All language subtitles for SNL S03E12 O.J. Simpson.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,503 --> 00:00:07,750 Announcer: WILL NOT BE SEEN TONIGHT SO THAT NBC MAY PRESENT THE FOLLOWING SPECIAL 2 00:00:07,774 --> 00:00:10,374 SEEN TONIGHT SO THAT NBC MAY PRESENT THE FOLLOWING SPECIAL PROGRAM. 3 00:00:11,844 --> 00:00:18,650 HI, I'M GILDA RADNER. AND, UH... OKAY, NOW. [CHEERS AND APPLAUSE] 4 00:00:29,462 --> 00:00:34,044 THANK YOU. THANKS. TONIGHT... 5 00:00:34,068 --> 00:00:35,778 THANKS. TONIGHT... TONIGHT WE THOUGHT WE'D START 6 00:00:35,802 --> 00:00:37,414 TONIGHT... TONIGHT WE THOUGHT WE'D START OFF WITH SOMETHING A LITTLE 7 00:00:37,438 --> 00:00:38,181 TONIGHT WE THOUGHT WE'D START OFF WITH SOMETHING A LITTLE DIFFERENT. 8 00:00:38,205 --> 00:00:39,983 OFF WITH SOMETHING A LITTLE DIFFERENT. BEFORE THE SHOW, WE HANDED OUT 9 00:00:40,007 --> 00:00:41,784 DIFFERENT. BEFORE THE SHOW, WE HANDED OUT SOME CARDS FOR THE AUDIENCE TO 10 00:00:41,808 --> 00:00:43,553 BEFORE THE SHOW, WE HANDED OUT SOME CARDS FOR THE AUDIENCE TO WRITE DOWN QUESTIONS, AND I'M 11 00:00:43,577 --> 00:00:45,155 SOME CARDS FOR THE AUDIENCE TO WRITE DOWN QUESTIONS, AND I'M GONNA DO THE BEST I CAN TO 12 00:00:45,179 --> 00:00:46,890 WRITE DOWN QUESTIONS, AND I'M GONNA DO THE BEST I CAN TO ANSWER THEM OFF THE TOP OF MY 13 00:00:46,914 --> 00:00:47,724 GONNA DO THE BEST I CAN TO ANSWER THEM OFF THE TOP OF MY HEAD, OKAY? 14 00:00:47,748 --> 00:00:49,859 ANSWER THEM OFF THE TOP OF MY HEAD, OKAY? ALL RIGHT, THE FIRST QUESTION 15 00:00:49,883 --> 00:00:51,861 HEAD, OKAY? ALL RIGHT, THE FIRST QUESTION IS FROM KEVIN LIEBERMAN FROM 16 00:00:51,885 --> 00:00:53,930 ALL RIGHT, THE FIRST QUESTION IS FROM KEVIN LIEBERMAN FROM MINEOLA, NEW YORK, AND KEVIN 17 00:00:53,954 --> 00:00:56,133 IS FROM KEVIN LIEBERMAN FROM MINEOLA, NEW YORK, AND KEVIN ASKS, "DO YOU EVER HAVE TROUBLE 18 00:00:56,157 --> 00:00:58,201 MINEOLA, NEW YORK, AND KEVIN ASKS, "DO YOU EVER HAVE TROUBLE COMING UP WITH AN OPENING FOR 19 00:00:58,225 --> 00:00:59,102 ASKS, "DO YOU EVER HAVE TROUBLE COMING UP WITH AN OPENING FOR THE SHOW?" 20 00:00:59,126 --> 00:01:00,637 COMING UP WITH AN OPENING FOR THE SHOW?" WELL, YES, KEVIN. 21 00:01:00,661 --> 00:01:03,040 THE SHOW?" WELL, YES, KEVIN. COINCIDENTALLY, WE HAD A GREAT 22 00:01:03,064 --> 00:01:05,375 WELL, YES, KEVIN. COINCIDENTALLY, WE HAD A GREAT DEAL OF DIFFICULTY THIS VERY 23 00:01:05,399 --> 00:01:06,076 COINCIDENTALLY, WE HAD A GREAT DEAL OF DIFFICULTY THIS VERY WEEK. 24 00:01:06,100 --> 00:01:08,345 DEAL OF DIFFICULTY THIS VERY WEEK. THE NEXT QUESTION IS FROM 25 00:01:08,369 --> 00:01:10,914 WEEK. THE NEXT QUESTION IS FROM KEVIN WOOD, WHO ASKS, "IN THE 26 00:01:10,938 --> 00:01:13,550 THE NEXT QUESTION IS FROM KEVIN WOOD, WHO ASKS, "IN THE EVENT THAT YOU HAVE DIFFICULTY 27 00:01:13,574 --> 00:01:16,353 KEVIN WOOD, WHO ASKS, "IN THE EVENT THAT YOU HAVE DIFFICULTY COMING UP WITH AN OPENING TO THE 28 00:01:16,377 --> 00:01:18,621 EVENT THAT YOU HAVE DIFFICULTY COMING UP WITH AN OPENING TO THE SHOW, WHAT WOULD YOU DO?" 29 00:01:18,645 --> 00:01:20,190 COMING UP WITH AN OPENING TO THE SHOW, WHAT WOULD YOU DO?" WELL, KEVIN, WHENEVER THIS 30 00:01:20,214 --> 00:01:22,059 SHOW, WHAT WOULD YOU DO?" WELL, KEVIN, WHENEVER THIS HAPPENS... AND THIS IS THE FIRST 31 00:01:22,083 --> 00:01:23,893 WELL, KEVIN, WHENEVER THIS HAPPENS... AND THIS IS THE FIRST TIME... WE HAND OUT CARDS TO THE 32 00:01:23,917 --> 00:01:25,362 HAPPENS... AND THIS IS THE FIRST TIME... WE HAND OUT CARDS TO THE AUDIENCE SO THEY CAN ASK 33 00:01:25,386 --> 00:01:27,030 TIME... WE HAND OUT CARDS TO THE AUDIENCE SO THEY CAN ASK QUESTIONS, AND THEN I ANSWER 34 00:01:27,054 --> 00:01:28,731 AUDIENCE SO THEY CAN ASK QUESTIONS, AND THEN I ANSWER THEM OFF THE TOP OF MY HEAD. 35 00:01:28,755 --> 00:01:31,134 QUESTIONS, AND THEN I ANSWER THEM OFF THE TOP OF MY HEAD. OKAY. 36 00:01:31,158 --> 00:01:33,136 THEM OFF THE TOP OF MY HEAD. OKAY. THE NEXT QUESTION IS FROM 37 00:01:33,160 --> 00:01:35,272 OKAY. THE NEXT QUESTION IS FROM KEVIN KRAK OF BROOKLYN, AND 38 00:01:35,296 --> 00:01:37,774 THE NEXT QUESTION IS FROM KEVIN KRAK OF BROOKLYN, AND KEVIN ASKS, "ARE THESE QUESTIONS 39 00:01:37,798 --> 00:01:39,776 KEVIN KRAK OF BROOKLYN, AND KEVIN ASKS, "ARE THESE QUESTIONS REALLY WRITTEN BY US, THE 40 00:01:39,800 --> 00:01:42,245 KEVIN ASKS, "ARE THESE QUESTIONS REALLY WRITTEN BY US, THE AUDIENCE, OR ARE THEY WRITTEN BY 41 00:01:42,269 --> 00:01:44,847 REALLY WRITTEN BY US, THE AUDIENCE, OR ARE THEY WRITTEN BY THE WRITERS?" 42 00:01:44,871 --> 00:01:46,249 AUDIENCE, OR ARE THEY WRITTEN BY THE WRITERS?" KEVIN, I HOPE YOU'RE NOT 43 00:01:46,273 --> 00:01:47,917 THE WRITERS?" KEVIN, I HOPE YOU'RE NOT DISAPPOINTED, BUT THE WRITERS 44 00:01:47,941 --> 00:01:50,187 KEVIN, I HOPE YOU'RE NOT DISAPPOINTED, BUT THE WRITERS WROTE THE QUESTIONS. 45 00:01:50,211 --> 00:01:51,254 DISAPPOINTED, BUT THE WRITERS WROTE THE QUESTIONS. OKAY? 46 00:01:51,278 --> 00:01:53,756 WROTE THE QUESTIONS. OKAY? OH, AND THIS ONE IS FROM SOMEONE 47 00:01:53,780 --> 00:01:56,259 OKAY? OH, AND THIS ONE IS FROM SOMEONE WHO SIGNS HIS NAME JUST "KEVIN." 48 00:01:56,283 --> 00:01:58,462 OH, AND THIS ONE IS FROM SOMEONE WHO SIGNS HIS NAME JUST "KEVIN." WHERE ARE YOU SITTING, KEVIN? 49 00:01:58,486 --> 00:02:06,486 WHO SIGNS HIS NAME JUST "KEVIN." WHERE ARE YOU SITTING, KEVIN? WHERE ARE YOU? 50 00:02:06,527 --> 00:02:09,172 WHERE ARE YOU SITTING, KEVIN? WHERE ARE YOU? THANK YOU, ALL RIGHT. 51 00:02:09,196 --> 00:02:13,076 WHERE ARE YOU? THANK YOU, ALL RIGHT. AND KEVIN SAYS, "GILDA, SETTLE A 52 00:02:13,100 --> 00:02:14,010 THANK YOU, ALL RIGHT. AND KEVIN SAYS, "GILDA, SETTLE A BET. 53 00:02:14,034 --> 00:02:17,914 AND KEVIN SAYS, "GILDA, SETTLE A BET. MY WIFE, KEVIN, SAYS YOU ALWAYS 54 00:02:17,938 --> 00:02:21,618 BET. MY WIFE, KEVIN, SAYS YOU ALWAYS START THE SHOW WITH THE WORDS 55 00:02:21,642 --> 00:02:23,820 MY WIFE, KEVIN, SAYS YOU ALWAYS START THE SHOW WITH THE WORDS 'GIVE ME ALL YOUR HOT MONKEY 56 00:02:23,844 --> 00:02:27,857 START THE SHOW WITH THE WORDS 'GIVE ME ALL YOUR HOT MONKEY LOVE, ' AND I SAY SHE'S WRONG." 57 00:02:27,881 --> 00:02:30,727 'GIVE ME ALL YOUR HOT MONKEY LOVE, ' AND I SAY SHE'S WRONG." WELL, KEVIN, YOUR WIFE, KEVIN, 58 00:02:30,751 --> 00:02:31,894 LOVE, ' AND I SAY SHE'S WRONG." WELL, KEVIN, YOUR WIFE, KEVIN, IS WRONG. 59 00:02:31,918 --> 00:02:33,563 WELL, KEVIN, YOUR WIFE, KEVIN, IS WRONG. NO MATTER WHAT THE OPENING, NO 60 00:02:33,587 --> 00:02:35,198 IS WRONG. NO MATTER WHAT THE OPENING, NO MATTER HOW ILL-CONCEIVED, HOW 61 00:02:35,222 --> 00:02:36,799 NO MATTER WHAT THE OPENING, NO MATTER HOW ILL-CONCEIVED, HOW UNPREPARED WE ARE, WE ALWAYS 62 00:02:36,823 --> 00:02:38,468 MATTER HOW ILL-CONCEIVED, HOW UNPREPARED WE ARE, WE ALWAYS START THE SHOW WITH "LIVE FROM 63 00:02:38,492 --> 00:02:39,869 UNPREPARED WE ARE, WE ALWAYS START THE SHOW WITH "LIVE FROM NEW YORK, IT'S 'SATURDAY 64 00:02:39,893 --> 00:02:42,639 START THE SHOW WITH "LIVE FROM NEW YORK, IT'S 'SATURDAY NIGHT'!" 65 00:02:42,663 --> 00:02:44,596 NEW YORK, IT'S 'SATURDAY NIGHT'!" [BAND PLAYS] 66 00:03:38,451 --> 00:03:46,391 Announcer: LADIES AND GENTLEMEN, O.J. SIMPSON! [CHEERS AND APPLAUSE] 67 00:04:01,140 --> 00:04:07,056 AH, THANK YOU. THANK YOU. THANK YOU, LADIES AND GENTLEMEN. 68 00:04:07,080 --> 00:04:09,292 THANK YOU. THANK YOU, LADIES AND GENTLEMEN. THANK YOU VERY MUCH. 69 00:04:09,316 --> 00:04:10,727 THANK YOU, LADIES AND GENTLEMEN. THANK YOU VERY MUCH. YOU'RE GONNA HAVE TO EXCUSE ME 70 00:04:10,751 --> 00:04:12,095 THANK YOU VERY MUCH. YOU'RE GONNA HAVE TO EXCUSE ME IF I APPEAR A LITTLE NERVOUS 71 00:04:12,119 --> 00:04:13,597 YOU'RE GONNA HAVE TO EXCUSE ME IF I APPEAR A LITTLE NERVOUS THIS EVENING, BUT THIS IS A BIG 72 00:04:13,621 --> 00:04:14,397 IF I APPEAR A LITTLE NERVOUS THIS EVENING, BUT THIS IS A BIG MOMENT FOR ME. 73 00:04:14,421 --> 00:04:15,832 THIS EVENING, BUT THIS IS A BIG MOMENT FOR ME. I CAN'T TELL YOU HOW LONG IT'S 74 00:04:15,856 --> 00:04:17,534 MOMENT FOR ME. I CAN'T TELL YOU HOW LONG IT'S BEEN THAT I'VE BEEN TRYING TO 75 00:04:17,558 --> 00:04:19,135 I CAN'T TELL YOU HOW LONG IT'S BEEN THAT I'VE BEEN TRYING TO HOST "SATURDAY NIGHT LIVE." 76 00:04:19,159 --> 00:04:20,270 BEEN THAT I'VE BEEN TRYING TO HOST "SATURDAY NIGHT LIVE." SO I MAY APPEAR A LITTLE 77 00:04:20,294 --> 00:04:21,438 HOST "SATURDAY NIGHT LIVE." SO I MAY APPEAR A LITTLE STRANGE, A LITTLE NERVOUS 78 00:04:21,462 --> 00:04:22,572 SO I MAY APPEAR A LITTLE STRANGE, A LITTLE NERVOUS TONIGHT, BUT IT'S FUNNY. 79 00:04:22,596 --> 00:04:23,873 STRANGE, A LITTLE NERVOUS TONIGHT, BUT IT'S FUNNY. ALL MY LIFE, EVERYTHING I'VE 80 00:04:23,897 --> 00:04:25,208 TONIGHT, BUT IT'S FUNNY. ALL MY LIFE, EVERYTHING I'VE EVER REALLY WANTED, I'VE BEEN 81 00:04:25,232 --> 00:04:25,875 ALL MY LIFE, EVERYTHING I'VE EVER REALLY WANTED, I'VE BEEN ABLE TO GET. 82 00:04:25,899 --> 00:04:27,110 EVER REALLY WANTED, I'VE BEEN ABLE TO GET. I CAN REMEMBER WHEN I WAS A KID, 83 00:04:27,134 --> 00:04:28,278 ABLE TO GET. I CAN REMEMBER WHEN I WAS A KID, GROWING UP IN SAN FRANCISCO... 84 00:04:28,302 --> 00:04:32,449 I CAN REMEMBER WHEN I WAS A KID, GROWING UP IN SAN FRANCISCO... [PIANO PLAYS] 85 00:04:32,473 --> 00:04:33,850 GROWING UP IN SAN FRANCISCO... [PIANO PLAYS] I WANTED TO BE A FOOTBALL 86 00:04:33,874 --> 00:04:34,851 [PIANO PLAYS] I WANTED TO BE A FOOTBALL PLAYER, YOU KNOW? 87 00:04:34,875 --> 00:04:35,719 I WANTED TO BE A FOOTBALL PLAYER, YOU KNOW? BUT I GOT STARTED ON THE WRONG 88 00:04:35,743 --> 00:04:36,119 PLAYER, YOU KNOW? BUT I GOT STARTED ON THE WRONG FOOT. 89 00:04:36,143 --> 00:04:37,420 BUT I GOT STARTED ON THE WRONG FOOT. I WENT TO GALILEO HIGH SCHOOL, 90 00:04:37,444 --> 00:04:38,488 FOOT. I WENT TO GALILEO HIGH SCHOOL, AND IT'S LOCATED IN THE 91 00:04:38,512 --> 00:04:39,489 I WENT TO GALILEO HIGH SCHOOL, AND IT'S LOCATED IN THE NORTH BEACH SECTION OF 92 00:04:39,513 --> 00:04:40,290 AND IT'S LOCATED IN THE NORTH BEACH SECTION OF SAN FRANCISCO... 93 00:04:40,314 --> 00:04:43,226 NORTH BEACH SECTION OF SAN FRANCISCO... [PIANO PLAYS] 94 00:04:43,250 --> 00:04:44,060 SAN FRANCISCO... [PIANO PLAYS] NEXT TO CHINATOWN. 95 00:04:44,084 --> 00:04:45,228 [PIANO PLAYS] NEXT TO CHINATOWN. AND ORIENTALS, THEY'RE SMALL 96 00:04:45,252 --> 00:04:45,662 NEXT TO CHINATOWN. AND ORIENTALS, THEY'RE SMALL PEOPLE. 97 00:04:45,686 --> 00:04:46,929 AND ORIENTALS, THEY'RE SMALL PEOPLE. THEY DON'T MAKE GREAT FOOTBALL 98 00:04:46,953 --> 00:04:47,397 PEOPLE. THEY DON'T MAKE GREAT FOOTBALL PLAYERS. 99 00:04:47,421 --> 00:04:48,531 THEY DON'T MAKE GREAT FOOTBALL PLAYERS. SO I DIDN'T HAVE ANY MAJOR 100 00:04:48,555 --> 00:04:49,799 PLAYERS. SO I DIDN'T HAVE ANY MAJOR COLLEGES RECRUIT ME OUT OF HIGH 101 00:04:49,823 --> 00:04:51,134 SO I DIDN'T HAVE ANY MAJOR COLLEGES RECRUIT ME OUT OF HIGH SCHOOL... NONE AT ALL... BECAUSE 102 00:04:51,158 --> 00:04:52,435 COLLEGES RECRUIT ME OUT OF HIGH SCHOOL... NONE AT ALL... BECAUSE WE DIDN'T WIN ANY FOOTBALL 103 00:04:52,459 --> 00:04:52,835 SCHOOL... NONE AT ALL... BECAUSE WE DIDN'T WIN ANY FOOTBALL GAMES. 104 00:04:52,859 --> 00:04:54,203 WE DIDN'T WIN ANY FOOTBALL GAMES. SO I HAD TO MAKE A DECISION. 105 00:04:54,227 --> 00:04:54,971 GAMES. SO I HAD TO MAKE A DECISION. THIS WAS 1965. 106 00:04:54,995 --> 00:04:56,273 SO I HAD TO MAKE A DECISION. THIS WAS 1965. EITHER I WAS GONNA JOIN THE 107 00:04:56,297 --> 00:04:57,274 THIS WAS 1965. EITHER I WAS GONNA JOIN THE MARINES AND BE LIKE 108 00:04:57,298 --> 00:04:58,007 EITHER I WAS GONNA JOIN THE MARINES AND BE LIKE AUDIE MURPHY. 109 00:04:58,031 --> 00:04:58,941 MARINES AND BE LIKE AUDIE MURPHY. THAT WAS A BIG THING IN OUR 110 00:04:58,965 --> 00:04:59,476 AUDIE MURPHY. THAT WAS A BIG THING IN OUR NEIGHBORHOOD. 111 00:04:59,500 --> 00:05:00,543 THAT WAS A BIG THING IN OUR NEIGHBORHOOD. YOU KNOW, "TO HELL AND BACK" AND 112 00:05:00,567 --> 00:05:01,043 NEIGHBORHOOD. YOU KNOW, "TO HELL AND BACK" AND EVERYTHING. 113 00:05:01,067 --> 00:05:02,379 YOU KNOW, "TO HELL AND BACK" AND EVERYTHING. OR GO TO A JUNIOR COLLEGE. 114 00:05:02,403 --> 00:05:03,480 EVERYTHING. OR GO TO A JUNIOR COLLEGE. WELL, I HAD A FRIEND, 115 00:05:03,504 --> 00:05:04,414 OR GO TO A JUNIOR COLLEGE. WELL, I HAD A FRIEND, RONNIE PATTERSON. 116 00:05:04,438 --> 00:05:06,015 WELL, I HAD A FRIEND, RONNIE PATTERSON. NOW, RONNIE HAD WENT TO THE WAR 117 00:05:06,039 --> 00:05:07,550 RONNIE PATTERSON. NOW, RONNIE HAD WENT TO THE WAR IN, LIKE, '64, AND HE CAME BACK 118 00:05:07,574 --> 00:05:08,985 NOW, RONNIE HAD WENT TO THE WAR IN, LIKE, '64, AND HE CAME BACK THE SUMMER OF '65, AND HE HAD 119 00:05:09,009 --> 00:05:09,686 IN, LIKE, '64, AND HE CAME BACK THE SUMMER OF '65, AND HE HAD LOST A LEG. 120 00:05:09,710 --> 00:05:11,354 THE SUMMER OF '65, AND HE HAD LOST A LEG. SO THE NEXT DAY I HUSTLED TO GET 121 00:05:11,378 --> 00:05:12,389 LOST A LEG. SO THE NEXT DAY I HUSTLED TO GET IN JUNIOR COLLEGE. 122 00:05:12,413 --> 00:05:13,523 SO THE NEXT DAY I HUSTLED TO GET IN JUNIOR COLLEGE. WELL, WHEN I WENT TO JUNIOR 123 00:05:13,547 --> 00:05:14,758 IN JUNIOR COLLEGE. WELL, WHEN I WENT TO JUNIOR COLLEGE, THINGS STARTED GOING 124 00:05:14,782 --> 00:05:15,525 WELL, WHEN I WENT TO JUNIOR COLLEGE, THINGS STARTED GOING REAL WELL FOR ME. 125 00:05:15,549 --> 00:05:16,859 COLLEGE, THINGS STARTED GOING REAL WELL FOR ME. THINGS WENT REAL GOOD, YOU KNOW? 126 00:05:16,883 --> 00:05:17,927 REAL WELL FOR ME. THINGS WENT REAL GOOD, YOU KNOW? I BROKE A LOT OF RECORDS, AND 127 00:05:17,951 --> 00:05:19,061 THINGS WENT REAL GOOD, YOU KNOW? I BROKE A LOT OF RECORDS, AND THE NEXT THING I KNEW, I HAD ALL 128 00:05:19,085 --> 00:05:20,163 I BROKE A LOT OF RECORDS, AND THE NEXT THING I KNEW, I HAD ALL THESE MAJOR COLLEGES TRYING TO 129 00:05:20,187 --> 00:05:20,664 THE NEXT THING I KNEW, I HAD ALL THESE MAJOR COLLEGES TRYING TO RECRUIT ME. 130 00:05:20,688 --> 00:05:21,998 THESE MAJOR COLLEGES TRYING TO RECRUIT ME. THEY WERE OFFERING ME MONEY, 131 00:05:22,022 --> 00:05:22,932 RECRUIT ME. THEY WERE OFFERING ME MONEY, OFFERING ME A CAR. 132 00:05:22,956 --> 00:05:24,334 THEY WERE OFFERING ME MONEY, OFFERING ME A CAR. ONE OFFERED TO BUY MY MOTHER A 133 00:05:24,358 --> 00:05:24,934 OFFERING ME A CAR. ONE OFFERED TO BUY MY MOTHER A NEW HOUSE. 134 00:05:24,958 --> 00:05:26,736 ONE OFFERED TO BUY MY MOTHER A NEW HOUSE. IT WAS AMAZING, BUT THEY HAD NO 135 00:05:26,760 --> 00:05:28,438 NEW HOUSE. IT WAS AMAZING, BUT THEY HAD NO CHANCE BECAUSE IN 1962, I WAS 136 00:05:28,462 --> 00:05:29,839 IT WAS AMAZING, BUT THEY HAD NO CHANCE BECAUSE IN 1962, I WAS WATCHING THE ROSE BOWL. 137 00:05:29,863 --> 00:05:31,240 CHANCE BECAUSE IN 1962, I WAS WATCHING THE ROSE BOWL. I WAS 14, 15 YEARS OLD. 138 00:05:31,264 --> 00:05:32,975 WATCHING THE ROSE BOWL. I WAS 14, 15 YEARS OLD. I THINK WISCONSIN WAS PLAYING 139 00:05:32,999 --> 00:05:33,443 I WAS 14, 15 YEARS OLD. I THINK WISCONSIN WAS PLAYING USC. 140 00:05:33,467 --> 00:05:35,278 I THINK WISCONSIN WAS PLAYING USC. AND EVERY TIME USC SCORED, THIS 141 00:05:35,302 --> 00:05:37,013 USC. AND EVERY TIME USC SCORED, THIS WHITE HORSE CAME RUNNING OUT. 142 00:05:37,037 --> 00:05:38,515 AND EVERY TIME USC SCORED, THIS WHITE HORSE CAME RUNNING OUT. THEY HAD A TROJAN WARRIOR ON THE 143 00:05:38,539 --> 00:05:39,783 WHITE HORSE CAME RUNNING OUT. THEY HAD A TROJAN WARRIOR ON THE TOP OF IT, AND HE HAD THIS 144 00:05:39,807 --> 00:05:40,249 THEY HAD A TROJAN WARRIOR ON THE TOP OF IT, AND HE HAD THIS SWORD. 145 00:05:40,273 --> 00:05:41,651 TOP OF IT, AND HE HAD THIS SWORD. AND I WAS SAYING, "HEY, MAN." 146 00:05:41,675 --> 00:05:43,119 SWORD. AND I WAS SAYING, "HEY, MAN." THAT'S THE SCHOOL I WANTED TO GO 147 00:05:43,143 --> 00:05:43,486 AND I WAS SAYING, "HEY, MAN." THAT'S THE SCHOOL I WANTED TO GO TO. 148 00:05:43,510 --> 00:05:45,288 THAT'S THE SCHOOL I WANTED TO GO TO. WELL, AT THE END OF THE YEAR, WE 149 00:05:45,312 --> 00:05:47,023 TO. WELL, AT THE END OF THE YEAR, WE WERE PLAYING IN A BOWL GAME, A 150 00:05:47,047 --> 00:05:48,692 WELL, AT THE END OF THE YEAR, WE WERE PLAYING IN A BOWL GAME, A BOWL CALLED THE PRUNE BOWL... 151 00:05:48,716 --> 00:05:49,426 WERE PLAYING IN A BOWL GAME, A BOWL CALLED THE PRUNE BOWL... SERIOUSLY. 152 00:05:49,450 --> 00:05:50,827 BOWL CALLED THE PRUNE BOWL... SERIOUSLY. SAN FRANCISCO CITY COLLEGE WAS 153 00:05:50,851 --> 00:05:52,295 SERIOUSLY. SAN FRANCISCO CITY COLLEGE WAS PLAYING LONG BEACH COLLEGE, AND 154 00:05:52,319 --> 00:05:53,663 SAN FRANCISCO CITY COLLEGE WAS PLAYING LONG BEACH COLLEGE, AND IT WAS PLAYED IN SAN JOSE FOR 155 00:05:53,687 --> 00:05:55,131 PLAYING LONG BEACH COLLEGE, AND IT WAS PLAYED IN SAN JOSE FOR THE STATE CHAMPIONSHIP OF JUNIOR 156 00:05:55,155 --> 00:05:55,665 IT WAS PLAYED IN SAN JOSE FOR THE STATE CHAMPIONSHIP OF JUNIOR COLLEGE. 157 00:05:55,689 --> 00:05:57,033 THE STATE CHAMPIONSHIP OF JUNIOR COLLEGE. AND AFTER THE GAME... I WAS 158 00:05:57,057 --> 00:05:58,034 COLLEGE. AND AFTER THE GAME... I WAS PLAYER OF THE GAME. 159 00:05:58,058 --> 00:05:59,268 AND AFTER THE GAME... I WAS PLAYER OF THE GAME. I HAD A BIG GAME, LOT OF 160 00:05:59,292 --> 00:06:00,603 PLAYER OF THE GAME. I HAD A BIG GAME, LOT OF TOUCHDOWNS AND EVERYTHING. 161 00:06:00,627 --> 00:06:02,071 I HAD A BIG GAME, LOT OF TOUCHDOWNS AND EVERYTHING. THIS GUY CAME UP, AND HE SAID, 162 00:06:02,095 --> 00:06:03,306 TOUCHDOWNS AND EVERYTHING. THIS GUY CAME UP, AND HE SAID, "O.J., I'M JIM STANGLEN. 163 00:06:03,330 --> 00:06:04,407 THIS GUY CAME UP, AND HE SAID, "O.J., I'M JIM STANGLEN. I'M THE COACH AT USC. 164 00:06:04,431 --> 00:06:06,576 "O.J., I'M JIM STANGLEN. I'M THE COACH AT USC. SON, HOW WOULD YOU LIKE TO BE A 165 00:06:06,600 --> 00:06:07,377 I'M THE COACH AT USC. SON, HOW WOULD YOU LIKE TO BE A TROJAN?" 166 00:06:07,401 --> 00:06:09,145 SON, HOW WOULD YOU LIKE TO BE A TROJAN?" I HEARD TRUMPETS GO OFF IN MY 167 00:06:09,169 --> 00:06:09,646 TROJAN?" I HEARD TRUMPETS GO OFF IN MY HEAD. 168 00:06:09,670 --> 00:06:13,683 I HEARD TRUMPETS GO OFF IN MY HEAD. [TRUMPET FANFARE PLAYS] 169 00:06:13,707 --> 00:06:14,951 HEAD. [TRUMPET FANFARE PLAYS] [SIGHS] 170 00:06:14,975 --> 00:06:16,720 [TRUMPET FANFARE PLAYS] [SIGHS] I HEARD THOSE TRUMPETS. 171 00:06:16,744 --> 00:06:19,222 [SIGHS] I HEARD THOSE TRUMPETS. [FANFARE CONTINUES] 172 00:06:19,246 --> 00:06:20,089 I HEARD THOSE TRUMPETS. [FANFARE CONTINUES] I WENT TO USC. 173 00:06:20,113 --> 00:06:21,691 [FANFARE CONTINUES] I WENT TO USC. WHEN I GOT TO S.C., NOTHING BUT 174 00:06:21,715 --> 00:06:23,259 I WENT TO USC. WHEN I GOT TO S.C., NOTHING BUT GREAT THINGS HAPPENED FOR ME. 175 00:06:23,283 --> 00:06:24,594 WHEN I GOT TO S.C., NOTHING BUT GREAT THINGS HAPPENED FOR ME. I WON THE HEISMAN TROPHY. 176 00:06:24,618 --> 00:06:25,729 GREAT THINGS HAPPENED FOR ME. I WON THE HEISMAN TROPHY. I MADE ALL-AMERICAN. 177 00:06:25,753 --> 00:06:27,230 I WON THE HEISMAN TROPHY. I MADE ALL-AMERICAN. I RAN ON THE RELAY TEAM THAT 178 00:06:27,254 --> 00:06:28,398 I MADE ALL-AMERICAN. I RAN ON THE RELAY TEAM THAT BROKE A WORLD RECORD. 179 00:06:28,422 --> 00:06:29,699 I RAN ON THE RELAY TEAM THAT BROKE A WORLD RECORD. SO WHEN I GOT OUT OF S.C., 180 00:06:29,723 --> 00:06:30,734 BROKE A WORLD RECORD. SO WHEN I GOT OUT OF S.C., EVERYBODY LOVED ME. 181 00:06:30,758 --> 00:06:32,101 SO WHEN I GOT OUT OF S.C., EVERYBODY LOVED ME. PEOPLE WERE TELLING THEIR KIDS, 182 00:06:32,125 --> 00:06:33,436 EVERYBODY LOVED ME. PEOPLE WERE TELLING THEIR KIDS, "HEY, GROW UP TO BE LIKE O.J." 183 00:06:33,460 --> 00:06:34,404 PEOPLE WERE TELLING THEIR KIDS, "HEY, GROW UP TO BE LIKE O.J." THEY WERE OFFERING ME 184 00:06:34,428 --> 00:06:35,605 "HEY, GROW UP TO BE LIKE O.J." THEY WERE OFFERING ME COMMERCIALS AND EVERYTHING. 185 00:06:35,629 --> 00:06:36,939 THEY WERE OFFERING ME COMMERCIALS AND EVERYTHING. THEY WERE ASKING MY OPINION OF 186 00:06:36,963 --> 00:06:37,741 COMMERCIALS AND EVERYTHING. THEY WERE ASKING MY OPINION OF THE MIDDLE EAST. 187 00:06:37,765 --> 00:06:39,075 THEY WERE ASKING MY OPINION OF THE MIDDLE EAST. HEY, I HAD BEEN TO DETROIT ONCE 188 00:06:39,099 --> 00:06:39,576 THE MIDDLE EAST. HEY, I HAD BEEN TO DETROIT ONCE OR TWICE. 189 00:06:39,600 --> 00:06:41,310 HEY, I HAD BEEN TO DETROIT ONCE OR TWICE. I DIDN'T KNOW WHAT WAS GOING ON. 190 00:06:41,334 --> 00:06:42,879 OR TWICE. I DIDN'T KNOW WHAT WAS GOING ON. I WAS A FOOTBALL PLAYER, RUNNING 191 00:06:42,903 --> 00:06:43,480 I DIDN'T KNOW WHAT WAS GOING ON. I WAS A FOOTBALL PLAYER, RUNNING THE BALL. 192 00:06:43,504 --> 00:06:44,681 I WAS A FOOTBALL PLAYER, RUNNING THE BALL. WELL, I SIGNED WITH THE 193 00:06:44,705 --> 00:06:45,482 THE BALL. WELL, I SIGNED WITH THE BUFFALO BILLS. 194 00:06:45,506 --> 00:06:46,549 WELL, I SIGNED WITH THE BUFFALO BILLS. [PIANO PLAYS "SHUFFLE OFF TO 195 00:06:46,573 --> 00:06:50,820 BUFFALO BILLS. [PIANO PLAYS "SHUFFLE OFF TO BUFFALO"] 196 00:06:50,844 --> 00:06:51,320 [PIANO PLAYS "SHUFFLE OFF TO BUFFALO"] [SIGHS] 197 00:06:51,344 --> 00:06:52,589 [BUFFALO"] [SIGHS] RIGHT AWAY, THINGS GOT SHAKY. 198 00:06:52,613 --> 00:06:53,790 [SIGHS] RIGHT AWAY, THINGS GOT SHAKY. WHEN I GOT THERE, I COULDN'T 199 00:06:53,814 --> 00:06:55,157 RIGHT AWAY, THINGS GOT SHAKY. WHEN I GOT THERE, I COULDN'T PRACTICE THE FIRST WEEK 'CAUSE 200 00:06:55,181 --> 00:06:56,393 WHEN I GOT THERE, I COULDN'T PRACTICE THE FIRST WEEK 'CAUSE THEY DIDN'T HAVE A HELMET THAT 201 00:06:56,417 --> 00:06:56,826 PRACTICE THE FIRST WEEK 'CAUSE THEY DIDN'T HAVE A HELMET THAT FIT ME. 202 00:06:56,850 --> 00:06:58,495 THEY DIDN'T HAVE A HELMET THAT FIT ME. PROFESSIONAL ORGANIZATION, YOU 203 00:06:58,519 --> 00:06:58,961 FIT ME. PROFESSIONAL ORGANIZATION, YOU KNOW? 204 00:06:58,985 --> 00:07:01,598 PROFESSIONAL ORGANIZATION, YOU KNOW? PEOPLE STARTED ASKING ME, "WHAT 205 00:07:01,622 --> 00:07:03,299 KNOW? PEOPLE STARTED ASKING ME, "WHAT HAPPENED TO O.J.?" 206 00:07:03,323 --> 00:07:04,701 PEOPLE STARTED ASKING ME, "WHAT HAPPENED TO O.J.?" I WENT THREE OR FOUR YEARS, AND 207 00:07:04,725 --> 00:07:06,002 HAPPENED TO O.J.?" I WENT THREE OR FOUR YEARS, AND PEOPLE THOUGHT I HAD RETIRED. 208 00:07:06,026 --> 00:07:06,803 I WENT THREE OR FOUR YEARS, AND PEOPLE THOUGHT I HAD RETIRED. I TELL YOU WHAT. 209 00:07:06,827 --> 00:07:08,037 PEOPLE THOUGHT I HAD RETIRED. I TELL YOU WHAT. THEY WERE SAYING IT WAS THE 210 00:07:08,061 --> 00:07:09,005 I TELL YOU WHAT. THEY WERE SAYING IT WAS THE HEISMAN TROPHY JINX. 211 00:07:09,029 --> 00:07:10,607 THEY WERE SAYING IT WAS THE HEISMAN TROPHY JINX. WELL, IT WAS IN MY FOURTH YEAR 212 00:07:10,631 --> 00:07:11,474 HEISMAN TROPHY JINX. WELL, IT WAS IN MY FOURTH YEAR IN THE LEAGUE. 213 00:07:11,498 --> 00:07:12,909 WELL, IT WAS IN MY FOURTH YEAR IN THE LEAGUE. I WAS AT A CHAPEL SERVICE. 214 00:07:12,933 --> 00:07:14,010 IN THE LEAGUE. I WAS AT A CHAPEL SERVICE. WE PLAY ON SUNDAYS. 215 00:07:14,034 --> 00:07:15,645 I WAS AT A CHAPEL SERVICE. WE PLAY ON SUNDAYS. SO THE GUYS CAN'T GO TO CHURCH. 216 00:07:15,669 --> 00:07:17,414 WE PLAY ON SUNDAYS. SO THE GUYS CAN'T GO TO CHURCH. SO WE ALL GET TOGETHER IN THE 217 00:07:17,438 --> 00:07:18,948 SO THE GUYS CAN'T GO TO CHURCH. SO WE ALL GET TOGETHER IN THE MORNING TO KIND OF RELATE 218 00:07:18,972 --> 00:07:20,617 SO WE ALL GET TOGETHER IN THE MORNING TO KIND OF RELATE EXPERIENCES TO ONE ANOTHER. 219 00:07:20,641 --> 00:07:21,984 MORNING TO KIND OF RELATE EXPERIENCES TO ONE ANOTHER. GENERALLY, WE HAVE A BUSINESSMAN 220 00:07:22,008 --> 00:07:23,286 EXPERIENCES TO ONE ANOTHER. GENERALLY, WE HAVE A BUSINESSMAN WHO WILL COME IN... HE'S NOT A 221 00:07:23,310 --> 00:07:24,621 GENERALLY, WE HAVE A BUSINESSMAN WHO WILL COME IN... HE'S NOT A PREACHER OR ANYTHING... TO TALK 222 00:07:24,645 --> 00:07:25,988 WHO WILL COME IN... HE'S NOT A PREACHER OR ANYTHING... TO TALK TO US, TO RELAY HIS EXPERIENCES. 223 00:07:26,012 --> 00:07:27,156 PREACHER OR ANYTHING... TO TALK TO US, TO RELAY HIS EXPERIENCES. THIS HAPPENED ALL OVER THE 224 00:07:27,180 --> 00:07:27,590 TO US, TO RELAY HIS EXPERIENCES. THIS HAPPENED ALL OVER THE LEAGUE. 225 00:07:27,614 --> 00:07:28,224 THIS HAPPENED ALL OVER THE LEAGUE. WELL, I WENT. 226 00:07:28,248 --> 00:07:28,958 LEAGUE. WELL, I WENT. I COULDN'T SLEEP. 227 00:07:28,982 --> 00:07:30,026 WELL, I WENT. I COULDN'T SLEEP. I WENT TO THE MEETING THAT 228 00:07:30,050 --> 00:07:30,493 I COULDN'T SLEEP. I WENT TO THE MEETING THAT MORNING. 229 00:07:30,517 --> 00:07:31,428 I WENT TO THE MEETING THAT MORNING. I WAS LISTENING KIND OF 230 00:07:31,452 --> 00:07:32,094 MORNING. I WAS LISTENING KIND OF HALFHEARTEDLY. 231 00:07:32,118 --> 00:07:34,230 I WAS LISTENING KIND OF HALFHEARTEDLY. AND THIS GUY STARTED TALKING 232 00:07:34,254 --> 00:07:35,498 HALFHEARTEDLY. AND THIS GUY STARTED TALKING ABOUT FANATICS. 233 00:07:35,522 --> 00:07:37,099 AND THIS GUY STARTED TALKING ABOUT FANATICS. AND HE WAS SAYING THERE'S A LOT 234 00:07:37,123 --> 00:07:38,301 ABOUT FANATICS. AND HE WAS SAYING THERE'S A LOT OF DIFFERENT FANATICS. 235 00:07:38,325 --> 00:07:39,903 AND HE WAS SAYING THERE'S A LOT OF DIFFERENT FANATICS. BUT HE SAID HE HAD A DEFINITION 236 00:07:39,927 --> 00:07:41,571 OF DIFFERENT FANATICS. BUT HE SAID HE HAD A DEFINITION OF A FANATIC... WAS A PERSON WHO 237 00:07:41,595 --> 00:07:43,172 BUT HE SAID HE HAD A DEFINITION OF A FANATIC... WAS A PERSON WHO HAD LOST SIGHT OF HIS GOALS BUT 238 00:07:43,196 --> 00:07:44,474 OF A FANATIC... WAS A PERSON WHO HAD LOST SIGHT OF HIS GOALS BUT WAS DOUBLING THE EFFORT. 239 00:07:44,498 --> 00:07:45,742 HAD LOST SIGHT OF HIS GOALS BUT WAS DOUBLING THE EFFORT. HE WAS RUNNING AROUND, WORKING, 240 00:07:45,766 --> 00:07:46,976 WAS DOUBLING THE EFFORT. HE WAS RUNNING AROUND, WORKING, WORKING, AND JUST SAYING, "HEY, 241 00:07:47,000 --> 00:07:47,744 HE WAS RUNNING AROUND, WORKING, WORKING, AND JUST SAYING, "HEY, I GOT TO DO THIS. 242 00:07:47,768 --> 00:07:48,545 WORKING, AND JUST SAYING, "HEY, I GOT TO DO THIS. I GOT TO DO THAT." 243 00:07:48,569 --> 00:07:49,612 I GOT TO DO THIS. I GOT TO DO THAT." BUT HE HAD NO GOALS HE WAS 244 00:07:49,636 --> 00:07:50,246 I GOT TO DO THAT." BUT HE HAD NO GOALS HE WAS REACHING FOR. 245 00:07:50,270 --> 00:07:51,681 BUT HE HAD NO GOALS HE WAS REACHING FOR. AND I SAT THERE, AND I HAD, 246 00:07:51,705 --> 00:07:53,149 REACHING FOR. AND I SAT THERE, AND I HAD, LIKE, A CHILL GO THROUGH ME, 247 00:07:53,173 --> 00:07:54,784 AND I SAT THERE, AND I HAD, LIKE, A CHILL GO THROUGH ME, BECAUSE I SAID, "HEY, THIS GUY'S 248 00:07:54,808 --> 00:07:55,819 LIKE, A CHILL GO THROUGH ME, BECAUSE I SAID, "HEY, THIS GUY'S TALKING ABOUT ME." 249 00:07:55,843 --> 00:07:57,086 BECAUSE I SAID, "HEY, THIS GUY'S TALKING ABOUT ME." ALL MY LIFE, I WANTED TO BE A 250 00:07:57,110 --> 00:07:57,854 TALKING ABOUT ME." ALL MY LIFE, I WANTED TO BE A FOOTBALL PLAYER. 251 00:07:57,878 --> 00:07:58,621 ALL MY LIFE, I WANTED TO BE A FOOTBALL PLAYER. I WANTED MONEY. 252 00:07:58,645 --> 00:07:59,322 FOOTBALL PLAYER. I WANTED MONEY. I WANTED FAME. 253 00:07:59,346 --> 00:08:00,657 I WANTED MONEY. I WANTED FAME. AND I HAD THOSE THINGS, AND I 254 00:08:00,681 --> 00:08:01,691 I WANTED FAME. AND I HAD THOSE THINGS, AND I HADN'T DONE ANYTHING. 255 00:08:01,715 --> 00:08:03,159 AND I HAD THOSE THINGS, AND I HADN'T DONE ANYTHING. I WAS SITTING AROUND FOR THREE 256 00:08:03,183 --> 00:08:03,626 HADN'T DONE ANYTHING. I WAS SITTING AROUND FOR THREE YEARS. 257 00:08:03,650 --> 00:08:05,094 I WAS SITTING AROUND FOR THREE YEARS. WELL, I WENT BACK TO MY ROOM, 258 00:08:05,118 --> 00:08:06,062 YEARS. WELL, I WENT BACK TO MY ROOM, AND I DON'T KNOW. 259 00:08:06,086 --> 00:08:07,697 WELL, I WENT BACK TO MY ROOM, AND I DON'T KNOW. I WAS SORT OF IN A TRANCE, AND I 260 00:08:07,721 --> 00:08:09,265 AND I DON'T KNOW. I WAS SORT OF IN A TRANCE, AND I SAID, "I'M GONNA SET A GOAL, A 261 00:08:09,289 --> 00:08:10,266 I WAS SORT OF IN A TRANCE, AND I SAID, "I'M GONNA SET A GOAL, A PROFESSIONAL GOAL. 262 00:08:10,290 --> 00:08:11,801 SAID, "I'M GONNA SET A GOAL, A PROFESSIONAL GOAL. I WANT TO BE THE BEST FOOTBALL 263 00:08:11,825 --> 00:08:12,836 PROFESSIONAL GOAL. I WANT TO BE THE BEST FOOTBALL PLAYER IN AMERICA." 264 00:08:12,860 --> 00:08:14,170 I WANT TO BE THE BEST FOOTBALL PLAYER IN AMERICA." WELL, I DIDN'T EXPECT SUCH 265 00:08:14,194 --> 00:08:15,171 PLAYER IN AMERICA." WELL, I DIDN'T EXPECT SUCH IMMEDIATE REACTION. 266 00:08:15,195 --> 00:08:16,739 WELL, I DIDN'T EXPECT SUCH IMMEDIATE REACTION. I WENT OUT AND HAD THE BEST GAME 267 00:08:16,763 --> 00:08:17,974 IMMEDIATE REACTION. I WENT OUT AND HAD THE BEST GAME I HAD EVER HAD AS A PRO. 268 00:08:17,998 --> 00:08:19,408 I WENT OUT AND HAD THE BEST GAME I HAD EVER HAD AS A PRO. THE NEXT WEEK, I HAD MY BEST 269 00:08:19,432 --> 00:08:20,844 I HAD EVER HAD AS A PRO. THE NEXT WEEK, I HAD MY BEST GAME AGAIN, AND THEN THE LAST 270 00:08:20,868 --> 00:08:22,378 THE NEXT WEEK, I HAD MY BEST GAME AGAIN, AND THEN THE LAST WEEK, LARRY BROWN WAS HURT, AND 271 00:08:22,402 --> 00:08:23,813 GAME AGAIN, AND THEN THE LAST WEEK, LARRY BROWN WAS HURT, AND I HAD ANOTHER BIG GAME, AND I 272 00:08:23,837 --> 00:08:25,314 WEEK, LARRY BROWN WAS HURT, AND I HAD ANOTHER BIG GAME, AND I ENDED UP LEADING THE LEAGUE IN 273 00:08:25,338 --> 00:08:26,683 I HAD ANOTHER BIG GAME, AND I ENDED UP LEADING THE LEAGUE IN RUSHING FOR THE FIRST TIME. 274 00:08:26,707 --> 00:08:28,117 ENDED UP LEADING THE LEAGUE IN RUSHING FOR THE FIRST TIME. I GAINED 2,000 YARDS THE NEXT 275 00:08:28,141 --> 00:08:29,452 RUSHING FOR THE FIRST TIME. I GAINED 2,000 YARDS THE NEXT YEAR, AND THEY MADE ME THE 276 00:08:29,476 --> 00:08:30,887 I GAINED 2,000 YARDS THE NEXT YEAR, AND THEY MADE ME THE SUPERSTAR AND RENT-A-CAR, AND 277 00:08:30,911 --> 00:08:32,489 YEAR, AND THEY MADE ME THE SUPERSTAR AND RENT-A-CAR, AND PEOPLE WERE PUTTING ME ON TV AND 278 00:08:32,513 --> 00:08:33,623 SUPERSTAR AND RENT-A-CAR, AND PEOPLE WERE PUTTING ME ON TV AND MOVIES AND EVERYTHING. 279 00:08:33,647 --> 00:08:34,624 PEOPLE WERE PUTTING ME ON TV AND MOVIES AND EVERYTHING. I WAS HAPPY. 280 00:08:34,648 --> 00:08:36,593 MOVIES AND EVERYTHING. I WAS HAPPY. I SAID, "HEY, I'VE MADE IT." 281 00:08:36,617 --> 00:08:37,694 I WAS HAPPY. I SAID, "HEY, I'VE MADE IT." BUT I DON'T KNOW. 282 00:08:37,718 --> 00:08:39,529 I SAID, "HEY, I'VE MADE IT." BUT I DON'T KNOW. I GOT THIS EMPTY FEELING AGAIN, 283 00:08:39,553 --> 00:08:41,230 BUT I DON'T KNOW. I GOT THIS EMPTY FEELING AGAIN, AND I WAS THINKING, "NOW WHAT 284 00:08:41,254 --> 00:08:42,231 I GOT THIS EMPTY FEELING AGAIN, AND I WAS THINKING, "NOW WHAT ELSE IS THERE?" 285 00:08:42,255 --> 00:08:43,800 AND I WAS THINKING, "NOW WHAT ELSE IS THERE?" THEN ONE NIGHT I WAS WATCHING 286 00:08:43,824 --> 00:08:44,166 ELSE IS THERE?" THEN ONE NIGHT I WAS WATCHING TV. 287 00:08:44,190 --> 00:08:45,735 THEN ONE NIGHT I WAS WATCHING TV. I THINK IT WAS RICHARD PRYOR. 288 00:08:45,759 --> 00:08:46,736 TV. I THINK IT WAS RICHARD PRYOR. AND I DIG RICHARD. 289 00:08:46,760 --> 00:08:47,871 I THINK IT WAS RICHARD PRYOR. AND I DIG RICHARD. BUT IT WASN'T RICHARD. 290 00:08:47,895 --> 00:08:49,171 AND I DIG RICHARD. BUT IT WASN'T RICHARD. IT WAS WHAT HE WAS DOING. 291 00:08:49,195 --> 00:08:50,907 BUT IT WASN'T RICHARD. IT WAS WHAT HE WAS DOING. HE WAS HOSTING "SATURDAY NIGHT 292 00:08:50,931 --> 00:08:51,474 IT WAS WHAT HE WAS DOING. HE WAS HOSTING "SATURDAY NIGHT LIVE." 293 00:08:51,498 --> 00:08:53,977 HE WAS HOSTING "SATURDAY NIGHT LIVE." IT WAS LIKE, "THAT'S IT. 294 00:08:54,001 --> 00:08:56,445 LIVE." IT WAS LIKE, "THAT'S IT. THAT'S... THAT'S WHAT I'VE BEEN 295 00:08:56,469 --> 00:08:58,948 IT WAS LIKE, "THAT'S IT. THAT'S... THAT'S WHAT I'VE BEEN WANTING IS TO HOST THE 'SATURDAY 296 00:08:58,972 --> 00:09:00,517 THAT'S... THAT'S WHAT I'VE BEEN WANTING IS TO HOST THE 'SATURDAY NIGHT LIVE' SHOW." 297 00:09:00,541 --> 00:09:01,484 WANTING IS TO HOST THE 'SATURDAY NIGHT LIVE' SHOW." AND I GOT TO THINKING. 298 00:09:01,508 --> 00:09:02,752 NIGHT LIVE' SHOW." AND I GOT TO THINKING. "WELL, JUICE, MAYBE YOU'VE SET 299 00:09:02,776 --> 00:09:03,953 AND I GOT TO THINKING. "WELL, JUICE, MAYBE YOU'VE SET YOUR GOALS A LITTLE TOO HIGH 300 00:09:03,977 --> 00:09:04,554 "WELL, JUICE, MAYBE YOU'VE SET YOUR GOALS A LITTLE TOO HIGH THIS TIME." 301 00:09:04,578 --> 00:09:05,555 YOUR GOALS A LITTLE TOO HIGH THIS TIME." I SAID, "WHAT THE HELL? 302 00:09:05,579 --> 00:09:06,856 THIS TIME." I SAID, "WHAT THE HELL? HELL, I HAD GOALS BEFORE, AND I 303 00:09:06,880 --> 00:09:07,824 I SAID, "WHAT THE HELL? HELL, I HAD GOALS BEFORE, AND I ATTAINED THOSE GOALS. 304 00:09:07,848 --> 00:09:08,725 HELL, I HAD GOALS BEFORE, AND I ATTAINED THOSE GOALS. WHY WOULD I GIVE UP? 305 00:09:08,749 --> 00:09:09,659 ATTAINED THOSE GOALS. WHY WOULD I GIVE UP? I'LL GIVE IT A SHOT." 306 00:09:09,683 --> 00:09:11,160 WHY WOULD I GIVE UP? I'LL GIVE IT A SHOT." SO I WENT UP, AND I CONCENTRATED 307 00:09:11,184 --> 00:09:12,261 I'LL GIVE IT A SHOT." SO I WENT UP, AND I CONCENTRATED AND I WORKED AND I DID 308 00:09:12,285 --> 00:09:13,663 SO I WENT UP, AND I CONCENTRATED AND I WORKED AND I DID EVERYTHING IN HOPES THAT THEY 309 00:09:13,687 --> 00:09:15,064 AND I WORKED AND I DID EVERYTHING IN HOPES THAT THEY WOULD ASK ME TO HOST "SATURDAY 310 00:09:15,088 --> 00:09:15,765 EVERYTHING IN HOPES THAT THEY WOULD ASK ME TO HOST "SATURDAY NIGHT LIVE." 311 00:09:15,789 --> 00:09:18,134 WOULD ASK ME TO HOST "SATURDAY NIGHT LIVE." THEY FINALLY CALLED, AND HERE I 312 00:09:18,158 --> 00:09:18,902 NIGHT LIVE." THEY FINALLY CALLED, AND HERE I AM NOW. 313 00:09:18,926 --> 00:09:20,803 THEY FINALLY CALLED, AND HERE I AM NOW. I DON'T KNOW IF I'M GONNA BE MAN 314 00:09:20,827 --> 00:09:22,438 AM NOW. I DON'T KNOW IF I'M GONNA BE MAN ENOUGH TONIGHT TO MEET THIS 315 00:09:22,462 --> 00:09:23,239 I DON'T KNOW IF I'M GONNA BE MAN ENOUGH TONIGHT TO MEET THIS CHALLENGE. 316 00:09:23,263 --> 00:09:25,141 ENOUGH TONIGHT TO MEET THIS CHALLENGE. I JUST HOPE THAT IF I DON'T MEET 317 00:09:25,165 --> 00:09:26,943 CHALLENGE. I JUST HOPE THAT IF I DON'T MEET IT TONIGHT AND HAVE TO GO BACK 318 00:09:26,967 --> 00:09:28,377 I JUST HOPE THAT IF I DON'T MEET IT TONIGHT AND HAVE TO GO BACK TO BEING JUST A REGULAR 319 00:09:28,401 --> 00:09:30,079 IT TONIGHT AND HAVE TO GO BACK TO BEING JUST A REGULAR SUPERSTAR ATHLETE/MOVIE STAR 320 00:09:30,103 --> 00:09:31,981 TO BEING JUST A REGULAR SUPERSTAR ATHLETE/MOVIE STAR THAT YOU PEOPLE WILL REMEMBER ME 321 00:09:32,005 --> 00:09:33,716 SUPERSTAR ATHLETE/MOVIE STAR THAT YOU PEOPLE WILL REMEMBER ME FOR WHAT I WAS AND NOT WHAT I 322 00:09:33,740 --> 00:09:35,217 THAT YOU PEOPLE WILL REMEMBER ME FOR WHAT I WAS AND NOT WHAT I MAY BECOME HERE TONIGHT. 323 00:09:35,241 --> 00:09:36,052 FOR WHAT I WAS AND NOT WHAT I MAY BECOME HERE TONIGHT. SO I'M READY. 324 00:09:36,076 --> 00:09:37,253 MAY BECOME HERE TONIGHT. SO I'M READY. I HOPE YOU'RE READY. 325 00:09:37,277 --> 00:09:38,888 SO I'M READY. I HOPE YOU'RE READY. I'M GONNA GO OUT HERE AND GET 326 00:09:38,912 --> 00:09:39,422 I HOPE YOU'RE READY. I'M GONNA GO OUT HERE AND GET READY. 327 00:09:39,446 --> 00:09:40,990 I'M GONNA GO OUT HERE AND GET READY. WHY DON'T YOU GO HAVE A BEER? 328 00:09:41,014 --> 00:09:42,559 READY. WHY DON'T YOU GO HAVE A BEER? WE'LL BE BACK IN A MINUTE ON 329 00:09:42,583 --> 00:09:44,661 WHY DON'T YOU GO HAVE A BEER? WE'LL BE BACK IN A MINUTE ON "SATURDAY NIGHT LIVE." 330 00:09:44,685 --> 00:09:46,495 WE'LL BE BACK IN A MINUTE ON "SATURDAY NIGHT LIVE." [CHEERS AND APPLAUSE] 331 00:09:46,519 --> 00:09:48,853 "SATURDAY NIGHT LIVE." [CHEERS AND APPLAUSE] [PIANO PLAYS] 332 00:09:59,966 --> 00:10:04,547 OKAY, EVERYBODY, LET'S EAT. THIS IS THE THIRD TIME THIS WEEK WE'VE HAD SPAGHETTI. 333 00:10:04,571 --> 00:10:06,182 THIS IS THE THIRD TIME THIS WEEK WE'VE HAD SPAGHETTI. I HATE BEING POOR AND ITALIAN. 334 00:10:06,206 --> 00:10:07,884 WEEK WE'VE HAD SPAGHETTI. I HATE BEING POOR AND ITALIAN. ALL WE GET TO EAT IS SPAGHETTI. 335 00:10:07,908 --> 00:10:09,052 I HATE BEING POOR AND ITALIAN. ALL WE GET TO EAT IS SPAGHETTI. WHY THE HELL CAN'T WE EAT 336 00:10:09,076 --> 00:10:09,852 ALL WE GET TO EAT IS SPAGHETTI. WHY THE HELL CAN'T WE EAT SOMETHING ELSE? 337 00:10:09,876 --> 00:10:11,387 WHY THE HELL CAN'T WE EAT SOMETHING ELSE? WELL, WHY CAN'T YOU GET A 338 00:10:11,411 --> 00:10:15,091 SOMETHING ELSE? WELL, WHY CAN'T YOU GET A JOB, HUH? 339 00:10:15,115 --> 00:10:16,392 WELL, WHY CAN'T YOU GET A JOB, HUH? THIS STUFF IS LOUSY. 340 00:10:16,416 --> 00:10:17,326 JOB, HUH? THIS STUFF IS LOUSY. I CAN'T EAT IT. 341 00:10:17,350 --> 00:10:18,962 THIS STUFF IS LOUSY. I CAN'T EAT IT. I CAN'T EAT THIS STUFF. 342 00:10:18,986 --> 00:10:20,229 I CAN'T EAT IT. I CAN'T EAT THIS STUFF. SO DON'T. 343 00:10:20,253 --> 00:10:22,231 I CAN'T EAT THIS STUFF. SO DON'T. YOU WANT TO EAT FANCY? 344 00:10:22,255 --> 00:10:22,966 SO DON'T. YOU WANT TO EAT FANCY? WORK! 345 00:10:22,990 --> 00:10:24,867 YOU WANT TO EAT FANCY? WORK! SO GET OFF MY BACK, HUH? 346 00:10:24,891 --> 00:10:26,636 WORK! SO GET OFF MY BACK, HUH? WHERE'S TONY? 347 00:10:26,660 --> 00:10:28,204 SO GET OFF MY BACK, HUH? WHERE'S TONY? HE SAID HE'S NOT HUNGRY. 348 00:10:28,228 --> 00:10:29,606 WHERE'S TONY? HE SAID HE'S NOT HUNGRY. HE'S UPSTAIRS DRESSING. 349 00:10:29,630 --> 00:10:30,940 HE SAID HE'S NOT HUNGRY. HE'S UPSTAIRS DRESSING. HE BOUGHT A NEW SHIRT. 350 00:10:30,964 --> 00:10:32,108 HE'S UPSTAIRS DRESSING. HE BOUGHT A NEW SHIRT. HE'S GOING DANCING. 351 00:10:32,132 --> 00:10:33,610 HE BOUGHT A NEW SHIRT. HE'S GOING DANCING. HE'S GOING DANCING, HUH? 352 00:10:33,634 --> 00:10:35,244 HE'S GOING DANCING. HE'S GOING DANCING, HUH? THAT'S ALL HE THINKS ABOUT... 353 00:10:35,268 --> 00:10:36,278 HE'S GOING DANCING, HUH? THAT'S ALL HE THINKS ABOUT... DANCING, DANCING. 354 00:10:36,302 --> 00:10:37,880 THAT'S ALL HE THINKS ABOUT... DANCING, DANCING. IT COSTS MONEY TO GO DANCING, 355 00:10:37,904 --> 00:10:38,414 DANCING, DANCING. IT COSTS MONEY TO GO DANCING, HONEY. 356 00:10:38,438 --> 00:10:39,616 IT COSTS MONEY TO GO DANCING, HONEY. HE'S GOT A JOB. 357 00:10:39,640 --> 00:10:41,217 HONEY. HE'S GOT A JOB. HE'S MAKING MORE THAN YOU. 358 00:10:41,241 --> 00:10:42,719 HE'S GOT A JOB. HE'S MAKING MORE THAN YOU. WHAT DO YOU GOT TO PUT ME 359 00:10:42,743 --> 00:10:43,920 HE'S MAKING MORE THAN YOU. WHAT DO YOU GOT TO PUT ME DOWN FOR, HUH, WOMAN? 360 00:10:43,944 --> 00:10:44,320 WHAT DO YOU GOT TO PUT ME DOWN FOR, HUH, WOMAN? HUH? 361 00:10:44,344 --> 00:10:45,454 DOWN FOR, HUH, WOMAN? HUH? THIS IS STILL MY HOUSE, ISN'T 362 00:10:45,478 --> 00:10:46,489 HUH? THIS IS STILL MY HOUSE, ISN'T IT, YOU LITTLE TRAMP, HUH? 363 00:10:46,513 --> 00:10:47,189 THIS IS STILL MY HOUSE, ISN'T IT, YOU LITTLE TRAMP, HUH? HOW'S IT LOOK? 364 00:10:47,213 --> 00:10:48,390 IT, YOU LITTLE TRAMP, HUH? HOW'S IT LOOK? IT LOOKS PRETTY GOOD, DOESN'T 365 00:10:48,414 --> 00:10:48,758 HOW'S IT LOOK? IT LOOKS PRETTY GOOD, DOESN'T IT? 366 00:10:48,782 --> 00:10:50,526 IT LOOKS PRETTY GOOD, DOESN'T IT? SORRY. I'M SORRY. 367 00:10:50,550 --> 00:10:52,394 IT? SORRY. I'M SORRY. THE KID'S A MAVERICK, I TELL 368 00:10:52,418 --> 00:10:53,596 SORRY. I'M SORRY. THE KID'S A MAVERICK, I TELL YOU, A BAD SEED. 369 00:10:53,620 --> 00:10:54,831 THE KID'S A MAVERICK, I TELL YOU, A BAD SEED. HE'S NO LIKE JOE. 370 00:10:54,855 --> 00:10:56,633 YOU, A BAD SEED. HE'S NO LIKE JOE. IT'S JUST A STAGE. 371 00:10:56,657 --> 00:10:58,234 HE'S NO LIKE JOE. IT'S JUST A STAGE. HE'LL GET OVER IT. 372 00:10:58,258 --> 00:10:59,636 IT'S JUST A STAGE. HE'LL GET OVER IT. YEAH, BUT IT STILL DON'T MEAN 373 00:10:59,660 --> 00:11:00,903 HE'LL GET OVER IT. YEAH, BUT IT STILL DON'T MEAN HE SHOULDN'T BE HERE WHEN THE 374 00:11:00,927 --> 00:11:01,537 YEAH, BUT IT STILL DON'T MEAN HE SHOULDN'T BE HERE WHEN THE FAMILY EATS. 375 00:11:01,561 --> 00:11:02,772 HE SHOULDN'T BE HERE WHEN THE FAMILY EATS. HEY! 376 00:11:02,796 --> 00:11:07,744 FAMILY EATS. HEY! TONY, GET DOWN HERE! 377 00:11:07,768 --> 00:11:09,245 HEY! TONY, GET DOWN HERE! [THE BEE GEES' "NIGHT FEVER" 378 00:11:09,269 --> 00:11:14,684 TONY, GET DOWN HERE! [THE BEE GEES' "NIGHT FEVER" PLAYS] 379 00:11:14,708 --> 00:11:15,852 [THE BEE GEES' "NIGHT FEVER" PLAYS] Announcer: AND NOW ANOTHER 380 00:11:15,876 --> 00:11:17,796 [PLAYS] Announcer: AND NOW ANOTHER EPISODE OF... 381 00:11:34,560 --> 00:11:39,809 ♪ CITY WOMAN, SHE MOVES THROUGH THE NIGHT ♪ ♪ CONTROLLING MY MIND 382 00:11:39,833 --> 00:11:42,545 SHE MOVES THROUGH THE NIGHT ♪ ♪ CONTROLLING MY MIND AND MY SOUL ♪ 383 00:11:42,569 --> 00:11:44,547 ♪ CONTROLLING MY MIND AND MY SOUL ♪ ♪ WHEN YOU REACH OUT FOR ME, 384 00:11:44,571 --> 00:11:47,083 AND MY SOUL ♪ ♪ WHEN YOU REACH OUT FOR ME, AND THE FEELING IS BRIGHT ♪ 385 00:11:47,107 --> 00:11:50,553 ♪ WHEN YOU REACH OUT FOR ME, AND THE FEELING IS BRIGHT ♪ ♪ NIGHT FEVER, NIGHT FEVER, 386 00:11:50,577 --> 00:11:53,389 AND THE FEELING IS BRIGHT ♪ ♪ NIGHT FEVER, NIGHT FEVER, WE KNOW HOW TO DO IT ♪ 387 00:11:53,413 --> 00:11:54,957 ♪ NIGHT FEVER, NIGHT FEVER, WE KNOW HOW TO DO IT ♪ HEY! 388 00:11:54,981 --> 00:11:57,560 WE KNOW HOW TO DO IT ♪ HEY! DID YOU HEAR ME? 389 00:11:57,584 --> 00:12:00,830 HEY! DID YOU HEAR ME? GET DOWN HERE AND STEP ON IT! 390 00:12:00,854 --> 00:12:03,299 DID YOU HEAR ME? GET DOWN HERE AND STEP ON IT! JOE'S GONNA BE HERE TODAY! 391 00:12:03,323 --> 00:12:04,901 GET DOWN HERE AND STEP ON IT! JOE'S GONNA BE HERE TODAY! ISN'T THAT GREAT? 392 00:12:04,925 --> 00:12:07,603 JOE'S GONNA BE HERE TODAY! ISN'T THAT GREAT? OH, MAYBE HE'LL TALK TO TONY. 393 00:12:07,627 --> 00:12:10,239 ISN'T THAT GREAT? OH, MAYBE HE'LL TALK TO TONY. MAYBE HE'LL STRAIGHTEN HIM OUT. 394 00:12:10,263 --> 00:12:11,708 OH, MAYBE HE'LL TALK TO TONY. MAYBE HE'LL STRAIGHTEN HIM OUT. YOU NEED A PRETTY POWERFUL 395 00:12:11,732 --> 00:12:13,309 MAYBE HE'LL STRAIGHTEN HIM OUT. YOU NEED A PRETTY POWERFUL STARCH TO STRAIGHTEN THAT LITTLE 396 00:12:13,333 --> 00:12:13,910 YOU NEED A PRETTY POWERFUL STARCH TO STRAIGHTEN THAT LITTLE BRAT OUT. 397 00:12:13,934 --> 00:12:14,977 STARCH TO STRAIGHTEN THAT LITTLE BRAT OUT. MR. PRETTY BOY. 398 00:12:15,001 --> 00:12:16,713 BRAT OUT. MR. PRETTY BOY. MR. OH, BOY, I LOOK SO GOOD. 399 00:12:16,737 --> 00:12:18,581 MR. PRETTY BOY. MR. OH, BOY, I LOOK SO GOOD. IT'S JUST A PHASE, I TELL-A 400 00:12:18,605 --> 00:12:19,048 MR. OH, BOY, I LOOK SO GOOD. IT'S JUST A PHASE, I TELL-A YOU. 401 00:12:19,072 --> 00:12:20,983 IT'S JUST A PHASE, I TELL-A YOU. YEAH. 402 00:12:21,007 --> 00:12:24,120 YOU. YEAH. HEY! 403 00:12:24,144 --> 00:12:26,655 YEAH. HEY! JOE'S A-COMING HOME TODAY! 404 00:12:26,679 --> 00:12:34,679 HEY! JOE'S A-COMING HOME TODAY! [IMITATING JOHN TRAVOLTA] 405 00:12:36,056 --> 00:12:40,703 JOE'S A-COMING HOME TODAY! [IMITATING JOHN TRAVOLTA] WHAT'S WITH... 406 00:12:40,727 --> 00:12:42,338 [IMITATING JOHN TRAVOLTA] WHAT'S WITH... WHY THE HELL CAN'T YOU EAT LIKE 407 00:12:42,362 --> 00:12:43,239 WHAT'S WITH... WHY THE HELL CAN'T YOU EAT LIKE EVERYBODY ELSE? 408 00:12:43,263 --> 00:12:44,807 WHY THE HELL CAN'T YOU EAT LIKE EVERYBODY ELSE? AND DON'T YOU TALK THAT WAY IN 409 00:12:44,831 --> 00:12:45,441 EVERYBODY ELSE? AND DON'T YOU TALK THAT WAY IN MY HOUSE. 410 00:12:45,465 --> 00:12:46,943 AND DON'T YOU TALK THAT WAY IN MY HOUSE. YOU DON'T TALK ABOUT JOE LIKE 411 00:12:46,967 --> 00:12:47,409 MY HOUSE. YOU DON'T TALK ABOUT JOE LIKE THAT. 412 00:12:47,433 --> 00:12:48,711 YOU DON'T TALK ABOUT JOE LIKE THAT. YOU'RE SO JEALOUS OF YOUR 413 00:12:48,735 --> 00:12:49,311 THAT. YOU'RE SO JEALOUS OF YOUR BROTHER. 414 00:12:49,335 --> 00:12:50,913 YOU'RE SO JEALOUS OF YOUR BROTHER. HE STUDIED TO MAKE SOMETHING OF 415 00:12:50,937 --> 00:12:51,848 BROTHER. HE STUDIED TO MAKE SOMETHING OF HIMSELF, BUSTER. 416 00:12:51,872 --> 00:12:52,681 HE STUDIED TO MAKE SOMETHING OF HIMSELF, BUSTER. HE HAD A GOAL! 417 00:12:52,705 --> 00:12:53,482 HIMSELF, BUSTER. HE HAD A GOAL! NOT LIKE YOU. 418 00:12:53,506 --> 00:12:55,017 HE HAD A GOAL! NOT LIKE YOU. JOE'S MORE THAN JUST A PRIEST, 419 00:12:55,041 --> 00:12:55,651 NOT LIKE YOU. JOE'S MORE THAN JUST A PRIEST, YOU KNOW. 420 00:12:55,675 --> 00:12:57,019 JOE'S MORE THAN JUST A PRIEST, YOU KNOW. HE MAKES YOUR MOM AND ME REAL 421 00:12:57,043 --> 00:12:57,486 YOU KNOW. HE MAKES YOUR MOM AND ME REAL PROUD. 422 00:12:57,510 --> 00:12:58,254 HE MAKES YOUR MOM AND ME REAL PROUD. TELL YOU THAT. 423 00:12:58,278 --> 00:12:59,588 PROUD. TELL YOU THAT. WHY YOU CAN'T BE LIKE JOE, I 424 00:12:59,612 --> 00:13:00,256 TELL YOU THAT. WHY YOU CAN'T BE LIKE JOE, I DON'T KNOW. 425 00:13:00,280 --> 00:13:01,190 WHY YOU CAN'T BE LIKE JOE, I DON'T KNOW. LOOK AT YOUR HAIR. 426 00:13:01,214 --> 00:13:04,627 DON'T KNOW. LOOK AT YOUR HAIR. LOOK AT YOUR HAIR! 427 00:13:04,651 --> 00:13:07,496 LOOK AT YOUR HAIR. LOOK AT YOUR HAIR! MY HAIR, HUH?! 428 00:13:07,520 --> 00:13:09,065 LOOK AT YOUR HAIR! MY HAIR, HUH?! WHAT'S WRONG WITH MY HAIR! 429 00:13:09,089 --> 00:13:11,934 MY HAIR, HUH?! WHAT'S WRONG WITH MY HAIR! WHAT'S WRONG WITH MY HAIR, HUH? 430 00:13:11,958 --> 00:13:16,505 WHAT'S WRONG WITH MY HAIR! WHAT'S WRONG WITH MY HAIR, HUH? WHAT'S WRONG, HUH? 431 00:13:16,529 --> 00:13:23,312 WHAT'S WRONG WITH MY HAIR, HUH? WHAT'S WRONG, HUH? [MUMBLING] 432 00:13:23,336 --> 00:13:25,414 WHAT'S WRONG, HUH? [MUMBLING] YEAH, WELL, YOU GOT TOMATO 433 00:13:25,438 --> 00:13:26,883 [MUMBLING] YEAH, WELL, YOU GOT TOMATO SAUCE ON YOUR FACE. 434 00:13:26,907 --> 00:13:28,751 YEAH, WELL, YOU GOT TOMATO SAUCE ON YOUR FACE. JOE MAKE-A ME SO PROUD. 435 00:13:28,775 --> 00:13:30,586 SAUCE ON YOUR FACE. JOE MAKE-A ME SO PROUD. HE'S GONNA BE HOME TODAY. 436 00:13:30,610 --> 00:13:32,155 JOE MAKE-A ME SO PROUD. HE'S GONNA BE HOME TODAY. IT'S JUST A PHASE. 437 00:13:32,179 --> 00:13:33,923 HE'S GONNA BE HOME TODAY. IT'S JUST A PHASE. HE'S A NO-GOOD KID... 438 00:13:33,947 --> 00:13:35,258 IT'S JUST A PHASE. HE'S A NO-GOOD KID... DANCING, DANCING. 439 00:13:35,282 --> 00:13:37,393 HE'S A NO-GOOD KID... DANCING, DANCING. ALL HE WANTS TO DO IS DANCING. 440 00:13:37,417 --> 00:13:39,628 DANCING, DANCING. ALL HE WANTS TO DO IS DANCING. I HOPE NOBODY TELLS HIM HE'S GOT 441 00:13:39,652 --> 00:13:47,652 ALL HE WANTS TO DO IS DANCING. I HOPE NOBODY TELLS HIM HE'S GOT TOMATO SAUCE ALL OVER HIS CHIN. 442 00:13:47,928 --> 00:13:50,273 I HOPE NOBODY TELLS HIM HE'S GOT TOMATO SAUCE ALL OVER HIS CHIN. HEY! 443 00:13:50,297 --> 00:13:51,207 TOMATO SAUCE ALL OVER HIS CHIN. HEY! TONY! 444 00:13:51,231 --> 00:13:53,342 HEY! TONY! YOU'RE LOOKING GOOD, KID. 445 00:13:53,366 --> 00:13:55,978 TONY! YOU'RE LOOKING GOOD, KID. ARE THEY STILL GIVING YOU A HARD 446 00:13:56,002 --> 00:13:56,679 YOU'RE LOOKING GOOD, KID. ARE THEY STILL GIVING YOU A HARD TIME? 447 00:13:56,703 --> 00:13:57,980 ARE THEY STILL GIVING YOU A HARD TIME? [MUMBLING] 448 00:13:58,004 --> 00:14:00,382 TIME? [MUMBLING] WELL, YOU MAY NOT BE THE ONLY 449 00:14:00,406 --> 00:14:02,384 [MUMBLING] WELL, YOU MAY NOT BE THE ONLY BAD BOY AROUND HERE, SOON. 450 00:14:02,408 --> 00:14:04,253 WELL, YOU MAY NOT BE THE ONLY BAD BOY AROUND HERE, SOON. HEY, TONY, I'M REAL UNHAPPY, 451 00:14:04,277 --> 00:14:04,753 BAD BOY AROUND HERE, SOON. HEY, TONY, I'M REAL UNHAPPY, MAN. 452 00:14:04,777 --> 00:14:06,856 HEY, TONY, I'M REAL UNHAPPY, MAN. I KNOW MOM AND PA, THEY'RE PROUD 453 00:14:06,880 --> 00:14:08,958 MAN. I KNOW MOM AND PA, THEY'RE PROUD OF ME AND ALL, BUT HEY, I GOT TO 454 00:14:08,982 --> 00:14:10,126 I KNOW MOM AND PA, THEY'RE PROUD OF ME AND ALL, BUT HEY, I GOT TO LIVE FOR MYSELF. 455 00:14:10,150 --> 00:14:12,228 OF ME AND ALL, BUT HEY, I GOT TO LIVE FOR MYSELF. I GOT TO DO WHAT'S RIGHT FOR ME. 456 00:14:12,252 --> 00:14:13,762 LIVE FOR MYSELF. I GOT TO DO WHAT'S RIGHT FOR ME. I CAN'T LIVE FOR THEM. 457 00:14:13,786 --> 00:14:15,397 I GOT TO DO WHAT'S RIGHT FOR ME. I CAN'T LIVE FOR THEM. I THINK I'M GONNA TELL THEM 458 00:14:15,421 --> 00:14:16,532 I CAN'T LIVE FOR THEM. I THINK I'M GONNA TELL THEM TOMORROW MORNING. 459 00:14:16,556 --> 00:14:17,700 I THINK I'M GONNA TELL THEM TOMORROW MORNING. [MUMBLING] 460 00:14:17,724 --> 00:14:18,835 TOMORROW MORNING. [MUMBLING] HEY, TONY... 461 00:14:18,859 --> 00:14:21,003 [MUMBLING] HEY, TONY... I JUST DON'T WANT TO BE BLACK NO 462 00:14:21,027 --> 00:14:21,570 HEY, TONY... I JUST DON'T WANT TO BE BLACK NO MORE. 463 00:14:21,594 --> 00:14:25,908 I JUST DON'T WANT TO BE BLACK NO MORE. OH, HO-HO! 464 00:14:25,932 --> 00:14:26,909 MORE. OH, HO-HO! OH, NO, NO, NO. 465 00:14:26,933 --> 00:14:28,311 OH, HO-HO! OH, NO, NO, NO. THAT'S NOT WHAT I'M SAYING. 466 00:14:28,335 --> 00:14:29,912 OH, NO, NO, NO. THAT'S NOT WHAT I'M SAYING. IT'S JUST THAT BACK IN THE '60s, 467 00:14:29,936 --> 00:14:31,480 THAT'S NOT WHAT I'M SAYING. IT'S JUST THAT BACK IN THE '60s, IT SEEMED LIKE THE HIP THING TO 468 00:14:31,504 --> 00:14:32,781 IT'S JUST THAT BACK IN THE '60s, IT SEEMED LIKE THE HIP THING TO DO, BEING A MEMBER OF THE 469 00:14:32,805 --> 00:14:34,250 IT SEEMED LIKE THE HIP THING TO DO, BEING A MEMBER OF THE DOWNTRODDEN SOCIETY AND ALL. 470 00:14:34,274 --> 00:14:35,684 DO, BEING A MEMBER OF THE DOWNTRODDEN SOCIETY AND ALL. BUT HEY... PEOPLE, THEY JUST 471 00:14:35,708 --> 00:14:37,019 DOWNTRODDEN SOCIETY AND ALL. BUT HEY... PEOPLE, THEY JUST DON'T CARE ABOUT THE CAUSE 472 00:14:37,043 --> 00:14:37,586 BUT HEY... PEOPLE, THEY JUST DON'T CARE ABOUT THE CAUSE ANYMORE. 473 00:14:37,610 --> 00:14:39,188 DON'T CARE ABOUT THE CAUSE ANYMORE. AND YOU KNOW WHO'S SUFFERING FOR 474 00:14:39,212 --> 00:14:39,555 ANYMORE. AND YOU KNOW WHO'S SUFFERING FOR IT? 475 00:14:39,579 --> 00:14:39,989 AND YOU KNOW WHO'S SUFFERING FOR IT? I AM. 476 00:14:40,013 --> 00:14:41,858 IT? I AM. PLUS, I COULD NEVER GET THAT 477 00:14:41,882 --> 00:14:45,761 I AM. PLUS, I COULD NEVER GET THAT WALK DOWN. 478 00:14:45,785 --> 00:14:48,697 PLUS, I COULD NEVER GET THAT WALK DOWN. HEY. 479 00:14:48,721 --> 00:14:49,765 WALK DOWN. HEY. OH, I DON'T KNOW. 480 00:14:49,789 --> 00:14:51,000 HEY. OH, I DON'T KNOW. I GOT TO THINK ABOUT IT. 481 00:14:51,024 --> 00:14:53,102 OH, I DON'T KNOW. I GOT TO THINK ABOUT IT. HEY. 482 00:14:53,126 --> 00:14:54,937 I GOT TO THINK ABOUT IT. HEY. NO, I'VE NEVER BEEN MUCH FOR 483 00:14:54,961 --> 00:14:58,007 HEY. NO, I'VE NEVER BEEN MUCH FOR DANCING. 484 00:14:58,031 --> 00:14:59,041 NO, I'VE NEVER BEEN MUCH FOR DANCING. NO, NO, NO! 485 00:14:59,065 --> 00:15:00,476 DANCING. NO, NO, NO! I'LL GO, I'LL GO. 486 00:15:00,500 --> 00:15:06,282 NO, NO, NO! I'LL GO, I'LL GO. IT MAY DO ME SOME GOOD, HUH? 487 00:15:06,306 --> 00:15:09,818 I'LL GO, I'LL GO. IT MAY DO ME SOME GOOD, HUH? ♪ BURN, BABY, BURN ♪ 488 00:15:09,842 --> 00:15:13,856 IT MAY DO ME SOME GOOD, HUH? ♪ BURN, BABY, BURN ♪ ♪ BURN, BABY, BURN ♪ 489 00:15:13,880 --> 00:15:17,193 ♪ BURN, BABY, BURN ♪ ♪ BURN, BABY, BURN ♪ ♪ TO MY SURPRISE 490 00:15:17,217 --> 00:15:19,495 ♪ BURN, BABY, BURN ♪ ♪ TO MY SURPRISE ONE HUNDRED STORIES HIGH ♪ 491 00:15:19,519 --> 00:15:20,029 ♪ TO MY SURPRISE ONE HUNDRED STORIES HIGH ♪ OKAY. 492 00:15:20,053 --> 00:15:21,264 ONE HUNDRED STORIES HIGH ♪ OKAY. WE'LL GIVE VINNIE 10 MORE 493 00:15:21,288 --> 00:15:22,765 OKAY. WE'LL GIVE VINNIE 10 MORE MINUTES IN THE CAR, THEN YOU GET 494 00:15:22,789 --> 00:15:23,799 WE'LL GIVE VINNIE 10 MORE MINUTES IN THE CAR, THEN YOU GET YOUR TURN WITH MARIA. 495 00:15:23,823 --> 00:15:26,568 MINUTES IN THE CAR, THEN YOU GET YOUR TURN WITH MARIA. HEY! 496 00:15:26,592 --> 00:15:27,937 YOUR TURN WITH MARIA. HEY! HEY, TONY. 497 00:15:27,961 --> 00:15:31,908 HEY! HEY, TONY. HEY. 498 00:15:31,932 --> 00:15:33,876 HEY, TONY. HEY. SURE, I KNOW YOUR BROTHER, 499 00:15:33,900 --> 00:15:34,410 HEY. SURE, I KNOW YOUR BROTHER, JOE. 500 00:15:34,434 --> 00:15:35,411 SURE, I KNOW YOUR BROTHER, JOE. HOW ARE YOU? 501 00:15:35,435 --> 00:15:36,612 JOE. HOW ARE YOU? THIS IS CARMINE. 502 00:15:36,636 --> 00:15:37,613 HOW ARE YOU? THIS IS CARMINE. HEY, JOE. 503 00:15:37,637 --> 00:15:39,648 THIS IS CARMINE. HEY, JOE. HEY, JOE, YOU LOOK DIFFERENT 504 00:15:39,672 --> 00:15:40,383 HEY, JOE. HEY, JOE, YOU LOOK DIFFERENT TONIGHT. 505 00:15:40,407 --> 00:15:44,586 HEY, JOE, YOU LOOK DIFFERENT TONIGHT. I'M NOT BLACK ANYMORE. 506 00:15:44,610 --> 00:15:46,122 TONIGHT. I'M NOT BLACK ANYMORE. HI. 507 00:15:46,146 --> 00:15:49,025 I'M NOT BLACK ANYMORE. HI. TONY, YOU WANT TO DANCE? 508 00:15:49,049 --> 00:15:52,962 HI. TONY, YOU WANT TO DANCE? [SCOFFS] 509 00:15:52,986 --> 00:15:56,832 TONY, YOU WANT TO DANCE? [SCOFFS] HEY! 510 00:15:56,856 --> 00:15:58,968 [SCOFFS] HEY! HEY, WOW, DO YOU WANT TO 511 00:15:58,992 --> 00:16:00,236 HEY! HEY, WOW, DO YOU WANT TO DANCE WITH ME? 512 00:16:00,260 --> 00:16:01,971 HEY, WOW, DO YOU WANT TO DANCE WITH ME? I'M NOT VERY GOOD. 513 00:16:01,995 --> 00:16:03,372 DANCE WITH ME? I'M NOT VERY GOOD. OH, COME ON. 514 00:16:03,396 --> 00:16:04,673 I'M NOT VERY GOOD. OH, COME ON. I'LL SHOW YOU. 515 00:16:04,697 --> 00:16:07,743 OH, COME ON. I'LL SHOW YOU. [MUMBLING] 516 00:16:07,767 --> 00:16:10,179 I'LL SHOW YOU. [MUMBLING] ALL RIGHT. 517 00:16:10,203 --> 00:16:13,215 [MUMBLING] ALL RIGHT. WILL I SEE YOU LATER, TONY? 518 00:16:13,239 --> 00:16:16,819 ALL RIGHT. WILL I SEE YOU LATER, TONY? HEY! 519 00:16:16,843 --> 00:16:18,955 WILL I SEE YOU LATER, TONY? HEY! THIS IS THE LIFE... TO BE 520 00:16:18,979 --> 00:16:20,957 HEY! THIS IS THE LIFE... TO BE YOUNG, STUPID, AND HAVE NO 521 00:16:20,981 --> 00:16:22,191 THIS IS THE LIFE... TO BE YOUNG, STUPID, AND HAVE NO FUTURE AT ALL. 522 00:16:22,215 --> 00:16:27,596 YOUNG, STUPID, AND HAVE NO FUTURE AT ALL. I LOVE BROOKLYN! 523 00:16:27,620 --> 00:16:30,466 FUTURE AT ALL. I LOVE BROOKLYN! HEY, TONY, YOU GONNA DANCE 524 00:16:30,490 --> 00:16:33,002 I LOVE BROOKLYN! HEY, TONY, YOU GONNA DANCE TONIGHT, TONY? 525 00:16:33,026 --> 00:16:34,837 HEY, TONY, YOU GONNA DANCE TONIGHT, TONY? YOUR BROTHER'S DOING PRETTY GOOD 526 00:16:34,861 --> 00:16:36,572 TONIGHT, TONY? YOUR BROTHER'S DOING PRETTY GOOD WITH THE CHICKS, AND HE DANCES 527 00:16:36,596 --> 00:16:37,306 YOUR BROTHER'S DOING PRETTY GOOD WITH THE CHICKS, AND HE DANCES GOOD, TOO. 528 00:16:37,330 --> 00:16:42,411 WITH THE CHICKS, AND HE DANCES GOOD, TOO. HEY. 529 00:16:42,435 --> 00:16:43,512 GOOD, TOO. HEY. [INTRO TO "STAYIN' ALIVE" 530 00:16:43,536 --> 00:16:51,187 HEY. [INTRO TO "STAYIN' ALIVE" PLAYS] 531 00:16:51,211 --> 00:16:54,512 [INTRO TO "STAYIN' ALIVE" PLAYS] [ALL CLAMORING] 532 00:17:01,253 --> 00:17:05,468 ♪ MUSIC LOUD AND WOMEN WARM, I'VE BEEN KICKED AROUND SINCE I WAS BORN ♪ 533 00:17:05,492 --> 00:17:06,668 I'VE BEEN KICKED AROUND SINCE I WAS BORN ♪ ♪ AND NOW IT'S ALL RIGHT, 534 00:17:06,692 --> 00:17:07,870 SINCE I WAS BORN ♪ ♪ AND NOW IT'S ALL RIGHT, IT'S OKAY, 535 00:17:07,894 --> 00:17:10,072 ♪ AND NOW IT'S ALL RIGHT, IT'S OKAY, YOU MAY LOOK THE OTHER WAY ♪ 536 00:17:10,096 --> 00:17:12,141 IT'S OKAY, YOU MAY LOOK THE OTHER WAY ♪ ♪ AND WE CAN TRY TO UNDERSTAND 537 00:17:12,165 --> 00:17:13,376 YOU MAY LOOK THE OTHER WAY ♪ ♪ AND WE CAN TRY TO UNDERSTAND THE NEW YORK TIMES' 538 00:17:13,400 --> 00:17:14,943 ♪ AND WE CAN TRY TO UNDERSTAND THE NEW YORK TIMES' EFFECT ON MAN ♪ 539 00:17:14,967 --> 00:17:15,777 THE NEW YORK TIMES' EFFECT ON MAN ♪ ♪ WHETHER YOU'RE A BROTHER 540 00:17:15,801 --> 00:17:17,013 EFFECT ON MAN ♪ ♪ WHETHER YOU'RE A BROTHER OR WHETHER YOU'RE A MOTHER, 541 00:17:17,037 --> 00:17:18,280 ♪ WHETHER YOU'RE A BROTHER OR WHETHER YOU'RE A MOTHER, YOU'RE STAYIN' ALIVE, 542 00:17:18,304 --> 00:17:19,448 OR WHETHER YOU'RE A MOTHER, YOU'RE STAYIN' ALIVE, STAYIN' ALIVE ♪ 543 00:17:19,472 --> 00:17:20,416 YOU'RE STAYIN' ALIVE, STAYIN' ALIVE ♪ ♪ FEEL THE CITY BREAKIN' 544 00:17:20,440 --> 00:17:21,650 STAYIN' ALIVE ♪ ♪ FEEL THE CITY BREAKIN' AND EVERYBODY SHAKIN', 545 00:17:21,674 --> 00:17:22,751 ♪ FEEL THE CITY BREAKIN' AND EVERYBODY SHAKIN', WE'RE STAYIN' ALIVE, 546 00:17:22,775 --> 00:17:24,020 AND EVERYBODY SHAKIN', WE'RE STAYIN' ALIVE, STAYIN ALIVE ♪ 547 00:17:24,044 --> 00:17:26,288 WE'RE STAYIN' ALIVE, STAYIN ALIVE ♪ ♪ AH-AH-AH-AH, 548 00:17:26,312 --> 00:17:28,690 STAYIN ALIVE ♪ ♪ AH-AH-AH-AH, STAYIN' ALIVE, STAYIN' ALIVE ♪ 549 00:17:28,714 --> 00:17:30,659 ♪ AH-AH-AH-AH, STAYIN' ALIVE, STAYIN' ALIVE ♪ ♪ AH-AH-AH-AH, 550 00:17:30,683 --> 00:17:38,683 STAYIN' ALIVE, STAYIN' ALIVE ♪ ♪ AH-AH-AH-AH, STAYIN' ALI-I-I-I-I-VE ♪ 551 00:17:39,225 --> 00:17:44,306 ♪ AH-AH-AH-AH, STAYIN' ALI-I-I-I-I-VE ♪ ♪ OH ♪ 552 00:17:44,330 --> 00:17:45,374 STAYIN' ALI-I-I-I-I-VE ♪ ♪ OH ♪ ♪ WELL, NOW I GET LOW 553 00:17:45,398 --> 00:17:46,675 ♪ OH ♪ ♪ WELL, NOW I GET LOW AND I GET HIGH ♪ 554 00:17:46,699 --> 00:17:47,843 ♪ WELL, NOW I GET LOW AND I GET HIGH ♪ ♪ AND IF I CAN'T GET EITHER 555 00:17:47,867 --> 00:17:49,178 AND I GET HIGH ♪ ♪ AND IF I CAN'T GET EITHER I REALLY TRY ♪ 556 00:17:49,202 --> 00:17:50,146 ♪ AND IF I CAN'T GET EITHER I REALLY TRY ♪ ♪ GOT THE WINGS OF HEAVEN 557 00:17:50,170 --> 00:17:51,313 I REALLY TRY ♪ ♪ GOT THE WINGS OF HEAVEN ON MY SHOES ♪ 558 00:17:51,337 --> 00:17:52,448 ♪ GOT THE WINGS OF HEAVEN ON MY SHOES ♪ ♪ I'M A DANCIN' MAN ♪ 559 00:17:52,472 --> 00:17:53,649 ON MY SHOES ♪ ♪ I'M A DANCIN' MAN ♪ ♪ I JUST CAN'T LOSE ♪ 560 00:17:53,673 --> 00:17:55,151 ♪ I'M A DANCIN' MAN ♪ ♪ I JUST CAN'T LOSE ♪ ♪ NOW IT'S ALL RIGHT, 561 00:17:55,175 --> 00:17:56,152 ♪ I JUST CAN'T LOSE ♪ ♪ NOW IT'S ALL RIGHT, IT'S OKAY, 562 00:17:56,176 --> 00:17:58,254 ♪ NOW IT'S ALL RIGHT, IT'S OKAY, I'LL LIVE TO SEE ANOTHER DAY ♪ 563 00:17:58,278 --> 00:17:59,355 IT'S OKAY, I'LL LIVE TO SEE ANOTHER DAY ♪ ♪ AND WE CAN TRY 564 00:17:59,379 --> 00:18:00,589 I'LL LIVE TO SEE ANOTHER DAY ♪ ♪ AND WE CAN TRY TO UNDERSTAND... ♪ 565 00:18:00,613 --> 00:18:01,424 ♪ AND WE CAN TRY TO UNDERSTAND... ♪ Announcer: TUNE IN NEXT WEEK 566 00:18:01,448 --> 00:18:04,408 TO UNDERSTAND... ♪ Announcer: TUNE IN NEXT WEEK FOR ANOTHER EPISODE OF... 567 00:18:12,291 --> 00:18:17,261 ♪ AH-AH-AH-AH, STAYIN' ALIVE, STAYIN' ALIVE ♪ 568 00:18:25,704 --> 00:18:27,638 [PIANO PLAYS] 569 00:18:34,279 --> 00:18:38,727 HELLO. AS A KID, I HAD MANY IDOLS. MEN LIKE JACKIE ROBINSON AND 570 00:18:38,751 --> 00:18:40,028 AS A KID, I HAD MANY IDOLS. MEN LIKE JACKIE ROBINSON AND WILLIE MAYS INSPIRED ME. 571 00:18:40,052 --> 00:18:41,863 MEN LIKE JACKIE ROBINSON AND WILLIE MAYS INSPIRED ME. BUT PROBABLY AMERICA'S GREATEST 572 00:18:41,887 --> 00:18:43,299 WILLIE MAYS INSPIRED ME. BUT PROBABLY AMERICA'S GREATEST HERO WAS THE LEGENDARY 573 00:18:43,323 --> 00:18:45,267 BUT PROBABLY AMERICA'S GREATEST HERO WAS THE LEGENDARY GEORGE HERMAN "BABE" RUTH. 574 00:18:45,291 --> 00:18:47,836 HERO WAS THE LEGENDARY GEORGE HERMAN "BABE" RUTH. BORN IN 1895, THE BABE GREW UP 575 00:18:47,860 --> 00:18:49,071 GEORGE HERMAN "BABE" RUTH. BORN IN 1895, THE BABE GREW UP TO BECOME THE NEW YORK YANKEES' 576 00:18:49,095 --> 00:18:52,141 BORN IN 1895, THE BABE GREW UP TO BECOME THE NEW YORK YANKEES' SULTAN OF SWAT, AS WELL AS THE 577 00:18:52,165 --> 00:18:54,210 TO BECOME THE NEW YORK YANKEES' SULTAN OF SWAT, AS WELL AS THE GAME'S MOST EXCITING PLAYER. 578 00:18:54,234 --> 00:18:56,145 SULTAN OF SWAT, AS WELL AS THE GAME'S MOST EXCITING PLAYER. THE BABE LOVED EVERYONE, BUT THE 579 00:18:56,169 --> 00:18:58,080 GAME'S MOST EXCITING PLAYER. THE BABE LOVED EVERYONE, BUT THE FANS HE CARED THE MOST ABOUT WAS 580 00:18:58,104 --> 00:18:59,415 THE BABE LOVED EVERYONE, BUT THE FANS HE CARED THE MOST ABOUT WAS AMERICA'S KIDS. 581 00:18:59,439 --> 00:19:01,484 FANS HE CARED THE MOST ABOUT WAS AMERICA'S KIDS. AND THE BABE ALWAYS TRIED TO 582 00:19:01,508 --> 00:19:03,051 AMERICA'S KIDS. AND THE BABE ALWAYS TRIED TO RETURN THEIR LOVE, LIKE THE TIME 583 00:19:03,075 --> 00:19:04,953 AND THE BABE ALWAYS TRIED TO RETURN THEIR LOVE, LIKE THE TIME IN A NEW YORK HOSPITAL, ALMOST 584 00:19:04,977 --> 00:19:08,177 RETURN THEIR LOVE, LIKE THE TIME IN A NEW YORK HOSPITAL, ALMOST FORTY YEARS AGO... 585 00:19:12,351 --> 00:19:15,664 THANK YOU SO MUCH FOR COMING, MR. RUTH. YOU HAVE NO IDEA HOW MUCH THIS 586 00:19:15,688 --> 00:19:16,532 MR. RUTH. YOU HAVE NO IDEA HOW MUCH THIS WILL MEAN TO HIM. 587 00:19:16,556 --> 00:19:19,701 YOU HAVE NO IDEA HOW MUCH THIS WILL MEAN TO HIM. HE'S YOUR BIGGEST FAN, BABE. 588 00:19:19,725 --> 00:19:20,869 WILL MEAN TO HIM. HE'S YOUR BIGGEST FAN, BABE. HE LISTENS TO ALL THE YANKEE 589 00:19:20,893 --> 00:19:21,703 HE'S YOUR BIGGEST FAN, BABE. HE LISTENS TO ALL THE YANKEE GAMES ON THE RADIO. 590 00:19:21,727 --> 00:19:24,607 HE LISTENS TO ALL THE YANKEE GAMES ON THE RADIO. WELL, THAT'S NICE TO HEAR. 591 00:19:24,631 --> 00:19:26,008 GAMES ON THE RADIO. WELL, THAT'S NICE TO HEAR. I LIKE KIDS. 592 00:19:26,032 --> 00:19:27,309 WELL, THAT'S NICE TO HEAR. I LIKE KIDS. I WAS AN ORPHAN MYSELF. 593 00:19:27,333 --> 00:19:29,612 I LIKE KIDS. I WAS AN ORPHAN MYSELF. I'M SENSITIVE TO THEIR NEEDS. 594 00:19:29,636 --> 00:19:32,148 I WAS AN ORPHAN MYSELF. I'M SENSITIVE TO THEIR NEEDS. AAAHHHH! 595 00:19:32,172 --> 00:19:33,682 I'M SENSITIVE TO THEIR NEEDS. AAAHHHH! HOW'S THE LITTLE COLORED 596 00:19:33,706 --> 00:19:34,583 AAAHHHH! HOW'S THE LITTLE COLORED FELLA, ANYWAY? 597 00:19:34,607 --> 00:19:35,951 HOW'S THE LITTLE COLORED FELLA, ANYWAY? WELL... I'LL TELL YOU. 598 00:19:35,975 --> 00:19:37,520 FELLA, ANYWAY? WELL... I'LL TELL YOU. HE'S, UH, HE'S A PRETTY SICK 599 00:19:37,544 --> 00:19:37,953 WELL... I'LL TELL YOU. HE'S, UH, HE'S A PRETTY SICK BOY. 600 00:19:37,977 --> 00:19:39,721 HE'S, UH, HE'S A PRETTY SICK BOY. IN FACT, EVEN HE DOESN'T KNOW 601 00:19:39,745 --> 00:19:40,756 BOY. IN FACT, EVEN HE DOESN'T KNOW HOW SICK HE IS. 602 00:19:40,780 --> 00:19:42,090 IN FACT, EVEN HE DOESN'T KNOW HOW SICK HE IS. BUT WE THINK HE COULD PULL 603 00:19:42,114 --> 00:19:43,359 HOW SICK HE IS. BUT WE THINK HE COULD PULL THROUGH IF WE JUST KEEP HIS 604 00:19:43,383 --> 00:19:43,992 BUT WE THINK HE COULD PULL THROUGH IF WE JUST KEEP HIS SPIRITS UP. 605 00:19:44,016 --> 00:19:45,327 THROUGH IF WE JUST KEEP HIS SPIRITS UP. AND YOU'RE JUST THE PERSON WHO 606 00:19:45,351 --> 00:19:45,961 SPIRITS UP. AND YOU'RE JUST THE PERSON WHO COULD DO IT. 607 00:19:45,985 --> 00:19:46,928 AND YOU'RE JUST THE PERSON WHO COULD DO IT. YOU KNOW, I THINK HE'S WAKING 608 00:19:46,952 --> 00:19:49,898 COULD DO IT. YOU KNOW, I THINK HE'S WAKING UP NOW. 609 00:19:49,922 --> 00:19:51,400 YOU KNOW, I THINK HE'S WAKING UP NOW. HEY, LITTLE GUY. 610 00:19:51,424 --> 00:19:54,637 UP NOW. HEY, LITTLE GUY. YOU HAVE A VISITOR. 611 00:19:54,661 --> 00:19:56,004 HEY, LITTLE GUY. YOU HAVE A VISITOR. OH! 612 00:19:56,028 --> 00:19:58,374 YOU HAVE A VISITOR. OH! IT'S THE BABE! 613 00:19:58,398 --> 00:19:59,975 OH! IT'S THE BABE! WOW! 614 00:19:59,999 --> 00:20:01,043 IT'S THE BABE! WOW! HIYA, KID! 615 00:20:01,067 --> 00:20:02,077 WOW! HIYA, KID! HOW ARE YOU? 616 00:20:02,101 --> 00:20:05,414 HIYA, KID! HOW ARE YOU? GEE, YOU CAME TO SEE ME, 617 00:20:05,438 --> 00:20:06,182 HOW ARE YOU? GEE, YOU CAME TO SEE ME, BABE! 618 00:20:06,206 --> 00:20:08,750 GEE, YOU CAME TO SEE ME, BABE! I THINK IT'S HELPING ALREADY. 619 00:20:08,774 --> 00:20:09,885 BABE! I THINK IT'S HELPING ALREADY. HERE, KID. 620 00:20:09,909 --> 00:20:12,454 I THINK IT'S HELPING ALREADY. HERE, KID. I BOUGHT YOU A PRESENT. 621 00:20:12,478 --> 00:20:13,889 HERE, KID. I BOUGHT YOU A PRESENT. THERE YOU GO. 622 00:20:13,913 --> 00:20:16,258 I BOUGHT YOU A PRESENT. THERE YOU GO. GEE! THANKS, BABE! 623 00:20:16,282 --> 00:20:18,260 THERE YOU GO. GEE! THANKS, BABE! WELL, WE GOT A GAME AGAINST 624 00:20:18,284 --> 00:20:19,995 GEE! THANKS, BABE! WELL, WE GOT A GAME AGAINST CLEVELAND THIS AFTERNOON. 625 00:20:20,019 --> 00:20:21,163 WELL, WE GOT A GAME AGAINST CLEVELAND THIS AFTERNOON. I BETTER BE GOING TO THE 626 00:20:21,187 --> 00:20:23,465 CLEVELAND THIS AFTERNOON. I BETTER BE GOING TO THE STADIUM. 627 00:20:23,489 --> 00:20:25,801 I BETTER BE GOING TO THE STADIUM. AH, TAKE IT EASY, KID. 628 00:20:25,825 --> 00:20:27,102 STADIUM. AH, TAKE IT EASY, KID. MR. RUTH, THANK YOU SO MUCH 629 00:20:27,126 --> 00:20:27,903 AH, TAKE IT EASY, KID. MR. RUTH, THANK YOU SO MUCH FOR STOPPING BY. 630 00:20:27,927 --> 00:20:28,837 MR. RUTH, THANK YOU SO MUCH FOR STOPPING BY. YES. 631 00:20:28,861 --> 00:20:30,206 FOR STOPPING BY. YES. HEY, BABE? 632 00:20:30,230 --> 00:20:33,609 YES. HEY, BABE? COULD YOU DO ME A FAVOR? 633 00:20:33,633 --> 00:20:35,077 HEY, BABE? COULD YOU DO ME A FAVOR? OH, NO, I-I-I... 634 00:20:35,101 --> 00:20:36,144 COULD YOU DO ME A FAVOR? OH, NO, I-I-I... SURE, KID! 635 00:20:36,168 --> 00:20:37,746 OH, NO, I-I-I... SURE, KID! WHAT CAN I DO FOR YOU? 636 00:20:37,770 --> 00:20:42,284 SURE, KID! WHAT CAN I DO FOR YOU? WELL... COULD YOU HIT A HOME 637 00:20:42,308 --> 00:20:44,220 WHAT CAN I DO FOR YOU? WELL... COULD YOU HIT A HOME RUN JUST FOR ME? 638 00:20:44,244 --> 00:20:45,020 WELL... COULD YOU HIT A HOME RUN JUST FOR ME? AW, COME ON, SON. 639 00:20:45,044 --> 00:20:46,088 RUN JUST FOR ME? AW, COME ON, SON. MR. RUTH CAN'T MAKE PROMISES 640 00:20:46,112 --> 00:20:46,589 AW, COME ON, SON. MR. RUTH CAN'T MAKE PROMISES LIKE THAT. 641 00:20:46,613 --> 00:20:48,591 MR. RUTH CAN'T MAKE PROMISES LIKE THAT. NO, NO, NO, IT'S ALL RIGHT! 642 00:20:48,615 --> 00:20:50,892 LIKE THAT. NO, NO, NO, IT'S ALL RIGHT! I TELL YOU WHAT I'LL DO, KID. 643 00:20:50,916 --> 00:20:52,695 NO, NO, NO, IT'S ALL RIGHT! I TELL YOU WHAT I'LL DO, KID. I'LL KNOCK ONE OUT OF THE PARK 644 00:20:52,719 --> 00:20:53,362 I TELL YOU WHAT I'LL DO, KID. I'LL KNOCK ONE OUT OF THE PARK FOR YOU. 645 00:20:53,386 --> 00:20:54,930 I'LL KNOCK ONE OUT OF THE PARK FOR YOU. YOU PROMISE ME YOU'LL PULL 646 00:20:54,954 --> 00:20:55,598 FOR YOU. YOU PROMISE ME YOU'LL PULL THROUGH. 647 00:20:55,622 --> 00:20:56,732 YOU PROMISE ME YOU'LL PULL THROUGH. IS THAT A DEAL? 648 00:20:56,756 --> 00:20:58,400 THROUGH. IS THAT A DEAL? IT'S A DEAL. 649 00:20:58,424 --> 00:20:59,335 IS THAT A DEAL? IT'S A DEAL. IT'S A DEAL. 650 00:20:59,359 --> 00:21:00,736 IT'S A DEAL. IT'S A DEAL. YEAH, IT'S A DEAL! 651 00:21:00,760 --> 00:21:03,805 IT'S A DEAL. YEAH, IT'S A DEAL! OKAY, KID. 652 00:21:03,829 --> 00:21:05,407 YEAH, IT'S A DEAL! OKAY, KID. IT WAS A PERFECT DAY FOR A 653 00:21:05,431 --> 00:21:06,942 OKAY, KID. IT WAS A PERFECT DAY FOR A BALLGAME AT YANKEE STADIUM. 654 00:21:06,966 --> 00:21:08,410 IT WAS A PERFECT DAY FOR A BALLGAME AT YANKEE STADIUM. THE CLEVELAND INDIANS DIDN'T 655 00:21:08,434 --> 00:21:09,978 BALLGAME AT YANKEE STADIUM. THE CLEVELAND INDIANS DIDN'T SCORE OFF RUFFING IN THE FIRST, 656 00:21:10,002 --> 00:21:11,447 THE CLEVELAND INDIANS DIDN'T SCORE OFF RUFFING IN THE FIRST, BUT THE YANKEES HAD A THREAT 657 00:21:11,471 --> 00:21:12,914 SCORE OFF RUFFING IN THE FIRST, BUT THE YANKEES HAD A THREAT GOING WITH LAZZERI ON FIRST. 658 00:21:12,938 --> 00:21:15,016 BUT THE YANKEES HAD A THREAT GOING WITH LAZZERI ON FIRST. AND UP TO THE PLATE STEPPED THE 659 00:21:15,040 --> 00:21:19,555 GOING WITH LAZZERI ON FIRST. AND UP TO THE PLATE STEPPED THE OLD BAMBINO HIMSELF. 660 00:21:19,579 --> 00:21:21,423 AND UP TO THE PLATE STEPPED THE OLD BAMBINO HIMSELF. TWO QUICK STRIKES ON THE 661 00:21:21,447 --> 00:21:22,023 OLD BAMBINO HIMSELF. TWO QUICK STRIKES ON THE BABE. 662 00:21:22,047 --> 00:21:24,092 TWO QUICK STRIKES ON THE BABE. THE PITCHER'S IN HIS WINDUP. 663 00:21:24,116 --> 00:21:25,628 BABE. THE PITCHER'S IN HIS WINDUP. THE BABE SWINGS, AND IT'S 664 00:21:25,652 --> 00:21:26,562 THE PITCHER'S IN HIS WINDUP. THE BABE SWINGS, AND IT'S STRIKE THREE! 665 00:21:26,586 --> 00:21:27,663 THE BABE SWINGS, AND IT'S STRIKE THREE! COME ON, BABE! 666 00:21:27,687 --> 00:21:32,401 STRIKE THREE! COME ON, BABE! COME ON, BABE, BABY! 667 00:21:32,425 --> 00:21:34,270 COME ON, BABE! COME ON, BABE, BABY! HE'LL GET IT THE NEXT TIME, 668 00:21:34,294 --> 00:21:34,836 COME ON, BABE, BABY! HE'LL GET IT THE NEXT TIME, MAYBE. 669 00:21:34,860 --> 00:21:36,838 HE'LL GET IT THE NEXT TIME, MAYBE. THE BABE CAME UP TO BAT AGAIN 670 00:21:36,862 --> 00:21:38,274 MAYBE. THE BABE CAME UP TO BAT AGAIN IN THE FOURTH INNING. 671 00:21:38,298 --> 00:21:39,908 THE BABE CAME UP TO BAT AGAIN IN THE FOURTH INNING. HOLDING THE BAT IN HIS HAND, HE 672 00:21:39,932 --> 00:21:41,310 IN THE FOURTH INNING. HOLDING THE BAT IN HIS HAND, HE STRODE TO THE PLATE IN HIS 673 00:21:41,334 --> 00:21:42,911 HOLDING THE BAT IN HIS HAND, HE STRODE TO THE PLATE IN HIS PIGEON-TOED, INIMITABLE STYLE. 674 00:21:42,935 --> 00:21:44,647 STRODE TO THE PLATE IN HIS PIGEON-TOED, INIMITABLE STYLE. BUT, QUICKLY, THE DRUNKEN, 675 00:21:44,671 --> 00:21:46,682 PIGEON-TOED, INIMITABLE STYLE. BUT, QUICKLY, THE DRUNKEN, OVERWEIGHT IDOL HAD TWO STRIKES 676 00:21:46,706 --> 00:21:47,949 BUT, QUICKLY, THE DRUNKEN, OVERWEIGHT IDOL HAD TWO STRIKES ON HIM. 677 00:21:47,973 --> 00:21:49,785 OVERWEIGHT IDOL HAD TWO STRIKES ON HIM. AN INTERESTING STORY, SPORTS 678 00:21:49,809 --> 00:21:50,286 ON HIM. AN INTERESTING STORY, SPORTS FANS. 679 00:21:50,310 --> 00:21:51,520 AN INTERESTING STORY, SPORTS FANS. BEFORE THE GAME, THE BABE TOLD 680 00:21:51,544 --> 00:21:52,854 FANS. BEFORE THE GAME, THE BABE TOLD ME THAT HE PROMISED A LITTLE BOY 681 00:21:52,878 --> 00:21:54,690 BEFORE THE GAME, THE BABE TOLD ME THAT HE PROMISED A LITTLE BOY WHO'S DYING IN THE HOSPITAL THAT 682 00:21:54,714 --> 00:21:55,824 ME THAT HE PROMISED A LITTLE BOY WHO'S DYING IN THE HOSPITAL THAT HE'D HIT A HOME RUN FOR HIM 683 00:21:55,848 --> 00:21:57,092 WHO'S DYING IN THE HOSPITAL THAT HE'D HIT A HOME RUN FOR HIM TODAY. 684 00:21:57,116 --> 00:22:02,264 HE'D HIT A HOME RUN FOR HIM TODAY. I'M DYING?! 685 00:22:02,288 --> 00:22:04,232 TODAY. I'M DYING?! AAHHH! 686 00:22:04,256 --> 00:22:05,033 I'M DYING?! AAHHH! THE WINDUP AND THE PITCH... 687 00:22:05,057 --> 00:22:06,402 AAHHH! THE WINDUP AND THE PITCH... OOPS, AND IT WON'T BE THIS TIME 688 00:22:06,426 --> 00:22:07,803 THE WINDUP AND THE PITCH... OOPS, AND IT WON'T BE THIS TIME AT BAT AS THE BABE TAKES STRIKE 689 00:22:07,827 --> 00:22:09,070 OOPS, AND IT WON'T BE THIS TIME AT BAT AS THE BABE TAKES STRIKE THREE, AND THE SCORE REMAINS 690 00:22:09,094 --> 00:22:10,939 AT BAT AS THE BABE TAKES STRIKE THREE, AND THE SCORE REMAINS INDIANS 2 AND THE YANKEES 691 00:22:10,963 --> 00:22:11,807 THREE, AND THE SCORE REMAINS INDIANS 2 AND THE YANKEES NOTHING. 692 00:22:11,831 --> 00:22:14,242 INDIANS 2 AND THE YANKEES NOTHING. GOING INTO THE EIGHTH INNING, 693 00:22:14,266 --> 00:22:16,345 NOTHING. GOING INTO THE EIGHTH INNING, IT WAS STILL 2-0 CLEVELAND. 694 00:22:16,369 --> 00:22:17,813 GOING INTO THE EIGHTH INNING, IT WAS STILL 2-0 CLEVELAND. THE LITTLE BOY WAS HANGING ON 695 00:22:17,837 --> 00:22:19,247 IT WAS STILL 2-0 CLEVELAND. THE LITTLE BOY WAS HANGING ON EVERY PITCH, AS IT SEEMED HIS 696 00:22:19,271 --> 00:22:20,749 THE LITTLE BOY WAS HANGING ON EVERY PITCH, AS IT SEEMED HIS VERY HEALTH LAID ON THE BABE'S 697 00:22:20,773 --> 00:22:21,717 EVERY PITCH, AS IT SEEMED HIS VERY HEALTH LAID ON THE BABE'S GAME. 698 00:22:21,741 --> 00:22:23,151 VERY HEALTH LAID ON THE BABE'S GAME. BUT THE BABE STRUCK OUT AGAIN, 699 00:22:23,175 --> 00:22:25,120 GAME. BUT THE BABE STRUCK OUT AGAIN, AND THINGS BEGAN TO LOOK BLEAK 700 00:22:25,144 --> 00:22:27,022 BUT THE BABE STRUCK OUT AGAIN, AND THINGS BEGAN TO LOOK BLEAK GOING INTO THE NINTH INNING. 701 00:22:27,046 --> 00:22:28,256 AND THINGS BEGAN TO LOOK BLEAK GOING INTO THE NINTH INNING. HE'S SINKING FAST. 702 00:22:28,280 --> 00:22:29,625 GOING INTO THE NINTH INNING. HE'S SINKING FAST. DO WE HAVE OXYGEN READY? 703 00:22:29,649 --> 00:22:30,693 HE'S SINKING FAST. DO WE HAVE OXYGEN READY? YES. 704 00:22:30,717 --> 00:22:32,494 DO WE HAVE OXYGEN READY? YES. I-I DON'T BELIEVE THAT THE BABE 705 00:22:32,518 --> 00:22:34,563 YES. I-I DON'T BELIEVE THAT THE BABE WOULD DO THIS TO HIM... THAT FAT 706 00:22:34,587 --> 00:22:36,932 I-I DON'T BELIEVE THAT THE BABE WOULD DO THIS TO HIM... THAT FAT TUB OF LARD, YOU KNOW? 707 00:22:36,956 --> 00:22:38,066 WOULD DO THIS TO HIM... THAT FAT TUB OF LARD, YOU KNOW? THERE'S TWO OUTS IN THE 708 00:22:38,090 --> 00:22:39,301 TUB OF LARD, YOU KNOW? THERE'S TWO OUTS IN THE BOTTOM OF THE NINTH AND, UH, 709 00:22:39,325 --> 00:22:40,636 THERE'S TWO OUTS IN THE BOTTOM OF THE NINTH AND, UH, LAZZERI MUST GET ON IF THE BABE 710 00:22:40,660 --> 00:22:41,937 BOTTOM OF THE NINTH AND, UH, LAZZERI MUST GET ON IF THE BABE IS GONNA HAVE ANOTHER CHANCE AT 711 00:22:41,961 --> 00:22:43,171 LAZZERI MUST GET ON IF THE BABE IS GONNA HAVE ANOTHER CHANCE AT THAT HOME RUN FOR THE LITTLE 712 00:22:43,195 --> 00:22:44,640 IS GONNA HAVE ANOTHER CHANCE AT THAT HOME RUN FOR THE LITTLE DYING BOY, OF COURSE. 713 00:22:44,664 --> 00:22:46,709 THAT HOME RUN FOR THE LITTLE DYING BOY, OF COURSE. THREE-TWO COUNT ON LAZZERI. 714 00:22:46,733 --> 00:22:48,444 DYING BOY, OF COURSE. THREE-TWO COUNT ON LAZZERI. HERE'S THE PITCH, AND LAZZERI 715 00:22:48,468 --> 00:22:49,311 THREE-TWO COUNT ON LAZZERI. HERE'S THE PITCH, AND LAZZERI POPS IT UP. 716 00:22:49,335 --> 00:22:49,778 HERE'S THE PITCH, AND LAZZERI POPS IT UP. OH, NO! 717 00:22:49,802 --> 00:22:50,879 POPS IT UP. OH, NO! THIS LOOKS LIKE IT'S THE 718 00:22:50,903 --> 00:22:51,447 OH, NO! THIS LOOKS LIKE IT'S THE BALLGAME. 719 00:22:51,471 --> 00:22:53,615 THIS LOOKS LIKE IT'S THE BALLGAME. NO, IT'S DROPPED! 720 00:22:53,639 --> 00:22:54,950 BALLGAME. NO, IT'S DROPPED! HE DROPPED THE BALL, LADIES AND 721 00:22:54,974 --> 00:22:55,751 NO, IT'S DROPPED! HE DROPPED THE BALL, LADIES AND GENTLEMAN! 722 00:22:55,775 --> 00:22:57,085 HE DROPPED THE BALL, LADIES AND GENTLEMAN! LAZZERI IS SAFE AT FIRST, AND 723 00:22:57,109 --> 00:22:58,487 GENTLEMAN! LAZZERI IS SAFE AT FIRST, AND THE BABE WILL HAVE ANOTHER SHOT 724 00:22:58,511 --> 00:22:59,788 LAZZERI IS SAFE AT FIRST, AND THE BABE WILL HAVE ANOTHER SHOT AT IT. 725 00:22:59,812 --> 00:23:01,990 THE BABE WILL HAVE ANOTHER SHOT AT IT. HOLY COW! 726 00:23:02,014 --> 00:23:03,359 AT IT. HOLY COW! NURSE, UH, YOU'D BETTER CALL 727 00:23:03,383 --> 00:23:04,460 HOLY COW! NURSE, UH, YOU'D BETTER CALL HIS PARENTS. 728 00:23:04,484 --> 00:23:06,294 NURSE, UH, YOU'D BETTER CALL HIS PARENTS. FATHER, YOU'D BETTER STAND BY. 729 00:23:06,318 --> 00:23:08,063 HIS PARENTS. FATHER, YOU'D BETTER STAND BY. WE STILL MIGHT BE NEEDING YOU 730 00:23:08,087 --> 00:23:08,597 FATHER, YOU'D BETTER STAND BY. WE STILL MIGHT BE NEEDING YOU HERE. 731 00:23:08,621 --> 00:23:10,332 WE STILL MIGHT BE NEEDING YOU HERE. YES, OF COURSE. 732 00:23:10,356 --> 00:23:11,567 HERE. YES, OF COURSE. RUTH STEPS UP TO THE PLATE. 733 00:23:11,591 --> 00:23:12,368 YES, OF COURSE. RUTH STEPS UP TO THE PLATE. THE BABE DIGS IN. 734 00:23:12,392 --> 00:23:14,703 RUTH STEPS UP TO THE PLATE. THE BABE DIGS IN. HE SWINGS, AND IT'S A LONG FLY 735 00:23:14,727 --> 00:23:15,371 THE BABE DIGS IN. HE SWINGS, AND IT'S A LONG FLY BALL! 736 00:23:15,395 --> 00:23:17,072 HE SWINGS, AND IT'S A LONG FLY BALL! THAT BABY IS BACK THERE! 737 00:23:17,096 --> 00:23:17,906 BALL! THAT BABY IS BACK THERE! IT'S BACK! 738 00:23:17,930 --> 00:23:24,980 THAT BABY IS BACK THERE! IT'S BACK! IT'S CURVING... FOUL! 739 00:23:25,004 --> 00:23:26,749 IT'S BACK! IT'S CURVING... FOUL! NEXT TIME YOU COME BY, BRING 740 00:23:26,773 --> 00:23:28,149 IT'S CURVING... FOUL! NEXT TIME YOU COME BY, BRING MY STOMACH, WILL YOU? 741 00:23:28,173 --> 00:23:29,217 NEXT TIME YOU COME BY, BRING MY STOMACH, WILL YOU? WELL, THIS IS IT FOR RUTH IF 742 00:23:29,241 --> 00:23:30,352 MY STOMACH, WILL YOU? WELL, THIS IS IT FOR RUTH IF HE'S GONNA KEEP HIS PROMISE TO 743 00:23:30,376 --> 00:23:32,654 WELL, THIS IS IT FOR RUTH IF HE'S GONNA KEEP HIS PROMISE TO THAT KID, WHO'S ABOUT TO DIE, I 744 00:23:32,678 --> 00:23:34,956 HE'S GONNA KEEP HIS PROMISE TO THAT KID, WHO'S ABOUT TO DIE, I GUESS. 745 00:23:34,980 --> 00:23:35,924 THAT KID, WHO'S ABOUT TO DIE, I GUESS. HERE'S THE PITCH. 746 00:23:35,948 --> 00:23:37,426 GUESS. HERE'S THE PITCH. RUTH HITS IT FAR! 747 00:23:37,450 --> 00:23:38,694 HERE'S THE PITCH. RUTH HITS IT FAR! THAT BABY'S WAY BACK THERE! 748 00:23:38,718 --> 00:23:40,061 RUTH HITS IT FAR! THAT BABY'S WAY BACK THERE! BACK! BACK! 749 00:23:40,085 --> 00:23:42,364 THAT BABY'S WAY BACK THERE! BACK! BACK! BUT IT'S CURVING, CURVING... 750 00:23:42,388 --> 00:23:44,500 BACK! BACK! BUT IT'S CURVING, CURVING... FOUL! 751 00:23:44,524 --> 00:23:46,968 BUT IT'S CURVING, CURVING... FOUL! OH, BROTHER! HOLY COW! 752 00:23:46,992 --> 00:23:48,169 FOUL! OH, BROTHER! HOLY COW! YOU CAN'T HELP BUT WONDER WHY 753 00:23:48,193 --> 00:23:49,438 OH, BROTHER! HOLY COW! YOU CAN'T HELP BUT WONDER WHY THE BABE IS DOING THIS, ANYWAY. 754 00:23:49,462 --> 00:23:51,106 YOU CAN'T HELP BUT WONDER WHY THE BABE IS DOING THIS, ANYWAY. WELL, THE CROWD'S REALLY PULLING 755 00:23:51,130 --> 00:23:52,340 THE BABE IS DOING THIS, ANYWAY. WELL, THE CROWD'S REALLY PULLING FOR THE SULTAN OF SWAT. 756 00:23:52,364 --> 00:23:53,475 WELL, THE CROWD'S REALLY PULLING FOR THE SULTAN OF SWAT. THEY REALLY WANT HIM TO PUT ONE 757 00:23:53,499 --> 00:23:53,876 FOR THE SULTAN OF SWAT. THEY REALLY WANT HIM TO PUT ONE OUT. 758 00:23:53,900 --> 00:23:54,976 THEY REALLY WANT HIM TO PUT ONE OUT. IF ONLY THE WHOLE CROWD HERE 759 00:23:55,000 --> 00:23:56,044 OUT. IF ONLY THE WHOLE CROWD HERE KNEW THAT THIS LITTLE KID'S 760 00:23:56,068 --> 00:23:57,145 IF ONLY THE WHOLE CROWD HERE KNEW THAT THIS LITTLE KID'S GONNA DIE ALMOST ANY SECOND. 761 00:23:57,169 --> 00:23:58,113 KNEW THAT THIS LITTLE KID'S GONNA DIE ALMOST ANY SECOND. HERE'S THE PITCH. 762 00:23:58,137 --> 00:23:59,481 GONNA DIE ALMOST ANY SECOND. HERE'S THE PITCH. THE BABE SWINGS! 763 00:23:59,505 --> 00:24:01,750 HERE'S THE PITCH. THE BABE SWINGS! AND IT'S A LONG FLY BALL TO DEEP 764 00:24:01,774 --> 00:24:02,751 THE BABE SWINGS! AND IT'S A LONG FLY BALL TO DEEP RIGHT FIELD! 765 00:24:02,775 --> 00:24:04,453 AND IT'S A LONG FLY BALL TO DEEP RIGHT FIELD! THE OUTFIELDER'S DRIFTING BACK, 766 00:24:04,477 --> 00:24:05,320 RIGHT FIELD! THE OUTFIELDER'S DRIFTING BACK, BACK! 767 00:24:05,344 --> 00:24:08,256 THE OUTFIELDER'S DRIFTING BACK, BACK! THAT BALL IS GOING... GOING... 768 00:24:08,280 --> 00:24:15,964 BACK! THAT BALL IS GOING... GOING... IT IS CAUGHT AT THE WALL! 769 00:24:15,988 --> 00:24:17,900 THAT BALL IS GOING... GOING... IT IS CAUGHT AT THE WALL! WELL, THAT WAS THE BALLGAME. 770 00:24:17,924 --> 00:24:19,701 IT IS CAUGHT AT THE WALL! WELL, THAT WAS THE BALLGAME. MAYBE BABE TRIED TO HIT A HOME 771 00:24:19,725 --> 00:24:21,169 WELL, THAT WAS THE BALLGAME. MAYBE BABE TRIED TO HIT A HOME RUN THAT DAY AND FAILED. 772 00:24:21,193 --> 00:24:22,905 MAYBE BABE TRIED TO HIT A HOME RUN THAT DAY AND FAILED. THEN, AGAIN, MAYBE HE FORGOT THE 773 00:24:22,929 --> 00:24:24,306 RUN THAT DAY AND FAILED. THEN, AGAIN, MAYBE HE FORGOT THE PROMISE HE MADE TO THE LITTLE 774 00:24:24,330 --> 00:24:24,673 THEN, AGAIN, MAYBE HE FORGOT THE PROMISE HE MADE TO THE LITTLE BOY. 775 00:24:24,697 --> 00:24:26,442 PROMISE HE MADE TO THE LITTLE BOY. AND SOME EVEN SAID THAT THE BABE 776 00:24:26,466 --> 00:24:27,810 BOY. AND SOME EVEN SAID THAT THE BABE WAS DRUNK AND DIDN'T DO IT ON 777 00:24:27,834 --> 00:24:28,343 AND SOME EVEN SAID THAT THE BABE WAS DRUNK AND DIDN'T DO IT ON PURPOSE. 778 00:24:28,367 --> 00:24:30,546 WAS DRUNK AND DIDN'T DO IT ON PURPOSE. I, BEING AN ATHLETE MYSELF, 779 00:24:30,570 --> 00:24:32,047 PURPOSE. I, BEING AN ATHLETE MYSELF, FRANKLY FIND THAT HARD TO 780 00:24:32,071 --> 00:24:32,748 I, BEING AN ATHLETE MYSELF, FRANKLY FIND THAT HARD TO BELIEVE. 781 00:24:32,772 --> 00:24:33,916 FRANKLY FIND THAT HARD TO BELIEVE. WHATEVER THE TRUE STORY WAS, 782 00:24:33,940 --> 00:24:36,184 BELIEVE. WHATEVER THE TRUE STORY WAS, THOUGH, IT WAS YET ANOTHER CASE 783 00:24:36,208 --> 00:24:37,853 WHATEVER THE TRUE STORY WAS, THOUGH, IT WAS YET ANOTHER CASE OF A WHITE MAN BREAKING A 784 00:24:37,877 --> 00:24:38,754 THOUGH, IT WAS YET ANOTHER CASE OF A WHITE MAN BREAKING A PROMISE TO A POOR, LITTLE 785 00:24:38,778 --> 00:24:40,556 OF A WHITE MAN BREAKING A PROMISE TO A POOR, LITTLE COLORED BOY. 786 00:24:40,580 --> 00:24:43,659 PROMISE TO A POOR, LITTLE COLORED BOY. BUT THERE IS A MORAL TO THIS 787 00:24:43,683 --> 00:24:44,693 COLORED BOY. BUT THERE IS A MORAL TO THIS STORY. 788 00:24:44,717 --> 00:24:48,464 BUT THERE IS A MORAL TO THIS STORY. NEVER UNDERESTIMATE THE REVENGE 789 00:24:48,488 --> 00:24:50,599 STORY. NEVER UNDERESTIMATE THE REVENGE OF A BLACK MAN, BECAUSE LITTLE 790 00:24:50,623 --> 00:24:52,801 NEVER UNDERESTIMATE THE REVENGE OF A BLACK MAN, BECAUSE LITTLE HANK AARON... 791 00:24:52,825 --> 00:24:54,870 OF A BLACK MAN, BECAUSE LITTLE HANK AARON... CAME THROUGH AND WENT ON TO 792 00:24:54,894 --> 00:24:56,404 HANK AARON... CAME THROUGH AND WENT ON TO BREAK ALL OF BABE RUTH'S 793 00:24:56,428 --> 00:24:57,739 CAME THROUGH AND WENT ON TO BREAK ALL OF BABE RUTH'S RECORDS, ANYWAY. 794 00:24:57,763 --> 00:24:59,475 BREAK ALL OF BABE RUTH'S RECORDS, ANYWAY. THANKS FOR WATCHING "GREAT 795 00:24:59,499 --> 00:25:01,939 RECORDS, ANYWAY. THANKS FOR WATCHING "GREAT MOMENTS IN SPORTS." 796 00:25:15,213 --> 00:25:21,118 LADIES AND GENTLEMEN, ASHFORD AND SIMPSON. [CHEERS AND APPLAUSE] 797 00:25:44,876 --> 00:25:52,876 ♪ SO FULL ♪ ♪ SO WARM ♪ ♪ LIKE BEING DRIED OUT 798 00:26:00,660 --> 00:26:03,539 ♪ SO WARM ♪ ♪ LIKE BEING DRIED OUT AFTER A STORM ♪ 799 00:26:03,563 --> 00:26:07,976 ♪ LIKE BEING DRIED OUT AFTER A STORM ♪ ♪ OOH, OOH ♪ 800 00:26:08,000 --> 00:26:13,582 AFTER A STORM ♪ ♪ OOH, OOH ♪ ♪ NEW BLOOD RUNNIN', 801 00:26:13,606 --> 00:26:16,418 ♪ OOH, OOH ♪ ♪ NEW BLOOD RUNNIN', RUNNIN' THROUGH MY VEINS, 802 00:26:16,442 --> 00:26:18,554 ♪ NEW BLOOD RUNNIN', RUNNIN' THROUGH MY VEINS, YEAH ♪ 803 00:26:18,578 --> 00:26:23,825 RUNNIN' THROUGH MY VEINS, YEAH ♪ ♪ LOOKS LIKE THAT CLEAR DAY 804 00:26:23,849 --> 00:26:26,094 YEAH ♪ ♪ LOOKS LIKE THAT CLEAR DAY FINALLY CAME ♪ 805 00:26:26,118 --> 00:26:27,763 ♪ LOOKS LIKE THAT CLEAR DAY FINALLY CAME ♪ ♪ OOH-OOH ♪ 806 00:26:27,787 --> 00:26:35,787 FINALLY CAME ♪ ♪ OOH-OOH ♪ ♪ FEELIN' HIGH ♪ 807 00:26:37,129 --> 00:26:42,477 ♪ OOH-OOH ♪ ♪ FEELIN' HIGH ♪ ♪ AND SO, SO SATISFIED ♪ 808 00:26:42,501 --> 00:26:45,013 ♪ FEELIN' HIGH ♪ ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ 809 00:26:45,037 --> 00:26:46,414 ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ ♪ YEAH, YEAH, YEAH ♪ 810 00:26:46,438 --> 00:26:49,017 ♪ OH, YEAH ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ SO SATISFIED ♪ 811 00:26:49,041 --> 00:26:50,318 ♪ YEAH, YEAH, YEAH ♪ ♪ SO SATISFIED ♪ ♪ OOH ♪ 812 00:26:50,342 --> 00:26:54,890 ♪ SO SATISFIED ♪ ♪ OOH ♪ NOW LISTEN. 813 00:26:54,914 --> 00:26:59,828 ♪ OOH ♪ NOW LISTEN. ♪ THIS MUST BE, YEAH, 814 00:26:59,852 --> 00:27:05,033 NOW LISTEN. ♪ THIS MUST BE, YEAH, MUST BE ALL THERE IS ♪ 815 00:27:05,057 --> 00:27:08,236 ♪ THIS MUST BE, YEAH, MUST BE ALL THERE IS ♪ ♪ 'CAUSE ONLY LOVE, 816 00:27:08,260 --> 00:27:10,572 MUST BE ALL THERE IS ♪ ♪ 'CAUSE ONLY LOVE, LOVE BRINGS WITH IT 817 00:27:10,596 --> 00:27:13,208 ♪ 'CAUSE ONLY LOVE, LOVE BRINGS WITH IT JOY AND TEARS ♪ 818 00:27:13,232 --> 00:27:15,010 LOVE BRINGS WITH IT JOY AND TEARS ♪ ♪ OOH ♪ 819 00:27:15,034 --> 00:27:17,713 JOY AND TEARS ♪ ♪ OOH ♪ ♪ WHOO ♪ 820 00:27:17,737 --> 00:27:23,551 ♪ OOH ♪ ♪ WHOO ♪ ♪ I WON'T TRY, 821 00:27:23,575 --> 00:27:27,422 ♪ WHOO ♪ ♪ I WON'T TRY, I WON'T TRY TO UNDERSTAND, 822 00:27:27,446 --> 00:27:28,156 ♪ I WON'T TRY, I WON'T TRY TO UNDERSTAND, OH, NO ♪ 823 00:27:28,180 --> 00:27:29,992 I WON'T TRY TO UNDERSTAND, OH, NO ♪ ♪ NO, NO ♪ 824 00:27:30,016 --> 00:27:33,595 OH, NO ♪ ♪ NO, NO ♪ ♪ I SURRENDER IT ALL 825 00:27:33,619 --> 00:27:35,831 ♪ NO, NO ♪ ♪ I SURRENDER IT ALL INTO YOUR HANDS ♪ 826 00:27:35,855 --> 00:27:37,833 ♪ I SURRENDER IT ALL INTO YOUR HANDS ♪ ♪ OOH-OOH ♪ 827 00:27:37,857 --> 00:27:45,857 INTO YOUR HANDS ♪ ♪ OOH-OOH ♪ ♪ FEELIN' HIGH ♪ 828 00:27:46,032 --> 00:27:47,142 ♪ OOH-OOH ♪ ♪ FEELIN' HIGH ♪ ♪ WHOO ♪ 829 00:27:47,166 --> 00:27:52,213 ♪ FEELIN' HIGH ♪ ♪ WHOO ♪ ♪ AND SO, SO SATISFIED ♪ 830 00:27:52,237 --> 00:27:54,016 ♪ WHOO ♪ ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ 831 00:27:54,040 --> 00:27:55,216 ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ ♪ YEAH, YEAH ♪ 832 00:27:55,240 --> 00:27:57,152 ♪ OH, YEAH ♪ ♪ YEAH, YEAH ♪ ♪ SO SATISFIED ♪ 833 00:27:57,176 --> 00:28:00,288 ♪ YEAH, YEAH ♪ ♪ SO SATISFIED ♪ ♪ WHOO-HOO ♪ 834 00:28:00,312 --> 00:28:02,524 ♪ SO SATISFIED ♪ ♪ WHOO-HOO ♪ ♪ FEELIN' HIGH ♪ 835 00:28:02,548 --> 00:28:03,591 ♪ WHOO-HOO ♪ ♪ FEELIN' HIGH ♪ ♪ I WANT YOU, 836 00:28:03,615 --> 00:28:05,961 ♪ FEELIN' HIGH ♪ ♪ I WANT YOU, I WANT YOU TO LIFT ME ♪ 837 00:28:05,985 --> 00:28:07,262 ♪ I WANT YOU, I WANT YOU TO LIFT ME ♪ ♪ YEAH ♪ 838 00:28:07,286 --> 00:28:11,566 I WANT YOU TO LIFT ME ♪ ♪ YEAH ♪ ♪ SO, SO SATISFIED ♪ 839 00:28:11,590 --> 00:28:13,501 ♪ YEAH ♪ ♪ SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ 840 00:28:13,525 --> 00:28:15,704 ♪ SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ ♪ YEAH, YEAH ♪ 841 00:28:15,728 --> 00:28:17,806 ♪ OH, YEAH ♪ ♪ YEAH, YEAH ♪ ♪ WHOO-OOH-OOH ♪ 842 00:28:17,830 --> 00:28:20,408 ♪ YEAH, YEAH ♪ ♪ WHOO-OOH-OOH ♪ ♪ I SAID LIFT ME, LIFT ME ♪ 843 00:28:20,432 --> 00:28:24,279 ♪ WHOO-OOH-OOH ♪ ♪ I SAID LIFT ME, LIFT ME ♪ ♪ FEELIN' HIGH ♪ 844 00:28:24,303 --> 00:28:27,015 ♪ I SAID LIFT ME, LIFT ME ♪ ♪ FEELIN' HIGH ♪ ♪ HEY-HEY ♪ 845 00:28:27,039 --> 00:28:32,187 ♪ FEELIN' HIGH ♪ ♪ HEY-HEY ♪ ♪ AND SO, SO SATISFIED ♪ 846 00:28:32,211 --> 00:28:33,488 ♪ HEY-HEY ♪ ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ 847 00:28:33,512 --> 00:28:35,023 ♪ AND SO, SO SATISFIED ♪ ♪ OH, YEAH ♪ ♪ YEAH ♪ 848 00:28:35,047 --> 00:28:37,258 ♪ OH, YEAH ♪ ♪ YEAH ♪ ♪ SO SATISFIED ♪ 849 00:28:37,282 --> 00:28:39,995 ♪ YEAH ♪ ♪ SO SATISFIED ♪ ♪ WHOO-OOH-OOH ♪ 850 00:28:40,019 --> 00:28:47,169 ♪ SO SATISFIED ♪ ♪ WHOO-OOH-OOH ♪ ♪ FEELIN' HIGH 851 00:28:47,193 --> 00:28:50,371 ♪ WHOO-OOH-OOH ♪ ♪ FEELIN' HIGH AND SO, SO SATIS... 852 00:28:50,395 --> 00:28:53,842 ♪ FEELIN' HIGH AND SO, SO SATIS... SO, SO SATIS... 853 00:28:53,866 --> 00:29:01,866 AND SO, SO SATIS... SO, SO SATIS... SO, SO SATISFIED ♪ 854 00:29:03,075 --> 00:29:06,076 SO, SO SATIS... SO, SO SATISFIED ♪ [CHEERS AND APPLAUSE] 855 00:29:19,423 --> 00:29:23,438 YES, MOHAWKS ARE BACK! AND NOW ROTHCO INTRODUCES THE HAIRSTYLING AID OF THE CENTURY. 856 00:29:23,462 --> 00:29:24,606 AND NOW ROTHCO INTRODUCES THE HAIRSTYLING AID OF THE CENTURY. IT'S THE AMAZING MOHAWK 857 00:29:24,630 --> 00:29:26,041 HAIRSTYLING AID OF THE CENTURY. IT'S THE AMAZING MOHAWK MASTER... THE FAST, NEW, EASY 858 00:29:26,065 --> 00:29:27,242 IT'S THE AMAZING MOHAWK MASTER... THE FAST, NEW, EASY WAY TO GIVE CLEAN MOHAWK 859 00:29:27,266 --> 00:29:27,843 MASTER... THE FAST, NEW, EASY WAY TO GIVE CLEAN MOHAWK HAIRCUTS. 860 00:29:27,867 --> 00:29:29,077 WAY TO GIVE CLEAN MOHAWK HAIRCUTS. THE MOHAWK MASTER IS THE ONLY 861 00:29:29,101 --> 00:29:30,311 HAIRCUTS. THE MOHAWK MASTER IS THE ONLY HAIRCUTTING TOOL THAT HAS TWO 862 00:29:30,335 --> 00:29:31,512 THE MOHAWK MASTER IS THE ONLY HAIRCUTTING TOOL THAT HAS TWO RAZOR-SHARP, TEMPERED-STEEL, 863 00:29:31,536 --> 00:29:32,748 HAIRCUTTING TOOL THAT HAS TWO RAZOR-SHARP, TEMPERED-STEEL, HIGH-SPEED CLIPPERS DESIGNED, 864 00:29:32,772 --> 00:29:33,982 RAZOR-SHARP, TEMPERED-STEEL, HIGH-SPEED CLIPPERS DESIGNED, ENGINEERED, AND BUILT FOR ONE 865 00:29:34,006 --> 00:29:35,283 HIGH-SPEED CLIPPERS DESIGNED, ENGINEERED, AND BUILT FOR ONE PURPOSE AND ONE PURPOSE ONLY... 866 00:29:35,307 --> 00:29:36,017 ENGINEERED, AND BUILT FOR ONE PURPOSE AND ONE PURPOSE ONLY... TO CUT MOHAWKS! 867 00:29:36,041 --> 00:29:37,552 PURPOSE AND ONE PURPOSE ONLY... TO CUT MOHAWKS! YES, MOM, NOW YOU CAN GIVE YOUR 868 00:29:37,576 --> 00:29:38,720 TO CUT MOHAWKS! YES, MOM, NOW YOU CAN GIVE YOUR FAMILY MOHAWKS ANYTIME. 869 00:29:38,744 --> 00:29:40,255 YES, MOM, NOW YOU CAN GIVE YOUR FAMILY MOHAWKS ANYTIME. IMPRESS THEM BY USING THE FAST, 870 00:29:40,279 --> 00:29:41,823 FAMILY MOHAWKS ANYTIME. IMPRESS THEM BY USING THE FAST, SAFE, COMFORTABLE MOHAWK MASTER. 871 00:29:41,847 --> 00:29:44,727 IMPRESS THEM BY USING THE FAST, SAFE, COMFORTABLE MOHAWK MASTER. [BUZZING] 872 00:29:51,189 --> 00:29:56,838 HEY-HEY! NICE MOHAWK, HONEY! THANKS! 873 00:29:56,862 --> 00:29:58,640 NICE MOHAWK, HONEY! THANKS! NOW YOU CAN USE THE MOHAWK 874 00:29:58,664 --> 00:30:00,809 THANKS! NOW YOU CAN USE THE MOHAWK MASTER TO GIVE MY MOHAWK A TRIM! 875 00:30:00,833 --> 00:30:02,177 NOW YOU CAN USE THE MOHAWK MASTER TO GIVE MY MOHAWK A TRIM! YES, FINALLY THERE'S NO 876 00:30:02,201 --> 00:30:03,478 MASTER TO GIVE MY MOHAWK A TRIM! YES, FINALLY THERE'S NO REASON WHY YOU CAN'T GIVE 877 00:30:03,502 --> 00:30:04,479 YES, FINALLY THERE'S NO REASON WHY YOU CAN'T GIVE EVERYONE A MOHAWK. 878 00:30:04,503 --> 00:30:06,047 REASON WHY YOU CAN'T GIVE EVERYONE A MOHAWK. GIVE ONE TO JUNIOR AND GRANDMA! 879 00:30:06,071 --> 00:30:07,182 EVERYONE A MOHAWK. GIVE ONE TO JUNIOR AND GRANDMA! AND LOOK! 880 00:30:07,206 --> 00:30:09,284 GIVE ONE TO JUNIOR AND GRANDMA! AND LOOK! SPARKY'S GOT ONE, TOO! 881 00:30:09,308 --> 00:30:10,418 AND LOOK! SPARKY'S GOT ONE, TOO! FOR THE CLEANEST, SQUAREST, 882 00:30:10,442 --> 00:30:11,653 SPARKY'S GOT ONE, TOO! FOR THE CLEANEST, SQUAREST, 2-INCH-WIDE MOHAWK YOU'LL EVER 883 00:30:11,677 --> 00:30:12,788 FOR THE CLEANEST, SQUAREST, 2-INCH-WIDE MOHAWK YOU'LL EVER SEE, IT'S THE MOHAWK MASTER 884 00:30:12,812 --> 00:30:13,922 2-INCH-WIDE MOHAWK YOU'LL EVER SEE, IT'S THE MOHAWK MASTER FAMILY MOHAWK CLIPPERS FROM 885 00:30:13,946 --> 00:30:14,355 SEE, IT'S THE MOHAWK MASTER FAMILY MOHAWK CLIPPERS FROM ROTHCO. 886 00:30:14,379 --> 00:30:17,314 FAMILY MOHAWK CLIPPERS FROM ROTHCO. MOM, HERE'S HOW TO ORDER... 887 00:30:29,560 --> 00:30:34,943 Announcer: NBC's "BIG EVENT." NEXT WEEK, "THE RAID ON 888 00:30:34,967 --> 00:30:35,977 NEXT WEEK, "THE RAID ON NICOSIA." 889 00:30:36,001 --> 00:30:37,813 NICOSIA." NOW, ONLY ONE WEEK AFTER THE 890 00:30:37,837 --> 00:30:39,781 NOW, ONLY ONE WEEK AFTER THE ACTUAL EVENT, NBC BRINGS TO THE 891 00:30:39,805 --> 00:30:41,516 ACTUAL EVENT, NBC BRINGS TO THE TELEVISION SCREEN THE MOST 892 00:30:41,540 --> 00:30:43,318 TELEVISION SCREEN THE MOST DARING MILITARY ACTION SINCE 893 00:30:43,342 --> 00:30:44,820 DARING MILITARY ACTION SINCE "THE RAID ON ENTEBBE." 894 00:30:44,844 --> 00:30:46,855 "THE RAID ON ENTEBBE." DON'T MISS "THE RAID ON 895 00:30:46,879 --> 00:30:48,979 DON'T MISS "THE RAID ON NICOSIA." 896 00:30:49,247 --> 00:30:51,381 SHERMAN HEMSLEY IS EGYPTIAN 897 00:30:51,515 --> 00:30:53,516 PRESIDENT ANWAR EL SADAT. 898 00:30:53,651 --> 00:30:57,787 IF THE ISRAELIS CAN DO IT, 899 00:30:57,922 --> 00:31:01,291 SO CAN WE, REALLY. 900 00:31:01,425 --> 00:31:02,860 Announcer: TONY ORLANDO IS 901 00:31:02,994 --> 00:31:04,561 NADIL SHUKRY, THE BRAVE EGYPTIAN 902 00:31:04,695 --> 00:31:05,562 COMMANDO LEADER. 903 00:31:05,696 --> 00:31:10,433 OKAY, MEN, YOU GO ON AHEAD. 904 00:31:10,568 --> 00:31:12,102 Announcer: O.J. SIMPSON IS 905 00:31:12,237 --> 00:31:13,803 U.N. AMBASSADOR ANDREW YOUNG. 906 00:31:13,938 --> 00:31:15,572 NOT GET INVOLVED?! 907 00:31:15,706 --> 00:31:16,740 I'VE GOT TO GET INVOLVED. 908 00:31:16,875 --> 00:31:18,575 IT'S MY NATURE. 909 00:31:18,709 --> 00:31:19,943 Announcer: INTRODUCING 910 00:31:20,078 --> 00:31:21,278 DEBBIE BOONE AS LYNN, THE 911 00:31:21,412 --> 00:31:22,012 STEWARDESS. 912 00:31:22,146 --> 00:31:23,646 SO WHAT IF HE'S A TERRORIST, 913 00:31:23,781 --> 00:31:24,848 AND I'M A STEWARDESS? 914 00:31:24,983 --> 00:31:27,550 WE CAN MAKE IT WORK! 915 00:31:27,818 --> 00:31:32,800 Announcer: "THE RAID ON NICOSIA"... IT'S A STORY OF KIDNAPPING. 916 00:31:32,824 --> 00:31:34,802 NICOSIA"... IT'S A STORY OF KIDNAPPING. IT'S A STORY OF HIJACKING. 917 00:31:34,826 --> 00:31:36,671 KIDNAPPING. IT'S A STORY OF HIJACKING. IT'S A STORY OF A SPECTACULAR 918 00:31:36,695 --> 00:31:40,297 IT'S A STORY OF HIJACKING. IT'S A STORY OF A SPECTACULAR RESCUE ATTEMPT. 919 00:31:40,564 --> 00:31:42,799 ROBERT STACK IS CYRUS VANCE, A 920 00:31:42,934 --> 00:31:45,335 SECRETARY OF STATE WITH A LOT AT 921 00:31:45,469 --> 00:31:46,069 STAKE. 922 00:31:46,204 --> 00:31:47,364 YEAH, WELL, I WANT TO KNOW 923 00:31:47,471 --> 00:31:48,671 WHAT'S GOING ON, AND I WANT TO 924 00:31:48,773 --> 00:31:49,172 KNOW NOW. 925 00:31:49,307 --> 00:31:50,908 Announcer: SPECIAL GUEST 926 00:31:51,042 --> 00:31:52,509 HELEN HAYES IS EVA DOBRIG, 927 00:31:52,643 --> 00:31:53,743 HOSTAGE. 928 00:31:53,878 --> 00:31:55,158 FIRST THEY SAY THEY'LL LET US 929 00:31:55,280 --> 00:31:55,512 GO. 930 00:31:55,646 --> 00:31:56,880 THEN THEY SAY WE HAVE TO WAIT. 931 00:31:57,015 --> 00:32:00,050 I'M ALL MIXED UP. 932 00:32:00,184 --> 00:32:00,918 Announcer: VALERIE HARPER IS 933 00:32:01,052 --> 00:32:03,653 MRS. JEHAN EL SADAT. 934 00:32:03,788 --> 00:32:06,489 HONEY, IT'S FOR YOU. 935 00:32:06,624 --> 00:32:08,025 Announcer: ED ASNER IS 936 00:32:08,159 --> 00:32:09,793 YASSER ARAFAT, THE PLO LEADER 937 00:32:09,928 --> 00:32:11,661 WHO REFUSED THE TERRORIST PHONE 938 00:32:11,796 --> 00:32:12,229 CALLS. 939 00:32:12,363 --> 00:32:14,131 [TELEPHONE RINGS] 940 00:32:14,265 --> 00:32:17,100 HELLO, PLO? 941 00:32:17,235 --> 00:32:18,635 UH, NO, I'M SORRY. 942 00:32:18,769 --> 00:32:20,237 HE JUST STEPPED OUT. 943 00:32:20,504 --> 00:32:25,620 Announcer: "THE RAID ON NICOSIA"... IT'S A STORY OF TERRORISM. 944 00:32:25,644 --> 00:32:28,990 NICOSIA"... IT'S A STORY OF TERRORISM. IT'S A STORY OF ROMANCE. 945 00:32:29,014 --> 00:32:30,725 TERRORISM. IT'S A STORY OF ROMANCE. IT'S A STORY EVERYBODY WILL 946 00:32:30,749 --> 00:32:31,259 IT'S A STORY OF ROMANCE. IT'S A STORY EVERYBODY WILL LIKE. 947 00:32:31,283 --> 00:32:33,628 LIKE. NO RAID WAS EVER QUITE LIKE 948 00:32:33,652 --> 00:32:34,362 NO RAID WAS EVER QUITE LIKE THIS. 949 00:32:34,386 --> 00:32:36,298 THIS. DON'T MISS "THE RAID ON 950 00:32:36,322 --> 00:32:38,800 DON'T MISS "THE RAID ON NICOSIA," TUESDAY AT 9:00, 8:00 951 00:32:38,824 --> 00:32:40,690 NICOSIA," TUESDAY AT 9:00, 8:00 CENTRAL TIME. 952 00:32:45,596 --> 00:32:49,644 Announcer: AND NOW "WEEKEND UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. 953 00:32:49,668 --> 00:32:51,279 UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. BROUGHT TO YOU BY DORGMO, THE 954 00:32:51,303 --> 00:32:54,349 UPDATE" NEWS TEAM. BROUGHT TO YOU BY DORGMO, THE GOLDEN SHOWER OF DANISH BEERS. 955 00:32:54,373 --> 00:32:55,951 BROUGHT TO YOU BY DORGMO, THE GOLDEN SHOWER OF DANISH BEERS. HERE ARE CO-ANCHORPERSONS 956 00:32:55,975 --> 00:32:57,685 GOLDEN SHOWER OF DANISH BEERS. HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. 957 00:32:57,709 --> 00:32:58,453 HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. GOOD EVENING. 958 00:32:58,477 --> 00:32:59,821 DAN AYKROYD AND JANE CURTIN. GOOD EVENING. I'M PRETTY SURE I'M DAN AYKROYD, 959 00:32:59,845 --> 00:33:01,389 GOOD EVENING. I'M PRETTY SURE I'M DAN AYKROYD, AND... 960 00:33:01,413 --> 00:33:02,890 I'M PRETTY SURE I'M DAN AYKROYD, AND... AND I'M POSITIVE I'M 961 00:33:02,914 --> 00:33:03,825 AND... AND I'M POSITIVE I'M JANE CURTIN. 962 00:33:03,849 --> 00:33:05,793 AND I'M POSITIVE I'M JANE CURTIN. OUR TOP STORY TONIGHT... 963 00:33:05,817 --> 00:33:07,095 JANE CURTIN. OUR TOP STORY TONIGHT... FORMER ATTORNEY GENERAL 964 00:33:07,119 --> 00:33:08,796 OUR TOP STORY TONIGHT... FORMER ATTORNEY GENERAL JOHN MITCHELL WAS GIVEN TWO MORE 965 00:33:08,820 --> 00:33:10,498 FORMER ATTORNEY GENERAL JOHN MITCHELL WAS GIVEN TWO MORE WEEKS OF FURLOUGH FROM PRISON SO 966 00:33:10,522 --> 00:33:11,899 JOHN MITCHELL WAS GIVEN TWO MORE WEEKS OF FURLOUGH FROM PRISON SO THAT HE MIGHT CONTINUE HIS 967 00:33:11,923 --> 00:33:13,568 WEEKS OF FURLOUGH FROM PRISON SO THAT HE MIGHT CONTINUE HIS RECOVERY FROM ARTERIAL SURGERY. 968 00:33:13,592 --> 00:33:15,270 THAT HE MIGHT CONTINUE HIS RECOVERY FROM ARTERIAL SURGERY. MITCHELL ALSO FACES ANOTHER 969 00:33:15,294 --> 00:33:17,138 RECOVERY FROM ARTERIAL SURGERY. MITCHELL ALSO FACES ANOTHER MAJOR OPERATION FOR REPLACEMENT 970 00:33:17,162 --> 00:33:18,473 MITCHELL ALSO FACES ANOTHER MAJOR OPERATION FOR REPLACEMENT OF AN ARTHRITIC HIP. 971 00:33:18,497 --> 00:33:19,941 MAJOR OPERATION FOR REPLACEMENT OF AN ARTHRITIC HIP. ACCORDING TO OUR SOURCES, 972 00:33:19,965 --> 00:33:21,576 OF AN ARTHRITIC HIP. ACCORDING TO OUR SOURCES, MITCHELL'S SECRET PLAN IS TO 973 00:33:21,600 --> 00:33:23,178 ACCORDING TO OUR SOURCES, MITCHELL'S SECRET PLAN IS TO SYSTEMATICALLY REPLACE EVERY 974 00:33:23,202 --> 00:33:25,013 MITCHELL'S SECRET PLAN IS TO SYSTEMATICALLY REPLACE EVERY LIMB, ORGAN, JOINT, AND GLAND IN 975 00:33:25,037 --> 00:33:26,714 SYSTEMATICALLY REPLACE EVERY LIMB, ORGAN, JOINT, AND GLAND IN HIS BODY, SEND HIS NEW VERSION 976 00:33:26,738 --> 00:33:28,416 LIMB, ORGAN, JOINT, AND GLAND IN HIS BODY, SEND HIS NEW VERSION BACK TO PRISON, THUS ALLOWING 977 00:33:28,440 --> 00:33:30,218 HIS BODY, SEND HIS NEW VERSION BACK TO PRISON, THUS ALLOWING THE ORIGINAL TO VISIT HIMSELF ON 978 00:33:30,242 --> 00:33:33,621 BACK TO PRISON, THUS ALLOWING THE ORIGINAL TO VISIT HIMSELF ON WEEKENDS. 979 00:33:33,645 --> 00:33:35,090 THE ORIGINAL TO VISIT HIMSELF ON WEEKENDS. ELIZABETH RAY, ONETIME 980 00:33:35,114 --> 00:33:36,791 WEEKENDS. ELIZABETH RAY, ONETIME CAPITAL HILL SECRETARY AND 981 00:33:36,815 --> 00:33:38,093 ELIZABETH RAY, ONETIME CAPITAL HILL SECRETARY AND COMPANION TO FORMER 982 00:33:38,117 --> 00:33:39,995 CAPITAL HILL SECRETARY AND COMPANION TO FORMER REPRESENTATIVE WAYNE HAYS, HAS 983 00:33:40,019 --> 00:33:42,030 COMPANION TO FORMER REPRESENTATIVE WAYNE HAYS, HAS ENDORSED HAYS IN HIS QUEST FOR A 984 00:33:42,054 --> 00:33:43,498 REPRESENTATIVE WAYNE HAYS, HAS ENDORSED HAYS IN HIS QUEST FOR A SEAT IN THE OHIO STATE 985 00:33:43,522 --> 00:33:44,432 ENDORSED HAYS IN HIS QUEST FOR A SEAT IN THE OHIO STATE LEGISLATURE. 986 00:33:44,456 --> 00:33:46,334 SEAT IN THE OHIO STATE LEGISLATURE. MISS RAY SAYS SHE'S GLAD TO BE 987 00:33:46,358 --> 00:33:50,638 LEGISLATURE. MISS RAY SAYS SHE'S GLAD TO BE BACK IN POLITICS AND VICE VERSA. 988 00:33:50,662 --> 00:33:52,273 MISS RAY SAYS SHE'S GLAD TO BE BACK IN POLITICS AND VICE VERSA. DAN? 989 00:33:52,297 --> 00:33:53,641 BACK IN POLITICS AND VICE VERSA. DAN? THIS JUST IN, JANE. 990 00:33:53,665 --> 00:33:55,510 DAN? THIS JUST IN, JANE. IN A SURPRISE MOVE, THE STATE OF 991 00:33:55,534 --> 00:33:57,312 THIS JUST IN, JANE. IN A SURPRISE MOVE, THE STATE OF GEORGIA HAS CHANGED ITS NAME TO 992 00:33:57,336 --> 00:33:58,013 IN A SURPRISE MOVE, THE STATE OF GEORGIA HAS CHANGED ITS NAME TO CHARLENE. 993 00:33:58,037 --> 00:33:59,780 GEORGIA HAS CHANGED ITS NAME TO CHARLENE. THEY GAVE NO REASON FOR THIS 994 00:33:59,804 --> 00:34:00,415 CHARLENE. THEY GAVE NO REASON FOR THIS ACTION. 995 00:34:00,439 --> 00:34:02,484 THEY GAVE NO REASON FOR THIS ACTION. AND HERE'S INTERESTING NEWS FOR 996 00:34:02,508 --> 00:34:04,352 ACTION. AND HERE'S INTERESTING NEWS FOR CLASSICAL PIANO LOVERS. 997 00:34:04,376 --> 00:34:05,653 AND HERE'S INTERESTING NEWS FOR CLASSICAL PIANO LOVERS. MUSICOLOGISTS HAVE RECENTLY 998 00:34:05,677 --> 00:34:07,022 CLASSICAL PIANO LOVERS. MUSICOLOGISTS HAVE RECENTLY DISCOVERED ANCIENT MANUSCRIPTS 999 00:34:07,046 --> 00:34:08,323 MUSICOLOGISTS HAVE RECENTLY DISCOVERED ANCIENT MANUSCRIPTS FOUND INSIDE A FALSE LIBRARY 1000 00:34:08,347 --> 00:34:09,424 DISCOVERED ANCIENT MANUSCRIPTS FOUND INSIDE A FALSE LIBRARY WALL OF AN OLD HOUSE IN 1001 00:34:09,448 --> 00:34:10,925 FOUND INSIDE A FALSE LIBRARY WALL OF AN OLD HOUSE IN GUTERSTRASSE, IN BERLIN, IN 1002 00:34:10,949 --> 00:34:12,494 WALL OF AN OLD HOUSE IN GUTERSTRASSE, IN BERLIN, IN BEETHOVEN'S HAND, COMPLETELY 1003 00:34:12,518 --> 00:34:14,229 GUTERSTRASSE, IN BERLIN, IN BEETHOVEN'S HAND, COMPLETELY CHANGING THE FAMILIAR OPENING OF 1004 00:34:14,253 --> 00:34:15,930 BEETHOVEN'S HAND, COMPLETELY CHANGING THE FAMILIAR OPENING OF HIS PIANO SONATA NUMBER 2, OPUS 1005 00:34:15,954 --> 00:34:17,432 CHANGING THE FAMILIAR OPENING OF HIS PIANO SONATA NUMBER 2, OPUS 27, POPULARLY KNOWN AS "THE 1006 00:34:17,456 --> 00:34:18,533 HIS PIANO SONATA NUMBER 2, OPUS 27, POPULARLY KNOWN AS "THE MOONLIGHT SONATA." 1007 00:34:18,557 --> 00:34:20,168 27, POPULARLY KNOWN AS "THE MOONLIGHT SONATA." HERE IS HOW WE ARE USED TO 1008 00:34:20,192 --> 00:34:21,869 MOONLIGHT SONATA." HERE IS HOW WE ARE USED TO HEARING THE OPENING OF "THE 1009 00:34:21,893 --> 00:34:23,171 HERE IS HOW WE ARE USED TO HEARING THE OPENING OF "THE MOONLIGHT SONATA"... 1010 00:34:23,195 --> 00:34:24,072 HEARING THE OPENING OF "THE MOONLIGHT SONATA"... [PIANO PLAYS 1011 00:34:24,096 --> 00:34:27,097 MOONLIGHT SONATA"... [PIANO PLAYS "MOONLIGHT SONATA"] 1012 00:34:30,734 --> 00:34:35,650 AND HERE IS HOW BEETHOVEN ORIGINALLY, ACCORDING TO THESE MANUSCRIPTS, INTENDED IT TO BE 1013 00:34:35,674 --> 00:34:36,251 ORIGINALLY, ACCORDING TO THESE MANUSCRIPTS, INTENDED IT TO BE PLAYED. 1014 00:34:36,275 --> 00:34:40,855 MANUSCRIPTS, INTENDED IT TO BE PLAYED. [PIANO PLAYING UP-TEMPO 1015 00:34:40,879 --> 00:34:44,526 PLAYED. [PIANO PLAYING UP-TEMPO "MOONLIGHT SONATA"] 1016 00:34:44,550 --> 00:34:46,494 [PIANO PLAYING UP-TEMPO "MOONLIGHT SONATA"] RCA VICTOR RED SEAL LABEL IS 1017 00:34:46,518 --> 00:34:48,596 ["MOONLIGHT SONATA"] RCA VICTOR RED SEAL LABEL IS RECALLING SOME 10,000 CLASSICAL 1018 00:34:48,620 --> 00:34:50,565 RCA VICTOR RED SEAL LABEL IS RECALLING SOME 10,000 CLASSICAL PIANO RECORDS AS A RESULT OF 1019 00:34:50,589 --> 00:34:51,632 RECALLING SOME 10,000 CLASSICAL PIANO RECORDS AS A RESULT OF THIS FINDING. 1020 00:34:51,656 --> 00:34:53,634 PIANO RECORDS AS A RESULT OF THIS FINDING. JANE? 1021 00:34:53,658 --> 00:34:55,270 THIS FINDING. JANE? AND NOW HERE'S STARGAZER 1022 00:34:55,294 --> 00:34:57,038 JANE? AND NOW HERE'S STARGAZER BILL MURRAY, WHO'S FILED THIS 1023 00:34:57,062 --> 00:34:57,672 AND NOW HERE'S STARGAZER BILL MURRAY, WHO'S FILED THIS REPORT. 1024 00:34:57,696 --> 00:34:58,173 BILL MURRAY, WHO'S FILED THIS REPORT. BILL? 1025 00:34:58,197 --> 00:34:59,207 REPORT. BILL? THANK YOU, JANE. 1026 00:34:59,231 --> 00:35:00,275 BILL? THANK YOU, JANE. HELLO, KNUCKLEHEADS. 1027 00:35:00,299 --> 00:35:01,142 THANK YOU, JANE. HELLO, KNUCKLEHEADS. HOW'S IT GOING? 1028 00:35:01,166 --> 00:35:02,043 HELLO, KNUCKLEHEADS. HOW'S IT GOING? GET OUT OF HERE. 1029 00:35:02,067 --> 00:35:03,411 HOW'S IT GOING? GET OUT OF HERE. WELL, THIS WEEK THE ACADEMY 1030 00:35:03,435 --> 00:35:04,546 GET OUT OF HERE. WELL, THIS WEEK THE ACADEMY AWARD NOMINATIONS WERE 1031 00:35:04,570 --> 00:35:06,013 WELL, THIS WEEK THE ACADEMY AWARD NOMINATIONS WERE ANNOUNCED, AND I GUESS THE BIG 1032 00:35:06,037 --> 00:35:07,415 AWARD NOMINATIONS WERE ANNOUNCED, AND I GUESS THE BIG NEWS IS THAT WOODY ALLEN WAS 1033 00:35:07,439 --> 00:35:08,983 ANNOUNCED, AND I GUESS THE BIG NEWS IS THAT WOODY ALLEN WAS NOMINATED IN THREE CATEGORIES... 1034 00:35:09,007 --> 00:35:10,452 NEWS IS THAT WOODY ALLEN WAS NOMINATED IN THREE CATEGORIES... BEST DIRECTOR, BEST ACTOR, AND 1035 00:35:10,476 --> 00:35:11,352 NOMINATED IN THREE CATEGORIES... BEST DIRECTOR, BEST ACTOR, AND BEST SCREENPLAY. 1036 00:35:11,376 --> 00:35:13,020 BEST DIRECTOR, BEST ACTOR, AND BEST SCREENPLAY. SO SUDDENLY EVERYBODY'S GOING, 1037 00:35:13,044 --> 00:35:14,422 BEST SCREENPLAY. SO SUDDENLY EVERYBODY'S GOING, "HEY, IT'S 1940, I GUESS. 1038 00:35:14,446 --> 00:35:15,523 SO SUDDENLY EVERYBODY'S GOING, "HEY, IT'S 1940, I GUESS. IT'S ORSON WELLES. 1039 00:35:15,547 --> 00:35:16,991 "HEY, IT'S 1940, I GUESS. IT'S ORSON WELLES. IT'S 'CITIZEN KANE, ' HUH?" 1040 00:35:17,015 --> 00:35:18,025 IT'S ORSON WELLES. IT'S 'CITIZEN KANE, ' HUH?" NOW I DON'T WANT TO TAKE 1041 00:35:18,049 --> 00:35:19,327 IT'S 'CITIZEN KANE, ' HUH?" NOW I DON'T WANT TO TAKE ANYTHING AWAY FROM WOODY ALLEN, 1042 00:35:19,351 --> 00:35:20,628 NOW I DON'T WANT TO TAKE ANYTHING AWAY FROM WOODY ALLEN, BECAUSE THE "WOOD MAN" IS A NUT, 1043 00:35:20,652 --> 00:35:21,362 ANYTHING AWAY FROM WOODY ALLEN, BECAUSE THE "WOOD MAN" IS A NUT, AND I LOVE HIM. 1044 00:35:21,386 --> 00:35:22,029 BECAUSE THE "WOOD MAN" IS A NUT, AND I LOVE HIM. HE'S TERRIFIC. 1045 00:35:22,053 --> 00:35:23,030 AND I LOVE HIM. HE'S TERRIFIC. GET OUT OF HERE, WOODY. 1046 00:35:23,054 --> 00:35:24,599 HE'S TERRIFIC. GET OUT OF HERE, WOODY. BUT TO THIS DAY, WHEN SOMEBODY 1047 00:35:24,623 --> 00:35:26,201 GET OUT OF HERE, WOODY. BUT TO THIS DAY, WHEN SOMEBODY SAYS TO ME, "WHAT'S UP?" I SAY, 1048 00:35:26,225 --> 00:35:27,735 BUT TO THIS DAY, WHEN SOMEBODY SAYS TO ME, "WHAT'S UP?" I SAY, "TIGER LILY," BECAUSE I THINK 1049 00:35:27,759 --> 00:35:29,337 SAYS TO ME, "WHAT'S UP?" I SAY, "TIGER LILY," BECAUSE I THINK IT'S THE BEST THING HE EVER DID 1050 00:35:29,361 --> 00:35:30,037 "TIGER LILY," BECAUSE I THINK IT'S THE BEST THING HE EVER DID STILL. 1051 00:35:30,061 --> 00:35:31,406 IT'S THE BEST THING HE EVER DID STILL. BUT I THINK TRYING TO TELL ME 1052 00:35:31,430 --> 00:35:32,707 STILL. BUT I THINK TRYING TO TELL ME THAT WOODY ALLEN IS GOING TO 1053 00:35:32,731 --> 00:35:34,041 BUT I THINK TRYING TO TELL ME THAT WOODY ALLEN IS GOING TO GAIN 400 POUNDS IN 10 YEARS? 1054 00:35:34,065 --> 00:35:34,576 THAT WOODY ALLEN IS GOING TO GAIN 400 POUNDS IN 10 YEARS? UNH-UNH. 1055 00:35:34,600 --> 00:35:35,443 GAIN 400 POUNDS IN 10 YEARS? UNH-UNH. NO, I DON'T THINK SO. 1056 00:35:35,467 --> 00:35:36,811 UNH-UNH. NO, I DON'T THINK SO. IS "MR. I DON'T WANT TO TALK 1057 00:35:36,835 --> 00:35:38,313 NO, I DON'T THINK SO. IS "MR. I DON'T WANT TO TALK SHOW BUSINESS" ALLEN GONNA START 1058 00:35:38,337 --> 00:35:39,714 IS "MR. I DON'T WANT TO TALK SHOW BUSINESS" ALLEN GONNA START DOING THE DEAN MARTIN ROASTS? 1059 00:35:39,738 --> 00:35:41,282 SHOW BUSINESS" ALLEN GONNA START DOING THE DEAN MARTIN ROASTS? NO, I DON'T THINK SO. 1060 00:35:41,306 --> 00:35:42,650 DOING THE DEAN MARTIN ROASTS? NO, I DON'T THINK SO. SO, WOODY, KEEP WHAT YOU'RE 1061 00:35:42,674 --> 00:35:43,118 NO, I DON'T THINK SO. SO, WOODY, KEEP WHAT YOU'RE DOING. 1062 00:35:43,142 --> 00:35:44,552 SO, WOODY, KEEP WHAT YOU'RE DOING. KEEP DOING WHAT YOU'RE DOING, 1063 00:35:44,576 --> 00:35:46,020 DOING. KEEP DOING WHAT YOU'RE DOING, BUT DON'T GET A SWELLED HEAD, 1064 00:35:46,044 --> 00:35:46,387 KEEP DOING WHAT YOU'RE DOING, BUT DON'T GET A SWELLED HEAD, HUH? 1065 00:35:46,411 --> 00:35:47,522 BUT DON'T GET A SWELLED HEAD, HUH? AND DO ME A FAVOR. 1066 00:35:47,546 --> 00:35:48,823 HUH? AND DO ME A FAVOR. GROW UP, WOULD YOU? 1067 00:35:48,847 --> 00:35:49,557 AND DO ME A FAVOR. GROW UP, WOULD YOU? GROW UP! 1068 00:35:49,581 --> 00:35:51,126 GROW UP, WOULD YOU? GROW UP! NOBODY'S OUT TO GET YOU, 1069 00:35:51,150 --> 00:35:52,127 GROW UP! NOBODY'S OUT TO GET YOU, MR. PARANOID. 1070 00:35:52,151 --> 00:35:53,894 NOBODY'S OUT TO GET YOU, MR. PARANOID. LET'S SEE YOU OUT ON THE TOWN... 1071 00:35:53,918 --> 00:35:55,663 MR. PARANOID. LET'S SEE YOU OUT ON THE TOWN... SOMEPLACE BESIDES ELAINE'S, TOO, 1072 00:35:55,687 --> 00:35:57,898 LET'S SEE YOU OUT ON THE TOWN... SOMEPLACE BESIDES ELAINE'S, TOO, ALL RIGHT? 1073 00:35:57,922 --> 00:35:59,167 SOMEPLACE BESIDES ELAINE'S, TOO, ALL RIGHT? OKAY, ALL RIGHT, ALL RIGHT, 1074 00:35:59,191 --> 00:35:59,567 ALL RIGHT? OKAY, ALL RIGHT, ALL RIGHT, YEAH. 1075 00:35:59,591 --> 00:36:00,901 OKAY, ALL RIGHT, ALL RIGHT, YEAH. I'M BEING ROUGH, BUT YOU CAN 1076 00:36:00,925 --> 00:36:01,702 YEAH. I'M BEING ROUGH, BUT YOU CAN TAKE IT, WOODY. 1077 00:36:01,726 --> 00:36:03,404 I'M BEING ROUGH, BUT YOU CAN TAKE IT, WOODY. YOU CAN... WOODY? 1078 00:36:03,428 --> 00:36:06,508 TAKE IT, WOODY. YOU CAN... WOODY? WOODY? 1079 00:36:06,532 --> 00:36:08,476 YOU CAN... WOODY? WOODY? ALL RIGHT, THAT'S THE "WOOD MAN" 1080 00:36:08,500 --> 00:36:09,110 WOODY? ALL RIGHT, THAT'S THE "WOOD MAN" I KNOW. 1081 00:36:09,134 --> 00:36:10,111 ALL RIGHT, THAT'S THE "WOOD MAN" I KNOW. THAT'S BETTER. 1082 00:36:10,135 --> 00:36:11,846 I KNOW. THAT'S BETTER. ORSON, YOU'VE GOT NOTHING TO 1083 00:36:11,870 --> 00:36:12,747 THAT'S BETTER. ORSON, YOU'VE GOT NOTHING TO WORRY ABOUT. 1084 00:36:12,771 --> 00:36:14,549 ORSON, YOU'VE GOT NOTHING TO WORRY ABOUT. YOUR SHOW-BUSINESS RECORD IS 1085 00:36:14,573 --> 00:36:15,316 WORRY ABOUT. YOUR SHOW-BUSINESS RECORD IS IMMORTAL. 1086 00:36:15,340 --> 00:36:16,884 YOUR SHOW-BUSINESS RECORD IS IMMORTAL. YOU BIG HUNK OF GENIUS... GET 1087 00:36:16,908 --> 00:36:17,685 IMMORTAL. YOU BIG HUNK OF GENIUS... GET OUT OF HERE. 1088 00:36:17,709 --> 00:36:18,919 YOU BIG HUNK OF GENIUS... GET OUT OF HERE. AND IF ANY OF YOU THINK I'M OFF 1089 00:36:18,943 --> 00:36:20,054 OUT OF HERE. AND IF ANY OF YOU THINK I'M OFF BASE ON THIS, I'M SORRY, BUT 1090 00:36:20,078 --> 00:36:20,988 AND IF ANY OF YOU THINK I'M OFF BASE ON THIS, I'M SORRY, BUT THAT'S THE WAY I FEEL. 1091 00:36:21,012 --> 00:36:21,689 BASE ON THIS, I'M SORRY, BUT THAT'S THE WAY I FEEL. NOW GET LOST. 1092 00:36:21,713 --> 00:36:22,990 THAT'S THE WAY I FEEL. NOW GET LOST. GET OUT OF HERE, YOU MANIACS. 1093 00:36:23,014 --> 00:36:23,691 NOW GET LOST. GET OUT OF HERE, YOU MANIACS. I MEAN IT. 1094 00:36:23,715 --> 00:36:25,360 GET OUT OF HERE, YOU MANIACS. I MEAN IT. JANE CURTIN, YOU SHACKED UP WITH 1095 00:36:25,384 --> 00:36:26,494 I MEAN IT. JANE CURTIN, YOU SHACKED UP WITH WOODY SEVERAL TIMES. 1096 00:36:26,518 --> 00:36:28,196 JANE CURTIN, YOU SHACKED UP WITH WOODY SEVERAL TIMES. I KNOW YOU FEEL JUST AS STRONGLY 1097 00:36:28,220 --> 00:36:29,297 WOODY SEVERAL TIMES. I KNOW YOU FEEL JUST AS STRONGLY AS I DO, DON'T YOU? 1098 00:36:29,321 --> 00:36:30,365 I KNOW YOU FEEL JUST AS STRONGLY AS I DO, DON'T YOU? I DO, BILL. 1099 00:36:30,389 --> 00:36:31,566 AS I DO, DON'T YOU? I DO, BILL. SEE YOU LATER. 1100 00:36:31,590 --> 00:36:32,700 I DO, BILL. SEE YOU LATER. THANKS A LOT, BILL. 1101 00:36:32,724 --> 00:36:34,135 SEE YOU LATER. THANKS A LOT, BILL. I AGREE WITH YOU FOR ONE, YOU 1102 00:36:34,159 --> 00:36:34,569 THANKS A LOT, BILL. I AGREE WITH YOU FOR ONE, YOU KNOW? 1103 00:36:34,593 --> 00:36:36,003 I AGREE WITH YOU FOR ONE, YOU KNOW? TRIVIA EXPERTS HAVE LONG 1104 00:36:36,027 --> 00:36:37,705 KNOW? TRIVIA EXPERTS HAVE LONG SPECULATED ON THE IDENTITY OF 1105 00:36:37,729 --> 00:36:39,307 TRIVIA EXPERTS HAVE LONG SPECULATED ON THE IDENTITY OF THE MODELS WHO POSED FOR THE 1106 00:36:39,331 --> 00:36:40,741 SPECULATED ON THE IDENTITY OF THE MODELS WHO POSED FOR THE DUTCH MASTERS CIGAR BOX. 1107 00:36:40,765 --> 00:36:42,577 THE MODELS WHO POSED FOR THE DUTCH MASTERS CIGAR BOX. WELL, THIS WEEK THE CONSOLIDATED 1108 00:36:42,601 --> 00:36:44,379 DUTCH MASTERS CIGAR BOX. WELL, THIS WEEK THE CONSOLIDATED CIGAR CORPORATION REVEALED THAT 1109 00:36:44,403 --> 00:36:46,013 WELL, THIS WEEK THE CONSOLIDATED CIGAR CORPORATION REVEALED THAT THE MODELS WERE THE ORIGINAL 1110 00:36:46,037 --> 00:36:47,748 CIGAR CORPORATION REVEALED THAT THE MODELS WERE THE ORIGINAL CAST MEMBERS OF THE VINTAGE TV 1111 00:36:47,772 --> 00:36:51,486 THE MODELS WERE THE ORIGINAL CAST MEMBERS OF THE VINTAGE TV SERIES "FATHER KNOWS BEST." 1112 00:36:51,510 --> 00:36:52,987 CAST MEMBERS OF THE VINTAGE TV SERIES "FATHER KNOWS BEST." IT'S GOOD TO SEE THEM AGAIN... 1113 00:36:53,011 --> 00:36:54,422 SERIES "FATHER KNOWS BEST." IT'S GOOD TO SEE THEM AGAIN... BIT OF TRIVIA THERE FOR YOU. 1114 00:36:54,446 --> 00:36:55,823 IT'S GOOD TO SEE THEM AGAIN... BIT OF TRIVIA THERE FOR YOU. THE WHITE HOUSE ANNOUNCED 1115 00:36:55,847 --> 00:36:57,492 BIT OF TRIVIA THERE FOR YOU. THE WHITE HOUSE ANNOUNCED YESTERDAY THAT PRESIDENT CARTER 1116 00:36:57,516 --> 00:36:58,993 THE WHITE HOUSE ANNOUNCED YESTERDAY THAT PRESIDENT CARTER WILL MAKE ANOTHER POINTLESS 1117 00:36:59,017 --> 00:37:00,528 YESTERDAY THAT PRESIDENT CARTER WILL MAKE ANOTHER POINTLESS INTERNATIONAL TRIP BEGINNING 1118 00:37:00,552 --> 00:37:02,129 WILL MAKE ANOTHER POINTLESS INTERNATIONAL TRIP BEGINNING MARCH 28th, WHEN HE WILL VISIT 1119 00:37:02,153 --> 00:37:03,831 INTERNATIONAL TRIP BEGINNING MARCH 28th, WHEN HE WILL VISIT VENEZUELA, BRAZIL, NIGERIA, AND 1120 00:37:03,855 --> 00:37:04,332 MARCH 28th, WHEN HE WILL VISIT VENEZUELA, BRAZIL, NIGERIA, AND LIBYA. 1121 00:37:04,356 --> 00:37:05,733 VENEZUELA, BRAZIL, NIGERIA, AND LIBYA. IN ORDER TO AVOID ANOTHER 1122 00:37:05,757 --> 00:37:07,402 LIBYA. IN ORDER TO AVOID ANOTHER EMBARRASSMENT, LIKE THE POLISH 1123 00:37:07,426 --> 00:37:09,136 IN ORDER TO AVOID ANOTHER EMBARRASSMENT, LIKE THE POLISH INTERPRETER FIASCO LAST JANUARY, 1124 00:37:09,160 --> 00:37:11,005 EMBARRASSMENT, LIKE THE POLISH INTERPRETER FIASCO LAST JANUARY, CARTER WILL TAKE ALONG AS HIS 1125 00:37:11,029 --> 00:37:12,674 INTERPRETER FIASCO LAST JANUARY, CARTER WILL TAKE ALONG AS HIS OFFICIAL INTERPRETERS THE 1126 00:37:12,698 --> 00:37:14,542 CARTER WILL TAKE ALONG AS HIS OFFICIAL INTERPRETERS THE PANTOMIME TEAM OF SHIELDS AND 1127 00:37:14,566 --> 00:37:17,011 OFFICIAL INTERPRETERS THE PANTOMIME TEAM OF SHIELDS AND YARNELL. 1128 00:37:17,035 --> 00:37:21,449 PANTOMIME TEAM OF SHIELDS AND YARNELL. SENATOR GEORGE McGOVERN. 1129 00:37:21,473 --> 00:37:22,950 YARNELL. SENATOR GEORGE McGOVERN. IN LOCAL SPORTS ACTION THIS 1130 00:37:22,974 --> 00:37:23,618 SENATOR GEORGE McGOVERN. IN LOCAL SPORTS ACTION THIS WEEK, THE 1131 00:37:23,642 --> 00:37:25,320 IN LOCAL SPORTS ACTION THIS WEEK, THE NEW YORK KNICKERBOCKERS ENJOYED 1132 00:37:25,344 --> 00:37:26,688 WEEK, THE NEW YORK KNICKERBOCKERS ENJOYED A 3-GAME WINNING STREAK, 1133 00:37:26,712 --> 00:37:28,223 NEW YORK KNICKERBOCKERS ENJOYED A 3-GAME WINNING STREAK, SECURING THEIR SECOND-PLACE 1134 00:37:28,247 --> 00:37:29,724 A 3-GAME WINNING STREAK, SECURING THEIR SECOND-PLACE POSITION IN THE NBA EASTERN 1135 00:37:29,748 --> 00:37:31,292 SECURING THEIR SECOND-PLACE POSITION IN THE NBA EASTERN DIVISION AND ALMOST ASSURING 1136 00:37:31,316 --> 00:37:32,927 POSITION IN THE NBA EASTERN DIVISION AND ALMOST ASSURING THEM OF A SPOT IN THE UPCOMING 1137 00:37:32,951 --> 00:37:33,595 DIVISION AND ALMOST ASSURING THEM OF A SPOT IN THE UPCOMING PLAYOFFS. 1138 00:37:33,619 --> 00:37:35,029 THEM OF A SPOT IN THE UPCOMING PLAYOFFS. A JUBILANT KNICK COACH, 1139 00:37:35,053 --> 00:37:36,698 PLAYOFFS. A JUBILANT KNICK COACH, WILLIS REED, CELEBRATED THE 1140 00:37:36,722 --> 00:37:38,499 A JUBILANT KNICK COACH, WILLIS REED, CELEBRATED THE OCCASION BY CHEWING ON THE LEG 1141 00:37:38,523 --> 00:37:41,869 WILLIS REED, CELEBRATED THE OCCASION BY CHEWING ON THE LEG OF EARL MONROE, HIS BEST PLAYER. 1142 00:37:41,893 --> 00:37:43,804 OCCASION BY CHEWING ON THE LEG OF EARL MONROE, HIS BEST PLAYER. ALSO IN SPORTS, "WEEKEND UPDATE" 1143 00:37:43,828 --> 00:37:45,740 OF EARL MONROE, HIS BEST PLAYER. ALSO IN SPORTS, "WEEKEND UPDATE" HAS ONCE AGAIN BROKEN NEW GROUND 1144 00:37:45,764 --> 00:37:47,408 ALSO IN SPORTS, "WEEKEND UPDATE" HAS ONCE AGAIN BROKEN NEW GROUND IN BROADCAST JOURNALISM, AS 1145 00:37:47,432 --> 00:37:49,377 HAS ONCE AGAIN BROKEN NEW GROUND IN BROADCAST JOURNALISM, AS LARAINE NEWMAN BECOMES THE FIRST 1146 00:37:49,401 --> 00:37:51,312 IN BROADCAST JOURNALISM, AS LARAINE NEWMAN BECOMES THE FIRST WOMAN REPORTER EVER TO SET FOOT 1147 00:37:51,336 --> 00:37:53,248 LARAINE NEWMAN BECOMES THE FIRST WOMAN REPORTER EVER TO SET FOOT IN THE ALL-MALE LOCKER ROOM OF A 1148 00:37:53,272 --> 00:37:54,915 WOMAN REPORTER EVER TO SET FOOT IN THE ALL-MALE LOCKER ROOM OF A PROFESSIONAL FOOTBALL TEAM. 1149 00:37:54,939 --> 00:37:57,118 IN THE ALL-MALE LOCKER ROOM OF A PROFESSIONAL FOOTBALL TEAM. LARAINE? 1150 00:37:57,142 --> 00:37:58,620 PROFESSIONAL FOOTBALL TEAM. LARAINE? THIS MAY BE A FIRST FOR 1151 00:37:58,644 --> 00:38:00,388 LARAINE? THIS MAY BE A FIRST FOR "UPDATE," JANE, BUT IT'S NOT A 1152 00:38:00,412 --> 00:38:02,390 THIS MAY BE A FIRST FOR "UPDATE," JANE, BUT IT'S NOT A FIRST FOR ME. 1153 00:38:02,414 --> 00:38:04,392 "UPDATE," JANE, BUT IT'S NOT A FIRST FOR ME. I'M STANDING HERE WITH 1154 00:38:04,416 --> 00:38:07,094 FIRST FOR ME. I'M STANDING HERE WITH BUFFALO BILLS STAR RUNNING BACK 1155 00:38:07,118 --> 00:38:08,296 I'M STANDING HERE WITH BUFFALO BILLS STAR RUNNING BACK O.J. SIMPSON. 1156 00:38:08,320 --> 00:38:10,598 BUFFALO BILLS STAR RUNNING BACK O.J. SIMPSON. O.J., I DON'T KNOW MUCH ABOUT 1157 00:38:10,622 --> 00:38:12,734 O.J. SIMPSON. O.J., I DON'T KNOW MUCH ABOUT FOOTBALL, BUT I KNOW WHAT I 1158 00:38:12,758 --> 00:38:13,401 O.J., I DON'T KNOW MUCH ABOUT FOOTBALL, BUT I KNOW WHAT I LIKE. 1159 00:38:13,425 --> 00:38:16,070 FOOTBALL, BUT I KNOW WHAT I LIKE. JANE, I SWEAR I'VE NEVER SEEN 1160 00:38:16,094 --> 00:38:18,473 LIKE. JANE, I SWEAR I'VE NEVER SEEN ANYTHING LIKE THIS BEFORE. 1161 00:38:18,497 --> 00:38:19,874 JANE, I SWEAR I'VE NEVER SEEN ANYTHING LIKE THIS BEFORE. I DON'T REALLY HAVE ANY 1162 00:38:19,898 --> 00:38:21,576 ANYTHING LIKE THIS BEFORE. I DON'T REALLY HAVE ANY QUESTIONS PREPARED, O.J., BUT 1163 00:38:21,600 --> 00:38:23,210 I DON'T REALLY HAVE ANY QUESTIONS PREPARED, O.J., BUT HOW LONG DO YOU THINK YOU'LL 1164 00:38:23,234 --> 00:38:24,746 QUESTIONS PREPARED, O.J., BUT HOW LONG DO YOU THINK YOU'LL CONTINUE TO PLAY THE GAME? 1165 00:38:24,770 --> 00:38:26,414 HOW LONG DO YOU THINK YOU'LL CONTINUE TO PLAY THE GAME? WELL, JANE... I MEAN, 1166 00:38:26,438 --> 00:38:28,483 CONTINUE TO PLAY THE GAME? WELL, JANE... I MEAN, LARAINE, I'M NOT QUITE READY TO 1167 00:38:28,507 --> 00:38:29,284 WELL, JANE... I MEAN, LARAINE, I'M NOT QUITE READY TO QUIT NOW. 1168 00:38:29,308 --> 00:38:30,752 LARAINE, I'M NOT QUITE READY TO QUIT NOW. I'M REALLY PLANNING ON HAVING 1169 00:38:30,776 --> 00:38:32,253 QUIT NOW. I'M REALLY PLANNING ON HAVING ABOUT A 10-TO 12-YEAR CAREER. 1170 00:38:32,277 --> 00:38:33,421 I'M REALLY PLANNING ON HAVING ABOUT A 10-TO 12-YEAR CAREER. THAT'S ODD. 1171 00:38:33,445 --> 00:38:35,590 ABOUT A 10-TO 12-YEAR CAREER. THAT'S ODD. I WOULD HAVE GUESSED MORE ABOUT 1172 00:38:35,614 --> 00:38:40,662 THAT'S ODD. I WOULD HAVE GUESSED MORE ABOUT 11 TO 12. 1173 00:38:40,686 --> 00:38:42,330 I WOULD HAVE GUESSED MORE ABOUT 11 TO 12. WELL, MAYBE I WILL IF MY 1174 00:38:42,354 --> 00:38:43,298 11 TO 12. WELL, MAYBE I WILL IF MY KNEES HOLD UP. 1175 00:38:43,322 --> 00:38:44,932 WELL, MAYBE I WILL IF MY KNEES HOLD UP. WELL, SPEAKING OF WHICH, HOW 1176 00:38:44,956 --> 00:38:45,733 KNEES HOLD UP. WELL, SPEAKING OF WHICH, HOW IS THAT KNEE? 1177 00:38:45,757 --> 00:38:46,701 WELL, SPEAKING OF WHICH, HOW IS THAT KNEE? WELL, AS YOU CAN SEE... HEY, 1178 00:38:46,725 --> 00:38:47,468 IS THAT KNEE? WELL, AS YOU CAN SEE... HEY, CAN YOU GET THE CAMERA DOWN 1179 00:38:47,492 --> 00:38:47,868 WELL, AS YOU CAN SEE... HEY, CAN YOU GET THE CAMERA DOWN HERE? 1180 00:38:47,892 --> 00:38:50,104 CAN YOU GET THE CAMERA DOWN HERE? UH, NO, I DON'T THINK SO, 1181 00:38:50,128 --> 00:38:50,705 HERE? UH, NO, I DON'T THINK SO, O.J. 1182 00:38:50,729 --> 00:38:52,573 UH, NO, I DON'T THINK SO, O.J. ARE YOU SATISFIED PLAYING THE 1183 00:38:52,597 --> 00:38:54,509 O.J. ARE YOU SATISFIED PLAYING THE BUFFALO BUNS OR, UH, WOULD YOU 1184 00:38:54,533 --> 00:38:56,277 ARE YOU SATISFIED PLAYING THE BUFFALO BUNS OR, UH, WOULD YOU RATHER GO FOR A SHOT AT THE 1185 00:38:56,301 --> 00:38:58,245 BUFFALO BUNS OR, UH, WOULD YOU RATHER GO FOR A SHOT AT THE SUPER BOWL CONTENDER BEFORE YOU 1186 00:38:58,269 --> 00:38:58,913 RATHER GO FOR A SHOT AT THE SUPER BOWL CONTENDER BEFORE YOU RETIRE? 1187 00:38:58,937 --> 00:39:00,247 SUPER BOWL CONTENDER BEFORE YOU RETIRE? WELL, CERTAINLY. 1188 00:39:00,271 --> 00:39:02,183 RETIRE? WELL, CERTAINLY. EVERY PLAYER DREAMS OF HAVING 1189 00:39:02,207 --> 00:39:04,084 WELL, CERTAINLY. EVERY PLAYER DREAMS OF HAVING THAT COVETED SUPER BOWL RING. 1190 00:39:04,108 --> 00:39:06,120 EVERY PLAYER DREAMS OF HAVING THAT COVETED SUPER BOWL RING. WELL, THANK YOU FOR BEING SO 1191 00:39:06,144 --> 00:39:07,422 THAT COVETED SUPER BOWL RING. WELL, THANK YOU FOR BEING SO OPEN WITH US, O.J. 1192 00:39:07,446 --> 00:39:09,290 WELL, THANK YOU FOR BEING SO OPEN WITH US, O.J. I'M VERY EXCITED TO BE HERE, 1193 00:39:09,314 --> 00:39:11,292 OPEN WITH US, O.J. I'M VERY EXCITED TO BE HERE, AND, FROM THE LOOKS OF THINGS, 1194 00:39:11,316 --> 00:39:14,562 I'M VERY EXCITED TO BE HERE, AND, FROM THE LOOKS OF THINGS, IT SEEMS THE FEELING IS MUTUAL. 1195 00:39:14,586 --> 00:39:16,497 AND, FROM THE LOOKS OF THINGS, IT SEEMS THE FEELING IS MUTUAL. LARAINE NEWMAN REPORTING. 1196 00:39:16,521 --> 00:39:24,521 IT SEEMS THE FEELING IS MUTUAL. LARAINE NEWMAN REPORTING. BACK TO YOU, DAN. 1197 00:39:24,763 --> 00:39:26,106 LARAINE NEWMAN REPORTING. BACK TO YOU, DAN. IN BUFFALO, NEW YORK, THE 1198 00:39:26,130 --> 00:39:27,408 BACK TO YOU, DAN. IN BUFFALO, NEW YORK, THE HEAVY SNOWFALLS THIS MONTH 1199 00:39:27,432 --> 00:39:28,509 IN BUFFALO, NEW YORK, THE HEAVY SNOWFALLS THIS MONTH ATTRACTED A NUMBER OF 1200 00:39:28,533 --> 00:39:30,044 HEAVY SNOWFALLS THIS MONTH ATTRACTED A NUMBER OF OUT-OF-TOWN TOURISTS WHO THOUGHT 1201 00:39:30,068 --> 00:39:31,479 ATTRACTED A NUMBER OF OUT-OF-TOWN TOURISTS WHO THOUGHT THAT THE WHITE, POWDERY STUFF 1202 00:39:31,503 --> 00:39:32,947 OUT-OF-TOWN TOURISTS WHO THOUGHT THAT THE WHITE, POWDERY STUFF WAS SOMETHING OTHER THAN SNOW. 1203 00:39:32,971 --> 00:39:34,582 THAT THE WHITE, POWDERY STUFF WAS SOMETHING OTHER THAN SNOW. PICTURED HERE IS A BUFFALO 1204 00:39:34,606 --> 00:39:36,517 WAS SOMETHING OTHER THAN SNOW. PICTURED HERE IS A BUFFALO HOSPITAL CLINIC, WHICH WAS KEPT 1205 00:39:36,541 --> 00:39:38,419 PICTURED HERE IS A BUFFALO HOSPITAL CLINIC, WHICH WAS KEPT BUSY TREATING HUNDREDS OF CASES 1206 00:39:38,443 --> 00:39:41,656 HOSPITAL CLINIC, WHICH WAS KEPT BUSY TREATING HUNDREDS OF CASES OF SEVERE NASAL FROSTBITE. 1207 00:39:41,680 --> 00:39:42,890 BUSY TREATING HUNDREDS OF CASES OF SEVERE NASAL FROSTBITE. JANE? 1208 00:39:42,914 --> 00:39:44,592 OF SEVERE NASAL FROSTBITE. JANE? AND NOW FOR TONIGHT'S 1209 00:39:44,616 --> 00:39:46,126 JANE? AND NOW FOR TONIGHT'S CONSUMER REPORT, IT'S 1210 00:39:46,150 --> 00:39:47,695 AND NOW FOR TONIGHT'S CONSUMER REPORT, IT'S ROSEANNE ROSANNADANNA. 1211 00:39:47,719 --> 00:39:50,064 CONSUMER REPORT, IT'S ROSEANNE ROSANNADANNA. THANK YOU, JANE. 1212 00:39:50,088 --> 00:39:52,333 ROSEANNE ROSANNADANNA. THANK YOU, JANE. THANK YOU. 1213 00:39:52,357 --> 00:39:53,368 THANK YOU, JANE. THANK YOU. TELL ME, ROSEANNE. 1214 00:39:53,392 --> 00:39:54,702 THANK YOU. TELL ME, ROSEANNE. WHAT ARE WE GONNA TALK ABOUT 1215 00:39:54,726 --> 00:39:55,236 TELL ME, ROSEANNE. WHAT ARE WE GONNA TALK ABOUT TONIGHT? 1216 00:39:55,260 --> 00:39:57,739 WHAT ARE WE GONNA TALK ABOUT TONIGHT? WELL, JANE, MR. BOB VAN REIM 1217 00:39:57,763 --> 00:39:59,974 TONIGHT? WELL, JANE, MR. BOB VAN REIM OF HARMON COVE, NEW JERSEY, 1218 00:39:59,998 --> 00:40:02,042 WELL, JANE, MR. BOB VAN REIM OF HARMON COVE, NEW JERSEY, WRITES IN AND ASKS, "DEAR 1219 00:40:02,066 --> 00:40:04,211 OF HARMON COVE, NEW JERSEY, WRITES IN AND ASKS, "DEAR ROSEANNE ROSANNADANNA, I'M 1220 00:40:04,235 --> 00:40:06,714 WRITES IN AND ASKS, "DEAR ROSEANNE ROSANNADANNA, I'M HAVING A LOT OF TROUBLE WITH MY 1221 00:40:06,738 --> 00:40:07,482 ROSEANNE ROSANNADANNA, I'M HAVING A LOT OF TROUBLE WITH MY TEETH. 1222 00:40:07,506 --> 00:40:09,316 HAVING A LOT OF TROUBLE WITH MY TEETH. CAN YOU TELL ME WHAT CAUSES 1223 00:40:09,340 --> 00:40:10,485 TEETH. CAN YOU TELL ME WHAT CAUSES DENTAL DISEASE? 1224 00:40:10,509 --> 00:40:12,019 CAN YOU TELL ME WHAT CAUSES DENTAL DISEASE? WHAT IS DENTAL PLAQUE? 1225 00:40:12,043 --> 00:40:13,554 DENTAL DISEASE? WHAT IS DENTAL PLAQUE? HOW CAN I AVOID PLAQUE AND 1226 00:40:13,578 --> 00:40:14,555 WHAT IS DENTAL PLAQUE? HOW CAN I AVOID PLAQUE AND DENTAL DISEASE? 1227 00:40:14,579 --> 00:40:15,757 HOW CAN I AVOID PLAQUE AND DENTAL DISEASE? HOW CAN I SEE PLAQUE? 1228 00:40:15,781 --> 00:40:17,124 DENTAL DISEASE? HOW CAN I SEE PLAQUE? HOW OFTEN SHOULD I SEE MY 1229 00:40:17,148 --> 00:40:17,725 HOW CAN I SEE PLAQUE? HOW OFTEN SHOULD I SEE MY DENTIST? 1230 00:40:17,749 --> 00:40:19,494 HOW OFTEN SHOULD I SEE MY DENTIST? WHAT KIND OF TOOTHBRUSH SHOULD I 1231 00:40:19,518 --> 00:40:19,927 DENTIST? WHAT KIND OF TOOTHBRUSH SHOULD I USE? 1232 00:40:19,951 --> 00:40:20,928 WHAT KIND OF TOOTHBRUSH SHOULD I USE? WHAT KIND OF DENTAL FLOSS SHOULD 1233 00:40:20,952 --> 00:40:21,328 USE? WHAT KIND OF DENTAL FLOSS SHOULD I USE? 1234 00:40:21,352 --> 00:40:22,663 WHAT KIND OF DENTAL FLOSS SHOULD I USE? HOW DO I FLOSS CORRECTLY? 1235 00:40:22,687 --> 00:40:24,198 I USE? HOW DO I FLOSS CORRECTLY? HOW DOES FLUORIDE HELP PREVENT 1236 00:40:24,222 --> 00:40:24,699 HOW DO I FLOSS CORRECTLY? HOW DOES FLUORIDE HELP PREVENT DECAY? 1237 00:40:24,723 --> 00:40:25,933 HOW DOES FLUORIDE HELP PREVENT DECAY? SHOULD I USE A FLUORIDE 1238 00:40:25,957 --> 00:40:26,701 DECAY? SHOULD I USE A FLUORIDE TOOTHPASTE?" 1239 00:40:26,725 --> 00:40:29,370 SHOULD I USE A FLUORIDE TOOTHPASTE?" MR. VAN REIM, YOU ASK A LOT OF 1240 00:40:29,394 --> 00:40:32,607 TOOTHPASTE?" MR. VAN REIM, YOU ASK A LOT OF STUPID QUESTIONS. 1241 00:40:32,631 --> 00:40:34,642 MR. VAN REIM, YOU ASK A LOT OF STUPID QUESTIONS. BUT LET ME ASK YOU THIS. 1242 00:40:34,666 --> 00:40:36,577 STUPID QUESTIONS. BUT LET ME ASK YOU THIS. DID YOU EVER FIND A THING 1243 00:40:36,601 --> 00:40:38,679 BUT LET ME ASK YOU THIS. DID YOU EVER FIND A THING BETWEEN YOUR TEETH, AND YOU 1244 00:40:38,703 --> 00:40:40,415 DID YOU EVER FIND A THING BETWEEN YOUR TEETH, AND YOU DON'T KNOW WHAT IT IS? 1245 00:40:40,439 --> 00:40:42,216 BETWEEN YOUR TEETH, AND YOU DON'T KNOW WHAT IT IS? YOU LOOK AT IT, AND YOU PLAY 1246 00:40:42,240 --> 00:40:44,118 DON'T KNOW WHAT IT IS? YOU LOOK AT IT, AND YOU PLAY WITH IT WITH YOUR FINGERS, AND 1247 00:40:44,142 --> 00:40:45,986 YOU LOOK AT IT, AND YOU PLAY WITH IT WITH YOUR FINGERS, AND YOU SAY, "WHAT IS THIS THING? 1248 00:40:46,010 --> 00:40:48,456 WITH IT WITH YOUR FINGERS, AND YOU SAY, "WHAT IS THIS THING? I DON'T REMEMBER EATING THAT." 1249 00:40:48,480 --> 00:40:50,425 YOU SAY, "WHAT IS THIS THING? I DON'T REMEMBER EATING THAT." AND THEN YOU TRY TO FLICK IT 1250 00:40:50,449 --> 00:40:51,626 I DON'T REMEMBER EATING THAT." AND THEN YOU TRY TO FLICK IT AWAY, YOU KNOW? 1251 00:40:51,650 --> 00:40:53,795 AND THEN YOU TRY TO FLICK IT AWAY, YOU KNOW? OR YOU WIPE IT UNDER YOUR CHAIR 1252 00:40:53,819 --> 00:40:54,862 AWAY, YOU KNOW? OR YOU WIPE IT UNDER YOUR CHAIR OR SOMETHING. 1253 00:40:54,886 --> 00:40:55,897 OR YOU WIPE IT UNDER YOUR CHAIR OR SOMETHING. ONE TIME, I, 1254 00:40:55,921 --> 00:40:57,732 OR SOMETHING. ONE TIME, I, ROSEANNE ROSANNADANNA, WAS 1255 00:40:57,756 --> 00:40:59,600 ONE TIME, I, ROSEANNE ROSANNADANNA, WAS EATING A SPARE RIB, AND A 1256 00:40:59,624 --> 00:41:01,636 ROSEANNE ROSANNADANNA, WAS EATING A SPARE RIB, AND A LITTLE SHRED OF IT GOT CAUGHT 1257 00:41:01,660 --> 00:41:02,603 EATING A SPARE RIB, AND A LITTLE SHRED OF IT GOT CAUGHT RIGHT HERE. 1258 00:41:02,627 --> 00:41:05,673 LITTLE SHRED OF IT GOT CAUGHT RIGHT HERE. WELL, I THOUGHT I WAS GONNA DIE! 1259 00:41:05,697 --> 00:41:07,207 RIGHT HERE. WELL, I THOUGHT I WAS GONNA DIE! I TRIED EVERYTHING TO GET THAT 1260 00:41:07,231 --> 00:41:08,643 WELL, I THOUGHT I WAS GONNA DIE! I TRIED EVERYTHING TO GET THAT SHREDDED THING OUT OF THERE. 1261 00:41:08,667 --> 00:41:10,077 I TRIED EVERYTHING TO GET THAT SHREDDED THING OUT OF THERE. I TRIED TO SUCK IT OUT, LIKE 1262 00:41:10,101 --> 00:41:13,414 SHREDDED THING OUT OF THERE. I TRIED TO SUCK IT OUT, LIKE THIS. 1263 00:41:13,438 --> 00:41:14,515 I TRIED TO SUCK IT OUT, LIKE THIS. AND YOU KNOW WHAT? 1264 00:41:14,539 --> 00:41:16,183 THIS. AND YOU KNOW WHAT? THEN, SOMEONE SAID TO ME, "HEY, 1265 00:41:16,207 --> 00:41:17,819 AND YOU KNOW WHAT? THEN, SOMEONE SAID TO ME, "HEY, ROSEANNE ROSANNADANNA, WHAT'S 1266 00:41:17,843 --> 00:41:19,353 THEN, SOMEONE SAID TO ME, "HEY, ROSEANNE ROSANNADANNA, WHAT'S THE MATTER, YOU GOT BIRDS IN 1267 00:41:19,377 --> 00:41:21,489 ROSEANNE ROSANNADANNA, WHAT'S THE MATTER, YOU GOT BIRDS IN YOUR MOUTH?" 1268 00:41:21,513 --> 00:41:23,023 THE MATTER, YOU GOT BIRDS IN YOUR MOUTH?" SO, THEN, I TRIED A MATCHBOOK 1269 00:41:23,047 --> 00:41:23,524 YOUR MOUTH?" SO, THEN, I TRIED A MATCHBOOK COVER. 1270 00:41:23,548 --> 00:41:24,592 SO, THEN, I TRIED A MATCHBOOK COVER. BUT YOU KNOW WHAT? 1271 00:41:24,616 --> 00:41:26,026 COVER. BUT YOU KNOW WHAT? A PART OF THE CARDBOARD GOT 1272 00:41:26,050 --> 00:41:27,127 BUT YOU KNOW WHAT? A PART OF THE CARDBOARD GOT CAUGHT IN MY TEETH. 1273 00:41:27,151 --> 00:41:28,629 A PART OF THE CARDBOARD GOT CAUGHT IN MY TEETH. SO I TRIED A TOOTHPICK, AND A 1274 00:41:28,653 --> 00:41:29,964 CAUGHT IN MY TEETH. SO I TRIED A TOOTHPICK, AND A PIECE OF THAT BROKE OFF IN 1275 00:41:29,988 --> 00:41:30,665 SO I TRIED A TOOTHPICK, AND A PIECE OF THAT BROKE OFF IN THERE, TOO. 1276 00:41:30,689 --> 00:41:32,166 PIECE OF THAT BROKE OFF IN THERE, TOO. SO I GOT ONE OF THOSE SPECIAL 1277 00:41:32,190 --> 00:41:33,634 THERE, TOO. SO I GOT ONE OF THOSE SPECIAL TOOTHBRUSHES, WITH THE RUBBER 1278 00:41:33,658 --> 00:41:34,869 SO I GOT ONE OF THOSE SPECIAL TOOTHBRUSHES, WITH THE RUBBER THING AT THE END OF IT. 1279 00:41:34,893 --> 00:41:38,272 TOOTHBRUSHES, WITH THE RUBBER THING AT THE END OF IT. IT KIND OF LOOKS LIKE A NIPPLE? 1280 00:41:38,296 --> 00:41:39,474 THING AT THE END OF IT. IT KIND OF LOOKS LIKE A NIPPLE? AND THEN I STARTED PUSHING THE 1281 00:41:39,498 --> 00:41:40,641 IT KIND OF LOOKS LIKE A NIPPLE? AND THEN I STARTED PUSHING THE NIPPLE IN THERE, AND THEN YOU 1282 00:41:40,665 --> 00:41:41,476 AND THEN I STARTED PUSHING THE NIPPLE IN THERE, AND THEN YOU KNOW WHAT HAPPENED? 1283 00:41:41,500 --> 00:41:43,243 NIPPLE IN THERE, AND THEN YOU KNOW WHAT HAPPENED? MY GUMS STARTED TO BLEED! 1284 00:41:43,267 --> 00:41:44,411 KNOW WHAT HAPPENED? MY GUMS STARTED TO BLEED! SO I SAID TO MYSELF, 1285 00:41:44,435 --> 00:41:45,880 MY GUMS STARTED TO BLEED! SO I SAID TO MYSELF, "ROSEANNE ROSANNADANNA, YOU 1286 00:41:45,904 --> 00:41:47,114 SO I SAID TO MYSELF, "ROSEANNE ROSANNADANNA, YOU BETTER SEE A DENTIST." 1287 00:41:47,138 --> 00:41:48,716 "ROSEANNE ROSANNADANNA, YOU BETTER SEE A DENTIST." SO I GO, AND HE PUTS A LOT OF 1288 00:41:48,740 --> 00:41:50,250 BETTER SEE A DENTIST." SO I GO, AND HE PUTS A LOT OF MORE THINGS IN MY MOUTH... A 1289 00:41:50,274 --> 00:41:51,986 SO I GO, AND HE PUTS A LOT OF MORE THINGS IN MY MOUTH... A DRILL, PICKERS, A MIRROR, COTTON 1290 00:41:52,010 --> 00:41:53,688 MORE THINGS IN MY MOUTH... A DRILL, PICKERS, A MIRROR, COTTON SWABS, A THING THAT BLOWS AIR, A 1291 00:41:53,712 --> 00:41:55,255 DRILL, PICKERS, A MIRROR, COTTON SWABS, A THING THAT BLOWS AIR, A THING THAT BLOWS WATER, SOME 1292 00:41:55,279 --> 00:41:56,657 SWABS, A THING THAT BLOWS AIR, A THING THAT BLOWS WATER, SOME METAL RODS, HIS FINGER, A 1293 00:41:56,681 --> 00:41:58,325 THING THAT BLOWS WATER, SOME METAL RODS, HIS FINGER, A NURSE'S FINGER, A LITTLE RUBBER 1294 00:41:58,349 --> 00:41:58,793 METAL RODS, HIS FINGER, A NURSE'S FINGER, A LITTLE RUBBER TENT. 1295 00:41:58,817 --> 00:42:00,461 NURSE'S FINGER, A LITTLE RUBBER TENT. MY MOUTH... IT LOOKED LIKE 1296 00:42:00,485 --> 00:42:03,030 TENT. MY MOUTH... IT LOOKED LIKE WOODSTOCK. 1297 00:42:03,054 --> 00:42:05,466 MY MOUTH... IT LOOKED LIKE WOODSTOCK. AND YOU KNOW WHAT HAPPENED AT 1298 00:42:05,490 --> 00:42:07,902 WOODSTOCK. AND YOU KNOW WHAT HAPPENED AT WOODSTOCK... TWO PEOPLE DIED! 1299 00:42:07,926 --> 00:42:10,004 AND YOU KNOW WHAT HAPPENED AT WOODSTOCK... TWO PEOPLE DIED! NOW DID YOU EVER NOTICE... 1300 00:42:10,028 --> 00:42:12,172 WOODSTOCK... TWO PEOPLE DIED! NOW DID YOU EVER NOTICE... WHAT THE HELL ARE YOU TALKING 1301 00:42:12,196 --> 00:42:14,241 NOW DID YOU EVER NOTICE... WHAT THE HELL ARE YOU TALKING ABOUT?! 1302 00:42:14,265 --> 00:42:16,310 WHAT THE HELL ARE YOU TALKING ABOUT?! EXCUSE ME! 1303 00:42:16,334 --> 00:42:17,812 ABOUT?! EXCUSE ME! THIS GUY WRITES IN SOME 1304 00:42:17,836 --> 00:42:19,480 EXCUSE ME! THIS GUY WRITES IN SOME INTELLIGENT QUESTIONS, AND YOU 1305 00:42:19,504 --> 00:42:21,115 THIS GUY WRITES IN SOME INTELLIGENT QUESTIONS, AND YOU START TALKING ABOUT TOOTHPICKS 1306 00:42:21,139 --> 00:42:22,016 INTELLIGENT QUESTIONS, AND YOU START TALKING ABOUT TOOTHPICKS AND WOODSTOCK. 1307 00:42:22,040 --> 00:42:24,919 START TALKING ABOUT TOOTHPICKS AND WOODSTOCK. WELL, JANE, IT JUST GOES TO 1308 00:42:24,943 --> 00:42:28,055 AND WOODSTOCK. WELL, JANE, IT JUST GOES TO SHOW YOU, IT'S ALWAYS SOMETHING. 1309 00:42:28,079 --> 00:42:30,457 WELL, JANE, IT JUST GOES TO SHOW YOU, IT'S ALWAYS SOMETHING. IT'S LIKE MY FATHER USED TO SAY 1310 00:42:30,481 --> 00:42:32,593 SHOW YOU, IT'S ALWAYS SOMETHING. IT'S LIKE MY FATHER USED TO SAY TO ME BEFORE I WENT TO BED. 1311 00:42:32,617 --> 00:42:34,261 IT'S LIKE MY FATHER USED TO SAY TO ME BEFORE I WENT TO BED. HE'D SAY, "MY LITTLE 1312 00:42:34,285 --> 00:42:36,697 TO ME BEFORE I WENT TO BED. HE'D SAY, "MY LITTLE ROSEANNE ROSANNADANNA, MAKE SURE 1313 00:42:36,721 --> 00:42:38,966 HE'D SAY, "MY LITTLE ROSEANNE ROSANNADANNA, MAKE SURE YOU DON'T END UP BEING ONE OF 1314 00:42:38,990 --> 00:42:41,035 ROSEANNE ROSANNADANNA, MAKE SURE YOU DON'T END UP BEING ONE OF THOSE PEOPLE WHO HAVE SOME 1315 00:42:41,059 --> 00:42:43,504 YOU DON'T END UP BEING ONE OF THOSE PEOPLE WHO HAVE SOME SALIVA ON YOUR LIP RIGHT HERE IN 1316 00:42:43,528 --> 00:42:44,572 THOSE PEOPLE WHO HAVE SOME SALIVA ON YOUR LIP RIGHT HERE IN THE MIDDLE. 1317 00:42:44,596 --> 00:42:46,273 SALIVA ON YOUR LIP RIGHT HERE IN THE MIDDLE. 'CAUSE SOMETIMES WHEN THEY TALK, 1318 00:42:46,297 --> 00:42:47,742 THE MIDDLE. 'CAUSE SOMETIMES WHEN THEY TALK, A LITTLE, THIN STRING OF IT 1319 00:42:47,766 --> 00:42:49,276 'CAUSE SOMETIMES WHEN THEY TALK, A LITTLE, THIN STRING OF IT CATCHES HERE AND GOES UP AND 1320 00:42:49,300 --> 00:42:50,945 A LITTLE, THIN STRING OF IT CATCHES HERE AND GOES UP AND DOWN AND UP AND DOWN AND UP AND 1321 00:42:50,969 --> 00:42:52,647 CATCHES HERE AND GOES UP AND DOWN AND UP AND DOWN AND UP AND DOWN AND AND CATCHES ALL AROUND. 1322 00:42:52,671 --> 00:42:54,515 DOWN AND UP AND DOWN AND UP AND DOWN AND AND CATCHES ALL AROUND. AND NOBODY HEARS WHAT THEY'RE 1323 00:42:54,539 --> 00:42:56,483 DOWN AND AND CATCHES ALL AROUND. AND NOBODY HEARS WHAT THEY'RE SAYING, 'CAUSE THEY'RE TOO BUSY 1324 00:42:56,507 --> 00:42:58,419 AND NOBODY HEARS WHAT THEY'RE SAYING, 'CAUSE THEY'RE TOO BUSY WATCHING THE SPIT GOING UP AND 1325 00:42:58,443 --> 00:43:00,421 SAYING, 'CAUSE THEY'RE TOO BUSY WATCHING THE SPIT GOING UP AND DOWN AND UP AND DOWN AND UP AND 1326 00:43:00,445 --> 00:43:00,955 WATCHING THE SPIT GOING UP AND DOWN AND UP AND DOWN AND UP AND DOWN. 1327 00:43:00,979 --> 00:43:01,889 DOWN AND UP AND DOWN AND UP AND DOWN. GOOD NIGHT, MY LITTLE 1328 00:43:01,913 --> 00:43:05,192 DOWN. GOOD NIGHT, MY LITTLE ROSEANNE ROSANNADANNA." 1329 00:43:05,216 --> 00:43:06,260 GOOD NIGHT, MY LITTLE ROSEANNE ROSANNADANNA." AND THAT'S THE NEWS. 1330 00:43:06,284 --> 00:43:07,595 ROSEANNE ROSANNADANNA." AND THAT'S THE NEWS. GOOD NIGHT AND HAVE A PLEASANT 1331 00:43:07,619 --> 00:43:09,530 AND THAT'S THE NEWS. GOOD NIGHT AND HAVE A PLEASANT TOMORROW. 1332 00:43:09,554 --> 00:43:11,365 GOOD NIGHT AND HAVE A PLEASANT TOMORROW. Announcer: THIS PORTION OF 1333 00:43:11,389 --> 00:43:12,967 TOMORROW. Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN 1334 00:43:12,991 --> 00:43:14,802 Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY MR. NIPPLE. 1335 00:43:14,826 --> 00:43:16,704 "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY MR. NIPPLE. IT'S LIKE SETTING FIRE TO YOUR 1336 00:43:16,728 --> 00:43:19,328 BROUGHT TO YOU BY MR. NIPPLE. IT'S LIKE SETTING FIRE TO YOUR LUNGS. 1337 00:43:22,532 --> 00:43:25,112 IT'S THE NFL ON CBS, AND OOH, BROTHER, WHAT A BALLGAME. 1338 00:43:25,136 --> 00:43:26,513 BROTHER, WHAT A BALLGAME. THE CHICAGO BEARS ARE FIGHTING 1339 00:43:26,537 --> 00:43:27,949 THE CHICAGO BEARS ARE FIGHTING FOR A PLACE IN THE PLAYOFFS IN 1340 00:43:27,973 --> 00:43:29,116 FOR A PLACE IN THE PLAYOFFS IN THIS FINAL GAME WITH THE 1341 00:43:29,140 --> 00:43:30,985 THIS FINAL GAME WITH THE NEW YORK GIANTS. AND BEAR RUNNING BACK 1342 00:43:31,009 --> 00:43:32,319 NEW YORK GIANTS. AND BEAR RUNNING BACK WALTER PAYTON IS JUST 95 YARDS 1343 00:43:32,343 --> 00:43:33,721 AND BEAR RUNNING BACK WALTER PAYTON IS JUST 95 YARDS SHORT OF BREAKING THE RECORD FOR 1344 00:43:33,745 --> 00:43:35,056 WALTER PAYTON IS JUST 95 YARDS SHORT OF BREAKING THE RECORD FOR MOST YARDS GAINED RUSHING IN A 1345 00:43:35,080 --> 00:43:35,522 SHORT OF BREAKING THE RECORD FOR MOST YARDS GAINED RUSHING IN A SEASON. 1346 00:43:35,546 --> 00:43:37,858 MOST YARDS GAINED RUSHING IN A SEASON. THAT, OF COURSE, IS THE 2,003 1347 00:43:37,882 --> 00:43:39,860 SEASON. THAT, OF COURSE, IS THE 2,003 YARDS GAINED IN 1973 BY 1348 00:43:39,884 --> 00:43:41,062 THAT, OF COURSE, IS THE 2,003 YARDS GAINED IN 1973 BY O.J. SIMPSON. 1349 00:43:41,086 --> 00:43:42,797 YARDS GAINED IN 1973 BY O.J. SIMPSON. AND THERE'S THE HANDOFF TO 34, 1350 00:43:42,821 --> 00:43:44,364 O.J. SIMPSON. AND THERE'S THE HANDOFF TO 34, PAYTON, AND LOOK AT HIM GO! 1351 00:43:44,388 --> 00:43:46,033 AND THERE'S THE HANDOFF TO 34, PAYTON, AND LOOK AT HIM GO! HE'S GOT ABOUT 12 YARDS, AND 1352 00:43:46,057 --> 00:43:47,902 PAYTON, AND LOOK AT HIM GO! HE'S GOT ABOUT 12 YARDS, AND THAT PUTS HIM 12 YARDS CLOSER TO 1353 00:43:47,926 --> 00:43:49,336 HE'S GOT ABOUT 12 YARDS, AND THAT PUTS HIM 12 YARDS CLOSER TO BREAKING O.J.'s RECORD. 1354 00:43:49,360 --> 00:43:50,471 THAT PUTS HIM 12 YARDS CLOSER TO BREAKING O.J.'s RECORD. WE'RE GONNA PAUSE FOR THIS 1355 00:43:50,495 --> 00:43:51,005 BREAKING O.J.'s RECORD. WE'RE GONNA PAUSE FOR THIS TIME-OUT. 1356 00:43:51,029 --> 00:43:52,172 WE'RE GONNA PAUSE FOR THIS TIME-OUT. WHOO! 1357 00:43:52,196 --> 00:43:54,075 TIME-OUT. WHOO! SO, ANYHOW, WHO'S READY FOR A 1358 00:43:54,099 --> 00:43:54,575 WHOO! SO, ANYHOW, WHO'S READY FOR A BEER? 1359 00:43:54,599 --> 00:43:55,843 SO, ANYHOW, WHO'S READY FOR A BEER? REGGIE, AHMAD, A.C.? 1360 00:43:55,867 --> 00:43:57,478 BEER? REGGIE, AHMAD, A.C.? HEY, O.J., AREN'T YOU 1361 00:43:57,502 --> 00:43:58,178 REGGIE, AHMAD, A.C.? HEY, O.J., AREN'T YOU NERVOUS? 1362 00:43:58,202 --> 00:43:59,981 HEY, O.J., AREN'T YOU NERVOUS? HE MIGHT BREAK YOUR RECORD. 1363 00:44:00,005 --> 00:44:01,181 NERVOUS? HE MIGHT BREAK YOUR RECORD. OH, REGGIE, YOU KNOW. 1364 00:44:01,205 --> 00:44:02,416 HE MIGHT BREAK YOUR RECORD. OH, REGGIE, YOU KNOW. RECORDS AREN'T MONUMENTS. 1365 00:44:02,440 --> 00:44:03,217 OH, REGGIE, YOU KNOW. RECORDS AREN'T MONUMENTS. THEY'RE GOALS. 1366 00:44:03,241 --> 00:44:04,485 RECORDS AREN'T MONUMENTS. THEY'RE GOALS. THEY'RE MADE TO BE BROKEN. 1367 00:44:04,509 --> 00:44:06,220 THEY'RE GOALS. THEY'RE MADE TO BE BROKEN. THEY DON'T LAST FOREVER. 1368 00:44:06,244 --> 00:44:07,387 THEY'RE MADE TO BE BROKEN. THEY DON'T LAST FOREVER. WOULDN'T YOU LOVE IT TO LAST 1369 00:44:07,411 --> 00:44:07,989 THEY DON'T LAST FOREVER. WOULDN'T YOU LOVE IT TO LAST FOREVER, THOUGH? 1370 00:44:08,013 --> 00:44:08,623 WOULDN'T YOU LOVE IT TO LAST FOREVER, THOUGH? OH, SURE. 1371 00:44:08,647 --> 00:44:09,890 FOREVER, THOUGH? OH, SURE. IT'S NICE TO THINK THAT YOUR 1372 00:44:09,914 --> 00:44:11,158 OH, SURE. IT'S NICE TO THINK THAT YOUR NAME IN SOME RECORD BOOK MAY 1373 00:44:11,182 --> 00:44:12,259 IT'S NICE TO THINK THAT YOUR NAME IN SOME RECORD BOOK MAY LEND YOU SOME MEASURE OF 1374 00:44:12,283 --> 00:44:12,893 NAME IN SOME RECORD BOOK MAY LEND YOU SOME MEASURE OF IMMORTALITY. 1375 00:44:12,917 --> 00:44:14,595 LEND YOU SOME MEASURE OF IMMORTALITY. THAT'S JUST AN ILLUSION. 1376 00:44:14,619 --> 00:44:16,330 IMMORTALITY. THAT'S JUST AN ILLUSION. AND WALTER'S SUCH A NICE GUY AND 1377 00:44:16,354 --> 00:44:17,197 THAT'S JUST AN ILLUSION. AND WALTER'S SUCH A NICE GUY AND SUPERB RUNNER. 1378 00:44:17,221 --> 00:44:18,465 AND WALTER'S SUCH A NICE GUY AND SUPERB RUNNER. HEY, FRANKLY, I HOPE HE DOES 1379 00:44:18,489 --> 00:44:19,299 SUPERB RUNNER. HEY, FRANKLY, I HOPE HE DOES BREAK THE RECORD. 1380 00:44:19,323 --> 00:44:20,735 HEY, FRANKLY, I HOPE HE DOES BREAK THE RECORD. NOW, WHO WANTS A BEER, HUH? 1381 00:44:20,759 --> 00:44:21,936 BREAK THE RECORD. NOW, WHO WANTS A BEER, HUH? I'LL TAKE ONE. 1382 00:44:21,960 --> 00:44:22,569 NOW, WHO WANTS A BEER, HUH? I'LL TAKE ONE. I'M GOOD, THANKS. 1383 00:44:22,593 --> 00:44:23,070 I'LL TAKE ONE. I'M GOOD, THANKS. ME TOO. 1384 00:44:23,094 --> 00:44:24,872 I'M GOOD, THANKS. ME TOO. HEY, JUICE, MY MAN, ARE YOU 1385 00:44:24,896 --> 00:44:25,606 ME TOO. HEY, JUICE, MY MAN, ARE YOU KIDDING? 1386 00:44:25,630 --> 00:44:27,574 HEY, JUICE, MY MAN, ARE YOU KIDDING? YOU MEAN YOU DON'T MIND IF HE 1387 00:44:27,598 --> 00:44:28,943 KIDDING? YOU MEAN YOU DON'T MIND IF HE BREAKS YOUR RECORD? 1388 00:44:28,967 --> 00:44:29,710 YOU MEAN YOU DON'T MIND IF HE BREAKS YOUR RECORD? HEY, LOOK. 1389 00:44:29,734 --> 00:44:31,178 BREAKS YOUR RECORD? HEY, LOOK. I GOT OTHER RECORDS... MOST 1390 00:44:31,202 --> 00:44:32,579 HEY, LOOK. I GOT OTHER RECORDS... MOST TOUCHDOWNS IN A SEASON, MOST 1391 00:44:32,603 --> 00:44:33,914 I GOT OTHER RECORDS... MOST TOUCHDOWNS IN A SEASON, MOST 100-YARD GAMES IN A SEASON. 1392 00:44:33,938 --> 00:44:35,415 TOUCHDOWNS IN A SEASON, MOST 100-YARD GAMES IN A SEASON. HEY, I DON'T NEED IT. 1393 00:44:35,439 --> 00:44:37,484 100-YARD GAMES IN A SEASON. HEY, I DON'T NEED IT. BACK TO THE ACTION NOW. 1394 00:44:37,508 --> 00:44:39,453 HEY, I DON'T NEED IT. BACK TO THE ACTION NOW. BEARS IN A NEW BACKFIELD. 1395 00:44:39,477 --> 00:44:41,455 BACK TO THE ACTION NOW. BEARS IN A NEW BACKFIELD. AVELLINI CALLS THE SHOTS. 1396 00:44:41,479 --> 00:44:42,356 BEARS IN A NEW BACKFIELD. AVELLINI CALLS THE SHOTS. HERE'S THE SNAP. 1397 00:44:42,380 --> 00:44:43,858 AVELLINI CALLS THE SHOTS. HERE'S THE SNAP. THE GIVE IS TO WALTER PAYTON. 1398 00:44:43,882 --> 00:44:46,260 HERE'S THE SNAP. THE GIVE IS TO WALTER PAYTON. HE'S GOING BY GUARD... 1399 00:44:46,284 --> 00:44:48,629 THE GIVE IS TO WALTER PAYTON. HE'S GOING BY GUARD... AND HE FUMBLES THE BALL! 1400 00:44:48,653 --> 00:44:50,698 HE'S GOING BY GUARD... AND HE FUMBLES THE BALL! HE FUMBLED THE BALL. 1401 00:44:50,722 --> 00:44:53,000 AND HE FUMBLES THE BALL! HE FUMBLED THE BALL. OH, I CAN'T BELIEVE IT! 1402 00:44:53,024 --> 00:44:54,769 HE FUMBLED THE BALL. OH, I CAN'T BELIEVE IT! I CAN'T BELIEVE IT! 1403 00:44:54,793 --> 00:44:55,602 OH, I CAN'T BELIEVE IT! I CAN'T BELIEVE IT! HE FUMBLED! 1404 00:44:55,626 --> 00:44:56,370 I CAN'T BELIEVE IT! HE FUMBLED! HE DID? 1405 00:44:56,394 --> 00:44:57,204 HE FUMBLED! HE DID? YEAH! 1406 00:44:57,228 --> 00:44:58,605 HE DID? YEAH! WELL, YOU KNOW THE GIANTS ARE 1407 00:44:58,629 --> 00:44:59,774 YEAH! WELL, YOU KNOW THE GIANTS ARE GONNA BE KEYING ON WALTER. 1408 00:44:59,798 --> 00:45:01,142 WELL, YOU KNOW THE GIANTS ARE GONNA BE KEYING ON WALTER. A SMART THING FOR THEM TO DO IS 1409 00:45:01,166 --> 00:45:02,376 GONNA BE KEYING ON WALTER. A SMART THING FOR THEM TO DO IS TO GIVE IT TO SOMEBODY ELSE. 1410 00:45:02,400 --> 00:45:04,145 A SMART THING FOR THEM TO DO IS TO GIVE IT TO SOMEBODY ELSE. WHY DON'T THEY GIVE IT TO 1411 00:45:04,169 --> 00:45:05,279 TO GIVE IT TO SOMEBODY ELSE. WHY DON'T THEY GIVE IT TO SOMEBODY ELSE? 1412 00:45:05,303 --> 00:45:06,346 WHY DON'T THEY GIVE IT TO SOMEBODY ELSE? HAS TO GET IT INTO HIS 1413 00:45:06,370 --> 00:45:06,881 SOMEBODY ELSE? HAS TO GET IT INTO HIS BACKFIELD. 1414 00:45:06,905 --> 00:45:08,082 HAS TO GET IT INTO HIS BACKFIELD. AVELLINI'S BACK TO PASS. 1415 00:45:08,106 --> 00:45:09,383 BACKFIELD. AVELLINI'S BACK TO PASS. HE HITS PAYTON, AND HE'S HIT. 1416 00:45:09,407 --> 00:45:10,517 AVELLINI'S BACK TO PASS. HE HITS PAYTON, AND HE'S HIT. HIT HIM! HIT... 1417 00:45:10,541 --> 00:45:11,351 HE HITS PAYTON, AND HE'S HIT. HIT HIM! HIT... YOU KNOW WHAT? 1418 00:45:11,375 --> 00:45:12,419 HIT HIM! HIT... YOU KNOW WHAT? I WANT SOME MORE CHIPS. 1419 00:45:12,443 --> 00:45:13,721 YOU KNOW WHAT? I WANT SOME MORE CHIPS. THAT'S WHAT I WANT, SOME MORE 1420 00:45:13,745 --> 00:45:14,155 I WANT SOME MORE CHIPS. THAT'S WHAT I WANT, SOME MORE CHIPS. 1421 00:45:14,179 --> 00:45:16,223 THAT'S WHAT I WANT, SOME MORE CHIPS. HEY, MAN, HOW DO YOU THINK 1422 00:45:16,247 --> 00:45:18,092 CHIPS. HEY, MAN, HOW DO YOU THINK PAYTON FEELS RIGHT NOW? 1423 00:45:18,116 --> 00:45:19,426 HEY, MAN, HOW DO YOU THINK PAYTON FEELS RIGHT NOW? WELL, I DON'T THINK HE'S 1424 00:45:19,450 --> 00:45:20,728 PAYTON FEELS RIGHT NOW? WELL, I DON'T THINK HE'S THINKING ABOUT THE RECORD. 1425 00:45:20,752 --> 00:45:22,262 WELL, I DON'T THINK HE'S THINKING ABOUT THE RECORD. HE'S JUST WORRIED ABOUT GETTING 1426 00:45:22,286 --> 00:45:23,597 THINKING ABOUT THE RECORD. HE'S JUST WORRIED ABOUT GETTING HIS TEAM INTO THE PLAYOFFS. 1427 00:45:23,621 --> 00:45:25,066 HE'S JUST WORRIED ABOUT GETTING HIS TEAM INTO THE PLAYOFFS. THERE ARE SOME TEAMS WHO DON'T 1428 00:45:25,090 --> 00:45:26,167 HIS TEAM INTO THE PLAYOFFS. THERE ARE SOME TEAMS WHO DON'T WATCH THE PLAYOFFS ON 1429 00:45:26,191 --> 00:45:27,234 THERE ARE SOME TEAMS WHO DON'T WATCH THE PLAYOFFS ON TELEVISION. 1430 00:45:27,258 --> 00:45:28,202 WATCH THE PLAYOFFS ON TELEVISION. THIS WEATHER'S NOT HELPING, 1431 00:45:28,226 --> 00:45:28,736 TELEVISION. THIS WEATHER'S NOT HELPING, WITH THE RAIN. 1432 00:45:28,760 --> 00:45:29,503 THIS WEATHER'S NOT HELPING, WITH THE RAIN. THERE'S ICE OUT THERE. 1433 00:45:29,527 --> 00:45:30,304 WITH THE RAIN. THERE'S ICE OUT THERE. YEAH. 1434 00:45:30,328 --> 00:45:32,006 THERE'S ICE OUT THERE. YEAH. NO, THIS ISN'T GOOD RUNNING 1435 00:45:32,030 --> 00:45:38,412 YEAH. NO, THIS ISN'T GOOD RUNNING WEATHER FOR WALTER. 1436 00:45:38,436 --> 00:45:39,646 NO, THIS ISN'T GOOD RUNNING WEATHER FOR WALTER. HELPING JOHN MENDENHALL TO 1437 00:45:39,670 --> 00:45:40,147 WEATHER FOR WALTER. HELPING JOHN MENDENHALL TO HIS FEET. 1438 00:45:40,171 --> 00:45:40,915 HELPING JOHN MENDENHALL TO HIS FEET. YOU GOT TO ADMIT. 1439 00:45:40,939 --> 00:45:42,049 HIS FEET. YOU GOT TO ADMIT. WALTER'S ONE OF THE FINEST 1440 00:45:42,073 --> 00:45:43,383 YOU GOT TO ADMIT. WALTER'S ONE OF THE FINEST GENTLEMEN EVER TO PLAY THE GAME. 1441 00:45:43,407 --> 00:45:44,585 WALTER'S ONE OF THE FINEST GENTLEMEN EVER TO PLAY THE GAME. I DOUBT IF THERE'S ANYONE WHO 1442 00:45:44,609 --> 00:45:45,820 GENTLEMEN EVER TO PLAY THE GAME. I DOUBT IF THERE'S ANYONE WHO DOESN'T WANT TO SEE HIM BREAK 1443 00:45:45,844 --> 00:45:49,556 I DOUBT IF THERE'S ANYONE WHO DOESN'T WANT TO SEE HIM BREAK O.J.'s RECORD. 1444 00:45:49,580 --> 00:45:52,259 DOESN'T WANT TO SEE HIM BREAK O.J.'s RECORD. GEE, I'D KIND OF LIKE TO SEE 1445 00:45:52,283 --> 00:45:54,428 O.J.'s RECORD. GEE, I'D KIND OF LIKE TO SEE PAYTON BREAK THE RECORD. 1446 00:45:54,452 --> 00:45:55,830 GEE, I'D KIND OF LIKE TO SEE PAYTON BREAK THE RECORD. O.J., HOW ABOUT THAT BEER? 1447 00:45:55,854 --> 00:45:58,232 PAYTON BREAK THE RECORD. O.J., HOW ABOUT THAT BEER? GET IT YOURSELF. 1448 00:45:58,256 --> 00:45:59,433 O.J., HOW ABOUT THAT BEER? GET IT YOURSELF. WE'RE INTO THE OVERTIME 1449 00:45:59,457 --> 00:46:00,835 GET IT YOURSELF. WE'RE INTO THE OVERTIME PERIOD NOW, AND IT MAY JUST TURN 1450 00:46:00,859 --> 00:46:02,269 WE'RE INTO THE OVERTIME PERIOD NOW, AND IT MAY JUST TURN OUT TO BE THE WEATHER THAT STOPS 1451 00:46:02,293 --> 00:46:03,237 PERIOD NOW, AND IT MAY JUST TURN OUT TO BE THE WEATHER THAT STOPS WALTER PAYTON TODAY. 1452 00:46:03,261 --> 00:46:04,371 OUT TO BE THE WEATHER THAT STOPS WALTER PAYTON TODAY. OF COURSE, WHEN I BROKE THE 1453 00:46:04,395 --> 00:46:05,305 WALTER PAYTON TODAY. OF COURSE, WHEN I BROKE THE RECORD, I WAS PLAYING IN 1454 00:46:05,329 --> 00:46:06,440 OF COURSE, WHEN I BROKE THE RECORD, I WAS PLAYING IN BUFFALO, AND YOU KNOW WHAT THE 1455 00:46:06,464 --> 00:46:07,307 RECORD, I WAS PLAYING IN BUFFALO, AND YOU KNOW WHAT THE WEATHER IS LIKE THERE. 1456 00:46:07,331 --> 00:46:08,609 BUFFALO, AND YOU KNOW WHAT THE WEATHER IS LIKE THERE. IF I RECALL, THERE WAS A PRETTY 1457 00:46:08,633 --> 00:46:09,944 WEATHER IS LIKE THERE. IF I RECALL, THERE WAS A PRETTY STRONG HEADWIND AT THE TIME, AND 1458 00:46:09,968 --> 00:46:11,245 IF I RECALL, THERE WAS A PRETTY STRONG HEADWIND AT THE TIME, AND I PROBABLY COULD HAVE HAD 200 OR 1459 00:46:11,269 --> 00:46:12,546 STRONG HEADWIND AT THE TIME, AND I PROBABLY COULD HAVE HAD 200 OR 300 MORE YARDS IF IT WASN'T FOR 1460 00:46:12,570 --> 00:46:13,647 I PROBABLY COULD HAVE HAD 200 OR 300 MORE YARDS IF IT WASN'T FOR THE SNOW, BUT, HEY, I'M NOT 1461 00:46:13,671 --> 00:46:14,849 300 MORE YARDS IF IT WASN'T FOR THE SNOW, BUT, HEY, I'M NOT TRYING TO TAKE ANYTHING AWAY 1462 00:46:14,873 --> 00:46:15,950 THE SNOW, BUT, HEY, I'M NOT TRYING TO TAKE ANYTHING AWAY FROM WALTER, 'CAUSE HE'S A 1463 00:46:15,974 --> 00:46:16,483 TRYING TO TAKE ANYTHING AWAY FROM WALTER, 'CAUSE HE'S A GENTLEMAN. 1464 00:46:16,507 --> 00:46:17,718 FROM WALTER, 'CAUSE HE'S A GENTLEMAN. I DID SAY HE WAS A GENTLEMAN, 1465 00:46:17,742 --> 00:46:18,219 GENTLEMAN. I DID SAY HE WAS A GENTLEMAN, DIDN'T I? 1466 00:46:18,243 --> 00:46:19,253 I DID SAY HE WAS A GENTLEMAN, DIDN'T I? YEAH, YEAH. 1467 00:46:19,277 --> 00:46:20,320 DIDN'T I? YEAH, YEAH. HEY, HEY, THIS IS IT. 1468 00:46:20,344 --> 00:46:20,888 YEAH, YEAH. HEY, HEY, THIS IS IT. THIS IS IT. 1469 00:46:20,912 --> 00:46:22,623 HEY, HEY, THIS IS IT. THIS IS IT. HE COULD DO IT HERE. 1470 00:46:22,647 --> 00:46:24,225 THIS IS IT. HE COULD DO IT HERE. LAST CHANCE AT ANY YARDAGE, 1471 00:46:24,249 --> 00:46:24,691 HE COULD DO IT HERE. LAST CHANCE AT ANY YARDAGE, FOLKS. 1472 00:46:24,715 --> 00:46:25,525 LAST CHANCE AT ANY YARDAGE, FOLKS. THERE'S THE GIVE, AND THE GIVE 1473 00:46:25,549 --> 00:46:26,160 FOLKS. THERE'S THE GIVE, AND THE GIVE IS TO WALTER PAYTON. 1474 00:46:26,184 --> 00:46:27,795 THERE'S THE GIVE, AND THE GIVE IS TO WALTER PAYTON. HE TRIES RIGHT TACKLE, AND HE'S 1475 00:46:27,819 --> 00:46:29,296 IS TO WALTER PAYTON. HE TRIES RIGHT TACKLE, AND HE'S UP TO THE LINE OF SCRIMMAGE. 1476 00:46:29,320 --> 00:46:30,597 HE TRIES RIGHT TACKLE, AND HE'S UP TO THE LINE OF SCRIMMAGE. IT DOESN'T LOOK LIKE 1477 00:46:30,621 --> 00:46:32,332 UP TO THE LINE OF SCRIMMAGE. IT DOESN'T LOOK LIKE WALTER PAYTON WILL BE BREAKING 1478 00:46:32,356 --> 00:46:34,034 IT DOESN'T LOOK LIKE WALTER PAYTON WILL BE BREAKING O.J. SIMPSON'S RECORD TODAY. 1479 00:46:34,058 --> 00:46:34,701 WALTER PAYTON WILL BE BREAKING O.J. SIMPSON'S RECORD TODAY. THAT'S TOO BAD. 1480 00:46:34,725 --> 00:46:36,270 O.J. SIMPSON'S RECORD TODAY. THAT'S TOO BAD. THAT'S A SHAME. 1481 00:46:36,294 --> 00:46:38,338 THAT'S TOO BAD. THAT'S A SHAME. WELL, HE GAVE IT A NICE TRY, 1482 00:46:38,362 --> 00:46:38,873 THAT'S A SHAME. WELL, HE GAVE IT A NICE TRY, HUH? 1483 00:46:38,897 --> 00:46:41,898 WELL, HE GAVE IT A NICE TRY, HUH? EXCUSE ME A MINUTE. 1484 00:46:44,567 --> 00:46:52,567 I'M NUMBER ONE! I'M NUMBER ONE! JUICE, JUICE, JUICE, JUICE! 1485 00:46:56,480 --> 00:46:59,226 I'M NUMBER ONE! JUICE, JUICE, JUICE, JUICE! CHAMPAGNE FOR ANYONE? 1486 00:46:59,250 --> 00:47:02,285 JUICE, JUICE, JUICE, JUICE! CHAMPAGNE FOR ANYONE? ♪ I'LL TAKE MANHATTAN ♪ 1487 00:47:19,136 --> 00:47:23,650 Announcer: IT'S TIME FOR "THE FRANKEN AND DAVIS SHOW," STARRING AL FRANKEN AND 1488 00:47:23,674 --> 00:47:24,384 FRANKEN AND DAVIS SHOW," STARRING AL FRANKEN AND TOM DAVIS. 1489 00:47:24,408 --> 00:47:27,188 STARRING AL FRANKEN AND TOM DAVIS. AND NOW HERE'S AL AND TOM. 1490 00:47:27,212 --> 00:47:30,313 TOM DAVIS. AND NOW HERE'S AL AND TOM. [CHEERS AND APPLAUSE] 1491 00:47:34,952 --> 00:47:37,231 THANK YOU. THANK YOU VERY MUCH, LADIES AND GENTLEMEN. 1492 00:47:37,255 --> 00:47:39,133 THANK YOU VERY MUCH, LADIES AND GENTLEMEN. BUT WE ARE NOT GONNA HAVE THE 1493 00:47:39,157 --> 00:47:41,168 GENTLEMEN. BUT WE ARE NOT GONNA HAVE THE REGULAR "FRANKEN AND DAVIS SHOW" 1494 00:47:41,192 --> 00:47:41,902 BUT WE ARE NOT GONNA HAVE THE REGULAR "FRANKEN AND DAVIS SHOW" TONIGHT. 1495 00:47:41,926 --> 00:47:43,470 REGULAR "FRANKEN AND DAVIS SHOW" TONIGHT. YOU SEE, OVER CHRISTMAS 1496 00:47:43,494 --> 00:47:45,306 TONIGHT. YOU SEE, OVER CHRISTMAS VACATION, WE DISCOVERED THAT 1497 00:47:45,330 --> 00:47:47,208 YOU SEE, OVER CHRISTMAS VACATION, WE DISCOVERED THAT AL FRANKEN, MY PARTNER, HAS A 1498 00:47:47,232 --> 00:47:49,210 VACATION, WE DISCOVERED THAT AL FRANKEN, MY PARTNER, HAS A MALIGNANT BRAIN TUMOR, WHICH IS 1499 00:47:49,234 --> 00:47:49,977 AL FRANKEN, MY PARTNER, HAS A MALIGNANT BRAIN TUMOR, WHICH IS TERMINAL. 1500 00:47:50,001 --> 00:47:51,979 MALIGNANT BRAIN TUMOR, WHICH IS TERMINAL. BUT IT'S ALWAYS BEEN AL'S GOAL 1501 00:47:52,003 --> 00:47:53,914 TERMINAL. BUT IT'S ALWAYS BEEN AL'S GOAL IN LIFE TO MAKE PEOPLE LAUGH, 1502 00:47:53,938 --> 00:47:55,782 BUT IT'S ALWAYS BEEN AL'S GOAL IN LIFE TO MAKE PEOPLE LAUGH, AND HE WANTED TO DO ONE LAST 1503 00:47:55,806 --> 00:47:57,484 IN LIFE TO MAKE PEOPLE LAUGH, AND HE WANTED TO DO ONE LAST "FRANKEN AND DAVIS SHOW." 1504 00:47:57,508 --> 00:47:59,019 AND HE WANTED TO DO ONE LAST "FRANKEN AND DAVIS SHOW." BUT, YOU SEE, HE'S BEGINNING TO 1505 00:47:59,043 --> 00:47:59,720 "FRANKEN AND DAVIS SHOW." BUT, YOU SEE, HE'S BEGINNING TO DETERIORATE. 1506 00:47:59,744 --> 00:48:01,188 BUT, YOU SEE, HE'S BEGINNING TO DETERIORATE. HE CAN ONLY REMEMBER THE MOST 1507 00:48:01,212 --> 00:48:02,156 DETERIORATE. HE CAN ONLY REMEMBER THE MOST RUDIMENTARY JOKES. 1508 00:48:02,180 --> 00:48:03,724 HE CAN ONLY REMEMBER THE MOST RUDIMENTARY JOKES. SO TONIGHT IS REALLY THE OPTIMUM 1509 00:48:03,748 --> 00:48:04,859 RUDIMENTARY JOKES. SO TONIGHT IS REALLY THE OPTIMUM TIME TO BRING HIM OUT. 1510 00:48:04,883 --> 00:48:06,060 SO TONIGHT IS REALLY THE OPTIMUM TIME TO BRING HIM OUT. NOW HE'S BACKSTAGE NOW. 1511 00:48:06,084 --> 00:48:07,527 TIME TO BRING HIM OUT. NOW HE'S BACKSTAGE NOW. I'M GONNA BRING HIM OUT, BUT I 1512 00:48:07,551 --> 00:48:09,096 NOW HE'S BACKSTAGE NOW. I'M GONNA BRING HIM OUT, BUT I WANT YOU TO REALLY MAKE HIM FEEL 1513 00:48:09,120 --> 00:48:10,630 I'M GONNA BRING HIM OUT, BUT I WANT YOU TO REALLY MAKE HIM FEEL WELCOME, 'CAUSE IT WOULD MEAN A 1514 00:48:10,654 --> 00:48:12,066 WANT YOU TO REALLY MAKE HIM FEEL WELCOME, 'CAUSE IT WOULD MEAN A LOT TO ME AND A LOT OF PEOPLE 1515 00:48:12,090 --> 00:48:13,000 WELCOME, 'CAUSE IT WOULD MEAN A LOT TO ME AND A LOT OF PEOPLE HERE ON THE SHOW. 1516 00:48:13,024 --> 00:48:14,668 LOT TO ME AND A LOT OF PEOPLE HERE ON THE SHOW. SO I'M GONNA BRING HIM OUT NOW, 1517 00:48:14,692 --> 00:48:16,370 HERE ON THE SHOW. SO I'M GONNA BRING HIM OUT NOW, AND REALLY LET HIM KNOW HOW YOU 1518 00:48:16,394 --> 00:48:16,837 SO I'M GONNA BRING HIM OUT NOW, AND REALLY LET HIM KNOW HOW YOU FEEL. 1519 00:48:16,861 --> 00:48:18,505 AND REALLY LET HIM KNOW HOW YOU FEEL. OKAY, LADIES AND GENTLEMEN, NOW 1520 00:48:18,529 --> 00:48:20,207 FEEL. OKAY, LADIES AND GENTLEMEN, NOW FOR YOUR ENTERTAINMENT, I'D LIKE 1521 00:48:20,231 --> 00:48:21,942 OKAY, LADIES AND GENTLEMEN, NOW FOR YOUR ENTERTAINMENT, I'D LIKE TO BRING OUT ONE OF THE FUNNIEST 1522 00:48:21,966 --> 00:48:23,010 FOR YOUR ENTERTAINMENT, I'D LIKE TO BRING OUT ONE OF THE FUNNIEST GUYS IN THE WORLD. 1523 00:48:23,034 --> 00:48:24,711 TO BRING OUT ONE OF THE FUNNIEST GUYS IN THE WORLD. LADIES AND GENTLEMEN, THE COMEDY 1524 00:48:24,735 --> 00:48:27,614 GUYS IN THE WORLD. LADIES AND GENTLEMEN, THE COMEDY STYLINGS OF MR. AL FRANKEN! 1525 00:48:27,638 --> 00:48:28,315 LADIES AND GENTLEMEN, THE COMEDY STYLINGS OF MR. AL FRANKEN! [CHEERS AND APPLAUSE] 1526 00:48:28,339 --> 00:48:30,517 STYLINGS OF MR. AL FRANKEN! [CHEERS AND APPLAUSE] LET'S HEAR IT FOR HIM. 1527 00:48:30,541 --> 00:48:34,043 [CHEERS AND APPLAUSE] LET'S HEAR IT FOR HIM. COME ON OUT HERE. 1528 00:48:39,516 --> 00:48:43,563 SORRY, SORRY. ARE YOU ALL RIGHT? HERE. 1529 00:48:43,587 --> 00:48:44,765 ARE YOU ALL RIGHT? HERE. I'M SORRY. 1530 00:48:44,789 --> 00:48:47,034 HERE. I'M SORRY. ALL RIGHT. 1531 00:48:47,058 --> 00:48:48,202 I'M SORRY. ALL RIGHT. SORRY. 1532 00:48:48,226 --> 00:48:50,337 ALL RIGHT. SORRY. I'VE SET THE MICROPHONE. 1533 00:48:50,361 --> 00:48:52,973 SORRY. I'VE SET THE MICROPHONE. IF I, UH, IF I BEGIN TO PASS 1534 00:48:52,997 --> 00:48:55,609 I'VE SET THE MICROPHONE. IF I, UH, IF I BEGIN TO PASS OUT, JUST PUT A LITTLE WATER ON 1535 00:48:55,633 --> 00:48:56,210 IF I, UH, IF I BEGIN TO PASS OUT, JUST PUT A LITTLE WATER ON ME. 1536 00:48:56,234 --> 00:48:56,944 OUT, JUST PUT A LITTLE WATER ON ME. YEAH, YOU TOLD ME. 1537 00:48:56,968 --> 00:48:57,844 ME. YEAH, YOU TOLD ME. YOU TOLD ME SEVERAL TIMES. 1538 00:48:57,868 --> 00:48:58,678 YEAH, YOU TOLD ME. YOU TOLD ME SEVERAL TIMES. NOW GO ON OUT THERE AND HAVE 1539 00:48:58,702 --> 00:48:59,046 YOU TOLD ME SEVERAL TIMES. NOW GO ON OUT THERE AND HAVE FUN. 1540 00:48:59,070 --> 00:49:00,014 NOW GO ON OUT THERE AND HAVE FUN. KNOCK THEM DEAD. 1541 00:49:00,038 --> 00:49:00,680 FUN. KNOCK THEM DEAD. GO AHEAD. 1542 00:49:00,704 --> 00:49:03,117 KNOCK THEM DEAD. GO AHEAD. GO AHEAD. 1543 00:49:03,141 --> 00:49:06,553 GO AHEAD. GO AHEAD. GOOD EVENING, LADIES AND 1544 00:49:06,577 --> 00:49:08,155 GO AHEAD. GOOD EVENING, LADIES AND GENTLEMEN. 1545 00:49:08,179 --> 00:49:11,025 GOOD EVENING, LADIES AND GENTLEMEN. FIRST OF ALL, I'D LIKE TO SAY HI 1546 00:49:11,049 --> 00:49:13,827 GENTLEMEN. FIRST OF ALL, I'D LIKE TO SAY HI TO MY PARENTS, WHO ARE WATCHING 1547 00:49:13,851 --> 00:49:15,462 FIRST OF ALL, I'D LIKE TO SAY HI TO MY PARENTS, WHO ARE WATCHING TONIGHT AT HOME. 1548 00:49:15,486 --> 00:49:18,332 TO MY PARENTS, WHO ARE WATCHING TONIGHT AT HOME. UM... 1549 00:49:18,356 --> 00:49:19,533 TONIGHT AT HOME. UM... CHEER UP, MOM AND DAD. 1550 00:49:19,557 --> 00:49:21,168 UM... CHEER UP, MOM AND DAD. [Voice breaking] EVERYTHING'S 1551 00:49:21,192 --> 00:49:24,538 CHEER UP, MOM AND DAD. [Voice breaking] EVERYTHING'S GONNA BE OKAY! 1552 00:49:24,562 --> 00:49:28,175 [Voice breaking] EVERYTHING'S GONNA BE OKAY! HAVE YOU HEARD THE ONE ABOUT THE 1553 00:49:28,199 --> 00:49:31,312 GONNA BE OKAY! HAVE YOU HEARD THE ONE ABOUT THE RABBI WHO DIDN'T CHARGE FOR 1554 00:49:31,336 --> 00:49:33,847 HAVE YOU HEARD THE ONE ABOUT THE RABBI WHO DIDN'T CHARGE FOR GIVING CIRCUMCISIONS? 1555 00:49:33,871 --> 00:49:36,616 RABBI WHO DIDN'T CHARGE FOR GIVING CIRCUMCISIONS? HE ONLY TOOK TIPS. 1556 00:49:36,640 --> 00:49:41,922 GIVING CIRCUMCISIONS? HE ONLY TOOK TIPS. [LAUGHTER AND APPLAUSE] 1557 00:49:41,946 --> 00:49:49,946 HE ONLY TOOK TIPS. [LAUGHTER AND APPLAUSE] YOU'RE DOING GREAT! 1558 00:49:50,888 --> 00:49:53,968 [LAUGHTER AND APPLAUSE] YOU'RE DOING GREAT! KANGAROO WALKS INTO A BAR, 1559 00:49:53,992 --> 00:49:56,536 YOU'RE DOING GREAT! KANGAROO WALKS INTO A BAR, ORDERS A MARTINI WITH A 1560 00:49:56,560 --> 00:49:57,804 KANGAROO WALKS INTO A BAR, ORDERS A MARTINI WITH A HAZELNUT. 1561 00:49:57,828 --> 00:50:05,828 ORDERS A MARTINI WITH A HAZELNUT. BARTENDER DOESN'T BLINK AN EYE. 1562 00:50:06,670 --> 00:50:08,148 HAZELNUT. BARTENDER DOESN'T BLINK AN EYE. ELEPHANT WALKS IN. 1563 00:50:08,172 --> 00:50:10,017 BARTENDER DOESN'T BLINK AN EYE. ELEPHANT WALKS IN. ORDERS A MARTINI WITH A 1564 00:50:10,041 --> 00:50:10,917 ELEPHANT WALKS IN. ORDERS A MARTINI WITH A HAZELNUT. 1565 00:50:10,941 --> 00:50:18,941 ORDERS A MARTINI WITH A HAZELNUT. BARTENDER DOESN'T BLINK AN EYE. 1566 00:50:20,051 --> 00:50:22,363 HAZELNUT. BARTENDER DOESN'T BLINK AN EYE. ZEBRA WALKS IN. 1567 00:50:22,387 --> 00:50:23,864 BARTENDER DOESN'T BLINK AN EYE. ZEBRA WALKS IN. YEAH. 1568 00:50:23,888 --> 00:50:26,900 ZEBRA WALKS IN. YEAH. ORDERS A MARTINI, NO 1569 00:50:26,924 --> 00:50:31,005 YEAH. ORDERS A MARTINI, NO HAZELNUT. 1570 00:50:31,029 --> 00:50:37,033 ORDERS A MARTINI, NO HAZELNUT. SO THE BARTENDER SAID... 1571 00:50:43,140 --> 00:50:48,511 YOU ALL RIGHT? IS THAT ENOUGH? ALL RIGHT? 1572 00:50:53,883 --> 00:51:01,883 HE ONLY TOOK TIPS. [LAUGHTER AND APPLAUSE] WHOO-HOO! 1573 00:51:08,665 --> 00:51:16,665 I WENT OVER TO MY FRIEND'S HOUSE. HE HAD A 500-POUND GORILLA. 1574 00:51:18,476 --> 00:51:20,921 HOUSE. HE HAD A 500-POUND GORILLA. AND I ASKED HIM. 1575 00:51:20,945 --> 00:51:25,192 HE HAD A 500-POUND GORILLA. AND I ASKED HIM. I SAID, "WHERE DOES A 500-POUND 1576 00:51:25,216 --> 00:51:27,561 AND I ASKED HIM. I SAID, "WHERE DOES A 500-POUND GORILLA SLEEP?" 1577 00:51:27,585 --> 00:51:30,219 I SAID, "WHERE DOES A 500-POUND GORILLA SLEEP?" AND HE SAID... 1578 00:51:34,924 --> 00:51:42,924 IS THAT ENOUGH? A LITTLE MORE. HE ONLY TOOK TIPS. 1579 00:51:44,302 --> 00:51:45,612 A LITTLE MORE. HE ONLY TOOK TIPS. LADIES AND GENTLEMEN, LET'S 1580 00:51:45,636 --> 00:51:47,013 HE ONLY TOOK TIPS. LADIES AND GENTLEMEN, LET'S HEAR IT FOR THE COMEDY STYLINGS 1581 00:51:47,037 --> 00:51:48,014 LADIES AND GENTLEMEN, LET'S HEAR IT FOR THE COMEDY STYLINGS OF AL FRANKEN! 1582 00:51:48,038 --> 00:51:49,349 HEAR IT FOR THE COMEDY STYLINGS OF AL FRANKEN! LET'S HEAR IT FOR HIM! 1583 00:51:49,373 --> 00:51:50,084 OF AL FRANKEN! LET'S HEAR IT FOR HIM! [CHEERS AND APPLAUSE] 1584 00:51:50,108 --> 00:51:50,817 LET'S HEAR IT FOR HIM! [CHEERS AND APPLAUSE] YOU WERE GREAT. 1585 00:51:50,841 --> 00:51:52,186 [CHEERS AND APPLAUSE] YOU WERE GREAT. THEY WERE ROLLING IN THE AISLES. 1586 00:51:52,210 --> 00:51:53,587 YOU WERE GREAT. THEY WERE ROLLING IN THE AISLES. I DID A GOOD JOB? 1587 00:51:53,611 --> 00:51:56,891 THEY WERE ROLLING IN THE AISLES. I DID A GOOD JOB? WAIT TILL YOU SEE THE TAPE. 1588 00:52:00,450 --> 00:52:03,319 Both: GOOD NIGHT, EVERYBODY! 1589 00:52:14,063 --> 00:52:19,879 MASTER GONNA GIVE IT TO ME, BUT FIRST I'M GONNA GIVE IT TO YOU. 1590 00:52:19,903 --> 00:52:23,283 BUT FIRST I'M GONNA GIVE IT TO YOU. TAKE ME, MANDINGO! 1591 00:52:23,307 --> 00:52:24,651 YOU. TAKE ME, MANDINGO! Announcer: BEHIND THE 1592 00:52:24,675 --> 00:52:26,320 TAKE ME, MANDINGO! Announcer: BEHIND THE HOOPSKIRTS AND HOSPITALITY, THE 1593 00:52:26,344 --> 00:52:27,654 Announcer: BEHIND THE HOOPSKIRTS AND HOSPITALITY, THE MINT JULEPS AND MAGNOLIA 1594 00:52:27,678 --> 00:52:29,323 HOOPSKIRTS AND HOSPITALITY, THE MINT JULEPS AND MAGNOLIA BLOSSOMS OF THE OLD SOUTH WAS A 1595 00:52:29,347 --> 00:52:31,024 MINT JULEPS AND MAGNOLIA BLOSSOMS OF THE OLD SOUTH WAS A WORLD FEW PEOPLE KNEW EXISTED, A 1596 00:52:31,048 --> 00:52:32,493 BLOSSOMS OF THE OLD SOUTH WAS A WORLD FEW PEOPLE KNEW EXISTED, A WORLD OF VIOLENCE, CRUELTY, 1597 00:52:32,517 --> 00:52:33,560 WORLD FEW PEOPLE KNEW EXISTED, A WORLD OF VIOLENCE, CRUELTY, GREED, AND LUST... 1598 00:52:33,584 --> 00:52:37,897 WORLD OF VIOLENCE, CRUELTY, GREED, AND LUST... "MANDINGO II." 1599 00:52:37,921 --> 00:52:43,203 GREED, AND LUST... "MANDINGO II." PLEASURE ME, YOU EBONY WENCH. 1600 00:52:43,227 --> 00:52:45,139 "MANDINGO II." PLEASURE ME, YOU EBONY WENCH. Announcer: "MANDINGO II"... 1601 00:52:45,163 --> 00:52:46,906 PLEASURE ME, YOU EBONY WENCH. Announcer: "MANDINGO II"... IT BRINGS TO THE SCREEN THE 1602 00:52:46,930 --> 00:52:48,842 Announcer: "MANDINGO II"... IT BRINGS TO THE SCREEN THE SOUNDS, THE SMELL, THE FLAMING 1603 00:52:48,866 --> 00:52:50,810 IT BRINGS TO THE SCREEN THE SOUNDS, THE SMELL, THE FLAMING PASSIONS OF THE SLAVE-BREEDING 1604 00:52:50,834 --> 00:52:52,846 SOUNDS, THE SMELL, THE FLAMING PASSIONS OF THE SLAVE-BREEDING PLANTATIONS, WHERE MEN AND WOMEN 1605 00:52:52,870 --> 00:52:56,783 PASSIONS OF THE SLAVE-BREEDING PLANTATIONS, WHERE MEN AND WOMEN MATED AND BRED LIKE CATTLE. 1606 00:52:56,807 --> 00:52:59,853 PLANTATIONS, WHERE MEN AND WOMEN MATED AND BRED LIKE CATTLE. "MANDINGO II." 1607 00:52:59,877 --> 00:53:02,523 MATED AND BRED LIKE CATTLE. "MANDINGO II." PLEASURE ME, YOU LILY-WHITE 1608 00:53:02,547 --> 00:53:03,357 "MANDINGO II." PLEASURE ME, YOU LILY-WHITE WENCH. 1609 00:53:03,381 --> 00:53:05,825 PLEASURE ME, YOU LILY-WHITE WENCH. MY HEAD IS ACHING ME AWFUL 1610 00:53:05,849 --> 00:53:06,493 WENCH. MY HEAD IS ACHING ME AWFUL BAD. 1611 00:53:06,517 --> 00:53:09,229 MY HEAD IS ACHING ME AWFUL BAD. I THINK I'LL GO LIE DOWN... 1612 00:53:09,253 --> 00:53:13,133 BAD. I THINK I'LL GO LIE DOWN... ALONE. 1613 00:53:13,157 --> 00:53:15,169 I THINK I'LL GO LIE DOWN... ALONE. I'VE GOT TO GO TOIL IN THE 1614 00:53:15,193 --> 00:53:16,570 ALONE. I'VE GOT TO GO TOIL IN THE COTTON FIELDS NOW. 1615 00:53:16,594 --> 00:53:21,675 I'VE GOT TO GO TOIL IN THE COTTON FIELDS NOW. TAKE ME, MANDINGO. 1616 00:53:21,699 --> 00:53:23,610 COTTON FIELDS NOW. TAKE ME, MANDINGO. Announcer: "MANDINGO II"... 1617 00:53:23,634 --> 00:53:24,744 TAKE ME, MANDINGO. Announcer: "MANDINGO II"... YOU MAY HATE IT. 1618 00:53:24,768 --> 00:53:26,513 Announcer: "MANDINGO II"... YOU MAY HATE IT. YOU MAY BE DISGUSTED BY IT. 1619 00:53:26,537 --> 00:53:28,048 YOU MAY HATE IT. YOU MAY BE DISGUSTED BY IT. YOU MAY THROW UP AT IT. 1620 00:53:28,072 --> 00:53:29,816 YOU MAY BE DISGUSTED BY IT. YOU MAY THROW UP AT IT. BUT YOU'LL NEVER FORGET IT. 1621 00:53:29,840 --> 00:53:33,820 YOU MAY THROW UP AT IT. BUT YOU'LL NEVER FORGET IT. "MANDINGO II." 1622 00:53:33,844 --> 00:53:37,324 BUT YOU'LL NEVER FORGET IT. "MANDINGO II." PLEASURE ME, YOU EBONY WENCH. 1623 00:53:37,348 --> 00:53:39,893 "MANDINGO II." PLEASURE ME, YOU EBONY WENCH. Announcer: "MANDINGO II"... 1624 00:53:39,917 --> 00:53:42,462 PLEASURE ME, YOU EBONY WENCH. Announcer: "MANDINGO II"... THE SENSUAL, THE SHOCKING, THE 1625 00:53:42,486 --> 00:53:44,831 Announcer: "MANDINGO II"... THE SENSUAL, THE SHOCKING, THE POWERFUL, THE SHAMEFUL, THE 1626 00:53:44,855 --> 00:53:45,932 THE SENSUAL, THE SHOCKING, THE POWERFUL, THE SHAMEFUL, THE HILARIOUS. 1627 00:53:45,956 --> 00:53:52,038 POWERFUL, THE SHAMEFUL, THE HILARIOUS. "MANDINGO II." 1628 00:53:52,062 --> 00:53:54,107 HILARIOUS. "MANDINGO II." TAKE ME, CLOVER. 1629 00:53:54,131 --> 00:53:55,509 "MANDINGO II." TAKE ME, CLOVER. TAKE ME. 1630 00:53:55,533 --> 00:53:58,800 TAKE ME, CLOVER. TAKE ME. Announcer: "MANDINGO II." 1631 00:54:13,883 --> 00:54:16,796 GOOD EVENING. WELCOME TO PUBLIC ACCESS CABLE CHANNEL "D." 1632 00:54:16,820 --> 00:54:18,532 WELCOME TO PUBLIC ACCESS CABLE CHANNEL "D." THIS IS "E. BUZZ MILLER'S ANIMAL 1633 00:54:18,556 --> 00:54:19,165 CHANNEL "D." THIS IS "E. BUZZ MILLER'S ANIMAL KINGDOM." 1634 00:54:19,189 --> 00:54:20,667 THIS IS "E. BUZZ MILLER'S ANIMAL KINGDOM." I'M YOUR HOST, E. BUZZ MILLER. 1635 00:54:20,691 --> 00:54:22,603 KINGDOM." I'M YOUR HOST, E. BUZZ MILLER. AND OF COURSE, OUR LOVELY GUEST 1636 00:54:22,627 --> 00:54:23,903 I'M YOUR HOST, E. BUZZ MILLER. AND OF COURSE, OUR LOVELY GUEST TO THE LEFT HERE IS 1637 00:54:23,927 --> 00:54:25,905 AND OF COURSE, OUR LOVELY GUEST TO THE LEFT HERE IS MISS CHRISTY CHRISTINA, WHO WILL 1638 00:54:25,929 --> 00:54:27,574 TO THE LEFT HERE IS MISS CHRISTY CHRISTINA, WHO WILL BE DANCING AT THE PARADISE 1639 00:54:27,598 --> 00:54:28,975 MISS CHRISTY CHRISTINA, WHO WILL BE DANCING AT THE PARADISE LOUNGE ALL THIS WEEK. 1640 00:54:28,999 --> 00:54:30,810 BE DANCING AT THE PARADISE LOUNGE ALL THIS WEEK. AND, UH, CHRISTY'S OUR EXPERT 1641 00:54:30,834 --> 00:54:32,011 LOUNGE ALL THIS WEEK. AND, UH, CHRISTY'S OUR EXPERT ON ANIMAL BEHAVIOR. 1642 00:54:32,035 --> 00:54:33,580 AND, UH, CHRISTY'S OUR EXPERT ON ANIMAL BEHAVIOR. ISN'T THAT RIGHT, CHRISTY? 1643 00:54:33,604 --> 00:54:34,514 ON ANIMAL BEHAVIOR. ISN'T THAT RIGHT, CHRISTY? I GUESS SO! 1644 00:54:34,538 --> 00:54:35,315 ISN'T THAT RIGHT, CHRISTY? I GUESS SO! [GIGGLES] 1645 00:54:35,339 --> 00:54:37,083 I GUESS SO! [GIGGLES] OKAY, ENOUGH TALK, VIEWERS. 1646 00:54:37,107 --> 00:54:38,818 [GIGGLES] OKAY, ENOUGH TALK, VIEWERS. LET'S GET RIGHT TO THIS WEEK'S 1647 00:54:38,842 --> 00:54:40,287 OKAY, ENOUGH TALK, VIEWERS. LET'S GET RIGHT TO THIS WEEK'S EXCITING ANIMAL KINGDOM. 1648 00:54:40,311 --> 00:54:41,521 LET'S GET RIGHT TO THIS WEEK'S EXCITING ANIMAL KINGDOM. OUR FIRST FEATURE TONIGHT IS A 1649 00:54:41,545 --> 00:54:42,589 EXCITING ANIMAL KINGDOM. OUR FIRST FEATURE TONIGHT IS A FROG COUPLE YOU SEE HERE. 1650 00:54:42,613 --> 00:54:43,857 OUR FIRST FEATURE TONIGHT IS A FROG COUPLE YOU SEE HERE. THEY'RE MEMBERS OF THE REPTILE 1651 00:54:43,881 --> 00:54:45,024 FROG COUPLE YOU SEE HERE. THEY'RE MEMBERS OF THE REPTILE GROUP OF THE ANIMAL KINGDOM. 1652 00:54:45,048 --> 00:54:46,493 THEY'RE MEMBERS OF THE REPTILE GROUP OF THE ANIMAL KINGDOM. THEY MAY BE COLD-BLOODED, BUT IT 1653 00:54:46,517 --> 00:54:47,527 GROUP OF THE ANIMAL KINGDOM. THEY MAY BE COLD-BLOODED, BUT IT DON'T STOP THEM FROM HAVING A 1654 00:54:47,551 --> 00:54:48,027 THEY MAY BE COLD-BLOODED, BUT IT DON'T STOP THEM FROM HAVING A LOT OF FUN. 1655 00:54:48,051 --> 00:54:50,597 DON'T STOP THEM FROM HAVING A LOT OF FUN. WOULDN'T YOU SAY SO, CHRISTY? 1656 00:54:50,621 --> 00:54:51,998 LOT OF FUN. WOULDN'T YOU SAY SO, CHRISTY? I DON'T KNOW. 1657 00:54:52,022 --> 00:54:54,000 WOULDN'T YOU SAY SO, CHRISTY? I DON'T KNOW. I DON'T THINK I'D LIKE TO BE A 1658 00:54:54,024 --> 00:54:54,568 I DON'T KNOW. I DON'T THINK I'D LIKE TO BE A FROG! 1659 00:54:54,592 --> 00:54:55,469 I DON'T THINK I'D LIKE TO BE A FROG! [GIGGLES] 1660 00:54:55,493 --> 00:54:56,670 FROG! [GIGGLES] WELL, CHRISTY, LET'S TAKE A 1661 00:54:56,694 --> 00:54:57,871 [GIGGLES] WELL, CHRISTY, LET'S TAKE A COUPLE OF LOOKS AT OUR LITTLE 1662 00:54:57,895 --> 00:54:59,005 WELL, CHRISTY, LET'S TAKE A COUPLE OF LOOKS AT OUR LITTLE FRIENDS IN THE INSECT WORLD. 1663 00:54:59,029 --> 00:55:00,073 COUPLE OF LOOKS AT OUR LITTLE FRIENDS IN THE INSECT WORLD. MAYBE YOU'LL SEE SOMETHING YOU 1664 00:55:00,097 --> 00:55:00,474 FRIENDS IN THE INSECT WORLD. MAYBE YOU'LL SEE SOMETHING YOU LIKE. 1665 00:55:00,498 --> 00:55:01,207 MAYBE YOU'LL SEE SOMETHING YOU LIKE. HERE'S A LADYBUG. 1666 00:55:01,231 --> 00:55:02,342 LIKE. HERE'S A LADYBUG. THIS IS THE BEGINNING OF THEIR 1667 00:55:02,366 --> 00:55:03,176 HERE'S A LADYBUG. THIS IS THE BEGINNING OF THEIR REPRODUCTIVE CYCLE. 1668 00:55:03,200 --> 00:55:03,577 THIS IS THE BEGINNING OF THEIR REPRODUCTIVE CYCLE. LOOK. 1669 00:55:03,601 --> 00:55:04,944 REPRODUCTIVE CYCLE. LOOK. IT LOOKS LIKE HE SNUCK UP ON 1670 00:55:04,968 --> 00:55:05,312 LOOK. IT LOOKS LIKE HE SNUCK UP ON HER! 1671 00:55:05,336 --> 00:55:08,014 IT LOOKS LIKE HE SNUCK UP ON HER! OH, I THINK SHE KNEW WHAT WAS 1672 00:55:08,038 --> 00:55:09,048 HER! OH, I THINK SHE KNEW WHAT WAS GOING ON. 1673 00:55:09,072 --> 00:55:10,016 OH, I THINK SHE KNEW WHAT WAS GOING ON. A COUPLE OF MONARCH 1674 00:55:10,040 --> 00:55:11,351 GOING ON. A COUPLE OF MONARCH BUTTERFLIES WITH A NEW APPROACH. 1675 00:55:11,375 --> 00:55:12,852 A COUPLE OF MONARCH BUTTERFLIES WITH A NEW APPROACH. EVER THOUGHT OF HANGING UPSIDE 1676 00:55:12,876 --> 00:55:14,254 BUTTERFLIES WITH A NEW APPROACH. EVER THOUGHT OF HANGING UPSIDE DOWN FROM A MILKWEED PLANT? 1677 00:55:14,278 --> 00:55:16,356 EVER THOUGHT OF HANGING UPSIDE DOWN FROM A MILKWEED PLANT? OH, I'D BE AFRAID OF FALLING 1678 00:55:16,380 --> 00:55:16,890 DOWN FROM A MILKWEED PLANT? OH, I'D BE AFRAID OF FALLING OFF! 1679 00:55:16,914 --> 00:55:17,824 OH, I'D BE AFRAID OF FALLING OFF! [GIGGLES] 1680 00:55:17,848 --> 00:55:18,858 OFF! [GIGGLES] YOU WOULDN'T HAVE TO WORRY. 1681 00:55:18,882 --> 00:55:19,893 [GIGGLES] YOU WOULDN'T HAVE TO WORRY. THERE'D BE PLENTY TO HANG ONTO. 1682 00:55:19,917 --> 00:55:21,861 YOU WOULDN'T HAVE TO WORRY. THERE'D BE PLENTY TO HANG ONTO. [GIGGLES] 1683 00:55:21,885 --> 00:55:23,263 THERE'D BE PLENTY TO HANG ONTO. [GIGGLES] NOW, HERE'S AN OFTEN-IGNORED 1684 00:55:23,287 --> 00:55:24,598 [GIGGLES] NOW, HERE'S AN OFTEN-IGNORED MEMBER OF THE ANIMAL KINGDOM. 1685 00:55:24,622 --> 00:55:25,999 NOW, HERE'S AN OFTEN-IGNORED MEMBER OF THE ANIMAL KINGDOM. BIOLOGISTS CALL IT THE 1686 00:55:26,023 --> 00:55:27,768 MEMBER OF THE ANIMAL KINGDOM. BIOLOGISTS CALL IT THE ANNELID... AN EARTHWORM, THE 1687 00:55:27,792 --> 00:55:28,835 BIOLOGISTS CALL IT THE ANNELID... AN EARTHWORM, THE COMMON EARTHWORM. 1688 00:55:28,859 --> 00:55:30,537 ANNELID... AN EARTHWORM, THE COMMON EARTHWORM. THEY'RE CONSIDERED A PRIMITIVE 1689 00:55:30,561 --> 00:55:31,271 COMMON EARTHWORM. THEY'RE CONSIDERED A PRIMITIVE LIFE-FORM. 1690 00:55:31,295 --> 00:55:32,639 THEY'RE CONSIDERED A PRIMITIVE LIFE-FORM. THAT ONE HAS HERPES! 1691 00:55:32,663 --> 00:55:33,407 LIFE-FORM. THAT ONE HAS HERPES! [GIGGLES] 1692 00:55:33,431 --> 00:55:34,474 THAT ONE HAS HERPES! [GIGGLES] YEAH, THAT'S WHAT IT LOOKS 1693 00:55:34,498 --> 00:55:35,074 [GIGGLES] YEAH, THAT'S WHAT IT LOOKS LIKE, CHRISTY. 1694 00:55:35,098 --> 00:55:36,543 YEAH, THAT'S WHAT IT LOOKS LIKE, CHRISTY. I THINK THEY GOT SOMETHING GOING 1695 00:55:36,567 --> 00:55:37,911 LIKE, CHRISTY. I THINK THEY GOT SOMETHING GOING HERE, BECAUSE, YOU KNOW, THEY 1696 00:55:37,935 --> 00:55:39,245 I THINK THEY GOT SOMETHING GOING HERE, BECAUSE, YOU KNOW, THEY GOT THESE SPIKES TO HELP THEM 1697 00:55:39,269 --> 00:55:40,681 HERE, BECAUSE, YOU KNOW, THEY GOT THESE SPIKES TO HELP THEM GRAB ONTO EACH OTHER, YOU KNOW? 1698 00:55:40,705 --> 00:55:42,816 GOT THESE SPIKES TO HELP THEM GRAB ONTO EACH OTHER, YOU KNOW? AND HERE, YOU'RE GONNA SEE THEM 1699 00:55:42,840 --> 00:55:44,984 GRAB ONTO EACH OTHER, YOU KNOW? AND HERE, YOU'RE GONNA SEE THEM FORMING A MUCUS SAC TO EXCHANGE 1700 00:55:45,008 --> 00:55:45,519 AND HERE, YOU'RE GONNA SEE THEM FORMING A MUCUS SAC TO EXCHANGE SPERM. 1701 00:55:45,543 --> 00:55:47,187 FORMING A MUCUS SAC TO EXCHANGE SPERM. NOW THIS IS A BIOLOGICAL FACT. 1702 00:55:47,211 --> 00:55:48,955 SPERM. NOW THIS IS A BIOLOGICAL FACT. EACH OF THESE WORMS HAS BOTH 1703 00:55:48,979 --> 00:55:50,624 NOW THIS IS A BIOLOGICAL FACT. EACH OF THESE WORMS HAS BOTH MALE AND FEMALE ORGANS. 1704 00:55:50,648 --> 00:55:52,659 EACH OF THESE WORMS HAS BOTH MALE AND FEMALE ORGANS. HONEST TO GOD. 1705 00:55:52,683 --> 00:55:54,661 MALE AND FEMALE ORGANS. HONEST TO GOD. THEY'RE AC/DC! 1706 00:55:54,685 --> 00:55:56,996 HONEST TO GOD. THEY'RE AC/DC! KIND OF LIKE ELTON JOHN. 1707 00:55:57,020 --> 00:55:58,031 THEY'RE AC/DC! KIND OF LIKE ELTON JOHN. RIGHT, CHRISTY. 1708 00:55:58,055 --> 00:55:59,633 KIND OF LIKE ELTON JOHN. RIGHT, CHRISTY. EXCEPT, THESE WORMS DO IT WITH 1709 00:55:59,657 --> 00:56:00,166 RIGHT, CHRISTY. EXCEPT, THESE WORMS DO IT WITH SPIKES. 1710 00:56:00,190 --> 00:56:01,868 EXCEPT, THESE WORMS DO IT WITH SPIKES. THEY'RE THE LOWEST FORM OF LIFE, 1711 00:56:01,892 --> 00:56:03,203 SPIKES. THEY'RE THE LOWEST FORM OF LIFE, BUT THEY REALLY GET OFF! 1712 00:56:03,227 --> 00:56:05,138 THEY'RE THE LOWEST FORM OF LIFE, BUT THEY REALLY GET OFF! THEY'RE S/M SWITCH HITTERS! 1713 00:56:05,162 --> 00:56:06,606 BUT THEY REALLY GET OFF! THEY'RE S/M SWITCH HITTERS! HOW DO YOU LIKE THAT, CHRISTY? 1714 00:56:06,630 --> 00:56:08,074 THEY'RE S/M SWITCH HITTERS! HOW DO YOU LIKE THAT, CHRISTY? OH, I THINK IT'S DISGUSTING. 1715 00:56:08,098 --> 00:56:09,409 HOW DO YOU LIKE THAT, CHRISTY? OH, I THINK IT'S DISGUSTING. HOW ABOUT THAT ONE... 33 1716 00:56:09,433 --> 00:56:09,909 OH, I THINK IT'S DISGUSTING. HOW ABOUT THAT ONE... 33 INCHES. 1717 00:56:09,933 --> 00:56:11,345 HOW ABOUT THAT ONE... 33 INCHES. YOU EVER SEEN A WORM 33 INCHES 1718 00:56:11,369 --> 00:56:11,778 INCHES. YOU EVER SEEN A WORM 33 INCHES LONG? 1719 00:56:11,802 --> 00:56:12,646 YOU EVER SEEN A WORM 33 INCHES LONG? I DON'T KNOW. 1720 00:56:12,670 --> 00:56:15,382 LONG? I DON'T KNOW. I'LL BET YOU DON'T! 1721 00:56:15,406 --> 00:56:17,484 I DON'T KNOW. I'LL BET YOU DON'T! OKAY, VIEWERS, OUR FINAL COUPLE 1722 00:56:17,508 --> 00:56:19,252 I'LL BET YOU DON'T! OKAY, VIEWERS, OUR FINAL COUPLE ON "ANIMAL KINGDOM," I THINK 1723 00:56:19,276 --> 00:56:20,887 OKAY, VIEWERS, OUR FINAL COUPLE ON "ANIMAL KINGDOM," I THINK YOU'RE GONNA LIKE THIS. 1724 00:56:20,911 --> 00:56:22,756 ON "ANIMAL KINGDOM," I THINK YOU'RE GONNA LIKE THIS. SEE SOME SALAMANDERS IN THEIR 1725 00:56:22,780 --> 00:56:24,758 YOU'RE GONNA LIKE THIS. SEE SOME SALAMANDERS IN THEIR NATURAL ENVIRONMENT, DOING WHAT 1726 00:56:24,782 --> 00:56:27,227 SEE SOME SALAMANDERS IN THEIR NATURAL ENVIRONMENT, DOING WHAT MAKES THE ANIMAL KINGDOM SO 1727 00:56:27,251 --> 00:56:28,294 NATURAL ENVIRONMENT, DOING WHAT MAKES THE ANIMAL KINGDOM SO EXCITING. 1728 00:56:28,318 --> 00:56:29,796 MAKES THE ANIMAL KINGDOM SO EXCITING. AND ON THAT NOTE, I'D LIKE TO 1729 00:56:29,820 --> 00:56:31,130 EXCITING. AND ON THAT NOTE, I'D LIKE TO SAY GOODNIGHT, ON BEHALF OF 1730 00:56:31,154 --> 00:56:32,599 AND ON THAT NOTE, I'D LIKE TO SAY GOODNIGHT, ON BEHALF OF CHRISTY AND ME, E. BUZZ MILLER, 1731 00:56:32,623 --> 00:56:34,000 SAY GOODNIGHT, ON BEHALF OF CHRISTY AND ME, E. BUZZ MILLER, HOPING YOU'LL TAKE A CUE FROM 1732 00:56:34,024 --> 00:56:35,802 CHRISTY AND ME, E. BUZZ MILLER, HOPING YOU'LL TAKE A CUE FROM THE ANIMAL KINGDOM AND HAVE A 1733 00:56:35,826 --> 00:56:37,504 HOPING YOU'LL TAKE A CUE FROM THE ANIMAL KINGDOM AND HAVE A GOOD TIME YOURSELF TONIGHT. 1734 00:56:37,528 --> 00:56:39,272 THE ANIMAL KINGDOM AND HAVE A GOOD TIME YOURSELF TONIGHT. CHRISTY, I WANT TO BUY YOU A 1735 00:56:39,296 --> 00:56:39,673 GOOD TIME YOURSELF TONIGHT. CHRISTY, I WANT TO BUY YOU A DRINK. 1736 00:56:39,697 --> 00:56:40,206 CHRISTY, I WANT TO BUY YOU A DRINK. OKAY, BUZZ! 1737 00:56:40,230 --> 00:56:43,164 DRINK. OKAY, BUZZ! [GIGGLES] 1738 00:56:57,547 --> 00:57:02,396 YOU WANT TO GET SOMEWHERE FAST, YOU GOT TO GO WITH A WINNER. 1739 00:57:02,420 --> 00:57:05,387 FAST, YOU GOT TO GO WITH A WINNER. GO, O.J.! GO! 1740 00:57:09,158 --> 00:57:12,406 LOOK. I WANT TO GET SOMEWHERE FAST. WHERE'S MY KEYS? 1741 00:57:12,430 --> 00:57:13,339 I WANT TO GET SOMEWHERE FAST. WHERE'S MY KEYS? WHAT'S YOUR NAME, SIR? 1742 00:57:13,363 --> 00:57:15,074 WHERE'S MY KEYS? WHAT'S YOUR NAME, SIR? SIMPSON... O.J. SIMPSON. 1743 00:57:15,098 --> 00:57:15,509 WHAT'S YOUR NAME, SIR? SIMPSON... O.J. SIMPSON. LOOK. 1744 00:57:15,533 --> 00:57:16,877 SIMPSON... O.J. SIMPSON. LOOK. I CALLED AHEAD AND HAD MY 1745 00:57:16,901 --> 00:57:18,077 LOOK. I CALLED AHEAD AND HAD MY RESERVATION CONFIRMED. 1746 00:57:18,101 --> 00:57:19,279 I CALLED AHEAD AND HAD MY RESERVATION CONFIRMED. LET ME SEE. 1747 00:57:19,303 --> 00:57:20,079 RESERVATION CONFIRMED. LET ME SEE. SIMPSON. 1748 00:57:20,103 --> 00:57:21,180 LET ME SEE. SIMPSON. OOH, I'M SORRY, SIR. 1749 00:57:21,204 --> 00:57:22,315 SIMPSON. OOH, I'M SORRY, SIR. YOUR CAR WAS GIVEN TO 1750 00:57:22,339 --> 00:57:23,149 OOH, I'M SORRY, SIR. YOUR CAR WAS GIVEN TO WALTER PAYTON. 1751 00:57:23,173 --> 00:57:24,618 YOUR CAR WAS GIVEN TO WALTER PAYTON. BUT I HAD IT RESERVED! 1752 00:57:24,642 --> 00:57:25,819 WALTER PAYTON. BUT I HAD IT RESERVED! YES, BUT HE HAD A BETTER 1753 00:57:25,843 --> 00:57:26,286 BUT I HAD IT RESERVED! YES, BUT HE HAD A BETTER SEASON. 1754 00:57:26,310 --> 00:57:27,621 YES, BUT HE HAD A BETTER SEASON. WE ALSO HAVE TO GO WITH A 1755 00:57:27,645 --> 00:57:30,045 SEASON. WE ALSO HAVE TO GO WITH A WINNER. 1756 00:57:36,886 --> 00:57:41,902 Announcer: ONCE AGAIN, ASHFORD AND SIMPSON. [CHEERS AND APPLAUSE] 1757 00:57:41,926 --> 00:57:45,661 ASHFORD AND SIMPSON. [CHEERS AND APPLAUSE] [UP-TEMPO INTRODUCTION PLAYS] 1758 00:57:48,230 --> 00:57:56,230 ♪ DON'T COST YOU NOTHIN' ♪ ♪ WHOO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1759 00:58:05,683 --> 00:58:08,862 ♪ WHOO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ THINK, THINK ABOUT THE WAY 1760 00:58:08,886 --> 00:58:10,396 ♪ DON'T COST YOU NOTHIN' ♪ ♪ THINK, THINK ABOUT THE WAY OF REJECTION ♪ 1761 00:58:10,420 --> 00:58:12,265 ♪ THINK, THINK ABOUT THE WAY OF REJECTION ♪ ♪ YOU'RE NOT THE ONLY ONE 1762 00:58:12,289 --> 00:58:14,668 OF REJECTION ♪ ♪ YOU'RE NOT THE ONLY ONE REACHING FOR PERFECTION ♪ 1763 00:58:14,692 --> 00:58:16,470 ♪ YOU'RE NOT THE ONLY ONE REACHING FOR PERFECTION ♪ ♪ THINK, THINK ABOUT 1764 00:58:16,494 --> 00:58:18,638 REACHING FOR PERFECTION ♪ ♪ THINK, THINK ABOUT THE REASON YOU EXIST ♪ 1765 00:58:18,662 --> 00:58:20,707 ♪ THINK, THINK ABOUT THE REASON YOU EXIST ♪ ♪ I THINK I GOT SOMETHING 1766 00:58:20,731 --> 00:58:22,375 THE REASON YOU EXIST ♪ ♪ I THINK I GOT SOMETHING YOU MIGHT NOT WANT TO MISS ♪ 1767 00:58:22,399 --> 00:58:24,644 ♪ I THINK I GOT SOMETHING YOU MIGHT NOT WANT TO MISS ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1768 00:58:24,668 --> 00:58:30,884 YOU MIGHT NOT WANT TO MISS ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ OW! ♪ 1769 00:58:30,908 --> 00:58:32,452 ♪ DON'T COST YOU NOTHIN' ♪ ♪ OW! ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1770 00:58:32,476 --> 00:58:37,323 ♪ OW! ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO-OH ♪ 1771 00:58:37,347 --> 00:58:39,659 ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO-OH ♪ ♪ YEAH, YEAH ♪ 1772 00:58:39,683 --> 00:58:42,629 ♪ NO-OH ♪ ♪ YEAH, YEAH ♪ ♪ THINK, THINK ABOUT 1773 00:58:42,653 --> 00:58:44,263 ♪ YEAH, YEAH ♪ ♪ THINK, THINK ABOUT YOUR POINT OF VIEW ♪ 1774 00:58:44,287 --> 00:58:45,732 ♪ THINK, THINK ABOUT YOUR POINT OF VIEW ♪ ♪ YOU DON'T HAVE TO GET 1775 00:58:45,756 --> 00:58:46,566 YOUR POINT OF VIEW ♪ ♪ YOU DON'T HAVE TO GET INVOLVED ♪ 1776 00:58:46,590 --> 00:58:48,535 ♪ YOU DON'T HAVE TO GET INVOLVED ♪ ♪ NO ONE'S FORCING YOU ♪ 1777 00:58:48,559 --> 00:58:50,504 INVOLVED ♪ ♪ NO ONE'S FORCING YOU ♪ ♪ STOP, STOP 1778 00:58:50,528 --> 00:58:52,806 ♪ NO ONE'S FORCING YOU ♪ ♪ STOP, STOP AND LISTEN TO THE VOICE ♪ 1779 00:58:52,830 --> 00:58:54,340 ♪ STOP, STOP AND LISTEN TO THE VOICE ♪ ♪ GOOD GOD ALIVE, HA ♪ 1780 00:58:54,364 --> 00:58:56,109 AND LISTEN TO THE VOICE ♪ ♪ GOOD GOD ALIVE, HA ♪ ♪ YOU'VE ALWAYS GOT A CHOICE ♪ 1781 00:58:56,133 --> 00:58:58,812 ♪ GOOD GOD ALIVE, HA ♪ ♪ YOU'VE ALWAYS GOT A CHOICE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1782 00:58:58,836 --> 00:59:00,346 ♪ YOU'VE ALWAYS GOT A CHOICE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1783 00:59:00,370 --> 00:59:02,048 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1784 00:59:02,072 --> 00:59:02,649 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO ♪ 1785 00:59:02,673 --> 00:59:03,683 ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO ♪ ♪ IF YOU LIKE IT, 1786 00:59:03,707 --> 00:59:04,651 ♪ NO ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1787 00:59:04,675 --> 00:59:07,120 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1788 00:59:07,144 --> 00:59:08,755 COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1789 00:59:08,779 --> 00:59:11,357 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1790 00:59:11,381 --> 00:59:12,291 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, 1791 00:59:12,315 --> 00:59:14,260 ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1792 00:59:14,284 --> 00:59:16,530 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ I AIN'T SELLING MYSELF TO YOU, 1793 00:59:16,554 --> 00:59:17,864 COME BACK FOR MORE ♪ ♪ I AIN'T SELLING MYSELF TO YOU, BABY ♪ 1794 00:59:17,888 --> 00:59:18,665 ♪ I AIN'T SELLING MYSELF TO YOU, BABY ♪ ♪ NO ♪ 1795 00:59:18,689 --> 00:59:20,000 BABY ♪ ♪ NO ♪ ♪ THE WAY THAT OTHERS 1796 00:59:20,024 --> 00:59:23,136 ♪ NO ♪ ♪ THE WAY THAT OTHERS OFTEN DO ♪ 1797 00:59:23,160 --> 00:59:27,273 ♪ THE WAY THAT OTHERS OFTEN DO ♪ ♪ BEFORE YOU LABEL ME CRAZY, 1798 00:59:27,297 --> 00:59:28,274 OFTEN DO ♪ ♪ BEFORE YOU LABEL ME CRAZY, PLEASE EXAMINE 1799 00:59:28,298 --> 00:59:31,344 ♪ BEFORE YOU LABEL ME CRAZY, PLEASE EXAMINE WHAT I OFFER YOU ♪ 1800 00:59:31,368 --> 00:59:33,379 PLEASE EXAMINE WHAT I OFFER YOU ♪ ♪ IT DON'T, IT DON'T COST YOU ♪ 1801 00:59:33,403 --> 00:59:35,281 WHAT I OFFER YOU ♪ ♪ IT DON'T, IT DON'T COST YOU ♪ ♪ IT DON'T, IT DON'T COST YOU 1802 00:59:35,305 --> 00:59:41,521 ♪ IT DON'T, IT DON'T COST YOU ♪ ♪ IT DON'T, IT DON'T COST YOU NOTHIN' ♪ 1803 00:59:41,545 --> 00:59:43,322 ♪ IT DON'T, IT DON'T COST YOU NOTHIN' ♪ ♪ OH ♪ 1804 00:59:43,346 --> 00:59:47,248 NOTHIN' ♪ ♪ OH ♪ ♪ OH ♪ 1805 00:59:58,227 --> 01:00:03,610 ♪ WHOO-OOH ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1806 01:00:03,634 --> 01:00:05,478 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1807 01:00:05,502 --> 01:00:06,245 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO ♪ 1808 01:00:06,269 --> 01:00:07,047 ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO ♪ ♪ IF YOU LIKE IT, 1809 01:00:07,071 --> 01:00:08,081 ♪ NO ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1810 01:00:08,105 --> 01:00:09,315 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1811 01:00:09,339 --> 01:00:10,650 COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO, NO ♪ 1812 01:00:10,674 --> 01:00:11,718 ♪ DON'T COST YOU NOTHIN' ♪ ♪ NO, NO ♪ ♪ NO ♪ 1813 01:00:11,742 --> 01:00:13,419 ♪ NO, NO ♪ ♪ NO ♪ ♪ IT'S FREE, 1814 01:00:13,443 --> 01:00:16,656 ♪ NO ♪ ♪ IT'S FREE, MY LOVE AND ME ♪ 1815 01:00:16,680 --> 01:00:17,724 ♪ IT'S FREE, MY LOVE AND ME ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1816 01:00:17,748 --> 01:00:19,358 MY LOVE AND ME ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1817 01:00:19,382 --> 01:00:21,427 ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ OH, NO, NO, NO ♪ 1818 01:00:21,451 --> 01:00:23,797 ♪ DON'T COST YOU NOTHIN' ♪ ♪ OH, NO, NO, NO ♪ ♪ HEY ♪ 1819 01:00:23,821 --> 01:00:24,631 ♪ OH, NO, NO, NO ♪ ♪ HEY ♪ ♪ WHOO-OOH ♪ 1820 01:00:24,655 --> 01:00:26,132 ♪ HEY ♪ ♪ WHOO-OOH ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1821 01:00:26,156 --> 01:00:27,200 ♪ WHOO-OOH ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1822 01:00:27,224 --> 01:00:28,568 ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ NOTHIN' ♪ 1823 01:00:28,592 --> 01:00:29,703 ♪ DON'T COST YOU NOTHIN' ♪ ♪ NOTHIN' ♪ ♪ NOTHIN' ♪ 1824 01:00:29,727 --> 01:00:30,737 ♪ NOTHIN' ♪ ♪ NOTHIN' ♪ ♪ NOTHIN' ♪ 1825 01:00:30,761 --> 01:00:33,039 ♪ NOTHIN' ♪ ♪ NOTHIN' ♪ ♪ OOH, BABY ♪ 1826 01:00:33,063 --> 01:00:34,340 ♪ NOTHIN' ♪ ♪ OOH, BABY ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1827 01:00:34,364 --> 01:00:35,441 ♪ OOH, BABY ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1828 01:00:35,465 --> 01:00:36,977 ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ WHOO-HOO ♪ 1829 01:00:37,001 --> 01:00:38,478 ♪ DON'T COST YOU NOTHIN' ♪ ♪ WHOO-HOO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1830 01:00:38,502 --> 01:00:41,247 ♪ WHOO-HOO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ YE-E-E-AH ♪ 1831 01:00:41,271 --> 01:00:44,050 ♪ DON'T COST YOU NOTHIN' ♪ ♪ YE-E-E-AH ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1832 01:00:44,074 --> 01:00:45,451 ♪ YE-E-E-AH ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1833 01:00:45,475 --> 01:00:47,787 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1834 01:00:47,811 --> 01:00:48,755 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, 1835 01:00:48,779 --> 01:00:49,923 ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1836 01:00:49,947 --> 01:00:52,391 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1837 01:00:52,415 --> 01:00:54,327 COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1838 01:00:54,351 --> 01:00:56,162 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1839 01:00:56,186 --> 01:00:57,130 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, 1840 01:00:57,154 --> 01:00:58,031 ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1841 01:00:58,055 --> 01:00:59,499 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1842 01:00:59,523 --> 01:01:00,967 COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1843 01:01:00,991 --> 01:01:02,368 ♪ DON'T COST YOU NOTHIN' ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1844 01:01:02,392 --> 01:01:04,971 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1845 01:01:04,995 --> 01:01:05,772 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, 1846 01:01:05,796 --> 01:01:06,472 ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1847 01:01:06,496 --> 01:01:08,942 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1848 01:01:08,966 --> 01:01:10,810 COME BACK FOR MORE ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ 1849 01:01:10,834 --> 01:01:12,712 ♪ DON'T COST YOU NOTHIN' ♪ ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ 1850 01:01:12,736 --> 01:01:13,747 ♪ TAKE A CHANCE AS YOU GO ♪ ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, 1851 01:01:13,771 --> 01:01:18,184 ♪ DON'T COST YOU NOTHIN' ♪ ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ 1852 01:01:18,208 --> 01:01:21,710 ♪ IF YOU LIKE IT, COME BACK FOR MORE ♪ [CHEERS AND APPLAUSE] 1853 01:01:34,223 --> 01:01:40,807 Announcer: AND NOW IT'S TIME FOR THE NETWORK "CELEBRITY BATTLE OF THE SEXES & RACES." 1854 01:01:40,831 --> 01:01:42,208 FOR THE NETWORK "CELEBRITY BATTLE OF THE SEXES & RACES." HI, I'M BRENT MUSBURGER, AND 1855 01:01:42,232 --> 01:01:43,643 BATTLE OF THE SEXES & RACES." HI, I'M BRENT MUSBURGER, AND WELCOME TO THE "CELEBRITY BATTLE 1856 01:01:43,667 --> 01:01:44,711 HI, I'M BRENT MUSBURGER, AND WELCOME TO THE "CELEBRITY BATTLE OF THE SEXES & RACES." 1857 01:01:44,735 --> 01:01:46,412 WELCOME TO THE "CELEBRITY BATTLE OF THE SEXES & RACES." WE'RE IN THE THIRD DAY OF AN 1858 01:01:46,436 --> 01:01:48,247 OF THE SEXES & RACES." WE'RE IN THE THIRD DAY OF AN EXCITING MARATHON CONTEST HERE 1859 01:01:48,271 --> 01:01:49,582 WE'RE IN THE THIRD DAY OF AN EXCITING MARATHON CONTEST HERE WITH O.J. SIMPSON AND 1860 01:01:49,606 --> 01:01:51,317 EXCITING MARATHON CONTEST HERE WITH O.J. SIMPSON AND LEON SPINKS REPRESENTING THE 1861 01:01:51,341 --> 01:01:53,186 WITH O.J. SIMPSON AND LEON SPINKS REPRESENTING THE BLACK MEN, AND SANDY DUNCAN AND 1862 01:01:53,210 --> 01:01:55,587 LEON SPINKS REPRESENTING THE BLACK MEN, AND SANDY DUNCAN AND MARIE OSMOND THE WHITE WOMEN. 1863 01:01:55,611 --> 01:01:56,912 SO, AS THE ACTION RESUMES, WE 1864 01:01:57,046 --> 01:01:58,180 FIND THE BLACK MEN WITH A 1865 01:01:58,314 --> 01:01:59,681 COMMANDING LEAD OVER THE WHITE 1866 01:01:59,816 --> 01:02:02,584 WOMEN OF 3,100 TO NOTHING. 1867 01:02:02,719 --> 01:02:03,785 AND NOW LET'S GO OVER TO 1868 01:02:03,920 --> 01:02:05,220 PHYLLIS GEORGE FOR ON-THE-SPOT 1869 01:02:05,354 --> 01:02:06,354 COVERAGE. 1870 01:02:06,422 --> 01:02:10,670 THANK YOU, BRENT. I'M HERE AT THE YOUTH CENTER AT THE MALCOLM "X" HIGH SCHOOL IN 1871 01:02:10,694 --> 01:02:12,271 I'M HERE AT THE YOUTH CENTER AT THE MALCOLM "X" HIGH SCHOOL IN CHICAGO, ILLINOIS, AND THERE'S 1872 01:02:12,295 --> 01:02:13,840 THE MALCOLM "X" HIGH SCHOOL IN CHICAGO, ILLINOIS, AND THERE'S NO SECRET ABOUT WHICH TEAM IS 1873 01:02:13,864 --> 01:02:17,877 CHICAGO, ILLINOIS, AND THERE'S NO SECRET ABOUT WHICH TEAM IS THE FAVORITE HERE TONIGHT. 1874 01:02:17,901 --> 01:02:19,779 NO SECRET ABOUT WHICH TEAM IS THE FAVORITE HERE TONIGHT. WELL, SANDY AND MARIE, HOW ARE 1875 01:02:19,803 --> 01:02:21,014 THE FAVORITE HERE TONIGHT. WELL, SANDY AND MARIE, HOW ARE YOU GIRLS FEELING? 1876 01:02:21,038 --> 01:02:21,948 WELL, SANDY AND MARIE, HOW ARE YOU GIRLS FEELING? NOT GOOD. 1877 01:02:21,972 --> 01:02:23,683 YOU GIRLS FEELING? NOT GOOD. YEAH, BUT WE'RE SHOWBIZ 1878 01:02:23,707 --> 01:02:25,618 NOT GOOD. YEAH, BUT WE'RE SHOWBIZ FOLKS, AND WE'RE GONNA GIVE IT 1879 01:02:25,642 --> 01:02:27,053 YEAH, BUT WE'RE SHOWBIZ FOLKS, AND WE'RE GONNA GIVE IT EVERYTHING WE'VE GOT! 1880 01:02:27,077 --> 01:02:28,121 FOLKS, AND WE'RE GONNA GIVE IT EVERYTHING WE'VE GOT! RIGHT, SANDY? 1881 01:02:28,145 --> 01:02:29,622 EVERYTHING WE'VE GOT! RIGHT, SANDY? I GUESS SO. 1882 01:02:29,646 --> 01:02:30,890 RIGHT, SANDY? I GUESS SO. HI, DONNY! 1883 01:02:30,914 --> 01:02:32,558 I GUESS SO. HI, DONNY! WELL, GOOD LUCK, WHITE WOMEN. 1884 01:02:32,582 --> 01:02:34,027 HI, DONNY! WELL, GOOD LUCK, WHITE WOMEN. AND NOW LET'S SAY HELLO TO A 1885 01:02:34,051 --> 01:02:35,394 WELL, GOOD LUCK, WHITE WOMEN. AND NOW LET'S SAY HELLO TO A COUPLE OF GUYS WHO MUST BE 1886 01:02:35,418 --> 01:02:36,963 AND NOW LET'S SAY HELLO TO A COUPLE OF GUYS WHO MUST BE FEELING PRETTY GOOD ABOUT NOW, 1887 01:02:36,987 --> 01:02:38,497 COUPLE OF GUYS WHO MUST BE FEELING PRETTY GOOD ABOUT NOW, O.J. SIMPSON AND LEON SPINKS. 1888 01:02:38,521 --> 01:02:43,502 FEELING PRETTY GOOD ABOUT NOW, O.J. SIMPSON AND LEON SPINKS. HOW ARE YOU DOING, PHYLLIS? 1889 01:02:43,526 --> 01:02:44,637 O.J. SIMPSON AND LEON SPINKS. HOW ARE YOU DOING, PHYLLIS? YOU KNOW, YOU'RE A PRETTY 1890 01:02:44,661 --> 01:02:45,638 HOW ARE YOU DOING, PHYLLIS? YOU KNOW, YOU'RE A PRETTY BEAUTIFUL WOMAN, HUH? 1891 01:02:45,662 --> 01:02:47,373 YOU KNOW, YOU'RE A PRETTY BEAUTIFUL WOMAN, HUH? WHY DON'T YOU JOIN SANDY, MARIE, 1892 01:02:47,397 --> 01:02:48,574 BEAUTIFUL WOMAN, HUH? WHY DON'T YOU JOIN SANDY, MARIE, AND I AFTER THE SHOW? 1893 01:02:48,598 --> 01:02:49,408 WHY DON'T YOU JOIN SANDY, MARIE, AND I AFTER THE SHOW? ALL THREE OF US? 1894 01:02:49,432 --> 01:02:50,509 AND I AFTER THE SHOW? ALL THREE OF US? WON'T YOU BE A LITTLE TIRED 1895 01:02:50,533 --> 01:02:51,745 ALL THREE OF US? WON'T YOU BE A LITTLE TIRED AFTER ALL THAT EXERCISE, JUICE? 1896 01:02:51,769 --> 01:02:53,813 WON'T YOU BE A LITTLE TIRED AFTER ALL THAT EXERCISE, JUICE? HEY, MY MOUTH DON'T WRITE NO 1897 01:02:53,837 --> 01:02:55,615 AFTER ALL THAT EXERCISE, JUICE? HEY, MY MOUTH DON'T WRITE NO CHECKS MY BODY CAN'T CASH. 1898 01:02:55,639 --> 01:02:56,616 HEY, MY MOUTH DON'T WRITE NO CHECKS MY BODY CAN'T CASH. WELL, OKAY. 1899 01:02:56,640 --> 01:02:58,317 CHECKS MY BODY CAN'T CASH. WELL, OKAY. IF YOU CAN HANDLE IT, FINE. 1900 01:02:58,341 --> 01:03:00,086 WELL, OKAY. IF YOU CAN HANDLE IT, FINE. LEON, HOW DO SANDY AND MARIE 1901 01:03:00,110 --> 01:03:01,955 IF YOU CAN HANDLE IT, FINE. LEON, HOW DO SANDY AND MARIE STACK UP AGAINST MUHAMMAD ALI? 1902 01:03:01,979 --> 01:03:03,522 LEON, HOW DO SANDY AND MARIE STACK UP AGAINST MUHAMMAD ALI? WELL, I'M WORLD HEAVYWEIGHT 1903 01:03:03,546 --> 01:03:05,091 STACK UP AGAINST MUHAMMAD ALI? WELL, I'M WORLD HEAVYWEIGHT CHAMPION NOW, AND THAT'D BE A 1904 01:03:05,115 --> 01:03:06,392 WELL, I'M WORLD HEAVYWEIGHT CHAMPION NOW, AND THAT'D BE A PSYCHOLOGICAL ADVANTAGE. 1905 01:03:06,416 --> 01:03:08,128 CHAMPION NOW, AND THAT'D BE A PSYCHOLOGICAL ADVANTAGE. AND NOW FOR A RECAP OF THE 1906 01:03:08,152 --> 01:03:09,963 PSYCHOLOGICAL ADVANTAGE. AND NOW FOR A RECAP OF THE EVENTS SO FAR, LET'S GO BACK TO 1907 01:03:09,987 --> 01:03:11,030 AND NOW FOR A RECAP OF THE EVENTS SO FAR, LET'S GO BACK TO BRENT MUSBURGER. 1908 01:03:11,054 --> 01:03:12,331 EVENTS SO FAR, LET'S GO BACK TO BRENT MUSBURGER. WELL, PHYLLIS, WHAT WE'VE 1909 01:03:12,355 --> 01:03:13,666 BRENT MUSBURGER. WELL, PHYLLIS, WHAT WE'VE SEEN SO FAR HERE IS A ROUT BY 1910 01:03:13,690 --> 01:03:14,400 WELL, PHYLLIS, WHAT WE'VE SEEN SO FAR HERE IS A ROUT BY THE BLACK MEN. 1911 01:03:14,424 --> 01:03:15,735 SEEN SO FAR HERE IS A ROUT BY THE BLACK MEN. IF I WERE TO PICK SOME OF THE 1912 01:03:15,759 --> 01:03:17,203 THE BLACK MEN. IF I WERE TO PICK SOME OF THE KEY MOMENTS IN THIS COMPETITION, 1913 01:03:17,227 --> 01:03:18,404 IF I WERE TO PICK SOME OF THE KEY MOMENTS IN THIS COMPETITION, I'D SINGLE OUT BASKETBALL. 1914 01:03:18,428 --> 01:03:19,873 KEY MOMENTS IN THIS COMPETITION, I'D SINGLE OUT BASKETBALL. THAT HAD TO HURT THE WHITE WOMEN 1915 01:03:19,897 --> 01:03:20,673 I'D SINGLE OUT BASKETBALL. THAT HAD TO HURT THE WHITE WOMEN PSYCHOLOGICALLY. 1916 01:03:20,697 --> 01:03:22,142 THAT HAD TO HURT THE WHITE WOMEN PSYCHOLOGICALLY. WRESTLING, OF COURSE... THAT HAD 1917 01:03:22,166 --> 01:03:23,276 PSYCHOLOGICALLY. WRESTLING, OF COURSE... THAT HAD TO HURT THEM PHYSICALLY. 1918 01:03:23,300 --> 01:03:24,710 WRESTLING, OF COURSE... THAT HAD TO HURT THEM PHYSICALLY. BOXING... NO SURPRISE THERE WITH 1919 01:03:24,734 --> 01:03:25,845 TO HURT THEM PHYSICALLY. BOXING... NO SURPRISE THERE WITH LEON SPINKS ON THE TEAM. 1920 01:03:25,869 --> 01:03:27,380 BOXING... NO SURPRISE THERE WITH LEON SPINKS ON THE TEAM. AND THEN THERE WERE THE NOVELTY 1921 01:03:27,404 --> 01:03:27,947 LEON SPINKS ON THE TEAM. AND THEN THERE WERE THE NOVELTY EVENTS. 1922 01:03:27,971 --> 01:03:29,515 AND THEN THERE WERE THE NOVELTY EVENTS. THE LATE-NIGHT SUBWAY-RIDING 1923 01:03:29,539 --> 01:03:30,984 EVENTS. THE LATE-NIGHT SUBWAY-RIDING CONTEST WAS NO CONTEST, OF 1924 01:03:31,008 --> 01:03:31,550 THE LATE-NIGHT SUBWAY-RIDING CONTEST WAS NO CONTEST, OF COURSE. 1925 01:03:31,574 --> 01:03:32,852 CONTEST WAS NO CONTEST, OF COURSE. THE "PICKING UP WHITE GIRLS" 1926 01:03:32,876 --> 01:03:34,287 COURSE. THE "PICKING UP WHITE GIRLS" EVENT A FRUSTRATING EVENING FOR 1927 01:03:34,311 --> 01:03:35,121 THE "PICKING UP WHITE GIRLS" EVENT A FRUSTRATING EVENING FOR SANDY AND MARIE. 1928 01:03:35,145 --> 01:03:36,856 EVENT A FRUSTRATING EVENING FOR SANDY AND MARIE. AND, AS EXPECTED, THE BLACK MEN 1929 01:03:36,880 --> 01:03:38,624 SANDY AND MARIE. AND, AS EXPECTED, THE BLACK MEN RAN AWAY WITH THE SPEAR-CHUCKING 1930 01:03:38,648 --> 01:03:40,226 AND, AS EXPECTED, THE BLACK MEN RAN AWAY WITH THE SPEAR-CHUCKING COMPETITION. 1931 01:03:40,250 --> 01:03:41,761 RAN AWAY WITH THE SPEAR-CHUCKING COMPETITION. AND NOW, RONNIE GWYNN, TELL OUR 1932 01:03:41,785 --> 01:03:43,229 COMPETITION. AND NOW, RONNIE GWYNN, TELL OUR TEAMS ABOUT SOME OF THE PRIZES 1933 01:03:43,253 --> 01:03:44,497 AND NOW, RONNIE GWYNN, TELL OUR TEAMS ABOUT SOME OF THE PRIZES THEY'LL BE COMPETING FOR. 1934 01:03:44,521 --> 01:03:45,498 TEAMS ABOUT SOME OF THE PRIZES THEY'LL BE COMPETING FOR. Announcer: WELL, BRENT, 1935 01:03:45,522 --> 01:03:46,632 THEY'LL BE COMPETING FOR. Announcer: WELL, BRENT, COMPETITORS ARE ELIGIBLE TO WIN 1936 01:03:46,656 --> 01:03:47,633 Announcer: WELL, BRENT, COMPETITORS ARE ELIGIBLE TO WIN A BRAND-NEW, 1978, PURPLE, 1937 01:03:47,657 --> 01:03:48,734 COMPETITORS ARE ELIGIBLE TO WIN A BRAND-NEW, 1978, PURPLE, CUSTOM-MADE CADILLAC EL DORADO 1938 01:03:48,758 --> 01:03:49,869 A BRAND-NEW, 1978, PURPLE, CUSTOM-MADE CADILLAC EL DORADO CONVERTIBLE WITH CRUSHED-VELVET 1939 01:03:49,893 --> 01:03:51,037 CUSTOM-MADE CADILLAC EL DORADO CONVERTIBLE WITH CRUSHED-VELVET INTERIOR, 30-INCH COLOR TV, AND 1940 01:03:51,061 --> 01:03:51,570 CONVERTIBLE WITH CRUSHED-VELVET INTERIOR, 30-INCH COLOR TV, AND COACH LAMPS. 1941 01:03:51,594 --> 01:03:53,072 INTERIOR, 30-INCH COLOR TV, AND COACH LAMPS. AND NOW ABOUT STRUTTING YOUR 1942 01:03:53,096 --> 01:03:54,473 COACH LAMPS. AND NOW ABOUT STRUTTING YOUR STUFF IN THESE FINE VINES? 1943 01:03:54,497 --> 01:03:56,176 AND NOW ABOUT STRUTTING YOUR STUFF IN THESE FINE VINES? THIS LUXURIOUS, FLOOR-LENGTH 1944 01:03:56,200 --> 01:03:58,011 STUFF IN THESE FINE VINES? THIS LUXURIOUS, FLOOR-LENGTH SABLE COAT WITH JEWEL-ENCRUSTED 1945 01:03:58,035 --> 01:03:59,879 THIS LUXURIOUS, FLOOR-LENGTH SABLE COAT WITH JEWEL-ENCRUSTED LAVENDER SILK LINING AND A PAIR 1946 01:03:59,903 --> 01:04:01,514 SABLE COAT WITH JEWEL-ENCRUSTED LAVENDER SILK LINING AND A PAIR OF LIME-GREEN SUEDE, 5-INCH 1947 01:04:01,538 --> 01:04:02,548 LAVENDER SILK LINING AND A PAIR OF LIME-GREEN SUEDE, 5-INCH PLATFORM SHOES. 1948 01:04:02,572 --> 01:04:03,883 OF LIME-GREEN SUEDE, 5-INCH PLATFORM SHOES. EACH MEMBER OF THE WINNING TEAM 1949 01:04:03,907 --> 01:04:05,084 PLATFORM SHOES. EACH MEMBER OF THE WINNING TEAM WILL RECEIVE HIS OR HER OWN 1950 01:04:05,108 --> 01:04:06,452 EACH MEMBER OF THE WINNING TEAM WILL RECEIVE HIS OR HER OWN PERSONALIZED, HAND-CRAFTED SWORD 1951 01:04:06,476 --> 01:04:07,821 WILL RECEIVE HIS OR HER OWN PERSONALIZED, HAND-CRAFTED SWORD CANE WITH SOLID-SILVER WOLF-HEAD 1952 01:04:07,845 --> 01:04:08,254 PERSONALIZED, HAND-CRAFTED SWORD CANE WITH SOLID-SILVER WOLF-HEAD HANDLE. 1953 01:04:08,278 --> 01:04:09,555 CANE WITH SOLID-SILVER WOLF-HEAD HANDLE. AND NOW BACK TO PHYLLIS GEORGE 1954 01:04:09,579 --> 01:04:13,026 HANDLE. AND NOW BACK TO PHYLLIS GEORGE FOR THE TUG-OF-WAR COMPETITION. 1955 01:04:13,050 --> 01:04:16,090 AND NOW BACK TO PHYLLIS GEORGE FOR THE TUG-OF-WAR COMPETITION. [WHISTLE BLOWS] 1956 01:04:23,559 --> 01:04:26,027 JUDGES, DO WE HAVE A DECISION? [BELL DINGS] 1957 01:04:26,295 --> 01:04:27,662 YES, IT'S OFFICIAL... ANOTHER 1958 01:04:27,796 --> 01:04:29,297 VICTORY FOR THE BLACK MEN, WHICH 1959 01:04:29,431 --> 01:04:30,732 BRINGS THE SCORE TO 3,700 TO 1960 01:04:30,867 --> 01:04:33,501 NADA. 1961 01:04:33,769 --> 01:04:39,085 WELL, GIRLS, WERE YOU SURPRISED? NO, WE KNEW WE WOULDN'T WIN. WE TOLD YOU THAT. 1962 01:04:39,109 --> 01:04:40,286 NO, WE KNEW WE WOULDN'T WIN. WE TOLD YOU THAT. HI, DONNY. 1963 01:04:40,310 --> 01:04:41,454 WE TOLD YOU THAT. HI, DONNY. SANDY AND MARIE, IF YOU'LL 1964 01:04:41,478 --> 01:04:42,621 HI, DONNY. SANDY AND MARIE, IF YOU'LL JUST STAY HERE, WE'LL GET YOU 1965 01:04:42,645 --> 01:04:43,156 SANDY AND MARIE, IF YOU'LL JUST STAY HERE, WE'LL GET YOU HOSED DOWN. 1966 01:04:43,180 --> 01:04:45,258 JUST STAY HERE, WE'LL GET YOU HOSED DOWN. ISN'T IT WONDERFUL TO SEE THESE 1967 01:04:45,282 --> 01:04:47,260 HOSED DOWN. ISN'T IT WONDERFUL TO SEE THESE GIRLS HERE, COMPETING WITH MEN 1968 01:04:47,284 --> 01:04:48,594 ISN'T IT WONDERFUL TO SEE THESE GIRLS HERE, COMPETING WITH MEN ON AN EQUAL BASIS? 1969 01:04:48,618 --> 01:04:50,463 GIRLS HERE, COMPETING WITH MEN ON AN EQUAL BASIS? AND NOW BACK TO YOU, BRENT. 1970 01:04:50,487 --> 01:04:51,664 ON AN EQUAL BASIS? AND NOW BACK TO YOU, BRENT. THANK YOU, PHYLLIS. 1971 01:04:51,688 --> 01:04:52,631 AND NOW BACK TO YOU, BRENT. THANK YOU, PHYLLIS. THANK YOU, TEAMS. 1972 01:04:52,655 --> 01:04:53,867 THANK YOU, PHYLLIS. THANK YOU, TEAMS. THAT ABOUT WRAPS IT UP. 1973 01:04:53,891 --> 01:04:55,468 THANK YOU, TEAMS. THAT ABOUT WRAPS IT UP. JOIN US AGAIN TOMORROW, WHEN OUR 1974 01:04:55,492 --> 01:04:57,103 THAT ABOUT WRAPS IT UP. JOIN US AGAIN TOMORROW, WHEN OUR COVERAGE OF "CELEBRITY BATTLE OF 1975 01:04:57,127 --> 01:04:58,738 JOIN US AGAIN TOMORROW, WHEN OUR COVERAGE OF "CELEBRITY BATTLE OF THE SEXES & RACES" WILL GO UP TO 1976 01:04:58,762 --> 01:04:59,572 COVERAGE OF "CELEBRITY BATTLE OF THE SEXES & RACES" WILL GO UP TO HARLEM FOR THE 1977 01:04:59,596 --> 01:05:01,074 THE SEXES & RACES" WILL GO UP TO HARLEM FOR THE MOBILE HOME-PULLING CONTEST. 1978 01:05:01,098 --> 01:05:03,738 HARLEM FOR THE MOBILE HOME-PULLING CONTEST. SEE YOU THEN, EVERYBODY. 1979 01:05:16,345 --> 01:05:22,817 WELL, THAT'S ALL FOR TONIGHT. THANKS FOR JOINING US. [CHEERS AND APPLAUSE] 1980 01:05:32,094 --> 01:05:33,661 Announcer: NEXT SATURDAY 1981 01:05:33,796 --> 01:05:35,430 NIGHT, WATCH NBC's "WEEKEND" 1982 01:05:35,564 --> 01:05:36,731 WITH LLOYD DOBBINS. 1983 01:05:36,865 --> 01:05:38,333 WE'LL BE BACK TWO WEEKS FROM 1984 01:05:38,467 --> 01:05:40,035 TONIGHT, WHEN OUR HOST WILL BE 1985 01:05:40,169 --> 01:05:42,304 ART GARFUNKEL, WITH MUSICAL 1986 01:05:42,438 --> 01:05:45,140 GUEST STEPHEN BISHOP AND 1987 01:05:45,274 --> 01:05:46,274 ANDY KAUFMAN. 1988 01:05:46,409 --> 01:05:48,810 THIS IS O.J. PARDO. 1989 01:05:48,945 --> 01:05:52,680 THE "O.J." IS FOR "ONLY JOKING." 1990 01:05:52,815 --> 01:05:55,516 GOOD NIGHT. 217641

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