Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,503 --> 00:00:07,750
Announcer: WILL NOT BE
SEEN TONIGHT SO THAT NBC MAY
PRESENT THE FOLLOWING SPECIAL
2
00:00:07,774 --> 00:00:10,374
SEEN TONIGHT SO THAT NBC MAY
PRESENT THE FOLLOWING SPECIAL
PROGRAM.
3
00:00:11,844 --> 00:00:18,650
HI, I'M GILDA RADNER.
AND, UH... OKAY, NOW.
[CHEERS AND APPLAUSE]
4
00:00:29,462 --> 00:00:34,044
THANK YOU.
THANKS.
TONIGHT...
5
00:00:34,068 --> 00:00:35,778
THANKS.
TONIGHT...
TONIGHT WE THOUGHT WE'D START
6
00:00:35,802 --> 00:00:37,414
TONIGHT...
TONIGHT WE THOUGHT WE'D START
OFF WITH SOMETHING A LITTLE
7
00:00:37,438 --> 00:00:38,181
TONIGHT WE THOUGHT WE'D START
OFF WITH SOMETHING A LITTLE
DIFFERENT.
8
00:00:38,205 --> 00:00:39,983
OFF WITH SOMETHING A LITTLE
DIFFERENT.
BEFORE THE SHOW, WE HANDED OUT
9
00:00:40,007 --> 00:00:41,784
DIFFERENT.
BEFORE THE SHOW, WE HANDED OUT
SOME CARDS FOR THE AUDIENCE TO
10
00:00:41,808 --> 00:00:43,553
BEFORE THE SHOW, WE HANDED OUT
SOME CARDS FOR THE AUDIENCE TO
WRITE DOWN QUESTIONS, AND I'M
11
00:00:43,577 --> 00:00:45,155
SOME CARDS FOR THE AUDIENCE TO
WRITE DOWN QUESTIONS, AND I'M
GONNA DO THE BEST I CAN TO
12
00:00:45,179 --> 00:00:46,890
WRITE DOWN QUESTIONS, AND I'M
GONNA DO THE BEST I CAN TO
ANSWER THEM OFF THE TOP OF MY
13
00:00:46,914 --> 00:00:47,724
GONNA DO THE BEST I CAN TO
ANSWER THEM OFF THE TOP OF MY
HEAD, OKAY?
14
00:00:47,748 --> 00:00:49,859
ANSWER THEM OFF THE TOP OF MY
HEAD, OKAY?
ALL RIGHT, THE FIRST QUESTION
15
00:00:49,883 --> 00:00:51,861
HEAD, OKAY?
ALL RIGHT, THE FIRST QUESTION
IS FROM KEVIN LIEBERMAN FROM
16
00:00:51,885 --> 00:00:53,930
ALL RIGHT, THE FIRST QUESTION
IS FROM KEVIN LIEBERMAN FROM
MINEOLA, NEW YORK, AND KEVIN
17
00:00:53,954 --> 00:00:56,133
IS FROM KEVIN LIEBERMAN FROM
MINEOLA, NEW YORK, AND KEVIN
ASKS, "DO YOU EVER HAVE TROUBLE
18
00:00:56,157 --> 00:00:58,201
MINEOLA, NEW YORK, AND KEVIN
ASKS, "DO YOU EVER HAVE TROUBLE
COMING UP WITH AN OPENING FOR
19
00:00:58,225 --> 00:00:59,102
ASKS, "DO YOU EVER HAVE TROUBLE
COMING UP WITH AN OPENING FOR
THE SHOW?"
20
00:00:59,126 --> 00:01:00,637
COMING UP WITH AN OPENING FOR
THE SHOW?"
WELL, YES, KEVIN.
21
00:01:00,661 --> 00:01:03,040
THE SHOW?"
WELL, YES, KEVIN.
COINCIDENTALLY, WE HAD A GREAT
22
00:01:03,064 --> 00:01:05,375
WELL, YES, KEVIN.
COINCIDENTALLY, WE HAD A GREAT
DEAL OF DIFFICULTY THIS VERY
23
00:01:05,399 --> 00:01:06,076
COINCIDENTALLY, WE HAD A GREAT
DEAL OF DIFFICULTY THIS VERY
WEEK.
24
00:01:06,100 --> 00:01:08,345
DEAL OF DIFFICULTY THIS VERY
WEEK.
THE NEXT QUESTION IS FROM
25
00:01:08,369 --> 00:01:10,914
WEEK.
THE NEXT QUESTION IS FROM
KEVIN WOOD, WHO ASKS, "IN THE
26
00:01:10,938 --> 00:01:13,550
THE NEXT QUESTION IS FROM
KEVIN WOOD, WHO ASKS, "IN THE
EVENT THAT YOU HAVE DIFFICULTY
27
00:01:13,574 --> 00:01:16,353
KEVIN WOOD, WHO ASKS, "IN THE
EVENT THAT YOU HAVE DIFFICULTY
COMING UP WITH AN OPENING TO THE
28
00:01:16,377 --> 00:01:18,621
EVENT THAT YOU HAVE DIFFICULTY
COMING UP WITH AN OPENING TO THE
SHOW, WHAT WOULD YOU DO?"
29
00:01:18,645 --> 00:01:20,190
COMING UP WITH AN OPENING TO THE
SHOW, WHAT WOULD YOU DO?"
WELL, KEVIN, WHENEVER THIS
30
00:01:20,214 --> 00:01:22,059
SHOW, WHAT WOULD YOU DO?"
WELL, KEVIN, WHENEVER THIS
HAPPENS... AND THIS IS THE FIRST
31
00:01:22,083 --> 00:01:23,893
WELL, KEVIN, WHENEVER THIS
HAPPENS... AND THIS IS THE FIRST
TIME... WE HAND OUT CARDS TO THE
32
00:01:23,917 --> 00:01:25,362
HAPPENS... AND THIS IS THE FIRST
TIME... WE HAND OUT CARDS TO THE
AUDIENCE SO THEY CAN ASK
33
00:01:25,386 --> 00:01:27,030
TIME... WE HAND OUT CARDS TO THE
AUDIENCE SO THEY CAN ASK
QUESTIONS, AND THEN I ANSWER
34
00:01:27,054 --> 00:01:28,731
AUDIENCE SO THEY CAN ASK
QUESTIONS, AND THEN I ANSWER
THEM OFF THE TOP OF MY HEAD.
35
00:01:28,755 --> 00:01:31,134
QUESTIONS, AND THEN I ANSWER
THEM OFF THE TOP OF MY HEAD.
OKAY.
36
00:01:31,158 --> 00:01:33,136
THEM OFF THE TOP OF MY HEAD.
OKAY.
THE NEXT QUESTION IS FROM
37
00:01:33,160 --> 00:01:35,272
OKAY.
THE NEXT QUESTION IS FROM
KEVIN KRAK OF BROOKLYN, AND
38
00:01:35,296 --> 00:01:37,774
THE NEXT QUESTION IS FROM
KEVIN KRAK OF BROOKLYN, AND
KEVIN ASKS, "ARE THESE QUESTIONS
39
00:01:37,798 --> 00:01:39,776
KEVIN KRAK OF BROOKLYN, AND
KEVIN ASKS, "ARE THESE QUESTIONS
REALLY WRITTEN BY US, THE
40
00:01:39,800 --> 00:01:42,245
KEVIN ASKS, "ARE THESE QUESTIONS
REALLY WRITTEN BY US, THE
AUDIENCE, OR ARE THEY WRITTEN BY
41
00:01:42,269 --> 00:01:44,847
REALLY WRITTEN BY US, THE
AUDIENCE, OR ARE THEY WRITTEN BY
THE WRITERS?"
42
00:01:44,871 --> 00:01:46,249
AUDIENCE, OR ARE THEY WRITTEN BY
THE WRITERS?"
KEVIN, I HOPE YOU'RE NOT
43
00:01:46,273 --> 00:01:47,917
THE WRITERS?"
KEVIN, I HOPE YOU'RE NOT
DISAPPOINTED, BUT THE WRITERS
44
00:01:47,941 --> 00:01:50,187
KEVIN, I HOPE YOU'RE NOT
DISAPPOINTED, BUT THE WRITERS
WROTE THE QUESTIONS.
45
00:01:50,211 --> 00:01:51,254
DISAPPOINTED, BUT THE WRITERS
WROTE THE QUESTIONS.
OKAY?
46
00:01:51,278 --> 00:01:53,756
WROTE THE QUESTIONS.
OKAY?
OH, AND THIS ONE IS FROM SOMEONE
47
00:01:53,780 --> 00:01:56,259
OKAY?
OH, AND THIS ONE IS FROM SOMEONE
WHO SIGNS HIS NAME JUST "KEVIN."
48
00:01:56,283 --> 00:01:58,462
OH, AND THIS ONE IS FROM SOMEONE
WHO SIGNS HIS NAME JUST "KEVIN."
WHERE ARE YOU SITTING, KEVIN?
49
00:01:58,486 --> 00:02:06,486
WHO SIGNS HIS NAME JUST "KEVIN."
WHERE ARE YOU SITTING, KEVIN?
WHERE ARE YOU?
50
00:02:06,527 --> 00:02:09,172
WHERE ARE YOU SITTING, KEVIN?
WHERE ARE YOU?
THANK YOU, ALL RIGHT.
51
00:02:09,196 --> 00:02:13,076
WHERE ARE YOU?
THANK YOU, ALL RIGHT.
AND KEVIN SAYS, "GILDA, SETTLE A
52
00:02:13,100 --> 00:02:14,010
THANK YOU, ALL RIGHT.
AND KEVIN SAYS, "GILDA, SETTLE A
BET.
53
00:02:14,034 --> 00:02:17,914
AND KEVIN SAYS, "GILDA, SETTLE A
BET.
MY WIFE, KEVIN, SAYS YOU ALWAYS
54
00:02:17,938 --> 00:02:21,618
BET.
MY WIFE, KEVIN, SAYS YOU ALWAYS
START THE SHOW WITH THE WORDS
55
00:02:21,642 --> 00:02:23,820
MY WIFE, KEVIN, SAYS YOU ALWAYS
START THE SHOW WITH THE WORDS
'GIVE ME ALL YOUR HOT MONKEY
56
00:02:23,844 --> 00:02:27,857
START THE SHOW WITH THE WORDS
'GIVE ME ALL YOUR HOT MONKEY
LOVE, ' AND I SAY SHE'S WRONG."
57
00:02:27,881 --> 00:02:30,727
'GIVE ME ALL YOUR HOT MONKEY
LOVE, ' AND I SAY SHE'S WRONG."
WELL, KEVIN, YOUR WIFE, KEVIN,
58
00:02:30,751 --> 00:02:31,894
LOVE, ' AND I SAY SHE'S WRONG."
WELL, KEVIN, YOUR WIFE, KEVIN,
IS WRONG.
59
00:02:31,918 --> 00:02:33,563
WELL, KEVIN, YOUR WIFE, KEVIN,
IS WRONG.
NO MATTER WHAT THE OPENING, NO
60
00:02:33,587 --> 00:02:35,198
IS WRONG.
NO MATTER WHAT THE OPENING, NO
MATTER HOW ILL-CONCEIVED, HOW
61
00:02:35,222 --> 00:02:36,799
NO MATTER WHAT THE OPENING, NO
MATTER HOW ILL-CONCEIVED, HOW
UNPREPARED WE ARE, WE ALWAYS
62
00:02:36,823 --> 00:02:38,468
MATTER HOW ILL-CONCEIVED, HOW
UNPREPARED WE ARE, WE ALWAYS
START THE SHOW WITH "LIVE FROM
63
00:02:38,492 --> 00:02:39,869
UNPREPARED WE ARE, WE ALWAYS
START THE SHOW WITH "LIVE FROM
NEW YORK, IT'S 'SATURDAY
64
00:02:39,893 --> 00:02:42,639
START THE SHOW WITH "LIVE FROM
NEW YORK, IT'S 'SATURDAY
NIGHT'!"
65
00:02:42,663 --> 00:02:44,596
NEW YORK, IT'S 'SATURDAY
NIGHT'!"
[BAND PLAYS]
66
00:03:38,451 --> 00:03:46,391
Announcer: LADIES AND
GENTLEMEN, O.J. SIMPSON!
[CHEERS AND APPLAUSE]
67
00:04:01,140 --> 00:04:07,056
AH, THANK YOU.
THANK YOU.
THANK YOU, LADIES AND GENTLEMEN.
68
00:04:07,080 --> 00:04:09,292
THANK YOU.
THANK YOU, LADIES AND GENTLEMEN.
THANK YOU VERY MUCH.
69
00:04:09,316 --> 00:04:10,727
THANK YOU, LADIES AND GENTLEMEN.
THANK YOU VERY MUCH.
YOU'RE GONNA HAVE TO EXCUSE ME
70
00:04:10,751 --> 00:04:12,095
THANK YOU VERY MUCH.
YOU'RE GONNA HAVE TO EXCUSE ME
IF I APPEAR A LITTLE NERVOUS
71
00:04:12,119 --> 00:04:13,597
YOU'RE GONNA HAVE TO EXCUSE ME
IF I APPEAR A LITTLE NERVOUS
THIS EVENING, BUT THIS IS A BIG
72
00:04:13,621 --> 00:04:14,397
IF I APPEAR A LITTLE NERVOUS
THIS EVENING, BUT THIS IS A BIG
MOMENT FOR ME.
73
00:04:14,421 --> 00:04:15,832
THIS EVENING, BUT THIS IS A BIG
MOMENT FOR ME.
I CAN'T TELL YOU HOW LONG IT'S
74
00:04:15,856 --> 00:04:17,534
MOMENT FOR ME.
I CAN'T TELL YOU HOW LONG IT'S
BEEN THAT I'VE BEEN TRYING TO
75
00:04:17,558 --> 00:04:19,135
I CAN'T TELL YOU HOW LONG IT'S
BEEN THAT I'VE BEEN TRYING TO
HOST "SATURDAY NIGHT LIVE."
76
00:04:19,159 --> 00:04:20,270
BEEN THAT I'VE BEEN TRYING TO
HOST "SATURDAY NIGHT LIVE."
SO I MAY APPEAR A LITTLE
77
00:04:20,294 --> 00:04:21,438
HOST "SATURDAY NIGHT LIVE."
SO I MAY APPEAR A LITTLE
STRANGE, A LITTLE NERVOUS
78
00:04:21,462 --> 00:04:22,572
SO I MAY APPEAR A LITTLE
STRANGE, A LITTLE NERVOUS
TONIGHT, BUT IT'S FUNNY.
79
00:04:22,596 --> 00:04:23,873
STRANGE, A LITTLE NERVOUS
TONIGHT, BUT IT'S FUNNY.
ALL MY LIFE, EVERYTHING I'VE
80
00:04:23,897 --> 00:04:25,208
TONIGHT, BUT IT'S FUNNY.
ALL MY LIFE, EVERYTHING I'VE
EVER REALLY WANTED, I'VE BEEN
81
00:04:25,232 --> 00:04:25,875
ALL MY LIFE, EVERYTHING I'VE
EVER REALLY WANTED, I'VE BEEN
ABLE TO GET.
82
00:04:25,899 --> 00:04:27,110
EVER REALLY WANTED, I'VE BEEN
ABLE TO GET.
I CAN REMEMBER WHEN I WAS A KID,
83
00:04:27,134 --> 00:04:28,278
ABLE TO GET.
I CAN REMEMBER WHEN I WAS A KID,
GROWING UP IN SAN FRANCISCO...
84
00:04:28,302 --> 00:04:32,449
I CAN REMEMBER WHEN I WAS A KID,
GROWING UP IN SAN FRANCISCO...
[PIANO PLAYS]
85
00:04:32,473 --> 00:04:33,850
GROWING UP IN SAN FRANCISCO...
[PIANO PLAYS]
I WANTED TO BE A FOOTBALL
86
00:04:33,874 --> 00:04:34,851
[PIANO PLAYS]
I WANTED TO BE A FOOTBALL
PLAYER, YOU KNOW?
87
00:04:34,875 --> 00:04:35,719
I WANTED TO BE A FOOTBALL
PLAYER, YOU KNOW?
BUT I GOT STARTED ON THE WRONG
88
00:04:35,743 --> 00:04:36,119
PLAYER, YOU KNOW?
BUT I GOT STARTED ON THE WRONG
FOOT.
89
00:04:36,143 --> 00:04:37,420
BUT I GOT STARTED ON THE WRONG
FOOT.
I WENT TO GALILEO HIGH SCHOOL,
90
00:04:37,444 --> 00:04:38,488
FOOT.
I WENT TO GALILEO HIGH SCHOOL,
AND IT'S LOCATED IN THE
91
00:04:38,512 --> 00:04:39,489
I WENT TO GALILEO HIGH SCHOOL,
AND IT'S LOCATED IN THE
NORTH BEACH SECTION OF
92
00:04:39,513 --> 00:04:40,290
AND IT'S LOCATED IN THE
NORTH BEACH SECTION OF
SAN FRANCISCO...
93
00:04:40,314 --> 00:04:43,226
NORTH BEACH SECTION OF
SAN FRANCISCO...
[PIANO PLAYS]
94
00:04:43,250 --> 00:04:44,060
SAN FRANCISCO...
[PIANO PLAYS]
NEXT TO CHINATOWN.
95
00:04:44,084 --> 00:04:45,228
[PIANO PLAYS]
NEXT TO CHINATOWN.
AND ORIENTALS, THEY'RE SMALL
96
00:04:45,252 --> 00:04:45,662
NEXT TO CHINATOWN.
AND ORIENTALS, THEY'RE SMALL
PEOPLE.
97
00:04:45,686 --> 00:04:46,929
AND ORIENTALS, THEY'RE SMALL
PEOPLE.
THEY DON'T MAKE GREAT FOOTBALL
98
00:04:46,953 --> 00:04:47,397
PEOPLE.
THEY DON'T MAKE GREAT FOOTBALL
PLAYERS.
99
00:04:47,421 --> 00:04:48,531
THEY DON'T MAKE GREAT FOOTBALL
PLAYERS.
SO I DIDN'T HAVE ANY MAJOR
100
00:04:48,555 --> 00:04:49,799
PLAYERS.
SO I DIDN'T HAVE ANY MAJOR
COLLEGES RECRUIT ME OUT OF HIGH
101
00:04:49,823 --> 00:04:51,134
SO I DIDN'T HAVE ANY MAJOR
COLLEGES RECRUIT ME OUT OF HIGH
SCHOOL... NONE AT ALL... BECAUSE
102
00:04:51,158 --> 00:04:52,435
COLLEGES RECRUIT ME OUT OF HIGH
SCHOOL... NONE AT ALL... BECAUSE
WE DIDN'T WIN ANY FOOTBALL
103
00:04:52,459 --> 00:04:52,835
SCHOOL... NONE AT ALL... BECAUSE
WE DIDN'T WIN ANY FOOTBALL
GAMES.
104
00:04:52,859 --> 00:04:54,203
WE DIDN'T WIN ANY FOOTBALL
GAMES.
SO I HAD TO MAKE A DECISION.
105
00:04:54,227 --> 00:04:54,971
GAMES.
SO I HAD TO MAKE A DECISION.
THIS WAS 1965.
106
00:04:54,995 --> 00:04:56,273
SO I HAD TO MAKE A DECISION.
THIS WAS 1965.
EITHER I WAS GONNA JOIN THE
107
00:04:56,297 --> 00:04:57,274
THIS WAS 1965.
EITHER I WAS GONNA JOIN THE
MARINES AND BE LIKE
108
00:04:57,298 --> 00:04:58,007
EITHER I WAS GONNA JOIN THE
MARINES AND BE LIKE
AUDIE MURPHY.
109
00:04:58,031 --> 00:04:58,941
MARINES AND BE LIKE
AUDIE MURPHY.
THAT WAS A BIG THING IN OUR
110
00:04:58,965 --> 00:04:59,476
AUDIE MURPHY.
THAT WAS A BIG THING IN OUR
NEIGHBORHOOD.
111
00:04:59,500 --> 00:05:00,543
THAT WAS A BIG THING IN OUR
NEIGHBORHOOD.
YOU KNOW, "TO HELL AND BACK" AND
112
00:05:00,567 --> 00:05:01,043
NEIGHBORHOOD.
YOU KNOW, "TO HELL AND BACK" AND
EVERYTHING.
113
00:05:01,067 --> 00:05:02,379
YOU KNOW, "TO HELL AND BACK" AND
EVERYTHING.
OR GO TO A JUNIOR COLLEGE.
114
00:05:02,403 --> 00:05:03,480
EVERYTHING.
OR GO TO A JUNIOR COLLEGE.
WELL, I HAD A FRIEND,
115
00:05:03,504 --> 00:05:04,414
OR GO TO A JUNIOR COLLEGE.
WELL, I HAD A FRIEND,
RONNIE PATTERSON.
116
00:05:04,438 --> 00:05:06,015
WELL, I HAD A FRIEND,
RONNIE PATTERSON.
NOW, RONNIE HAD WENT TO THE WAR
117
00:05:06,039 --> 00:05:07,550
RONNIE PATTERSON.
NOW, RONNIE HAD WENT TO THE WAR
IN, LIKE, '64, AND HE CAME BACK
118
00:05:07,574 --> 00:05:08,985
NOW, RONNIE HAD WENT TO THE WAR
IN, LIKE, '64, AND HE CAME BACK
THE SUMMER OF '65, AND HE HAD
119
00:05:09,009 --> 00:05:09,686
IN, LIKE, '64, AND HE CAME BACK
THE SUMMER OF '65, AND HE HAD
LOST A LEG.
120
00:05:09,710 --> 00:05:11,354
THE SUMMER OF '65, AND HE HAD
LOST A LEG.
SO THE NEXT DAY I HUSTLED TO GET
121
00:05:11,378 --> 00:05:12,389
LOST A LEG.
SO THE NEXT DAY I HUSTLED TO GET
IN JUNIOR COLLEGE.
122
00:05:12,413 --> 00:05:13,523
SO THE NEXT DAY I HUSTLED TO GET
IN JUNIOR COLLEGE.
WELL, WHEN I WENT TO JUNIOR
123
00:05:13,547 --> 00:05:14,758
IN JUNIOR COLLEGE.
WELL, WHEN I WENT TO JUNIOR
COLLEGE, THINGS STARTED GOING
124
00:05:14,782 --> 00:05:15,525
WELL, WHEN I WENT TO JUNIOR
COLLEGE, THINGS STARTED GOING
REAL WELL FOR ME.
125
00:05:15,549 --> 00:05:16,859
COLLEGE, THINGS STARTED GOING
REAL WELL FOR ME.
THINGS WENT REAL GOOD, YOU KNOW?
126
00:05:16,883 --> 00:05:17,927
REAL WELL FOR ME.
THINGS WENT REAL GOOD, YOU KNOW?
I BROKE A LOT OF RECORDS, AND
127
00:05:17,951 --> 00:05:19,061
THINGS WENT REAL GOOD, YOU KNOW?
I BROKE A LOT OF RECORDS, AND
THE NEXT THING I KNEW, I HAD ALL
128
00:05:19,085 --> 00:05:20,163
I BROKE A LOT OF RECORDS, AND
THE NEXT THING I KNEW, I HAD ALL
THESE MAJOR COLLEGES TRYING TO
129
00:05:20,187 --> 00:05:20,664
THE NEXT THING I KNEW, I HAD ALL
THESE MAJOR COLLEGES TRYING TO
RECRUIT ME.
130
00:05:20,688 --> 00:05:21,998
THESE MAJOR COLLEGES TRYING TO
RECRUIT ME.
THEY WERE OFFERING ME MONEY,
131
00:05:22,022 --> 00:05:22,932
RECRUIT ME.
THEY WERE OFFERING ME MONEY,
OFFERING ME A CAR.
132
00:05:22,956 --> 00:05:24,334
THEY WERE OFFERING ME MONEY,
OFFERING ME A CAR.
ONE OFFERED TO BUY MY MOTHER A
133
00:05:24,358 --> 00:05:24,934
OFFERING ME A CAR.
ONE OFFERED TO BUY MY MOTHER A
NEW HOUSE.
134
00:05:24,958 --> 00:05:26,736
ONE OFFERED TO BUY MY MOTHER A
NEW HOUSE.
IT WAS AMAZING, BUT THEY HAD NO
135
00:05:26,760 --> 00:05:28,438
NEW HOUSE.
IT WAS AMAZING, BUT THEY HAD NO
CHANCE BECAUSE IN 1962, I WAS
136
00:05:28,462 --> 00:05:29,839
IT WAS AMAZING, BUT THEY HAD NO
CHANCE BECAUSE IN 1962, I WAS
WATCHING THE ROSE BOWL.
137
00:05:29,863 --> 00:05:31,240
CHANCE BECAUSE IN 1962, I WAS
WATCHING THE ROSE BOWL.
I WAS 14, 15 YEARS OLD.
138
00:05:31,264 --> 00:05:32,975
WATCHING THE ROSE BOWL.
I WAS 14, 15 YEARS OLD.
I THINK WISCONSIN WAS PLAYING
139
00:05:32,999 --> 00:05:33,443
I WAS 14, 15 YEARS OLD.
I THINK WISCONSIN WAS PLAYING
USC.
140
00:05:33,467 --> 00:05:35,278
I THINK WISCONSIN WAS PLAYING
USC.
AND EVERY TIME USC SCORED, THIS
141
00:05:35,302 --> 00:05:37,013
USC.
AND EVERY TIME USC SCORED, THIS
WHITE HORSE CAME RUNNING OUT.
142
00:05:37,037 --> 00:05:38,515
AND EVERY TIME USC SCORED, THIS
WHITE HORSE CAME RUNNING OUT.
THEY HAD A TROJAN WARRIOR ON THE
143
00:05:38,539 --> 00:05:39,783
WHITE HORSE CAME RUNNING OUT.
THEY HAD A TROJAN WARRIOR ON THE
TOP OF IT, AND HE HAD THIS
144
00:05:39,807 --> 00:05:40,249
THEY HAD A TROJAN WARRIOR ON THE
TOP OF IT, AND HE HAD THIS
SWORD.
145
00:05:40,273 --> 00:05:41,651
TOP OF IT, AND HE HAD THIS
SWORD.
AND I WAS SAYING, "HEY, MAN."
146
00:05:41,675 --> 00:05:43,119
SWORD.
AND I WAS SAYING, "HEY, MAN."
THAT'S THE SCHOOL I WANTED TO GO
147
00:05:43,143 --> 00:05:43,486
AND I WAS SAYING, "HEY, MAN."
THAT'S THE SCHOOL I WANTED TO GO
TO.
148
00:05:43,510 --> 00:05:45,288
THAT'S THE SCHOOL I WANTED TO GO
TO.
WELL, AT THE END OF THE YEAR, WE
149
00:05:45,312 --> 00:05:47,023
TO.
WELL, AT THE END OF THE YEAR, WE
WERE PLAYING IN A BOWL GAME, A
150
00:05:47,047 --> 00:05:48,692
WELL, AT THE END OF THE YEAR, WE
WERE PLAYING IN A BOWL GAME, A
BOWL CALLED THE PRUNE BOWL...
151
00:05:48,716 --> 00:05:49,426
WERE PLAYING IN A BOWL GAME, A
BOWL CALLED THE PRUNE BOWL...
SERIOUSLY.
152
00:05:49,450 --> 00:05:50,827
BOWL CALLED THE PRUNE BOWL...
SERIOUSLY.
SAN FRANCISCO CITY COLLEGE WAS
153
00:05:50,851 --> 00:05:52,295
SERIOUSLY.
SAN FRANCISCO CITY COLLEGE WAS
PLAYING LONG BEACH COLLEGE, AND
154
00:05:52,319 --> 00:05:53,663
SAN FRANCISCO CITY COLLEGE WAS
PLAYING LONG BEACH COLLEGE, AND
IT WAS PLAYED IN SAN JOSE FOR
155
00:05:53,687 --> 00:05:55,131
PLAYING LONG BEACH COLLEGE, AND
IT WAS PLAYED IN SAN JOSE FOR
THE STATE CHAMPIONSHIP OF JUNIOR
156
00:05:55,155 --> 00:05:55,665
IT WAS PLAYED IN SAN JOSE FOR
THE STATE CHAMPIONSHIP OF JUNIOR
COLLEGE.
157
00:05:55,689 --> 00:05:57,033
THE STATE CHAMPIONSHIP OF JUNIOR
COLLEGE.
AND AFTER THE GAME... I WAS
158
00:05:57,057 --> 00:05:58,034
COLLEGE.
AND AFTER THE GAME... I WAS
PLAYER OF THE GAME.
159
00:05:58,058 --> 00:05:59,268
AND AFTER THE GAME... I WAS
PLAYER OF THE GAME.
I HAD A BIG GAME, LOT OF
160
00:05:59,292 --> 00:06:00,603
PLAYER OF THE GAME.
I HAD A BIG GAME, LOT OF
TOUCHDOWNS AND EVERYTHING.
161
00:06:00,627 --> 00:06:02,071
I HAD A BIG GAME, LOT OF
TOUCHDOWNS AND EVERYTHING.
THIS GUY CAME UP, AND HE SAID,
162
00:06:02,095 --> 00:06:03,306
TOUCHDOWNS AND EVERYTHING.
THIS GUY CAME UP, AND HE SAID,
"O.J., I'M JIM STANGLEN.
163
00:06:03,330 --> 00:06:04,407
THIS GUY CAME UP, AND HE SAID,
"O.J., I'M JIM STANGLEN.
I'M THE COACH AT USC.
164
00:06:04,431 --> 00:06:06,576
"O.J., I'M JIM STANGLEN.
I'M THE COACH AT USC.
SON, HOW WOULD YOU LIKE TO BE A
165
00:06:06,600 --> 00:06:07,377
I'M THE COACH AT USC.
SON, HOW WOULD YOU LIKE TO BE A
TROJAN?"
166
00:06:07,401 --> 00:06:09,145
SON, HOW WOULD YOU LIKE TO BE A
TROJAN?"
I HEARD TRUMPETS GO OFF IN MY
167
00:06:09,169 --> 00:06:09,646
TROJAN?"
I HEARD TRUMPETS GO OFF IN MY
HEAD.
168
00:06:09,670 --> 00:06:13,683
I HEARD TRUMPETS GO OFF IN MY
HEAD.
[TRUMPET FANFARE PLAYS]
169
00:06:13,707 --> 00:06:14,951
HEAD.
[TRUMPET FANFARE PLAYS]
[SIGHS]
170
00:06:14,975 --> 00:06:16,720
[TRUMPET FANFARE PLAYS]
[SIGHS]
I HEARD THOSE TRUMPETS.
171
00:06:16,744 --> 00:06:19,222
[SIGHS]
I HEARD THOSE TRUMPETS.
[FANFARE CONTINUES]
172
00:06:19,246 --> 00:06:20,089
I HEARD THOSE TRUMPETS.
[FANFARE CONTINUES]
I WENT TO USC.
173
00:06:20,113 --> 00:06:21,691
[FANFARE CONTINUES]
I WENT TO USC.
WHEN I GOT TO S.C., NOTHING BUT
174
00:06:21,715 --> 00:06:23,259
I WENT TO USC.
WHEN I GOT TO S.C., NOTHING BUT
GREAT THINGS HAPPENED FOR ME.
175
00:06:23,283 --> 00:06:24,594
WHEN I GOT TO S.C., NOTHING BUT
GREAT THINGS HAPPENED FOR ME.
I WON THE HEISMAN TROPHY.
176
00:06:24,618 --> 00:06:25,729
GREAT THINGS HAPPENED FOR ME.
I WON THE HEISMAN TROPHY.
I MADE ALL-AMERICAN.
177
00:06:25,753 --> 00:06:27,230
I WON THE HEISMAN TROPHY.
I MADE ALL-AMERICAN.
I RAN ON THE RELAY TEAM THAT
178
00:06:27,254 --> 00:06:28,398
I MADE ALL-AMERICAN.
I RAN ON THE RELAY TEAM THAT
BROKE A WORLD RECORD.
179
00:06:28,422 --> 00:06:29,699
I RAN ON THE RELAY TEAM THAT
BROKE A WORLD RECORD.
SO WHEN I GOT OUT OF S.C.,
180
00:06:29,723 --> 00:06:30,734
BROKE A WORLD RECORD.
SO WHEN I GOT OUT OF S.C.,
EVERYBODY LOVED ME.
181
00:06:30,758 --> 00:06:32,101
SO WHEN I GOT OUT OF S.C.,
EVERYBODY LOVED ME.
PEOPLE WERE TELLING THEIR KIDS,
182
00:06:32,125 --> 00:06:33,436
EVERYBODY LOVED ME.
PEOPLE WERE TELLING THEIR KIDS,
"HEY, GROW UP TO BE LIKE O.J."
183
00:06:33,460 --> 00:06:34,404
PEOPLE WERE TELLING THEIR KIDS,
"HEY, GROW UP TO BE LIKE O.J."
THEY WERE OFFERING ME
184
00:06:34,428 --> 00:06:35,605
"HEY, GROW UP TO BE LIKE O.J."
THEY WERE OFFERING ME
COMMERCIALS AND EVERYTHING.
185
00:06:35,629 --> 00:06:36,939
THEY WERE OFFERING ME
COMMERCIALS AND EVERYTHING.
THEY WERE ASKING MY OPINION OF
186
00:06:36,963 --> 00:06:37,741
COMMERCIALS AND EVERYTHING.
THEY WERE ASKING MY OPINION OF
THE MIDDLE EAST.
187
00:06:37,765 --> 00:06:39,075
THEY WERE ASKING MY OPINION OF
THE MIDDLE EAST.
HEY, I HAD BEEN TO DETROIT ONCE
188
00:06:39,099 --> 00:06:39,576
THE MIDDLE EAST.
HEY, I HAD BEEN TO DETROIT ONCE
OR TWICE.
189
00:06:39,600 --> 00:06:41,310
HEY, I HAD BEEN TO DETROIT ONCE
OR TWICE.
I DIDN'T KNOW WHAT WAS GOING ON.
190
00:06:41,334 --> 00:06:42,879
OR TWICE.
I DIDN'T KNOW WHAT WAS GOING ON.
I WAS A FOOTBALL PLAYER, RUNNING
191
00:06:42,903 --> 00:06:43,480
I DIDN'T KNOW WHAT WAS GOING ON.
I WAS A FOOTBALL PLAYER, RUNNING
THE BALL.
192
00:06:43,504 --> 00:06:44,681
I WAS A FOOTBALL PLAYER, RUNNING
THE BALL.
WELL, I SIGNED WITH THE
193
00:06:44,705 --> 00:06:45,482
THE BALL.
WELL, I SIGNED WITH THE
BUFFALO BILLS.
194
00:06:45,506 --> 00:06:46,549
WELL, I SIGNED WITH THE
BUFFALO BILLS.
[PIANO PLAYS "SHUFFLE OFF TO
195
00:06:46,573 --> 00:06:50,820
BUFFALO BILLS.
[PIANO PLAYS "SHUFFLE OFF TO
BUFFALO"]
196
00:06:50,844 --> 00:06:51,320
[PIANO PLAYS "SHUFFLE OFF TO
BUFFALO"]
[SIGHS]
197
00:06:51,344 --> 00:06:52,589
[BUFFALO"]
[SIGHS]
RIGHT AWAY, THINGS GOT SHAKY.
198
00:06:52,613 --> 00:06:53,790
[SIGHS]
RIGHT AWAY, THINGS GOT SHAKY.
WHEN I GOT THERE, I COULDN'T
199
00:06:53,814 --> 00:06:55,157
RIGHT AWAY, THINGS GOT SHAKY.
WHEN I GOT THERE, I COULDN'T
PRACTICE THE FIRST WEEK 'CAUSE
200
00:06:55,181 --> 00:06:56,393
WHEN I GOT THERE, I COULDN'T
PRACTICE THE FIRST WEEK 'CAUSE
THEY DIDN'T HAVE A HELMET THAT
201
00:06:56,417 --> 00:06:56,826
PRACTICE THE FIRST WEEK 'CAUSE
THEY DIDN'T HAVE A HELMET THAT
FIT ME.
202
00:06:56,850 --> 00:06:58,495
THEY DIDN'T HAVE A HELMET THAT
FIT ME.
PROFESSIONAL ORGANIZATION, YOU
203
00:06:58,519 --> 00:06:58,961
FIT ME.
PROFESSIONAL ORGANIZATION, YOU
KNOW?
204
00:06:58,985 --> 00:07:01,598
PROFESSIONAL ORGANIZATION, YOU
KNOW?
PEOPLE STARTED ASKING ME, "WHAT
205
00:07:01,622 --> 00:07:03,299
KNOW?
PEOPLE STARTED ASKING ME, "WHAT
HAPPENED TO O.J.?"
206
00:07:03,323 --> 00:07:04,701
PEOPLE STARTED ASKING ME, "WHAT
HAPPENED TO O.J.?"
I WENT THREE OR FOUR YEARS, AND
207
00:07:04,725 --> 00:07:06,002
HAPPENED TO O.J.?"
I WENT THREE OR FOUR YEARS, AND
PEOPLE THOUGHT I HAD RETIRED.
208
00:07:06,026 --> 00:07:06,803
I WENT THREE OR FOUR YEARS, AND
PEOPLE THOUGHT I HAD RETIRED.
I TELL YOU WHAT.
209
00:07:06,827 --> 00:07:08,037
PEOPLE THOUGHT I HAD RETIRED.
I TELL YOU WHAT.
THEY WERE SAYING IT WAS THE
210
00:07:08,061 --> 00:07:09,005
I TELL YOU WHAT.
THEY WERE SAYING IT WAS THE
HEISMAN TROPHY JINX.
211
00:07:09,029 --> 00:07:10,607
THEY WERE SAYING IT WAS THE
HEISMAN TROPHY JINX.
WELL, IT WAS IN MY FOURTH YEAR
212
00:07:10,631 --> 00:07:11,474
HEISMAN TROPHY JINX.
WELL, IT WAS IN MY FOURTH YEAR
IN THE LEAGUE.
213
00:07:11,498 --> 00:07:12,909
WELL, IT WAS IN MY FOURTH YEAR
IN THE LEAGUE.
I WAS AT A CHAPEL SERVICE.
214
00:07:12,933 --> 00:07:14,010
IN THE LEAGUE.
I WAS AT A CHAPEL SERVICE.
WE PLAY ON SUNDAYS.
215
00:07:14,034 --> 00:07:15,645
I WAS AT A CHAPEL SERVICE.
WE PLAY ON SUNDAYS.
SO THE GUYS CAN'T GO TO CHURCH.
216
00:07:15,669 --> 00:07:17,414
WE PLAY ON SUNDAYS.
SO THE GUYS CAN'T GO TO CHURCH.
SO WE ALL GET TOGETHER IN THE
217
00:07:17,438 --> 00:07:18,948
SO THE GUYS CAN'T GO TO CHURCH.
SO WE ALL GET TOGETHER IN THE
MORNING TO KIND OF RELATE
218
00:07:18,972 --> 00:07:20,617
SO WE ALL GET TOGETHER IN THE
MORNING TO KIND OF RELATE
EXPERIENCES TO ONE ANOTHER.
219
00:07:20,641 --> 00:07:21,984
MORNING TO KIND OF RELATE
EXPERIENCES TO ONE ANOTHER.
GENERALLY, WE HAVE A BUSINESSMAN
220
00:07:22,008 --> 00:07:23,286
EXPERIENCES TO ONE ANOTHER.
GENERALLY, WE HAVE A BUSINESSMAN
WHO WILL COME IN... HE'S NOT A
221
00:07:23,310 --> 00:07:24,621
GENERALLY, WE HAVE A BUSINESSMAN
WHO WILL COME IN... HE'S NOT A
PREACHER OR ANYTHING... TO TALK
222
00:07:24,645 --> 00:07:25,988
WHO WILL COME IN... HE'S NOT A
PREACHER OR ANYTHING... TO TALK
TO US, TO RELAY HIS EXPERIENCES.
223
00:07:26,012 --> 00:07:27,156
PREACHER OR ANYTHING... TO TALK
TO US, TO RELAY HIS EXPERIENCES.
THIS HAPPENED ALL OVER THE
224
00:07:27,180 --> 00:07:27,590
TO US, TO RELAY HIS EXPERIENCES.
THIS HAPPENED ALL OVER THE
LEAGUE.
225
00:07:27,614 --> 00:07:28,224
THIS HAPPENED ALL OVER THE
LEAGUE.
WELL, I WENT.
226
00:07:28,248 --> 00:07:28,958
LEAGUE.
WELL, I WENT.
I COULDN'T SLEEP.
227
00:07:28,982 --> 00:07:30,026
WELL, I WENT.
I COULDN'T SLEEP.
I WENT TO THE MEETING THAT
228
00:07:30,050 --> 00:07:30,493
I COULDN'T SLEEP.
I WENT TO THE MEETING THAT
MORNING.
229
00:07:30,517 --> 00:07:31,428
I WENT TO THE MEETING THAT
MORNING.
I WAS LISTENING KIND OF
230
00:07:31,452 --> 00:07:32,094
MORNING.
I WAS LISTENING KIND OF
HALFHEARTEDLY.
231
00:07:32,118 --> 00:07:34,230
I WAS LISTENING KIND OF
HALFHEARTEDLY.
AND THIS GUY STARTED TALKING
232
00:07:34,254 --> 00:07:35,498
HALFHEARTEDLY.
AND THIS GUY STARTED TALKING
ABOUT FANATICS.
233
00:07:35,522 --> 00:07:37,099
AND THIS GUY STARTED TALKING
ABOUT FANATICS.
AND HE WAS SAYING THERE'S A LOT
234
00:07:37,123 --> 00:07:38,301
ABOUT FANATICS.
AND HE WAS SAYING THERE'S A LOT
OF DIFFERENT FANATICS.
235
00:07:38,325 --> 00:07:39,903
AND HE WAS SAYING THERE'S A LOT
OF DIFFERENT FANATICS.
BUT HE SAID HE HAD A DEFINITION
236
00:07:39,927 --> 00:07:41,571
OF DIFFERENT FANATICS.
BUT HE SAID HE HAD A DEFINITION
OF A FANATIC... WAS A PERSON WHO
237
00:07:41,595 --> 00:07:43,172
BUT HE SAID HE HAD A DEFINITION
OF A FANATIC... WAS A PERSON WHO
HAD LOST SIGHT OF HIS GOALS BUT
238
00:07:43,196 --> 00:07:44,474
OF A FANATIC... WAS A PERSON WHO
HAD LOST SIGHT OF HIS GOALS BUT
WAS DOUBLING THE EFFORT.
239
00:07:44,498 --> 00:07:45,742
HAD LOST SIGHT OF HIS GOALS BUT
WAS DOUBLING THE EFFORT.
HE WAS RUNNING AROUND, WORKING,
240
00:07:45,766 --> 00:07:46,976
WAS DOUBLING THE EFFORT.
HE WAS RUNNING AROUND, WORKING,
WORKING, AND JUST SAYING, "HEY,
241
00:07:47,000 --> 00:07:47,744
HE WAS RUNNING AROUND, WORKING,
WORKING, AND JUST SAYING, "HEY,
I GOT TO DO THIS.
242
00:07:47,768 --> 00:07:48,545
WORKING, AND JUST SAYING, "HEY,
I GOT TO DO THIS.
I GOT TO DO THAT."
243
00:07:48,569 --> 00:07:49,612
I GOT TO DO THIS.
I GOT TO DO THAT."
BUT HE HAD NO GOALS HE WAS
244
00:07:49,636 --> 00:07:50,246
I GOT TO DO THAT."
BUT HE HAD NO GOALS HE WAS
REACHING FOR.
245
00:07:50,270 --> 00:07:51,681
BUT HE HAD NO GOALS HE WAS
REACHING FOR.
AND I SAT THERE, AND I HAD,
246
00:07:51,705 --> 00:07:53,149
REACHING FOR.
AND I SAT THERE, AND I HAD,
LIKE, A CHILL GO THROUGH ME,
247
00:07:53,173 --> 00:07:54,784
AND I SAT THERE, AND I HAD,
LIKE, A CHILL GO THROUGH ME,
BECAUSE I SAID, "HEY, THIS GUY'S
248
00:07:54,808 --> 00:07:55,819
LIKE, A CHILL GO THROUGH ME,
BECAUSE I SAID, "HEY, THIS GUY'S
TALKING ABOUT ME."
249
00:07:55,843 --> 00:07:57,086
BECAUSE I SAID, "HEY, THIS GUY'S
TALKING ABOUT ME."
ALL MY LIFE, I WANTED TO BE A
250
00:07:57,110 --> 00:07:57,854
TALKING ABOUT ME."
ALL MY LIFE, I WANTED TO BE A
FOOTBALL PLAYER.
251
00:07:57,878 --> 00:07:58,621
ALL MY LIFE, I WANTED TO BE A
FOOTBALL PLAYER.
I WANTED MONEY.
252
00:07:58,645 --> 00:07:59,322
FOOTBALL PLAYER.
I WANTED MONEY.
I WANTED FAME.
253
00:07:59,346 --> 00:08:00,657
I WANTED MONEY.
I WANTED FAME.
AND I HAD THOSE THINGS, AND I
254
00:08:00,681 --> 00:08:01,691
I WANTED FAME.
AND I HAD THOSE THINGS, AND I
HADN'T DONE ANYTHING.
255
00:08:01,715 --> 00:08:03,159
AND I HAD THOSE THINGS, AND I
HADN'T DONE ANYTHING.
I WAS SITTING AROUND FOR THREE
256
00:08:03,183 --> 00:08:03,626
HADN'T DONE ANYTHING.
I WAS SITTING AROUND FOR THREE
YEARS.
257
00:08:03,650 --> 00:08:05,094
I WAS SITTING AROUND FOR THREE
YEARS.
WELL, I WENT BACK TO MY ROOM,
258
00:08:05,118 --> 00:08:06,062
YEARS.
WELL, I WENT BACK TO MY ROOM,
AND I DON'T KNOW.
259
00:08:06,086 --> 00:08:07,697
WELL, I WENT BACK TO MY ROOM,
AND I DON'T KNOW.
I WAS SORT OF IN A TRANCE, AND I
260
00:08:07,721 --> 00:08:09,265
AND I DON'T KNOW.
I WAS SORT OF IN A TRANCE, AND I
SAID, "I'M GONNA SET A GOAL, A
261
00:08:09,289 --> 00:08:10,266
I WAS SORT OF IN A TRANCE, AND I
SAID, "I'M GONNA SET A GOAL, A
PROFESSIONAL GOAL.
262
00:08:10,290 --> 00:08:11,801
SAID, "I'M GONNA SET A GOAL, A
PROFESSIONAL GOAL.
I WANT TO BE THE BEST FOOTBALL
263
00:08:11,825 --> 00:08:12,836
PROFESSIONAL GOAL.
I WANT TO BE THE BEST FOOTBALL
PLAYER IN AMERICA."
264
00:08:12,860 --> 00:08:14,170
I WANT TO BE THE BEST FOOTBALL
PLAYER IN AMERICA."
WELL, I DIDN'T EXPECT SUCH
265
00:08:14,194 --> 00:08:15,171
PLAYER IN AMERICA."
WELL, I DIDN'T EXPECT SUCH
IMMEDIATE REACTION.
266
00:08:15,195 --> 00:08:16,739
WELL, I DIDN'T EXPECT SUCH
IMMEDIATE REACTION.
I WENT OUT AND HAD THE BEST GAME
267
00:08:16,763 --> 00:08:17,974
IMMEDIATE REACTION.
I WENT OUT AND HAD THE BEST GAME
I HAD EVER HAD AS A PRO.
268
00:08:17,998 --> 00:08:19,408
I WENT OUT AND HAD THE BEST GAME
I HAD EVER HAD AS A PRO.
THE NEXT WEEK, I HAD MY BEST
269
00:08:19,432 --> 00:08:20,844
I HAD EVER HAD AS A PRO.
THE NEXT WEEK, I HAD MY BEST
GAME AGAIN, AND THEN THE LAST
270
00:08:20,868 --> 00:08:22,378
THE NEXT WEEK, I HAD MY BEST
GAME AGAIN, AND THEN THE LAST
WEEK, LARRY BROWN WAS HURT, AND
271
00:08:22,402 --> 00:08:23,813
GAME AGAIN, AND THEN THE LAST
WEEK, LARRY BROWN WAS HURT, AND
I HAD ANOTHER BIG GAME, AND I
272
00:08:23,837 --> 00:08:25,314
WEEK, LARRY BROWN WAS HURT, AND
I HAD ANOTHER BIG GAME, AND I
ENDED UP LEADING THE LEAGUE IN
273
00:08:25,338 --> 00:08:26,683
I HAD ANOTHER BIG GAME, AND I
ENDED UP LEADING THE LEAGUE IN
RUSHING FOR THE FIRST TIME.
274
00:08:26,707 --> 00:08:28,117
ENDED UP LEADING THE LEAGUE IN
RUSHING FOR THE FIRST TIME.
I GAINED 2,000 YARDS THE NEXT
275
00:08:28,141 --> 00:08:29,452
RUSHING FOR THE FIRST TIME.
I GAINED 2,000 YARDS THE NEXT
YEAR, AND THEY MADE ME THE
276
00:08:29,476 --> 00:08:30,887
I GAINED 2,000 YARDS THE NEXT
YEAR, AND THEY MADE ME THE
SUPERSTAR AND RENT-A-CAR, AND
277
00:08:30,911 --> 00:08:32,489
YEAR, AND THEY MADE ME THE
SUPERSTAR AND RENT-A-CAR, AND
PEOPLE WERE PUTTING ME ON TV AND
278
00:08:32,513 --> 00:08:33,623
SUPERSTAR AND RENT-A-CAR, AND
PEOPLE WERE PUTTING ME ON TV AND
MOVIES AND EVERYTHING.
279
00:08:33,647 --> 00:08:34,624
PEOPLE WERE PUTTING ME ON TV AND
MOVIES AND EVERYTHING.
I WAS HAPPY.
280
00:08:34,648 --> 00:08:36,593
MOVIES AND EVERYTHING.
I WAS HAPPY.
I SAID, "HEY, I'VE MADE IT."
281
00:08:36,617 --> 00:08:37,694
I WAS HAPPY.
I SAID, "HEY, I'VE MADE IT."
BUT I DON'T KNOW.
282
00:08:37,718 --> 00:08:39,529
I SAID, "HEY, I'VE MADE IT."
BUT I DON'T KNOW.
I GOT THIS EMPTY FEELING AGAIN,
283
00:08:39,553 --> 00:08:41,230
BUT I DON'T KNOW.
I GOT THIS EMPTY FEELING AGAIN,
AND I WAS THINKING, "NOW WHAT
284
00:08:41,254 --> 00:08:42,231
I GOT THIS EMPTY FEELING AGAIN,
AND I WAS THINKING, "NOW WHAT
ELSE IS THERE?"
285
00:08:42,255 --> 00:08:43,800
AND I WAS THINKING, "NOW WHAT
ELSE IS THERE?"
THEN ONE NIGHT I WAS WATCHING
286
00:08:43,824 --> 00:08:44,166
ELSE IS THERE?"
THEN ONE NIGHT I WAS WATCHING
TV.
287
00:08:44,190 --> 00:08:45,735
THEN ONE NIGHT I WAS WATCHING
TV.
I THINK IT WAS RICHARD PRYOR.
288
00:08:45,759 --> 00:08:46,736
TV.
I THINK IT WAS RICHARD PRYOR.
AND I DIG RICHARD.
289
00:08:46,760 --> 00:08:47,871
I THINK IT WAS RICHARD PRYOR.
AND I DIG RICHARD.
BUT IT WASN'T RICHARD.
290
00:08:47,895 --> 00:08:49,171
AND I DIG RICHARD.
BUT IT WASN'T RICHARD.
IT WAS WHAT HE WAS DOING.
291
00:08:49,195 --> 00:08:50,907
BUT IT WASN'T RICHARD.
IT WAS WHAT HE WAS DOING.
HE WAS HOSTING "SATURDAY NIGHT
292
00:08:50,931 --> 00:08:51,474
IT WAS WHAT HE WAS DOING.
HE WAS HOSTING "SATURDAY NIGHT
LIVE."
293
00:08:51,498 --> 00:08:53,977
HE WAS HOSTING "SATURDAY NIGHT
LIVE."
IT WAS LIKE, "THAT'S IT.
294
00:08:54,001 --> 00:08:56,445
LIVE."
IT WAS LIKE, "THAT'S IT.
THAT'S... THAT'S WHAT I'VE BEEN
295
00:08:56,469 --> 00:08:58,948
IT WAS LIKE, "THAT'S IT.
THAT'S... THAT'S WHAT I'VE BEEN
WANTING IS TO HOST THE 'SATURDAY
296
00:08:58,972 --> 00:09:00,517
THAT'S... THAT'S WHAT I'VE BEEN
WANTING IS TO HOST THE 'SATURDAY
NIGHT LIVE' SHOW."
297
00:09:00,541 --> 00:09:01,484
WANTING IS TO HOST THE 'SATURDAY
NIGHT LIVE' SHOW."
AND I GOT TO THINKING.
298
00:09:01,508 --> 00:09:02,752
NIGHT LIVE' SHOW."
AND I GOT TO THINKING.
"WELL, JUICE, MAYBE YOU'VE SET
299
00:09:02,776 --> 00:09:03,953
AND I GOT TO THINKING.
"WELL, JUICE, MAYBE YOU'VE SET
YOUR GOALS A LITTLE TOO HIGH
300
00:09:03,977 --> 00:09:04,554
"WELL, JUICE, MAYBE YOU'VE SET
YOUR GOALS A LITTLE TOO HIGH
THIS TIME."
301
00:09:04,578 --> 00:09:05,555
YOUR GOALS A LITTLE TOO HIGH
THIS TIME."
I SAID, "WHAT THE HELL?
302
00:09:05,579 --> 00:09:06,856
THIS TIME."
I SAID, "WHAT THE HELL?
HELL, I HAD GOALS BEFORE, AND I
303
00:09:06,880 --> 00:09:07,824
I SAID, "WHAT THE HELL?
HELL, I HAD GOALS BEFORE, AND I
ATTAINED THOSE GOALS.
304
00:09:07,848 --> 00:09:08,725
HELL, I HAD GOALS BEFORE, AND I
ATTAINED THOSE GOALS.
WHY WOULD I GIVE UP?
305
00:09:08,749 --> 00:09:09,659
ATTAINED THOSE GOALS.
WHY WOULD I GIVE UP?
I'LL GIVE IT A SHOT."
306
00:09:09,683 --> 00:09:11,160
WHY WOULD I GIVE UP?
I'LL GIVE IT A SHOT."
SO I WENT UP, AND I CONCENTRATED
307
00:09:11,184 --> 00:09:12,261
I'LL GIVE IT A SHOT."
SO I WENT UP, AND I CONCENTRATED
AND I WORKED AND I DID
308
00:09:12,285 --> 00:09:13,663
SO I WENT UP, AND I CONCENTRATED
AND I WORKED AND I DID
EVERYTHING IN HOPES THAT THEY
309
00:09:13,687 --> 00:09:15,064
AND I WORKED AND I DID
EVERYTHING IN HOPES THAT THEY
WOULD ASK ME TO HOST "SATURDAY
310
00:09:15,088 --> 00:09:15,765
EVERYTHING IN HOPES THAT THEY
WOULD ASK ME TO HOST "SATURDAY
NIGHT LIVE."
311
00:09:15,789 --> 00:09:18,134
WOULD ASK ME TO HOST "SATURDAY
NIGHT LIVE."
THEY FINALLY CALLED, AND HERE I
312
00:09:18,158 --> 00:09:18,902
NIGHT LIVE."
THEY FINALLY CALLED, AND HERE I
AM NOW.
313
00:09:18,926 --> 00:09:20,803
THEY FINALLY CALLED, AND HERE I
AM NOW.
I DON'T KNOW IF I'M GONNA BE MAN
314
00:09:20,827 --> 00:09:22,438
AM NOW.
I DON'T KNOW IF I'M GONNA BE MAN
ENOUGH TONIGHT TO MEET THIS
315
00:09:22,462 --> 00:09:23,239
I DON'T KNOW IF I'M GONNA BE MAN
ENOUGH TONIGHT TO MEET THIS
CHALLENGE.
316
00:09:23,263 --> 00:09:25,141
ENOUGH TONIGHT TO MEET THIS
CHALLENGE.
I JUST HOPE THAT IF I DON'T MEET
317
00:09:25,165 --> 00:09:26,943
CHALLENGE.
I JUST HOPE THAT IF I DON'T MEET
IT TONIGHT AND HAVE TO GO BACK
318
00:09:26,967 --> 00:09:28,377
I JUST HOPE THAT IF I DON'T MEET
IT TONIGHT AND HAVE TO GO BACK
TO BEING JUST A REGULAR
319
00:09:28,401 --> 00:09:30,079
IT TONIGHT AND HAVE TO GO BACK
TO BEING JUST A REGULAR
SUPERSTAR ATHLETE/MOVIE STAR
320
00:09:30,103 --> 00:09:31,981
TO BEING JUST A REGULAR
SUPERSTAR ATHLETE/MOVIE STAR
THAT YOU PEOPLE WILL REMEMBER ME
321
00:09:32,005 --> 00:09:33,716
SUPERSTAR ATHLETE/MOVIE STAR
THAT YOU PEOPLE WILL REMEMBER ME
FOR WHAT I WAS AND NOT WHAT I
322
00:09:33,740 --> 00:09:35,217
THAT YOU PEOPLE WILL REMEMBER ME
FOR WHAT I WAS AND NOT WHAT I
MAY BECOME HERE TONIGHT.
323
00:09:35,241 --> 00:09:36,052
FOR WHAT I WAS AND NOT WHAT I
MAY BECOME HERE TONIGHT.
SO I'M READY.
324
00:09:36,076 --> 00:09:37,253
MAY BECOME HERE TONIGHT.
SO I'M READY.
I HOPE YOU'RE READY.
325
00:09:37,277 --> 00:09:38,888
SO I'M READY.
I HOPE YOU'RE READY.
I'M GONNA GO OUT HERE AND GET
326
00:09:38,912 --> 00:09:39,422
I HOPE YOU'RE READY.
I'M GONNA GO OUT HERE AND GET
READY.
327
00:09:39,446 --> 00:09:40,990
I'M GONNA GO OUT HERE AND GET
READY.
WHY DON'T YOU GO HAVE A BEER?
328
00:09:41,014 --> 00:09:42,559
READY.
WHY DON'T YOU GO HAVE A BEER?
WE'LL BE BACK IN A MINUTE ON
329
00:09:42,583 --> 00:09:44,661
WHY DON'T YOU GO HAVE A BEER?
WE'LL BE BACK IN A MINUTE ON
"SATURDAY NIGHT LIVE."
330
00:09:44,685 --> 00:09:46,495
WE'LL BE BACK IN A MINUTE ON
"SATURDAY NIGHT LIVE."
[CHEERS AND APPLAUSE]
331
00:09:46,519 --> 00:09:48,853
"SATURDAY NIGHT LIVE."
[CHEERS AND APPLAUSE]
[PIANO PLAYS]
332
00:09:59,966 --> 00:10:04,547
OKAY, EVERYBODY, LET'S EAT.
THIS IS THE THIRD TIME THIS
WEEK WE'VE HAD SPAGHETTI.
333
00:10:04,571 --> 00:10:06,182
THIS IS THE THIRD TIME THIS
WEEK WE'VE HAD SPAGHETTI.
I HATE BEING POOR AND ITALIAN.
334
00:10:06,206 --> 00:10:07,884
WEEK WE'VE HAD SPAGHETTI.
I HATE BEING POOR AND ITALIAN.
ALL WE GET TO EAT IS SPAGHETTI.
335
00:10:07,908 --> 00:10:09,052
I HATE BEING POOR AND ITALIAN.
ALL WE GET TO EAT IS SPAGHETTI.
WHY THE HELL CAN'T WE EAT
336
00:10:09,076 --> 00:10:09,852
ALL WE GET TO EAT IS SPAGHETTI.
WHY THE HELL CAN'T WE EAT
SOMETHING ELSE?
337
00:10:09,876 --> 00:10:11,387
WHY THE HELL CAN'T WE EAT
SOMETHING ELSE?
WELL, WHY CAN'T YOU GET A
338
00:10:11,411 --> 00:10:15,091
SOMETHING ELSE?
WELL, WHY CAN'T YOU GET A
JOB, HUH?
339
00:10:15,115 --> 00:10:16,392
WELL, WHY CAN'T YOU GET A
JOB, HUH?
THIS STUFF IS LOUSY.
340
00:10:16,416 --> 00:10:17,326
JOB, HUH?
THIS STUFF IS LOUSY.
I CAN'T EAT IT.
341
00:10:17,350 --> 00:10:18,962
THIS STUFF IS LOUSY.
I CAN'T EAT IT.
I CAN'T EAT THIS STUFF.
342
00:10:18,986 --> 00:10:20,229
I CAN'T EAT IT.
I CAN'T EAT THIS STUFF.
SO DON'T.
343
00:10:20,253 --> 00:10:22,231
I CAN'T EAT THIS STUFF.
SO DON'T.
YOU WANT TO EAT FANCY?
344
00:10:22,255 --> 00:10:22,966
SO DON'T.
YOU WANT TO EAT FANCY?
WORK!
345
00:10:22,990 --> 00:10:24,867
YOU WANT TO EAT FANCY?
WORK!
SO GET OFF MY BACK, HUH?
346
00:10:24,891 --> 00:10:26,636
WORK!
SO GET OFF MY BACK, HUH?
WHERE'S TONY?
347
00:10:26,660 --> 00:10:28,204
SO GET OFF MY BACK, HUH?
WHERE'S TONY?
HE SAID HE'S NOT HUNGRY.
348
00:10:28,228 --> 00:10:29,606
WHERE'S TONY?
HE SAID HE'S NOT HUNGRY.
HE'S UPSTAIRS DRESSING.
349
00:10:29,630 --> 00:10:30,940
HE SAID HE'S NOT HUNGRY.
HE'S UPSTAIRS DRESSING.
HE BOUGHT A NEW SHIRT.
350
00:10:30,964 --> 00:10:32,108
HE'S UPSTAIRS DRESSING.
HE BOUGHT A NEW SHIRT.
HE'S GOING DANCING.
351
00:10:32,132 --> 00:10:33,610
HE BOUGHT A NEW SHIRT.
HE'S GOING DANCING.
HE'S GOING DANCING, HUH?
352
00:10:33,634 --> 00:10:35,244
HE'S GOING DANCING.
HE'S GOING DANCING, HUH?
THAT'S ALL HE THINKS ABOUT...
353
00:10:35,268 --> 00:10:36,278
HE'S GOING DANCING, HUH?
THAT'S ALL HE THINKS ABOUT...
DANCING, DANCING.
354
00:10:36,302 --> 00:10:37,880
THAT'S ALL HE THINKS ABOUT...
DANCING, DANCING.
IT COSTS MONEY TO GO DANCING,
355
00:10:37,904 --> 00:10:38,414
DANCING, DANCING.
IT COSTS MONEY TO GO DANCING,
HONEY.
356
00:10:38,438 --> 00:10:39,616
IT COSTS MONEY TO GO DANCING,
HONEY.
HE'S GOT A JOB.
357
00:10:39,640 --> 00:10:41,217
HONEY.
HE'S GOT A JOB.
HE'S MAKING MORE THAN YOU.
358
00:10:41,241 --> 00:10:42,719
HE'S GOT A JOB.
HE'S MAKING MORE THAN YOU.
WHAT DO YOU GOT TO PUT ME
359
00:10:42,743 --> 00:10:43,920
HE'S MAKING MORE THAN YOU.
WHAT DO YOU GOT TO PUT ME
DOWN FOR, HUH, WOMAN?
360
00:10:43,944 --> 00:10:44,320
WHAT DO YOU GOT TO PUT ME
DOWN FOR, HUH, WOMAN?
HUH?
361
00:10:44,344 --> 00:10:45,454
DOWN FOR, HUH, WOMAN?
HUH?
THIS IS STILL MY HOUSE, ISN'T
362
00:10:45,478 --> 00:10:46,489
HUH?
THIS IS STILL MY HOUSE, ISN'T
IT, YOU LITTLE TRAMP, HUH?
363
00:10:46,513 --> 00:10:47,189
THIS IS STILL MY HOUSE, ISN'T
IT, YOU LITTLE TRAMP, HUH?
HOW'S IT LOOK?
364
00:10:47,213 --> 00:10:48,390
IT, YOU LITTLE TRAMP, HUH?
HOW'S IT LOOK?
IT LOOKS PRETTY GOOD, DOESN'T
365
00:10:48,414 --> 00:10:48,758
HOW'S IT LOOK?
IT LOOKS PRETTY GOOD, DOESN'T
IT?
366
00:10:48,782 --> 00:10:50,526
IT LOOKS PRETTY GOOD, DOESN'T
IT?
SORRY. I'M SORRY.
367
00:10:50,550 --> 00:10:52,394
IT?
SORRY. I'M SORRY.
THE KID'S A MAVERICK, I TELL
368
00:10:52,418 --> 00:10:53,596
SORRY. I'M SORRY.
THE KID'S A MAVERICK, I TELL
YOU, A BAD SEED.
369
00:10:53,620 --> 00:10:54,831
THE KID'S A MAVERICK, I TELL
YOU, A BAD SEED.
HE'S NO LIKE JOE.
370
00:10:54,855 --> 00:10:56,633
YOU, A BAD SEED.
HE'S NO LIKE JOE.
IT'S JUST A STAGE.
371
00:10:56,657 --> 00:10:58,234
HE'S NO LIKE JOE.
IT'S JUST A STAGE.
HE'LL GET OVER IT.
372
00:10:58,258 --> 00:10:59,636
IT'S JUST A STAGE.
HE'LL GET OVER IT.
YEAH, BUT IT STILL DON'T MEAN
373
00:10:59,660 --> 00:11:00,903
HE'LL GET OVER IT.
YEAH, BUT IT STILL DON'T MEAN
HE SHOULDN'T BE HERE WHEN THE
374
00:11:00,927 --> 00:11:01,537
YEAH, BUT IT STILL DON'T MEAN
HE SHOULDN'T BE HERE WHEN THE
FAMILY EATS.
375
00:11:01,561 --> 00:11:02,772
HE SHOULDN'T BE HERE WHEN THE
FAMILY EATS.
HEY!
376
00:11:02,796 --> 00:11:07,744
FAMILY EATS.
HEY!
TONY, GET DOWN HERE!
377
00:11:07,768 --> 00:11:09,245
HEY!
TONY, GET DOWN HERE!
[THE BEE GEES' "NIGHT FEVER"
378
00:11:09,269 --> 00:11:14,684
TONY, GET DOWN HERE!
[THE BEE GEES' "NIGHT FEVER"
PLAYS]
379
00:11:14,708 --> 00:11:15,852
[THE BEE GEES' "NIGHT FEVER"
PLAYS]
Announcer: AND NOW ANOTHER
380
00:11:15,876 --> 00:11:17,796
[PLAYS]
Announcer: AND NOW ANOTHER
EPISODE OF...
381
00:11:34,560 --> 00:11:39,809
♪ CITY WOMAN,
SHE MOVES THROUGH THE NIGHT ♪
♪ CONTROLLING MY MIND
382
00:11:39,833 --> 00:11:42,545
SHE MOVES THROUGH THE NIGHT ♪
♪ CONTROLLING MY MIND
AND MY SOUL ♪
383
00:11:42,569 --> 00:11:44,547
♪ CONTROLLING MY MIND
AND MY SOUL ♪
♪ WHEN YOU REACH OUT FOR ME,
384
00:11:44,571 --> 00:11:47,083
AND MY SOUL ♪
♪ WHEN YOU REACH OUT FOR ME,
AND THE FEELING IS BRIGHT ♪
385
00:11:47,107 --> 00:11:50,553
♪ WHEN YOU REACH OUT FOR ME,
AND THE FEELING IS BRIGHT ♪
♪ NIGHT FEVER, NIGHT FEVER,
386
00:11:50,577 --> 00:11:53,389
AND THE FEELING IS BRIGHT ♪
♪ NIGHT FEVER, NIGHT FEVER,
WE KNOW HOW TO DO IT ♪
387
00:11:53,413 --> 00:11:54,957
♪ NIGHT FEVER, NIGHT FEVER,
WE KNOW HOW TO DO IT ♪
HEY!
388
00:11:54,981 --> 00:11:57,560
WE KNOW HOW TO DO IT ♪
HEY!
DID YOU HEAR ME?
389
00:11:57,584 --> 00:12:00,830
HEY!
DID YOU HEAR ME?
GET DOWN HERE AND STEP ON IT!
390
00:12:00,854 --> 00:12:03,299
DID YOU HEAR ME?
GET DOWN HERE AND STEP ON IT!
JOE'S GONNA BE HERE TODAY!
391
00:12:03,323 --> 00:12:04,901
GET DOWN HERE AND STEP ON IT!
JOE'S GONNA BE HERE TODAY!
ISN'T THAT GREAT?
392
00:12:04,925 --> 00:12:07,603
JOE'S GONNA BE HERE TODAY!
ISN'T THAT GREAT?
OH, MAYBE HE'LL TALK TO TONY.
393
00:12:07,627 --> 00:12:10,239
ISN'T THAT GREAT?
OH, MAYBE HE'LL TALK TO TONY.
MAYBE HE'LL STRAIGHTEN HIM OUT.
394
00:12:10,263 --> 00:12:11,708
OH, MAYBE HE'LL TALK TO TONY.
MAYBE HE'LL STRAIGHTEN HIM OUT.
YOU NEED A PRETTY POWERFUL
395
00:12:11,732 --> 00:12:13,309
MAYBE HE'LL STRAIGHTEN HIM OUT.
YOU NEED A PRETTY POWERFUL
STARCH TO STRAIGHTEN THAT LITTLE
396
00:12:13,333 --> 00:12:13,910
YOU NEED A PRETTY POWERFUL
STARCH TO STRAIGHTEN THAT LITTLE
BRAT OUT.
397
00:12:13,934 --> 00:12:14,977
STARCH TO STRAIGHTEN THAT LITTLE
BRAT OUT.
MR. PRETTY BOY.
398
00:12:15,001 --> 00:12:16,713
BRAT OUT.
MR. PRETTY BOY.
MR. OH, BOY, I LOOK SO GOOD.
399
00:12:16,737 --> 00:12:18,581
MR. PRETTY BOY.
MR. OH, BOY, I LOOK SO GOOD.
IT'S JUST A PHASE, I TELL-A
400
00:12:18,605 --> 00:12:19,048
MR. OH, BOY, I LOOK SO GOOD.
IT'S JUST A PHASE, I TELL-A
YOU.
401
00:12:19,072 --> 00:12:20,983
IT'S JUST A PHASE, I TELL-A
YOU.
YEAH.
402
00:12:21,007 --> 00:12:24,120
YOU.
YEAH.
HEY!
403
00:12:24,144 --> 00:12:26,655
YEAH.
HEY!
JOE'S A-COMING HOME TODAY!
404
00:12:26,679 --> 00:12:34,679
HEY!
JOE'S A-COMING HOME TODAY!
[IMITATING JOHN TRAVOLTA]
405
00:12:36,056 --> 00:12:40,703
JOE'S A-COMING HOME TODAY!
[IMITATING JOHN TRAVOLTA]
WHAT'S WITH...
406
00:12:40,727 --> 00:12:42,338
[IMITATING JOHN TRAVOLTA]
WHAT'S WITH...
WHY THE HELL CAN'T YOU EAT LIKE
407
00:12:42,362 --> 00:12:43,239
WHAT'S WITH...
WHY THE HELL CAN'T YOU EAT LIKE
EVERYBODY ELSE?
408
00:12:43,263 --> 00:12:44,807
WHY THE HELL CAN'T YOU EAT LIKE
EVERYBODY ELSE?
AND DON'T YOU TALK THAT WAY IN
409
00:12:44,831 --> 00:12:45,441
EVERYBODY ELSE?
AND DON'T YOU TALK THAT WAY IN
MY HOUSE.
410
00:12:45,465 --> 00:12:46,943
AND DON'T YOU TALK THAT WAY IN
MY HOUSE.
YOU DON'T TALK ABOUT JOE LIKE
411
00:12:46,967 --> 00:12:47,409
MY HOUSE.
YOU DON'T TALK ABOUT JOE LIKE
THAT.
412
00:12:47,433 --> 00:12:48,711
YOU DON'T TALK ABOUT JOE LIKE
THAT.
YOU'RE SO JEALOUS OF YOUR
413
00:12:48,735 --> 00:12:49,311
THAT.
YOU'RE SO JEALOUS OF YOUR
BROTHER.
414
00:12:49,335 --> 00:12:50,913
YOU'RE SO JEALOUS OF YOUR
BROTHER.
HE STUDIED TO MAKE SOMETHING OF
415
00:12:50,937 --> 00:12:51,848
BROTHER.
HE STUDIED TO MAKE SOMETHING OF
HIMSELF, BUSTER.
416
00:12:51,872 --> 00:12:52,681
HE STUDIED TO MAKE SOMETHING OF
HIMSELF, BUSTER.
HE HAD A GOAL!
417
00:12:52,705 --> 00:12:53,482
HIMSELF, BUSTER.
HE HAD A GOAL!
NOT LIKE YOU.
418
00:12:53,506 --> 00:12:55,017
HE HAD A GOAL!
NOT LIKE YOU.
JOE'S MORE THAN JUST A PRIEST,
419
00:12:55,041 --> 00:12:55,651
NOT LIKE YOU.
JOE'S MORE THAN JUST A PRIEST,
YOU KNOW.
420
00:12:55,675 --> 00:12:57,019
JOE'S MORE THAN JUST A PRIEST,
YOU KNOW.
HE MAKES YOUR MOM AND ME REAL
421
00:12:57,043 --> 00:12:57,486
YOU KNOW.
HE MAKES YOUR MOM AND ME REAL
PROUD.
422
00:12:57,510 --> 00:12:58,254
HE MAKES YOUR MOM AND ME REAL
PROUD.
TELL YOU THAT.
423
00:12:58,278 --> 00:12:59,588
PROUD.
TELL YOU THAT.
WHY YOU CAN'T BE LIKE JOE, I
424
00:12:59,612 --> 00:13:00,256
TELL YOU THAT.
WHY YOU CAN'T BE LIKE JOE, I
DON'T KNOW.
425
00:13:00,280 --> 00:13:01,190
WHY YOU CAN'T BE LIKE JOE, I
DON'T KNOW.
LOOK AT YOUR HAIR.
426
00:13:01,214 --> 00:13:04,627
DON'T KNOW.
LOOK AT YOUR HAIR.
LOOK AT YOUR HAIR!
427
00:13:04,651 --> 00:13:07,496
LOOK AT YOUR HAIR.
LOOK AT YOUR HAIR!
MY HAIR, HUH?!
428
00:13:07,520 --> 00:13:09,065
LOOK AT YOUR HAIR!
MY HAIR, HUH?!
WHAT'S WRONG WITH MY HAIR!
429
00:13:09,089 --> 00:13:11,934
MY HAIR, HUH?!
WHAT'S WRONG WITH MY HAIR!
WHAT'S WRONG WITH MY HAIR, HUH?
430
00:13:11,958 --> 00:13:16,505
WHAT'S WRONG WITH MY HAIR!
WHAT'S WRONG WITH MY HAIR, HUH?
WHAT'S WRONG, HUH?
431
00:13:16,529 --> 00:13:23,312
WHAT'S WRONG WITH MY HAIR, HUH?
WHAT'S WRONG, HUH?
[MUMBLING]
432
00:13:23,336 --> 00:13:25,414
WHAT'S WRONG, HUH?
[MUMBLING]
YEAH, WELL, YOU GOT TOMATO
433
00:13:25,438 --> 00:13:26,883
[MUMBLING]
YEAH, WELL, YOU GOT TOMATO
SAUCE ON YOUR FACE.
434
00:13:26,907 --> 00:13:28,751
YEAH, WELL, YOU GOT TOMATO
SAUCE ON YOUR FACE.
JOE MAKE-A ME SO PROUD.
435
00:13:28,775 --> 00:13:30,586
SAUCE ON YOUR FACE.
JOE MAKE-A ME SO PROUD.
HE'S GONNA BE HOME TODAY.
436
00:13:30,610 --> 00:13:32,155
JOE MAKE-A ME SO PROUD.
HE'S GONNA BE HOME TODAY.
IT'S JUST A PHASE.
437
00:13:32,179 --> 00:13:33,923
HE'S GONNA BE HOME TODAY.
IT'S JUST A PHASE.
HE'S A NO-GOOD KID...
438
00:13:33,947 --> 00:13:35,258
IT'S JUST A PHASE.
HE'S A NO-GOOD KID...
DANCING, DANCING.
439
00:13:35,282 --> 00:13:37,393
HE'S A NO-GOOD KID...
DANCING, DANCING.
ALL HE WANTS TO DO IS DANCING.
440
00:13:37,417 --> 00:13:39,628
DANCING, DANCING.
ALL HE WANTS TO DO IS DANCING.
I HOPE NOBODY TELLS HIM HE'S GOT
441
00:13:39,652 --> 00:13:47,652
ALL HE WANTS TO DO IS DANCING.
I HOPE NOBODY TELLS HIM HE'S GOT
TOMATO SAUCE ALL OVER HIS CHIN.
442
00:13:47,928 --> 00:13:50,273
I HOPE NOBODY TELLS HIM HE'S GOT
TOMATO SAUCE ALL OVER HIS CHIN.
HEY!
443
00:13:50,297 --> 00:13:51,207
TOMATO SAUCE ALL OVER HIS CHIN.
HEY!
TONY!
444
00:13:51,231 --> 00:13:53,342
HEY!
TONY!
YOU'RE LOOKING GOOD, KID.
445
00:13:53,366 --> 00:13:55,978
TONY!
YOU'RE LOOKING GOOD, KID.
ARE THEY STILL GIVING YOU A HARD
446
00:13:56,002 --> 00:13:56,679
YOU'RE LOOKING GOOD, KID.
ARE THEY STILL GIVING YOU A HARD
TIME?
447
00:13:56,703 --> 00:13:57,980
ARE THEY STILL GIVING YOU A HARD
TIME?
[MUMBLING]
448
00:13:58,004 --> 00:14:00,382
TIME?
[MUMBLING]
WELL, YOU MAY NOT BE THE ONLY
449
00:14:00,406 --> 00:14:02,384
[MUMBLING]
WELL, YOU MAY NOT BE THE ONLY
BAD BOY AROUND HERE, SOON.
450
00:14:02,408 --> 00:14:04,253
WELL, YOU MAY NOT BE THE ONLY
BAD BOY AROUND HERE, SOON.
HEY, TONY, I'M REAL UNHAPPY,
451
00:14:04,277 --> 00:14:04,753
BAD BOY AROUND HERE, SOON.
HEY, TONY, I'M REAL UNHAPPY,
MAN.
452
00:14:04,777 --> 00:14:06,856
HEY, TONY, I'M REAL UNHAPPY,
MAN.
I KNOW MOM AND PA, THEY'RE PROUD
453
00:14:06,880 --> 00:14:08,958
MAN.
I KNOW MOM AND PA, THEY'RE PROUD
OF ME AND ALL, BUT HEY, I GOT TO
454
00:14:08,982 --> 00:14:10,126
I KNOW MOM AND PA, THEY'RE PROUD
OF ME AND ALL, BUT HEY, I GOT TO
LIVE FOR MYSELF.
455
00:14:10,150 --> 00:14:12,228
OF ME AND ALL, BUT HEY, I GOT TO
LIVE FOR MYSELF.
I GOT TO DO WHAT'S RIGHT FOR ME.
456
00:14:12,252 --> 00:14:13,762
LIVE FOR MYSELF.
I GOT TO DO WHAT'S RIGHT FOR ME.
I CAN'T LIVE FOR THEM.
457
00:14:13,786 --> 00:14:15,397
I GOT TO DO WHAT'S RIGHT FOR ME.
I CAN'T LIVE FOR THEM.
I THINK I'M GONNA TELL THEM
458
00:14:15,421 --> 00:14:16,532
I CAN'T LIVE FOR THEM.
I THINK I'M GONNA TELL THEM
TOMORROW MORNING.
459
00:14:16,556 --> 00:14:17,700
I THINK I'M GONNA TELL THEM
TOMORROW MORNING.
[MUMBLING]
460
00:14:17,724 --> 00:14:18,835
TOMORROW MORNING.
[MUMBLING]
HEY, TONY...
461
00:14:18,859 --> 00:14:21,003
[MUMBLING]
HEY, TONY...
I JUST DON'T WANT TO BE BLACK NO
462
00:14:21,027 --> 00:14:21,570
HEY, TONY...
I JUST DON'T WANT TO BE BLACK NO
MORE.
463
00:14:21,594 --> 00:14:25,908
I JUST DON'T WANT TO BE BLACK NO
MORE.
OH, HO-HO!
464
00:14:25,932 --> 00:14:26,909
MORE.
OH, HO-HO!
OH, NO, NO, NO.
465
00:14:26,933 --> 00:14:28,311
OH, HO-HO!
OH, NO, NO, NO.
THAT'S NOT WHAT I'M SAYING.
466
00:14:28,335 --> 00:14:29,912
OH, NO, NO, NO.
THAT'S NOT WHAT I'M SAYING.
IT'S JUST THAT BACK IN THE '60s,
467
00:14:29,936 --> 00:14:31,480
THAT'S NOT WHAT I'M SAYING.
IT'S JUST THAT BACK IN THE '60s,
IT SEEMED LIKE THE HIP THING TO
468
00:14:31,504 --> 00:14:32,781
IT'S JUST THAT BACK IN THE '60s,
IT SEEMED LIKE THE HIP THING TO
DO, BEING A MEMBER OF THE
469
00:14:32,805 --> 00:14:34,250
IT SEEMED LIKE THE HIP THING TO
DO, BEING A MEMBER OF THE
DOWNTRODDEN SOCIETY AND ALL.
470
00:14:34,274 --> 00:14:35,684
DO, BEING A MEMBER OF THE
DOWNTRODDEN SOCIETY AND ALL.
BUT HEY... PEOPLE, THEY JUST
471
00:14:35,708 --> 00:14:37,019
DOWNTRODDEN SOCIETY AND ALL.
BUT HEY... PEOPLE, THEY JUST
DON'T CARE ABOUT THE CAUSE
472
00:14:37,043 --> 00:14:37,586
BUT HEY... PEOPLE, THEY JUST
DON'T CARE ABOUT THE CAUSE
ANYMORE.
473
00:14:37,610 --> 00:14:39,188
DON'T CARE ABOUT THE CAUSE
ANYMORE.
AND YOU KNOW WHO'S SUFFERING FOR
474
00:14:39,212 --> 00:14:39,555
ANYMORE.
AND YOU KNOW WHO'S SUFFERING FOR
IT?
475
00:14:39,579 --> 00:14:39,989
AND YOU KNOW WHO'S SUFFERING FOR
IT?
I AM.
476
00:14:40,013 --> 00:14:41,858
IT?
I AM.
PLUS, I COULD NEVER GET THAT
477
00:14:41,882 --> 00:14:45,761
I AM.
PLUS, I COULD NEVER GET THAT
WALK DOWN.
478
00:14:45,785 --> 00:14:48,697
PLUS, I COULD NEVER GET THAT
WALK DOWN.
HEY.
479
00:14:48,721 --> 00:14:49,765
WALK DOWN.
HEY.
OH, I DON'T KNOW.
480
00:14:49,789 --> 00:14:51,000
HEY.
OH, I DON'T KNOW.
I GOT TO THINK ABOUT IT.
481
00:14:51,024 --> 00:14:53,102
OH, I DON'T KNOW.
I GOT TO THINK ABOUT IT.
HEY.
482
00:14:53,126 --> 00:14:54,937
I GOT TO THINK ABOUT IT.
HEY.
NO, I'VE NEVER BEEN MUCH FOR
483
00:14:54,961 --> 00:14:58,007
HEY.
NO, I'VE NEVER BEEN MUCH FOR
DANCING.
484
00:14:58,031 --> 00:14:59,041
NO, I'VE NEVER BEEN MUCH FOR
DANCING.
NO, NO, NO!
485
00:14:59,065 --> 00:15:00,476
DANCING.
NO, NO, NO!
I'LL GO, I'LL GO.
486
00:15:00,500 --> 00:15:06,282
NO, NO, NO!
I'LL GO, I'LL GO.
IT MAY DO ME SOME GOOD, HUH?
487
00:15:06,306 --> 00:15:09,818
I'LL GO, I'LL GO.
IT MAY DO ME SOME GOOD, HUH?
♪ BURN, BABY, BURN ♪
488
00:15:09,842 --> 00:15:13,856
IT MAY DO ME SOME GOOD, HUH?
♪ BURN, BABY, BURN ♪
♪ BURN, BABY, BURN ♪
489
00:15:13,880 --> 00:15:17,193
♪ BURN, BABY, BURN ♪
♪ BURN, BABY, BURN ♪
♪ TO MY SURPRISE
490
00:15:17,217 --> 00:15:19,495
♪ BURN, BABY, BURN ♪
♪ TO MY SURPRISE
ONE HUNDRED STORIES HIGH ♪
491
00:15:19,519 --> 00:15:20,029
♪ TO MY SURPRISE
ONE HUNDRED STORIES HIGH ♪
OKAY.
492
00:15:20,053 --> 00:15:21,264
ONE HUNDRED STORIES HIGH ♪
OKAY.
WE'LL GIVE VINNIE 10 MORE
493
00:15:21,288 --> 00:15:22,765
OKAY.
WE'LL GIVE VINNIE 10 MORE
MINUTES IN THE CAR, THEN YOU GET
494
00:15:22,789 --> 00:15:23,799
WE'LL GIVE VINNIE 10 MORE
MINUTES IN THE CAR, THEN YOU GET
YOUR TURN WITH MARIA.
495
00:15:23,823 --> 00:15:26,568
MINUTES IN THE CAR, THEN YOU GET
YOUR TURN WITH MARIA.
HEY!
496
00:15:26,592 --> 00:15:27,937
YOUR TURN WITH MARIA.
HEY!
HEY, TONY.
497
00:15:27,961 --> 00:15:31,908
HEY!
HEY, TONY.
HEY.
498
00:15:31,932 --> 00:15:33,876
HEY, TONY.
HEY.
SURE, I KNOW YOUR BROTHER,
499
00:15:33,900 --> 00:15:34,410
HEY.
SURE, I KNOW YOUR BROTHER,
JOE.
500
00:15:34,434 --> 00:15:35,411
SURE, I KNOW YOUR BROTHER,
JOE.
HOW ARE YOU?
501
00:15:35,435 --> 00:15:36,612
JOE.
HOW ARE YOU?
THIS IS CARMINE.
502
00:15:36,636 --> 00:15:37,613
HOW ARE YOU?
THIS IS CARMINE.
HEY, JOE.
503
00:15:37,637 --> 00:15:39,648
THIS IS CARMINE.
HEY, JOE.
HEY, JOE, YOU LOOK DIFFERENT
504
00:15:39,672 --> 00:15:40,383
HEY, JOE.
HEY, JOE, YOU LOOK DIFFERENT
TONIGHT.
505
00:15:40,407 --> 00:15:44,586
HEY, JOE, YOU LOOK DIFFERENT
TONIGHT.
I'M NOT BLACK ANYMORE.
506
00:15:44,610 --> 00:15:46,122
TONIGHT.
I'M NOT BLACK ANYMORE.
HI.
507
00:15:46,146 --> 00:15:49,025
I'M NOT BLACK ANYMORE.
HI.
TONY, YOU WANT TO DANCE?
508
00:15:49,049 --> 00:15:52,962
HI.
TONY, YOU WANT TO DANCE?
[SCOFFS]
509
00:15:52,986 --> 00:15:56,832
TONY, YOU WANT TO DANCE?
[SCOFFS]
HEY!
510
00:15:56,856 --> 00:15:58,968
[SCOFFS]
HEY!
HEY, WOW, DO YOU WANT TO
511
00:15:58,992 --> 00:16:00,236
HEY!
HEY, WOW, DO YOU WANT TO
DANCE WITH ME?
512
00:16:00,260 --> 00:16:01,971
HEY, WOW, DO YOU WANT TO
DANCE WITH ME?
I'M NOT VERY GOOD.
513
00:16:01,995 --> 00:16:03,372
DANCE WITH ME?
I'M NOT VERY GOOD.
OH, COME ON.
514
00:16:03,396 --> 00:16:04,673
I'M NOT VERY GOOD.
OH, COME ON.
I'LL SHOW YOU.
515
00:16:04,697 --> 00:16:07,743
OH, COME ON.
I'LL SHOW YOU.
[MUMBLING]
516
00:16:07,767 --> 00:16:10,179
I'LL SHOW YOU.
[MUMBLING]
ALL RIGHT.
517
00:16:10,203 --> 00:16:13,215
[MUMBLING]
ALL RIGHT.
WILL I SEE YOU LATER, TONY?
518
00:16:13,239 --> 00:16:16,819
ALL RIGHT.
WILL I SEE YOU LATER, TONY?
HEY!
519
00:16:16,843 --> 00:16:18,955
WILL I SEE YOU LATER, TONY?
HEY!
THIS IS THE LIFE... TO BE
520
00:16:18,979 --> 00:16:20,957
HEY!
THIS IS THE LIFE... TO BE
YOUNG, STUPID, AND HAVE NO
521
00:16:20,981 --> 00:16:22,191
THIS IS THE LIFE... TO BE
YOUNG, STUPID, AND HAVE NO
FUTURE AT ALL.
522
00:16:22,215 --> 00:16:27,596
YOUNG, STUPID, AND HAVE NO
FUTURE AT ALL.
I LOVE BROOKLYN!
523
00:16:27,620 --> 00:16:30,466
FUTURE AT ALL.
I LOVE BROOKLYN!
HEY, TONY, YOU GONNA DANCE
524
00:16:30,490 --> 00:16:33,002
I LOVE BROOKLYN!
HEY, TONY, YOU GONNA DANCE
TONIGHT, TONY?
525
00:16:33,026 --> 00:16:34,837
HEY, TONY, YOU GONNA DANCE
TONIGHT, TONY?
YOUR BROTHER'S DOING PRETTY GOOD
526
00:16:34,861 --> 00:16:36,572
TONIGHT, TONY?
YOUR BROTHER'S DOING PRETTY GOOD
WITH THE CHICKS, AND HE DANCES
527
00:16:36,596 --> 00:16:37,306
YOUR BROTHER'S DOING PRETTY GOOD
WITH THE CHICKS, AND HE DANCES
GOOD, TOO.
528
00:16:37,330 --> 00:16:42,411
WITH THE CHICKS, AND HE DANCES
GOOD, TOO.
HEY.
529
00:16:42,435 --> 00:16:43,512
GOOD, TOO.
HEY.
[INTRO TO "STAYIN' ALIVE"
530
00:16:43,536 --> 00:16:51,187
HEY.
[INTRO TO "STAYIN' ALIVE"
PLAYS]
531
00:16:51,211 --> 00:16:54,512
[INTRO TO "STAYIN' ALIVE"
PLAYS]
[ALL CLAMORING]
532
00:17:01,253 --> 00:17:05,468
♪ MUSIC LOUD AND WOMEN WARM,
I'VE BEEN KICKED AROUND
SINCE I WAS BORN ♪
533
00:17:05,492 --> 00:17:06,668
I'VE BEEN KICKED AROUND
SINCE I WAS BORN ♪
♪ AND NOW IT'S ALL RIGHT,
534
00:17:06,692 --> 00:17:07,870
SINCE I WAS BORN ♪
♪ AND NOW IT'S ALL RIGHT,
IT'S OKAY,
535
00:17:07,894 --> 00:17:10,072
♪ AND NOW IT'S ALL RIGHT,
IT'S OKAY,
YOU MAY LOOK THE OTHER WAY ♪
536
00:17:10,096 --> 00:17:12,141
IT'S OKAY,
YOU MAY LOOK THE OTHER WAY ♪
♪ AND WE CAN TRY TO UNDERSTAND
537
00:17:12,165 --> 00:17:13,376
YOU MAY LOOK THE OTHER WAY ♪
♪ AND WE CAN TRY TO UNDERSTAND
THE NEW YORK TIMES'
538
00:17:13,400 --> 00:17:14,943
♪ AND WE CAN TRY TO UNDERSTAND
THE NEW YORK TIMES'
EFFECT ON MAN ♪
539
00:17:14,967 --> 00:17:15,777
THE NEW YORK TIMES'
EFFECT ON MAN ♪
♪ WHETHER YOU'RE A BROTHER
540
00:17:15,801 --> 00:17:17,013
EFFECT ON MAN ♪
♪ WHETHER YOU'RE A BROTHER
OR WHETHER YOU'RE A MOTHER,
541
00:17:17,037 --> 00:17:18,280
♪ WHETHER YOU'RE A BROTHER
OR WHETHER YOU'RE A MOTHER,
YOU'RE STAYIN' ALIVE,
542
00:17:18,304 --> 00:17:19,448
OR WHETHER YOU'RE A MOTHER,
YOU'RE STAYIN' ALIVE,
STAYIN' ALIVE ♪
543
00:17:19,472 --> 00:17:20,416
YOU'RE STAYIN' ALIVE,
STAYIN' ALIVE ♪
♪ FEEL THE CITY BREAKIN'
544
00:17:20,440 --> 00:17:21,650
STAYIN' ALIVE ♪
♪ FEEL THE CITY BREAKIN'
AND EVERYBODY SHAKIN',
545
00:17:21,674 --> 00:17:22,751
♪ FEEL THE CITY BREAKIN'
AND EVERYBODY SHAKIN',
WE'RE STAYIN' ALIVE,
546
00:17:22,775 --> 00:17:24,020
AND EVERYBODY SHAKIN',
WE'RE STAYIN' ALIVE,
STAYIN ALIVE ♪
547
00:17:24,044 --> 00:17:26,288
WE'RE STAYIN' ALIVE,
STAYIN ALIVE ♪
♪ AH-AH-AH-AH,
548
00:17:26,312 --> 00:17:28,690
STAYIN ALIVE ♪
♪ AH-AH-AH-AH,
STAYIN' ALIVE, STAYIN' ALIVE ♪
549
00:17:28,714 --> 00:17:30,659
♪ AH-AH-AH-AH,
STAYIN' ALIVE, STAYIN' ALIVE ♪
♪ AH-AH-AH-AH,
550
00:17:30,683 --> 00:17:38,683
STAYIN' ALIVE, STAYIN' ALIVE ♪
♪ AH-AH-AH-AH,
STAYIN' ALI-I-I-I-I-VE ♪
551
00:17:39,225 --> 00:17:44,306
♪ AH-AH-AH-AH,
STAYIN' ALI-I-I-I-I-VE ♪
♪ OH ♪
552
00:17:44,330 --> 00:17:45,374
STAYIN' ALI-I-I-I-I-VE ♪
♪ OH ♪
♪ WELL, NOW I GET LOW
553
00:17:45,398 --> 00:17:46,675
♪ OH ♪
♪ WELL, NOW I GET LOW
AND I GET HIGH ♪
554
00:17:46,699 --> 00:17:47,843
♪ WELL, NOW I GET LOW
AND I GET HIGH ♪
♪ AND IF I CAN'T GET EITHER
555
00:17:47,867 --> 00:17:49,178
AND I GET HIGH ♪
♪ AND IF I CAN'T GET EITHER
I REALLY TRY ♪
556
00:17:49,202 --> 00:17:50,146
♪ AND IF I CAN'T GET EITHER
I REALLY TRY ♪
♪ GOT THE WINGS OF HEAVEN
557
00:17:50,170 --> 00:17:51,313
I REALLY TRY ♪
♪ GOT THE WINGS OF HEAVEN
ON MY SHOES ♪
558
00:17:51,337 --> 00:17:52,448
♪ GOT THE WINGS OF HEAVEN
ON MY SHOES ♪
♪ I'M A DANCIN' MAN ♪
559
00:17:52,472 --> 00:17:53,649
ON MY SHOES ♪
♪ I'M A DANCIN' MAN ♪
♪ I JUST CAN'T LOSE ♪
560
00:17:53,673 --> 00:17:55,151
♪ I'M A DANCIN' MAN ♪
♪ I JUST CAN'T LOSE ♪
♪ NOW IT'S ALL RIGHT,
561
00:17:55,175 --> 00:17:56,152
♪ I JUST CAN'T LOSE ♪
♪ NOW IT'S ALL RIGHT,
IT'S OKAY,
562
00:17:56,176 --> 00:17:58,254
♪ NOW IT'S ALL RIGHT,
IT'S OKAY,
I'LL LIVE TO SEE ANOTHER DAY ♪
563
00:17:58,278 --> 00:17:59,355
IT'S OKAY,
I'LL LIVE TO SEE ANOTHER DAY ♪
♪ AND WE CAN TRY
564
00:17:59,379 --> 00:18:00,589
I'LL LIVE TO SEE ANOTHER DAY ♪
♪ AND WE CAN TRY
TO UNDERSTAND... ♪
565
00:18:00,613 --> 00:18:01,424
♪ AND WE CAN TRY
TO UNDERSTAND... ♪
Announcer: TUNE IN NEXT WEEK
566
00:18:01,448 --> 00:18:04,408
TO UNDERSTAND... ♪
Announcer: TUNE IN NEXT WEEK
FOR ANOTHER EPISODE OF...
567
00:18:12,291 --> 00:18:17,261
♪ AH-AH-AH-AH,
STAYIN' ALIVE, STAYIN' ALIVE ♪
568
00:18:25,704 --> 00:18:27,638
[PIANO PLAYS]
569
00:18:34,279 --> 00:18:38,727
HELLO.
AS A KID, I HAD MANY IDOLS.
MEN LIKE JACKIE ROBINSON AND
570
00:18:38,751 --> 00:18:40,028
AS A KID, I HAD MANY IDOLS.
MEN LIKE JACKIE ROBINSON AND
WILLIE MAYS INSPIRED ME.
571
00:18:40,052 --> 00:18:41,863
MEN LIKE JACKIE ROBINSON AND
WILLIE MAYS INSPIRED ME.
BUT PROBABLY AMERICA'S GREATEST
572
00:18:41,887 --> 00:18:43,299
WILLIE MAYS INSPIRED ME.
BUT PROBABLY AMERICA'S GREATEST
HERO WAS THE LEGENDARY
573
00:18:43,323 --> 00:18:45,267
BUT PROBABLY AMERICA'S GREATEST
HERO WAS THE LEGENDARY
GEORGE HERMAN "BABE" RUTH.
574
00:18:45,291 --> 00:18:47,836
HERO WAS THE LEGENDARY
GEORGE HERMAN "BABE" RUTH.
BORN IN 1895, THE BABE GREW UP
575
00:18:47,860 --> 00:18:49,071
GEORGE HERMAN "BABE" RUTH.
BORN IN 1895, THE BABE GREW UP
TO BECOME THE NEW YORK YANKEES'
576
00:18:49,095 --> 00:18:52,141
BORN IN 1895, THE BABE GREW UP
TO BECOME THE NEW YORK YANKEES'
SULTAN OF SWAT, AS WELL AS THE
577
00:18:52,165 --> 00:18:54,210
TO BECOME THE NEW YORK YANKEES'
SULTAN OF SWAT, AS WELL AS THE
GAME'S MOST EXCITING PLAYER.
578
00:18:54,234 --> 00:18:56,145
SULTAN OF SWAT, AS WELL AS THE
GAME'S MOST EXCITING PLAYER.
THE BABE LOVED EVERYONE, BUT THE
579
00:18:56,169 --> 00:18:58,080
GAME'S MOST EXCITING PLAYER.
THE BABE LOVED EVERYONE, BUT THE
FANS HE CARED THE MOST ABOUT WAS
580
00:18:58,104 --> 00:18:59,415
THE BABE LOVED EVERYONE, BUT THE
FANS HE CARED THE MOST ABOUT WAS
AMERICA'S KIDS.
581
00:18:59,439 --> 00:19:01,484
FANS HE CARED THE MOST ABOUT WAS
AMERICA'S KIDS.
AND THE BABE ALWAYS TRIED TO
582
00:19:01,508 --> 00:19:03,051
AMERICA'S KIDS.
AND THE BABE ALWAYS TRIED TO
RETURN THEIR LOVE, LIKE THE TIME
583
00:19:03,075 --> 00:19:04,953
AND THE BABE ALWAYS TRIED TO
RETURN THEIR LOVE, LIKE THE TIME
IN A NEW YORK HOSPITAL, ALMOST
584
00:19:04,977 --> 00:19:08,177
RETURN THEIR LOVE, LIKE THE TIME
IN A NEW YORK HOSPITAL, ALMOST
FORTY YEARS AGO...
585
00:19:12,351 --> 00:19:15,664
THANK YOU SO MUCH FOR COMING,
MR. RUTH.
YOU HAVE NO IDEA HOW MUCH THIS
586
00:19:15,688 --> 00:19:16,532
MR. RUTH.
YOU HAVE NO IDEA HOW MUCH THIS
WILL MEAN TO HIM.
587
00:19:16,556 --> 00:19:19,701
YOU HAVE NO IDEA HOW MUCH THIS
WILL MEAN TO HIM.
HE'S YOUR BIGGEST FAN, BABE.
588
00:19:19,725 --> 00:19:20,869
WILL MEAN TO HIM.
HE'S YOUR BIGGEST FAN, BABE.
HE LISTENS TO ALL THE YANKEE
589
00:19:20,893 --> 00:19:21,703
HE'S YOUR BIGGEST FAN, BABE.
HE LISTENS TO ALL THE YANKEE
GAMES ON THE RADIO.
590
00:19:21,727 --> 00:19:24,607
HE LISTENS TO ALL THE YANKEE
GAMES ON THE RADIO.
WELL, THAT'S NICE TO HEAR.
591
00:19:24,631 --> 00:19:26,008
GAMES ON THE RADIO.
WELL, THAT'S NICE TO HEAR.
I LIKE KIDS.
592
00:19:26,032 --> 00:19:27,309
WELL, THAT'S NICE TO HEAR.
I LIKE KIDS.
I WAS AN ORPHAN MYSELF.
593
00:19:27,333 --> 00:19:29,612
I LIKE KIDS.
I WAS AN ORPHAN MYSELF.
I'M SENSITIVE TO THEIR NEEDS.
594
00:19:29,636 --> 00:19:32,148
I WAS AN ORPHAN MYSELF.
I'M SENSITIVE TO THEIR NEEDS.
AAAHHHH!
595
00:19:32,172 --> 00:19:33,682
I'M SENSITIVE TO THEIR NEEDS.
AAAHHHH!
HOW'S THE LITTLE COLORED
596
00:19:33,706 --> 00:19:34,583
AAAHHHH!
HOW'S THE LITTLE COLORED
FELLA, ANYWAY?
597
00:19:34,607 --> 00:19:35,951
HOW'S THE LITTLE COLORED
FELLA, ANYWAY?
WELL... I'LL TELL YOU.
598
00:19:35,975 --> 00:19:37,520
FELLA, ANYWAY?
WELL... I'LL TELL YOU.
HE'S, UH, HE'S A PRETTY SICK
599
00:19:37,544 --> 00:19:37,953
WELL... I'LL TELL YOU.
HE'S, UH, HE'S A PRETTY SICK
BOY.
600
00:19:37,977 --> 00:19:39,721
HE'S, UH, HE'S A PRETTY SICK
BOY.
IN FACT, EVEN HE DOESN'T KNOW
601
00:19:39,745 --> 00:19:40,756
BOY.
IN FACT, EVEN HE DOESN'T KNOW
HOW SICK HE IS.
602
00:19:40,780 --> 00:19:42,090
IN FACT, EVEN HE DOESN'T KNOW
HOW SICK HE IS.
BUT WE THINK HE COULD PULL
603
00:19:42,114 --> 00:19:43,359
HOW SICK HE IS.
BUT WE THINK HE COULD PULL
THROUGH IF WE JUST KEEP HIS
604
00:19:43,383 --> 00:19:43,992
BUT WE THINK HE COULD PULL
THROUGH IF WE JUST KEEP HIS
SPIRITS UP.
605
00:19:44,016 --> 00:19:45,327
THROUGH IF WE JUST KEEP HIS
SPIRITS UP.
AND YOU'RE JUST THE PERSON WHO
606
00:19:45,351 --> 00:19:45,961
SPIRITS UP.
AND YOU'RE JUST THE PERSON WHO
COULD DO IT.
607
00:19:45,985 --> 00:19:46,928
AND YOU'RE JUST THE PERSON WHO
COULD DO IT.
YOU KNOW, I THINK HE'S WAKING
608
00:19:46,952 --> 00:19:49,898
COULD DO IT.
YOU KNOW, I THINK HE'S WAKING
UP NOW.
609
00:19:49,922 --> 00:19:51,400
YOU KNOW, I THINK HE'S WAKING
UP NOW.
HEY, LITTLE GUY.
610
00:19:51,424 --> 00:19:54,637
UP NOW.
HEY, LITTLE GUY.
YOU HAVE A VISITOR.
611
00:19:54,661 --> 00:19:56,004
HEY, LITTLE GUY.
YOU HAVE A VISITOR.
OH!
612
00:19:56,028 --> 00:19:58,374
YOU HAVE A VISITOR.
OH!
IT'S THE BABE!
613
00:19:58,398 --> 00:19:59,975
OH!
IT'S THE BABE!
WOW!
614
00:19:59,999 --> 00:20:01,043
IT'S THE BABE!
WOW!
HIYA, KID!
615
00:20:01,067 --> 00:20:02,077
WOW!
HIYA, KID!
HOW ARE YOU?
616
00:20:02,101 --> 00:20:05,414
HIYA, KID!
HOW ARE YOU?
GEE, YOU CAME TO SEE ME,
617
00:20:05,438 --> 00:20:06,182
HOW ARE YOU?
GEE, YOU CAME TO SEE ME,
BABE!
618
00:20:06,206 --> 00:20:08,750
GEE, YOU CAME TO SEE ME,
BABE!
I THINK IT'S HELPING ALREADY.
619
00:20:08,774 --> 00:20:09,885
BABE!
I THINK IT'S HELPING ALREADY.
HERE, KID.
620
00:20:09,909 --> 00:20:12,454
I THINK IT'S HELPING ALREADY.
HERE, KID.
I BOUGHT YOU A PRESENT.
621
00:20:12,478 --> 00:20:13,889
HERE, KID.
I BOUGHT YOU A PRESENT.
THERE YOU GO.
622
00:20:13,913 --> 00:20:16,258
I BOUGHT YOU A PRESENT.
THERE YOU GO.
GEE! THANKS, BABE!
623
00:20:16,282 --> 00:20:18,260
THERE YOU GO.
GEE! THANKS, BABE!
WELL, WE GOT A GAME AGAINST
624
00:20:18,284 --> 00:20:19,995
GEE! THANKS, BABE!
WELL, WE GOT A GAME AGAINST
CLEVELAND THIS AFTERNOON.
625
00:20:20,019 --> 00:20:21,163
WELL, WE GOT A GAME AGAINST
CLEVELAND THIS AFTERNOON.
I BETTER BE GOING TO THE
626
00:20:21,187 --> 00:20:23,465
CLEVELAND THIS AFTERNOON.
I BETTER BE GOING TO THE
STADIUM.
627
00:20:23,489 --> 00:20:25,801
I BETTER BE GOING TO THE
STADIUM.
AH, TAKE IT EASY, KID.
628
00:20:25,825 --> 00:20:27,102
STADIUM.
AH, TAKE IT EASY, KID.
MR. RUTH, THANK YOU SO MUCH
629
00:20:27,126 --> 00:20:27,903
AH, TAKE IT EASY, KID.
MR. RUTH, THANK YOU SO MUCH
FOR STOPPING BY.
630
00:20:27,927 --> 00:20:28,837
MR. RUTH, THANK YOU SO MUCH
FOR STOPPING BY.
YES.
631
00:20:28,861 --> 00:20:30,206
FOR STOPPING BY.
YES.
HEY, BABE?
632
00:20:30,230 --> 00:20:33,609
YES.
HEY, BABE?
COULD YOU DO ME A FAVOR?
633
00:20:33,633 --> 00:20:35,077
HEY, BABE?
COULD YOU DO ME A FAVOR?
OH, NO, I-I-I...
634
00:20:35,101 --> 00:20:36,144
COULD YOU DO ME A FAVOR?
OH, NO, I-I-I...
SURE, KID!
635
00:20:36,168 --> 00:20:37,746
OH, NO, I-I-I...
SURE, KID!
WHAT CAN I DO FOR YOU?
636
00:20:37,770 --> 00:20:42,284
SURE, KID!
WHAT CAN I DO FOR YOU?
WELL... COULD YOU HIT A HOME
637
00:20:42,308 --> 00:20:44,220
WHAT CAN I DO FOR YOU?
WELL... COULD YOU HIT A HOME
RUN JUST FOR ME?
638
00:20:44,244 --> 00:20:45,020
WELL... COULD YOU HIT A HOME
RUN JUST FOR ME?
AW, COME ON, SON.
639
00:20:45,044 --> 00:20:46,088
RUN JUST FOR ME?
AW, COME ON, SON.
MR. RUTH CAN'T MAKE PROMISES
640
00:20:46,112 --> 00:20:46,589
AW, COME ON, SON.
MR. RUTH CAN'T MAKE PROMISES
LIKE THAT.
641
00:20:46,613 --> 00:20:48,591
MR. RUTH CAN'T MAKE PROMISES
LIKE THAT.
NO, NO, NO, IT'S ALL RIGHT!
642
00:20:48,615 --> 00:20:50,892
LIKE THAT.
NO, NO, NO, IT'S ALL RIGHT!
I TELL YOU WHAT I'LL DO, KID.
643
00:20:50,916 --> 00:20:52,695
NO, NO, NO, IT'S ALL RIGHT!
I TELL YOU WHAT I'LL DO, KID.
I'LL KNOCK ONE OUT OF THE PARK
644
00:20:52,719 --> 00:20:53,362
I TELL YOU WHAT I'LL DO, KID.
I'LL KNOCK ONE OUT OF THE PARK
FOR YOU.
645
00:20:53,386 --> 00:20:54,930
I'LL KNOCK ONE OUT OF THE PARK
FOR YOU.
YOU PROMISE ME YOU'LL PULL
646
00:20:54,954 --> 00:20:55,598
FOR YOU.
YOU PROMISE ME YOU'LL PULL
THROUGH.
647
00:20:55,622 --> 00:20:56,732
YOU PROMISE ME YOU'LL PULL
THROUGH.
IS THAT A DEAL?
648
00:20:56,756 --> 00:20:58,400
THROUGH.
IS THAT A DEAL?
IT'S A DEAL.
649
00:20:58,424 --> 00:20:59,335
IS THAT A DEAL?
IT'S A DEAL.
IT'S A DEAL.
650
00:20:59,359 --> 00:21:00,736
IT'S A DEAL.
IT'S A DEAL.
YEAH, IT'S A DEAL!
651
00:21:00,760 --> 00:21:03,805
IT'S A DEAL.
YEAH, IT'S A DEAL!
OKAY, KID.
652
00:21:03,829 --> 00:21:05,407
YEAH, IT'S A DEAL!
OKAY, KID.
IT WAS A PERFECT DAY FOR A
653
00:21:05,431 --> 00:21:06,942
OKAY, KID.
IT WAS A PERFECT DAY FOR A
BALLGAME AT YANKEE STADIUM.
654
00:21:06,966 --> 00:21:08,410
IT WAS A PERFECT DAY FOR A
BALLGAME AT YANKEE STADIUM.
THE CLEVELAND INDIANS DIDN'T
655
00:21:08,434 --> 00:21:09,978
BALLGAME AT YANKEE STADIUM.
THE CLEVELAND INDIANS DIDN'T
SCORE OFF RUFFING IN THE FIRST,
656
00:21:10,002 --> 00:21:11,447
THE CLEVELAND INDIANS DIDN'T
SCORE OFF RUFFING IN THE FIRST,
BUT THE YANKEES HAD A THREAT
657
00:21:11,471 --> 00:21:12,914
SCORE OFF RUFFING IN THE FIRST,
BUT THE YANKEES HAD A THREAT
GOING WITH LAZZERI ON FIRST.
658
00:21:12,938 --> 00:21:15,016
BUT THE YANKEES HAD A THREAT
GOING WITH LAZZERI ON FIRST.
AND UP TO THE PLATE STEPPED THE
659
00:21:15,040 --> 00:21:19,555
GOING WITH LAZZERI ON FIRST.
AND UP TO THE PLATE STEPPED THE
OLD BAMBINO HIMSELF.
660
00:21:19,579 --> 00:21:21,423
AND UP TO THE PLATE STEPPED THE
OLD BAMBINO HIMSELF.
TWO QUICK STRIKES ON THE
661
00:21:21,447 --> 00:21:22,023
OLD BAMBINO HIMSELF.
TWO QUICK STRIKES ON THE
BABE.
662
00:21:22,047 --> 00:21:24,092
TWO QUICK STRIKES ON THE
BABE.
THE PITCHER'S IN HIS WINDUP.
663
00:21:24,116 --> 00:21:25,628
BABE.
THE PITCHER'S IN HIS WINDUP.
THE BABE SWINGS, AND IT'S
664
00:21:25,652 --> 00:21:26,562
THE PITCHER'S IN HIS WINDUP.
THE BABE SWINGS, AND IT'S
STRIKE THREE!
665
00:21:26,586 --> 00:21:27,663
THE BABE SWINGS, AND IT'S
STRIKE THREE!
COME ON, BABE!
666
00:21:27,687 --> 00:21:32,401
STRIKE THREE!
COME ON, BABE!
COME ON, BABE, BABY!
667
00:21:32,425 --> 00:21:34,270
COME ON, BABE!
COME ON, BABE, BABY!
HE'LL GET IT THE NEXT TIME,
668
00:21:34,294 --> 00:21:34,836
COME ON, BABE, BABY!
HE'LL GET IT THE NEXT TIME,
MAYBE.
669
00:21:34,860 --> 00:21:36,838
HE'LL GET IT THE NEXT TIME,
MAYBE.
THE BABE CAME UP TO BAT AGAIN
670
00:21:36,862 --> 00:21:38,274
MAYBE.
THE BABE CAME UP TO BAT AGAIN
IN THE FOURTH INNING.
671
00:21:38,298 --> 00:21:39,908
THE BABE CAME UP TO BAT AGAIN
IN THE FOURTH INNING.
HOLDING THE BAT IN HIS HAND, HE
672
00:21:39,932 --> 00:21:41,310
IN THE FOURTH INNING.
HOLDING THE BAT IN HIS HAND, HE
STRODE TO THE PLATE IN HIS
673
00:21:41,334 --> 00:21:42,911
HOLDING THE BAT IN HIS HAND, HE
STRODE TO THE PLATE IN HIS
PIGEON-TOED, INIMITABLE STYLE.
674
00:21:42,935 --> 00:21:44,647
STRODE TO THE PLATE IN HIS
PIGEON-TOED, INIMITABLE STYLE.
BUT, QUICKLY, THE DRUNKEN,
675
00:21:44,671 --> 00:21:46,682
PIGEON-TOED, INIMITABLE STYLE.
BUT, QUICKLY, THE DRUNKEN,
OVERWEIGHT IDOL HAD TWO STRIKES
676
00:21:46,706 --> 00:21:47,949
BUT, QUICKLY, THE DRUNKEN,
OVERWEIGHT IDOL HAD TWO STRIKES
ON HIM.
677
00:21:47,973 --> 00:21:49,785
OVERWEIGHT IDOL HAD TWO STRIKES
ON HIM.
AN INTERESTING STORY, SPORTS
678
00:21:49,809 --> 00:21:50,286
ON HIM.
AN INTERESTING STORY, SPORTS
FANS.
679
00:21:50,310 --> 00:21:51,520
AN INTERESTING STORY, SPORTS
FANS.
BEFORE THE GAME, THE BABE TOLD
680
00:21:51,544 --> 00:21:52,854
FANS.
BEFORE THE GAME, THE BABE TOLD
ME THAT HE PROMISED A LITTLE BOY
681
00:21:52,878 --> 00:21:54,690
BEFORE THE GAME, THE BABE TOLD
ME THAT HE PROMISED A LITTLE BOY
WHO'S DYING IN THE HOSPITAL THAT
682
00:21:54,714 --> 00:21:55,824
ME THAT HE PROMISED A LITTLE BOY
WHO'S DYING IN THE HOSPITAL THAT
HE'D HIT A HOME RUN FOR HIM
683
00:21:55,848 --> 00:21:57,092
WHO'S DYING IN THE HOSPITAL THAT
HE'D HIT A HOME RUN FOR HIM
TODAY.
684
00:21:57,116 --> 00:22:02,264
HE'D HIT A HOME RUN FOR HIM
TODAY.
I'M DYING?!
685
00:22:02,288 --> 00:22:04,232
TODAY.
I'M DYING?!
AAHHH!
686
00:22:04,256 --> 00:22:05,033
I'M DYING?!
AAHHH!
THE WINDUP AND THE PITCH...
687
00:22:05,057 --> 00:22:06,402
AAHHH!
THE WINDUP AND THE PITCH...
OOPS, AND IT WON'T BE THIS TIME
688
00:22:06,426 --> 00:22:07,803
THE WINDUP AND THE PITCH...
OOPS, AND IT WON'T BE THIS TIME
AT BAT AS THE BABE TAKES STRIKE
689
00:22:07,827 --> 00:22:09,070
OOPS, AND IT WON'T BE THIS TIME
AT BAT AS THE BABE TAKES STRIKE
THREE, AND THE SCORE REMAINS
690
00:22:09,094 --> 00:22:10,939
AT BAT AS THE BABE TAKES STRIKE
THREE, AND THE SCORE REMAINS
INDIANS 2 AND THE YANKEES
691
00:22:10,963 --> 00:22:11,807
THREE, AND THE SCORE REMAINS
INDIANS 2 AND THE YANKEES
NOTHING.
692
00:22:11,831 --> 00:22:14,242
INDIANS 2 AND THE YANKEES
NOTHING.
GOING INTO THE EIGHTH INNING,
693
00:22:14,266 --> 00:22:16,345
NOTHING.
GOING INTO THE EIGHTH INNING,
IT WAS STILL 2-0 CLEVELAND.
694
00:22:16,369 --> 00:22:17,813
GOING INTO THE EIGHTH INNING,
IT WAS STILL 2-0 CLEVELAND.
THE LITTLE BOY WAS HANGING ON
695
00:22:17,837 --> 00:22:19,247
IT WAS STILL 2-0 CLEVELAND.
THE LITTLE BOY WAS HANGING ON
EVERY PITCH, AS IT SEEMED HIS
696
00:22:19,271 --> 00:22:20,749
THE LITTLE BOY WAS HANGING ON
EVERY PITCH, AS IT SEEMED HIS
VERY HEALTH LAID ON THE BABE'S
697
00:22:20,773 --> 00:22:21,717
EVERY PITCH, AS IT SEEMED HIS
VERY HEALTH LAID ON THE BABE'S
GAME.
698
00:22:21,741 --> 00:22:23,151
VERY HEALTH LAID ON THE BABE'S
GAME.
BUT THE BABE STRUCK OUT AGAIN,
699
00:22:23,175 --> 00:22:25,120
GAME.
BUT THE BABE STRUCK OUT AGAIN,
AND THINGS BEGAN TO LOOK BLEAK
700
00:22:25,144 --> 00:22:27,022
BUT THE BABE STRUCK OUT AGAIN,
AND THINGS BEGAN TO LOOK BLEAK
GOING INTO THE NINTH INNING.
701
00:22:27,046 --> 00:22:28,256
AND THINGS BEGAN TO LOOK BLEAK
GOING INTO THE NINTH INNING.
HE'S SINKING FAST.
702
00:22:28,280 --> 00:22:29,625
GOING INTO THE NINTH INNING.
HE'S SINKING FAST.
DO WE HAVE OXYGEN READY?
703
00:22:29,649 --> 00:22:30,693
HE'S SINKING FAST.
DO WE HAVE OXYGEN READY?
YES.
704
00:22:30,717 --> 00:22:32,494
DO WE HAVE OXYGEN READY?
YES.
I-I DON'T BELIEVE THAT THE BABE
705
00:22:32,518 --> 00:22:34,563
YES.
I-I DON'T BELIEVE THAT THE BABE
WOULD DO THIS TO HIM... THAT FAT
706
00:22:34,587 --> 00:22:36,932
I-I DON'T BELIEVE THAT THE BABE
WOULD DO THIS TO HIM... THAT FAT
TUB OF LARD, YOU KNOW?
707
00:22:36,956 --> 00:22:38,066
WOULD DO THIS TO HIM... THAT FAT
TUB OF LARD, YOU KNOW?
THERE'S TWO OUTS IN THE
708
00:22:38,090 --> 00:22:39,301
TUB OF LARD, YOU KNOW?
THERE'S TWO OUTS IN THE
BOTTOM OF THE NINTH AND, UH,
709
00:22:39,325 --> 00:22:40,636
THERE'S TWO OUTS IN THE
BOTTOM OF THE NINTH AND, UH,
LAZZERI MUST GET ON IF THE BABE
710
00:22:40,660 --> 00:22:41,937
BOTTOM OF THE NINTH AND, UH,
LAZZERI MUST GET ON IF THE BABE
IS GONNA HAVE ANOTHER CHANCE AT
711
00:22:41,961 --> 00:22:43,171
LAZZERI MUST GET ON IF THE BABE
IS GONNA HAVE ANOTHER CHANCE AT
THAT HOME RUN FOR THE LITTLE
712
00:22:43,195 --> 00:22:44,640
IS GONNA HAVE ANOTHER CHANCE AT
THAT HOME RUN FOR THE LITTLE
DYING BOY, OF COURSE.
713
00:22:44,664 --> 00:22:46,709
THAT HOME RUN FOR THE LITTLE
DYING BOY, OF COURSE.
THREE-TWO COUNT ON LAZZERI.
714
00:22:46,733 --> 00:22:48,444
DYING BOY, OF COURSE.
THREE-TWO COUNT ON LAZZERI.
HERE'S THE PITCH, AND LAZZERI
715
00:22:48,468 --> 00:22:49,311
THREE-TWO COUNT ON LAZZERI.
HERE'S THE PITCH, AND LAZZERI
POPS IT UP.
716
00:22:49,335 --> 00:22:49,778
HERE'S THE PITCH, AND LAZZERI
POPS IT UP.
OH, NO!
717
00:22:49,802 --> 00:22:50,879
POPS IT UP.
OH, NO!
THIS LOOKS LIKE IT'S THE
718
00:22:50,903 --> 00:22:51,447
OH, NO!
THIS LOOKS LIKE IT'S THE
BALLGAME.
719
00:22:51,471 --> 00:22:53,615
THIS LOOKS LIKE IT'S THE
BALLGAME.
NO, IT'S DROPPED!
720
00:22:53,639 --> 00:22:54,950
BALLGAME.
NO, IT'S DROPPED!
HE DROPPED THE BALL, LADIES AND
721
00:22:54,974 --> 00:22:55,751
NO, IT'S DROPPED!
HE DROPPED THE BALL, LADIES AND
GENTLEMAN!
722
00:22:55,775 --> 00:22:57,085
HE DROPPED THE BALL, LADIES AND
GENTLEMAN!
LAZZERI IS SAFE AT FIRST, AND
723
00:22:57,109 --> 00:22:58,487
GENTLEMAN!
LAZZERI IS SAFE AT FIRST, AND
THE BABE WILL HAVE ANOTHER SHOT
724
00:22:58,511 --> 00:22:59,788
LAZZERI IS SAFE AT FIRST, AND
THE BABE WILL HAVE ANOTHER SHOT
AT IT.
725
00:22:59,812 --> 00:23:01,990
THE BABE WILL HAVE ANOTHER SHOT
AT IT.
HOLY COW!
726
00:23:02,014 --> 00:23:03,359
AT IT.
HOLY COW!
NURSE, UH, YOU'D BETTER CALL
727
00:23:03,383 --> 00:23:04,460
HOLY COW!
NURSE, UH, YOU'D BETTER CALL
HIS PARENTS.
728
00:23:04,484 --> 00:23:06,294
NURSE, UH, YOU'D BETTER CALL
HIS PARENTS.
FATHER, YOU'D BETTER STAND BY.
729
00:23:06,318 --> 00:23:08,063
HIS PARENTS.
FATHER, YOU'D BETTER STAND BY.
WE STILL MIGHT BE NEEDING YOU
730
00:23:08,087 --> 00:23:08,597
FATHER, YOU'D BETTER STAND BY.
WE STILL MIGHT BE NEEDING YOU
HERE.
731
00:23:08,621 --> 00:23:10,332
WE STILL MIGHT BE NEEDING YOU
HERE.
YES, OF COURSE.
732
00:23:10,356 --> 00:23:11,567
HERE.
YES, OF COURSE.
RUTH STEPS UP TO THE PLATE.
733
00:23:11,591 --> 00:23:12,368
YES, OF COURSE.
RUTH STEPS UP TO THE PLATE.
THE BABE DIGS IN.
734
00:23:12,392 --> 00:23:14,703
RUTH STEPS UP TO THE PLATE.
THE BABE DIGS IN.
HE SWINGS, AND IT'S A LONG FLY
735
00:23:14,727 --> 00:23:15,371
THE BABE DIGS IN.
HE SWINGS, AND IT'S A LONG FLY
BALL!
736
00:23:15,395 --> 00:23:17,072
HE SWINGS, AND IT'S A LONG FLY
BALL!
THAT BABY IS BACK THERE!
737
00:23:17,096 --> 00:23:17,906
BALL!
THAT BABY IS BACK THERE!
IT'S BACK!
738
00:23:17,930 --> 00:23:24,980
THAT BABY IS BACK THERE!
IT'S BACK!
IT'S CURVING... FOUL!
739
00:23:25,004 --> 00:23:26,749
IT'S BACK!
IT'S CURVING... FOUL!
NEXT TIME YOU COME BY, BRING
740
00:23:26,773 --> 00:23:28,149
IT'S CURVING... FOUL!
NEXT TIME YOU COME BY, BRING
MY STOMACH, WILL YOU?
741
00:23:28,173 --> 00:23:29,217
NEXT TIME YOU COME BY, BRING
MY STOMACH, WILL YOU?
WELL, THIS IS IT FOR RUTH IF
742
00:23:29,241 --> 00:23:30,352
MY STOMACH, WILL YOU?
WELL, THIS IS IT FOR RUTH IF
HE'S GONNA KEEP HIS PROMISE TO
743
00:23:30,376 --> 00:23:32,654
WELL, THIS IS IT FOR RUTH IF
HE'S GONNA KEEP HIS PROMISE TO
THAT KID, WHO'S ABOUT TO DIE, I
744
00:23:32,678 --> 00:23:34,956
HE'S GONNA KEEP HIS PROMISE TO
THAT KID, WHO'S ABOUT TO DIE, I
GUESS.
745
00:23:34,980 --> 00:23:35,924
THAT KID, WHO'S ABOUT TO DIE, I
GUESS.
HERE'S THE PITCH.
746
00:23:35,948 --> 00:23:37,426
GUESS.
HERE'S THE PITCH.
RUTH HITS IT FAR!
747
00:23:37,450 --> 00:23:38,694
HERE'S THE PITCH.
RUTH HITS IT FAR!
THAT BABY'S WAY BACK THERE!
748
00:23:38,718 --> 00:23:40,061
RUTH HITS IT FAR!
THAT BABY'S WAY BACK THERE!
BACK! BACK!
749
00:23:40,085 --> 00:23:42,364
THAT BABY'S WAY BACK THERE!
BACK! BACK!
BUT IT'S CURVING, CURVING...
750
00:23:42,388 --> 00:23:44,500
BACK! BACK!
BUT IT'S CURVING, CURVING...
FOUL!
751
00:23:44,524 --> 00:23:46,968
BUT IT'S CURVING, CURVING...
FOUL!
OH, BROTHER! HOLY COW!
752
00:23:46,992 --> 00:23:48,169
FOUL!
OH, BROTHER! HOLY COW!
YOU CAN'T HELP BUT WONDER WHY
753
00:23:48,193 --> 00:23:49,438
OH, BROTHER! HOLY COW!
YOU CAN'T HELP BUT WONDER WHY
THE BABE IS DOING THIS, ANYWAY.
754
00:23:49,462 --> 00:23:51,106
YOU CAN'T HELP BUT WONDER WHY
THE BABE IS DOING THIS, ANYWAY.
WELL, THE CROWD'S REALLY PULLING
755
00:23:51,130 --> 00:23:52,340
THE BABE IS DOING THIS, ANYWAY.
WELL, THE CROWD'S REALLY PULLING
FOR THE SULTAN OF SWAT.
756
00:23:52,364 --> 00:23:53,475
WELL, THE CROWD'S REALLY PULLING
FOR THE SULTAN OF SWAT.
THEY REALLY WANT HIM TO PUT ONE
757
00:23:53,499 --> 00:23:53,876
FOR THE SULTAN OF SWAT.
THEY REALLY WANT HIM TO PUT ONE
OUT.
758
00:23:53,900 --> 00:23:54,976
THEY REALLY WANT HIM TO PUT ONE
OUT.
IF ONLY THE WHOLE CROWD HERE
759
00:23:55,000 --> 00:23:56,044
OUT.
IF ONLY THE WHOLE CROWD HERE
KNEW THAT THIS LITTLE KID'S
760
00:23:56,068 --> 00:23:57,145
IF ONLY THE WHOLE CROWD HERE
KNEW THAT THIS LITTLE KID'S
GONNA DIE ALMOST ANY SECOND.
761
00:23:57,169 --> 00:23:58,113
KNEW THAT THIS LITTLE KID'S
GONNA DIE ALMOST ANY SECOND.
HERE'S THE PITCH.
762
00:23:58,137 --> 00:23:59,481
GONNA DIE ALMOST ANY SECOND.
HERE'S THE PITCH.
THE BABE SWINGS!
763
00:23:59,505 --> 00:24:01,750
HERE'S THE PITCH.
THE BABE SWINGS!
AND IT'S A LONG FLY BALL TO DEEP
764
00:24:01,774 --> 00:24:02,751
THE BABE SWINGS!
AND IT'S A LONG FLY BALL TO DEEP
RIGHT FIELD!
765
00:24:02,775 --> 00:24:04,453
AND IT'S A LONG FLY BALL TO DEEP
RIGHT FIELD!
THE OUTFIELDER'S DRIFTING BACK,
766
00:24:04,477 --> 00:24:05,320
RIGHT FIELD!
THE OUTFIELDER'S DRIFTING BACK,
BACK!
767
00:24:05,344 --> 00:24:08,256
THE OUTFIELDER'S DRIFTING BACK,
BACK!
THAT BALL IS GOING... GOING...
768
00:24:08,280 --> 00:24:15,964
BACK!
THAT BALL IS GOING... GOING...
IT IS CAUGHT AT THE WALL!
769
00:24:15,988 --> 00:24:17,900
THAT BALL IS GOING... GOING...
IT IS CAUGHT AT THE WALL!
WELL, THAT WAS THE BALLGAME.
770
00:24:17,924 --> 00:24:19,701
IT IS CAUGHT AT THE WALL!
WELL, THAT WAS THE BALLGAME.
MAYBE BABE TRIED TO HIT A HOME
771
00:24:19,725 --> 00:24:21,169
WELL, THAT WAS THE BALLGAME.
MAYBE BABE TRIED TO HIT A HOME
RUN THAT DAY AND FAILED.
772
00:24:21,193 --> 00:24:22,905
MAYBE BABE TRIED TO HIT A HOME
RUN THAT DAY AND FAILED.
THEN, AGAIN, MAYBE HE FORGOT THE
773
00:24:22,929 --> 00:24:24,306
RUN THAT DAY AND FAILED.
THEN, AGAIN, MAYBE HE FORGOT THE
PROMISE HE MADE TO THE LITTLE
774
00:24:24,330 --> 00:24:24,673
THEN, AGAIN, MAYBE HE FORGOT THE
PROMISE HE MADE TO THE LITTLE
BOY.
775
00:24:24,697 --> 00:24:26,442
PROMISE HE MADE TO THE LITTLE
BOY.
AND SOME EVEN SAID THAT THE BABE
776
00:24:26,466 --> 00:24:27,810
BOY.
AND SOME EVEN SAID THAT THE BABE
WAS DRUNK AND DIDN'T DO IT ON
777
00:24:27,834 --> 00:24:28,343
AND SOME EVEN SAID THAT THE BABE
WAS DRUNK AND DIDN'T DO IT ON
PURPOSE.
778
00:24:28,367 --> 00:24:30,546
WAS DRUNK AND DIDN'T DO IT ON
PURPOSE.
I, BEING AN ATHLETE MYSELF,
779
00:24:30,570 --> 00:24:32,047
PURPOSE.
I, BEING AN ATHLETE MYSELF,
FRANKLY FIND THAT HARD TO
780
00:24:32,071 --> 00:24:32,748
I, BEING AN ATHLETE MYSELF,
FRANKLY FIND THAT HARD TO
BELIEVE.
781
00:24:32,772 --> 00:24:33,916
FRANKLY FIND THAT HARD TO
BELIEVE.
WHATEVER THE TRUE STORY WAS,
782
00:24:33,940 --> 00:24:36,184
BELIEVE.
WHATEVER THE TRUE STORY WAS,
THOUGH, IT WAS YET ANOTHER CASE
783
00:24:36,208 --> 00:24:37,853
WHATEVER THE TRUE STORY WAS,
THOUGH, IT WAS YET ANOTHER CASE
OF A WHITE MAN BREAKING A
784
00:24:37,877 --> 00:24:38,754
THOUGH, IT WAS YET ANOTHER CASE
OF A WHITE MAN BREAKING A
PROMISE TO A POOR, LITTLE
785
00:24:38,778 --> 00:24:40,556
OF A WHITE MAN BREAKING A
PROMISE TO A POOR, LITTLE
COLORED BOY.
786
00:24:40,580 --> 00:24:43,659
PROMISE TO A POOR, LITTLE
COLORED BOY.
BUT THERE IS A MORAL TO THIS
787
00:24:43,683 --> 00:24:44,693
COLORED BOY.
BUT THERE IS A MORAL TO THIS
STORY.
788
00:24:44,717 --> 00:24:48,464
BUT THERE IS A MORAL TO THIS
STORY.
NEVER UNDERESTIMATE THE REVENGE
789
00:24:48,488 --> 00:24:50,599
STORY.
NEVER UNDERESTIMATE THE REVENGE
OF A BLACK MAN, BECAUSE LITTLE
790
00:24:50,623 --> 00:24:52,801
NEVER UNDERESTIMATE THE REVENGE
OF A BLACK MAN, BECAUSE LITTLE
HANK AARON...
791
00:24:52,825 --> 00:24:54,870
OF A BLACK MAN, BECAUSE LITTLE
HANK AARON...
CAME THROUGH AND WENT ON TO
792
00:24:54,894 --> 00:24:56,404
HANK AARON...
CAME THROUGH AND WENT ON TO
BREAK ALL OF BABE RUTH'S
793
00:24:56,428 --> 00:24:57,739
CAME THROUGH AND WENT ON TO
BREAK ALL OF BABE RUTH'S
RECORDS, ANYWAY.
794
00:24:57,763 --> 00:24:59,475
BREAK ALL OF BABE RUTH'S
RECORDS, ANYWAY.
THANKS FOR WATCHING "GREAT
795
00:24:59,499 --> 00:25:01,939
RECORDS, ANYWAY.
THANKS FOR WATCHING "GREAT
MOMENTS IN SPORTS."
796
00:25:15,213 --> 00:25:21,118
LADIES AND GENTLEMEN, ASHFORD
AND SIMPSON.
[CHEERS AND APPLAUSE]
797
00:25:44,876 --> 00:25:52,876
♪ SO FULL ♪
♪ SO WARM ♪
♪ LIKE BEING DRIED OUT
798
00:26:00,660 --> 00:26:03,539
♪ SO WARM ♪
♪ LIKE BEING DRIED OUT
AFTER A STORM ♪
799
00:26:03,563 --> 00:26:07,976
♪ LIKE BEING DRIED OUT
AFTER A STORM ♪
♪ OOH, OOH ♪
800
00:26:08,000 --> 00:26:13,582
AFTER A STORM ♪
♪ OOH, OOH ♪
♪ NEW BLOOD RUNNIN',
801
00:26:13,606 --> 00:26:16,418
♪ OOH, OOH ♪
♪ NEW BLOOD RUNNIN',
RUNNIN' THROUGH MY VEINS,
802
00:26:16,442 --> 00:26:18,554
♪ NEW BLOOD RUNNIN',
RUNNIN' THROUGH MY VEINS,
YEAH ♪
803
00:26:18,578 --> 00:26:23,825
RUNNIN' THROUGH MY VEINS,
YEAH ♪
♪ LOOKS LIKE THAT CLEAR DAY
804
00:26:23,849 --> 00:26:26,094
YEAH ♪
♪ LOOKS LIKE THAT CLEAR DAY
FINALLY CAME ♪
805
00:26:26,118 --> 00:26:27,763
♪ LOOKS LIKE THAT CLEAR DAY
FINALLY CAME ♪
♪ OOH-OOH ♪
806
00:26:27,787 --> 00:26:35,787
FINALLY CAME ♪
♪ OOH-OOH ♪
♪ FEELIN' HIGH ♪
807
00:26:37,129 --> 00:26:42,477
♪ OOH-OOH ♪
♪ FEELIN' HIGH ♪
♪ AND SO, SO SATISFIED ♪
808
00:26:42,501 --> 00:26:45,013
♪ FEELIN' HIGH ♪
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
809
00:26:45,037 --> 00:26:46,414
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
♪ YEAH, YEAH, YEAH ♪
810
00:26:46,438 --> 00:26:49,017
♪ OH, YEAH ♪
♪ YEAH, YEAH, YEAH ♪
♪ SO SATISFIED ♪
811
00:26:49,041 --> 00:26:50,318
♪ YEAH, YEAH, YEAH ♪
♪ SO SATISFIED ♪
♪ OOH ♪
812
00:26:50,342 --> 00:26:54,890
♪ SO SATISFIED ♪
♪ OOH ♪
NOW LISTEN.
813
00:26:54,914 --> 00:26:59,828
♪ OOH ♪
NOW LISTEN.
♪ THIS MUST BE, YEAH,
814
00:26:59,852 --> 00:27:05,033
NOW LISTEN.
♪ THIS MUST BE, YEAH,
MUST BE ALL THERE IS ♪
815
00:27:05,057 --> 00:27:08,236
♪ THIS MUST BE, YEAH,
MUST BE ALL THERE IS ♪
♪ 'CAUSE ONLY LOVE,
816
00:27:08,260 --> 00:27:10,572
MUST BE ALL THERE IS ♪
♪ 'CAUSE ONLY LOVE,
LOVE BRINGS WITH IT
817
00:27:10,596 --> 00:27:13,208
♪ 'CAUSE ONLY LOVE,
LOVE BRINGS WITH IT
JOY AND TEARS ♪
818
00:27:13,232 --> 00:27:15,010
LOVE BRINGS WITH IT
JOY AND TEARS ♪
♪ OOH ♪
819
00:27:15,034 --> 00:27:17,713
JOY AND TEARS ♪
♪ OOH ♪
♪ WHOO ♪
820
00:27:17,737 --> 00:27:23,551
♪ OOH ♪
♪ WHOO ♪
♪ I WON'T TRY,
821
00:27:23,575 --> 00:27:27,422
♪ WHOO ♪
♪ I WON'T TRY,
I WON'T TRY TO UNDERSTAND,
822
00:27:27,446 --> 00:27:28,156
♪ I WON'T TRY,
I WON'T TRY TO UNDERSTAND,
OH, NO ♪
823
00:27:28,180 --> 00:27:29,992
I WON'T TRY TO UNDERSTAND,
OH, NO ♪
♪ NO, NO ♪
824
00:27:30,016 --> 00:27:33,595
OH, NO ♪
♪ NO, NO ♪
♪ I SURRENDER IT ALL
825
00:27:33,619 --> 00:27:35,831
♪ NO, NO ♪
♪ I SURRENDER IT ALL
INTO YOUR HANDS ♪
826
00:27:35,855 --> 00:27:37,833
♪ I SURRENDER IT ALL
INTO YOUR HANDS ♪
♪ OOH-OOH ♪
827
00:27:37,857 --> 00:27:45,857
INTO YOUR HANDS ♪
♪ OOH-OOH ♪
♪ FEELIN' HIGH ♪
828
00:27:46,032 --> 00:27:47,142
♪ OOH-OOH ♪
♪ FEELIN' HIGH ♪
♪ WHOO ♪
829
00:27:47,166 --> 00:27:52,213
♪ FEELIN' HIGH ♪
♪ WHOO ♪
♪ AND SO, SO SATISFIED ♪
830
00:27:52,237 --> 00:27:54,016
♪ WHOO ♪
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
831
00:27:54,040 --> 00:27:55,216
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
♪ YEAH, YEAH ♪
832
00:27:55,240 --> 00:27:57,152
♪ OH, YEAH ♪
♪ YEAH, YEAH ♪
♪ SO SATISFIED ♪
833
00:27:57,176 --> 00:28:00,288
♪ YEAH, YEAH ♪
♪ SO SATISFIED ♪
♪ WHOO-HOO ♪
834
00:28:00,312 --> 00:28:02,524
♪ SO SATISFIED ♪
♪ WHOO-HOO ♪
♪ FEELIN' HIGH ♪
835
00:28:02,548 --> 00:28:03,591
♪ WHOO-HOO ♪
♪ FEELIN' HIGH ♪
♪ I WANT YOU,
836
00:28:03,615 --> 00:28:05,961
♪ FEELIN' HIGH ♪
♪ I WANT YOU,
I WANT YOU TO LIFT ME ♪
837
00:28:05,985 --> 00:28:07,262
♪ I WANT YOU,
I WANT YOU TO LIFT ME ♪
♪ YEAH ♪
838
00:28:07,286 --> 00:28:11,566
I WANT YOU TO LIFT ME ♪
♪ YEAH ♪
♪ SO, SO SATISFIED ♪
839
00:28:11,590 --> 00:28:13,501
♪ YEAH ♪
♪ SO, SO SATISFIED ♪
♪ OH, YEAH ♪
840
00:28:13,525 --> 00:28:15,704
♪ SO, SO SATISFIED ♪
♪ OH, YEAH ♪
♪ YEAH, YEAH ♪
841
00:28:15,728 --> 00:28:17,806
♪ OH, YEAH ♪
♪ YEAH, YEAH ♪
♪ WHOO-OOH-OOH ♪
842
00:28:17,830 --> 00:28:20,408
♪ YEAH, YEAH ♪
♪ WHOO-OOH-OOH ♪
♪ I SAID LIFT ME, LIFT ME ♪
843
00:28:20,432 --> 00:28:24,279
♪ WHOO-OOH-OOH ♪
♪ I SAID LIFT ME, LIFT ME ♪
♪ FEELIN' HIGH ♪
844
00:28:24,303 --> 00:28:27,015
♪ I SAID LIFT ME, LIFT ME ♪
♪ FEELIN' HIGH ♪
♪ HEY-HEY ♪
845
00:28:27,039 --> 00:28:32,187
♪ FEELIN' HIGH ♪
♪ HEY-HEY ♪
♪ AND SO, SO SATISFIED ♪
846
00:28:32,211 --> 00:28:33,488
♪ HEY-HEY ♪
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
847
00:28:33,512 --> 00:28:35,023
♪ AND SO, SO SATISFIED ♪
♪ OH, YEAH ♪
♪ YEAH ♪
848
00:28:35,047 --> 00:28:37,258
♪ OH, YEAH ♪
♪ YEAH ♪
♪ SO SATISFIED ♪
849
00:28:37,282 --> 00:28:39,995
♪ YEAH ♪
♪ SO SATISFIED ♪
♪ WHOO-OOH-OOH ♪
850
00:28:40,019 --> 00:28:47,169
♪ SO SATISFIED ♪
♪ WHOO-OOH-OOH ♪
♪ FEELIN' HIGH
851
00:28:47,193 --> 00:28:50,371
♪ WHOO-OOH-OOH ♪
♪ FEELIN' HIGH
AND SO, SO SATIS...
852
00:28:50,395 --> 00:28:53,842
♪ FEELIN' HIGH
AND SO, SO SATIS...
SO, SO SATIS...
853
00:28:53,866 --> 00:29:01,866
AND SO, SO SATIS...
SO, SO SATIS...
SO, SO SATISFIED ♪
854
00:29:03,075 --> 00:29:06,076
SO, SO SATIS...
SO, SO SATISFIED ♪
[CHEERS AND APPLAUSE]
855
00:29:19,423 --> 00:29:23,438
YES, MOHAWKS ARE BACK!
AND NOW ROTHCO INTRODUCES THE
HAIRSTYLING AID OF THE CENTURY.
856
00:29:23,462 --> 00:29:24,606
AND NOW ROTHCO INTRODUCES THE
HAIRSTYLING AID OF THE CENTURY.
IT'S THE AMAZING MOHAWK
857
00:29:24,630 --> 00:29:26,041
HAIRSTYLING AID OF THE CENTURY.
IT'S THE AMAZING MOHAWK
MASTER... THE FAST, NEW, EASY
858
00:29:26,065 --> 00:29:27,242
IT'S THE AMAZING MOHAWK
MASTER... THE FAST, NEW, EASY
WAY TO GIVE CLEAN MOHAWK
859
00:29:27,266 --> 00:29:27,843
MASTER... THE FAST, NEW, EASY
WAY TO GIVE CLEAN MOHAWK
HAIRCUTS.
860
00:29:27,867 --> 00:29:29,077
WAY TO GIVE CLEAN MOHAWK
HAIRCUTS.
THE MOHAWK MASTER IS THE ONLY
861
00:29:29,101 --> 00:29:30,311
HAIRCUTS.
THE MOHAWK MASTER IS THE ONLY
HAIRCUTTING TOOL THAT HAS TWO
862
00:29:30,335 --> 00:29:31,512
THE MOHAWK MASTER IS THE ONLY
HAIRCUTTING TOOL THAT HAS TWO
RAZOR-SHARP, TEMPERED-STEEL,
863
00:29:31,536 --> 00:29:32,748
HAIRCUTTING TOOL THAT HAS TWO
RAZOR-SHARP, TEMPERED-STEEL,
HIGH-SPEED CLIPPERS DESIGNED,
864
00:29:32,772 --> 00:29:33,982
RAZOR-SHARP, TEMPERED-STEEL,
HIGH-SPEED CLIPPERS DESIGNED,
ENGINEERED, AND BUILT FOR ONE
865
00:29:34,006 --> 00:29:35,283
HIGH-SPEED CLIPPERS DESIGNED,
ENGINEERED, AND BUILT FOR ONE
PURPOSE AND ONE PURPOSE ONLY...
866
00:29:35,307 --> 00:29:36,017
ENGINEERED, AND BUILT FOR ONE
PURPOSE AND ONE PURPOSE ONLY...
TO CUT MOHAWKS!
867
00:29:36,041 --> 00:29:37,552
PURPOSE AND ONE PURPOSE ONLY...
TO CUT MOHAWKS!
YES, MOM, NOW YOU CAN GIVE YOUR
868
00:29:37,576 --> 00:29:38,720
TO CUT MOHAWKS!
YES, MOM, NOW YOU CAN GIVE YOUR
FAMILY MOHAWKS ANYTIME.
869
00:29:38,744 --> 00:29:40,255
YES, MOM, NOW YOU CAN GIVE YOUR
FAMILY MOHAWKS ANYTIME.
IMPRESS THEM BY USING THE FAST,
870
00:29:40,279 --> 00:29:41,823
FAMILY MOHAWKS ANYTIME.
IMPRESS THEM BY USING THE FAST,
SAFE, COMFORTABLE MOHAWK MASTER.
871
00:29:41,847 --> 00:29:44,727
IMPRESS THEM BY USING THE FAST,
SAFE, COMFORTABLE MOHAWK MASTER.
[BUZZING]
872
00:29:51,189 --> 00:29:56,838
HEY-HEY!
NICE MOHAWK, HONEY!
THANKS!
873
00:29:56,862 --> 00:29:58,640
NICE MOHAWK, HONEY!
THANKS!
NOW YOU CAN USE THE MOHAWK
874
00:29:58,664 --> 00:30:00,809
THANKS!
NOW YOU CAN USE THE MOHAWK
MASTER TO GIVE MY MOHAWK A TRIM!
875
00:30:00,833 --> 00:30:02,177
NOW YOU CAN USE THE MOHAWK
MASTER TO GIVE MY MOHAWK A TRIM!
YES, FINALLY THERE'S NO
876
00:30:02,201 --> 00:30:03,478
MASTER TO GIVE MY MOHAWK A TRIM!
YES, FINALLY THERE'S NO
REASON WHY YOU CAN'T GIVE
877
00:30:03,502 --> 00:30:04,479
YES, FINALLY THERE'S NO
REASON WHY YOU CAN'T GIVE
EVERYONE A MOHAWK.
878
00:30:04,503 --> 00:30:06,047
REASON WHY YOU CAN'T GIVE
EVERYONE A MOHAWK.
GIVE ONE TO JUNIOR AND GRANDMA!
879
00:30:06,071 --> 00:30:07,182
EVERYONE A MOHAWK.
GIVE ONE TO JUNIOR AND GRANDMA!
AND LOOK!
880
00:30:07,206 --> 00:30:09,284
GIVE ONE TO JUNIOR AND GRANDMA!
AND LOOK!
SPARKY'S GOT ONE, TOO!
881
00:30:09,308 --> 00:30:10,418
AND LOOK!
SPARKY'S GOT ONE, TOO!
FOR THE CLEANEST, SQUAREST,
882
00:30:10,442 --> 00:30:11,653
SPARKY'S GOT ONE, TOO!
FOR THE CLEANEST, SQUAREST,
2-INCH-WIDE MOHAWK YOU'LL EVER
883
00:30:11,677 --> 00:30:12,788
FOR THE CLEANEST, SQUAREST,
2-INCH-WIDE MOHAWK YOU'LL EVER
SEE, IT'S THE MOHAWK MASTER
884
00:30:12,812 --> 00:30:13,922
2-INCH-WIDE MOHAWK YOU'LL EVER
SEE, IT'S THE MOHAWK MASTER
FAMILY MOHAWK CLIPPERS FROM
885
00:30:13,946 --> 00:30:14,355
SEE, IT'S THE MOHAWK MASTER
FAMILY MOHAWK CLIPPERS FROM
ROTHCO.
886
00:30:14,379 --> 00:30:17,314
FAMILY MOHAWK CLIPPERS FROM
ROTHCO.
MOM, HERE'S HOW TO ORDER...
887
00:30:29,560 --> 00:30:34,943
Announcer: NBC's "BIG EVENT."
NEXT WEEK, "THE RAID ON
888
00:30:34,967 --> 00:30:35,977
NEXT WEEK, "THE RAID ON
NICOSIA."
889
00:30:36,001 --> 00:30:37,813
NICOSIA."
NOW, ONLY ONE WEEK AFTER THE
890
00:30:37,837 --> 00:30:39,781
NOW, ONLY ONE WEEK AFTER THE
ACTUAL EVENT, NBC BRINGS TO THE
891
00:30:39,805 --> 00:30:41,516
ACTUAL EVENT, NBC BRINGS TO THE
TELEVISION SCREEN THE MOST
892
00:30:41,540 --> 00:30:43,318
TELEVISION SCREEN THE MOST
DARING MILITARY ACTION SINCE
893
00:30:43,342 --> 00:30:44,820
DARING MILITARY ACTION SINCE
"THE RAID ON ENTEBBE."
894
00:30:44,844 --> 00:30:46,855
"THE RAID ON ENTEBBE."
DON'T MISS "THE RAID ON
895
00:30:46,879 --> 00:30:48,979
DON'T MISS "THE RAID ON
NICOSIA."
896
00:30:49,247 --> 00:30:51,381
SHERMAN HEMSLEY IS EGYPTIAN
897
00:30:51,515 --> 00:30:53,516
PRESIDENT ANWAR EL SADAT.
898
00:30:53,651 --> 00:30:57,787
IF THE ISRAELIS CAN DO IT,
899
00:30:57,922 --> 00:31:01,291
SO CAN WE, REALLY.
900
00:31:01,425 --> 00:31:02,860
Announcer: TONY ORLANDO IS
901
00:31:02,994 --> 00:31:04,561
NADIL SHUKRY, THE BRAVE EGYPTIAN
902
00:31:04,695 --> 00:31:05,562
COMMANDO LEADER.
903
00:31:05,696 --> 00:31:10,433
OKAY, MEN, YOU GO ON AHEAD.
904
00:31:10,568 --> 00:31:12,102
Announcer: O.J. SIMPSON IS
905
00:31:12,237 --> 00:31:13,803
U.N. AMBASSADOR ANDREW YOUNG.
906
00:31:13,938 --> 00:31:15,572
NOT GET INVOLVED?!
907
00:31:15,706 --> 00:31:16,740
I'VE GOT TO GET INVOLVED.
908
00:31:16,875 --> 00:31:18,575
IT'S MY NATURE.
909
00:31:18,709 --> 00:31:19,943
Announcer: INTRODUCING
910
00:31:20,078 --> 00:31:21,278
DEBBIE BOONE AS LYNN, THE
911
00:31:21,412 --> 00:31:22,012
STEWARDESS.
912
00:31:22,146 --> 00:31:23,646
SO WHAT IF HE'S A TERRORIST,
913
00:31:23,781 --> 00:31:24,848
AND I'M A STEWARDESS?
914
00:31:24,983 --> 00:31:27,550
WE CAN MAKE IT WORK!
915
00:31:27,818 --> 00:31:32,800
Announcer: "THE RAID ON
NICOSIA"... IT'S A STORY OF
KIDNAPPING.
916
00:31:32,824 --> 00:31:34,802
NICOSIA"... IT'S A STORY OF
KIDNAPPING.
IT'S A STORY OF HIJACKING.
917
00:31:34,826 --> 00:31:36,671
KIDNAPPING.
IT'S A STORY OF HIJACKING.
IT'S A STORY OF A SPECTACULAR
918
00:31:36,695 --> 00:31:40,297
IT'S A STORY OF HIJACKING.
IT'S A STORY OF A SPECTACULAR
RESCUE ATTEMPT.
919
00:31:40,564 --> 00:31:42,799
ROBERT STACK IS CYRUS VANCE, A
920
00:31:42,934 --> 00:31:45,335
SECRETARY OF STATE WITH A LOT AT
921
00:31:45,469 --> 00:31:46,069
STAKE.
922
00:31:46,204 --> 00:31:47,364
YEAH, WELL, I WANT TO KNOW
923
00:31:47,471 --> 00:31:48,671
WHAT'S GOING ON, AND I WANT TO
924
00:31:48,773 --> 00:31:49,172
KNOW NOW.
925
00:31:49,307 --> 00:31:50,908
Announcer: SPECIAL GUEST
926
00:31:51,042 --> 00:31:52,509
HELEN HAYES IS EVA DOBRIG,
927
00:31:52,643 --> 00:31:53,743
HOSTAGE.
928
00:31:53,878 --> 00:31:55,158
FIRST THEY SAY THEY'LL LET US
929
00:31:55,280 --> 00:31:55,512
GO.
930
00:31:55,646 --> 00:31:56,880
THEN THEY SAY WE HAVE TO WAIT.
931
00:31:57,015 --> 00:32:00,050
I'M ALL MIXED UP.
932
00:32:00,184 --> 00:32:00,918
Announcer: VALERIE HARPER IS
933
00:32:01,052 --> 00:32:03,653
MRS. JEHAN EL SADAT.
934
00:32:03,788 --> 00:32:06,489
HONEY, IT'S FOR YOU.
935
00:32:06,624 --> 00:32:08,025
Announcer: ED ASNER IS
936
00:32:08,159 --> 00:32:09,793
YASSER ARAFAT, THE PLO LEADER
937
00:32:09,928 --> 00:32:11,661
WHO REFUSED THE TERRORIST PHONE
938
00:32:11,796 --> 00:32:12,229
CALLS.
939
00:32:12,363 --> 00:32:14,131
[TELEPHONE RINGS]
940
00:32:14,265 --> 00:32:17,100
HELLO, PLO?
941
00:32:17,235 --> 00:32:18,635
UH, NO, I'M SORRY.
942
00:32:18,769 --> 00:32:20,237
HE JUST STEPPED OUT.
943
00:32:20,504 --> 00:32:25,620
Announcer: "THE RAID ON
NICOSIA"... IT'S A STORY OF
TERRORISM.
944
00:32:25,644 --> 00:32:28,990
NICOSIA"... IT'S A STORY OF
TERRORISM.
IT'S A STORY OF ROMANCE.
945
00:32:29,014 --> 00:32:30,725
TERRORISM.
IT'S A STORY OF ROMANCE.
IT'S A STORY EVERYBODY WILL
946
00:32:30,749 --> 00:32:31,259
IT'S A STORY OF ROMANCE.
IT'S A STORY EVERYBODY WILL
LIKE.
947
00:32:31,283 --> 00:32:33,628
LIKE.
NO RAID WAS EVER QUITE LIKE
948
00:32:33,652 --> 00:32:34,362
NO RAID WAS EVER QUITE LIKE
THIS.
949
00:32:34,386 --> 00:32:36,298
THIS.
DON'T MISS "THE RAID ON
950
00:32:36,322 --> 00:32:38,800
DON'T MISS "THE RAID ON
NICOSIA," TUESDAY AT 9:00, 8:00
951
00:32:38,824 --> 00:32:40,690
NICOSIA," TUESDAY AT 9:00, 8:00
CENTRAL TIME.
952
00:32:45,596 --> 00:32:49,644
Announcer: AND NOW "WEEKEND
UPDATE," WITH THE "WEEKEND
UPDATE" NEWS TEAM.
953
00:32:49,668 --> 00:32:51,279
UPDATE," WITH THE "WEEKEND
UPDATE" NEWS TEAM.
BROUGHT TO YOU BY DORGMO, THE
954
00:32:51,303 --> 00:32:54,349
UPDATE" NEWS TEAM.
BROUGHT TO YOU BY DORGMO, THE
GOLDEN SHOWER OF DANISH BEERS.
955
00:32:54,373 --> 00:32:55,951
BROUGHT TO YOU BY DORGMO, THE
GOLDEN SHOWER OF DANISH BEERS.
HERE ARE CO-ANCHORPERSONS
956
00:32:55,975 --> 00:32:57,685
GOLDEN SHOWER OF DANISH BEERS.
HERE ARE CO-ANCHORPERSONS
DAN AYKROYD AND JANE CURTIN.
957
00:32:57,709 --> 00:32:58,453
HERE ARE CO-ANCHORPERSONS
DAN AYKROYD AND JANE CURTIN.
GOOD EVENING.
958
00:32:58,477 --> 00:32:59,821
DAN AYKROYD AND JANE CURTIN.
GOOD EVENING.
I'M PRETTY SURE I'M DAN AYKROYD,
959
00:32:59,845 --> 00:33:01,389
GOOD EVENING.
I'M PRETTY SURE I'M DAN AYKROYD,
AND...
960
00:33:01,413 --> 00:33:02,890
I'M PRETTY SURE I'M DAN AYKROYD,
AND...
AND I'M POSITIVE I'M
961
00:33:02,914 --> 00:33:03,825
AND...
AND I'M POSITIVE I'M
JANE CURTIN.
962
00:33:03,849 --> 00:33:05,793
AND I'M POSITIVE I'M
JANE CURTIN.
OUR TOP STORY TONIGHT...
963
00:33:05,817 --> 00:33:07,095
JANE CURTIN.
OUR TOP STORY TONIGHT...
FORMER ATTORNEY GENERAL
964
00:33:07,119 --> 00:33:08,796
OUR TOP STORY TONIGHT...
FORMER ATTORNEY GENERAL
JOHN MITCHELL WAS GIVEN TWO MORE
965
00:33:08,820 --> 00:33:10,498
FORMER ATTORNEY GENERAL
JOHN MITCHELL WAS GIVEN TWO MORE
WEEKS OF FURLOUGH FROM PRISON SO
966
00:33:10,522 --> 00:33:11,899
JOHN MITCHELL WAS GIVEN TWO MORE
WEEKS OF FURLOUGH FROM PRISON SO
THAT HE MIGHT CONTINUE HIS
967
00:33:11,923 --> 00:33:13,568
WEEKS OF FURLOUGH FROM PRISON SO
THAT HE MIGHT CONTINUE HIS
RECOVERY FROM ARTERIAL SURGERY.
968
00:33:13,592 --> 00:33:15,270
THAT HE MIGHT CONTINUE HIS
RECOVERY FROM ARTERIAL SURGERY.
MITCHELL ALSO FACES ANOTHER
969
00:33:15,294 --> 00:33:17,138
RECOVERY FROM ARTERIAL SURGERY.
MITCHELL ALSO FACES ANOTHER
MAJOR OPERATION FOR REPLACEMENT
970
00:33:17,162 --> 00:33:18,473
MITCHELL ALSO FACES ANOTHER
MAJOR OPERATION FOR REPLACEMENT
OF AN ARTHRITIC HIP.
971
00:33:18,497 --> 00:33:19,941
MAJOR OPERATION FOR REPLACEMENT
OF AN ARTHRITIC HIP.
ACCORDING TO OUR SOURCES,
972
00:33:19,965 --> 00:33:21,576
OF AN ARTHRITIC HIP.
ACCORDING TO OUR SOURCES,
MITCHELL'S SECRET PLAN IS TO
973
00:33:21,600 --> 00:33:23,178
ACCORDING TO OUR SOURCES,
MITCHELL'S SECRET PLAN IS TO
SYSTEMATICALLY REPLACE EVERY
974
00:33:23,202 --> 00:33:25,013
MITCHELL'S SECRET PLAN IS TO
SYSTEMATICALLY REPLACE EVERY
LIMB, ORGAN, JOINT, AND GLAND IN
975
00:33:25,037 --> 00:33:26,714
SYSTEMATICALLY REPLACE EVERY
LIMB, ORGAN, JOINT, AND GLAND IN
HIS BODY, SEND HIS NEW VERSION
976
00:33:26,738 --> 00:33:28,416
LIMB, ORGAN, JOINT, AND GLAND IN
HIS BODY, SEND HIS NEW VERSION
BACK TO PRISON, THUS ALLOWING
977
00:33:28,440 --> 00:33:30,218
HIS BODY, SEND HIS NEW VERSION
BACK TO PRISON, THUS ALLOWING
THE ORIGINAL TO VISIT HIMSELF ON
978
00:33:30,242 --> 00:33:33,621
BACK TO PRISON, THUS ALLOWING
THE ORIGINAL TO VISIT HIMSELF ON
WEEKENDS.
979
00:33:33,645 --> 00:33:35,090
THE ORIGINAL TO VISIT HIMSELF ON
WEEKENDS.
ELIZABETH RAY, ONETIME
980
00:33:35,114 --> 00:33:36,791
WEEKENDS.
ELIZABETH RAY, ONETIME
CAPITAL HILL SECRETARY AND
981
00:33:36,815 --> 00:33:38,093
ELIZABETH RAY, ONETIME
CAPITAL HILL SECRETARY AND
COMPANION TO FORMER
982
00:33:38,117 --> 00:33:39,995
CAPITAL HILL SECRETARY AND
COMPANION TO FORMER
REPRESENTATIVE WAYNE HAYS, HAS
983
00:33:40,019 --> 00:33:42,030
COMPANION TO FORMER
REPRESENTATIVE WAYNE HAYS, HAS
ENDORSED HAYS IN HIS QUEST FOR A
984
00:33:42,054 --> 00:33:43,498
REPRESENTATIVE WAYNE HAYS, HAS
ENDORSED HAYS IN HIS QUEST FOR A
SEAT IN THE OHIO STATE
985
00:33:43,522 --> 00:33:44,432
ENDORSED HAYS IN HIS QUEST FOR A
SEAT IN THE OHIO STATE
LEGISLATURE.
986
00:33:44,456 --> 00:33:46,334
SEAT IN THE OHIO STATE
LEGISLATURE.
MISS RAY SAYS SHE'S GLAD TO BE
987
00:33:46,358 --> 00:33:50,638
LEGISLATURE.
MISS RAY SAYS SHE'S GLAD TO BE
BACK IN POLITICS AND VICE VERSA.
988
00:33:50,662 --> 00:33:52,273
MISS RAY SAYS SHE'S GLAD TO BE
BACK IN POLITICS AND VICE VERSA.
DAN?
989
00:33:52,297 --> 00:33:53,641
BACK IN POLITICS AND VICE VERSA.
DAN?
THIS JUST IN, JANE.
990
00:33:53,665 --> 00:33:55,510
DAN?
THIS JUST IN, JANE.
IN A SURPRISE MOVE, THE STATE OF
991
00:33:55,534 --> 00:33:57,312
THIS JUST IN, JANE.
IN A SURPRISE MOVE, THE STATE OF
GEORGIA HAS CHANGED ITS NAME TO
992
00:33:57,336 --> 00:33:58,013
IN A SURPRISE MOVE, THE STATE OF
GEORGIA HAS CHANGED ITS NAME TO
CHARLENE.
993
00:33:58,037 --> 00:33:59,780
GEORGIA HAS CHANGED ITS NAME TO
CHARLENE.
THEY GAVE NO REASON FOR THIS
994
00:33:59,804 --> 00:34:00,415
CHARLENE.
THEY GAVE NO REASON FOR THIS
ACTION.
995
00:34:00,439 --> 00:34:02,484
THEY GAVE NO REASON FOR THIS
ACTION.
AND HERE'S INTERESTING NEWS FOR
996
00:34:02,508 --> 00:34:04,352
ACTION.
AND HERE'S INTERESTING NEWS FOR
CLASSICAL PIANO LOVERS.
997
00:34:04,376 --> 00:34:05,653
AND HERE'S INTERESTING NEWS FOR
CLASSICAL PIANO LOVERS.
MUSICOLOGISTS HAVE RECENTLY
998
00:34:05,677 --> 00:34:07,022
CLASSICAL PIANO LOVERS.
MUSICOLOGISTS HAVE RECENTLY
DISCOVERED ANCIENT MANUSCRIPTS
999
00:34:07,046 --> 00:34:08,323
MUSICOLOGISTS HAVE RECENTLY
DISCOVERED ANCIENT MANUSCRIPTS
FOUND INSIDE A FALSE LIBRARY
1000
00:34:08,347 --> 00:34:09,424
DISCOVERED ANCIENT MANUSCRIPTS
FOUND INSIDE A FALSE LIBRARY
WALL OF AN OLD HOUSE IN
1001
00:34:09,448 --> 00:34:10,925
FOUND INSIDE A FALSE LIBRARY
WALL OF AN OLD HOUSE IN
GUTERSTRASSE, IN BERLIN, IN
1002
00:34:10,949 --> 00:34:12,494
WALL OF AN OLD HOUSE IN
GUTERSTRASSE, IN BERLIN, IN
BEETHOVEN'S HAND, COMPLETELY
1003
00:34:12,518 --> 00:34:14,229
GUTERSTRASSE, IN BERLIN, IN
BEETHOVEN'S HAND, COMPLETELY
CHANGING THE FAMILIAR OPENING OF
1004
00:34:14,253 --> 00:34:15,930
BEETHOVEN'S HAND, COMPLETELY
CHANGING THE FAMILIAR OPENING OF
HIS PIANO SONATA NUMBER 2, OPUS
1005
00:34:15,954 --> 00:34:17,432
CHANGING THE FAMILIAR OPENING OF
HIS PIANO SONATA NUMBER 2, OPUS
27, POPULARLY KNOWN AS "THE
1006
00:34:17,456 --> 00:34:18,533
HIS PIANO SONATA NUMBER 2, OPUS
27, POPULARLY KNOWN AS "THE
MOONLIGHT SONATA."
1007
00:34:18,557 --> 00:34:20,168
27, POPULARLY KNOWN AS "THE
MOONLIGHT SONATA."
HERE IS HOW WE ARE USED TO
1008
00:34:20,192 --> 00:34:21,869
MOONLIGHT SONATA."
HERE IS HOW WE ARE USED TO
HEARING THE OPENING OF "THE
1009
00:34:21,893 --> 00:34:23,171
HERE IS HOW WE ARE USED TO
HEARING THE OPENING OF "THE
MOONLIGHT SONATA"...
1010
00:34:23,195 --> 00:34:24,072
HEARING THE OPENING OF "THE
MOONLIGHT SONATA"...
[PIANO PLAYS
1011
00:34:24,096 --> 00:34:27,097
MOONLIGHT SONATA"...
[PIANO PLAYS
"MOONLIGHT SONATA"]
1012
00:34:30,734 --> 00:34:35,650
AND HERE IS HOW BEETHOVEN
ORIGINALLY, ACCORDING TO THESE
MANUSCRIPTS, INTENDED IT TO BE
1013
00:34:35,674 --> 00:34:36,251
ORIGINALLY, ACCORDING TO THESE
MANUSCRIPTS, INTENDED IT TO BE
PLAYED.
1014
00:34:36,275 --> 00:34:40,855
MANUSCRIPTS, INTENDED IT TO BE
PLAYED.
[PIANO PLAYING UP-TEMPO
1015
00:34:40,879 --> 00:34:44,526
PLAYED.
[PIANO PLAYING UP-TEMPO
"MOONLIGHT SONATA"]
1016
00:34:44,550 --> 00:34:46,494
[PIANO PLAYING UP-TEMPO
"MOONLIGHT SONATA"]
RCA VICTOR RED SEAL LABEL IS
1017
00:34:46,518 --> 00:34:48,596
["MOONLIGHT SONATA"]
RCA VICTOR RED SEAL LABEL IS
RECALLING SOME 10,000 CLASSICAL
1018
00:34:48,620 --> 00:34:50,565
RCA VICTOR RED SEAL LABEL IS
RECALLING SOME 10,000 CLASSICAL
PIANO RECORDS AS A RESULT OF
1019
00:34:50,589 --> 00:34:51,632
RECALLING SOME 10,000 CLASSICAL
PIANO RECORDS AS A RESULT OF
THIS FINDING.
1020
00:34:51,656 --> 00:34:53,634
PIANO RECORDS AS A RESULT OF
THIS FINDING.
JANE?
1021
00:34:53,658 --> 00:34:55,270
THIS FINDING.
JANE?
AND NOW HERE'S STARGAZER
1022
00:34:55,294 --> 00:34:57,038
JANE?
AND NOW HERE'S STARGAZER
BILL MURRAY, WHO'S FILED THIS
1023
00:34:57,062 --> 00:34:57,672
AND NOW HERE'S STARGAZER
BILL MURRAY, WHO'S FILED THIS
REPORT.
1024
00:34:57,696 --> 00:34:58,173
BILL MURRAY, WHO'S FILED THIS
REPORT.
BILL?
1025
00:34:58,197 --> 00:34:59,207
REPORT.
BILL?
THANK YOU, JANE.
1026
00:34:59,231 --> 00:35:00,275
BILL?
THANK YOU, JANE.
HELLO, KNUCKLEHEADS.
1027
00:35:00,299 --> 00:35:01,142
THANK YOU, JANE.
HELLO, KNUCKLEHEADS.
HOW'S IT GOING?
1028
00:35:01,166 --> 00:35:02,043
HELLO, KNUCKLEHEADS.
HOW'S IT GOING?
GET OUT OF HERE.
1029
00:35:02,067 --> 00:35:03,411
HOW'S IT GOING?
GET OUT OF HERE.
WELL, THIS WEEK THE ACADEMY
1030
00:35:03,435 --> 00:35:04,546
GET OUT OF HERE.
WELL, THIS WEEK THE ACADEMY
AWARD NOMINATIONS WERE
1031
00:35:04,570 --> 00:35:06,013
WELL, THIS WEEK THE ACADEMY
AWARD NOMINATIONS WERE
ANNOUNCED, AND I GUESS THE BIG
1032
00:35:06,037 --> 00:35:07,415
AWARD NOMINATIONS WERE
ANNOUNCED, AND I GUESS THE BIG
NEWS IS THAT WOODY ALLEN WAS
1033
00:35:07,439 --> 00:35:08,983
ANNOUNCED, AND I GUESS THE BIG
NEWS IS THAT WOODY ALLEN WAS
NOMINATED IN THREE CATEGORIES...
1034
00:35:09,007 --> 00:35:10,452
NEWS IS THAT WOODY ALLEN WAS
NOMINATED IN THREE CATEGORIES...
BEST DIRECTOR, BEST ACTOR, AND
1035
00:35:10,476 --> 00:35:11,352
NOMINATED IN THREE CATEGORIES...
BEST DIRECTOR, BEST ACTOR, AND
BEST SCREENPLAY.
1036
00:35:11,376 --> 00:35:13,020
BEST DIRECTOR, BEST ACTOR, AND
BEST SCREENPLAY.
SO SUDDENLY EVERYBODY'S GOING,
1037
00:35:13,044 --> 00:35:14,422
BEST SCREENPLAY.
SO SUDDENLY EVERYBODY'S GOING,
"HEY, IT'S 1940, I GUESS.
1038
00:35:14,446 --> 00:35:15,523
SO SUDDENLY EVERYBODY'S GOING,
"HEY, IT'S 1940, I GUESS.
IT'S ORSON WELLES.
1039
00:35:15,547 --> 00:35:16,991
"HEY, IT'S 1940, I GUESS.
IT'S ORSON WELLES.
IT'S 'CITIZEN KANE, ' HUH?"
1040
00:35:17,015 --> 00:35:18,025
IT'S ORSON WELLES.
IT'S 'CITIZEN KANE, ' HUH?"
NOW I DON'T WANT TO TAKE
1041
00:35:18,049 --> 00:35:19,327
IT'S 'CITIZEN KANE, ' HUH?"
NOW I DON'T WANT TO TAKE
ANYTHING AWAY FROM WOODY ALLEN,
1042
00:35:19,351 --> 00:35:20,628
NOW I DON'T WANT TO TAKE
ANYTHING AWAY FROM WOODY ALLEN,
BECAUSE THE "WOOD MAN" IS A NUT,
1043
00:35:20,652 --> 00:35:21,362
ANYTHING AWAY FROM WOODY ALLEN,
BECAUSE THE "WOOD MAN" IS A NUT,
AND I LOVE HIM.
1044
00:35:21,386 --> 00:35:22,029
BECAUSE THE "WOOD MAN" IS A NUT,
AND I LOVE HIM.
HE'S TERRIFIC.
1045
00:35:22,053 --> 00:35:23,030
AND I LOVE HIM.
HE'S TERRIFIC.
GET OUT OF HERE, WOODY.
1046
00:35:23,054 --> 00:35:24,599
HE'S TERRIFIC.
GET OUT OF HERE, WOODY.
BUT TO THIS DAY, WHEN SOMEBODY
1047
00:35:24,623 --> 00:35:26,201
GET OUT OF HERE, WOODY.
BUT TO THIS DAY, WHEN SOMEBODY
SAYS TO ME, "WHAT'S UP?" I SAY,
1048
00:35:26,225 --> 00:35:27,735
BUT TO THIS DAY, WHEN SOMEBODY
SAYS TO ME, "WHAT'S UP?" I SAY,
"TIGER LILY," BECAUSE I THINK
1049
00:35:27,759 --> 00:35:29,337
SAYS TO ME, "WHAT'S UP?" I SAY,
"TIGER LILY," BECAUSE I THINK
IT'S THE BEST THING HE EVER DID
1050
00:35:29,361 --> 00:35:30,037
"TIGER LILY," BECAUSE I THINK
IT'S THE BEST THING HE EVER DID
STILL.
1051
00:35:30,061 --> 00:35:31,406
IT'S THE BEST THING HE EVER DID
STILL.
BUT I THINK TRYING TO TELL ME
1052
00:35:31,430 --> 00:35:32,707
STILL.
BUT I THINK TRYING TO TELL ME
THAT WOODY ALLEN IS GOING TO
1053
00:35:32,731 --> 00:35:34,041
BUT I THINK TRYING TO TELL ME
THAT WOODY ALLEN IS GOING TO
GAIN 400 POUNDS IN 10 YEARS?
1054
00:35:34,065 --> 00:35:34,576
THAT WOODY ALLEN IS GOING TO
GAIN 400 POUNDS IN 10 YEARS?
UNH-UNH.
1055
00:35:34,600 --> 00:35:35,443
GAIN 400 POUNDS IN 10 YEARS?
UNH-UNH.
NO, I DON'T THINK SO.
1056
00:35:35,467 --> 00:35:36,811
UNH-UNH.
NO, I DON'T THINK SO.
IS "MR. I DON'T WANT TO TALK
1057
00:35:36,835 --> 00:35:38,313
NO, I DON'T THINK SO.
IS "MR. I DON'T WANT TO TALK
SHOW BUSINESS" ALLEN GONNA START
1058
00:35:38,337 --> 00:35:39,714
IS "MR. I DON'T WANT TO TALK
SHOW BUSINESS" ALLEN GONNA START
DOING THE DEAN MARTIN ROASTS?
1059
00:35:39,738 --> 00:35:41,282
SHOW BUSINESS" ALLEN GONNA START
DOING THE DEAN MARTIN ROASTS?
NO, I DON'T THINK SO.
1060
00:35:41,306 --> 00:35:42,650
DOING THE DEAN MARTIN ROASTS?
NO, I DON'T THINK SO.
SO, WOODY, KEEP WHAT YOU'RE
1061
00:35:42,674 --> 00:35:43,118
NO, I DON'T THINK SO.
SO, WOODY, KEEP WHAT YOU'RE
DOING.
1062
00:35:43,142 --> 00:35:44,552
SO, WOODY, KEEP WHAT YOU'RE
DOING.
KEEP DOING WHAT YOU'RE DOING,
1063
00:35:44,576 --> 00:35:46,020
DOING.
KEEP DOING WHAT YOU'RE DOING,
BUT DON'T GET A SWELLED HEAD,
1064
00:35:46,044 --> 00:35:46,387
KEEP DOING WHAT YOU'RE DOING,
BUT DON'T GET A SWELLED HEAD,
HUH?
1065
00:35:46,411 --> 00:35:47,522
BUT DON'T GET A SWELLED HEAD,
HUH?
AND DO ME A FAVOR.
1066
00:35:47,546 --> 00:35:48,823
HUH?
AND DO ME A FAVOR.
GROW UP, WOULD YOU?
1067
00:35:48,847 --> 00:35:49,557
AND DO ME A FAVOR.
GROW UP, WOULD YOU?
GROW UP!
1068
00:35:49,581 --> 00:35:51,126
GROW UP, WOULD YOU?
GROW UP!
NOBODY'S OUT TO GET YOU,
1069
00:35:51,150 --> 00:35:52,127
GROW UP!
NOBODY'S OUT TO GET YOU,
MR. PARANOID.
1070
00:35:52,151 --> 00:35:53,894
NOBODY'S OUT TO GET YOU,
MR. PARANOID.
LET'S SEE YOU OUT ON THE TOWN...
1071
00:35:53,918 --> 00:35:55,663
MR. PARANOID.
LET'S SEE YOU OUT ON THE TOWN...
SOMEPLACE BESIDES ELAINE'S, TOO,
1072
00:35:55,687 --> 00:35:57,898
LET'S SEE YOU OUT ON THE TOWN...
SOMEPLACE BESIDES ELAINE'S, TOO,
ALL RIGHT?
1073
00:35:57,922 --> 00:35:59,167
SOMEPLACE BESIDES ELAINE'S, TOO,
ALL RIGHT?
OKAY, ALL RIGHT, ALL RIGHT,
1074
00:35:59,191 --> 00:35:59,567
ALL RIGHT?
OKAY, ALL RIGHT, ALL RIGHT,
YEAH.
1075
00:35:59,591 --> 00:36:00,901
OKAY, ALL RIGHT, ALL RIGHT,
YEAH.
I'M BEING ROUGH, BUT YOU CAN
1076
00:36:00,925 --> 00:36:01,702
YEAH.
I'M BEING ROUGH, BUT YOU CAN
TAKE IT, WOODY.
1077
00:36:01,726 --> 00:36:03,404
I'M BEING ROUGH, BUT YOU CAN
TAKE IT, WOODY.
YOU CAN... WOODY?
1078
00:36:03,428 --> 00:36:06,508
TAKE IT, WOODY.
YOU CAN... WOODY?
WOODY?
1079
00:36:06,532 --> 00:36:08,476
YOU CAN... WOODY?
WOODY?
ALL RIGHT, THAT'S THE "WOOD MAN"
1080
00:36:08,500 --> 00:36:09,110
WOODY?
ALL RIGHT, THAT'S THE "WOOD MAN"
I KNOW.
1081
00:36:09,134 --> 00:36:10,111
ALL RIGHT, THAT'S THE "WOOD MAN"
I KNOW.
THAT'S BETTER.
1082
00:36:10,135 --> 00:36:11,846
I KNOW.
THAT'S BETTER.
ORSON, YOU'VE GOT NOTHING TO
1083
00:36:11,870 --> 00:36:12,747
THAT'S BETTER.
ORSON, YOU'VE GOT NOTHING TO
WORRY ABOUT.
1084
00:36:12,771 --> 00:36:14,549
ORSON, YOU'VE GOT NOTHING TO
WORRY ABOUT.
YOUR SHOW-BUSINESS RECORD IS
1085
00:36:14,573 --> 00:36:15,316
WORRY ABOUT.
YOUR SHOW-BUSINESS RECORD IS
IMMORTAL.
1086
00:36:15,340 --> 00:36:16,884
YOUR SHOW-BUSINESS RECORD IS
IMMORTAL.
YOU BIG HUNK OF GENIUS... GET
1087
00:36:16,908 --> 00:36:17,685
IMMORTAL.
YOU BIG HUNK OF GENIUS... GET
OUT OF HERE.
1088
00:36:17,709 --> 00:36:18,919
YOU BIG HUNK OF GENIUS... GET
OUT OF HERE.
AND IF ANY OF YOU THINK I'M OFF
1089
00:36:18,943 --> 00:36:20,054
OUT OF HERE.
AND IF ANY OF YOU THINK I'M OFF
BASE ON THIS, I'M SORRY, BUT
1090
00:36:20,078 --> 00:36:20,988
AND IF ANY OF YOU THINK I'M OFF
BASE ON THIS, I'M SORRY, BUT
THAT'S THE WAY I FEEL.
1091
00:36:21,012 --> 00:36:21,689
BASE ON THIS, I'M SORRY, BUT
THAT'S THE WAY I FEEL.
NOW GET LOST.
1092
00:36:21,713 --> 00:36:22,990
THAT'S THE WAY I FEEL.
NOW GET LOST.
GET OUT OF HERE, YOU MANIACS.
1093
00:36:23,014 --> 00:36:23,691
NOW GET LOST.
GET OUT OF HERE, YOU MANIACS.
I MEAN IT.
1094
00:36:23,715 --> 00:36:25,360
GET OUT OF HERE, YOU MANIACS.
I MEAN IT.
JANE CURTIN, YOU SHACKED UP WITH
1095
00:36:25,384 --> 00:36:26,494
I MEAN IT.
JANE CURTIN, YOU SHACKED UP WITH
WOODY SEVERAL TIMES.
1096
00:36:26,518 --> 00:36:28,196
JANE CURTIN, YOU SHACKED UP WITH
WOODY SEVERAL TIMES.
I KNOW YOU FEEL JUST AS STRONGLY
1097
00:36:28,220 --> 00:36:29,297
WOODY SEVERAL TIMES.
I KNOW YOU FEEL JUST AS STRONGLY
AS I DO, DON'T YOU?
1098
00:36:29,321 --> 00:36:30,365
I KNOW YOU FEEL JUST AS STRONGLY
AS I DO, DON'T YOU?
I DO, BILL.
1099
00:36:30,389 --> 00:36:31,566
AS I DO, DON'T YOU?
I DO, BILL.
SEE YOU LATER.
1100
00:36:31,590 --> 00:36:32,700
I DO, BILL.
SEE YOU LATER.
THANKS A LOT, BILL.
1101
00:36:32,724 --> 00:36:34,135
SEE YOU LATER.
THANKS A LOT, BILL.
I AGREE WITH YOU FOR ONE, YOU
1102
00:36:34,159 --> 00:36:34,569
THANKS A LOT, BILL.
I AGREE WITH YOU FOR ONE, YOU
KNOW?
1103
00:36:34,593 --> 00:36:36,003
I AGREE WITH YOU FOR ONE, YOU
KNOW?
TRIVIA EXPERTS HAVE LONG
1104
00:36:36,027 --> 00:36:37,705
KNOW?
TRIVIA EXPERTS HAVE LONG
SPECULATED ON THE IDENTITY OF
1105
00:36:37,729 --> 00:36:39,307
TRIVIA EXPERTS HAVE LONG
SPECULATED ON THE IDENTITY OF
THE MODELS WHO POSED FOR THE
1106
00:36:39,331 --> 00:36:40,741
SPECULATED ON THE IDENTITY OF
THE MODELS WHO POSED FOR THE
DUTCH MASTERS CIGAR BOX.
1107
00:36:40,765 --> 00:36:42,577
THE MODELS WHO POSED FOR THE
DUTCH MASTERS CIGAR BOX.
WELL, THIS WEEK THE CONSOLIDATED
1108
00:36:42,601 --> 00:36:44,379
DUTCH MASTERS CIGAR BOX.
WELL, THIS WEEK THE CONSOLIDATED
CIGAR CORPORATION REVEALED THAT
1109
00:36:44,403 --> 00:36:46,013
WELL, THIS WEEK THE CONSOLIDATED
CIGAR CORPORATION REVEALED THAT
THE MODELS WERE THE ORIGINAL
1110
00:36:46,037 --> 00:36:47,748
CIGAR CORPORATION REVEALED THAT
THE MODELS WERE THE ORIGINAL
CAST MEMBERS OF THE VINTAGE TV
1111
00:36:47,772 --> 00:36:51,486
THE MODELS WERE THE ORIGINAL
CAST MEMBERS OF THE VINTAGE TV
SERIES "FATHER KNOWS BEST."
1112
00:36:51,510 --> 00:36:52,987
CAST MEMBERS OF THE VINTAGE TV
SERIES "FATHER KNOWS BEST."
IT'S GOOD TO SEE THEM AGAIN...
1113
00:36:53,011 --> 00:36:54,422
SERIES "FATHER KNOWS BEST."
IT'S GOOD TO SEE THEM AGAIN...
BIT OF TRIVIA THERE FOR YOU.
1114
00:36:54,446 --> 00:36:55,823
IT'S GOOD TO SEE THEM AGAIN...
BIT OF TRIVIA THERE FOR YOU.
THE WHITE HOUSE ANNOUNCED
1115
00:36:55,847 --> 00:36:57,492
BIT OF TRIVIA THERE FOR YOU.
THE WHITE HOUSE ANNOUNCED
YESTERDAY THAT PRESIDENT CARTER
1116
00:36:57,516 --> 00:36:58,993
THE WHITE HOUSE ANNOUNCED
YESTERDAY THAT PRESIDENT CARTER
WILL MAKE ANOTHER POINTLESS
1117
00:36:59,017 --> 00:37:00,528
YESTERDAY THAT PRESIDENT CARTER
WILL MAKE ANOTHER POINTLESS
INTERNATIONAL TRIP BEGINNING
1118
00:37:00,552 --> 00:37:02,129
WILL MAKE ANOTHER POINTLESS
INTERNATIONAL TRIP BEGINNING
MARCH 28th, WHEN HE WILL VISIT
1119
00:37:02,153 --> 00:37:03,831
INTERNATIONAL TRIP BEGINNING
MARCH 28th, WHEN HE WILL VISIT
VENEZUELA, BRAZIL, NIGERIA, AND
1120
00:37:03,855 --> 00:37:04,332
MARCH 28th, WHEN HE WILL VISIT
VENEZUELA, BRAZIL, NIGERIA, AND
LIBYA.
1121
00:37:04,356 --> 00:37:05,733
VENEZUELA, BRAZIL, NIGERIA, AND
LIBYA.
IN ORDER TO AVOID ANOTHER
1122
00:37:05,757 --> 00:37:07,402
LIBYA.
IN ORDER TO AVOID ANOTHER
EMBARRASSMENT, LIKE THE POLISH
1123
00:37:07,426 --> 00:37:09,136
IN ORDER TO AVOID ANOTHER
EMBARRASSMENT, LIKE THE POLISH
INTERPRETER FIASCO LAST JANUARY,
1124
00:37:09,160 --> 00:37:11,005
EMBARRASSMENT, LIKE THE POLISH
INTERPRETER FIASCO LAST JANUARY,
CARTER WILL TAKE ALONG AS HIS
1125
00:37:11,029 --> 00:37:12,674
INTERPRETER FIASCO LAST JANUARY,
CARTER WILL TAKE ALONG AS HIS
OFFICIAL INTERPRETERS THE
1126
00:37:12,698 --> 00:37:14,542
CARTER WILL TAKE ALONG AS HIS
OFFICIAL INTERPRETERS THE
PANTOMIME TEAM OF SHIELDS AND
1127
00:37:14,566 --> 00:37:17,011
OFFICIAL INTERPRETERS THE
PANTOMIME TEAM OF SHIELDS AND
YARNELL.
1128
00:37:17,035 --> 00:37:21,449
PANTOMIME TEAM OF SHIELDS AND
YARNELL.
SENATOR GEORGE McGOVERN.
1129
00:37:21,473 --> 00:37:22,950
YARNELL.
SENATOR GEORGE McGOVERN.
IN LOCAL SPORTS ACTION THIS
1130
00:37:22,974 --> 00:37:23,618
SENATOR GEORGE McGOVERN.
IN LOCAL SPORTS ACTION THIS
WEEK, THE
1131
00:37:23,642 --> 00:37:25,320
IN LOCAL SPORTS ACTION THIS
WEEK, THE
NEW YORK KNICKERBOCKERS ENJOYED
1132
00:37:25,344 --> 00:37:26,688
WEEK, THE
NEW YORK KNICKERBOCKERS ENJOYED
A 3-GAME WINNING STREAK,
1133
00:37:26,712 --> 00:37:28,223
NEW YORK KNICKERBOCKERS ENJOYED
A 3-GAME WINNING STREAK,
SECURING THEIR SECOND-PLACE
1134
00:37:28,247 --> 00:37:29,724
A 3-GAME WINNING STREAK,
SECURING THEIR SECOND-PLACE
POSITION IN THE NBA EASTERN
1135
00:37:29,748 --> 00:37:31,292
SECURING THEIR SECOND-PLACE
POSITION IN THE NBA EASTERN
DIVISION AND ALMOST ASSURING
1136
00:37:31,316 --> 00:37:32,927
POSITION IN THE NBA EASTERN
DIVISION AND ALMOST ASSURING
THEM OF A SPOT IN THE UPCOMING
1137
00:37:32,951 --> 00:37:33,595
DIVISION AND ALMOST ASSURING
THEM OF A SPOT IN THE UPCOMING
PLAYOFFS.
1138
00:37:33,619 --> 00:37:35,029
THEM OF A SPOT IN THE UPCOMING
PLAYOFFS.
A JUBILANT KNICK COACH,
1139
00:37:35,053 --> 00:37:36,698
PLAYOFFS.
A JUBILANT KNICK COACH,
WILLIS REED, CELEBRATED THE
1140
00:37:36,722 --> 00:37:38,499
A JUBILANT KNICK COACH,
WILLIS REED, CELEBRATED THE
OCCASION BY CHEWING ON THE LEG
1141
00:37:38,523 --> 00:37:41,869
WILLIS REED, CELEBRATED THE
OCCASION BY CHEWING ON THE LEG
OF EARL MONROE, HIS BEST PLAYER.
1142
00:37:41,893 --> 00:37:43,804
OCCASION BY CHEWING ON THE LEG
OF EARL MONROE, HIS BEST PLAYER.
ALSO IN SPORTS, "WEEKEND UPDATE"
1143
00:37:43,828 --> 00:37:45,740
OF EARL MONROE, HIS BEST PLAYER.
ALSO IN SPORTS, "WEEKEND UPDATE"
HAS ONCE AGAIN BROKEN NEW GROUND
1144
00:37:45,764 --> 00:37:47,408
ALSO IN SPORTS, "WEEKEND UPDATE"
HAS ONCE AGAIN BROKEN NEW GROUND
IN BROADCAST JOURNALISM, AS
1145
00:37:47,432 --> 00:37:49,377
HAS ONCE AGAIN BROKEN NEW GROUND
IN BROADCAST JOURNALISM, AS
LARAINE NEWMAN BECOMES THE FIRST
1146
00:37:49,401 --> 00:37:51,312
IN BROADCAST JOURNALISM, AS
LARAINE NEWMAN BECOMES THE FIRST
WOMAN REPORTER EVER TO SET FOOT
1147
00:37:51,336 --> 00:37:53,248
LARAINE NEWMAN BECOMES THE FIRST
WOMAN REPORTER EVER TO SET FOOT
IN THE ALL-MALE LOCKER ROOM OF A
1148
00:37:53,272 --> 00:37:54,915
WOMAN REPORTER EVER TO SET FOOT
IN THE ALL-MALE LOCKER ROOM OF A
PROFESSIONAL FOOTBALL TEAM.
1149
00:37:54,939 --> 00:37:57,118
IN THE ALL-MALE LOCKER ROOM OF A
PROFESSIONAL FOOTBALL TEAM.
LARAINE?
1150
00:37:57,142 --> 00:37:58,620
PROFESSIONAL FOOTBALL TEAM.
LARAINE?
THIS MAY BE A FIRST FOR
1151
00:37:58,644 --> 00:38:00,388
LARAINE?
THIS MAY BE A FIRST FOR
"UPDATE," JANE, BUT IT'S NOT A
1152
00:38:00,412 --> 00:38:02,390
THIS MAY BE A FIRST FOR
"UPDATE," JANE, BUT IT'S NOT A
FIRST FOR ME.
1153
00:38:02,414 --> 00:38:04,392
"UPDATE," JANE, BUT IT'S NOT A
FIRST FOR ME.
I'M STANDING HERE WITH
1154
00:38:04,416 --> 00:38:07,094
FIRST FOR ME.
I'M STANDING HERE WITH
BUFFALO BILLS STAR RUNNING BACK
1155
00:38:07,118 --> 00:38:08,296
I'M STANDING HERE WITH
BUFFALO BILLS STAR RUNNING BACK
O.J. SIMPSON.
1156
00:38:08,320 --> 00:38:10,598
BUFFALO BILLS STAR RUNNING BACK
O.J. SIMPSON.
O.J., I DON'T KNOW MUCH ABOUT
1157
00:38:10,622 --> 00:38:12,734
O.J. SIMPSON.
O.J., I DON'T KNOW MUCH ABOUT
FOOTBALL, BUT I KNOW WHAT I
1158
00:38:12,758 --> 00:38:13,401
O.J., I DON'T KNOW MUCH ABOUT
FOOTBALL, BUT I KNOW WHAT I
LIKE.
1159
00:38:13,425 --> 00:38:16,070
FOOTBALL, BUT I KNOW WHAT I
LIKE.
JANE, I SWEAR I'VE NEVER SEEN
1160
00:38:16,094 --> 00:38:18,473
LIKE.
JANE, I SWEAR I'VE NEVER SEEN
ANYTHING LIKE THIS BEFORE.
1161
00:38:18,497 --> 00:38:19,874
JANE, I SWEAR I'VE NEVER SEEN
ANYTHING LIKE THIS BEFORE.
I DON'T REALLY HAVE ANY
1162
00:38:19,898 --> 00:38:21,576
ANYTHING LIKE THIS BEFORE.
I DON'T REALLY HAVE ANY
QUESTIONS PREPARED, O.J., BUT
1163
00:38:21,600 --> 00:38:23,210
I DON'T REALLY HAVE ANY
QUESTIONS PREPARED, O.J., BUT
HOW LONG DO YOU THINK YOU'LL
1164
00:38:23,234 --> 00:38:24,746
QUESTIONS PREPARED, O.J., BUT
HOW LONG DO YOU THINK YOU'LL
CONTINUE TO PLAY THE GAME?
1165
00:38:24,770 --> 00:38:26,414
HOW LONG DO YOU THINK YOU'LL
CONTINUE TO PLAY THE GAME?
WELL, JANE... I MEAN,
1166
00:38:26,438 --> 00:38:28,483
CONTINUE TO PLAY THE GAME?
WELL, JANE... I MEAN,
LARAINE, I'M NOT QUITE READY TO
1167
00:38:28,507 --> 00:38:29,284
WELL, JANE... I MEAN,
LARAINE, I'M NOT QUITE READY TO
QUIT NOW.
1168
00:38:29,308 --> 00:38:30,752
LARAINE, I'M NOT QUITE READY TO
QUIT NOW.
I'M REALLY PLANNING ON HAVING
1169
00:38:30,776 --> 00:38:32,253
QUIT NOW.
I'M REALLY PLANNING ON HAVING
ABOUT A 10-TO 12-YEAR CAREER.
1170
00:38:32,277 --> 00:38:33,421
I'M REALLY PLANNING ON HAVING
ABOUT A 10-TO 12-YEAR CAREER.
THAT'S ODD.
1171
00:38:33,445 --> 00:38:35,590
ABOUT A 10-TO 12-YEAR CAREER.
THAT'S ODD.
I WOULD HAVE GUESSED MORE ABOUT
1172
00:38:35,614 --> 00:38:40,662
THAT'S ODD.
I WOULD HAVE GUESSED MORE ABOUT
11 TO 12.
1173
00:38:40,686 --> 00:38:42,330
I WOULD HAVE GUESSED MORE ABOUT
11 TO 12.
WELL, MAYBE I WILL IF MY
1174
00:38:42,354 --> 00:38:43,298
11 TO 12.
WELL, MAYBE I WILL IF MY
KNEES HOLD UP.
1175
00:38:43,322 --> 00:38:44,932
WELL, MAYBE I WILL IF MY
KNEES HOLD UP.
WELL, SPEAKING OF WHICH, HOW
1176
00:38:44,956 --> 00:38:45,733
KNEES HOLD UP.
WELL, SPEAKING OF WHICH, HOW
IS THAT KNEE?
1177
00:38:45,757 --> 00:38:46,701
WELL, SPEAKING OF WHICH, HOW
IS THAT KNEE?
WELL, AS YOU CAN SEE... HEY,
1178
00:38:46,725 --> 00:38:47,468
IS THAT KNEE?
WELL, AS YOU CAN SEE... HEY,
CAN YOU GET THE CAMERA DOWN
1179
00:38:47,492 --> 00:38:47,868
WELL, AS YOU CAN SEE... HEY,
CAN YOU GET THE CAMERA DOWN
HERE?
1180
00:38:47,892 --> 00:38:50,104
CAN YOU GET THE CAMERA DOWN
HERE?
UH, NO, I DON'T THINK SO,
1181
00:38:50,128 --> 00:38:50,705
HERE?
UH, NO, I DON'T THINK SO,
O.J.
1182
00:38:50,729 --> 00:38:52,573
UH, NO, I DON'T THINK SO,
O.J.
ARE YOU SATISFIED PLAYING THE
1183
00:38:52,597 --> 00:38:54,509
O.J.
ARE YOU SATISFIED PLAYING THE
BUFFALO BUNS OR, UH, WOULD YOU
1184
00:38:54,533 --> 00:38:56,277
ARE YOU SATISFIED PLAYING THE
BUFFALO BUNS OR, UH, WOULD YOU
RATHER GO FOR A SHOT AT THE
1185
00:38:56,301 --> 00:38:58,245
BUFFALO BUNS OR, UH, WOULD YOU
RATHER GO FOR A SHOT AT THE
SUPER BOWL CONTENDER BEFORE YOU
1186
00:38:58,269 --> 00:38:58,913
RATHER GO FOR A SHOT AT THE
SUPER BOWL CONTENDER BEFORE YOU
RETIRE?
1187
00:38:58,937 --> 00:39:00,247
SUPER BOWL CONTENDER BEFORE YOU
RETIRE?
WELL, CERTAINLY.
1188
00:39:00,271 --> 00:39:02,183
RETIRE?
WELL, CERTAINLY.
EVERY PLAYER DREAMS OF HAVING
1189
00:39:02,207 --> 00:39:04,084
WELL, CERTAINLY.
EVERY PLAYER DREAMS OF HAVING
THAT COVETED SUPER BOWL RING.
1190
00:39:04,108 --> 00:39:06,120
EVERY PLAYER DREAMS OF HAVING
THAT COVETED SUPER BOWL RING.
WELL, THANK YOU FOR BEING SO
1191
00:39:06,144 --> 00:39:07,422
THAT COVETED SUPER BOWL RING.
WELL, THANK YOU FOR BEING SO
OPEN WITH US, O.J.
1192
00:39:07,446 --> 00:39:09,290
WELL, THANK YOU FOR BEING SO
OPEN WITH US, O.J.
I'M VERY EXCITED TO BE HERE,
1193
00:39:09,314 --> 00:39:11,292
OPEN WITH US, O.J.
I'M VERY EXCITED TO BE HERE,
AND, FROM THE LOOKS OF THINGS,
1194
00:39:11,316 --> 00:39:14,562
I'M VERY EXCITED TO BE HERE,
AND, FROM THE LOOKS OF THINGS,
IT SEEMS THE FEELING IS MUTUAL.
1195
00:39:14,586 --> 00:39:16,497
AND, FROM THE LOOKS OF THINGS,
IT SEEMS THE FEELING IS MUTUAL.
LARAINE NEWMAN REPORTING.
1196
00:39:16,521 --> 00:39:24,521
IT SEEMS THE FEELING IS MUTUAL.
LARAINE NEWMAN REPORTING.
BACK TO YOU, DAN.
1197
00:39:24,763 --> 00:39:26,106
LARAINE NEWMAN REPORTING.
BACK TO YOU, DAN.
IN BUFFALO, NEW YORK, THE
1198
00:39:26,130 --> 00:39:27,408
BACK TO YOU, DAN.
IN BUFFALO, NEW YORK, THE
HEAVY SNOWFALLS THIS MONTH
1199
00:39:27,432 --> 00:39:28,509
IN BUFFALO, NEW YORK, THE
HEAVY SNOWFALLS THIS MONTH
ATTRACTED A NUMBER OF
1200
00:39:28,533 --> 00:39:30,044
HEAVY SNOWFALLS THIS MONTH
ATTRACTED A NUMBER OF
OUT-OF-TOWN TOURISTS WHO THOUGHT
1201
00:39:30,068 --> 00:39:31,479
ATTRACTED A NUMBER OF
OUT-OF-TOWN TOURISTS WHO THOUGHT
THAT THE WHITE, POWDERY STUFF
1202
00:39:31,503 --> 00:39:32,947
OUT-OF-TOWN TOURISTS WHO THOUGHT
THAT THE WHITE, POWDERY STUFF
WAS SOMETHING OTHER THAN SNOW.
1203
00:39:32,971 --> 00:39:34,582
THAT THE WHITE, POWDERY STUFF
WAS SOMETHING OTHER THAN SNOW.
PICTURED HERE IS A BUFFALO
1204
00:39:34,606 --> 00:39:36,517
WAS SOMETHING OTHER THAN SNOW.
PICTURED HERE IS A BUFFALO
HOSPITAL CLINIC, WHICH WAS KEPT
1205
00:39:36,541 --> 00:39:38,419
PICTURED HERE IS A BUFFALO
HOSPITAL CLINIC, WHICH WAS KEPT
BUSY TREATING HUNDREDS OF CASES
1206
00:39:38,443 --> 00:39:41,656
HOSPITAL CLINIC, WHICH WAS KEPT
BUSY TREATING HUNDREDS OF CASES
OF SEVERE NASAL FROSTBITE.
1207
00:39:41,680 --> 00:39:42,890
BUSY TREATING HUNDREDS OF CASES
OF SEVERE NASAL FROSTBITE.
JANE?
1208
00:39:42,914 --> 00:39:44,592
OF SEVERE NASAL FROSTBITE.
JANE?
AND NOW FOR TONIGHT'S
1209
00:39:44,616 --> 00:39:46,126
JANE?
AND NOW FOR TONIGHT'S
CONSUMER REPORT, IT'S
1210
00:39:46,150 --> 00:39:47,695
AND NOW FOR TONIGHT'S
CONSUMER REPORT, IT'S
ROSEANNE ROSANNADANNA.
1211
00:39:47,719 --> 00:39:50,064
CONSUMER REPORT, IT'S
ROSEANNE ROSANNADANNA.
THANK YOU, JANE.
1212
00:39:50,088 --> 00:39:52,333
ROSEANNE ROSANNADANNA.
THANK YOU, JANE.
THANK YOU.
1213
00:39:52,357 --> 00:39:53,368
THANK YOU, JANE.
THANK YOU.
TELL ME, ROSEANNE.
1214
00:39:53,392 --> 00:39:54,702
THANK YOU.
TELL ME, ROSEANNE.
WHAT ARE WE GONNA TALK ABOUT
1215
00:39:54,726 --> 00:39:55,236
TELL ME, ROSEANNE.
WHAT ARE WE GONNA TALK ABOUT
TONIGHT?
1216
00:39:55,260 --> 00:39:57,739
WHAT ARE WE GONNA TALK ABOUT
TONIGHT?
WELL, JANE, MR. BOB VAN REIM
1217
00:39:57,763 --> 00:39:59,974
TONIGHT?
WELL, JANE, MR. BOB VAN REIM
OF HARMON COVE, NEW JERSEY,
1218
00:39:59,998 --> 00:40:02,042
WELL, JANE, MR. BOB VAN REIM
OF HARMON COVE, NEW JERSEY,
WRITES IN AND ASKS, "DEAR
1219
00:40:02,066 --> 00:40:04,211
OF HARMON COVE, NEW JERSEY,
WRITES IN AND ASKS, "DEAR
ROSEANNE ROSANNADANNA, I'M
1220
00:40:04,235 --> 00:40:06,714
WRITES IN AND ASKS, "DEAR
ROSEANNE ROSANNADANNA, I'M
HAVING A LOT OF TROUBLE WITH MY
1221
00:40:06,738 --> 00:40:07,482
ROSEANNE ROSANNADANNA, I'M
HAVING A LOT OF TROUBLE WITH MY
TEETH.
1222
00:40:07,506 --> 00:40:09,316
HAVING A LOT OF TROUBLE WITH MY
TEETH.
CAN YOU TELL ME WHAT CAUSES
1223
00:40:09,340 --> 00:40:10,485
TEETH.
CAN YOU TELL ME WHAT CAUSES
DENTAL DISEASE?
1224
00:40:10,509 --> 00:40:12,019
CAN YOU TELL ME WHAT CAUSES
DENTAL DISEASE?
WHAT IS DENTAL PLAQUE?
1225
00:40:12,043 --> 00:40:13,554
DENTAL DISEASE?
WHAT IS DENTAL PLAQUE?
HOW CAN I AVOID PLAQUE AND
1226
00:40:13,578 --> 00:40:14,555
WHAT IS DENTAL PLAQUE?
HOW CAN I AVOID PLAQUE AND
DENTAL DISEASE?
1227
00:40:14,579 --> 00:40:15,757
HOW CAN I AVOID PLAQUE AND
DENTAL DISEASE?
HOW CAN I SEE PLAQUE?
1228
00:40:15,781 --> 00:40:17,124
DENTAL DISEASE?
HOW CAN I SEE PLAQUE?
HOW OFTEN SHOULD I SEE MY
1229
00:40:17,148 --> 00:40:17,725
HOW CAN I SEE PLAQUE?
HOW OFTEN SHOULD I SEE MY
DENTIST?
1230
00:40:17,749 --> 00:40:19,494
HOW OFTEN SHOULD I SEE MY
DENTIST?
WHAT KIND OF TOOTHBRUSH SHOULD I
1231
00:40:19,518 --> 00:40:19,927
DENTIST?
WHAT KIND OF TOOTHBRUSH SHOULD I
USE?
1232
00:40:19,951 --> 00:40:20,928
WHAT KIND OF TOOTHBRUSH SHOULD I
USE?
WHAT KIND OF DENTAL FLOSS SHOULD
1233
00:40:20,952 --> 00:40:21,328
USE?
WHAT KIND OF DENTAL FLOSS SHOULD
I USE?
1234
00:40:21,352 --> 00:40:22,663
WHAT KIND OF DENTAL FLOSS SHOULD
I USE?
HOW DO I FLOSS CORRECTLY?
1235
00:40:22,687 --> 00:40:24,198
I USE?
HOW DO I FLOSS CORRECTLY?
HOW DOES FLUORIDE HELP PREVENT
1236
00:40:24,222 --> 00:40:24,699
HOW DO I FLOSS CORRECTLY?
HOW DOES FLUORIDE HELP PREVENT
DECAY?
1237
00:40:24,723 --> 00:40:25,933
HOW DOES FLUORIDE HELP PREVENT
DECAY?
SHOULD I USE A FLUORIDE
1238
00:40:25,957 --> 00:40:26,701
DECAY?
SHOULD I USE A FLUORIDE
TOOTHPASTE?"
1239
00:40:26,725 --> 00:40:29,370
SHOULD I USE A FLUORIDE
TOOTHPASTE?"
MR. VAN REIM, YOU ASK A LOT OF
1240
00:40:29,394 --> 00:40:32,607
TOOTHPASTE?"
MR. VAN REIM, YOU ASK A LOT OF
STUPID QUESTIONS.
1241
00:40:32,631 --> 00:40:34,642
MR. VAN REIM, YOU ASK A LOT OF
STUPID QUESTIONS.
BUT LET ME ASK YOU THIS.
1242
00:40:34,666 --> 00:40:36,577
STUPID QUESTIONS.
BUT LET ME ASK YOU THIS.
DID YOU EVER FIND A THING
1243
00:40:36,601 --> 00:40:38,679
BUT LET ME ASK YOU THIS.
DID YOU EVER FIND A THING
BETWEEN YOUR TEETH, AND YOU
1244
00:40:38,703 --> 00:40:40,415
DID YOU EVER FIND A THING
BETWEEN YOUR TEETH, AND YOU
DON'T KNOW WHAT IT IS?
1245
00:40:40,439 --> 00:40:42,216
BETWEEN YOUR TEETH, AND YOU
DON'T KNOW WHAT IT IS?
YOU LOOK AT IT, AND YOU PLAY
1246
00:40:42,240 --> 00:40:44,118
DON'T KNOW WHAT IT IS?
YOU LOOK AT IT, AND YOU PLAY
WITH IT WITH YOUR FINGERS, AND
1247
00:40:44,142 --> 00:40:45,986
YOU LOOK AT IT, AND YOU PLAY
WITH IT WITH YOUR FINGERS, AND
YOU SAY, "WHAT IS THIS THING?
1248
00:40:46,010 --> 00:40:48,456
WITH IT WITH YOUR FINGERS, AND
YOU SAY, "WHAT IS THIS THING?
I DON'T REMEMBER EATING THAT."
1249
00:40:48,480 --> 00:40:50,425
YOU SAY, "WHAT IS THIS THING?
I DON'T REMEMBER EATING THAT."
AND THEN YOU TRY TO FLICK IT
1250
00:40:50,449 --> 00:40:51,626
I DON'T REMEMBER EATING THAT."
AND THEN YOU TRY TO FLICK IT
AWAY, YOU KNOW?
1251
00:40:51,650 --> 00:40:53,795
AND THEN YOU TRY TO FLICK IT
AWAY, YOU KNOW?
OR YOU WIPE IT UNDER YOUR CHAIR
1252
00:40:53,819 --> 00:40:54,862
AWAY, YOU KNOW?
OR YOU WIPE IT UNDER YOUR CHAIR
OR SOMETHING.
1253
00:40:54,886 --> 00:40:55,897
OR YOU WIPE IT UNDER YOUR CHAIR
OR SOMETHING.
ONE TIME, I,
1254
00:40:55,921 --> 00:40:57,732
OR SOMETHING.
ONE TIME, I,
ROSEANNE ROSANNADANNA, WAS
1255
00:40:57,756 --> 00:40:59,600
ONE TIME, I,
ROSEANNE ROSANNADANNA, WAS
EATING A SPARE RIB, AND A
1256
00:40:59,624 --> 00:41:01,636
ROSEANNE ROSANNADANNA, WAS
EATING A SPARE RIB, AND A
LITTLE SHRED OF IT GOT CAUGHT
1257
00:41:01,660 --> 00:41:02,603
EATING A SPARE RIB, AND A
LITTLE SHRED OF IT GOT CAUGHT
RIGHT HERE.
1258
00:41:02,627 --> 00:41:05,673
LITTLE SHRED OF IT GOT CAUGHT
RIGHT HERE.
WELL, I THOUGHT I WAS GONNA DIE!
1259
00:41:05,697 --> 00:41:07,207
RIGHT HERE.
WELL, I THOUGHT I WAS GONNA DIE!
I TRIED EVERYTHING TO GET THAT
1260
00:41:07,231 --> 00:41:08,643
WELL, I THOUGHT I WAS GONNA DIE!
I TRIED EVERYTHING TO GET THAT
SHREDDED THING OUT OF THERE.
1261
00:41:08,667 --> 00:41:10,077
I TRIED EVERYTHING TO GET THAT
SHREDDED THING OUT OF THERE.
I TRIED TO SUCK IT OUT, LIKE
1262
00:41:10,101 --> 00:41:13,414
SHREDDED THING OUT OF THERE.
I TRIED TO SUCK IT OUT, LIKE
THIS.
1263
00:41:13,438 --> 00:41:14,515
I TRIED TO SUCK IT OUT, LIKE
THIS.
AND YOU KNOW WHAT?
1264
00:41:14,539 --> 00:41:16,183
THIS.
AND YOU KNOW WHAT?
THEN, SOMEONE SAID TO ME, "HEY,
1265
00:41:16,207 --> 00:41:17,819
AND YOU KNOW WHAT?
THEN, SOMEONE SAID TO ME, "HEY,
ROSEANNE ROSANNADANNA, WHAT'S
1266
00:41:17,843 --> 00:41:19,353
THEN, SOMEONE SAID TO ME, "HEY,
ROSEANNE ROSANNADANNA, WHAT'S
THE MATTER, YOU GOT BIRDS IN
1267
00:41:19,377 --> 00:41:21,489
ROSEANNE ROSANNADANNA, WHAT'S
THE MATTER, YOU GOT BIRDS IN
YOUR MOUTH?"
1268
00:41:21,513 --> 00:41:23,023
THE MATTER, YOU GOT BIRDS IN
YOUR MOUTH?"
SO, THEN, I TRIED A MATCHBOOK
1269
00:41:23,047 --> 00:41:23,524
YOUR MOUTH?"
SO, THEN, I TRIED A MATCHBOOK
COVER.
1270
00:41:23,548 --> 00:41:24,592
SO, THEN, I TRIED A MATCHBOOK
COVER.
BUT YOU KNOW WHAT?
1271
00:41:24,616 --> 00:41:26,026
COVER.
BUT YOU KNOW WHAT?
A PART OF THE CARDBOARD GOT
1272
00:41:26,050 --> 00:41:27,127
BUT YOU KNOW WHAT?
A PART OF THE CARDBOARD GOT
CAUGHT IN MY TEETH.
1273
00:41:27,151 --> 00:41:28,629
A PART OF THE CARDBOARD GOT
CAUGHT IN MY TEETH.
SO I TRIED A TOOTHPICK, AND A
1274
00:41:28,653 --> 00:41:29,964
CAUGHT IN MY TEETH.
SO I TRIED A TOOTHPICK, AND A
PIECE OF THAT BROKE OFF IN
1275
00:41:29,988 --> 00:41:30,665
SO I TRIED A TOOTHPICK, AND A
PIECE OF THAT BROKE OFF IN
THERE, TOO.
1276
00:41:30,689 --> 00:41:32,166
PIECE OF THAT BROKE OFF IN
THERE, TOO.
SO I GOT ONE OF THOSE SPECIAL
1277
00:41:32,190 --> 00:41:33,634
THERE, TOO.
SO I GOT ONE OF THOSE SPECIAL
TOOTHBRUSHES, WITH THE RUBBER
1278
00:41:33,658 --> 00:41:34,869
SO I GOT ONE OF THOSE SPECIAL
TOOTHBRUSHES, WITH THE RUBBER
THING AT THE END OF IT.
1279
00:41:34,893 --> 00:41:38,272
TOOTHBRUSHES, WITH THE RUBBER
THING AT THE END OF IT.
IT KIND OF LOOKS LIKE A NIPPLE?
1280
00:41:38,296 --> 00:41:39,474
THING AT THE END OF IT.
IT KIND OF LOOKS LIKE A NIPPLE?
AND THEN I STARTED PUSHING THE
1281
00:41:39,498 --> 00:41:40,641
IT KIND OF LOOKS LIKE A NIPPLE?
AND THEN I STARTED PUSHING THE
NIPPLE IN THERE, AND THEN YOU
1282
00:41:40,665 --> 00:41:41,476
AND THEN I STARTED PUSHING THE
NIPPLE IN THERE, AND THEN YOU
KNOW WHAT HAPPENED?
1283
00:41:41,500 --> 00:41:43,243
NIPPLE IN THERE, AND THEN YOU
KNOW WHAT HAPPENED?
MY GUMS STARTED TO BLEED!
1284
00:41:43,267 --> 00:41:44,411
KNOW WHAT HAPPENED?
MY GUMS STARTED TO BLEED!
SO I SAID TO MYSELF,
1285
00:41:44,435 --> 00:41:45,880
MY GUMS STARTED TO BLEED!
SO I SAID TO MYSELF,
"ROSEANNE ROSANNADANNA, YOU
1286
00:41:45,904 --> 00:41:47,114
SO I SAID TO MYSELF,
"ROSEANNE ROSANNADANNA, YOU
BETTER SEE A DENTIST."
1287
00:41:47,138 --> 00:41:48,716
"ROSEANNE ROSANNADANNA, YOU
BETTER SEE A DENTIST."
SO I GO, AND HE PUTS A LOT OF
1288
00:41:48,740 --> 00:41:50,250
BETTER SEE A DENTIST."
SO I GO, AND HE PUTS A LOT OF
MORE THINGS IN MY MOUTH... A
1289
00:41:50,274 --> 00:41:51,986
SO I GO, AND HE PUTS A LOT OF
MORE THINGS IN MY MOUTH... A
DRILL, PICKERS, A MIRROR, COTTON
1290
00:41:52,010 --> 00:41:53,688
MORE THINGS IN MY MOUTH... A
DRILL, PICKERS, A MIRROR, COTTON
SWABS, A THING THAT BLOWS AIR, A
1291
00:41:53,712 --> 00:41:55,255
DRILL, PICKERS, A MIRROR, COTTON
SWABS, A THING THAT BLOWS AIR, A
THING THAT BLOWS WATER, SOME
1292
00:41:55,279 --> 00:41:56,657
SWABS, A THING THAT BLOWS AIR, A
THING THAT BLOWS WATER, SOME
METAL RODS, HIS FINGER, A
1293
00:41:56,681 --> 00:41:58,325
THING THAT BLOWS WATER, SOME
METAL RODS, HIS FINGER, A
NURSE'S FINGER, A LITTLE RUBBER
1294
00:41:58,349 --> 00:41:58,793
METAL RODS, HIS FINGER, A
NURSE'S FINGER, A LITTLE RUBBER
TENT.
1295
00:41:58,817 --> 00:42:00,461
NURSE'S FINGER, A LITTLE RUBBER
TENT.
MY MOUTH... IT LOOKED LIKE
1296
00:42:00,485 --> 00:42:03,030
TENT.
MY MOUTH... IT LOOKED LIKE
WOODSTOCK.
1297
00:42:03,054 --> 00:42:05,466
MY MOUTH... IT LOOKED LIKE
WOODSTOCK.
AND YOU KNOW WHAT HAPPENED AT
1298
00:42:05,490 --> 00:42:07,902
WOODSTOCK.
AND YOU KNOW WHAT HAPPENED AT
WOODSTOCK... TWO PEOPLE DIED!
1299
00:42:07,926 --> 00:42:10,004
AND YOU KNOW WHAT HAPPENED AT
WOODSTOCK... TWO PEOPLE DIED!
NOW DID YOU EVER NOTICE...
1300
00:42:10,028 --> 00:42:12,172
WOODSTOCK... TWO PEOPLE DIED!
NOW DID YOU EVER NOTICE...
WHAT THE HELL ARE YOU TALKING
1301
00:42:12,196 --> 00:42:14,241
NOW DID YOU EVER NOTICE...
WHAT THE HELL ARE YOU TALKING
ABOUT?!
1302
00:42:14,265 --> 00:42:16,310
WHAT THE HELL ARE YOU TALKING
ABOUT?!
EXCUSE ME!
1303
00:42:16,334 --> 00:42:17,812
ABOUT?!
EXCUSE ME!
THIS GUY WRITES IN SOME
1304
00:42:17,836 --> 00:42:19,480
EXCUSE ME!
THIS GUY WRITES IN SOME
INTELLIGENT QUESTIONS, AND YOU
1305
00:42:19,504 --> 00:42:21,115
THIS GUY WRITES IN SOME
INTELLIGENT QUESTIONS, AND YOU
START TALKING ABOUT TOOTHPICKS
1306
00:42:21,139 --> 00:42:22,016
INTELLIGENT QUESTIONS, AND YOU
START TALKING ABOUT TOOTHPICKS
AND WOODSTOCK.
1307
00:42:22,040 --> 00:42:24,919
START TALKING ABOUT TOOTHPICKS
AND WOODSTOCK.
WELL, JANE, IT JUST GOES TO
1308
00:42:24,943 --> 00:42:28,055
AND WOODSTOCK.
WELL, JANE, IT JUST GOES TO
SHOW YOU, IT'S ALWAYS SOMETHING.
1309
00:42:28,079 --> 00:42:30,457
WELL, JANE, IT JUST GOES TO
SHOW YOU, IT'S ALWAYS SOMETHING.
IT'S LIKE MY FATHER USED TO SAY
1310
00:42:30,481 --> 00:42:32,593
SHOW YOU, IT'S ALWAYS SOMETHING.
IT'S LIKE MY FATHER USED TO SAY
TO ME BEFORE I WENT TO BED.
1311
00:42:32,617 --> 00:42:34,261
IT'S LIKE MY FATHER USED TO SAY
TO ME BEFORE I WENT TO BED.
HE'D SAY, "MY LITTLE
1312
00:42:34,285 --> 00:42:36,697
TO ME BEFORE I WENT TO BED.
HE'D SAY, "MY LITTLE
ROSEANNE ROSANNADANNA, MAKE SURE
1313
00:42:36,721 --> 00:42:38,966
HE'D SAY, "MY LITTLE
ROSEANNE ROSANNADANNA, MAKE SURE
YOU DON'T END UP BEING ONE OF
1314
00:42:38,990 --> 00:42:41,035
ROSEANNE ROSANNADANNA, MAKE SURE
YOU DON'T END UP BEING ONE OF
THOSE PEOPLE WHO HAVE SOME
1315
00:42:41,059 --> 00:42:43,504
YOU DON'T END UP BEING ONE OF
THOSE PEOPLE WHO HAVE SOME
SALIVA ON YOUR LIP RIGHT HERE IN
1316
00:42:43,528 --> 00:42:44,572
THOSE PEOPLE WHO HAVE SOME
SALIVA ON YOUR LIP RIGHT HERE IN
THE MIDDLE.
1317
00:42:44,596 --> 00:42:46,273
SALIVA ON YOUR LIP RIGHT HERE IN
THE MIDDLE.
'CAUSE SOMETIMES WHEN THEY TALK,
1318
00:42:46,297 --> 00:42:47,742
THE MIDDLE.
'CAUSE SOMETIMES WHEN THEY TALK,
A LITTLE, THIN STRING OF IT
1319
00:42:47,766 --> 00:42:49,276
'CAUSE SOMETIMES WHEN THEY TALK,
A LITTLE, THIN STRING OF IT
CATCHES HERE AND GOES UP AND
1320
00:42:49,300 --> 00:42:50,945
A LITTLE, THIN STRING OF IT
CATCHES HERE AND GOES UP AND
DOWN AND UP AND DOWN AND UP AND
1321
00:42:50,969 --> 00:42:52,647
CATCHES HERE AND GOES UP AND
DOWN AND UP AND DOWN AND UP AND
DOWN AND AND CATCHES ALL AROUND.
1322
00:42:52,671 --> 00:42:54,515
DOWN AND UP AND DOWN AND UP AND
DOWN AND AND CATCHES ALL AROUND.
AND NOBODY HEARS WHAT THEY'RE
1323
00:42:54,539 --> 00:42:56,483
DOWN AND AND CATCHES ALL AROUND.
AND NOBODY HEARS WHAT THEY'RE
SAYING, 'CAUSE THEY'RE TOO BUSY
1324
00:42:56,507 --> 00:42:58,419
AND NOBODY HEARS WHAT THEY'RE
SAYING, 'CAUSE THEY'RE TOO BUSY
WATCHING THE SPIT GOING UP AND
1325
00:42:58,443 --> 00:43:00,421
SAYING, 'CAUSE THEY'RE TOO BUSY
WATCHING THE SPIT GOING UP AND
DOWN AND UP AND DOWN AND UP AND
1326
00:43:00,445 --> 00:43:00,955
WATCHING THE SPIT GOING UP AND
DOWN AND UP AND DOWN AND UP AND
DOWN.
1327
00:43:00,979 --> 00:43:01,889
DOWN AND UP AND DOWN AND UP AND
DOWN.
GOOD NIGHT, MY LITTLE
1328
00:43:01,913 --> 00:43:05,192
DOWN.
GOOD NIGHT, MY LITTLE
ROSEANNE ROSANNADANNA."
1329
00:43:05,216 --> 00:43:06,260
GOOD NIGHT, MY LITTLE
ROSEANNE ROSANNADANNA."
AND THAT'S THE NEWS.
1330
00:43:06,284 --> 00:43:07,595
ROSEANNE ROSANNADANNA."
AND THAT'S THE NEWS.
GOOD NIGHT AND HAVE A PLEASANT
1331
00:43:07,619 --> 00:43:09,530
AND THAT'S THE NEWS.
GOOD NIGHT AND HAVE A PLEASANT
TOMORROW.
1332
00:43:09,554 --> 00:43:11,365
GOOD NIGHT AND HAVE A PLEASANT
TOMORROW.
Announcer: THIS PORTION OF
1333
00:43:11,389 --> 00:43:12,967
TOMORROW.
Announcer: THIS PORTION OF
"WEEKEND UPDATE" HAS BEEN
1334
00:43:12,991 --> 00:43:14,802
Announcer: THIS PORTION OF
"WEEKEND UPDATE" HAS BEEN
BROUGHT TO YOU BY MR. NIPPLE.
1335
00:43:14,826 --> 00:43:16,704
"WEEKEND UPDATE" HAS BEEN
BROUGHT TO YOU BY MR. NIPPLE.
IT'S LIKE SETTING FIRE TO YOUR
1336
00:43:16,728 --> 00:43:19,328
BROUGHT TO YOU BY MR. NIPPLE.
IT'S LIKE SETTING FIRE TO YOUR
LUNGS.
1337
00:43:22,532 --> 00:43:25,112
IT'S THE NFL ON CBS, AND OOH,
BROTHER, WHAT A BALLGAME.
1338
00:43:25,136 --> 00:43:26,513
BROTHER, WHAT A BALLGAME.
THE CHICAGO BEARS ARE FIGHTING
1339
00:43:26,537 --> 00:43:27,949
THE CHICAGO BEARS ARE FIGHTING
FOR A PLACE IN THE PLAYOFFS IN
1340
00:43:27,973 --> 00:43:29,116
FOR A PLACE IN THE PLAYOFFS IN
THIS FINAL GAME WITH THE
1341
00:43:29,140 --> 00:43:30,985
THIS FINAL GAME WITH THE
NEW YORK GIANTS.
AND BEAR RUNNING BACK
1342
00:43:31,009 --> 00:43:32,319
NEW YORK GIANTS.
AND BEAR RUNNING BACK
WALTER PAYTON IS JUST 95 YARDS
1343
00:43:32,343 --> 00:43:33,721
AND BEAR RUNNING BACK
WALTER PAYTON IS JUST 95 YARDS
SHORT OF BREAKING THE RECORD FOR
1344
00:43:33,745 --> 00:43:35,056
WALTER PAYTON IS JUST 95 YARDS
SHORT OF BREAKING THE RECORD FOR
MOST YARDS GAINED RUSHING IN A
1345
00:43:35,080 --> 00:43:35,522
SHORT OF BREAKING THE RECORD FOR
MOST YARDS GAINED RUSHING IN A
SEASON.
1346
00:43:35,546 --> 00:43:37,858
MOST YARDS GAINED RUSHING IN A
SEASON.
THAT, OF COURSE, IS THE 2,003
1347
00:43:37,882 --> 00:43:39,860
SEASON.
THAT, OF COURSE, IS THE 2,003
YARDS GAINED IN 1973 BY
1348
00:43:39,884 --> 00:43:41,062
THAT, OF COURSE, IS THE 2,003
YARDS GAINED IN 1973 BY
O.J. SIMPSON.
1349
00:43:41,086 --> 00:43:42,797
YARDS GAINED IN 1973 BY
O.J. SIMPSON.
AND THERE'S THE HANDOFF TO 34,
1350
00:43:42,821 --> 00:43:44,364
O.J. SIMPSON.
AND THERE'S THE HANDOFF TO 34,
PAYTON, AND LOOK AT HIM GO!
1351
00:43:44,388 --> 00:43:46,033
AND THERE'S THE HANDOFF TO 34,
PAYTON, AND LOOK AT HIM GO!
HE'S GOT ABOUT 12 YARDS, AND
1352
00:43:46,057 --> 00:43:47,902
PAYTON, AND LOOK AT HIM GO!
HE'S GOT ABOUT 12 YARDS, AND
THAT PUTS HIM 12 YARDS CLOSER TO
1353
00:43:47,926 --> 00:43:49,336
HE'S GOT ABOUT 12 YARDS, AND
THAT PUTS HIM 12 YARDS CLOSER TO
BREAKING O.J.'s RECORD.
1354
00:43:49,360 --> 00:43:50,471
THAT PUTS HIM 12 YARDS CLOSER TO
BREAKING O.J.'s RECORD.
WE'RE GONNA PAUSE FOR THIS
1355
00:43:50,495 --> 00:43:51,005
BREAKING O.J.'s RECORD.
WE'RE GONNA PAUSE FOR THIS
TIME-OUT.
1356
00:43:51,029 --> 00:43:52,172
WE'RE GONNA PAUSE FOR THIS
TIME-OUT.
WHOO!
1357
00:43:52,196 --> 00:43:54,075
TIME-OUT.
WHOO!
SO, ANYHOW, WHO'S READY FOR A
1358
00:43:54,099 --> 00:43:54,575
WHOO!
SO, ANYHOW, WHO'S READY FOR A
BEER?
1359
00:43:54,599 --> 00:43:55,843
SO, ANYHOW, WHO'S READY FOR A
BEER?
REGGIE, AHMAD, A.C.?
1360
00:43:55,867 --> 00:43:57,478
BEER?
REGGIE, AHMAD, A.C.?
HEY, O.J., AREN'T YOU
1361
00:43:57,502 --> 00:43:58,178
REGGIE, AHMAD, A.C.?
HEY, O.J., AREN'T YOU
NERVOUS?
1362
00:43:58,202 --> 00:43:59,981
HEY, O.J., AREN'T YOU
NERVOUS?
HE MIGHT BREAK YOUR RECORD.
1363
00:44:00,005 --> 00:44:01,181
NERVOUS?
HE MIGHT BREAK YOUR RECORD.
OH, REGGIE, YOU KNOW.
1364
00:44:01,205 --> 00:44:02,416
HE MIGHT BREAK YOUR RECORD.
OH, REGGIE, YOU KNOW.
RECORDS AREN'T MONUMENTS.
1365
00:44:02,440 --> 00:44:03,217
OH, REGGIE, YOU KNOW.
RECORDS AREN'T MONUMENTS.
THEY'RE GOALS.
1366
00:44:03,241 --> 00:44:04,485
RECORDS AREN'T MONUMENTS.
THEY'RE GOALS.
THEY'RE MADE TO BE BROKEN.
1367
00:44:04,509 --> 00:44:06,220
THEY'RE GOALS.
THEY'RE MADE TO BE BROKEN.
THEY DON'T LAST FOREVER.
1368
00:44:06,244 --> 00:44:07,387
THEY'RE MADE TO BE BROKEN.
THEY DON'T LAST FOREVER.
WOULDN'T YOU LOVE IT TO LAST
1369
00:44:07,411 --> 00:44:07,989
THEY DON'T LAST FOREVER.
WOULDN'T YOU LOVE IT TO LAST
FOREVER, THOUGH?
1370
00:44:08,013 --> 00:44:08,623
WOULDN'T YOU LOVE IT TO LAST
FOREVER, THOUGH?
OH, SURE.
1371
00:44:08,647 --> 00:44:09,890
FOREVER, THOUGH?
OH, SURE.
IT'S NICE TO THINK THAT YOUR
1372
00:44:09,914 --> 00:44:11,158
OH, SURE.
IT'S NICE TO THINK THAT YOUR
NAME IN SOME RECORD BOOK MAY
1373
00:44:11,182 --> 00:44:12,259
IT'S NICE TO THINK THAT YOUR
NAME IN SOME RECORD BOOK MAY
LEND YOU SOME MEASURE OF
1374
00:44:12,283 --> 00:44:12,893
NAME IN SOME RECORD BOOK MAY
LEND YOU SOME MEASURE OF
IMMORTALITY.
1375
00:44:12,917 --> 00:44:14,595
LEND YOU SOME MEASURE OF
IMMORTALITY.
THAT'S JUST AN ILLUSION.
1376
00:44:14,619 --> 00:44:16,330
IMMORTALITY.
THAT'S JUST AN ILLUSION.
AND WALTER'S SUCH A NICE GUY AND
1377
00:44:16,354 --> 00:44:17,197
THAT'S JUST AN ILLUSION.
AND WALTER'S SUCH A NICE GUY AND
SUPERB RUNNER.
1378
00:44:17,221 --> 00:44:18,465
AND WALTER'S SUCH A NICE GUY AND
SUPERB RUNNER.
HEY, FRANKLY, I HOPE HE DOES
1379
00:44:18,489 --> 00:44:19,299
SUPERB RUNNER.
HEY, FRANKLY, I HOPE HE DOES
BREAK THE RECORD.
1380
00:44:19,323 --> 00:44:20,735
HEY, FRANKLY, I HOPE HE DOES
BREAK THE RECORD.
NOW, WHO WANTS A BEER, HUH?
1381
00:44:20,759 --> 00:44:21,936
BREAK THE RECORD.
NOW, WHO WANTS A BEER, HUH?
I'LL TAKE ONE.
1382
00:44:21,960 --> 00:44:22,569
NOW, WHO WANTS A BEER, HUH?
I'LL TAKE ONE.
I'M GOOD, THANKS.
1383
00:44:22,593 --> 00:44:23,070
I'LL TAKE ONE.
I'M GOOD, THANKS.
ME TOO.
1384
00:44:23,094 --> 00:44:24,872
I'M GOOD, THANKS.
ME TOO.
HEY, JUICE, MY MAN, ARE YOU
1385
00:44:24,896 --> 00:44:25,606
ME TOO.
HEY, JUICE, MY MAN, ARE YOU
KIDDING?
1386
00:44:25,630 --> 00:44:27,574
HEY, JUICE, MY MAN, ARE YOU
KIDDING?
YOU MEAN YOU DON'T MIND IF HE
1387
00:44:27,598 --> 00:44:28,943
KIDDING?
YOU MEAN YOU DON'T MIND IF HE
BREAKS YOUR RECORD?
1388
00:44:28,967 --> 00:44:29,710
YOU MEAN YOU DON'T MIND IF HE
BREAKS YOUR RECORD?
HEY, LOOK.
1389
00:44:29,734 --> 00:44:31,178
BREAKS YOUR RECORD?
HEY, LOOK.
I GOT OTHER RECORDS... MOST
1390
00:44:31,202 --> 00:44:32,579
HEY, LOOK.
I GOT OTHER RECORDS... MOST
TOUCHDOWNS IN A SEASON, MOST
1391
00:44:32,603 --> 00:44:33,914
I GOT OTHER RECORDS... MOST
TOUCHDOWNS IN A SEASON, MOST
100-YARD GAMES IN A SEASON.
1392
00:44:33,938 --> 00:44:35,415
TOUCHDOWNS IN A SEASON, MOST
100-YARD GAMES IN A SEASON.
HEY, I DON'T NEED IT.
1393
00:44:35,439 --> 00:44:37,484
100-YARD GAMES IN A SEASON.
HEY, I DON'T NEED IT.
BACK TO THE ACTION NOW.
1394
00:44:37,508 --> 00:44:39,453
HEY, I DON'T NEED IT.
BACK TO THE ACTION NOW.
BEARS IN A NEW BACKFIELD.
1395
00:44:39,477 --> 00:44:41,455
BACK TO THE ACTION NOW.
BEARS IN A NEW BACKFIELD.
AVELLINI CALLS THE SHOTS.
1396
00:44:41,479 --> 00:44:42,356
BEARS IN A NEW BACKFIELD.
AVELLINI CALLS THE SHOTS.
HERE'S THE SNAP.
1397
00:44:42,380 --> 00:44:43,858
AVELLINI CALLS THE SHOTS.
HERE'S THE SNAP.
THE GIVE IS TO WALTER PAYTON.
1398
00:44:43,882 --> 00:44:46,260
HERE'S THE SNAP.
THE GIVE IS TO WALTER PAYTON.
HE'S GOING BY GUARD...
1399
00:44:46,284 --> 00:44:48,629
THE GIVE IS TO WALTER PAYTON.
HE'S GOING BY GUARD...
AND HE FUMBLES THE BALL!
1400
00:44:48,653 --> 00:44:50,698
HE'S GOING BY GUARD...
AND HE FUMBLES THE BALL!
HE FUMBLED THE BALL.
1401
00:44:50,722 --> 00:44:53,000
AND HE FUMBLES THE BALL!
HE FUMBLED THE BALL.
OH, I CAN'T BELIEVE IT!
1402
00:44:53,024 --> 00:44:54,769
HE FUMBLED THE BALL.
OH, I CAN'T BELIEVE IT!
I CAN'T BELIEVE IT!
1403
00:44:54,793 --> 00:44:55,602
OH, I CAN'T BELIEVE IT!
I CAN'T BELIEVE IT!
HE FUMBLED!
1404
00:44:55,626 --> 00:44:56,370
I CAN'T BELIEVE IT!
HE FUMBLED!
HE DID?
1405
00:44:56,394 --> 00:44:57,204
HE FUMBLED!
HE DID?
YEAH!
1406
00:44:57,228 --> 00:44:58,605
HE DID?
YEAH!
WELL, YOU KNOW THE GIANTS ARE
1407
00:44:58,629 --> 00:44:59,774
YEAH!
WELL, YOU KNOW THE GIANTS ARE
GONNA BE KEYING ON WALTER.
1408
00:44:59,798 --> 00:45:01,142
WELL, YOU KNOW THE GIANTS ARE
GONNA BE KEYING ON WALTER.
A SMART THING FOR THEM TO DO IS
1409
00:45:01,166 --> 00:45:02,376
GONNA BE KEYING ON WALTER.
A SMART THING FOR THEM TO DO IS
TO GIVE IT TO SOMEBODY ELSE.
1410
00:45:02,400 --> 00:45:04,145
A SMART THING FOR THEM TO DO IS
TO GIVE IT TO SOMEBODY ELSE.
WHY DON'T THEY GIVE IT TO
1411
00:45:04,169 --> 00:45:05,279
TO GIVE IT TO SOMEBODY ELSE.
WHY DON'T THEY GIVE IT TO
SOMEBODY ELSE?
1412
00:45:05,303 --> 00:45:06,346
WHY DON'T THEY GIVE IT TO
SOMEBODY ELSE?
HAS TO GET IT INTO HIS
1413
00:45:06,370 --> 00:45:06,881
SOMEBODY ELSE?
HAS TO GET IT INTO HIS
BACKFIELD.
1414
00:45:06,905 --> 00:45:08,082
HAS TO GET IT INTO HIS
BACKFIELD.
AVELLINI'S BACK TO PASS.
1415
00:45:08,106 --> 00:45:09,383
BACKFIELD.
AVELLINI'S BACK TO PASS.
HE HITS PAYTON, AND HE'S HIT.
1416
00:45:09,407 --> 00:45:10,517
AVELLINI'S BACK TO PASS.
HE HITS PAYTON, AND HE'S HIT.
HIT HIM! HIT...
1417
00:45:10,541 --> 00:45:11,351
HE HITS PAYTON, AND HE'S HIT.
HIT HIM! HIT...
YOU KNOW WHAT?
1418
00:45:11,375 --> 00:45:12,419
HIT HIM! HIT...
YOU KNOW WHAT?
I WANT SOME MORE CHIPS.
1419
00:45:12,443 --> 00:45:13,721
YOU KNOW WHAT?
I WANT SOME MORE CHIPS.
THAT'S WHAT I WANT, SOME MORE
1420
00:45:13,745 --> 00:45:14,155
I WANT SOME MORE CHIPS.
THAT'S WHAT I WANT, SOME MORE
CHIPS.
1421
00:45:14,179 --> 00:45:16,223
THAT'S WHAT I WANT, SOME MORE
CHIPS.
HEY, MAN, HOW DO YOU THINK
1422
00:45:16,247 --> 00:45:18,092
CHIPS.
HEY, MAN, HOW DO YOU THINK
PAYTON FEELS RIGHT NOW?
1423
00:45:18,116 --> 00:45:19,426
HEY, MAN, HOW DO YOU THINK
PAYTON FEELS RIGHT NOW?
WELL, I DON'T THINK HE'S
1424
00:45:19,450 --> 00:45:20,728
PAYTON FEELS RIGHT NOW?
WELL, I DON'T THINK HE'S
THINKING ABOUT THE RECORD.
1425
00:45:20,752 --> 00:45:22,262
WELL, I DON'T THINK HE'S
THINKING ABOUT THE RECORD.
HE'S JUST WORRIED ABOUT GETTING
1426
00:45:22,286 --> 00:45:23,597
THINKING ABOUT THE RECORD.
HE'S JUST WORRIED ABOUT GETTING
HIS TEAM INTO THE PLAYOFFS.
1427
00:45:23,621 --> 00:45:25,066
HE'S JUST WORRIED ABOUT GETTING
HIS TEAM INTO THE PLAYOFFS.
THERE ARE SOME TEAMS WHO DON'T
1428
00:45:25,090 --> 00:45:26,167
HIS TEAM INTO THE PLAYOFFS.
THERE ARE SOME TEAMS WHO DON'T
WATCH THE PLAYOFFS ON
1429
00:45:26,191 --> 00:45:27,234
THERE ARE SOME TEAMS WHO DON'T
WATCH THE PLAYOFFS ON
TELEVISION.
1430
00:45:27,258 --> 00:45:28,202
WATCH THE PLAYOFFS ON
TELEVISION.
THIS WEATHER'S NOT HELPING,
1431
00:45:28,226 --> 00:45:28,736
TELEVISION.
THIS WEATHER'S NOT HELPING,
WITH THE RAIN.
1432
00:45:28,760 --> 00:45:29,503
THIS WEATHER'S NOT HELPING,
WITH THE RAIN.
THERE'S ICE OUT THERE.
1433
00:45:29,527 --> 00:45:30,304
WITH THE RAIN.
THERE'S ICE OUT THERE.
YEAH.
1434
00:45:30,328 --> 00:45:32,006
THERE'S ICE OUT THERE.
YEAH.
NO, THIS ISN'T GOOD RUNNING
1435
00:45:32,030 --> 00:45:38,412
YEAH.
NO, THIS ISN'T GOOD RUNNING
WEATHER FOR WALTER.
1436
00:45:38,436 --> 00:45:39,646
NO, THIS ISN'T GOOD RUNNING
WEATHER FOR WALTER.
HELPING JOHN MENDENHALL TO
1437
00:45:39,670 --> 00:45:40,147
WEATHER FOR WALTER.
HELPING JOHN MENDENHALL TO
HIS FEET.
1438
00:45:40,171 --> 00:45:40,915
HELPING JOHN MENDENHALL TO
HIS FEET.
YOU GOT TO ADMIT.
1439
00:45:40,939 --> 00:45:42,049
HIS FEET.
YOU GOT TO ADMIT.
WALTER'S ONE OF THE FINEST
1440
00:45:42,073 --> 00:45:43,383
YOU GOT TO ADMIT.
WALTER'S ONE OF THE FINEST
GENTLEMEN EVER TO PLAY THE GAME.
1441
00:45:43,407 --> 00:45:44,585
WALTER'S ONE OF THE FINEST
GENTLEMEN EVER TO PLAY THE GAME.
I DOUBT IF THERE'S ANYONE WHO
1442
00:45:44,609 --> 00:45:45,820
GENTLEMEN EVER TO PLAY THE GAME.
I DOUBT IF THERE'S ANYONE WHO
DOESN'T WANT TO SEE HIM BREAK
1443
00:45:45,844 --> 00:45:49,556
I DOUBT IF THERE'S ANYONE WHO
DOESN'T WANT TO SEE HIM BREAK
O.J.'s RECORD.
1444
00:45:49,580 --> 00:45:52,259
DOESN'T WANT TO SEE HIM BREAK
O.J.'s RECORD.
GEE, I'D KIND OF LIKE TO SEE
1445
00:45:52,283 --> 00:45:54,428
O.J.'s RECORD.
GEE, I'D KIND OF LIKE TO SEE
PAYTON BREAK THE RECORD.
1446
00:45:54,452 --> 00:45:55,830
GEE, I'D KIND OF LIKE TO SEE
PAYTON BREAK THE RECORD.
O.J., HOW ABOUT THAT BEER?
1447
00:45:55,854 --> 00:45:58,232
PAYTON BREAK THE RECORD.
O.J., HOW ABOUT THAT BEER?
GET IT YOURSELF.
1448
00:45:58,256 --> 00:45:59,433
O.J., HOW ABOUT THAT BEER?
GET IT YOURSELF.
WE'RE INTO THE OVERTIME
1449
00:45:59,457 --> 00:46:00,835
GET IT YOURSELF.
WE'RE INTO THE OVERTIME
PERIOD NOW, AND IT MAY JUST TURN
1450
00:46:00,859 --> 00:46:02,269
WE'RE INTO THE OVERTIME
PERIOD NOW, AND IT MAY JUST TURN
OUT TO BE THE WEATHER THAT STOPS
1451
00:46:02,293 --> 00:46:03,237
PERIOD NOW, AND IT MAY JUST TURN
OUT TO BE THE WEATHER THAT STOPS
WALTER PAYTON TODAY.
1452
00:46:03,261 --> 00:46:04,371
OUT TO BE THE WEATHER THAT STOPS
WALTER PAYTON TODAY.
OF COURSE, WHEN I BROKE THE
1453
00:46:04,395 --> 00:46:05,305
WALTER PAYTON TODAY.
OF COURSE, WHEN I BROKE THE
RECORD, I WAS PLAYING IN
1454
00:46:05,329 --> 00:46:06,440
OF COURSE, WHEN I BROKE THE
RECORD, I WAS PLAYING IN
BUFFALO, AND YOU KNOW WHAT THE
1455
00:46:06,464 --> 00:46:07,307
RECORD, I WAS PLAYING IN
BUFFALO, AND YOU KNOW WHAT THE
WEATHER IS LIKE THERE.
1456
00:46:07,331 --> 00:46:08,609
BUFFALO, AND YOU KNOW WHAT THE
WEATHER IS LIKE THERE.
IF I RECALL, THERE WAS A PRETTY
1457
00:46:08,633 --> 00:46:09,944
WEATHER IS LIKE THERE.
IF I RECALL, THERE WAS A PRETTY
STRONG HEADWIND AT THE TIME, AND
1458
00:46:09,968 --> 00:46:11,245
IF I RECALL, THERE WAS A PRETTY
STRONG HEADWIND AT THE TIME, AND
I PROBABLY COULD HAVE HAD 200 OR
1459
00:46:11,269 --> 00:46:12,546
STRONG HEADWIND AT THE TIME, AND
I PROBABLY COULD HAVE HAD 200 OR
300 MORE YARDS IF IT WASN'T FOR
1460
00:46:12,570 --> 00:46:13,647
I PROBABLY COULD HAVE HAD 200 OR
300 MORE YARDS IF IT WASN'T FOR
THE SNOW, BUT, HEY, I'M NOT
1461
00:46:13,671 --> 00:46:14,849
300 MORE YARDS IF IT WASN'T FOR
THE SNOW, BUT, HEY, I'M NOT
TRYING TO TAKE ANYTHING AWAY
1462
00:46:14,873 --> 00:46:15,950
THE SNOW, BUT, HEY, I'M NOT
TRYING TO TAKE ANYTHING AWAY
FROM WALTER, 'CAUSE HE'S A
1463
00:46:15,974 --> 00:46:16,483
TRYING TO TAKE ANYTHING AWAY
FROM WALTER, 'CAUSE HE'S A
GENTLEMAN.
1464
00:46:16,507 --> 00:46:17,718
FROM WALTER, 'CAUSE HE'S A
GENTLEMAN.
I DID SAY HE WAS A GENTLEMAN,
1465
00:46:17,742 --> 00:46:18,219
GENTLEMAN.
I DID SAY HE WAS A GENTLEMAN,
DIDN'T I?
1466
00:46:18,243 --> 00:46:19,253
I DID SAY HE WAS A GENTLEMAN,
DIDN'T I?
YEAH, YEAH.
1467
00:46:19,277 --> 00:46:20,320
DIDN'T I?
YEAH, YEAH.
HEY, HEY, THIS IS IT.
1468
00:46:20,344 --> 00:46:20,888
YEAH, YEAH.
HEY, HEY, THIS IS IT.
THIS IS IT.
1469
00:46:20,912 --> 00:46:22,623
HEY, HEY, THIS IS IT.
THIS IS IT.
HE COULD DO IT HERE.
1470
00:46:22,647 --> 00:46:24,225
THIS IS IT.
HE COULD DO IT HERE.
LAST CHANCE AT ANY YARDAGE,
1471
00:46:24,249 --> 00:46:24,691
HE COULD DO IT HERE.
LAST CHANCE AT ANY YARDAGE,
FOLKS.
1472
00:46:24,715 --> 00:46:25,525
LAST CHANCE AT ANY YARDAGE,
FOLKS.
THERE'S THE GIVE, AND THE GIVE
1473
00:46:25,549 --> 00:46:26,160
FOLKS.
THERE'S THE GIVE, AND THE GIVE
IS TO WALTER PAYTON.
1474
00:46:26,184 --> 00:46:27,795
THERE'S THE GIVE, AND THE GIVE
IS TO WALTER PAYTON.
HE TRIES RIGHT TACKLE, AND HE'S
1475
00:46:27,819 --> 00:46:29,296
IS TO WALTER PAYTON.
HE TRIES RIGHT TACKLE, AND HE'S
UP TO THE LINE OF SCRIMMAGE.
1476
00:46:29,320 --> 00:46:30,597
HE TRIES RIGHT TACKLE, AND HE'S
UP TO THE LINE OF SCRIMMAGE.
IT DOESN'T LOOK LIKE
1477
00:46:30,621 --> 00:46:32,332
UP TO THE LINE OF SCRIMMAGE.
IT DOESN'T LOOK LIKE
WALTER PAYTON WILL BE BREAKING
1478
00:46:32,356 --> 00:46:34,034
IT DOESN'T LOOK LIKE
WALTER PAYTON WILL BE BREAKING
O.J. SIMPSON'S RECORD TODAY.
1479
00:46:34,058 --> 00:46:34,701
WALTER PAYTON WILL BE BREAKING
O.J. SIMPSON'S RECORD TODAY.
THAT'S TOO BAD.
1480
00:46:34,725 --> 00:46:36,270
O.J. SIMPSON'S RECORD TODAY.
THAT'S TOO BAD.
THAT'S A SHAME.
1481
00:46:36,294 --> 00:46:38,338
THAT'S TOO BAD.
THAT'S A SHAME.
WELL, HE GAVE IT A NICE TRY,
1482
00:46:38,362 --> 00:46:38,873
THAT'S A SHAME.
WELL, HE GAVE IT A NICE TRY,
HUH?
1483
00:46:38,897 --> 00:46:41,898
WELL, HE GAVE IT A NICE TRY,
HUH?
EXCUSE ME A MINUTE.
1484
00:46:44,567 --> 00:46:52,567
I'M NUMBER ONE!
I'M NUMBER ONE!
JUICE, JUICE, JUICE, JUICE!
1485
00:46:56,480 --> 00:46:59,226
I'M NUMBER ONE!
JUICE, JUICE, JUICE, JUICE!
CHAMPAGNE FOR ANYONE?
1486
00:46:59,250 --> 00:47:02,285
JUICE, JUICE, JUICE, JUICE!
CHAMPAGNE FOR ANYONE?
♪ I'LL TAKE MANHATTAN ♪
1487
00:47:19,136 --> 00:47:23,650
Announcer: IT'S TIME FOR "THE
FRANKEN AND DAVIS SHOW,"
STARRING AL FRANKEN AND
1488
00:47:23,674 --> 00:47:24,384
FRANKEN AND DAVIS SHOW,"
STARRING AL FRANKEN AND
TOM DAVIS.
1489
00:47:24,408 --> 00:47:27,188
STARRING AL FRANKEN AND
TOM DAVIS.
AND NOW HERE'S AL AND TOM.
1490
00:47:27,212 --> 00:47:30,313
TOM DAVIS.
AND NOW HERE'S AL AND TOM.
[CHEERS AND APPLAUSE]
1491
00:47:34,952 --> 00:47:37,231
THANK YOU.
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
1492
00:47:37,255 --> 00:47:39,133
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
BUT WE ARE NOT GONNA HAVE THE
1493
00:47:39,157 --> 00:47:41,168
GENTLEMEN.
BUT WE ARE NOT GONNA HAVE THE
REGULAR "FRANKEN AND DAVIS SHOW"
1494
00:47:41,192 --> 00:47:41,902
BUT WE ARE NOT GONNA HAVE THE
REGULAR "FRANKEN AND DAVIS SHOW"
TONIGHT.
1495
00:47:41,926 --> 00:47:43,470
REGULAR "FRANKEN AND DAVIS SHOW"
TONIGHT.
YOU SEE, OVER CHRISTMAS
1496
00:47:43,494 --> 00:47:45,306
TONIGHT.
YOU SEE, OVER CHRISTMAS
VACATION, WE DISCOVERED THAT
1497
00:47:45,330 --> 00:47:47,208
YOU SEE, OVER CHRISTMAS
VACATION, WE DISCOVERED THAT
AL FRANKEN, MY PARTNER, HAS A
1498
00:47:47,232 --> 00:47:49,210
VACATION, WE DISCOVERED THAT
AL FRANKEN, MY PARTNER, HAS A
MALIGNANT BRAIN TUMOR, WHICH IS
1499
00:47:49,234 --> 00:47:49,977
AL FRANKEN, MY PARTNER, HAS A
MALIGNANT BRAIN TUMOR, WHICH IS
TERMINAL.
1500
00:47:50,001 --> 00:47:51,979
MALIGNANT BRAIN TUMOR, WHICH IS
TERMINAL.
BUT IT'S ALWAYS BEEN AL'S GOAL
1501
00:47:52,003 --> 00:47:53,914
TERMINAL.
BUT IT'S ALWAYS BEEN AL'S GOAL
IN LIFE TO MAKE PEOPLE LAUGH,
1502
00:47:53,938 --> 00:47:55,782
BUT IT'S ALWAYS BEEN AL'S GOAL
IN LIFE TO MAKE PEOPLE LAUGH,
AND HE WANTED TO DO ONE LAST
1503
00:47:55,806 --> 00:47:57,484
IN LIFE TO MAKE PEOPLE LAUGH,
AND HE WANTED TO DO ONE LAST
"FRANKEN AND DAVIS SHOW."
1504
00:47:57,508 --> 00:47:59,019
AND HE WANTED TO DO ONE LAST
"FRANKEN AND DAVIS SHOW."
BUT, YOU SEE, HE'S BEGINNING TO
1505
00:47:59,043 --> 00:47:59,720
"FRANKEN AND DAVIS SHOW."
BUT, YOU SEE, HE'S BEGINNING TO
DETERIORATE.
1506
00:47:59,744 --> 00:48:01,188
BUT, YOU SEE, HE'S BEGINNING TO
DETERIORATE.
HE CAN ONLY REMEMBER THE MOST
1507
00:48:01,212 --> 00:48:02,156
DETERIORATE.
HE CAN ONLY REMEMBER THE MOST
RUDIMENTARY JOKES.
1508
00:48:02,180 --> 00:48:03,724
HE CAN ONLY REMEMBER THE MOST
RUDIMENTARY JOKES.
SO TONIGHT IS REALLY THE OPTIMUM
1509
00:48:03,748 --> 00:48:04,859
RUDIMENTARY JOKES.
SO TONIGHT IS REALLY THE OPTIMUM
TIME TO BRING HIM OUT.
1510
00:48:04,883 --> 00:48:06,060
SO TONIGHT IS REALLY THE OPTIMUM
TIME TO BRING HIM OUT.
NOW HE'S BACKSTAGE NOW.
1511
00:48:06,084 --> 00:48:07,527
TIME TO BRING HIM OUT.
NOW HE'S BACKSTAGE NOW.
I'M GONNA BRING HIM OUT, BUT I
1512
00:48:07,551 --> 00:48:09,096
NOW HE'S BACKSTAGE NOW.
I'M GONNA BRING HIM OUT, BUT I
WANT YOU TO REALLY MAKE HIM FEEL
1513
00:48:09,120 --> 00:48:10,630
I'M GONNA BRING HIM OUT, BUT I
WANT YOU TO REALLY MAKE HIM FEEL
WELCOME, 'CAUSE IT WOULD MEAN A
1514
00:48:10,654 --> 00:48:12,066
WANT YOU TO REALLY MAKE HIM FEEL
WELCOME, 'CAUSE IT WOULD MEAN A
LOT TO ME AND A LOT OF PEOPLE
1515
00:48:12,090 --> 00:48:13,000
WELCOME, 'CAUSE IT WOULD MEAN A
LOT TO ME AND A LOT OF PEOPLE
HERE ON THE SHOW.
1516
00:48:13,024 --> 00:48:14,668
LOT TO ME AND A LOT OF PEOPLE
HERE ON THE SHOW.
SO I'M GONNA BRING HIM OUT NOW,
1517
00:48:14,692 --> 00:48:16,370
HERE ON THE SHOW.
SO I'M GONNA BRING HIM OUT NOW,
AND REALLY LET HIM KNOW HOW YOU
1518
00:48:16,394 --> 00:48:16,837
SO I'M GONNA BRING HIM OUT NOW,
AND REALLY LET HIM KNOW HOW YOU
FEEL.
1519
00:48:16,861 --> 00:48:18,505
AND REALLY LET HIM KNOW HOW YOU
FEEL.
OKAY, LADIES AND GENTLEMEN, NOW
1520
00:48:18,529 --> 00:48:20,207
FEEL.
OKAY, LADIES AND GENTLEMEN, NOW
FOR YOUR ENTERTAINMENT, I'D LIKE
1521
00:48:20,231 --> 00:48:21,942
OKAY, LADIES AND GENTLEMEN, NOW
FOR YOUR ENTERTAINMENT, I'D LIKE
TO BRING OUT ONE OF THE FUNNIEST
1522
00:48:21,966 --> 00:48:23,010
FOR YOUR ENTERTAINMENT, I'D LIKE
TO BRING OUT ONE OF THE FUNNIEST
GUYS IN THE WORLD.
1523
00:48:23,034 --> 00:48:24,711
TO BRING OUT ONE OF THE FUNNIEST
GUYS IN THE WORLD.
LADIES AND GENTLEMEN, THE COMEDY
1524
00:48:24,735 --> 00:48:27,614
GUYS IN THE WORLD.
LADIES AND GENTLEMEN, THE COMEDY
STYLINGS OF MR. AL FRANKEN!
1525
00:48:27,638 --> 00:48:28,315
LADIES AND GENTLEMEN, THE COMEDY
STYLINGS OF MR. AL FRANKEN!
[CHEERS AND APPLAUSE]
1526
00:48:28,339 --> 00:48:30,517
STYLINGS OF MR. AL FRANKEN!
[CHEERS AND APPLAUSE]
LET'S HEAR IT FOR HIM.
1527
00:48:30,541 --> 00:48:34,043
[CHEERS AND APPLAUSE]
LET'S HEAR IT FOR HIM.
COME ON OUT HERE.
1528
00:48:39,516 --> 00:48:43,563
SORRY, SORRY.
ARE YOU ALL RIGHT?
HERE.
1529
00:48:43,587 --> 00:48:44,765
ARE YOU ALL RIGHT?
HERE.
I'M SORRY.
1530
00:48:44,789 --> 00:48:47,034
HERE.
I'M SORRY.
ALL RIGHT.
1531
00:48:47,058 --> 00:48:48,202
I'M SORRY.
ALL RIGHT.
SORRY.
1532
00:48:48,226 --> 00:48:50,337
ALL RIGHT.
SORRY.
I'VE SET THE MICROPHONE.
1533
00:48:50,361 --> 00:48:52,973
SORRY.
I'VE SET THE MICROPHONE.
IF I, UH, IF I BEGIN TO PASS
1534
00:48:52,997 --> 00:48:55,609
I'VE SET THE MICROPHONE.
IF I, UH, IF I BEGIN TO PASS
OUT, JUST PUT A LITTLE WATER ON
1535
00:48:55,633 --> 00:48:56,210
IF I, UH, IF I BEGIN TO PASS
OUT, JUST PUT A LITTLE WATER ON
ME.
1536
00:48:56,234 --> 00:48:56,944
OUT, JUST PUT A LITTLE WATER ON
ME.
YEAH, YOU TOLD ME.
1537
00:48:56,968 --> 00:48:57,844
ME.
YEAH, YOU TOLD ME.
YOU TOLD ME SEVERAL TIMES.
1538
00:48:57,868 --> 00:48:58,678
YEAH, YOU TOLD ME.
YOU TOLD ME SEVERAL TIMES.
NOW GO ON OUT THERE AND HAVE
1539
00:48:58,702 --> 00:48:59,046
YOU TOLD ME SEVERAL TIMES.
NOW GO ON OUT THERE AND HAVE
FUN.
1540
00:48:59,070 --> 00:49:00,014
NOW GO ON OUT THERE AND HAVE
FUN.
KNOCK THEM DEAD.
1541
00:49:00,038 --> 00:49:00,680
FUN.
KNOCK THEM DEAD.
GO AHEAD.
1542
00:49:00,704 --> 00:49:03,117
KNOCK THEM DEAD.
GO AHEAD.
GO AHEAD.
1543
00:49:03,141 --> 00:49:06,553
GO AHEAD.
GO AHEAD.
GOOD EVENING, LADIES AND
1544
00:49:06,577 --> 00:49:08,155
GO AHEAD.
GOOD EVENING, LADIES AND
GENTLEMEN.
1545
00:49:08,179 --> 00:49:11,025
GOOD EVENING, LADIES AND
GENTLEMEN.
FIRST OF ALL, I'D LIKE TO SAY HI
1546
00:49:11,049 --> 00:49:13,827
GENTLEMEN.
FIRST OF ALL, I'D LIKE TO SAY HI
TO MY PARENTS, WHO ARE WATCHING
1547
00:49:13,851 --> 00:49:15,462
FIRST OF ALL, I'D LIKE TO SAY HI
TO MY PARENTS, WHO ARE WATCHING
TONIGHT AT HOME.
1548
00:49:15,486 --> 00:49:18,332
TO MY PARENTS, WHO ARE WATCHING
TONIGHT AT HOME.
UM...
1549
00:49:18,356 --> 00:49:19,533
TONIGHT AT HOME.
UM...
CHEER UP, MOM AND DAD.
1550
00:49:19,557 --> 00:49:21,168
UM...
CHEER UP, MOM AND DAD.
[Voice breaking] EVERYTHING'S
1551
00:49:21,192 --> 00:49:24,538
CHEER UP, MOM AND DAD.
[Voice breaking] EVERYTHING'S
GONNA BE OKAY!
1552
00:49:24,562 --> 00:49:28,175
[Voice breaking] EVERYTHING'S
GONNA BE OKAY!
HAVE YOU HEARD THE ONE ABOUT THE
1553
00:49:28,199 --> 00:49:31,312
GONNA BE OKAY!
HAVE YOU HEARD THE ONE ABOUT THE
RABBI WHO DIDN'T CHARGE FOR
1554
00:49:31,336 --> 00:49:33,847
HAVE YOU HEARD THE ONE ABOUT THE
RABBI WHO DIDN'T CHARGE FOR
GIVING CIRCUMCISIONS?
1555
00:49:33,871 --> 00:49:36,616
RABBI WHO DIDN'T CHARGE FOR
GIVING CIRCUMCISIONS?
HE ONLY TOOK TIPS.
1556
00:49:36,640 --> 00:49:41,922
GIVING CIRCUMCISIONS?
HE ONLY TOOK TIPS.
[LAUGHTER AND APPLAUSE]
1557
00:49:41,946 --> 00:49:49,946
HE ONLY TOOK TIPS.
[LAUGHTER AND APPLAUSE]
YOU'RE DOING GREAT!
1558
00:49:50,888 --> 00:49:53,968
[LAUGHTER AND APPLAUSE]
YOU'RE DOING GREAT!
KANGAROO WALKS INTO A BAR,
1559
00:49:53,992 --> 00:49:56,536
YOU'RE DOING GREAT!
KANGAROO WALKS INTO A BAR,
ORDERS A MARTINI WITH A
1560
00:49:56,560 --> 00:49:57,804
KANGAROO WALKS INTO A BAR,
ORDERS A MARTINI WITH A
HAZELNUT.
1561
00:49:57,828 --> 00:50:05,828
ORDERS A MARTINI WITH A
HAZELNUT.
BARTENDER DOESN'T BLINK AN EYE.
1562
00:50:06,670 --> 00:50:08,148
HAZELNUT.
BARTENDER DOESN'T BLINK AN EYE.
ELEPHANT WALKS IN.
1563
00:50:08,172 --> 00:50:10,017
BARTENDER DOESN'T BLINK AN EYE.
ELEPHANT WALKS IN.
ORDERS A MARTINI WITH A
1564
00:50:10,041 --> 00:50:10,917
ELEPHANT WALKS IN.
ORDERS A MARTINI WITH A
HAZELNUT.
1565
00:50:10,941 --> 00:50:18,941
ORDERS A MARTINI WITH A
HAZELNUT.
BARTENDER DOESN'T BLINK AN EYE.
1566
00:50:20,051 --> 00:50:22,363
HAZELNUT.
BARTENDER DOESN'T BLINK AN EYE.
ZEBRA WALKS IN.
1567
00:50:22,387 --> 00:50:23,864
BARTENDER DOESN'T BLINK AN EYE.
ZEBRA WALKS IN.
YEAH.
1568
00:50:23,888 --> 00:50:26,900
ZEBRA WALKS IN.
YEAH.
ORDERS A MARTINI, NO
1569
00:50:26,924 --> 00:50:31,005
YEAH.
ORDERS A MARTINI, NO
HAZELNUT.
1570
00:50:31,029 --> 00:50:37,033
ORDERS A MARTINI, NO
HAZELNUT.
SO THE BARTENDER SAID...
1571
00:50:43,140 --> 00:50:48,511
YOU ALL RIGHT?
IS THAT ENOUGH?
ALL RIGHT?
1572
00:50:53,883 --> 00:51:01,883
HE ONLY TOOK TIPS.
[LAUGHTER AND APPLAUSE]
WHOO-HOO!
1573
00:51:08,665 --> 00:51:16,665
I WENT OVER TO MY FRIEND'S
HOUSE.
HE HAD A 500-POUND GORILLA.
1574
00:51:18,476 --> 00:51:20,921
HOUSE.
HE HAD A 500-POUND GORILLA.
AND I ASKED HIM.
1575
00:51:20,945 --> 00:51:25,192
HE HAD A 500-POUND GORILLA.
AND I ASKED HIM.
I SAID, "WHERE DOES A 500-POUND
1576
00:51:25,216 --> 00:51:27,561
AND I ASKED HIM.
I SAID, "WHERE DOES A 500-POUND
GORILLA SLEEP?"
1577
00:51:27,585 --> 00:51:30,219
I SAID, "WHERE DOES A 500-POUND
GORILLA SLEEP?"
AND HE SAID...
1578
00:51:34,924 --> 00:51:42,924
IS THAT ENOUGH?
A LITTLE MORE.
HE ONLY TOOK TIPS.
1579
00:51:44,302 --> 00:51:45,612
A LITTLE MORE.
HE ONLY TOOK TIPS.
LADIES AND GENTLEMEN, LET'S
1580
00:51:45,636 --> 00:51:47,013
HE ONLY TOOK TIPS.
LADIES AND GENTLEMEN, LET'S
HEAR IT FOR THE COMEDY STYLINGS
1581
00:51:47,037 --> 00:51:48,014
LADIES AND GENTLEMEN, LET'S
HEAR IT FOR THE COMEDY STYLINGS
OF AL FRANKEN!
1582
00:51:48,038 --> 00:51:49,349
HEAR IT FOR THE COMEDY STYLINGS
OF AL FRANKEN!
LET'S HEAR IT FOR HIM!
1583
00:51:49,373 --> 00:51:50,084
OF AL FRANKEN!
LET'S HEAR IT FOR HIM!
[CHEERS AND APPLAUSE]
1584
00:51:50,108 --> 00:51:50,817
LET'S HEAR IT FOR HIM!
[CHEERS AND APPLAUSE]
YOU WERE GREAT.
1585
00:51:50,841 --> 00:51:52,186
[CHEERS AND APPLAUSE]
YOU WERE GREAT.
THEY WERE ROLLING IN THE AISLES.
1586
00:51:52,210 --> 00:51:53,587
YOU WERE GREAT.
THEY WERE ROLLING IN THE AISLES.
I DID A GOOD JOB?
1587
00:51:53,611 --> 00:51:56,891
THEY WERE ROLLING IN THE AISLES.
I DID A GOOD JOB?
WAIT TILL YOU SEE THE TAPE.
1588
00:52:00,450 --> 00:52:03,319
Both: GOOD NIGHT, EVERYBODY!
1589
00:52:14,063 --> 00:52:19,879
MASTER GONNA GIVE IT TO ME,
BUT FIRST I'M GONNA GIVE IT TO
YOU.
1590
00:52:19,903 --> 00:52:23,283
BUT FIRST I'M GONNA GIVE IT TO
YOU.
TAKE ME, MANDINGO!
1591
00:52:23,307 --> 00:52:24,651
YOU.
TAKE ME, MANDINGO!
Announcer: BEHIND THE
1592
00:52:24,675 --> 00:52:26,320
TAKE ME, MANDINGO!
Announcer: BEHIND THE
HOOPSKIRTS AND HOSPITALITY, THE
1593
00:52:26,344 --> 00:52:27,654
Announcer: BEHIND THE
HOOPSKIRTS AND HOSPITALITY, THE
MINT JULEPS AND MAGNOLIA
1594
00:52:27,678 --> 00:52:29,323
HOOPSKIRTS AND HOSPITALITY, THE
MINT JULEPS AND MAGNOLIA
BLOSSOMS OF THE OLD SOUTH WAS A
1595
00:52:29,347 --> 00:52:31,024
MINT JULEPS AND MAGNOLIA
BLOSSOMS OF THE OLD SOUTH WAS A
WORLD FEW PEOPLE KNEW EXISTED, A
1596
00:52:31,048 --> 00:52:32,493
BLOSSOMS OF THE OLD SOUTH WAS A
WORLD FEW PEOPLE KNEW EXISTED, A
WORLD OF VIOLENCE, CRUELTY,
1597
00:52:32,517 --> 00:52:33,560
WORLD FEW PEOPLE KNEW EXISTED, A
WORLD OF VIOLENCE, CRUELTY,
GREED, AND LUST...
1598
00:52:33,584 --> 00:52:37,897
WORLD OF VIOLENCE, CRUELTY,
GREED, AND LUST...
"MANDINGO II."
1599
00:52:37,921 --> 00:52:43,203
GREED, AND LUST...
"MANDINGO II."
PLEASURE ME, YOU EBONY WENCH.
1600
00:52:43,227 --> 00:52:45,139
"MANDINGO II."
PLEASURE ME, YOU EBONY WENCH.
Announcer: "MANDINGO II"...
1601
00:52:45,163 --> 00:52:46,906
PLEASURE ME, YOU EBONY WENCH.
Announcer: "MANDINGO II"...
IT BRINGS TO THE SCREEN THE
1602
00:52:46,930 --> 00:52:48,842
Announcer: "MANDINGO II"...
IT BRINGS TO THE SCREEN THE
SOUNDS, THE SMELL, THE FLAMING
1603
00:52:48,866 --> 00:52:50,810
IT BRINGS TO THE SCREEN THE
SOUNDS, THE SMELL, THE FLAMING
PASSIONS OF THE SLAVE-BREEDING
1604
00:52:50,834 --> 00:52:52,846
SOUNDS, THE SMELL, THE FLAMING
PASSIONS OF THE SLAVE-BREEDING
PLANTATIONS, WHERE MEN AND WOMEN
1605
00:52:52,870 --> 00:52:56,783
PASSIONS OF THE SLAVE-BREEDING
PLANTATIONS, WHERE MEN AND WOMEN
MATED AND BRED LIKE CATTLE.
1606
00:52:56,807 --> 00:52:59,853
PLANTATIONS, WHERE MEN AND WOMEN
MATED AND BRED LIKE CATTLE.
"MANDINGO II."
1607
00:52:59,877 --> 00:53:02,523
MATED AND BRED LIKE CATTLE.
"MANDINGO II."
PLEASURE ME, YOU LILY-WHITE
1608
00:53:02,547 --> 00:53:03,357
"MANDINGO II."
PLEASURE ME, YOU LILY-WHITE
WENCH.
1609
00:53:03,381 --> 00:53:05,825
PLEASURE ME, YOU LILY-WHITE
WENCH.
MY HEAD IS ACHING ME AWFUL
1610
00:53:05,849 --> 00:53:06,493
WENCH.
MY HEAD IS ACHING ME AWFUL
BAD.
1611
00:53:06,517 --> 00:53:09,229
MY HEAD IS ACHING ME AWFUL
BAD.
I THINK I'LL GO LIE DOWN...
1612
00:53:09,253 --> 00:53:13,133
BAD.
I THINK I'LL GO LIE DOWN...
ALONE.
1613
00:53:13,157 --> 00:53:15,169
I THINK I'LL GO LIE DOWN...
ALONE.
I'VE GOT TO GO TOIL IN THE
1614
00:53:15,193 --> 00:53:16,570
ALONE.
I'VE GOT TO GO TOIL IN THE
COTTON FIELDS NOW.
1615
00:53:16,594 --> 00:53:21,675
I'VE GOT TO GO TOIL IN THE
COTTON FIELDS NOW.
TAKE ME, MANDINGO.
1616
00:53:21,699 --> 00:53:23,610
COTTON FIELDS NOW.
TAKE ME, MANDINGO.
Announcer: "MANDINGO II"...
1617
00:53:23,634 --> 00:53:24,744
TAKE ME, MANDINGO.
Announcer: "MANDINGO II"...
YOU MAY HATE IT.
1618
00:53:24,768 --> 00:53:26,513
Announcer: "MANDINGO II"...
YOU MAY HATE IT.
YOU MAY BE DISGUSTED BY IT.
1619
00:53:26,537 --> 00:53:28,048
YOU MAY HATE IT.
YOU MAY BE DISGUSTED BY IT.
YOU MAY THROW UP AT IT.
1620
00:53:28,072 --> 00:53:29,816
YOU MAY BE DISGUSTED BY IT.
YOU MAY THROW UP AT IT.
BUT YOU'LL NEVER FORGET IT.
1621
00:53:29,840 --> 00:53:33,820
YOU MAY THROW UP AT IT.
BUT YOU'LL NEVER FORGET IT.
"MANDINGO II."
1622
00:53:33,844 --> 00:53:37,324
BUT YOU'LL NEVER FORGET IT.
"MANDINGO II."
PLEASURE ME, YOU EBONY WENCH.
1623
00:53:37,348 --> 00:53:39,893
"MANDINGO II."
PLEASURE ME, YOU EBONY WENCH.
Announcer: "MANDINGO II"...
1624
00:53:39,917 --> 00:53:42,462
PLEASURE ME, YOU EBONY WENCH.
Announcer: "MANDINGO II"...
THE SENSUAL, THE SHOCKING, THE
1625
00:53:42,486 --> 00:53:44,831
Announcer: "MANDINGO II"...
THE SENSUAL, THE SHOCKING, THE
POWERFUL, THE SHAMEFUL, THE
1626
00:53:44,855 --> 00:53:45,932
THE SENSUAL, THE SHOCKING, THE
POWERFUL, THE SHAMEFUL, THE
HILARIOUS.
1627
00:53:45,956 --> 00:53:52,038
POWERFUL, THE SHAMEFUL, THE
HILARIOUS.
"MANDINGO II."
1628
00:53:52,062 --> 00:53:54,107
HILARIOUS.
"MANDINGO II."
TAKE ME, CLOVER.
1629
00:53:54,131 --> 00:53:55,509
"MANDINGO II."
TAKE ME, CLOVER.
TAKE ME.
1630
00:53:55,533 --> 00:53:58,800
TAKE ME, CLOVER.
TAKE ME.
Announcer: "MANDINGO II."
1631
00:54:13,883 --> 00:54:16,796
GOOD EVENING.
WELCOME TO PUBLIC ACCESS CABLE
CHANNEL "D."
1632
00:54:16,820 --> 00:54:18,532
WELCOME TO PUBLIC ACCESS CABLE
CHANNEL "D."
THIS IS "E. BUZZ MILLER'S ANIMAL
1633
00:54:18,556 --> 00:54:19,165
CHANNEL "D."
THIS IS "E. BUZZ MILLER'S ANIMAL
KINGDOM."
1634
00:54:19,189 --> 00:54:20,667
THIS IS "E. BUZZ MILLER'S ANIMAL
KINGDOM."
I'M YOUR HOST, E. BUZZ MILLER.
1635
00:54:20,691 --> 00:54:22,603
KINGDOM."
I'M YOUR HOST, E. BUZZ MILLER.
AND OF COURSE, OUR LOVELY GUEST
1636
00:54:22,627 --> 00:54:23,903
I'M YOUR HOST, E. BUZZ MILLER.
AND OF COURSE, OUR LOVELY GUEST
TO THE LEFT HERE IS
1637
00:54:23,927 --> 00:54:25,905
AND OF COURSE, OUR LOVELY GUEST
TO THE LEFT HERE IS
MISS CHRISTY CHRISTINA, WHO WILL
1638
00:54:25,929 --> 00:54:27,574
TO THE LEFT HERE IS
MISS CHRISTY CHRISTINA, WHO WILL
BE DANCING AT THE PARADISE
1639
00:54:27,598 --> 00:54:28,975
MISS CHRISTY CHRISTINA, WHO WILL
BE DANCING AT THE PARADISE
LOUNGE ALL THIS WEEK.
1640
00:54:28,999 --> 00:54:30,810
BE DANCING AT THE PARADISE
LOUNGE ALL THIS WEEK.
AND, UH, CHRISTY'S OUR EXPERT
1641
00:54:30,834 --> 00:54:32,011
LOUNGE ALL THIS WEEK.
AND, UH, CHRISTY'S OUR EXPERT
ON ANIMAL BEHAVIOR.
1642
00:54:32,035 --> 00:54:33,580
AND, UH, CHRISTY'S OUR EXPERT
ON ANIMAL BEHAVIOR.
ISN'T THAT RIGHT, CHRISTY?
1643
00:54:33,604 --> 00:54:34,514
ON ANIMAL BEHAVIOR.
ISN'T THAT RIGHT, CHRISTY?
I GUESS SO!
1644
00:54:34,538 --> 00:54:35,315
ISN'T THAT RIGHT, CHRISTY?
I GUESS SO!
[GIGGLES]
1645
00:54:35,339 --> 00:54:37,083
I GUESS SO!
[GIGGLES]
OKAY, ENOUGH TALK, VIEWERS.
1646
00:54:37,107 --> 00:54:38,818
[GIGGLES]
OKAY, ENOUGH TALK, VIEWERS.
LET'S GET RIGHT TO THIS WEEK'S
1647
00:54:38,842 --> 00:54:40,287
OKAY, ENOUGH TALK, VIEWERS.
LET'S GET RIGHT TO THIS WEEK'S
EXCITING ANIMAL KINGDOM.
1648
00:54:40,311 --> 00:54:41,521
LET'S GET RIGHT TO THIS WEEK'S
EXCITING ANIMAL KINGDOM.
OUR FIRST FEATURE TONIGHT IS A
1649
00:54:41,545 --> 00:54:42,589
EXCITING ANIMAL KINGDOM.
OUR FIRST FEATURE TONIGHT IS A
FROG COUPLE YOU SEE HERE.
1650
00:54:42,613 --> 00:54:43,857
OUR FIRST FEATURE TONIGHT IS A
FROG COUPLE YOU SEE HERE.
THEY'RE MEMBERS OF THE REPTILE
1651
00:54:43,881 --> 00:54:45,024
FROG COUPLE YOU SEE HERE.
THEY'RE MEMBERS OF THE REPTILE
GROUP OF THE ANIMAL KINGDOM.
1652
00:54:45,048 --> 00:54:46,493
THEY'RE MEMBERS OF THE REPTILE
GROUP OF THE ANIMAL KINGDOM.
THEY MAY BE COLD-BLOODED, BUT IT
1653
00:54:46,517 --> 00:54:47,527
GROUP OF THE ANIMAL KINGDOM.
THEY MAY BE COLD-BLOODED, BUT IT
DON'T STOP THEM FROM HAVING A
1654
00:54:47,551 --> 00:54:48,027
THEY MAY BE COLD-BLOODED, BUT IT
DON'T STOP THEM FROM HAVING A
LOT OF FUN.
1655
00:54:48,051 --> 00:54:50,597
DON'T STOP THEM FROM HAVING A
LOT OF FUN.
WOULDN'T YOU SAY SO, CHRISTY?
1656
00:54:50,621 --> 00:54:51,998
LOT OF FUN.
WOULDN'T YOU SAY SO, CHRISTY?
I DON'T KNOW.
1657
00:54:52,022 --> 00:54:54,000
WOULDN'T YOU SAY SO, CHRISTY?
I DON'T KNOW.
I DON'T THINK I'D LIKE TO BE A
1658
00:54:54,024 --> 00:54:54,568
I DON'T KNOW.
I DON'T THINK I'D LIKE TO BE A
FROG!
1659
00:54:54,592 --> 00:54:55,469
I DON'T THINK I'D LIKE TO BE A
FROG!
[GIGGLES]
1660
00:54:55,493 --> 00:54:56,670
FROG!
[GIGGLES]
WELL, CHRISTY, LET'S TAKE A
1661
00:54:56,694 --> 00:54:57,871
[GIGGLES]
WELL, CHRISTY, LET'S TAKE A
COUPLE OF LOOKS AT OUR LITTLE
1662
00:54:57,895 --> 00:54:59,005
WELL, CHRISTY, LET'S TAKE A
COUPLE OF LOOKS AT OUR LITTLE
FRIENDS IN THE INSECT WORLD.
1663
00:54:59,029 --> 00:55:00,073
COUPLE OF LOOKS AT OUR LITTLE
FRIENDS IN THE INSECT WORLD.
MAYBE YOU'LL SEE SOMETHING YOU
1664
00:55:00,097 --> 00:55:00,474
FRIENDS IN THE INSECT WORLD.
MAYBE YOU'LL SEE SOMETHING YOU
LIKE.
1665
00:55:00,498 --> 00:55:01,207
MAYBE YOU'LL SEE SOMETHING YOU
LIKE.
HERE'S A LADYBUG.
1666
00:55:01,231 --> 00:55:02,342
LIKE.
HERE'S A LADYBUG.
THIS IS THE BEGINNING OF THEIR
1667
00:55:02,366 --> 00:55:03,176
HERE'S A LADYBUG.
THIS IS THE BEGINNING OF THEIR
REPRODUCTIVE CYCLE.
1668
00:55:03,200 --> 00:55:03,577
THIS IS THE BEGINNING OF THEIR
REPRODUCTIVE CYCLE.
LOOK.
1669
00:55:03,601 --> 00:55:04,944
REPRODUCTIVE CYCLE.
LOOK.
IT LOOKS LIKE HE SNUCK UP ON
1670
00:55:04,968 --> 00:55:05,312
LOOK.
IT LOOKS LIKE HE SNUCK UP ON
HER!
1671
00:55:05,336 --> 00:55:08,014
IT LOOKS LIKE HE SNUCK UP ON
HER!
OH, I THINK SHE KNEW WHAT WAS
1672
00:55:08,038 --> 00:55:09,048
HER!
OH, I THINK SHE KNEW WHAT WAS
GOING ON.
1673
00:55:09,072 --> 00:55:10,016
OH, I THINK SHE KNEW WHAT WAS
GOING ON.
A COUPLE OF MONARCH
1674
00:55:10,040 --> 00:55:11,351
GOING ON.
A COUPLE OF MONARCH
BUTTERFLIES WITH A NEW APPROACH.
1675
00:55:11,375 --> 00:55:12,852
A COUPLE OF MONARCH
BUTTERFLIES WITH A NEW APPROACH.
EVER THOUGHT OF HANGING UPSIDE
1676
00:55:12,876 --> 00:55:14,254
BUTTERFLIES WITH A NEW APPROACH.
EVER THOUGHT OF HANGING UPSIDE
DOWN FROM A MILKWEED PLANT?
1677
00:55:14,278 --> 00:55:16,356
EVER THOUGHT OF HANGING UPSIDE
DOWN FROM A MILKWEED PLANT?
OH, I'D BE AFRAID OF FALLING
1678
00:55:16,380 --> 00:55:16,890
DOWN FROM A MILKWEED PLANT?
OH, I'D BE AFRAID OF FALLING
OFF!
1679
00:55:16,914 --> 00:55:17,824
OH, I'D BE AFRAID OF FALLING
OFF!
[GIGGLES]
1680
00:55:17,848 --> 00:55:18,858
OFF!
[GIGGLES]
YOU WOULDN'T HAVE TO WORRY.
1681
00:55:18,882 --> 00:55:19,893
[GIGGLES]
YOU WOULDN'T HAVE TO WORRY.
THERE'D BE PLENTY TO HANG ONTO.
1682
00:55:19,917 --> 00:55:21,861
YOU WOULDN'T HAVE TO WORRY.
THERE'D BE PLENTY TO HANG ONTO.
[GIGGLES]
1683
00:55:21,885 --> 00:55:23,263
THERE'D BE PLENTY TO HANG ONTO.
[GIGGLES]
NOW, HERE'S AN OFTEN-IGNORED
1684
00:55:23,287 --> 00:55:24,598
[GIGGLES]
NOW, HERE'S AN OFTEN-IGNORED
MEMBER OF THE ANIMAL KINGDOM.
1685
00:55:24,622 --> 00:55:25,999
NOW, HERE'S AN OFTEN-IGNORED
MEMBER OF THE ANIMAL KINGDOM.
BIOLOGISTS CALL IT THE
1686
00:55:26,023 --> 00:55:27,768
MEMBER OF THE ANIMAL KINGDOM.
BIOLOGISTS CALL IT THE
ANNELID... AN EARTHWORM, THE
1687
00:55:27,792 --> 00:55:28,835
BIOLOGISTS CALL IT THE
ANNELID... AN EARTHWORM, THE
COMMON EARTHWORM.
1688
00:55:28,859 --> 00:55:30,537
ANNELID... AN EARTHWORM, THE
COMMON EARTHWORM.
THEY'RE CONSIDERED A PRIMITIVE
1689
00:55:30,561 --> 00:55:31,271
COMMON EARTHWORM.
THEY'RE CONSIDERED A PRIMITIVE
LIFE-FORM.
1690
00:55:31,295 --> 00:55:32,639
THEY'RE CONSIDERED A PRIMITIVE
LIFE-FORM.
THAT ONE HAS HERPES!
1691
00:55:32,663 --> 00:55:33,407
LIFE-FORM.
THAT ONE HAS HERPES!
[GIGGLES]
1692
00:55:33,431 --> 00:55:34,474
THAT ONE HAS HERPES!
[GIGGLES]
YEAH, THAT'S WHAT IT LOOKS
1693
00:55:34,498 --> 00:55:35,074
[GIGGLES]
YEAH, THAT'S WHAT IT LOOKS
LIKE, CHRISTY.
1694
00:55:35,098 --> 00:55:36,543
YEAH, THAT'S WHAT IT LOOKS
LIKE, CHRISTY.
I THINK THEY GOT SOMETHING GOING
1695
00:55:36,567 --> 00:55:37,911
LIKE, CHRISTY.
I THINK THEY GOT SOMETHING GOING
HERE, BECAUSE, YOU KNOW, THEY
1696
00:55:37,935 --> 00:55:39,245
I THINK THEY GOT SOMETHING GOING
HERE, BECAUSE, YOU KNOW, THEY
GOT THESE SPIKES TO HELP THEM
1697
00:55:39,269 --> 00:55:40,681
HERE, BECAUSE, YOU KNOW, THEY
GOT THESE SPIKES TO HELP THEM
GRAB ONTO EACH OTHER, YOU KNOW?
1698
00:55:40,705 --> 00:55:42,816
GOT THESE SPIKES TO HELP THEM
GRAB ONTO EACH OTHER, YOU KNOW?
AND HERE, YOU'RE GONNA SEE THEM
1699
00:55:42,840 --> 00:55:44,984
GRAB ONTO EACH OTHER, YOU KNOW?
AND HERE, YOU'RE GONNA SEE THEM
FORMING A MUCUS SAC TO EXCHANGE
1700
00:55:45,008 --> 00:55:45,519
AND HERE, YOU'RE GONNA SEE THEM
FORMING A MUCUS SAC TO EXCHANGE
SPERM.
1701
00:55:45,543 --> 00:55:47,187
FORMING A MUCUS SAC TO EXCHANGE
SPERM.
NOW THIS IS A BIOLOGICAL FACT.
1702
00:55:47,211 --> 00:55:48,955
SPERM.
NOW THIS IS A BIOLOGICAL FACT.
EACH OF THESE WORMS HAS BOTH
1703
00:55:48,979 --> 00:55:50,624
NOW THIS IS A BIOLOGICAL FACT.
EACH OF THESE WORMS HAS BOTH
MALE AND FEMALE ORGANS.
1704
00:55:50,648 --> 00:55:52,659
EACH OF THESE WORMS HAS BOTH
MALE AND FEMALE ORGANS.
HONEST TO GOD.
1705
00:55:52,683 --> 00:55:54,661
MALE AND FEMALE ORGANS.
HONEST TO GOD.
THEY'RE AC/DC!
1706
00:55:54,685 --> 00:55:56,996
HONEST TO GOD.
THEY'RE AC/DC!
KIND OF LIKE ELTON JOHN.
1707
00:55:57,020 --> 00:55:58,031
THEY'RE AC/DC!
KIND OF LIKE ELTON JOHN.
RIGHT, CHRISTY.
1708
00:55:58,055 --> 00:55:59,633
KIND OF LIKE ELTON JOHN.
RIGHT, CHRISTY.
EXCEPT, THESE WORMS DO IT WITH
1709
00:55:59,657 --> 00:56:00,166
RIGHT, CHRISTY.
EXCEPT, THESE WORMS DO IT WITH
SPIKES.
1710
00:56:00,190 --> 00:56:01,868
EXCEPT, THESE WORMS DO IT WITH
SPIKES.
THEY'RE THE LOWEST FORM OF LIFE,
1711
00:56:01,892 --> 00:56:03,203
SPIKES.
THEY'RE THE LOWEST FORM OF LIFE,
BUT THEY REALLY GET OFF!
1712
00:56:03,227 --> 00:56:05,138
THEY'RE THE LOWEST FORM OF LIFE,
BUT THEY REALLY GET OFF!
THEY'RE S/M SWITCH HITTERS!
1713
00:56:05,162 --> 00:56:06,606
BUT THEY REALLY GET OFF!
THEY'RE S/M SWITCH HITTERS!
HOW DO YOU LIKE THAT, CHRISTY?
1714
00:56:06,630 --> 00:56:08,074
THEY'RE S/M SWITCH HITTERS!
HOW DO YOU LIKE THAT, CHRISTY?
OH, I THINK IT'S DISGUSTING.
1715
00:56:08,098 --> 00:56:09,409
HOW DO YOU LIKE THAT, CHRISTY?
OH, I THINK IT'S DISGUSTING.
HOW ABOUT THAT ONE... 33
1716
00:56:09,433 --> 00:56:09,909
OH, I THINK IT'S DISGUSTING.
HOW ABOUT THAT ONE... 33
INCHES.
1717
00:56:09,933 --> 00:56:11,345
HOW ABOUT THAT ONE... 33
INCHES.
YOU EVER SEEN A WORM 33 INCHES
1718
00:56:11,369 --> 00:56:11,778
INCHES.
YOU EVER SEEN A WORM 33 INCHES
LONG?
1719
00:56:11,802 --> 00:56:12,646
YOU EVER SEEN A WORM 33 INCHES
LONG?
I DON'T KNOW.
1720
00:56:12,670 --> 00:56:15,382
LONG?
I DON'T KNOW.
I'LL BET YOU DON'T!
1721
00:56:15,406 --> 00:56:17,484
I DON'T KNOW.
I'LL BET YOU DON'T!
OKAY, VIEWERS, OUR FINAL COUPLE
1722
00:56:17,508 --> 00:56:19,252
I'LL BET YOU DON'T!
OKAY, VIEWERS, OUR FINAL COUPLE
ON "ANIMAL KINGDOM," I THINK
1723
00:56:19,276 --> 00:56:20,887
OKAY, VIEWERS, OUR FINAL COUPLE
ON "ANIMAL KINGDOM," I THINK
YOU'RE GONNA LIKE THIS.
1724
00:56:20,911 --> 00:56:22,756
ON "ANIMAL KINGDOM," I THINK
YOU'RE GONNA LIKE THIS.
SEE SOME SALAMANDERS IN THEIR
1725
00:56:22,780 --> 00:56:24,758
YOU'RE GONNA LIKE THIS.
SEE SOME SALAMANDERS IN THEIR
NATURAL ENVIRONMENT, DOING WHAT
1726
00:56:24,782 --> 00:56:27,227
SEE SOME SALAMANDERS IN THEIR
NATURAL ENVIRONMENT, DOING WHAT
MAKES THE ANIMAL KINGDOM SO
1727
00:56:27,251 --> 00:56:28,294
NATURAL ENVIRONMENT, DOING WHAT
MAKES THE ANIMAL KINGDOM SO
EXCITING.
1728
00:56:28,318 --> 00:56:29,796
MAKES THE ANIMAL KINGDOM SO
EXCITING.
AND ON THAT NOTE, I'D LIKE TO
1729
00:56:29,820 --> 00:56:31,130
EXCITING.
AND ON THAT NOTE, I'D LIKE TO
SAY GOODNIGHT, ON BEHALF OF
1730
00:56:31,154 --> 00:56:32,599
AND ON THAT NOTE, I'D LIKE TO
SAY GOODNIGHT, ON BEHALF OF
CHRISTY AND ME, E. BUZZ MILLER,
1731
00:56:32,623 --> 00:56:34,000
SAY GOODNIGHT, ON BEHALF OF
CHRISTY AND ME, E. BUZZ MILLER,
HOPING YOU'LL TAKE A CUE FROM
1732
00:56:34,024 --> 00:56:35,802
CHRISTY AND ME, E. BUZZ MILLER,
HOPING YOU'LL TAKE A CUE FROM
THE ANIMAL KINGDOM AND HAVE A
1733
00:56:35,826 --> 00:56:37,504
HOPING YOU'LL TAKE A CUE FROM
THE ANIMAL KINGDOM AND HAVE A
GOOD TIME YOURSELF TONIGHT.
1734
00:56:37,528 --> 00:56:39,272
THE ANIMAL KINGDOM AND HAVE A
GOOD TIME YOURSELF TONIGHT.
CHRISTY, I WANT TO BUY YOU A
1735
00:56:39,296 --> 00:56:39,673
GOOD TIME YOURSELF TONIGHT.
CHRISTY, I WANT TO BUY YOU A
DRINK.
1736
00:56:39,697 --> 00:56:40,206
CHRISTY, I WANT TO BUY YOU A
DRINK.
OKAY, BUZZ!
1737
00:56:40,230 --> 00:56:43,164
DRINK.
OKAY, BUZZ!
[GIGGLES]
1738
00:56:57,547 --> 00:57:02,396
YOU WANT TO GET SOMEWHERE
FAST, YOU GOT TO GO WITH A
WINNER.
1739
00:57:02,420 --> 00:57:05,387
FAST, YOU GOT TO GO WITH A
WINNER.
GO, O.J.! GO!
1740
00:57:09,158 --> 00:57:12,406
LOOK.
I WANT TO GET SOMEWHERE FAST.
WHERE'S MY KEYS?
1741
00:57:12,430 --> 00:57:13,339
I WANT TO GET SOMEWHERE FAST.
WHERE'S MY KEYS?
WHAT'S YOUR NAME, SIR?
1742
00:57:13,363 --> 00:57:15,074
WHERE'S MY KEYS?
WHAT'S YOUR NAME, SIR?
SIMPSON... O.J. SIMPSON.
1743
00:57:15,098 --> 00:57:15,509
WHAT'S YOUR NAME, SIR?
SIMPSON... O.J. SIMPSON.
LOOK.
1744
00:57:15,533 --> 00:57:16,877
SIMPSON... O.J. SIMPSON.
LOOK.
I CALLED AHEAD AND HAD MY
1745
00:57:16,901 --> 00:57:18,077
LOOK.
I CALLED AHEAD AND HAD MY
RESERVATION CONFIRMED.
1746
00:57:18,101 --> 00:57:19,279
I CALLED AHEAD AND HAD MY
RESERVATION CONFIRMED.
LET ME SEE.
1747
00:57:19,303 --> 00:57:20,079
RESERVATION CONFIRMED.
LET ME SEE.
SIMPSON.
1748
00:57:20,103 --> 00:57:21,180
LET ME SEE.
SIMPSON.
OOH, I'M SORRY, SIR.
1749
00:57:21,204 --> 00:57:22,315
SIMPSON.
OOH, I'M SORRY, SIR.
YOUR CAR WAS GIVEN TO
1750
00:57:22,339 --> 00:57:23,149
OOH, I'M SORRY, SIR.
YOUR CAR WAS GIVEN TO
WALTER PAYTON.
1751
00:57:23,173 --> 00:57:24,618
YOUR CAR WAS GIVEN TO
WALTER PAYTON.
BUT I HAD IT RESERVED!
1752
00:57:24,642 --> 00:57:25,819
WALTER PAYTON.
BUT I HAD IT RESERVED!
YES, BUT HE HAD A BETTER
1753
00:57:25,843 --> 00:57:26,286
BUT I HAD IT RESERVED!
YES, BUT HE HAD A BETTER
SEASON.
1754
00:57:26,310 --> 00:57:27,621
YES, BUT HE HAD A BETTER
SEASON.
WE ALSO HAVE TO GO WITH A
1755
00:57:27,645 --> 00:57:30,045
SEASON.
WE ALSO HAVE TO GO WITH A
WINNER.
1756
00:57:36,886 --> 00:57:41,902
Announcer: ONCE AGAIN,
ASHFORD AND SIMPSON.
[CHEERS AND APPLAUSE]
1757
00:57:41,926 --> 00:57:45,661
ASHFORD AND SIMPSON.
[CHEERS AND APPLAUSE]
[UP-TEMPO INTRODUCTION PLAYS]
1758
00:57:48,230 --> 00:57:56,230
♪ DON'T COST YOU NOTHIN' ♪
♪ WHOO ♪
♪ DON'T COST YOU NOTHIN' ♪
1759
00:58:05,683 --> 00:58:08,862
♪ WHOO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ THINK, THINK ABOUT THE WAY
1760
00:58:08,886 --> 00:58:10,396
♪ DON'T COST YOU NOTHIN' ♪
♪ THINK, THINK ABOUT THE WAY
OF REJECTION ♪
1761
00:58:10,420 --> 00:58:12,265
♪ THINK, THINK ABOUT THE WAY
OF REJECTION ♪
♪ YOU'RE NOT THE ONLY ONE
1762
00:58:12,289 --> 00:58:14,668
OF REJECTION ♪
♪ YOU'RE NOT THE ONLY ONE
REACHING FOR PERFECTION ♪
1763
00:58:14,692 --> 00:58:16,470
♪ YOU'RE NOT THE ONLY ONE
REACHING FOR PERFECTION ♪
♪ THINK, THINK ABOUT
1764
00:58:16,494 --> 00:58:18,638
REACHING FOR PERFECTION ♪
♪ THINK, THINK ABOUT
THE REASON YOU EXIST ♪
1765
00:58:18,662 --> 00:58:20,707
♪ THINK, THINK ABOUT
THE REASON YOU EXIST ♪
♪ I THINK I GOT SOMETHING
1766
00:58:20,731 --> 00:58:22,375
THE REASON YOU EXIST ♪
♪ I THINK I GOT SOMETHING
YOU MIGHT NOT WANT TO MISS ♪
1767
00:58:22,399 --> 00:58:24,644
♪ I THINK I GOT SOMETHING
YOU MIGHT NOT WANT TO MISS ♪
♪ DON'T COST YOU NOTHIN' ♪
1768
00:58:24,668 --> 00:58:30,884
YOU MIGHT NOT WANT TO MISS ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ OW! ♪
1769
00:58:30,908 --> 00:58:32,452
♪ DON'T COST YOU NOTHIN' ♪
♪ OW! ♪
♪ DON'T COST YOU NOTHIN' ♪
1770
00:58:32,476 --> 00:58:37,323
♪ OW! ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ NO-OH ♪
1771
00:58:37,347 --> 00:58:39,659
♪ DON'T COST YOU NOTHIN' ♪
♪ NO-OH ♪
♪ YEAH, YEAH ♪
1772
00:58:39,683 --> 00:58:42,629
♪ NO-OH ♪
♪ YEAH, YEAH ♪
♪ THINK, THINK ABOUT
1773
00:58:42,653 --> 00:58:44,263
♪ YEAH, YEAH ♪
♪ THINK, THINK ABOUT
YOUR POINT OF VIEW ♪
1774
00:58:44,287 --> 00:58:45,732
♪ THINK, THINK ABOUT
YOUR POINT OF VIEW ♪
♪ YOU DON'T HAVE TO GET
1775
00:58:45,756 --> 00:58:46,566
YOUR POINT OF VIEW ♪
♪ YOU DON'T HAVE TO GET
INVOLVED ♪
1776
00:58:46,590 --> 00:58:48,535
♪ YOU DON'T HAVE TO GET
INVOLVED ♪
♪ NO ONE'S FORCING YOU ♪
1777
00:58:48,559 --> 00:58:50,504
INVOLVED ♪
♪ NO ONE'S FORCING YOU ♪
♪ STOP, STOP
1778
00:58:50,528 --> 00:58:52,806
♪ NO ONE'S FORCING YOU ♪
♪ STOP, STOP
AND LISTEN TO THE VOICE ♪
1779
00:58:52,830 --> 00:58:54,340
♪ STOP, STOP
AND LISTEN TO THE VOICE ♪
♪ GOOD GOD ALIVE, HA ♪
1780
00:58:54,364 --> 00:58:56,109
AND LISTEN TO THE VOICE ♪
♪ GOOD GOD ALIVE, HA ♪
♪ YOU'VE ALWAYS GOT A CHOICE ♪
1781
00:58:56,133 --> 00:58:58,812
♪ GOOD GOD ALIVE, HA ♪
♪ YOU'VE ALWAYS GOT A CHOICE ♪
♪ DON'T COST YOU NOTHIN' ♪
1782
00:58:58,836 --> 00:59:00,346
♪ YOU'VE ALWAYS GOT A CHOICE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1783
00:59:00,370 --> 00:59:02,048
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1784
00:59:02,072 --> 00:59:02,649
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ NO ♪
1785
00:59:02,673 --> 00:59:03,683
♪ DON'T COST YOU NOTHIN' ♪
♪ NO ♪
♪ IF YOU LIKE IT,
1786
00:59:03,707 --> 00:59:04,651
♪ NO ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1787
00:59:04,675 --> 00:59:07,120
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
1788
00:59:07,144 --> 00:59:08,755
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1789
00:59:08,779 --> 00:59:11,357
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1790
00:59:11,381 --> 00:59:12,291
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
1791
00:59:12,315 --> 00:59:14,260
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1792
00:59:14,284 --> 00:59:16,530
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ I AIN'T SELLING MYSELF TO YOU,
1793
00:59:16,554 --> 00:59:17,864
COME BACK FOR MORE ♪
♪ I AIN'T SELLING MYSELF TO YOU,
BABY ♪
1794
00:59:17,888 --> 00:59:18,665
♪ I AIN'T SELLING MYSELF TO YOU,
BABY ♪
♪ NO ♪
1795
00:59:18,689 --> 00:59:20,000
BABY ♪
♪ NO ♪
♪ THE WAY THAT OTHERS
1796
00:59:20,024 --> 00:59:23,136
♪ NO ♪
♪ THE WAY THAT OTHERS
OFTEN DO ♪
1797
00:59:23,160 --> 00:59:27,273
♪ THE WAY THAT OTHERS
OFTEN DO ♪
♪ BEFORE YOU LABEL ME CRAZY,
1798
00:59:27,297 --> 00:59:28,274
OFTEN DO ♪
♪ BEFORE YOU LABEL ME CRAZY,
PLEASE EXAMINE
1799
00:59:28,298 --> 00:59:31,344
♪ BEFORE YOU LABEL ME CRAZY,
PLEASE EXAMINE
WHAT I OFFER YOU ♪
1800
00:59:31,368 --> 00:59:33,379
PLEASE EXAMINE
WHAT I OFFER YOU ♪
♪ IT DON'T, IT DON'T COST YOU ♪
1801
00:59:33,403 --> 00:59:35,281
WHAT I OFFER YOU ♪
♪ IT DON'T, IT DON'T COST YOU ♪
♪ IT DON'T, IT DON'T COST YOU
1802
00:59:35,305 --> 00:59:41,521
♪ IT DON'T, IT DON'T COST YOU ♪
♪ IT DON'T, IT DON'T COST YOU
NOTHIN' ♪
1803
00:59:41,545 --> 00:59:43,322
♪ IT DON'T, IT DON'T COST YOU
NOTHIN' ♪
♪ OH ♪
1804
00:59:43,346 --> 00:59:47,248
NOTHIN' ♪
♪ OH ♪
♪ OH ♪
1805
00:59:58,227 --> 01:00:03,610
♪ WHOO-OOH ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1806
01:00:03,634 --> 01:00:05,478
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1807
01:00:05,502 --> 01:00:06,245
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ NO ♪
1808
01:00:06,269 --> 01:00:07,047
♪ DON'T COST YOU NOTHIN' ♪
♪ NO ♪
♪ IF YOU LIKE IT,
1809
01:00:07,071 --> 01:00:08,081
♪ NO ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1810
01:00:08,105 --> 01:00:09,315
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
1811
01:00:09,339 --> 01:00:10,650
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ NO, NO ♪
1812
01:00:10,674 --> 01:00:11,718
♪ DON'T COST YOU NOTHIN' ♪
♪ NO, NO ♪
♪ NO ♪
1813
01:00:11,742 --> 01:00:13,419
♪ NO, NO ♪
♪ NO ♪
♪ IT'S FREE,
1814
01:00:13,443 --> 01:00:16,656
♪ NO ♪
♪ IT'S FREE,
MY LOVE AND ME ♪
1815
01:00:16,680 --> 01:00:17,724
♪ IT'S FREE,
MY LOVE AND ME ♪
♪ DON'T COST YOU NOTHIN' ♪
1816
01:00:17,748 --> 01:00:19,358
MY LOVE AND ME ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
1817
01:00:19,382 --> 01:00:21,427
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ OH, NO, NO, NO ♪
1818
01:00:21,451 --> 01:00:23,797
♪ DON'T COST YOU NOTHIN' ♪
♪ OH, NO, NO, NO ♪
♪ HEY ♪
1819
01:00:23,821 --> 01:00:24,631
♪ OH, NO, NO, NO ♪
♪ HEY ♪
♪ WHOO-OOH ♪
1820
01:00:24,655 --> 01:00:26,132
♪ HEY ♪
♪ WHOO-OOH ♪
♪ DON'T COST YOU NOTHIN' ♪
1821
01:00:26,156 --> 01:00:27,200
♪ WHOO-OOH ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
1822
01:00:27,224 --> 01:00:28,568
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ NOTHIN' ♪
1823
01:00:28,592 --> 01:00:29,703
♪ DON'T COST YOU NOTHIN' ♪
♪ NOTHIN' ♪
♪ NOTHIN' ♪
1824
01:00:29,727 --> 01:00:30,737
♪ NOTHIN' ♪
♪ NOTHIN' ♪
♪ NOTHIN' ♪
1825
01:00:30,761 --> 01:00:33,039
♪ NOTHIN' ♪
♪ NOTHIN' ♪
♪ OOH, BABY ♪
1826
01:00:33,063 --> 01:00:34,340
♪ NOTHIN' ♪
♪ OOH, BABY ♪
♪ DON'T COST YOU NOTHIN' ♪
1827
01:00:34,364 --> 01:00:35,441
♪ OOH, BABY ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
1828
01:00:35,465 --> 01:00:36,977
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ WHOO-HOO ♪
1829
01:00:37,001 --> 01:00:38,478
♪ DON'T COST YOU NOTHIN' ♪
♪ WHOO-HOO ♪
♪ DON'T COST YOU NOTHIN' ♪
1830
01:00:38,502 --> 01:00:41,247
♪ WHOO-HOO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ YE-E-E-AH ♪
1831
01:00:41,271 --> 01:00:44,050
♪ DON'T COST YOU NOTHIN' ♪
♪ YE-E-E-AH ♪
♪ DON'T COST YOU NOTHIN' ♪
1832
01:00:44,074 --> 01:00:45,451
♪ YE-E-E-AH ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1833
01:00:45,475 --> 01:00:47,787
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1834
01:00:47,811 --> 01:00:48,755
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
1835
01:00:48,779 --> 01:00:49,923
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1836
01:00:49,947 --> 01:00:52,391
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
1837
01:00:52,415 --> 01:00:54,327
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1838
01:00:54,351 --> 01:00:56,162
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1839
01:00:56,186 --> 01:00:57,130
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
1840
01:00:57,154 --> 01:00:58,031
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1841
01:00:58,055 --> 01:00:59,499
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
1842
01:00:59,523 --> 01:01:00,967
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
1843
01:01:00,991 --> 01:01:02,368
♪ DON'T COST YOU NOTHIN' ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1844
01:01:02,392 --> 01:01:04,971
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1845
01:01:04,995 --> 01:01:05,772
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
1846
01:01:05,796 --> 01:01:06,472
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1847
01:01:06,496 --> 01:01:08,942
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
1848
01:01:08,966 --> 01:01:10,810
COME BACK FOR MORE ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
1849
01:01:10,834 --> 01:01:12,712
♪ DON'T COST YOU NOTHIN' ♪
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
1850
01:01:12,736 --> 01:01:13,747
♪ TAKE A CHANCE AS YOU GO ♪
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
1851
01:01:13,771 --> 01:01:18,184
♪ DON'T COST YOU NOTHIN' ♪
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
1852
01:01:18,208 --> 01:01:21,710
♪ IF YOU LIKE IT,
COME BACK FOR MORE ♪
[CHEERS AND APPLAUSE]
1853
01:01:34,223 --> 01:01:40,807
Announcer: AND NOW IT'S TIME
FOR THE NETWORK "CELEBRITY
BATTLE OF THE SEXES & RACES."
1854
01:01:40,831 --> 01:01:42,208
FOR THE NETWORK "CELEBRITY
BATTLE OF THE SEXES & RACES."
HI, I'M BRENT MUSBURGER, AND
1855
01:01:42,232 --> 01:01:43,643
BATTLE OF THE SEXES & RACES."
HI, I'M BRENT MUSBURGER, AND
WELCOME TO THE "CELEBRITY BATTLE
1856
01:01:43,667 --> 01:01:44,711
HI, I'M BRENT MUSBURGER, AND
WELCOME TO THE "CELEBRITY BATTLE
OF THE SEXES & RACES."
1857
01:01:44,735 --> 01:01:46,412
WELCOME TO THE "CELEBRITY BATTLE
OF THE SEXES & RACES."
WE'RE IN THE THIRD DAY OF AN
1858
01:01:46,436 --> 01:01:48,247
OF THE SEXES & RACES."
WE'RE IN THE THIRD DAY OF AN
EXCITING MARATHON CONTEST HERE
1859
01:01:48,271 --> 01:01:49,582
WE'RE IN THE THIRD DAY OF AN
EXCITING MARATHON CONTEST HERE
WITH O.J. SIMPSON AND
1860
01:01:49,606 --> 01:01:51,317
EXCITING MARATHON CONTEST HERE
WITH O.J. SIMPSON AND
LEON SPINKS REPRESENTING THE
1861
01:01:51,341 --> 01:01:53,186
WITH O.J. SIMPSON AND
LEON SPINKS REPRESENTING THE
BLACK MEN, AND SANDY DUNCAN AND
1862
01:01:53,210 --> 01:01:55,587
LEON SPINKS REPRESENTING THE
BLACK MEN, AND SANDY DUNCAN AND
MARIE OSMOND THE WHITE WOMEN.
1863
01:01:55,611 --> 01:01:56,912
SO, AS THE ACTION RESUMES, WE
1864
01:01:57,046 --> 01:01:58,180
FIND THE BLACK MEN WITH A
1865
01:01:58,314 --> 01:01:59,681
COMMANDING LEAD OVER THE WHITE
1866
01:01:59,816 --> 01:02:02,584
WOMEN OF 3,100 TO NOTHING.
1867
01:02:02,719 --> 01:02:03,785
AND NOW LET'S GO OVER TO
1868
01:02:03,920 --> 01:02:05,220
PHYLLIS GEORGE FOR ON-THE-SPOT
1869
01:02:05,354 --> 01:02:06,354
COVERAGE.
1870
01:02:06,422 --> 01:02:10,670
THANK YOU, BRENT.
I'M HERE AT THE YOUTH CENTER AT
THE MALCOLM "X" HIGH SCHOOL IN
1871
01:02:10,694 --> 01:02:12,271
I'M HERE AT THE YOUTH CENTER AT
THE MALCOLM "X" HIGH SCHOOL IN
CHICAGO, ILLINOIS, AND THERE'S
1872
01:02:12,295 --> 01:02:13,840
THE MALCOLM "X" HIGH SCHOOL IN
CHICAGO, ILLINOIS, AND THERE'S
NO SECRET ABOUT WHICH TEAM IS
1873
01:02:13,864 --> 01:02:17,877
CHICAGO, ILLINOIS, AND THERE'S
NO SECRET ABOUT WHICH TEAM IS
THE FAVORITE HERE TONIGHT.
1874
01:02:17,901 --> 01:02:19,779
NO SECRET ABOUT WHICH TEAM IS
THE FAVORITE HERE TONIGHT.
WELL, SANDY AND MARIE, HOW ARE
1875
01:02:19,803 --> 01:02:21,014
THE FAVORITE HERE TONIGHT.
WELL, SANDY AND MARIE, HOW ARE
YOU GIRLS FEELING?
1876
01:02:21,038 --> 01:02:21,948
WELL, SANDY AND MARIE, HOW ARE
YOU GIRLS FEELING?
NOT GOOD.
1877
01:02:21,972 --> 01:02:23,683
YOU GIRLS FEELING?
NOT GOOD.
YEAH, BUT WE'RE SHOWBIZ
1878
01:02:23,707 --> 01:02:25,618
NOT GOOD.
YEAH, BUT WE'RE SHOWBIZ
FOLKS, AND WE'RE GONNA GIVE IT
1879
01:02:25,642 --> 01:02:27,053
YEAH, BUT WE'RE SHOWBIZ
FOLKS, AND WE'RE GONNA GIVE IT
EVERYTHING WE'VE GOT!
1880
01:02:27,077 --> 01:02:28,121
FOLKS, AND WE'RE GONNA GIVE IT
EVERYTHING WE'VE GOT!
RIGHT, SANDY?
1881
01:02:28,145 --> 01:02:29,622
EVERYTHING WE'VE GOT!
RIGHT, SANDY?
I GUESS SO.
1882
01:02:29,646 --> 01:02:30,890
RIGHT, SANDY?
I GUESS SO.
HI, DONNY!
1883
01:02:30,914 --> 01:02:32,558
I GUESS SO.
HI, DONNY!
WELL, GOOD LUCK, WHITE WOMEN.
1884
01:02:32,582 --> 01:02:34,027
HI, DONNY!
WELL, GOOD LUCK, WHITE WOMEN.
AND NOW LET'S SAY HELLO TO A
1885
01:02:34,051 --> 01:02:35,394
WELL, GOOD LUCK, WHITE WOMEN.
AND NOW LET'S SAY HELLO TO A
COUPLE OF GUYS WHO MUST BE
1886
01:02:35,418 --> 01:02:36,963
AND NOW LET'S SAY HELLO TO A
COUPLE OF GUYS WHO MUST BE
FEELING PRETTY GOOD ABOUT NOW,
1887
01:02:36,987 --> 01:02:38,497
COUPLE OF GUYS WHO MUST BE
FEELING PRETTY GOOD ABOUT NOW,
O.J. SIMPSON AND LEON SPINKS.
1888
01:02:38,521 --> 01:02:43,502
FEELING PRETTY GOOD ABOUT NOW,
O.J. SIMPSON AND LEON SPINKS.
HOW ARE YOU DOING, PHYLLIS?
1889
01:02:43,526 --> 01:02:44,637
O.J. SIMPSON AND LEON SPINKS.
HOW ARE YOU DOING, PHYLLIS?
YOU KNOW, YOU'RE A PRETTY
1890
01:02:44,661 --> 01:02:45,638
HOW ARE YOU DOING, PHYLLIS?
YOU KNOW, YOU'RE A PRETTY
BEAUTIFUL WOMAN, HUH?
1891
01:02:45,662 --> 01:02:47,373
YOU KNOW, YOU'RE A PRETTY
BEAUTIFUL WOMAN, HUH?
WHY DON'T YOU JOIN SANDY, MARIE,
1892
01:02:47,397 --> 01:02:48,574
BEAUTIFUL WOMAN, HUH?
WHY DON'T YOU JOIN SANDY, MARIE,
AND I AFTER THE SHOW?
1893
01:02:48,598 --> 01:02:49,408
WHY DON'T YOU JOIN SANDY, MARIE,
AND I AFTER THE SHOW?
ALL THREE OF US?
1894
01:02:49,432 --> 01:02:50,509
AND I AFTER THE SHOW?
ALL THREE OF US?
WON'T YOU BE A LITTLE TIRED
1895
01:02:50,533 --> 01:02:51,745
ALL THREE OF US?
WON'T YOU BE A LITTLE TIRED
AFTER ALL THAT EXERCISE, JUICE?
1896
01:02:51,769 --> 01:02:53,813
WON'T YOU BE A LITTLE TIRED
AFTER ALL THAT EXERCISE, JUICE?
HEY, MY MOUTH DON'T WRITE NO
1897
01:02:53,837 --> 01:02:55,615
AFTER ALL THAT EXERCISE, JUICE?
HEY, MY MOUTH DON'T WRITE NO
CHECKS MY BODY CAN'T CASH.
1898
01:02:55,639 --> 01:02:56,616
HEY, MY MOUTH DON'T WRITE NO
CHECKS MY BODY CAN'T CASH.
WELL, OKAY.
1899
01:02:56,640 --> 01:02:58,317
CHECKS MY BODY CAN'T CASH.
WELL, OKAY.
IF YOU CAN HANDLE IT, FINE.
1900
01:02:58,341 --> 01:03:00,086
WELL, OKAY.
IF YOU CAN HANDLE IT, FINE.
LEON, HOW DO SANDY AND MARIE
1901
01:03:00,110 --> 01:03:01,955
IF YOU CAN HANDLE IT, FINE.
LEON, HOW DO SANDY AND MARIE
STACK UP AGAINST MUHAMMAD ALI?
1902
01:03:01,979 --> 01:03:03,522
LEON, HOW DO SANDY AND MARIE
STACK UP AGAINST MUHAMMAD ALI?
WELL, I'M WORLD HEAVYWEIGHT
1903
01:03:03,546 --> 01:03:05,091
STACK UP AGAINST MUHAMMAD ALI?
WELL, I'M WORLD HEAVYWEIGHT
CHAMPION NOW, AND THAT'D BE A
1904
01:03:05,115 --> 01:03:06,392
WELL, I'M WORLD HEAVYWEIGHT
CHAMPION NOW, AND THAT'D BE A
PSYCHOLOGICAL ADVANTAGE.
1905
01:03:06,416 --> 01:03:08,128
CHAMPION NOW, AND THAT'D BE A
PSYCHOLOGICAL ADVANTAGE.
AND NOW FOR A RECAP OF THE
1906
01:03:08,152 --> 01:03:09,963
PSYCHOLOGICAL ADVANTAGE.
AND NOW FOR A RECAP OF THE
EVENTS SO FAR, LET'S GO BACK TO
1907
01:03:09,987 --> 01:03:11,030
AND NOW FOR A RECAP OF THE
EVENTS SO FAR, LET'S GO BACK TO
BRENT MUSBURGER.
1908
01:03:11,054 --> 01:03:12,331
EVENTS SO FAR, LET'S GO BACK TO
BRENT MUSBURGER.
WELL, PHYLLIS, WHAT WE'VE
1909
01:03:12,355 --> 01:03:13,666
BRENT MUSBURGER.
WELL, PHYLLIS, WHAT WE'VE
SEEN SO FAR HERE IS A ROUT BY
1910
01:03:13,690 --> 01:03:14,400
WELL, PHYLLIS, WHAT WE'VE
SEEN SO FAR HERE IS A ROUT BY
THE BLACK MEN.
1911
01:03:14,424 --> 01:03:15,735
SEEN SO FAR HERE IS A ROUT BY
THE BLACK MEN.
IF I WERE TO PICK SOME OF THE
1912
01:03:15,759 --> 01:03:17,203
THE BLACK MEN.
IF I WERE TO PICK SOME OF THE
KEY MOMENTS IN THIS COMPETITION,
1913
01:03:17,227 --> 01:03:18,404
IF I WERE TO PICK SOME OF THE
KEY MOMENTS IN THIS COMPETITION,
I'D SINGLE OUT BASKETBALL.
1914
01:03:18,428 --> 01:03:19,873
KEY MOMENTS IN THIS COMPETITION,
I'D SINGLE OUT BASKETBALL.
THAT HAD TO HURT THE WHITE WOMEN
1915
01:03:19,897 --> 01:03:20,673
I'D SINGLE OUT BASKETBALL.
THAT HAD TO HURT THE WHITE WOMEN
PSYCHOLOGICALLY.
1916
01:03:20,697 --> 01:03:22,142
THAT HAD TO HURT THE WHITE WOMEN
PSYCHOLOGICALLY.
WRESTLING, OF COURSE... THAT HAD
1917
01:03:22,166 --> 01:03:23,276
PSYCHOLOGICALLY.
WRESTLING, OF COURSE... THAT HAD
TO HURT THEM PHYSICALLY.
1918
01:03:23,300 --> 01:03:24,710
WRESTLING, OF COURSE... THAT HAD
TO HURT THEM PHYSICALLY.
BOXING... NO SURPRISE THERE WITH
1919
01:03:24,734 --> 01:03:25,845
TO HURT THEM PHYSICALLY.
BOXING... NO SURPRISE THERE WITH
LEON SPINKS ON THE TEAM.
1920
01:03:25,869 --> 01:03:27,380
BOXING... NO SURPRISE THERE WITH
LEON SPINKS ON THE TEAM.
AND THEN THERE WERE THE NOVELTY
1921
01:03:27,404 --> 01:03:27,947
LEON SPINKS ON THE TEAM.
AND THEN THERE WERE THE NOVELTY
EVENTS.
1922
01:03:27,971 --> 01:03:29,515
AND THEN THERE WERE THE NOVELTY
EVENTS.
THE LATE-NIGHT SUBWAY-RIDING
1923
01:03:29,539 --> 01:03:30,984
EVENTS.
THE LATE-NIGHT SUBWAY-RIDING
CONTEST WAS NO CONTEST, OF
1924
01:03:31,008 --> 01:03:31,550
THE LATE-NIGHT SUBWAY-RIDING
CONTEST WAS NO CONTEST, OF
COURSE.
1925
01:03:31,574 --> 01:03:32,852
CONTEST WAS NO CONTEST, OF
COURSE.
THE "PICKING UP WHITE GIRLS"
1926
01:03:32,876 --> 01:03:34,287
COURSE.
THE "PICKING UP WHITE GIRLS"
EVENT A FRUSTRATING EVENING FOR
1927
01:03:34,311 --> 01:03:35,121
THE "PICKING UP WHITE GIRLS"
EVENT A FRUSTRATING EVENING FOR
SANDY AND MARIE.
1928
01:03:35,145 --> 01:03:36,856
EVENT A FRUSTRATING EVENING FOR
SANDY AND MARIE.
AND, AS EXPECTED, THE BLACK MEN
1929
01:03:36,880 --> 01:03:38,624
SANDY AND MARIE.
AND, AS EXPECTED, THE BLACK MEN
RAN AWAY WITH THE SPEAR-CHUCKING
1930
01:03:38,648 --> 01:03:40,226
AND, AS EXPECTED, THE BLACK MEN
RAN AWAY WITH THE SPEAR-CHUCKING
COMPETITION.
1931
01:03:40,250 --> 01:03:41,761
RAN AWAY WITH THE SPEAR-CHUCKING
COMPETITION.
AND NOW, RONNIE GWYNN, TELL OUR
1932
01:03:41,785 --> 01:03:43,229
COMPETITION.
AND NOW, RONNIE GWYNN, TELL OUR
TEAMS ABOUT SOME OF THE PRIZES
1933
01:03:43,253 --> 01:03:44,497
AND NOW, RONNIE GWYNN, TELL OUR
TEAMS ABOUT SOME OF THE PRIZES
THEY'LL BE COMPETING FOR.
1934
01:03:44,521 --> 01:03:45,498
TEAMS ABOUT SOME OF THE PRIZES
THEY'LL BE COMPETING FOR.
Announcer: WELL, BRENT,
1935
01:03:45,522 --> 01:03:46,632
THEY'LL BE COMPETING FOR.
Announcer: WELL, BRENT,
COMPETITORS ARE ELIGIBLE TO WIN
1936
01:03:46,656 --> 01:03:47,633
Announcer: WELL, BRENT,
COMPETITORS ARE ELIGIBLE TO WIN
A BRAND-NEW, 1978, PURPLE,
1937
01:03:47,657 --> 01:03:48,734
COMPETITORS ARE ELIGIBLE TO WIN
A BRAND-NEW, 1978, PURPLE,
CUSTOM-MADE CADILLAC EL DORADO
1938
01:03:48,758 --> 01:03:49,869
A BRAND-NEW, 1978, PURPLE,
CUSTOM-MADE CADILLAC EL DORADO
CONVERTIBLE WITH CRUSHED-VELVET
1939
01:03:49,893 --> 01:03:51,037
CUSTOM-MADE CADILLAC EL DORADO
CONVERTIBLE WITH CRUSHED-VELVET
INTERIOR, 30-INCH COLOR TV, AND
1940
01:03:51,061 --> 01:03:51,570
CONVERTIBLE WITH CRUSHED-VELVET
INTERIOR, 30-INCH COLOR TV, AND
COACH LAMPS.
1941
01:03:51,594 --> 01:03:53,072
INTERIOR, 30-INCH COLOR TV, AND
COACH LAMPS.
AND NOW ABOUT STRUTTING YOUR
1942
01:03:53,096 --> 01:03:54,473
COACH LAMPS.
AND NOW ABOUT STRUTTING YOUR
STUFF IN THESE FINE VINES?
1943
01:03:54,497 --> 01:03:56,176
AND NOW ABOUT STRUTTING YOUR
STUFF IN THESE FINE VINES?
THIS LUXURIOUS, FLOOR-LENGTH
1944
01:03:56,200 --> 01:03:58,011
STUFF IN THESE FINE VINES?
THIS LUXURIOUS, FLOOR-LENGTH
SABLE COAT WITH JEWEL-ENCRUSTED
1945
01:03:58,035 --> 01:03:59,879
THIS LUXURIOUS, FLOOR-LENGTH
SABLE COAT WITH JEWEL-ENCRUSTED
LAVENDER SILK LINING AND A PAIR
1946
01:03:59,903 --> 01:04:01,514
SABLE COAT WITH JEWEL-ENCRUSTED
LAVENDER SILK LINING AND A PAIR
OF LIME-GREEN SUEDE, 5-INCH
1947
01:04:01,538 --> 01:04:02,548
LAVENDER SILK LINING AND A PAIR
OF LIME-GREEN SUEDE, 5-INCH
PLATFORM SHOES.
1948
01:04:02,572 --> 01:04:03,883
OF LIME-GREEN SUEDE, 5-INCH
PLATFORM SHOES.
EACH MEMBER OF THE WINNING TEAM
1949
01:04:03,907 --> 01:04:05,084
PLATFORM SHOES.
EACH MEMBER OF THE WINNING TEAM
WILL RECEIVE HIS OR HER OWN
1950
01:04:05,108 --> 01:04:06,452
EACH MEMBER OF THE WINNING TEAM
WILL RECEIVE HIS OR HER OWN
PERSONALIZED, HAND-CRAFTED SWORD
1951
01:04:06,476 --> 01:04:07,821
WILL RECEIVE HIS OR HER OWN
PERSONALIZED, HAND-CRAFTED SWORD
CANE WITH SOLID-SILVER WOLF-HEAD
1952
01:04:07,845 --> 01:04:08,254
PERSONALIZED, HAND-CRAFTED SWORD
CANE WITH SOLID-SILVER WOLF-HEAD
HANDLE.
1953
01:04:08,278 --> 01:04:09,555
CANE WITH SOLID-SILVER WOLF-HEAD
HANDLE.
AND NOW BACK TO PHYLLIS GEORGE
1954
01:04:09,579 --> 01:04:13,026
HANDLE.
AND NOW BACK TO PHYLLIS GEORGE
FOR THE TUG-OF-WAR COMPETITION.
1955
01:04:13,050 --> 01:04:16,090
AND NOW BACK TO PHYLLIS GEORGE
FOR THE TUG-OF-WAR COMPETITION.
[WHISTLE BLOWS]
1956
01:04:23,559 --> 01:04:26,027
JUDGES, DO WE HAVE A
DECISION?
[BELL DINGS]
1957
01:04:26,295 --> 01:04:27,662
YES, IT'S OFFICIAL... ANOTHER
1958
01:04:27,796 --> 01:04:29,297
VICTORY FOR THE BLACK MEN, WHICH
1959
01:04:29,431 --> 01:04:30,732
BRINGS THE SCORE TO 3,700 TO
1960
01:04:30,867 --> 01:04:33,501
NADA.
1961
01:04:33,769 --> 01:04:39,085
WELL, GIRLS, WERE YOU SURPRISED?
NO, WE KNEW WE WOULDN'T WIN.
WE TOLD YOU THAT.
1962
01:04:39,109 --> 01:04:40,286
NO, WE KNEW WE WOULDN'T WIN.
WE TOLD YOU THAT.
HI, DONNY.
1963
01:04:40,310 --> 01:04:41,454
WE TOLD YOU THAT.
HI, DONNY.
SANDY AND MARIE, IF YOU'LL
1964
01:04:41,478 --> 01:04:42,621
HI, DONNY.
SANDY AND MARIE, IF YOU'LL
JUST STAY HERE, WE'LL GET YOU
1965
01:04:42,645 --> 01:04:43,156
SANDY AND MARIE, IF YOU'LL
JUST STAY HERE, WE'LL GET YOU
HOSED DOWN.
1966
01:04:43,180 --> 01:04:45,258
JUST STAY HERE, WE'LL GET YOU
HOSED DOWN.
ISN'T IT WONDERFUL TO SEE THESE
1967
01:04:45,282 --> 01:04:47,260
HOSED DOWN.
ISN'T IT WONDERFUL TO SEE THESE
GIRLS HERE, COMPETING WITH MEN
1968
01:04:47,284 --> 01:04:48,594
ISN'T IT WONDERFUL TO SEE THESE
GIRLS HERE, COMPETING WITH MEN
ON AN EQUAL BASIS?
1969
01:04:48,618 --> 01:04:50,463
GIRLS HERE, COMPETING WITH MEN
ON AN EQUAL BASIS?
AND NOW BACK TO YOU, BRENT.
1970
01:04:50,487 --> 01:04:51,664
ON AN EQUAL BASIS?
AND NOW BACK TO YOU, BRENT.
THANK YOU, PHYLLIS.
1971
01:04:51,688 --> 01:04:52,631
AND NOW BACK TO YOU, BRENT.
THANK YOU, PHYLLIS.
THANK YOU, TEAMS.
1972
01:04:52,655 --> 01:04:53,867
THANK YOU, PHYLLIS.
THANK YOU, TEAMS.
THAT ABOUT WRAPS IT UP.
1973
01:04:53,891 --> 01:04:55,468
THANK YOU, TEAMS.
THAT ABOUT WRAPS IT UP.
JOIN US AGAIN TOMORROW, WHEN OUR
1974
01:04:55,492 --> 01:04:57,103
THAT ABOUT WRAPS IT UP.
JOIN US AGAIN TOMORROW, WHEN OUR
COVERAGE OF "CELEBRITY BATTLE OF
1975
01:04:57,127 --> 01:04:58,738
JOIN US AGAIN TOMORROW, WHEN OUR
COVERAGE OF "CELEBRITY BATTLE OF
THE SEXES & RACES" WILL GO UP TO
1976
01:04:58,762 --> 01:04:59,572
COVERAGE OF "CELEBRITY BATTLE OF
THE SEXES & RACES" WILL GO UP TO
HARLEM FOR THE
1977
01:04:59,596 --> 01:05:01,074
THE SEXES & RACES" WILL GO UP TO
HARLEM FOR THE
MOBILE HOME-PULLING CONTEST.
1978
01:05:01,098 --> 01:05:03,738
HARLEM FOR THE
MOBILE HOME-PULLING CONTEST.
SEE YOU THEN, EVERYBODY.
1979
01:05:16,345 --> 01:05:22,817
WELL, THAT'S ALL FOR TONIGHT.
THANKS FOR JOINING US.
[CHEERS AND APPLAUSE]
1980
01:05:32,094 --> 01:05:33,661
Announcer: NEXT SATURDAY
1981
01:05:33,796 --> 01:05:35,430
NIGHT, WATCH NBC's "WEEKEND"
1982
01:05:35,564 --> 01:05:36,731
WITH LLOYD DOBBINS.
1983
01:05:36,865 --> 01:05:38,333
WE'LL BE BACK TWO WEEKS FROM
1984
01:05:38,467 --> 01:05:40,035
TONIGHT, WHEN OUR HOST WILL BE
1985
01:05:40,169 --> 01:05:42,304
ART GARFUNKEL, WITH MUSICAL
1986
01:05:42,438 --> 01:05:45,140
GUEST STEPHEN BISHOP AND
1987
01:05:45,274 --> 01:05:46,274
ANDY KAUFMAN.
1988
01:05:46,409 --> 01:05:48,810
THIS IS O.J. PARDO.
1989
01:05:48,945 --> 01:05:52,680
THE "O.J." IS FOR "ONLY JOKING."
1990
01:05:52,815 --> 01:05:55,516
GOOD NIGHT.
217641
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.