Original subtitles

- Synced and corrected by chamallow - - www.addic7ed.com -

Previously on Daisy Jones and The Six...

We have a new member of the band.

Let's hear it for Daisy Jones.

I'm not here to sing harmony on a bunch

of love songs about your wife.

Just maybe the two

of you can go someplace

and work on something together.

- Are we good? - Of course we are.

You coming?

And you're into Graham?

I mean, he's sexy as hell.

About why we do things that are bad for us,

why we keep doing them,

even though we know that it's

hopeless.

How many pills do you take in a day?

I can throw these

in the toilet right now, and I won't feel a thing.

I never would've thought you were

- so... - What?

... like, broken.

- Can you walk me in? - What? Why?

What I meant

was...

we're more alike than I thought.

We must've written eight or nine songs

the first couple weeks.

I would have an idea, and then

he'd flesh it out, or he would come up with a riff,

and I'd come up with a melody line.

When you're making an album,

any album,

it's an intimate thing.

I mean, it has to be.

Which isn't to say we didn't... fight.

- Not every song needs a bridge. - Oh, we were fighting

constantly.

For a month it was like that.

We'd be, we'd be in the studio,

you know, recording all the arrangements, and they'd be...

who knows where, doing God knows what.

Every day, they'd come in with something new.

I mean, great fucking songs.

And every night, they'd come in

giggling like two little schoolgirls.

And then, I mean, I mean, that's exactly what he said.

Bullshit.

No, I swear, I swear on my life.

Bullshit.

What? It's not that funny.

Did it concern you?

Not really.

Not yet, anyway.

I mean...

like, whatever they were doing...

... it was working.

♪ Could the truth ♪

♪ Ever un-tell those lies ♪

♪ Could a promise ever be ♪

♪ Unbroken ♪

♪ Or would it kill you to try ♪

♪ Boy, it would kill you to try ♪

Whoo!

♪ Boy, it would kill you to try ♪

It's not right.

It doesn't sound good. It needs to sound...

It sounds too nice. It needs to sound swampy.

- Swampy? - Do you know what I mean?

- It needs to sound swampier. - Uh...

Ride the toms instead of the high-hat.

Eddie, longer notes.

All right.

Great. Was that so hard?

I guess he speaks Daisy now.

- Swampy. - Swampy.

Yeah, we knew it was good.

Teddy was th-the most confident.

Here's how confident Teddy was,

before we even finished recording,

he calls in a favor at Rolling Stone.

It was only my fifth assignment.

Had the magazine thought more of The Six at the time,

they would've sent someone else.

♪ What is it? What is it I must do? ♪

♪ If I tell you, promise me you'll mean it ♪

♪ Let me come, let me come home to you ♪

♪ Oh, tell me, promise me you'll mean it ♪

Look, I know that I said that I would tell you everything,

but how much of everything do you really want to know?

And what were you doing

while all this was happening?

Oh, I was busy raising a child.

Pretty much...

all by myself.

No, I... I don't agree. I... I mean, I...

Every ti... every t... every time you do that,

every single time, it doesn't work.

No, no, no.

No, I think, I-I think verse one,

then, you know, chorus one, and then back to verse.

Before the bridge, we go back to the chorus, all right?

Like, we go back to the chorus.

If that doesn't make sense... How?

What?

Come on. Come on.

Honestly, um...

This, uh, this line doesn't work, does it?

Well, if you're asking me, then you know it doesn't.

So, can you fix it?

Probably.

Okay.

It felt like we were competitors.

Or rivals, even.

I fixed it for you.

You kept the one line that didn't work.

The line's beautiful.

It was just the rest that was shit.

Well, fuck.

It's not what you think, man.

Okay.

You've seen Bonnie and Clyde, right?

- Warren Beatty and Faye Dunaway. - Yeah.

The sparks were flying in front of the camera,

but then they had their lives, you know, and that's...

that's how Daisy and me are.

So, you're saying it's just an act?

Not exactly, no,

but, uh...

I mean, it's not real life either.

That's kind of the point.

Okay.

Hi.

Hey.

Beautiful.

She is.

I meant the photograph.

You took this one?

Mm-hmm.

The way the light frames the side of her face.

And how the room feels just a touch out of balance...

Oh, my God.

Oh, my God. My Spanish

is not what it used to be.

No, hey, I'm just saying I'm impressed.

- Thank you. - Yeah.

I like that, too.

Thank you.

Hey, you want to see a movie sometime?

Uh...

That's my husband in the photo.

And who is she?

She is, uh...

she's someone in-in his band.

If you say so.

What'd he look like?

What does that even have to do with anything?

I don't know. I'm just painting a picture in my mind.

Just felt nice

- to speak Spanish. - Mm.

You know, and just...

to not feel like a mom for 30 seconds of my life.

How's things with you and the boss?

Oh, you know...

Fine, I guess.

He's never really here, and even when he is, he's not, like...

here, you know?

Well, the songs are really good.

But that's another fucking thing.

I haven't even heard the songs yet.

When you guys were making the first album,

I felt like I was a part of it, somehow.

Maybe I just...

need something of my own,

you know?

Yeah.

Anyway... how are you and Graham?

Wait, what? He told you?

I've known Graham since he's 17 years old,

okay? I've never seen him smile this much in his life.

- We're just having fun. - Just?

Why just?

- Oh, God. - You like him, though?

- Yeah, you like him. - Yeah. Yeah, I do like him.

And... he loves you.

No, he doesn't.

Karen.

Please don't tell anyone.

I would never.

Hi. How'd it go?

Hey.

Yeah.

- Something there maybe. - Yeah?

Sorry it took longer than I thought.

No, it's okay.

So, I read some of the lyrics to that song.

Um... "Please"?

It was good. It was really good.

It's very... mm...

intense.

Yeah, well, Daisy wrote that one.

Mm.

Well, I liked it.

When do I get to hear it?

When it's ready.

What?

What?

I just want it to be perfect for you.

Since when?

I just, I mean, I used to be the first person

that you'd play things for, so...

Soon.

Okay.

♪ There ain't no words ♪

♪ For the song I'm here to sing ♪

♪ There ain't no words for the song... ♪

Even now, when you listen to that album,

every song is like a coded message

from Billy to Daisy, Daisy to Billy.

I'm sorry, did he say "coded"?

This is wrong. This is... It was different in my head.

I got to go.

- Where you going? - I'm just hitting a low.

You don't have to leave.

I thought I had it in the car, you know?

Then let's get in the car.

Has that melody come back to you yet?

- You know what's crazy? - What?

We live in California. The fucking ocean

is right over there, and I never ever see it.

So, turn right.

Whatever this-this is, this is new for me.

This is new for me too, Daisy.

My real name is Margaret.

Where did Daisy come from?

I didn't like myself very much when I was little.

So, I became somebody else.

I have a confession for you.

You made "Honeycomb" better.

I know.

You make everything better.

We still need to figure out the rest of that song.

I'm not tired.

I should probably...

See you tomorrow.

What changed his mind?

What did he tell you?

I looked in that room,

and all I saw was...

... temptation.

Yeah, well...

it wasn't the drugs.

♪ Come on, come over ♪

♪ As fast as you can ♪

♪ You're afraid that you won't like it ♪

♪ But you don't understand ♪

♪ One thing, my brother ♪

♪ I can tell you true ♪

♪ The more time you spend feeling happy ♪

♪ The less time you'll be blue... ♪

Hey.

Rolling Stone.

- Jonah. - Yes.

Yeah.

I didn't know you were staying here.

Yeah, remember, I told you earlier.

I wasn't listening.

What?

I could've sworn you two were together.

Just from the songs.

How do you know we're not?

Not according to Billy.

And what did he say?

He said it's acting.

Make-believe.

He doesn't actually have feelings for you,

but he doesn't mind if people think that he does.

He said it's all about the music.

Do you have any coke?

Next day,

we were supposed to record vocals for "Aurora."

And we waited hours.

- Did you try her room? - Yeah, couple times.

I'm worried something's happened.

Ah, she's probably just off somewhere.

No. No, no. This is her record as much as it's mine.

Something's not right.

- I got to go. - I'll go with you.

No, it's worse if the principal comes.

- Well, take Warren. - I can handle it.

Jump! Jump!

Jump! Jump! Jump!

Oh, shit.

Yeah, shit.

Sorry.

Teddy's catching hell from the label,

and you just wasted an entire fucking day.

I just said sorry, didn't I?

I have to tell you a secret.

I think you're the most talented person

I've ever met...

Besides me.

How much have you taken?

I'm perfectly, perfectly in control

of my faculties.

You're a mess right now,

you know that?

Fuck you.

Say hi to Camila for me.

I want to hear, like, a...

him thinking.

Then he starts to get really stressed.

Hey.

I wrote something for you.

"More fun to miss than to be with."

I'm not singing that.

They're just words. What's the problem?

♪ I still need a drink for all the glasses in the sink ♪

♪ From chasing a shot that rang through hell... ♪

Stop.

What's the problem?

Let's, uh, let's go from the top.

♪ I still... ♪

Stop.

I'm not feeling it, Daisy.

Just let it out.

♪ I still need a drink for all ♪

♪ The glasses in the sink ♪

♪ From chasing a shot that rang through hell ♪

♪ For the record... ♪

Again.

- ♪ I still need a drink... ♪ - Again, Daisy.

- What is the fucking problem? - After yesterday,

it's the least you can do.

Again.

♪ To think that I would buy that wink ♪

♪ But that little thing you do just ain't... ♪

- Stop. - I'm not...

One more from the top.

♪ Think that I would buy that wink ♪

♪ But that little thing you do just ain't right ♪

♪ More fun to miss than to be with... ♪

Stop. Uh...

Stop. Stop. Stop! Stop!

- Stop. - Billy, hey...

just ease up on her, man.

Daisy, you're not trying hard enough.

All right? I-I just need you to feel.

I mean, what are you afraid of?

Fuck this.

Daisy.

Daisy!

Why are you doing this?

This is what we do. We push each other to be better.

What did you say to her?

What do you mean?

I mean, the voice on the album,

how'd you get her to sing like that?

You want me to sing your song?

I'll sing your fucking song if you tell me the truth.

Tell me that there's nothing going on between us.

Tell me that this thing,

that the way I feel, that this is in my fucking head,

and I'll go in there and sing

that song, and we can all go home

and never talk about this again.

Tell me if I'm fucking crazy.

♪ I still need a drink for all the glasses in the sink ♪

♪ From chasing a shot that rang through hell ♪

♪ For the record, I'm fine ♪

♪ With what's left of what's mine ♪

♪ Almost took you by mistake for someone else ♪

♪ You're just a wild guess ♪

♪ In a see-through dress ♪

♪ I don't want to hear you squealing up my drive ♪

♪ It took guts to think ♪

♪ That I would buy that wink ♪

♪ But that little thing you do just ain't right ♪

♪ You found me in flames ♪

♪ It's the daylight of change ♪

♪ All that stuff is done ♪

♪ You're my morning sun ♪

♪ Aurora, you're the one... ♪

- Hey. - Hi.

- There she is. - Hey, man.

- Wow. - Hi!

There she is.

Oh. Oh...

- Billy Dunne. - Hey.

- Larry Scardino. - Nice to meet you. This is, uh,

- my wife, Camila. - Hi.

I'm a really, really big fan of your work.

So, this is who all these songs are about?

Oh.

It all makes sense now.

Uh, what happened to simple?

Uh, magic hour? The band on the mountaintop thing?

Daisy wanted something a little grander.

Well, she and I, uh,

need to talk about this.

Excuse me.

Hey, this is, uh... That's "Aurora," isn't it?

- Yeah. Yeah, it is. - The song that's playing.

Uh, check it out. Let me know what you think.

- All right? - Okay.

- Make yourself at home, Camila. - Oh, thank you.

That's kind. Thank you.

♪ Aurora, you're the one ♪

♪ You're my morning sun ♪

♪ Aurora, you're the one... ♪

It's a little much, isn't it?

We're a band from Pittsburgh.

Not anymore.

You okay?

- Yeah, get him. - Ah, you'll never take me alive.

Skilled.

- Oh, ah, there's Mommy. - Hi, honey.

- Oh, there's my baby. - You want this one?

- Yeah. - Oh, great, fine.

- Oh, there she goes. - Mwah.

Silly.

- Yeah. - I am silly.

- Thank you. - All right, we'll see you soon.

- Thank you. - Ciao, Julia.

♪ Please if it's only a single bite... ♪

- Oh, my gosh, you're so big. - I know, right?

- Oh, my gosh, you're so tall. - Yeah.

- Oh... - Julia, no, no. I'm sorry.

I'm fine. It's just hair.

You're so great with her.

Oh, well, it's just, uh,

baby powder and a lot of diapers, so...

Anyone can do it.

They can't.

Trust me, I know.

This is that

"Please" song, isn't it? I recognize the-the lyrics.

Yeah, I think Billy was possessed that day.

Billy?

What?

Oh, no, he just said that you wrote it.

I don't know why he'd say that.

Oh... I'll see you later.

Bye.

Are you embarrassed to be with me?

What? No.

I don't really know what else I'm supposed to think

- at this point, Karen. - It's not that.

It's...

Look, the moment they know we're together, everything changes.

- Yeah, it doesn't have to, Karen. - Yeah, but it will.

They'll treat me different, you know they will,

and that's just the boys. I mean,

- what about the rest of the world? - Yeah, well...

"She was sleeping with the guitarist,

so they let her in the band."

I mean, that's what people will think, Graham.

I've just...

worked too fucking hard, and I'm too fucking good

to forever be known as "The Girlfriend" in The Six.

Do you understand that?

Yeah. Yeah, actually, I do.

And... ?

And nothing.

I'll never bring it up again.

Excuse me, can you switch with Billy, please?

Sure.

Uh, just Billy and Daisy, please.

Figures.

You guys look great.

Would you mind sitting next to him?

Oh, Billy.

Um...

Can I grab you for a minute to go over some stuff?

- Yeah, sure. - Cool. Couple things came up I wanted to double-check.

- You're naming it "Aurora"? - Yes, "Aurora."

And, uh, town where you grew up?

H-A-Z-E-L-W-O-O-D. Hazelwood.

And, uh, what was the name of that recovery clinic?

Who told you about that?

Sorry. Daisy mentioned something about that first tour.

You needing to dry out and whatnot.

- I, uh... - I mean, whatever, it happens, right?

Drugs, women, you're a rock star,

what're you gonna do? I mean, they don't all miss

their daughter's christening 'cause they're too coked out

- to show up, but... - That's not true.

Which part?

Teddy said you were writing a puff piece.

- No? I mean... - Hey,

I'm just trying to get my facts straight, man.

Yeah.

Hey, Daisy, can I, uh...

can I borrow you for a sec?

Do you actually want this band to fail?

Do you have any idea how fucking uncomfortable I might be?

Fucking brought your wife here.

Of course my wife is here!

How could you tell him?

- You said "it was all about the music." - This is about the music.

That's why you kissed me? So I'd get back on the mic?

Listen to the song.

I'd say it was worth it, wouldn't you?

You're a fucking liar.

I'm done here.

Fucking bastard.

♪ 'Cause I need you now ♪

♪ Much more than I ever had ♪

♪ And I want more and more if I can get it... ♪

Shit.

Fucking pen. Where's a pen?

Oh, shit.

♪ Keep on giving it to me ♪

♪ Crazy 'bout you, baby... ♪

Hello? Hello?

- What? - Miss, look what you did.

What do you mean? I was clearly stopped.

Okay, I'm kind of in the middle of something.

I'm going out for a bit.

Okay.

You see it? It's cool!

Yeah, baby!

What are you doing here?

I don't know. Change of scenery?

- Hi. - Hey.

You look amazing.

Mm, thank you.

Do you want to join us?

No, no. I'm good.

I'm good here, thank you.

Go. Go have fun.

- Okay. - Bye.

Asshole.

Wow.

You'd choose me over a sure thing like that?

I'd choose you over everyone.

Hey, look, are you,

are you sure you're okay?

There were just so many...

secrets.

I think I just needed one of my own.

- Have you eaten? - Uh...

Mm-hmm, just had dinner with a friend.

Hey, man.

♪ You regret me ♪

♪ I regret you ♪

♪ You couldn't handle your liquor ♪

♪ And you can't seem to handle the truth ♪

♪ I'm a slippage in the system ♪

♪ And I'm perfectly ready to strike ♪

♪ So go ahead and regret me ♪

♪ But I'm not easing up on this mic ♪

Hey.

I wrote one for you this time.

This isn't going on the album.

- Why? - We agreed to write everything together.

You wrote "More Fun to Miss" without me, right?

That's going on the album.

- Yeah, well, this is different. - Why?

'Cause I say it is, that's why.

Show of hands. Who thinks this song should go on the album?

It's a good song, Billy.

Isn't that what we're all here for?

She's right, man. It's-it's good.

This is bullshit.

- See ya. - Hey, where you going?

Oh, come on, Billy.

Should we run through it?

Goddamn.

Look, man.

I'm not trying to cause any problems.

I don't really believe you.

But I do have a story to write.

I'm asking you, please,

don't put my daughter in your story.

Give me something better then.

Great.

Um, do whatever the fuck you want.

♪ You regret me and I regret you ♪

♪ I find it perfectly natural ♪

♪ Here in my car to be doing ♪

♪ Off the PCH Highway ♪

♪ With the typical wonderful view ♪

♪ Go ahead and regret me, but I'm beating you to it, dude ♪

♪ Go ahead and regret me ♪

♪ But I always will too regret you ♪

♪ Go ahead and regret me ♪

♪ But I always will too regret you ♪

♪ Go ahead and regret me ♪

♪ But I always will too regret you ♪

And that's how we ended the "Aurora" sessions.

We had a three-week break before rehearsals started.

I-I chartered a boat and I sailed down to Mexico

with these, these two sets of identical twins...

I just stayed around, uh, you know.

Just, uh, to see what happened, or whatever.

I don't think we did anything actually.

Soaring up the charts is this brand-new ditty

from The Six, our most requested song of the day.

This one's called "Aurora."

♪ You found me in the flames ♪

♪ It's the daylight of change ♪

♪ Baby, all that stuff is done... ♪

I knew I should've been happy.

I'd made something I was proud of.

And we were about to head out on our first U.S. tour.

But when the drugs wore off

and the adrenaline faded,

all I could hear was my mother's voice

telling me I wasn't worth anything.

♪ My crazy ways are done ♪

♪ You're my morning sun ♪

♪ Aurora ♪

♪ You're my morning sun ♪

♪ I kind of think I want to make it ♪

- ♪ Last forever ♪ - ♪ Oh, I kind of think I want ♪

♪ To make it last forever ♪

♪ I kind of think I want to make it last forever ♪

♪ Oh, I kind of think I want to make it last ♪

- ♪ Forever ♪ - ♪ Mm, I kind of think I want to make it ♪

- ♪ Last forever ♪ - ♪ Oh, I kind of think I want to make it ♪

♪ Aurora, I'm here ♪

I knew this guy was a bad fit.

Should have trusted my instincts.

We used to fight like that.

Look, I don't need to know everything,

but, um, if you love her...

- I don't. - Well, if you ever do...

that is when this ends.

Do you understand?

Hey.

Hey, hey, hey, hey.

It's you and me always, I promise.

Then everything else we can handle.

History is what happened.

Not what almost happened.

Not why you did what you did.

But what you did.

That's what matters.

Can I help you?

Uh...

I'm look... I'm looking for the woman who lives here.

Nobody's lived here since Wednesday.

And how long are you planning to stay in Greece,

Miss Jones?

You know...

I never really think that far ahead.

- Synced and corrected by chamallow - - www.addic7ed.com -