TO READ THAT?
‫- WHEN IT'S DONE.
112
00:05:56,424 --> 00:05:59,627
‫NOT TO BE A NUDGE, BUT YOU
‫SHOULD GET THAT TO THE
‫PUBLISHERS SOONER THAN LATER.
113
00:05:59,660 --> 00:06:02,463
‫I KNOW, I KNOW, I KNOW.
‫SARAH LAZAR'S PROBABLY
‫WRITING AWAY,
114
00:06:02,496 --> 00:06:05,633
‫BUT I'M NOT GOING
‫TO RACE JUST TO BEAT HER.
‫IT HAS TO BE RIGHT.
115
00:06:05,666 --> 00:06:08,936
‫HONEY, I'M JUST TRYING TO HELP.
‫AND WHAT HAPPENED TO
‫ALL OF OUR FOOD?
116
00:06:08,969 --> 00:06:11,104
‫- UH, OKAY.
‫- ( beeps )
117
00:06:11,138 --> 00:06:13,774
‫TOBY, WHAT'S THE BIGGEST
‫CHANGE YOU'VE EXPERIENCED
118
00:06:13,807 --> 00:06:15,108
‫SINCE YOU FOUND OUT
‫ABOUT THE SWITCH?
119
00:06:15,142 --> 00:06:16,877
‫AND HOW HAS IT
‫CHANGED YOU?
120
00:06:16,910 --> 00:06:19,413
‫I DON'T KNOW.
121
00:06:19,447 --> 00:06:22,082
‫THE ONLY THING I CAN THINK OF
‫IS THAT WITH ALL THE DRAMA
122
00:06:22,115 --> 00:06:25,786
‫IT'S KINDA ALLOWED ME
‫TO FLY UNDER THE RADAR.
123
00:06:27,455 --> 00:06:29,490
‫- HAVE WE BEEN
‫ IGNORING YOU, HONEY?
‫- ( beeps )
124
00:06:29,523 --> 00:06:33,761
‫IT'S JUST YOU GUYS
‫HAVE HAD A LOT ON YOUR PLATE.
‫I DIDN'T WANT TO ADD TO THAT.
125
00:06:33,794 --> 00:06:36,029
‫WE SHOULD DO SOMETHING--
‫JUST THE THREE OF US--
126
00:06:36,063 --> 00:06:39,867
‫LIKE GO
‫TO THE SCIENCE MUSEUM
‫OR... SKEET SHOOTING.
127
00:06:39,900 --> 00:06:41,869
‫YOU ALWAYS LOVED
‫SKEET SHOOTING, HONEY.
128
00:06:41,902 --> 00:06:43,504
‫- LET ME JUST RE-PHRASE
‫ MY ANSWER.
‫- ( beeps )
129
00:06:43,537 --> 00:06:46,874
‫WHEN WE FIRST FOUND OUT
‫ABOUT THE SWITCH, I WAS
‫QUESTIONING EVERYTHING.
130
00:06:46,907 --> 00:06:49,076
‫IT WAS LIKE I WAS LIVING
‫ON QUICKSAND, BUT NOW,
131
00:06:49,109 --> 00:06:53,413
‫THANKS TO MY
‫VERY ATTENTIVE PARENTS,
‫I'M BACK ON SOLID GROUND.
132
00:06:53,447 --> 00:06:55,048
‫( beeps )
133
00:06:55,082 --> 00:06:58,051
‫- Kathryn: YOU'RE NOT
‫ GETTING OUT OF THIS.
‫- YOU'RE WELCOME.
134
00:06:58,085 --> 00:07:01,121
‫I THINK IT WAS BAY WHO WAS
‫INTO SKEET SHOOTING.
135
00:07:03,123 --> 00:07:04,658
‫( laughs )
136
00:07:04,692 --> 00:07:06,927
‫I LOOK LIKE A HO.
137
00:07:06,960 --> 00:07:09,563
‫Simone:
‫WHAT ARE YOU TALKING ABOUT?
‫YOU LOOK AWESOME!
138
00:07:09,597 --> 00:07:14,535
‫YOU HAVE GOT TO STOP
‫WITH THE STRIPES
‫AND THE ORANGE.
139
00:07:14,568 --> 00:07:17,070
‫FIRST OF ALL,
‫IT'S PERSIMMON.
140
00:07:17,104 --> 00:07:20,007
‫- AND I LIKE THE STRIPES.
‫- YOU'VE GOT THESE ADORABLE ARMS
141
00:07:20,040 --> 00:07:22,576
‫THAT YOU HIDE
‫IN CARDIGANS ALL THE TIME.
‫IT'S CRAZY.
142
00:07:24,177 --> 00:07:25,112
‫HELLO...
143
00:07:25,145 --> 00:07:26,980
‫- HI!
‫- HEY, MOM.
144
00:07:27,014 --> 00:07:30,518
‫I'M SIMONE.
‫I'VE HEARD SO MUCH ABOUT YOU!
145
00:07:30,551 --> 00:07:32,052
‫UH, REGINA. HI.
146
00:07:33,721 --> 00:07:37,457
‫- WOW.
‫- IT'S SIMONE'S.
147
00:07:37,491 --> 00:07:39,893
‫YEAH, I FIGURED.
148
00:07:39,927 --> 00:07:41,962
‫DOESN'T SHE LOOK AMAZING?
‫YOU KNOW WHAT?
149
00:07:41,995 --> 00:07:43,897
‫YOU WOULD LOOK
‫AMAZING IN THAT TOO.
150
00:07:43,931 --> 00:07:46,900
‫YOUR MOM HAS A KILLER BOD!
‫I WOULD DIE FOR YOUR BOOBS.
151
00:07:46,934 --> 00:07:49,102
‫( laughs )
‫THANK YOU.
152
00:07:49,136 --> 00:07:51,104
‫AND I LOVE WHAT YOU'VE
‫DONE WITH THE PLACE!
153
00:07:51,138 --> 00:07:54,207
‫THANK GOD YOU GOT RID
‫OF ALL THOSE SQUIRRELS.
‫YIKES, RIGHT?
154
00:07:54,241 --> 00:07:57,945
‫- ( laughs )
‫- YEAH, IT JUST WASN'T ME.
155
00:08:01,181 --> 00:08:03,050
‫UM, DO YOU WANT
‫TO STAY FOR DINNER?
156
00:08:03,083 --> 00:08:05,085
‫I TOTALLY WOULD,
‫BUT I GOTTA RUN.
157
00:08:05,118 --> 00:08:08,088
‫I'VE GOT A WAX AT 5:00.
‫I'LL SEE YOU TOMORROW,
‫RIGHT, DAPHNE?
158
00:08:08,121 --> 00:08:10,524
‫OKAY.
‫IT WAS REALLY NICE
‫TO MEET YOU,
159
00:08:10,558 --> 00:08:12,626
‫AND SERIOUSLY,
‫KEEP THE DRESS.
160
00:08:15,596 --> 00:08:17,531
‫( door opens, closes )
161
00:08:39,186 --> 00:08:43,591
‫I JUST WANTED TO SHOW YOU
‫A FEW EXAMPLES OF WHAT
‫WE'VE DONE IN THE PAST.
162
00:08:45,859 --> 00:08:50,197
‫( laughs )
‫THAT WAS BAY BEFORE SHE FIGURED
‫OUT HOW TO USE A HAIR DRYER.
163
00:08:52,199 --> 00:08:54,234
‫THIS IS WHEN TOBY
‫FELL ON THE PLAYGROUND
164
00:08:54,267 --> 00:08:56,670
‫AND CUT HIS FACE UP
‫SO WE ALL DRESSED UP
165
00:08:56,704 --> 00:08:59,139
‫LIKE PIRATES
‫WITH BLOODY SCARS TO MATCH.
166
00:09:01,208 --> 00:09:04,077
‫"YOU GUYS
‫ARE REALLY CUTE."
167
00:09:04,111 --> 00:09:06,213
‫THANK YOU.
168
00:09:06,246 --> 00:09:09,316
‫BUT NOW WE ARE
‫IN YOUR HANDS THIS TIME.
169
00:09:11,084 --> 00:09:14,021
‫I KNOW THAT YOU'RE GOING
‫TO WANT TO DO SOMETHING
170
00:09:14,054 --> 00:09:16,056
‫A LITTLE MORE ARTY THAN--
171
00:09:16,089 --> 00:09:20,728
‫AND THE WHOLE POINT
‫OF THE ASSIGNMENT IS TO SAY
‫SOMETHING ABOUT FAMILY, RIGHT?
172
00:09:20,761 --> 00:09:23,163
‫THIS FAMILY, SO--
173
00:09:23,196 --> 00:09:25,999
‫"DON'T WORRY
‫ABOUT MY ASSIGNMENT.
174
00:09:26,033 --> 00:09:29,937
‫I WANT TO TAKE
‫A GOOD PHOTO--"
175
00:09:29,970 --> 00:09:31,605
‫FOR ME.
176
00:09:33,040 --> 00:09:35,208
‫THANK YOU.
‫OKAY.
177
00:09:36,777 --> 00:09:40,814
‫I KNOW I'M GOING TO GET
‫IN HUGE TROUBLE
178
00:09:40,848 --> 00:09:42,816
‫IF I ASK YOU
‫ANYTHING PERSONAL,
179
00:09:42,850 --> 00:09:45,352
‫BUT I--
180
00:09:46,954 --> 00:09:49,322
‫SHE'S NOT HERE,
181
00:09:49,356 --> 00:09:51,625
‫SO ASK YOU.
182
00:09:51,659 --> 00:09:55,362
‫OKAY.
‫HAVE YOU EVER DATED--
183
00:09:58,899 --> 00:10:02,235
‫--DATED A HEARING GIRL
‫BEFORE?
184
00:10:02,269 --> 00:10:03,804
‫NO.
185
00:10:03,837 --> 00:10:07,174
‫AND YOU DIDN'T DATE
‫DAPHNE, RIGHT?
186
00:10:08,308 --> 00:10:10,610
‫"JUST FRIENDS."
187
00:10:12,079 --> 00:10:14,081
‫I WAS NEVER VERY COMFORTABLE
188
00:10:14,114 --> 00:10:17,985
‫WITH BAY'S OLD BOYFRIEND.
189
00:10:18,018 --> 00:10:21,188
‫TY-- WHEW.
‫YOU KNOW TY?
190
00:10:22,222 --> 00:10:25,158
‫I FEEL A LITTLE GUILTY
‫SAYING THIS,
191
00:10:25,192 --> 00:10:28,361
‫BUT I WAS RELIEVED
‫WHEN HE LEFT.
192
00:10:30,263 --> 00:10:33,767
‫BUT BAY WAS JUST SO SAD
193
00:10:33,801 --> 00:10:36,603
‫AND HER HEART WAS BROKEN.
194
00:10:36,636 --> 00:10:40,107
‫AND THEN YOU--
‫YOU CAME ALONG.
195
00:10:41,341 --> 00:10:43,777
‫THANK GOD.
196
00:10:49,049 --> 00:10:51,952
‫HE IS COMING BY TO SEE
‫SOME OF MY STUFF.
197
00:10:51,985 --> 00:10:55,756
‫THE PROBLEM IS I CAN'T FIGURE
‫OUT WHAT I SHOULD SHOW HIM.
198
00:10:55,789 --> 00:10:58,091
‫UH...
‫OH, THIS ONE--
199
00:10:58,125 --> 00:11:01,161
‫THIS ONE
‫PEOPLE REALLY LIKE.
200
00:11:01,194 --> 00:11:04,031
‫BUT THAT COULD MEAN
‫THAT IT'S TOO OBVIOUS.
201
00:11:04,064 --> 00:11:09,036
‫THIS ONE-- YEAH?
‫I COULD REALLY TALK
‫ABOUT THIS ONE,
202
00:11:09,069 --> 00:11:12,672
‫BUT SOMETIMES CURATORS
‫LIKE THE PIECE TO SPEAK
‫FOR ITSELF.
203
00:11:14,975 --> 00:11:19,079
‫IT WOULD BE AMAZING TO HAVE
‫SOMETHING IN A REAL GALLERY.
204
00:11:19,112 --> 00:11:23,116
‫YOU KNOW?
‫WITH REAL ARTISTS
‫APPRECIATING IT.
205
00:11:23,150 --> 00:11:25,685
‫THERE'D BE AN OPENING
‫AND REVIEWS!
206
00:11:28,155 --> 00:11:30,123
‫WELL, HELLO, BUZZKILL.
207
00:11:32,993 --> 00:11:36,764
‫I KNOW THAT PEOPLE
‫SEE MY STREET ART,
208
00:11:36,797 --> 00:11:38,031
‫BUT IT'S ANONYMOUS.
209
00:11:38,065 --> 00:11:40,267
‫WHICH I LOVE BUT...
210
00:11:40,300 --> 00:11:43,904
‫SOMETIMES I WOULD LIKE TO BE
‫KNOWN AS SOMETHING OTHER
211
00:11:43,937 --> 00:11:46,273
‫THAN THE GIRL WHO WAS
‫SWITCHED AT BIRTH.
212
00:11:49,877 --> 00:11:52,312
‫ARE YOU OKAY?
213
00:11:52,345 --> 00:11:54,181
‫DID MY MOM SAY SOMETHING?
214
00:11:54,214 --> 00:11:57,084
‫SHE DID.
‫SHE TOTALLY DID.
215
00:11:58,351 --> 00:11:59,853
‫NO, WHAT DID SHE SAY?
216
00:12:08,728 --> 00:12:10,964
‫HEY, C'MERE!
217
00:12:12,900 --> 00:12:15,235
‫WHAT'S UP?
‫WHAT'S SO URGENT
‫ABOUT THIS PRACTICE?
218
00:12:15,268 --> 00:12:17,971
‫I HIRED LOTTE MACOMB
‫TO COACH US.
219
00:12:18,005 --> 00:12:20,007
‫HOLY CRAP.
220
00:12:21,408 --> 00:12:23,110
‫THE ONE WHO PLAYED
‫FOR STANFORD?
221
00:12:23,143 --> 00:12:25,145
‫AND WHO COACHES
‫AT U.M.K.C.
222
00:12:25,178 --> 00:12:28,148
‫IF ANYONE CAN TEACH
‫YOU HOW TO POST-UP,
‫IT'S HER.
223
00:12:28,181 --> 00:12:31,251
‫I-- YOU SERIOUSLY
‫HIRED HER TO COACH US?
224
00:12:31,284 --> 00:12:34,054
‫WE HAVE HER
‫FOR THREE HOURS.
225
00:12:34,087 --> 00:12:37,024
‫THAT IS SO COOL,
226
00:12:37,057 --> 00:12:40,961
‫BUT I DON'T THINK I CAN
‫HELP SPLIT THE COST WITH YOU.
227
00:12:40,994 --> 00:12:42,930
‫DUDE, NOT TO WORRY.
‫I GOT IT COVERED.
228
00:12:42,963 --> 00:12:45,332
‫- SIMONE, THAT'S--
‫- SERIOUSLY, DON'T WORRY
‫ ABOUT IT.
229
00:12:45,365 --> 00:12:48,035
‫REMEMBER THAT WATCH THAT
‫I THOUGHT HAD BEEN STOLEN?
230
00:12:48,068 --> 00:12:50,437
‫I FOUND IT
‫IN MY LEATHER JACKET.
‫AND MY DAD HAD ALREADY
231
00:12:50,470 --> 00:12:53,740
‫BOUGHT A NEW ONE SO I SOLD IT
‫AND VOILA-- PRIVATE LESSONS.
232
00:12:53,773 --> 00:12:57,244
‫WELL, DO YOU THINK WE SHOULD
‫TELL COACH MEDLOCK?
233
00:12:57,277 --> 00:13:01,081
‫I MEAN, EVERYBODY
‫THINKS THOSE GIRLS FROM
‫EAST RIVERSIDE STOLE IT.
234
00:13:01,114 --> 00:13:04,017
‫WE WERE THE ONES WHO GOT
‫IN TROUBLE, NOT THEM.
235
00:13:04,051 --> 00:13:07,955
‫C'MON, WE ARE WASTING
‫VALUABLE LOTTE MACOMB
‫COACHING TIME.
236
00:13:07,988 --> 00:13:09,857
‫LET'S GO!
237
00:13:20,000 --> 00:13:22,202
‫- HEY.
‫- HI.
238
00:13:22,235 --> 00:13:27,174
‫SO I'M DOING
‫THE HIT-FEST FOR THE FLINTPORT
‫ANIMAL SHELTER TOMORROW?
239
00:13:27,207 --> 00:13:30,543
‫- YEAH?
‫- AND I WAS THINKING MAYBE
‫ YOU'D LIKE TO COME WITH ME.
240
00:13:32,145 --> 00:13:35,548
‫I GOT A SOLO GIG
‫AT THIS THING CALLED
‫TREADS & THREADS
241
00:13:35,582 --> 00:13:40,187
‫AND, UM, I NEED
‫TO PRACTICE FOR THAT.
242
00:13:40,220 --> 00:13:43,090
‫C'MON, YOU CAN PLAY
‫GUITAR ANYTIME.
243
00:13:43,123 --> 00:13:46,960
‫ACTUALLY, DAD,
‫IT'S KIND OF IMPORTANT.
244
00:13:46,994 --> 00:13:49,229
‫YEAH WELL, HIT-FEST IS
‫KIND OF IMPORTANT.
245
00:13:50,931 --> 00:13:54,401
‫TOBY, THE PUPPIES
‫OF FLINTPORT NEED YOU.
246
00:13:54,434 --> 00:13:57,204
‫C'MON, IT'LL BE FUN.
247
00:13:57,237 --> 00:13:59,372
‫YOU AND ME
‫ON THE BASEBALL DIAMOND--
248
00:13:59,406 --> 00:14:01,074
‫IT'S BEEN AWHILE, HUH?
249
00:14:02,943 --> 00:14:04,844
‫OKAY.
250
00:14:06,113 --> 00:14:08,248
‫SO THIS ONE WAS
‫INSPIRED BY MIRO.
251
00:14:08,281 --> 00:14:11,218
‫I CAN SEE THAT.
‫NICE WORK.
252
00:14:11,251 --> 00:14:13,153
‫THANKS.
253
00:14:13,186 --> 00:14:15,122
‫AND THIS ONE,
254
00:14:15,155 --> 00:14:18,291
‫I WAS KIND OF PLAYING
‫WITH THE IDEA
255
00:14:18,325 --> 00:14:21,228
‫OF WHAT'S TEXT VERSUS
‫WHAT'S AN IMAGE.
256
00:14:23,163 --> 00:14:26,099
‫SEE THE M-A-N?
257
00:14:26,133 --> 00:14:27,534
‫KIND OF A TWIST
‫ON JENNY HOLZER.
258
00:14:27,567 --> 00:14:30,337
‫- RIGHT!
‫- I CAN'T BELIEVE
‫ YOU EVEN USED ME
259
00:14:30,370 --> 00:14:32,172
‫IN THE SAME SENTENCE.
‫I LOVE HER.
260
00:14:32,205 --> 00:14:34,607
‫I SHOWED A COUPLE
‫OF HER PIECES BACK
‫IN NEW YORK.
261
00:14:34,641 --> 00:14:36,843
‫I'LL BRING YOU BY A CATALOG
‫FROM THE SHOW.
262
00:14:36,876 --> 00:14:38,345
‫OH MY GOD.
‫THAT WOULD BE AMAZING.
263
00:14:38,378 --> 00:14:40,981
‫THIS IS DEFINITELY
‫ONE OF MY FAVORITE PIECES.
264
00:14:41,014 --> 00:14:44,217
‫HAVE YOU EVER CONSIDERED
‫REPRESENTING ARTISTS?
‫YOU'RE VERY GOOD.
265
00:14:44,251 --> 00:14:47,054
‫BAY'S WORK
‫DOES NOT NEED A REP.
‫IT SELLS ITSELF.
266
00:14:48,221 --> 00:14:50,357
‫- NICE.
‫- YOU SHOULD PROBABLY GO
267
00:14:50,390 --> 00:14:53,160
‫BEFORE SHE STARTS BRAGGING
‫ABOUT THE DOODLES
‫ON MY NOTEBOOKS.
268
00:14:53,193 --> 00:14:56,063
‫THOSE AREN'T JUST DOODLES.
‫THOSE ARE ABSTRACT SKETCHES.
269
00:14:59,099 --> 00:15:02,202
‫- SHE'S CLEARLY PASSIONATE.
‫- AND?
270
00:15:02,235 --> 00:15:06,139
‫AND VERY TALENTED.
‫THAT'S AN IMPRESSIVE BODY
‫OF WORK FOR A 16-YEAR-OLD.
271
00:15:06,173 --> 00:15:08,408
‫SHE PAINTS ALMOST
‫EVERY WAKING MOMENT.
272
00:15:08,441 --> 00:15:10,143
‫SO I'M STILL TRYING
‫TO FIGURE OUT
273
00:15:10,177 --> 00:15:12,879
‫WHERE I CAN FIND SOME
‫AUTHENTIC KANSAS CITY
‫BARBECUE.
274
00:15:12,912 --> 00:15:14,314
‫OH, THERE ARE SO MANY!
275
00:15:14,347 --> 00:15:17,317
‫MY FAVORITE IS
‫A HOLE-IN-THE-WALL
‫CALLED ALABAMA AL'S.
276
00:15:17,350 --> 00:15:20,320
‫THERE'S ALSO JACK STACK.
‫YOU GOTTA GET
‫THE CHEESY CORN.
277
00:15:20,353 --> 00:15:22,922
‫AND I'M ALSO TRYING
‫TO FIGURE OUT
278
00:15:22,956 --> 00:15:25,192
‫WHO I CAN
‫SHARE IT WITH.
279
00:15:25,225 --> 00:15:27,094
‫OH, UM...
280
00:15:27,127 --> 00:15:29,997
‫I-- I HAVE TO CHECK
‫MY WORK SCHEDULE.
281
00:15:30,030 --> 00:15:33,133
‫IS THAT CODE
‫FOR YOU'RE SEEING SOMEBODY
282
00:15:33,166 --> 00:15:35,335
‫OR OTHERWISE ENTANGLED?
283
00:15:36,603 --> 00:15:39,973
‫NOPE.
‫NO ENTANGLEMENTS AT ALL.
284
00:15:40,007 --> 00:15:41,341
‫OKAY.
285
00:15:41,374 --> 00:15:44,177
‫I'LL CONSIDER IT
‫A DATE.
286
00:15:49,282 --> 00:15:50,717
‫- WHOO!
‫- ( cheering )
287
00:16:02,562 --> 00:16:03,963
‫( groans )
288
00:16:12,572 --> 00:16:14,707
‫OKAY, ALL RIGHT,
‫HERE WE GO.
289
00:16:14,741 --> 00:16:18,545
‫* SHE WAS THE GIRL WHO SAID
‫ I WAS THE UNIVERSE, MAN... *
290
00:16:18,578 --> 00:16:21,181
‫( cheering )
291
00:16:21,214 --> 00:16:24,684
‫* I MUST ADMIT SHE CAUGHT
‫ ME BY SURPRISE... *
292
00:16:26,119 --> 00:16:29,089
‫- GREAT JOB, DAD.
‫- THANK YOU. YOU'RE UP.
293
00:16:29,122 --> 00:16:30,590
‫- WHAT?
‫- I'M NOT DOING THIS
‫ BY MYSELF.
294
00:16:30,623 --> 00:16:33,126
‫MY BOY TOBY'S GOING
‫TO TAKE SOME SWINGS.
295
00:16:33,160 --> 00:16:35,128
‫- COME ON, LET'S GO.
‫- NO--
296
00:16:36,329 --> 00:16:38,098
‫- OKAY.
‫- ALL RIGHT.
297
00:16:38,131 --> 00:16:41,201
‫ALL RIGHT, SLOW THAT MACHINE
‫DOWN FOR HIM NOW.
298
00:16:44,204 --> 00:16:47,440
‫* OH, SHE
299
00:16:47,474 --> 00:16:49,576
‫* SMILED AT ME, MAN...
300
00:16:49,609 --> 00:16:53,146
‫- ( cheering )
‫- * OH, SHE
301
00:16:53,180 --> 00:16:55,048
‫* SMILED AT ME, MAN
302
00:16:56,316 --> 00:17:00,620
‫* OH, SHE'S DRIVING ME WILD
303
00:17:01,654 --> 00:17:03,156
‫* ALL RIGHT!
304
00:17:10,597 --> 00:17:14,067
‫HI. SORRY,
‫I JUST HAVE TO GET
‫MY PHONE. COME ON IN.
305
00:17:14,101 --> 00:17:18,037
‫TAKE YOUR TIME.
‫WOW, NICE PLACE.
306
00:17:18,071 --> 00:17:20,107
‫OH YEAH, IT'S NOT
‫REALLY MINE.
307
00:17:20,140 --> 00:17:22,775
‫HELLO?
308
00:17:22,809 --> 00:17:24,444
‫OH, HELLO.
309
00:17:24,477 --> 00:17:28,448
‫I LEFT THAT BLUE PEACOAT
‫HERE AND IT'S STARTING
‫TO GET CHILLY.
310
00:17:28,481 --> 00:17:30,117
‫MOM, THIS IS PATRICK;
311
00:17:30,150 --> 00:17:32,119
‫PATRICK, THIS IS
‫MY MOM ADRIANNA.
312
00:17:32,152 --> 00:17:34,454
‫- NICE TO MEET YOU.
‫- YOU TOO.
313
00:17:34,487 --> 00:17:37,056
‫- I'M SORRY I INTERRUPTED.
‫- NO, MOM, YOU'RE NOT.
314
00:17:37,090 --> 00:17:40,560
‫YOU'RE NEVER INTERRUPTING.
‫PATRICK IS OPENING A GALLERY
‫AT THE CROSSROADS
315
00:17:40,593 --> 00:17:42,129
‫AND I WANTED HIM
‫TO SEE BAY'S WORK.
316
00:17:42,162 --> 00:17:44,664
‫OH, BAY'S SO TALENTED.
‫AND REGINA TOO.
317
00:17:44,697 --> 00:17:46,733
‫- DID SHE SHOW YOU
‫ ANY OF HER WORK?
‫- MA, PLEASE.
318
00:17:46,766 --> 00:17:48,601
‫- YOU'RE AN ARTIST TOO?
‫- NO.
319
00:17:48,635 --> 00:17:50,470
‫I DABBLED
‫BACK IN THE DAY.
320
00:17:50,503 --> 00:17:52,739
‫SHE MORE THAN DABBLED.
‫LOOK AT THIS.
321
00:17:52,772 --> 00:17:55,108
‫- ( sighs )
‫- IT'S FILLED WITH HER ARTWORK.
322
00:17:55,142 --> 00:17:56,543
‫- I'M SO SORRY.
‫- IT'S OKAY.
323
00:17:56,576 --> 00:17:58,611
‫I'M USED TO MOM'S
‫PIMPING THEIR DAUGHTERS.
324
00:18:00,079 --> 00:18:01,714
‫SEE HOW
‫THE COLORS CHANGE?
325
00:18:01,748 --> 00:18:03,816
‫AND LOOK HOW IT CATCHES
‫THE LIGHT.
326
00:18:03,850 --> 00:18:06,453
‫THIS IS A STRONG PIECE.
327
00:18:07,754 --> 00:18:09,456
‫ARE THESE
‫SHARDS OF GLASS?
328
00:18:11,691 --> 00:18:14,561
‫- YEAH.
‫- ANYWAY I SHOULD
‫ GET THAT COAT.
329
00:18:14,594 --> 00:18:16,563
‫MOM--
‫UM, PATRICK,
330
00:18:16,596 --> 00:18:18,765
‫WOULD YOU MIND WAITING
‫OUTSIDE FOR JUST A SECOND?
331
00:18:18,798 --> 00:18:20,400
‫OH, OF COURSE NOT.
332
00:18:20,433 --> 00:18:22,335
‫NICE MEETING YOU,
‫ADRIANNA.
333
00:18:24,837 --> 00:18:27,274
‫MOM, I'M SO SORRY.
334
00:18:27,307 --> 00:18:31,544
‫NO, I'M SORRY.
‫MAYBE I OVERSTEPPED
‫BY CALLING ABOUT ANGELO.
335
00:18:31,578 --> 00:18:33,846
‫OKAY, LET'S JUST MOVE ON.
336
00:18:33,880 --> 00:18:36,716
‫I LOST MY TEMPER
‫AND I MISS YOU.
337
00:18:38,451 --> 00:18:41,721
‫DAPHNE MISSES YOU.
‫WOULD YOU...
338
00:18:41,754 --> 00:18:43,856
‫MOVE BACK?
339
00:18:43,890 --> 00:18:46,759
‫DO YOU REALLY THINK
‫I NEEDED THAT COAT?
340
00:18:48,361 --> 00:18:50,563
‫C'MERE.
341
00:18:55,435 --> 00:18:57,304
‫DAMN. HEADS UP.
342
00:18:57,337 --> 00:19:00,240
‫HEY, MONICA.
‫WHAT'S UP?
343
00:19:00,273 --> 00:19:02,742
‫DIDN'T YOU HEAR?
‫WE'VE BEEN BANNED.
344
00:19:02,775 --> 00:19:05,378
‫BANNED?
‫WHAT DO YOU MEAN?
345
00:19:05,412 --> 00:19:07,714
‫WE'RE NOT ALLOWED
‫TO PRACTICE HERE ANYMORE
346
00:19:07,747 --> 00:19:10,517
‫SINCE SOMEONE ACCUSED US
‫OF STEALING A WATCH.
347
00:19:10,550 --> 00:19:12,619
‫BUT--
348
00:19:12,652 --> 00:19:14,787
‫UH, WHERE ARE YOU
‫PRACTICING NOW?
349
00:19:14,821 --> 00:19:17,324
‫I DON'T KNOW.
‫ALL THE PRIVATE SCHOOLS
‫ARE FREAKED OUT,
350
00:19:17,357 --> 00:19:19,392
‫THINKING WE'RE A BUNCH
‫OF THUGS AND THIEVES.
351
00:19:19,426 --> 00:19:21,761
‫WE'RE JUST SCREWED,
‫I GUESS.
352
00:19:24,397 --> 00:19:26,799
‫I'M REALLY SORRY
‫ABOUT ALL THIS.
353
00:19:26,833 --> 00:19:30,337
‫WHATEVER.
‫NOT YOUR PROBLEM.
354
00:19:30,370 --> 00:19:33,273
‫SEE YOU AROUND.
355
00:19:37,210 --> 00:19:40,179
‫WE HAVE TO TELL SOMEONE.
356
00:19:40,213 --> 00:19:42,382
‫TELL SOMEONE WHAT?
357
00:19:42,415 --> 00:19:44,183
‫THAT YOU FOUND
‫YOUR WATCH.
358
00:19:44,217 --> 00:19:46,853
‫DAPHNE, DON'T YOU REMEMBER
‫HOW PISSED COACH GOT
359
00:19:46,886 --> 00:19:50,490
‫WHEN WE ACCUSED THOSE GIRLS?
‫HE'LL JUST GET MAD AGAIN
‫AND TAKE IT OUT ON US.
360
00:19:50,523 --> 00:19:52,592
‫AND WE'RE NOT EXACTLY
‫IN A POSITION
361
00:19:52,625 --> 00:19:55,862
‫TO BE ON HIS BAD SIDE.
‫BESIDES, THE DAMAGE
‫IS DONE.
362
00:19:55,895 --> 00:19:58,398
‫BUT WE CAN UNDO IT.
‫IF THOSE GIRLS DON'T
363
00:19:58,431 --> 00:20:00,600
‫HAVE A PLACE TO PRACTICE,
‫THEY CAN'T COMPETE.
364
00:20:00,633 --> 00:20:03,770
‫- THEY'LL FIND SOMEWHERE.
‫- SIMONE.
365
00:20:03,803 --> 00:20:05,538
‫I'M NOT TELLING COACH.
366
00:20:05,572 --> 00:20:08,608
‫IT WAS OUR BAD
‫AND IT'S OVER.
‫LET IT GO.
367
00:20:09,776 --> 00:20:11,611
‫IF YOU
‫DON'T TELL HIM--
368
00:20:11,644 --> 00:20:13,913
‫IF I DON'T
‫TELL HIM, WHAT?
369
00:20:13,946 --> 00:20:16,983
‫I'M SERIOUS, DAPHNE.
‫LET IT GO.
370
00:20:33,533 --> 00:20:35,802
‫HEY.
371
00:20:37,970 --> 00:20:39,939
‫CAN I ASK YOU
‫SOMETHING?
372
00:20:39,972 --> 00:20:43,910
‫WHAT HAPPENED
‫BETWEEN YOU AND SIMONE,
‫CAN YOU JUST TELL ME?
373
00:20:43,943 --> 00:20:46,346
‫UH, IT'S KINDA LONG.
374
00:20:46,379 --> 00:20:47,980
‫PLEASE.
375
00:20:54,020 --> 00:20:56,956
‫IN EIGHTH GRADE
‫THERE WAS THIS GIRL,
376
00:20:56,989 --> 00:20:59,659
‫ALISHA JELLINE.
377
00:20:59,692 --> 00:21:02,228
‫SHE WORE THESE
‫WEIRD BARRETTES
378
00:21:02,261 --> 00:21:06,366
‫BY HER EARS AND HER UNIFORM
‫WAS LIKE WAY LONGER
‫THAN HER KNEES.
379
00:21:07,700 --> 00:21:11,571
‫SIMONE, UH, CONVINCED ME
380
00:21:11,604 --> 00:21:14,240
‫THAT WE SHOULD
‫GIVE HER A MAKEOVER.
381
00:21:14,273 --> 00:21:16,876
‫THIS GIRL LET YOU?
382
00:21:16,909 --> 00:21:20,813
‫SHE WAS DESPERATE
‫TO BE FRIENDS WITH US.
383
00:21:20,847 --> 00:21:23,049
‫AND THEN WHAT?
384
00:21:24,351 --> 00:21:27,820
‫AND THEN WE ASKED HER
‫WHO SHE LIKED.
385
00:21:27,854 --> 00:21:30,490
‫IT TOOK AWHILE TO GET IT
‫OUT OF HER, BUT IT WAS
386
00:21:30,523 --> 00:21:34,394
‫THIS HOCKEY PLAYER
‫TIM BURKE.
387
00:21:34,427 --> 00:21:37,530
‫AND WE
388
00:21:37,564 --> 00:21:41,434
‫CONVINCED HER THAT SHE SHOULD
‫PRACTICE ASKING HIM OUT
389
00:21:41,468 --> 00:21:43,803
‫AND FILM IT.
390
00:21:43,836 --> 00:21:45,872
‫YOU DIDN'T.
391
00:21:45,905 --> 00:21:49,308
‫ALISHA TOLD THE CAMERA
‫HOW CUTE SHE THOUGHT HE WAS,
392
00:21:49,342 --> 00:21:50,977
‫HOW SEXY,
393
00:21:51,010 --> 00:21:55,415
‫HOW SHE THOUGHT
‫ABOUT HIM ALL THE TIME.
394
00:21:55,448 --> 00:21:58,284
‫IT WAS HUMILIATING
‫TO WATCH EVEN IN PRIVATE.
395
00:21:58,317 --> 00:22:01,421
‫AND I BEGGED SIMONE
‫TO DELETE IT
396
00:22:01,454 --> 00:22:04,056
‫AFTER ALISHA LEFT.
397
00:22:04,090 --> 00:22:07,927
‫- BUT--
‫- SHE SENT IT AROUND ANYWAY.
398
00:22:07,960 --> 00:22:11,998
‫IT JUMPED
‫FROM SCHOOL TO SCHOOL.
‫I THINK THE WHOLE CITY SAW IT.
399
00:22:13,933 --> 00:22:16,736
‫AND ALISHA LEFT
‫A MONTH LATER.
400
00:22:18,438 --> 00:22:22,074
‫I NEVER SHOULD'VE LET
‫SIMONE TALK ME INTO DOING IT.
401
00:22:22,108 --> 00:22:25,011
‫I STILL FEEL SICK
‫WHEN I THINK ABOUT IT.
402
00:22:28,581 --> 00:22:31,684
‫AND WE NEVER REALLY
403
00:22:31,718 --> 00:22:33,886
‫HUNG OUT MUCH AFTER THAT.
404
00:22:35,655 --> 00:22:38,425
‫- ( bell rings )
‫- UH...
405
00:22:38,458 --> 00:22:41,594
‫SIMONE SINCLAIR IS NOT
406
00:22:41,628 --> 00:22:43,630
‫SOMEONE YOU WANT AS AN ENEMY,
407
00:22:43,663 --> 00:22:47,434
‫BUT SHE'S NOT REALLY SOMEONE
‫YOU WANT AS A FRIEND EITHER.
408
00:22:52,839 --> 00:22:54,941
‫* THEY TRIED TO WARN ME
409
00:22:54,974 --> 00:22:56,743
‫* THEY SAID THAT
‫ YOU WERE ORNERY... *
410
00:22:56,776 --> 00:22:59,378
‫I FEEL LIKE WE SHOULD
‫GO SHOOT SOME SHOTGUNS
‫AFTER THIS,
411
00:22:59,412 --> 00:23:01,481
‫GET THE WHOLE
‫RED-STATE TOUR.
412
00:23:01,514 --> 00:23:04,083
‫I HATE GUNS,
‫BUT I'M ACTUALLY
‫A PRETTY GOOD SHOT.
413
00:23:05,852 --> 00:23:08,521
‫- WHY DOESN'T THAT SURPRISE ME?
‫- OH, YOU HAVE A LITTLE...
414
00:23:09,922 --> 00:23:12,058
‫OKAY, SO WHAT
‫DID YOU REALLY THINK
‫OF BAY'S WORK?
415
00:23:12,091 --> 00:23:16,663
‫- IS SHE ON THE RIGHT TRACK?
‫- SHE OBVIOUSLY HAS TALENT.
‫ SHE'S JUST 16.
416
00:23:16,696 --> 00:23:19,766
‫I MEAN, THERE'S ONLY
‫SO MANY THINGS YOU CAN
‫PAINT ABOUT AT THAT AGE.
417
00:23:19,799 --> 00:23:22,001
‫YOU THINK SHE'LL BE ABLE
‫TO MAKE A GO OF IT
‫AS AN ARTIST?
418
00:23:22,034 --> 00:23:25,505
‫YEAH, SOMEDAY.
‫SHE JUST NEEDS MORE TIME.
419
00:23:25,538 --> 00:23:28,074
‫MOST CURATORS--
‫OR AT LEAST MYSELF--
‫I'M LOOKING FOR ARTISTS
420
00:23:28,107 --> 00:23:30,076
‫THAT HAVE SOMETHING
‫UNIQUE TO SAY...
421
00:23:30,109 --> 00:23:32,479
‫OKAY.
422
00:23:32,512 --> 00:23:35,147
‫...LIKE THAT PAINTING
‫OF YOURS.
423
00:23:35,181 --> 00:23:38,050
‫IT WAS CLEARLY ABOUT
‫SOMETHING PRETTY DEEP.
424
00:23:40,152 --> 00:23:41,988
‫I'M A RECOVERING ALCOHOLIC
425
00:23:42,021 --> 00:23:44,691
‫AND I PAINTED THAT
‫WHEN I WAS GETTING SOBER.
426
00:23:44,724 --> 00:23:47,927
‫THE SHARDS OF GLASS
‫IN THE PAINTING ARE FROM
‫BROKEN LIQUOR BOTTLES.
427
00:23:47,960 --> 00:23:51,664
‫THAT'S WHAT I'M TALKING ABOUT.
‫YOU WENT THROUGH SOMETHING
428
00:23:51,698 --> 00:23:54,467
‫AND IT WAS ALL
‫THERE ON THE CANVAS--
‫THE PAIN, FRUSTRATION,
429
00:23:54,501 --> 00:23:56,102
‫THE LIGHT AT THE END
‫OF THE TUNNEL.
430
00:23:56,135 --> 00:23:59,138
‫I WAS JUST TRYING
‫TO FIND SOMETHING TO DO
‫SO I DIDN'T DRINK AGAIN.
431
00:23:59,171 --> 00:24:01,508
‫- DO YOU WANT
‫ MORE BAKED BEANS?
‫- I'M SERIOUS.
432
00:24:01,541 --> 00:24:04,176
‫THAT PAINTING
‫WOULD GO GREAT IN A SHOW
‫I'M PUTTING TOGETHER.
433
00:24:04,210 --> 00:24:07,780
‫IT'S ALL ABOUT TURNING POINTS.
‫I THINK IT WOULD REALLY
‫FIT IN WELL.
434
00:24:07,814 --> 00:24:11,183
‫I'M SERIOUS.
‫THINK ABOUT IT.
435
00:24:16,723 --> 00:24:18,591
‫- ( knocks )
‫- COME IN.
436
00:24:20,927 --> 00:24:23,462
‫- OH.
‫- HEY!
437
00:24:23,496 --> 00:24:25,031
‫I'M REALLY GLAD
‫YOU'RE HOME!
438
00:24:25,064 --> 00:24:27,534
‫SO HOW'D IT GO?
439
00:24:27,567 --> 00:24:29,035
‫WHAT DID HE SAY?
‫I'M DYING TO HEAR.
440
00:24:29,068 --> 00:24:30,637
‫SHOULD I CALL HIM?
‫SHOULD I EMAIL HIM?
441
00:24:30,670 --> 00:24:33,105
‫SHOULD I SEND HIM--
‫I WAS THINKING LIKE
‫THIS HANDMADE CARD
442
00:24:33,139 --> 00:24:35,207
‫AND I WANTED
‫TO THANK HIM FOR EVER--
443
00:24:35,241 --> 00:24:37,443
‫WHAT?
444
00:24:37,476 --> 00:24:41,113
‫HE THINKS THAT YOU ARE
‫REALLY TALENTED.
445
00:24:42,114 --> 00:24:44,183
‫- HE HATED MY STUFF.
‫- NO NO NO.
446
00:24:44,216 --> 00:24:47,620
‫REGINA, I CAN WALK ACROSS
‫THE DRIVEWAY FOR PLATITUDES.
447
00:24:49,255 --> 00:24:52,224
‫HE THOUGHT IT WAS
‫REALLY IMPRESSIVE...
448
00:24:52,258 --> 00:24:56,729
‫- BUT?
‫- ...BUT YOU'RE 16.
449
00:24:58,264 --> 00:25:00,232
‫WHAT DOES THAT MEAN?
450
00:25:00,266 --> 00:25:03,135
‫HE FELT LIKE, YOU KNOW,
‫MAYBE YOU HADN'T FIGURED OUT
451
00:25:03,169 --> 00:25:05,471
‫EXACTLY WHAT YOUR WORK
‫WAS TRYING TO SAY.
452
00:25:05,504 --> 00:25:07,540
‫THAT'S JUST 'CAUSE
‫HE DIDN'T ASK ME.
453
00:25:07,574 --> 00:25:09,075
‫WE MOSTLY TALKED
‫ABOUT STYLE--
454
00:25:09,108 --> 00:25:12,545
‫HONEY, YOUR STUFF IS
‫WAY MORE SOPHISTICATED
‫THAN MINE WAS IN MY 20s.
455
00:25:12,579 --> 00:25:14,513
‫SO YOU AGREE WITH HIM.
‫FOR MY AGE, IT'S GOOD?
456
00:25:14,547 --> 00:25:16,683
‫NO NO!
‫OH GOD, OKAY.
457
00:25:16,716 --> 00:25:18,651
‫IT'S NOT
‫COMING OUT RIGHT.
458
00:25:18,685 --> 00:25:21,921
‫HE THINKS THAT YOU HAVE
‫A LOT OF PROMISE.
459
00:25:21,954 --> 00:25:24,156
‫LOOK, THIS IS JUST
‫ONE MAN'S OPINION.
460
00:25:24,190 --> 00:25:26,058
‫- RIGHT. NO, I KNOW.
‫- BAY.
461
00:25:26,092 --> 00:25:28,194
‫NO! YOU KNOW WHAT?
‫IT'S COOL.
462
00:25:28,227 --> 00:25:31,631
‫AT THE END OF THE DAY
‫I APPRECIATE HONESTY, SO...
463
00:25:33,532 --> 00:25:35,101
‫THANKS.
464
00:25:40,072 --> 00:25:42,141
‫SO YOU MISSED
‫THE FIRST FEW PITCHES.
465
00:25:42,174 --> 00:25:44,577
‫YOU SLAMMED THE LAST,
‫LIKE, FIVE OR SIX.
466
00:25:44,611 --> 00:25:46,178
‫IT'S NOT MY AT-BAT.
467
00:25:46,212 --> 00:25:48,648
‫IT WAS WATCHING YOU.
468
00:25:50,082 --> 00:25:51,684
‫I FORGOT
‫HOW GOOD YOU ARE.
469
00:25:51,718 --> 00:25:53,686
‫THANKS?
470
00:25:53,720 --> 00:25:56,689
‫I WOULD HAVE KILLED
‫FOR THAT KIND OF TALENT.
471
00:25:56,723 --> 00:25:57,990
‫YOU HAD
‫THAT KIND OF TALENT.
472
00:25:58,024 --> 00:26:00,993
‫AND I MADE
‫A CAREER OUT OF IT.
473
00:26:01,027 --> 00:26:02,061
‫WHY'D YOU DROP IT?
474
00:26:03,329 --> 00:26:05,865
‫DAD, YOU PUSHED
‫AND YOU PUSHED.
475
00:26:05,898 --> 00:26:08,100
‫- YOU TOOK ALL
‫ THE FUN OUT OF IT.
‫- COME ON.
476
00:26:08,134 --> 00:26:10,169
‫I WANTED YOU TO REACH
‫YOUR POTENTIAL.
477
00:26:10,202 --> 00:26:13,840
‫NO, DAD,
‫BASEBALL WAS ALWAYS
‫GONNA BE YOUR THING.
478
00:26:13,873 --> 00:26:17,576
‫IF I WAS EVER ANY GOOD,
‫IT WAS BECAUSE I WAS
‫JOHN KENNISH'S SON.
479
00:26:17,610 --> 00:26:20,212
‫AND IF I WASN'T,
‫THEN IT WOULD BE
‫A BLEMISH ON YOUR LEGACY.
480
00:26:20,246 --> 00:26:22,949
‫- THAT IS RIDICULOUS.
‫- THIS IS NOT ABOUT YOU.
481
00:26:22,982 --> 00:26:24,316
‫NO, I AM TRYING
‫TO TALK TO YOU
482
00:26:24,350 --> 00:26:26,986
‫ABOUT WHAT
‫YOU COULD HAVE DONE
‫WITH ALL THAT TALENT.
483
00:26:27,019 --> 00:26:28,921
‫SEEMS TO ME LIKE
‫YOU THREW THAT AWAY
‫FOR NOTHING.
484
00:26:28,955 --> 00:26:31,691
‫OH, THAT'S RIGHT, DAD.
‫THAT'S WHAT I DID.
485
00:26:31,724 --> 00:26:34,126
‫I THREW IT ALL AWAY
‫FOR NOTHING.
486
00:26:41,734 --> 00:26:44,837
‫I FEEL LIKE I SHOULD
‫TELL YOU SOMETHING.
487
00:26:44,871 --> 00:26:49,075
‫SIMONE'S WATCH--
‫THE ONE THAT SHE
‫THOUGHT WAS STOLEN--
488
00:26:49,108 --> 00:26:52,745
‫IT WASN'T.
‫IT WAS JUST LOST AND--
489
00:26:52,779 --> 00:26:55,214
‫- AND SHE FOUND IT.
‫- YEAH.
490
00:26:55,247 --> 00:26:58,117
‫SIMONE ALREADY TOLD ME.
‫SHE ALSO TOLD ME
491
00:26:58,150 --> 00:27:00,219
‫THAT YOU TWO SOLD THE WATCH
‫AND USED THE MONEY
492
00:27:00,252 --> 00:27:03,189
‫TO PAY FOR A PRIVATE TRAINER
‫FOR YOURSELVES.
493
00:27:03,222 --> 00:27:07,093
‫- I HAD THAT SAME REACTION.
‫- THAT'S NOT WHAT HAPPENED.
494
00:27:07,126 --> 00:27:11,163
‫REALLY? SO YOU DIDN'T USE
‫THE MONEY FOR A PRIVATE SESSION
‫WITH THE COACH FROM U.M.K.C.?
495
00:27:11,197 --> 00:27:13,165
‫WELL, YES, BUT--
496
00:27:13,199 --> 00:27:15,868
‫AND SHE DID THAT, WHAT?
‫OUT OF THE GOODNESS
‫OF HER HEART?
497
00:27:15,902 --> 00:27:18,671
‫- NO, BUT I DIDN'T--
‫- I WENT OUT ON A LIMB
‫ TO PUT YOU IN THIS TEAM,
498
00:27:18,705 --> 00:27:21,674
‫- AND I'M STARTING
‫ TO REGRET THAT DECISION.
‫- YOU PUT ME ON THE TEAM
499
00:27:21,708 --> 00:27:25,111
‫BECAUSE I'M DEAF
‫AND THE SCHOOL GETS
‫DISABILITY FUNDING.
500
00:27:30,016 --> 00:27:32,351
‫Y'KNOW WHAT?
501
00:27:32,384 --> 00:27:35,054
‫YOU'RE RIGHT.
‫LET'S START CLEAN.
502
00:27:36,355 --> 00:27:39,258
‫- OKAY.
‫- WITH THIS NEW
‫ ROUND OF TRYOUTS,
503
00:27:39,291 --> 00:27:41,828
‫- IT'LL BE ALL ABOUT
‫ YOUR PLAYING.
‫- GOOD.
504
00:27:41,861 --> 00:27:43,329
‫I'M READY FOR JENNA.
505
00:27:43,362 --> 00:27:46,265
‫ACTUALLY, I WAS THINKING
‫YOU'D BE A BETTER POINT GUARD.
506
00:27:47,266 --> 00:27:50,102
‫SO I'LL BE UP AGAINST...
507
00:27:50,136 --> 00:27:53,105
‫- SIMONE.
‫- IS THAT A PROBLEM?
508
00:27:56,142 --> 00:27:58,144
‫NO,
509
00:27:58,177 --> 00:28:00,780
‫NOT AT ALL.
510
00:28:03,215 --> 00:28:05,985
‫- REGINA.
‫- I'M ALL DONE.
‫ THANKS AGAIN.
511
00:28:06,018 --> 00:28:08,220
‫ANY TIME.
512
00:28:08,254 --> 00:28:11,858
‫BAY JUST TOLD ME
‫WHAT HAPPENED WITH
‫YOUR GALLERY FRIEND.
513
00:28:11,891 --> 00:28:13,325
‫HE'S NOT EXACTLY
‫MY FRIEND.
514
00:28:13,359 --> 00:28:16,128
‫I'M JUST-- I'M NOT SURE
‫WHAT YOU WERE YOU THINKING.
515
00:28:16,162 --> 00:28:19,698
‫- EXCUSE ME?
‫- WHY DID YOU GET HER HOPES UP?
‫ I MEAN, C'MON.
516
00:28:19,732 --> 00:28:23,702
‫WHAT SERIOUS GALLERY
‫IS GOING TO SHOW THE WORK
‫OF A HIGH SCHOOL STUDENT?
517
00:28:23,736 --> 00:28:25,872
‫I JUST WANTED HIM TO TAKE
‫A LOOK AT HER STUFF.
518
00:28:25,905 --> 00:28:27,439
‫FEEDBACK IS GOOD
‫FOR ARTISTS.
519
00:28:27,473 --> 00:28:31,143
‫I DIDN'T REALIZE
‫THAT SHE WAS HOPING
‫HE WOULD SHOW HER.
520
00:28:31,177 --> 00:28:33,679
‫WELL, SHE WAS.
‫AND SHE'S DEVASTATED.
521
00:28:33,712 --> 00:28:36,215
‫YOU SHOULD HAVE NEVER
‫INVITED HIM OVER HERE
‫LIKE THAT.
522
00:28:36,248 --> 00:28:39,351
‫WHAT, SO WE'RE NEVER SUPPOSED
‫TO ENCOURAGE HER TO SHOW
‫HER WORK TO ANYONE?
523
00:28:39,385 --> 00:28:42,855
‫OF COURSE NOT,
‫BUT WE COULD NURTURE HER,
‫BUILD UP HER SELF-ESTEEM.
524
00:28:42,889 --> 00:28:47,093
‫KATHRYN, REJECTION HURTS
‫NO MATTER HOW GOOD
‫YOUR SELF-ESTEEM IS
525
00:28:47,126 --> 00:28:50,229
‫AND, UNFORTUNATELY,
‫REJECTION IS 99%
‫OF BEING AN ARTIST.
526
00:28:50,262 --> 00:28:53,465
‫SO WE SHOULD JUST THROW
‫HER TO THE WOLVES NOW,
‫TEACH HER A LESSON?
527
00:28:53,499 --> 00:28:56,035
‫SHE TOOK A RISK SHOWING
‫HER STUFF TO PATRICK
528
00:28:56,068 --> 00:29:00,139
‫AND EVEN IF HE DIDN'T
‫FALL IN LOVE WITH IT,
‫SHE PUT HERSELF OUT THERE.
529
00:29:00,172 --> 00:29:03,042
‫THAT'S HARD.
‫AND I AM PROUD
‫OF HER FOR TRYING.
530
00:29:04,877 --> 00:29:07,013
‫PLEASE DON'T USE
‫THOSE DRYER SHEETS!
531
00:29:07,046 --> 00:29:09,415
‫THEY RUIN THE MACHINE.
532
00:29:18,757 --> 00:29:20,860
‫HEY, YOU CAME!
533
00:29:20,893 --> 00:29:24,296
‫HOW DID YOU ESCAPE
‫YOUR DAD AND OLIVIA?
534
00:29:29,035 --> 00:29:31,270
‫SO THAT ART GUY?
535
00:29:31,303 --> 00:29:33,105
‫HE THINKS THAT I DON'T
‫HAVE ANYTHING TO SAY,
536
00:29:33,139 --> 00:29:36,375
‫BUT I DO.
‫THIS IS WHAT I HAVE
‫TO SAY-- MY STREET ART.
537
00:29:36,408 --> 00:29:40,179
‫SO I'M GOING TO PUT
‫THIS UP ACROSS THE STREET
‫FROM HIS GALLERY.
538
00:29:43,249 --> 00:29:46,318
‫I DON'T CARE. I JUST--
‫I WANT TO SHOW HIM
539
00:29:46,352 --> 00:29:48,387
‫OR I WANT TO SHOW ME
‫OR SOMETHING.
540
00:29:48,420 --> 00:29:51,157
‫I DON'T KNOW.
‫BUT THAT'S THE THING
‫ABOUT STREET ART.
541
00:29:51,190 --> 00:29:53,325
‫I DON'T NEED
‫ANYBODY'S APPROVAL,
542
00:29:53,359 --> 00:29:57,529
‫I JUST PUT IT OUT THERE
‫AND I SEE WHAT HAPPENS.
543
00:30:06,072 --> 00:30:09,208
‫OKAY, WHAT IS GOING ON?
‫YOU'RE OFFICIALLY BEING TERSE.
544
00:30:18,584 --> 00:30:22,221
‫TY? WHY ARE YOU
‫ASKING ME ABOUT TY?
545
00:30:25,224 --> 00:30:28,294
‫MY MOM?
‫I'M GONNA KILL HER.
‫WHAT DID SHE SAY?
546
00:30:30,462 --> 00:30:32,231
‫NO.
547
00:30:32,264 --> 00:30:36,168
‫I DON'T KNOW.
‫IF WE WERE, IT WAS FOR
‫LIKE A MONTH AT MOST.
548
00:30:36,202 --> 00:30:38,905
‫WHAT DOES IT MATTER ANYWAY?
‫HE'S HALF A WORLD AWAY.
549
00:30:42,308 --> 00:30:47,379
‫WE DIDN'T SLEEP TOGETHER,
‫WHICH YOU KNOW BECAUSE I TOLD
‫YOU I'M A VEGETABLE.
550
00:30:48,847 --> 00:30:50,349
‫A VIRGIN.
551
00:30:53,285 --> 00:30:57,089
‫I MET HIM RIGHT AS
‫EVERYTHING HAPPENED.
552
00:30:58,457 --> 00:31:01,327
‫HE WAS SOMEBODY
‫FOR ME TO TALK TO.
553
00:31:06,065 --> 00:31:09,201
‫HE WAS SOMEBODY WHO WAS
‫OUTSIDE OF MY WORLD.
554
00:31:14,640 --> 00:31:17,977
‫YOU KNEW THAT I WAS
‫INTO TY WHEN YOU KISSED ME,
555
00:31:19,511 --> 00:31:22,381
‫BUT IT DOESN'T MATTER
‫BECAUSE I'M OVER HIM
‫AND I'M INTO YOU.
556
00:31:34,360 --> 00:31:36,528
‫DO YOU WANT TO COME WITH ME
‫AND HELP PUT THIS ONE UP?
557
00:32:01,653 --> 00:32:03,489
‫HEY!
558
00:32:03,522 --> 00:32:06,558
‫I HEARD WE'RE GOING UP
‫AGAINST EACH OTHER
‫FOR POINT GUARD?
559
00:32:06,592 --> 00:32:09,461
‫- YEAH.
‫- HOW DID THAT HAPPEN?
560
00:32:09,495 --> 00:32:12,464
‫WHAT DO YOU MEAN?
‫HE CHANGED HIS MIND
‫I GUESS.
561
00:32:12,498 --> 00:32:15,501
‫WAIT, YOU KNEW YOU HAD
‫TROUBLE POSTING UP
562
00:32:15,534 --> 00:32:17,603
‫SO YOU CONVINCED HIM
‫TO LET YOU GO OUT
‫FOR GUARD.
563
00:32:17,636 --> 00:32:22,008
‫- I WOULD NEVER DO THAT.
‫- I HAVE DONE EVERYTHING FOR YOU
564
00:32:22,041 --> 00:32:26,112
‫- AND THIS IS HOW YOU REPAY ME?
‫- I'M SORRY THINGS TURNED OUT
‫ THIS WAY.
565
00:32:26,145 --> 00:32:29,548
‫- WHAT DO YOU WANT ME TO DO?
‫- TELL HIM YOU DON'T WANT
‫ TO GO OUT FOR GUARD.
566
00:32:29,581 --> 00:32:31,617
‫I'M NOT DOING THAT.
567
00:32:31,650 --> 00:32:35,154
‫WOW, I GUESS
‫YOU'RE NOT THE FRIEND
‫THAT I THOUGHT YOU WERE.
568
00:32:35,187 --> 00:32:37,990
‫LET ME ASK YOU SOMETHING--
‫WHERE DID COACH MEDLOCK
569
00:32:38,024 --> 00:32:40,659
‫GET THE IDEA THAT
‫SELLING THE WATCH
‫FOR THE LESSON WAS MY PLAN?
570
00:32:40,692 --> 00:32:44,496
‫I NEVER SAID THAT.
‫YOU PROBABLY MISUNDERSTOOD HIM.
571
00:32:44,530 --> 00:32:47,433
‫HE DOESN'T MOVE HIS LIPS
‫VERY MUCH WHEN HE TALKS.
572
00:32:54,540 --> 00:32:57,143
‫THAT'S QUITE A STARE
‫YOU GOT GOING ON THERE.
573
00:32:57,176 --> 00:32:59,211
‫- HOW'S THE BOOK PROPOSAL
‫ COMING?
‫- FINE.
574
00:33:00,646 --> 00:33:02,548
‫I WONDER WHEN
‫MY SECURITY CLEARANCE
575
00:33:02,581 --> 00:33:05,017
‫IS GOING TO BE HIGH ENOUGH
‫FOR ME TO READ THAT.
576
00:33:05,051 --> 00:33:08,487
‫REALLY, WHO AM I KIDDING?
‫SARAH LAZAR IS THE REAL WRITER.
577
00:33:08,520 --> 00:33:11,123
‫- WHAT?
‫- IT'S PROBABLY BEST
578
00:33:11,157 --> 00:33:14,960
‫IF I JUST HAVE THIS
‫AS MY OWN PRIVATE WAY
579
00:33:14,993 --> 00:33:18,364
‫OF DEALING
‫WITH EVERYTHING
‫THAT'S HAPPENED.
580
00:33:18,397 --> 00:33:20,632
‫LIKE A JOURNAL.
581
00:33:20,666 --> 00:33:23,502
‫SWEETIE, SARAH LAZAR
‫DOESN'T KNOW THIS FAMILY
‫THE WAY THAT YOU DO.
582
00:33:23,535 --> 00:33:25,537
‫I THINK DROPPING IT
‫WOULD BE A HUGE MISTAKE.
583
00:33:25,571 --> 00:33:27,673
‫BUT YOU KNOW WHAT?
‫I'M NOT GONNA PUSH YOU
584
00:33:27,706 --> 00:33:29,608
‫TO DO SOMETHING
‫YOU DON'T WANT TO DO.
585
00:33:29,641 --> 00:33:31,343
‫THANKS.
586
00:33:32,611 --> 00:33:34,646
‫WHY DO YOU THINK
‫TOBY QUIT BASEBALL?
587
00:33:36,348 --> 00:33:39,085
‫- DID I PUSH HIM TOO HARD?
‫- I DON'T THINK
588
00:33:39,118 --> 00:33:42,321
‫THAT'S WHY HE
‫STOPPED PLAYING. I THINK
‫HE FOUND OTHER INTERESTS,
589
00:33:42,354 --> 00:33:44,690
‫LIKE HIS MUSIC.
590
00:33:44,723 --> 00:33:46,425
‫( snorts )
‫HIS MUSIC?
591
00:33:46,458 --> 00:33:48,560
‫WHAT'S SO WRONG
‫ABOUT THAT?
592
00:33:48,594 --> 00:33:51,263
‫WELL, YOU KNOW,
‫BEST CASE HE'S A ROCK STAR
593
00:33:51,297 --> 00:33:53,232
‫WEARING LEATHER PANTS
‫TILL HE'S 60.
594
00:33:53,265 --> 00:33:55,101
‫WORST CASE, HE'S PLAYING
‫ON STREET CORNERS
595
00:33:55,134 --> 00:33:57,203
‫COLLECTING CHANGE
‫IN AN EMPTY GUITAR CASE.
596
00:33:57,236 --> 00:33:59,671
‫JOHN, IT'S HIS DREAM.
597
00:34:02,241 --> 00:34:04,376
‫YEAH.
598
00:34:09,181 --> 00:34:12,118
‫AH, THE TYRANNY
‫OF THE BLANK CANVAS.
599
00:34:12,151 --> 00:34:13,685
‫OH, HEY.
600
00:34:13,719 --> 00:34:17,055
‫- THE CATALOG WITH
‫ THE JENNY HOLZER IN IT.
‫- THANKS.
601
00:34:17,089 --> 00:34:19,725
‫UH, HEY, I THINK
602
00:34:19,758 --> 00:34:22,561
‫I DROVE BY YOUR GALLERY.
‫IT'S ON 17th STREET, RIGHT?
603
00:34:22,594 --> 00:34:25,063
‫- YEAH, 17th AND BALTIMORE.
‫- THERE WAS THIS REALLY COOL
604
00:34:25,097 --> 00:34:27,366
‫PIECE OF STREET ART
‫ON A WALL NEARBY.
605
00:34:27,399 --> 00:34:29,601
‫IT WAS THIS GIRL--
‫I THINK SHE WAS HOLDING
‫A HAMMER.
606
00:34:29,635 --> 00:34:31,703
‫- YEAH, SOMEBODY PUT IT
‫ UP LAST NIGHT.
‫- REALLY?
607
00:34:31,737 --> 00:34:34,740
‫I WAS HOPING TO LEAVE
‫ALL THE BANKSY WANNABES
‫BEHIND IN NEW YORK,
608
00:34:34,773 --> 00:34:37,643
‫- BUT APPARENTLY
‫ THEY'RE EVERYWHERE.
‫- BANKSY WANNABES?
609
00:34:37,676 --> 00:34:39,345
‫NO, IT WAS CUTE.
610
00:34:39,378 --> 00:34:42,214
‫HUH. WELL, I THOUGHT
‫IT WAS KIND OF COOL.
611
00:34:44,283 --> 00:34:48,654
‫SO I GUESS KANSAS CITY
‫ARTISTS WEREN'T ALL THAT
‫YOU WERE HOPING THEY'D BE.
612
00:34:48,687 --> 00:34:51,723
‫I'VE ACTUALLY BEEN
‫EXCITED BY A FEW.
613
00:34:51,757 --> 00:34:53,659
‫PATRICK?
‫WHAT ARE YOU DOING HERE?
614
00:34:53,692 --> 00:34:56,562
‫I WAS DROPPING OFF
‫A CATALOG WITH BAY.
615
00:34:56,595 --> 00:34:59,365
‫- CAN I TALK TO YOU
‫ FOR A SEC?
‫- SURE.
616
00:34:59,398 --> 00:35:01,767
‫I BECAME A CURATOR
‫FOR THIS EXACT REASON--
617
00:35:01,800 --> 00:35:04,436
‫TO STUMBLE UPON A PIECE
‫THAT STAYS WITH YOU.
618
00:35:04,470 --> 00:35:06,705
‫THIS IS MY FIRST SHOW HERE,
‫I WANT TO MAKE A SPLASH
619
00:35:06,738 --> 00:35:08,740
‫AND I WANT YOUR PIECE
‫IN MY SHOW.
620
00:35:08,774 --> 00:35:11,210
‫LOOK, I APPRECIATE
‫YOUR DETERMINATION HERE.
621
00:35:11,243 --> 00:35:13,412
‫- CAN I ASK WHAT
‫ THE HESITATION IS?
‫- BAY.
622
00:35:13,445 --> 00:35:15,781
‫WELL, IT'S NOT LIKE
‫IT'S YOUR PIECE
‫VERSUS HERS.
623
00:35:15,814 --> 00:35:17,549
‫I'M RESPONDING
‫TO YOUR PAINTING.
624
00:35:17,583 --> 00:35:20,786
‫I KNOW THAT.
‫YOU'RE NOT A MOTHER.
625
00:35:20,819 --> 00:35:23,589
‫I JUST DON'T SEE HOW
‫NEITHER OF YOU BEING
‫IN THE SHOW
626
00:35:23,622 --> 00:35:25,724
‫MAKES YOU A GOOD MOM.
627
00:35:35,267 --> 00:35:37,403
‫Medlock:
‫ ALL RIGHT,
‫ THANK YOU, LADIES.
628
00:35:37,436 --> 00:35:40,872
‫UP NEXT: SINCLAIR
‫AND VASQUEZ-- SINCLAIR
‫TAKES THE BALL OUT FIRST.
629
00:35:46,412 --> 00:35:48,780
‫YOU WANT ME TO TELL YOU
‫WHEN HE BLOWS THE WHISTLE?
630
00:35:48,814 --> 00:35:50,482
‫THAT'S OKAY.
631
00:35:50,516 --> 00:35:52,551
‫HE'LL BLOW IT AGAIN
‫AFTER I SCORE ON YOU.
632
00:35:53,919 --> 00:35:56,355
‫* YEAH, I GREW UP
‫ KINDA MEAGER *
633
00:35:56,388 --> 00:35:58,390
‫* NOT LOOKING
‫ FOR THE DIVA *
634
00:35:58,424 --> 00:36:00,792
‫* LOOKING FOR THE GOLD,
‫ NOT THE SNITCH LIKE A SEEKER *
635
00:36:00,826 --> 00:36:02,828
‫* BLOW EXTRA COLD LIKE
‫ I LEFT IT IN THE FREEZER *
636
00:36:02,861 --> 00:36:04,496
‫* MY CITY'S GROWN
‫ INTO A BEAST... *
637
00:36:04,530 --> 00:36:06,332
‫READY TO POST UP?
638
00:36:06,365 --> 00:36:09,435
‫* MOVIE STAR BUZZ,
‫ IN MY TRAILER, GET A TEASER *
639
00:36:09,468 --> 00:36:12,271
‫* 'CAUSE SHE WANTS
‫ TO GET IT POPPIN' LIKE
‫ A SODA WITH A LITER *
640
00:36:12,304 --> 00:36:14,273
‫* This is how it feels
641
00:36:14,306 --> 00:36:16,408
‫* THIS IS HOW IT FEELS
‫ WHEN THE FEELING IS RIGHT...*
642
00:36:16,442 --> 00:36:18,744
‫LOOKS LIKE THOSE
‫LOTTE MACOMB LESSONS ARE
‫REALLY PAYING OFF, HUH?
643
00:36:18,777 --> 00:36:20,512
‫HUH. YES, THEY ARE.
644
00:36:20,546 --> 00:36:23,449
‫* This is how it goes
645
00:36:23,482 --> 00:36:25,817
‫* THIS IS HOW IT GOES WHEN
‫ YOU'RE TOUCHING YOUR SOUL *
646
00:36:25,851 --> 00:36:28,254
‫* When everybody knows
647
00:36:28,287 --> 00:36:30,489
‫* THIS IS HOW IT FEELS
‫ WHEN EVERYONE KNOWS *
648
00:36:30,522 --> 00:36:32,691
‫* This is how it goes
649
00:36:32,724 --> 00:36:34,726
‫* THIS IS HOW IT GOES WHEN
‫ YOU'RE TOUCHING YOUR SOUL *
650
00:36:34,760 --> 00:36:36,628
‫* When everybody knows
651
00:36:36,662 --> 00:36:38,930
‫* THIS IS HOW IT FEELS
‫ WHEN EVERYONE KNOWS *
652
00:36:38,964 --> 00:36:41,267
‫* KNOWS WHO YOU ARE,
‫ YOU AIN'T EVEN SHOW UP *
653
00:36:41,300 --> 00:36:43,269
‫- * YOU WERE GOING FAR...
‫- DAMN IT!
654
00:36:43,302 --> 00:36:45,604
‫* YOU WAS LIVING LARGE
‫ BEFORE YOU EVEN BLOW UP *
655
00:36:45,637 --> 00:36:47,773
‫* YOU ARE NOT A STAR,
‫ YOU'RE A SUPER NOVA. *
656
00:36:52,478 --> 00:36:54,880
‫WAIT, HE'S PUTTING
‫SOMETHING OF YOURS
‫IN HIS SHOW?
657
00:36:54,913 --> 00:36:56,615
‫I'M NOT SURE.
‫I'M THINKING ABOUT IT.
658
00:36:56,648 --> 00:37:00,352
‫I WANTED YOU TO KNOW,
‫BUT I PROMISE YOU NONE
‫OF THIS WAS PLANNED.
659
00:37:00,386 --> 00:37:02,454
‫HE WAS AT MY PLACE
‫AND MY MOM SHOWED
‫IT TO HIM--
660
00:37:02,488 --> 00:37:05,357
‫THERE GOES ADRIANNA AGAIN--
‫STICKING HER NOSE
‫IN EVERYTHING.
661
00:37:05,391 --> 00:37:08,794
‫HOLD ON.
‫I AM SORRY FOR HOW
‫ALL THIS HAPPENED,
662
00:37:08,827 --> 00:37:11,563
‫BUT I REALLY DID WANT
‫TO SHOW HIM YOUR WORK.
663
00:37:11,597 --> 00:37:13,832
‫- WHATEVER, REGINA.
‫- EVERYTHING I SAID TO HIM
664
00:37:13,865 --> 00:37:16,234
‫ABOUT YOUR STUFF
‫IS TRUE. HONEY--
665
00:37:16,268 --> 00:37:19,605
‫YOU KNOW WHAT I DON'T GET?
‫ANGELO JUST LEFT.
666
00:37:19,638 --> 00:37:22,874
‫- WHAT?
‫- AM I THE ONLY ONE
‫ WHO CARES THAT HE'S GONE?
667
00:37:22,908 --> 00:37:25,811
‫I THOUGHT YOU WERE
‫IN LOVE WITH HIM OR WAS
‫THAT AN ACT TOO?
668
00:37:25,844 --> 00:37:27,746
‫HEY, WATCH YOUR TONE
‫WITH ME.
669
00:37:27,779 --> 00:37:30,449
‫YOU WENT ON A DATE
‫WITH THIS GUY? WHAT HAPPENS
‫WHEN ANGELO COMES BACK?
670
00:37:30,482 --> 00:37:32,818
‫THAT MAN WALKED OUT
‫ON US-- AGAIN.
671
00:37:32,851 --> 00:37:35,721
‫HE COULD'VE STAYED
‫AND FOUGHT, BUT HE DIDN'T.
672
00:37:35,754 --> 00:37:37,523
‫HE JUST TOOK OFF.
673
00:37:37,556 --> 00:37:40,559
‫SO WHAT ARE YOU SAYING?
‫HE'S NEVER COMING BACK?
674
00:37:41,793 --> 00:37:44,896
‫HEY, GUYS, EMMETT'S HERE.
‫IT'S FAMILY PHOTO TIME.
675
00:37:44,930 --> 00:37:47,666
‫COME ON.
676
00:37:47,699 --> 00:37:48,967
‫( sighs )
677
00:37:54,005 --> 00:37:56,542
‫( silent )
678
00:38:14,760 --> 00:38:18,897
‫* I WANTED
‫ TO GO THERE *
679
00:38:21,533 --> 00:38:24,736
‫* I WANTED TO SEE
680
00:38:27,739 --> 00:38:31,977
‫* I WANTED TO OPEN
681
00:38:34,713 --> 00:38:37,315
‫* I WANTED TO BE
682
00:38:41,453 --> 00:38:43,922
‫* I WANTED TO LISTEN
683
00:38:47,325 --> 00:38:50,862
‫* I WANTED TO SOUND
684
00:38:53,899 --> 00:38:57,869
‫- * AND I WANTED
‫ TO MISS YOU... *
‫- ( muffled cheers )
685
00:39:00,472 --> 00:39:04,910
‫* I WANT TO BE FOUND.
686
00:39:07,813 --> 00:39:09,715
‫HEY.
687
00:39:09,748 --> 00:39:12,350
‫SO I GOT THE SPOT.
‫I'M GONNA BE STARTING.
688
00:39:12,384 --> 00:39:14,386
‫WELL, THAT'S GREAT!
‫THAT'S FANTASTIC.
689
00:39:14,420 --> 00:39:16,054
‫THAT'S FAN-TASTIC.
‫( laughs )
690
00:39:16,087 --> 00:39:18,857
‫I GUESS SO.
‫I MEAN YES, IT IS.
691
00:39:18,890 --> 00:39:20,826
‫YEAH, GOOD FOR YOU.
692
00:39:22,628 --> 00:39:24,930
‫HEY HEY, TOBY.
693
00:39:24,963 --> 00:39:28,033
‫SO YOUR MOM GOT TICKETS
‫FOR THE TREADS & THREADS THING.
694
00:39:28,066 --> 00:39:30,802
‫AND I WAS HOPING MAYBE
‫YOU COULD SCORE US SOME,
695
00:39:30,836 --> 00:39:33,639
‫YOU KNOW, FLOOR PASSES
‫FOR THE SHOW?
696
00:39:33,672 --> 00:39:37,375
‫THERE AREN'T
‫ANY FLOOR PASSES.
697
00:39:37,409 --> 00:39:39,511
‫OH, I DIDN'T KNOW.
698
00:39:40,812 --> 00:39:42,681
‫LOOK, I'M-- I'M TRY--
‫I'M TRYING.
699
00:39:42,714 --> 00:39:45,684
‫DAD, YOU LET ME CONVERT
‫PART OF THE GARAGE
‫INTO A MUSIC STUDIO,
700
00:39:45,717 --> 00:39:47,786
‫I PLAY EVERY DAY.
‫I JUST DON'T GET
701
00:39:47,819 --> 00:39:49,888
‫WHY YOU DON'T SEE HOW
‫SERIOUS I AM ABOUT THIS.
702
00:39:49,921 --> 00:39:52,357
‫I DON'T KNOW ANYTHING
‫ABOUT MUSIC.
703
00:39:52,390 --> 00:39:55,694
‫I DON'T KNOW ANYBODY.
‫I DON'T HAVE ANY CONNECTIONS.
704
00:39:55,727 --> 00:39:58,464
‫- I CAN'T HELP YOU.
‫- DAD, I DON'T NEED YOU
‫ TO HELP ME.
705
00:39:58,497 --> 00:40:01,166
‫I JUST NEED YOU
‫TO GET IT.
706
00:40:13,545 --> 00:40:16,448
‫THANK YOU, EMMETT.
‫I'M SO EXCITED TO SEE THEM.
707
00:40:27,859 --> 00:40:29,895
‫HEY.
708
00:40:29,928 --> 00:40:32,831
‫WHAT'S WRONG?
‫IS THIS STILL ABOUT TY?
709
00:40:41,873 --> 00:40:44,710
‫I'M SORRY THAT
‫EVERYONE WAS SO ANNOYING.
710
00:40:49,915 --> 00:40:51,550
‫SURE.
711
00:40:56,488 --> 00:40:59,991
‫HAVE THINGS
‫REALLY BEEN THAT BAD
‫WITH YOUR PARENTS?
712
00:41:26,785 --> 00:41:28,787
‫DID YOU JUST SAY--
713
00:41:28,820 --> 00:41:31,657
‫I'M SORRY.
‫THIS IS ABOUT YOU
‫AND YOUR FAMILY.
714
00:41:31,690 --> 00:41:33,258
‫WHAT-- JUST,
‫UM-- KEEP GOING.
715
00:41:37,495 --> 00:41:39,097
‫DID YOU JUST SAY
‫"ARE WE
716
00:41:39,130 --> 00:41:42,200
‫GOING TO FALL
‫OUT OF LOVE?"
717
00:41:44,102 --> 00:41:47,773
‫MEANING WE ARE
‫CURRENTLY...
718
00:41:55,981 --> 00:41:57,849
‫ME TOO.
719
00:42:09,928 --> 00:42:13,264
‫* DO YOU FEEL BETTER?
720
00:42:16,702 --> 00:42:19,805
‫* DO YOU FEEL BETTER?
721
00:42:24,109 --> 00:42:27,178
‫* I STILL SLEEP
‫ IN THE SHIRTS *
722
00:42:27,212 --> 00:42:29,781
‫* THAT YOU...
723
00:42:29,815 --> 00:42:32,083
‫- ( phone ringing )
‫- * LEFT HERE
724
00:42:37,656 --> 00:42:41,593
‫* THEY MAKE ME FEEL
‫ LIKE MAYBE *
725
00:42:41,627 --> 00:42:46,031
‫* YOU STILL CARE...
726
00:42:50,068 --> 00:42:54,940
‫* DO YOU FEEL BETTER?
727
00:42:56,742 --> 00:43:02,280
‫* DO YOU FEEL BETTER?
728
00:43:03,615 --> 00:43:07,853
‫* DO YOU FEEL BETTER
729
00:43:07,886 --> 00:43:10,121
‫* WHEN I'M GONE?
730
00:43:10,155 --> 00:43:11,757
‫* 'CAUSE I'M STILL
731
00:43:11,790 --> 00:43:16,862
‫* WRITING LOVE SONGS
732
00:43:16,895 --> 00:43:22,133
‫* DO YOU FEEL BETTER
‫ WITHOUT ME? *
733
00:43:22,167 --> 00:43:25,971
‫* 'CAUSE I JUST WANT
‫ TO FEEL *
734
00:43:26,004 --> 00:43:29,574
‫* WHEN YOU FEEL HAPPY
735
00:43:29,607 --> 00:43:34,079
‫* 'CAUSE I WANNA BE THERE.
61635
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