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All language subtitles for SNL S03E11Chevy Chase.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,101 --> 00:00:05,215 Announcer: "THE LITTLE HOUSE ON THE PRAIRIE BURNS TO THE GROUND" WILL NOT BE SEEN TONIGHT 2 00:00:05,239 --> 00:00:06,516 ON THE PRAIRIE BURNS TO THE GROUND" WILL NOT BE SEEN TONIGHT SO THAT NBC MAY PRESENT THE 3 00:00:06,540 --> 00:00:09,218 GROUND" WILL NOT BE SEEN TONIGHT SO THAT NBC MAY PRESENT THE FOLLOWING SPECIAL PROGRAM. 4 00:00:09,242 --> 00:00:10,809 [COPLAND'S "FANFARE FOR THE 5 00:00:10,943 --> 00:00:11,743 [COMMON MAN"] 6 00:00:11,878 --> 00:00:13,212 AND NOW, IN RESPONSE TO 7 00:00:13,346 --> 00:00:15,014 RONALD REAGAN'S ADDRESS ON THE 8 00:00:15,148 --> 00:00:16,681 PANAMA CANAL ISSUE, HERE IS 9 00:00:16,816 --> 00:00:18,117 FORMER PRESIDENT OF THE 10 00:00:18,251 --> 00:00:24,890 UNITED STATES GERALD R. FORD. 11 00:00:25,025 --> 00:00:26,258 HELLO, MY FELLOW 12 00:00:26,393 --> 00:00:27,893 NORTH AMERICANS. 13 00:00:28,161 --> 00:00:34,177 IT FEELS SO GOOD TO SEE YOU AGAIN. I HAVE NOT... SEEN YOU. 14 00:00:34,201 --> 00:00:36,046 AGAIN. I HAVE NOT... SEEN YOU. I HAVE NOT SEEN YOU OR ADDRESSED 15 00:00:36,070 --> 00:00:37,780 I HAVE NOT... SEEN YOU. I HAVE NOT SEEN YOU OR ADDRESSED THE NATION SINCE MY LAST TIME 16 00:00:37,804 --> 00:00:39,383 I HAVE NOT SEEN YOU OR ADDRESSED THE NATION SINCE MY LAST TIME BEING PRESIDENT. 17 00:00:39,407 --> 00:00:41,951 THE NATION SINCE MY LAST TIME BEING PRESIDENT. TONIGHT, I WISH TO... URGE THE 18 00:00:41,975 --> 00:00:44,354 BEING PRESIDENT. TONIGHT, I WISH TO... URGE THE RATIFICATION BY CONGRESS OF 19 00:00:44,378 --> 00:00:49,526 TONIGHT, I WISH TO... URGE THE RATIFICATION BY CONGRESS OF THE... SUEZ CANAL TREATY. 20 00:00:49,550 --> 00:00:51,128 RATIFICATION BY CONGRESS OF THE... SUEZ CANAL TREATY. I FEEL THAT WE SHOULD TURN OVER 21 00:00:51,152 --> 00:00:52,595 THE... SUEZ CANAL TREATY. I FEEL THAT WE SHOULD TURN OVER THE CANAL TO OUR TINY LITTLE 22 00:00:52,619 --> 00:00:53,997 I FEEL THAT WE SHOULD TURN OVER THE CANAL TO OUR TINY LITTLE NEIGHBORS TO THE SOUTH, THE 23 00:00:54,021 --> 00:00:54,664 THE CANAL TO OUR TINY LITTLE NEIGHBORS TO THE SOUTH, THE PANAMITES. 24 00:00:54,688 --> 00:00:57,100 NEIGHBORS TO THE SOUTH, THE PANAMITES. [TELEPHONE RINGS] 25 00:00:57,124 --> 00:00:58,601 PANAMITES. [TELEPHONE RINGS] EXCUSE ME. 26 00:00:58,625 --> 00:01:01,638 [TELEPHONE RINGS] EXCUSE ME. HELLO. 27 00:01:01,662 --> 00:01:05,842 EXCUSE ME. HELLO. [RINGING CONTINUES] 28 00:01:05,866 --> 00:01:07,577 HELLO. [RINGING CONTINUES] HELLO. 29 00:01:07,601 --> 00:01:11,381 [RINGING CONTINUES] HELLO. HONEY, IT'S SOUP NOW. 30 00:01:11,405 --> 00:01:12,715 HELLO. HONEY, IT'S SOUP NOW. THANK YOU, BETTY. 31 00:01:12,739 --> 00:01:14,184 HONEY, IT'S SOUP NOW. THANK YOU, BETTY. I'M ON TELEVISION NOW. 32 00:01:14,208 --> 00:01:15,385 THANK YOU, BETTY. I'M ON TELEVISION NOW. OH, I'M SORRY. 33 00:01:15,409 --> 00:01:16,653 I'M ON TELEVISION NOW. OH, I'M SORRY. OH, THAT'S OKAY. 34 00:01:16,677 --> 00:01:17,687 OH, I'M SORRY. OH, THAT'S OKAY. BRING IT DOWN. 35 00:01:17,711 --> 00:01:18,922 OH, THAT'S OKAY. BRING IT DOWN. YOU KNOW HOW I AM. 36 00:01:18,946 --> 00:01:20,823 BRING IT DOWN. YOU KNOW HOW I AM. WHEN IT'S SOUP, I'M ON THE GO. 37 00:01:20,847 --> 00:01:28,165 YOU KNOW HOW I AM. WHEN IT'S SOUP, I'M ON THE GO. OKAY. 38 00:01:28,189 --> 00:01:36,189 WHEN IT'S SOUP, I'M ON THE GO. OKAY. YOU KNOW... LIBERTY, SIT. 39 00:01:37,998 --> 00:01:39,409 OKAY. YOU KNOW... LIBERTY, SIT. EVERY ADMINISTRATION SINCE 40 00:01:39,433 --> 00:01:41,111 YOU KNOW... LIBERTY, SIT. EVERY ADMINISTRATION SINCE LYNDON JOHNSON HAS BEEN IN FAVOR 41 00:01:41,135 --> 00:01:42,512 EVERY ADMINISTRATION SINCE LYNDON JOHNSON HAS BEEN IN FAVOR OF THIS TREATY. 42 00:01:42,536 --> 00:01:44,881 LYNDON JOHNSON HAS BEEN IN FAVOR OF THIS TREATY. I WOULD SAY THAT WAS JOHNSON, 43 00:01:44,905 --> 00:01:47,117 OF THIS TREATY. I WOULD SAY THAT WAS JOHNSON, NIXON, CARTER, ME... THAT'S 44 00:01:47,141 --> 00:01:48,685 I WOULD SAY THAT WAS JOHNSON, NIXON, CARTER, ME... THAT'S THREE. 45 00:01:48,709 --> 00:01:50,253 NIXON, CARTER, ME... THAT'S THREE. THREE AND A HALF, IF YOU COUNT 46 00:01:50,277 --> 00:01:52,822 THREE. THREE AND A HALF, IF YOU COUNT ME. 47 00:01:52,846 --> 00:02:00,846 THREE AND A HALF, IF YOU COUNT ME. OH, BETTY. 48 00:02:01,054 --> 00:02:02,732 ME. OH, BETTY. NOW, HURRY UP AND EAT YOUR 49 00:02:02,756 --> 00:02:04,568 OH, BETTY. NOW, HURRY UP AND EAT YOUR SOUP, DEAR, BECAUSE IF YOU DON'T 50 00:02:04,592 --> 00:02:06,269 NOW, HURRY UP AND EAT YOUR SOUP, DEAR, BECAUSE IF YOU DON'T EAT IT QUICK, IT TURNS INTO A 51 00:02:06,293 --> 00:02:07,870 SOUP, DEAR, BECAUSE IF YOU DON'T EAT IT QUICK, IT TURNS INTO A CUP OF NASTY CHEMICALS. 52 00:02:07,894 --> 00:02:10,240 EAT IT QUICK, IT TURNS INTO A CUP OF NASTY CHEMICALS. AND SINCE I'M HERE, I'D LIKE TO 53 00:02:10,264 --> 00:02:12,242 CUP OF NASTY CHEMICALS. AND SINCE I'M HERE, I'D LIKE TO SAY HELLO AND REITERATE MY 54 00:02:12,266 --> 00:02:13,943 AND SINCE I'M HERE, I'D LIKE TO SAY HELLO AND REITERATE MY SUPPORT OF THE E.R.A. 55 00:02:13,967 --> 00:02:16,846 SAY HELLO AND REITERATE MY SUPPORT OF THE E.R.A. THANK YOU. 56 00:02:16,870 --> 00:02:18,348 SUPPORT OF THE E.R.A. THANK YOU. THANK YOU, RON. 57 00:02:18,372 --> 00:02:20,683 THANK YOU. THANK YOU, RON. I'M SURE ALL THE EEL RAYS WILL 58 00:02:20,707 --> 00:02:22,452 THANK YOU, RON. I'M SURE ALL THE EEL RAYS WILL BE APPRECIATIVE OF IT. 59 00:02:22,476 --> 00:02:24,020 I'M SURE ALL THE EEL RAYS WILL BE APPRECIATIVE OF IT. NOW, MANY PEOPLE ARE CONFUSED 60 00:02:24,044 --> 00:02:25,655 BE APPRECIATIVE OF IT. NOW, MANY PEOPLE ARE CONFUSED ABOUT THE SUEZ CANAL, AND WELL 61 00:02:25,679 --> 00:02:27,224 NOW, MANY PEOPLE ARE CONFUSED ABOUT THE SUEZ CANAL, AND WELL MIGHT THEY BE. 62 00:02:27,248 --> 00:02:30,208 ABOUT THE SUEZ CANAL, AND WELL MIGHT THEY BE. LET'S LOOK AT A MAP, SHALL WE? 63 00:02:42,895 --> 00:02:49,613 BEFORE THERE WAS A SUEZ CANAL, IF YOU HAPPENED TO HAVE A BOAT OR WERE ON A BOAT AND WANTED TO 64 00:02:49,637 --> 00:02:51,814 IF YOU HAPPENED TO HAVE A BOAT OR WERE ON A BOAT AND WANTED TO GET FROM WASHINGTON, D.C., TO 65 00:02:51,838 --> 00:02:54,083 OR WERE ON A BOAT AND WANTED TO GET FROM WASHINGTON, D.C., TO SAN FRANCISCO, YOU HAD TO KIND 66 00:02:54,107 --> 00:02:56,907 GET FROM WASHINGTON, D.C., TO SAN FRANCISCO, YOU HAD TO KIND OF DO THIS. 67 00:03:02,448 --> 00:03:09,766 VERY LONG WAY DOWN AND AROUND THE CAPE OF GOOD HORN. UP AND THROUGH. 68 00:03:09,790 --> 00:03:14,037 THE CAPE OF GOOD HORN. UP AND THROUGH. THIS WAS NOT EASY. 69 00:03:14,061 --> 00:03:15,639 UP AND THROUGH. THIS WAS NOT EASY. NOW, YOU WOULD HAVE BEEN SO 70 00:03:15,663 --> 00:03:17,407 THIS WAS NOT EASY. NOW, YOU WOULD HAVE BEEN SO SURPRISED AND UNHAPPY YOU HAVE 71 00:03:17,431 --> 00:03:18,941 NOW, YOU WOULD HAVE BEEN SO SURPRISED AND UNHAPPY YOU HAVE NOT SEEN THE CANAL. 72 00:03:18,965 --> 00:03:20,477 SURPRISED AND UNHAPPY YOU HAVE NOT SEEN THE CANAL. WE'VE CHANGED THAT. 73 00:03:20,501 --> 00:03:22,744 NOT SEEN THE CANAL. WE'VE CHANGED THAT. LET'S TAKE A LOOK, SHALL WE? 74 00:03:22,768 --> 00:03:24,670 NOW, SHOULD WE WANT TO GET TO 75 00:03:24,804 --> 00:03:28,139 CALIFORNIA, WE SIMPLY COME DOWN 76 00:03:28,274 --> 00:03:31,577 AROUND HERE THE SAME WAY TO THE 77 00:03:31,711 --> 00:03:36,915 CANAL... 78 00:03:37,049 --> 00:03:38,983 ON THE WEST COAST OF THE 79 00:03:39,118 --> 00:03:40,852 PARDON RIVER. 80 00:03:41,120 --> 00:03:47,370 AGAIN, IF WE COULD HAVE JUST ANOTHER GLIMPSE OF THE NEW MAP... 81 00:03:47,394 --> 00:03:50,340 ANOTHER GLIMPSE OF THE NEW MAP... TURN THIS AROUND HERE. 82 00:03:50,364 --> 00:03:58,364 MAP... TURN THIS AROUND HERE. ALMOST WENT. 83 00:03:59,707 --> 00:04:01,851 TURN THIS AROUND HERE. ALMOST WENT. LIVE FROM NEW YORK, IT'S 84 00:04:01,875 --> 00:04:03,820 ALMOST WENT. LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! 85 00:04:03,844 --> 00:04:11,844 LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! [BAND PLAYS] 86 00:04:13,120 --> 00:04:14,931 "SATURDAY NIGHT"! [BAND PLAYS] Announcer: IT'S 87 00:04:14,955 --> 00:04:20,169 [BAND PLAYS] Announcer: IT'S "SATURDAY NIGHT LIVE." 88 00:04:20,193 --> 00:04:22,694 Announcer: IT'S "SATURDAY NIGHT LIVE." STARRING... 89 00:04:33,306 --> 00:04:35,707 WITH A SPECIAL GUEST... 90 00:05:00,933 --> 00:05:06,438 LADIES AND GENTLEMEN, CHEVY CHASE! [CHEERS AND APPLAUSE] 91 00:05:21,887 --> 00:05:25,402 WHOO! THANK YOU. THANK YOU VERY MUCH. 92 00:05:25,426 --> 00:05:26,603 THANK YOU. THANK YOU VERY MUCH. I CAN'T BELIEVE THIS. 93 00:05:26,627 --> 00:05:28,338 THANK YOU VERY MUCH. I CAN'T BELIEVE THIS. IT'S BEEN OVER A YEAR SINCE I'VE 94 00:05:28,362 --> 00:05:30,039 I CAN'T BELIEVE THIS. IT'S BEEN OVER A YEAR SINCE I'VE BEEN GONE, AND I REALLY MISS THE 95 00:05:30,063 --> 00:05:30,507 IT'S BEEN OVER A YEAR SINCE I'VE BEEN GONE, AND I REALLY MISS THE SHOW. 96 00:05:30,531 --> 00:05:32,108 BEEN GONE, AND I REALLY MISS THE SHOW. I'LL TELL YOU ONE THING I MISS 97 00:05:32,132 --> 00:05:33,343 SHOW. I'LL TELL YOU ONE THING I MISS MORE THAN ANYTHING... 98 00:05:33,367 --> 00:05:34,177 I'LL TELL YOU ONE THING I MISS MORE THAN ANYTHING... [LAUGHTER] 99 00:05:34,201 --> 00:05:35,912 MORE THAN ANYTHING... [LAUGHTER] QUITE SERIOUSLY, AND THAT IS 100 00:05:35,936 --> 00:05:36,746 [LAUGHTER] QUITE SERIOUSLY, AND THAT IS THE APPLAUSE. 101 00:05:36,770 --> 00:05:38,348 QUITE SERIOUSLY, AND THAT IS THE APPLAUSE. I HAVE MISSED THAT MORE THAN 102 00:05:38,372 --> 00:05:39,015 THE APPLAUSE. I HAVE MISSED THAT MORE THAN ANYTHING. 103 00:05:39,039 --> 00:05:42,752 I HAVE MISSED THAT MORE THAN ANYTHING. [CHEERS AND APPLAUSE] 104 00:05:42,776 --> 00:05:45,188 ANYTHING. [CHEERS AND APPLAUSE] THANK YOU. 105 00:05:45,212 --> 00:05:49,025 [CHEERS AND APPLAUSE] THANK YOU. THANK YOU, REALLY. 106 00:05:49,049 --> 00:05:50,393 THANK YOU. THANK YOU, REALLY. I JUST WANT TO SAY THAT MY 107 00:05:50,417 --> 00:05:51,928 THANK YOU, REALLY. I JUST WANT TO SAY THAT MY FRIENDS, THE PEOPLE WHO PUT ON 108 00:05:51,952 --> 00:05:53,396 I JUST WANT TO SAY THAT MY FRIENDS, THE PEOPLE WHO PUT ON "SATURDAY NIGHT," EVEN SINCE 109 00:05:53,420 --> 00:05:54,731 FRIENDS, THE PEOPLE WHO PUT ON "SATURDAY NIGHT," EVEN SINCE I'VE BEEN GONE... BEFORE, 110 00:05:54,755 --> 00:05:56,265 "SATURDAY NIGHT," EVEN SINCE I'VE BEEN GONE... BEFORE, AFTER... STILL PUT ON THE BEST 111 00:05:56,289 --> 00:05:57,734 I'VE BEEN GONE... BEFORE, AFTER... STILL PUT ON THE BEST DAMN COMEDY SHOW ON THE AIR. 112 00:05:57,758 --> 00:06:03,172 AFTER... STILL PUT ON THE BEST DAMN COMEDY SHOW ON THE AIR. [CHEERS AND APPLAUSE] 113 00:06:03,196 --> 00:06:04,974 DAMN COMEDY SHOW ON THE AIR. [CHEERS AND APPLAUSE] AND I THANK YOU... I THANK YOU 114 00:06:04,998 --> 00:06:06,042 [CHEERS AND APPLAUSE] AND I THANK YOU... I THANK YOU ON THEIR BEHALF. 115 00:06:06,066 --> 00:06:06,543 AND I THANK YOU... I THANK YOU ON THEIR BEHALF. I DO. 116 00:06:06,567 --> 00:06:08,345 ON THEIR BEHALF. I DO. I MUST TELL YOU, IT'S GREAT TO 117 00:06:08,369 --> 00:06:09,679 I DO. I MUST TELL YOU, IT'S GREAT TO BE BACK IN THIS TOWN. 118 00:06:09,703 --> 00:06:11,113 I MUST TELL YOU, IT'S GREAT TO BE BACK IN THIS TOWN. AND I THINK... LET'S BE 119 00:06:11,137 --> 00:06:12,882 BE BACK IN THIS TOWN. AND I THINK... LET'S BE HONEST... NEW YORK CITY IS THE 120 00:06:12,906 --> 00:06:14,551 AND I THINK... LET'S BE HONEST... NEW YORK CITY IS THE GREATEST CITY IN THE WORLD, 121 00:06:14,575 --> 00:06:15,251 HONEST... NEW YORK CITY IS THE GREATEST CITY IN THE WORLD, ISN'T IT? 122 00:06:15,275 --> 00:06:20,056 GREATEST CITY IN THE WORLD, ISN'T IT? [APPLAUSE] 123 00:06:20,080 --> 00:06:22,191 ISN'T IT? [APPLAUSE] YOU KNOW, THIS TRIP, I'VE BEEN 124 00:06:22,215 --> 00:06:24,026 [APPLAUSE] YOU KNOW, THIS TRIP, I'VE BEEN SPENDING A LOT OF TIME IN 125 00:06:24,050 --> 00:06:24,894 YOU KNOW, THIS TRIP, I'VE BEEN SPENDING A LOT OF TIME IN BROOKLYN. 126 00:06:24,918 --> 00:06:28,331 SPENDING A LOT OF TIME IN BROOKLYN. [CHEERS AND APPLAUSE] 127 00:06:28,355 --> 00:06:29,566 BROOKLYN. [CHEERS AND APPLAUSE] YESTERDAY... I DON'T KNOW, IN 128 00:06:29,590 --> 00:06:30,834 [CHEERS AND APPLAUSE] YESTERDAY... I DON'T KNOW, IN LOS ANGELES, WE DON'T HAVE MANY 129 00:06:30,858 --> 00:06:31,901 YESTERDAY... I DON'T KNOW, IN LOS ANGELES, WE DON'T HAVE MANY DELICATESSENS, YOU KNOW? 130 00:06:31,925 --> 00:06:32,935 LOS ANGELES, WE DON'T HAVE MANY DELICATESSENS, YOU KNOW? THEY DON'T HAVE NEGROES. 131 00:06:32,959 --> 00:06:34,237 DELICATESSENS, YOU KNOW? THEY DON'T HAVE NEGROES. THEY HAVE NOTHING. 132 00:06:34,261 --> 00:06:35,204 THEY DON'T HAVE NEGROES. THEY HAVE NOTHING. [LAUGHTER] 133 00:06:35,228 --> 00:06:36,939 THEY HAVE NOTHING. [LAUGHTER] BUT I SPENT A LOT OF TIME 134 00:06:36,963 --> 00:06:38,408 [LAUGHTER] BUT I SPENT A LOT OF TIME YESTERDAY AT A LITTLE 135 00:06:38,432 --> 00:06:40,009 BUT I SPENT A LOT OF TIME YESTERDAY AT A LITTLE DELICATESSEN IN QUEENS. 136 00:06:40,033 --> 00:06:40,977 YESTERDAY AT A LITTLE DELICATESSEN IN QUEENS. [APPLAUSE] 137 00:06:41,001 --> 00:06:43,513 DELICATESSEN IN QUEENS. [APPLAUSE] QUEENS. 138 00:06:43,537 --> 00:06:45,181 [APPLAUSE] QUEENS. OF COURSE, THERE'S NO PLACE MORE 139 00:06:45,205 --> 00:06:46,916 QUEENS. OF COURSE, THERE'S NO PLACE MORE EXCITING THAN MANHATTAN TO ME. 140 00:06:46,940 --> 00:06:48,150 OF COURSE, THERE'S NO PLACE MORE EXCITING THAN MANHATTAN TO ME. [APPLAUSE] 141 00:06:48,174 --> 00:06:50,420 EXCITING THAN MANHATTAN TO ME. [APPLAUSE] MANHATTAN IS... UNLESS, OF 142 00:06:50,444 --> 00:06:52,889 [APPLAUSE] MANHATTAN IS... UNLESS, OF COURSE, THAT PLACE IS QUEENS. 143 00:06:52,913 --> 00:06:56,659 MANHATTAN IS... UNLESS, OF COURSE, THAT PLACE IS QUEENS. [CHEERS AND APPLAUSE] 144 00:06:56,683 --> 00:06:59,061 COURSE, THAT PLACE IS QUEENS. [CHEERS AND APPLAUSE] I THINK THAT IT'S VERY HARD TO 145 00:06:59,085 --> 00:07:01,330 [CHEERS AND APPLAUSE] I THINK THAT IT'S VERY HARD TO EXPRESS HOW I FEEL IN WORDS, 146 00:07:01,354 --> 00:07:03,600 I THINK THAT IT'S VERY HARD TO EXPRESS HOW I FEEL IN WORDS, AND, WELL, IF IT'S ALL RIGHT 147 00:07:03,624 --> 00:07:06,102 EXPRESS HOW I FEEL IN WORDS, AND, WELL, IF IT'S ALL RIGHT WITH YOU, I'D JUST LIKE TO SING 148 00:07:06,126 --> 00:07:07,470 AND, WELL, IF IT'S ALL RIGHT WITH YOU, I'D JUST LIKE TO SING A SHORT NUMBER. 149 00:07:07,494 --> 00:07:12,141 WITH YOU, I'D JUST LIKE TO SING A SHORT NUMBER. [PIANO PLAYS NOTE] 150 00:07:12,165 --> 00:07:15,111 A SHORT NUMBER. [PIANO PLAYS NOTE] ♪ THE MORE I SEE YOU ♪ 151 00:07:15,135 --> 00:07:18,715 [PIANO PLAYS NOTE] ♪ THE MORE I SEE YOU ♪ [BAND PLAYS] 152 00:07:18,739 --> 00:07:24,086 ♪ THE MORE I SEE YOU ♪ [BAND PLAYS] ♪ THE MORE I WANT YOU ♪ 153 00:07:24,110 --> 00:07:28,124 [BAND PLAYS] ♪ THE MORE I WANT YOU ♪ ♪ SOMEHOW THIS FEELING JUST 154 00:07:28,148 --> 00:07:31,661 ♪ THE MORE I WANT YOU ♪ ♪ SOMEHOW THIS FEELING JUST GROWS ♪ 155 00:07:31,685 --> 00:07:32,529 ♪ SOMEHOW THIS FEELING JUST GROWS ♪ THANK YOU. 156 00:07:32,553 --> 00:07:34,263 GROWS ♪ THANK YOU. HOW ABOUT THAT BAND, HUH? 157 00:07:34,287 --> 00:07:40,770 THANK YOU. HOW ABOUT THAT BAND, HUH? [CHEERS AND APPLAUSE] 158 00:07:40,794 --> 00:07:42,371 HOW ABOUT THAT BAND, HUH? [CHEERS AND APPLAUSE] [MUSIC STOPS] 159 00:07:42,395 --> 00:07:43,907 [CHEERS AND APPLAUSE] [MUSIC STOPS] [BAND PLAYS] 160 00:07:43,931 --> 00:07:51,514 [MUSIC STOPS] [BAND PLAYS] YOU KNOW, IT'S GONNA... 161 00:07:51,538 --> 00:07:53,950 [BAND PLAYS] YOU KNOW, IT'S GONNA... [MUSIC STOPS] 162 00:07:53,974 --> 00:07:54,784 YOU KNOW, IT'S GONNA... [MUSIC STOPS] WHAT A WEEK. 163 00:07:54,808 --> 00:07:56,486 [MUSIC STOPS] WHAT A WEEK. NOT JUST FOR ME... I GUESS WE 164 00:07:56,510 --> 00:07:58,287 WHAT A WEEK. NOT JUST FOR ME... I GUESS WE FOUND A REAL-LIFE ROCKY IN THAT 165 00:07:58,311 --> 00:07:59,388 NOT JUST FOR ME... I GUESS WE FOUND A REAL-LIFE ROCKY IN THAT LEON SPINKS, HUH? 166 00:07:59,412 --> 00:08:00,523 FOUND A REAL-LIFE ROCKY IN THAT LEON SPINKS, HUH? WHAT DO YOU THINK? 167 00:08:00,547 --> 00:08:02,258 LEON SPINKS, HUH? WHAT DO YOU THINK? [CHEERS AND APPLAUSE] 168 00:08:02,282 --> 00:08:03,560 WHAT DO YOU THINK? [CHEERS AND APPLAUSE] YEAH. YEAH. 169 00:08:03,584 --> 00:08:04,894 [CHEERS AND APPLAUSE] YEAH. YEAH. HE DESERVES A LOT OF CREDIT. 170 00:08:04,918 --> 00:08:05,728 YEAH. YEAH. HE DESERVES A LOT OF CREDIT. HE REALLY DOES. 171 00:08:05,752 --> 00:08:07,096 HE DESERVES A LOT OF CREDIT. HE REALLY DOES. I DON'T WANT TO TAKE ANYTHING 172 00:08:07,120 --> 00:08:08,631 HE REALLY DOES. I DON'T WANT TO TAKE ANYTHING AWAY FROM, I THINK, THE GREATEST 173 00:08:08,655 --> 00:08:09,933 I DON'T WANT TO TAKE ANYTHING AWAY FROM, I THINK, THE GREATEST HEAVYWEIGHT CHAMPION OF ALL 174 00:08:09,957 --> 00:08:11,400 AWAY FROM, I THINK, THE GREATEST HEAVYWEIGHT CHAMPION OF ALL TIME... NO QUESTION ABOUT IT... 175 00:08:11,424 --> 00:08:12,134 HEAVYWEIGHT CHAMPION OF ALL TIME... NO QUESTION ABOUT IT... MUHAMMAD ALI. 176 00:08:12,158 --> 00:08:15,872 TIME... NO QUESTION ABOUT IT... MUHAMMAD ALI. [CHEERS AND APPLAUSE] 177 00:08:15,896 --> 00:08:17,640 MUHAMMAD ALI. [CHEERS AND APPLAUSE] HOW ABOUT THAT MURIEL HUMPHREY, 178 00:08:17,664 --> 00:08:19,041 [CHEERS AND APPLAUSE] HOW ABOUT THAT MURIEL HUMPHREY, HUH? 179 00:08:19,065 --> 00:08:21,511 HOW ABOUT THAT MURIEL HUMPHREY, HUH? ABSOLUTELY. 180 00:08:21,535 --> 00:08:23,746 HUH? ABSOLUTELY. HALDEMAN'S BOOK COMING OUT... 181 00:08:23,770 --> 00:08:26,115 ABSOLUTELY. HALDEMAN'S BOOK COMING OUT... EVEN MORE DIRT ABOUT WATERGATE. 182 00:08:26,139 --> 00:08:28,150 HALDEMAN'S BOOK COMING OUT... EVEN MORE DIRT ABOUT WATERGATE. I DON'T KNOW HOW YOU FEEL. 183 00:08:28,174 --> 00:08:30,453 EVEN MORE DIRT ABOUT WATERGATE. I DON'T KNOW HOW YOU FEEL. DON'T YOU THINK NIXON SUFFERED 184 00:08:30,477 --> 00:08:32,789 I DON'T KNOW HOW YOU FEEL. DON'T YOU THINK NIXON SUFFERED MUCH... ENOUGH... MUCH TOO MUCH? 185 00:08:32,813 --> 00:08:34,491 DON'T YOU THINK NIXON SUFFERED MUCH... ENOUGH... MUCH TOO MUCH? [LAUGHTER] 186 00:08:34,515 --> 00:08:36,726 MUCH... ENOUGH... MUCH TOO MUCH? [LAUGHTER] HASN'T SUFFERED ENOUGH, HAS HE? 187 00:08:36,750 --> 00:08:37,927 [LAUGHTER] HASN'T SUFFERED ENOUGH, HAS HE? [CHEERS AND APPLAUSE] 188 00:08:37,951 --> 00:08:39,328 HASN'T SUFFERED ENOUGH, HAS HE? [CHEERS AND APPLAUSE] SHOULD HAVE PUT HIM IN JAIL, 189 00:08:39,352 --> 00:08:39,796 [CHEERS AND APPLAUSE] SHOULD HAVE PUT HIM IN JAIL, RIGHT? 190 00:08:39,820 --> 00:08:40,964 SHOULD HAVE PUT HIM IN JAIL, RIGHT? [CHEERS AND APPLAUSE] 191 00:08:40,988 --> 00:08:42,031 RIGHT? [CHEERS AND APPLAUSE] AND AGNEW, TOO, RIGHT? 192 00:08:42,055 --> 00:08:43,232 [CHEERS AND APPLAUSE] AND AGNEW, TOO, RIGHT? [CHEERS AND APPLAUSE] 193 00:08:43,256 --> 00:08:43,800 AND AGNEW, TOO, RIGHT? [CHEERS AND APPLAUSE] YEAH! 194 00:08:43,824 --> 00:08:45,568 [CHEERS AND APPLAUSE] YEAH! YOU KNOW WHAT I REALLY LOVE 195 00:08:45,592 --> 00:08:46,936 YEAH! YOU KNOW WHAT I REALLY LOVE ABOUT YOUR APPLAUSE? 196 00:08:46,960 --> 00:08:48,270 YOU KNOW WHAT I REALLY LOVE ABOUT YOUR APPLAUSE? IS ITS SPONTANEITY. 197 00:08:48,294 --> 00:08:50,172 ABOUT YOUR APPLAUSE? IS ITS SPONTANEITY. [LAUGHTER] 198 00:08:50,196 --> 00:08:51,841 IS ITS SPONTANEITY. [LAUGHTER] THAT'S KIND OF WHAT LIVE TV's 199 00:08:51,865 --> 00:08:54,210 [LAUGHTER] THAT'S KIND OF WHAT LIVE TV's ABOUT... GREAT LIVE TELEVISION. 200 00:08:54,234 --> 00:08:56,412 THAT'S KIND OF WHAT LIVE TV's ABOUT... GREAT LIVE TELEVISION. IT SEEMS SPONTANEOUS, BUT, YOU 201 00:08:56,436 --> 00:08:58,114 ABOUT... GREAT LIVE TELEVISION. IT SEEMS SPONTANEOUS, BUT, YOU SEE, IT REALLY ISN'T. 202 00:08:58,138 --> 00:09:00,349 IT SEEMS SPONTANEOUS, BUT, YOU SEE, IT REALLY ISN'T. EVERY WORD IS WRITTEN OUT AND 203 00:09:00,373 --> 00:09:01,784 SEE, IT REALLY ISN'T. EVERY WORD IS WRITTEN OUT AND PUT ON CUE CARDS. 204 00:09:01,808 --> 00:09:02,785 EVERY WORD IS WRITTEN OUT AND PUT ON CUE CARDS. IT'S TRUE. 205 00:09:02,809 --> 00:09:04,020 PUT ON CUE CARDS. IT'S TRUE. I'LL SHOW YOU. 206 00:09:04,044 --> 00:09:06,055 IT'S TRUE. I'LL SHOW YOU. AL, COULD YOU GIVE ME A CARD? 207 00:09:06,079 --> 00:09:08,257 I'LL SHOW YOU. AL, COULD YOU GIVE ME A CARD? SEE, THIS IS REALLY THE ILLUSION 208 00:09:08,281 --> 00:09:10,560 AL, COULD YOU GIVE ME A CARD? SEE, THIS IS REALLY THE ILLUSION OF SPONTANEITY. 209 00:09:10,584 --> 00:09:12,061 SEE, THIS IS REALLY THE ILLUSION OF SPONTANEITY. UH, WE... 210 00:09:12,085 --> 00:09:14,463 OF SPONTANEITY. UH, WE... [LAUGHTER] 211 00:09:14,487 --> 00:09:15,665 UH, WE... [LAUGHTER] THANKS, AL. 212 00:09:15,689 --> 00:09:17,667 [LAUGHTER] THANKS, AL. GIVE ME THE NEXT CARD. 213 00:09:17,691 --> 00:09:19,435 THANKS, AL. GIVE ME THE NEXT CARD. OH, BY THE WAY, AL. 214 00:09:19,459 --> 00:09:20,870 GIVE ME THE NEXT CARD. OH, BY THE WAY, AL. COME ON UP HERE, AL. 215 00:09:20,894 --> 00:09:28,711 OH, BY THE WAY, AL. COME ON UP HERE, AL. [LAUGHTER, CHEERS, APPLAUSE] 216 00:09:28,735 --> 00:09:30,079 COME ON UP HERE, AL. [LAUGHTER, CHEERS, APPLAUSE] THIS IS... THIS IS AL SIEGEL, 217 00:09:30,103 --> 00:09:31,548 [LAUGHTER, CHEERS, APPLAUSE] THIS IS... THIS IS AL SIEGEL, OUR CUE-CARD MAN, AND HE'S DONE 218 00:09:31,572 --> 00:09:32,214 THIS IS... THIS IS AL SIEGEL, OUR CUE-CARD MAN, AND HE'S DONE A GREAT JOB. 219 00:09:32,238 --> 00:09:33,650 OUR CUE-CARD MAN, AND HE'S DONE A GREAT JOB. HE'S GOT A LOT TO DO, A LOT OF 220 00:09:33,674 --> 00:09:34,050 A GREAT JOB. HE'S GOT A LOT TO DO, A LOT OF WORK. 221 00:09:34,074 --> 00:09:35,351 HE'S GOT A LOT TO DO, A LOT OF WORK. INCIDENTALLY, YOU'VE BEEN A 222 00:09:35,375 --> 00:09:36,152 WORK. INCIDENTALLY, YOU'VE BEEN A GREAT AUDIENCE. 223 00:09:36,176 --> 00:09:37,654 INCIDENTALLY, YOU'VE BEEN A GREAT AUDIENCE. I THINK YOU ALL OWE YOURSELVES A 224 00:09:37,678 --> 00:09:38,555 GREAT AUDIENCE. I THINK YOU ALL OWE YOURSELVES A ROUND OF APPLAUSE. 225 00:09:38,579 --> 00:09:39,055 I THINK YOU ALL OWE YOURSELVES A ROUND OF APPLAUSE. PLEASE. 226 00:09:39,079 --> 00:09:41,624 ROUND OF APPLAUSE. PLEASE. [CHEERS AND APPLAUSE] 227 00:09:41,648 --> 00:09:43,660 PLEASE. [CHEERS AND APPLAUSE] WE'LL BE RIGHT BACK AFTER THIS 228 00:09:43,684 --> 00:09:44,661 [CHEERS AND APPLAUSE] WE'LL BE RIGHT BACK AFTER THIS MESSAGE. 229 00:09:44,685 --> 00:09:46,618 WE'LL BE RIGHT BACK AFTER THIS MESSAGE. [APPLAUSE] 230 00:09:52,992 --> 00:09:56,606 HOW MANY TIMES HAS THIS HAPPENED TO YOU? YOU HAVE A BAG OF MOTHS... YES, 231 00:09:56,630 --> 00:09:58,041 HAPPENED TO YOU? YOU HAVE A BAG OF MOTHS... YES, MOTHS... AND YOU'RE TRYING TO 232 00:09:58,065 --> 00:09:59,508 YOU HAVE A BAG OF MOTHS... YES, MOTHS... AND YOU'RE TRYING TO FIND A FAST, EFFICIENT WAY TO 233 00:09:59,532 --> 00:10:01,044 MOTHS... AND YOU'RE TRYING TO FIND A FAST, EFFICIENT WAY TO REDUCE THESE MOTHS INTO A FLAT, 234 00:10:01,068 --> 00:10:02,078 FIND A FAST, EFFICIENT WAY TO REDUCE THESE MOTHS INTO A FLAT, EASILY PORTABLE SIZE. 235 00:10:02,102 --> 00:10:03,512 REDUCE THESE MOTHS INTO A FLAT, EASILY PORTABLE SIZE. AS EVERYONE KNOWS, FRESH MOTHS 236 00:10:03,536 --> 00:10:04,681 EASILY PORTABLE SIZE. AS EVERYONE KNOWS, FRESH MOTHS IN THE BAG ARE BULKY AND 237 00:10:04,705 --> 00:10:06,082 AS EVERYONE KNOWS, FRESH MOTHS IN THE BAG ARE BULKY AND UNMANAGEABLE, DUE TO THE SHEER 238 00:10:06,106 --> 00:10:07,450 IN THE BAG ARE BULKY AND UNMANAGEABLE, DUE TO THE SHEER VOLUME OF THEIR STOUT, LITTLE 239 00:10:07,474 --> 00:10:08,851 UNMANAGEABLE, DUE TO THE SHEER VOLUME OF THEIR STOUT, LITTLE BODIES, AND IT JUST SEEMS THAT 240 00:10:08,875 --> 00:10:09,986 VOLUME OF THEIR STOUT, LITTLE BODIES, AND IT JUST SEEMS THAT NO AMOUNT OF HAMMERING, 241 00:10:10,010 --> 00:10:11,353 BODIES, AND IT JUST SEEMS THAT NO AMOUNT OF HAMMERING, CRUSHING, OR POUNDING BY HAND 242 00:10:11,377 --> 00:10:12,722 NO AMOUNT OF HAMMERING, CRUSHING, OR POUNDING BY HAND EVER GETS THE MOTHS AS CLEAN, 243 00:10:12,746 --> 00:10:14,223 CRUSHING, OR POUNDING BY HAND EVER GETS THE MOTHS AS CLEAN, FLAT, AND PORTABLE AS YOU REALLY 244 00:10:14,247 --> 00:10:17,093 EVER GETS THE MOTHS AS CLEAN, FLAT, AND PORTABLE AS YOU REALLY WANT THEM. 245 00:10:17,117 --> 00:10:18,527 FLAT, AND PORTABLE AS YOU REALLY WANT THEM. WELL, THOSE DAYS OF FRUSTRATING, 246 00:10:18,551 --> 00:10:19,896 WANT THEM. WELL, THOSE DAYS OF FRUSTRATING, DISORDERLY, MESSY MOTH PRESSING 247 00:10:19,920 --> 00:10:21,330 WELL, THOSE DAYS OF FRUSTRATING, DISORDERLY, MESSY MOTH PRESSING ARE FINALLY OVER BECAUSE NOW YOU 248 00:10:21,354 --> 00:10:22,699 DISORDERLY, MESSY MOTH PRESSING ARE FINALLY OVER BECAUSE NOW YOU CAN DO IT THIS DYNAMIC, MODERN 249 00:10:22,723 --> 00:10:23,800 ARE FINALLY OVER BECAUSE NOW YOU CAN DO IT THIS DYNAMIC, MODERN WAY WITH THIS INCREDIBLE 250 00:10:23,824 --> 00:10:25,568 CAN DO IT THIS DYNAMIC, MODERN WAY WITH THIS INCREDIBLE HOUSEHOLD TOOL, THE MOTH MASHER. 251 00:10:25,592 --> 00:10:27,303 WAY WITH THIS INCREDIBLE HOUSEHOLD TOOL, THE MOTH MASHER. YES, MOTH MASHER IS THE AMAZING, 252 00:10:27,327 --> 00:10:28,871 HOUSEHOLD TOOL, THE MOTH MASHER. YES, MOTH MASHER IS THE AMAZING, NEW HOT-PRESS MOTH-COMPACTOR 253 00:10:28,895 --> 00:10:29,639 YES, MOTH MASHER IS THE AMAZING, NEW HOT-PRESS MOTH-COMPACTOR FROM ROVCO. 254 00:10:29,663 --> 00:10:30,940 NEW HOT-PRESS MOTH-COMPACTOR FROM ROVCO. HERE'S HOW IT WORKS. 255 00:10:30,964 --> 00:10:32,909 FROM ROVCO. HERE'S HOW IT WORKS. SIMPLY PLACE THE NUMBER OF MOTHS 256 00:10:32,933 --> 00:10:34,811 HERE'S HOW IT WORKS. SIMPLY PLACE THE NUMBER OF MOTHS THAT YOU WANT TO CARRY WITH YOU 257 00:10:34,835 --> 00:10:36,479 SIMPLY PLACE THE NUMBER OF MOTHS THAT YOU WANT TO CARRY WITH YOU IN THE MOTH MASHER'S PRECUT 258 00:10:36,503 --> 00:10:40,650 THAT YOU WANT TO CARRY WITH YOU IN THE MOTH MASHER'S PRECUT PLASTIC PANELS. 259 00:10:40,674 --> 00:10:43,352 IN THE MOTH MASHER'S PRECUT PLASTIC PANELS. THEN PUT THE PANELS IN THE MOTH 260 00:10:43,376 --> 00:10:44,220 PLASTIC PANELS. THEN PUT THE PANELS IN THE MOTH MASHER. 261 00:10:44,244 --> 00:10:45,655 THEN PUT THE PANELS IN THE MOTH MASHER. PRESS LIGHTLY. 262 00:10:45,679 --> 00:10:47,556 MASHER. PRESS LIGHTLY. [SIZZLING] 263 00:10:47,580 --> 00:10:49,025 PRESS LIGHTLY. [SIZZLING] SEE HOW QUICKLY AND EASILY THE 264 00:10:49,049 --> 00:10:50,526 [SIZZLING] SEE HOW QUICKLY AND EASILY THE MOTH MASHER PRESSES CUMBERSOME, 265 00:10:50,550 --> 00:10:51,628 SEE HOW QUICKLY AND EASILY THE MOTH MASHER PRESSES CUMBERSOME, BULKY MOTHS INTO THIN, 266 00:10:51,652 --> 00:10:52,962 MOTH MASHER PRESSES CUMBERSOME, BULKY MOTHS INTO THIN, PLASTICIZED WAFERS THAT FIT 267 00:10:52,986 --> 00:10:54,296 BULKY MOTHS INTO THIN, PLASTICIZED WAFERS THAT FIT NEATLY AND FLATLY INTO YOUR 268 00:10:54,320 --> 00:10:55,765 PLASTICIZED WAFERS THAT FIT NEATLY AND FLATLY INTO YOUR WALLET, ALONG WITH YOUR CREDIT 269 00:10:55,789 --> 00:10:57,233 NEATLY AND FLATLY INTO YOUR WALLET, ALONG WITH YOUR CREDIT AND IDENTIFICATION CARDS. 270 00:10:57,257 --> 00:10:58,668 WALLET, ALONG WITH YOUR CREDIT AND IDENTIFICATION CARDS. NOW, ISN'T THAT AMAZING? 271 00:10:58,692 --> 00:11:00,336 AND IDENTIFICATION CARDS. NOW, ISN'T THAT AMAZING? AND, LOOK, I USED THE MOTH 272 00:11:00,360 --> 00:11:01,871 NOW, ISN'T THAT AMAZING? AND, LOOK, I USED THE MOTH MASHER TO CRUSH THESE FAT, 273 00:11:01,895 --> 00:11:03,640 AND, LOOK, I USED THE MOTH MASHER TO CRUSH THESE FAT, LITTLE MOTHS INTO A DISTINCTIVE 274 00:11:03,664 --> 00:11:05,174 MASHER TO CRUSH THESE FAT, LITTLE MOTHS INTO A DISTINCTIVE LETTERHEAD FOR MY PERSONAL 275 00:11:05,198 --> 00:11:05,908 LITTLE MOTHS INTO A DISTINCTIVE LETTERHEAD FOR MY PERSONAL STATIONERY. 276 00:11:05,932 --> 00:11:07,443 LETTERHEAD FOR MY PERSONAL STATIONERY. THE MOTH MASHER HOT-PRESS 277 00:11:07,467 --> 00:11:08,911 STATIONERY. THE MOTH MASHER HOT-PRESS MOTH-COMPACTING SYSTEM FROM 278 00:11:08,935 --> 00:11:10,579 THE MOTH MASHER HOT-PRESS MOTH-COMPACTING SYSTEM FROM ROVCO ONLY $19.95 WHILE THIS TV 279 00:11:10,603 --> 00:11:11,380 MOTH-COMPACTING SYSTEM FROM ROVCO ONLY $19.95 WHILE THIS TV OFFER LASTS. 280 00:11:11,404 --> 00:11:12,581 ROVCO ONLY $19.95 WHILE THIS TV OFFER LASTS. INCLUDES MASHER, MOTH 281 00:11:12,605 --> 00:11:14,117 OFFER LASTS. INCLUDES MASHER, MOTH PLASTICIZER PANELS, AND THIS 282 00:11:14,141 --> 00:11:15,818 INCLUDES MASHER, MOTH PLASTICIZER PANELS, AND THIS BOOKLET, "MAKING IT WITH MOTHS." 283 00:11:15,842 --> 00:11:18,882 PLASTICIZER PANELS, AND THIS BOOKLET, "MAKING IT WITH MOTHS." ORDER YOURS NOW. 284 00:11:26,752 --> 00:11:29,287 Announcer: SUPPLIES ARE LIMITED. 285 00:11:45,537 --> 00:11:51,921 YOU WANT A CIGARETTE? NO, THANKS. I DON'T SMOKE. OH, GOOD. NEITHER DO I. 286 00:11:51,945 --> 00:11:53,656 NO, THANKS. I DON'T SMOKE. OH, GOOD. NEITHER DO I. [EXHALES DEEPLY] 287 00:11:53,680 --> 00:11:55,324 OH, GOOD. NEITHER DO I. [EXHALES DEEPLY] THAT WAS TERRIFIC. 288 00:11:55,348 --> 00:11:57,093 [EXHALES DEEPLY] THAT WAS TERRIFIC. HOW WAS IT FOR YOU? 289 00:11:57,117 --> 00:11:58,427 THAT WAS TERRIFIC. HOW WAS IT FOR YOU? OKAY. 290 00:11:58,451 --> 00:12:02,231 HOW WAS IT FOR YOU? OKAY. WAS IT JUST OKAY, OR WAS IT 291 00:12:02,255 --> 00:12:03,232 OKAY. WAS IT JUST OKAY, OR WAS IT REALLY OKAY? 292 00:12:03,256 --> 00:12:04,967 WAS IT JUST OKAY, OR WAS IT REALLY OKAY? WELL, IT WAS REALLY JUST 293 00:12:04,991 --> 00:12:08,604 REALLY OKAY? WELL, IT WAS REALLY JUST OKAY. 294 00:12:08,628 --> 00:12:11,207 WELL, IT WAS REALLY JUST OKAY. DID YOU, UH... 295 00:12:11,231 --> 00:12:12,641 OKAY. DID YOU, UH... YOU KNOW, DID YOU... 296 00:12:12,665 --> 00:12:15,678 DID YOU, UH... YOU KNOW, DID YOU... HMM? 297 00:12:15,702 --> 00:12:17,279 YOU KNOW, DID YOU... HMM? DID YOU HAVE... DID YOU... 298 00:12:17,303 --> 00:12:18,715 HMM? DID YOU HAVE... DID YOU... WELL, COULDN'T YOU TELL? 299 00:12:18,739 --> 00:12:20,216 DID YOU HAVE... DID YOU... WELL, COULDN'T YOU TELL? WELL, I'M NOT VERY GOOD AT 300 00:12:20,240 --> 00:12:21,017 WELL, COULDN'T YOU TELL? WELL, I'M NOT VERY GOOD AT THOSE THINGS. 301 00:12:21,041 --> 00:12:22,618 WELL, I'M NOT VERY GOOD AT THOSE THINGS. I CAN'T FIGURE THOSE THINGS OUT 302 00:12:22,642 --> 00:12:24,220 THOSE THINGS. I CAN'T FIGURE THOSE THINGS OUT TOO GOOD. 303 00:12:24,244 --> 00:12:25,454 I CAN'T FIGURE THOSE THINGS OUT TOO GOOD. THEY CONFUSE ME. 304 00:12:25,478 --> 00:12:27,223 TOO GOOD. THEY CONFUSE ME. WELL, WHY DID YOU ASK? 305 00:12:27,247 --> 00:12:29,425 THEY CONFUSE ME. WELL, WHY DID YOU ASK? WELL, I MEAN, I FIGURED WE'VE 306 00:12:29,449 --> 00:12:31,327 WELL, WHY DID YOU ASK? WELL, I MEAN, I FIGURED WE'VE JUST BEEN VERY INTIMATE, AS 307 00:12:31,351 --> 00:12:33,196 WELL, I MEAN, I FIGURED WE'VE JUST BEEN VERY INTIMATE, AS INTIMATE AS YOU CAN BE, YOU 308 00:12:33,220 --> 00:12:33,796 JUST BEEN VERY INTIMATE, AS INTIMATE AS YOU CAN BE, YOU KNOW? 309 00:12:33,820 --> 00:12:35,698 INTIMATE AS YOU CAN BE, YOU KNOW? AND, UH... I'D FEEL SORT OF 310 00:12:35,722 --> 00:12:37,734 KNOW? AND, UH... I'D FEEL SORT OF GUILTY IF ONLY ONE OF US WAS 311 00:12:37,758 --> 00:12:38,634 AND, UH... I'D FEEL SORT OF GUILTY IF ONLY ONE OF US WAS SATISFIED. 312 00:12:38,658 --> 00:12:40,837 GUILTY IF ONLY ONE OF US WAS SATISFIED. YOU KNOW, IT'S NOT LIKE I DIDN'T 313 00:12:40,861 --> 00:12:41,370 SATISFIED. YOU KNOW, IT'S NOT LIKE I DIDN'T TRY. 314 00:12:41,394 --> 00:12:46,943 YOU KNOW, IT'S NOT LIKE I DIDN'T TRY. OH, I KNOW. 315 00:12:46,967 --> 00:12:47,877 TRY. OH, I KNOW. DID YOU? 316 00:12:47,901 --> 00:12:49,779 OH, I KNOW. DID YOU? WELL, LOOK, DON'T WORRY. 317 00:12:49,803 --> 00:12:51,781 DID YOU? WELL, LOOK, DON'T WORRY. I MEAN, SOMETIMES I DO, AND I 318 00:12:51,805 --> 00:12:53,950 WELL, LOOK, DON'T WORRY. I MEAN, SOMETIMES I DO, AND I DON'T EVEN KNOW IT. 319 00:12:53,974 --> 00:12:55,017 I MEAN, SOMETIMES I DO, AND I DON'T EVEN KNOW IT. HUH? 320 00:12:55,041 --> 00:12:57,286 DON'T EVEN KNOW IT. HUH? I'VE NEVER HEARD OF THAT BEFORE. 321 00:12:57,310 --> 00:12:59,388 HUH? I'VE NEVER HEARD OF THAT BEFORE. WHEN IT HAPPENS TO ME, I KNOW 322 00:12:59,412 --> 00:12:59,756 I'VE NEVER HEARD OF THAT BEFORE. WHEN IT HAPPENS TO ME, I KNOW IT. 323 00:12:59,780 --> 00:13:01,390 WHEN IT HAPPENS TO ME, I KNOW IT. WELL, GIRLS ARE DIFFERENT, 324 00:13:01,414 --> 00:13:02,058 IT. WELL, GIRLS ARE DIFFERENT, YOU KNOW? 325 00:13:02,082 --> 00:13:03,826 WELL, GIRLS ARE DIFFERENT, YOU KNOW? I DIDN'T EVEN KNOW I WAS ALLOWED 326 00:13:03,850 --> 00:13:05,527 YOU KNOW? I DIDN'T EVEN KNOW I WAS ALLOWED TO HAVE ONE TILL I WENT AWAY TO 327 00:13:05,551 --> 00:13:06,695 I DIDN'T EVEN KNOW I WAS ALLOWED TO HAVE ONE TILL I WENT AWAY TO COLLEGE. 328 00:13:06,719 --> 00:13:09,565 TO HAVE ONE TILL I WENT AWAY TO COLLEGE. DO YOU USUALLY HAVE ONE, 329 00:13:09,589 --> 00:13:10,633 COLLEGE. DO YOU USUALLY HAVE ONE, THOUGH? 330 00:13:10,657 --> 00:13:11,901 DO YOU USUALLY HAVE ONE, THOUGH? I MEAN, IS THAT... 331 00:13:11,925 --> 00:13:13,636 THOUGH? I MEAN, IS THAT... WELL, YOU SEE, IT'S LIKE 332 00:13:13,660 --> 00:13:15,671 I MEAN, IS THAT... WELL, YOU SEE, IT'S LIKE THIS... I NEVER REALLY FEEL THEM 333 00:13:15,695 --> 00:13:16,572 WELL, YOU SEE, IT'S LIKE THIS... I NEVER REALLY FEEL THEM IMMEDIATELY. 334 00:13:16,596 --> 00:13:18,607 THIS... I NEVER REALLY FEEL THEM IMMEDIATELY. YOU KNOW, IT'S SORT OF LIKE, UH, 335 00:13:18,631 --> 00:13:20,576 IMMEDIATELY. YOU KNOW, IT'S SORT OF LIKE, UH, THEY KIND OF STORE UP, AND THEN 336 00:13:20,600 --> 00:13:22,245 YOU KNOW, IT'S SORT OF LIKE, UH, THEY KIND OF STORE UP, AND THEN I FEEL THEM ALL AT ONCE, 337 00:13:22,269 --> 00:13:24,046 THEY KIND OF STORE UP, AND THEN I FEEL THEM ALL AT ONCE, USUALLY ON THE FIRST DAY OF 338 00:13:24,070 --> 00:13:27,349 I FEEL THEM ALL AT ONCE, USUALLY ON THE FIRST DAY OF PURIM. 339 00:13:27,373 --> 00:13:31,654 USUALLY ON THE FIRST DAY OF PURIM. A LOT OF GIRLS ARE LIKE THAT. 340 00:13:31,678 --> 00:13:33,289 PURIM. A LOT OF GIRLS ARE LIKE THAT. WELL, THEN YOU MEAN YOU DID 341 00:13:33,313 --> 00:13:33,923 A LOT OF GIRLS ARE LIKE THAT. WELL, THEN YOU MEAN YOU DID HAVE ONE? 342 00:13:33,947 --> 00:13:34,623 WELL, THEN YOU MEAN YOU DID HAVE ONE? WELL... 343 00:13:34,647 --> 00:13:35,691 HAVE ONE? WELL... YOU MIGHT HAVE. 344 00:13:35,715 --> 00:13:36,959 WELL... YOU MIGHT HAVE. YEAH. 345 00:13:36,983 --> 00:13:39,662 YOU MIGHT HAVE. YEAH. THAT'S GOOD. I FEEL BETTER. 346 00:13:39,686 --> 00:13:41,264 YEAH. THAT'S GOOD. I FEEL BETTER. WHAT TIME IS IT? 347 00:13:41,288 --> 00:13:41,964 THAT'S GOOD. I FEEL BETTER. WHAT TIME IS IT? OOH. 348 00:13:41,988 --> 00:13:43,065 WHAT TIME IS IT? OOH. IT'S LATE. 349 00:13:43,089 --> 00:13:44,934 OOH. IT'S LATE. COULD YOU HOLD ME? 350 00:13:44,958 --> 00:13:45,668 IT'S LATE. COULD YOU HOLD ME? WHAT? 351 00:13:45,692 --> 00:13:47,436 COULD YOU HOLD ME? WHAT? WELL, I JUST WONDERED IF 352 00:13:47,460 --> 00:13:48,504 WHAT? WELL, I JUST WONDERED IF YOU'D HOLD ME. 353 00:13:48,528 --> 00:13:50,506 WELL, I JUST WONDERED IF YOU'D HOLD ME. I MEAN, WE'VE BEEN SO CLOSE AND 354 00:13:50,530 --> 00:13:52,308 YOU'D HOLD ME. I MEAN, WE'VE BEEN SO CLOSE AND EVERYTHING, AND I LIKE THAT 355 00:13:52,332 --> 00:13:53,575 I MEAN, WE'VE BEEN SO CLOSE AND EVERYTHING, AND I LIKE THAT PART, THE HOLDING PART. 356 00:13:53,599 --> 00:13:55,278 EVERYTHING, AND I LIKE THAT PART, THE HOLDING PART. I LIKE THAT AS MUCH AS THE OTHER 357 00:13:55,302 --> 00:13:56,212 PART, THE HOLDING PART. I LIKE THAT AS MUCH AS THE OTHER PART. 358 00:13:56,236 --> 00:13:58,014 I LIKE THAT AS MUCH AS THE OTHER PART. WELL, SURE. 359 00:13:58,038 --> 00:14:01,851 PART. WELL, SURE. I LIKE IT, TOO. 360 00:14:01,875 --> 00:14:03,955 WELL, SURE. I LIKE IT, TOO. WAIT. WAIT A MINUTE. 361 00:14:13,319 --> 00:14:18,034 CAN I ASK YOU SOMETHING, UH, PERSONAL? SURE. 362 00:14:18,058 --> 00:14:20,002 PERSONAL? SURE. UM... 363 00:14:20,026 --> 00:14:22,238 SURE. UM... I DON'T WANT TO PRY, BUT WHO'S 364 00:14:22,262 --> 00:14:24,073 UM... I DON'T WANT TO PRY, BUT WHO'S PHIL? 365 00:14:24,097 --> 00:14:26,442 I DON'T WANT TO PRY, BUT WHO'S PHIL? HOW DO YOU KNOW ABOUT PHIL? 366 00:14:26,466 --> 00:14:28,711 PHIL? HOW DO YOU KNOW ABOUT PHIL? WELL, IN THE MIDDLE OF IT, 367 00:14:28,735 --> 00:14:32,781 HOW DO YOU KNOW ABOUT PHIL? WELL, IN THE MIDDLE OF IT, YOU SAID HIS NAME, YOU KNOW? 368 00:14:32,805 --> 00:14:35,218 WELL, IN THE MIDDLE OF IT, YOU SAID HIS NAME, YOU KNOW? OH, GEE. I'M SORRY. 369 00:14:35,242 --> 00:14:36,953 YOU SAID HIS NAME, YOU KNOW? OH, GEE. I'M SORRY. IT'S OKAY. WHO IS HE? 370 00:14:36,977 --> 00:14:39,021 OH, GEE. I'M SORRY. IT'S OKAY. WHO IS HE? WELL, PHIL... PHIL'S MY OLD 371 00:14:39,045 --> 00:14:39,922 IT'S OKAY. WHO IS HE? WELL, PHIL... PHIL'S MY OLD BOYFRIEND. 372 00:14:39,946 --> 00:14:42,058 WELL, PHIL... PHIL'S MY OLD BOYFRIEND. WE JUST BROKE UP A COUPLE WEEKS 373 00:14:42,082 --> 00:14:42,591 BOYFRIEND. WE JUST BROKE UP A COUPLE WEEKS AGO. 374 00:14:42,615 --> 00:14:43,326 WE JUST BROKE UP A COUPLE WEEKS AGO. I'M SORRY. 375 00:14:43,350 --> 00:14:44,894 AGO. I'M SORRY. I DIDN'T MEAN TO HURT YOUR 376 00:14:44,918 --> 00:14:46,495 I'M SORRY. I DIDN'T MEAN TO HURT YOUR FEELINGS, REALLY, I DIDN'T. 377 00:14:46,519 --> 00:14:48,497 I DIDN'T MEAN TO HURT YOUR FEELINGS, REALLY, I DIDN'T. OH, NO, NO. THAT'S OKAY. 378 00:14:48,521 --> 00:14:49,899 FEELINGS, REALLY, I DIDN'T. OH, NO, NO. THAT'S OKAY. NOW I UNDERSTAND. 379 00:14:49,923 --> 00:14:51,533 OH, NO, NO. THAT'S OKAY. NOW I UNDERSTAND. I WAS JUST WONDERING. 380 00:14:51,557 --> 00:14:52,268 NOW I UNDERSTAND. I WAS JUST WONDERING. IT'S OKAY. 381 00:14:52,292 --> 00:14:53,736 I WAS JUST WONDERING. IT'S OKAY. YOU MIND IF I ASK YOU A 382 00:14:53,760 --> 00:14:55,404 IT'S OKAY. YOU MIND IF I ASK YOU A PERSONAL QUESTION? 383 00:14:55,428 --> 00:14:57,206 YOU MIND IF I ASK YOU A PERSONAL QUESTION? OF COURSE. SHOOT. 384 00:14:57,230 --> 00:14:59,308 PERSONAL QUESTION? OF COURSE. SHOOT. WHO'S TERRY? 385 00:14:59,332 --> 00:15:01,077 OF COURSE. SHOOT. WHO'S TERRY? LIKE, IN THE MIDDLE OF 386 00:15:01,101 --> 00:15:04,013 WHO'S TERRY? LIKE, IN THE MIDDLE OF EVERYTHING, YOU SAID, "TERRY." 387 00:15:04,037 --> 00:15:09,318 LIKE, IN THE MIDDLE OF EVERYTHING, YOU SAID, "TERRY." I'M TERRY. 388 00:15:09,342 --> 00:15:10,353 EVERYTHING, YOU SAID, "TERRY." I'M TERRY. TERRY FORRESTER. 389 00:15:10,377 --> 00:15:11,487 I'M TERRY. TERRY FORRESTER. OH, I REMEMBER. 390 00:15:11,511 --> 00:15:12,989 TERRY FORRESTER. OH, I REMEMBER. YOU TOLD ME AT THE PARTY. 391 00:15:13,013 --> 00:15:14,190 OH, I REMEMBER. YOU TOLD ME AT THE PARTY. RIGHT. I REMEMBER. 392 00:15:14,214 --> 00:15:16,058 YOU TOLD ME AT THE PARTY. RIGHT. I REMEMBER. THAT'S JUST SORT OF A HABIT 393 00:15:16,082 --> 00:15:17,726 RIGHT. I REMEMBER. THAT'S JUST SORT OF A HABIT FROM ALL THOSE NIGHTS ALONE. 394 00:15:17,750 --> 00:15:19,328 THAT'S JUST SORT OF A HABIT FROM ALL THOSE NIGHTS ALONE. I DIDN'T MEAN TO HURT YOUR 395 00:15:19,352 --> 00:15:24,300 FROM ALL THOSE NIGHTS ALONE. I DIDN'T MEAN TO HURT YOUR FEELINGS. 396 00:15:24,324 --> 00:15:25,101 I DIDN'T MEAN TO HURT YOUR FEELINGS. TERRY? 397 00:15:25,125 --> 00:15:25,834 FEELINGS. TERRY? YEAH? 398 00:15:25,858 --> 00:15:27,503 TERRY? YEAH? CAN I ASK YOU ANOTHER 399 00:15:27,527 --> 00:15:28,938 YEAH? CAN I ASK YOU ANOTHER QUESTION? 400 00:15:28,962 --> 00:15:30,873 CAN I ASK YOU ANOTHER QUESTION? YEAH, SURE. 401 00:15:30,897 --> 00:15:34,576 QUESTION? YEAH, SURE. WHO'S MOMMY? 402 00:15:34,600 --> 00:15:36,112 YEAH, SURE. WHO'S MOMMY? I SAID "MOMMY"? 403 00:15:36,136 --> 00:15:38,847 WHO'S MOMMY? I SAID "MOMMY"? YEAH. 404 00:15:38,871 --> 00:15:40,582 I SAID "MOMMY"? YEAH. M-MOMMY'S MY MIDDLE NAME... 405 00:15:40,606 --> 00:15:42,684 YEAH. M-MOMMY'S MY MIDDLE NAME... TERRY MOMMY FORRESTER. 406 00:15:42,708 --> 00:15:43,619 M-MOMMY'S MY MIDDLE NAME... TERRY MOMMY FORRESTER. I SWEAR. 407 00:15:43,643 --> 00:15:45,221 TERRY MOMMY FORRESTER. I SWEAR. I BELIEVE YOU. 408 00:15:45,245 --> 00:15:47,456 I SWEAR. I BELIEVE YOU. I KNOW IT SOUNDS FUNNY. 409 00:15:47,480 --> 00:15:49,091 I BELIEVE YOU. I KNOW IT SOUNDS FUNNY. WELL, IT'S GETTING PRETTY LATE. 410 00:15:49,115 --> 00:15:50,759 I KNOW IT SOUNDS FUNNY. WELL, IT'S GETTING PRETTY LATE. WHAT TIME DO YOU HAVE TO GET UP 411 00:15:50,783 --> 00:15:51,394 WELL, IT'S GETTING PRETTY LATE. WHAT TIME DO YOU HAVE TO GET UP FOR WORK? 412 00:15:51,418 --> 00:15:52,861 WHAT TIME DO YOU HAVE TO GET UP FOR WORK? OH, MY BOSS IS OUT OF TOWN. 413 00:15:52,885 --> 00:15:54,463 FOR WORK? OH, MY BOSS IS OUT OF TOWN. I DON'T HAVE TO GO IN TILL THE 414 00:15:54,487 --> 00:15:55,231 OH, MY BOSS IS OUT OF TOWN. I DON'T HAVE TO GO IN TILL THE AFTERNOON. 415 00:15:55,255 --> 00:15:56,598 I DON'T HAVE TO GO IN TILL THE AFTERNOON. WOW. YOU'RE LUCKY. 416 00:15:56,622 --> 00:15:57,967 AFTERNOON. WOW. YOU'RE LUCKY. I'VE GOT A 9:30 CLASS. 417 00:15:57,991 --> 00:15:59,735 WOW. YOU'RE LUCKY. I'VE GOT A 9:30 CLASS. IT TAKES ME 45 MINUTES TO GET 418 00:15:59,759 --> 00:16:01,938 I'VE GOT A 9:30 CLASS. IT TAKES ME 45 MINUTES TO GET THERE. 419 00:16:01,962 --> 00:16:02,638 IT TAKES ME 45 MINUTES TO GET THERE. CLASS? 420 00:16:02,662 --> 00:16:03,272 THERE. CLASS? YEAH. 421 00:16:03,296 --> 00:16:04,773 CLASS? YEAH. I THOUGHT YOU SAID YOU 422 00:16:04,797 --> 00:16:08,077 YEAH. I THOUGHT YOU SAID YOU PITCHED FOR THE YANKEES. 423 00:16:08,101 --> 00:16:09,711 I THOUGHT YOU SAID YOU PITCHED FOR THE YANKEES. I DID? YEAH. WELL. 424 00:16:09,735 --> 00:16:11,948 PITCHED FOR THE YANKEES. I DID? YEAH. WELL. YOU EVEN PROMISED YOU'D GIVE 425 00:16:11,972 --> 00:16:15,117 I DID? YEAH. WELL. YOU EVEN PROMISED YOU'D GIVE ME TICKETS FOR OPENING DAY. 426 00:16:15,141 --> 00:16:16,552 YOU EVEN PROMISED YOU'D GIVE ME TICKETS FOR OPENING DAY. LOOK, I WAS LYING. 427 00:16:16,576 --> 00:16:18,454 ME TICKETS FOR OPENING DAY. LOOK, I WAS LYING. I JUST, UM... I'LL LEVEL WITH 428 00:16:18,478 --> 00:16:19,055 LOOK, I WAS LYING. I JUST, UM... I'LL LEVEL WITH YOU. 429 00:16:19,079 --> 00:16:21,223 I JUST, UM... I'LL LEVEL WITH YOU. I JUST WANTED YOU TO GO HOME 430 00:16:21,247 --> 00:16:22,724 YOU. I JUST WANTED YOU TO GO HOME WITH ME, YOU KNOW? 431 00:16:22,748 --> 00:16:24,160 I JUST WANTED YOU TO GO HOME WITH ME, YOU KNOW? I WANTED TO TAKE YOU HOME. 432 00:16:24,184 --> 00:16:25,561 WITH ME, YOU KNOW? I WANTED TO TAKE YOU HOME. I THOUGHT IT WOULD SOUND A 433 00:16:25,585 --> 00:16:26,996 I WANTED TO TAKE YOU HOME. I THOUGHT IT WOULD SOUND A LITTLE BIT BETTER IF I WAS 434 00:16:27,020 --> 00:16:28,530 I THOUGHT IT WOULD SOUND A LITTLE BIT BETTER IF I WAS PITCHING FOR THE YANKEES. 435 00:16:28,554 --> 00:16:30,399 LITTLE BIT BETTER IF I WAS PITCHING FOR THE YANKEES. I TELL YOU I'M TEACHING DRIVER'S 436 00:16:30,423 --> 00:16:32,168 PITCHING FOR THE YANKEES. I TELL YOU I'M TEACHING DRIVER'S ED FOR RODELL JUNIOR HIGH, YOU 437 00:16:32,192 --> 00:16:34,003 I TELL YOU I'M TEACHING DRIVER'S ED FOR RODELL JUNIOR HIGH, YOU KNOW... 438 00:16:34,027 --> 00:16:35,004 ED FOR RODELL JUNIOR HIGH, YOU KNOW... I UNDERSTAND. 439 00:16:35,028 --> 00:16:36,672 KNOW... I UNDERSTAND. YOU MUST REALLY LIKE BASEBALL. 440 00:16:36,696 --> 00:16:37,940 I UNDERSTAND. YOU MUST REALLY LIKE BASEBALL. NEVER MISS A GAME. 441 00:16:37,964 --> 00:16:39,608 YOU MUST REALLY LIKE BASEBALL. NEVER MISS A GAME. YEAH, ME EITHER, ESPECIALLY 442 00:16:39,632 --> 00:16:40,409 NEVER MISS A GAME. YEAH, ME EITHER, ESPECIALLY THE YANKEES. 443 00:16:40,433 --> 00:16:42,044 YEAH, ME EITHER, ESPECIALLY THE YANKEES. I FOLLOW THEM CLOSELY, LIKE I 444 00:16:42,068 --> 00:16:43,112 THE YANKEES. I FOLLOW THEM CLOSELY, LIKE I KNOW THE WHOLE ROSTER. 445 00:16:43,136 --> 00:16:44,546 I FOLLOW THEM CLOSELY, LIKE I KNOW THE WHOLE ROSTER. WELL, WHY DID YOU LET ME LIE 446 00:16:44,570 --> 00:16:45,414 KNOW THE WHOLE ROSTER. WELL, WHY DID YOU LET ME LIE TO YOU LIKE THAT? 447 00:16:45,438 --> 00:16:46,615 WELL, WHY DID YOU LET ME LIE TO YOU LIKE THAT? WELL, I DIDN'T WANT TO 448 00:16:46,639 --> 00:16:48,050 TO YOU LIKE THAT? WELL, I DIDN'T WANT TO EMBARRASS YOU, AND I WAS AFRAID 449 00:16:48,074 --> 00:16:49,285 WELL, I DIDN'T WANT TO EMBARRASS YOU, AND I WAS AFRAID YOU WOULDN'T TAKE ME HOME. 450 00:16:49,309 --> 00:16:50,586 EMBARRASS YOU, AND I WAS AFRAID YOU WOULDN'T TAKE ME HOME. AND I KNEW YOU'D TELL ME THE 451 00:16:50,610 --> 00:16:51,887 YOU WOULDN'T TAKE ME HOME. AND I KNEW YOU'D TELL ME THE TRUTH, EVENTUALLY. 452 00:16:51,911 --> 00:16:53,755 AND I KNEW YOU'D TELL ME THE TRUTH, EVENTUALLY. WELL, THAT'S REAL NICE OF 453 00:16:53,779 --> 00:16:55,257 TRUTH, EVENTUALLY. WELL, THAT'S REAL NICE OF YOU. 454 00:16:55,281 --> 00:16:57,559 WELL, THAT'S REAL NICE OF YOU. THAT'S REAL NICE. 455 00:16:57,583 --> 00:16:59,895 YOU. THAT'S REAL NICE. I GOT TO GO. 456 00:16:59,919 --> 00:17:01,497 THAT'S REAL NICE. I GOT TO GO. WELL, WHERE ARE YOU GOING? 457 00:17:01,521 --> 00:17:02,398 I GOT TO GO. WELL, WHERE ARE YOU GOING? I TOLD YOU. 458 00:17:02,422 --> 00:17:03,599 WELL, WHERE ARE YOU GOING? I TOLD YOU. I GOT AN EARLY CLASS. 459 00:17:03,623 --> 00:17:04,733 I TOLD YOU. I GOT AN EARLY CLASS. I GOT TO GET READY. 460 00:17:04,757 --> 00:17:06,435 I GOT AN EARLY CLASS. I GOT TO GET READY. WELL, YOU KNOW, YOU CAN STAY 461 00:17:06,459 --> 00:17:08,337 I GOT TO GET READY. WELL, YOU KNOW, YOU CAN STAY IF YOU WANT TO. 462 00:17:08,361 --> 00:17:11,007 WELL, YOU KNOW, YOU CAN STAY IF YOU WANT TO. I CAN? AFTER I LIED? 463 00:17:11,031 --> 00:17:12,274 IF YOU WANT TO. I CAN? AFTER I LIED? SURE. 464 00:17:12,298 --> 00:17:14,338 I CAN? AFTER I LIED? SURE. IT'S YOUR APARTMENT. 465 00:17:37,122 --> 00:17:42,171 [SNEEZES] THE CLASS OF '67 FROM HICKSVILLE HIGH OUT ON LONG ISLAND IS 466 00:17:42,195 --> 00:17:43,939 THE CLASS OF '67 FROM HICKSVILLE HIGH OUT ON LONG ISLAND IS HAVING THEIR REUNION TONIGHT, 467 00:17:43,963 --> 00:17:45,541 HIGH OUT ON LONG ISLAND IS HAVING THEIR REUNION TONIGHT, AND ONE ALUMNUS WILL NOT BE 468 00:17:45,565 --> 00:17:47,009 HAVING THEIR REUNION TONIGHT, AND ONE ALUMNUS WILL NOT BE THERE BECAUSE HE'S HERE. 469 00:17:47,033 --> 00:17:48,377 AND ONE ALUMNUS WILL NOT BE THERE BECAUSE HE'S HERE. IT'S MY SPECIAL GUEST. 470 00:17:48,401 --> 00:17:49,678 THERE BECAUSE HE'S HERE. IT'S MY SPECIAL GUEST. LADIES AND GENTLEMEN, 471 00:17:49,702 --> 00:17:50,513 IT'S MY SPECIAL GUEST. LADIES AND GENTLEMEN, BILLY JOEL. 472 00:17:50,537 --> 00:17:51,914 LADIES AND GENTLEMEN, BILLY JOEL. [CHEERS AND APPLAUSE] 473 00:17:51,938 --> 00:17:53,916 BILLY JOEL. [CHEERS AND APPLAUSE] [INTRO TO "ONLY THE GOOD DIE 474 00:17:53,940 --> 00:17:56,420 [CHEERS AND APPLAUSE] [INTRO TO "ONLY THE GOOD DIE YOUNG" PLAYS] 475 00:18:05,384 --> 00:18:10,032 ♪ COME OUT, VIRGINIA ♪ ♪ DON'T LET ME WAIT ♪ ♪ YOU CATHOLIC GIRLS START MUCH 476 00:18:10,056 --> 00:18:10,899 ♪ DON'T LET ME WAIT ♪ ♪ YOU CATHOLIC GIRLS START MUCH TOO LATE ♪ 477 00:18:10,923 --> 00:18:12,634 ♪ YOU CATHOLIC GIRLS START MUCH TOO LATE ♪ ♪ OH, BUT SOONER OR LATER IT 478 00:18:12,658 --> 00:18:14,236 TOO LATE ♪ ♪ OH, BUT SOONER OR LATER IT COMES DOWN TO FATE ♪ 479 00:18:14,260 --> 00:18:16,905 ♪ OH, BUT SOONER OR LATER IT COMES DOWN TO FATE ♪ ♪ I MIGHT AS WELL BE THE ONE ♪ 480 00:18:16,929 --> 00:18:18,574 COMES DOWN TO FATE ♪ ♪ I MIGHT AS WELL BE THE ONE ♪ ♪ WELL, THEY SHOWED YOU A STATUE 481 00:18:18,598 --> 00:18:20,309 ♪ I MIGHT AS WELL BE THE ONE ♪ ♪ WELL, THEY SHOWED YOU A STATUE AND TOLD YOU TO PRAY ♪ 482 00:18:20,333 --> 00:18:21,777 ♪ WELL, THEY SHOWED YOU A STATUE AND TOLD YOU TO PRAY ♪ ♪ THEY BUILT YOU A TEMPLE AND 483 00:18:21,801 --> 00:18:23,045 AND TOLD YOU TO PRAY ♪ ♪ THEY BUILT YOU A TEMPLE AND LOCKED YOU AWAY ♪ 484 00:18:23,069 --> 00:18:24,680 ♪ THEY BUILT YOU A TEMPLE AND LOCKED YOU AWAY ♪ ♪ OH, BUT THEY NEVER TOLD YOU 485 00:18:24,704 --> 00:18:26,382 LOCKED YOU AWAY ♪ ♪ OH, BUT THEY NEVER TOLD YOU THE PRICE THAT YOU PAY ♪ 486 00:18:26,406 --> 00:18:27,849 ♪ OH, BUT THEY NEVER TOLD YOU THE PRICE THAT YOU PAY ♪ ♪ FOR THINGS THAT YOU MIGHT HAVE 487 00:18:27,873 --> 00:18:29,552 THE PRICE THAT YOU PAY ♪ ♪ FOR THINGS THAT YOU MIGHT HAVE DONE ♪ 488 00:18:29,576 --> 00:18:33,189 ♪ FOR THINGS THAT YOU MIGHT HAVE DONE ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 489 00:18:33,213 --> 00:18:36,425 DONE ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ 490 00:18:36,449 --> 00:18:39,295 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 491 00:18:39,319 --> 00:18:42,298 ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 492 00:18:42,322 --> 00:18:44,133 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ YOU MIGHT HAVE HEARD I RUN 493 00:18:44,157 --> 00:18:46,102 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ YOU MIGHT HAVE HEARD I RUN WITH A DANGEROUS CROWD ♪ 494 00:18:46,126 --> 00:18:47,436 ♪ YOU MIGHT HAVE HEARD I RUN WITH A DANGEROUS CROWD ♪ ♪ WE AIN'T TOO PRETTY ♪ 495 00:18:47,460 --> 00:18:49,171 WITH A DANGEROUS CROWD ♪ ♪ WE AIN'T TOO PRETTY ♪ ♪ WE AIN'T TOO PROUD ♪ 496 00:18:49,195 --> 00:18:51,307 ♪ WE AIN'T TOO PRETTY ♪ ♪ WE AIN'T TOO PROUD ♪ ♪ WE MIGHT BE LAUGHING A BIT TOO 497 00:18:51,331 --> 00:18:51,873 ♪ WE AIN'T TOO PROUD ♪ ♪ WE MIGHT BE LAUGHING A BIT TOO LOUD ♪ 498 00:18:51,897 --> 00:18:53,576 ♪ WE MIGHT BE LAUGHING A BIT TOO LOUD ♪ ♪ OH, BUT THAT NEVER HURT NO 499 00:18:53,600 --> 00:18:54,743 LOUD ♪ ♪ OH, BUT THAT NEVER HURT NO ONE ♪ 500 00:18:54,767 --> 00:18:57,213 ♪ OH, BUT THAT NEVER HURT NO ONE ♪ ♪ SO, COME ON, VIRGINIA, SHOW ME 501 00:18:57,237 --> 00:18:58,214 ONE ♪ ♪ SO, COME ON, VIRGINIA, SHOW ME A SIGN ♪ 502 00:18:58,238 --> 00:18:59,415 ♪ SO, COME ON, VIRGINIA, SHOW ME A SIGN ♪ ♪ SEND UP A SIGNAL ♪ 503 00:18:59,439 --> 00:19:01,250 A SIGN ♪ ♪ SEND UP A SIGNAL ♪ ♪ I'LL THROW YOU THE LINE ♪ 504 00:19:01,274 --> 00:19:02,585 ♪ SEND UP A SIGNAL ♪ ♪ I'LL THROW YOU THE LINE ♪ ♪ THE STAINED-GLASS CURTAIN 505 00:19:02,609 --> 00:19:04,353 ♪ I'LL THROW YOU THE LINE ♪ ♪ THE STAINED-GLASS CURTAIN YOU'RE HIDING BEHIND ♪ 506 00:19:04,377 --> 00:19:07,156 ♪ THE STAINED-GLASS CURTAIN YOU'RE HIDING BEHIND ♪ ♪ NEVER LETS IN THE SUN ♪ 507 00:19:07,180 --> 00:19:09,191 YOU'RE HIDING BEHIND ♪ ♪ NEVER LETS IN THE SUN ♪ ♪ DARLING, ONLY THE GOOD DIE 508 00:19:09,215 --> 00:19:11,393 ♪ NEVER LETS IN THE SUN ♪ ♪ DARLING, ONLY THE GOOD DIE YOUNG ♪ 509 00:19:11,417 --> 00:19:14,430 ♪ DARLING, ONLY THE GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ 510 00:19:14,454 --> 00:19:17,299 YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 511 00:19:17,323 --> 00:19:20,769 ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 512 00:19:20,793 --> 00:19:22,638 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ YOU GOT A NICE WHITE DRESS AND 513 00:19:22,662 --> 00:19:26,074 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ YOU GOT A NICE WHITE DRESS AND A PARTY ON YOUR CONFIRMATION ♪ 514 00:19:26,098 --> 00:19:29,077 ♪ YOU GOT A NICE WHITE DRESS AND A PARTY ON YOUR CONFIRMATION ♪ ♪ YOU GOT A BRAND-NEW SOUL ♪ 515 00:19:29,101 --> 00:19:32,848 A PARTY ON YOUR CONFIRMATION ♪ ♪ YOU GOT A BRAND-NEW SOUL ♪ ♪ MMM, AND A CROSS OF GOLD ♪ 516 00:19:32,872 --> 00:19:34,350 ♪ YOU GOT A BRAND-NEW SOUL ♪ ♪ MMM, AND A CROSS OF GOLD ♪ ♪ BUT, VIRGINIA, THEY DIDN'T 517 00:19:34,374 --> 00:19:35,651 ♪ MMM, AND A CROSS OF GOLD ♪ ♪ BUT, VIRGINIA, THEY DIDN'T GIVE YOU QUITE ENOUGH 518 00:19:35,675 --> 00:19:38,220 ♪ BUT, VIRGINIA, THEY DIDN'T GIVE YOU QUITE ENOUGH INFORMATION ♪ 519 00:19:38,244 --> 00:19:41,157 GIVE YOU QUITE ENOUGH INFORMATION ♪ ♪ OH, YOU DIDN'T COUNT ON ME ♪ 520 00:19:41,181 --> 00:19:42,491 INFORMATION ♪ ♪ OH, YOU DIDN'T COUNT ON ME ♪ ♪ WHEN YOU WERE COUNTING ON YOUR 521 00:19:42,515 --> 00:19:43,859 ♪ OH, YOU DIDN'T COUNT ON ME ♪ ♪ WHEN YOU WERE COUNTING ON YOUR ROSARY ♪ 522 00:19:43,883 --> 00:19:45,027 ♪ WHEN YOU WERE COUNTING ON YOUR ROSARY ♪ ♪ OH, WHOA, WHOA ♪ 523 00:19:45,051 --> 00:19:46,495 ROSARY ♪ ♪ OH, WHOA, WHOA ♪ ♪ AND THEY SAY THERE'S A HEAVEN 524 00:19:46,519 --> 00:19:48,297 ♪ OH, WHOA, WHOA ♪ ♪ AND THEY SAY THERE'S A HEAVEN FOR THOSE WHO WILL WAIT ♪ 525 00:19:48,321 --> 00:19:49,565 ♪ AND THEY SAY THERE'S A HEAVEN FOR THOSE WHO WILL WAIT ♪ ♪ SOME SAY IT'S BETTER ♪ 526 00:19:49,589 --> 00:19:50,832 FOR THOSE WHO WILL WAIT ♪ ♪ SOME SAY IT'S BETTER ♪ ♪ BUT I SAY IT AIN'T ♪ 527 00:19:50,856 --> 00:19:52,234 ♪ SOME SAY IT'S BETTER ♪ ♪ BUT I SAY IT AIN'T ♪ ♪ I'D RATHER LAUGH WITH THE 528 00:19:52,258 --> 00:19:53,435 ♪ BUT I SAY IT AIN'T ♪ ♪ I'D RATHER LAUGH WITH THE SINNERS THAN CRY WITH THE 529 00:19:53,459 --> 00:19:54,370 ♪ I'D RATHER LAUGH WITH THE SINNERS THAN CRY WITH THE SAINTS ♪ 530 00:19:54,394 --> 00:19:56,639 SINNERS THAN CRY WITH THE SAINTS ♪ ♪ SINNERS ARE MUCH MORE FUN ♪ 531 00:19:56,663 --> 00:19:58,174 SAINTS ♪ ♪ SINNERS ARE MUCH MORE FUN ♪ ♪ DON'T YOU KNOW THAT ONLY THE 532 00:19:58,198 --> 00:20:01,143 ♪ SINNERS ARE MUCH MORE FUN ♪ ♪ DON'T YOU KNOW THAT ONLY THE GOOD DIE YOUNG ♪ 533 00:20:01,167 --> 00:20:04,213 ♪ DON'T YOU KNOW THAT ONLY THE GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ 534 00:20:04,237 --> 00:20:07,249 GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 535 00:20:07,273 --> 00:20:10,986 ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 536 00:20:11,010 --> 00:20:13,810 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ [SAXOPHONE SOLO] 537 00:20:22,454 --> 00:20:27,769 ♪ YOU SAY YOUR MOTHER TOLD YOU ALL THAT I COULD GIVE YOU WAS A REPUTATION ♪ 538 00:20:27,793 --> 00:20:30,772 ALL THAT I COULD GIVE YOU WAS A REPUTATION ♪ ♪ OH, SHE NEVER CARED FOR ME ♪ 539 00:20:30,796 --> 00:20:32,474 REPUTATION ♪ ♪ OH, SHE NEVER CARED FOR ME ♪ ♪ BUT DID SHE EVER SAY A PRAYER 540 00:20:32,498 --> 00:20:33,609 ♪ OH, SHE NEVER CARED FOR ME ♪ ♪ BUT DID SHE EVER SAY A PRAYER FOR ME? ♪ 541 00:20:33,633 --> 00:20:34,677 ♪ BUT DID SHE EVER SAY A PRAYER FOR ME? ♪ ♪ OH, OH, OH ♪ 542 00:20:34,701 --> 00:20:36,445 FOR ME? ♪ ♪ OH, OH, OH ♪ ♪ COME OUT, COME OUT, COME OUT, 543 00:20:36,469 --> 00:20:38,380 ♪ OH, OH, OH ♪ ♪ COME OUT, COME OUT, COME OUT, VIRGINIA, DON'T LET ME WAIT ♪ 544 00:20:38,404 --> 00:20:40,549 ♪ COME OUT, COME OUT, COME OUT, VIRGINIA, DON'T LET ME WAIT ♪ ♪ YOU CATHOLIC GIRLS START MUCH 545 00:20:40,573 --> 00:20:41,383 VIRGINIA, DON'T LET ME WAIT ♪ ♪ YOU CATHOLIC GIRLS START MUCH TOO LATE ♪ 546 00:20:41,407 --> 00:20:42,784 ♪ YOU CATHOLIC GIRLS START MUCH TOO LATE ♪ ♪ BUT SOONER OR LATER IT COMES 547 00:20:42,808 --> 00:20:44,019 TOO LATE ♪ ♪ BUT SOONER OR LATER IT COMES DOWN TO FATE ♪ 548 00:20:44,043 --> 00:20:46,589 ♪ BUT SOONER OR LATER IT COMES DOWN TO FATE ♪ ♪ I WANT TO BE THE ONE ♪ 549 00:20:46,613 --> 00:20:48,123 DOWN TO FATE ♪ ♪ I WANT TO BE THE ONE ♪ ♪ 'CAUSE, DARLING, ONLY THE GOOD 550 00:20:48,147 --> 00:20:50,726 ♪ I WANT TO BE THE ONE ♪ ♪ 'CAUSE, DARLING, ONLY THE GOOD DIE YOUNG ♪ 551 00:20:50,750 --> 00:20:53,895 ♪ 'CAUSE, DARLING, ONLY THE GOOD DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ 552 00:20:53,919 --> 00:20:56,765 DIE YOUNG ♪ ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 553 00:20:56,789 --> 00:20:59,835 ♪ THAT'S WHAT I SAID ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 554 00:20:59,859 --> 00:21:02,738 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GO-O-O-O-O-OD ♪ 555 00:21:02,762 --> 00:21:05,874 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ ONLY THE GO-O-O-O-O-OD ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 556 00:21:05,898 --> 00:21:09,111 ♪ ONLY THE GO-O-O-O-O-OD ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ OOOOOOOH ♪ 557 00:21:09,135 --> 00:21:17,135 ♪ ONLY THE GOOD DIE YOUNG ♪ ♪ OOOOOOOH ♪ ♪ OOOOOOOH ♪ 558 00:21:17,744 --> 00:21:22,924 ♪ OOOOOOOH ♪ ♪ OOOOOOOH ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ 559 00:21:22,948 --> 00:21:24,226 ♪ OOOOOOOH ♪ ♪ ONLY THE GOOD DIE YOUNG ♪ [MUSIC ENDS] 560 00:21:24,250 --> 00:21:26,650 ♪ ONLY THE GOOD DIE YOUNG ♪ [MUSIC ENDS] [CHEERS AND APPLAUSE] 561 00:21:54,279 --> 00:21:58,160 [New England accent] UH, MARTIN, I, UH, JUST WANTED YOU TO KNOW THAT MY BROTHER AND I 562 00:21:58,184 --> 00:21:59,328 MARTIN, I, UH, JUST WANTED YOU TO KNOW THAT MY BROTHER AND I HAVE LOOKED FORWARD TO SEEING 563 00:21:59,352 --> 00:22:01,029 TO KNOW THAT MY BROTHER AND I HAVE LOOKED FORWARD TO SEEING YOU HERE IN HYANNIS PORT. 564 00:22:01,053 --> 00:22:02,998 HAVE LOOKED FORWARD TO SEEING YOU HERE IN HYANNIS PORT. BOBBY AND I LIKE TO FEEL AS IF 565 00:22:03,022 --> 00:22:04,500 YOU HERE IN HYANNIS PORT. BOBBY AND I LIKE TO FEEL AS IF WE'RE ALL OLD FRIENDS. 566 00:22:04,524 --> 00:22:05,701 BOBBY AND I LIKE TO FEEL AS IF WE'RE ALL OLD FRIENDS. VERY WELL, THEN. 567 00:22:05,725 --> 00:22:07,369 WE'RE ALL OLD FRIENDS. VERY WELL, THEN. HAS ANYBODY HERE SEEN MY OLD 568 00:22:07,393 --> 00:22:08,270 VERY WELL, THEN. HAS ANYBODY HERE SEEN MY OLD FRIEND BOBBY? 569 00:22:08,294 --> 00:22:10,138 HAS ANYBODY HERE SEEN MY OLD FRIEND BOBBY? CAN YOU TELL ME WHERE HE'S GONE? 570 00:22:10,162 --> 00:22:11,907 FRIEND BOBBY? CAN YOU TELL ME WHERE HE'S GONE? WELL, I, UH... I, UH, THINK 571 00:22:11,931 --> 00:22:13,676 CAN YOU TELL ME WHERE HE'S GONE? WELL, I, UH... I, UH, THINK HE WENT TO THE, UH, KITCHEN TO 572 00:22:13,700 --> 00:22:15,477 WELL, I, UH... I, UH, THINK HE WENT TO THE, UH, KITCHEN TO GET A CUP OF, UH, CHOWDER. 573 00:22:15,501 --> 00:22:17,346 HE WENT TO THE, UH, KITCHEN TO GET A CUP OF, UH, CHOWDER. WELL, THEN, MAY I TAKE A 574 00:22:17,370 --> 00:22:19,348 GET A CUP OF, UH, CHOWDER. WELL, THEN, MAY I TAKE A BRIEF MOMENT OF THIS PRECIOUS 575 00:22:19,372 --> 00:22:20,816 WELL, THEN, MAY I TAKE A BRIEF MOMENT OF THIS PRECIOUS TIME TO USE THE BATHROOM? 576 00:22:20,840 --> 00:22:21,850 BRIEF MOMENT OF THIS PRECIOUS TIME TO USE THE BATHROOM? SURE, MARTIN. 577 00:22:21,874 --> 00:22:23,652 TIME TO USE THE BATHROOM? SURE, MARTIN. THE BATHROOM'S JUST RIGHT HERE, 578 00:22:23,676 --> 00:22:25,086 SURE, MARTIN. THE BATHROOM'S JUST RIGHT HERE, FIRST DOOR ON THE RIGHT. 579 00:22:25,110 --> 00:22:26,254 THE BATHROOM'S JUST RIGHT HERE, FIRST DOOR ON THE RIGHT. THANK YOU, JOHN. 580 00:22:26,278 --> 00:22:28,089 FIRST DOOR ON THE RIGHT. THANK YOU, JOHN. I SHALL NOT BE LONG, FOR I SHALL 581 00:22:28,113 --> 00:22:33,362 THANK YOU, JOHN. I SHALL NOT BE LONG, FOR I SHALL ONLY URINATE. 582 00:22:33,386 --> 00:22:34,797 I SHALL NOT BE LONG, FOR I SHALL ONLY URINATE. [New England accent] MMM. 583 00:22:34,821 --> 00:22:36,164 ONLY URINATE. [New England accent] MMM. THAT'S, UH, G-G-GOOD CHOWDER. 584 00:22:36,188 --> 00:22:37,533 [New England accent] MMM. THAT'S, UH, G-G-GOOD CHOWDER. HEY, HAS ANYBODY HERE SEEN MY 585 00:22:37,557 --> 00:22:38,467 THAT'S, UH, G-G-GOOD CHOWDER. HEY, HAS ANYBODY HERE SEEN MY OLD FRIEND MARTIN? 586 00:22:38,491 --> 00:22:39,901 HEY, HAS ANYBODY HERE SEEN MY OLD FRIEND MARTIN? I JUST TURNED AROUND, AND HE'S 587 00:22:39,925 --> 00:22:40,402 OLD FRIEND MARTIN? I JUST TURNED AROUND, AND HE'S GONE. 588 00:22:40,426 --> 00:22:42,270 I JUST TURNED AROUND, AND HE'S GONE. UH, HE WENT TO THE BATHROOM. 589 00:22:42,294 --> 00:22:43,939 GONE. UH, HE WENT TO THE BATHROOM. DOES HE SEEM TO TRUST US, 590 00:22:43,963 --> 00:22:44,440 UH, HE WENT TO THE BATHROOM. DOES HE SEEM TO TRUST US, JOHN? 591 00:22:44,464 --> 00:22:45,774 DOES HE SEEM TO TRUST US, JOHN? I THINK SO, BOBBY. 592 00:22:45,798 --> 00:22:47,409 JOHN? I THINK SO, BOBBY. HE'S BOUGHT THAT OLD FRIEND 593 00:22:47,433 --> 00:22:48,444 I THINK SO, BOBBY. HE'S BOUGHT THAT OLD FRIEND LINE, YOU KNOW. 594 00:22:48,468 --> 00:22:49,778 HE'S BOUGHT THAT OLD FRIEND LINE, YOU KNOW. OH, GOOD. GOOD. GOOD. 595 00:22:49,802 --> 00:22:51,447 LINE, YOU KNOW. OH, GOOD. GOOD. GOOD. SAY, IT'S, UH, GOOD CHOWDER? 596 00:22:51,471 --> 00:22:52,414 OH, GOOD. GOOD. GOOD. SAY, IT'S, UH, GOOD CHOWDER? GOOD CHOWDER. 597 00:22:52,438 --> 00:22:54,082 SAY, IT'S, UH, GOOD CHOWDER? GOOD CHOWDER. THE, UH, CLAMS ARE, UH, VERY... 598 00:22:54,106 --> 00:22:54,883 GOOD CHOWDER. THE, UH, CLAMS ARE, UH, VERY... VERY TENDER. 599 00:22:54,907 --> 00:22:56,318 THE, UH, CLAMS ARE, UH, VERY... VERY TENDER. I, UH... I THINK THEY WERE 600 00:22:56,342 --> 00:22:57,786 VERY TENDER. I, UH... I THINK THEY WERE RATHER YOUNG CLAMS. 601 00:22:57,810 --> 00:22:59,988 I, UH... I THINK THEY WERE RATHER YOUNG CLAMS. IT SEEMS, UH, THE GOOD ONES, 602 00:23:00,012 --> 00:23:01,390 RATHER YOUNG CLAMS. IT SEEMS, UH, THE GOOD ONES, THEY, UH, DIE YOUNG. 603 00:23:01,414 --> 00:23:03,592 IT SEEMS, UH, THE GOOD ONES, THEY, UH, DIE YOUNG. I THINK I'LL, UH, GET SOME 604 00:23:03,616 --> 00:23:04,493 THEY, UH, DIE YOUNG. I THINK I'LL, UH, GET SOME CHOWDER, TOO. 605 00:23:04,517 --> 00:23:05,427 I THINK I'LL, UH, GET SOME CHOWDER, TOO. MMM. GOOD. 606 00:23:05,451 --> 00:23:07,329 CHOWDER, TOO. MMM. GOOD. IT'S, UH, IT'S G-G-GOOD CHOWDER, 607 00:23:07,353 --> 00:23:07,863 MMM. GOOD. IT'S, UH, IT'S G-G-GOOD CHOWDER, JACK. 608 00:23:07,887 --> 00:23:09,598 IT'S, UH, IT'S G-G-GOOD CHOWDER, JACK. OH, UH, MY OLD FRIEND MARTIN, 609 00:23:09,622 --> 00:23:10,833 JACK. OH, UH, MY OLD FRIEND MARTIN, FOR HEAVEN'S SAKES. 610 00:23:10,857 --> 00:23:12,334 OH, UH, MY OLD FRIEND MARTIN, FOR HEAVEN'S SAKES. MY OLD FRIEND BOBBY. 611 00:23:12,358 --> 00:23:13,435 FOR HEAVEN'S SAKES. MY OLD FRIEND BOBBY. GOOD TO SEE YOU. 612 00:23:13,459 --> 00:23:15,337 MY OLD FRIEND BOBBY. GOOD TO SEE YOU. SAY, HAVE YOU SEEN MY OLD FRIEND 613 00:23:15,361 --> 00:23:15,804 GOOD TO SEE YOU. SAY, HAVE YOU SEEN MY OLD FRIEND JOHN? 614 00:23:15,828 --> 00:23:17,439 SAY, HAVE YOU SEEN MY OLD FRIEND JOHN? HE, UH, WENT TO GO GET SOME 615 00:23:17,463 --> 00:23:18,039 JOHN? HE, UH, WENT TO GO GET SOME CHOWDER. 616 00:23:18,063 --> 00:23:19,207 HE, UH, WENT TO GO GET SOME CHOWDER. WOULD YOU LIKE SOME? 617 00:23:19,231 --> 00:23:20,275 CHOWDER. WOULD YOU LIKE SOME? IT'S GOOD CHOWDER. 618 00:23:20,299 --> 00:23:21,610 WOULD YOU LIKE SOME? IT'S GOOD CHOWDER. IS IT NEW ENGLAND CLAM 619 00:23:21,634 --> 00:23:22,210 IT'S GOOD CHOWDER. IS IT NEW ENGLAND CLAM CHOWDER? 620 00:23:22,234 --> 00:23:23,912 IS IT NEW ENGLAND CLAM CHOWDER? IS THE PRESIDENT CATHOLIC? 621 00:23:23,936 --> 00:23:24,946 CHOWDER? IS THE PRESIDENT CATHOLIC? [BOTH LAUGH] 622 00:23:24,970 --> 00:23:26,147 IS THE PRESIDENT CATHOLIC? [BOTH LAUGH] NO, THANK YOU. 623 00:23:26,171 --> 00:23:27,783 [BOTH LAUGH] NO, THANK YOU. I PREFER MANHATTAN STYLE. 624 00:23:27,807 --> 00:23:29,818 NO, THANK YOU. I PREFER MANHATTAN STYLE. UH, MARTIN, DID JACK GIVE YOU 625 00:23:29,842 --> 00:23:31,687 I PREFER MANHATTAN STYLE. UH, MARTIN, DID JACK GIVE YOU ONE OF HIS PT-109 TIE CLASPS? 626 00:23:31,711 --> 00:23:33,589 UH, MARTIN, DID JACK GIVE YOU ONE OF HIS PT-109 TIE CLASPS? NO, I DON'T BELIEVE HE DID. 627 00:23:33,613 --> 00:23:35,491 ONE OF HIS PT-109 TIE CLASPS? NO, I DON'T BELIEVE HE DID. YEAH, WELL, HE'D BE HONORED 628 00:23:35,515 --> 00:23:37,459 NO, I DON'T BELIEVE HE DID. YEAH, WELL, HE'D BE HONORED IF YOU WOULD WEAR THIS FOR HIM, 629 00:23:37,483 --> 00:23:39,495 YEAH, WELL, HE'D BE HONORED IF YOU WOULD WEAR THIS FOR HIM, AND IF YOU'D SPEAK DIRECTLY INTO 630 00:23:39,519 --> 00:23:40,529 IF YOU WOULD WEAR THIS FOR HIM, AND IF YOU'D SPEAK DIRECTLY INTO IT, OKAY? 631 00:23:40,553 --> 00:23:43,131 AND IF YOU'D SPEAK DIRECTLY INTO IT, OKAY? WELL, I THANK YOU ON BEHALF 632 00:23:43,155 --> 00:23:46,167 IT, OKAY? WELL, I THANK YOU ON BEHALF OF THE ENTIRE KING FAMILY. 633 00:23:46,191 --> 00:23:49,004 WELL, I THANK YOU ON BEHALF OF THE ENTIRE KING FAMILY. AH, GOOD CHOWDER. 634 00:23:49,028 --> 00:23:51,573 OF THE ENTIRE KING FAMILY. AH, GOOD CHOWDER. UH, JOHN, BOBBY, AS YOU KNOW, 635 00:23:51,597 --> 00:23:53,575 AH, GOOD CHOWDER. UH, JOHN, BOBBY, AS YOU KNOW, I'VE COME TO DISCUSS OUR 636 00:23:53,599 --> 00:23:56,144 UH, JOHN, BOBBY, AS YOU KNOW, I'VE COME TO DISCUSS OUR INTENTION TO ORGANIZE A MARCH ON 637 00:23:56,168 --> 00:23:57,279 I'VE COME TO DISCUSS OUR INTENTION TO ORGANIZE A MARCH ON WASHINGTON. 638 00:23:57,303 --> 00:23:59,281 INTENTION TO ORGANIZE A MARCH ON WASHINGTON. IT CAN'T BE DONE NOW! 639 00:23:59,305 --> 00:24:01,483 WASHINGTON. IT CAN'T BE DONE NOW! IT'S NOT THE RIGHT TIME! 640 00:24:01,507 --> 00:24:02,418 IT CAN'T BE DONE NOW! IT'S NOT THE RIGHT TIME! HMM. 641 00:24:02,442 --> 00:24:03,118 IT'S NOT THE RIGHT TIME! HMM. HMM. 642 00:24:03,142 --> 00:24:05,821 HMM. HMM. WHITE PEOPLE ARE ALWAYS SAYING 643 00:24:05,845 --> 00:24:08,624 HMM. WHITE PEOPLE ARE ALWAYS SAYING IT'S NEVER... OR NOT, RATHER... 644 00:24:08,648 --> 00:24:09,691 WHITE PEOPLE ARE ALWAYS SAYING IT'S NEVER... OR NOT, RATHER... THE RIGHT TIME. 645 00:24:09,715 --> 00:24:11,560 IT'S NEVER... OR NOT, RATHER... THE RIGHT TIME. WHEN... YOU TELL ME... WHEN IS 646 00:24:11,584 --> 00:24:12,594 THE RIGHT TIME. WHEN... YOU TELL ME... WHEN IS THE RIGHT TIME? 647 00:24:12,618 --> 00:24:14,029 WHEN... YOU TELL ME... WHEN IS THE RIGHT TIME? WHEN I'M PRESIDENT! 648 00:24:14,053 --> 00:24:14,797 THE RIGHT TIME? WHEN I'M PRESIDENT! BOBBY! 649 00:24:14,821 --> 00:24:16,064 WHEN I'M PRESIDENT! BOBBY! I'M SORRY, JACK. 650 00:24:16,088 --> 00:24:18,033 BOBBY! I'M SORRY, JACK. MARTIN, LET'S PUT ASIDE THESE 651 00:24:18,057 --> 00:24:20,001 I'M SORRY, JACK. MARTIN, LET'S PUT ASIDE THESE SERIOUS MATTERS FOR A MOMENT AND 652 00:24:20,025 --> 00:24:21,804 MARTIN, LET'S PUT ASIDE THESE SERIOUS MATTERS FOR A MOMENT AND GET TO KNOW EACH OTHER AS OLD 653 00:24:21,828 --> 00:24:24,306 SERIOUS MATTERS FOR A MOMENT AND GET TO KNOW EACH OTHER AS OLD FRIENDS. 654 00:24:24,330 --> 00:24:25,974 GET TO KNOW EACH OTHER AS OLD FRIENDS. HAVE YOU EVER SLEPT WITH A WHITE 655 00:24:25,998 --> 00:24:28,811 FRIENDS. HAVE YOU EVER SLEPT WITH A WHITE GIRL? 656 00:24:28,835 --> 00:24:36,117 HAVE YOU EVER SLEPT WITH A WHITE GIRL? DOES YOUR SISTER COUNT? 657 00:24:36,141 --> 00:24:37,586 GIRL? DOES YOUR SISTER COUNT? YOU KNOW, WE HAVE A PRIVATE 658 00:24:37,610 --> 00:24:38,320 DOES YOUR SISTER COUNT? YOU KNOW, WE HAVE A PRIVATE BEACH HERE. 659 00:24:38,344 --> 00:24:39,855 YOU KNOW, WE HAVE A PRIVATE BEACH HERE. HOW WOULD YOU LIKE TO GO DOWN 660 00:24:39,879 --> 00:24:41,457 BEACH HERE. HOW WOULD YOU LIKE TO GO DOWN AND SWIM IN THE NUDE WITH SOME 661 00:24:41,481 --> 00:24:46,695 HOW WOULD YOU LIKE TO GO DOWN AND SWIM IN THE NUDE WITH SOME OF THE SECRETARIES? 662 00:24:46,719 --> 00:24:49,465 AND SWIM IN THE NUDE WITH SOME OF THE SECRETARIES? GENTLEMEN, YOU DON'T SEEM TO 663 00:24:49,489 --> 00:24:52,067 OF THE SECRETARIES? GENTLEMEN, YOU DON'T SEEM TO UNDERSTAND THE IMPORT OF WHAT 664 00:24:52,091 --> 00:24:53,569 GENTLEMEN, YOU DON'T SEEM TO UNDERSTAND THE IMPORT OF WHAT I'M TRYING TO DO. 665 00:24:53,593 --> 00:24:56,037 UNDERSTAND THE IMPORT OF WHAT I'M TRYING TO DO. DIDN'T YOU LOVE THE THINGS THAT 666 00:24:56,061 --> 00:24:57,940 I'M TRYING TO DO. DIDN'T YOU LOVE THE THINGS THAT I STOOD FOR? 667 00:24:57,964 --> 00:24:59,908 DIDN'T YOU LOVE THE THINGS THAT I STOOD FOR? SURE, I CHEAT... CHEATED A 668 00:24:59,932 --> 00:25:00,943 I STOOD FOR? SURE, I CHEAT... CHEATED A LITTLE BIT. 669 00:25:00,967 --> 00:25:03,111 SURE, I CHEAT... CHEATED A LITTLE BIT. BUT IT'S NOT A PREOCCUPATION, 670 00:25:03,135 --> 00:25:04,079 LITTLE BIT. BUT IT'S NOT A PREOCCUPATION, GENTLEMEN. 671 00:25:04,103 --> 00:25:04,746 BUT IT'S NOT A PREOCCUPATION, GENTLEMEN. GOODBYE. 672 00:25:04,770 --> 00:25:06,381 GENTLEMEN. GOODBYE. DON'T LEAVE ANGRY, NOW, 673 00:25:06,405 --> 00:25:07,015 GOODBYE. DON'T LEAVE ANGRY, NOW, MARTIN. 674 00:25:07,039 --> 00:25:08,283 DON'T LEAVE ANGRY, NOW, MARTIN. WE'RE THE KENNEDYS. 675 00:25:08,307 --> 00:25:09,250 MARTIN. WE'RE THE KENNEDYS. DON'T CROSS US! 676 00:25:09,274 --> 00:25:10,819 WE'RE THE KENNEDYS. DON'T CROSS US! DON'T WORRY ABOUT MARTIN, 677 00:25:10,843 --> 00:25:11,353 DON'T CROSS US! DON'T WORRY ABOUT MARTIN, BOBBY. 678 00:25:11,377 --> 00:25:12,921 DON'T WORRY ABOUT MARTIN, BOBBY. IN 15 YEARS, THE THREE OF US 679 00:25:12,945 --> 00:25:14,656 BOBBY. IN 15 YEARS, THE THREE OF US WILL PROBABLY LOOK BACK ON THIS 680 00:25:14,680 --> 00:25:16,859 IN 15 YEARS, THE THREE OF US WILL PROBABLY LOOK BACK ON THIS AND LAUGH. 681 00:25:16,883 --> 00:25:19,628 WILL PROBABLY LOOK BACK ON THIS AND LAUGH. WELL, MAYBE NOT. 682 00:25:19,652 --> 00:25:20,963 AND LAUGH. WELL, MAYBE NOT. IN FACT, I'M SURE WE WON'T 683 00:25:20,987 --> 00:25:21,429 WELL, MAYBE NOT. IN FACT, I'M SURE WE WON'T LAUGH. 684 00:25:21,453 --> 00:25:22,263 IN FACT, I'M SURE WE WON'T LAUGH. I'M SURE OF IT. 685 00:25:22,287 --> 00:25:23,632 LAUGH. I'M SURE OF IT. HOW ABOUT THROWING AROUND A 686 00:25:23,656 --> 00:25:25,166 I'M SURE OF IT. HOW ABOUT THROWING AROUND A FOOTBALL, MAYBE GO OUT AND HAVE 687 00:25:25,190 --> 00:25:26,434 HOW ABOUT THROWING AROUND A FOOTBALL, MAYBE GO OUT AND HAVE A GAME OF TOUCH FOOTBALL? 688 00:25:26,458 --> 00:25:27,068 FOOTBALL, MAYBE GO OUT AND HAVE A GAME OF TOUCH FOOTBALL? I KNOW. 689 00:25:27,092 --> 00:25:28,604 A GAME OF TOUCH FOOTBALL? I KNOW. LET'S GO GET SOME MORE CHOWDER. 690 00:25:28,628 --> 00:25:29,304 I KNOW. LET'S GO GET SOME MORE CHOWDER. CHOWDER. 691 00:25:29,328 --> 00:25:30,706 LET'S GO GET SOME MORE CHOWDER. CHOWDER. I'D PREFER THAT IMMENSELY. 692 00:25:30,730 --> 00:25:33,450 CHOWDER. I'D PREFER THAT IMMENSELY. LET'S GO GET THE CHOWDER. 693 00:25:46,077 --> 00:25:51,426 STILL TO COME, LEON SPINKS WINS THE HEAVYWEIGHT TITLE. THIS AND OTHER STORIES ON 694 00:25:51,450 --> 00:25:54,410 WINS THE HEAVYWEIGHT TITLE. THIS AND OTHER STORIES ON "WEEKEND UPDATE" NEXT. 695 00:25:56,922 --> 00:26:00,669 Announcer: AND NOW "WEEKEND UPDATE" WITH THE "WEEKEND UPDATE" NEWS TEAM, 696 00:26:00,693 --> 00:26:02,638 "WEEKEND UPDATE" WITH THE "WEEKEND UPDATE" NEWS TEAM, BROUGHT TO YOU BY PUSSYWHIP. 697 00:26:02,662 --> 00:26:04,740 "WEEKEND UPDATE" NEWS TEAM, BROUGHT TO YOU BY PUSSYWHIP. PUSSYWHIP... THE FIRST DESSERT 698 00:26:04,764 --> 00:26:06,041 BROUGHT TO YOU BY PUSSYWHIP. PUSSYWHIP... THE FIRST DESSERT TOPPING FOR CATS. 699 00:26:06,065 --> 00:26:07,843 PUSSYWHIP... THE FIRST DESSERT TOPPING FOR CATS. HERE ARE CO-ANCHORPERSONS 700 00:26:07,867 --> 00:26:10,612 TOPPING FOR CATS. HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. 701 00:26:10,636 --> 00:26:13,148 HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. I WILL BE DAN AYKROYD. 702 00:26:13,172 --> 00:26:15,584 DAN AYKROYD AND JANE CURTIN. I WILL BE DAN AYKROYD. AND I AM JANE CURTIN. 703 00:26:15,608 --> 00:26:17,719 I WILL BE DAN AYKROYD. AND I AM JANE CURTIN. OUR TOP STORY TONIGHT... MORE 704 00:26:17,743 --> 00:26:18,954 AND I AM JANE CURTIN. OUR TOP STORY TONIGHT... MORE DETAILS ON THAT 705 00:26:18,978 --> 00:26:20,656 OUR TOP STORY TONIGHT... MORE DETAILS ON THAT H.R. BOB HALDEMAN BOOK 706 00:26:20,680 --> 00:26:22,724 DETAILS ON THAT H.R. BOB HALDEMAN BOOK "THE ENDS OF POWER"... NIXON 707 00:26:22,748 --> 00:26:24,660 H.R. BOB HALDEMAN BOOK "THE ENDS OF POWER"... NIXON STEALING SILVERWARE, NIXON 708 00:26:24,684 --> 00:26:26,929 "THE ENDS OF POWER"... NIXON STEALING SILVERWARE, NIXON SMEARING OATMEAL ON HIS LAPELS, 709 00:26:26,953 --> 00:26:29,031 STEALING SILVERWARE, NIXON SMEARING OATMEAL ON HIS LAPELS, NIXON KILLING A CUBAN BUSBOY, 710 00:26:29,055 --> 00:26:31,033 SMEARING OATMEAL ON HIS LAPELS, NIXON KILLING A CUBAN BUSBOY, AND A SAD, EMBITTERED NIXON 711 00:26:31,057 --> 00:26:33,301 NIXON KILLING A CUBAN BUSBOY, AND A SAD, EMBITTERED NIXON BARKING LIKE A DOG AND SLEEPING 712 00:26:33,325 --> 00:26:34,502 AND A SAD, EMBITTERED NIXON BARKING LIKE A DOG AND SLEEPING IN PACKING CRATES. 713 00:26:34,526 --> 00:26:36,271 BARKING LIKE A DOG AND SLEEPING IN PACKING CRATES. HALDEMAN EXPECTS THE BOOK TO 714 00:26:36,295 --> 00:26:38,173 IN PACKING CRATES. HALDEMAN EXPECTS THE BOOK TO GROSS MILLIONS AND PLANS TO USE 715 00:26:38,197 --> 00:26:40,075 HALDEMAN EXPECTS THE BOOK TO GROSS MILLIONS AND PLANS TO USE THE MONEY TO RESHAPE THE TOP OF 716 00:26:40,099 --> 00:26:41,977 GROSS MILLIONS AND PLANS TO USE THE MONEY TO RESHAPE THE TOP OF HIS HEAD, WHICH CURRENTLY LOOKS 717 00:26:42,001 --> 00:26:45,180 THE MONEY TO RESHAPE THE TOP OF HIS HEAD, WHICH CURRENTLY LOOKS LIKE A PUTTING GREEN. 718 00:26:45,204 --> 00:26:46,648 HIS HEAD, WHICH CURRENTLY LOOKS LIKE A PUTTING GREEN. AND IN ANOTHER STORY FROM 719 00:26:46,672 --> 00:26:47,983 LIKE A PUTTING GREEN. AND IN ANOTHER STORY FROM WASHINGTON, DEMOCRATIC 720 00:26:48,007 --> 00:26:49,551 AND IN ANOTHER STORY FROM WASHINGTON, DEMOCRATIC CONGRESSMAN DANIEL FLOOD OF 721 00:26:49,575 --> 00:26:50,852 WASHINGTON, DEMOCRATIC CONGRESSMAN DANIEL FLOOD OF PENNSYLVANIA... BEING 722 00:26:50,876 --> 00:26:52,387 CONGRESSMAN DANIEL FLOOD OF PENNSYLVANIA... BEING INVESTIGATED FOR INFLUENCE 723 00:26:52,411 --> 00:26:54,155 PENNSYLVANIA... BEING INVESTIGATED FOR INFLUENCE PEDALING... ANNOUNCED THIS WEEK 724 00:26:54,179 --> 00:26:55,891 INVESTIGATED FOR INFLUENCE PEDALING... ANNOUNCED THIS WEEK THAT HE WILL ENTER WALTER REED 725 00:26:55,915 --> 00:26:57,659 PEDALING... ANNOUNCED THIS WEEK THAT HE WILL ENTER WALTER REED HOSPITAL NEXT MONTH FOR SURGERY 726 00:26:57,683 --> 00:26:59,327 THAT HE WILL ENTER WALTER REED HOSPITAL NEXT MONTH FOR SURGERY TO HAVE THE MICE REMOVED FROM 727 00:26:59,351 --> 00:27:02,664 HOSPITAL NEXT MONTH FOR SURGERY TO HAVE THE MICE REMOVED FROM HIS NOSTRILS. 728 00:27:02,688 --> 00:27:04,066 TO HAVE THE MICE REMOVED FROM HIS NOSTRILS. [COUGHS] 729 00:27:04,090 --> 00:27:04,700 HIS NOSTRILS. [COUGHS] EXCUSE ME. 730 00:27:04,724 --> 00:27:05,834 [COUGHS] EXCUSE ME. WELL, WHAT LOOKS LIKE A 731 00:27:05,858 --> 00:27:07,368 EXCUSE ME. WELL, WHAT LOOKS LIKE A MONUMENTAL BREAKTHROUGH IN BIRTH 732 00:27:07,392 --> 00:27:08,637 WELL, WHAT LOOKS LIKE A MONUMENTAL BREAKTHROUGH IN BIRTH CONTROL IS BEING TESTED AT 733 00:27:08,661 --> 00:27:09,805 MONUMENTAL BREAKTHROUGH IN BIRTH CONTROL IS BEING TESTED AT HARVARD MEDICAL SCHOOL. 734 00:27:09,829 --> 00:27:11,206 CONTROL IS BEING TESTED AT HARVARD MEDICAL SCHOOL. PAYING HEED TO THE REPORTS ON 735 00:27:11,230 --> 00:27:12,741 HARVARD MEDICAL SCHOOL. PAYING HEED TO THE REPORTS ON THE ADVERSE EFFECTS OF THE PILL, 736 00:27:12,765 --> 00:27:14,142 PAYING HEED TO THE REPORTS ON THE ADVERSE EFFECTS OF THE PILL, DOCTORS ARE NOW EXPERIMENTING 737 00:27:14,166 --> 00:27:15,577 THE ADVERSE EFFECTS OF THE PILL, DOCTORS ARE NOW EXPERIMENTING WITH A MODIFIED VERSION OF THE 738 00:27:15,601 --> 00:27:16,778 DOCTORS ARE NOW EXPERIMENTING WITH A MODIFIED VERSION OF THE POPULAR RHYTHM METHOD. 739 00:27:16,802 --> 00:27:18,279 WITH A MODIFIED VERSION OF THE POPULAR RHYTHM METHOD. THE NEW PRACTICE, TENTATIVELY 740 00:27:18,303 --> 00:27:19,314 POPULAR RHYTHM METHOD. THE NEW PRACTICE, TENTATIVELY REFERRED TO AS THE 741 00:27:19,338 --> 00:27:20,816 THE NEW PRACTICE, TENTATIVELY REFERRED TO AS THE RHYTHM-AND-BLUES METHOD, IS A 742 00:27:20,840 --> 00:27:22,417 REFERRED TO AS THE RHYTHM-AND-BLUES METHOD, IS A VARIATION WHICH INVOLVES COITUS 743 00:27:22,441 --> 00:27:23,952 RHYTHM-AND-BLUES METHOD, IS A VARIATION WHICH INVOLVES COITUS IN THE PRESENCE OF B.B. KING, 744 00:27:23,976 --> 00:27:25,453 VARIATION WHICH INVOLVES COITUS IN THE PRESENCE OF B.B. KING, OTIS REDDING, WILSON PICKETT, 745 00:27:25,477 --> 00:27:26,788 IN THE PRESENCE OF B.B. KING, OTIS REDDING, WILSON PICKETT, AND JUNIOR WALKER AND THE 746 00:27:26,812 --> 00:27:30,325 OTIS REDDING, WILSON PICKETT, AND JUNIOR WALKER AND THE ALL STARS. 747 00:27:30,349 --> 00:27:32,127 AND JUNIOR WALKER AND THE ALL STARS. WELL, BILLY CARTER HAS BOUGHT A 748 00:27:32,151 --> 00:27:33,528 ALL STARS. WELL, BILLY CARTER HAS BOUGHT A PARTNERSHIP IN A WEEKLY 749 00:27:33,552 --> 00:27:35,396 WELL, BILLY CARTER HAS BOUGHT A PARTNERSHIP IN A WEEKLY NEWSPAPER, THE PLAINS STATESMAN. 750 00:27:35,420 --> 00:27:36,999 PARTNERSHIP IN A WEEKLY NEWSPAPER, THE PLAINS STATESMAN. ACCORDING TO THE ASSOCIATED 751 00:27:37,023 --> 00:27:38,433 NEWSPAPER, THE PLAINS STATESMAN. ACCORDING TO THE ASSOCIATED PRESS, THE AGREEMENT WAS 752 00:27:38,457 --> 00:27:40,135 ACCORDING TO THE ASSOCIATED PRESS, THE AGREEMENT WAS UNPRETENTIOUSLY RECORDED ON A 753 00:27:40,159 --> 00:27:41,469 PRESS, THE AGREEMENT WAS UNPRETENTIOUSLY RECORDED ON A SIMPLE, BROWN PAPER BAG. 754 00:27:41,493 --> 00:27:43,204 UNPRETENTIOUSLY RECORDED ON A SIMPLE, BROWN PAPER BAG. AFTERWARDS, BILLY CELEBRATED THE 755 00:27:43,228 --> 00:27:44,806 SIMPLE, BROWN PAPER BAG. AFTERWARDS, BILLY CELEBRATED THE OCCASION IN TYPICAL FASHION BY 756 00:27:44,830 --> 00:27:46,474 AFTERWARDS, BILLY CELEBRATED THE OCCASION IN TYPICAL FASHION BY DRINKING A KEG OF BEER AND THEN 757 00:27:46,498 --> 00:27:50,646 OCCASION IN TYPICAL FASHION BY DRINKING A KEG OF BEER AND THEN THROWING UP INTO THE AGREEMENT. 758 00:27:50,670 --> 00:27:52,047 DRINKING A KEG OF BEER AND THEN THROWING UP INTO THE AGREEMENT. DRAIN WATER AND TOILET-BOWL 759 00:27:52,071 --> 00:27:53,581 THROWING UP INTO THE AGREEMENT. DRAIN WATER AND TOILET-BOWL WATER, WHICH, UP UNTIL NOW, HAS 760 00:27:53,605 --> 00:27:55,150 DRAIN WATER AND TOILET-BOWL WATER, WHICH, UP UNTIL NOW, HAS SWIRLED CLOCKWISE FOR COUNTRIES 761 00:27:55,174 --> 00:27:56,718 WATER, WHICH, UP UNTIL NOW, HAS SWIRLED CLOCKWISE FOR COUNTRIES LOCATED ABOVE THE EQUATOR, WILL 762 00:27:56,742 --> 00:27:58,086 SWIRLED CLOCKWISE FOR COUNTRIES LOCATED ABOVE THE EQUATOR, WILL NOW SWIRL COUNTERCLOCKWISE. 763 00:27:58,110 --> 00:27:59,521 LOCATED ABOVE THE EQUATOR, WILL NOW SWIRL COUNTERCLOCKWISE. SCIENTISTS EXPLAIN THIS AS A 764 00:27:59,545 --> 00:28:00,956 NOW SWIRL COUNTERCLOCKWISE. SCIENTISTS EXPLAIN THIS AS A RESULT OF THE ACQUISITION OF 765 00:28:00,980 --> 00:28:02,524 SCIENTISTS EXPLAIN THIS AS A RESULT OF THE ACQUISITION OF WESTERN PLUMBING BY MORE OF THE 766 00:28:02,548 --> 00:28:03,925 RESULT OF THE ACQUISITION OF WESTERN PLUMBING BY MORE OF THE UNDERDEVELOPED NATIONS BELOW THE 767 00:28:03,949 --> 00:28:04,392 WESTERN PLUMBING BY MORE OF THE UNDERDEVELOPED NATIONS BELOW THE EQUATOR. 768 00:28:04,416 --> 00:28:05,593 UNDERDEVELOPED NATIONS BELOW THE EQUATOR. THEY ALSO WARN THAT IF THIS 769 00:28:05,617 --> 00:28:06,995 EQUATOR. THEY ALSO WARN THAT IF THIS PHENOMENON ISN'T COMPENSATED FOR 770 00:28:07,019 --> 00:28:08,329 THEY ALSO WARN THAT IF THIS PHENOMENON ISN'T COMPENSATED FOR IN THE SOUTHERN HEMISPHERE, THE 771 00:28:08,353 --> 00:28:09,597 PHENOMENON ISN'T COMPENSATED FOR IN THE SOUTHERN HEMISPHERE, THE EARTH WILL DEVELOP A WOBBLE, 772 00:28:09,621 --> 00:28:10,866 IN THE SOUTHERN HEMISPHERE, THE EARTH WILL DEVELOP A WOBBLE, THROWING MANY PEDESTRIANS AND 773 00:28:10,890 --> 00:28:12,100 EARTH WILL DEVELOP A WOBBLE, THROWING MANY PEDESTRIANS AND CARS INTO BUILDINGS, AND THE 774 00:28:12,124 --> 00:28:13,334 THROWING MANY PEDESTRIANS AND CARS INTO BUILDINGS, AND THE NORTH POLE WILL SLIP DOWN TO 775 00:28:13,358 --> 00:28:13,902 CARS INTO BUILDINGS, AND THE NORTH POLE WILL SLIP DOWN TO ST. LOUIS. 776 00:28:13,926 --> 00:28:17,072 NORTH POLE WILL SLIP DOWN TO ST. LOUIS. [TELEPHONE RINGS] 777 00:28:17,096 --> 00:28:18,707 ST. LOUIS. [TELEPHONE RINGS] UH, AYKROYD. 778 00:28:18,731 --> 00:28:20,175 [TELEPHONE RINGS] UH, AYKROYD. LONG DISTANCE CALLING 779 00:28:20,199 --> 00:28:21,043 UH, AYKROYD. LONG DISTANCE CALLING DAN AYKROYD. 780 00:28:21,067 --> 00:28:22,310 LONG DISTANCE CALLING DAN AYKROYD. IS HE THERE, PLEASE? 781 00:28:22,334 --> 00:28:23,411 DAN AYKROYD. IS HE THERE, PLEASE? YES, GO AHEAD. 782 00:28:23,435 --> 00:28:25,147 IS HE THERE, PLEASE? YES, GO AHEAD. AYKROYD, THERE'S BEEN A... 783 00:28:25,171 --> 00:28:26,715 YES, GO AHEAD. AYKROYD, THERE'S BEEN A... ACCIDENT INVOLVING... 784 00:28:26,739 --> 00:28:27,849 AYKROYD, THERE'S BEEN A... ACCIDENT INVOLVING... MOTHER... VERY ILL... 785 00:28:27,873 --> 00:28:28,516 ACCIDENT INVOLVING... MOTHER... VERY ILL... WHAT? 786 00:28:28,540 --> 00:28:29,985 MOTHER... VERY ILL... WHAT? AN ACCIDENT? MY MOTHER? 787 00:28:30,009 --> 00:28:31,820 WHAT? AN ACCIDENT? MY MOTHER? YOU BETTER COME HERE QUICK. 788 00:28:31,844 --> 00:28:33,188 AN ACCIDENT? MY MOTHER? YOU BETTER COME HERE QUICK. SHE'S ASKING FOR YOU. 789 00:28:33,212 --> 00:28:34,622 YOU BETTER COME HERE QUICK. SHE'S ASKING FOR YOU. OKAY, I'LL BE RIGHT THERE. 790 00:28:34,646 --> 00:28:35,857 SHE'S ASKING FOR YOU. OKAY, I'LL BE RIGHT THERE. I'M GONNA HAVE TO SPLIT. 791 00:28:35,881 --> 00:28:37,893 OKAY, I'LL BE RIGHT THERE. I'M GONNA HAVE TO SPLIT. OH, MY GOD. 792 00:28:37,917 --> 00:28:38,694 I'M GONNA HAVE TO SPLIT. OH, MY GOD. IT'S OKAY. 793 00:28:38,718 --> 00:28:40,195 OH, MY GOD. IT'S OKAY. I REALLY HAVE TO GO. 794 00:28:40,219 --> 00:28:41,596 IT'S OKAY. I REALLY HAVE TO GO. IT'S A FAMILY MATTER. 795 00:28:41,620 --> 00:28:42,564 I REALLY HAVE TO GO. IT'S A FAMILY MATTER. IT'S OKAY. 796 00:28:42,588 --> 00:28:43,932 IT'S A FAMILY MATTER. IT'S OKAY. DON'T WORRY ABOUT IT. 797 00:28:43,956 --> 00:28:45,767 IT'S OKAY. DON'T WORRY ABOUT IT. HAVE A CAR WAITING FOR ME! 798 00:28:45,791 --> 00:28:50,271 DON'T WORRY ABOUT IT. HAVE A CAR WAITING FOR ME! I'LL TAKE CARE OF IT, DAN. 799 00:28:50,295 --> 00:28:51,940 HAVE A CAR WAITING FOR ME! I'LL TAKE CARE OF IT, DAN. I'M AWFULLY SORRY IF ANYONE HAS 800 00:28:51,964 --> 00:28:53,641 I'LL TAKE CARE OF IT, DAN. I'M AWFULLY SORRY IF ANYONE HAS ANY TROUBLE IN THEIR FAMILY, BUT 801 00:28:53,665 --> 00:28:56,244 I'M AWFULLY SORRY IF ANYONE HAS ANY TROUBLE IN THEIR FAMILY, BUT THE SHOW MUST GO ON. 802 00:28:56,268 --> 00:28:57,378 ANY TROUBLE IN THEIR FAMILY, BUT THE SHOW MUST GO ON. TRAGEDY STRUCK IN 803 00:28:57,402 --> 00:28:59,181 THE SHOW MUST GO ON. TRAGEDY STRUCK IN FORT LAUDERDALE, FLORIDA, THIS 804 00:28:59,205 --> 00:29:00,949 TRAGEDY STRUCK IN FORT LAUDERDALE, FLORIDA, THIS WEEK WHEN THE ENTIRE NEW YORK 805 00:29:00,973 --> 00:29:02,818 FORT LAUDERDALE, FLORIDA, THIS WEEK WHEN THE ENTIRE NEW YORK YANKEE BALL TEAM WAS FELLED AND 806 00:29:02,842 --> 00:29:04,485 WEEK WHEN THE ENTIRE NEW YORK YANKEE BALL TEAM WAS FELLED AND PARALYZED BY WHAT WAS AT FIRST 807 00:29:04,509 --> 00:29:06,321 YANKEE BALL TEAM WAS FELLED AND PARALYZED BY WHAT WAS AT FIRST BELIEVED TO BE NERVE GAS COMING 808 00:29:06,345 --> 00:29:07,989 PARALYZED BY WHAT WAS AT FIRST BELIEVED TO BE NERVE GAS COMING FROM A NEARBY ARMY RESEARCH 809 00:29:08,013 --> 00:29:08,423 BELIEVED TO BE NERVE GAS COMING FROM A NEARBY ARMY RESEARCH BASE. 810 00:29:08,447 --> 00:29:09,958 FROM A NEARBY ARMY RESEARCH BASE. IT WAS LATER DISCOVERED THAT THE 811 00:29:09,982 --> 00:29:11,226 BASE. IT WAS LATER DISCOVERED THAT THE GAS WAS ACTUALLY THE LATE 812 00:29:11,250 --> 00:29:12,660 IT WAS LATER DISCOVERED THAT THE GAS WAS ACTUALLY THE LATE BABE RUTH'S BREATH, WHICH HAD 813 00:29:12,684 --> 00:29:14,029 GAS WAS ACTUALLY THE LATE BABE RUTH'S BREATH, WHICH HAD BEEN TRAPPED IN A LOCKER FOR 814 00:29:14,053 --> 00:29:15,430 BABE RUTH'S BREATH, WHICH HAD BEEN TRAPPED IN A LOCKER FOR YEARS AND SOMEHOW LEAKED OUT 815 00:29:15,454 --> 00:29:18,166 BEEN TRAPPED IN A LOCKER FOR YEARS AND SOMEHOW LEAKED OUT ONTO THE FIELD. 816 00:29:18,190 --> 00:29:19,735 YEARS AND SOMEHOW LEAKED OUT ONTO THE FIELD. ALL RIGHT! 817 00:29:19,759 --> 00:29:24,539 ONTO THE FIELD. ALL RIGHT! [CHEERS AND APPLAUSE] 818 00:29:24,563 --> 00:29:26,307 ALL RIGHT! [CHEERS AND APPLAUSE] JUST THOUGHT I'D HELP OUT IN 819 00:29:26,331 --> 00:29:30,278 [CHEERS AND APPLAUSE] JUST THOUGHT I'D HELP OUT IN A TRAGEDY OF THAT NATURE. 820 00:29:30,302 --> 00:29:31,747 JUST THOUGHT I'D HELP OUT IN A TRAGEDY OF THAT NATURE. UNAWARE THAT THIS PICTURE WAS 821 00:29:31,771 --> 00:29:33,014 A TRAGEDY OF THAT NATURE. UNAWARE THAT THIS PICTURE WAS TAKEN EARLIER THIS MONTH, 822 00:29:33,038 --> 00:29:34,415 UNAWARE THAT THIS PICTURE WAS TAKEN EARLIER THIS MONTH, PRESIDENT CARTER AND FRENCH 823 00:29:34,439 --> 00:29:35,984 TAKEN EARLIER THIS MONTH, PRESIDENT CARTER AND FRENCH PRESIDENT GISCARD d'ESTAING WERE 824 00:29:36,008 --> 00:29:37,452 PRESIDENT CARTER AND FRENCH PRESIDENT GISCARD d'ESTAING WERE DISTURBED BY RUMORS THAT THEY 825 00:29:37,476 --> 00:29:38,787 PRESIDENT GISCARD d'ESTAING WERE DISTURBED BY RUMORS THAT THEY HAD LEAKED DETAILS OF THIS 826 00:29:38,811 --> 00:29:39,420 DISTURBED BY RUMORS THAT THEY HAD LEAKED DETAILS OF THIS MEETING. 827 00:29:39,444 --> 00:29:40,722 HAD LEAKED DETAILS OF THIS MEETING. LATER, THE RUMORS WERE 828 00:29:40,746 --> 00:29:42,023 MEETING. LATER, THE RUMORS WERE ELIMINATED AND THE TWO 829 00:29:42,047 --> 00:29:46,027 LATER, THE RUMORS WERE ELIMINATED AND THE TWO PRESIDENTS GREATLY RELIEVED. 830 00:29:46,051 --> 00:29:47,428 ELIMINATED AND THE TWO PRESIDENTS GREATLY RELIEVED. IN THE WORLD OF HORSE RACING, 831 00:29:47,452 --> 00:29:48,930 PRESIDENTS GREATLY RELIEVED. IN THE WORLD OF HORSE RACING, THERE IS STILL GREAT SPECULATION 832 00:29:48,954 --> 00:29:49,965 IN THE WORLD OF HORSE RACING, THERE IS STILL GREAT SPECULATION AS TO WHETHER OR NOT 833 00:29:49,989 --> 00:29:51,432 THERE IS STILL GREAT SPECULATION AS TO WHETHER OR NOT SEATTLE SLEW WILL RACE AGAIN OR 834 00:29:51,456 --> 00:29:52,901 AS TO WHETHER OR NOT SEATTLE SLEW WILL RACE AGAIN OR JUST BE PUT OUT TO STUD. 835 00:29:52,925 --> 00:29:54,402 SEATTLE SLEW WILL RACE AGAIN OR JUST BE PUT OUT TO STUD. MEADOW MUFFIN FARMS, THE 836 00:29:54,426 --> 00:29:55,637 JUST BE PUT OUT TO STUD. MEADOW MUFFIN FARMS, THE SYNDICATE THAT OWNS 837 00:29:55,661 --> 00:29:57,005 MEADOW MUFFIN FARMS, THE SYNDICATE THAT OWNS SEATTLE SLEW, IS STILL 838 00:29:57,029 --> 00:29:57,773 SYNDICATE THAT OWNS SEATTLE SLEW, IS STILL UNDECIDED. 839 00:29:57,797 --> 00:29:59,374 SEATTLE SLEW, IS STILL UNDECIDED. WHEN ASKED TO COMMENT, THE 840 00:29:59,398 --> 00:30:01,243 UNDECIDED. WHEN ASKED TO COMMENT, THE FORMER TRIPLE CROWN WINNER SAID, 841 00:30:01,267 --> 00:30:03,011 WHEN ASKED TO COMMENT, THE FORMER TRIPLE CROWN WINNER SAID, [As Mister Ed] "YOU MEAN, I 842 00:30:03,035 --> 00:30:04,379 FORMER TRIPLE CROWN WINNER SAID, [As Mister Ed] "YOU MEAN, I HAVE A CHOICE, WILBUR? 843 00:30:04,403 --> 00:30:05,647 [As Mister Ed] "YOU MEAN, I HAVE A CHOICE, WILBUR? I NEED A FILLY! 844 00:30:05,671 --> 00:30:07,816 HAVE A CHOICE, WILBUR? I NEED A FILLY! I'M GOING BLIND FROM USING MY 845 00:30:07,840 --> 00:30:13,454 I NEED A FILLY! I'M GOING BLIND FROM USING MY OWN HOOVES." 846 00:30:13,478 --> 00:30:14,856 I'M GOING BLIND FROM USING MY OWN HOOVES." [Normal voice] THE 11-WEEK 847 00:30:14,880 --> 00:30:16,191 OWN HOOVES." [Normal voice] THE 11-WEEK UNITED MINE WORKERS STRIKE 848 00:30:16,215 --> 00:30:17,625 [Normal voice] THE 11-WEEK UNITED MINE WORKERS STRIKE CONTINUES, AND ITS EFFECT IS 849 00:30:17,649 --> 00:30:19,027 UNITED MINE WORKERS STRIKE CONTINUES, AND ITS EFFECT IS BEING FELT IN LAYOFFS IN THE 850 00:30:19,051 --> 00:30:20,228 CONTINUES, AND ITS EFFECT IS BEING FELT IN LAYOFFS IN THE COAL-DEPENDENT MIDWEST. 851 00:30:20,252 --> 00:30:21,663 BEING FELT IN LAYOFFS IN THE COAL-DEPENDENT MIDWEST. BUT SOME OF THE HARDEST HIT BY 852 00:30:21,687 --> 00:30:22,898 COAL-DEPENDENT MIDWEST. BUT SOME OF THE HARDEST HIT BY THE STRIKE ARE THE MINERS 853 00:30:22,922 --> 00:30:23,531 BUT SOME OF THE HARDEST HIT BY THE STRIKE ARE THE MINERS THEMSELVES. 854 00:30:23,555 --> 00:30:24,565 THE STRIKE ARE THE MINERS THEMSELVES. LARAINE NEWMAN IS IN 855 00:30:24,589 --> 00:30:25,967 THEMSELVES. LARAINE NEWMAN IS IN CAMPBELL CREEK, WEST VIRGINIA, 856 00:30:25,991 --> 00:30:26,868 LARAINE NEWMAN IS IN CAMPBELL CREEK, WEST VIRGINIA, WITH THIS REPORT. 857 00:30:26,892 --> 00:30:27,803 CAMPBELL CREEK, WEST VIRGINIA, WITH THIS REPORT. LARAINE? 858 00:30:27,827 --> 00:30:30,471 WITH THIS REPORT. LARAINE? CHEVY, COAL MINING... A DIRTY 859 00:30:30,495 --> 00:30:32,340 LARAINE? CHEVY, COAL MINING... A DIRTY JOB, A DANGEROUS JOB. 860 00:30:32,364 --> 00:30:35,010 CHEVY, COAL MINING... A DIRTY JOB, A DANGEROUS JOB. EVERY YEAR, SCORES OF MINERS ARE 861 00:30:35,034 --> 00:30:36,812 JOB, A DANGEROUS JOB. EVERY YEAR, SCORES OF MINERS ARE KILLED IN MINING ACCIDENTS. 862 00:30:36,836 --> 00:30:38,780 EVERY YEAR, SCORES OF MINERS ARE KILLED IN MINING ACCIDENTS. THOSE WHO SURVIVE TO WORK LONG 863 00:30:38,804 --> 00:30:40,715 KILLED IN MINING ACCIDENTS. THOSE WHO SURVIVE TO WORK LONG YEARS OFTEN DEVELOP BLACK LUNG 864 00:30:40,739 --> 00:30:42,750 THOSE WHO SURVIVE TO WORK LONG YEARS OFTEN DEVELOP BLACK LUNG DISEASE, AS WELL AS PERMANENTLY 865 00:30:42,774 --> 00:30:43,985 YEARS OFTEN DEVELOP BLACK LUNG DISEASE, AS WELL AS PERMANENTLY DIRTY FINGERNAILS. 866 00:30:44,009 --> 00:30:45,921 DISEASE, AS WELL AS PERMANENTLY DIRTY FINGERNAILS. I'M STANDING WITH RAY FLOYD, WHO 867 00:30:45,945 --> 00:30:47,889 DIRTY FINGERNAILS. I'M STANDING WITH RAY FLOYD, WHO HAS WORKED IN THE MINES FOR OVER 868 00:30:47,913 --> 00:30:48,623 I'M STANDING WITH RAY FLOYD, WHO HAS WORKED IN THE MINES FOR OVER 20 YEARS. 869 00:30:48,647 --> 00:30:50,525 HAS WORKED IN THE MINES FOR OVER 20 YEARS. MR. FLOYD, WHAT'S HOLDING UP A 870 00:30:50,549 --> 00:30:51,359 20 YEARS. MR. FLOYD, WHAT'S HOLDING UP A SETTLEMENT? 871 00:30:51,383 --> 00:30:53,195 MR. FLOYD, WHAT'S HOLDING UP A SETTLEMENT? IS IT SIMPLY A MATTER OF MORE 872 00:30:53,219 --> 00:30:53,995 SETTLEMENT? IS IT SIMPLY A MATTER OF MORE MONEY? 873 00:30:54,019 --> 00:30:56,531 IS IT SIMPLY A MATTER OF MORE MONEY? UH [COUGHS] NO, UH [COUGHS] 874 00:30:56,555 --> 00:30:58,934 MONEY? UH [COUGHS] NO, UH [COUGHS] WE WANT TO KEEP THE RIGHT TO 875 00:30:58,958 --> 00:31:01,402 UH [COUGHS] NO, UH [COUGHS] WE WANT TO KEEP THE RIGHT TO STRIKE SO THAT WE CAN GET, UH 876 00:31:01,426 --> 00:31:04,672 WE WANT TO KEEP THE RIGHT TO STRIKE SO THAT WE CAN GET, UH [COUGHS] UM, A STRICTER 877 00:31:04,696 --> 00:31:08,543 STRIKE SO THAT WE CAN GET, UH [COUGHS] UM, A STRICTER ENFORCEMENT OF THE, UH [COUGHS] 878 00:31:08,567 --> 00:31:10,545 [COUGHS] UM, A STRICTER ENFORCEMENT OF THE, UH [COUGHS] SAFETY REGULATIONS? SAFETY? 879 00:31:10,569 --> 00:31:12,981 ENFORCEMENT OF THE, UH [COUGHS] SAFETY REGULATIONS? SAFETY? [COUGHING] 880 00:31:13,005 --> 00:31:14,382 SAFETY REGULATIONS? SAFETY? [COUGHING] THAT'S RIGHT. 881 00:31:14,406 --> 00:31:17,118 [COUGHING] THAT'S RIGHT. UH, AND, WE WANT THE UNION 882 00:31:17,142 --> 00:31:21,156 THAT'S RIGHT. UH, AND, WE WANT THE UNION HEALTH FUND [COUGHS] TO BE FULLY 883 00:31:21,180 --> 00:31:24,759 UH, AND, WE WANT THE UNION HEALTH FUND [COUGHS] TO BE FULLY REINSTATED AND GUARANTEED... 884 00:31:24,783 --> 00:31:28,596 HEALTH FUND [COUGHS] TO BE FULLY REINSTATED AND GUARANTEED... [COUGHS] 885 00:31:28,620 --> 00:31:32,167 REINSTATED AND GUARANTEED... [COUGHS] BY THE... BY THE, UH [COUGHS] 886 00:31:32,191 --> 00:31:35,570 [COUGHS] BY THE... BY THE, UH [COUGHS] THE, UH, UNION LEADERSHIP? 887 00:31:35,594 --> 00:31:37,472 BY THE... BY THE, UH [COUGHS] THE, UH, UNION LEADERSHIP? UH, FEDERAL GOVERNMENT? 888 00:31:37,496 --> 00:31:38,506 THE, UH, UNION LEADERSHIP? UH, FEDERAL GOVERNMENT? [COUGHS] 889 00:31:38,530 --> 00:31:39,241 UH, FEDERAL GOVERNMENT? [COUGHS] OH. 890 00:31:39,265 --> 00:31:41,109 [COUGHS] OH. HOW ABOUT THE COAL COMPANIES? 891 00:31:41,133 --> 00:31:41,877 OH. HOW ABOUT THE COAL COMPANIES? OH, OKAY. 892 00:31:41,901 --> 00:31:43,611 HOW ABOUT THE COAL COMPANIES? OH, OKAY. WELL, THANK YOU, MR. FLOYD. 893 00:31:43,635 --> 00:31:45,847 OH, OKAY. WELL, THANK YOU, MR. FLOYD. NOW BACK TO OUR STUDIO. 894 00:31:45,871 --> 00:31:47,315 WELL, THANK YOU, MR. FLOYD. NOW BACK TO OUR STUDIO. GEORGE ANDERSON OF THE 895 00:31:47,339 --> 00:31:48,950 NOW BACK TO OUR STUDIO. GEORGE ANDERSON OF THE TORONTO INSTITUTE FOR ANIMAL 896 00:31:48,974 --> 00:31:50,385 GEORGE ANDERSON OF THE TORONTO INSTITUTE FOR ANIMAL GENETICS HAS SUCCEEDED IN 897 00:31:50,409 --> 00:31:51,652 TORONTO INSTITUTE FOR ANIMAL GENETICS HAS SUCCEEDED IN BREEDING A DOG WITH A 898 00:31:51,676 --> 00:31:54,856 GENETICS HAS SUCCEEDED IN BREEDING A DOG WITH A WASTEBASKET FOR A HEAD. 899 00:31:54,880 --> 00:31:56,358 BREEDING A DOG WITH A WASTEBASKET FOR A HEAD. ANDERSON SAID HE IS NOW WORKING 900 00:31:56,382 --> 00:31:57,759 WASTEBASKET FOR A HEAD. ANDERSON SAID HE IS NOW WORKING ON A CAT SHAPED LIKE A WAD OF 901 00:31:57,783 --> 00:31:59,194 ANDERSON SAID HE IS NOW WORKING ON A CAT SHAPED LIKE A WAD OF PAPER AND HOPES TO MARKET THE 902 00:31:59,218 --> 00:32:00,595 ON A CAT SHAPED LIKE A WAD OF PAPER AND HOPES TO MARKET THE PAIR AS AN INEXPENSIVE PARLOR 903 00:32:00,619 --> 00:32:03,198 PAPER AND HOPES TO MARKET THE PAIR AS AN INEXPENSIVE PARLOR GAME. 904 00:32:03,222 --> 00:32:08,870 PAIR AS AN INEXPENSIVE PARLOR GAME. WELL, BURT LANCE. 905 00:32:08,894 --> 00:32:11,907 GAME. WELL, BURT LANCE. THE FBI/CIA SOFTBALL GAME... 906 00:32:11,931 --> 00:32:13,308 WELL, BURT LANCE. THE FBI/CIA SOFTBALL GAME... [TELEPHONE RINGS] 907 00:32:13,332 --> 00:32:15,543 THE FBI/CIA SOFTBALL GAME... [TELEPHONE RINGS] EXCUSE ME. 908 00:32:15,567 --> 00:32:16,144 [TELEPHONE RINGS] EXCUSE ME. HELLO. 909 00:32:16,168 --> 00:32:17,178 EXCUSE ME. HELLO. MS. CURTIN. 910 00:32:17,202 --> 00:32:18,646 HELLO. MS. CURTIN. LONG DISTANCE CALLING. 911 00:32:18,670 --> 00:32:20,382 MS. CURTIN. LONG DISTANCE CALLING. YES, THIS IS MS. CURTIN. 912 00:32:20,406 --> 00:32:22,284 LONG DISTANCE CALLING. YES, THIS IS MS. CURTIN. HORRIBLE ACCIDENT INVOLVING 913 00:32:22,308 --> 00:32:24,886 YES, THIS IS MS. CURTIN. HORRIBLE ACCIDENT INVOLVING YOUR MOTHER IN NEW YORK STATE. 914 00:32:24,910 --> 00:32:31,426 HORRIBLE ACCIDENT INVOLVING YOUR MOTHER IN NEW YORK STATE. POLICE. 915 00:32:31,450 --> 00:32:34,595 YOUR MOTHER IN NEW YORK STATE. POLICE. IT'S FOR YOU. 916 00:32:34,619 --> 00:32:38,666 POLICE. IT'S FOR YOU. NICE TRY, SPARKY. 917 00:32:38,690 --> 00:32:40,802 IT'S FOR YOU. NICE TRY, SPARKY. WELL, FATHER TIME FINALLY CAUGHT 918 00:32:40,826 --> 00:32:42,737 NICE TRY, SPARKY. WELL, FATHER TIME FINALLY CAUGHT UP WITH A TIRED, 68-YEAR-OLD 919 00:32:42,761 --> 00:32:44,906 WELL, FATHER TIME FINALLY CAUGHT UP WITH A TIRED, 68-YEAR-OLD MUHAMMAD ALI LAST WEEK, WHO LOST 920 00:32:44,930 --> 00:32:47,042 UP WITH A TIRED, 68-YEAR-OLD MUHAMMAD ALI LAST WEEK, WHO LOST A SPLIT DECISION TO LEON SPINKS, 921 00:32:47,066 --> 00:32:49,077 MUHAMMAD ALI LAST WEEK, WHO LOST A SPLIT DECISION TO LEON SPINKS, ONE OF THE UGLIEST HEAVYWEIGHT 922 00:32:49,101 --> 00:32:50,545 A SPLIT DECISION TO LEON SPINKS, ONE OF THE UGLIEST HEAVYWEIGHT CHAMPS TO COME ALONG IN QUITE A 923 00:32:50,569 --> 00:32:51,980 ONE OF THE UGLIEST HEAVYWEIGHT CHAMPS TO COME ALONG IN QUITE A WHILE. 924 00:32:52,004 --> 00:32:53,548 CHAMPS TO COME ALONG IN QUITE A WHILE. AFTER THE FIGHT ON WEDNESDAY, 925 00:32:53,572 --> 00:32:55,150 WHILE. AFTER THE FIGHT ON WEDNESDAY, SPINKS ANNOUNCED THAT HE WAS A 926 00:32:55,174 --> 00:32:56,784 AFTER THE FIGHT ON WEDNESDAY, SPINKS ANNOUNCED THAT HE WAS A MEMBER OF THE BLACK MUSLIMS WHO 927 00:32:56,808 --> 00:32:58,453 SPINKS ANNOUNCED THAT HE WAS A MEMBER OF THE BLACK MUSLIMS WHO NO LONGER WANTS TO BE CALLED BY 928 00:32:58,477 --> 00:33:00,021 MEMBER OF THE BLACK MUSLIMS WHO NO LONGER WANTS TO BE CALLED BY HIS SLAVE NAME OF LEON SPINKS 929 00:33:00,045 --> 00:33:01,522 NO LONGER WANTS TO BE CALLED BY HIS SLAVE NAME OF LEON SPINKS AND, INSTEAD, HAS ADOPTED HIS 930 00:33:01,546 --> 00:33:05,660 HIS SLAVE NAME OF LEON SPINKS AND, INSTEAD, HAS ADOPTED HIS ISLAMIC NAME OF SCARLETT O'HARA. 931 00:33:05,684 --> 00:33:07,429 AND, INSTEAD, HAS ADOPTED HIS ISLAMIC NAME OF SCARLETT O'HARA. NOW TO GIVE US HIS VIEW ON THE 932 00:33:07,453 --> 00:33:09,264 ISLAMIC NAME OF SCARLETT O'HARA. NOW TO GIVE US HIS VIEW ON THE TITLE FIGHT AND A CLOSE LOOK AT 933 00:33:09,288 --> 00:33:10,966 NOW TO GIVE US HIS VIEW ON THE TITLE FIGHT AND A CLOSE LOOK AT THE CAREER OF MUHAMMAD ALI IS 934 00:33:10,990 --> 00:33:12,600 TITLE FIGHT AND A CLOSE LOOK AT THE CAREER OF MUHAMMAD ALI IS CORRESPONDENT JOHN BELUSHI. 935 00:33:12,624 --> 00:33:13,101 THE CAREER OF MUHAMMAD ALI IS CORRESPONDENT JOHN BELUSHI. JOHN. 936 00:33:13,125 --> 00:33:14,235 CORRESPONDENT JOHN BELUSHI. JOHN. THANK YOU, JANE. 937 00:33:14,259 --> 00:33:15,937 JOHN. THANK YOU, JANE. WHEN THE YOUNG LIGHT HEAVYWEIGHT 938 00:33:15,961 --> 00:33:17,638 THANK YOU, JANE. WHEN THE YOUNG LIGHT HEAVYWEIGHT CASSIUS CLAY WON THE GOLD MEDAL 939 00:33:17,662 --> 00:33:19,207 WHEN THE YOUNG LIGHT HEAVYWEIGHT CASSIUS CLAY WON THE GOLD MEDAL IN ROME, IT WAS A SPRINGBOARD 940 00:33:19,231 --> 00:33:20,808 CASSIUS CLAY WON THE GOLD MEDAL IN ROME, IT WAS A SPRINGBOARD FOR A CAREER THAT INCLUDED 57 941 00:33:20,832 --> 00:33:22,643 IN ROME, IT WAS A SPRINGBOARD FOR A CAREER THAT INCLUDED 57 FIGHTS WITH ONLY 3 LOSSES. 942 00:33:22,667 --> 00:33:24,545 FOR A CAREER THAT INCLUDED 57 FIGHTS WITH ONLY 3 LOSSES. THIS WEEK, ALI LOST FOR THE 943 00:33:24,569 --> 00:33:26,047 FIGHTS WITH ONLY 3 LOSSES. THIS WEEK, ALI LOST FOR THE THIRD TIME IN HIS CAREER. 944 00:33:26,071 --> 00:33:27,748 THIS WEEK, ALI LOST FOR THE THIRD TIME IN HIS CAREER. IN A 15-ROUND SPLIT DECISION, 945 00:33:27,772 --> 00:33:29,050 THIRD TIME IN HIS CAREER. IN A 15-ROUND SPLIT DECISION, MUHAMMAD ALI LOST THE 946 00:33:29,074 --> 00:33:30,651 IN A 15-ROUND SPLIT DECISION, MUHAMMAD ALI LOST THE HEAVYWEIGHT CHAMPIONSHIP TO 947 00:33:30,675 --> 00:33:31,486 MUHAMMAD ALI LOST THE HEAVYWEIGHT CHAMPIONSHIP TO LEON SPINKS. 948 00:33:31,510 --> 00:33:32,854 HEAVYWEIGHT CHAMPIONSHIP TO LEON SPINKS. IT WAS A BRUTAL FIGHT. 949 00:33:32,878 --> 00:33:34,489 LEON SPINKS. IT WAS A BRUTAL FIGHT. BY THE END, ALI HAD NO JABS. 950 00:33:34,513 --> 00:33:36,257 IT WAS A BRUTAL FIGHT. BY THE END, ALI HAD NO JABS. AND, LET'S FACE IT, SPINKS WAS 951 00:33:36,281 --> 00:33:37,425 BY THE END, ALI HAD NO JABS. AND, LET'S FACE IT, SPINKS WAS DAMN LUCKY, LUCKIER THAN 952 00:33:37,449 --> 00:33:38,393 AND, LET'S FACE IT, SPINKS WAS DAMN LUCKY, LUCKIER THAN NORTON, SHAVERS, AND 953 00:33:38,417 --> 00:33:39,827 DAMN LUCKY, LUCKIER THAN NORTON, SHAVERS, AND JIMMY YOUNG, WHO ALL GAVE HIM A 954 00:33:39,851 --> 00:33:40,495 NORTON, SHAVERS, AND JIMMY YOUNG, WHO ALL GAVE HIM A GOOD FIGHT. 955 00:33:40,519 --> 00:33:41,796 JIMMY YOUNG, WHO ALL GAVE HIM A GOOD FIGHT. BUT IF YOU'RE GONNA BEAT THE 956 00:33:41,820 --> 00:33:43,198 GOOD FIGHT. BUT IF YOU'RE GONNA BEAT THE CHAMPION, YOU SHOULD BEAT HIM. 957 00:33:43,222 --> 00:33:44,399 BUT IF YOU'RE GONNA BEAT THE CHAMPION, YOU SHOULD BEAT HIM. YOU SHOULD KNOCK HIM OUT. 958 00:33:44,423 --> 00:33:45,500 CHAMPION, YOU SHOULD BEAT HIM. YOU SHOULD KNOCK HIM OUT. YOU SHOULD BEAT HIM UP. 959 00:33:45,524 --> 00:33:46,934 YOU SHOULD KNOCK HIM OUT. YOU SHOULD BEAT HIM UP. IT'S WHAT YOU SHOULD DO. 960 00:33:46,958 --> 00:33:48,536 YOU SHOULD BEAT HIM UP. IT'S WHAT YOU SHOULD DO. SO, I THINK HE SHOULD BE... 961 00:33:48,560 --> 00:33:50,105 IT'S WHAT YOU SHOULD DO. SO, I THINK HE SHOULD BE... THEY'LL PROBABLY FIGHT VERY 962 00:33:50,129 --> 00:33:50,605 SO, I THINK HE SHOULD BE... THEY'LL PROBABLY FIGHT VERY SOON. 963 00:33:50,629 --> 00:33:52,140 THEY'LL PROBABLY FIGHT VERY SOON. WHEN I THINK BACK, BACK TO 964 00:33:52,164 --> 00:33:53,941 SOON. WHEN I THINK BACK, BACK TO "THE THRILLA IN MANILA," THE 965 00:33:53,965 --> 00:33:55,743 WHEN I THINK BACK, BACK TO "THE THRILLA IN MANILA," THE ZAIRE FIGHT, WHICH I SAW IN A 966 00:33:55,767 --> 00:33:56,611 "THE THRILLA IN MANILA," THE ZAIRE FIGHT, WHICH I SAW IN A BIG SCREEN. 967 00:33:56,635 --> 00:33:58,146 ZAIRE FIGHT, WHICH I SAW IN A BIG SCREEN. IT WAS THE MANHATTAN CENTER, 968 00:33:58,170 --> 00:33:59,514 BIG SCREEN. IT WAS THE MANHATTAN CENTER, DOWNTOWN ACROSS FROM THE GARDEN. 969 00:33:59,538 --> 00:34:00,581 IT WAS THE MANHATTAN CENTER, DOWNTOWN ACROSS FROM THE GARDEN. YOU WOULDN'T BELIEVE IT. 970 00:34:00,605 --> 00:34:01,516 DOWNTOWN ACROSS FROM THE GARDEN. YOU WOULDN'T BELIEVE IT. IT WAS A HUGE SCREEN. 971 00:34:01,540 --> 00:34:02,750 YOU WOULDN'T BELIEVE IT. IT WAS A HUGE SCREEN. WE HAD TO BE LET IN THE BACK 972 00:34:02,774 --> 00:34:03,118 IT WAS A HUGE SCREEN. WE HAD TO BE LET IN THE BACK DOOR. 973 00:34:03,142 --> 00:34:04,386 WE HAD TO BE LET IN THE BACK DOOR. I WAS WITH BRIAN DOYLE-MURRAY, 974 00:34:04,410 --> 00:34:05,220 DOOR. I WAS WITH BRIAN DOYLE-MURRAY, BILL'S BROTHER. 975 00:34:05,244 --> 00:34:06,554 I WAS WITH BRIAN DOYLE-MURRAY, BILL'S BROTHER. THERE WAS THIS BLACK GANG 976 00:34:06,578 --> 00:34:07,688 BILL'S BROTHER. THERE WAS THIS BLACK GANG TERRORIZING THE PLACE. 977 00:34:07,712 --> 00:34:09,190 THERE WAS THIS BLACK GANG TERRORIZING THE PLACE. THEY OPENED THE DOOR... WE GOT 978 00:34:09,214 --> 00:34:09,957 TERRORIZING THE PLACE. THEY OPENED THE DOOR... WE GOT IN, YOU KNOW? 979 00:34:09,981 --> 00:34:11,192 THEY OPENED THE DOOR... WE GOT IN, YOU KNOW? AND THEN IN THE THEATER, 980 00:34:11,216 --> 00:34:12,760 IN, YOU KNOW? AND THEN IN THE THEATER, EVERYBODY STARTED SCREAMING AND 981 00:34:12,784 --> 00:34:14,129 AND THEN IN THE THEATER, EVERYBODY STARTED SCREAMING AND YELLING, YOU KNOW, THROWING 982 00:34:14,153 --> 00:34:15,663 EVERYBODY STARTED SCREAMING AND YELLING, YOU KNOW, THROWING CHAIRS BECAUSE ALL OF A SUDDEN, 983 00:34:15,687 --> 00:34:16,797 YELLING, YOU KNOW, THROWING CHAIRS BECAUSE ALL OF A SUDDEN, THERE WAS NO PICTURE! 984 00:34:16,821 --> 00:34:17,899 CHAIRS BECAUSE ALL OF A SUDDEN, THERE WAS NO PICTURE! THERE WAS NO PICTURE. 985 00:34:17,923 --> 00:34:19,434 THERE WAS NO PICTURE! THERE WAS NO PICTURE. AND I COULD HAVE BEEN HURT. 986 00:34:19,458 --> 00:34:20,935 THERE WAS NO PICTURE. AND I COULD HAVE BEEN HURT. I MEAN, I'VE BEEN IN A FEW 987 00:34:20,959 --> 00:34:22,037 AND I COULD HAVE BEEN HURT. I MEAN, I'VE BEEN IN A FEW FIGHTS IN MY LIFE. 988 00:34:22,061 --> 00:34:23,671 I MEAN, I'VE BEEN IN A FEW FIGHTS IN MY LIFE. I WAS IN A BAR ONE TIME, AND, 989 00:34:23,695 --> 00:34:25,407 FIGHTS IN MY LIFE. I WAS IN A BAR ONE TIME, AND, UH, I WAS JUST DRINKING. 990 00:34:25,431 --> 00:34:27,442 I WAS IN A BAR ONE TIME, AND, UH, I WAS JUST DRINKING. AND, UH, THIS GUY COMES UP TO 991 00:34:27,466 --> 00:34:28,709 UH, I WAS JUST DRINKING. AND, UH, THIS GUY COMES UP TO ME, TAPS ME ON THE SHOULDER. 992 00:34:28,733 --> 00:34:30,078 AND, UH, THIS GUY COMES UP TO ME, TAPS ME ON THE SHOULDER. HE SAYS, "JOHN, SOMEBODY'S OUT 993 00:34:30,102 --> 00:34:31,479 ME, TAPS ME ON THE SHOULDER. HE SAYS, "JOHN, SOMEBODY'S OUT THERE BEATING UP YOUR ROOMMATE." 994 00:34:31,503 --> 00:34:32,547 HE SAYS, "JOHN, SOMEBODY'S OUT THERE BEATING UP YOUR ROOMMATE." SO, I SAY "OH, GREAT." 995 00:34:32,571 --> 00:34:33,915 THERE BEATING UP YOUR ROOMMATE." SO, I SAY "OH, GREAT." SO, I GO OUTSIDE, YOU KNOW, AND 996 00:34:33,939 --> 00:34:35,183 SO, I SAY "OH, GREAT." SO, I GO OUTSIDE, YOU KNOW, AND THERE'S MY ROOMMATE, THERE'S 997 00:34:35,207 --> 00:34:36,617 SO, I GO OUTSIDE, YOU KNOW, AND THERE'S MY ROOMMATE, THERE'S STEVE BUSCHEKAS OUT THERE WITH A 998 00:34:36,641 --> 00:34:37,652 THERE'S MY ROOMMATE, THERE'S STEVE BUSCHEKAS OUT THERE WITH A BIG BLACK EYE, OKAY? 999 00:34:37,676 --> 00:34:39,087 STEVE BUSCHEKAS OUT THERE WITH A BIG BLACK EYE, OKAY? AND TWO OF MY OTHER FRIENDS... 1000 00:34:39,111 --> 00:34:40,555 BIG BLACK EYE, OKAY? AND TWO OF MY OTHER FRIENDS... TINO AND JIM... WERE OUT THERE. 1001 00:34:40,579 --> 00:34:41,889 AND TWO OF MY OTHER FRIENDS... TINO AND JIM... WERE OUT THERE. THEY'RE HOLDING THEIR NOSES. 1002 00:34:41,913 --> 00:34:43,191 TINO AND JIM... WERE OUT THERE. THEY'RE HOLDING THEIR NOSES. BLOOD'S COMING OUT OF THEIR 1003 00:34:43,215 --> 00:34:43,658 THEY'RE HOLDING THEIR NOSES. BLOOD'S COMING OUT OF THEIR NOSES. 1004 00:34:43,682 --> 00:34:45,060 BLOOD'S COMING OUT OF THEIR NOSES. I TURN AROUND AND I LOOK, AND 1005 00:34:45,084 --> 00:34:46,394 NOSES. I TURN AROUND AND I LOOK, AND THERE'S THE BIGGEST GUY I'VE 1006 00:34:46,418 --> 00:34:47,795 I TURN AROUND AND I LOOK, AND THERE'S THE BIGGEST GUY I'VE EVER SEEN IN MY LIFE, YOU KNOW? 1007 00:34:47,819 --> 00:34:49,097 THERE'S THE BIGGEST GUY I'VE EVER SEEN IN MY LIFE, YOU KNOW? AND HE'S STANDING THERE LIKE 1008 00:34:49,121 --> 00:34:49,897 EVER SEEN IN MY LIFE, YOU KNOW? AND HE'S STANDING THERE LIKE THIS, YOU KNOW? 1009 00:34:49,921 --> 00:34:51,232 AND HE'S STANDING THERE LIKE THIS, YOU KNOW? SO, I SAY, "HEY, WHAT'S GOING 1010 00:34:51,256 --> 00:34:51,666 THIS, YOU KNOW? SO, I SAY, "HEY, WHAT'S GOING ON?" 1011 00:34:51,690 --> 00:34:53,068 SO, I SAY, "HEY, WHAT'S GOING ON?" I'M A LITTLE DRUNK, OKAY? 1012 00:34:53,092 --> 00:34:54,802 ON?" I'M A LITTLE DRUNK, OKAY? AND HE SAYS, "WHAT'S IT TO YOU?" 1013 00:34:54,826 --> 00:34:56,538 I'M A LITTLE DRUNK, OKAY? AND HE SAYS, "WHAT'S IT TO YOU?" WELL, I SAID... IT TURNS OUT, IT 1014 00:34:56,562 --> 00:34:58,073 AND HE SAYS, "WHAT'S IT TO YOU?" WELL, I SAID... IT TURNS OUT, IT WAS A FIGHT OVER SOME GIRL'S 1015 00:34:58,097 --> 00:34:59,207 WELL, I SAID... IT TURNS OUT, IT WAS A FIGHT OVER SOME GIRL'S PURSE OR SOMETHING. 1016 00:34:59,231 --> 00:35:00,542 WAS A FIGHT OVER SOME GIRL'S PURSE OR SOMETHING. IT'S ALWAYS ABOUT SOME GIRL. 1017 00:35:00,566 --> 00:35:01,809 PURSE OR SOMETHING. IT'S ALWAYS ABOUT SOME GIRL. SO, I SAID, LOOK... WAIT A 1018 00:35:01,833 --> 00:35:02,310 IT'S ALWAYS ABOUT SOME GIRL. SO, I SAID, LOOK... WAIT A MINUTE. 1019 00:35:02,334 --> 00:35:03,778 SO, I SAID, LOOK... WAIT A MINUTE. SO, I SAID, "HEY, MAN, WHAT, DO 1020 00:35:03,802 --> 00:35:05,213 MINUTE. SO, I SAID, "HEY, MAN, WHAT, DO YOU THINK YOU'RE REAL TOUGH OR 1021 00:35:05,237 --> 00:35:06,013 SO, I SAID, "HEY, MAN, WHAT, DO YOU THINK YOU'RE REAL TOUGH OR SOMETHING, HUH? 1022 00:35:06,037 --> 00:35:07,215 YOU THINK YOU'RE REAL TOUGH OR SOMETHING, HUH? YOU THINK YOU'RE TOUGH?! 1023 00:35:07,239 --> 00:35:08,249 SOMETHING, HUH? YOU THINK YOU'RE TOUGH?! COME ON, MAN!" 1024 00:35:08,273 --> 00:35:10,085 YOU THINK YOU'RE TOUGH?! COME ON, MAN!" AND HE BEAT ME BLOODY TILL MY 1025 00:35:10,109 --> 00:35:11,852 COME ON, MAN!" AND HE BEAT ME BLOODY TILL MY EARS WERE JUST BLEEDING LIKE 1026 00:35:11,876 --> 00:35:12,387 AND HE BEAT ME BLOODY TILL MY EARS WERE JUST BLEEDING LIKE THAT. 1027 00:35:12,411 --> 00:35:14,322 EARS WERE JUST BLEEDING LIKE THAT. I COULD HAVE STAYED IN THE BAR, 1028 00:35:14,346 --> 00:35:17,892 THAT. I COULD HAVE STAYED IN THE BAR, BUT, NO, I HAD TO COME OUT AND 1029 00:35:17,916 --> 00:35:20,228 I COULD HAVE STAYED IN THE BAR, BUT, NO, I HAD TO COME OUT AND HELP STEVE, MY FRIEND. 1030 00:35:20,252 --> 00:35:21,729 BUT, NO, I HAD TO COME OUT AND HELP STEVE, MY FRIEND. HE SMASHED ME. HE HIT ME. 1031 00:35:21,753 --> 00:35:22,763 HELP STEVE, MY FRIEND. HE SMASHED ME. HE HIT ME. HE PUNCHED ME! 1032 00:35:22,787 --> 00:35:24,532 HE SMASHED ME. HE HIT ME. HE PUNCHED ME! HE MADE MY FACE FEEL LIKE A 1033 00:35:24,556 --> 00:35:25,233 HE PUNCHED ME! HE MADE MY FACE FEEL LIKE A BEANBAG. 1034 00:35:25,257 --> 00:35:27,001 HE MADE MY FACE FEEL LIKE A BEANBAG. SHAKE IT... YOU CAN HEAR IT 1035 00:35:27,025 --> 00:35:27,602 BEANBAG. SHAKE IT... YOU CAN HEAR IT RATTLE. 1036 00:35:27,626 --> 00:35:29,471 SHAKE IT... YOU CAN HEAR IT RATTLE. BUT I THINK ALI WILL COME BACK. 1037 00:35:29,495 --> 00:35:31,139 RATTLE. BUT I THINK ALI WILL COME BACK. I DON'T THINK 36 IS TOO OLD. 1038 00:35:31,163 --> 00:35:32,773 BUT I THINK ALI WILL COME BACK. I DON'T THINK 36 IS TOO OLD. YOU KNOW, ALI COULD LOSE 20 1039 00:35:32,797 --> 00:35:33,408 I DON'T THINK 36 IS TOO OLD. YOU KNOW, ALI COULD LOSE 20 POUNDS. 1040 00:35:33,432 --> 00:35:35,243 YOU KNOW, ALI COULD LOSE 20 POUNDS. 20 POUNDS, GET DOWN TO 204, YOU 1041 00:35:35,267 --> 00:35:37,078 POUNDS. 20 POUNDS, GET DOWN TO 204, YOU KNOW, THE WEIGHT HE WAS WHEN HE 1042 00:35:37,102 --> 00:35:37,812 20 POUNDS, GET DOWN TO 204, YOU KNOW, THE WEIGHT HE WAS WHEN HE FOUGHT LISTON. 1043 00:35:37,836 --> 00:35:39,013 KNOW, THE WEIGHT HE WAS WHEN HE FOUGHT LISTON. YOU KNOW, HE COULD DO IT. 1044 00:35:39,037 --> 00:35:40,415 FOUGHT LISTON. YOU KNOW, HE COULD DO IT. WEIGHT LOSS IS JUST A MATTER OF 1045 00:35:40,439 --> 00:35:41,682 YOU KNOW, HE COULD DO IT. WEIGHT LOSS IS JUST A MATTER OF SELF-DISCIPLINE, DOING SOME 1046 00:35:41,706 --> 00:35:42,883 WEIGHT LOSS IS JUST A MATTER OF SELF-DISCIPLINE, DOING SOME RUNNING, SOME WORKING OUT. 1047 00:35:42,907 --> 00:35:44,352 SELF-DISCIPLINE, DOING SOME RUNNING, SOME WORKING OUT. IF I HAD LOST 20 POUNDS, I MIGHT 1048 00:35:44,376 --> 00:35:45,753 RUNNING, SOME WORKING OUT. IF I HAD LOST 20 POUNDS, I MIGHT HAVE TAKEN THAT GUY IN THE BAR. 1049 00:35:45,777 --> 00:35:46,754 IF I HAD LOST 20 POUNDS, I MIGHT HAVE TAKEN THAT GUY IN THE BAR. WHO KNOWS, YOU KNOW? 1050 00:35:46,778 --> 00:35:48,223 HAVE TAKEN THAT GUY IN THE BAR. WHO KNOWS, YOU KNOW? BUT YOU GOT TO BE ABLE TO DEFEND 1051 00:35:48,247 --> 00:35:48,756 WHO KNOWS, YOU KNOW? BUT YOU GOT TO BE ABLE TO DEFEND YOURSELF! 1052 00:35:48,780 --> 00:35:50,024 BUT YOU GOT TO BE ABLE TO DEFEND YOURSELF! EVERYBODY SHOULD BE ABLE TO 1053 00:35:50,048 --> 00:35:51,392 YOURSELF! EVERYBODY SHOULD BE ABLE TO DEFEND THEMSELVES, EVEN WOMEN. 1054 00:35:51,416 --> 00:35:52,793 EVERYBODY SHOULD BE ABLE TO DEFEND THEMSELVES, EVEN WOMEN. ESPECIALLY YOU WOMEN HAVE TO BE 1055 00:35:52,817 --> 00:35:54,095 DEFEND THEMSELVES, EVEN WOMEN. ESPECIALLY YOU WOMEN HAVE TO BE ABLE TO DEFEND YOURSELF, YOU 1056 00:35:54,119 --> 00:35:55,563 ESPECIALLY YOU WOMEN HAVE TO BE ABLE TO DEFEND YOURSELF, YOU KNOW, WITH KARATE OR KEYS IN THE 1057 00:35:55,587 --> 00:35:57,432 ABLE TO DEFEND YOURSELF, YOU KNOW, WITH KARATE OR KEYS IN THE FIST OR WHATEVER YOU WANT. 1058 00:35:57,456 --> 00:35:59,501 KNOW, WITH KARATE OR KEYS IN THE FIST OR WHATEVER YOU WANT. CAN YOU DEFEND YOURSELF, JANE? 1059 00:35:59,525 --> 00:36:00,602 FIST OR WHATEVER YOU WANT. CAN YOU DEFEND YOURSELF, JANE? I DON'T... 1060 00:36:00,626 --> 00:36:01,969 CAN YOU DEFEND YOURSELF, JANE? I DON'T... LET'S JUST SEE. 1061 00:36:01,993 --> 00:36:03,605 I DON'T... LET'S JUST SEE. THIS IS FOR YOUR OWN PROTECTION. 1062 00:36:03,629 --> 00:36:05,140 LET'S JUST SEE. THIS IS FOR YOUR OWN PROTECTION. ALL RIGHT, NOW, SOMEBODY COMES 1063 00:36:05,164 --> 00:36:06,441 THIS IS FOR YOUR OWN PROTECTION. ALL RIGHT, NOW, SOMEBODY COMES UP TO YOU ON THE STREET. 1064 00:36:06,465 --> 00:36:07,675 ALL RIGHT, NOW, SOMEBODY COMES UP TO YOU ON THE STREET. YOU'RE KIND OF WALKING. 1065 00:36:07,699 --> 00:36:08,776 UP TO YOU ON THE STREET. YOU'RE KIND OF WALKING. YOU'RE KIND OF COOL. 1066 00:36:08,800 --> 00:36:10,411 YOU'RE KIND OF WALKING. YOU'RE KIND OF COOL. SO, THIS GUY COMES UP TO YOU AND 1067 00:36:10,435 --> 00:36:11,479 YOU'RE KIND OF COOL. SO, THIS GUY COMES UP TO YOU AND SAYS, "HEY, BABY." 1068 00:36:11,503 --> 00:36:12,447 SO, THIS GUY COMES UP TO YOU AND SAYS, "HEY, BABY." COME ON, HIT ME. 1069 00:36:12,471 --> 00:36:13,914 SAYS, "HEY, BABY." COME ON, HIT ME. I DON'T WANT TO HIT YOU. 1070 00:36:13,938 --> 00:36:14,915 COME ON, HIT ME. I DON'T WANT TO HIT YOU. COME ON, JANE. 1071 00:36:14,939 --> 00:36:16,518 I DON'T WANT TO HIT YOU. COME ON, JANE. I DON'T LIKE TO HIT PEOPLE. 1072 00:36:16,542 --> 00:36:17,452 COME ON, JANE. I DON'T LIKE TO HIT PEOPLE. RIGHT THERE. 1073 00:36:17,476 --> 00:36:18,553 I DON'T LIKE TO HIT PEOPLE. RIGHT THERE. I DON'T LIKE TO. 1074 00:36:18,577 --> 00:36:19,320 RIGHT THERE. I DON'T LIKE TO. HUH? HUH? 1075 00:36:19,344 --> 00:36:19,887 I DON'T LIKE TO. HUH? HUH? AAH! 1076 00:36:19,911 --> 00:36:23,424 HUH? HUH? AAH! COME ON, JANE! COME ON! 1077 00:36:23,448 --> 00:36:25,888 AAH! COME ON, JANE! COME ON! OKAY, IT'S ALL YOURS, CHEVY. 1078 00:36:35,326 --> 00:36:40,141 WELL, THE WINTER SITUATION IN NEW YORK, THE GREAT LAKES AREA, OHIO, PENNSYLVANIA, AND THE 1079 00:36:40,165 --> 00:36:43,645 NEW YORK, THE GREAT LAKES AREA, OHIO, PENNSYLVANIA, AND THE NEW ENGLAND STATES. 1080 00:36:43,669 --> 00:36:45,012 OHIO, PENNSYLVANIA, AND THE NEW ENGLAND STATES. CHEDDAR? 1081 00:36:45,036 --> 00:36:46,747 NEW ENGLAND STATES. CHEDDAR? CHEDDAR CHEESE? 1082 00:36:46,771 --> 00:36:49,551 CHEDDAR? CHEDDAR CHEESE? CHEDDAR, I'VE MISSED YOU. 1083 00:36:49,575 --> 00:36:51,085 CHEDDAR CHEESE? CHEDDAR, I'VE MISSED YOU. HOW ARE YOU, EMILY? 1084 00:36:51,109 --> 00:36:52,887 CHEDDAR, I'VE MISSED YOU. HOW ARE YOU, EMILY? OH, KISS ME ON THE LIPS. 1085 00:36:52,911 --> 00:36:54,922 HOW ARE YOU, EMILY? OH, KISS ME ON THE LIPS. OH, CHEDDAR, I'VE MISSED YOU SO 1086 00:36:54,946 --> 00:36:55,490 OH, KISS ME ON THE LIPS. OH, CHEDDAR, I'VE MISSED YOU SO MUCH. 1087 00:36:55,514 --> 00:36:57,292 OH, CHEDDAR, I'VE MISSED YOU SO MUCH. YOU'VE BEEN OKAY, EMILY? 1088 00:36:57,316 --> 00:36:58,459 MUCH. YOU'VE BEEN OKAY, EMILY? OH, YES. YES. 1089 00:36:58,483 --> 00:37:00,428 YOU'VE BEEN OKAY, EMILY? OH, YES. YES. BUT, YOU KNOW, I'M FINE, BUT I 1090 00:37:00,452 --> 00:37:02,363 OH, YES. YES. BUT, YOU KNOW, I'M FINE, BUT I HAVEN'T BEEN ABLE TO GET MUCH 1091 00:37:02,387 --> 00:37:03,231 BUT, YOU KNOW, I'M FINE, BUT I HAVEN'T BEEN ABLE TO GET MUCH WORK LATELY. 1092 00:37:03,255 --> 00:37:04,432 HAVEN'T BEEN ABLE TO GET MUCH WORK LATELY. WHY NOT, EMILY? 1093 00:37:04,456 --> 00:37:05,600 WORK LATELY. WHY NOT, EMILY? WHAT'S THE MATTER? 1094 00:37:05,624 --> 00:37:07,368 WHY NOT, EMILY? WHAT'S THE MATTER? WELL, MISS CLAYTON DOESN'T 1095 00:37:07,392 --> 00:37:08,670 WHAT'S THE MATTER? WELL, MISS CLAYTON DOESN'T LIKE ME ON THE NEWS. 1096 00:37:08,694 --> 00:37:10,505 WELL, MISS CLAYTON DOESN'T LIKE ME ON THE NEWS. SHE SAYS I'M IRRESPONSIBLE, AND 1097 00:37:10,529 --> 00:37:12,440 LIKE ME ON THE NEWS. SHE SAYS I'M IRRESPONSIBLE, AND SHE KEEPS YELLING AT ME WHENEVER 1098 00:37:12,464 --> 00:37:14,075 SHE SAYS I'M IRRESPONSIBLE, AND SHE KEEPS YELLING AT ME WHENEVER I MAKE A LITTLE, TEENY-TINY, 1099 00:37:14,099 --> 00:37:15,109 SHE KEEPS YELLING AT ME WHENEVER I MAKE A LITTLE, TEENY-TINY, LITTLE MISTAKE. 1100 00:37:15,133 --> 00:37:16,811 I MAKE A LITTLE, TEENY-TINY, LITTLE MISTAKE. OH, I CANNOT BELIEVE THAT 1101 00:37:16,835 --> 00:37:18,346 LITTLE MISTAKE. OH, I CANNOT BELIEVE THAT JANE CLAYTON'S LIKE THAT. 1102 00:37:18,370 --> 00:37:20,215 OH, I CANNOT BELIEVE THAT JANE CLAYTON'S LIKE THAT. OH, WELL, DON'T BE FOOLED BY 1103 00:37:20,239 --> 00:37:21,148 JANE CLAYTON'S LIKE THAT. OH, WELL, DON'T BE FOOLED BY HER, CHEDDAR. 1104 00:37:21,172 --> 00:37:22,950 OH, WELL, DON'T BE FOOLED BY HER, CHEDDAR. I MEAN, THAT GIRL IS MUSSOLINI 1105 00:37:22,974 --> 00:37:23,718 HER, CHEDDAR. I MEAN, THAT GIRL IS MUSSOLINI IN DRAG! 1106 00:37:23,742 --> 00:37:25,753 I MEAN, THAT GIRL IS MUSSOLINI IN DRAG! REALLY, SHE GETS ME SO RILED. 1107 00:37:25,777 --> 00:37:26,954 IN DRAG! REALLY, SHE GETS ME SO RILED. I GET SO UPSET. 1108 00:37:26,978 --> 00:37:28,389 REALLY, SHE GETS ME SO RILED. I GET SO UPSET. I CAN'T BELIEVE IT. 1109 00:37:28,413 --> 00:37:30,358 I GET SO UPSET. I CAN'T BELIEVE IT. WHOA. 1110 00:37:30,382 --> 00:37:32,727 I CAN'T BELIEVE IT. WHOA. YOU. 1111 00:37:32,751 --> 00:37:34,662 WHOA. YOU. FIRST I GET SLUGGED BY BELUSHI. 1112 00:37:34,686 --> 00:37:36,397 YOU. FIRST I GET SLUGGED BY BELUSHI. NOW I GOT TO DEAL WITH YOU! 1113 00:37:36,421 --> 00:37:38,333 FIRST I GET SLUGGED BY BELUSHI. NOW I GOT TO DEAL WITH YOU! JUST GET OUT OF HERE, WILL YOU? 1114 00:37:38,357 --> 00:37:39,033 NOW I GOT TO DEAL WITH YOU! JUST GET OUT OF HERE, WILL YOU? COME ON. 1115 00:37:39,057 --> 00:37:41,669 JUST GET OUT OF HERE, WILL YOU? COME ON. [LAUGHING] 1116 00:37:41,693 --> 00:37:43,104 COME ON. [LAUGHING] OH, EXCUSE ME. 1117 00:37:43,128 --> 00:37:45,406 [LAUGHING] OH, EXCUSE ME. I SAID SCRAM. BEAT IT. 1118 00:37:45,430 --> 00:37:47,007 OH, EXCUSE ME. I SAID SCRAM. BEAT IT. GET OUT OF HERE! 1119 00:37:47,031 --> 00:37:48,909 I SAID SCRAM. BEAT IT. GET OUT OF HERE! OH, MISS CLAYTON. 1120 00:37:48,933 --> 00:37:50,712 GET OUT OF HERE! OH, MISS CLAYTON. WHAT'S SO FUNNY? 1121 00:37:50,736 --> 00:37:53,381 OH, MISS CLAYTON. WHAT'S SO FUNNY? MISS CLAYTON, YOU LOOK LIKE 1122 00:37:53,405 --> 00:37:55,883 WHAT'S SO FUNNY? MISS CLAYTON, YOU LOOK LIKE HELL. 1123 00:37:55,907 --> 00:37:59,687 MISS CLAYTON, YOU LOOK LIKE HELL. THAT'S NOT FUNNY. 1124 00:37:59,711 --> 00:38:01,889 HELL. THAT'S NOT FUNNY. WELL, UH, I TOLD YOU SHE 1125 00:38:01,913 --> 00:38:03,190 THAT'S NOT FUNNY. WELL, UH, I TOLD YOU SHE COULDN'T TAKE A JOKE. 1126 00:38:03,214 --> 00:38:04,525 WELL, UH, I TOLD YOU SHE COULDN'T TAKE A JOKE. TAKE IT EASY, JANE. 1127 00:38:04,549 --> 00:38:06,026 COULDN'T TAKE A JOKE. TAKE IT EASY, JANE. DON'T BE SO ROUGH ON HER. 1128 00:38:06,050 --> 00:38:07,662 TAKE IT EASY, JANE. DON'T BE SO ROUGH ON HER. DON'T TELL ME HOW TO ACT, 1129 00:38:07,686 --> 00:38:08,296 DON'T BE SO ROUGH ON HER. DON'T TELL ME HOW TO ACT, DAMN IT. 1130 00:38:08,320 --> 00:38:09,797 DON'T TELL ME HOW TO ACT, DAMN IT. THIS IS MY NEWS SHOW NOW! 1131 00:38:09,821 --> 00:38:10,998 DAMN IT. THIS IS MY NEWS SHOW NOW! I'M THE STAR OF IT. 1132 00:38:11,022 --> 00:38:11,666 THIS IS MY NEWS SHOW NOW! I'M THE STAR OF IT. YOU LEFT. 1133 00:38:11,690 --> 00:38:13,334 I'M THE STAR OF IT. YOU LEFT. I TOOK OVER AND BROUGHT SOME 1134 00:38:13,358 --> 00:38:15,002 YOU LEFT. I TOOK OVER AND BROUGHT SOME INTEGRITY TO IT, NONE OF YOUR 1135 00:38:15,026 --> 00:38:16,804 I TOOK OVER AND BROUGHT SOME INTEGRITY TO IT, NONE OF YOUR SCHOOLBOY CUTENESS MUGGING INTO 1136 00:38:16,828 --> 00:38:18,239 INTEGRITY TO IT, NONE OF YOUR SCHOOLBOY CUTENESS MUGGING INTO THE CAMERA, TALKING LIKE 1137 00:38:18,263 --> 00:38:19,940 SCHOOLBOY CUTENESS MUGGING INTO THE CAMERA, TALKING LIKE MISTER ED, DAMN IT, MAKING AN 1138 00:38:19,964 --> 00:38:20,975 THE CAMERA, TALKING LIKE MISTER ED, DAMN IT, MAKING AN ASS OF YOURSELF. 1139 00:38:20,999 --> 00:38:22,176 MISTER ED, DAMN IT, MAKING AN ASS OF YOURSELF. I'VE GIVEN THIS SHOW 1140 00:38:22,200 --> 00:38:23,010 ASS OF YOURSELF. I'VE GIVEN THIS SHOW CREDIBILITY. 1141 00:38:23,034 --> 00:38:24,746 I'VE GIVEN THIS SHOW CREDIBILITY. I'VE GIVEN IT STRAIGHTFORWARD, 1142 00:38:24,770 --> 00:38:25,880 CREDIBILITY. I'VE GIVEN IT STRAIGHTFORWARD, INFORMATIVE NEWS. 1143 00:38:25,904 --> 00:38:27,348 I'VE GIVEN IT STRAIGHTFORWARD, INFORMATIVE NEWS. BUT, MISS CLAYTON... 1144 00:38:27,372 --> 00:38:28,683 INFORMATIVE NEWS. BUT, MISS CLAYTON... SHUT UP, YOU FEEB. 1145 00:38:28,707 --> 00:38:29,917 BUT, MISS CLAYTON... SHUT UP, YOU FEEB. SO, WHAT DO YOU DO? 1146 00:38:29,941 --> 00:38:31,686 SHUT UP, YOU FEEB. SO, WHAT DO YOU DO? YOU COME BACK, YOU GIVE DANNY 1147 00:38:31,710 --> 00:38:33,354 SO, WHAT DO YOU DO? YOU COME BACK, YOU GIVE DANNY SOME STORY ABOUT HIS MOTHER 1148 00:38:33,378 --> 00:38:34,989 YOU COME BACK, YOU GIVE DANNY SOME STORY ABOUT HIS MOTHER DYING, TRY TO PULL THE SAME 1149 00:38:35,013 --> 00:38:36,824 SOME STORY ABOUT HIS MOTHER DYING, TRY TO PULL THE SAME THING ON ME, JUST TO TAKE OVER 1150 00:38:36,848 --> 00:38:38,726 DYING, TRY TO PULL THE SAME THING ON ME, JUST TO TAKE OVER SO YOU CAN SATISFY YOUR INFLATED 1151 00:38:38,750 --> 00:38:39,260 THING ON ME, JUST TO TAKE OVER SO YOU CAN SATISFY YOUR INFLATED EGO. 1152 00:38:39,284 --> 00:38:41,396 SO YOU CAN SATISFY YOUR INFLATED EGO. GO BACK TO HOLLYWOOD AND DO IT 1153 00:38:41,420 --> 00:38:43,264 EGO. GO BACK TO HOLLYWOOD AND DO IT 'CAUSE IT WON'T WORK HERE. 1154 00:38:43,288 --> 00:38:45,433 GO BACK TO HOLLYWOOD AND DO IT 'CAUSE IT WON'T WORK HERE. THIS IS MY SHOW, AND I WON'T BE 1155 00:38:45,457 --> 00:38:47,602 'CAUSE IT WON'T WORK HERE. THIS IS MY SHOW, AND I WON'T BE PUSHED AROUND BY BELUSHI OR YOU 1156 00:38:47,626 --> 00:38:49,937 THIS IS MY SHOW, AND I WON'T BE PUSHED AROUND BY BELUSHI OR YOU OR HER! 1157 00:38:49,961 --> 00:38:51,673 PUSHED AROUND BY BELUSHI OR YOU OR HER! AM I MAKING MYSELF CLEAR? 1158 00:38:51,697 --> 00:38:53,741 OR HER! AM I MAKING MYSELF CLEAR? CRYSTAL CLEAR, MISS CURTIN. 1159 00:38:53,765 --> 00:38:54,742 AM I MAKING MYSELF CLEAR? CRYSTAL CLEAR, MISS CURTIN. WE'RE SORRY. 1160 00:38:54,766 --> 00:38:56,311 CRYSTAL CLEAR, MISS CURTIN. WE'RE SORRY. WE ARE SORRY, JANE. 1161 00:38:56,335 --> 00:38:58,346 WE'RE SORRY. WE ARE SORRY, JANE. I DIDN'T MEAN TO AGGRAVATE YOU 1162 00:38:58,370 --> 00:38:59,146 WE ARE SORRY, JANE. I DIDN'T MEAN TO AGGRAVATE YOU LIKE THIS. 1163 00:38:59,170 --> 00:39:00,881 I DIDN'T MEAN TO AGGRAVATE YOU LIKE THIS. I GUESS I JUST WANTED TO DO 1164 00:39:00,905 --> 00:39:02,750 LIKE THIS. I GUESS I JUST WANTED TO DO "UPDATE" ONE LAST TIME, AND I'M 1165 00:39:02,774 --> 00:39:03,351 I GUESS I JUST WANTED TO DO "UPDATE" ONE LAST TIME, AND I'M SORRY. 1166 00:39:03,375 --> 00:39:04,652 "UPDATE" ONE LAST TIME, AND I'M SORRY. I GOT CARRIED AWAY. 1167 00:39:04,676 --> 00:39:05,453 SORRY. I GOT CARRIED AWAY. I'M SORRY. 1168 00:39:05,477 --> 00:39:07,087 I GOT CARRIED AWAY. I'M SORRY. IT WON'T HAPPEN AGAIN. 1169 00:39:07,111 --> 00:39:10,291 I'M SORRY. IT WON'T HAPPEN AGAIN. WELL, SEE THAT IT DOESN'T. 1170 00:39:10,315 --> 00:39:13,761 IT WON'T HAPPEN AGAIN. WELL, SEE THAT IT DOESN'T. ON YOUR MARK, GET SET, GO. 1171 00:39:13,785 --> 00:39:16,263 WELL, SEE THAT IT DOESN'T. ON YOUR MARK, GET SET, GO. Both: BITCH. 1172 00:39:16,287 --> 00:39:19,534 ON YOUR MARK, GET SET, GO. Both: BITCH. THANK YOU, CHEVY, VERY MUCH. 1173 00:39:19,558 --> 00:39:20,535 Both: BITCH. THANK YOU, CHEVY, VERY MUCH. BYE. 1174 00:39:20,559 --> 00:39:21,402 THANK YOU, CHEVY, VERY MUCH. BYE. GOODBYE. 1175 00:39:21,426 --> 00:39:23,404 BYE. GOODBYE. AND NOW, AS A PUBLIC SERVICE TO 1176 00:39:23,428 --> 00:39:25,440 GOODBYE. AND NOW, AS A PUBLIC SERVICE TO THOSE OF OUR VIEWERS WHO MAY BE, 1177 00:39:25,464 --> 00:39:27,074 AND NOW, AS A PUBLIC SERVICE TO THOSE OF OUR VIEWERS WHO MAY BE, OH, HARD OF HEARING, I'LL 1178 00:39:27,098 --> 00:39:30,845 THOSE OF OUR VIEWERS WHO MAY BE, OH, HARD OF HEARING, I'LL REPE-PE-PE PITIKIPACA. 1179 00:39:30,869 --> 00:39:32,613 OH, HARD OF HEARING, I'LL REPE-PE-PE PITIKIPACA. I WILL REPEAT THE TOP STORY OF 1180 00:39:32,637 --> 00:39:34,415 REPE-PE-PE PITIKIPACA. I WILL REPEAT THE TOP STORY OF THE DAY, AIDED BY THE ASSISTANT 1181 00:39:34,439 --> 00:39:36,083 I WILL REPEAT THE TOP STORY OF THE DAY, AIDED BY THE ASSISTANT HEAD MASTER FOR THE NEW YORK 1182 00:39:36,107 --> 00:39:37,885 THE DAY, AIDED BY THE ASSISTANT HEAD MASTER FOR THE NEW YORK SCHOOL FOR THE HARD OF HEARING, 1183 00:39:37,909 --> 00:39:40,186 HEAD MASTER FOR THE NEW YORK SCHOOL FOR THE HARD OF HEARING, MR. GARRETT MORRIS. 1184 00:39:40,210 --> 00:39:41,411 OUR TOP STORY TONIGHT... 1185 00:39:41,545 --> 00:39:42,779 OUR TOP STORY TONIGHT! 1186 00:39:42,913 --> 00:39:44,347 HALDEMAN SAYS NIXON STOLE 1187 00:39:44,482 --> 00:39:45,181 SILVERWARE... 1188 00:39:45,315 --> 00:39:46,683 HALDEMAN SAYS NIXON STOLE 1189 00:39:46,817 --> 00:39:47,417 SILVERWARE! 1190 00:39:47,551 --> 00:39:48,918 SMEARED OATMEAL ON HIS 1191 00:39:49,052 --> 00:39:49,552 LAPELS... 1192 00:39:49,687 --> 00:39:50,920 SMEARED OATMEAL ON HIS 1193 00:39:51,054 --> 00:39:51,454 LAPELS! 1194 00:39:51,589 --> 00:39:53,055 KILLED A CUBAN BUSBOY... 1195 00:39:53,190 --> 00:39:54,424 KILLED A CUBAN BUSBOY! 1196 00:39:54,558 --> 00:39:55,859 AND SLEPT IN PACKING 1197 00:39:55,993 --> 00:39:56,393 CRATES. 1198 00:39:56,527 --> 00:39:58,327 AND SLEPT IN PACKING CRATES! 1199 00:39:58,596 --> 00:40:02,009 THAT'S THE NEWS TONIGHT. GOOD NIGHT AND HAVE A PLEASANT TOMORROW. 1200 00:40:02,033 --> 00:40:03,277 GOOD NIGHT AND HAVE A PLEASANT TOMORROW. GOOD NIGHT AND HAVE A 1201 00:40:03,301 --> 00:40:04,278 TOMORROW. GOOD NIGHT AND HAVE A PLEASANT EVENING. 1202 00:40:04,302 --> 00:40:05,012 GOOD NIGHT AND HAVE A PLEASANT EVENING. TOMORROW. 1203 00:40:05,036 --> 00:40:06,781 PLEASANT EVENING. TOMORROW. TOMORROW. 1204 00:40:06,805 --> 00:40:08,549 TOMORROW. TOMORROW. Announcer: THIS PORTION OF 1205 00:40:08,573 --> 00:40:10,117 TOMORROW. Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN 1206 00:40:10,141 --> 00:40:11,986 Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY DIS-O-DENT, 1207 00:40:12,010 --> 00:40:13,954 "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY DIS-O-DENT, THE TOOTHPASTE PREFERRED BY THE 1208 00:40:13,978 --> 00:40:19,126 BROUGHT TO YOU BY DIS-O-DENT, THE TOOTHPASTE PREFERRED BY THE RADICAL LEFT. 1209 00:40:19,150 --> 00:40:20,127 THE TOOTHPASTE PREFERRED BY THE RADICAL LEFT. ALL RIGHT. 1210 00:40:20,151 --> 00:40:22,062 RADICAL LEFT. ALL RIGHT. U.S. CITIZENS, LINES 7, 8, AND 1211 00:40:22,086 --> 00:40:22,463 ALL RIGHT. U.S. CITIZENS, LINES 7, 8, AND 9. 1212 00:40:22,487 --> 00:40:24,932 U.S. CITIZENS, LINES 7, 8, AND 9. FOREIGN NACIONALES, DOS, TRES, 1213 00:40:24,956 --> 00:40:25,767 9. FOREIGN NACIONALES, DOS, TRES, CUATRO. 1214 00:40:25,791 --> 00:40:29,169 FOREIGN NACIONALES, DOS, TRES, CUATRO. DOS, TRES, CUATRO. 1215 00:40:29,193 --> 00:40:30,571 CUATRO. DOS, TRES, CUATRO. OKAY, THIS IS FLIGHT 419 FROM 1216 00:40:30,595 --> 00:40:31,439 DOS, TRES, CUATRO. OKAY, THIS IS FLIGHT 419 FROM LA PAZ, BOLIVIA. 1217 00:40:31,463 --> 00:40:32,907 OKAY, THIS IS FLIGHT 419 FROM LA PAZ, BOLIVIA. NOW, A FLIGHT FROM LA PAZ WILL 1218 00:40:32,931 --> 00:40:34,241 LA PAZ, BOLIVIA. NOW, A FLIGHT FROM LA PAZ WILL VERY LIKELY HAVE SOMEONE ON 1219 00:40:34,265 --> 00:40:35,476 NOW, A FLIGHT FROM LA PAZ WILL VERY LIKELY HAVE SOMEONE ON BOARD WHO THINKS THEY CAN 1220 00:40:35,500 --> 00:40:36,844 VERY LIKELY HAVE SOMEONE ON BOARD WHO THINKS THEY CAN TRAMPLE ON THE LAW AND SNEAK 1221 00:40:36,868 --> 00:40:38,279 BOARD WHO THINKS THEY CAN TRAMPLE ON THE LAW AND SNEAK THROUGH UNITED STATES CUSTOMS 1222 00:40:38,303 --> 00:40:39,781 TRAMPLE ON THE LAW AND SNEAK THROUGH UNITED STATES CUSTOMS WITH ILLEGAL NARCOTICS, SUCH AS 1223 00:40:39,805 --> 00:40:40,848 THROUGH UNITED STATES CUSTOMS WITH ILLEGAL NARCOTICS, SUCH AS COCAINE OR MARIJUANA. 1224 00:40:40,872 --> 00:40:42,216 WITH ILLEGAL NARCOTICS, SUCH AS COCAINE OR MARIJUANA. SOME ARE GONNA TRY TO COME IN 1225 00:40:42,240 --> 00:40:43,618 COCAINE OR MARIJUANA. SOME ARE GONNA TRY TO COME IN WITHOUT PAYING THE IMPORT DUTY 1226 00:40:43,642 --> 00:40:45,052 SOME ARE GONNA TRY TO COME IN WITHOUT PAYING THE IMPORT DUTY TAX ON FOREIGN PURCHASES, LIKE 1227 00:40:45,076 --> 00:40:46,721 WITHOUT PAYING THE IMPORT DUTY TAX ON FOREIGN PURCHASES, LIKE ART, JEWELRY, AND CLOTHING. 1228 00:40:46,745 --> 00:40:47,588 TAX ON FOREIGN PURCHASES, LIKE ART, JEWELRY, AND CLOTHING. YES, SIR. 1229 00:40:47,612 --> 00:40:50,925 ART, JEWELRY, AND CLOTHING. YES, SIR. MAY I SEE YOUR PASSPORT, PLEASE? 1230 00:40:50,949 --> 00:40:52,092 YES, SIR. MAY I SEE YOUR PASSPORT, PLEASE? IT'S ALL RIGHT, FATHER. 1231 00:40:52,116 --> 00:40:52,627 MAY I SEE YOUR PASSPORT, PLEASE? IT'S ALL RIGHT, FATHER. GO AHEAD. 1232 00:40:52,651 --> 00:40:53,895 IT'S ALL RIGHT, FATHER. GO AHEAD. THAT'S ALL RIGHT, FATHER. 1233 00:40:53,919 --> 00:40:54,595 GO AHEAD. THAT'S ALL RIGHT, FATHER. GO RIGHT AHEAD. 1234 00:40:54,619 --> 00:40:55,663 THAT'S ALL RIGHT, FATHER. GO RIGHT AHEAD. DON'T WASTE YOUR TIME. 1235 00:40:55,687 --> 00:40:56,997 GO RIGHT AHEAD. DON'T WASTE YOUR TIME. IT'S OBVIOUS HE'S A REAL PRIEST. 1236 00:40:57,021 --> 00:40:58,299 DON'T WASTE YOUR TIME. IT'S OBVIOUS HE'S A REAL PRIEST. AFTER A COUPLE OF MONTHS ON THIS 1237 00:40:58,323 --> 00:40:59,500 IT'S OBVIOUS HE'S A REAL PRIEST. AFTER A COUPLE OF MONTHS ON THIS JOB, YOU GET SO YOU CAN SPOT 1238 00:40:59,524 --> 00:41:00,735 AFTER A COUPLE OF MONTHS ON THIS JOB, YOU GET SO YOU CAN SPOT SMUGGLERS AS SOON AS THEY STEP 1239 00:41:00,759 --> 00:41:01,436 JOB, YOU GET SO YOU CAN SPOT SMUGGLERS AS SOON AS THEY STEP OFF THE PLANE. 1240 00:41:01,460 --> 00:41:02,770 SMUGGLERS AS SOON AS THEY STEP OFF THE PLANE. FOR INSTANCE, RULE OF THUMB... 1241 00:41:02,794 --> 00:41:04,204 OFF THE PLANE. FOR INSTANCE, RULE OF THUMB... ALWAYS CHECK BLACK PEOPLE. 1242 00:41:04,228 --> 00:41:05,740 FOR INSTANCE, RULE OF THUMB... ALWAYS CHECK BLACK PEOPLE. THE LADY WITH A KID THERE... 1243 00:41:05,764 --> 00:41:06,607 ALWAYS CHECK BLACK PEOPLE. THE LADY WITH A KID THERE... LET HER GO BY. 1244 00:41:06,631 --> 00:41:07,875 THE LADY WITH A KID THERE... LET HER GO BY. DON'T WASTE YOUR TIME. 1245 00:41:07,899 --> 00:41:09,544 LET HER GO BY. DON'T WASTE YOUR TIME. A YOUNG COUPLE, ANOTHER RULE OF 1246 00:41:09,568 --> 00:41:11,111 DON'T WASTE YOUR TIME. A YOUNG COUPLE, ANOTHER RULE OF THUMB... YOUNG COUPLES, CHECK 1247 00:41:11,135 --> 00:41:11,779 A YOUNG COUPLE, ANOTHER RULE OF THUMB... YOUNG COUPLES, CHECK THEM. 1248 00:41:11,803 --> 00:41:13,481 THUMB... YOUNG COUPLES, CHECK THEM. OKAY. COME HERE. WATCH ME. 1249 00:41:13,505 --> 00:41:15,249 THEM. OKAY. COME HERE. WATCH ME. MAY I SEE YOUR PASSPORT AND 1250 00:41:15,273 --> 00:41:16,717 OKAY. COME HERE. WATCH ME. MAY I SEE YOUR PASSPORT AND RE-ENTRY DECLARATION, PLEASE? 1251 00:41:16,741 --> 00:41:17,284 MAY I SEE YOUR PASSPORT AND RE-ENTRY DECLARATION, PLEASE? YEAH. 1252 00:41:17,308 --> 00:41:18,786 RE-ENTRY DECLARATION, PLEASE? YEAH. WOULD YOU OPEN YOUR LUGGAGE, 1253 00:41:18,810 --> 00:41:19,320 YEAH. WOULD YOU OPEN YOUR LUGGAGE, PLEASE? 1254 00:41:19,344 --> 00:41:20,220 WOULD YOU OPEN YOUR LUGGAGE, PLEASE? YEP. 1255 00:41:20,244 --> 00:41:22,723 PLEASE? YEP. ALL RIGHT, DO YOU HAVE ANY 1256 00:41:22,747 --> 00:41:25,159 YEP. ALL RIGHT, DO YOU HAVE ANY ANIMAL OR VEGETABLE MATTER? 1257 00:41:25,183 --> 00:41:29,664 ALL RIGHT, DO YOU HAVE ANY ANIMAL OR VEGETABLE MATTER? OH, NO. NO. 1258 00:41:29,688 --> 00:41:31,599 ANIMAL OR VEGETABLE MATTER? OH, NO. NO. I DON'T BELIEVE YOU DECLARED 1259 00:41:31,623 --> 00:41:34,469 OH, NO. NO. I DON'T BELIEVE YOU DECLARED THIS, SIR... A MARIJUANA SEED. 1260 00:41:34,493 --> 00:41:35,770 I DON'T BELIEVE YOU DECLARED THIS, SIR... A MARIJUANA SEED. I'M AFRAID WE'RE GONNA HAVE TO 1261 00:41:35,794 --> 00:41:37,171 THIS, SIR... A MARIJUANA SEED. I'M AFRAID WE'RE GONNA HAVE TO SUBMIT YOU TO A PERSONAL SEARCH. 1262 00:41:37,195 --> 00:41:38,305 I'M AFRAID WE'RE GONNA HAVE TO SUBMIT YOU TO A PERSONAL SEARCH. UH, I GOT TO GO TO THE 1263 00:41:38,329 --> 00:41:38,840 SUBMIT YOU TO A PERSONAL SEARCH. UH, I GOT TO GO TO THE BATHROOM. 1264 00:41:38,864 --> 00:41:40,040 UH, I GOT TO GO TO THE BATHROOM. NO, YOU'RE NOT GOING 1265 00:41:40,064 --> 00:41:41,976 BATHROOM. NO, YOU'RE NOT GOING ANYWHERE, SIR. 1266 00:41:42,000 --> 00:41:44,679 NO, YOU'RE NOT GOING ANYWHERE, SIR. [GRUNTING] 1267 00:41:44,703 --> 00:41:45,312 ANYWHERE, SIR. [GRUNTING] GOT IT! 1268 00:41:45,336 --> 00:41:46,647 [GRUNTING] GOT IT! I GOT IT! I GOT IT! 1269 00:41:46,671 --> 00:41:47,582 GOT IT! I GOT IT! I GOT IT! [GROANS] 1270 00:41:47,606 --> 00:41:49,484 I GOT IT! I GOT IT! [GROANS] OKAY, I'LL TAKE CARE OF THIS 1271 00:41:49,508 --> 00:41:51,318 [GROANS] OKAY, I'LL TAKE CARE OF THIS GUY, AND, WHITFIELD, YOU CARRY 1272 00:41:51,342 --> 00:41:52,052 OKAY, I'LL TAKE CARE OF THIS GUY, AND, WHITFIELD, YOU CARRY ON HERE. 1273 00:41:52,076 --> 00:41:52,787 GUY, AND, WHITFIELD, YOU CARRY ON HERE. LET'S GO. 1274 00:41:52,811 --> 00:41:54,856 ON HERE. LET'S GO. YES, SIR. 1275 00:41:54,880 --> 00:41:56,891 LET'S GO. YES, SIR. UH, NEXT, PLEASE. 1276 00:41:56,915 --> 00:41:58,359 YES, SIR. UH, NEXT, PLEASE. UH, YOU CAN GO RIGHT AHEAD. 1277 00:41:58,383 --> 00:42:00,828 UH, NEXT, PLEASE. UH, YOU CAN GO RIGHT AHEAD. HI, LITTLE FELLA. 1278 00:42:00,852 --> 00:42:01,496 UH, YOU CAN GO RIGHT AHEAD. HI, LITTLE FELLA. HI! 1279 00:42:01,520 --> 00:42:03,664 HI, LITTLE FELLA. HI! BOY, IS IT GREAT TO BE BACK IN 1280 00:42:03,688 --> 00:42:04,465 HI! BOY, IS IT GREAT TO BE BACK IN AMERICA. 1281 00:42:04,489 --> 00:42:06,701 BOY, IS IT GREAT TO BE BACK IN AMERICA. I'D KISS THE GROUND, BUT I'M 1282 00:42:06,725 --> 00:42:08,202 AMERICA. I'D KISS THE GROUND, BUT I'M AFRAID I'D HAVE A MISCARRIAGE. 1283 00:42:08,226 --> 00:42:09,637 I'D KISS THE GROUND, BUT I'M AFRAID I'D HAVE A MISCARRIAGE. MAY I SEE YOUR PASSPORTS, 1284 00:42:09,661 --> 00:42:11,205 AFRAID I'D HAVE A MISCARRIAGE. MAY I SEE YOUR PASSPORTS, PLEASE AND RE-ENTRY DECLARATION 1285 00:42:11,229 --> 00:42:11,672 MAY I SEE YOUR PASSPORTS, PLEASE AND RE-ENTRY DECLARATION FORMS? 1286 00:42:11,696 --> 00:42:13,207 PLEASE AND RE-ENTRY DECLARATION FORMS? OH, SURE. OF COURSE. 1287 00:42:13,231 --> 00:42:14,141 FORMS? OH, SURE. OF COURSE. MY PLEASURE. 1288 00:42:14,165 --> 00:42:15,810 OH, SURE. OF COURSE. MY PLEASURE. ARE THE, UH, CONTRACTIONS 1289 00:42:15,834 --> 00:42:17,344 MY PLEASURE. ARE THE, UH, CONTRACTIONS GETTING CLOSER, HONEY? 1290 00:42:17,368 --> 00:42:18,946 ARE THE, UH, CONTRACTIONS GETTING CLOSER, HONEY? DON'T WORRY ABOUT ME. 1291 00:42:18,970 --> 00:42:20,948 GETTING CLOSER, HONEY? DON'T WORRY ABOUT ME. I'LL BE ALL RIGHT AS SOON AS WE 1292 00:42:20,972 --> 00:42:22,917 DON'T WORRY ABOUT ME. I'LL BE ALL RIGHT AS SOON AS WE GET OUT OF HERE, AND I CAN FIND 1293 00:42:22,941 --> 00:42:24,018 I'LL BE ALL RIGHT AS SOON AS WE GET OUT OF HERE, AND I CAN FIND A PLACE TO LIE DOWN. 1294 00:42:24,042 --> 00:42:25,285 GET OUT OF HERE, AND I CAN FIND A PLACE TO LIE DOWN. YOU WANT TO OPEN YOUR 1295 00:42:25,309 --> 00:42:26,320 A PLACE TO LIE DOWN. YOU WANT TO OPEN YOUR LUGGAGE, PLEASE, SIR? 1296 00:42:26,344 --> 00:42:26,821 YOU WANT TO OPEN YOUR LUGGAGE, PLEASE, SIR? HUH? 1297 00:42:26,845 --> 00:42:28,055 LUGGAGE, PLEASE, SIR? HUH? OPEN YOUR LUGGAGE, SIR. 1298 00:42:28,079 --> 00:42:29,790 HUH? OPEN YOUR LUGGAGE, SIR. PUT IT RIGHT UP HERE. 1299 00:42:29,814 --> 00:42:31,592 OPEN YOUR LUGGAGE, SIR. PUT IT RIGHT UP HERE. OPEN THE SUITCASE? 1300 00:42:31,616 --> 00:42:32,994 PUT IT RIGHT UP HERE. OPEN THE SUITCASE? THANK YOU. 1301 00:42:33,018 --> 00:42:34,094 OPEN THE SUITCASE? THANK YOU. SURE, OKAY. 1302 00:42:34,118 --> 00:42:35,329 THANK YOU. SURE, OKAY. HERE WE GO. OKAY. 1303 00:42:35,353 --> 00:42:37,231 SURE, OKAY. HERE WE GO. OKAY. YOU KNOW, THERE ARE A LOT OF 1304 00:42:37,255 --> 00:42:38,733 HERE WE GO. OKAY. YOU KNOW, THERE ARE A LOT OF PEOPLE ARE IN LINE HE... IN LINE 1305 00:42:38,757 --> 00:42:39,567 YOU KNOW, THERE ARE A LOT OF PEOPLE ARE IN LINE HE... IN LINE HERE, YOU KNOW. 1306 00:42:39,591 --> 00:42:40,835 PEOPLE ARE IN LINE HE... IN LINE HERE, YOU KNOW. SIR, I'M GONNA HAVE TO 1307 00:42:40,859 --> 00:42:41,836 HERE, YOU KNOW. SIR, I'M GONNA HAVE TO INSPECT YOUR LUGGAGE. 1308 00:42:41,860 --> 00:42:43,004 SIR, I'M GONNA HAVE TO INSPECT YOUR LUGGAGE. OKAY, BUT IS THIS LIKE 1309 00:42:43,028 --> 00:42:44,338 INSPECT YOUR LUGGAGE. OKAY, BUT IS THIS LIKE NORMAL, I MEAN, YOU KNOW, HEY, 1310 00:42:44,362 --> 00:42:45,072 OKAY, BUT IS THIS LIKE NORMAL, I MEAN, YOU KNOW, HEY, WAIT A MINUTE. 1311 00:42:45,096 --> 00:42:46,073 NORMAL, I MEAN, YOU KNOW, HEY, WAIT A MINUTE. I DIDN'T EXPECT THIS. 1312 00:42:46,097 --> 00:42:47,074 WAIT A MINUTE. I DIDN'T EXPECT THIS. PLEASE RELAX, SIR. 1313 00:42:47,098 --> 00:42:48,375 I DIDN'T EXPECT THIS. PLEASE RELAX, SIR. THE TWO PEOPLE AHEAD OF ME 1314 00:42:48,399 --> 00:42:49,476 PLEASE RELAX, SIR. THE TWO PEOPLE AHEAD OF ME DIDN'T DO IT, YOU KNOW? 1315 00:42:49,500 --> 00:42:50,110 THE TWO PEOPLE AHEAD OF ME DIDN'T DO IT, YOU KNOW? WHY ME, MAN? 1316 00:42:50,134 --> 00:42:50,945 DIDN'T DO IT, YOU KNOW? WHY ME, MAN? I MEAN, WHY ME? 1317 00:42:50,969 --> 00:42:52,312 WHY ME, MAN? I MEAN, WHY ME? LATER, WE'LL SIMPLY GIVE YOU 1318 00:42:52,336 --> 00:42:53,748 I MEAN, WHY ME? LATER, WE'LL SIMPLY GIVE YOU A... LET ME GIVE YOU ONE OF THESE 1319 00:42:53,772 --> 00:42:54,415 LATER, WE'LL SIMPLY GIVE YOU A... LET ME GIVE YOU ONE OF THESE RIGHT NOW. 1320 00:42:54,439 --> 00:42:55,249 A... LET ME GIVE YOU ONE OF THESE RIGHT NOW. SO, "WHY ME?" 1321 00:42:55,273 --> 00:42:56,784 RIGHT NOW. SO, "WHY ME?" IT'S A FORM THAT EXPLAINS WHY 1322 00:42:56,808 --> 00:42:58,452 SO, "WHY ME?" IT'S A FORM THAT EXPLAINS WHY THE SUPREME COURT HAS ALLOWED US 1323 00:42:58,476 --> 00:42:59,587 IT'S A FORM THAT EXPLAINS WHY THE SUPREME COURT HAS ALLOWED US TO INSPECT YOUR LUGGAGE. 1324 00:42:59,611 --> 00:43:00,888 THE SUPREME COURT HAS ALLOWED US TO INSPECT YOUR LUGGAGE. IT'S FOR YOUR OWN PROTECTION. 1325 00:43:00,912 --> 00:43:04,892 TO INSPECT YOUR LUGGAGE. IT'S FOR YOUR OWN PROTECTION. PLEASE, JUST RELAX. 1326 00:43:04,916 --> 00:43:06,928 IT'S FOR YOUR OWN PROTECTION. PLEASE, JUST RELAX. HOLD IT RIGHT THERE, FELLA! 1327 00:43:06,952 --> 00:43:07,895 PLEASE, JUST RELAX. HOLD IT RIGHT THERE, FELLA! HUH? 1328 00:43:07,919 --> 00:43:11,165 HOLD IT RIGHT THERE, FELLA! HUH? WHERE'D YOU BUY THIS SHIRT? 1329 00:43:11,189 --> 00:43:13,067 HUH? WHERE'D YOU BUY THIS SHIRT? I GOT IT AT HAROLD ROBBINS. 1330 00:43:13,091 --> 00:43:14,735 WHERE'D YOU BUY THIS SHIRT? I GOT IT AT HAROLD ROBBINS. HAROLD ROBBINS? 1331 00:43:14,759 --> 00:43:16,070 I GOT IT AT HAROLD ROBBINS. HAROLD ROBBINS? YEAH. 1332 00:43:16,094 --> 00:43:20,875 HAROLD ROBBINS? YEAH. OKAY. 1333 00:43:20,899 --> 00:43:27,247 YEAH. OKAY. OKAY. OKAY. 1334 00:43:27,271 --> 00:43:28,649 OKAY. OKAY. OKAY. DO YOU HAVE ANY ANIMAL OR 1335 00:43:28,673 --> 00:43:29,850 OKAY. OKAY. DO YOU HAVE ANY ANIMAL OR VEGETABLE MATTER, SIR? 1336 00:43:29,874 --> 00:43:30,918 DO YOU HAVE ANY ANIMAL OR VEGETABLE MATTER, SIR? WHAT DO YOU MEAN? 1337 00:43:30,942 --> 00:43:31,886 VEGETABLE MATTER, SIR? WHAT DO YOU MEAN? WHAT DO YOU MEAN? 1338 00:43:31,910 --> 00:43:33,287 WHAT DO YOU MEAN? WHAT DO YOU MEAN? YOU MEAN, LIKE, MARIJUANA OR 1339 00:43:33,311 --> 00:43:35,089 WHAT DO YOU MEAN? YOU MEAN, LIKE, MARIJUANA OR COCAINE? 1340 00:43:35,113 --> 00:43:36,057 YOU MEAN, LIKE, MARIJUANA OR COCAINE? WE DON'T HAVE ANY. 1341 00:43:36,081 --> 00:43:36,490 COCAINE? WE DON'T HAVE ANY. NO. 1342 00:43:36,514 --> 00:43:37,124 WE DON'T HAVE ANY. NO. [LAUGHS] 1343 00:43:37,148 --> 00:43:38,125 NO. [LAUGHS] WELL, THAT'S IT. 1344 00:43:38,149 --> 00:43:39,393 [LAUGHS] WELL, THAT'S IT. ONE MORE DRUG SMUGGLER UNDER 1345 00:43:39,417 --> 00:43:39,860 WELL, THAT'S IT. ONE MORE DRUG SMUGGLER UNDER ARREST. 1346 00:43:39,884 --> 00:43:41,261 ONE MORE DRUG SMUGGLER UNDER ARREST. HOW'S IT GOING HERE, WHITFIELD? 1347 00:43:41,285 --> 00:43:41,996 ARREST. HOW'S IT GOING HERE, WHITFIELD? FINE, SIR. 1348 00:43:42,020 --> 00:43:43,330 HOW'S IT GOING HERE, WHITFIELD? FINE, SIR. YEAH, I CAN STILL SMELL THE 1349 00:43:43,354 --> 00:43:44,231 FINE, SIR. YEAH, I CAN STILL SMELL THE STUFF ON MY HANDS. 1350 00:43:44,255 --> 00:43:45,265 YEAH, I CAN STILL SMELL THE STUFF ON MY HANDS. I'M GONNA WASH IT OFF. 1351 00:43:45,289 --> 00:43:47,401 STUFF ON MY HANDS. I'M GONNA WASH IT OFF. YES, SIR. 1352 00:43:47,425 --> 00:43:48,936 I'M GONNA WASH IT OFF. YES, SIR. OH! 1353 00:43:48,960 --> 00:43:56,960 YES, SIR. OH! PUT THIS RIGHT HERE. 1354 00:43:57,068 --> 00:43:59,080 OH! PUT THIS RIGHT HERE. WERE YOU IN BOLIVIA FOR BUSINESS 1355 00:43:59,104 --> 00:44:00,247 PUT THIS RIGHT HERE. WERE YOU IN BOLIVIA FOR BUSINESS OR PLEASURE, SIR? 1356 00:44:00,271 --> 00:44:01,616 WERE YOU IN BOLIVIA FOR BUSINESS OR PLEASURE, SIR? UH, BUSINESS. 1357 00:44:01,640 --> 00:44:03,684 OR PLEASURE, SIR? UH, BUSINESS. UH, I MEAN, PLEASURE. 1358 00:44:03,708 --> 00:44:05,185 UH, BUSINESS. UH, I MEAN, PLEASURE. I'M A STUDENT. 1359 00:44:05,209 --> 00:44:06,654 UH, I MEAN, PLEASURE. I'M A STUDENT. WE'RE, UH, STUDENTS. 1360 00:44:06,678 --> 00:44:08,623 I'M A STUDENT. WE'RE, UH, STUDENTS. WE'RE HAVING THE PLEASURE OF 1361 00:44:08,647 --> 00:44:10,224 WE'RE, UH, STUDENTS. WE'RE HAVING THE PLEASURE OF BEING STUDENTS, RIGHT? 1362 00:44:10,248 --> 00:44:11,058 WE'RE HAVING THE PLEASURE OF BEING STUDENTS, RIGHT? YEAH. RIGHT. 1363 00:44:11,082 --> 00:44:12,426 BEING STUDENTS, RIGHT? YEAH. RIGHT. I MEAN, SIR, YOU KNOW, IT'S 1364 00:44:12,450 --> 00:44:13,828 YEAH. RIGHT. I MEAN, SIR, YOU KNOW, IT'S REALLY BEAUTIFUL DOWN THERE, 1365 00:44:13,852 --> 00:44:14,194 I MEAN, SIR, YOU KNOW, IT'S REALLY BEAUTIFUL DOWN THERE, MAN. 1366 00:44:14,218 --> 00:44:15,663 REALLY BEAUTIFUL DOWN THERE, MAN. YOU REALLY SHOULD GO SOMETIME. 1367 00:44:15,687 --> 00:44:17,231 MAN. YOU REALLY SHOULD GO SOMETIME. I MEAN, IT'S A NICE PLACE, BUT I 1368 00:44:17,255 --> 00:44:18,799 YOU REALLY SHOULD GO SOMETIME. I MEAN, IT'S A NICE PLACE, BUT I WOULDN'T WANT TO LIVE THERE, YOU 1369 00:44:18,823 --> 00:44:19,600 I MEAN, IT'S A NICE PLACE, BUT I WOULDN'T WANT TO LIVE THERE, YOU KNOW WHAT I MEAN? 1370 00:44:19,624 --> 00:44:20,768 WOULDN'T WANT TO LIVE THERE, YOU KNOW WHAT I MEAN? I GOT SUNBURN ON MY NOSE THE 1371 00:44:20,792 --> 00:44:21,535 KNOW WHAT I MEAN? I GOT SUNBURN ON MY NOSE THE FIRST DAY! 1372 00:44:21,559 --> 00:44:22,970 I GOT SUNBURN ON MY NOSE THE FIRST DAY! YOU BUY THESE BOOTS IN 1373 00:44:22,994 --> 00:44:23,804 FIRST DAY! YOU BUY THESE BOOTS IN BOLIVIA, SIR? 1374 00:44:23,828 --> 00:44:24,404 YOU BUY THESE BOOTS IN BOLIVIA, SIR? WHAT? 1375 00:44:24,428 --> 00:44:25,740 BOLIVIA, SIR? WHAT? YOU BUY THESE BOOTS IN 1376 00:44:25,764 --> 00:44:26,540 WHAT? YOU BUY THESE BOOTS IN BOLIVIA, SIR? 1377 00:44:26,564 --> 00:44:27,474 YOU BUY THESE BOOTS IN BOLIVIA, SIR? UH, YEAH. NO! 1378 00:44:27,498 --> 00:44:29,110 BOLIVIA, SIR? UH, YEAH. NO! I GOT THEM IN LOS ANGELES BEFORE 1379 00:44:29,134 --> 00:44:36,884 UH, YEAH. NO! I GOT THEM IN LOS ANGELES BEFORE I-I-I LEFT. 1380 00:44:36,908 --> 00:44:38,052 I GOT THEM IN LOS ANGELES BEFORE I-I-I LEFT. THAT'S MY AFTERSHAVE! 1381 00:44:38,076 --> 00:44:39,620 I-I-I LEFT. THAT'S MY AFTERSHAVE! YOU CAN CONFISCATE THAT IF YOU 1382 00:44:39,644 --> 00:44:40,187 THAT'S MY AFTERSHAVE! YOU CAN CONFISCATE THAT IF YOU WANT. 1383 00:44:40,211 --> 00:44:41,421 YOU CAN CONFISCATE THAT IF YOU WANT. YOU CAN TAKE IT. 1384 00:44:41,445 --> 00:44:42,790 WANT. YOU CAN TAKE IT. TAKE MY AFTERSHAVE. 1385 00:44:42,814 --> 00:44:44,424 YOU CAN TAKE IT. TAKE MY AFTERSHAVE. THAT'S ALL RIGHT, SIR. 1386 00:44:44,448 --> 00:44:45,526 TAKE MY AFTERSHAVE. THAT'S ALL RIGHT, SIR. [LAUGHING] 1387 00:44:45,550 --> 00:44:46,627 THAT'S ALL RIGHT, SIR. [LAUGHING] ALL RIGHT, SIR. 1388 00:44:46,651 --> 00:44:48,162 [LAUGHING] ALL RIGHT, SIR. HOW ABOUT THIS SWEATER? 1389 00:44:48,186 --> 00:44:49,396 ALL RIGHT, SIR. HOW ABOUT THIS SWEATER? YOU BUY THIS IN BOLIVIA? 1390 00:44:49,420 --> 00:44:49,930 HOW ABOUT THIS SWEATER? YOU BUY THIS IN BOLIVIA? WHAT? 1391 00:44:49,954 --> 00:44:51,398 YOU BUY THIS IN BOLIVIA? WHAT? DID YOU BUY THIS SWEATER IN 1392 00:44:51,422 --> 00:44:52,133 WHAT? DID YOU BUY THIS SWEATER IN BOLIVIA, SIR? 1393 00:44:52,157 --> 00:44:53,300 DID YOU BUY THIS SWEATER IN BOLIVIA, SIR? IT WAS NOT ENTERED ON YOUR 1394 00:44:53,324 --> 00:44:54,669 BOLIVIA, SIR? IT WAS NOT ENTERED ON YOUR DECLARATION FORM, WAS IT, SIR? 1395 00:44:54,693 --> 00:44:55,502 IT WAS NOT ENTERED ON YOUR DECLARATION FORM, WAS IT, SIR? NO, IT WASN'T. 1396 00:44:55,526 --> 00:44:58,039 DECLARATION FORM, WAS IT, SIR? NO, IT WASN'T. LET'S TAKE A LOOK. 1397 00:44:58,063 --> 00:44:59,439 NO, IT WASN'T. LET'S TAKE A LOOK. THIS SWEATER WAS NOT ENTERED ON 1398 00:44:59,463 --> 00:45:00,741 LET'S TAKE A LOOK. THIS SWEATER WAS NOT ENTERED ON THEIR, UH, DECLARATION FORM. 1399 00:45:00,765 --> 00:45:02,176 THIS SWEATER WAS NOT ENTERED ON THEIR, UH, DECLARATION FORM. I DON'T KNOW HOW TO HANDLE THAT, 1400 00:45:02,200 --> 00:45:02,609 THEIR, UH, DECLARATION FORM. I DON'T KNOW HOW TO HANDLE THAT, SIR. 1401 00:45:02,633 --> 00:45:04,211 I DON'T KNOW HOW TO HANDLE THAT, SIR. UH, YOU FOLKS BRINGING IN 1402 00:45:04,235 --> 00:45:05,946 SIR. UH, YOU FOLKS BRINGING IN MORE THAN $125 WORTH OF FOREIGN 1403 00:45:05,970 --> 00:45:06,747 UH, YOU FOLKS BRINGING IN MORE THAN $125 WORTH OF FOREIGN PURCHASES? 1404 00:45:06,771 --> 00:45:07,948 MORE THAN $125 WORTH OF FOREIGN PURCHASES? NO, SIR! NO, SIR! 1405 00:45:07,972 --> 00:45:10,217 PURCHASES? NO, SIR! NO, SIR! THAT'S OKAY. 1406 00:45:10,241 --> 00:45:11,618 NO, SIR! NO, SIR! THAT'S OKAY. OKAY. THANK YOU VERY MUCH. 1407 00:45:11,642 --> 00:45:12,219 THAT'S OKAY. OKAY. THANK YOU VERY MUCH. YOU CAN GO. 1408 00:45:12,243 --> 00:45:13,520 OKAY. THANK YOU VERY MUCH. YOU CAN GO. THANK YOU! THANK YOU! 1409 00:45:13,544 --> 00:45:14,689 YOU CAN GO. THANK YOU! THANK YOU! THANK YOU! THANK YOU! 1410 00:45:14,713 --> 00:45:15,856 THANK YOU! THANK YOU! THANK YOU! THANK YOU! THANK YOU! THANK YOU! 1411 00:45:15,880 --> 00:45:17,558 THANK YOU! THANK YOU! THANK YOU! THANK YOU! I HOPE IT'S A BOY. 1412 00:45:17,582 --> 00:45:18,392 THANK YOU! THANK YOU! I HOPE IT'S A BOY. WHAT? 1413 00:45:18,416 --> 00:45:22,897 I HOPE IT'S A BOY. WHAT? OH, THANK YOU. 1414 00:45:22,921 --> 00:45:29,804 WHAT? OH, THANK YOU. NEXT, PLEASE. 1415 00:45:29,828 --> 00:45:31,405 OH, THANK YOU. NEXT, PLEASE. OH, THAT'S ALL RIGHT, FATHER. 1416 00:45:31,429 --> 00:45:33,507 NEXT, PLEASE. OH, THAT'S ALL RIGHT, FATHER. YOU CAN GO RIGHT AHEAD. 1417 00:45:33,531 --> 00:45:34,408 OH, THAT'S ALL RIGHT, FATHER. YOU CAN GO RIGHT AHEAD. NEXT, PLEASE! 1418 00:45:34,432 --> 00:45:36,243 YOU CAN GO RIGHT AHEAD. NEXT, PLEASE! LET'S TAKE A LOOK AT THAT HERE. 1419 00:45:36,267 --> 00:45:37,945 NEXT, PLEASE! LET'S TAKE A LOOK AT THAT HERE. LET'S GET THAT RIGHT UP HERE. 1420 00:45:37,969 --> 00:45:41,289 LET'S TAKE A LOOK AT THAT HERE. LET'S GET THAT RIGHT UP HERE. MA'AM, LET ME SEE THIS. 1421 00:45:54,118 --> 00:45:58,955 AND NOW HERE'S THIS WEEK'S FILM BY GARY WEIS. [APPLAUSE] 1422 00:46:11,001 --> 00:46:14,148 CAN I HELP YOU? YEAH, HAVE YOU GOT THIS IN RED? 1423 00:46:14,172 --> 00:46:15,249 YEAH, HAVE YOU GOT THIS IN RED? NO, I'M SORRY. 1424 00:46:15,273 --> 00:46:16,650 RED? NO, I'M SORRY. IT DOESN'T COME IN RED. 1425 00:46:16,674 --> 00:46:21,622 NO, I'M SORRY. IT DOESN'T COME IN RED. [WOMAN VOCALIZING] 1426 00:46:21,646 --> 00:46:24,286 IT DOESN'T COME IN RED. [WOMAN VOCALIZING] [SUSPENSEFUL MUSIC PLAYS] 1427 00:46:31,188 --> 00:46:39,188 ♪ OH, NO ♪ [VOCALIZING] 1428 00:46:55,512 --> 00:46:59,559 HI, MY NAME IS NEWMAN. I HAVE SOME LAUNDRY THAT'S SUPPOSED TO BE READY TODAY, BUT 1429 00:46:59,583 --> 00:47:00,761 I HAVE SOME LAUNDRY THAT'S SUPPOSED TO BE READY TODAY, BUT I DON'T HAVE MY TICKET. 1430 00:47:00,785 --> 00:47:01,528 SUPPOSED TO BE READY TODAY, BUT I DON'T HAVE MY TICKET. I'M SORRY. 1431 00:47:01,552 --> 00:47:02,930 I DON'T HAVE MY TICKET. I'M SORRY. YOU CAN'T HAVE YOUR LAUNDRY 1432 00:47:02,954 --> 00:47:03,998 I'M SORRY. YOU CAN'T HAVE YOUR LAUNDRY WITHOUT YOUR TICKET. 1433 00:47:04,022 --> 00:47:05,166 YOU CAN'T HAVE YOUR LAUNDRY WITHOUT YOUR TICKET. ♪ WHAT? YOU MUST BE CRAZY ♪ 1434 00:47:05,190 --> 00:47:08,135 WITHOUT YOUR TICKET. ♪ WHAT? YOU MUST BE CRAZY ♪ ♪ NO TICKET, TICKET, TICKET ♪ 1435 00:47:08,159 --> 00:47:10,437 ♪ WHAT? YOU MUST BE CRAZY ♪ ♪ NO TICKET, TICKET, TICKET ♪ ♪ TICKET, TICKET, TICKET ♪ 1436 00:47:10,461 --> 00:47:11,839 ♪ NO TICKET, TICKET, TICKET ♪ ♪ TICKET, TICKET, TICKET ♪ ♪ TICKET, TICKET, TICKET ♪ 1437 00:47:11,863 --> 00:47:12,572 ♪ TICKET, TICKET, TICKET ♪ ♪ TICKET, TICKET, TICKET ♪ ♪ LOS ANGELES ♪ 1438 00:47:12,596 --> 00:47:13,640 ♪ TICKET, TICKET, TICKET ♪ ♪ LOS ANGELES ♪ ♪ TICKET, TICKET, TICKET ♪ 1439 00:47:13,664 --> 00:47:14,275 ♪ LOS ANGELES ♪ ♪ TICKET, TICKET, TICKET ♪ ♪ TICKET ♪ 1440 00:47:14,299 --> 00:47:16,844 ♪ TICKET, TICKET, TICKET ♪ ♪ TICKET ♪ [VOCALIZING] 1441 00:47:16,868 --> 00:47:18,078 ♪ TICKET ♪ [VOCALIZING] ♪ WHAT IS HAPPENING TO HER? ♪ 1442 00:47:18,102 --> 00:47:19,479 [VOCALIZING] ♪ WHAT IS HAPPENING TO HER? ♪ ♪ SHE DOESN'T KNOW WHY SHE 1443 00:47:19,503 --> 00:47:20,681 ♪ WHAT IS HAPPENING TO HER? ♪ ♪ SHE DOESN'T KNOW WHY SHE COULDN'T GET THE DRESS ♪ 1444 00:47:20,705 --> 00:47:22,216 ♪ SHE DOESN'T KNOW WHY SHE COULDN'T GET THE DRESS ♪ ♪ THEN SHE GOT A TICKET ON HER 1445 00:47:22,240 --> 00:47:22,716 COULDN'T GET THE DRESS ♪ ♪ THEN SHE GOT A TICKET ON HER CAR ♪ 1446 00:47:22,740 --> 00:47:23,851 ♪ THEN SHE GOT A TICKET ON HER CAR ♪ ♪ AND NOW SHE CAN'T GET HER 1447 00:47:23,875 --> 00:47:24,251 CAR ♪ ♪ AND NOW SHE CAN'T GET HER LAUNDRY ♪ 1448 00:47:24,275 --> 00:47:25,352 ♪ AND NOW SHE CAN'T GET HER LAUNDRY ♪ ♪ IT'S HERS, IT'S HERS ♪ 1449 00:47:25,376 --> 00:47:29,857 LAUNDRY ♪ ♪ IT'S HERS, IT'S HERS ♪ ♪ IT'S MY LAUNDRY ♪ 1450 00:47:29,881 --> 00:47:32,081 ♪ IT'S HERS, IT'S HERS ♪ ♪ IT'S MY LAUNDRY ♪ [VOCALIZING] 1451 00:47:52,435 --> 00:47:55,471 ♪ COME AND GET ME ♪ [VOCALIZING MANICALLY] 1452 00:48:08,118 --> 00:48:14,835 ♪ LARAINE, COME AND GET ME ♪ ♪ LARAINE ♪ [VOCALIZING MANICALLY] 1453 00:48:14,859 --> 00:48:16,237 ♪ LARAINE ♪ [VOCALIZING MANICALLY] ♪ DON'T LEAVE FINGERPRINTS ON 1454 00:48:16,261 --> 00:48:17,537 [VOCALIZING MANICALLY] ♪ DON'T LEAVE FINGERPRINTS ON THE BANISTER OR THE DINING 1455 00:48:17,561 --> 00:48:18,372 ♪ DON'T LEAVE FINGERPRINTS ON THE BANISTER OR THE DINING ROOM ♪ 1456 00:48:18,396 --> 00:48:26,396 THE BANISTER OR THE DINING ROOM ♪ [VOCALIZING MANICALLY] 1457 00:48:26,670 --> 00:48:29,738 ROOM ♪ [VOCALIZING MANICALLY] GOD, WILL YOU SHUT UP?! 1458 00:48:47,391 --> 00:48:49,225 AND NOW, AS WE COME TO THE 1459 00:48:49,359 --> 00:48:51,360 END OF ANOTHER BROADCAST DAY, WE 1460 00:48:51,494 --> 00:48:53,029 OFFER YOU THESE WORDS OF 1461 00:48:53,163 --> 00:48:53,996 INSPIRATION. 1462 00:48:54,131 --> 00:48:55,932 TONIGHT'S MESSAGE IS FROM THE 1463 00:48:56,066 --> 00:48:57,333 CHURCH OF CONFUSION. 1464 00:48:57,467 --> 00:48:59,435 OUR SERMONETTE THIS EVENING WILL 1465 00:48:59,569 --> 00:49:01,304 BE DELIVERED BY HIS CONFUSED 1466 00:49:01,438 --> 00:49:03,139 HOLINESS, THE MOST REVEREND 1467 00:49:03,273 --> 00:49:03,973 ARCHBISHOP 1468 00:49:04,107 --> 00:49:08,644 MAHARISHI O'MULLIGANSTEIN D.D.S. 1469 00:49:08,912 --> 00:49:15,996 GOOD AFTERNOON. AND THANK YOU, FATHER-IN-LAW... FOR GUIDING US THROUGH ANOTHER 1470 00:49:16,020 --> 00:49:16,496 AND THANK YOU, FATHER-IN-LAW... FOR GUIDING US THROUGH ANOTHER DAY. 1471 00:49:16,520 --> 00:49:18,399 FOR GUIDING US THROUGH ANOTHER DAY. AS THE PROPHET LAO TSE SAID AT 1472 00:49:18,423 --> 00:49:20,434 DAY. AS THE PROPHET LAO TSE SAID AT THE BOTTOM OF THE MOUNTAIN WHEN 1473 00:49:20,458 --> 00:49:22,369 AS THE PROPHET LAO TSE SAID AT THE BOTTOM OF THE MOUNTAIN WHEN HE FIRST SAW THE FIRST GLIMMER 1474 00:49:22,393 --> 00:49:24,171 THE BOTTOM OF THE MOUNTAIN WHEN HE FIRST SAW THE FIRST GLIMMER OF THE HAZE OF CONFUSION... 1475 00:49:24,195 --> 00:49:30,510 HE FIRST SAW THE FIRST GLIMMER OF THE HAZE OF CONFUSION... [SPEAKING GIBBERISH] 1476 00:49:30,534 --> 00:49:32,279 OF THE HAZE OF CONFUSION... [SPEAKING GIBBERISH] HI. HOW ARE YOU? 1477 00:49:32,303 --> 00:49:34,714 [SPEAKING GIBBERISH] HI. HOW ARE YOU? [Chanting] OM. 1478 00:49:34,738 --> 00:49:37,784 HI. HOW ARE YOU? [Chanting] OM. SHANTI OM. 1479 00:49:37,808 --> 00:49:40,087 [Chanting] OM. SHANTI OM. AND THE CONFUSED DEITY SPEAKETH 1480 00:49:40,111 --> 00:49:41,288 SHANTI OM. AND THE CONFUSED DEITY SPEAKETH UNDER KRISHNA. 1481 00:49:41,312 --> 00:49:43,390 AND THE CONFUSED DEITY SPEAKETH UNDER KRISHNA. HE SAID, "BILL, 'E' PLURIBUS 1482 00:49:43,414 --> 00:49:44,024 UNDER KRISHNA. HE SAID, "BILL, 'E' PLURIBUS UNUM. 1483 00:49:44,048 --> 00:49:46,693 HE SAID, "BILL, 'E' PLURIBUS UNUM. IN TROY, THERE LIES THE SCENE. 1484 00:49:46,717 --> 00:49:48,429 UNUM. IN TROY, THERE LIES THE SCENE. CLOSE COVER BEFORE STRIKING. 1485 00:49:48,453 --> 00:49:50,197 IN TROY, THERE LIES THE SCENE. CLOSE COVER BEFORE STRIKING. PLEASE KEEP YOUR FEET OFF THE 1486 00:49:50,221 --> 00:49:50,965 CLOSE COVER BEFORE STRIKING. PLEASE KEEP YOUR FEET OFF THE JUMP SEAT. 1487 00:49:50,989 --> 00:49:52,632 PLEASE KEEP YOUR FEET OFF THE JUMP SEAT. [SPEAKING GIBBERISH] AMEN." 1488 00:49:52,656 --> 00:49:55,902 JUMP SEAT. [SPEAKING GIBBERISH] AMEN." AND BILL UNDERSTOOD. 1489 00:49:55,926 --> 00:49:58,238 [SPEAKING GIBBERISH] AMEN." AND BILL UNDERSTOOD. YOU SEE, HE, TOO, WAS CONFUSED. 1490 00:49:58,262 --> 00:50:00,274 AND BILL UNDERSTOOD. YOU SEE, HE, TOO, WAS CONFUSED. FELLOW CONFUSISTS, WE MUST 1491 00:50:00,298 --> 00:50:02,409 YOU SEE, HE, TOO, WAS CONFUSED. FELLOW CONFUSISTS, WE MUST REAFFIRM OUR CONFUSION EVERY 1492 00:50:02,433 --> 00:50:02,977 FELLOW CONFUSISTS, WE MUST REAFFIRM OUR CONFUSION EVERY DAY. 1493 00:50:03,001 --> 00:50:04,278 REAFFIRM OUR CONFUSION EVERY DAY. ZEUS LOVES YOU. 1494 00:50:04,302 --> 00:50:05,980 DAY. ZEUS LOVES YOU. HE LOVES ALL MORMONS. 1495 00:50:06,004 --> 00:50:08,082 ZEUS LOVES YOU. HE LOVES ALL MORMONS. ♪ ROCK OF AGES ♪ 1496 00:50:08,106 --> 00:50:09,816 HE LOVES ALL MORMONS. ♪ ROCK OF AGES ♪ ♪ TAKE MY WIFE ♪ 1497 00:50:09,840 --> 00:50:12,252 ♪ ROCK OF AGES ♪ ♪ TAKE MY WIFE ♪ PREPARE TO DRINK FROM THE 1498 00:50:12,276 --> 00:50:15,222 ♪ TAKE MY WIFE ♪ PREPARE TO DRINK FROM THE KIDDISH CUP, FOR AS GOD GIVETH, 1499 00:50:15,246 --> 00:50:16,423 PREPARE TO DRINK FROM THE KIDDISH CUP, FOR AS GOD GIVETH, HE ALSO GIVETH. 1500 00:50:16,447 --> 00:50:18,392 KIDDISH CUP, FOR AS GOD GIVETH, HE ALSO GIVETH. I'M REMINDED THIS ASH OF THE 1501 00:50:18,416 --> 00:50:20,327 HE ALSO GIVETH. I'M REMINDED THIS ASH OF THE STORY CALLED ABOUT FROM THE 1502 00:50:20,351 --> 00:50:22,196 I'M REMINDED THIS ASH OF THE STORY CALLED ABOUT FROM THE QUR'AN ON THE ANALYLICS OF 1503 00:50:22,220 --> 00:50:24,064 STORY CALLED ABOUT FROM THE QUR'AN ON THE ANALYLICS OF CONFUCIUS ABOUT A MAN WHO 1504 00:50:24,088 --> 00:50:26,200 QUR'AN ON THE ANALYLICS OF CONFUCIUS ABOUT A MAN WHO WANDERED AIMLESSLY THROUGHOUT 1505 00:50:26,224 --> 00:50:28,402 CONFUCIUS ABOUT A MAN WHO WANDERED AIMLESSLY THROUGHOUT HIS LIFE AND THIS STORY FOR 40 1506 00:50:28,426 --> 00:50:30,804 WANDERED AIMLESSLY THROUGHOUT HIS LIFE AND THIS STORY FOR 40 DAYS AND 50 NIGHTS WHEN HE CAME 1507 00:50:30,828 --> 00:50:32,206 HIS LIFE AND THIS STORY FOR 40 DAYS AND 50 NIGHTS WHEN HE CAME UPON A CLEARING. 1508 00:50:32,230 --> 00:50:34,375 DAYS AND 50 NIGHTS WHEN HE CAME UPON A CLEARING. BEFORE HIM WERE FIVE ROADS. 1509 00:50:34,399 --> 00:50:36,710 UPON A CLEARING. BEFORE HIM WERE FIVE ROADS. FIVE ROADS NOT TAKEN AND MILES 1510 00:50:36,734 --> 00:50:38,578 BEFORE HIM WERE FIVE ROADS. FIVE ROADS NOT TAKEN AND MILES TO GO BEFORE THEY SLEPT. 1511 00:50:38,602 --> 00:50:40,647 FIVE ROADS NOT TAKEN AND MILES TO GO BEFORE THEY SLEPT. NOW, HE WAS TRULY CONFUSED. 1512 00:50:40,671 --> 00:50:42,416 TO GO BEFORE THEY SLEPT. NOW, HE WAS TRULY CONFUSED. "WHICH ROAD SHOULD I TAKE?" 1513 00:50:42,440 --> 00:50:44,251 NOW, HE WAS TRULY CONFUSED. "WHICH ROAD SHOULD I TAKE?" IT WAS A RHETORICAL QUESTION 1514 00:50:44,275 --> 00:50:46,220 "WHICH ROAD SHOULD I TAKE?" IT WAS A RHETORICAL QUESTION INDEED, FOR THE TRAVELER KNEW 1515 00:50:46,244 --> 00:50:48,155 IT WAS A RHETORICAL QUESTION INDEED, FOR THE TRAVELER KNEW NOR WHERE HE WAS GOING BUT NOT 1516 00:50:48,179 --> 00:50:50,624 INDEED, FOR THE TRAVELER KNEW NOR WHERE HE WAS GOING BUT NOT WHERE HE HAD COME FROM. 1517 00:50:50,648 --> 00:50:53,093 NOR WHERE HE WAS GOING BUT NOT WHERE HE HAD COME FROM. BUT THEN A SIGN APPEARED BEFORE 1518 00:50:53,117 --> 00:50:54,895 WHERE HE HAD COME FROM. BUT THEN A SIGN APPEARED BEFORE HIM, A SIGN FROM ABOVE. 1519 00:50:54,919 --> 00:50:57,197 BUT THEN A SIGN APPEARED BEFORE HIM, A SIGN FROM ABOVE. A STAR ROSE IN THE HEAVENS, THE 1520 00:50:57,221 --> 00:50:59,433 HIM, A SIGN FROM ABOVE. A STAR ROSE IN THE HEAVENS, THE WIND HOWLED FROM THE WEST, THE 1521 00:50:59,457 --> 00:51:01,735 A STAR ROSE IN THE HEAVENS, THE WIND HOWLED FROM THE WEST, THE RED SEA PARTED, A PYRAMID FELL, 1522 00:51:01,759 --> 00:51:03,003 WIND HOWLED FROM THE WEST, THE RED SEA PARTED, A PYRAMID FELL, AND A BABY CRIED. 1523 00:51:03,027 --> 00:51:04,671 RED SEA PARTED, A PYRAMID FELL, AND A BABY CRIED. AND ANOTHER SIGN... LIKE 1524 00:51:04,695 --> 00:51:06,606 AND A BABY CRIED. AND ANOTHER SIGN... LIKE THUNDER, A SMALL, FOREIGN CAR 1525 00:51:06,630 --> 00:51:08,675 AND ANOTHER SIGN... LIKE THUNDER, A SMALL, FOREIGN CAR EXPLODED, AND THE TRAVELER KNEW 1526 00:51:08,699 --> 00:51:10,444 THUNDER, A SMALL, FOREIGN CAR EXPLODED, AND THE TRAVELER KNEW THAT HE COULD NO LONGER BE 1527 00:51:10,468 --> 00:51:13,080 EXPLODED, AND THE TRAVELER KNEW THAT HE COULD NO LONGER BE DRIVEN OUT OF THE PROMISED LAND. 1528 00:51:13,104 --> 00:51:14,981 THAT HE COULD NO LONGER BE DRIVEN OUT OF THE PROMISED LAND. BLESS YOU. 1529 00:51:15,005 --> 00:51:17,117 DRIVEN OUT OF THE PROMISED LAND. BLESS YOU. AND, FINALLY, THE TRAVELER CAME 1530 00:51:17,141 --> 00:51:19,119 BLESS YOU. AND, FINALLY, THE TRAVELER CAME UPON A GIANT FOOTPRINT IN THE 1531 00:51:19,143 --> 00:51:21,088 AND, FINALLY, THE TRAVELER CAME UPON A GIANT FOOTPRINT IN THE GROUND, AND HE SPAKETH TRULY 1532 00:51:21,112 --> 00:51:23,090 UPON A GIANT FOOTPRINT IN THE GROUND, AND HE SPAKETH TRULY THAT THIS MUST BE THE HAND OF 1533 00:51:23,114 --> 00:51:23,890 GROUND, AND HE SPAKETH TRULY THAT THIS MUST BE THE HAND OF GOD. 1534 00:51:23,914 --> 00:51:25,292 THAT THIS MUST BE THE HAND OF GOD. AND HE WAS CONFUSETHED. 1535 00:51:25,316 --> 00:51:26,860 GOD. AND HE WAS CONFUSETHED. HE WENT TO THE FOOT OF THE 1536 00:51:26,884 --> 00:51:28,262 AND HE WAS CONFUSETHED. HE WENT TO THE FOOT OF THE MOUNTAIN, AND HE CRIED, 1537 00:51:28,286 --> 00:51:29,463 HE WENT TO THE FOOT OF THE MOUNTAIN, AND HE CRIED, "CONFUSED AT LAST! 1538 00:51:29,487 --> 00:51:30,597 MOUNTAIN, AND HE CRIED, "CONFUSED AT LAST! CONFUSED AT LAST! 1539 00:51:30,621 --> 00:51:32,466 "CONFUSED AT LAST! CONFUSED AT LAST! LOU, LOU, MR. FIELDS, WANTS THE 1540 00:51:32,490 --> 00:51:33,033 CONFUSED AT LAST! LOU, LOU, MR. FIELDS, WANTS THE RENT!" 1541 00:51:33,057 --> 00:51:35,102 LOU, LOU, MR. FIELDS, WANTS THE RENT!" WE ARE CONFUSED AT LAST. 1542 00:51:35,126 --> 00:51:39,639 RENT!" WE ARE CONFUSED AT LAST. AND SO, AS WE PREPARE TO MEET 1543 00:51:39,663 --> 00:51:42,176 WE ARE CONFUSED AT LAST. AND SO, AS WE PREPARE TO MEET ANOTHER DAY... 1544 00:51:42,200 --> 00:51:45,045 AND SO, AS WE PREPARE TO MEET ANOTHER DAY... IN CLOSING, I WOULD LIKE TO READ 1545 00:51:45,069 --> 00:51:47,347 ANOTHER DAY... IN CLOSING, I WOULD LIKE TO READ FROM, WELL, FROM LEVITI... 1546 00:51:47,371 --> 00:51:52,219 IN CLOSING, I WOULD LIKE TO READ FROM, WELL, FROM LEVITI... LEVITICUS 1:4, JACKSON 5. 1547 00:51:52,243 --> 00:51:53,587 FROM, WELL, FROM LEVITI... LEVITICUS 1:4, JACKSON 5. "TAKE EAT. 1548 00:51:53,611 --> 00:51:55,489 LEVITICUS 1:4, JACKSON 5. "TAKE EAT. THIS IS MY BODY. 1549 00:51:55,513 --> 00:51:58,492 "TAKE EAT. THIS IS MY BODY. HOW DO YOU LIKE IT?" 1550 00:51:58,516 --> 00:52:00,294 THIS IS MY BODY. HOW DO YOU LIKE IT?" SO, IN CLOSING, MAY YOUR KARMA 1551 00:52:00,318 --> 00:52:01,962 HOW DO YOU LIKE IT?" SO, IN CLOSING, MAY YOUR KARMA BE FINE WHEN COMBINED WITH A 1552 00:52:01,986 --> 00:52:03,797 SO, IN CLOSING, MAY YOUR KARMA BE FINE WHEN COMBINED WITH A CONSCIENTIOUSLY APPLIED PROGRAM 1553 00:52:03,821 --> 00:52:05,466 BE FINE WHEN COMBINED WITH A CONSCIENTIOUSLY APPLIED PROGRAM OF ORAL HYGIENE AND REGULAR 1554 00:52:05,490 --> 00:52:06,333 CONSCIENTIOUSLY APPLIED PROGRAM OF ORAL HYGIENE AND REGULAR DENTAL CARE. 1555 00:52:06,357 --> 00:52:07,901 OF ORAL HYGIENE AND REGULAR DENTAL CARE. AMEN. GOOD NIGHT. 1556 00:52:07,925 --> 00:52:09,858 DENTAL CARE. AMEN. GOOD NIGHT. HELLO. 1557 00:52:44,994 --> 00:52:50,611 HEY! YOU HEAR SOMETHIN'? YEAH. 1558 00:52:50,635 --> 00:52:53,480 YOU HEAR SOMETHIN'? YEAH. HALT! 1559 00:52:53,504 --> 00:52:54,781 YEAH. HALT! WHAT'S THE PASSWORD? 1560 00:52:54,805 --> 00:52:56,450 HALT! WHAT'S THE PASSWORD? [German accent] APPLE. 1561 00:52:56,474 --> 00:52:58,185 WHAT'S THE PASSWORD? [German accent] APPLE. WE'VE HAD REPORTS THERE'S 1562 00:52:58,209 --> 00:53:00,086 [German accent] APPLE. WE'VE HAD REPORTS THERE'S SOME JERRIES, UH, DRESSED UP IN 1563 00:53:00,110 --> 00:53:01,855 WE'VE HAD REPORTS THERE'S SOME JERRIES, UH, DRESSED UP IN G.I. UNIFORMS TRYIN' TO SNEAK 1564 00:53:01,879 --> 00:53:02,989 SOME JERRIES, UH, DRESSED UP IN G.I. UNIFORMS TRYIN' TO SNEAK BEHIND OUR LINES. 1565 00:53:03,013 --> 00:53:04,791 G.I. UNIFORMS TRYIN' TO SNEAK BEHIND OUR LINES. YEAH, WE'RE GONNA HAVE TO ASK 1566 00:53:04,815 --> 00:53:06,092 BEHIND OUR LINES. YEAH, WE'RE GONNA HAVE TO ASK YOU SOME QUESTIONS. 1567 00:53:06,116 --> 00:53:07,528 YEAH, WE'RE GONNA HAVE TO ASK YOU SOME QUESTIONS. JA, DAS IST OKAY. 1568 00:53:07,552 --> 00:53:09,563 YOU SOME QUESTIONS. JA, DAS IST OKAY. [German accent] YOU CAN'T 1569 00:53:09,587 --> 00:53:11,698 JA, DAS IST OKAY. [German accent] YOU CAN'T BE TOO CAREFUL MIT THOSE KRAUTS. 1570 00:53:11,722 --> 00:53:13,267 [German accent] YOU CAN'T BE TOO CAREFUL MIT THOSE KRAUTS. WHAT'S THE CAPITAL OF 1571 00:53:13,291 --> 00:53:14,000 BE TOO CAREFUL MIT THOSE KRAUTS. WHAT'S THE CAPITAL OF ILLINOIS? 1572 00:53:14,024 --> 00:53:15,135 WHAT'S THE CAPITAL OF ILLINOIS? "SHPRINGFIELD." 1573 00:53:15,159 --> 00:53:16,436 ILLINOIS? "SHPRINGFIELD." HOW 'BOUT OKLAHOMA? 1574 00:53:16,460 --> 00:53:17,771 "SHPRINGFIELD." HOW 'BOUT OKLAHOMA? OKLAHOMA CITY. 1575 00:53:17,795 --> 00:53:19,973 HOW 'BOUT OKLAHOMA? OKLAHOMA CITY. HOW MANY QUARTS IN A GALLON? 1576 00:53:19,997 --> 00:53:22,609 OKLAHOMA CITY. HOW MANY QUARTS IN A GALLON? EINS, ZWEI, DREI ...FOUR. 1577 00:53:22,633 --> 00:53:23,577 HOW MANY QUARTS IN A GALLON? EINS, ZWEI, DREI ...FOUR. YOU! 1578 00:53:23,601 --> 00:53:25,879 EINS, ZWEI, DREI ...FOUR. YOU! WHO WAS THE DRAGON LADY? 1579 00:53:25,903 --> 00:53:28,081 YOU! WHO WAS THE DRAGON LADY? IN "TERRY AND THE PIRATES." 1580 00:53:28,105 --> 00:53:30,250 WHO WAS THE DRAGON LADY? IN "TERRY AND THE PIRATES." WHAT COLOR ARE THE YANKEES' 1581 00:53:30,274 --> 00:53:31,185 IN "TERRY AND THE PIRATES." WHAT COLOR ARE THE YANKEES' UNIFORMS? 1582 00:53:31,209 --> 00:53:33,520 WHAT COLOR ARE THE YANKEES' UNIFORMS? PINSTRIPED, "VHITE" MIT GRAY. 1583 00:53:33,544 --> 00:53:35,455 UNIFORMS? PINSTRIPED, "VHITE" MIT GRAY. WHAT'S A TEXAS LEAGUER? 1584 00:53:35,479 --> 00:53:37,491 PINSTRIPED, "VHITE" MIT GRAY. WHAT'S A TEXAS LEAGUER? A BASE HIT IN BASEBALL THAT 1585 00:53:37,515 --> 00:53:39,493 WHAT'S A TEXAS LEAGUER? A BASE HIT IN BASEBALL THAT FALLS BETWEEN "ZE" INFIELD UND 1586 00:53:39,517 --> 00:53:40,594 A BASE HIT IN BASEBALL THAT FALLS BETWEEN "ZE" INFIELD UND THE OUTFIELD. 1587 00:53:40,618 --> 00:53:42,329 FALLS BETWEEN "ZE" INFIELD UND THE OUTFIELD. USUALLY A "ZINGLE." 1588 00:53:42,353 --> 00:53:44,598 THE OUTFIELD. USUALLY A "ZINGLE." "ZO" NAMED FOR A MINOR LEAGUE 1589 00:53:44,622 --> 00:53:45,532 USUALLY A "ZINGLE." "ZO" NAMED FOR A MINOR LEAGUE IN TEXAS. 1590 00:53:45,556 --> 00:53:47,367 "ZO" NAMED FOR A MINOR LEAGUE IN TEXAS. CAPITAL, AUSTIN. 1591 00:53:47,391 --> 00:53:49,269 IN TEXAS. CAPITAL, AUSTIN. THE WEIGHT OF "ZE" 1592 00:53:49,293 --> 00:53:50,437 CAPITAL, AUSTIN. THE WEIGHT OF "ZE" BASEBALL... 1593 00:53:50,461 --> 00:53:51,771 THE WEIGHT OF "ZE" BASEBALL... 3.8 OUNCES! 1594 00:53:51,795 --> 00:53:53,373 BASEBALL... 3.8 OUNCES! OKAY, OKAY. 1595 00:53:53,397 --> 00:53:55,475 3.8 OUNCES! OKAY, OKAY. TELL ME WHO THIS IS. 1596 00:53:55,499 --> 00:53:58,245 OKAY, OKAY. TELL ME WHO THIS IS. WOLINSKI, DO YOUR IMITATION. 1597 00:53:58,269 --> 00:54:02,082 TELL ME WHO THIS IS. WOLINSKI, DO YOUR IMITATION. GO AHEAD, SARGE. 1598 00:54:02,106 --> 00:54:03,650 WOLINSKI, DO YOUR IMITATION. GO AHEAD, SARGE. [Imitating James Cagney] 1599 00:54:03,674 --> 00:54:04,551 GO AHEAD, SARGE. [Imitating James Cagney] YOU DIRTY RAT! 1600 00:54:04,575 --> 00:54:05,819 [Imitating James Cagney] YOU DIRTY RAT! YOU KILLED MY BROTHER! 1601 00:54:05,843 --> 00:54:06,653 YOU DIRTY RAT! YOU KILLED MY BROTHER! [LAUGHS] 1602 00:54:06,677 --> 00:54:07,887 YOU KILLED MY BROTHER! [LAUGHS] OKAY, NOW, WHO WAS IT? 1603 00:54:07,911 --> 00:54:08,922 [LAUGHS] OKAY, NOW, WHO WAS IT? PAUL WHITEMAN. 1604 00:54:08,946 --> 00:54:10,123 OKAY, NOW, WHO WAS IT? PAUL WHITEMAN. NO, NO, NO, NO. 1605 00:54:10,147 --> 00:54:11,091 PAUL WHITEMAN. NO, NO, NO, NO. TRY IT AGAIN. 1606 00:54:11,115 --> 00:54:12,992 NO, NO, NO, NO. TRY IT AGAIN. DO IT AGAIN. HE DOES IT BETTER. 1607 00:54:13,016 --> 00:54:13,727 TRY IT AGAIN. DO IT AGAIN. HE DOES IT BETTER. GO 'HEAD. 1608 00:54:13,751 --> 00:54:15,462 DO IT AGAIN. HE DOES IT BETTER. GO 'HEAD. [SPEAKING INDISTINCTLY] 1609 00:54:15,486 --> 00:54:16,697 GO 'HEAD. [SPEAKING INDISTINCTLY] [Imitating James Cagney] 1610 00:54:16,721 --> 00:54:17,397 [SPEAKING INDISTINCTLY] [Imitating James Cagney] YOU DIRTY RAT! 1611 00:54:17,421 --> 00:54:21,935 [Imitating James Cagney] YOU DIRTY RAT! YOU KILLED MY BROTHER! 1612 00:54:21,959 --> 00:54:23,237 YOU DIRTY RAT! YOU KILLED MY BROTHER! IKE. 1613 00:54:23,261 --> 00:54:25,105 YOU KILLED MY BROTHER! IKE. NO, NOT IKE. 1614 00:54:25,129 --> 00:54:27,674 IKE. NO, NOT IKE. UH, I MEANT, "VALTER VINCHELL." 1615 00:54:27,698 --> 00:54:28,609 NO, NOT IKE. UH, I MEANT, "VALTER VINCHELL." YEAH! 1616 00:54:28,633 --> 00:54:31,278 UH, I MEANT, "VALTER VINCHELL." YEAH! SAY, THAT'S WHO I THOUGHT IT WAS 1617 00:54:31,302 --> 00:54:34,448 YEAH! SAY, THAT'S WHO I THOUGHT IT WAS WHEN I FIRST HEARD IT. 1618 00:54:34,472 --> 00:54:35,482 SAY, THAT'S WHO I THOUGHT IT WAS WHEN I FIRST HEARD IT. WELL, OKAY. 1619 00:54:35,506 --> 00:54:37,183 WHEN I FIRST HEARD IT. WELL, OKAY. I GUESS YOU GUYS ARE OKAY. 1620 00:54:37,207 --> 00:54:39,152 WELL, OKAY. I GUESS YOU GUYS ARE OKAY. YOU KNOW, YOU... YOU JUST CAN'T 1621 00:54:39,176 --> 00:54:40,754 I GUESS YOU GUYS ARE OKAY. YOU KNOW, YOU... YOU JUST CAN'T BE TOO CAREFUL, THOUGH. 1622 00:54:40,778 --> 00:54:41,722 YOU KNOW, YOU... YOU JUST CAN'T BE TOO CAREFUL, THOUGH. CIGARETTE? 1623 00:54:41,746 --> 00:54:42,822 BE TOO CAREFUL, THOUGH. CIGARETTE? YEAH, HERE. 1624 00:54:42,846 --> 00:54:44,691 CIGARETTE? YEAH, HERE. YOU HAVE TO WATCH YOURSELF 1625 00:54:44,715 --> 00:54:46,059 YEAH, HERE. YOU HAVE TO WATCH YOURSELF VERY CAREFULLY HERE. 1626 00:54:46,083 --> 00:54:46,760 YOU HAVE TO WATCH YOURSELF VERY CAREFULLY HERE. YA-HESS! 1627 00:54:46,784 --> 00:54:47,427 VERY CAREFULLY HERE. YA-HESS! YEAH. 1628 00:54:47,451 --> 00:54:49,095 YA-HESS! YEAH. HEY, YOU GUYS GOT A MATCH? 1629 00:54:49,119 --> 00:54:49,996 YEAH. HEY, YOU GUYS GOT A MATCH? OH, YES. 1630 00:54:50,020 --> 00:54:51,798 HEY, YOU GUYS GOT A MATCH? OH, YES. YOU KNOW, WE GOT PLENTY OF 1631 00:54:51,822 --> 00:54:53,066 OH, YES. YOU KNOW, WE GOT PLENTY OF CIGARETTES UP HERE. 1632 00:54:53,090 --> 00:54:55,669 YOU KNOW, WE GOT PLENTY OF CIGARETTES UP HERE. THEY NEVER SEND US ANY MATCHES. 1633 00:54:55,693 --> 00:54:56,870 CIGARETTES UP HERE. THEY NEVER SEND US ANY MATCHES. [CHUCKLES] 1634 00:54:56,894 --> 00:54:57,671 THEY NEVER SEND US ANY MATCHES. [CHUCKLES] MM. 1635 00:54:57,695 --> 00:54:59,339 [CHUCKLES] MM. YOU CAN KEEP THIS. 1636 00:54:59,363 --> 00:55:01,207 MM. YOU CAN KEEP THIS. HEY, THANKS A LOT. 1637 00:55:01,231 --> 00:55:03,076 YOU CAN KEEP THIS. HEY, THANKS A LOT. HEY, WHAT'S THIS SAY? 1638 00:55:03,100 --> 00:55:05,044 HEY, THANKS A LOT. HEY, WHAT'S THIS SAY? HOFBRAEUHAUS? 1639 00:55:05,068 --> 00:55:05,746 HEY, WHAT'S THIS SAY? HOFBRAEUHAUS? BERLIN? 1640 00:55:05,770 --> 00:55:06,413 HOFBRAEUHAUS? BERLIN? BERLIN! 1641 00:55:06,437 --> 00:55:07,481 BERLIN? BERLIN! ALL RIGHT, KRAUTS! 1642 00:55:07,505 --> 00:55:08,448 BERLIN! ALL RIGHT, KRAUTS! DROP IT, KRAUTS! 1643 00:55:08,472 --> 00:55:09,616 ALL RIGHT, KRAUTS! DROP IT, KRAUTS! DROP IT! SEARCH 'EM! 1644 00:55:09,640 --> 00:55:11,050 DROP IT, KRAUTS! DROP IT! SEARCH 'EM! WATCH OUT FOR BOOBY TRAPS! 1645 00:55:11,074 --> 00:55:11,752 DROP IT! SEARCH 'EM! WATCH OUT FOR BOOBY TRAPS! COME ON! 1646 00:55:11,776 --> 00:55:13,654 WATCH OUT FOR BOOBY TRAPS! COME ON! BOY, THAT WAS CLOSE, SARGE. 1647 00:55:13,678 --> 00:55:14,921 COME ON! BOY, THAT WAS CLOSE, SARGE. THAT SURE WAS. 1648 00:55:14,945 --> 00:55:16,923 BOY, THAT WAS CLOSE, SARGE. THAT SURE WAS. THESE JERRIES ALMOST GOT PAST 1649 00:55:16,947 --> 00:55:17,424 THAT SURE WAS. THESE JERRIES ALMOST GOT PAST US. 1650 00:55:17,448 --> 00:55:18,592 THESE JERRIES ALMOST GOT PAST US. THAT'S RIGHT, BUT THEY 1651 00:55:18,616 --> 00:55:19,092 US. THAT'S RIGHT, BUT THEY DIDN'T! 1652 00:55:19,116 --> 00:55:20,460 THAT'S RIGHT, BUT THEY DIDN'T! YOU JUST CAN'T BE TOO CAREFUL, 1653 00:55:20,484 --> 00:55:20,994 DIDN'T! YOU JUST CAN'T BE TOO CAREFUL, YOU KNOW? 1654 00:55:21,018 --> 00:55:22,128 YOU JUST CAN'T BE TOO CAREFUL, YOU KNOW? YA CAN'T TRUST ANYBODY! 1655 00:55:22,152 --> 00:55:22,929 YOU KNOW? YA CAN'T TRUST ANYBODY! THAT'S RIGHT. 1656 00:55:22,953 --> 00:55:24,298 YA CAN'T TRUST ANYBODY! THAT'S RIGHT. SAY, SARGE, YOU KNOW WHAT YOU 1657 00:55:24,322 --> 00:55:25,332 THAT'S RIGHT. SAY, SARGE, YOU KNOW WHAT YOU SHOULD HAVE ASKED 'EM? 1658 00:55:25,356 --> 00:55:26,566 SAY, SARGE, YOU KNOW WHAT YOU SHOULD HAVE ASKED 'EM? "WHO IS THE MANAGER OF THE 1659 00:55:26,590 --> 00:55:27,934 SHOULD HAVE ASKED 'EM? "WHO IS THE MANAGER OF THE CLEVELAND INDIANS THIS YEAR?" 1660 00:55:27,958 --> 00:55:29,202 "WHO IS THE MANAGER OF THE CLEVELAND INDIANS THIS YEAR?" THEY COULDN'T HAVE ANSWERED 1661 00:55:29,226 --> 00:55:29,603 CLEVELAND INDIANS THIS YEAR?" THEY COULDN'T HAVE ANSWERED THAT! 1662 00:55:29,627 --> 00:55:30,203 THEY COULDN'T HAVE ANSWERED THAT! YEAH. 1663 00:55:30,227 --> 00:55:31,871 THAT! YEAH. BY THE WAY, WASHINGTON, WHO 1664 00:55:31,895 --> 00:55:33,106 YEAH. BY THE WAY, WASHINGTON, WHO IS THE MANAGER OF THE 1665 00:55:33,130 --> 00:55:34,675 BY THE WAY, WASHINGTON, WHO IS THE MANAGER OF THE CLEVELAND INDIANS THIS YEAR? 1666 00:55:34,699 --> 00:55:36,209 IS THE MANAGER OF THE CLEVELAND INDIANS THIS YEAR? UH... 1667 00:55:36,233 --> 00:55:37,711 CLEVELAND INDIANS THIS YEAR? UH... YOU KNOW, I'M NOT SURE. 1668 00:55:37,735 --> 00:55:39,112 UH... YOU KNOW, I'M NOT SURE. DROP IT, WASHINGTON! 1669 00:55:39,136 --> 00:55:39,713 YOU KNOW, I'M NOT SURE. DROP IT, WASHINGTON! KRAUT! 1670 00:55:39,737 --> 00:55:40,514 DROP IT, WASHINGTON! KRAUT! DROP IT! 1671 00:55:40,538 --> 00:55:41,181 KRAUT! DROP IT! HUH? 1672 00:55:41,205 --> 00:55:42,015 DROP IT! HUH? DROP IT! 1673 00:55:42,039 --> 00:55:43,617 HUH? DROP IT! ALL RIGHT, NOW, WOLINSKI?! 1674 00:55:43,641 --> 00:55:44,685 DROP IT! ALL RIGHT, NOW, WOLINSKI?! YEAH, SARGE? 1675 00:55:44,709 --> 00:55:46,320 ALL RIGHT, NOW, WOLINSKI?! YEAH, SARGE? WHO'S THE MANAGER OF THE 1676 00:55:46,344 --> 00:55:47,053 YEAH, SARGE? WHO'S THE MANAGER OF THE INDIANS? 1677 00:55:47,077 --> 00:55:48,522 WHO'S THE MANAGER OF THE INDIANS? I DON'T KNOW, SARGE. 1678 00:55:48,546 --> 00:55:51,191 INDIANS? I DON'T KNOW, SARGE. DROP IT! DROP IT! 1679 00:55:51,215 --> 00:55:53,259 I DON'T KNOW, SARGE. DROP IT! DROP IT! I CAN'T BELIEVE IT! 1680 00:55:53,283 --> 00:55:56,129 DROP IT! DROP IT! I CAN'T BELIEVE IT! MY OWN MEN... LOUSY JERRIES! 1681 00:55:56,153 --> 00:55:58,298 I CAN'T BELIEVE IT! MY OWN MEN... LOUSY JERRIES! I DON'T BELIEVE IT! 1682 00:55:58,322 --> 00:55:59,933 MY OWN MEN... LOUSY JERRIES! I DON'T BELIEVE IT! JUST GOES TO SHOW YOU CAN'T 1683 00:55:59,957 --> 00:56:00,967 I DON'T BELIEVE IT! JUST GOES TO SHOW YOU CAN'T TRUST ANYBODY! 1684 00:56:00,991 --> 00:56:02,001 JUST GOES TO SHOW YOU CAN'T TRUST ANYBODY! HEY, SERGEANT. 1685 00:56:02,025 --> 00:56:02,636 TRUST ANYBODY! HEY, SERGEANT. WHAT? 1686 00:56:02,660 --> 00:56:04,204 HEY, SERGEANT. WHAT? WELL, YOU MIND IF I ASK YOU 1687 00:56:04,228 --> 00:56:04,938 WHAT? WELL, YOU MIND IF I ASK YOU SOMETHIN'? 1688 00:56:04,962 --> 00:56:05,505 WELL, YOU MIND IF I ASK YOU SOMETHIN'? WHAT? 1689 00:56:05,529 --> 00:56:06,840 SOMETHIN'? WHAT? WHO IS THE MANAGER OF 1690 00:56:06,864 --> 00:56:08,174 WHAT? WHO IS THE MANAGER OF CLEVELAND, UH, THIS YEAR? 1691 00:56:08,198 --> 00:56:10,577 WHO IS THE MANAGER OF CLEVELAND, UH, THIS YEAR? IT'S, UH... 1692 00:56:10,601 --> 00:56:13,279 CLEVELAND, UH, THIS YEAR? IT'S, UH... UHHH... 1693 00:56:13,303 --> 00:56:15,682 IT'S, UH... UHHH... OH, NO. 1694 00:56:15,706 --> 00:56:20,587 UHHH... OH, NO. I'M A... KRAUT! 1695 00:56:20,611 --> 00:56:22,711 OH, NO. I'M A... KRAUT! [CHEERS AND APPLAUSE] 1696 00:56:28,585 --> 00:56:33,066 Announcer: ONCE AGAIN, BILLY JOEL. [CHEERS AND APPLAUSE] 1697 00:56:33,090 --> 00:56:35,335 BILLY JOEL. [CHEERS AND APPLAUSE] [INTRO TO "JUST THE WAY YOU 1698 00:56:35,359 --> 00:56:40,540 [CHEERS AND APPLAUSE] [INTRO TO "JUST THE WAY YOU ARE" PLAYS] 1699 00:56:40,564 --> 00:56:44,344 [INTRO TO "JUST THE WAY YOU ARE" PLAYS] ♪ DON'T GO CHANGING TO TRY 1700 00:56:44,368 --> 00:56:47,347 [ARE" PLAYS] ♪ DON'T GO CHANGING TO TRY AND PLEASE ME ♪ 1701 00:56:47,371 --> 00:56:51,785 ♪ DON'T GO CHANGING TO TRY AND PLEASE ME ♪ ♪ YOU NEVER LET ME DOWN BEFORE ♪ 1702 00:56:51,809 --> 00:56:54,320 AND PLEASE ME ♪ ♪ YOU NEVER LET ME DOWN BEFORE ♪ ♪ MM-MM-MM ♪ 1703 00:56:54,344 --> 00:56:58,057 ♪ YOU NEVER LET ME DOWN BEFORE ♪ ♪ MM-MM-MM ♪ ♪ DON'T IMAGINE YOU'RE TOO 1704 00:56:58,081 --> 00:57:00,794 ♪ MM-MM-MM ♪ ♪ DON'T IMAGINE YOU'RE TOO FAMILIAR ♪ 1705 00:57:00,818 --> 00:57:06,299 ♪ DON'T IMAGINE YOU'RE TOO FAMILIAR ♪ ♪ AND I DON'T SEE YOU ANYMORE ♪ 1706 00:57:06,323 --> 00:57:11,237 FAMILIAR ♪ ♪ AND I DON'T SEE YOU ANYMORE ♪ ♪ I WOULD NOT LEAVE YOU IN TIMES 1707 00:57:11,261 --> 00:57:14,274 ♪ AND I DON'T SEE YOU ANYMORE ♪ ♪ I WOULD NOT LEAVE YOU IN TIMES OF TROUBLE ♪ 1708 00:57:14,298 --> 00:57:16,810 ♪ I WOULD NOT LEAVE YOU IN TIMES OF TROUBLE ♪ ♪ WE NEVER COULD HAVE COME THIS 1709 00:57:16,834 --> 00:57:18,645 OF TROUBLE ♪ ♪ WE NEVER COULD HAVE COME THIS FAR ♪ 1710 00:57:18,669 --> 00:57:20,647 ♪ WE NEVER COULD HAVE COME THIS FAR ♪ ♪ MM-MM-MM ♪ 1711 00:57:20,671 --> 00:57:24,250 FAR ♪ ♪ MM-MM-MM ♪ ♪ I TOOK THE GOOD TIMES ♪ 1712 00:57:24,274 --> 00:57:27,721 ♪ MM-MM-MM ♪ ♪ I TOOK THE GOOD TIMES ♪ ♪ I'LL TAKE THE BAD TIMES ♪ 1713 00:57:27,745 --> 00:57:30,490 ♪ I TOOK THE GOOD TIMES ♪ ♪ I'LL TAKE THE BAD TIMES ♪ ♪ I'LL TAKE YOU JUST THE WAY YOU 1714 00:57:30,514 --> 00:57:38,164 ♪ I'LL TAKE THE BAD TIMES ♪ ♪ I'LL TAKE YOU JUST THE WAY YOU ARE ♪ 1715 00:57:38,188 --> 00:57:42,402 ♪ I'LL TAKE YOU JUST THE WAY YOU ARE ♪ ♪ DON'T GO TRYING SOME NEW 1716 00:57:42,426 --> 00:57:44,871 ARE ♪ ♪ DON'T GO TRYING SOME NEW FASHION ♪ 1717 00:57:44,895 --> 00:57:47,607 ♪ DON'T GO TRYING SOME NEW FASHION ♪ ♪ DON'T CHANGE THE COLOR OF YOUR 1718 00:57:47,631 --> 00:57:49,509 FASHION ♪ ♪ DON'T CHANGE THE COLOR OF YOUR HAIR ♪ 1719 00:57:49,533 --> 00:57:51,411 ♪ DON'T CHANGE THE COLOR OF YOUR HAIR ♪ ♪ MM-MM-MM ♪ 1720 00:57:51,435 --> 00:57:56,115 HAIR ♪ ♪ MM-MM-MM ♪ ♪ YOU ALWAYS HAVE MY UNSPOKEN 1721 00:57:56,139 --> 00:57:58,585 ♪ MM-MM-MM ♪ ♪ YOU ALWAYS HAVE MY UNSPOKEN PASSION ♪ 1722 00:57:58,609 --> 00:58:01,287 ♪ YOU ALWAYS HAVE MY UNSPOKEN PASSION ♪ ♪ ALTHOUGH I MIGHT NOT SEEM TO 1723 00:58:01,311 --> 00:58:04,424 PASSION ♪ ♪ ALTHOUGH I MIGHT NOT SEEM TO CARE ♪ 1724 00:58:04,448 --> 00:58:08,895 ♪ ALTHOUGH I MIGHT NOT SEEM TO CARE ♪ ♪ I DON'T WANT CLEVER 1725 00:58:08,919 --> 00:58:12,398 CARE ♪ ♪ I DON'T WANT CLEVER CONVERSATION ♪ 1726 00:58:12,422 --> 00:58:14,835 ♪ I DON'T WANT CLEVER CONVERSATION ♪ ♪ I NEVER WANT TO WORK THAT 1727 00:58:14,859 --> 00:58:16,970 CONVERSATION ♪ ♪ I NEVER WANT TO WORK THAT HARD ♪ 1728 00:58:16,994 --> 00:58:19,072 ♪ I NEVER WANT TO WORK THAT HARD ♪ ♪ MM-MM-MM ♪ 1729 00:58:19,096 --> 00:58:23,510 HARD ♪ ♪ MM-MM-MM ♪ ♪ I JUST WANT SOMEONE THAT I CAN 1730 00:58:23,534 --> 00:58:26,045 ♪ MM-MM-MM ♪ ♪ I JUST WANT SOMEONE THAT I CAN TALK TO ♪ 1731 00:58:26,069 --> 00:58:28,715 ♪ I JUST WANT SOMEONE THAT I CAN TALK TO ♪ ♪ I WANT YOU JUST THE WAY YOU 1732 00:58:28,739 --> 00:58:36,656 TALK TO ♪ ♪ I WANT YOU JUST THE WAY YOU ARE ♪ 1733 00:58:36,680 --> 00:58:39,125 ♪ I WANT YOU JUST THE WAY YOU ARE ♪ ♪ I NEED TO KNOW THAT YOU WILL 1734 00:58:39,149 --> 00:58:43,396 ARE ♪ ♪ I NEED TO KNOW THAT YOU WILL ALWAYS BE ♪ 1735 00:58:43,420 --> 00:58:46,165 ♪ I NEED TO KNOW THAT YOU WILL ALWAYS BE ♪ ♪ THE SAME OLD SOMEONE THAT I 1736 00:58:46,189 --> 00:58:49,235 ALWAYS BE ♪ ♪ THE SAME OLD SOMEONE THAT I KNEW ♪ 1737 00:58:49,259 --> 00:58:52,338 ♪ THE SAME OLD SOMEONE THAT I KNEW ♪ ♪ OH, WHAT WILL IT TAKE TILL YOU 1738 00:58:52,362 --> 00:58:57,210 KNEW ♪ ♪ OH, WHAT WILL IT TAKE TILL YOU BELIEVE IN ME ♪ 1739 00:58:57,234 --> 00:58:59,779 ♪ OH, WHAT WILL IT TAKE TILL YOU BELIEVE IN ME ♪ ♪ THE WAY THAT I BELIEVE IN 1740 00:58:59,803 --> 00:59:03,282 BELIEVE IN ME ♪ ♪ THE WAY THAT I BELIEVE IN YOU? ♪ 1741 00:59:03,306 --> 00:59:07,621 ♪ THE WAY THAT I BELIEVE IN YOU? ♪ ♪ I SAID I LOVE YOU ♪ 1742 00:59:07,645 --> 00:59:11,057 YOU? ♪ ♪ I SAID I LOVE YOU ♪ ♪ THAT'S FOREVER ♪ 1743 00:59:11,081 --> 00:59:13,560 ♪ I SAID I LOVE YOU ♪ ♪ THAT'S FOREVER ♪ ♪ AND THIS I PROMISE FROM THE 1744 00:59:13,584 --> 00:59:15,595 ♪ THAT'S FOREVER ♪ ♪ AND THIS I PROMISE FROM THE HEART ♪ 1745 00:59:15,619 --> 00:59:17,631 ♪ AND THIS I PROMISE FROM THE HEART ♪ ♪ MM-MM-MM ♪ 1746 00:59:17,655 --> 00:59:22,235 HEART ♪ ♪ MM-MM-MM ♪ ♪ I COULDN'T LOVE YOU ANY 1747 00:59:22,259 --> 00:59:24,905 ♪ MM-MM-MM ♪ ♪ I COULDN'T LOVE YOU ANY BETTER ♪ 1748 00:59:24,929 --> 00:59:27,440 ♪ I COULDN'T LOVE YOU ANY BETTER ♪ ♪ I LOVE YOU JUST THE WAY YOU 1749 00:59:27,464 --> 00:59:34,548 BETTER ♪ ♪ I LOVE YOU JUST THE WAY YOU ARE-E-E-E-E ♪ 1750 00:59:34,572 --> 00:59:36,182 ♪ I LOVE YOU JUST THE WAY YOU ARE-E-E-E-E ♪ ♪ RIGHT ♪ 1751 00:59:36,206 --> 00:59:39,352 ARE-E-E-E-E ♪ ♪ RIGHT ♪ ♪ OH, OH, OH-OH-OH ♪ 1752 00:59:39,376 --> 00:59:43,178 ♪ RIGHT ♪ ♪ OH, OH, OH-OH-OH ♪ [SAXOPHONE SOLO PLAYS] 1753 01:00:00,797 --> 01:00:08,797 ♪ I DON'T WANT CLEVER CONVERSATION, NO, NO ♪ ♪ I NEVER WANT TO WORK THAT 1754 01:00:12,009 --> 01:00:13,920 CONVERSATION, NO, NO ♪ ♪ I NEVER WANT TO WORK THAT HARD ♪ 1755 01:00:13,944 --> 01:00:16,456 ♪ I NEVER WANT TO WORK THAT HARD ♪ ♪ MM-MM-MM ♪ 1756 01:00:16,480 --> 01:00:20,660 HARD ♪ ♪ MM-MM-MM ♪ ♪ I JUST WANT SOMEONE THAT I CAN 1757 01:00:20,684 --> 01:00:23,162 ♪ MM-MM-MM ♪ ♪ I JUST WANT SOMEONE THAT I CAN TALK TO ♪ 1758 01:00:23,186 --> 01:00:25,932 ♪ I JUST WANT SOMEONE THAT I CAN TALK TO ♪ ♪ I WANT YOU JUST THE WAY YOU 1759 01:00:25,956 --> 01:00:30,971 TALK TO ♪ ♪ I WANT YOU JUST THE WAY YOU A-A-ARE, A-A-A-ARE, A-A-A-ARE ♪ 1760 01:00:30,995 --> 01:00:34,107 ♪ I WANT YOU JUST THE WAY YOU A-A-ARE, A-A-A-ARE, A-A-A-ARE ♪ ♪ HO-OH-OH-OH-OHH ♪ 1761 01:00:34,131 --> 01:00:39,779 A-A-ARE, A-A-A-ARE, A-A-A-ARE ♪ ♪ HO-OH-OH-OH-OHH ♪ ♪ OH-OH-OH-OH-OH-OHHH ♪ 1762 01:00:39,803 --> 01:00:43,505 ♪ HO-OH-OH-OH-OHH ♪ ♪ OH-OH-OH-OH-OH-OHHH ♪ [CHEERS AND APPLAUSE] 1763 01:00:51,580 --> 01:00:55,729 [British accent] LOOK, HERE'S OUR CHARLIE'S ANGELS ON THE COVER OF TV GUIDE. 1764 01:00:55,753 --> 01:00:57,430 HERE'S OUR CHARLIE'S ANGELS ON THE COVER OF TV GUIDE. [British accent] OH, LOVELY 1765 01:00:57,454 --> 01:00:58,698 THE COVER OF TV GUIDE. [British accent] OH, LOVELY GIRL, THAT CHERYL LADD. 1766 01:00:58,722 --> 01:01:00,233 [British accent] OH, LOVELY GIRL, THAT CHERYL LADD. [British accent] LOVELY 1767 01:01:00,257 --> 01:01:00,667 GIRL, THAT CHERYL LADD. [British accent] LOVELY HAIR. 1768 01:01:00,691 --> 01:01:01,367 [British accent] LOVELY HAIR. LOVELY. 1769 01:01:01,391 --> 01:01:02,969 HAIR. LOVELY. MIND YOU, I DON'T PARTICULARLY 1770 01:01:02,993 --> 01:01:04,004 LOVELY. MIND YOU, I DON'T PARTICULARLY FANCY KATE'S HAIR. 1771 01:01:04,028 --> 01:01:05,672 MIND YOU, I DON'T PARTICULARLY FANCY KATE'S HAIR. IT IS A POOR SHOWING NEXT TO 1772 01:01:05,696 --> 01:01:07,040 FANCY KATE'S HAIR. IT IS A POOR SHOWING NEXT TO JACLYN AND CHERYL'S HAIR. 1773 01:01:07,064 --> 01:01:09,075 IT IS A POOR SHOWING NEXT TO JACLYN AND CHERYL'S HAIR. I DON'T SEE WILLIAM BOLSON 1774 01:01:09,099 --> 01:01:11,144 JACLYN AND CHERYL'S HAIR. I DON'T SEE WILLIAM BOLSON BEATING DOWN YOUR DOOR, DO I? 1775 01:01:11,168 --> 01:01:13,179 I DON'T SEE WILLIAM BOLSON BEATING DOWN YOUR DOOR, DO I? BESIDES, KATE'S HAIR CAN ACT. 1776 01:01:13,203 --> 01:01:15,281 BEATING DOWN YOUR DOOR, DO I? BESIDES, KATE'S HAIR CAN ACT. WELL, I MISS FARRAH'S HAIR. 1777 01:01:15,305 --> 01:01:16,783 BESIDES, KATE'S HAIR CAN ACT. WELL, I MISS FARRAH'S HAIR. IT HAD SO MUCH BODY. 1778 01:01:16,807 --> 01:01:18,251 WELL, I MISS FARRAH'S HAIR. IT HAD SO MUCH BODY. FARRAH'S HAIR HAD MORE BODY 1779 01:01:18,275 --> 01:01:19,052 IT HAD SO MUCH BODY. FARRAH'S HAIR HAD MORE BODY THAN HER BODY. 1780 01:01:19,076 --> 01:01:20,586 FARRAH'S HAIR HAD MORE BODY THAN HER BODY. ANYWAY, NONE OF THEM EVER HAD 1781 01:01:20,610 --> 01:01:23,723 THAN HER BODY. ANYWAY, NONE OF THEM EVER HAD THE MANGE, KNOCK ON WOOD. 1782 01:01:23,747 --> 01:01:25,025 ANYWAY, NONE OF THEM EVER HAD THE MANGE, KNOCK ON WOOD. MARK MY WORDS, ONE DAY 1783 01:01:25,049 --> 01:01:26,459 THE MANGE, KNOCK ON WOOD. MARK MY WORDS, ONE DAY THEY'LL CATCH THEIR DEATH OF 1784 01:01:26,483 --> 01:01:27,894 MARK MY WORDS, ONE DAY THEY'LL CATCH THEIR DEATH OF COLD RUNNING AFTER CRIMINALS 1785 01:01:27,918 --> 01:01:29,395 THEY'LL CATCH THEIR DEATH OF COLD RUNNING AFTER CRIMINALS WITH THEIR NINNIES JUMPING OUT 1786 01:01:29,419 --> 01:01:30,396 COLD RUNNING AFTER CRIMINALS WITH THEIR NINNIES JUMPING OUT OF THEIR T-SHIRTS. 1787 01:01:30,420 --> 01:01:32,065 WITH THEIR NINNIES JUMPING OUT OF THEIR T-SHIRTS. THEY OUGHT TO WRAP UP MORE. 1788 01:01:32,089 --> 01:01:33,432 OF THEIR T-SHIRTS. THEY OUGHT TO WRAP UP MORE. YES, IT'S NOT DECENT. 1789 01:01:33,456 --> 01:01:34,200 THEY OUGHT TO WRAP UP MORE. YES, IT'S NOT DECENT. MNH-MNH. 1790 01:01:34,224 --> 01:01:35,601 YES, IT'S NOT DECENT. MNH-MNH. LOVELY GIRLS, THOUGH. 1791 01:01:35,625 --> 01:01:36,736 MNH-MNH. LOVELY GIRLS, THOUGH. LOVELY T-SHIRTS. 1792 01:01:36,760 --> 01:01:37,837 LOVELY GIRLS, THOUGH. LOVELY T-SHIRTS. LOVELY NINNIES. 1793 01:01:37,861 --> 01:01:38,538 LOVELY T-SHIRTS. LOVELY NINNIES. LOVELY. 1794 01:01:38,562 --> 01:01:39,472 LOVELY NINNIES. LOVELY. [KNOCK ON DOOR] 1795 01:01:39,496 --> 01:01:40,674 LOVELY. [KNOCK ON DOOR] WHO IS IT? COME IN. 1796 01:01:40,698 --> 01:01:42,175 [KNOCK ON DOOR] WHO IS IT? COME IN. HEY, GIRLS, WE'RE RUNNING A 1797 01:01:42,199 --> 01:01:42,776 WHO IS IT? COME IN. HEY, GIRLS, WE'RE RUNNING A BIT LATE. 1798 01:01:42,800 --> 01:01:44,177 HEY, GIRLS, WE'RE RUNNING A BIT LATE. IT'S A VERY CUTE BIT, BUT... 1799 01:01:44,201 --> 01:01:45,545 BIT LATE. IT'S A VERY CUTE BIT, BUT... OH, LOOK, LOOK, LOOK... 1800 01:01:45,569 --> 01:01:47,047 IT'S A VERY CUTE BIT, BUT... OH, LOOK, LOOK, LOOK... IT'S... IT'S... IT'S OUR SON, 1801 01:01:47,071 --> 01:01:47,547 OH, LOOK, LOOK, LOOK... IT'S... IT'S... IT'S OUR SON, NIGEL. 1802 01:01:47,571 --> 01:01:48,982 IT'S... IT'S... IT'S OUR SON, NIGEL. OH, IT'S TIME FOR NIGEL'S 1803 01:01:49,006 --> 01:01:49,382 NIGEL. OH, IT'S TIME FOR NIGEL'S NAP. 1804 01:01:49,406 --> 01:01:50,650 OH, IT'S TIME FOR NIGEL'S NAP. GO TAKE YOUR NAP, NIGEL. 1805 01:01:50,674 --> 01:01:51,151 NAP. GO TAKE YOUR NAP, NIGEL. GO ON. 1806 01:01:51,175 --> 01:01:52,318 GO TAKE YOUR NAP, NIGEL. GO ON. GIRLS, YOU WANT TO WIND THIS 1807 01:01:52,342 --> 01:01:52,585 GO ON. GIRLS, YOU WANT TO WIND THIS UP? 1808 01:01:52,609 --> 01:01:53,787 GIRLS, YOU WANT TO WIND THIS UP? I HAD A LONG SPEECH PREPARED FOR 1809 01:01:53,811 --> 01:01:54,888 UP? I HAD A LONG SPEECH PREPARED FOR THE ENDING, AND THIS THING IS 1810 01:01:54,912 --> 01:01:55,955 I HAD A LONG SPEECH PREPARED FOR THE ENDING, AND THIS THING IS GETTING THAT WAY, AND IF YOU 1811 01:01:55,979 --> 01:01:56,823 THE ENDING, AND THIS THING IS GETTING THAT WAY, AND IF YOU DON'T MIND A LITTLE... 1812 01:01:56,847 --> 01:01:58,158 GETTING THAT WAY, AND IF YOU DON'T MIND A LITTLE... [Normal voice] GO AWAY, 1813 01:01:58,182 --> 01:01:58,925 DON'T MIND A LITTLE... [Normal voice] GO AWAY, CHEVY. 1814 01:01:58,949 --> 01:02:00,326 [Normal voice] GO AWAY, CHEVY. FROM A GUY WHO'S HAD HIS OWN 1815 01:02:00,350 --> 01:02:01,594 CHEVY. FROM A GUY WHO'S HAD HIS OWN SPECIAL, THIS PIECE IS GOING 1816 01:02:01,618 --> 01:02:02,796 FROM A GUY WHO'S HAD HIS OWN SPECIAL, THIS PIECE IS GOING NOWHERE, KNOW WHAT I MEAN? 1817 01:02:02,820 --> 01:02:03,362 SPECIAL, THIS PIECE IS GOING NOWHERE, KNOW WHAT I MEAN? NO FINISH. 1818 01:02:03,386 --> 01:02:04,630 NOWHERE, KNOW WHAT I MEAN? NO FINISH. CHEVY, WOULD YOU GO AWAY? 1819 01:02:04,654 --> 01:02:05,899 NO FINISH. CHEVY, WOULD YOU GO AWAY? HAVE YOU GOT A FINISH, AN 1820 01:02:05,923 --> 01:02:06,365 CHEVY, WOULD YOU GO AWAY? HAVE YOU GOT A FINISH, AN ENDING? 1821 01:02:06,389 --> 01:02:07,701 HAVE YOU GOT A FINISH, AN ENDING? YES, WELL, GARRETT COMES IN 1822 01:02:07,725 --> 01:02:09,102 ENDING? YES, WELL, GARRETT COMES IN AS THE ARCHBISHOP OF CANTERBURY 1823 01:02:09,126 --> 01:02:10,469 YES, WELL, GARRETT COMES IN AS THE ARCHBISHOP OF CANTERBURY AND WE HIT HIM WITH OUR PURSES. 1824 01:02:10,493 --> 01:02:11,637 AS THE ARCHBISHOP OF CANTERBURY AND WE HIT HIM WITH OUR PURSES. IT'S A REAL FUNNY ENDING. 1825 01:02:11,661 --> 01:02:13,606 AND WE HIT HIM WITH OUR PURSES. IT'S A REAL FUNNY ENDING. I DON'T THINK THAT ENDING'S 1826 01:02:13,630 --> 01:02:14,507 IT'S A REAL FUNNY ENDING. I DON'T THINK THAT ENDING'S GONNA WORK. 1827 01:02:14,531 --> 01:02:15,541 I DON'T THINK THAT ENDING'S GONNA WORK. IT'S STRANGE. 1828 01:02:15,565 --> 01:02:16,109 GONNA WORK. IT'S STRANGE. UH... 1829 01:02:16,133 --> 01:02:18,178 IT'S STRANGE. UH... I CAME OUT HERE, YOU KNOW, AND I 1830 01:02:18,202 --> 01:02:20,213 UH... I CAME OUT HERE, YOU KNOW, AND I HAD A FUNNY ENDING FOR YOU, AND 1831 01:02:20,237 --> 01:02:22,248 I CAME OUT HERE, YOU KNOW, AND I HAD A FUNNY ENDING FOR YOU, AND NOW I DON'T KNOW WHAT HAPPENED. 1832 01:02:22,272 --> 01:02:23,917 HAD A FUNNY ENDING FOR YOU, AND NOW I DON'T KNOW WHAT HAPPENED. I KNOW I'M HERE, BUT IT'S ALMOST 1833 01:02:23,941 --> 01:02:25,451 NOW I DON'T KNOW WHAT HAPPENED. I KNOW I'M HERE, BUT IT'S ALMOST AS IF THERE WAS NO WAY OUT OF 1834 01:02:25,475 --> 01:02:26,152 I KNOW I'M HERE, BUT IT'S ALMOST AS IF THERE WAS NO WAY OUT OF THIS SCENE. 1835 01:02:26,176 --> 01:02:26,786 AS IF THERE WAS NO WAY OUT OF THIS SCENE. I... I... 1836 01:02:26,810 --> 01:02:29,022 THIS SCENE. I... I... [THEME FROM "THE TWILIGHT ZONE" 1837 01:02:29,046 --> 01:02:30,190 I... I... [THEME FROM "THE TWILIGHT ZONE" PLAYS] 1838 01:02:30,214 --> 01:02:32,125 [THEME FROM "THE TWILIGHT ZONE" PLAYS] SUBMITTED FOR YOUR APPROVAL, 1839 01:02:32,149 --> 01:02:33,893 [PLAYS] SUBMITTED FOR YOUR APPROVAL, FOUR PERFORMERS TRAPPED IN A 1840 01:02:33,917 --> 01:02:35,428 SUBMITTED FOR YOUR APPROVAL, FOUR PERFORMERS TRAPPED IN A SCENE WITHOUT AN ENDING. 1841 01:02:35,452 --> 01:02:36,930 FOUR PERFORMERS TRAPPED IN A SCENE WITHOUT AN ENDING. WHAT DO THEY RESORT TO? 1842 01:02:36,954 --> 01:02:38,932 SCENE WITHOUT AN ENDING. WHAT DO THEY RESORT TO? THEY RESORT TO ME, A MAN WITH NO 1843 01:02:38,956 --> 01:02:40,299 WHAT DO THEY RESORT TO? THEY RESORT TO ME, A MAN WITH NO UPPER LIP BUT WITH AN 1844 01:02:40,323 --> 01:02:42,235 THEY RESORT TO ME, A MAN WITH NO UPPER LIP BUT WITH AN IMAGINATION THAT UNLOCKS DOORS, 1845 01:02:42,259 --> 01:02:44,370 UPPER LIP BUT WITH AN IMAGINATION THAT UNLOCKS DOORS, HOPING I'LL BAIL THEM OUT WITH 1846 01:02:44,394 --> 01:02:46,039 IMAGINATION THAT UNLOCKS DOORS, HOPING I'LL BAIL THEM OUT WITH THIS CHEAP ROD SERLING 1847 01:02:46,063 --> 01:02:48,307 HOPING I'LL BAIL THEM OUT WITH THIS CHEAP ROD SERLING IMPRESSION TO GIVE THIS SCENE AN 1848 01:02:48,331 --> 01:02:50,443 THIS CHEAP ROD SERLING IMPRESSION TO GIVE THIS SCENE AN ENDING IN "THE TWILIGHT ZONE." 1849 01:02:50,467 --> 01:02:53,827 IMPRESSION TO GIVE THIS SCENE AN ENDING IN "THE TWILIGHT ZONE." [DRAMATIC MUSIC PLAYS] 1850 01:03:02,812 --> 01:03:07,260 [Imitating Truman Capote] OH, ISN'T THAT MARVELOUS? I LOVE ROD SERLING. 1851 01:03:07,284 --> 01:03:09,129 OH, ISN'T THAT MARVELOUS? I LOVE ROD SERLING. I THINK HE'S WONDERFUL. 1852 01:03:09,153 --> 01:03:11,364 I LOVE ROD SERLING. I THINK HE'S WONDERFUL. HE'S SO MUCH LIKE PIRENDELLO. 1853 01:03:11,388 --> 01:03:13,733 I THINK HE'S WONDERFUL. HE'S SO MUCH LIKE PIRENDELLO. I LOVE A GOOD TWIST TO A STORY. 1854 01:03:13,757 --> 01:03:15,935 HE'S SO MUCH LIKE PIRENDELLO. I LOVE A GOOD TWIST TO A STORY. I THINK THAT WHAT WE'VE SEEN 1855 01:03:15,959 --> 01:03:18,371 I LOVE A GOOD TWIST TO A STORY. I THINK THAT WHAT WE'VE SEEN HERE PROVES DECISIVELY THAT HEAD 1856 01:03:18,395 --> 01:03:20,640 I THINK THAT WHAT WE'VE SEEN HERE PROVES DECISIVELY THAT HEAD HUMOR IS NOT DEAD. 1857 01:03:20,664 --> 01:03:22,441 HERE PROVES DECISIVELY THAT HEAD HUMOR IS NOT DEAD. WELL, THIS WRAPS UP ANOTHER 1858 01:03:22,465 --> 01:03:24,310 HUMOR IS NOT DEAD. WELL, THIS WRAPS UP ANOTHER EPISODE OF "BELUSHI'S CAPOTE 1859 01:03:24,334 --> 01:03:26,012 WELL, THIS WRAPS UP ANOTHER EPISODE OF "BELUSHI'S CAPOTE MIGHT BE THE ENDING WE'RE 1860 01:03:26,036 --> 01:03:27,046 EPISODE OF "BELUSHI'S CAPOTE MIGHT BE THE ENDING WE'RE LOOKING FOR." 1861 01:03:27,070 --> 01:03:28,248 MIGHT BE THE ENDING WE'RE LOOKING FOR." [LAUGHTER] 1862 01:03:28,272 --> 01:03:29,482 LOOKING FOR." [LAUGHTER] CUT, CUT, CUT, CUT! 1863 01:03:29,506 --> 01:03:30,683 [LAUGHTER] CUT, CUT, CUT, CUT! JOHN, BABY, I'M SORRY. 1864 01:03:30,707 --> 01:03:32,118 CUT, CUT, CUT, CUT! JOHN, BABY, I'M SORRY. YOUR CAPOTE WAS BEAUTIFUL. 1865 01:03:32,142 --> 01:03:33,052 JOHN, BABY, I'M SORRY. YOUR CAPOTE WAS BEAUTIFUL. IT WAS TERRIFIC. 1866 01:03:33,076 --> 01:03:34,654 YOUR CAPOTE WAS BEAUTIFUL. IT WAS TERRIFIC. YOU WERE GREAT, BUT YOU'RE NOT 1867 01:03:34,678 --> 01:03:35,955 IT WAS TERRIFIC. YOU WERE GREAT, BUT YOU'RE NOT WEARING ANY PANTS, DUDE. 1868 01:03:35,979 --> 01:03:37,556 YOU WERE GREAT, BUT YOU'RE NOT WEARING ANY PANTS, DUDE. [Normal voice] THAT'S THE 1869 01:03:37,580 --> 01:03:38,091 WEARING ANY PANTS, DUDE. [Normal voice] THAT'S THE ENDING. 1870 01:03:38,115 --> 01:03:39,592 [Normal voice] THAT'S THE ENDING. THAT'S THE FUNNY ENDING... I 1871 01:03:39,616 --> 01:03:40,894 ENDING. THAT'S THE FUNNY ENDING... I DON'T HAVE ANY PANTS ON. 1872 01:03:40,918 --> 01:03:42,295 THAT'S THE FUNNY ENDING... I DON'T HAVE ANY PANTS ON. IT'S KIND OF REAL ENGLISH. 1873 01:03:42,319 --> 01:03:43,797 DON'T HAVE ANY PANTS ON. IT'S KIND OF REAL ENGLISH. IT'S JUST, YOU KNOW... WE'RE 1874 01:03:43,821 --> 01:03:45,131 IT'S KIND OF REAL ENGLISH. IT'S JUST, YOU KNOW... WE'RE ALMOST OUT OF THE SCENE. 1875 01:03:45,155 --> 01:03:46,766 IT'S JUST, YOU KNOW... WE'RE ALMOST OUT OF THE SCENE. WELL, JOHN, THAT IS THE KIND 1876 01:03:46,790 --> 01:03:48,434 ALMOST OUT OF THE SCENE. WELL, JOHN, THAT IS THE KIND OF EXPERIMENTAL STUFF YOU CAN DO 1877 01:03:48,458 --> 01:03:50,069 WELL, JOHN, THAT IS THE KIND OF EXPERIMENTAL STUFF YOU CAN DO ON YOUR OWN PROGRAM, ALL RIGHT? 1878 01:03:50,093 --> 01:03:51,905 OF EXPERIMENTAL STUFF YOU CAN DO ON YOUR OWN PROGRAM, ALL RIGHT? I'M SORRY, BUT I CAN'T LIVE WITH 1879 01:03:51,929 --> 01:03:52,705 ON YOUR OWN PROGRAM, ALL RIGHT? I'M SORRY, BUT I CAN'T LIVE WITH THOSE LEGS. 1880 01:03:52,729 --> 01:03:54,407 I'M SORRY, BUT I CAN'T LIVE WITH THOSE LEGS. IT IS A WRAP ON THE UNDERWEAR 1881 01:03:54,431 --> 01:03:55,208 THOSE LEGS. IT IS A WRAP ON THE UNDERWEAR LOOK, OKAY? 1882 01:03:55,232 --> 01:03:55,875 IT IS A WRAP ON THE UNDERWEAR LOOK, OKAY? WARDROBE! 1883 01:03:55,899 --> 01:03:57,277 LOOK, OKAY? WARDROBE! PUT HIM INTO SOMETHING. 1884 01:03:57,301 --> 01:03:58,678 WARDROBE! PUT HIM INTO SOMETHING. [INDISTINCT SHOUTING] 1885 01:03:58,702 --> 01:04:00,046 PUT HIM INTO SOMETHING. [INDISTINCT SHOUTING] [British accent] OH, LOOK 1886 01:04:00,070 --> 01:04:00,446 [INDISTINCT SHOUTING] [British accent] OH, LOOK HERE. 1887 01:04:00,470 --> 01:04:01,547 [British accent] OH, LOOK HERE. WHAT'S THIS RIGHT HERE? 1888 01:04:01,571 --> 01:04:02,748 HERE. WHAT'S THIS RIGHT HERE? WHAT CAN WE DO FOR YOU, 1889 01:04:02,772 --> 01:04:03,216 WHAT'S THIS RIGHT HERE? WHAT CAN WE DO FOR YOU, DUCKIE? 1890 01:04:03,240 --> 01:04:04,350 WHAT CAN WE DO FOR YOU, DUCKIE? JUST STEP INTO THESE. 1891 01:04:04,374 --> 01:04:05,384 DUCKIE? JUST STEP INTO THESE. HEY, WAIT A MINUTE. 1892 01:04:05,408 --> 01:04:06,085 JUST STEP INTO THESE. HEY, WAIT A MINUTE. HEY. COME ON. 1893 01:04:06,109 --> 01:04:07,220 HEY, WAIT A MINUTE. HEY. COME ON. ARE YOU A BUNCH OF TOTAL 1894 01:04:07,244 --> 01:04:07,720 HEY. COME ON. ARE YOU A BUNCH OF TOTAL LAME-Os? 1895 01:04:07,744 --> 01:04:08,754 ARE YOU A BUNCH OF TOTAL LAME-Os? WHAT'S GOING ON HERE? 1896 01:04:08,778 --> 01:04:09,956 LAME-Os? WHAT'S GOING ON HERE? THERE IS NO ENDING TO THIS 1897 01:04:09,980 --> 01:04:10,389 WHAT'S GOING ON HERE? THERE IS NO ENDING TO THIS SCENE. 1898 01:04:10,413 --> 01:04:11,825 THERE IS NO ENDING TO THIS SCENE. THERE'S ONLY ONE WAY OUT OF THIS 1899 01:04:11,849 --> 01:04:13,059 SCENE. THERE'S ONLY ONE WAY OUT OF THIS SCENE, AND THAT'S TO HAVE A 1900 01:04:13,083 --> 01:04:14,627 THERE'S ONLY ONE WAY OUT OF THIS SCENE, AND THAT'S TO HAVE A HEART ATTA... 1901 01:04:14,651 --> 01:04:15,995 SCENE, AND THAT'S TO HAVE A HEART ATTA... [GROANS] 1902 01:04:16,019 --> 01:04:16,830 HEART ATTA... [GROANS] SMOOTH MOVE, JOHN. 1903 01:04:16,854 --> 01:04:17,630 [GROANS] SMOOTH MOVE, JOHN. HEART ATTACK. GREAT. 1904 01:04:17,654 --> 01:04:18,698 SMOOTH MOVE, JOHN. HEART ATTACK. GREAT. I'M GONNA HAVE TO CATCH YOU 1905 01:04:18,722 --> 01:04:19,232 HEART ATTACK. GREAT. I'M GONNA HAVE TO CATCH YOU GIRLS LATER. 1906 01:04:19,256 --> 01:04:21,234 I'M GONNA HAVE TO CATCH YOU GIRLS LATER. [GROANING] 1907 01:04:21,258 --> 01:04:22,535 GIRLS LATER. [GROANING] [Normal voice] OH, THAT'S 1908 01:04:22,559 --> 01:04:23,736 [GROANING] [Normal voice] OH, THAT'S REAL GREAT FOR THE GUYS, BUT 1909 01:04:23,760 --> 01:04:25,071 [Normal voice] OH, THAT'S REAL GREAT FOR THE GUYS, BUT WOMEN HAVE A LOWER INCIDENCE OF 1910 01:04:25,095 --> 01:04:25,872 REAL GREAT FOR THE GUYS, BUT WOMEN HAVE A LOWER INCIDENCE OF HEAR... [GROANS] 1911 01:04:25,896 --> 01:04:27,207 WOMEN HAVE A LOWER INCIDENCE OF HEAR... [GROANS] [Normal voice] OH, NO, YOU 1912 01:04:27,231 --> 01:04:28,541 HEAR... [GROANS] [Normal voice] OH, NO, YOU GUYS AREN'T GONNA SLEAZE OUT OF 1913 01:04:28,565 --> 01:04:29,742 [Normal voice] OH, NO, YOU GUYS AREN'T GONNA SLEAZE OUT OF THIS SCENE ON ME? [GROANS] 1914 01:04:29,766 --> 01:04:31,010 GUYS AREN'T GONNA SLEAZE OUT OF THIS SCENE ON ME? [GROANS] [Normal voice] AND NOW A 1915 01:04:31,034 --> 01:04:33,746 THIS SCENE ON ME? [GROANS] [Normal voice] AND NOW A FILM MY GARRETT WAAH! 1916 01:04:33,770 --> 01:04:36,149 [Normal voice] AND NOW A FILM MY GARRETT WAAH! [DOORBELL RINGS] 1917 01:04:36,173 --> 01:04:37,851 FILM MY GARRETT WAAH! [DOORBELL RINGS] MRS. BALDWIN? 1918 01:04:37,875 --> 01:04:39,685 [DOORBELL RINGS] MRS. BALDWIN? [DOORBELL RINGS] 1919 01:04:39,709 --> 01:04:46,326 MRS. BALDWIN? [DOORBELL RINGS] MRS. FALLCHAMBER? 1920 01:04:46,350 --> 01:04:48,328 [DOORBELL RINGS] MRS. FALLCHAMBER? WHO IS IT? 1921 01:04:48,352 --> 01:04:50,563 MRS. FALLCHAMBER? WHO IS IT? MRS. EARLES? 1922 01:04:50,587 --> 01:04:52,031 WHO IS IT? MRS. EARLES? WHAT? 1923 01:04:52,055 --> 01:04:53,132 MRS. EARLES? WHAT? WHAT? 1924 01:04:53,156 --> 01:04:54,567 WHAT? WHAT? MRS. ORFLEWAIT? 1925 01:04:54,591 --> 01:04:56,669 WHAT? MRS. ORFLEWAIT? THERE'S NO MRS. ORFLEWAIT 1926 01:04:56,693 --> 01:04:57,303 MRS. ORFLEWAIT? THERE'S NO MRS. ORFLEWAIT HERE. 1927 01:04:57,327 --> 01:04:58,671 THERE'S NO MRS. ORFLEWAIT HERE. WHAT DO YOU WANT? 1928 01:04:58,695 --> 01:04:59,805 HERE. WHAT DO YOU WANT? CANDYGRAM. 1929 01:04:59,829 --> 01:05:01,274 WHAT DO YOU WANT? CANDYGRAM. WE'RE ON DIETS. 1930 01:05:01,298 --> 01:05:02,342 CANDYGRAM. WE'RE ON DIETS. UH, GO AWAY. 1931 01:05:02,366 --> 01:05:03,877 WE'RE ON DIETS. UH, GO AWAY. UM, YOUR LIMOUSINE IS READY, 1932 01:05:03,901 --> 01:05:04,377 UH, GO AWAY. UM, YOUR LIMOUSINE IS READY, MA'AM. 1933 01:05:04,401 --> 01:05:05,511 UM, YOUR LIMOUSINE IS READY, MA'AM. WE DIDN'T ORDER ANY 1934 01:05:05,535 --> 01:05:06,179 MA'AM. WE DIDN'T ORDER ANY LIMOUSINE. 1935 01:05:06,203 --> 01:05:07,680 WE DIDN'T ORDER ANY LIMOUSINE. UM, FUNNY ENDING FOR SCENE, 1936 01:05:07,704 --> 01:05:08,147 LIMOUSINE. UM, FUNNY ENDING FOR SCENE, MA'AM. 1937 01:05:08,171 --> 01:05:11,084 UM, FUNNY ENDING FOR SCENE, MA'AM. All: COME ON IN! 1938 01:05:11,108 --> 01:05:13,652 MA'AM. All: COME ON IN! [SCREAMING] 1939 01:05:13,676 --> 01:05:17,913 All: COME ON IN! [SCREAMING] [CHEERS AND APPLAUSE] 1940 01:05:20,016 --> 01:05:28,016 HEEEEY. WHAT'S HAPPENING? I GUESS I'M A LITTLE LATE, HUH? 1941 01:05:30,193 --> 01:05:32,171 WHAT'S HAPPENING? I GUESS I'M A LITTLE LATE, HUH? 'CAUSE THERE WAS SUPPOSED TO BE 1942 01:05:32,195 --> 01:05:33,940 I GUESS I'M A LITTLE LATE, HUH? 'CAUSE THERE WAS SUPPOSED TO BE SOME WHITE FOLKS BACK HERE, 1943 01:05:33,964 --> 01:05:34,540 'CAUSE THERE WAS SUPPOSED TO BE SOME WHITE FOLKS BACK HERE, RIGHT? 1944 01:05:34,564 --> 01:05:37,810 SOME WHITE FOLKS BACK HERE, RIGHT? SO, I GUESS I'LL JUST ♪ SHUFFLE 1945 01:05:37,834 --> 01:05:39,712 RIGHT? SO, I GUESS I'LL JUST ♪ SHUFFLE OFF TO BUFFLE ♪ 1946 01:05:39,736 --> 01:05:41,714 SO, I GUESS I'LL JUST ♪ SHUFFLE OFF TO BUFFLE ♪ ♪ SHUFFLE OFF TO BUFFLE ♪ 1947 01:05:41,738 --> 01:05:45,184 OFF TO BUFFLE ♪ ♪ SHUFFLE OFF TO BUFFLE ♪ ♪ SHUFFLE OFF TO BUFFALO-OH-OH ♪ 1948 01:05:45,208 --> 01:05:47,086 ♪ SHUFFLE OFF TO BUFFLE ♪ ♪ SHUFFLE OFF TO BUFFALO-OH-OH ♪ ARIZY-ARIZY-ARIZY THAT'S ALL, 1949 01:05:47,110 --> 01:05:49,588 ♪ SHUFFLE OFF TO BUFFALO-OH-OH ♪ ARIZY-ARIZY-ARIZY THAT'S ALL, FOLKS. 1950 01:05:49,612 --> 01:05:52,558 ARIZY-ARIZY-ARIZY THAT'S ALL, FOLKS. WELL, GOOD NIGHT, EVERYBODY. 1951 01:05:52,582 --> 01:05:54,902 FOLKS. WELL, GOOD NIGHT, EVERYBODY. [CHEERS AND APPLAUSE] 1952 01:06:05,894 --> 01:06:10,443 UM, IT WAS VERY MUCH FUN TO BE BACK. GOOD NIGHT, EVERYBODY. 1953 01:06:10,467 --> 01:06:12,078 BACK. GOOD NIGHT, EVERYBODY. THANK YOU VERY MUCH. 1954 01:06:12,102 --> 01:06:13,212 GOOD NIGHT, EVERYBODY. THANK YOU VERY MUCH. [APPLAUSE] 1955 01:06:13,236 --> 01:06:16,938 THANK YOU VERY MUCH. [APPLAUSE] [BAND PLAYS] 211735