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These are the user uploaded subtitles that are being translated: 1 00:00:05,763 --> 00:00:09,096 ♪ ("COLD LITTLE HEART" BY MICHAEL KIWANUKA PLAYING) ♪ 2 00:00:24,596 --> 00:00:26,887 ♪ Did you ever want it? ♪ 3 00:00:29,096 --> 00:00:31,388 ♪ Did you want it bad? ♪ 4 00:00:31,471 --> 00:00:33,263 ♪ Oh, my ♪ 5 00:00:35,638 --> 00:00:37,763 ♪It tears me apart ♪ 6 00:00:42,096 --> 00:00:44,263 ♪ We can try to hide it ♪ 7 00:00:46,346 --> 00:00:49,054 ♪ It's all the same ♪ 8 00:00:49,137 --> 00:00:51,929 ♪ I've been losing you ♪ 9 00:00:53,304 --> 00:00:55,638 ♪ One day at a time ♪ 10 00:00:58,096 --> 00:00:59,388 ♪ And I know ♪ 11 00:00:59,471 --> 00:01:03,887 ♪ In my heart In this cold heart ♪ 12 00:01:03,971 --> 00:01:08,346 ♪ I can live or I can die ♪ 13 00:01:08,429 --> 00:01:12,555 ♪ I believe if I just try ♪ 14 00:01:12,638 --> 00:01:17,596 ♪ You believe in you and I ♪ 15 00:01:20,221 --> 00:01:23,137 ♪ In you and I ♪ 16 00:01:24,555 --> 00:01:28,012 ♪ In you and I ♪ 17 00:01:29,012 --> 00:01:31,846 ♪ In you and I ♪ 18 00:01:32,638 --> 00:01:34,471 ♪ (MUSIC ENDS) ♪ 19 00:01:47,346 --> 00:01:50,012 (WAVES CRASHING) 20 00:02:29,179 --> 00:02:31,388 (WAVES CRASHING) 21 00:02:39,221 --> 00:02:41,929 (HEART BEATING) 22 00:02:45,805 --> 00:02:47,388 (BEATING SPEEDS UP) 23 00:02:54,555 --> 00:02:56,137 MARY LOUISE WRIGHT: Celeste. Celeste! 24 00:02:56,221 --> 00:02:57,596 (CELESTE WRIGHT SCREAMS) 25 00:02:57,680 --> 00:03:01,096 (PANTING) Oh my God. 26 00:03:01,179 --> 00:03:03,429 (SIGHS) I just... 27 00:03:04,638 --> 00:03:05,929 I was having a nightmare. 28 00:03:06,012 --> 00:03:07,680 Oh. Shouldn't they be awake? 29 00:03:07,763 --> 00:03:10,638 CELESTE: Oh my god. Oh... 30 00:03:10,721 --> 00:03:13,763 Yeah. Josh. Max. Up we go. We overslept. 31 00:03:13,846 --> 00:03:15,596 C'mon, c'mon, c'mon. Let's go. We're in a rush. 32 00:03:15,680 --> 00:03:18,012 -MARY LOUISE: Come on, soldiers. -CELESTE: Quick, quick, quick. 33 00:03:18,096 --> 00:03:20,137 -Morning, Grandma. -CELESTE: Protein bar breakfast 34 00:03:20,221 --> 00:03:21,346 in the car. 35 00:03:21,429 --> 00:03:23,471 (CHUCKLES) Your favorite. 36 00:03:23,555 --> 00:03:26,179 MARY LOUISE: I have to go to town. I can drop you off. 37 00:03:26,263 --> 00:03:29,596 Oh... Thanks, Mary Louise. 38 00:03:33,763 --> 00:03:35,137 What was it about? 39 00:03:36,263 --> 00:03:37,388 Your nightmare. 40 00:03:37,471 --> 00:03:39,304 Oh, it was stupid. 41 00:03:40,388 --> 00:03:41,638 Nothing, really. 42 00:03:43,471 --> 00:03:44,680 You said "rape." 43 00:03:46,304 --> 00:03:47,304 What? 44 00:03:48,263 --> 00:03:49,513 Something about a rape. 45 00:03:53,763 --> 00:03:54,721 Huh. 46 00:03:54,805 --> 00:03:56,638 -(FAINT BUZZING) -(SIGHS) 47 00:04:02,012 --> 00:04:03,929 Can I have some water, please? 48 00:04:07,846 --> 00:04:09,054 (SNIFFLES) 49 00:04:09,137 --> 00:04:10,263 (SIGHS) 50 00:04:12,221 --> 00:04:15,137 -(BUZZING CONTINUES) -(EXHALES) 51 00:04:18,429 --> 00:04:20,721 ♪ And I don't give a damn About my reputation ♪ 52 00:04:20,805 --> 00:04:23,012 ♪ ("BAD REPUTATION" BY JOAN JETT PLAYS) ♪ 53 00:04:23,096 --> 00:04:26,179 ♪ Never said I wanted To improve my station ♪ 54 00:04:27,680 --> 00:04:30,054 ♪ And I'm only doin' good When I'm havin' fun ♪ 55 00:04:30,137 --> 00:04:32,096 ♪ And I don't have To please no one ♪ 56 00:04:32,179 --> 00:04:35,471 ♪ And I don't give a damn 'Bout my bad reputation ♪ 57 00:04:37,012 --> 00:04:38,887 -♪ Oh, no ♪ -♪ No, no, no, no, no, no ♪ 58 00:04:38,971 --> 00:04:41,096 Okay, I'm putting this in your small pocket, okay? 59 00:04:41,179 --> 00:04:42,846 ZIGGY: Yep. 60 00:04:42,929 --> 00:04:44,221 ♪ ...My reputation ♪ -(SINGING) ♪ Reputation ♪ 61 00:04:44,304 --> 00:04:45,263 (YELLING) First day of school! 62 00:04:45,346 --> 00:04:46,763 (SEAGULLS SQUAWK) 63 00:04:46,846 --> 00:04:48,846 JOSH WRIGHT: Stop! Hey, Max, you idiot! 64 00:04:48,929 --> 00:04:50,929 Hey, hey, boys come on. Keep it down, would you? 65 00:04:51,012 --> 00:04:52,221 I can't hear myself think. 66 00:04:52,304 --> 00:04:53,596 MAX WRIGHT: Then just don't think, Mom. 67 00:04:53,680 --> 00:04:55,221 -JOSH: Give it back, you idiot! -Hey! 68 00:04:55,304 --> 00:04:56,555 -Stop! -Give it back! 69 00:04:56,638 --> 00:04:58,304 MARY LOUISE: (YELLING) Hey! Quiet! 70 00:05:02,054 --> 00:05:03,221 Fine young men 71 00:05:03,304 --> 00:05:05,471 don't suddenly become fine young men 72 00:05:05,555 --> 00:05:07,805 all of sudden in a whoosh, you know. 73 00:05:07,887 --> 00:05:09,012 (CLEARS THROAT) 74 00:05:09,096 --> 00:05:11,179 It starts with being fine young boys. 75 00:05:11,263 --> 00:05:13,638 And part of being a fine young boy 76 00:05:13,721 --> 00:05:16,054 is listening and respecting your mother. 77 00:05:16,887 --> 00:05:18,513 She works so hard for you. 78 00:05:18,596 --> 00:05:20,929 That's why the sun shines on her so. 79 00:05:23,012 --> 00:05:24,221 Thank you, Mary Louise. 80 00:05:29,721 --> 00:05:31,137 MADELINE MACKENZIE: I have two showings, 81 00:05:31,221 --> 00:05:32,680 I have Abigail's college advisor, 82 00:05:32,763 --> 00:05:34,012 not to mention all this scrutiny. 83 00:05:34,096 --> 00:05:35,887 -It's just gonna be a day. -What scrutiny? 84 00:05:35,971 --> 00:05:37,680 MADELINE: Ed, this is the first day of school. 85 00:05:37,763 --> 00:05:40,471 We have to earn our good-mom badges all over again. 86 00:05:40,555 --> 00:05:42,346 "Has she gotten fatter over the summer? 87 00:05:42,429 --> 00:05:45,054 Does she look older?" These questions get asked, Ed, 88 00:05:45,137 --> 00:05:47,304 and we all get judged all over again. 89 00:05:47,388 --> 00:05:49,513 It's a complete double standard 'cause if a dad shows up, 90 00:05:49,596 --> 00:05:51,096 they're like, "Wow, there's a dad here. 91 00:05:51,179 --> 00:05:53,263 He's involved." But with the moms... 92 00:05:53,346 --> 00:05:55,263 (SCOFFS) it just makes me wanna blow. 93 00:05:55,346 --> 00:05:56,513 CHLOE MACKENZIE: Boom! 94 00:05:56,596 --> 00:05:58,680 MADELINE: Oh my god. Chloe. Goddammit! 95 00:05:58,763 --> 00:06:01,179 -(CROSSING GUARD BLOWS WHISTLE) -Just right there. I need to get right there. 96 00:06:01,263 --> 00:06:02,221 -Chloe-- -(HONKS HORN) 97 00:06:02,304 --> 00:06:03,471 Could you please turn it down? 98 00:06:03,555 --> 00:06:04,887 Let second grade begin. 99 00:06:04,971 --> 00:06:06,680 ♪ ("I'LL BE AROUND" BY THE SPINNERS PLAYS) ♪ 100 00:06:06,763 --> 00:06:10,887 ♪ This is our bump in the road 101 00:06:10,971 --> 00:06:13,887 ♪ Love's last episode ♪ 102 00:06:15,555 --> 00:06:19,096 ♪ There's nowhere to go ♪ 103 00:06:19,179 --> 00:06:20,555 ♪ Oh no ♪ 104 00:06:20,638 --> 00:06:22,763 ♪ You made your choice ♪ 105 00:06:23,929 --> 00:06:27,054 ♪ Now it's up to me ♪ 106 00:06:28,263 --> 00:06:32,388 ♪ To bow out gracefully ♪ 107 00:06:32,471 --> 00:06:35,388 ♪ Though you hold the key ♪ 108 00:06:35,471 --> 00:06:37,388 ♪ But, baby ♪ 109 00:06:37,471 --> 00:06:41,887 ♪ Whenever you call me I'll be there ♪ 110 00:06:41,971 --> 00:06:46,221 ♪ Whenever you want me I'll be there ♪ 111 00:06:46,304 --> 00:06:50,054 ♪ Whenever you need me I'll be there ♪ 112 00:06:50,137 --> 00:06:52,388 -(BELL RINGS) -Welcome back to our wonderful, 113 00:06:52,471 --> 00:06:54,012 wonderful Otter Bay. 114 00:06:54,096 --> 00:06:56,137 Gosh, I always so love the sound of that. 115 00:06:56,221 --> 00:06:58,012 Let's all say that together, shall we? 116 00:06:58,096 --> 00:07:01,012 ALL: Wonderful, wonderful Otter Bay. 117 00:07:01,096 --> 00:07:03,346 -Here we go. Now, gang... -♪ (PIANO BEGINS JAUNTY TUNE) ♪ 118 00:07:03,429 --> 00:07:05,805 since we ask our children to sing this song every year, 119 00:07:05,887 --> 00:07:08,137 I think it's high time we sing it with them, 120 00:07:08,221 --> 00:07:10,596 so everybody let out their inner otter, 121 00:07:10,680 --> 00:07:12,555 and sing along. 122 00:07:12,638 --> 00:07:14,179 ALL: (SINGING) ♪ Otter Bay ♪ 123 00:07:14,263 --> 00:07:16,555 ♪ Otter Bay, it's the best plac Of them all ♪ 124 00:07:16,638 --> 00:07:19,513 Very impressive. We're in the key of F, Madeline. 125 00:07:19,596 --> 00:07:21,221 ALL: (SINGING) ♪ To start our day ♪ 126 00:07:21,304 --> 00:07:23,263 ♪ When we rise up with a snort 127 00:07:23,346 --> 00:07:24,555 (SNORTING) 128 00:07:24,638 --> 00:07:28,012 ♪ With dance and song And sport ♪ 129 00:07:28,096 --> 00:07:29,555 (SNORTING) 130 00:07:29,638 --> 00:07:34,971 ♪ Oh, to be a little otter In the bay ♪ 131 00:07:35,054 --> 00:07:38,721 Yes! Oh, you got my otter heart going! Thank you! 132 00:07:39,680 --> 00:07:41,721 Warren. (CHUCKLES) 133 00:07:41,805 --> 00:07:44,054 Really pushing the school spirit this year, aren't you? 134 00:07:44,137 --> 00:07:46,012 Well, it's my otter blood, Madeline. 135 00:07:46,096 --> 00:07:48,680 -Hi, Madeline Martha Mackenzie. -Lisa Coolidge. 136 00:07:48,763 --> 00:07:50,471 Anyway, it was a beautiful service, Warren. 137 00:07:50,555 --> 00:07:52,221 WARREN NIPPAL: (LAUGHS) Well, thank you, Madeline, 138 00:07:52,304 --> 00:07:54,137 I like to think of it more as an assembly. 139 00:07:54,221 --> 00:07:56,471 A service is for when someone dies, 140 00:07:56,555 --> 00:07:58,471 you know, like a school fundraiser. 141 00:07:58,555 --> 00:08:00,680 You're not seriously gonna go there, are you? 142 00:08:00,763 --> 00:08:02,638 My hope is that you don't go there, Madeline. 143 00:08:02,721 --> 00:08:04,887 Now, let's remember a lot of last year's mishigas 144 00:08:04,971 --> 00:08:06,929 were lovingly stirred up by you. 145 00:08:08,054 --> 00:08:09,596 MELISSA: Anybody want a red velvet? 146 00:08:09,680 --> 00:08:11,680 -Melissa! -Cupcake? 147 00:08:11,763 --> 00:08:13,680 MADELINE: I'll take one for each thigh. 148 00:08:13,763 --> 00:08:15,137 MELISSA: Absolutely. 149 00:08:15,221 --> 00:08:16,846 I don't even like to chew. I just shove 'em down. 150 00:08:16,929 --> 00:08:19,721 Maybe you can give one to Warren so he can shove it too. 151 00:08:19,805 --> 00:08:22,929 WARREN: (CHUCKLES) And we're off. 152 00:08:23,012 --> 00:08:25,012 -MADELINE: Bonnie. -It's a classy crop of moms, 153 00:08:25,096 --> 00:08:27,137 these ones. Those gluten-free? 154 00:08:27,221 --> 00:08:28,596 MADELINE: Tahoe was good? 155 00:08:28,680 --> 00:08:31,137 Uh, yeah, it was good. Nathan caught a lot of fish. 156 00:08:31,221 --> 00:08:33,054 Wow. 157 00:08:33,137 --> 00:08:35,221 BONNIE CARLSON: And I hear you're selling houses like crazy. That's very cool. 158 00:08:35,304 --> 00:08:37,054 Oh my gosh, in Monterey, it is like printing money. 159 00:08:37,137 --> 00:08:38,763 I should have done this years ago. 160 00:08:40,304 --> 00:08:41,971 -I'm gonna go find Skye. -Okay. 161 00:08:43,971 --> 00:08:45,971 Okay. Are you two fighting? 162 00:08:46,054 --> 00:08:48,513 Uh, no. Actually, I almost wish we were. 163 00:08:48,596 --> 00:08:52,971 No, she's... she's been acting like that for a while now. 164 00:08:53,054 --> 00:08:54,429 Acting like what? 165 00:08:55,513 --> 00:08:57,680 Shut down. Like, withdrawn. 166 00:08:57,763 --> 00:08:59,971 Oh, you mean you're not having sex. 167 00:09:00,054 --> 00:09:02,012 Okay, don't forget that Abigail has 168 00:09:02,096 --> 00:09:03,971 -her college counselor meeting at 2:00 p.m. -Yeah, yeah, I got your-- 169 00:09:04,054 --> 00:09:05,555 I got your emails. Six of them this morning. 170 00:09:05,638 --> 00:09:07,846 -Good. Thank you. -This is her future, Nathan. 171 00:09:07,929 --> 00:09:09,721 Nice to be back. 172 00:09:09,805 --> 00:09:11,388 I'm told that my daughter, Amabella, 173 00:09:11,471 --> 00:09:13,971 is going to be in your class. So exciting. 174 00:09:14,054 --> 00:09:15,388 Yes, very nice to meet you. 175 00:09:15,471 --> 00:09:19,846 Um, she has an IQ of 152. Genius level, right. 176 00:09:19,929 --> 00:09:22,137 That's a very high number. Life's about give and take. 177 00:09:22,221 --> 00:09:24,263 I expect you to take care of my daughter. 178 00:09:24,346 --> 00:09:26,971 Pay special attention. And, again, welcome. 179 00:09:28,263 --> 00:09:31,263 Um, oh, oh, oh. (CHUCKLES) And... 180 00:09:31,346 --> 00:09:33,846 my Amabella was bullied last year. 181 00:09:33,929 --> 00:09:36,805 I mean, in like, biting and choking. 182 00:09:36,887 --> 00:09:40,096 So, we're gonna make sure that doesn't happen again. 183 00:09:40,179 --> 00:09:42,721 -(BAND PLAYS) -RENATA KLEIN: Oh. 184 00:09:42,805 --> 00:09:44,971 Oops. Sorry. 185 00:09:45,054 --> 00:09:46,388 Sorry. 186 00:09:46,471 --> 00:09:48,304 Here's my problem with the whole meditation thing. 187 00:09:48,388 --> 00:09:49,763 It's like you shut out the world, 188 00:09:49,846 --> 00:09:51,137 but you also shut out your friends, 189 00:09:51,221 --> 00:09:52,680 which is a little bit weird. 190 00:09:52,763 --> 00:09:55,471 And also, does she look funny? Something's not right. 191 00:09:55,555 --> 00:09:57,346 -Are you talking about Bonnie? -Uh-huh. 192 00:09:58,846 --> 00:10:02,346 Like, she's off. But she was off before she went to Tahoe. 193 00:10:02,429 --> 00:10:03,596 Unplugged is one thing, 194 00:10:03,680 --> 00:10:05,555 but unhinged is a total other thing. 195 00:10:05,638 --> 00:10:07,846 -(HORN BLARES) -Hey! Asshole! Hey! 196 00:10:07,929 --> 00:10:09,763 -Oh, hon. -Why are you cutting me off? 197 00:10:09,846 --> 00:10:12,054 -Honey. The horn. The horn. -Dick! I just think we-- 198 00:10:12,137 --> 00:10:13,137 Oh, yeah, sorry. 199 00:10:13,221 --> 00:10:14,929 Once I lean in, you know how I am. 200 00:10:15,012 --> 00:10:17,096 -CELESTE: Indeed. -I think we need to talk to her 201 00:10:17,179 --> 00:10:18,596 and see where her head is at. 202 00:10:18,680 --> 00:10:21,263 -CELESTE: Do you? -Do you want to get a coffee? 203 00:10:21,346 --> 00:10:23,388 By the way, did you see Renata 204 00:10:23,471 --> 00:10:25,596 getting up that new teacher's ass? 205 00:10:25,680 --> 00:10:27,805 I thought she was gonna have to pull out her snorkel. 206 00:10:27,887 --> 00:10:29,971 CELESTE: Easy. I'm gonna go to the ladies' room; 207 00:10:30,054 --> 00:10:33,096 -can you get me an Americano? -MADELINE: Will do. 208 00:10:33,179 --> 00:10:34,929 -Hey, Bruna. -BRUNA: Hey, Madeline. 209 00:10:35,012 --> 00:10:36,763 MADELINE: Wow, do you sell weed? It smells like weed over here. 210 00:10:36,846 --> 00:10:38,763 -Keep the change. -BRUNA: Thank you so much. 211 00:10:38,887 --> 00:10:40,555 -Can I get an Americano -(DISTANT CHATTER) 212 00:10:40,638 --> 00:10:42,137 and a bran muffin? 213 00:10:42,221 --> 00:10:44,388 -...that's a thing? -MADELINE: Mary Louise? 214 00:10:46,346 --> 00:10:47,805 -Hi. Madeline. -MARY LOUISE: Hi. 215 00:10:47,887 --> 00:10:49,388 -Madeline! -Yes. 216 00:10:49,471 --> 00:10:51,304 -So nice to see you again. -I'm Celeste's friend. Yes. 217 00:10:51,388 --> 00:10:52,638 How have you been? 218 00:10:52,721 --> 00:10:54,721 Good, good. The kids are good. How are you? 219 00:10:54,805 --> 00:10:56,263 I can't complain. 220 00:10:57,555 --> 00:10:58,887 Actually, I can. 221 00:11:02,304 --> 00:11:03,513 My son is dead. 222 00:11:06,388 --> 00:11:09,263 But Celeste tells me that you continue to be so helpful 223 00:11:09,346 --> 00:11:11,054 with her and the boys and... 224 00:11:11,137 --> 00:11:13,096 She should just get a proper housekeeper. 225 00:11:13,179 --> 00:11:15,596 -You're very short. -(SCOFFS) Excuse me? 226 00:11:15,680 --> 00:11:17,471 I don't mean it in a negative way. 227 00:11:17,555 --> 00:11:18,763 MADELINE: Oh. (CHUCKLES) 228 00:11:19,721 --> 00:11:21,388 Maybe I do. 229 00:11:21,471 --> 00:11:26,263 I find little people to be untrustworthy. 230 00:11:26,346 --> 00:11:29,388 (CHUCKLES) My apologies. It's just that I'm... 231 00:11:30,680 --> 00:11:33,429 I pride myself on being a very good judge of character, 232 00:11:33,513 --> 00:11:37,179 but you have always presented such a difficult read. 233 00:11:37,263 --> 00:11:40,929 You know, you seem like a nice person. 234 00:11:41,012 --> 00:11:45,513 Loving. But also, you strike me as a wanter. 235 00:11:45,596 --> 00:11:47,680 -A-- A wanter? -Mm. 236 00:11:47,763 --> 00:11:49,221 You know... 237 00:11:49,304 --> 00:11:52,513 there are people in-- in life who content themselves 238 00:11:52,596 --> 00:11:54,596 with what they have, and then there are others 239 00:11:54,680 --> 00:11:58,263 who just... just want. 240 00:12:00,137 --> 00:12:01,388 I'm not a wanter. 241 00:12:01,471 --> 00:12:02,971 Oh, you don't have to take it personally. 242 00:12:03,054 --> 00:12:04,805 Anyway, I'm a wanter myself. 243 00:12:06,263 --> 00:12:09,638 You know what I want? I want Perry back. 244 00:12:09,721 --> 00:12:11,887 I wanna know what happened that night. 245 00:12:11,971 --> 00:12:14,846 And I-- I'm very tempted to ask you, 246 00:12:14,929 --> 00:12:17,680 but I doubt I would get the, uh... 247 00:12:17,763 --> 00:12:19,179 the truth, would I? 248 00:12:21,721 --> 00:12:23,929 Your son lost his balance and he fell. 249 00:12:24,012 --> 00:12:27,054 Yes, that seems to be the company line. 250 00:12:27,137 --> 00:12:29,721 Depending on whose company you keep. 251 00:12:29,805 --> 00:12:31,346 Mary Louise. 252 00:12:31,429 --> 00:12:34,471 Madeline and I were just... talking. 253 00:12:35,638 --> 00:12:37,012 MADELINE: What the hell was that? 254 00:12:37,096 --> 00:12:38,721 That was a very strong position. 255 00:12:38,805 --> 00:12:40,263 And I didn't like it! 256 00:12:41,179 --> 00:12:42,513 Welcome to my life. 257 00:12:49,179 --> 00:12:50,638 -(CARTS CRASH) -Sorry. 258 00:12:51,346 --> 00:12:53,346 Whoa. Hi! 259 00:12:54,513 --> 00:12:55,680 Tori. 260 00:12:55,763 --> 00:12:57,846 Sorry, I didn't recognize you at first. 261 00:12:57,929 --> 00:13:00,680 Yeah, I had my breasts done. 262 00:13:02,221 --> 00:13:03,388 Oh. 263 00:13:03,471 --> 00:13:04,929 Yeah, it's fabulous. 264 00:13:05,012 --> 00:13:06,721 I always felt a little self-conscious, you know. 265 00:13:08,805 --> 00:13:10,096 About your breasts? 266 00:13:10,179 --> 00:13:11,513 -My nose. -Oh. 267 00:13:11,596 --> 00:13:14,304 Now, nobody notices it so much. 268 00:13:14,388 --> 00:13:18,513 Everybody notices these though. And that pisses Joseph off. 269 00:13:19,846 --> 00:13:21,346 So... uh... 270 00:13:21,429 --> 00:13:23,513 Well, I'll see you around. 271 00:13:25,763 --> 00:13:26,971 (CHUCKLES) 272 00:13:27,054 --> 00:13:30,137 (MAN TALKING INDISTINCTLY ON LOUDSPEAKER) 273 00:13:30,221 --> 00:13:32,388 DR. AMANDA REISMAN: How long does she plan to stay? 274 00:13:32,471 --> 00:13:33,721 Well, she comes and goes. 275 00:13:33,805 --> 00:13:35,763 It's a short hop from San Francisco. 276 00:13:37,096 --> 00:13:38,887 She's been... 277 00:13:38,971 --> 00:13:41,721 -a really big help. -Mm-hmm. 278 00:13:41,805 --> 00:13:43,680 I mean, I'd be lost without her. 279 00:13:45,680 --> 00:13:47,054 So what brings you? 280 00:13:47,137 --> 00:13:48,429 It's been a while. 281 00:13:49,680 --> 00:13:50,721 (CHUCKLES) 282 00:13:53,555 --> 00:13:54,805 (SIGHS) 283 00:13:54,887 --> 00:13:58,887 I've had some nightmares starting up of late that, um... 284 00:14:00,012 --> 00:14:01,096 I mean, may be triggered 285 00:14:01,179 --> 00:14:02,805 by the beginning of the school year. 286 00:14:02,887 --> 00:14:04,263 I think I still... 287 00:14:04,346 --> 00:14:07,429 -associate that place with... -How could you not? 288 00:14:12,929 --> 00:14:14,221 Last night was... 289 00:14:15,513 --> 00:14:17,221 It was a beauty. 290 00:14:20,680 --> 00:14:25,763 Perry and I were in... the in-vitro facility, and... 291 00:14:27,763 --> 00:14:32,887 it was all so sweet, and-- and suddenly, I... 292 00:14:34,680 --> 00:14:38,012 I turned into a monster. 293 00:14:38,096 --> 00:14:41,596 I was strangling him. I was lifting him up, and I-- 294 00:14:41,680 --> 00:14:42,887 I-- (SIGHS) 295 00:14:44,763 --> 00:14:48,054 It was... beyond disturbing, and I-- I... 296 00:14:51,137 --> 00:14:52,638 a little exhilarating. 297 00:14:53,638 --> 00:14:54,763 Hmm... 298 00:14:56,304 --> 00:14:59,012 Is that-- Do you see yourself as a monster? 299 00:15:01,513 --> 00:15:03,137 I guess I still feel... 300 00:15:06,304 --> 00:15:08,471 -responsible. -For...? 301 00:15:11,179 --> 00:15:13,054 For the accident. 302 00:15:13,137 --> 00:15:15,263 I mean, if I'd left him when I should have-- 303 00:15:15,346 --> 00:15:17,429 We should have never been together that night, 304 00:15:17,513 --> 00:15:18,887 and he might still be alive. 305 00:15:18,971 --> 00:15:21,887 That I chose that night of all nights to leave him 306 00:15:21,971 --> 00:15:23,429 and to tell him and... 307 00:15:27,971 --> 00:15:31,096 Even in death, his message lives on. 308 00:15:31,179 --> 00:15:33,179 -What message? -That you're to blame. 309 00:15:34,054 --> 00:15:36,179 You're always to blame. 310 00:15:39,846 --> 00:15:41,054 You're not. 311 00:15:48,346 --> 00:15:50,929 -Are you getting out? -(SCOFFS) 312 00:15:51,012 --> 00:15:53,471 -Are you seeing anyone? -No. 313 00:15:53,555 --> 00:15:56,221 That part of me is still dead, I suppose. 314 00:15:56,304 --> 00:15:58,971 First thing's first: get the boys' lives back on track, 315 00:15:59,054 --> 00:16:00,263 that's the priority. 316 00:16:00,346 --> 00:16:02,012 Seeing their mom happy could help there. 317 00:16:02,096 --> 00:16:04,429 So, you're saying for my life to go on successfully, 318 00:16:04,513 --> 00:16:06,513 -I need to be with a man? -No. 319 00:16:06,596 --> 00:16:08,680 But the freedom to be with one, maybe. 320 00:16:10,513 --> 00:16:14,763 You're still married, Celeste, and the husband is dead. 321 00:16:18,054 --> 00:16:19,846 (TALKING INDISTINCTLY) 322 00:16:19,929 --> 00:16:21,846 (PANTING) 323 00:16:34,304 --> 00:16:37,388 (PANTING) 324 00:16:39,137 --> 00:16:40,555 NATHAN CARLSON: Where've you been? 325 00:16:41,555 --> 00:16:42,929 I told you I was running. 326 00:16:43,012 --> 00:16:45,179 That was like two hours ago, I've been calling you. 327 00:16:45,887 --> 00:16:46,929 BONNIE: Sorry. 328 00:16:52,263 --> 00:16:53,638 Honey. 329 00:16:53,721 --> 00:16:55,137 I just thought it might be that you hated Tahoe, 330 00:16:55,221 --> 00:16:56,429 but since we've been back... 331 00:16:58,763 --> 00:17:00,054 Come on. 332 00:17:00,137 --> 00:17:02,471 BONNIE: I need some space, Nathan. I told you. 333 00:17:03,388 --> 00:17:04,887 Just let it be. 334 00:17:04,971 --> 00:17:07,513 JANE CHAPMAN: He's my favorite in the whole aquarium. 335 00:17:07,596 --> 00:17:09,012 It's a red octopus, and watch. 336 00:17:09,096 --> 00:17:11,929 The closer he gets to the kelp, he'll change his color 337 00:17:12,012 --> 00:17:14,263 so that he camouflages with his environment. 338 00:17:14,346 --> 00:17:16,346 -CHILD: Cool. -Look. You see him right now? 339 00:17:16,429 --> 00:17:18,304 -CHILD: Yeah. -He's changing color. 340 00:17:18,388 --> 00:17:20,638 You guys want to know a fun fact about octopus? 341 00:17:20,721 --> 00:17:22,513 -ALL: Yeah! -It's kinda weird. 342 00:17:22,596 --> 00:17:24,638 -You can handle it? -Yeah. 343 00:17:24,721 --> 00:17:27,346 Okay, females contain deadly venom, 344 00:17:27,429 --> 00:17:29,971 and sometimes, they'll kill and they'll eat the males 345 00:17:30,054 --> 00:17:33,846 -after they mate with them. -CHILDREN: (GROAN) Ew! 346 00:17:33,929 --> 00:17:35,096 JANE: (CHUCKLES) I know. 347 00:17:35,179 --> 00:17:37,304 SARAH: Why is it the prettier something is, 348 00:17:37,388 --> 00:17:40,721 the more dangerous? Like with snakes and spiders. 349 00:17:40,805 --> 00:17:43,555 That's a great question. I wish I knew the answer to that. 350 00:17:43,638 --> 00:17:45,513 -COREY BROCKFIELD: One second, okay? -You're so observant. 351 00:17:45,596 --> 00:17:48,054 Sometimes, pretty colors are to give a fair warning 352 00:17:48,137 --> 00:17:51,638 so other animals know they need to keep a safe distance. 353 00:17:51,721 --> 00:17:53,012 GIRL: Oh. 354 00:17:58,971 --> 00:18:00,012 There you go. 355 00:18:00,096 --> 00:18:02,638 (INDISTINCT CHATTER) 356 00:18:05,638 --> 00:18:06,763 NATHAN: How you doing? 357 00:18:07,763 --> 00:18:09,429 Good. You? 358 00:18:11,179 --> 00:18:13,471 Not really, no. Bonnie. 359 00:18:13,555 --> 00:18:16,054 I mean, she's gone missing in mental action. 360 00:18:16,137 --> 00:18:18,012 The whole summer, truth be told. 361 00:18:19,012 --> 00:18:20,137 Hey, man, could I-- 362 00:18:21,763 --> 00:18:23,596 could I ask you a big favor? 363 00:18:23,680 --> 00:18:25,388 Could you maybe take her out to lunch? 364 00:18:26,555 --> 00:18:27,887 Um-- 365 00:18:27,971 --> 00:18:29,638 Listen, you've always been better to talking to women 366 00:18:29,721 --> 00:18:31,221 than I have and, you know, you certainly got Madeline 367 00:18:31,304 --> 00:18:32,763 in a way I never could. 368 00:18:32,846 --> 00:18:34,721 I mean, I think you might be able to get her to open up. 369 00:18:34,805 --> 00:18:36,346 You know, you have your little way. 370 00:18:36,429 --> 00:18:38,096 All I'm getting is pushback at every turn. 371 00:18:38,179 --> 00:18:40,012 I swear to God, if I signed up for this bullshit, 372 00:18:40,096 --> 00:18:41,721 I'd still be with Maddie. 373 00:18:41,805 --> 00:18:44,680 -I mean-- I don't mean-- -Oh, no, no. 374 00:18:44,763 --> 00:18:47,680 Um, look, Nathan... 375 00:18:47,763 --> 00:18:49,971 I'm no expert on marriage or anything. 376 00:18:50,054 --> 00:18:52,263 I mean, something tells me if you're seeking out 377 00:18:52,346 --> 00:18:54,763 the husband of your ex-wife to, like, 378 00:18:54,846 --> 00:18:58,054 lead the communication charge with your new one... 379 00:19:01,221 --> 00:19:02,763 Why do you always have to be so snide? 380 00:19:02,846 --> 00:19:04,721 -I don't mean to be snide. -No, you don't mean to be, 381 00:19:04,805 --> 00:19:07,137 it just comes natural. It's like you're a snide fuck. 382 00:19:07,221 --> 00:19:08,929 That's what you are. You're a snide fuck. 383 00:19:09,012 --> 00:19:12,388 You know, Nathan, maybe instead of just talking to Bonnie, 384 00:19:12,471 --> 00:19:14,805 you should embrace some of her interests. 385 00:19:14,887 --> 00:19:16,263 -Her interests? -Yeah. 386 00:19:16,346 --> 00:19:18,513 She won't even let me embrace her. 387 00:19:18,596 --> 00:19:19,971 -Okay. -Yeah, you're snide. 388 00:19:20,054 --> 00:19:21,555 -You're a snide fuck. -What? 389 00:19:22,471 --> 00:19:23,805 -Whatever. -Come on. 390 00:19:23,887 --> 00:19:25,638 Snide fuck. 391 00:19:25,721 --> 00:19:28,929 ♪ ("WHAT BECOMES OF THE BROKENHEARTED" BY JIMMY RUFFIN PLAYS) ♪ 392 00:19:29,012 --> 00:19:32,887 ♪ As I walk this land Of broken dreams ♪ 393 00:19:32,971 --> 00:19:34,263 (PHONE RINGING) 394 00:19:34,346 --> 00:19:35,971 -♪ I have visions-- ♪ (CUTS OFF -Hello. 395 00:19:36,054 --> 00:19:37,887 -JULIETTE: (OVER PHONE) Mrs. Klein? -Juliette. 396 00:19:37,971 --> 00:19:40,221 Hey, honey. I'm pulling in. Can you-- 397 00:19:40,304 --> 00:19:41,638 -(PHONE VIBRATING) -can-- wait. 398 00:19:41,721 --> 00:19:43,638 Hold on one second. Hold on-- Hello? 399 00:19:43,721 --> 00:19:45,555 MADELINE: This is why I talk about being nice. 400 00:19:45,638 --> 00:19:48,388 Hey. No, I can't-- 401 00:19:48,471 --> 00:19:50,012 MADELINE: What do you think? 402 00:19:50,096 --> 00:19:51,555 MAN: I love the view. 403 00:19:51,638 --> 00:19:53,513 Oh, sorry, I'm on the phone. 404 00:19:53,596 --> 00:19:55,221 Yeah, I thought Tahoe was supposed 405 00:19:55,304 --> 00:19:56,555 to be about decompression too, 406 00:19:56,638 --> 00:19:58,096 but she seems like she's on Mars. 407 00:19:58,179 --> 00:20:00,429 -Maybe she's using. -WOMAN: Excuse me. 408 00:20:00,513 --> 00:20:01,929 Yeah, just a second. 409 00:20:02,012 --> 00:20:03,346 And I am beating myself up 410 00:20:03,429 --> 00:20:04,929 that I told Jane I liked her bangs. 411 00:20:05,012 --> 00:20:06,513 Can you get off the phone, please? 412 00:20:06,596 --> 00:20:07,638 Hmm? 413 00:20:08,638 --> 00:20:10,221 Oh, let me call you back. 414 00:20:10,304 --> 00:20:12,137 ♪ ("IT'S MY HOUSE" BY DIANA ROSS PLAYS) ♪ 415 00:20:12,221 --> 00:20:13,846 Yeah, what can I do for you? 416 00:20:13,929 --> 00:20:15,680 RENATA KLEIN: I mean, I can't deny it. 417 00:20:15,763 --> 00:20:18,179 ♪ It's my house And I live here ♪ 418 00:20:18,263 --> 00:20:20,513 JOEL: Good, right there. 419 00:20:20,596 --> 00:20:23,887 ♪ It's my house And I live here ♪ 420 00:20:23,971 --> 00:20:27,763 Beautiful, come on down. Good. Eyes up this way. Gorgeous. 421 00:20:27,846 --> 00:20:29,596 I'm so tired of those shots of women. 422 00:20:29,680 --> 00:20:31,179 I mean, they're in power, right? 423 00:20:31,263 --> 00:20:34,012 They own banks and they're all, like, demure. Bullshit. 424 00:20:35,638 --> 00:20:37,012 JOEL: Back to the ocean. 425 00:20:37,096 --> 00:20:38,638 GORDON KLEIN: What's all this? 426 00:20:38,721 --> 00:20:41,596 RENATA: Hey! The photoshoot. Women in power. 427 00:20:41,680 --> 00:20:43,596 I thought they wanted just, uh... office shots. 428 00:20:43,680 --> 00:20:47,513 No, um, they're doing house and, uh, office. 429 00:20:48,388 --> 00:20:49,805 GORDON: You look nice. 430 00:20:49,887 --> 00:20:51,513 JOEL: Here we go. Look at me. 431 00:20:51,596 --> 00:20:53,429 ♪ And I live here ♪ 432 00:20:53,513 --> 00:20:55,263 (MINIATURE TRAIN WHISTLE BLOWS) 433 00:21:05,346 --> 00:21:08,346 ♪ It's my house And I live here ♪ 434 00:21:09,263 --> 00:21:11,263 So she has a 3.8 GPA, 435 00:21:11,346 --> 00:21:14,805 and she has done charity work with human trafficking. 436 00:21:14,887 --> 00:21:16,555 She also has an internship coming up-- 437 00:21:16,638 --> 00:21:18,763 Uh, Stanford has an admit rate of under ten. 438 00:21:18,846 --> 00:21:20,429 Princeton and Williams the same, 439 00:21:20,513 --> 00:21:22,179 and since she doesn't have legacy going for her-- 440 00:21:22,263 --> 00:21:24,929 Any of these schools would be lucky to have her. 441 00:21:25,012 --> 00:21:27,596 -She's an excellent candidate-- -MADELINE: Candidate is, 442 00:21:27,680 --> 00:21:29,179 -I think, the wrong-- -Honey. 443 00:21:29,263 --> 00:21:32,304 What? Don't "honey" me. She has a 3.8 GPA. 444 00:21:32,388 --> 00:21:34,096 She has a 1350 on her SATs, 445 00:21:34,179 --> 00:21:35,638 but we're gonna get that number up 446 00:21:35,721 --> 00:21:38,263 because she has private tutoring coming up, so I feel-- 447 00:21:38,346 --> 00:21:40,054 I don't even want to go to college. 448 00:21:41,012 --> 00:21:42,805 (SCOFFS) 449 00:21:42,887 --> 00:21:44,555 I mean, she's just-- she's just nervous. 450 00:21:44,638 --> 00:21:47,221 -She doesn't mean that. -I do mean it. 451 00:21:47,304 --> 00:21:49,137 I don't want to go to college. 452 00:21:49,221 --> 00:21:50,471 (CHUCKLES) 453 00:21:50,555 --> 00:21:52,971 It feels so good to say that out loud. (SIGHS) 454 00:21:53,054 --> 00:21:55,388 Okay, Abigail, honey. You're going to college. 455 00:21:55,471 --> 00:21:57,179 The planet is dying, Mom, 456 00:21:57,263 --> 00:22:01,304 but God forbid I don't study Lysistrata? It's bullshit. 457 00:22:01,388 --> 00:22:02,846 Do you know what kids do at college? 458 00:22:02,929 --> 00:22:06,263 They drink. They fuck. They mull over a sex change. 459 00:22:06,346 --> 00:22:07,388 I'm not going. 460 00:22:07,471 --> 00:22:08,971 All right, you're going to college. 461 00:22:09,054 --> 00:22:10,471 -I'm not going to college. -Whoa, whoa, whoa. 462 00:22:10,555 --> 00:22:11,887 If you wanna go, you know, you should go. 463 00:22:11,971 --> 00:22:13,346 You should go to college. 464 00:22:13,429 --> 00:22:14,846 Hey, no, I know how to make any situation about me. 465 00:22:14,929 --> 00:22:16,429 This is not that. This is about you 466 00:22:16,513 --> 00:22:18,680 -and your future, Abigail. -NATHAN: Abby. 467 00:22:20,971 --> 00:22:23,096 -ABIGAIL CARLSON: I'm not going. -I'm so sorry. 468 00:22:25,471 --> 00:22:26,721 Where did she go? 469 00:22:27,263 --> 00:22:28,388 I-- 470 00:22:29,721 --> 00:22:32,096 -Did you know about this? -No, I swear. 471 00:22:32,179 --> 00:22:33,846 You were with her all summer in Tahoe, 472 00:22:33,929 --> 00:22:35,346 and you knew nothing about this? 473 00:22:35,429 --> 00:22:36,846 -Madeline, I didn't know. -And what about Bonnie? 474 00:22:36,929 --> 00:22:38,429 Did she know about this "fuck college" plan? 475 00:22:38,513 --> 00:22:40,096 Bonnie's left the building. 476 00:22:42,555 --> 00:22:43,721 Unbelievable. 477 00:22:43,805 --> 00:22:45,137 You know if she doesn't go to college, 478 00:22:45,221 --> 00:22:47,012 she won't have a life. 479 00:22:47,096 --> 00:22:49,680 She'll just be serving Big Macs and French fries, and that'll be her life. 480 00:22:49,763 --> 00:22:51,887 -Is that what you want for her, Nathan? -Stop, stop. Stop yelling at me. 481 00:22:51,971 --> 00:22:54,638 -Stop yelling at me. -What? You know you bear some responsibility here, right? 482 00:22:54,721 --> 00:22:56,096 -NATHAN: I do? -You're her father. 483 00:22:56,179 --> 00:22:57,429 -NATHAN: Oh, okay. -This is her senior year, 484 00:22:57,513 --> 00:22:58,763 she's on the cusp of her life, 485 00:22:58,846 --> 00:23:00,721 and you let it go all to shit in Tahoe! 486 00:23:00,805 --> 00:23:02,555 Don't-- You just hit me. You just hit me. 487 00:23:02,638 --> 00:23:03,887 Because you deserve it! 488 00:23:04,971 --> 00:23:06,596 -(WIND RUSTLES) -(WAVES CRASH) 489 00:23:21,721 --> 00:23:23,971 But honestly, Ed, if she doesn't go to college, 490 00:23:24,054 --> 00:23:26,971 what's she gonna do? Go into retail? 491 00:23:28,680 --> 00:23:30,346 Oh, let me call you right back. 492 00:23:31,555 --> 00:23:32,680 Mary Louise? 493 00:23:32,763 --> 00:23:35,179 -Hey, Maddie. -Oh, Madeline. Hello. 494 00:23:35,263 --> 00:23:36,805 What's going on? 495 00:23:36,887 --> 00:23:40,054 Well, I thought I might look for a small flat here in town, 496 00:23:40,137 --> 00:23:42,137 so that I could help out with the boys 497 00:23:42,221 --> 00:23:44,304 but not quite be so underfoot. 498 00:23:44,388 --> 00:23:45,555 (CLEARS THROAT) 499 00:23:45,638 --> 00:23:47,221 -MADELINE: Oh, I see. -Do you work here? 500 00:23:47,304 --> 00:23:48,887 -Yes. -Do you handle rentals? 501 00:23:48,971 --> 00:23:51,346 I do, actually. Oren and I both do, yes. 502 00:23:52,221 --> 00:23:53,680 I see you're wearing heels. 503 00:23:55,971 --> 00:23:57,596 Yes. 504 00:23:57,680 --> 00:24:00,638 Um, Oren, do you mind if I just have a minute with Mrs. Wright? 505 00:24:00,721 --> 00:24:03,555 Of course not. You're in wonderful hands. 506 00:24:03,638 --> 00:24:05,929 MADELINE: Thank you. 507 00:24:06,012 --> 00:24:08,638 Mary Louise, I realize that you're still grieving, 508 00:24:08,721 --> 00:24:09,887 and that you've been through 509 00:24:09,971 --> 00:24:11,805 a tremendous amount of heartbreak, 510 00:24:11,887 --> 00:24:14,346 but I don't care for the way you spoke to me before. 511 00:24:14,429 --> 00:24:16,388 It was rude, and I didn't deserve it. 512 00:24:16,471 --> 00:24:20,638 No, you didn't. Um, I apologize. 513 00:24:21,680 --> 00:24:23,221 Well, thank you. 514 00:24:23,304 --> 00:24:25,096 MARY LOUISE: The truth is, it had nothing to do with you. 515 00:24:25,179 --> 00:24:27,929 When I was in boarding school, I had-- I had a best friend, 516 00:24:28,012 --> 00:24:29,721 or so I thought, 517 00:24:29,805 --> 00:24:32,304 who revealed herself to be quite treacherous, 518 00:24:32,388 --> 00:24:36,638 and, uh, caused me a lot of pain. 519 00:24:36,721 --> 00:24:39,763 So... she was just an itty-bitty little thing 520 00:24:39,846 --> 00:24:43,221 with a big, bubbly personality that, um... 521 00:24:43,304 --> 00:24:45,763 was designed to hide... 522 00:24:45,846 --> 00:24:47,680 that she was utterly vapid inside. 523 00:24:47,763 --> 00:24:49,513 You remind me so much of her 524 00:24:49,596 --> 00:24:51,304 that I suppose I punish you for that. 525 00:24:51,388 --> 00:24:53,263 That's wrong of me, and I apologize. 526 00:24:57,012 --> 00:25:00,304 -Oren. -OREN: Yes. Sorry. 527 00:25:00,388 --> 00:25:02,971 I'm sure Oren will address all of your concerns. 528 00:25:03,054 --> 00:25:04,513 MARY LOUISE: Okay. 529 00:25:04,596 --> 00:25:07,096 -Where did we leave it? -(CHUCKLES) 530 00:25:07,179 --> 00:25:10,429 ♪ ("MYSTERY OF LOVE" BY SUFJAN STEVENS PLAYS) ♪ 531 00:25:20,680 --> 00:25:24,805 ♪ Oh, to see without my eyes ♪ 532 00:25:24,887 --> 00:25:29,179 ♪ The first time That you kissed me ♪ 533 00:25:29,263 --> 00:25:32,596 ♪ Boundless by the time I cried ♪ 534 00:25:34,012 --> 00:25:38,096 ♪ I built your walls around me 535 00:25:38,179 --> 00:25:41,388 ♪ White noise What an awful sound ♪ 536 00:25:42,929 --> 00:25:47,137 ♪ Fumbling by Rogue River ♪ 537 00:25:47,221 --> 00:25:50,555 ♪ Feel my feet Above the ground ♪ 538 00:25:51,763 --> 00:25:55,929 ♪ Hand of God deliver me ♪ 539 00:25:56,012 --> 00:25:58,596 -♪ (MUSIC CONTINUES THROUGH EARBUDS) ♪ -Oh! 540 00:26:00,429 --> 00:26:02,137 ♪ (MUSIC ENDS) ♪ 541 00:26:02,221 --> 00:26:04,638 (CHUCKLES) That probably looked weird. 542 00:26:04,721 --> 00:26:05,846 Yeah. 543 00:26:05,929 --> 00:26:07,263 (BOTH LAUGH) 544 00:26:08,680 --> 00:26:10,179 Are you on the spectrum? 545 00:26:10,263 --> 00:26:12,805 -(BOTH CHUCKLE) -Are you? 546 00:26:13,346 --> 00:26:15,304 Um, I'm-- 547 00:26:16,471 --> 00:26:19,221 -Yeah, most likely. -(BOTH CHUCKLE) 548 00:26:19,304 --> 00:26:21,887 -Well, I don't think I am, but-- -A little advice, 549 00:26:21,971 --> 00:26:24,137 you probably don't wanna act weird and shit in public. 550 00:26:24,221 --> 00:26:26,846 We do a lot of kids' events at the aquarium, and parents have a thing 551 00:26:26,929 --> 00:26:28,763 about entrusting their kids to psychos. 552 00:26:29,555 --> 00:26:31,263 (CHUCKLES) 553 00:26:31,346 --> 00:26:33,304 Noted. Got it. Thank you. 554 00:26:33,388 --> 00:26:34,763 The way people talk in this town, 555 00:26:34,846 --> 00:26:36,721 I don't need to tell you. 556 00:26:36,805 --> 00:26:39,137 You don't need to tell me? What does that mean? 557 00:26:41,137 --> 00:26:43,012 You're one of the Monterey Five, right? 558 00:26:44,513 --> 00:26:45,596 Monterey Five? 559 00:26:45,680 --> 00:26:47,304 You were there the night the guy fell. 560 00:26:47,388 --> 00:26:49,429 Wh-- Where did you here that? 561 00:26:49,513 --> 00:26:51,846 Someone at work. I'll see you around. 562 00:26:52,513 --> 00:26:53,555 Yeah. 563 00:26:54,846 --> 00:26:56,929 JANE: It was just the way he said it. 564 00:26:57,012 --> 00:26:59,137 RENATA: How exactly was that? 565 00:26:59,221 --> 00:27:01,304 Like we all have scarlet letters on our backs. 566 00:27:01,388 --> 00:27:03,304 -Oh, please. -We're kidding ourselves 567 00:27:03,388 --> 00:27:04,971 if we think people have stopped talking. 568 00:27:05,054 --> 00:27:06,429 Yeah, but people talk. It's-- 569 00:27:06,513 --> 00:27:08,638 I think we're all being a little bit paranoid, you guys. 570 00:27:08,721 --> 00:27:09,887 I think people have moved on, 571 00:27:09,971 --> 00:27:11,513 and the police definitely moved on. 572 00:27:11,596 --> 00:27:13,263 -Well, we don't know for sure. -Yeah-- 573 00:27:13,346 --> 00:27:16,304 No, I talked to Susie Burke. Do you know Susie from IBM? 574 00:27:16,388 --> 00:27:17,596 Yeah. 575 00:27:17,680 --> 00:27:19,263 She's a good friend of Detective Quinlan. 576 00:27:19,346 --> 00:27:20,638 -Oh. -I mean, 577 00:27:20,721 --> 00:27:23,555 like, really good friend. Gossip for another day, 578 00:27:23,638 --> 00:27:27,054 but she told me that she heard Quinlan say, like, 579 00:27:27,137 --> 00:27:31,513 the case isn't "closed" closed, but they've got nothing. 580 00:27:31,596 --> 00:27:33,513 -Mm-hmm. -CELESTE: Good. 581 00:27:35,054 --> 00:27:36,096 Good. 582 00:27:37,054 --> 00:27:38,596 -We're good. -Okay. 583 00:27:38,680 --> 00:27:40,012 CELESTE: Yeah, good. 584 00:27:43,054 --> 00:27:44,388 (BELL RINGS) 585 00:27:52,471 --> 00:27:53,638 MADELINE: Where were you? 586 00:27:53,721 --> 00:27:55,221 We were waiting for you at the beach. 587 00:27:55,304 --> 00:27:57,721 Oh, yeah. Something came up. 588 00:27:58,555 --> 00:27:59,680 MADELINE: Yeah? 589 00:28:02,929 --> 00:28:03,971 What? 590 00:28:05,471 --> 00:28:06,596 Are you all right? 591 00:28:08,263 --> 00:28:11,304 -Do you care? -Do I care? 592 00:28:11,388 --> 00:28:12,596 What's going on? 593 00:28:17,513 --> 00:28:18,596 I killed someone. 594 00:28:19,555 --> 00:28:21,096 -Remember? -Yes. 595 00:28:21,179 --> 00:28:22,513 It's heavy. 596 00:28:22,596 --> 00:28:26,263 Are you-- I mean, are you angry at me for some reason? 597 00:28:30,429 --> 00:28:31,887 I'm angry with myself. 598 00:28:33,263 --> 00:28:35,763 If I had just told the truth, I would have gotten off, 599 00:28:35,846 --> 00:28:37,179 but you said he slipped, 600 00:28:37,263 --> 00:28:38,971 and everyone else joined in the fucking chorus. 601 00:28:39,054 --> 00:28:41,763 -That was to protect you. -Yeah, thanks a lot. 602 00:28:44,471 --> 00:28:46,471 You know, I can't talk to my husband. 603 00:28:48,513 --> 00:28:49,596 Or my kid. 604 00:28:51,846 --> 00:28:53,471 I have to just swallow it all. 605 00:28:54,929 --> 00:28:56,179 You can talk to us. 606 00:28:57,263 --> 00:28:59,137 We're here for you. All of us. 607 00:29:01,638 --> 00:29:04,555 Well, it hasn't really felt like that. 608 00:29:04,638 --> 00:29:06,596 Well, I'm sorry, but you've been in Tahoe. 609 00:29:06,680 --> 00:29:09,054 It's not like you can put that shit on Gmail. 610 00:29:09,137 --> 00:29:11,304 -Like, what am I supposed to-- -NATHAN: Hey. 611 00:29:12,721 --> 00:29:14,304 Hey. Bye, Maddie. 612 00:29:20,805 --> 00:29:22,054 Little Miss Sunshine, right? 613 00:29:22,137 --> 00:29:23,846 MADELINE: Listen, I'm sorry I pushed you. 614 00:29:23,929 --> 00:29:25,429 There you go, I said it. 615 00:29:25,513 --> 00:29:29,012 (SIGHS) Okay, um, I need to talk to Abby. Is she here? 616 00:29:30,221 --> 00:29:31,471 NATHAN: Abby! 617 00:29:31,555 --> 00:29:33,304 ♪ ("THE RIP" BY PORTISHEAD PLAYS) ♪ 618 00:29:33,388 --> 00:29:35,304 ♪ As she walks in the room ♪ 619 00:29:35,388 --> 00:29:37,721 ♪ Scented and tall ♪ 620 00:29:38,846 --> 00:29:43,846 ♪ Hesitating once more ♪ 621 00:29:43,929 --> 00:29:46,179 -♪ And as I take-- ♪ -♪ (MUSIC ENDS) ♪ 622 00:29:48,221 --> 00:29:51,846 So... what was that all about? 623 00:29:51,929 --> 00:29:56,346 I just don't think college is for everyone, that's all. 624 00:29:56,429 --> 00:29:57,555 MADELINE: Okay. 625 00:29:58,680 --> 00:30:00,471 So why is not for you? 626 00:30:01,054 --> 00:30:02,638 Well... 627 00:30:02,721 --> 00:30:06,513 Starting with the cost. It's really expensive. 628 00:30:06,596 --> 00:30:08,513 So, I'm assuming that if you're gonna abandon 629 00:30:08,596 --> 00:30:10,513 that plan to go to college, you have another plan-- 630 00:30:10,596 --> 00:30:11,680 I do. 631 00:30:13,887 --> 00:30:15,012 What is it? 632 00:30:16,388 --> 00:30:19,137 -It's to work for a startup. -Oh, my God. 633 00:30:19,221 --> 00:30:20,846 Specifically, one that builds 634 00:30:20,929 --> 00:30:23,137 for-profit housing for the homeless. 635 00:30:23,221 --> 00:30:24,638 -Excuse me? -ABIGAIL: Yeah. 636 00:30:24,721 --> 00:30:28,429 And unlike, you know, the privatized shams 637 00:30:28,513 --> 00:30:30,304 like banks and credit card companies, 638 00:30:30,388 --> 00:30:33,513 ours will make money while actually helping people. 639 00:30:33,596 --> 00:30:34,929 This is something real? 640 00:30:35,012 --> 00:30:38,054 I've been offered a position to start in June. 641 00:30:38,137 --> 00:30:40,346 -You cannot be serious. -I'm gonna take it. 642 00:30:40,429 --> 00:30:41,929 You cannot mortgage your future 643 00:30:42,012 --> 00:30:44,137 over some sort of short-term plan. 644 00:30:44,221 --> 00:30:46,012 ABIGAIL: I'm not doing that! 645 00:30:46,096 --> 00:30:47,596 Well, then, what are you doing? 646 00:30:47,680 --> 00:30:50,304 There are four million homeless people in America, 647 00:30:50,388 --> 00:30:52,346 the average age being nine years old, 648 00:30:52,429 --> 00:30:54,346 -and I-- -I don't give a fuck! 649 00:30:54,429 --> 00:30:56,929 I don't care about fucking homeless people. 650 00:30:58,263 --> 00:30:59,179 What? 651 00:30:59,263 --> 00:31:00,513 That is not what I meant. 652 00:31:00,596 --> 00:31:02,304 I do care about homeless people. 653 00:31:02,388 --> 00:31:05,346 I just think you can give money to some charity 654 00:31:05,429 --> 00:31:07,096 while you actually attend college. 655 00:31:07,179 --> 00:31:09,887 -I'm not going to college. -Yes, you are. 656 00:31:09,971 --> 00:31:11,304 Give me one good reason what I should-- 657 00:31:11,388 --> 00:31:12,555 It's non-negotiable. 658 00:31:12,638 --> 00:31:14,555 You are going to college because I said so, 659 00:31:14,638 --> 00:31:16,429 and because you're not thinking straight-- 660 00:31:16,513 --> 00:31:17,680 Because you said so? 661 00:31:17,763 --> 00:31:19,179 -Yes, because I said so. -What do you know? 662 00:31:19,263 --> 00:31:20,638 You didn't go to college. 663 00:31:20,721 --> 00:31:22,929 That's exactly why you're going. 664 00:31:23,763 --> 00:31:25,179 Exactly. 665 00:31:25,263 --> 00:31:27,096 Because you will have no life! 666 00:31:30,471 --> 00:31:31,513 (DOOR SLAMS) 667 00:31:32,304 --> 00:31:33,304 (SIGHS) 668 00:31:38,137 --> 00:31:41,346 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 669 00:31:42,680 --> 00:31:44,388 Can't you just tell her it's time to go? 670 00:31:44,471 --> 00:31:47,638 CELESTE: The boys love her. I mean, they love her. 671 00:31:47,721 --> 00:31:51,638 And she's... she's a big help, she really is. 672 00:31:53,680 --> 00:31:56,555 So what's up? I'm guessing you don't need my help 673 00:31:56,638 --> 00:31:58,429 on how to handle a mother-in-law. 674 00:32:00,012 --> 00:32:03,137 Why are you not cashing the checks? 675 00:32:03,221 --> 00:32:04,721 JANE: (SIGHS) I don't know. 676 00:32:04,805 --> 00:32:06,221 CELESTE: Come on, Jane. Why? 677 00:32:06,304 --> 00:32:09,513 It's rape money. You know I can't do that. 678 00:32:11,929 --> 00:32:13,638 Ziggy's entitled to it. 679 00:32:14,555 --> 00:32:16,304 He's part of Perry's estate. 680 00:32:17,763 --> 00:32:20,388 Do you ever hate me? Just a little bit. 681 00:32:23,680 --> 00:32:25,388 How could I hate you? 682 00:32:25,471 --> 00:32:27,971 Because I slept with your husband. 683 00:32:28,054 --> 00:32:31,429 I mean, I didn't-- You know what I mean. 684 00:32:31,513 --> 00:32:32,971 He raped you. 685 00:32:33,054 --> 00:32:34,929 But I knew he was married. I mean, I didn't know 686 00:32:35,012 --> 00:32:38,346 he was married to you, but... somebody. 687 00:32:38,429 --> 00:32:41,221 No. I don't blame you for anything. 688 00:32:42,929 --> 00:32:45,471 JANE: I think I would if I were in your shoes. 689 00:32:46,763 --> 00:32:48,429 Celeste, for a man to commit adultery, 690 00:32:48,513 --> 00:32:50,096 he-- there-- there has to be another woman, 691 00:32:50,179 --> 00:32:53,096 and, you know what, more times than not, she's complicit. 692 00:32:53,179 --> 00:32:56,721 I was complicit. Not in the end, but... 693 00:32:56,805 --> 00:32:58,346 definitely in the beginning. 694 00:33:06,929 --> 00:33:08,513 Are you glad that he's dead? 695 00:33:12,096 --> 00:33:13,555 CELESTE: It's complicated. 696 00:33:15,721 --> 00:33:16,971 (SIGHS) 697 00:33:17,054 --> 00:33:19,221 (GATE BUZZES) 698 00:33:35,471 --> 00:33:38,221 ♪ ("HARVEST MOON" BY CASSANDRA WILSON PLAYS) ♪ 699 00:33:54,263 --> 00:33:56,929 ♪ Come a little bit closer ♪ 700 00:33:58,763 --> 00:34:01,429 ♪ Hear what I have to say ♪ 701 00:34:10,388 --> 00:34:13,596 ♪ Just like children sleeping ♪ 702 00:34:15,137 --> 00:34:19,887 ♪ We could dream This night away ♪ 703 00:34:19,971 --> 00:34:24,263 ♪ (MUSIC CONTINUES IN BACKGROUND) 704 00:34:24,346 --> 00:34:27,638 ♪ (JOSH PLAYS DISCORDANT NOTES) ♪ 705 00:34:27,721 --> 00:34:30,763 ♪ But there's a full moon Rising ♪ 706 00:34:32,388 --> 00:34:36,304 ♪ Let's go dancing In the light... ♪ 707 00:34:41,721 --> 00:34:43,263 MARY LOUISE: Come on, everybody. 708 00:34:44,012 --> 00:34:45,137 Put it away, Max. 709 00:34:46,388 --> 00:34:47,471 Come. 710 00:34:50,388 --> 00:34:54,137 This looks so delicious. Thank you, Mary Louise. 711 00:34:54,221 --> 00:34:56,596 MAX: I thought we were having KFC. 712 00:34:56,680 --> 00:35:00,346 Well, one cannot survive on fast food every night. 713 00:35:00,429 --> 00:35:02,263 (CHUCKLING) We don't have it every night. 714 00:35:02,346 --> 00:35:03,680 MARY LOUISE: You know that they-- 715 00:35:03,763 --> 00:35:06,763 they ban these insidious fast food institutions 716 00:35:06,846 --> 00:35:09,096 from some parts of San Francisco. 717 00:35:09,179 --> 00:35:12,887 Do you remember when we walked across the Golden Gate Bridge? 718 00:35:12,971 --> 00:35:14,263 It's red. 719 00:35:14,346 --> 00:35:16,388 (CHUCKLES) You're right, it is red. 720 00:35:16,471 --> 00:35:17,763 (LAUGHS) 721 00:35:17,846 --> 00:35:19,887 Oh, and Dad said he was going to swim to Alcatraz. 722 00:35:19,971 --> 00:35:21,388 (LAUGHS) Oh, yeah. 723 00:35:21,471 --> 00:35:23,971 Sharks would have eaten him, stupid. 724 00:35:24,054 --> 00:35:25,805 No, they wouldn't, idiot. 725 00:35:25,887 --> 00:35:27,096 (SCOFFS) 726 00:35:27,179 --> 00:35:28,513 -CELESTE: Hey! Hey! -Ow! 727 00:35:28,596 --> 00:35:31,429 You could hurt him! What's wrong with you? 728 00:35:31,513 --> 00:35:33,012 I barely touched him. 729 00:35:33,096 --> 00:35:37,513 You stuck him with a fork, Josh. That is unacceptable. 730 00:35:37,596 --> 00:35:39,304 For God's sake. 731 00:35:39,388 --> 00:35:41,721 ♪ (MUSIC CONTINUES QUIETLY) ♪ 732 00:35:44,137 --> 00:35:45,221 I miss Dad. 733 00:35:47,263 --> 00:35:50,221 I know, baby. I know you do. 734 00:35:52,555 --> 00:35:54,429 We all do. 735 00:35:54,513 --> 00:35:56,846 We've still got some recovery ahead of us. 736 00:35:56,929 --> 00:36:00,555 Well, they're grieving, Celeste. 737 00:36:00,638 --> 00:36:04,096 Their father's death is not... (CLEARS THROAT) 738 00:36:04,179 --> 00:36:07,179 something to be recovered from like a cold. 739 00:36:07,263 --> 00:36:10,638 You know, your daddy was the most amazing man, 740 00:36:10,721 --> 00:36:13,596 and you were so lucky to have him. 741 00:36:13,680 --> 00:36:18,096 And it's very unfair and wrong that he died. 742 00:36:18,179 --> 00:36:21,680 And you still feel angry about it, don't you? 743 00:36:21,763 --> 00:36:25,388 I mean, you feel angry that the other kids have their dads. 744 00:36:25,471 --> 00:36:27,263 You don't. 745 00:36:27,346 --> 00:36:30,221 You know, the other day, I was with some friends, 746 00:36:30,304 --> 00:36:34,763 and, um, their sons were not a patch on your dad. 747 00:36:34,846 --> 00:36:36,429 (LAUGHS) Not a patch. 748 00:36:37,971 --> 00:36:41,221 Just-- I felt so angry. (YELLING) Angry! 749 00:36:41,304 --> 00:36:44,555 (QUIETLY) You know, that their mediocre, 750 00:36:44,638 --> 00:36:47,012 spindly, pudgy, balding, 751 00:36:47,096 --> 00:36:50,054 middle-management sons-- still alive-- 752 00:36:50,137 --> 00:36:53,971 and my Perry... (WHISPERING) My Perry... 753 00:36:54,054 --> 00:36:57,137 I just-- felt just-- I wanted to scream. 754 00:36:58,680 --> 00:36:59,846 So you know what I did? 755 00:36:59,929 --> 00:37:01,721 -MAX: What? -I did scream. 756 00:37:03,721 --> 00:37:05,221 Wanna hear? 757 00:37:05,304 --> 00:37:06,971 MARY LOUISE: (CHUCKLES) Okay. 758 00:37:11,346 --> 00:37:13,555 (SCREAMS) 759 00:37:13,638 --> 00:37:15,638 Oh! 760 00:37:15,721 --> 00:37:18,596 Oh! Mary Louise! Mary Louise! Mary Louise, please. 761 00:37:18,680 --> 00:37:21,179 What, my grief is too loud for you? 762 00:37:21,263 --> 00:37:23,263 -Oh, Celeste. -Just-- Just-- The boys! 763 00:37:23,346 --> 00:37:25,137 MARY LOUISE: I should be more discrete. 764 00:37:25,221 --> 00:37:26,471 We should scream. 765 00:37:26,555 --> 00:37:29,513 We should scream and beat our breasts 766 00:37:29,596 --> 00:37:32,971 and-- and tear our hair. Don't you feel angry? 767 00:37:34,805 --> 00:37:35,846 N-- 768 00:37:35,929 --> 00:37:37,263 MARY LOUISE: You don't? 769 00:37:44,971 --> 00:37:46,054 I'm sorry. 770 00:37:47,680 --> 00:37:49,179 (SIGHS) 771 00:37:49,263 --> 00:37:53,721 (SOBS) I feel so, so alone. (CLEARS THROAT) 772 00:37:58,805 --> 00:38:01,346 ♪ ("ALL APOLOGIES" COVER VERSION BY SINÉAD O'CONNOR PLAYS) ♪ 773 00:38:01,429 --> 00:38:06,137 ♪ In the sun I feel as one ♪ 774 00:38:06,221 --> 00:38:08,555 ♪ In the sun ♪ 775 00:38:08,638 --> 00:38:10,471 ♪ In the sun ♪ 776 00:38:12,054 --> 00:38:14,429 ♪ I'm married ♪ 777 00:38:14,513 --> 00:38:16,388 ♪ Married ♪ 778 00:38:17,137 --> 00:38:18,971 ♪ Buried ♪ 779 00:38:40,638 --> 00:38:43,054 (DISTANT WALKIE-TALKIE CHATTER) 780 00:38:48,179 --> 00:38:50,429 We were like animals. We-- We had to save her. 781 00:38:50,513 --> 00:38:53,805 We-- It was like every instinct inside of me 782 00:38:53,887 --> 00:38:55,471 told me that she was-- 783 00:38:55,555 --> 00:38:58,887 he was gonna kill her if we didn't help her. 784 00:38:58,971 --> 00:39:00,846 And, um... 785 00:39:00,929 --> 00:39:05,304 I thought he was gonna crush her or kick her ribs in or... 786 00:39:05,388 --> 00:39:07,012 I didn't know what he was gonna do. 787 00:39:07,096 --> 00:39:12,221 And then, he-- Renata or... me, we grabbed him, and then, um... 788 00:39:12,304 --> 00:39:14,221 then he grabbed Jane by the neck. 789 00:39:16,179 --> 00:39:17,263 Yeah, um.... 790 00:39:20,596 --> 00:39:22,179 (SNIFFS, SIGHS) 791 00:39:22,263 --> 00:39:23,429 I'm sorry. 792 00:39:25,429 --> 00:39:26,471 (SIGHS) 793 00:39:38,096 --> 00:39:39,221 In your own time... 794 00:39:41,137 --> 00:39:42,263 take a good look. 795 00:39:47,388 --> 00:39:49,263 ♪ (SINISTER MUSIC PLAYS) ♪ 796 00:39:52,971 --> 00:39:54,221 (YELLS) No! 797 00:39:54,304 --> 00:39:56,096 Fucking kill you! 798 00:39:56,638 --> 00:39:58,263 No! 799 00:39:58,346 --> 00:40:00,263 -(PANTING) -MARY LOUISE: Are you all right? 800 00:40:00,346 --> 00:40:01,429 Celeste? 801 00:40:02,596 --> 00:40:03,638 You all right? 802 00:40:05,346 --> 00:40:06,471 You all right, dear? 803 00:40:07,929 --> 00:40:09,471 -Yeah. -Another nightmare? 804 00:40:10,929 --> 00:40:11,971 Yes? 805 00:40:21,179 --> 00:40:22,846 -It's all right. -(SIGHS) 806 00:40:22,929 --> 00:40:24,388 MARY LOUISE: It's all right. 807 00:40:24,471 --> 00:40:27,429 -CELESTE: I'm sorry. -It's all right. 808 00:40:31,012 --> 00:40:32,137 So... 809 00:40:33,471 --> 00:40:35,429 who are we planning to kill? 810 00:40:35,513 --> 00:40:39,346 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 811 00:40:45,680 --> 00:40:47,638 ♪ It's everywhere I look ♪ 812 00:40:47,721 --> 00:40:50,221 ♪ From Las Vegas to right here 813 00:40:50,304 --> 00:40:54,638 ♪ Under your dresser Right by your ear ♪ 814 00:40:54,721 --> 00:40:59,221 ♪ It's creeping in sweetly It's definitely here ♪ 815 00:40:59,304 --> 00:41:03,971 ♪ There's nothing more deadly Than slow growing fear ♪ 816 00:41:04,054 --> 00:41:08,513 ♪ Life was full and fruitful an You could a take a real bite ♪ 817 00:41:08,596 --> 00:41:10,929 ♪ The juice pouring Well over you ♪ 818 00:41:11,012 --> 00:41:13,096 ♪ Skin's delight ♪ 819 00:41:13,179 --> 00:41:17,555 ♪ But the shadow it grows And takes the depth away ♪ 820 00:41:17,638 --> 00:41:22,137 ♪ Leaving broken down pieces To this priceless ballet ♪ 821 00:41:22,221 --> 00:41:26,887 ♪ The shallower it grows The shallower it grows ♪ 822 00:41:26,971 --> 00:41:31,304 ♪ The fainter we go Into the fade out line ♪ 823 00:41:31,388 --> 00:41:36,012 ♪ The shallower it grows The shallower it grows ♪ 824 00:41:36,096 --> 00:41:40,638 ♪ The fainter we go Into the fade out line ♪ 825 00:41:40,721 --> 00:41:42,596 ♪ Did we build All those bridges ♪ 826 00:41:42,680 --> 00:41:45,221 ♪ To watch them thin down To dust? ♪ 827 00:41:45,304 --> 00:41:49,929 ♪ Or blow them voluntarily Out of constant trust ♪ 828 00:41:50,012 --> 00:41:54,388 ♪ The clock is ticking Its last couple of tocks ♪ 829 00:41:54,471 --> 00:41:58,971 ♪ And there won't be a party With weathering frocks ♪ 830 00:41:59,054 --> 00:42:03,680 ♪ The shallower it grows The shallower it grows ♪ 831 00:42:03,763 --> 00:42:08,179 ♪ The fainter we go Into the fade out line ♪ 832 00:42:08,263 --> 00:42:12,846 ♪ The shallower it grows The shallower it grows ♪ 833 00:42:12,929 --> 00:42:17,513 ♪ The fainter we go Into the fade out line ♪ 834 00:42:17,596 --> 00:42:19,721 ♪ Heading deep down ♪ 835 00:42:19,805 --> 00:42:23,054 ♪ We're sliding Without noticing ♪ 836 00:42:23,137 --> 00:42:24,763 ♪ Our own decline ♪ 837 00:42:27,263 --> 00:42:28,929 ♪ Heading deep down ♪ 838 00:42:29,012 --> 00:42:33,929 ♪ We're hanging onto Sweet nothings left behind ♪ 839 00:42:38,805 --> 00:42:40,971 ♪ Deeper down ♪ 840 00:42:43,012 --> 00:42:45,346 ♪ We're all going down ♪ 841 00:42:47,346 --> 00:42:50,346 ♪ Down, deeper down, yeah ♪ 842 00:42:54,388 --> 00:42:58,263 ♪ We are all plunging straight Towards our own decline ♪ 843 00:42:58,346 --> 00:43:02,887 ♪ Without noticing we slide dow Deeper down ♪ 844 00:43:02,971 --> 00:43:07,346 ♪ The shadow grows Without ever slowing down ♪ 845 00:43:07,429 --> 00:43:12,555 ♪ We are heading straight Into the fade out line ♪ 846 00:43:12,638 --> 00:43:17,388 ♪ The shallower it grows The shallower it grows ♪ 847 00:43:17,471 --> 00:43:21,846 ♪ The fainter we go Into the fade out line ♪ 848 00:43:21,929 --> 00:43:26,429 ♪ The shallower it grows The shallower it grows ♪ 849 00:43:26,513 --> 00:43:31,012 ♪ The fainter we go Into the fade out line ♪ 850 00:43:31,096 --> 00:43:35,638 ♪ The shallower it grows The shallower it grows ♪ 851 00:43:35,721 --> 00:43:40,263 ♪ The fainter we go Into the fade out line ♪ 852 00:43:40,346 --> 00:43:44,929 ♪ The shallower it grows The shallower it grows ♪ 853 00:43:45,012 --> 00:43:49,513 ♪ The fainter we go Into the fade out line ♪ 854 00:43:49,596 --> 00:43:54,096 ♪ The shallower it grows The shallower it grows ♪ 855 00:43:54,179 --> 00:43:58,304 ♪ The fainter we go Into the fade out line... ♪ 63455

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