Original subtitles

‐ FEMALE ANNOUNCER: Previously on "Sistas"...

‐ How the hell did you get in my house?

‐ I am not gonna take this anymore!

‐ [gunshot] ‐ [screaming]

‐ This ain't over!

‐ I put rubber bullets in the gun.

‐ I'm just glad you're okay.

‐ I don't want to live another moment without you.

‐ I walked in my house, and Gary had two women in my bedroom.

When is it gonna happen that I meet a man

and it's drama free?

Have you ever felt like you met someone

and you've known them for years?

‐ I feel like I've known you forever.

‐ What do I do now?

‐ Stop letting the drama come to you, Andi.

‐ This stock is gonna be worth a lot of money in 48 hours.

‐ You may want to talk to me about this insider trading.

‐ And he come to me, talking about going to the feds.

‐ The ‐‐ are you doing?

‐ We're going to your bank, and you're gonna give me

all the money that's in that bitch.

‐ Sabrina, do whatever he says.

‐ Now, you're gonna come open the safe, alright?

‐ We can't do that.

‐ I will blow his ‐‐ brains out.

‐ I wasn't sure if you wanted to see me or not.

‐ I want to see you, just not‐‐ ‐ Every day.

‐ Yeah.

‐ I can't compete with you putting this other dude

on a pedestal like that. ‐ I'm not putting him

on a pedestal. ‐ Yes, you are.

Do what you gotta do to get this off of you.

Don't call me until you do.

‐ Zac. ‐ What, Karen?

‐ I'm pregnant.

‐ Bye, Karen. ‐ Bye, Zac.

‐ This is life.

‐ Hey. ‐ Shit.

‐ And you know what you do in life?

‐ Don't, don't rush off. We would like to do it again.

‐ Who is we?

‐ You mind if I join in?

‐ You live it.

‐ We're always going to be sisters.

We love you. We do.

Ever, ever. ‐ You ain't seen nothing yet.

‐ Well, in that case, let me drink up.

‐ Right. ‐ [glasses clink]

‐ Oh yeah? Oh, you gonna set me up?

‐ Ah! Get your ass back here!

‐ [knock on door]

‐ Hi. ‐ Hello.

‐ I didn't know you had company.

‐ We're not company, we're family.

‐ Exactly.

♪ See what I wanna see ♪

♪ There's no stopping me, world in front of me ♪

♪ That's for sure‐‐ wanna know how? ♪

‐ No! No! No! ‐ Hey, hey, hey.

You okay?

‐ Shit.

‐ Was it a bad dream?

‐ No. What time is it? ‐ It's a little after nine.

‐ Then I have to go to work.

‐ No, I already called Fatima‐‐ ‐ Why did you do that?

Now Fatima's gonna know that we were together.

‐ She's gonna know that you're coming in a little after nine.

‐ Shit. Okay. Okay.

I have to get to work. ‐ Hey, hey, hey, just come on.

‐ Robin, I have to go to work. ‐ Just talk with me

for a second, you always call me when you're drinking.

‐ Shit.

‐ What?

‐ I've heard that before.

‐ That you call guys when you drink?

‐ I'm a little more aggressive when I've been drinking.

‐ And when you don't? ‐ I'm shy.

Don't laugh at me. ‐ That shit is funny.

That is hilarious, okay. ‐ I'm very shy.

‐ Okay, alright, Andi. Okay.

‐ You don't have to believe me, but I do have to go to work.

‐ Hey, I am the boss.

‐ That's all the more reason for me to go.

‐ Okay. Why don't you come to London with me?

‐ London? ‐ Yeah.

We can present the settlement to the client.

‐ I can't, no.

‐ Come on, they already have the plane ready.

‐ The private jet?

‐ Uh‐huh, try not to be impressed.

‐ No, I can't do that. I cannot do that, oh my god.

‐ Okay, well, I don't ask more than once.

‐ I don't believe that.

‐ Okay. Maybe three times when it comes to you.

‐ Mm‐hmm, that's more like it.

‐ So, you're not gonna come?

‐ Not this time. But, next time.

‐ Okay, as long as there will be a next time.

‐ There will be a next time.

‐ You sure you don't have time‐‐ ‐ No, no, no.

‐ Okay, alright, look at you.

She is shy today, like.

‐ I am. [laughs]

‐ I like it, I like sober Andi.

‐ You see sober Andi all the time at work.

‐ Yes, but she's not this girl.

‐ That's fair.

‐ So, I'll see you when I get back?

‐ Yes.

‐ Okay. ‐ Okay.

I'm gonna go get changed.

‐ Okay. ‐ Okay.

Don't watch me walk away! ‐ You know I will.

‐ FEMALE SINGER: ♪ My girls hold me down ♪

♪ When them boys mess around ♪

♪ My love life is a headache ♪

♪ We're goin' out tonight ♪

♪ 'Cause I'm looking for love ♪

‐ ♪

‐ Danni? ‐ Hi. Hi.

‐ Who is this? ‐ He's a friend of mine.

‐ Well, hello, friend.

‐ Hey.

‐ Hey. ‐ Damn, Danni.

You picking the fine ones.

‐ Say what?

‐ You fine as shit, how you doing?

‐ Say what? ‐ I'm good.

‐ Fuego, who are you right now?

‐ What do you mean? I love a good cowboy.

Don't you?

‐ Stop. Just stop. ‐ You sure?

‐ Mm‐hmm. ‐ Okay.

‐ 'Cause your gay dude is offensive to the whole class.

‐ Well, it worked before. ‐ What does that even mean?

‐ Hey, that's the quickest way to throw them off.

‐ What the hell is going on?

‐ Nothing. Damn, Danni, I'll see you later.

‐ Yeah, okay. ‐ FUEGO: See ya, bro.

‐ What the hell? ‐ Hey...

‐ Has he been licking your butt, too?

‐ Preston, you are very preoccupied with my ass crack.

‐ Look, shit, I'm just asking.

‐ What are you doing here?

‐ I just wanted to stop by.

‐ You wanted to stop by? No call, text, smoke signal,

ignoring me, I don't, I don't...

‐ I lost my phone. ‐ That's a new one.

That's a new one. ‐ Well...

‐ I mean, does your cousin know, I mean,

she's not really your cousin, through marriage,

but does she know, maybe?

‐ What are you talking about?

‐ I've told you, I don't like you stopping by.

‐ I'm sorry. I thought you would've been happy to see me.

‐ We started this off wrong, you know?

We did, and I've been working on me, you know?

Listening to podcasts, reading books,

and I've been trying to figure out how to say

what's on my mind in the most productive way possible.

‐ You always say what's on your mind.

‐ Not when it comes to you.

‐ I'm sorry, I could've swore you did.

‐ You know, I try, but you like run out the door

and like, ignore me for days,

so I tend to hold back. ‐ Fine, what is it?

‐ Well one, you don't respect my boundaries.

‐ Me? I don't respect you?

‐ Yeah. Is that such a revelation?

You don't respect my boundaries, no.

‐ Okay, I gotta hear this.

‐ Yeah, well, showing up unannounced,

even though I've asked you not to.

You had my landlord let you in without my permission, twice.

But, I guess, you know, you had steak,

and you had flowers, and you're nice,

so I'm supposed to be okay with it, right?

I'm supposed to just ignore it?

‐ I see.

‐ So, that's part of the problem, yeah.

‐ Okay, so I won't do that.

‐ See, you say that, right? And I believe you.

But then you do it again, but in a different way.

‐ Danni... ‐ Yeah.

Like, do you even realize

when you had me chained up to that bed‐‐

‐ Oh my god.

‐ No, and you stood over me naked,

and I said, "Let me go," you said, "Beg me, gal"?

Do you even know what you recreated when you did that?

Do you even realize? Any clue what that looked like?

‐ And you've been holding all this in?

‐ Because I've been trying to figure out

why I'm uncomfortable in my own home.

‐ I apologized for that.

‐ Yeah, you did.

‐ Okay, so give me some damn credit.

‐ You've wanted to date black women your whole life,

and you didn't even realize you recreated the Middle Passage?

But you want credit for apologizing?

Credit without doing the work

is called white privilege, Preston. Do the work.

‐ Okay.

‐ And the other thing, the thing that really got me‐‐

‐ Oh, please, by all means, continue.

‐ Your brothers threatened my life.

At my job. They beat you bloody.

And I brought you into my home, my safe space,

so that you would be safe.

And the very next day, you didn't give me one day,

you had your sister in here.

You didn't think enough of me to call me, let me know,

hell, forget asking my permission.

And no, no, no,

I don't think you understand how betrayed and unsafe

I felt in my own home.

‐ And I'm sorry about that.

I don't know how many times I can say that.

‐ Preston, I don't know her, you couldn't give me a day?

‐ She is not like them.

‐ I believe you. ‐ Do you?

‐ Yeah, but they beat you down.

You think they can't just take her phone

and find my address?

‐ Okay, wait.

You've been holding all of this in‐‐

‐ It was a lot of‐‐ ‐ ‐‐instead of telling me?

‐ I didn't want to hurt you,

and it was a lot of shit to process.

‐ You know, I'm finally starting to wrap my head

around this whole concept, and I get it now.

I do.

‐ Do you really understand?

‐ Yeah. 100 percent.

You wanted to screw around with that guy,

you wanted to screw around with the butt‐licker,

and I am too much in your way. Got it.

‐ I said all of that, and that's what you heard, huh?

‐ Yeah. That's what I heard. And I hope you hear this.

Don't call me again. ‐ No problem.

‐ 'Cause this, that, this is bullshit.

‐ See, that I believe. ‐ It's bullshit, Danni.

‐ My feelings are bullshit to you.

‐ I didn't say that. ‐ Oh, no no,

you've been getting by your whole life

on being cute and nice,

somebody's finally calling you out on your shit,

and you can't handle it. That's bullshit, yes.

‐ That's what this is. ‐ Yes.

‐ I'll let you believe that. ‐ Bye.

‐ ♪ Oh ♪

♪ I do what I want ♪

♪ It's such a sight to see ♪

♪ And everybody's there, can't get no privacy ♪

♪ I've got the lifestyle ♪

‐ Wow, who are these for? ‐ Andi.

‐ Wow.

‐ They've been coming all morning.

‐ Okay. Well, I will take these, and can you send the rest back?

‐ Sure. ‐ Thank you.

‐ ♪

‐ Hi. ‐ Hey.

‐ Damn. ‐ Yeah.

I was wondering who sent all these.

‐ Who sent them? ‐ Take a wild guess.

‐ Gary? ‐ Mm‐hmm.

‐ Send them to all the children's hospitals.

‐ I'm with you. Yup, we're gonna do that.

‐ I don't know who the hell he think he is.

‐ I don't either, but it's time for you to be out.

‐ Oh, I am. ‐ FATIMA: Okay, good.

Can I sit? ‐ ANDI: Please.

‐ Girl, I am great. ‐ Hmm. And I love this white.

‐ Yeah? Thank you.

‐ You have something on your sleeve right there.

‐ Oh, shit. ‐ What is that?

‐ Um... I had a fruit drink earlier.

I'll get it out. So, how was your night?

‐ My night was good. ‐ FATIMA: Good.

Did you see the girls? ‐ I did.

‐ Okay, and did you see Karen?

‐ I did.

‐ And how is she?

‐ She's upset.

‐ Did she say anything about‐‐

‐ ANDI: About what? ‐ Me?

‐ No.

She did, however, ask me to invite you.

‐ Really? ‐ ANDI: Yes, girl.

‐ But you didn't? ‐ I was not going to,

I'm not a fool.

‐ FATIMA: Yeah, I don't trust that shit, no.

‐ 'Cause you're smart. ‐ FATIMA: I am.

She didn't say anything else?

‐ No. Was she supposed to say something else?

‐ No, no. ‐ ANDI: Okay.

‐ So, what else did you do last night?

‐ Fatima... ‐ FATIMA: I'm just asking.

‐ Well, if you must know, I went out with Robin last night.

‐ Oh, and how long were you out with Robin?

‐ Okay, could you not be nosy today?

‐ Did you beat the sunrise? That's all I wanna know.

‐ Nope.

‐ Girl, you need to tell me everything!

‐ I will, but we have to work, okay?

‐ Okay. I'm gonna go, but I wanna know everything.

I need all the deets on the D.

‐ Silly girl.

‐ ♪

‐ Oh, hey. ‐ Hey.

‐ You look good. ‐ Thank you.

‐ You feel good?

‐ Yeah, I do. ‐ That's good.

‐ So, what's it looking like today?

‐ You got somebody over there waiting to talk to you.

‐ She a new client?

‐ No, she just said she'd wait for you.

‐ Okay, but why? ‐ I don't know.

‐ Okay. Well... ‐ Girl, don't walk over there,

stay over here so I can have your back.

Call her over here. ‐ What you gonna do?

‐ Girl, I can scrap.

‐ Yeah, okay, Pam. Hi, how can I help you?

‐ Hi. You're Karen Mott?

‐ Yes, how can I help you?

‐ Does Zachery Taylor live with you?

‐ I'm sorry, what is this about?

‐ We're just trying to find him.

‐ We? For what?

‐ It's a legal matter, ma'am.

‐ Is he in some kind of trouble?

‐ Can you tell me where he is? ‐ No, I can't.

He don't live with me.

‐ You don't? ‐ No. We don't live together.

‐ Okay. When was the last time you saw him?

‐ I don't remember. ‐ You sure?

‐ Do you want to tell me what this is about?

‐ No, ma'am, I can't. ‐ Okay, well, then

I don't have anything else to say to you.

‐ I'm sorry you feel that way. ‐ I'm sorry you in here

asking me questions.

‐ Okay. I'll see myself out.

‐ Yeah, that'd be wise.

Shit.

‐ Who in the hell does she think she is?

‐ KAREN: I don't know. ‐ Well, you owned her ass.

‐ Oh my god, what the hell is going on?

‐ Uh, don't call Zac. ‐ Why?

‐ Good Jesus, 'cause they will probably track your phone.

‐ Pam. You right.

‐ You think it's about all that money he got?

‐ Shit, I'm sure it is. ‐ Damn, Zac,

he better get a lawyer.

‐ Where's his house at again?

‐ Girl, don't go over there, they will probably follow you.

‐ I know how to make sure I'm not being tracked, okay Pam?

‐ Where are you going? ‐ I'm going.

‐ Don't do it. ‐ I'm going, okay?

‐ You have clients.

‐ Well, push them back 30 minutes, okay?

It's important, I'll be back.

‐ Alright, but don't let them know which way you go.

No face, no case.

Daron, there's some messy shit going on in here.

And I ain't gonna tell you, so don't even ask me.

You don't talk. Nosy ass.

These stylists in here always in somebody's business.

Take out all that money, though.

They gonna get his ass. [mutters]

‐ ♪

‐ Hi.

You're not gonna talk to me?

‐ Hm, I'm fine.

‐ Okay.

‐ Thank you. Thank you. ‐ Okay.

‐ Can I finish the audit now?

‐ Sure.

‐ [phone vibrates]

‐ Who is this?

‐ OPERATOR: Collect call from an inmate

at Fulton County Jail. Press one to accept.

If you accept, it will be billed to your phone.

‐ [phone beeps] ‐ Who is this?

‐ QUE: Hey. ‐ Who is "Hey"?

‐ It's Que.

‐ Oh, hi. ‐ QUE: Why so dry?

‐ What do you want?

‐ Damn, you answered like you was worried about somebody else.

‐ What is it? ‐ I'm here.

‐ That's great.

‐ The DA came to see me.

‐ Okay, good.

‐ Yeah, she says she'll give me a deal,

but I can't say it on the phone.

‐ Well, I guess you're sleeping with her too, huh?

‐ Shit, I would. She fine.

‐ Okay, get off my phone, Que.

‐ Nah, nah, nah, she just saying that I can

cut a deal, and I might get out soon.

‐ Okay. Good to hear. ‐ But I ain't no snitch.

‐ MAURICE: So now you have morals?

‐ Shit, that'll get you killed in here.

‐ Well, you know... ‐ Look, if I can get out,

can I come stay with you? ‐ Are you out of your mind?

‐ I promise I won't steal nothing.

‐ The person who robbed me blind.

You want me to trust you now?

‐ I'm sorry, you know it's that shit.

I'll get into a program, therapy, whatever the need is.

I'll do anything. ‐ MAURICE: Bye.

‐ Can I come? ‐ I don't want to talk to you.

‐ QUE: Maurice, please. ‐ Bye!

The ‐‐ does he think I am? People think I'm stupid.

These hoes think I'm stupid.

‐ Thank you. And she'll help you in line.

‐ [phone vibrates] ‐ Hey.

‐ Hey. ‐ SABRINA: What are you doing?

‐ On my way to work, girl.

‐ What is it? You sound strange.

‐ DANNI: Preston. ‐ Mm. What'd he do now?

‐ I told him everything that was on my mind,

then he stormed out, as usual.

‐ Really?

‐ DANNI: His family rolling up on me, everything.

‐ Good for you.

‐ Well, it was after I let El Fuego out.

‐ Oh? Oh. So he stayed the night at your house?

‐ DANNI: Yeah. ‐ How was that?

‐ I don't wanna talk about him, he's a stripper.

‐ Okay, alright, sorry.

‐ So, I was telling him all this stuff

and he got mad as hell. ‐ Why would he get mad?

‐ I think I'm supposed to think he's perfect.

‐ SABRINA: Hm, well, he was pretty close.

‐ That's so basic, Sabrina. ‐ I'm sorry Danni, go ahead.

‐ He told me never to call him again.

‐ That's gonna last for about‐‐

‐ DANNI: Ever. ‐ Okay.

‐ Yeah. You know, sometimes

people don't have enough in common,

he doesn't understand me. ‐ I hear you.

‐ No you don't, but I gotta get to work.

So do you.

‐ SABRINA: Okay. ‐ Call the panty man.

‐ I... oh, he's actually here.

‐ DANNI: He's there? ‐ I'm gonna call you later.

‐ DANNI: Bye. ‐ Hey, what's up?

I got your call.

‐ Yeah, I really need you to talk to Maurice for me.

‐ Sabrina, I‐‐ ‐ Please, please, please?

He's been really, really upset.

‐ Okay, what's wrong with him?

‐ I mentioned his father... yeah.

And I think I really hurt his feelings.

‐ Well, he never really talks about his father.

‐ Yeah.

Do you know what happened? ‐ Yeah.

‐ I shouldn't have said anything.

‐ Well, maybe not about that.

You know, I think that's a route to a lot of his problems.

‐ Yeah.

‐ Alright, I'll talk to him. Where is he?

‐ He's in there. Doing an audit.

‐ Can I go in? ‐ At your own risk.

‐ Okay. ‐ Okay.

‐ And will I see you for dinner tonight?

‐ If you bring it over.

‐ Think I can do that. ‐ Thank you. Good luck.

‐ ♪

‐ CALVIN: Hey. ‐ What do you want?

‐ Just coming to check on you. How you doing?

‐ Why did Sabrina send you here?

‐ She's worried about you. ‐ I'm fine, bitch.

‐ Maurice? ‐ What?

And get outta here with them tight pants on.

I'm the only one that can wear tight pants.

‐ See, I don't even know why I try. Ain't no helping you.

‐ None at all. Good night! Good night! Good night!

‐ Alright, how about this?

How about you and I go grab a drink when you get off work?

‐ How about no? ‐ Come on, man.

I got a friend who I think you'd like.

‐ What are you up to? ‐ What? I know gay guys.

Look, a friend of mine is in town,

and I think you guys would hit it off.

‐ Uh‐uh. I don't think so. ‐ Maurice‐‐

‐ Okay bitch, whatever. Just pick me up,

I don't wanna scuff my new red bottoms. Here.

‐ What are you talking about? We live at the same place.

‐ True. Well, have him to come over to my home.

‐ Good, I'll have him come over to our home.

And will you please stop stressing Sabrina out?

‐ I'm not bothering that bitch. ‐ Look man, she loves you.

‐ And I would love for her to get some new clothes.

‐ You know what?

Bye. I'll see you later.

‐ Uh‐huh. Patchwork‐ass jacket.

Leave me the ‐‐ alone!

‐ ♪

‐ Let me guess, headed to deliver some ‐‐?

‐ No.

‐ Alright, what you doing at the airport?

‐ I'm going to Miami.

‐ You always going down there. Yeah.

‐ So, we going out? ‐ What you mean?

‐ Us.

‐ Like, oh, like you want to date?

‐ Yeah, I've been trying since college.

‐ You're a stripper, you take your clothes off for money,

with your private dancing. ‐ And?

‐ Okay, what if I was a stripper?

‐ You were last night. ‐ Okay.

Listen, I'm not into the stripper thing.

I can't do it.

‐ Then what was that last night?

‐ Fun.

‐ Oh. So, you were playing me?

‐ Well, I wouldn't take it that far,

I think we both had a good time.

‐ You know I can have any woman I want, and you do this?

‐ Wow. There he really is.

‐ No, there's nothing.

I'm just like you ain't gotta be this damn rude.

‐ Are you done?

‐ Yeah. ‐ Okay.

‐ EL FUEGO: I'm done, for real. ‐ Okay.

Go be in your feelings in Miami.

‐ Damn. He told you.

‐ May I help you? ‐ No, no, I'm good.

‐ Okay. So you just like sitting in airports?

‐ Yeah, I do. ‐ That's some creepy shit, sir.

‐ Well, if you must know, my flight's delayed.

‐ Not at this gate. ‐ Well, I saw you,

and I wanted to come over here.

‐ Well, now you've seen me, you can go to your gate.

‐ Is that any way to talk to a customer?

‐ Well, I haven't seen a ticket,

and you're not really looking like one of our customers.

‐ I am. ‐ Okay.

‐ Here. ‐ Alright, yeah,

I'm seeing your ticket.

And you're checked in at the gate. Okay.

‐ Thank you. ‐ You're welcome.

‐ So, can I sit here now? ‐ Yes. Please do.

‐ My name's Logan.

‐ Hi, Logan. My name's Uninterested.

‐ Damn, just shoot me down like that?

‐ Yup. Sure did.

‐ Okay, well thank you.

‐ Oh, sorry, sir.

‐ What is it?

‐ Your flight's been delayed due to weather.

‐ Again? ‐ Sorry.

‐ So I'm to be sitting here all alone?

‐ Well, I'm sure there are tons of ways

you can keep yourself occupied.

There's a bar here, a food court there.

‐ None as pleasant as me talking to you.

‐ Thank you.

‐ LOGAN: So, nothing I do is gonna work, huh?

‐ Nope. Brick wall. ‐ Okay.

‐ Well, enjoy waiting for your flight.

‐ I will. ‐ Alright, excuse me,

I got a little work to do. ‐ Okay.

Hey, Howard!

Hey, Howard? ‐ Hey.

‐ Think I got a pimp at my gate.

‐ What? ‐ Yeah.

‐ Okay, so what do you want me to do?

‐ Call the airport police, ‐‐.

These people are trafficking these kids

and waiting for them here. We were trained for this.

‐ How you know? ‐ What do they say here?

"If you see something, say something."

‐ You sure? ‐ Howard.

‐ Okay. I'll keep an eye on him.

‐ Your old‐ass eyes don't work, Howard,

you can't keep an eye on nothing!

‐ Look, we have to have more than your gut, Danni.

‐ Alright. Just let another girl be out here

because your ass. ‐ Damn.

‐ Howard, do something. ‐ I am. I'm going... on break.

‐ I don't even know why they say report this shit,

you don't do nothing!

‐ ♪

‐ Back so soon? ‐ Mm‐hmm.

‐ Do you want to talk now? ‐ Nope.

‐ Okay.

‐ ♪

‐ I was thinking maybe if we could change the color of it.

Yeah, change the color of it, you know what I'm saying?

‐ [Karen clears throat]

‐ Give me one second? ‐ WORKER: Yeah.

‐ Hi. ‐ What are you doing here?

‐ I need to talk to you. ‐ So we starting this now?

‐ Yeah, we starting this now. ‐ Why didn't you just call me?

‐ I would've, but I didn't want them tracing my calls.

‐ Who?

‐ Whoever this officer‐looking woman is who came to my salon.

‐ What?

‐ Yeah, she came in asking me if we still lived together,

where she could find you.

‐ What'd she look like?

‐ Like the damn law, Zac, what is going on?

‐ Shit.

‐ Did you do something illegal to get all this?

‐ No I didn't, Karen. ‐ Are you sure?

‐ Yes, I'm sure. We not even together,

why you asking me so many questions?

‐ Because we damn sure have a baby on the way,

and I do not want this child to have a father in prison.

‐ You wildin' with all that energy,

you can take that somewhere else.

‐ Just tell me the truth. ‐ I am! This is all legal.

I bought this with my money. It is!

‐ Okay. Alright. Since you so sure,

what you want me to tell her when she comes back?

‐ Just give her my number.

‐ What?

‐ Yes, what? What? Just give it to her.

‐ Okay. Okay. Since you so sure.

‐ I'm sure.

‐ You gonna show me the house?

‐ I would, but they, they putting up, like, plaster,

and it's like glass and nails, I don't think it's safe

for you to go in there pregnant. It's dusty.

‐ Mm‐hmm.

‐ What? I'm just looking out for you.

‐ Yeah, you ain't doing shit, Zac.

‐ You know what? Fine.

You want to jump in there, pregnant with the glass,

you wanna be dodging nails and shit? Come on. Let's go.

Come on. Come on.

‐ It don't make no difference, you probably lying anyway.

‐ Whatever, Karen.

Where's your car?

‐ My dumb ass parked down the block trying to protect you,

but I don't know what for.

‐ ZAC: Karen, that's my bad. ‐ ‐‐ it!

‐ It's that important for you to see the house?

Damn! This woman's evil. She miserable.

Fatima? Hey, it's me, just call me back when you get this.

‐ ♪

‐ So?

‐ That man ain't trying to hear me.

‐ You think this is a good idea?

‐ Yeah.

‐ I think so.

‐ Look, it'll work out. Trust me.

‐ Yeah, but what if he likes some other kind of guy?

‐ Come on. They'll hit it off.

‐ Okay, I'll go with it. ‐ Good. And after they meet,

I was thinking that you and I go to a restaurant.

‐ You don't want to come over anymore?

‐ No, I want to take you out. ‐ Hm. Okay. Okay.

I like that. Where are we going?

‐ I don't know.

I was thinking of a little place called The Wine Room.

‐ You know I love that place. ‐ I knew you would.

‐ Okay, thank you, yes. ‐ You want to meet at my house?

‐ Yeah, yeah, that way we can see if they're hitting it off.

‐ Or we get cussed out. ‐ Right.

Speaking of getting cussed out. ‐ What?

‐ Has he said anything about Que?

‐ No.

‐ Hm. Well, I think he really liked him.

‐ You're talking about the ‐‐ that stole everything?

‐ I know.

‐ Look, if he is falling back in love with that dude,

he's just crazy.

‐ I just think it has to do with his father, you know?

I feel like he's trying to save him, or...

‐ Which is all the more reason why we should hook him up.

‐ Oh no no, no no, I have nothing to do with this.

This is all your brilliant idea.

‐ Oh okay, okay, so what if they hit it off,

fall in love and get married?

Then what you gonna say?

‐ Hm, then I'll take the credit. ‐ Yeah, I thought you would.

‐ Here he comes.

‐ You bitches really need to get out of here!

‐ Stop it, Maurice. ‐ Look at you. Go on!

Surprised you can even stand in the same place that you twirled

and fell down like you had a Statue of Liberty costume on.

‐ Stop it now.

‐ You know what? I'll see you later.

‐ Okay. ‐ Bye.

‐ MAURICE: Bye.

Don't you have customers? ‐ He was only trying to help.

‐ He ain't no damn help. Help her!

‐ Excuse me, ma'am? We can come right here.

‐ Girl, massive. I'm telling you, huge.

‐ What? ‐ Yes.

‐ [phone rings] ‐ Hold on. I got that.

Where is the damn phone? All these flowers.

‐ Child...

‐ This is Fatima.

‐ SECRETARY: I'm sorry, but Mr. Borders is here.

‐ She's in a meeting.

‐ SECRETARY: I told him that, but...

‐ You know what? I'll be right there.

‐ SECRETARY: Okay. ‐ Alright.

Okay. ‐ I'm not in a meeting.

‐ I'll be right back.

‐ Okay. Hurry back so I can tell you the rest.

‐ FATIMA: Okay.

‐ Hi. Can I help you?

‐ Hi, Fatima,

I need to see Andi. ‐ She's not here.

‐ I know she's here.

‐ Is she?

Oh, she's in a meeting. Yeah. ‐ Really? Come on.

‐ She's busy!

‐ Alright, well um, I'll sit right here and wait.

‐ Okay. Suit yourself.

You'll be sitting there until tomorrow.

‐ Okay look, she's not taking any of my phone calls.

‐ Uh, that's...

‐ And y'all playing games.

‐ Sorry.

‐ Okay. ‐ Okay, bye. Thank you.

‐ Okay. ‐ Whoa, uh‐uh.

You cannot go back there. ‐ Watch me.

‐ You want me to call security? ‐ Uh‐uh, hey, hey, I got this.

Please make me show my ass in front of these white people,

because I will. I am not her.

I will beat your ass and make you catch the case.

Mm‐hmm.

‐ You're right. I'm sorry. ‐ Can you just go?

‐ Actually, can I talk to you? ‐ ‐‐, I don't like you.

‐ I know, but listen‐‐ ‐ I'm not gonna tell

you again. ‐ I just want to talk to‐‐

‐ You're still talking. Do you see these steps?

Do you see them?

‐ What are you gonna do, throw me down them?

‐ No. I'm gonna fall down them and say that you did it,

hence your case.

Good.

I was beginning to think you're completely stupid.

‐ Are you kidding me?

‐ Dead serious. It's amazing. He's amazing.

‐ Damn. ‐ ANDI: What?

‐ This is so good, I'm happy for you.

‐ Don't be happy for me yet. ‐ Why not?

‐ Okay, I'm gonna tell you something,

but you can't tell anyone else.

‐ Okay, what's that?

‐ Robin is the boss. ‐ What?

‐ He owns the company. ‐ When did that happen?

‐ Apparently he puts all the older white men in front,

but he runs the company. And he just bought our division.

‐ What the hell?

Wait, so you're telling me he got money like that?

‐ Oh yeah. Enough to have a private jet.

‐ Oh, shit. He got that real money.

‐ Big bank. ‐ Oh‐ho! This is good.

This is really good. ‐ It's good,

but I'm just... ‐ Taking your time?

‐ Yeah. Taking my time. ‐ Please do.

‐ ANDI: I am.

‐ Yeah, just don't rush it, okay?

‐ Oh, like you're rushing it with Zac?

‐ I am not.

‐ I see it all over you. I can see it all over you.

‐ You see it, it's just the glow, honey.

Look, when it works, it just works.

‐ Yeah, I bet it works because he has all that money now.

‐ See, you brought that up, but that doesn't hurt.

It does not.

‐ How has he been?

‐ Look, I don't know the old Zac, but this Zac is so happy.

‐ Karen wouldn't want to hear that right now.

‐ Don't say her name before her ass pop up.

‐ Fatima.

What's going on? ‐ I don't know.

‐ Okay, well maybe we need to run too.

Come in.

What's going on?

‐ Hayden. He's been found dead in the parking lot.

‐ What?

‐ Yeah, he's dead.

‐ What the hell? Okay, um...

‐ ANNOUNCER: Next on Sistas...

‐ ZAC: Did that mother‐‐ do something to her?

‐ Who are you talking about, Zac?

‐ Hayden's bitch ass.

‐ ANDI: No, he didn't do anything to her.

‐ He better not, 'cause I'll kill that mother‐‐.

‐ They're letting me out. ‐ What?

‐ QUE: Yeah, all I gotta do is show up in court.

‐ No sir, no. ‐ What?

‐ No. ‐ What are you talking about?

‐ You are not taking her out of here.

‐ You both were pissed at him, that means you are what?

Suspects!

‐ You keep the car. ‐ Gary.

‐ I'm gonna earn you back. ‐ Take this.

‐ I don't care what it takes, and this ain't all I've got.

‐ ♪

‐ ♪

‐ ♪