Original subtitles

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[spaghetti western music plays]

[gunshot]

[wind blows]

[distant and muffled sobs]

[cries]

[distant screams]

[dramatic effect]

[silence]

[whispering]

[whispering continues]

[whispering continues]

[distant voices]

Hey, are you OK?

Shh.

[muffled whispers]

[gentle rockslide]

[screams and sobs]

[distant crying]

[sobs]

[heartbeat]

[dramatic crash effect]

What's happening to me?

[distant engine effect]

[deep heavy breath]

[beeping]

[respirator sounds, beeping]

[distant whispers]

Are you OK?

- [beeping continues] - [screams]

- [beeping continues] - [heartbeat]

[whispering voices]

[sudden impact]

[Dr Stone] Neural Control Interface, or NCI,

is a direct communication pathway

between the brain and the computer.

It allows us to monitor and repair

damaged neurons in the brain,

creating a perfect symbiosis

between man and machine.

Imagine a tiny needle containing a rolled-up mesh

that is directly injected into the human brain.

The mesh slowly unravels,

encompassing the damaged part of the brain.

We then implant a small,

wafer-sized computer chip

into the brain connect it with the mesh,

completing the neural net.

Let's take a closer look at the implications

of this technology.

All living things have a bio-electrical code.

Electrical signals that relate to patterns of growth.

What if the neural control interface

allowed us to change

the bio-electrical code in our cells

to repair or even regenerate?

The potential therapeutic applications

of this technology are immeasurable.

Mental illness, brain injury, or even paralysis

may one day be a thing of the past.

Imagine a world where people

with spinal injuries could walk again.

I know this might sound like science fiction,

but let me tell you, this technology,

it's here.

Now.

[applause]

Start preparations, John.

Are you seriously going through with this?

Welcome back, Grace.

My name is Doctor Adriana Stone.

I'm the head of the neurological department

at Bio Neural Solutions.

You must have a lot of questions.

You are a lucky girl, Grace.

Why is my head so sore?

Just feel back here.

You touch it.

It leads to a small computer chip

that we implanted in your brain.

It allows us to monitor your brain function

and make any adjustments if required.

- I know- - What?

It's a lot to take in.

Grace, you were in a serious car accident.

The injuries were very severe.

We had to put you into an induced coma to keep you alive

until you were stable enough for the implant.

The implant's the only reason why you survived the accident.

They're lovely, aren't they?

Grace, I think that's enough for today.

Um... You're in good hands.

Rest up. We'll talk again tomorrow.

OK?

[woman 1] Hey, I'm really glad you called.

[woman 2] I didn't have much of a choice.

[woman 1] You're looking good, though.

How's your arm?

[woman 2] Really strange.

Doesn't feel part of me anymore.

[woman 1] What you went through,

I'm not surprised you feel that way.

Hey.

Where are we?

We're home.

Come on.

[wind chimes play]

Hey.

You OK?

Yeah. I'm OK. I'm OK.

We don't have to stay here tonight.

We can find somewhere else.

Guess we're staying then.

Hey, Grace.

You in there?

I can't believe they finished the renovations.

Hey.

Pillow still smells like Mum.

Your mum and dad...

cared more for me than my own parents did.

I know.

I'll always be thankful for that.

They loved you like one of their own.

[distant creaking]

[creaking continues]

[heavy whispering breath]

[whispering breaths continue]

[distant whimpering]

[music intensifies]

[distant whispering]

[panting]

- [panting] - [creaking]

[music builds]

[creaking] [squeaking]

[panting]

[eerie sound intensifies]

[humming jovial melody]

[teaspoon taps and clatters]

[humming continues]

[knocks]

The world is awake and you should be too.

Come on, time to get up.

Hello.

Wish you'd told me you were coming here.

I'm used to doing things on my own.

Thought we figured all this stuff out.

You OK?

OK, fine. Well, I'll go then.

You know where I am if you want to talk.

No, no, no, please...

Don't go.

I'm sorry, I...

Sometimes I feel like it's my fault.

What do you mean?

I was just so angry the night

they came after me and I...

Grace, you must have realised that's what they do.

Especially when you knew I was coming back

for Soph's funeral.

Hey. Hey, we were just worried about you, that's all.

If I hadn't have run away,

maybe they'd still be here.

Grace, I wish we could go back and change what's happened.

You know we can't.

Yeah.

It's just hard.

I know, I know.

And I'm so sorry.

For what?

For being so horrible to you all the time.

I can't even begin to imagine

what you're going through.

Hey? But I can sit next to you

and be with you through it.

Nothing else matters.

OK?

Come on, let's go for a walk.

- Yeah, OK. - OK.

- Yes. - Up we get.

- I am going to switch you. - I'm acting like...

- Yeah. - Madame. [chuckles]

Do you know who put those flowers there?

No clue.

Look nice though.

OK.

- So. - So.

- How's Ava? - Oh.

Yeah. Actually, not good.

Um, we broke up.

Oh.

I'm sorry.

- No, no. - I am. I didn't know.

It's fine, you know. It's whatever.

It's cool.

When I decided to leave,

I thought that relationships would be the easiest thing

because I could finally be me.

And it turns out that relationships

don't work that way.

So, there you go.

I'm really sorry.

It's fine.

And I hope it wasn't because of me.

No, no, of course not.

Look, it's actually been coming for a while now

and I just didn't see it, so.

- Why didn't you just tell me? - And put more on your plate?

Are you serious?

Well, when does she move out?

This week.

- Oh, OK. - Yeah.

That soon.

So I'll actually need to go back for a few days

- and sort some stuff out. - Yeah, yeah.

But only if you're feeling up to it.

Yeah. No, go. I'll be fine.

OK. Well, OK. We'll see how the next few days go.

[snap]

Ooh. Are you OK?

Alright, I'm checking.

Just... Oh, that's nasty.

[panting] Ah.

Yeah, it's OK.

- Are you sure? - Yeah.

- [motorbike engine revs] - Hey! Who's that?

[sighs] Go!

Are you sure?

Yes.

Go and see who's spoiling our solitude.

OK. All right. Don't take too long.

[motorbike engine revs]

[chuckles]

Oh my God.

[squeals]

Oh, it's so good to see you.

Look at that face.

How are you?

Good. Better now that you're here.

There you go.

Thanks.

[sighs deeply]

Thanks.

Is Grace OK?

She's not in a good place at the moment.

She's been through a lot.

Yeah.

So...

How's the farm going?

Yeah, it's been a tough few years

with the drought and all,

so, um, I had to get some extra work in town.

Do you remember Brian from high school?

Oh my God. Brian.

- Yeah. - Oh, my God, how is he?

Yeah. He's good. He hooked me up with a job.

Do you remember the old theatre in town?

Oh, my God, the old theatre.

We had so much fun there.

Yeah, we did.

[sighs]

I miss those times.

Yeah.

Oh, God, I... I really don't know how you do it.

The farm life's definitely not for me.

I know it was really hard for you here.

But at least you got out while you could.

If it wasn't for you,

Grace,

and Soph

I wouldn't have.

We were there for each other.

It's been really weird ever since I came back.

I can imagine.

So, Grace felt abandoned

when I left, and I get that.

I so get that.

This might sound really bad,

but when I decided to leave,

it felt like the first decision

I'd ever made just for me,

and I don't know if that makes me a bad person,

but I needed to find out who I was away from Grace.

Away from this shithole.

But when I see her...

I wonder if I made the right choice.

I think you made the right choice.

I know more than anyone what this town can do to you.

Yeah, I know you don't talk about it much,

but I know things haven't been easy for you either.

It's been a battle all my life.

But hey, cheers to that, huh?

Oh, cheers to that.

Hello.

One of those for me?

How are you, Grace?

So, Tom, um, how's your dad going?

We haven't seen him around since we got back.

Yeah, he's- he's good.

He hasn't really been the same since Sophie left us, though.

Of course.

Your dad scared the shit out of me when we were kids.

Yeah. I don't think your dad ever liked me.

Don't take it personally.

He doesn't like anyone.

So I guess you run things now?

Yep.

Yeah, sure do.

That cranky pain in the ass certainly won't lift a finger

to help me around the farm, that's for sure.

So, Grace, you would not believe where Tom is working -

the old theatre in town.

We used to love that old place.

Cool.

Hey, can you lighten up?

Why?

Why?

Can't bring my parents back.

And we certainly can't bring Sophie back.

So what's the point?

I think I should go.

No.

Stay.

I'll go.

- [whispering voices] - [dramatic music]

[Tom] Grace?

[Grace cries out]

[crying out] [gasping]

[sobbing]

[dark droning]

[sinister whispering]

Can she breathe?

Breathe. It's OK.

[sobbing]

It's OK. Is it the head?

I'll get her a glass of water.

Speak to me. Just speak to me. What is it?

I... I... I saw the accident and, and

then, no. No.

No, there was someone there. I know

there was someone there.

And then...

He came... He came into the car, Kate, and I saw him.

- He killed them. - Wait.

He killed Mum and Dad.

I know.

- I'm sorry. Can you leave? - Are you sure?

Yeah. I'll get- I'll get her to bed.

I'm sorry. Thank you.

No worries.

[sobbing continues]

[distant whispering]

- [rain and thunder] - [movie music]

[movie plays]

Did you see that?

[male actor] Come on, come on.

[female actor] I take this car.

- [man screams] - [girls scream]

[thunder rumbles]

[door opens]

[thunder continues]

Kate.

Is that you?

[impact]

[roaring]

[panting]

[door handle rattles]

[Grace shudders]

- [loud impact echoes] - [high pitched panting]

Just me. It's just me. It's just me.

Hey.

[thunder rumbles]

[birds sing]

[engine roars]

[sighs]

There's nothing like the smell of that country air.

Making house calls now, are you?

After you.

I suppose you want something to drink?

Tea would be nice.

Thanks.

You have a lovely home, Grace.

I can understand why you were in such a hurry

to leave the hospital.

So Kate rang you, I'm guessing.

We're all worried about you, Grace.

That's why I'm here.

Will Kate be joining us today?

No, she's out.

She's going away for a couple of days,

so she's gone to get some things.

Even more reason for why we need to understand

what's going on in that head of yours.

I'm fine.

Just a couple of headaches, that's all.

What about the seizures?

They're not just simply headaches.

Told you I'm fine.

Look, why don't you just come to the clinic?

We'll run some tests.

Have a better understanding of what's going on.

I'm not a fucking medical experiment.

[sighs]

[heavy sigh]

Actually, you are.

Look, this medical experiment saved your life.

Why don't you show some thanks

to the millions spent on the device in that head of yours?

Why didn't you just let me die?

This device is not the miracle

you made it out to be.

It's a fucking nightmare.

Grace, the fact we're having this conversation,

it's a miracle in itself.

Yeah, I know.

I wouldn't be alive today

if it wasn't for your wonderful technology.

Yeah, well, you're right,

it is cutting-edge technology.

So, you know, I'm the only one who can help you.

I want you to leave.

Get out!

Grace, I can't leave you like this.

I don't think you appreciate the seriousness

of what you're going through.

Look, if we can just, you know...

Oh, god.

[synthesised voice] Get out.

[exclaims]

Didn't go well, huh?

No.

Didn't go well at all.

Look, I told you from day one

that this wasn't going to work,

and you didn't fucking listen to me.

You're going to need to bring her in, John.

How do you propose that I do that?

- Sedate her. - You can't be fucking serious.

Just do it. That's what I pay you to do, isn't it?

Yeah.

What about Kate?

Well, Kate's going in a couple of days.

There'll be opportunity.

Just let me know when it's done.

Hey, Stone, before you go.

When this is done, I'm out.

Hi, Mum.

Hi, Dad.

I don't know if I can do it anymore.

I just don't know what's real and what's in my head.

[deep sigh]

- [scraping] - [heartbeat]

[impact sounds]

[panting]

What's happening to me?

[metal clangs]

[clanging continues]

[clattering]

Hello.

Hey.

[light clattering]

[impact sounds]

[man] Grace.

Grace.

It's me. It's Tom.

I didn't mean to scare you, I'm sorry.

Come on.

Up.

[panting]

Is everything OK?

Why are you sneaking around?

Sneaking around?

What do you mean?

Kate asked me to help out.

Well, she didn't ask me.

So no thank you.

I'm sorry.

Why would I thank you?

What have I done to piss you off?

I think that accident screwed with your head.

Where's Grace gone?

Huh?

Is she in there somewhere?

Is she?

- Hey. - Why is Tom working here?

Uh, he offered to help,

and I thought it would be nice.

Well I don't care if he offered to help.

I don't want him here.

OK. I don't know what's going on between you two,

but whatever it is, can you please sort it out?

No. Listen to me.

I don't want him around my home anymore.

Do you understand?

[footsteps]

Read it.

Read it.

I think Tom had something to do with Soph's death.

Where did you get this?

OK. It mentions Tom.

Grace, it's so cryptic.

No, no, there's more to it. I'm sure.

We have known Tom all our lives.

He would never do anything to hurt Soph.

I know that.

I'm sure of it.

Grace, we know Soph had some issues.

And I'm not saying that Tom's an angel.

But don't you think you're reading too much into this?

No, I don't.

So this is...

This is why you ran away just before Soph's funeral?

I couldn't see her like that again.

I'm going to go inside.

But...

I just...

I wanted you to know.

[slow panting]

Hello.

[long whispering breaths]

Hi, Grace.

Soph.

Oh.

I miss you so much.

What... What are you...

Oh, I'm so sorry.

It's not your fault, OK?

You were always there for me, more than anyone. OK?

I should have done more.

I should have done so much more.

You can't save everyone, Grace.

What? What?

He's coming.

Who's coming?

He's coming.

He's coming, Grace.

Who? What?

He's here.

Run, run!

[impact sound]

[music intensifies]

[panting]

Hey, you awake?

More nightmares?

No, Kate.

They're more than nightmares.

And they feel so real.

It's like they're trying to tell me something,

but I don't know what.

[clattering]

How about today we head up to the lake?

The lake?

Mhm.

But you have to go today.

Yeah. But like, not until later.

I don't know.

Oh, come on. It'll be nice. It'll be fun.

I'll bring wine.

I forgot how beautiful it was here.

What?

- Why are you laughing? - It's beautiful.

Hmm. We both know you don't like it here.

Nah.

I like this moment.

With you.

The rest can get stuffed.

When you see Ava,

tell her that I said she's made a big mistake.

OK.

All right.

I'll only be gone a couple of days.

And don't get too adventurous while I'm gone, OK?

Gosh. Just go.

- And drive safe. - OK.

And, uh, please call me when you get there.

Alright. I love you.

Mwah.

[engine starts]

[water running]

[water continues to run]

[mysterious music]

[water drips]

[gasps]

[sobs and gasps]

[sobbing]

[high pitched screech]

[music intensifies]

[screaming]

[sobbing]

Please, come on.

[panting]

I don't need any help. Please.

My boyfriend's on his way.

[reverberated impact]

[exclaims]

Wait. Wait.

[shouting] Dad. Watch out.

[screaming]

[brakes screech]

[explosive impact]

[gasping]

[screaming] No, no. No.

[screaming]

[wild sobbing]

[screaming] No, no, no.

[screaming continues]

[dark breath]

[screams]

[panting]

[panting continues]

[low droning]

[keyboard tapping]

Who are you?

[man groans]

[exclaims]

[man groans]

[breathes heavily]

OK.

[engine turns over]

[engine starts]

OK. OK.

[engine idles to a halt]

[handbrake cranks]

[soft sigh]

[phone buzzes]

[mysterious music]

[mysterious music begins to heighten]

[music becomes ominous]

[ominous music continues]

[ominous music intensifies]

[short, shallow breaths]

[continues panting]

[ominous music]

[ominous music builds]

[latch clicks]

[sinister music explodes]

[man grunts]

[sobs and whimpers]

- [punch reverberates] - [music fades]

[phone rings]

[message] Hey, this is Grace. Leave a message.

[Kate] Hey, Grace.

Sorry, it took a few days longer

than I thought it would.

I'm on my way home now.

Call me when you can?

Grace, this is the third time I've called.

Hey.

[Kate's message continues] I'll be home soon.

I hope everything's OK.

Come on. Grace, this is getting ridiculous.

Please. Please, call me back!

[phone rings]

[Kate leaves a message] Hey, Tom. It's me.

Look, I just got back, and I can't find Grace anywhere.

I think maybe she's taken her dad's car.

I'm actually kind of getting a bit freaked out over here.

Um... I might come over to your place.

OK. See you soon.

[car engine idles]

[birds chirp]

[ominous music]

- [crows caw] - [wings flap and flutter]

[knocks on door]

Hello?

[knocks on door]

Hello?

Tom? Are you home?

[TV plays faintly in the background]

[door squeaks and closes]

[background voices on TV]

Hello?

[muffled voice on TV]

Mr Bridges?

It's me. Kate.

[TV dialogue muffles]

- [tv dialogue muffles] - [Kate pants]

[tense music builds]

[Kate's breaths quicken]

Oh, my god.

[gasps and pants]

[sobs and gasps] Oh, my god.

[continues panting]

No, no, no.

[sharp inhale]

[ominous music builds]

[sharp, shaky breaths]

Tom?

[clattering]

Is that you?

[gasps and shrieks]

[ominous music intensifies]

[panting]

[screams] Tom!

[screams]

- [gasps] - [metal clangs]

What's going on? Where am I?

[gasps]

[winces and groans]

[moans and gasps]

Oh.

[Grace sobs and grunts]

Hey. Hey!

[grunts]

Hey. Are you OK?

[short, shallow breaths]

[groans]

[car approaches]

You know that's not going to work.

I thought you were dead.

Not far off it.

[grunts]

[grunts]

I'm Grace.

John.

Who's doing this to us?

I don't know.

He grabbed me from behind before I could...

Before what?

It's all a bit fuzzy.

[ominous music]

I remember doors, though.

Being dragged through these big, heavy doors.

I woke up in the back of an old ute.

[John sighs]

I don't know how long I've been out.

Oh, we could be anywhere.

[metal clangs]

I think I saw his face...

but I'm not really sure.

Yes.

There's something strange

about the way he looked, though--

Shh.

What's wrong? - Shh. Someone's coming.

Fuck, fuck, fuck.

The light. The light!

[ominous music escalates]

[door creaks]

- [door creaks] - [door slams]

[footsteps recede]

[metal clangs]

[moans painfully]

Where are you hurt?

He fucked up my spine

so I can't feel anything from the waist down.

OK.

I'm gonna go and I'm gonna try and find a way out, OK?

[door creaks]

[light buzzes]

[indistinct whispering]

- [loud effect] - [whisper] Grace!

- [whispering continues] - [voice] Turn around.

[sharp whisper] Turn around!

[sharp whisper] Turn around!

Oh, my god.

Kate.

[both moan]

OK. Hey.

What the fuck?

Let me see.

Oh, what?

It's OK. Shh. It's OK. Keep your hands together.

Shh, shh.

Get them off. Get them off!

Please-- Wait, shh.

[Kate sobs]

I went to Tom's house because I thought you would be there.

And then... I went inside and Mr Bridges...

Let me see.

Mr Bridges was in the chair and he'd been butchered,

and then I went outside.

And Tom is dead. Tom is dead. He was...

He was in the garden and he'd shot himself.

Tom's dead... Tom's dead. Tom's dead.

Shh, shh. Listen, hey, hey, hey.

Hey, hey. Listen to me. Listen.

You need to be quiet, OK?

We are not alone here, OK?

I'm gonna get us out. Just...

I need you to just... just stay here.

Grace, there's someone...

Oh, my god. Oh, my god!

Oh, my god!

[ominous music escalates]

[Grace] They're more than nightmares.

It's like they're trying to tell me something.

They're trying to tell me that...

[voice muffles into the music]

- [Kate] No. - It's OK.

No! He's going to kill us.

[Kate] Please don't go!

I'll save you, Kate, I promise.

[Kate] Don't leave me!

[ominous music builds]

- [music explodes] - [ratchet sounds]

[Kate screams]

[whispering voice] Hide.

Don't touch me, please.

Please! Don't... No, please. Please.

Please don't.

Please. [sobs] I'm sorry.

Please don't. Please, please.

- [Kate screams] - [metal clangs]

[footsteps approach]

[footsteps continue]

[door creaks]

[footsteps]

[dramatic music intensifies]

[grunts in pain]

[grunts] Oh, fuck.

[footsteps]

[music builds]

[Kate sobs and panics]

[Kate screams]

[squelching]

Anna, help me!

- [heavy breathing] - [rachet cranking]

[projector rattles, movie starts]

[music from footage plays]

[male actor] They're coming to get you, Barbara.

[female actor] Stop it. You're ignorant.

[male actor] They're coming for you, Barbara.

[female actor] Stop it. You're acting like a child.

[male actor] They're coming for you.

Look! There comes one of them now.

[female actor] He'll hear you.

[male actor] Here he comes now.

I'm getting out.

[footsteps]

[ominous music escalates]

[distant screaming]

[screams]

[man] You fucking little cunt.

[killer growls]

Come on you sweet little shit.

- Turn off.

[man] You don't have the balls.

It should have been you that died.

[killer grunts]

[killer shouts]

I see you found my audience.

[metal bar clatters]

[whispers and screaming]

Argh!

[loud thud]

[keys jangle]

[tense music builds]

Hey.

Oh, OK.

Hey.

OK. Here we go.

Up you get. Up you get. Up you get.

OK.

[Kate sobs in pain]

I need you to put pressure on this.

OK.

Alright, I'm gonna get you out.

Hang on.

I'm gonna get you out.

I'm gonna take you to a hospital, OK?

There we go. There we go. There we go.

Where is he?

It's Tom.

It's always been Tom.

No. [sobs]

Now, we're going to get you up

and we're going to get you to a hospital.

Keep pressure. Can you keep pressure on it?

[sobs] I can't.

I'm gonna stand you up. OK?

Yes, you can. Yes, you can.

[Kate sobs in pain]

[Kate sobs]

[Kate continues sobbing]

What?

I don't have the keys.

Don't leave me.

Miss me, bitch?

[Dr Stone] Grace is a perfect candidate

for neural control implant...

[man] Save the arm.

We're losing her. Stone.

I'm not comfortable with you playing God.

I'm not comfortable with you playing God.

[Stone] She has no chance

without the neural control interface.

Welcome back, Grace.

[buzzing]

[voice box] Welcome back.

Where have you hidden Kate?

[Tom's voice] Don't worry.

I'm sure I'll find a rotting corpse later.

[voice box] I'm guessing you two

are already well acquainted.

How are you here?

Who's the man wearing your name badge?

Put it on.

You really were my only friend.

[voice box] Don't look so shocked.

Wrong place for Brian. Right time for me.

Now, Grace, let's talk about what's really going on here.

Come on, John.

Tell Grace who you really are.

And who you work for.

Tom, you're not making any sense.

[Tom's voice] It's no coincidence,

you're both here together.

[voice box] Tell her what you were about to do

when I found you.

Don't hurt him, please.

I think she cares for you.

Don't you think she deserves to know the truth?

[John] I'm so sorry, Grace.

[Tom growls]

Argh!

[John groans and grunts]

Stop! Please, I'm begging you!

Just stop!

[mixture of Tom and voice box] Your new friend John

has been working with your savior,

Doctor Stone.

Security cameras placed all around your house

watching every move you make.

You're under a microscope.

That mad doctor of yours,

put an illegal device in your head.

You're nothing but a fucking science experiment.

How does that make you feel?

You're such a coward.

Underneath that mask,

you're just a scared little boy

that kills defenceless animals.

And that's all.

That little boy you once knew, is dead.

I hide behind the mask,

when I'm wearing someone else's face,

I become the person I want to be.

How about we teach this liar a lesson?

My father was a liar.

I taught him a lesson.

[squelching]

[groaning]

This is what happens to liars.

They all deserve to die.

What about Sophie and your dad?

And Anna.

Did they deserve to die?

You have no idea how much I loved my sister.

All those years,

I tried to protect her.

But I couldn't stop him from hurting her.

I failed her.

I failed Sophie.

[Mr Bridges] What do you think you're gonna do with that?

Sweet little shit. You don't have the balls!

Should have been you that died.

Not my beautiful little Soph.

[Tom cries out]

You couldn't even do this properly.

[Tom] You will never hurt anyone again.

You know I never set out to kill Anna.

But she treated me like shit.

I couldn't allow someone else to treat me like that.

Anna was my first.

They say your first is always the best.

I'm starting to build a collection.

I'm guessing

Kate is in my car.

People in cars can be so much fun.

[grunts]

You should be grateful.

Your parents would have had a slow and painful death

if it wasn't for my mercy.

- [thud] - [Tom groans]

[slicing]

[car starts]

[gasps and chokes]

[slicing]

[heartbeat slows]

[heartbeat stops]

[redemptive orchestral music plays]

[slow orchestral continues]

[ominous music]

[ominous music escalates]

[dramatic music plays]

[dramatic music continues]

[dramatic music continues]