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It's exactly what we were thinking about.
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windows for
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me
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Hey, what's happening to Charles?
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Father, hey, no!
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I haven't tied now, Tom.
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Sir Charles is heading over the town.
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No, no, no, no, no, no, no.
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We went to find him out to this morning,
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and we were supposed to go and get him.
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What?
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But someone's taking the boat,
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and we think it might be Sarah and Jane.
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Sarah?
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She said something about the buried village.
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We've looked differently for them.
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To her, James, leave her child with me.
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All right.
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Oh, come on.
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We've got an emergency.
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Miss Christopher, please open the mountain.
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Oh, dear and Katie, tell her.
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Just a minute, slow down, slow down.
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One thing at a time.
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Well, sometime this morning,
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Christopher sent off to climb Tallow Wheeler.
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As far as we know, he's still up there.
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And that's not the worst of it.
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Well, go on.
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The boys think that Sarah and Kitty have taken a boat
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and gone to the buried village.
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I'm afraid he took another bath, Doctor,
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against your instructions.
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We tried to talk him out of it, but he's a very stubborn man.
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Well, there's not much I can do until he rides out the fever.
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Have you any better idea of what's wrong with him, Doctor?
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Well, whatever it is, it's got very little to do with arthritis.
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Is it...
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Is it his heart?
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Oh, no, no, no.
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It's some kind of tropical disease.
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What the poweries get when...
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When?
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Oh, no.
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It's impossible.
46
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What are you thinking, Doctor?
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Well, I've only seen it twice before, both times in Maori's.
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It happened when they fell out of sorts with the Tauner.
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There was some kind of a curse.
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Well, I've never seen it in a European.
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No, it couldn't happen to a Pocky High.
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It's a spiritual thing.
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It depends on the primitive mind.
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What happened to the Maori's?
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There's nothing I could do for them.
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They were dead in 48 hours.
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We want you to take us up the lake.
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What, were they saying, blind and head off?
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There's a man up there.
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Well, I wish him luck.
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All right, Bloom.
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I'm putting this back down to requisitioner.
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You can't!
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Oh, yes, I can.
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Well, I'm in. You can take it yourself.
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Look, there might be a couple of children out there.
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At the very village.
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Your boat speed can make all the difference.
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Your space.
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Oh, well, what's the better prompt, sir?
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I'm going to see plenty of that when I'm going.
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Tom!
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You better come with us.
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Show us where you put Christopher off.
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Thank you for telling me, Davey.
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Perhaps it's just as well that Sir Charles doesn't know.
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They'll be all right, Mrs. Gregory.
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I'm sure they will, Davey.
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Guy Danner.
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Go home to your mother, Davey.
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I do hope she comes back safe.
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The mountain will look after it, sir.
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Trevor, tell me, the
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Slough em,baby.
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IDS surplus the beautiful and beautiful
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Street
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Surprise.
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Never seen fire like this.
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Boys?
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sponsored.
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linguistics.
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This time at the river,
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I wish I had your face in the mountain.
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How is the Charles?
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I'm afraid his fever is getting worse.
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The doctor can't help him.
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I've never seen a talk or a factor European before.
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I've never heard a parker heard that it could.
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It must be that.
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There's no other explanation.
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Well, what am I saying?
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That the police are not going to be able to get the police.
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I mean, yes, that was different.
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I don't know, Guy-Dana.
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But I must accept the evidence of my own eyes.
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It all seemed so fantastic.
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When Sir Charles came here, he could hardly walk.
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And then he was cured.
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That didn't surprise you.
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No.
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I mean, yes.
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That was different.
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Why?
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Do you think the cure was all you're doing?
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No.
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Then surely the powers that made him well can make him sick again.
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The parker seems only to believe in what suits him.
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Sometimes, Guy-Dana, I fear that the parking heart doesn't really believe at all.
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Come on, Tom.
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Where are you?
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Hey!
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Over here!
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No sign of any rover.
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Look!
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Oh!
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The left is on the street, do it!
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Hey!
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Hey, Nana!
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It's Christopher!
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Oh, my God, I just see you!
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Have you seen anything of the gold?
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Sarah J. and Kenny.
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We thought they might be around here somewhere.
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See her in currently.
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So far away, Parnissippi.
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Talk about it!
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I'll go, I'll get it.
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Sarah J!
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Carry!
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Oh!
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Sarah J!
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Carry!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Come on!
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Come on!
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Come on!
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Come on!
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Come on!
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You're okay!
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Hey!
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Hey!
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You're okay!
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You're okay!
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You're okay!
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Hey!
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Hey!
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You're okay!
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You're okay!
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Don't we gotta get down to here?
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I'm in that sign, Dad!
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I believe we need to be here!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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Oh!
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They take a stop!
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Now are the house.
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Keep them warm.
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Let me know if there's any change, hmm?
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I saw a jam.
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Tell I want to see her.
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I'm afraid she's not here.
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Go on, fetch her.
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I don't know how to say this to Charles.
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But we don't know where she is.
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The men are out looking for her now.
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He's looking for her?
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We think she might have taken a rowboat and gone somewhere with Kiri.
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To the bedded village.
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What?
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But the volcano.
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We're in no immediate danger, Sir Charles.
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It's done this before.
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They're not quite so severe.
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Put it to fetch you on the steps of the volcano. Why didn't nobody stop her?
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She went without asking, Sir Charles. It's no good blaming anybody.
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No.
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I blame myself.
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She's never brought her here.
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We found the boat.
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And I saw one of the girls.
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See you later.
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We found the boat.
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And I saw one of the girls.
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See you later.
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Where are they going?
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Where my people went?
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In the top of the land.
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Why?
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They think they'll be safer there.
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Safe. There's no danger here.
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Not yet.
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No!
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Dad!
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Charles!
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Let's head down!
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Come on, let's go!
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No!
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Sarah!
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Sarah!
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We're going to sleep.
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Carrie!
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Do you hope Grandfather will listen to me?
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The
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I'm calling.
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Sarah Jane.
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We were so worried.
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We weren't in any danger.
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But why did you go there?
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To ask what was happening.
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What's that round your neck?
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Grandfather, what do you value most in life?
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I discovered that an hour ago, and I
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feared I'd lost you.
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And mommy and daddy too?
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Of course.
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And Rupert and Auntie Marguerite and baby Victor Torrey.
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I haven't cut and rem free.
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You had to get to America.
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Then you know how the Maori feels about his land.
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What?
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To us, it's just something to buy or sell.
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That piece of property.
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To the Maori.
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It's part of his family.
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Oh, child, this is foolish talk.
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Would you sell the manor where the pematons have lived
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for centuries?
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That's how the Maori feels about the tapu land.
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And this is why the man didn't have to.
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Oh, Grandfather, you understand.
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Silly girl, now, listen to me.
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It's erupting because of forces beneath the surface
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of the earth, pressure that must be released.
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It's quite natural, at least.
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It's natural to those of us who understand.
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But primitive people, the Maori's who
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believe in gods of war and seas and seasons and this and that.
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They have to have some reason why
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their gods are angry.
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Grandfather, look at your hands.
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Look at them.
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Look at them.
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It's because you broke the tapu.
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Oh, Grandfather, why don't you believe?
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Those Sarah.
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Sarah.
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James.
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James?
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It's been a slip on the road.
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Only way out is the railway.
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Oh, where does the train get here?
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I don't know for another four rounds.
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I just want to get in here any sooner.
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We're lucky they get here then.
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Oh, what do we do?
287
00:14:05,000 --> 00:14:06,000
Find the way you evacuate or stay.
288
00:14:06,000 --> 00:14:08,000
And all depends on what the mountain's going to be.
289
00:14:08,000 --> 00:14:10,000
Oh, there's no way of telling Sergeant.
290
00:14:10,000 --> 00:14:11,000
It's utterly unpredictable.
291
00:14:11,000 --> 00:14:14,000
He could stop like that or get 10 times worse.
292
00:14:14,000 --> 00:14:15,000
Well, in that case, we're better off here.
293
00:14:15,000 --> 00:14:16,000
Well, let's wait.
294
00:14:19,000 --> 00:14:20,000
Well, let's watch.
295
00:14:20,000 --> 00:14:23,000
Let's be start having earthquakes.
296
00:14:23,000 --> 00:14:24,000
They're cheering me up.
297
00:14:24,000 --> 00:14:26,000
And I'll be very surprised if we don't.
298
00:14:26,000 --> 00:14:28,000
Well, what's your strongest building?
299
00:14:28,000 --> 00:14:28,000
I don't know.
300
00:14:28,000 --> 00:14:30,000
Here, I'll let it scroll out.
301
00:14:30,000 --> 00:14:32,000
Well, we'd better have shelter there if things get any worse.
302
00:14:32,000 --> 00:14:34,000
But if you ask me, that trains our best hope for survival.
303
00:14:34,000 --> 00:14:37,000
We should move to the station as soon as possible.
304
00:14:37,000 --> 00:14:40,000
You tell your guests to bring a small case and nothing else.
305
00:14:40,000 --> 00:14:41,000
Right.
306
00:14:41,000 --> 00:14:42,000
Well, what about the chance?
307
00:14:42,000 --> 00:14:43,000
I'll look after him.
308
00:14:43,000 --> 00:14:44,000
Right. Well, I'll tell the others.
309
00:14:44,000 --> 00:14:46,000
MUSIC PLAYS
310
00:15:11,000 --> 00:15:18,000
MUSIC PLAYS
311
00:15:18,000 --> 00:15:27,000
MUSIC PLAYS
312
00:15:27,000 --> 00:15:31,000
MUSIC PLAYS
313
00:15:31,000 --> 00:15:33,000
MUSIC PLAYS
314
00:15:33,000 --> 00:15:35,000
You'll never get it on the train.
315
00:15:35,000 --> 00:15:37,000
Well, go on.
316
00:15:37,000 --> 00:15:39,000
Get that stuff off.
317
00:15:40,000 --> 00:15:42,000
Get that stuff off, and cut.
318
00:15:42,000 --> 00:15:43,000
Hey, just a minute.
319
00:15:43,000 --> 00:15:44,000
That's mine.
320
00:15:44,000 --> 00:15:45,000
All right, then.
321
00:15:45,000 --> 00:15:47,000
Well, we're only going to put your children.
322
00:15:47,000 --> 00:15:49,000
You're going to carry them all on your back.
323
00:15:49,000 --> 00:15:50,000
Go on, sleep, man.
324
00:15:50,000 --> 00:15:51,000
Go on, sleep.
325
00:15:51,000 --> 00:15:52,000
Go on, sleep.
326
00:15:52,000 --> 00:15:53,000
Go on, sleep.
327
00:15:53,000 --> 00:15:54,000
Go on.
328
00:15:54,000 --> 00:15:55,000
Go on, sleep.
329
00:15:55,000 --> 00:15:56,000
Go on.
330
00:15:56,000 --> 00:15:57,000
Go on, sleep.
331
00:15:57,000 --> 00:15:58,000
Go on, sleep.
332
00:15:58,000 --> 00:15:59,000
Go on.
333
00:15:59,000 --> 00:16:00,000
Go on, sleep.
334
00:16:00,000 --> 00:16:02,000
Go on, sleep with the horse, but don't pass it to me really.
335
00:16:02,000 --> 00:16:03,000
Not a shame.
336
00:16:03,000 --> 00:16:04,000
Right.
337
00:16:04,000 --> 00:16:05,000
One small man eats.
338
00:16:05,000 --> 00:16:06,000
But we'll let you know.
339
00:16:06,000 --> 00:16:07,000
Well, he's in my bed.
340
00:16:07,000 --> 00:16:08,000
He's in my bed.
341
00:16:08,000 --> 00:16:09,000
He's in my bed.
342
00:16:09,000 --> 00:16:10,000
I'm not going anywhere.
343
00:16:10,000 --> 00:16:11,000
Yes, you are.
344
00:16:11,000 --> 00:16:12,000
I refuse to leave it hotel.
345
00:16:12,000 --> 00:16:15,000
I'll take care of my own if I have to.
346
00:16:15,000 --> 00:16:17,000
Charles, I'll keep him cut me.
347
00:16:17,000 --> 00:16:18,000
I will be going anywhere.
348
00:16:18,000 --> 00:16:19,000
Who can I get to English?
349
00:16:19,000 --> 00:16:21,000
No, I'm not trying to impress anyone, Sir Charles.
350
00:16:21,000 --> 00:16:26,000
I just thought that the Maori's might need my help.
351
00:16:26,000 --> 00:16:30,000
MUSIC PLAYS
352
00:16:30,000 --> 00:16:34,000
MUSIC PLAYS
353
00:16:35,000 --> 00:16:38,000
SIRENS
354
00:16:38,000 --> 00:16:40,000
cht
355
00:16:40,000 --> 00:16:41,000
GIRL
356
00:16:41,000 --> 00:16:44,000
MUSIC PLAYS
357
00:16:44,000 --> 00:16:47,000
SIRENS
358
00:16:47,000 --> 00:16:48,000
GIRL
359
00:16:48,000 --> 00:16:49,000
GIRL
360
00:16:49,000 --> 00:16:50,000
GIRL
361
00:16:50,000 --> 00:16:51,000
GIRL
362
00:16:51,000 --> 00:16:52,000
GIRL
363
00:16:52,000 --> 00:16:53,000
GIRL
364
00:16:53,000 --> 00:16:55,000
MUSIC PLAYS
365
00:16:55,000 --> 00:16:56,000
GIRL
366
00:16:56,000 --> 00:16:57,000
GIRL
367
00:16:57,000 --> 00:16:58,000
GIRL
368
00:16:58,000 --> 00:16:59,000
GIRL
369
00:16:59,000 --> 00:17:00,000
GIRL
370
00:17:00,000 --> 00:17:01,000
GIRL
371
00:17:01,000 --> 00:17:02,000
AND GIRL
372
00:17:02,000 --> 00:17:03,000
GIRL
373
00:17:03,000 --> 00:17:04,000
Ah!
374
00:17:04,000 --> 00:17:05,000
Ah!
375
00:17:14,000 --> 00:17:15,000
Get in!
376
00:17:18,000 --> 00:17:19,000
Pick up!
377
00:17:19,000 --> 00:17:21,000
Fire!
378
00:17:21,000 --> 00:17:22,000
Fire!
379
00:17:22,000 --> 00:17:23,000
Pick up!
380
00:17:23,000 --> 00:17:24,000
Fire!
381
00:17:24,000 --> 00:17:25,000
Fire!
382
00:17:33,000 --> 00:17:35,000
Fire!
383
00:17:35,000 --> 00:17:38,000
Sergeant! Sergeant! Just come through on the way!
384
00:17:38,000 --> 00:17:42,000
Chairman, put the line out. The train is can't come through.
385
00:17:42,000 --> 00:17:43,000
That's all we need.
386
00:17:43,000 --> 00:17:47,000
We'll let them out, the Albion. They'll tell them to get out the schoolhouse, right?
387
00:17:47,000 --> 00:17:52,000
Tell us, schoolers! Everybody up to the schoolhouse!
388
00:17:52,000 --> 00:17:54,000
Again!
389
00:17:54,000 --> 00:17:57,000
Come on, come on!
390
00:17:57,000 --> 00:17:59,000
Help us!
391
00:17:59,000 --> 00:18:01,000
Come on!
392
00:18:01,000 --> 00:18:03,000
Come on!
393
00:18:03,000 --> 00:18:05,000
Have a skull!
394
00:18:09,000 --> 00:18:10,000
I'm such a...
395
00:18:10,000 --> 00:18:12,000
I know you had one with me.
396
00:18:16,000 --> 00:18:18,000
Everybody up to the house! Get in!
397
00:18:18,000 --> 00:18:20,000
Get in!
398
00:18:20,000 --> 00:18:21,000
Oh, God!
399
00:18:21,000 --> 00:18:22,000
I'm happy!
400
00:18:22,000 --> 00:18:24,000
You can't keep this here!
401
00:18:24,000 --> 00:18:26,000
I don't intend to.
402
00:18:26,000 --> 00:18:29,000
Am I all? I'm biding them out into your custody.
403
00:18:29,000 --> 00:18:31,000
I suggest that you go to the schoolhouse.
404
00:18:31,000 --> 00:18:32,000
What if I'm the train?
405
00:18:32,000 --> 00:18:34,000
Fright of can't get smoke.
406
00:18:34,000 --> 00:18:38,000
Don't make a run for us because there's nowhere to go.
407
00:18:41,000 --> 00:18:43,000
I'm not budging, James.
408
00:18:43,000 --> 00:18:44,000
That's that.
409
00:18:44,000 --> 00:18:45,000
Then I'm staying, too.
410
00:18:45,000 --> 00:18:47,000
You'll do it yourself.
411
00:18:47,000 --> 00:18:50,000
Doctor, I am staying. I think I am winning.
412
00:18:50,000 --> 00:18:52,000
Hurry up! What on earth is going on?
413
00:18:52,000 --> 00:18:54,000
It's still in your power to stop it.
414
00:18:54,000 --> 00:18:56,000
Give up your claim to the land!
415
00:18:56,000 --> 00:18:58,000
Look after me, James.
416
00:19:02,000 --> 00:19:04,000
Good luck.
417
00:19:05,000 --> 00:19:07,000
You're a move.
418
00:19:10,000 --> 00:19:12,000
Come on! Hurry up!
419
00:19:12,000 --> 00:19:13,000
Such a gift, Philip.
420
00:19:13,000 --> 00:19:14,000
Oh, hello, Miss Seven.
421
00:19:14,000 --> 00:19:16,000
Maybe it's Chloe's we brought some bread.
422
00:19:19,000 --> 00:19:20,000
Have you lost?
423
00:19:20,000 --> 00:19:21,000
All is coming.
424
00:19:21,000 --> 00:19:34,000
Doctor!
425
00:20:04,000 --> 00:20:34,000
I know I'm not alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone, I know I'm alone,
426
00:20:34,000 --> 00:21:04,000
I know I'm alone...
427
00:21:04,000 --> 00:21:06,000
Then, make it.
428
00:21:07,000 --> 00:21:08,000
Checkmate.
429
00:21:13,000 --> 00:21:14,000
What?
430
00:21:14,000 --> 00:21:16,000
I think it is.
431
00:21:29,000 --> 00:21:31,000
They won't have that mountain, made me.
432
00:21:32,000 --> 00:21:34,000
I won't have it, do you hear?
433
00:21:39,000 --> 00:21:41,000
Black seems to be winning.
434
00:22:01,000 --> 00:22:03,000
I'm not going to be here.
435
00:22:03,000 --> 00:22:07,000
Oh, how was we here?
436
00:22:07,000 --> 00:22:11,000
We are by a rod.
437
00:22:11,000 --> 00:22:13,000
And so shall we.
438
00:22:13,000 --> 00:22:15,000
You are seated.
439
00:22:15,000 --> 00:22:17,000
I am not.
440
00:22:17,000 --> 00:22:18,000
That's right.
441
00:22:18,000 --> 00:22:19,000
Come on.
442
00:22:19,000 --> 00:22:28,000
I say, oh, how about the holy spirit?
443
00:22:28,000 --> 00:22:36,000
In greater sorrow, my voice.
444
00:22:36,000 --> 00:22:41,000
Don't let the colon get the BB, the water, the car, the, my, the, the.
445
00:22:41,000 --> 00:22:43,000
Have a good one.
446
00:22:43,000 --> 00:22:44,000
All right.
447
00:22:44,000 --> 00:22:46,000
Have this as Roger once.
448
00:22:46,000 --> 00:22:48,000
Take the land.
449
00:22:50,000 --> 00:22:52,000
Take it.
450
00:22:54,000 --> 00:22:55,000
Hi.
451
00:22:55,000 --> 00:22:57,000
I woke my day.
452
00:22:59,000 --> 00:23:01,000
I abandoned my title.
453
00:23:02,000 --> 00:23:04,000
Let's see if it makes any difference.
454
00:23:05,000 --> 00:23:06,000
Go on, do your tricks.
455
00:23:06,000 --> 00:23:08,000
See if you can stop the mountain.
456
00:23:08,000 --> 00:23:10,000
Go on, what are you waiting for?
457
00:23:13,000 --> 00:23:14,000
You fools.
458
00:23:14,000 --> 00:23:16,000
You, he, and fools.
459
00:23:28,000 --> 00:23:35,000
You.
460
00:23:51,000 --> 00:23:53,000
Well, here we are.
461
00:23:53,000 --> 00:23:54,000
I came together.
462
00:23:54,000 --> 00:23:56,000
Do me, Dwight, Cyd, Mabel.
463
00:23:56,000 --> 00:23:58,000
Doesn't matter what they did.
464
00:23:58,000 --> 00:24:01,000
We're all in the same boat now.
465
00:24:03,000 --> 00:24:04,000
What's that?
466
00:24:04,000 --> 00:24:05,000
She's got in her hand.
467
00:24:05,000 --> 00:24:07,000
Must be something he gave her.
468
00:24:07,000 --> 00:24:10,000
You've got to admire her, pluck.
469
00:24:13,000 --> 00:24:15,000
So Charles's giving in doesn't seem to have worked.
470
00:24:16,000 --> 00:24:19,000
I suppose a volcano is not something you turn off like a tab.
471
00:24:20,000 --> 00:24:23,000
Still, so many strange things have happened lately.
472
00:24:23,000 --> 00:24:26,000
I wouldn't rule out a few surprises yet.
473
00:24:27,000 --> 00:24:30,000
I mean, we'll wake up alive in the morning.
474
00:24:30,000 --> 00:24:32,000
That'll do for a start.
475
00:26:19,000 --> 00:26:21,000
Thanks for watching.
28472
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