Original subtitles

- Synced and corrected by chamallow - - www.addic7ed.com -

Previously on Daisy Jones and the Six...

Probably gonna need some money and...

Teddy Price to produce us.

Are you a bunch of fucking idiots?

Ellemar Records.

Are you interested?

All you need is some shaping.

I don't think I want to be shaped.

Your songs. They aren't songs.

Maybe I don't want my songs to fit in a box.

Maybe you're right.

Mr. Price? Hi.

Is there any chance we could play for you sometime?

You know, you only get one shot at this.

What can I say?

They knocked my [BLEEP]ing socks off.

We're making an album!

No, be cool.

♪ I put the man in the moon ♪

♪ I put the dial in the tone... ♪

Billy, I'm pregnant.

What the hell are we gonna do?

We got married that night.

One...

What do you remember about the tour?

Camila,

listen, listen.

What the fuck do you think you're doing?!

You are gonna show up for me, for this child,

and you're gonna keep showing up.

♪ Look me in the eye... ♪

Camila's had the baby, Billy.

Let's go meet your daughter.

I can't have her meet me like this.

Then there's someplace else we got to go.

Drink?

So, how you been?

Do you like it or not?

Well, at least you stopped pretending you don't care.

That's progress.

I like it, Daisy. Very much.

What can I do for you?

I don't know.

What do you want?

I want to make a record.

Okay.

And I want people to listen to it over and over again

until it breaks.

And then I want to make another one.

Well, you got one great song.

All we need now is ten more.

Give me a week.

Shit.

Oh, and, Daisy.

This is now the worst song on your album.

♪ Mama told me to watch out ♪

♪ For girls like you ♪

♪ Mama told me to watch out ♪

♪ For what you do-do-do-do-do-do ♪

♪ Mama told me to watch out ♪

♪ She said you'd give me the blues... ♪

Hey, world-famous rock star Billy Dunne.

Eddie built his own bass, if you can believe it.

And we tried a new backing section

on "Look Me in the Eye" that

- I think you're really gonna... - Graham, I just...

I need to meet my daughter.

Yeah. Right.

♪ I knocked on the door ♪

♪ But there was no... ♪

You're gonna love her, man.

♪ Mama told me to watch out for girls like you... ♪

The other day we were hanging in the yard, and...

and she just looks up at me with those big eyes,

and out of nowhere she just, she just smiles, you know?

Like...

And not some smile like when she's got gas.

You know, like a real, full human smile, man.

We didn't really understand addiction back then.

I mean, I thought he'd just dry out.

Things would go back to the way they used to be.

- My man! - Hey.

- Looks good on you. - It's not too bad.

You good?

Yeah. Been worse.

Pittsburgh on three?

Hey, man, I... I got to show you this bass...

Hey, Eddie, Eddie, Eddie.

Just give him a minute, man.

He's got to meet his daughter.

Yeah, but it's good to see you guys.

Good to see you, Billy.

Welcome home, man.

Oh, yeah.

Shh, shh, shh, shh.

- Hi. - Hi.

Mrs. Alvarez.

You want to come say hi?

Hey, kiddo.

Sorry I'm late.

You want to pick her up?

Uh, I don't want to make her mad.

She's not mad.

Camila, I can take her for a walk.

We're fine, mom.

Thank you.

She's fine, she's just... she just needs a nap.

All right, can I, uh...

Can I help with that, or...

Do you need anything picked up from the store?

We're fine.

Okay.

Okay, my daughter.

I, uh... I, uh...

I missed you.

My mom's been, uh, sleeping here with us.

Helping with the night feedings, so maybe you should...

Yeah, just for the first few nights.

Of course. Sure.

The label dropped us a week after the tour was canceled.

They made us pay back our advance and everything.

I kept us practicing as much as I could...

and got a job at a body shop.

Yeah, I was working down at Malibu Harbor cleaning boats,

which I loved,

and, uh, and doing a lot of mushrooms.

Which I also loved.

Basically, we were back where we started.

Worse, even.

Are you still upset about it?

Me? Nah.

I mean, holding onto that shit will be the death of you.

But he really fucked us over.

You feeling okay up here?

Yeah, man, it's great.

You want to play a little?

Maybe later.

Yeah, man. Hey, I get it, you know.

I mean, maybe tomorrow?

Whenever you're ready. I mean, look,

everybody's really excited...

I can't do it, Graham.

You can't do what?

I-I mean I'm out.

I-I'm done.

Look, why don't you just get some rest, all right?

Listen, um...

I can't be like Dad.

I just, I-I have to look after my family.

Yeah, Billy, we're your family.

- All right? I'm your family. - Just...

- Okay? - Will you just tell 'em I'm out?

Everybody down there, Billy, they've been waiting for you.

Just, will you just tell 'em for me, please?!

You can tell 'em yourself.

We were so...

so close, man.

Okay.

Let's look at this. What do we have?

This is bad.

"Through the fault of... "

"There's something up in... in Utah."

"The grain or the sand that had to cherish... "

Oh, my God.

Ugh!

Oh, my God, what are you doing?

Writing.

Okay.

You gonna get that?

Ugh!

Should I...

- Yeah. Uh... - Me?

Somebody named Lee Parlin.

You sure?

- She's not here. - Shh...

She's... Here she is.

- This is Simone. - Hey.

So I'm working over here with the 32-20s.

How fast can you be here?

And then I was supposed to do

just the chorus, but it was going so well,

he said, "Well, would you do the whole song?"

- He said I had a one-of-a-kind sound. - Well, he's right.

And that we should do big, big, big things together.

- That's-that's what he said. - Of course he did.

Because you're a star.

Teddy said this was gonna happen, he said it's

only a matter of time...

Sorry. What were you saying?

Go talk to her.

I'm Bernice.

Simone.

I'm Bernie to most people.

And you're a singer.

You... You know...

- I heard you guys talking. - Oh, right, right.

So what's your sound?

Still kind of figuring that out.

Hmm.

It's the club where I work.

This is a New York address.

Come by if you're ever in town.

I could show you around.

I'm sorry, did I read you wrong?

It's a powerful thing when someone comes along

and just...

sees right through you.

I'm not used to people being this forward.

You think this is forward?

♪ Yeah... ♪

Damn, girl, look at you.

How long has it been?

Daisy Jones.

You know, back when I met you,

your name was... your name was Margaret.

And you'd never had a number one record.

Yeah.

- You know, you could at least say thank you. - Thank you?

Thank you for what?

♪ She's all around your head ♪

♪ And she's dancing in the corners of your mind ♪

♪ Stumbled on sublime till you can't speak ♪

I mean, sure, a normal person probably would have let that go.

Who the fuck do you think you are, man?

Look, everybody just calm down, okay?

Oh, for fuck's sake, I can't be the only one

who's pissed here.

I don't know what else you want me to say.

You guys don't even need me.

You have the songs, you got the fan base.

- I mean, I'm sure if you just... - Billy!

If you're going, go.

All right.

So now what do we do?

I mean, bands fall apart, you know.

That's rock and roll.

I just...

... thought this one was different.

That should do it.

Hello?

- Hi. - Hey.

Hey, man.

Uh, the fellas said you were back here.

So, let me guess.

They asked you to come change my mind?

Of course they did.

But I'm not going to.

I actually think you're doing the right thing.

So, why did you come, then?

I missed you.

You know, I, uh...

I don't think I ever said thank you for...

No, no, no, no, I...

I'm just glad that it seems to have taken,

'cause it doesn't always, you know?

It's never, ever gonna get any easier.

Do you know that?

Yeah.

For me, it was all about moving forward.

♪ Yesterday you were talking about... ♪

- All right, well, not him. - No, not him.

- Yeah, I... - He's offensive.

Look, we're gonna find somebody, all right?

You think?

Guys like your brother, Graham...

they don't exactly grow on trees.

Look, I'm gonna put an ad in the paper,

I'm gonna talk to the guys at the Troub.

He's out there somewhere. All right?

I mean, he's got to be.

What are you thinking?

I'm thinking I want to get drunk.

But are you still gonna be called The Six?

I mean, there's four of you now.

Yeah, man. Makes it even funnier, doesn't it?

Look, if you don't get the joke,

I-I can't help you, man.

I'm not a nun, obviously.

I like sex. I mean, I love it.

It's just the mess that I don't like.

Attachments, expectations.

What, so you never want...

What?

I mean, a life?

Like Billy and Camila?

I want this life.

I want traveling and seeing the world

and playing music with my friends

until I drop dead onstage.

I am quite horny, though.

You're what?

Yeah, I would literally fuck anyone right now.

Yeah, yeah, me, too.

Yeah, it's, uh... been a minute.

We should just go for it, don't you think?

I mean, why not?

Yeah.

Yeah. I mean...

It was a confusing time.

For everyone.

♪ Set the southern stars ♪

♪ I brought the heathens peace ♪

♪ Then I ate the bird in the bush ♪

♪ Oh, someone called the police ♪

♪ I know you don't mean it, I know you don't mean it ♪

♪ Because you can't turn around ♪

♪ Look me in the eyes ♪

♪ Turn around ♪

♪ Say it to my face ♪

Feel like we've seen every

bloody front man in the whole of California.

Not everyone.

What?

I can do it, guys.

- Yeah, Eddie... - I can do it.

I'm a better guitarist than Billy,

I can sing almost as good.

Come on, just give me a chance.

I mean, he's already up there.

♪ Come on, you can't be serious ♪

♪ Can't even take a joke ♪

♪ You can promise that the boat won't sink, but ♪

♪ Could you ever let it float? ♪

♪ The sun is shining down on you ♪

♪ While the moon is getting bigger ♪

♪ You couldn't flip the switch then, baby ♪

♪ You couldn't pull the trigger ♪

♪ Do what you gotta do ♪

♪ Babe ♪

♪ Yeah, yeah ♪

Let's go again. I think I can beat it.

Well, why don't you come in here and listen

to that take first? 'Cause I...

I-I think that's about as good as we're gonna get.

Okay.

You got to hear this.

It's magic. Cue it up, Danny.

♪ And if I can't understand ♪

♪ Maybe I can still relate ♪

♪ Relate, yeah... ♪

That was good.

- You want to sit down? - Yeah.

♪ Someone has been in your shoes... ♪

Ooh. Okay.

♪ Most the time they walked right out the door ♪

- ♪ I'll leave it up to you ♪ - Oh.

- Sounds like honey. - Thank you.

♪ Babe ♪

♪ I'll leave it up to you... ♪

- You feeling okay? - Yeah.

Uh, I can hear myself better here.

♪ Do what you gotta do ♪

Sounds nice.

- You okay? - Yeah. Yeah.

Okay.

Let's go home.

To Pittsburgh.

We'd be closer to your parents, to my mom.

I'll get a construction job. I-I like building things,

working with my hands, you know.

You could get a job at the paper, taking pictures.

Do you think that I moved here for you?

'Cause I-I didn't.

I moved here with you, Billy.

- For us. - All right, I'm not...

For the life that we wanted.

I'm just trying to be practical, Cam.

All right? If I stay here...

Oh, my God.

I don't know if I can handle it here anymore.

- That is not the problem. - You're not listening to me.

Why don't... I'm weak.

Pick up your kid.

Go ahead.

Pick up your daughter.

What are you so afraid of?

Do you think... do you think that I wasn't scared

when I held her for the first time

and you weren't even there?

You think that I wasn't

so hurt when you...

But I stayed, Billy.

I faced it and I didn't leave.

So I am asking you,

what are you so afraid of?

I think I'm afraid...

I'm afraid she's gonna love me, and...

... I'm gonna fuck it all up.

Welcome to the club.

Hey, kiddo.

Hey.

What's this? What's this?

One, two, three. One, two...

You don't have to sit here with us.

You know, you can go back in.

No, I, you know, I-I want to, I...

I miss hanging out with this little troublemaker.

- Yeah, she's the best. - Hi, baby.

Hmm, my girl.

Tickle-tickle toesies. Tickle-tickle toesies.

So, uh...

... everything's just back to normal with you guys?

I mean, just like that?

Sorry, I just, I-I don't know how you could...

Have you ever been in love before, Eddie?

You don't just stop loving someone

because things get hard.

You know?

At least I don't.

Wait, let me grab my camera. Wait.

Say "Feliz Navidad."

Hey, Feliz Navidad...

You say, "Merry Christmas, Mama."

Hey!

- Cheers. - Cheers.

One, two,

three!

Pittsburgh!

Well, it took forever,

but she's finally asleep.

She's asleep!

- She's asleep. - Come and have some fun.

Look, I, uh,

I'd like to play something for you,

if you're open to it.

I understand if you're not.

We're not.

We're not. Right, guys? I mean...

Oh, come on. You can't do this.

You-you can't just walk back in here

like nothing happened.

You're right. I'm sorry.

I'm just gonna go check on Julia.

Hey, asshole.

Play the damn song.

Why did you stay?

I ask myself that all the time.

♪ Oh, but I know we can ♪

♪ Get it all back ♪

♪ Oh, I know ♪

♪ We can get it all back ♪

What's the matter?

I mean, I, I know it's a new direction,

but it's, uh...

Are you telling me that's not a good song?

It's a good song.

So?

You burned a lot of bridges

when you canceled that tour, man.

You burned a lot of bridges and a lot of money.

Money that wasn't yours.

And, yeah, the song is good,

but there's a lot more people with your sound now.

Well, let me talk to the label.

It's not gonna help.

Well, then, you talk to them.

All right, I mean you're Teddy Price.

- They'll listen to you. - Look, look, look, man.

Your fuckup is my fuckup, all right?

Jesus Christ.

I thought that yours was gonna be

the record to fix things, but it...

Well, it just didn't, Billy.

Well, I'll play it for 'em,

and, uh, let's see what they say.

Thank you.

♪ We're both getting older ♪

♪ You tell me, tell me, tell me ♪

♪ I've seen the dark skies ♪

♪ Did we unravel a long time ago? ♪

♪ Is there too much we don't wanna know... ♪

Yeah.

And this is just the demo, of course.

I'm not hearing it, Teddy.

- Are you hearing it? - I'm not hearing it either.

Yeah, we already gave these guys a shot.

Uh, look, Don,

I have a feeling.

You know, if you just let me get in a room with them

and work some magic, we could...

It's a no on this one, Teddy, all right?

I'm sorry.

All right, guys, uh, what else we got?

Ah, I found a great band in the Midwest.

Real new sound.

All right.

I have about 15 pieces of different ideas

but nothing, nothing I think you're gonna like yet.

Well, please don't bother bringing me

anything that you don't think is great.

I wouldn't do that.

But what if it takes a long time, Teddy?

The songs just, th-they show up when they show up.

Yeah, I can wait.

♪ Did we unravel a long time ago? ♪

♪ Is there too much... ♪

What is this song?

I thought it was something, but, uh...

♪ But it isn't so ♪

♪ We're thinking ♪

♪ Oh, I know we can get it all back... ♪

What would you do with it?

♪ I know we can get it all back ♪

Next thing you know, we're booked in the studio.

Teddy thought

a female vocalist might give us an edge.

Someone new that he was working with.

♪ Now where do we stand? ♪

We'd never heard of her then. I mean, no one had.

Billy... wasn't thrilled.

I don't even know why we're doing this.

It's not a duet.

Hi.

Daisy Jones, Billy Dunne.

I like your song.

Daisy, you are gonna go right here,

and Tobias will set you up.

Great. Could I have a glass of milk and a whiskey?

Or just a whiskey, if you don't have milk.

- Yeah. - Or just a milk if you don't have whiskey.

So happy to see you, Daisy.

- . Yeah. Thank you for having me. - You're welcome.

Why are you smiling?

I'm just, uh, generally delighted.

All right.

Okay, let's do this.

Did you want to talk through the song first?

Oh, I'm fine, unless you have something that you want to...

- No, I'm fine. - Okay.

- There. Prost. - Thank you.

And, um, yes, your volume will be right there.

- Okay. This one? - Yes. Correct.

And Billy's on channel two.

One. Okay, hello. Oh, wow. Okay.

Hello? Hello? That's a little bit loud.

What, has she never recorded before?

- Hello? Hello? Hello? - She's about to.

Could we turn these off,

or lower them a little? They're...

Yeah, where are her pants?

- Who cares? - Shut up, you two.

Okay, Billy, can we give us a level, please?

♪ I don't know who I am ♪

Okay, that's good. And Daisy?

♪ Baby, baby, baby ♪

Okay, let's get this started.

This is "Honeycomb," take one.

♪ I don't know who I am ♪

- What? What? - Do we need the...

- Do we need the audience? - You mean the band?

Is she talking about us?

- It's our song. - Right?

They're just kind of looking right at me.

Let's just, um, give her some space,

don't you think?

Do you want to go and talk to Deb?

Debbie's working today? Oh, shit.

Okay.

"Honeycomb," take two.

Take two.

♪ I don't know who I am ♪

♪ Baby, baby, baby ♪

♪ Do you know who you are? ♪

♪ Is it out of our hands? ♪

♪ Tell me, tell me, tell me ♪

♪ How we made it this far ♪

♪ Did we unravel a long time ago? ♪

♪ Is there too much we don't wanna know? ♪

♪ I wish it was easy, but it isn't so ♪

♪ Oh ♪

- ♪ I know we can get it all back ♪ - ♪ Make a good thing bad ♪

♪ Oh ♪

- ♪ I know we can get it all ♪ - ♪ We can make a good thing ♪

- ♪ Back ♪ - ♪ Bad ♪

Can we stop?

Those aren't the lyrics that you're, uh, singing.

Uh, d-do you need me to write 'em down?

Can you... can I grab a pen?

I mean, I know what the lyrics are.

Well, then, why aren't you singing them?

I am singing them.

You didn't see this? He didn't get this?

What the fuck is this, Teddy?

Billy, why don't we give her version a go

and just see how it sings?

Her version's like a completely different song, Teddy.

Can I ask you a question?

What do you think the song's about?

What do I think the song is about? What,

- the song that I wrote? - Yeah, what is the song about?

What do I think the song that I wrote is about?

- It's about starting a new life, Daisy. - Okay.

- It's about redemption. - Redemption from... from what?

From letting people down.

So, guilt. It's about guilt.

No, it's not about guilt.

I'm sorry, I'm not trying to pry or anything.

I'm just trying to, you know, get us on the same page

and understand the story better

so that I can help, which is...

I think that's why I'm here.

I'm assuming it's about you?

Okay.

So you let somebody down.

Right? And now you're-you're saying,

you know, everything's fine.

Look at us now, everything's in the past...

Yeah, what's wrong with that?

I don't believe it. And it doesn't sound... honest.

And it sounds simple.

And I don't know you very well.

But you don't seem simple to me.

Well, thank you.

Also, why did you call it "Honeycomb"?

You know that that-that's a Ricky Nelson song, right?

Is she always like this?

If you don't like this song, why are you here?

Oh, I love this song.

I love it. I think it's a beautiful song.

It's just that you, you-you wrote a speech, Billy,

when, at the very least, I think it can be a conversation.

Well, Edith,

I guess this is really goodbye.

What the hell, man?

Is something on your mind?

I'm either gonna kill her or you or myself.

Where do you think I should start?

We need a minute, thanks.

Teddy, can we, uh... ?

Is this the part where the men figure out the solution?

I highly doubt it.

What the fuck?

Close the door. Come in.

- Can I turn on the light? - Yeah, sure.

What are we doing in the closet, man?

I didn't know what was in here,

I just thought it was another room.

You had her rewrite the song?

What'd you think of the sound?

She sounds like she's ruining the great fucking song

- I wrote, Teddy. - No, no, Billy,

you wrote a good song, not a great one.

She's right, man.

Your version is, uh... Well, it is simple.

You're holding back, man. And I get it.

I mean, if I was you, I wouldn't want to be going

to those places either.

Look, if the label loved the song, why is...

They didn't.

What do you... What do you mean?

Label said no.

They don't know we're here.

So who's paying for the session?

I love you, man.

You know that, don't you?

You want this open or closed?

I don't know, man. First we're letting him

back in like it's nothing,

now he's got us singing songs with some chick?

Who you calling "chick"?

I'm a chick.

Yeah, but not really.

Tweedledee and Tweedledum.

Heartbeat of the track. Good work.

Glad you dig it.

- Hey, that's nice, man. - Real nice.

- Nice to know someone's listening. - Real nice.

- You all right? - Yeah. Yeah.

Did you guys want to record something or fight more?

I'm fine either way.

Uh, hold on, he'll be right there.

Okay, I'll be here.

Hello? Hello, Tobias.

Hello, Tobias.

Hello...

What the fuck is a Tobias?

I'm Tobias.

Testing, one, two, three, four, five.

- Look, Teddy, I trust you. - One, two, three, four.

But I don't think you're right about this.

Well, I guess we're just gonna have to wait and find out.

Okay.

She has a perverse sense of humor.

Hey, Billy, uh,

there's a rattle in your mic,

so we're just gonna put you two together.

Perfect.

There's no rattle.

I know.

You also have a perverse sense of humor.

- I wanted to tell you... - Daisy, look,

we'll try your version and then we'll get the original.

All right? We don't need to argue.

I was just gonna say that I love the sound of your voice.

Okay, folks, this is "Honeycomb,"

take three.

Come to think of it, we never did do my version.

♪ Oh ♪

♪ How did we get here? ♪

♪ How do we get out? ♪

♪ We used to be something to see ♪

♪ Oh, baby, look at us now ♪

♪ Baby, look at us now ♪

♪ This thing we've been doing ain't working out ♪

♪ Why can't you just admit it to me? ♪

♪ Oh, baby, look at us now ♪

♪ Baby, look at us now ♪

♪ This thing we've been doing ♪

♪ Ain't working out ♪

♪ Why can't you just admit it to me? ♪

♪ Oh, baby, look at us now ♪

♪ Baby, look at us now ♪

♪ Oh ♪

♪ We could make a good thing bad ♪

♪ Oh ♪

♪ We could make a good thing bad ♪

So, how was it?

♪ Now where do we stand? ♪

A nightmare.

♪ Baby, baby, baby... ♪

Yeah.

Whole thing was a total wash.

♪ And if this was your plan ♪

♪ Tell me, tell me why ♪

♪ You've been crying in the dark ♪

Hey!

How was it?

Probably the best day of my life.

- Synced and corrected by chamallow - - www.addic7ed.com -