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All language subtitles for SNL S03E10 Robert Klein.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,703 --> 00:00:07,351 Announcer: WILL NOT BE SEEN TONIGHT SO THAT NBC MAY PRESENT THE FOLLOWING SPECIAL 2 00:00:07,375 --> 00:00:09,975 SEEN TONIGHT SO THAT NBC MAY PRESENT THE FOLLOWING SPECIAL PROGRAM. 3 00:00:14,981 --> 00:00:17,716 I'M DON KIRSHNER, AND WELCOME 4 00:00:17,850 --> 00:00:19,918 TO "ROCK CONCERT." 5 00:00:20,186 --> 00:00:27,037 TONIGHT WE HAVE A GROUP THAT'S BEEN AT THE FOREFRONT OF THE R&B... RHYTHM-AND-BLUES... SCENE 6 00:00:27,061 --> 00:00:28,872 BEEN AT THE FOREFRONT OF THE R&B... RHYTHM-AND-BLUES... SCENE FOR A LONG TIME. 7 00:00:28,896 --> 00:00:32,075 R&B... RHYTHM-AND-BLUES... SCENE FOR A LONG TIME. TODAY, WITH THE HELP OF 8 00:00:32,099 --> 00:00:34,978 FOR A LONG TIME. TODAY, WITH THE HELP OF DEE LUSTEN, MO ANTHONY, AND THE 9 00:00:35,002 --> 00:00:37,114 TODAY, WITH THE HELP OF DEE LUSTEN, MO ANTHONY, AND THE STAFF OF CELECTRIC RECORDS, 10 00:00:37,138 --> 00:00:39,383 DEE LUSTEN, MO ANTHONY, AND THE STAFF OF CELECTRIC RECORDS, THEIR MANAGER, MAURY DANIELS, 11 00:00:39,407 --> 00:00:41,151 STAFF OF CELECTRIC RECORDS, THEIR MANAGER, MAURY DANIELS, AND THE WHOLE ROCK DIVISION OF 12 00:00:41,175 --> 00:00:43,153 THEIR MANAGER, MAURY DANIELS, AND THE WHOLE ROCK DIVISION OF THE PROMOTION DEPARTMENT OF ICM, 13 00:00:43,177 --> 00:00:46,523 AND THE WHOLE ROCK DIVISION OF THE PROMOTION DEPARTMENT OF ICM, THEY CONTINUE TO BE AS STRONG A 14 00:00:46,547 --> 00:00:50,693 THE PROMOTION DEPARTMENT OF ICM, THEY CONTINUE TO BE AS STRONG A CREATIVE MUSICAL FORCE AS EVER. 15 00:00:50,717 --> 00:00:53,330 THEY CONTINUE TO BE AS STRONG A CREATIVE MUSICAL FORCE AS EVER. SO NOW LET'S JOIN TINA, 16 00:00:53,354 --> 00:00:56,166 CREATIVE MUSICAL FORCE AS EVER. SO NOW LET'S JOIN TINA, MR. MIKE AND THE MIKETTES... 17 00:00:56,190 --> 00:00:59,102 SO NOW LET'S JOIN TINA, MR. MIKE AND THE MIKETTES... THE "MR. MIKE AND TINA TURNER 18 00:00:59,126 --> 00:01:02,272 MR. MIKE AND THE MIKETTES... THE "MR. MIKE AND TINA TURNER REVUE." 19 00:01:02,296 --> 00:01:05,030 THE "MR. MIKE AND TINA TURNER REVUE." [CHEERS AND APPLAUSE] 20 00:01:12,572 --> 00:01:20,457 EVERY NOW AND THEN, YOU LIKE TO HEAR US DO SOMETHING NICE AND EASY. 21 00:01:20,481 --> 00:01:23,860 TO HEAR US DO SOMETHING NICE AND EASY. ONLY THERE'S JUST ONE THING... 22 00:01:23,884 --> 00:01:27,264 AND EASY. ONLY THERE'S JUST ONE THING... WE NEVER, EVER DO NOTHING NICE 23 00:01:27,288 --> 00:01:28,598 ONLY THERE'S JUST ONE THING... WE NEVER, EVER DO NOTHING NICE AND EASY. 24 00:01:28,622 --> 00:01:31,901 WE NEVER, EVER DO NOTHING NICE AND EASY. WE ONLY DO IT NICE AND ROUGH. 25 00:01:31,925 --> 00:01:34,071 AND EASY. WE ONLY DO IT NICE AND ROUGH. SO WE'RE GONNA TURN THINGS OVER 26 00:01:34,095 --> 00:01:36,273 WE ONLY DO IT NICE AND ROUGH. SO WE'RE GONNA TURN THINGS OVER TO MR. MIKE, WHO'S GONNA DO THE 27 00:01:36,297 --> 00:01:38,442 SO WE'RE GONNA TURN THINGS OVER TO MR. MIKE, WHO'S GONNA DO THE BEGINNING OF THIS SONG NICE AND 28 00:01:38,466 --> 00:01:39,609 TO MR. MIKE, WHO'S GONNA DO THE BEGINNING OF THIS SONG NICE AND EASY. 29 00:01:39,633 --> 00:01:42,446 BEGINNING OF THIS SONG NICE AND EASY. THEN WE'RE GONNA FINISH ROUGH. 30 00:01:42,470 --> 00:01:44,181 EASY. THEN WE'RE GONNA FINISH ROUGH. THIS IS THE WAY WE DO "PROUD 31 00:01:44,205 --> 00:01:48,418 THEN WE'RE GONNA FINISH ROUGH. THIS IS THE WAY WE DO "PROUD MARY." 32 00:01:48,442 --> 00:01:54,124 THIS IS THE WAY WE DO "PROUD MARY." ♪ DO DO DO-DO-DO DO 33 00:01:54,148 --> 00:01:57,060 MARY." ♪ DO DO DO-DO-DO DO DO DO DO-DO-DO DO ♪ 34 00:01:57,084 --> 00:01:58,095 ♪ DO DO DO-DO-DO DO DO DO DO-DO-DO DO ♪ MR. MIKE. 35 00:01:58,119 --> 00:02:01,965 DO DO DO-DO-DO DO ♪ MR. MIKE. THIS RABBIT WORKS IN A 36 00:02:01,989 --> 00:02:03,567 MR. MIKE. THIS RABBIT WORKS IN A FACTORY. 37 00:02:03,591 --> 00:02:05,135 THIS RABBIT WORKS IN A FACTORY. ALL OF THE OTHER RABBITS HAVE 38 00:02:05,159 --> 00:02:06,836 FACTORY. ALL OF THE OTHER RABBITS HAVE HAD THEIR EARS AMPUTATED SO THEY 39 00:02:06,860 --> 00:02:08,138 ALL OF THE OTHER RABBITS HAVE HAD THEIR EARS AMPUTATED SO THEY WON'T GET CAUGHT IN THE 40 00:02:08,162 --> 00:02:08,838 HAD THEIR EARS AMPUTATED SO THEY WON'T GET CAUGHT IN THE MACHINERY. 41 00:02:08,862 --> 00:02:10,373 WON'T GET CAUGHT IN THE MACHINERY. BUT THIS ONE RABBIT'S REAL VAIN, 42 00:02:10,397 --> 00:02:11,874 MACHINERY. BUT THIS ONE RABBIT'S REAL VAIN, AND HE DOESN'T WANT TO AMPUTATE 43 00:02:11,898 --> 00:02:12,476 BUT THIS ONE RABBIT'S REAL VAIN, AND HE DOESN'T WANT TO AMPUTATE HIS EARS. 44 00:02:12,500 --> 00:02:14,077 AND HE DOESN'T WANT TO AMPUTATE HIS EARS. SO HE'S WORKING ON THE LINE, AND 45 00:02:14,101 --> 00:02:15,678 HIS EARS. SO HE'S WORKING ON THE LINE, AND HIS EARS GET CAUGHT IN THIS BIG 46 00:02:15,702 --> 00:02:16,146 SO HE'S WORKING ON THE LINE, AND HIS EARS GET CAUGHT IN THIS BIG WHEEL. 47 00:02:16,170 --> 00:02:22,385 HIS EARS GET CAUGHT IN THIS BIG WHEEL. ♪ BIG WHEEL KEEP ON TURNIN' ♪ 48 00:02:22,409 --> 00:02:30,227 WHEEL. ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ 49 00:02:30,251 --> 00:02:31,495 ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ BY THE TIME THEY PULLED HIM 50 00:02:31,519 --> 00:02:32,829 ♪ PROUD MARY, KEEP ON BURNIN' ♪ BY THE TIME THEY PULLED HIM OUT OF THE WHEEL, HE LOOKED LIKE 51 00:02:32,853 --> 00:02:34,364 BY THE TIME THEY PULLED HIM OUT OF THE WHEEL, HE LOOKED LIKE TOMATO BISQUE. 52 00:02:34,388 --> 00:02:35,432 OUT OF THE WHEEL, HE LOOKED LIKE TOMATO BISQUE. THE END. 53 00:02:35,456 --> 00:02:37,066 TOMATO BISQUE. THE END. TINA? 54 00:02:37,090 --> 00:02:38,901 THE END. TINA? THAT WASN'T A VERY NICE 55 00:02:38,925 --> 00:02:40,170 TINA? THAT WASN'T A VERY NICE STORY, MR. MIKE. 56 00:02:40,194 --> 00:02:42,239 THAT WASN'T A VERY NICE STORY, MR. MIKE. WELL, I'M NOT A VERY NICE 57 00:02:42,263 --> 00:02:43,173 STORY, MR. MIKE. WELL, I'M NOT A VERY NICE GUY, TINA. 58 00:02:43,197 --> 00:02:45,442 WELL, I'M NOT A VERY NICE GUY, TINA. YOU SEE, EVERY TIME I TRY TO 59 00:02:45,466 --> 00:02:47,177 GUY, TINA. YOU SEE, EVERY TIME I TRY TO DO SOMETHING NICE AND EASY, 60 00:02:47,201 --> 00:02:50,313 YOU SEE, EVERY TIME I TRY TO DO SOMETHING NICE AND EASY, MR. MIKE MAKES ME DO IT ROUGH. 61 00:02:50,337 --> 00:02:53,250 DO SOMETHING NICE AND EASY, MR. MIKE MAKES ME DO IT ROUGH. BECAUSE WE NEVER, EVER DO 62 00:02:53,274 --> 00:02:56,486 MR. MIKE MAKES ME DO IT ROUGH. BECAUSE WE NEVER, EVER DO NOTHING NICE AND EASY. 63 00:02:56,510 --> 00:03:00,457 BECAUSE WE NEVER, EVER DO NOTHING NICE AND EASY. WE ALWAYS DO IT ROUGH! 64 00:03:00,481 --> 00:03:04,416 NOTHING NICE AND EASY. WE ALWAYS DO IT ROUGH! [TEMPO QUICKENS] 65 00:03:11,090 --> 00:03:16,706 ♪ LEFT A GOOD JOB IN THE CITY ♪ ♪ WORKIN' FOR THE MAN EVERY NIGHT AND DAY ♪ 66 00:03:16,730 --> 00:03:18,542 ♪ WORKIN' FOR THE MAN EVERY NIGHT AND DAY ♪ ♪ I NEVER LOST ONE MINUTE 67 00:03:18,566 --> 00:03:19,543 EVERY NIGHT AND DAY ♪ ♪ I NEVER LOST ONE MINUTE OF SLEEPING 68 00:03:19,567 --> 00:03:20,943 ♪ I NEVER LOST ONE MINUTE OF SLEEPING WORRYIN' ABOUT THE WAY 69 00:03:20,967 --> 00:03:22,546 OF SLEEPING WORRYIN' ABOUT THE WAY THINGS MIGHT HAVE BEEN BECAUSE ♪ 70 00:03:22,570 --> 00:03:25,215 WORRYIN' ABOUT THE WAY THINGS MIGHT HAVE BEEN BECAUSE ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ 71 00:03:25,239 --> 00:03:27,750 THINGS MIGHT HAVE BEEN BECAUSE ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ 72 00:03:27,774 --> 00:03:28,885 ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ ♪ AND WE'RE ROLLIN' ♪ 73 00:03:28,909 --> 00:03:29,653 ♪ PROUD MARY, KEEP ON BURNIN' ♪ ♪ AND WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ 74 00:03:29,677 --> 00:03:30,320 ♪ AND WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 75 00:03:30,344 --> 00:03:31,020 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 76 00:03:31,044 --> 00:03:33,690 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 77 00:03:33,714 --> 00:03:34,558 ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID WE'RE ROLLIN' ♪ 78 00:03:34,582 --> 00:03:35,258 ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ 79 00:03:35,282 --> 00:03:35,925 ♪ I SAID WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 80 00:03:35,949 --> 00:03:36,626 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 81 00:03:36,650 --> 00:03:39,362 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 82 00:03:39,386 --> 00:03:40,697 ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ ♪ OOH-OOH-OOH-OOH, 83 00:03:40,721 --> 00:03:42,065 ♪ ROLLIN' ON THE RIVER ♪ ♪ OOH-OOH-OOH-OOH, OOH-OOH-OOH-OOH, 84 00:03:42,089 --> 00:03:46,191 ♪ OOH-OOH-OOH-OOH, OOH-OOH-OOH-OOH, OOH-OOH-OOH-OOH ♪ 85 00:03:54,500 --> 00:03:58,781 ♪ IF YOU COME DOWN TO THE RIVER, BET YOU'RE GONNA FIND 86 00:03:58,805 --> 00:04:00,483 TO THE RIVER, BET YOU'RE GONNA FIND SOME PEOPLE WHO LIVE ♪ 87 00:04:00,507 --> 00:04:01,751 BET YOU'RE GONNA FIND SOME PEOPLE WHO LIVE ♪ ♪ YOU DON'T HAVE TO WORRY 88 00:04:01,775 --> 00:04:03,220 SOME PEOPLE WHO LIVE ♪ ♪ YOU DON'T HAVE TO WORRY IF YOU HAVE NO MONEY ♪ 89 00:04:03,244 --> 00:04:04,487 ♪ YOU DON'T HAVE TO WORRY IF YOU HAVE NO MONEY ♪ ♪ PEOPLE ON THE LEVEE 90 00:04:04,511 --> 00:04:05,988 IF YOU HAVE NO MONEY ♪ ♪ PEOPLE ON THE LEVEE ARE HAPPY TO GIVE ♪ 91 00:04:06,012 --> 00:04:08,692 ♪ PEOPLE ON THE LEVEE ARE HAPPY TO GIVE ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ 92 00:04:08,716 --> 00:04:11,561 ARE HAPPY TO GIVE ♪ ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ 93 00:04:11,585 --> 00:04:12,329 ♪ BIG WHEEL KEEP ON TURNIN' ♪ ♪ PROUD MARY, KEEP ON BURNIN' ♪ ♪ ROLLIN' ♪ 94 00:04:12,353 --> 00:04:13,062 ♪ PROUD MARY, KEEP ON BURNIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 95 00:04:13,086 --> 00:04:13,730 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 96 00:04:13,754 --> 00:04:14,464 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 97 00:04:14,488 --> 00:04:16,899 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 98 00:04:16,923 --> 00:04:17,934 ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID WE'RE ROLLIN' ♪ 99 00:04:17,958 --> 00:04:18,768 ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ 100 00:04:18,792 --> 00:04:19,436 ♪ I SAID WE'RE ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 101 00:04:19,460 --> 00:04:20,103 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 102 00:04:20,127 --> 00:04:22,872 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 103 00:04:22,896 --> 00:04:23,640 ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ ♪ ROLLIN' ♪ 104 00:04:23,664 --> 00:04:24,374 ♪ ROLLIN' ON THE RIVER ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 105 00:04:24,398 --> 00:04:25,041 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 106 00:04:25,065 --> 00:04:25,742 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 107 00:04:25,766 --> 00:04:28,144 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 108 00:04:28,168 --> 00:04:29,011 ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID ROLLIN' ♪ 109 00:04:29,035 --> 00:04:29,879 ♪ ROLLIN' ON THE RIVER ♪ ♪ I SAID ROLLIN' ♪ ♪ ROLLIN' ♪ 110 00:04:29,903 --> 00:04:30,547 ♪ I SAID ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 111 00:04:30,571 --> 00:04:31,314 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ 112 00:04:31,338 --> 00:04:36,007 ♪ ROLLIN' ♪ ♪ ROLLIN' ♪ ♪ ROLLIN' ON THE RIVER ♪ 113 00:04:39,812 --> 00:04:47,812 ♪ WHAAAAA ♪ LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! 114 00:04:52,693 --> 00:04:54,933 LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! [BAND PLAYS] 115 00:05:52,318 --> 00:05:59,691 Announcer: LADIES AND GENTLEMEN, ROBERT KLEIN! [CHEERS AND APPLAUSE] 116 00:06:16,843 --> 00:06:19,644 WHOO! 117 00:06:27,119 --> 00:06:34,003 THANK YOU. WELCOME TO OUR SHOW. YOU KNOW, IT'S BEEN A LITTLE BIT 118 00:06:34,027 --> 00:06:35,739 WELCOME TO OUR SHOW. YOU KNOW, IT'S BEEN A LITTLE BIT OF TIME SINCE I'VE DONE THE SHOW 119 00:06:35,763 --> 00:06:36,840 YOU KNOW, IT'S BEEN A LITTLE BIT OF TIME SINCE I'VE DONE THE SHOW LAST, AND IT WAS SO 120 00:06:36,864 --> 00:06:37,440 OF TIME SINCE I'VE DONE THE SHOW LAST, AND IT WAS SO DISORGANIZED. 121 00:06:37,464 --> 00:06:38,941 LAST, AND IT WAS SO DISORGANIZED. I DID ONE OF THE FIRST ONES, AND 122 00:06:38,965 --> 00:06:40,209 DISORGANIZED. I DID ONE OF THE FIRST ONES, AND NO ONE KNEW WHAT THEY WERE 123 00:06:40,233 --> 00:06:41,978 I DID ONE OF THE FIRST ONES, AND NO ONE KNEW WHAT THEY WERE DOING, AND YOU CAN DECIDE FOR 124 00:06:42,002 --> 00:06:44,113 NO ONE KNEW WHAT THEY WERE DOING, AND YOU CAN DECIDE FOR YOURSELF TONIGHT AFTER THIS MANY 125 00:06:44,137 --> 00:06:45,014 DOING, AND YOU CAN DECIDE FOR YOURSELF TONIGHT AFTER THIS MANY SHOWS. 126 00:06:45,038 --> 00:06:47,517 YOURSELF TONIGHT AFTER THIS MANY SHOWS. WONDERFUL TO BE BACK AND BE AT 127 00:06:47,541 --> 00:06:50,152 SHOWS. WONDERFUL TO BE BACK AND BE AT HOME IN MY HOMETOWN, AND NOT BE, 128 00:06:50,176 --> 00:06:50,987 WONDERFUL TO BE BACK AND BE AT HOME IN MY HOMETOWN, AND NOT BE, UH... 129 00:06:51,011 --> 00:06:55,925 HOME IN MY HOMETOWN, AND NOT BE, UH... [APPLAUSE] 130 00:06:55,949 --> 00:06:58,127 UH... [APPLAUSE] I DON'T MIND SIDESTEPPING THE 131 00:06:58,151 --> 00:07:00,229 [APPLAUSE] I DON'T MIND SIDESTEPPING THE DOG DOODY EVERYWHERE I WALK. 132 00:07:00,253 --> 00:07:01,130 I DON'T MIND SIDESTEPPING THE DOG DOODY EVERYWHERE I WALK. IT'S FUN. 133 00:07:01,154 --> 00:07:02,899 DOG DOODY EVERYWHERE I WALK. IT'S FUN. "SORRY, BE RIGHT WITH YOU." 134 00:07:02,923 --> 00:07:05,167 IT'S FUN. "SORRY, BE RIGHT WITH YOU." SOME OF YOU KNOW... I PLAY A LOT 135 00:07:05,191 --> 00:07:07,136 "SORRY, BE RIGHT WITH YOU." SOME OF YOU KNOW... I PLAY A LOT OF COLLEGE CONCERTS, AND IT 136 00:07:07,160 --> 00:07:08,605 SOME OF YOU KNOW... I PLAY A LOT OF COLLEGE CONCERTS, AND IT KEEPS ME YOUNG. 137 00:07:08,629 --> 00:07:09,906 OF COLLEGE CONCERTS, AND IT KEEPS ME YOUNG. IT KEEPS ME COLLEGIATE, YOU 138 00:07:09,930 --> 00:07:11,073 KEEPS ME YOUNG. IT KEEPS ME COLLEGIATE, YOU KNOW? 139 00:07:11,097 --> 00:07:13,309 IT KEEPS ME COLLEGIATE, YOU KNOW? I WENT TO A SMALL SCHOOL, A VERY 140 00:07:13,333 --> 00:07:14,944 KNOW? I WENT TO A SMALL SCHOOL, A VERY OBSCURE SCHOOL NAMED ALFRED, 141 00:07:14,968 --> 00:07:16,245 I WENT TO A SMALL SCHOOL, A VERY OBSCURE SCHOOL NAMED ALFRED, AND, UH... 142 00:07:16,269 --> 00:07:17,781 OBSCURE SCHOOL NAMED ALFRED, AND, UH... [LAUGHTER AND LIGHT APPLAUSE] 143 00:07:17,805 --> 00:07:19,248 AND, UH... [LAUGHTER AND LIGHT APPLAUSE] GOOD FOR SEVEN CLAPS AT THE 144 00:07:19,272 --> 00:07:21,718 [LAUGHTER AND LIGHT APPLAUSE] GOOD FOR SEVEN CLAPS AT THE "SATURDAY NIGHT LIVE" SHOW. 145 00:07:21,742 --> 00:07:23,119 GOOD FOR SEVEN CLAPS AT THE "SATURDAY NIGHT LIVE" SHOW. GOOD FOR ABOUT NINE CLAPS AT 146 00:07:23,143 --> 00:07:25,855 "SATURDAY NIGHT LIVE" SHOW. GOOD FOR ABOUT NINE CLAPS AT ALFRED UNIVERSITY. 147 00:07:25,879 --> 00:07:27,624 GOOD FOR ABOUT NINE CLAPS AT ALFRED UNIVERSITY. I WENT THERE BECAUSE THEY HAD A 148 00:07:27,648 --> 00:07:29,258 ALFRED UNIVERSITY. I WENT THERE BECAUSE THEY HAD A WONDERFUL BROCHURE, WITH 149 00:07:29,282 --> 00:07:31,093 I WENT THERE BECAUSE THEY HAD A WONDERFUL BROCHURE, WITH HANDSOME PEOPLE WALKING ON THE 150 00:07:31,117 --> 00:07:34,631 WONDERFUL BROCHURE, WITH HANDSOME PEOPLE WALKING ON THE CAMPUS CARRYING BOOKS WITH NICE 151 00:07:34,655 --> 00:07:35,832 HANDSOME PEOPLE WALKING ON THE CAMPUS CARRYING BOOKS WITH NICE WRITING UNDERNEATH IT... 152 00:07:35,856 --> 00:07:37,333 CAMPUS CARRYING BOOKS WITH NICE WRITING UNDERNEATH IT... "WALKING ON THE CAMPUS CARRYING 153 00:07:37,357 --> 00:07:39,302 WRITING UNDERNEATH IT... "WALKING ON THE CAMPUS CARRYING BOOKS IS A FAVORITE PASTIME OF 154 00:07:39,326 --> 00:07:40,970 "WALKING ON THE CAMPUS CARRYING BOOKS IS A FAVORITE PASTIME OF ALFRED STUDENTS." 155 00:07:40,994 --> 00:07:42,439 BOOKS IS A FAVORITE PASTIME OF ALFRED STUDENTS." SUCKERED ME RIGHT IN THERE. 156 00:07:42,463 --> 00:07:43,540 ALFRED STUDENTS." SUCKERED ME RIGHT IN THERE. PLUS, THE "LOVEJOY'S COLLEGE 157 00:07:43,564 --> 00:07:44,707 SUCKERED ME RIGHT IN THERE. PLUS, THE "LOVEJOY'S COLLEGE GUIDE" SAID THEY WOULD ACCEPT 158 00:07:44,731 --> 00:07:45,742 PLUS, THE "LOVEJOY'S COLLEGE GUIDE" SAID THEY WOULD ACCEPT YOU IF YOU WERE IN THE TOP 159 00:07:45,766 --> 00:07:47,610 GUIDE" SAID THEY WOULD ACCEPT YOU IF YOU WERE IN THE TOP 83 PERCENT OF YOUR CLASS, WHICH 160 00:07:47,634 --> 00:07:48,277 YOU IF YOU WERE IN THE TOP 83 PERCENT OF YOUR CLASS, WHICH WAS... 161 00:07:48,301 --> 00:07:49,879 83 PERCENT OF YOUR CLASS, WHICH WAS... THE BROCHURE WAS NICE. 162 00:07:49,903 --> 00:07:51,280 WAS... THE BROCHURE WAS NICE. ALWAYS STUDENTS IN BROCHURES 163 00:07:51,304 --> 00:07:52,849 THE BROCHURE WAS NICE. ALWAYS STUDENTS IN BROCHURES LOOK UP TOWARDS THE FUTURE. 164 00:07:52,873 --> 00:07:54,818 ALWAYS STUDENTS IN BROCHURES LOOK UP TOWARDS THE FUTURE. YOU KNOW, "STUDYING FOR 165 00:07:54,842 --> 00:07:56,686 LOOK UP TOWARDS THE FUTURE. YOU KNOW, "STUDYING FOR FINALS"... 166 00:07:56,710 --> 00:07:57,587 YOU KNOW, "STUDYING FOR FINALS"... "PARTIES"... 167 00:07:57,611 --> 00:07:58,788 FINALS"... "PARTIES"... THEY NEVER HAVE ONES LIKE... 168 00:07:58,812 --> 00:08:01,925 "PARTIES"... THEY NEVER HAVE ONES LIKE... "GOD, I MAY BE PREGNANT." 169 00:08:01,949 --> 00:08:03,893 THEY NEVER HAVE ONES LIKE... "GOD, I MAY BE PREGNANT." ALWAYS HAVE THEM LIKE THAT. 170 00:08:03,917 --> 00:08:05,094 "GOD, I MAY BE PREGNANT." ALWAYS HAVE THEM LIKE THAT. IT WAS A WONDERFUL EXPERIENCE 171 00:08:05,118 --> 00:08:06,329 ALWAYS HAVE THEM LIKE THAT. IT WAS A WONDERFUL EXPERIENCE GOING TO SCHOOL IN A PLACE SO 172 00:08:06,353 --> 00:08:06,863 IT WAS A WONDERFUL EXPERIENCE GOING TO SCHOOL IN A PLACE SO RURAL. 173 00:08:06,887 --> 00:08:08,465 GOING TO SCHOOL IN A PLACE SO RURAL. IT'S A VERY RURAL, FARM, LITTLE 174 00:08:08,489 --> 00:08:10,099 RURAL. IT'S A VERY RURAL, FARM, LITTLE COMMUNITY, AND THIS WAS QUITE A 175 00:08:10,123 --> 00:08:10,934 IT'S A VERY RURAL, FARM, LITTLE COMMUNITY, AND THIS WAS QUITE A FEW YEARS AGO. 176 00:08:10,958 --> 00:08:13,235 COMMUNITY, AND THIS WAS QUITE A FEW YEARS AGO. AND I GOT OFF THE TRAIN WITH A 177 00:08:13,259 --> 00:08:14,403 FEW YEARS AGO. AND I GOT OFF THE TRAIN WITH A COUPLE OF SUITCASES LIKE 178 00:08:14,427 --> 00:08:15,839 AND I GOT OFF THE TRAIN WITH A COUPLE OF SUITCASES LIKE HOLDEN CAULFIELD, AND I SEE... 179 00:08:15,863 --> 00:08:19,876 COUPLE OF SUITCASES LIKE HOLDEN CAULFIELD, AND I SEE... [MOOS] 180 00:08:19,900 --> 00:08:20,977 HOLDEN CAULFIELD, AND I SEE... [MOOS] IT'S FOUR YEARS. 181 00:08:21,001 --> 00:08:22,278 [MOOS] IT'S FOUR YEARS. I GET TO THE DORMITORY FROM A 182 00:08:22,302 --> 00:08:24,413 IT'S FOUR YEARS. I GET TO THE DORMITORY FROM A BUS RIDE, AND THEY TAKE US INTO 183 00:08:24,437 --> 00:08:28,050 I GET TO THE DORMITORY FROM A BUS RIDE, AND THEY TAKE US INTO THE DORMITORY AND [MOOS] 184 00:08:28,074 --> 00:08:29,853 BUS RIDE, AND THEY TAKE US INTO THE DORMITORY AND [MOOS] "ARE-ARE THESE THE DORMITORIES?" 185 00:08:29,877 --> 00:08:30,419 THE DORMITORY AND [MOOS] "ARE-ARE THESE THE DORMITORIES?" "YES, SIR. 186 00:08:30,443 --> 00:08:31,320 "ARE-ARE THESE THE DORMITORIES?" "YES, SIR. JUST SHOO THEM AWAY. 187 00:08:31,344 --> 00:08:31,921 "YES, SIR. JUST SHOO THEM AWAY. THEY'LL GO. 188 00:08:31,945 --> 00:08:33,089 JUST SHOO THEM AWAY. THEY'LL GO. COWS DON'T BOTHER YA NONE." 189 00:08:33,113 --> 00:08:34,290 THEY'LL GO. COWS DON'T BOTHER YA NONE." AND THEY MADE FUN OF THE WAY I 190 00:08:34,314 --> 00:08:34,724 COWS DON'T BOTHER YA NONE." AND THEY MADE FUN OF THE WAY I SPOKE. 191 00:08:34,748 --> 00:08:37,426 AND THEY MADE FUN OF THE WAY I SPOKE. "HEY, NEW YOHK, TOHK, MWOHK..." 192 00:08:37,450 --> 00:08:40,429 SPOKE. "HEY, NEW YOHK, TOHK, MWOHK..." JUST WHAT I NEEDED AT 17, 16. 193 00:08:40,453 --> 00:08:41,798 "HEY, NEW YOHK, TOHK, MWOHK..." JUST WHAT I NEEDED AT 17, 16. OF COURSE, THEY SPOKE FINE. 194 00:08:41,822 --> 00:08:42,699 JUST WHAT I NEEDED AT 17, 16. OF COURSE, THEY SPOKE FINE. "HEY, MY FATHER GAVE ME A 195 00:08:42,723 --> 00:08:43,633 OF COURSE, THEY SPOKE FINE. "HEY, MY FATHER GAVE ME A 'DALLAR' TO GET MARRIED IN 196 00:08:43,657 --> 00:08:44,667 "HEY, MY FATHER GAVE ME A 'DALLAR' TO GET MARRIED IN 'BAFFALO, ' AND I'M GOING NEXT 197 00:08:44,691 --> 00:08:46,669 'DALLAR' TO GET MARRIED IN 'BAFFALO, ' AND I'M GOING NEXT WEEK IF YOU WANNA..." 198 00:08:46,693 --> 00:08:47,737 'BAFFALO, ' AND I'M GOING NEXT WEEK IF YOU WANNA..." THEY CALLED ME "HEY, BAB." 199 00:08:47,761 --> 00:08:48,905 WEEK IF YOU WANNA..." THEY CALLED ME "HEY, BAB." FOR THREE YEARS I DIDN'T KNOW 200 00:08:48,929 --> 00:08:49,939 THEY CALLED ME "HEY, BAB." FOR THREE YEARS I DIDN'T KNOW WHO THEY WERE TALKING TO. 201 00:08:49,963 --> 00:08:50,540 FOR THREE YEARS I DIDN'T KNOW WHO THEY WERE TALKING TO. "HEY, BYAB." 202 00:08:50,564 --> 00:08:51,741 WHO THEY WERE TALKING TO. "HEY, BYAB." I DIDN'T KNOW WHO "BYAB" IS. 203 00:08:51,765 --> 00:08:54,477 "HEY, BYAB." I DIDN'T KNOW WHO "BYAB" IS. BUT I HAD TO LEARN AND GROW. 204 00:08:54,501 --> 00:08:55,578 I DIDN'T KNOW WHO "BYAB" IS. BUT I HAD TO LEARN AND GROW. A LITTLE THING I ENCOUNTERED 205 00:08:55,602 --> 00:08:56,646 BUT I HAD TO LEARN AND GROW. A LITTLE THING I ENCOUNTERED THERE THAT I REALLY HADN'T 206 00:08:56,670 --> 00:08:57,514 A LITTLE THING I ENCOUNTERED THERE THAT I REALLY HADN'T ENCOUNTERED BEFORE... 207 00:08:57,538 --> 00:08:59,616 THERE THAT I REALLY HADN'T ENCOUNTERED BEFORE... ANTISEMITISM. 208 00:08:59,640 --> 00:09:01,183 ENCOUNTERED BEFORE... ANTISEMITISM. WELL, NOTHING... IT WAS SUBTLE, 209 00:09:01,207 --> 00:09:02,552 ANTISEMITISM. WELL, NOTHING... IT WAS SUBTLE, NOTHING YOU COULD PUT YOUR 210 00:09:02,576 --> 00:09:03,219 WELL, NOTHING... IT WAS SUBTLE, NOTHING YOU COULD PUT YOUR FINGER ON. 211 00:09:03,243 --> 00:09:04,253 NOTHING YOU COULD PUT YOUR FINGER ON. SUBTLE, TO BE SURE. 212 00:09:04,277 --> 00:09:08,090 FINGER ON. SUBTLE, TO BE SURE. "HEY, JEW-BOY! 213 00:09:08,114 --> 00:09:09,559 SUBTLE, TO BE SURE. "HEY, JEW-BOY! WHERE YOU GOIN', JEW-BOY? 214 00:09:09,583 --> 00:09:11,761 "HEY, JEW-BOY! WHERE YOU GOIN', JEW-BOY? HIGH HOLY DAY?" 215 00:09:11,785 --> 00:09:13,796 WHERE YOU GOIN', JEW-BOY? HIGH HOLY DAY?" [HUMS SUSPENSEFUL TUNE] 216 00:09:13,820 --> 00:09:15,899 HIGH HOLY DAY?" [HUMS SUSPENSEFUL TUNE] JUST WHAT I NEEDED. 217 00:09:15,923 --> 00:09:17,133 [HUMS SUSPENSEFUL TUNE] JUST WHAT I NEEDED. I WANTED TO MEET THE GUY NEXT 218 00:09:17,157 --> 00:09:18,134 JUST WHAT I NEEDED. I WANTED TO MEET THE GUY NEXT DOOR IN THE DORMITORY. 219 00:09:18,158 --> 00:09:19,736 I WANTED TO MEET THE GUY NEXT DOOR IN THE DORMITORY. HE WAS DECORATING HIS ROOM WITH 220 00:09:19,760 --> 00:09:21,738 DOOR IN THE DORMITORY. HE WAS DECORATING HIS ROOM WITH A SWASTIKA MOBILE. 221 00:09:21,762 --> 00:09:23,239 HE WAS DECORATING HIS ROOM WITH A SWASTIKA MOBILE. AND I REMEMBER A BRIEF PHONE 222 00:09:23,263 --> 00:09:24,541 A SWASTIKA MOBILE. AND I REMEMBER A BRIEF PHONE CALL HOME TO MY PARENTS. 223 00:09:24,565 --> 00:09:26,175 AND I REMEMBER A BRIEF PHONE CALL HOME TO MY PARENTS. "GET ME OUTTA HERE!" 224 00:09:26,199 --> 00:09:28,077 CALL HOME TO MY PARENTS. "GET ME OUTTA HERE!" SOMETHING TENSE WITH VEINS 225 00:09:28,101 --> 00:09:30,880 "GET ME OUTTA HERE!" SOMETHING TENSE WITH VEINS BURSTING. 226 00:09:30,904 --> 00:09:32,615 SOMETHING TENSE WITH VEINS BURSTING. BUT ONE OF THE GUTSIEST THINGS 227 00:09:32,639 --> 00:09:34,350 BURSTING. BUT ONE OF THE GUTSIEST THINGS I EVER DID EVENTUALLY WAS PLAY 228 00:09:34,374 --> 00:09:35,518 BUT ONE OF THE GUTSIEST THINGS I EVER DID EVENTUALLY WAS PLAY SHYLOCK IN "THE MERCHANT OF 229 00:09:35,542 --> 00:09:36,886 I EVER DID EVENTUALLY WAS PLAY SHYLOCK IN "THE MERCHANT OF VENICE" IN THE DRAMA CLUB THERE. 230 00:09:36,910 --> 00:09:38,354 SHYLOCK IN "THE MERCHANT OF VENICE" IN THE DRAMA CLUB THERE. AND THOSE OF YOU WHO REMEMBER 231 00:09:38,378 --> 00:09:39,923 VENICE" IN THE DRAMA CLUB THERE. AND THOSE OF YOU WHO REMEMBER THE OLD PLAY, SHYLOCK IS THE OLD 232 00:09:39,947 --> 00:09:41,257 AND THOSE OF YOU WHO REMEMBER THE OLD PLAY, SHYLOCK IS THE OLD JEW IN THE SHAKESPEAREAN PLAY, 233 00:09:41,281 --> 00:09:42,224 THE OLD PLAY, SHYLOCK IS THE OLD JEW IN THE SHAKESPEAREAN PLAY, AND NO ONE LIKES HIM. 234 00:09:42,248 --> 00:09:43,726 JEW IN THE SHAKESPEAREAN PLAY, AND NO ONE LIKES HIM. HE'S NOT EXACTLY A PUSSYCAT, BUT 235 00:09:43,750 --> 00:09:44,961 AND NO ONE LIKES HIM. HE'S NOT EXACTLY A PUSSYCAT, BUT HE CERTAINLY IS JUSTIFIED, 236 00:09:44,985 --> 00:09:47,063 HE'S NOT EXACTLY A PUSSYCAT, BUT HE CERTAINLY IS JUSTIFIED, BECAUSE HE'S BEEN WRONGED. 237 00:09:47,087 --> 00:09:48,932 HE CERTAINLY IS JUSTIFIED, BECAUSE HE'S BEEN WRONGED. PEOPLE REALLY TREATED HIM BADLY. 238 00:09:48,956 --> 00:09:49,966 BECAUSE HE'S BEEN WRONGED. PEOPLE REALLY TREATED HIM BADLY. AND THERE'S A WONDERFUL SCENE IN 239 00:09:49,990 --> 00:09:50,700 PEOPLE REALLY TREATED HIM BADLY. AND THERE'S A WONDERFUL SCENE IN THE FOURTH ACT... YOU ALL 240 00:09:50,724 --> 00:09:51,167 AND THERE'S A WONDERFUL SCENE IN THE FOURTH ACT... YOU ALL REMEMBER. 241 00:09:51,191 --> 00:09:53,402 THE FOURTH ACT... YOU ALL REMEMBER. THERE'LL BE A TEST ON THIS 242 00:09:53,426 --> 00:09:55,404 REMEMBER. THERE'LL BE A TEST ON THIS AFTERWARDS, BY THE WAY. 243 00:09:55,428 --> 00:09:57,506 THERE'LL BE A TEST ON THIS AFTERWARDS, BY THE WAY. IT'S GONNA BE A MULTIPLE CHOICE. 244 00:09:57,530 --> 00:09:58,307 AFTERWARDS, BY THE WAY. IT'S GONNA BE A MULTIPLE CHOICE. NO, I'M JUST KIDDING. 245 00:09:58,331 --> 00:09:59,609 IT'S GONNA BE A MULTIPLE CHOICE. NO, I'M JUST KIDDING. I LIKE AN EASY MULTIPLE CHOICE, 246 00:09:59,633 --> 00:10:00,843 NO, I'M JUST KIDDING. I LIKE AN EASY MULTIPLE CHOICE, ONE THAT'S EASY LIKE, 247 00:10:00,867 --> 00:10:02,344 I LIKE AN EASY MULTIPLE CHOICE, ONE THAT'S EASY LIKE, "MOUNT EVEREST, MOUNT WHITNEY, 248 00:10:02,368 --> 00:10:04,246 ONE THAT'S EASY LIKE, "MOUNT EVEREST, MOUNT WHITNEY, MOUNT McKINLEY, A RAISIN." 249 00:10:04,270 --> 00:10:06,482 "MOUNT EVEREST, MOUNT WHITNEY, MOUNT McKINLEY, A RAISIN." I LIKE THAT KIND OF... 250 00:10:06,506 --> 00:10:08,051 MOUNT McKINLEY, A RAISIN." I LIKE THAT KIND OF... I LIKE AN EASY MULTIPLE CHOICE. 251 00:10:08,075 --> 00:10:09,619 I LIKE THAT KIND OF... I LIKE AN EASY MULTIPLE CHOICE. I'M PUTTING ON THE SHAKESPEAREAN 252 00:10:09,643 --> 00:10:10,653 I LIKE AN EASY MULTIPLE CHOICE. I'M PUTTING ON THE SHAKESPEAREAN CAPE FOR THIS SCENE. 253 00:10:10,677 --> 00:10:12,188 I'M PUTTING ON THE SHAKESPEAREAN CAPE FOR THIS SCENE. LET ME REPEAT IT FOR YOU. 254 00:10:12,212 --> 00:10:14,356 CAPE FOR THIS SCENE. LET ME REPEAT IT FOR YOU. CROWDED AUDIENCE OF HOSTILE, 255 00:10:14,380 --> 00:10:16,225 LET ME REPEAT IT FOR YOU. CROWDED AUDIENCE OF HOSTILE, SLIGHTLY NARROW-MINDED PEOPLE UP 256 00:10:16,249 --> 00:10:17,860 CROWDED AUDIENCE OF HOSTILE, SLIGHTLY NARROW-MINDED PEOPLE UP THERE IN THAT LITTLE... 257 00:10:17,884 --> 00:10:19,295 SLIGHTLY NARROW-MINDED PEOPLE UP THERE IN THAT LITTLE... IT'S A 17-YEAR-OLD KID TRYING TO 258 00:10:19,319 --> 00:10:20,429 THERE IN THAT LITTLE... IT'S A 17-YEAR-OLD KID TRYING TO PLAY AN OLD MAN. 259 00:10:20,453 --> 00:10:21,664 IT'S A 17-YEAR-OLD KID TRYING TO PLAY AN OLD MAN. YOU PUT ON THAT QUICK PALSY 260 00:10:21,688 --> 00:10:23,432 PLAY AN OLD MAN. YOU PUT ON THAT QUICK PALSY SHAKE THAT A BAD DRAMA STUDENT 261 00:10:23,456 --> 00:10:24,901 YOU PUT ON THAT QUICK PALSY SHAKE THAT A BAD DRAMA STUDENT DOES TO LOOK OLD IN A HURRY, YOU 262 00:10:24,925 --> 00:10:26,168 SHAKE THAT A BAD DRAMA STUDENT DOES TO LOOK OLD IN A HURRY, YOU KNOW? 263 00:10:26,192 --> 00:10:28,437 DOES TO LOOK OLD IN A HURRY, YOU KNOW? I WAS SO CONSCIENTIOUS, THOUGH. 264 00:10:28,461 --> 00:10:30,372 KNOW? I WAS SO CONSCIENTIOUS, THOUGH. I PUT THE EXACT PLACE IN MY 265 00:10:30,396 --> 00:10:31,841 I WAS SO CONSCIENTIOUS, THOUGH. I PUT THE EXACT PLACE IN MY SCRIPT WHERE I WANTED THE PALSY 266 00:10:31,865 --> 00:10:33,409 I PUT THE EXACT PLACE IN MY SCRIPT WHERE I WANTED THE PALSY SHAKE... "PALSY SHAKE RIGHT 267 00:10:33,433 --> 00:10:33,943 SCRIPT WHERE I WANTED THE PALSY SHAKE... "PALSY SHAKE RIGHT HERE." 268 00:10:33,967 --> 00:10:35,945 SHAKE... "PALSY SHAKE RIGHT HERE." PROBABLY EVEN BLEW THE ERASER 269 00:10:35,969 --> 00:10:36,512 HERE." PROBABLY EVEN BLEW THE ERASER THING. 270 00:10:36,536 --> 00:10:40,149 PROBABLY EVEN BLEW THE ERASER THING. "PALSY SHAKE." 271 00:10:40,173 --> 00:10:42,151 THING. "PALSY SHAKE." FIRST THE USUAL PRELIMINARIES IN 272 00:10:42,175 --> 00:10:43,486 "PALSY SHAKE." FIRST THE USUAL PRELIMINARIES IN MOST SHAKESPEARE... "FORSOOTH ME 273 00:10:43,510 --> 00:10:44,420 FIRST THE USUAL PRELIMINARIES IN MOST SHAKESPEARE... "FORSOOTH ME NOT. 274 00:10:44,444 --> 00:10:45,688 MOST SHAKESPEARE... "FORSOOTH ME NOT. OUR SWEET MERCUTIO IS DEAD, THAT 275 00:10:45,712 --> 00:10:47,189 NOT. OUR SWEET MERCUTIO IS DEAD, THAT GALLANT SPIRIT HATH ASPIRED THE 276 00:10:47,213 --> 00:10:48,424 OUR SWEET MERCUTIO IS DEAD, THAT GALLANT SPIRIT HATH ASPIRED THE CLOUDS, WHICH ALL TOO SOON DID 277 00:10:48,448 --> 00:10:49,258 GALLANT SPIRIT HATH ASPIRED THE CLOUDS, WHICH ALL TOO SOON DID KNOW HIS FATE." 278 00:10:49,282 --> 00:10:55,131 CLOUDS, WHICH ALL TOO SOON DID KNOW HIS FATE." THEY SPIT AT THE FIRST TWO ROWS. 279 00:10:55,155 --> 00:10:56,532 KNOW HIS FATE." THEY SPIT AT THE FIRST TWO ROWS. THIS WONDERFUL SPEECH OF 280 00:10:56,556 --> 00:10:58,234 THEY SPIT AT THE FIRST TWO ROWS. THIS WONDERFUL SPEECH OF SHAKESPEARE'S, WHERE HE EQUATES 281 00:10:58,258 --> 00:10:59,335 THIS WONDERFUL SPEECH OF SHAKESPEARE'S, WHERE HE EQUATES ALL PEOPLE... AREN'T WE ALL 282 00:10:59,359 --> 00:10:59,936 SHAKESPEARE'S, WHERE HE EQUATES ALL PEOPLE... AREN'T WE ALL HUMAN BEINGS? 283 00:10:59,960 --> 00:11:00,770 ALL PEOPLE... AREN'T WE ALL HUMAN BEINGS? IT'S A WONDERFUL... 284 00:11:00,794 --> 00:11:01,437 HUMAN BEINGS? IT'S A WONDERFUL... LISTEN CLOSELY. 285 00:11:01,461 --> 00:11:02,672 IT'S A WONDERFUL... LISTEN CLOSELY. I'M SURE YOU'LL BE REPEATING IT 286 00:11:02,696 --> 00:11:04,907 LISTEN CLOSELY. I'M SURE YOU'LL BE REPEATING IT OFTEN YOURSELF. 287 00:11:04,931 --> 00:11:06,976 I'M SURE YOU'LL BE REPEATING IT OFTEN YOURSELF. NOT TO MENTION THERE WILL BE A 288 00:11:07,000 --> 00:11:07,610 OFTEN YOURSELF. NOT TO MENTION THERE WILL BE A TEST. 289 00:11:07,634 --> 00:11:12,982 NOT TO MENTION THERE WILL BE A TEST. "HATH NOT A JEW EYES? 290 00:11:13,006 --> 00:11:17,120 TEST. "HATH NOT A JEW EYES? HATH NOT A JEW HANDS, ORGANS, 291 00:11:17,144 --> 00:11:21,891 "HATH NOT A JEW EYES? HATH NOT A JEW HANDS, ORGANS, SENSES, DIMENSIONS, AFFECTIONS, 292 00:11:21,915 --> 00:11:25,194 HATH NOT A JEW HANDS, ORGANS, SENSES, DIMENSIONS, AFFECTIONS, PASSIONS?" 293 00:11:25,218 --> 00:11:28,798 SENSES, DIMENSIONS, AFFECTIONS, PASSIONS?" PALSY SHAKE. 294 00:11:28,822 --> 00:11:29,866 PASSIONS?" PALSY SHAKE. "PASSIONS?" 295 00:11:29,890 --> 00:11:31,534 PALSY SHAKE. "PASSIONS?" A GOOD PLACE FOR THE... 296 00:11:31,558 --> 00:11:34,170 "PASSIONS?" A GOOD PLACE FOR THE... "FED WITH THE SAME FOOD, HURT 297 00:11:34,194 --> 00:11:36,372 A GOOD PLACE FOR THE... "FED WITH THE SAME FOOD, HURT WITH THE SAME WEAPONS, WARMED 298 00:11:36,396 --> 00:11:38,207 "FED WITH THE SAME FOOD, HURT WITH THE SAME WEAPONS, WARMED AND COOLED BY THE SAME WINTER 299 00:11:38,231 --> 00:11:40,843 WITH THE SAME WEAPONS, WARMED AND COOLED BY THE SAME WINTER AND SUMMER AS A CHRISTIAN IS?" 300 00:11:40,867 --> 00:11:41,610 AND COOLED BY THE SAME WINTER AND SUMMER AS A CHRISTIAN IS?" AND THE AUDIENCE SAID, "NO, 301 00:11:41,634 --> 00:11:42,311 AND SUMMER AS A CHRISTIAN IS?" AND THE AUDIENCE SAID, "NO, JEW-BOY! 302 00:11:42,335 --> 00:11:43,746 AND THE AUDIENCE SAID, "NO, JEW-BOY! JEW-BOY! JEW-BOY! 303 00:11:43,770 --> 00:11:46,983 JEW-BOY! JEW-BOY! JEW-BOY! JEW-BOY! GET HIM!" 304 00:11:47,007 --> 00:11:49,741 JEW-BOY! JEW-BOY! JEW-BOY! GET HIM!" [APPLAUSE] 305 00:11:56,048 --> 00:12:00,362 "HE'S UP BY THE FRATERNITY HOUSE! WOOF WOOF WOOF WOOF WOOF!" 306 00:12:00,386 --> 00:12:01,798 HOUSE! WOOF WOOF WOOF WOOF WOOF!" AND I KEPT ON THINKING OF THAT 307 00:12:01,822 --> 00:12:02,598 WOOF WOOF WOOF WOOF WOOF!" AND I KEPT ON THINKING OF THAT DAMN BROCHURE. 308 00:12:02,622 --> 00:12:04,333 AND I KEPT ON THINKING OF THAT DAMN BROCHURE. I DON'T REMEMBER ANY PICTURE OF 309 00:12:04,357 --> 00:12:05,902 DAMN BROCHURE. I DON'T REMEMBER ANY PICTURE OF "BEING CHASED BY NAZIS ON THE 310 00:12:05,926 --> 00:12:09,305 I DON'T REMEMBER ANY PICTURE OF "BEING CHASED BY NAZIS ON THE QUAD." 311 00:12:09,329 --> 00:12:13,943 "BEING CHASED BY NAZIS ON THE QUAD." [APPLAUSE] 312 00:12:13,967 --> 00:12:14,811 QUAD." [APPLAUSE] TELL YOU WHAT. 313 00:12:14,835 --> 00:12:17,446 [APPLAUSE] TELL YOU WHAT. WE'LL BE RIGHT BACK! 314 00:12:17,470 --> 00:12:19,670 TELL YOU WHAT. WE'LL BE RIGHT BACK! [CHEERS AND APPLAUSE] 315 00:12:33,452 --> 00:12:36,599 I'LL HAVE A TUNA-SALAD SANDWICH AND AN ORDER OF FRENCH FRIES, PLEASE. 316 00:12:36,623 --> 00:12:37,666 SANDWICH AND AN ORDER OF FRENCH FRIES, PLEASE. NO. NO TUNA. 317 00:12:37,690 --> 00:12:38,901 FRIES, PLEASE. NO. NO TUNA. YOU'RE OUT OF TUNA? 318 00:12:38,925 --> 00:12:40,236 NO. NO TUNA. YOU'RE OUT OF TUNA? NO TUNA. 319 00:12:40,260 --> 00:12:41,738 YOU'RE OUT OF TUNA? NO TUNA. CHEESEBURGER? 320 00:12:41,762 --> 00:12:43,873 NO TUNA. CHEESEBURGER? UH, WAIT A MINUTE. 321 00:12:43,897 --> 00:12:44,974 CHEESEBURGER? UH, WAIT A MINUTE. COME ON, COME ON, COME ON! 322 00:12:44,998 --> 00:12:46,475 UH, WAIT A MINUTE. COME ON, COME ON, COME ON! WE AIN'T GOT ALL DAY. 323 00:12:46,499 --> 00:12:47,176 COME ON, COME ON, COME ON! WE AIN'T GOT ALL DAY. WE GOTTA HAVE TURNOVER, 324 00:12:47,200 --> 00:12:47,643 WE AIN'T GOT ALL DAY. WE GOTTA HAVE TURNOVER, TURNOVER. 325 00:12:47,667 --> 00:12:48,711 WE GOTTA HAVE TURNOVER, TURNOVER. OKAY, WHAT ARE YOU GONNA HAVE? 326 00:12:48,735 --> 00:12:50,012 TURNOVER. OKAY, WHAT ARE YOU GONNA HAVE? I THINK I'LL HAVE GRILLED 327 00:12:50,036 --> 00:12:50,947 OKAY, WHAT ARE YOU GONNA HAVE? I THINK I'LL HAVE GRILLED CHEESE AND A COKE. 328 00:12:50,971 --> 00:12:52,749 I THINK I'LL HAVE GRILLED CHEESE AND A COKE. UH... 329 00:12:52,773 --> 00:12:53,515 CHEESE AND A COKE. UH... GRILLED CHEESE? 330 00:12:53,539 --> 00:12:54,450 UH... GRILLED CHEESE? NO GRILLED CHEESE. 331 00:12:54,474 --> 00:12:55,384 GRILLED CHEESE? NO GRILLED CHEESE. NO GRILLED CHEESE. 332 00:12:55,408 --> 00:12:56,585 NO GRILLED CHEESE. NO GRILLED CHEESE. CHEESEBURGER AND A COKE. 333 00:12:56,609 --> 00:12:58,821 NO GRILLED CHEESE. CHEESEBURGER AND A COKE. UH, NO COKE... PEPSI. 334 00:12:58,845 --> 00:13:00,589 CHEESEBURGER AND A COKE. UH, NO COKE... PEPSI. OKAY, PEPSI AND FRENCH FRIES. 335 00:13:00,613 --> 00:13:01,657 UH, NO COKE... PEPSI. OKAY, PEPSI AND FRENCH FRIES. NO FRIES... CHIPS. 336 00:13:01,681 --> 00:13:03,059 OKAY, PEPSI AND FRENCH FRIES. NO FRIES... CHIPS. OKAY, CHIPS. 337 00:13:03,083 --> 00:13:04,093 NO FRIES... CHIPS. OKAY, CHIPS. ONE CHEESEBURGER, ONE PEPSI, 338 00:13:04,117 --> 00:13:04,794 OKAY, CHIPS. ONE CHEESEBURGER, ONE PEPSI, ONE CHIP! 339 00:13:04,818 --> 00:13:05,561 ONE CHEESEBURGER, ONE PEPSI, ONE CHIP! CHEESEBURGER! 340 00:13:05,585 --> 00:13:06,829 ONE CHIP! CHEESEBURGER! PEPSI, CHIP! 341 00:13:06,853 --> 00:13:07,463 CHEESEBURGER! PEPSI, CHIP! WHAT DO YOU WANT? 342 00:13:07,487 --> 00:13:08,297 PEPSI, CHIP! WHAT DO YOU WANT? I'LL HAVE A CHEESEBURGER AND 343 00:13:08,321 --> 00:13:09,065 WHAT DO YOU WANT? I'LL HAVE A CHEESEBURGER AND A SMALL COKE. 344 00:13:09,089 --> 00:13:11,768 I'LL HAVE A CHEESEBURGER AND A SMALL COKE. UH, NO COKE... PEPSI. 345 00:13:11,792 --> 00:13:12,668 A SMALL COKE. UH, NO COKE... PEPSI. PEPSI. 346 00:13:12,692 --> 00:13:14,370 UH, NO COKE... PEPSI. PEPSI. ONE CHEESEBURGER, ONE PEPSI! 347 00:13:14,394 --> 00:13:15,204 PEPSI. ONE CHEESEBURGER, ONE PEPSI! CHEESEBURGER! 348 00:13:15,228 --> 00:13:16,205 ONE CHEESEBURGER, ONE PEPSI! CHEESEBURGER! PEPSI! 349 00:13:16,229 --> 00:13:17,273 CHEESEBURGER! PEPSI! CHEESEBURGER, CHEESEBURGER, 350 00:13:17,297 --> 00:13:18,540 PEPSI! CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, FOUR PEPSI, TWO 351 00:13:18,564 --> 00:13:18,941 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, FOUR PEPSI, TWO CHIP. 352 00:13:18,965 --> 00:13:19,909 CHEESEBURGER, FOUR PEPSI, TWO CHIP. CHEESEBURGER, CHEESEBURGER, 353 00:13:19,933 --> 00:13:20,542 CHIP. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER! 354 00:13:20,566 --> 00:13:23,913 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER! TWO PEPSI, ONE CHIP. 355 00:13:23,937 --> 00:13:24,680 CHEESEBURGER! TWO PEPSI, ONE CHIP. HI YA, PETE. 356 00:13:24,704 --> 00:13:26,282 TWO PEPSI, ONE CHIP. HI YA, PETE. I'LL HAVE THE USUAL. 357 00:13:26,306 --> 00:13:27,349 HI YA, PETE. I'LL HAVE THE USUAL. CHEESEBURGER! 358 00:13:27,373 --> 00:13:28,117 I'LL HAVE THE USUAL. CHEESEBURGER! CHEESEBURGER! 359 00:13:28,141 --> 00:13:31,053 CHEESEBURGER! CHEESEBURGER! HEY, I GET MIXED UP. 360 00:13:31,077 --> 00:13:32,288 CHEESEBURGER! HEY, I GET MIXED UP. IS HE YOUR BROTHER? 361 00:13:32,312 --> 00:13:33,389 HEY, I GET MIXED UP. IS HE YOUR BROTHER? HIM? NO. 362 00:13:33,413 --> 00:13:35,024 IS HE YOUR BROTHER? HIM? NO. MY BROTHER, MIKE, HE'S IN THE 363 00:13:35,048 --> 00:13:35,691 HIM? NO. MY BROTHER, MIKE, HE'S IN THE BACK. 364 00:13:35,715 --> 00:13:38,394 MY BROTHER, MIKE, HE'S IN THE BACK. GEORGE HERE IS MY FIRST COUSIN, 365 00:13:38,418 --> 00:13:40,029 BACK. GEORGE HERE IS MY FIRST COUSIN, BUT I TREAT HIM LIKE A BROTHER. 366 00:13:40,053 --> 00:13:41,798 GEORGE HERE IS MY FIRST COUSIN, BUT I TREAT HIM LIKE A BROTHER. SANDY, SHE'S MY SECOND COUSIN. 367 00:13:41,822 --> 00:13:43,599 BUT I TREAT HIM LIKE A BROTHER. SANDY, SHE'S MY SECOND COUSIN. I TREAT HER LIKE A FIRST COUSIN. 368 00:13:43,623 --> 00:13:47,403 SANDY, SHE'S MY SECOND COUSIN. I TREAT HER LIKE A FIRST COUSIN. HIM... HE'S MY THIRD COUSIN. 369 00:13:47,427 --> 00:13:48,805 I TREAT HER LIKE A FIRST COUSIN. HIM... HE'S MY THIRD COUSIN. I TREAT LIKE A FOURTH COUSIN, 370 00:13:48,829 --> 00:13:50,673 HIM... HE'S MY THIRD COUSIN. I TREAT LIKE A FOURTH COUSIN, BECAUSE HE'S VLAHOS. 371 00:13:50,697 --> 00:13:51,573 I TREAT LIKE A FOURTH COUSIN, BECAUSE HE'S VLAHOS. YOU KNOW WHAT THAT MEANS? 372 00:13:51,597 --> 00:13:52,008 BECAUSE HE'S VLAHOS. YOU KNOW WHAT THAT MEANS? WHAT? 373 00:13:52,032 --> 00:13:52,641 YOU KNOW WHAT THAT MEANS? WHAT? IT MEANS STUPID. 374 00:13:52,665 --> 00:13:54,210 WHAT? IT MEANS STUPID. CHEESEBURGER, CHEESEBURGER, 375 00:13:54,234 --> 00:13:55,511 IT MEANS STUPID. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, TWO CHIPS. 376 00:13:55,535 --> 00:13:56,679 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, TWO CHIPS. CHEESEBURGER, CHEESEBURGER, 377 00:13:56,703 --> 00:13:57,280 CHEESEBURGER, TWO CHIPS. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. 378 00:13:57,304 --> 00:13:58,414 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. ONE PEPSI. 379 00:13:58,438 --> 00:14:00,116 CHEESEBURGER. ONE PEPSI. TWO CHIP, ONE PEPSI. 380 00:14:00,140 --> 00:14:01,417 ONE PEPSI. TWO CHIP, ONE PEPSI. WHAT TO DRINK? 381 00:14:01,441 --> 00:14:02,885 TWO CHIP, ONE PEPSI. WHAT TO DRINK? I'LL HAVE A SMALL ORANGE. 382 00:14:02,909 --> 00:14:03,853 WHAT TO DRINK? I'LL HAVE A SMALL ORANGE. NO ORANGE TODAY. 383 00:14:03,877 --> 00:14:04,921 I'LL HAVE A SMALL ORANGE. NO ORANGE TODAY. WHAT DO YOU HAVE? 384 00:14:04,945 --> 00:14:05,521 NO ORANGE TODAY. WHAT DO YOU HAVE? PEPSI. 385 00:14:05,545 --> 00:14:06,255 WHAT DO YOU HAVE? PEPSI. OH, OKAY. 386 00:14:06,279 --> 00:14:08,524 PEPSI. OH, OKAY. OKAY, PEPSI! 387 00:14:08,548 --> 00:14:09,826 OH, OKAY. OKAY, PEPSI! PEPSI! 388 00:14:09,850 --> 00:14:11,460 OKAY, PEPSI! PEPSI! PEPSI! 389 00:14:11,484 --> 00:14:13,429 PEPSI! PEPSI! MORE ICE! MORE ICE, HUH? 390 00:14:13,453 --> 00:14:14,697 PEPSI! MORE ICE! MORE ICE, HUH? COME ON, COME ON! 391 00:14:14,721 --> 00:14:15,965 MORE ICE! MORE ICE, HUH? COME ON, COME ON! ALL RIGHT, HERE YOU ARE. 392 00:14:15,989 --> 00:14:18,134 COME ON, COME ON! ALL RIGHT, HERE YOU ARE. THANKS. 393 00:14:18,158 --> 00:14:21,770 ALL RIGHT, HERE YOU ARE. THANKS. [TELEPHONE RINGS] 394 00:14:21,794 --> 00:14:23,439 THANKS. [TELEPHONE RINGS] HELLO, OLYMPIA RESTAURANT. 395 00:14:23,463 --> 00:14:24,606 [TELEPHONE RINGS] HELLO, OLYMPIA RESTAURANT. CHEESEBURGER, CHEESEBURGER, 396 00:14:24,630 --> 00:14:25,708 HELLO, OLYMPIA RESTAURANT. CHEESEBURGER, CHEESEBURGER, TWO PEPSI, ONE CHIP. 397 00:14:25,732 --> 00:14:27,243 CHEESEBURGER, CHEESEBURGER, TWO PEPSI, ONE CHIP. CHEESEBURGER, CHEESEBURGER. 398 00:14:27,267 --> 00:14:28,477 TWO PEPSI, ONE CHIP. CHEESEBURGER, CHEESEBURGER. TWO PEPSI, ONE CHIP. 399 00:14:28,501 --> 00:14:29,511 CHEESEBURGER, CHEESEBURGER. TWO PEPSI, ONE CHIP. THAT TO GO, FOUR 400 00:14:29,535 --> 00:14:30,313 TWO PEPSI, ONE CHIP. THAT TO GO, FOUR CHEESEBURGER? 401 00:14:30,337 --> 00:14:31,447 THAT TO GO, FOUR CHEESEBURGER? CHEESEBURGER, CHEESEBURGER, 402 00:14:31,471 --> 00:14:32,748 CHEESEBURGER? CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. 403 00:14:32,772 --> 00:14:33,649 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER, 404 00:14:33,673 --> 00:14:34,650 CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. 405 00:14:34,674 --> 00:14:36,785 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. NO, NO FRIES... CHIPS. 406 00:14:36,809 --> 00:14:38,620 CHEESEBURGER, CHEESEBURGER. NO, NO FRIES... CHIPS. FOUR CHIP. 407 00:14:38,644 --> 00:14:39,222 NO, NO FRIES... CHIPS. FOUR CHIP. FOUR CHIP. 408 00:14:39,246 --> 00:14:40,089 FOUR CHIP. FOUR CHIP. FOUR CHIP. 409 00:14:40,113 --> 00:14:41,623 FOUR CHIP. FOUR CHIP. WHAT TO DRINK? 410 00:14:41,647 --> 00:14:43,259 FOUR CHIP. WHAT TO DRINK? PEPSI? NO COKE. 411 00:14:43,283 --> 00:14:44,760 WHAT TO DRINK? PEPSI? NO COKE. NO ORANGE. NO GRAPE. 412 00:14:44,784 --> 00:14:46,562 PEPSI? NO COKE. NO ORANGE. NO GRAPE. PEPSI. FOUR PEPSI! 413 00:14:46,586 --> 00:14:48,630 NO ORANGE. NO GRAPE. PEPSI. FOUR PEPSI! OKAY, TEN MINUTES. 414 00:14:48,654 --> 00:14:49,932 PEPSI. FOUR PEPSI! OKAY, TEN MINUTES. ALL RIGHT. 415 00:14:49,956 --> 00:14:51,834 OKAY, TEN MINUTES. ALL RIGHT. FOUR PEPSI! 416 00:14:51,858 --> 00:14:54,237 ALL RIGHT. FOUR PEPSI! PEPSI, PEPSI, PEPSI! 417 00:14:54,261 --> 00:14:56,472 FOUR PEPSI! PEPSI, PEPSI, PEPSI! HEY! HE WANTS YOU. 418 00:14:56,496 --> 00:14:57,974 PEPSI, PEPSI, PEPSI! HEY! HE WANTS YOU. ALL RIGHT, ALL RIGHT, 419 00:14:57,998 --> 00:15:02,845 HEY! HE WANTS YOU. ALL RIGHT, ALL RIGHT, ALL RIGHT. 420 00:15:02,869 --> 00:15:04,881 ALL RIGHT, ALL RIGHT, ALL RIGHT. I'LL HAVE A COUPLE OF EGGS, 421 00:15:04,905 --> 00:15:08,017 ALL RIGHT. I'LL HAVE A COUPLE OF EGGS, SAUSAGE. 422 00:15:08,041 --> 00:15:10,619 I'LL HAVE A COUPLE OF EGGS, SAUSAGE. IS THAT LINK SAUSAGE OR PATTY? 423 00:15:10,643 --> 00:15:11,720 SAUSAGE. IS THAT LINK SAUSAGE OR PATTY? LINK? LINK? 424 00:15:11,744 --> 00:15:13,990 IS THAT LINK SAUSAGE OR PATTY? LINK? LINK? UH, LINK SAUSAGE, EGGS OVER 425 00:15:14,014 --> 00:15:16,225 LINK? LINK? UH, LINK SAUSAGE, EGGS OVER LIGHTLY, A LARGE ORANGE JUICE, 426 00:15:16,249 --> 00:15:16,825 UH, LINK SAUSAGE, EGGS OVER LIGHTLY, A LARGE ORANGE JUICE, AND COFFEE. 427 00:15:16,849 --> 00:15:17,960 LIGHTLY, A LARGE ORANGE JUICE, AND COFFEE. THANKS. 428 00:15:17,984 --> 00:15:21,663 AND COFFEE. THANKS. CHEESEBURGER? 429 00:15:21,687 --> 00:15:22,798 THANKS. CHEESEBURGER? NO, I DON'T WANT A 430 00:15:22,822 --> 00:15:23,799 CHEESEBURGER? NO, I DON'T WANT A CHEESEBURGER. 431 00:15:23,823 --> 00:15:26,035 NO, I DON'T WANT A CHEESEBURGER. EGGS, COUPLE OF EGGS. 432 00:15:26,059 --> 00:15:26,502 CHEESEBURGER. EGGS, COUPLE OF EGGS. EGGS. 433 00:15:26,526 --> 00:15:27,703 EGGS, COUPLE OF EGGS. EGGS. DO YOU SPEAK ENGLISH? 434 00:15:27,727 --> 00:15:29,238 EGGS. DO YOU SPEAK ENGLISH? EGGS, COUPLE OF EGGS AND OVER 435 00:15:29,262 --> 00:15:31,840 DO YOU SPEAK ENGLISH? EGGS, COUPLE OF EGGS AND OVER LIGHTLY, WITH SAUSAGE. 436 00:15:31,864 --> 00:15:33,209 EGGS, COUPLE OF EGGS AND OVER LIGHTLY, WITH SAUSAGE. CAFé? CAFé? 437 00:15:33,233 --> 00:15:34,610 LIGHTLY, WITH SAUSAGE. CAFé? CAFé? NO, NO, NO, NO, NO EGGS... 438 00:15:34,634 --> 00:15:37,980 CAFé? CAFé? NO, NO, NO, NO, NO EGGS... CHEESEBURGER. 439 00:15:38,004 --> 00:15:38,981 NO, NO, NO, NO, NO EGGS... CHEESEBURGER. WHEN DO YOU STOP SERVING 440 00:15:39,005 --> 00:15:39,648 CHEESEBURGER. WHEN DO YOU STOP SERVING BREAKFAST? 441 00:15:39,672 --> 00:15:41,050 WHEN DO YOU STOP SERVING BREAKFAST? NOW. NO BREAKFAST. 442 00:15:41,074 --> 00:15:41,683 BREAKFAST? NOW. NO BREAKFAST. NO BREAKFAST? 443 00:15:41,707 --> 00:15:42,484 NOW. NO BREAKFAST. NO BREAKFAST? NOPE. 444 00:15:42,508 --> 00:15:44,820 NO BREAKFAST? NOPE. I JUST WANT A COUPLE OF EGGS. 445 00:15:44,844 --> 00:15:45,988 NOPE. I JUST WANT A COUPLE OF EGGS. NO BREAKFAST! 446 00:15:46,012 --> 00:15:46,989 I JUST WANT A COUPLE OF EGGS. NO BREAKFAST! CHEESEBURGER! 447 00:15:47,013 --> 00:15:47,623 NO BREAKFAST! CHEESEBURGER! I JUST GOT UP. 448 00:15:47,647 --> 00:15:48,391 CHEESEBURGER! I JUST GOT UP. I DON'T WANT A CHEESEBURGER. 449 00:15:48,415 --> 00:15:49,191 I JUST GOT UP. I DON'T WANT A CHEESEBURGER. COME ON, COME ON, COME ON. 450 00:15:49,215 --> 00:15:49,825 I DON'T WANT A CHEESEBURGER. COME ON, COME ON, COME ON. DON'T GIVE ME THAT. 451 00:15:49,849 --> 00:15:50,259 COME ON, COME ON, COME ON. DON'T GIVE ME THAT. COME ON. 452 00:15:50,283 --> 00:15:50,893 DON'T GIVE ME THAT. COME ON. LET'S GO, LET'S GO. 453 00:15:50,917 --> 00:15:51,593 COME ON. LET'S GO, LET'S GO. WE GOTTA HAVE TURNOVER! 454 00:15:51,617 --> 00:15:52,295 LET'S GO, LET'S GO. WE GOTTA HAVE TURNOVER! YOU WANT A CHEESEBURGER? 455 00:15:52,319 --> 00:15:53,095 WE GOTTA HAVE TURNOVER! YOU WANT A CHEESEBURGER? EVERYBODY GOT A CHEESEBURGER. 456 00:15:53,119 --> 00:15:53,796 YOU WANT A CHEESEBURGER? EVERYBODY GOT A CHEESEBURGER. YOU WANT A CHEESEBURGER? 457 00:15:53,820 --> 00:15:54,964 EVERYBODY GOT A CHEESEBURGER. YOU WANT A CHEESEBURGER? I DON'T WANT A CHEESEBURGER! 458 00:15:54,988 --> 00:15:55,764 YOU WANT A CHEESEBURGER? I DON'T WANT A CHEESEBURGER! IT'S TOO EARLY FOR A 459 00:15:55,788 --> 00:15:56,332 I DON'T WANT A CHEESEBURGER! IT'S TOO EARLY FOR A CHEESEBURGER. 460 00:15:56,356 --> 00:15:57,699 IT'S TOO EARLY FOR A CHEESEBURGER. TOO EARLY FOR CHEESEBURGER? 461 00:15:57,723 --> 00:15:58,434 CHEESEBURGER. TOO EARLY FOR CHEESEBURGER? LOOK. 462 00:15:58,458 --> 00:15:59,535 TOO EARLY FOR CHEESEBURGER? LOOK. CHEESEBURGER, CHEESEBURGER, 463 00:15:59,559 --> 00:16:00,702 LOOK. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. 464 00:16:00,726 --> 00:16:01,770 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER, 465 00:16:01,794 --> 00:16:02,805 CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. 466 00:16:02,829 --> 00:16:04,006 CHEESEBURGER, CHEESEBURGER, CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER. 467 00:16:04,030 --> 00:16:11,080 CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER. 468 00:16:11,104 --> 00:16:12,048 CHEESEBURGER, CHEESEBURGER. CHEESEBURGER, CHEESEBURGER. WHAT DO YOU WANT? 469 00:16:12,072 --> 00:16:13,182 CHEESEBURGER, CHEESEBURGER. WHAT DO YOU WANT? WHAT ARE YOU GONNA HAVE? 470 00:16:13,206 --> 00:16:14,616 WHAT DO YOU WANT? WHAT ARE YOU GONNA HAVE? I'LL HAVE A CHEESEBURGER. 471 00:16:14,640 --> 00:16:16,552 WHAT ARE YOU GONNA HAVE? I'LL HAVE A CHEESEBURGER. ONE CHEESEBURGER. 472 00:16:16,576 --> 00:16:17,853 I'LL HAVE A CHEESEBURGER. ONE CHEESEBURGER. NO MORE CHEESEBURGER. 473 00:16:17,877 --> 00:16:19,655 ONE CHEESEBURGER. NO MORE CHEESEBURGER. NO MORE CHEESEBURGER. 474 00:16:19,679 --> 00:16:20,722 NO MORE CHEESEBURGER. NO MORE CHEESEBURGER. I'LL HAVE A HAMBURGER, THEN. 475 00:16:20,746 --> 00:16:21,457 NO MORE CHEESEBURGER. I'LL HAVE A HAMBURGER, THEN. HAMBURGER. 476 00:16:21,481 --> 00:16:22,524 I'LL HAVE A HAMBURGER, THEN. HAMBURGER. NO HAMBURGER. 477 00:16:22,548 --> 00:16:23,426 HAMBURGER. NO HAMBURGER. NO HAMBURGER. 478 00:16:23,450 --> 00:16:24,293 NO HAMBURGER. NO HAMBURGER. NO CHEESEBURGER, NO 479 00:16:24,317 --> 00:16:25,127 NO HAMBURGER. NO CHEESEBURGER, NO HAMBURGER, NO BURGER. 480 00:16:25,151 --> 00:16:26,162 NO CHEESEBURGER, NO HAMBURGER, NO BURGER. NO CHEESEBURGER, NO 481 00:16:26,186 --> 00:16:27,163 HAMBURGER, NO BURGER. NO CHEESEBURGER, NO HAMBURGER, NO BURGER. 482 00:16:27,187 --> 00:16:28,130 NO CHEESEBURGER, NO HAMBURGER, NO BURGER. HOW ABOUT A COUPLE OF EGGS, 483 00:16:28,154 --> 00:16:28,697 HAMBURGER, NO BURGER. HOW ABOUT A COUPLE OF EGGS, THEN? 484 00:16:28,721 --> 00:16:29,498 HOW ABOUT A COUPLE OF EGGS, THEN? EGGS. 485 00:16:29,522 --> 00:16:31,267 THEN? EGGS. OVER LIGHTLY? 486 00:16:31,291 --> 00:16:31,800 EGGS. OVER LIGHTLY? SCRAMBLED. 487 00:16:31,824 --> 00:16:33,569 OVER LIGHTLY? SCRAMBLED. ALL RIGHT, SCRAMBLED. 488 00:16:33,593 --> 00:16:34,937 SCRAMBLED. ALL RIGHT, SCRAMBLED. AND WHAT TO DRINK? 489 00:16:34,961 --> 00:16:35,771 ALL RIGHT, SCRAMBLED. AND WHAT TO DRINK? COKE. 490 00:16:35,795 --> 00:16:36,839 AND WHAT TO DRINK? COKE. NO COKE... PEPSI. 491 00:16:36,863 --> 00:16:37,639 COKE. NO COKE... PEPSI. PEPSI. 492 00:16:37,663 --> 00:16:39,008 NO COKE... PEPSI. PEPSI. ONE PEPSI! 493 00:16:39,032 --> 00:16:41,043 PEPSI. ONE PEPSI! ONE PEPSI! 494 00:16:41,067 --> 00:16:42,378 ONE PEPSI! ONE PEPSI! COME ON, PEPSI! 495 00:16:42,402 --> 00:16:45,169 ONE PEPSI! COME ON, PEPSI! COME ON! 496 00:16:58,850 --> 00:17:06,302 OH, LOOK! ISN'T THAT NICE? IT WAS WONDERFUL OF YOUR MOTHER 497 00:17:06,326 --> 00:17:07,836 ISN'T THAT NICE? IT WAS WONDERFUL OF YOUR MOTHER TO SEND THESE "HIS" AND "HER" 498 00:17:07,860 --> 00:17:09,438 IT WAS WONDERFUL OF YOUR MOTHER TO SEND THESE "HIS" AND "HER" TOWELS BECAUSE OF YOUR 499 00:17:09,462 --> 00:17:10,772 TO SEND THESE "HIS" AND "HER" TOWELS BECAUSE OF YOUR GRADUATION FROM MEDICAL SCHOOL 500 00:17:10,796 --> 00:17:11,407 TOWELS BECAUSE OF YOUR GRADUATION FROM MEDICAL SCHOOL TOMORROW. 501 00:17:11,431 --> 00:17:13,042 GRADUATION FROM MEDICAL SCHOOL TOMORROW. WELL, YOU KNOW, I THINK SHE'S 502 00:17:13,066 --> 00:17:14,410 TOMORROW. WELL, YOU KNOW, I THINK SHE'S FINALLY ACCEPTED THE FACT THAT 503 00:17:14,434 --> 00:17:15,744 WELL, YOU KNOW, I THINK SHE'S FINALLY ACCEPTED THE FACT THAT WE'RE NOT GOING TO GET MARRIED. 504 00:17:15,768 --> 00:17:16,479 FINALLY ACCEPTED THE FACT THAT WE'RE NOT GOING TO GET MARRIED. WELL, SHE OUGHT TO. 505 00:17:16,503 --> 00:17:17,413 WE'RE NOT GOING TO GET MARRIED. WELL, SHE OUGHT TO. WE'VE BEEN LIVING TOGETHER FOR 506 00:17:17,437 --> 00:17:19,148 WELL, SHE OUGHT TO. WE'VE BEEN LIVING TOGETHER FOR EIGHT YEARS. 507 00:17:19,172 --> 00:17:20,849 WE'VE BEEN LIVING TOGETHER FOR EIGHT YEARS. WELL, I DON'T THINK YOUR 508 00:17:20,873 --> 00:17:22,718 EIGHT YEARS. WELL, I DON'T THINK YOUR WINNING THE CAL TECH PRIZE FOR 509 00:17:22,742 --> 00:17:24,120 WELL, I DON'T THINK YOUR WINNING THE CAL TECH PRIZE FOR YOUR SOLAR ENERGY RESEARCH HURT 510 00:17:24,144 --> 00:17:25,121 WINNING THE CAL TECH PRIZE FOR YOUR SOLAR ENERGY RESEARCH HURT ANY. 511 00:17:25,145 --> 00:17:28,357 YOUR SOLAR ENERGY RESEARCH HURT ANY. YOU KNOW, I LOVE YOUR MOM 512 00:17:28,381 --> 00:17:29,691 ANY. YOU KNOW, I LOVE YOUR MOM AND... AND WHO KNOWS? 513 00:17:29,715 --> 00:17:31,193 YOU KNOW, I LOVE YOUR MOM AND... AND WHO KNOWS? MAYBE SOMEDAY WE WILL GET 514 00:17:31,217 --> 00:17:33,295 AND... AND WHO KNOWS? MAYBE SOMEDAY WE WILL GET HOOKED UP AND REALLY MAKE HER 515 00:17:33,319 --> 00:17:34,063 MAYBE SOMEDAY WE WILL GET HOOKED UP AND REALLY MAKE HER HAPPY. 516 00:17:34,087 --> 00:17:35,464 HOOKED UP AND REALLY MAKE HER HAPPY. I DON'T SEE WHY... 517 00:17:35,488 --> 00:17:36,198 HAPPY. I DON'T SEE WHY... FREEZE! 518 00:17:36,222 --> 00:17:41,537 I DON'T SEE WHY... FREEZE! X-POLICE! 519 00:17:41,561 --> 00:17:43,506 FREEZE! X-POLICE! X-POLICE? 520 00:17:43,530 --> 00:17:44,706 X-POLICE! X-POLICE? YEAH, WE WERE KICKED OFF THE 521 00:17:44,730 --> 00:17:46,675 X-POLICE? YEAH, WE WERE KICKED OFF THE FORCE A FEW MONTHS AGO. 522 00:17:46,699 --> 00:17:48,044 YEAH, WE WERE KICKED OFF THE FORCE A FEW MONTHS AGO. BUT THAT WON'T KEEP US FROM 523 00:17:48,068 --> 00:17:49,178 FORCE A FEW MONTHS AGO. BUT THAT WON'T KEEP US FROM ENFORCING THE LAW. 524 00:17:49,202 --> 00:17:51,414 BUT THAT WON'T KEEP US FROM ENFORCING THE LAW. YOU TWO ARE ADULTS COHABITATING 525 00:17:51,438 --> 00:17:53,715 ENFORCING THE LAW. YOU TWO ARE ADULTS COHABITATING IN A SINGLE-FAMILY DWELLING, AND 526 00:17:53,739 --> 00:17:56,718 YOU TWO ARE ADULTS COHABITATING IN A SINGLE-FAMILY DWELLING, AND IN THIS STATE THAT'S A FELONY! 527 00:17:56,742 --> 00:17:58,054 IN A SINGLE-FAMILY DWELLING, AND IN THIS STATE THAT'S A FELONY! HOW DO YOU KNOW? 528 00:17:58,078 --> 00:17:59,021 IN THIS STATE THAT'S A FELONY! HOW DO YOU KNOW? WE LIVE IN THIS BUILDING. 529 00:17:59,045 --> 00:17:59,988 HOW DO YOU KNOW? WE LIVE IN THIS BUILDING. WE SEE YOU COMING AND GOING ALL 530 00:18:00,012 --> 00:18:00,456 WE LIVE IN THIS BUILDING. WE SEE YOU COMING AND GOING ALL THE TIME. 531 00:18:00,480 --> 00:18:01,790 WE SEE YOU COMING AND GOING ALL THE TIME. HEY, WAIT A MINUTE. 532 00:18:01,814 --> 00:18:03,559 THE TIME. HEY, WAIT A MINUTE. YOU CAN'T BREAK IN HERE WITHOUT 533 00:18:03,583 --> 00:18:04,360 HEY, WAIT A MINUTE. YOU CAN'T BREAK IN HERE WITHOUT A WARRANT! 534 00:18:04,384 --> 00:18:05,161 YOU CAN'T BREAK IN HERE WITHOUT A WARRANT! OH, NO, I GOT A WARRANT 535 00:18:05,185 --> 00:18:05,661 A WARRANT! OH, NO, I GOT A WARRANT RIGHT HERE. 536 00:18:05,685 --> 00:18:06,429 OH, NO, I GOT A WARRANT RIGHT HERE. COME ON. 537 00:18:06,453 --> 00:18:08,264 RIGHT HERE. COME ON. HELP ME WITH IT, WILL YOU? 538 00:18:08,288 --> 00:18:10,166 COME ON. HELP ME WITH IT, WILL YOU? MY GOD! PLEASE! 539 00:18:10,190 --> 00:18:11,800 HELP ME WITH IT, WILL YOU? MY GOD! PLEASE! WE'VE NEVER DONE ANYTHING WRONG! 540 00:18:11,824 --> 00:18:13,669 MY GOD! PLEASE! WE'VE NEVER DONE ANYTHING WRONG! YEAH, SURE, SLUT! 541 00:18:13,693 --> 00:18:17,106 WE'VE NEVER DONE ANYTHING WRONG! YEAH, SURE, SLUT! OH, HONEY! 542 00:18:17,130 --> 00:18:18,407 YEAH, SURE, SLUT! OH, HONEY! IF YOU WANT, YOU CAN TELL IT 543 00:18:18,431 --> 00:18:21,077 OH, HONEY! IF YOU WANT, YOU CAN TELL IT TO THE X-JUDGE. 544 00:18:21,101 --> 00:18:22,344 IF YOU WANT, YOU CAN TELL IT TO THE X-JUDGE. HOW YOU CAN SAY YOU'VE NEVER 545 00:18:22,368 --> 00:18:23,645 TO THE X-JUDGE. HOW YOU CAN SAY YOU'VE NEVER DONE ANYTHING WRONG REALLY MAKES 546 00:18:23,669 --> 00:18:24,947 HOW YOU CAN SAY YOU'VE NEVER DONE ANYTHING WRONG REALLY MAKES ME SICK! 547 00:18:24,971 --> 00:18:26,882 DONE ANYTHING WRONG REALLY MAKES ME SICK! BOY, YOU PEOPLE MAKE ME SICK! 548 00:18:26,906 --> 00:18:29,418 ME SICK! BOY, YOU PEOPLE MAKE ME SICK! FORNICATION, COPULATION, COITUS! 549 00:18:29,442 --> 00:18:31,420 BOY, YOU PEOPLE MAKE ME SICK! FORNICATION, COPULATION, COITUS! IT'S ALL THE SAME... SEX! 550 00:18:31,444 --> 00:18:32,621 FORNICATION, COPULATION, COITUS! IT'S ALL THE SAME... SEX! YOU PEOPLE ARE DRIVING THIS 551 00:18:32,645 --> 00:18:34,856 IT'S ALL THE SAME... SEX! YOU PEOPLE ARE DRIVING THIS COUNTRY INTO A GODLESS MIRE! 552 00:18:34,880 --> 00:18:35,757 YOU PEOPLE ARE DRIVING THIS COUNTRY INTO A GODLESS MIRE! I DON'T SUPPOSE YOU'VE EVER SEEN 553 00:18:35,781 --> 00:18:37,460 COUNTRY INTO A GODLESS MIRE! I DON'T SUPPOSE YOU'VE EVER SEEN A GIRL TURNING TRICKS ON THE 554 00:18:37,484 --> 00:18:38,860 I DON'T SUPPOSE YOU'VE EVER SEEN A GIRL TURNING TRICKS ON THE STREET BECAUSE SHE WAS BORN OUT 555 00:18:38,884 --> 00:18:39,895 A GIRL TURNING TRICKS ON THE STREET BECAUSE SHE WAS BORN OUT OF WEDLOCK... A LITTLE 556 00:18:39,919 --> 00:18:41,063 STREET BECAUSE SHE WAS BORN OUT OF WEDLOCK... A LITTLE 14-YEAR-OLD GIRL. 557 00:18:41,087 --> 00:18:42,131 OF WEDLOCK... A LITTLE 14-YEAR-OLD GIRL. JOE. 558 00:18:42,155 --> 00:18:43,132 14-YEAR-OLD GIRL. JOE. JOE, MAYBE YOU SHOULD STOP 559 00:18:43,156 --> 00:18:44,233 JOE. JOE, MAYBE YOU SHOULD STOP SLAMMING HER AGAINST THE WALL. 560 00:18:44,257 --> 00:18:45,501 JOE, MAYBE YOU SHOULD STOP SLAMMING HER AGAINST THE WALL. SHE'S UNCONSCIOUS AND REALLY 561 00:18:45,525 --> 00:18:48,437 SLAMMING HER AGAINST THE WALL. SHE'S UNCONSCIOUS AND REALLY CAN'T BENEFIT FROM YOUR WORDS. 562 00:18:48,461 --> 00:18:50,306 SHE'S UNCONSCIOUS AND REALLY CAN'T BENEFIT FROM YOUR WORDS. IT'S TOO LATE. 563 00:18:50,330 --> 00:18:51,907 CAN'T BENEFIT FROM YOUR WORDS. IT'S TOO LATE. SHE'S DEAD. 564 00:18:51,931 --> 00:18:53,642 IT'S TOO LATE. SHE'S DEAD. ANOTHER PROMISCUITY-RELATED 565 00:18:53,666 --> 00:18:55,177 SHE'S DEAD. ANOTHER PROMISCUITY-RELATED DEATH. 566 00:18:55,201 --> 00:18:56,878 ANOTHER PROMISCUITY-RELATED DEATH. THIS SORT OF THING TURNS MY 567 00:18:56,902 --> 00:18:58,247 DEATH. THIS SORT OF THING TURNS MY STOMACH! 568 00:18:58,271 --> 00:18:59,415 THIS SORT OF THING TURNS MY STOMACH! BETTER MAKE IT LOOK LIKE THE GUY 569 00:18:59,439 --> 00:19:00,216 STOMACH! BETTER MAKE IT LOOK LIKE THE GUY DID IT. 570 00:19:00,240 --> 00:19:01,750 BETTER MAKE IT LOOK LIKE THE GUY DID IT. RIGHT. HERE. 571 00:19:01,774 --> 00:19:07,022 DID IT. RIGHT. HERE. PUT HIS HANDS AROUND HER NECK. 572 00:19:07,046 --> 00:19:08,724 RIGHT. HERE. PUT HIS HANDS AROUND HER NECK. YEAH, RIGHT, THEN WE'LL THROW 573 00:19:08,748 --> 00:19:11,427 PUT HIS HANDS AROUND HER NECK. YEAH, RIGHT, THEN WE'LL THROW THIS GLASS OF WATER IN HIS FACE. 574 00:19:11,451 --> 00:19:14,029 YEAH, RIGHT, THEN WE'LL THROW THIS GLASS OF WATER IN HIS FACE. WHAT, WHAT, HUH? 575 00:19:14,053 --> 00:19:15,030 THIS GLASS OF WATER IN HIS FACE. WHAT, WHAT, HUH? YEAH, COME ON UP, FELLA. 576 00:19:15,054 --> 00:19:15,897 WHAT, WHAT, HUH? YEAH, COME ON UP, FELLA. YEAH, YOU HAD A ROUGH BLOW 577 00:19:15,921 --> 00:19:16,298 YEAH, COME ON UP, FELLA. YEAH, YOU HAD A ROUGH BLOW THERE. 578 00:19:16,322 --> 00:19:17,799 YEAH, YOU HAD A ROUGH BLOW THERE. WE CAME IN TO BUST YOU FOR 579 00:19:17,823 --> 00:19:18,601 THERE. WE CAME IN TO BUST YOU FOR COHABITATION. 580 00:19:18,625 --> 00:19:19,968 WE CAME IN TO BUST YOU FOR COHABITATION. YOUR GIRLFRIEND HERE TRIED TO 581 00:19:19,992 --> 00:19:21,303 COHABITATION. YOUR GIRLFRIEND HERE TRIED TO BRIBE US WITH SEXUAL FAVORS. 582 00:19:21,327 --> 00:19:23,239 YOUR GIRLFRIEND HERE TRIED TO BRIBE US WITH SEXUAL FAVORS. AND IN A FIT OF JEALOUS RAGE YOU 583 00:19:23,263 --> 00:19:24,706 BRIBE US WITH SEXUAL FAVORS. AND IN A FIT OF JEALOUS RAGE YOU WENT BERSERK, AND YOU STRANGLED 584 00:19:24,730 --> 00:19:25,741 AND IN A FIT OF JEALOUS RAGE YOU WENT BERSERK, AND YOU STRANGLED HER BEFORE WE COULD KNOCK YOU 585 00:19:25,765 --> 00:19:27,143 WENT BERSERK, AND YOU STRANGLED HER BEFORE WE COULD KNOCK YOU OUT! 586 00:19:27,167 --> 00:19:29,778 HER BEFORE WE COULD KNOCK YOU OUT! I DID? 587 00:19:29,802 --> 00:19:37,802 OUT! I DID? OHHH! 588 00:19:37,910 --> 00:19:40,878 I DID? OHHH! FINGERPRINTS! 589 00:19:46,385 --> 00:19:51,800 COHABITATION. [SCOFFS] WELL, JOE, WE'VE DONE ALL WE 590 00:19:51,824 --> 00:19:52,301 [SCOFFS] WELL, JOE, WE'VE DONE ALL WE CAN. 591 00:19:52,325 --> 00:19:53,202 WELL, JOE, WE'VE DONE ALL WE CAN. LET'S GET OUT OF HERE BEFORE THE 592 00:19:53,226 --> 00:19:54,270 CAN. LET'S GET OUT OF HERE BEFORE THE REAL POLICE COME. 593 00:19:54,294 --> 00:19:57,295 LET'S GET OUT OF HERE BEFORE THE REAL POLICE COME. YEAH, RIGHT! 594 00:20:00,965 --> 00:20:04,846 Announcer: DAVE GRIFFIN RECOVERED FROM HIS FALL AND WAS CONVICTED OF FIRST-DEGREE MURDER 595 00:20:04,870 --> 00:20:05,847 RECOVERED FROM HIS FALL AND WAS CONVICTED OF FIRST-DEGREE MURDER IN THE BEATING DEATH OF 596 00:20:05,871 --> 00:20:06,549 CONVICTED OF FIRST-DEGREE MURDER IN THE BEATING DEATH OF SUSAN EDWARDS. 597 00:20:06,573 --> 00:20:07,716 IN THE BEATING DEATH OF SUSAN EDWARDS. GRIFFIN WAS SENTENCED TO LIFE 598 00:20:07,740 --> 00:20:08,950 SUSAN EDWARDS. GRIFFIN WAS SENTENCED TO LIFE IMPRISONMENT IN THE CALIFORNIA 599 00:20:08,974 --> 00:20:10,252 GRIFFIN WAS SENTENCED TO LIFE IMPRISONMENT IN THE CALIFORNIA STATE MEN'S PENITENTIARY AT 600 00:20:10,276 --> 00:20:12,288 IMPRISONMENT IN THE CALIFORNIA STATE MEN'S PENITENTIARY AT CHINO, WHERE HE DIED SIX MONTHS 601 00:20:12,312 --> 00:20:13,656 STATE MEN'S PENITENTIARY AT CHINO, WHERE HE DIED SIX MONTHS LATER WHILE BEING SEXUALLY 602 00:20:13,680 --> 00:20:17,248 CHINO, WHERE HE DIED SIX MONTHS LATER WHILE BEING SEXUALLY ASSAULTED BY OTHER INMATES. 603 00:20:17,516 --> 00:20:19,183 JOIN US AGAIN NEXT WEEK FOR 604 00:20:19,318 --> 00:20:22,720 ANOTHER EPISODE OF "X-POLICE." 605 00:20:30,195 --> 00:20:34,710 LADIES AND GENTLEMEN, BONNIE RAITT! [CHEERS AND APPLAUSE] 606 00:20:34,734 --> 00:20:35,911 BONNIE RAITT! [CHEERS AND APPLAUSE] [PLAYING UP-TEMPO 607 00:20:35,935 --> 00:20:37,975 [CHEERS AND APPLAUSE] [PLAYING UP-TEMPO INTRODUCTION] 608 00:20:42,807 --> 00:20:50,807 ♪ AS I WALK ALONG I WONDER WHAT WENT WRONG WITH OUR LOVE, A LOVE THAT WAS SO STRONG ♪ 609 00:21:01,160 --> 00:21:04,506 WHAT WENT WRONG WITH OUR LOVE, A LOVE THAT WAS SO STRONG ♪ ♪ AS I STILL WALK ON, I THINK 610 00:21:04,530 --> 00:21:08,577 A LOVE THAT WAS SO STRONG ♪ ♪ AS I STILL WALK ON, I THINK OF ALL THE THINGS WE'VE DONE 611 00:21:08,601 --> 00:21:11,313 ♪ AS I STILL WALK ON, I THINK OF ALL THE THINGS WE'VE DONE TOGETHER 612 00:21:11,337 --> 00:21:17,753 OF ALL THE THINGS WE'VE DONE TOGETHER WHILE OUR HEARTS WERE YOUNG ♪ 613 00:21:17,777 --> 00:21:22,291 TOGETHER WHILE OUR HEARTS WERE YOUNG ♪ ♪ I'M A-WALKIN' IN THE RAIN ♪ 614 00:21:22,315 --> 00:21:24,192 WHILE OUR HEARTS WERE YOUNG ♪ ♪ I'M A-WALKIN' IN THE RAIN ♪ ♪ TEARS ARE FALLIN', 615 00:21:24,216 --> 00:21:26,795 ♪ I'M A-WALKIN' IN THE RAIN ♪ ♪ TEARS ARE FALLIN', AND I FEEL THE PAIN ♪ 616 00:21:26,819 --> 00:21:31,199 ♪ TEARS ARE FALLIN', AND I FEEL THE PAIN ♪ ♪ WISHIN' YOU WERE HERE BY ME 617 00:21:31,223 --> 00:21:34,536 AND I FEEL THE PAIN ♪ ♪ WISHIN' YOU WERE HERE BY ME TO END THIS MISERY ♪ 618 00:21:34,560 --> 00:21:37,172 ♪ WISHIN' YOU WERE HERE BY ME TO END THIS MISERY ♪ ♪ AND I WONDER ♪ 619 00:21:37,196 --> 00:21:42,978 TO END THIS MISERY ♪ ♪ AND I WONDER ♪ ♪ I WO-O-O-NDER ♪ 620 00:21:43,002 --> 00:21:47,015 ♪ AND I WONDER ♪ ♪ I WO-O-O-NDER ♪ ♪ YOU KNOW WHY, 621 00:21:47,039 --> 00:21:51,587 ♪ I WO-O-O-NDER ♪ ♪ YOU KNOW WHY, YOU RAN AWAY ♪ 622 00:21:51,611 --> 00:21:55,591 ♪ YOU KNOW WHY, YOU RAN AWAY ♪ ♪ AND I WONDER 623 00:21:55,615 --> 00:21:59,328 YOU RAN AWAY ♪ ♪ AND I WONDER IF YOU WILL STAY, 624 00:21:59,352 --> 00:22:04,400 ♪ AND I WONDER IF YOU WILL STAY, MY LITTLE RUNAWAY ♪ 625 00:22:04,424 --> 00:22:08,992 IF YOU WILL STAY, MY LITTLE RUNAWAY ♪ ♪ MY LITTLE RUNAWAY ♪ 626 00:22:25,143 --> 00:22:28,278 [SAXOPHONE PLAYS] 627 00:22:43,995 --> 00:22:51,995 ♪ I'M A-WALKIN' IN THE RAIN ♪ ♪ TEARS ARE FALLIN', AND I FEEL THE PAIN ♪ 628 00:22:52,872 --> 00:22:57,285 ♪ TEARS ARE FALLIN', AND I FEEL THE PAIN ♪ ♪ WISHIN' YOU WERE HERE BY ME 629 00:22:57,309 --> 00:23:00,689 AND I FEEL THE PAIN ♪ ♪ WISHIN' YOU WERE HERE BY ME TO END THIS MISERY ♪ 630 00:23:00,713 --> 00:23:03,291 ♪ WISHIN' YOU WERE HERE BY ME TO END THIS MISERY ♪ ♪ AND I WONDER ♪ 631 00:23:03,315 --> 00:23:08,997 TO END THIS MISERY ♪ ♪ AND I WONDER ♪ ♪ I WO-O-O-NDER, BABY, YEAH ♪ 632 00:23:09,021 --> 00:23:13,068 ♪ AND I WONDER ♪ ♪ I WO-O-O-NDER, BABY, YEAH ♪ ♪ YOU KNOW WHY, 633 00:23:13,092 --> 00:23:17,639 ♪ I WO-O-O-NDER, BABY, YEAH ♪ ♪ YOU KNOW WHY, YOU RAN AWAY ♪ 634 00:23:17,663 --> 00:23:22,010 ♪ YOU KNOW WHY, YOU RAN AWAY ♪ ♪ AND I WONDER 635 00:23:22,034 --> 00:23:25,947 YOU RAN AWAY ♪ ♪ AND I WONDER IF YOU WILL STAY, 636 00:23:25,971 --> 00:23:28,650 ♪ AND I WONDER IF YOU WILL STAY, MY LITTLE RUNAWAY ♪ 637 00:23:28,674 --> 00:23:31,720 IF YOU WILL STAY, MY LITTLE RUNAWAY ♪ [SAXOPHONE PLAYS] 638 00:23:31,744 --> 00:23:35,090 MY LITTLE RUNAWAY ♪ [SAXOPHONE PLAYS] ♪ RUNAWAY ♪ 639 00:23:35,114 --> 00:23:36,792 [SAXOPHONE PLAYS] ♪ RUNAWAY ♪ ♪ COME BACK, BABY ♪ 640 00:23:36,816 --> 00:23:38,861 ♪ RUNAWAY ♪ ♪ COME BACK, BABY ♪ ♪ RUN ♪ 641 00:23:38,885 --> 00:23:42,998 ♪ COME BACK, BABY ♪ ♪ RUN ♪ ♪ PLEASE DON'T STAY AWAY ♪ 642 00:23:43,022 --> 00:23:44,132 ♪ RUN ♪ ♪ PLEASE DON'T STAY AWAY ♪ ♪ YOU LEFT ME STANDIN' 643 00:23:44,156 --> 00:23:45,300 ♪ PLEASE DON'T STAY AWAY ♪ ♪ YOU LEFT ME STANDIN' IN THE RAIN ♪ 644 00:23:45,324 --> 00:23:52,274 ♪ YOU LEFT ME STANDIN' IN THE RAIN ♪ ♪ RUN, RUN, RUNAWAY ♪ 645 00:23:52,298 --> 00:23:55,076 IN THE RAIN ♪ ♪ RUN, RUN, RUNAWAY ♪ ♪ COME BACK, BABY ♪ 646 00:23:55,100 --> 00:23:57,345 ♪ RUN, RUN, RUNAWAY ♪ ♪ COME BACK, BABY ♪ ♪ BABY ♪ 647 00:23:57,369 --> 00:24:00,649 ♪ COME BACK, BABY ♪ ♪ BABY ♪ ♪ RUNAWAY ♪ 648 00:24:00,673 --> 00:24:02,418 ♪ BABY ♪ ♪ RUNAWAY ♪ ♪ LEFT ME IN THE RAIN ♪ 649 00:24:02,442 --> 00:24:10,442 ♪ RUNAWAY ♪ ♪ LEFT ME IN THE RAIN ♪ ♪ RUN, RUN, RUNAWAY ♪ 650 00:24:10,616 --> 00:24:18,616 ♪ LEFT ME IN THE RAIN ♪ ♪ RUN, RUN, RUNAWAY ♪ ♪ RUN, RUN, RUNAWAY ♪ 651 00:24:20,359 --> 00:24:25,062 ♪ RUN, RUN, RUNAWAY ♪ ♪ RUN, RUN, RUNAWAY ♪ [CHEERS AND APPLAUSE] 652 00:24:37,876 --> 00:24:42,390 COMING UP, SEATTLE SLEW MAY NEVER RACE AGAIN. THIS AND OTHER STORIES ON 653 00:24:42,414 --> 00:24:48,163 NEVER RACE AGAIN. THIS AND OTHER STORIES ON "WEEKEND UPDATE," NEXT. 654 00:24:48,187 --> 00:24:49,965 THIS AND OTHER STORIES ON "WEEKEND UPDATE," NEXT. Announcer: AND NOW, "WEEKEND 655 00:24:49,989 --> 00:24:51,533 "WEEKEND UPDATE," NEXT. Announcer: AND NOW, "WEEKEND UPDATE," WITH THE "WEEKEND 656 00:24:51,557 --> 00:24:52,768 Announcer: AND NOW, "WEEKEND UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. 657 00:24:52,792 --> 00:24:54,336 UPDATE," WITH THE "WEEKEND UPDATE" NEWS TEAM. BROUGHT TO YOU BY DIMITAL. 658 00:24:54,360 --> 00:24:56,137 UPDATE" NEWS TEAM. BROUGHT TO YOU BY DIMITAL. TURNS YOUR MIND INTO A DOUGHNUT 659 00:24:56,161 --> 00:24:57,806 BROUGHT TO YOU BY DIMITAL. TURNS YOUR MIND INTO A DOUGHNUT SHOP. 660 00:24:57,830 --> 00:24:59,274 TURNS YOUR MIND INTO A DOUGHNUT SHOP. HERE ARE CO-ANCHORPERSONS 661 00:24:59,298 --> 00:25:00,876 SHOP. HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. 662 00:25:00,900 --> 00:25:02,277 HERE ARE CO-ANCHORPERSONS DAN AYKROYD AND JANE CURTIN. I AM DAN AYKROYD. 663 00:25:02,301 --> 00:25:04,079 DAN AYKROYD AND JANE CURTIN. I AM DAN AYKROYD. AND I'M JANE CURTIN. 664 00:25:04,103 --> 00:25:06,081 I AM DAN AYKROYD. AND I'M JANE CURTIN. OUR TOP STORY TONIGHT... THOSE 665 00:25:06,105 --> 00:25:09,217 AND I'M JANE CURTIN. OUR TOP STORY TONIGHT... THOSE TWO OLD HUSTLERS, BERT LANCE AND 666 00:25:09,241 --> 00:25:10,819 OUR TOP STORY TONIGHT... THOSE TWO OLD HUSTLERS, BERT LANCE AND LARRY FLYNT, GOT TOGETHER THIS 667 00:25:10,843 --> 00:25:12,253 TWO OLD HUSTLERS, BERT LANCE AND LARRY FLYNT, GOT TOGETHER THIS WEEK AND FORMED A BUSINESS 668 00:25:12,277 --> 00:25:13,188 LARRY FLYNT, GOT TOGETHER THIS WEEK AND FORMED A BUSINESS PARTNERSHIP. 669 00:25:13,212 --> 00:25:14,857 WEEK AND FORMED A BUSINESS PARTNERSHIP. UTILIZING THEIR RESPECTIVE 670 00:25:14,881 --> 00:25:16,892 PARTNERSHIP. UTILIZING THEIR RESPECTIVE SKILLS, THEY PLAN TO OPEN A GANG 671 00:25:16,916 --> 00:25:19,427 UTILIZING THEIR RESPECTIVE SKILLS, THEY PLAN TO OPEN A GANG BANK. 672 00:25:19,451 --> 00:25:21,429 SKILLS, THEY PLAN TO OPEN A GANG BANK. WELL, THAT RUSSIAN SATELLITE 673 00:25:21,453 --> 00:25:23,932 BANK. WELL, THAT RUSSIAN SATELLITE FILLED WITH 100 POUNDS OF HIGHLY 674 00:25:23,956 --> 00:25:26,067 WELL, THAT RUSSIAN SATELLITE FILLED WITH 100 POUNDS OF HIGHLY RADIOACTIVE URANIUM-235 HAS 675 00:25:26,091 --> 00:25:28,203 FILLED WITH 100 POUNDS OF HIGHLY RADIOACTIVE URANIUM-235 HAS FINALLY TURNED UP IN, OF ALL 676 00:25:28,227 --> 00:25:30,372 RADIOACTIVE URANIUM-235 HAS FINALLY TURNED UP IN, OF ALL PLACES, A NOVA SCOTIA LOBSTER 677 00:25:30,396 --> 00:25:31,139 FINALLY TURNED UP IN, OF ALL PLACES, A NOVA SCOTIA LOBSTER BED. 678 00:25:31,163 --> 00:25:32,541 PLACES, A NOVA SCOTIA LOBSTER BED. SCIENTISTS SAY THAT THE 679 00:25:32,565 --> 00:25:34,009 BED. SCIENTISTS SAY THAT THE RADIOACTIVITY HAS HAD NO 680 00:25:34,033 --> 00:25:35,443 SCIENTISTS SAY THAT THE RADIOACTIVITY HAS HAD NO SIGNIFICANT EFFECT ON MARINE 681 00:25:35,467 --> 00:25:36,879 RADIOACTIVITY HAS HAD NO SIGNIFICANT EFFECT ON MARINE LIFE IN THE AREA, EXCEPT THAT 682 00:25:36,903 --> 00:25:38,947 SIGNIFICANT EFFECT ON MARINE LIFE IN THE AREA, EXCEPT THAT THE LOBSTERS ARE NOW AS LARGE AS 683 00:25:38,971 --> 00:25:40,448 LIFE IN THE AREA, EXCEPT THAT THE LOBSTERS ARE NOW AS LARGE AS HELICOPTERS, AND YOU CAN READ IN 684 00:25:40,472 --> 00:25:44,786 THE LOBSTERS ARE NOW AS LARGE AS HELICOPTERS, AND YOU CAN READ IN THE DARK WITH A MACKEREL. 685 00:25:44,810 --> 00:25:46,688 HELICOPTERS, AND YOU CAN READ IN THE DARK WITH A MACKEREL. BECAUSE OF A STEERING DEFECT, 686 00:25:46,712 --> 00:25:48,223 THE DARK WITH A MACKEREL. BECAUSE OF A STEERING DEFECT, GENERAL MOTORS IS RECALLING SOME 687 00:25:48,247 --> 00:25:50,191 BECAUSE OF A STEERING DEFECT, GENERAL MOTORS IS RECALLING SOME 1960 CADILLAC MODELS, ONE OF 688 00:25:50,215 --> 00:25:52,394 GENERAL MOTORS IS RECALLING SOME 1960 CADILLAC MODELS, ONE OF WHICH BELONGS TO POPE PAUL. 689 00:25:52,418 --> 00:25:53,829 1960 CADILLAC MODELS, ONE OF WHICH BELONGS TO POPE PAUL. WHILE THE PONTIFF COULD NOT BE 690 00:25:53,853 --> 00:25:55,063 WHICH BELONGS TO POPE PAUL. WHILE THE PONTIFF COULD NOT BE REACHED FOR COMMENT, IT'S 691 00:25:55,087 --> 00:25:56,464 WHILE THE PONTIFF COULD NOT BE REACHED FOR COMMENT, IT'S REPORTED HE'S NOT CONCERNED 692 00:25:56,488 --> 00:25:58,099 REACHED FOR COMMENT, IT'S REPORTED HE'S NOT CONCERNED BECAUSE HIS CADILLAC IS USUALLY 693 00:25:58,123 --> 00:25:59,401 REPORTED HE'S NOT CONCERNED BECAUSE HIS CADILLAC IS USUALLY CARRIED ON THE SHOULDERS OF 694 00:25:59,425 --> 00:26:02,203 BECAUSE HIS CADILLAC IS USUALLY CARRIED ON THE SHOULDERS OF VATICAN AIDES, ANYWAY. 695 00:26:02,227 --> 00:26:04,105 CARRIED ON THE SHOULDERS OF VATICAN AIDES, ANYWAY. TELEVISION PERSONALITY 696 00:26:04,129 --> 00:26:06,374 VATICAN AIDES, ANYWAY. TELEVISION PERSONALITY TOM SNYDER WAS LYNCHED YESTERDAY 697 00:26:06,398 --> 00:26:08,476 TELEVISION PERSONALITY TOM SNYDER WAS LYNCHED YESTERDAY BY AN ANGRY STUDIO AUDIENCE. 698 00:26:08,500 --> 00:26:10,012 TOM SNYDER WAS LYNCHED YESTERDAY BY AN ANGRY STUDIO AUDIENCE. A SPOKESPERSON FOR THE MOB SAID 699 00:26:10,036 --> 00:26:11,446 BY AN ANGRY STUDIO AUDIENCE. A SPOKESPERSON FOR THE MOB SAID THEY DID IT FOR NO PARTICULAR 700 00:26:11,470 --> 00:26:11,947 A SPOKESPERSON FOR THE MOB SAID THEY DID IT FOR NO PARTICULAR REASON. 701 00:26:11,971 --> 00:26:13,649 THEY DID IT FOR NO PARTICULAR REASON. THEY JUST DIDN'T LIKE SNYDER'S 702 00:26:13,673 --> 00:26:19,421 REASON. THEY JUST DIDN'T LIKE SNYDER'S ATTITUDE. 703 00:26:19,445 --> 00:26:21,222 THEY JUST DIDN'T LIKE SNYDER'S ATTITUDE. AND ALSO IN HOLLYWOOD, SONNY AND 704 00:26:21,246 --> 00:26:22,824 ATTITUDE. AND ALSO IN HOLLYWOOD, SONNY AND CHER ARE DENYING RUMORS THAT 705 00:26:22,848 --> 00:26:24,626 AND ALSO IN HOLLYWOOD, SONNY AND CHER ARE DENYING RUMORS THAT THEY WILL MARRY AGAIN, FOLLOWING 706 00:26:24,650 --> 00:26:29,965 CHER ARE DENYING RUMORS THAT THEY WILL MARRY AGAIN, FOLLOWING CHER'S DIVORCE FROM GREG ALLMAN. 707 00:26:29,989 --> 00:26:31,499 THEY WILL MARRY AGAIN, FOLLOWING CHER'S DIVORCE FROM GREG ALLMAN. THIS JUST IN FROM THE MIDDLE 708 00:26:31,523 --> 00:26:32,734 CHER'S DIVORCE FROM GREG ALLMAN. THIS JUST IN FROM THE MIDDLE EAST... P.L.O. LEADER 709 00:26:32,758 --> 00:26:34,469 THIS JUST IN FROM THE MIDDLE EAST... P.L.O. LEADER YASIR ARAFAT SAID TODAY THAT THE 710 00:26:34,493 --> 00:26:36,171 EAST... P.L.O. LEADER YASIR ARAFAT SAID TODAY THAT THE P.L.O. WILL RECOGNIZE AND FULLY 711 00:26:36,195 --> 00:26:38,273 YASIR ARAFAT SAID TODAY THAT THE P.L.O. WILL RECOGNIZE AND FULLY SUPPORT ISRAEL'S RIGHT TO MAKE 712 00:26:38,297 --> 00:26:41,610 P.L.O. WILL RECOGNIZE AND FULLY SUPPORT ISRAEL'S RIGHT TO MAKE MORE CONCESSIONS. 713 00:26:41,634 --> 00:26:42,878 SUPPORT ISRAEL'S RIGHT TO MAKE MORE CONCESSIONS. NEW EVIDENCE UNCOVERED AT 714 00:26:42,902 --> 00:26:44,279 MORE CONCESSIONS. NEW EVIDENCE UNCOVERED AT PASADENA'S CAL TECH INSTITUTE 715 00:26:44,303 --> 00:26:45,747 NEW EVIDENCE UNCOVERED AT PASADENA'S CAL TECH INSTITUTE HAS SHOWN THAT ALBERT EINSTEIN 716 00:26:45,771 --> 00:26:46,514 PASADENA'S CAL TECH INSTITUTE HAS SHOWN THAT ALBERT EINSTEIN WAS WRONG. 717 00:26:46,538 --> 00:26:48,316 HAS SHOWN THAT ALBERT EINSTEIN WAS WRONG. DR. FRANK KELBOR OF THE NUCLEAR 718 00:26:48,340 --> 00:26:50,085 WAS WRONG. DR. FRANK KELBOR OF THE NUCLEAR PHYSICS WING OF HAVERBAR-ADAMS 719 00:26:50,109 --> 00:26:51,887 DR. FRANK KELBOR OF THE NUCLEAR PHYSICS WING OF HAVERBAR-ADAMS CENTER CLAIMS THAT THE EQUATION 720 00:26:51,911 --> 00:26:55,123 PHYSICS WING OF HAVERBAR-ADAMS CENTER CLAIMS THAT THE EQUATION E=MC2 SHOULD BE CHANGED TO 721 00:26:55,147 --> 00:26:59,461 CENTER CLAIMS THAT THE EQUATION E=MC2 SHOULD BE CHANGED TO E+E=MC-2/V2K. 722 00:26:59,485 --> 00:27:02,330 E=MC2 SHOULD BE CHANGED TO E+E=MC-2/V2K. THAT'S "V" FOR VOLUME SQUARED 723 00:27:02,354 --> 00:27:03,565 E+E=MC-2/V2K. THAT'S "V" FOR VOLUME SQUARED "K." 724 00:27:03,589 --> 00:27:05,200 THAT'S "V" FOR VOLUME SQUARED "K." WHAT THIS FORMULA MEANS IS THAT 725 00:27:05,224 --> 00:27:06,802 "K." WHAT THIS FORMULA MEANS IS THAT THE ATOM NUCLEI ARE COMPACTING 726 00:27:06,826 --> 00:27:08,203 WHAT THIS FORMULA MEANS IS THAT THE ATOM NUCLEI ARE COMPACTING AT A RATE TOO FAST FOR OUR 727 00:27:08,227 --> 00:27:09,871 THE ATOM NUCLEI ARE COMPACTING AT A RATE TOO FAST FOR OUR UNIVERSE, AND IN 15 WEEKS WE CAN 728 00:27:09,895 --> 00:27:11,473 AT A RATE TOO FAST FOR OUR UNIVERSE, AND IN 15 WEEKS WE CAN EXPECT THE END OF TIME, SPACE, 729 00:27:11,497 --> 00:27:12,874 UNIVERSE, AND IN 15 WEEKS WE CAN EXPECT THE END OF TIME, SPACE, AND MATTER AS WE KNOW IT. 730 00:27:12,898 --> 00:27:19,615 EXPECT THE END OF TIME, SPACE, AND MATTER AS WE KNOW IT. SORRY, ALBERT. 731 00:27:19,639 --> 00:27:20,816 AND MATTER AS WE KNOW IT. SORRY, ALBERT. WHILE ADMITTING THAT THE 732 00:27:20,840 --> 00:27:22,317 SORRY, ALBERT. WHILE ADMITTING THAT THE SWASTIKA SYMBOL IS ABHORRENT TO 733 00:27:22,341 --> 00:27:23,719 WHILE ADMITTING THAT THE SWASTIKA SYMBOL IS ABHORRENT TO JEWISH CITIZENS, THE ILLINOIS 734 00:27:23,743 --> 00:27:25,120 SWASTIKA SYMBOL IS ABHORRENT TO JEWISH CITIZENS, THE ILLINOIS SUPREME COURT YESTERDAY RULED 735 00:27:25,144 --> 00:27:26,655 JEWISH CITIZENS, THE ILLINOIS SUPREME COURT YESTERDAY RULED THAT THE AMERICAN NAZI PARTY HAS 736 00:27:26,679 --> 00:27:27,889 SUPREME COURT YESTERDAY RULED THAT THE AMERICAN NAZI PARTY HAS A CONSTITUTIONAL RIGHT TO 737 00:27:27,913 --> 00:27:29,424 THAT THE AMERICAN NAZI PARTY HAS A CONSTITUTIONAL RIGHT TO DISPLAY THE SWASTIKA IN A PARADE 738 00:27:29,448 --> 00:27:30,726 A CONSTITUTIONAL RIGHT TO DISPLAY THE SWASTIKA IN A PARADE DOWN THE MAIN STREET OF THE 739 00:27:30,750 --> 00:27:32,260 DISPLAY THE SWASTIKA IN A PARADE DOWN THE MAIN STREET OF THE LARGELY JEWISH SUBURB OF SKOKIE, 740 00:27:32,284 --> 00:27:32,861 DOWN THE MAIN STREET OF THE LARGELY JEWISH SUBURB OF SKOKIE, ILLINOIS. 741 00:27:32,885 --> 00:27:34,129 LARGELY JEWISH SUBURB OF SKOKIE, ILLINOIS. "WEEKEND UPDATE," IN THE 742 00:27:34,153 --> 00:27:35,664 ILLINOIS. "WEEKEND UPDATE," IN THE INTEREST OF FAIR AND IMPARTIAL 743 00:27:35,688 --> 00:27:37,265 "WEEKEND UPDATE," IN THE INTEREST OF FAIR AND IMPARTIAL JOURNALISM, WOULD LIKE TO REMAIN 744 00:27:37,289 --> 00:27:38,500 INTEREST OF FAIR AND IMPARTIAL JOURNALISM, WOULD LIKE TO REMAIN NEUTRAL ON THIS MATTER. 745 00:27:38,524 --> 00:27:40,035 JOURNALISM, WOULD LIKE TO REMAIN NEUTRAL ON THIS MATTER. AND IF ANY AMERICAN NAZI PARTY 746 00:27:40,059 --> 00:27:41,503 NEUTRAL ON THIS MATTER. AND IF ANY AMERICAN NAZI PARTY MEMBERS WOULD LIKE TO COME TO 747 00:27:41,527 --> 00:27:43,071 AND IF ANY AMERICAN NAZI PARTY MEMBERS WOULD LIKE TO COME TO OUR NEWSROOM, WE'LL GLADLY BEND 748 00:27:43,095 --> 00:27:44,673 MEMBERS WOULD LIKE TO COME TO OUR NEWSROOM, WE'LL GLADLY BEND EACH AND EVERY ONE OF THEM INTO 749 00:27:44,697 --> 00:27:46,141 OUR NEWSROOM, WE'LL GLADLY BEND EACH AND EVERY ONE OF THEM INTO A SHAPE OF A SWASTIKA FREE OF 750 00:27:46,165 --> 00:27:49,366 EACH AND EVERY ONE OF THEM INTO A SHAPE OF A SWASTIKA FREE OF CHARGE. 751 00:28:00,045 --> 00:28:08,045 THE LATE CASEY STENGEL. WAS IT WORTH IT? [LAUGHTER] 752 00:28:10,956 --> 00:28:16,004 WAS IT WORTH IT? [LAUGHTER] [CHEERS AND APPLAUSE] 753 00:28:16,028 --> 00:28:18,373 [LAUGHTER] [CHEERS AND APPLAUSE] WE'LL JUST SIT HERE AND HAVE A 754 00:28:18,397 --> 00:28:20,776 [CHEERS AND APPLAUSE] WE'LL JUST SIT HERE AND HAVE A CONVERSATION UNTIL OUR SCIENCE 755 00:28:20,800 --> 00:28:23,145 WE'LL JUST SIT HERE AND HAVE A CONVERSATION UNTIL OUR SCIENCE EDITOR, ROSEANNE ROSANNADANNA, 756 00:28:23,169 --> 00:28:25,480 CONVERSATION UNTIL OUR SCIENCE EDITOR, ROSEANNE ROSANNADANNA, COMES INTO PLACE. 757 00:28:25,504 --> 00:28:27,683 EDITOR, ROSEANNE ROSANNADANNA, COMES INTO PLACE. I'M SORRY. 758 00:28:27,707 --> 00:28:28,684 COMES INTO PLACE. I'M SORRY. NOW THAT 759 00:28:28,708 --> 00:28:30,686 I'M SORRY. NOW THAT ROSEANNE ROSANNADANNA IS IN 760 00:28:30,710 --> 00:28:32,654 NOW THAT ROSEANNE ROSANNADANNA IS IN PLACE, WE'LL CONTINUE WITH 761 00:28:32,678 --> 00:28:34,990 ROSEANNE ROSANNADANNA IS IN PLACE, WE'LL CONTINUE WITH ROSEANNE ROSANNADANNA INSTEAD OF 762 00:28:35,014 --> 00:28:36,658 PLACE, WE'LL CONTINUE WITH ROSEANNE ROSANNADANNA INSTEAD OF DOING THE OTHER STUFF. 763 00:28:36,682 --> 00:28:38,493 ROSEANNE ROSANNADANNA INSTEAD OF DOING THE OTHER STUFF. IT WASN'T FUNNY, ANYWAY. 764 00:28:38,517 --> 00:28:39,728 DOING THE OTHER STUFF. IT WASN'T FUNNY, ANYWAY. FORMER ATTORNEY GENERAL 765 00:28:39,752 --> 00:28:41,262 IT WASN'T FUNNY, ANYWAY. FORMER ATTORNEY GENERAL JOHN MITCHELL WAS REPORTED IN 766 00:28:41,286 --> 00:28:42,898 FORMER ATTORNEY GENERAL JOHN MITCHELL WAS REPORTED IN SATISFACTORY CONDITION THIS WEEK 767 00:28:42,922 --> 00:28:44,265 JOHN MITCHELL WAS REPORTED IN SATISFACTORY CONDITION THIS WEEK AFTER SURGERY TO REPAIR AN 768 00:28:44,289 --> 00:28:45,167 SATISFACTORY CONDITION THIS WEEK AFTER SURGERY TO REPAIR AN ANEURYSM. 769 00:28:45,191 --> 00:28:46,902 AFTER SURGERY TO REPAIR AN ANEURYSM. HERE TO EXPLAIN TO US EXACTLY 770 00:28:46,926 --> 00:28:49,004 ANEURYSM. HERE TO EXPLAIN TO US EXACTLY WHAT AN ANEURYSM IS, IS "UPDATE" 771 00:28:49,028 --> 00:28:50,205 HERE TO EXPLAIN TO US EXACTLY WHAT AN ANEURYSM IS, IS "UPDATE" SCIENCE REPORTER 772 00:28:50,229 --> 00:28:51,740 WHAT AN ANEURYSM IS, IS "UPDATE" SCIENCE REPORTER ROSEANNE ROSANNADANNA. 773 00:28:51,764 --> 00:28:53,008 SCIENCE REPORTER ROSEANNE ROSANNADANNA. WELCOME. 774 00:28:53,032 --> 00:28:56,144 ROSEANNE ROSANNADANNA. WELCOME. THANKS A LOT, JANE. 775 00:28:56,168 --> 00:28:58,714 WELCOME. THANKS A LOT, JANE. THANKS A LOT. 776 00:28:58,738 --> 00:29:01,549 THANKS A LOT, JANE. THANKS A LOT. ROSEANNE, JUST HOW SERIOUS IS 777 00:29:01,573 --> 00:29:02,851 THANKS A LOT. ROSEANNE, JUST HOW SERIOUS IS AN ANEURYSM? 778 00:29:02,875 --> 00:29:05,653 ROSEANNE, JUST HOW SERIOUS IS AN ANEURYSM? OH, IT'S A ROUGH ONE, JANE! 779 00:29:05,677 --> 00:29:08,790 AN ANEURYSM? OH, IT'S A ROUGH ONE, JANE! AN ANEURYSM MEANS THAT AN ARTERY 780 00:29:08,814 --> 00:29:10,859 OH, IT'S A ROUGH ONE, JANE! AN ANEURYSM MEANS THAT AN ARTERY IN YOUR BODY IS WEAK, AND IT 781 00:29:10,883 --> 00:29:12,427 AN ANEURYSM MEANS THAT AN ARTERY IN YOUR BODY IS WEAK, AND IT STARTS TO SWELL OUT LIKE A 782 00:29:12,451 --> 00:29:13,361 IN YOUR BODY IS WEAK, AND IT STARTS TO SWELL OUT LIKE A BALLOON. 783 00:29:13,385 --> 00:29:14,830 STARTS TO SWELL OUT LIKE A BALLOON. IT COULD BURST AND LEAD TO A 784 00:29:14,854 --> 00:29:16,131 BALLOON. IT COULD BURST AND LEAD TO A STROKE. 785 00:29:16,155 --> 00:29:18,233 IT COULD BURST AND LEAD TO A STROKE. BUT, JANE, IF YOU ASK ME, 786 00:29:18,257 --> 00:29:20,268 STROKE. BUT, JANE, IF YOU ASK ME, ROSEANNE ROSANNADANNA, 787 00:29:20,292 --> 00:29:23,004 BUT, JANE, IF YOU ASK ME, ROSEANNE ROSANNADANNA, MR. MITCHELL IS A LUCKY GUY, 788 00:29:23,028 --> 00:29:25,741 ROSEANNE ROSANNADANNA, MR. MITCHELL IS A LUCKY GUY, BECAUSE HIS ANEURYSM IS ON THE 789 00:29:25,765 --> 00:29:27,809 MR. MITCHELL IS A LUCKY GUY, BECAUSE HIS ANEURYSM IS ON THE INSIDE OF HIS BODY, WHERE NO ONE 790 00:29:27,833 --> 00:29:29,111 BECAUSE HIS ANEURYSM IS ON THE INSIDE OF HIS BODY, WHERE NO ONE CAN SEE IT. 791 00:29:29,135 --> 00:29:30,979 INSIDE OF HIS BODY, WHERE NO ONE CAN SEE IT. IF IT WAS ON THE OUTSIDE, THEN 792 00:29:31,003 --> 00:29:31,713 CAN SEE IT. IF IT WAS ON THE OUTSIDE, THEN HE'D BE IN TROUBLE! 793 00:29:31,737 --> 00:29:32,748 IF IT WAS ON THE OUTSIDE, THEN HE'D BE IN TROUBLE! HE'D LOOK IN THE MIRROR BEFORE 794 00:29:32,772 --> 00:29:33,849 HE'D BE IN TROUBLE! HE'D LOOK IN THE MIRROR BEFORE AN IMPORTANT DATE OR A MEETING 795 00:29:33,873 --> 00:29:36,918 HE'D LOOK IN THE MIRROR BEFORE AN IMPORTANT DATE OR A MEETING AND SAY, "OH, NO! 796 00:29:36,942 --> 00:29:38,653 AN IMPORTANT DATE OR A MEETING AND SAY, "OH, NO! TONIGHT'S THE BIG DANCE, AND 797 00:29:38,677 --> 00:29:41,489 AND SAY, "OH, NO! TONIGHT'S THE BIG DANCE, AND I GOT AN ANEURYSM ON MY FACE! 798 00:29:41,513 --> 00:29:43,759 TONIGHT'S THE BIG DANCE, AND I GOT AN ANEURYSM ON MY FACE! I CAN'T GO OUT LIKE THIS!" 799 00:29:43,783 --> 00:29:46,061 I GOT AN ANEURYSM ON MY FACE! I CAN'T GO OUT LIKE THIS!" LET ME LET YOU IN ON A LITTLE 800 00:29:46,085 --> 00:29:47,062 I CAN'T GO OUT LIKE THIS!" LET ME LET YOU IN ON A LITTLE SECRET. 801 00:29:47,086 --> 00:29:50,132 LET ME LET YOU IN ON A LITTLE SECRET. ONCE, I, ROSEANNE ROSANNADANNA, 802 00:29:50,156 --> 00:29:53,201 SECRET. ONCE, I, ROSEANNE ROSANNADANNA, HAD A LITTLE WART ON MY FACE. 803 00:29:53,225 --> 00:29:54,836 ONCE, I, ROSEANNE ROSANNADANNA, HAD A LITTLE WART ON MY FACE. IT WAS LIKE THIS BUBBLE THING, 804 00:29:54,860 --> 00:29:56,337 HAD A LITTLE WART ON MY FACE. IT WAS LIKE THIS BUBBLE THING, ROUND, AND IT WAS HARD AS A 805 00:29:56,361 --> 00:29:56,805 IT WAS LIKE THIS BUBBLE THING, ROUND, AND IT WAS HARD AS A ROCK. 806 00:29:56,829 --> 00:30:00,008 ROUND, AND IT WAS HARD AS A ROCK. I THOUGHT THAT I WAS GONNA DIE! 807 00:30:00,032 --> 00:30:01,143 ROCK. I THOUGHT THAT I WAS GONNA DIE! I SAID TO MYSELF, 808 00:30:01,167 --> 00:30:03,178 I THOUGHT THAT I WAS GONNA DIE! I SAID TO MYSELF, "ROSEANNE ROSANNADANNA, HOW DID 809 00:30:03,202 --> 00:30:04,179 I SAID TO MYSELF, "ROSEANNE ROSANNADANNA, HOW DID YOU GET THIS WART? 810 00:30:04,203 --> 00:30:07,883 "ROSEANNE ROSANNADANNA, HOW DID YOU GET THIS WART? YOU DIDN'T TOUCH NO TOAD!" 811 00:30:07,907 --> 00:30:10,385 YOU GET THIS WART? YOU DIDN'T TOUCH NO TOAD!" BUT AT LEAST, THANKS A LOT, IT 812 00:30:10,409 --> 00:30:12,020 YOU DIDN'T TOUCH NO TOAD!" BUT AT LEAST, THANKS A LOT, IT WASN'T THE KIND THAT HAD A HAIR 813 00:30:12,044 --> 00:30:13,755 BUT AT LEAST, THANKS A LOT, IT WASN'T THE KIND THAT HAD A HAIR STICKING OUT OF IT. 814 00:30:13,779 --> 00:30:15,123 WASN'T THE KIND THAT HAD A HAIR STICKING OUT OF IT. YOU KNOW THE ONES THAT YOUR 815 00:30:15,147 --> 00:30:16,658 STICKING OUT OF IT. YOU KNOW THE ONES THAT YOUR MOTHER'S FRIENDS USUALLY HAVE, 816 00:30:16,682 --> 00:30:22,130 YOU KNOW THE ONES THAT YOUR MOTHER'S FRIENDS USUALLY HAVE, AND YOU HAVE TO KISS THEM? 817 00:30:22,154 --> 00:30:24,966 MOTHER'S FRIENDS USUALLY HAVE, AND YOU HAVE TO KISS THEM? LIKE, DID YOU EVER STUB YOUR BIG 818 00:30:24,990 --> 00:30:26,101 AND YOU HAVE TO KISS THEM? LIKE, DID YOU EVER STUB YOUR BIG TOE ON THE CAR DOOR OR DROP 819 00:30:26,125 --> 00:30:27,335 LIKE, DID YOU EVER STUB YOUR BIG TOE ON THE CAR DOOR OR DROP SOMETHING HEAVY ON YOUR FOOT, 820 00:30:27,359 --> 00:30:29,171 TOE ON THE CAR DOOR OR DROP SOMETHING HEAVY ON YOUR FOOT, AND THE TOENAIL ON THE BIG TOE 821 00:30:29,195 --> 00:30:30,471 SOMETHING HEAVY ON YOUR FOOT, AND THE TOENAIL ON THE BIG TOE TURNS DIFFERENT COLORS, LIKE 822 00:30:30,495 --> 00:30:32,107 AND THE TOENAIL ON THE BIG TOE TURNS DIFFERENT COLORS, LIKE PURPLE AND BROWN AND GREEN, AND 823 00:30:32,131 --> 00:30:33,474 TURNS DIFFERENT COLORS, LIKE PURPLE AND BROWN AND GREEN, AND THEN IT HANGS THERE, AND THEN IT 824 00:30:33,498 --> 00:30:35,643 PURPLE AND BROWN AND GREEN, AND THEN IT HANGS THERE, AND THEN IT FALLS OFF IN YOUR SOCK? 825 00:30:35,667 --> 00:30:37,879 THEN IT HANGS THERE, AND THEN IT FALLS OFF IN YOUR SOCK? AND YOU'RE LEFT WITH A TOE WITH 826 00:30:37,903 --> 00:30:40,081 FALLS OFF IN YOUR SOCK? AND YOU'RE LEFT WITH A TOE WITH NO NAIL, AND A SOCK THAT HAS A 827 00:30:40,105 --> 00:30:41,683 AND YOU'RE LEFT WITH A TOE WITH NO NAIL, AND A SOCK THAT HAS A NAIL. 828 00:30:41,707 --> 00:30:43,852 NO NAIL, AND A SOCK THAT HAS A NAIL. WHAT ABOUT THE LITTLE, 829 00:30:43,876 --> 00:30:46,254 NAIL. WHAT ABOUT THE LITTLE, TEENY-TINY BABY TOE? 830 00:30:46,278 --> 00:30:49,291 WHAT ABOUT THE LITTLE, TEENY-TINY BABY TOE? THEY ARE ALWAYS SO WEIRD! 831 00:30:49,315 --> 00:30:52,060 TEENY-TINY BABY TOE? THEY ARE ALWAYS SO WEIRD! LIKE, SOMETIMES THE NAIL ON THEM 832 00:30:52,084 --> 00:30:54,729 THEY ARE ALWAYS SO WEIRD! LIKE, SOMETIMES THE NAIL ON THEM LOOKS LIKE A CANOE! 833 00:30:54,753 --> 00:30:57,165 LIKE, SOMETIMES THE NAIL ON THEM LOOKS LIKE A CANOE! OR, LIKE, IT CURVES AROUND LIKE 834 00:30:57,189 --> 00:30:59,500 LOOKS LIKE A CANOE! OR, LIKE, IT CURVES AROUND LIKE ONE OF THOSE BOOMERANGS. 835 00:30:59,524 --> 00:31:00,802 OR, LIKE, IT CURVES AROUND LIKE ONE OF THOSE BOOMERANGS. AND EVEN IF YOU CLIP IT, YOU 836 00:31:00,826 --> 00:31:02,304 ONE OF THOSE BOOMERANGS. AND EVEN IF YOU CLIP IT, YOU CAN'T THROW IT AWAY, BECAUSE 837 00:31:02,328 --> 00:31:03,238 AND EVEN IF YOU CLIP IT, YOU CAN'T THROW IT AWAY, BECAUSE THEY COME BACK! 838 00:31:03,262 --> 00:31:07,175 CAN'T THROW IT AWAY, BECAUSE THEY COME BACK! JANE, I WAS JUST WONDERING... 839 00:31:07,199 --> 00:31:09,044 THEY COME BACK! JANE, I WAS JUST WONDERING... WHAT DOES YOUR BABY TOE LOOK 840 00:31:09,068 --> 00:31:10,846 JANE, I WAS JUST WONDERING... WHAT DOES YOUR BABY TOE LOOK LIKE? 841 00:31:10,870 --> 00:31:12,013 WHAT DOES YOUR BABY TOE LOOK LIKE? ROSEANNE, YOU'RE MAKING ME 842 00:31:12,037 --> 00:31:13,614 LIKE? ROSEANNE, YOU'RE MAKING ME SICK. 843 00:31:13,638 --> 00:31:15,884 ROSEANNE, YOU'RE MAKING ME SICK. HEY, WHAT'S YOUR PROBLEM? 844 00:31:15,908 --> 00:31:19,054 SICK. HEY, WHAT'S YOUR PROBLEM? WHAT DO WARTS, FEVER 845 00:31:19,078 --> 00:31:19,955 HEY, WHAT'S YOUR PROBLEM? WHAT DO WARTS, FEVER BLISTERS, AND ANYTHING HAVE TO 846 00:31:19,979 --> 00:31:21,489 WHAT DO WARTS, FEVER BLISTERS, AND ANYTHING HAVE TO DO WITH ANEURYSMS?! 847 00:31:21,513 --> 00:31:24,826 BLISTERS, AND ANYTHING HAVE TO DO WITH ANEURYSMS?! WELL, JANE, IT JUST GOES TO 848 00:31:24,850 --> 00:31:25,793 DO WITH ANEURYSMS?! WELL, JANE, IT JUST GOES TO SHOW YOU. 849 00:31:25,817 --> 00:31:28,529 WELL, JANE, IT JUST GOES TO SHOW YOU. IT'S ALWAYS SOMETHING. 850 00:31:28,553 --> 00:31:30,498 SHOW YOU. IT'S ALWAYS SOMETHING. I WANTED TO TELL MR. MITCHELL. 851 00:31:30,522 --> 00:31:31,666 IT'S ALWAYS SOMETHING. I WANTED TO TELL MR. MITCHELL. I DON'T CARE WHAT YOUR POLITICS 852 00:31:31,690 --> 00:31:32,033 I WANTED TO TELL MR. MITCHELL. I DON'T CARE WHAT YOUR POLITICS IS. 853 00:31:32,057 --> 00:31:33,068 I DON'T CARE WHAT YOUR POLITICS IS. I KNOW YOUR WIFE IS DEAD. 854 00:31:33,092 --> 00:31:34,236 IS. I KNOW YOUR WIFE IS DEAD. I KNOW YOU GOT TO GO BACK TO 855 00:31:34,260 --> 00:31:34,635 I KNOW YOUR WIFE IS DEAD. I KNOW YOU GOT TO GO BACK TO JAIL. 856 00:31:34,659 --> 00:31:35,670 I KNOW YOU GOT TO GO BACK TO JAIL. SO I'LL LEAVE YOU ALONE. 857 00:31:35,694 --> 00:31:38,373 JAIL. SO I'LL LEAVE YOU ALONE. IT'S JUST LIKE MY FATHER USED TO 858 00:31:38,397 --> 00:31:39,540 SO I'LL LEAVE YOU ALONE. IT'S JUST LIKE MY FATHER USED TO TELL ME WHEN I WAS A LITTLE 859 00:31:39,564 --> 00:31:40,375 IT'S JUST LIKE MY FATHER USED TO TELL ME WHEN I WAS A LITTLE GIRL. 860 00:31:40,399 --> 00:31:42,010 TELL ME WHEN I WAS A LITTLE GIRL. I'D TAKE MY BATH, AND HE'D MAKE 861 00:31:42,034 --> 00:31:43,178 GIRL. I'D TAKE MY BATH, AND HE'D MAKE SURE I WAS NICE AND DRY. 862 00:31:43,202 --> 00:31:44,545 I'D TAKE MY BATH, AND HE'D MAKE SURE I WAS NICE AND DRY. HE'D PUT POWDER UNDER MY ARMS 863 00:31:44,569 --> 00:31:45,613 SURE I WAS NICE AND DRY. HE'D PUT POWDER UNDER MY ARMS AND EVERY PLACE. 864 00:31:45,637 --> 00:31:47,349 HE'D PUT POWDER UNDER MY ARMS AND EVERY PLACE. AND THEN JUST BEFORE HE'D TUCK 865 00:31:47,373 --> 00:31:49,084 AND EVERY PLACE. AND THEN JUST BEFORE HE'D TUCK ME INTO BED, HE'D TAKE MY FOOT 866 00:31:49,108 --> 00:31:51,286 AND THEN JUST BEFORE HE'D TUCK ME INTO BED, HE'D TAKE MY FOOT IN HIS HAND AND HE'D SAY, "THIS 867 00:31:51,310 --> 00:31:54,489 ME INTO BED, HE'D TAKE MY FOOT IN HIS HAND AND HE'D SAY, "THIS LITTLE PIGGY WENT TO MARKET. 868 00:31:54,513 --> 00:31:56,691 IN HIS HAND AND HE'D SAY, "THIS LITTLE PIGGY WENT TO MARKET. THIS LITTLE PIGGY STAYED HOME. 869 00:31:56,715 --> 00:31:58,159 LITTLE PIGGY WENT TO MARKET. THIS LITTLE PIGGY STAYED HOME. THIS LITTLE PIGGY HAD ROAST 870 00:31:58,183 --> 00:31:59,294 THIS LITTLE PIGGY STAYED HOME. THIS LITTLE PIGGY HAD ROAST BEEF. 871 00:31:59,318 --> 00:32:01,229 THIS LITTLE PIGGY HAD ROAST BEEF. THIS LITTLE PIGGY HAD NONE. 872 00:32:01,253 --> 00:32:02,931 BEEF. THIS LITTLE PIGGY HAD NONE. AND THIS LITTLE PIGGY HAS A 873 00:32:02,955 --> 00:32:04,199 THIS LITTLE PIGGY HAD NONE. AND THIS LITTLE PIGGY HAS A TOENAIL THAT LOOKS LIKE A 874 00:32:04,223 --> 00:32:05,533 AND THIS LITTLE PIGGY HAS A TOENAIL THAT LOOKS LIKE A BOOMERANG! 875 00:32:05,557 --> 00:32:07,468 TOENAIL THAT LOOKS LIKE A BOOMERANG! GOOD NIGHT, MY LITTLE 876 00:32:07,492 --> 00:32:09,871 BOOMERANG! GOOD NIGHT, MY LITTLE ROSEANNE ROSANNADANNA!" 877 00:32:09,895 --> 00:32:10,571 GOOD NIGHT, MY LITTLE ROSEANNE ROSANNADANNA!" GOOD NIGHT, 878 00:32:10,595 --> 00:32:11,606 ROSEANNE ROSANNADANNA!" GOOD NIGHT, ROSEANNE ROSANNADANNA. 879 00:32:11,630 --> 00:32:13,341 GOOD NIGHT, ROSEANNE ROSANNADANNA. HEY, YOU WANT TO HAVE DINNER? 880 00:32:13,365 --> 00:32:19,247 ROSEANNE ROSANNADANNA. HEY, YOU WANT TO HAVE DINNER? NO! 881 00:32:19,271 --> 00:32:20,681 HEY, YOU WANT TO HAVE DINNER? NO! THAT'S THE NEWS. 882 00:32:20,705 --> 00:32:22,583 NO! THAT'S THE NEWS. GOOD NIGHT AND HAVE A PLEASANT 883 00:32:22,607 --> 00:32:25,486 THAT'S THE NEWS. GOOD NIGHT AND HAVE A PLEASANT TOMORROW. 884 00:32:25,510 --> 00:32:26,388 GOOD NIGHT AND HAVE A PLEASANT TOMORROW. Announcer: THIS PORTION OF 885 00:32:26,412 --> 00:32:27,522 TOMORROW. Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN 886 00:32:27,546 --> 00:32:29,424 Announcer: THIS PORTION OF "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY TRANSAMERICA, 887 00:32:29,448 --> 00:32:31,192 "WEEKEND UPDATE" HAS BEEN BROUGHT TO YOU BY TRANSAMERICA, WHERE SALAD DRESSING AND WOMEN'S 888 00:32:31,216 --> 00:32:32,794 BROUGHT TO YOU BY TRANSAMERICA, WHERE SALAD DRESSING AND WOMEN'S SANITARY NAPKINS ARE THE ONLY 889 00:32:32,818 --> 00:32:36,298 WHERE SALAD DRESSING AND WOMEN'S SANITARY NAPKINS ARE THE ONLY THINGS WE PUT OUR NAME ON. 890 00:32:42,393 --> 00:32:46,574 [HUMMING TO THE "2001: A SPACE ODYSSEY" THEME] ♪ DUH... 891 00:32:46,598 --> 00:32:48,910 [ODYSSEY" THEME] ♪ DUH... DUH... 892 00:32:48,934 --> 00:32:51,346 ♪ DUH... DUH... DUH ♪ 893 00:32:51,370 --> 00:32:54,282 DUH... DUH ♪ ♪ DUH-DUH ♪ 894 00:32:54,306 --> 00:32:57,352 DUH ♪ ♪ DUH-DUH ♪ [SCATTING] 895 00:32:57,376 --> 00:33:02,657 ♪ DUH-DUH ♪ [SCATTING] ♪ DUH... DUH... DUH ♪ 896 00:33:02,681 --> 00:33:05,427 [SCATTING] ♪ DUH... DUH... DUH ♪ ♪ DUH-DUH ♪ 897 00:33:05,451 --> 00:33:12,000 ♪ DUH... DUH... DUH ♪ ♪ DUH-DUH ♪ ♪ DUH-DUH-DUH DUH DUH-DUH-DUH ♪ 898 00:33:12,024 --> 00:33:13,801 ♪ DUH-DUH ♪ ♪ DUH-DUH-DUH DUH DUH-DUH-DUH ♪ ♪ DUH-DUH-DUH ♪ 899 00:33:13,825 --> 00:33:20,842 ♪ DUH-DUH-DUH DUH DUH-DUH-DUH ♪ ♪ DUH-DUH-DUH ♪ ♪ DUH... DUH... DUH ♪ 900 00:33:20,866 --> 00:33:24,579 ♪ DUH-DUH-DUH ♪ ♪ DUH... DUH... DUH ♪ OH! 901 00:33:24,603 --> 00:33:25,313 ♪ DUH... DUH... DUH ♪ OH! THANK YOU! 902 00:33:25,337 --> 00:33:26,514 OH! THANK YOU! THANK YOU VERY MUCH! 903 00:33:26,538 --> 00:33:27,915 THANK YOU! THANK YOU VERY MUCH! I ALWAYS OPEN WITH A LITTLE 904 00:33:27,939 --> 00:33:29,184 THANK YOU VERY MUCH! I ALWAYS OPEN WITH A LITTLE SOMETHING BY A GUY NAMED 905 00:33:29,208 --> 00:33:30,385 I ALWAYS OPEN WITH A LITTLE SOMETHING BY A GUY NAMED RICHARD STRAUSS CALLED 906 00:33:30,409 --> 00:33:32,287 SOMETHING BY A GUY NAMED RICHARD STRAUSS CALLED "TWENTY-OH-ONE." 907 00:33:32,311 --> 00:33:33,521 RICHARD STRAUSS CALLED "TWENTY-OH-ONE." WELCOME TO THE POWDER ROOM, 908 00:33:33,545 --> 00:33:34,889 "TWENTY-OH-ONE." WELCOME TO THE POWDER ROOM, EVERYBODY, UP HERE AT BEAUTIFUL 909 00:33:34,913 --> 00:33:35,756 WELCOME TO THE POWDER ROOM, EVERYBODY, UP HERE AT BEAUTIFUL MEATLOAF MOUNTAIN. 910 00:33:35,780 --> 00:33:37,158 EVERYBODY, UP HERE AT BEAUTIFUL MEATLOAF MOUNTAIN. I'M NICK WINTERS, AND I'M HERE 911 00:33:37,182 --> 00:33:37,892 MEATLOAF MOUNTAIN. I'M NICK WINTERS, AND I'M HERE TO ENTERTAIN YOU. 912 00:33:37,916 --> 00:33:38,893 I'M NICK WINTERS, AND I'M HERE TO ENTERTAIN YOU. SO SIT BACK, HAVE A HOT BUTTERED 913 00:33:38,917 --> 00:33:40,328 TO ENTERTAIN YOU. SO SIT BACK, HAVE A HOT BUTTERED RUM, AND LET IT HAPPEN. 914 00:33:40,352 --> 00:33:41,562 SO SIT BACK, HAVE A HOT BUTTERED RUM, AND LET IT HAPPEN. NOW, WHAT DO I SEE HERE DOWN IN 915 00:33:41,586 --> 00:33:42,097 RUM, AND LET IT HAPPEN. NOW, WHAT DO I SEE HERE DOWN IN THE FRONT? 916 00:33:42,121 --> 00:33:43,164 NOW, WHAT DO I SEE HERE DOWN IN THE FRONT? WE GOT A CUTE, LITTLE GIRL HERE 917 00:33:43,188 --> 00:33:45,033 THE FRONT? WE GOT A CUTE, LITTLE GIRL HERE WITH A CAST ON HER LEG! 918 00:33:45,057 --> 00:33:46,301 WE GOT A CUTE, LITTLE GIRL HERE WITH A CAST ON HER LEG! HONEY, WHY DID YOU BOTHER TO 919 00:33:46,325 --> 00:33:47,235 WITH A CAST ON HER LEG! HONEY, WHY DID YOU BOTHER TO COME UP TO MEATLOAF WITH A 920 00:33:47,259 --> 00:33:48,236 HONEY, WHY DID YOU BOTHER TO COME UP TO MEATLOAF WITH A BROKEN LEG?! 921 00:33:48,260 --> 00:33:50,372 COME UP TO MEATLOAF WITH A BROKEN LEG?! I-I BROKE IT TODAY. 922 00:33:50,396 --> 00:33:51,873 BROKEN LEG?! I-I BROKE IT TODAY. THIS IS MY VACATION. 923 00:33:51,897 --> 00:33:53,241 I-I BROKE IT TODAY. THIS IS MY VACATION. OH, THAT'S TERRIBLE. 924 00:33:53,265 --> 00:33:54,109 THIS IS MY VACATION. OH, THAT'S TERRIBLE. I GUESS WE'LL BE SEEING A LOT OF 925 00:33:54,133 --> 00:33:55,410 OH, THAT'S TERRIBLE. I GUESS WE'LL BE SEEING A LOT OF YOU HERE IN THE POWDER ROOM, 926 00:33:55,434 --> 00:33:55,943 I GUESS WE'LL BE SEEING A LOT OF YOU HERE IN THE POWDER ROOM, HUH? 927 00:33:55,967 --> 00:33:57,278 YOU HERE IN THE POWDER ROOM, HUH? I'M SURE EVERYBODY WANTS TO 928 00:33:57,302 --> 00:33:57,678 HUH? I'M SURE EVERYBODY WANTS TO KNOW. 929 00:33:57,702 --> 00:33:58,746 I'M SURE EVERYBODY WANTS TO KNOW. WHAT'S YOUR NAME, AND HOW DID 930 00:33:58,770 --> 00:33:59,614 KNOW. WHAT'S YOUR NAME, AND HOW DID YOU DO IT? 931 00:33:59,638 --> 00:34:01,383 WHAT'S YOUR NAME, AND HOW DID YOU DO IT? WELL, I'M MARILYN SUNBERG, 932 00:34:01,407 --> 00:34:03,151 YOU DO IT? WELL, I'M MARILYN SUNBERG, AND I RENTED MY SKIS AND BOOTS 933 00:34:03,175 --> 00:34:04,952 WELL, I'M MARILYN SUNBERG, AND I RENTED MY SKIS AND BOOTS HERE AT MEATLOAF MOUNTAIN. 934 00:34:04,976 --> 00:34:06,254 AND I RENTED MY SKIS AND BOOTS HERE AT MEATLOAF MOUNTAIN. AND MY BINDINGS WERE TOO TIGHT, 935 00:34:06,278 --> 00:34:08,589 HERE AT MEATLOAF MOUNTAIN. AND MY BINDINGS WERE TOO TIGHT, AND I BROKE MY LEG WALKING OVER 936 00:34:08,613 --> 00:34:09,891 AND MY BINDINGS WERE TOO TIGHT, AND I BROKE MY LEG WALKING OVER TO THE TOE LIFT. 937 00:34:09,915 --> 00:34:12,527 AND I BROKE MY LEG WALKING OVER TO THE TOE LIFT. OH, BUMMER-SKI, HUH, 938 00:34:12,551 --> 00:34:13,228 TO THE TOE LIFT. OH, BUMMER-SKI, HUH, EVERYBODY? 939 00:34:13,252 --> 00:34:14,229 OH, BUMMER-SKI, HUH, EVERYBODY? THAT IS AWFUL! 940 00:34:14,253 --> 00:34:15,030 EVERYBODY? THAT IS AWFUL! WELL, THE GUYS IN RENTAL ARE 941 00:34:15,054 --> 00:34:15,663 THAT IS AWFUL! WELL, THE GUYS IN RENTAL ARE USUALLY REAL GOOD. 942 00:34:15,687 --> 00:34:17,332 WELL, THE GUYS IN RENTAL ARE USUALLY REAL GOOD. IT MUST HAVE BEEN SOME SABOTAGE 943 00:34:17,356 --> 00:34:18,833 USUALLY REAL GOOD. IT MUST HAVE BEEN SOME SABOTAGE OF SOME SORT BY DISGRUNTLED 944 00:34:18,857 --> 00:34:19,667 IT MUST HAVE BEEN SOME SABOTAGE OF SOME SORT BY DISGRUNTLED SKIERS OR SOMETHING. 945 00:34:19,691 --> 00:34:20,435 OF SOME SORT BY DISGRUNTLED SKIERS OR SOMETHING. IT HAPPENS. 946 00:34:20,459 --> 00:34:20,868 SKIERS OR SOMETHING. IT HAPPENS. HEY! 947 00:34:20,892 --> 00:34:22,504 IT HAPPENS. HEY! I AM GONNA AUTOGRAPH YOUR CAST 948 00:34:22,528 --> 00:34:23,271 HEY! I AM GONNA AUTOGRAPH YOUR CAST HERE, IF YOU DON'T MIND... A 949 00:34:23,295 --> 00:34:25,306 I AM GONNA AUTOGRAPH YOUR CAST HERE, IF YOU DON'T MIND... A LITTLE SOMETHING I ALWAYS SIGN. 950 00:34:25,330 --> 00:34:27,509 HERE, IF YOU DON'T MIND... A LITTLE SOMETHING I ALWAYS SIGN. "DON'T EAT YELLOW SNOW... 951 00:34:27,533 --> 00:34:28,576 LITTLE SOMETHING I ALWAYS SIGN. "DON'T EAT YELLOW SNOW... NICK WINTERS." 952 00:34:28,600 --> 00:34:29,844 "DON'T EAT YELLOW SNOW... NICK WINTERS." ALL RIGHT, HONEY? 953 00:34:29,868 --> 00:34:31,146 NICK WINTERS." ALL RIGHT, HONEY? YOU'RE WELCOME, KITTEN. 954 00:34:31,170 --> 00:34:32,247 ALL RIGHT, HONEY? YOU'RE WELCOME, KITTEN. HEY, WHO'S THIS CRAZY DUDE, YOUR 955 00:34:32,271 --> 00:34:32,914 YOU'RE WELCOME, KITTEN. HEY, WHO'S THIS CRAZY DUDE, YOUR OLD MAN? 956 00:34:32,938 --> 00:34:34,215 HEY, WHO'S THIS CRAZY DUDE, YOUR OLD MAN? PAUL SUNBERG. 957 00:34:34,239 --> 00:34:35,683 OLD MAN? PAUL SUNBERG. I'M FROM MINNEAPOLIS. 958 00:34:35,707 --> 00:34:36,684 PAUL SUNBERG. I'M FROM MINNEAPOLIS. UH-HUH? 959 00:34:36,708 --> 00:34:37,685 I'M FROM MINNEAPOLIS. UH-HUH? AND WHAT DO YOU DO, BESIDES 960 00:34:37,709 --> 00:34:38,653 UH-HUH? AND WHAT DO YOU DO, BESIDES BABYSIT FOR MARILYN, HERE? 961 00:34:38,677 --> 00:34:40,088 AND WHAT DO YOU DO, BESIDES BABYSIT FOR MARILYN, HERE? I'M A CHEMICAL PURCHASER 962 00:34:40,112 --> 00:34:41,256 BABYSIT FOR MARILYN, HERE? I'M A CHEMICAL PURCHASER FOR THE ICE MASTERS SALT 963 00:34:41,280 --> 00:34:41,756 I'M A CHEMICAL PURCHASER FOR THE ICE MASTERS SALT COMPANY. 964 00:34:41,780 --> 00:34:43,091 FOR THE ICE MASTERS SALT COMPANY. HERE'S MY CARD. 965 00:34:43,115 --> 00:34:46,361 COMPANY. HERE'S MY CARD. YOU CAN USE THE PRODUCT HERE AT 966 00:34:46,385 --> 00:34:47,828 HERE'S MY CARD. YOU CAN USE THE PRODUCT HERE AT MEATLOAF MOUNTAIN, YOU KNOW? 967 00:34:47,852 --> 00:34:49,464 YOU CAN USE THE PRODUCT HERE AT MEATLOAF MOUNTAIN, YOU KNOW? BUENO, MY AMIGO. 968 00:34:49,488 --> 00:34:50,898 MEATLOAF MOUNTAIN, YOU KNOW? BUENO, MY AMIGO. WE'LL PUT THIS UP OVER THE BAR, 969 00:34:50,922 --> 00:34:51,933 BUENO, MY AMIGO. WE'LL PUT THIS UP OVER THE BAR, WITH SOME OF THE OTHER CARDS. 970 00:34:51,957 --> 00:34:53,368 WE'LL PUT THIS UP OVER THE BAR, WITH SOME OF THE OTHER CARDS. MR. AND MRS. SUNBERG, THIS NEXT 971 00:34:53,392 --> 00:34:54,602 WITH SOME OF THE OTHER CARDS. MR. AND MRS. SUNBERG, THIS NEXT SONG IS GOING TO BE FOR YOU, 972 00:34:54,626 --> 00:34:55,903 MR. AND MRS. SUNBERG, THIS NEXT SONG IS GOING TO BE FOR YOU, BECAUSE I HOPE THAT LEG HEALS 973 00:34:55,927 --> 00:34:57,138 SONG IS GOING TO BE FOR YOU, BECAUSE I HOPE THAT LEG HEALS AND YOU'RE BACK ON THE SLOPES IN 974 00:34:57,162 --> 00:34:58,005 BECAUSE I HOPE THAT LEG HEALS AND YOU'RE BACK ON THE SLOPES IN A COUPLE OF WEEKS. 975 00:34:58,029 --> 00:35:00,741 AND YOU'RE BACK ON THE SLOPES IN A COUPLE OF WEEKS. OH, THAT CAST MAKES ME SO SAD. 976 00:35:00,765 --> 00:35:01,976 A COUPLE OF WEEKS. OH, THAT CAST MAKES ME SO SAD. ♪ OH, DON'T IT MAKE 977 00:35:02,000 --> 00:35:03,811 OH, THAT CAST MAKES ME SO SAD. ♪ OH, DON'T IT MAKE MY BROWN EYES... ♪ 978 00:35:03,835 --> 00:35:04,412 ♪ OH, DON'T IT MAKE MY BROWN EYES... ♪ ♪ DON'T IT MAKE 979 00:35:04,436 --> 00:35:05,613 MY BROWN EYES... ♪ ♪ DON'T IT MAKE MY BROWN EYES... ♪ 980 00:35:05,637 --> 00:35:06,448 ♪ DON'T IT MAKE MY BROWN EYES... ♪ ♪ DON'T IT MAKE 981 00:35:06,472 --> 00:35:10,552 MY BROWN EYES... ♪ ♪ DON'T IT MAKE MY BROWN EYES BL-UE-UE-UE? ♪ 982 00:35:10,576 --> 00:35:12,253 ♪ DON'T IT MAKE MY BROWN EYES BL-UE-UE-UE? ♪ TASTY LICK, PAUL. 983 00:35:12,277 --> 00:35:13,988 MY BROWN EYES BL-UE-UE-UE? ♪ TASTY LICK, PAUL. ♪ DON'T IT MAKE MY BROWN EYES ♪ 984 00:35:14,012 --> 00:35:15,423 TASTY LICK, PAUL. ♪ DON'T IT MAKE MY BROWN EYES ♪ THEY'RE ACTUALLY HAZEL. 985 00:35:15,447 --> 00:35:16,224 ♪ DON'T IT MAKE MY BROWN EYES ♪ THEY'RE ACTUALLY HAZEL. ♪ DON'T IT MAKE 986 00:35:16,248 --> 00:35:17,492 THEY'RE ACTUALLY HAZEL. ♪ DON'T IT MAKE MY BROWN EYES... ♪ 987 00:35:17,516 --> 00:35:19,627 ♪ DON'T IT MAKE MY BROWN EYES... ♪ ♪ DON'T IT MAKE MY BROWN EYES 988 00:35:19,651 --> 00:35:21,296 MY BROWN EYES... ♪ ♪ DON'T IT MAKE MY BROWN EYES BL-UE-UE? ♪ 989 00:35:21,320 --> 00:35:22,363 ♪ DON'T IT MAKE MY BROWN EYES BL-UE-UE? ♪ LOVE IT, LOVE IT. 990 00:35:22,387 --> 00:35:23,264 BL-UE-UE? ♪ LOVE IT, LOVE IT. JUST A SECOND. 991 00:35:23,288 --> 00:35:24,765 LOVE IT, LOVE IT. JUST A SECOND. WE HAVE A CELEBRITY IN THE 992 00:35:24,789 --> 00:35:25,733 JUST A SECOND. WE HAVE A CELEBRITY IN THE AUDIENCE TONIGHT! 993 00:35:25,757 --> 00:35:27,102 WE HAVE A CELEBRITY IN THE AUDIENCE TONIGHT! IT'S HEINZ KLEIMER WITH A 994 00:35:27,126 --> 00:35:28,436 AUDIENCE TONIGHT! IT'S HEINZ KLEIMER WITH A SNOW BUNNY ON HIS ARM. 995 00:35:28,460 --> 00:35:29,571 IT'S HEINZ KLEIMER WITH A SNOW BUNNY ON HIS ARM. HE'S THE HEAD OF THE SKI PATROL. 996 00:35:29,595 --> 00:35:30,972 SNOW BUNNY ON HIS ARM. HE'S THE HEAD OF THE SKI PATROL. UP TO A LITTLE BIT OF NIGHT 997 00:35:30,996 --> 00:35:32,407 HE'S THE HEAD OF THE SKI PATROL. UP TO A LITTLE BIT OF NIGHT HOT-DOGGING TONIGHT, HEINZ? 998 00:35:32,431 --> 00:35:34,909 UP TO A LITTLE BIT OF NIGHT HOT-DOGGING TONIGHT, HEINZ? NOT PARTICULARLY. 999 00:35:34,933 --> 00:35:36,677 HOT-DOGGING TONIGHT, HEINZ? NOT PARTICULARLY. I JUST CAME TO CASH MY PAYCHECK. 1000 00:35:36,701 --> 00:35:39,280 NOT PARTICULARLY. I JUST CAME TO CASH MY PAYCHECK. YOU KNOW, AT 9:30 TONIGHT, 1001 00:35:39,304 --> 00:35:40,815 I JUST CAME TO CASH MY PAYCHECK. YOU KNOW, AT 9:30 TONIGHT, HEINZ WILL LEAD THE SKI SCHOOL 1002 00:35:40,839 --> 00:35:42,250 YOU KNOW, AT 9:30 TONIGHT, HEINZ WILL LEAD THE SKI SCHOOL AND THE WHOLE PATROL IN THE 1003 00:35:42,274 --> 00:35:43,784 HEINZ WILL LEAD THE SKI SCHOOL AND THE WHOLE PATROL IN THE TORCH SNAKE DANCE, ALL THE WAY 1004 00:35:43,808 --> 00:35:44,619 AND THE WHOLE PATROL IN THE TORCH SNAKE DANCE, ALL THE WAY DOWN BEAR RUN. 1005 00:35:44,643 --> 00:35:46,254 TORCH SNAKE DANCE, ALL THE WAY DOWN BEAR RUN. LET'S SEE IF HE'S IN ANY KIND OF 1006 00:35:46,278 --> 00:35:47,555 DOWN BEAR RUN. LET'S SEE IF HE'S IN ANY KIND OF POSITION TO PULL IT OFF. 1007 00:35:47,579 --> 00:35:49,324 LET'S SEE IF HE'S IN ANY KIND OF POSITION TO PULL IT OFF. TELL US, HEINZ, WHERE DID THE 1008 00:35:49,348 --> 00:35:51,192 POSITION TO PULL IT OFF. TELL US, HEINZ, WHERE DID THE SNAKE TORCH DANCE ORIGINATE? 1009 00:35:51,216 --> 00:35:53,261 TELL US, HEINZ, WHERE DID THE SNAKE TORCH DANCE ORIGINATE? AS A MATTER OF FACT, NICK, 1010 00:35:53,285 --> 00:35:55,296 SNAKE TORCH DANCE ORIGINATE? AS A MATTER OF FACT, NICK, THE SNAKE DANCE ORIGINATED IN 1011 00:35:55,320 --> 00:35:56,697 AS A MATTER OF FACT, NICK, THE SNAKE DANCE ORIGINATED IN ZERMATT, SWITZERLAND, DURING THE 1012 00:35:56,721 --> 00:35:59,066 THE SNAKE DANCE ORIGINATED IN ZERMATT, SWITZERLAND, DURING THE WORLD WAR, AS A SIGNAL TO ALLIED 1013 00:35:59,090 --> 00:35:59,934 ZERMATT, SWITZERLAND, DURING THE WORLD WAR, AS A SIGNAL TO ALLIED BOMBERS. 1014 00:35:59,958 --> 00:36:00,768 WORLD WAR, AS A SIGNAL TO ALLIED BOMBERS. A LITTLE BIT OF HISTORY, 1015 00:36:00,792 --> 00:36:01,269 BOMBERS. A LITTLE BIT OF HISTORY, EVERYBODY. 1016 00:36:01,293 --> 00:36:01,936 A LITTLE BIT OF HISTORY, EVERYBODY. IS THAT TRUE? 1017 00:36:01,960 --> 00:36:02,837 EVERYBODY. IS THAT TRUE? NO. 1018 00:36:02,861 --> 00:36:03,904 IS THAT TRUE? NO. I JUST SAID THAT BECAUSE YOU 1019 00:36:03,928 --> 00:36:05,273 NO. I JUST SAID THAT BECAUSE YOU WILL BELIEVE ANYTHING, AND YOU 1020 00:36:05,297 --> 00:36:09,444 I JUST SAID THAT BECAUSE YOU WILL BELIEVE ANYTHING, AND YOU ARE A PIMP! 1021 00:36:09,468 --> 00:36:11,246 WILL BELIEVE ANYTHING, AND YOU ARE A PIMP! AND IF YOU DON'T LEAVE ME ALONE, 1022 00:36:11,270 --> 00:36:12,980 ARE A PIMP! AND IF YOU DON'T LEAVE ME ALONE, I SHALL STRIKE YOU! 1023 00:36:13,004 --> 00:36:14,149 AND IF YOU DON'T LEAVE ME ALONE, I SHALL STRIKE YOU! OKAY. 1024 00:36:14,173 --> 00:36:15,483 I SHALL STRIKE YOU! OKAY. AND WHO IS THIS PRETTY SNOW 1025 00:36:15,507 --> 00:36:16,851 OKAY. AND WHO IS THIS PRETTY SNOW MUFFIN HERE WITH YOU, HEINZ? 1026 00:36:16,875 --> 00:36:18,653 AND WHO IS THIS PRETTY SNOW MUFFIN HERE WITH YOU, HEINZ? MRS. LYMAN. 1027 00:36:18,677 --> 00:36:19,787 MUFFIN HERE WITH YOU, HEINZ? MRS. LYMAN. EXCUSE ME, WHAT? 1028 00:36:19,811 --> 00:36:21,389 MRS. LYMAN. EXCUSE ME, WHAT? MRS. LYMAN. 1029 00:36:21,413 --> 00:36:21,956 EXCUSE ME, WHAT? MRS. LYMAN. I'M SORRY. 1030 00:36:21,980 --> 00:36:23,258 MRS. LYMAN. I'M SORRY. COULD YOU SAY IT ONE MORE TIME? 1031 00:36:23,282 --> 00:36:25,493 I'M SORRY. COULD YOU SAY IT ONE MORE TIME? MRS. LYMAN! 1032 00:36:25,517 --> 00:36:26,528 COULD YOU SAY IT ONE MORE TIME? MRS. LYMAN! OH, MRS. LYMAN. 1033 00:36:26,552 --> 00:36:27,695 MRS. LYMAN! OH, MRS. LYMAN. OH, I SEE. 1034 00:36:27,719 --> 00:36:28,896 OH, MRS. LYMAN. OH, I SEE. ARE YOU STILL MARRIED, 1035 00:36:28,920 --> 00:36:29,897 OH, I SEE. ARE YOU STILL MARRIED, MRS. LYMAN? 1036 00:36:29,921 --> 00:36:30,398 ARE YOU STILL MARRIED, MRS. LYMAN? YES. 1037 00:36:30,422 --> 00:36:31,633 MRS. LYMAN? YES. MY HUSBAND IS EXHAUSTED. 1038 00:36:31,657 --> 00:36:33,100 YES. MY HUSBAND IS EXHAUSTED. HE'S IN THE ROOM, AND I DON'T 1039 00:36:33,124 --> 00:36:33,468 MY HUSBAND IS EXHAUSTED. HE'S IN THE ROOM, AND I DON'T SKI. 1040 00:36:33,492 --> 00:36:34,702 HE'S IN THE ROOM, AND I DON'T SKI. I SEE. 1041 00:36:34,726 --> 00:36:35,537 SKI. I SEE. WELL, YOU MAKE FRIENDS WITH 1042 00:36:35,561 --> 00:36:36,037 I SEE. WELL, YOU MAKE FRIENDS WITH HEINZ HERE. 1043 00:36:36,061 --> 00:36:36,971 WELL, YOU MAKE FRIENDS WITH HEINZ HERE. HE'LL GIVE YOU A COUPLE OF FREE 1044 00:36:36,995 --> 00:36:37,872 HEINZ HERE. HE'LL GIVE YOU A COUPLE OF FREE LESSONS AND HAVE YOU UP ON THE 1045 00:36:37,896 --> 00:36:38,473 HE'LL GIVE YOU A COUPLE OF FREE LESSONS AND HAVE YOU UP ON THE BOARDS IN NO TIME. 1046 00:36:38,497 --> 00:36:40,341 LESSONS AND HAVE YOU UP ON THE BOARDS IN NO TIME. MRS. LYMAN, HOW ABOUT A REQUEST? 1047 00:36:40,365 --> 00:36:41,442 BOARDS IN NO TIME. MRS. LYMAN, HOW ABOUT A REQUEST? NO! 1048 00:36:41,466 --> 00:36:42,610 MRS. LYMAN, HOW ABOUT A REQUEST? NO! WELL, THERE ARE NEVER ANY 1049 00:36:42,634 --> 00:36:43,678 NO! WELL, THERE ARE NEVER ANY REQUESTS, I GUESS, BECAUSE 1050 00:36:43,702 --> 00:36:45,547 WELL, THERE ARE NEVER ANY REQUESTS, I GUESS, BECAUSE THERE'S ONLY ONE WAY EVERYBODY 1051 00:36:45,571 --> 00:36:46,947 REQUESTS, I GUESS, BECAUSE THERE'S ONLY ONE WAY EVERYBODY WANTS IT, AND THAT'S WITH PLENTY 1052 00:36:46,971 --> 00:36:48,716 THERE'S ONLY ONE WAY EVERYBODY WANTS IT, AND THAT'S WITH PLENTY OF SNOW! 1053 00:36:48,740 --> 00:36:50,785 WANTS IT, AND THAT'S WITH PLENTY OF SNOW! ♪ AW, THAT'S THE WAY, UH-HUH, 1054 00:36:50,809 --> 00:36:52,587 OF SNOW! ♪ AW, THAT'S THE WAY, UH-HUH, UH-HUH, I LIKE IT ♪ 1055 00:36:52,611 --> 00:36:53,821 ♪ AW, THAT'S THE WAY, UH-HUH, UH-HUH, I LIKE IT ♪ SIX INCHES OF POWDER! 1056 00:36:53,845 --> 00:36:54,855 UH-HUH, I LIKE IT ♪ SIX INCHES OF POWDER! ♪ THAT'S THE WAY ♪ 1057 00:36:54,879 --> 00:36:55,856 SIX INCHES OF POWDER! ♪ THAT'S THE WAY ♪ WITH A 50-INCH BASE! 1058 00:36:55,880 --> 00:36:56,724 ♪ THAT'S THE WAY ♪ WITH A 50-INCH BASE! ♪ I LIKE IT ♪ 1059 00:36:56,748 --> 00:36:58,326 WITH A 50-INCH BASE! ♪ I LIKE IT ♪ AND A LOT OF CUTE SNOW BUNNIES. 1060 00:36:58,350 --> 00:37:01,529 ♪ I LIKE IT ♪ AND A LOT OF CUTE SNOW BUNNIES. ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ 1061 00:37:01,553 --> 00:37:02,397 AND A LOT OF CUTE SNOW BUNNIES. ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ ♪ AAH ♪ 1062 00:37:02,421 --> 00:37:05,800 ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ ♪ AAH ♪ ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ 1063 00:37:05,824 --> 00:37:08,236 ♪ AAH ♪ ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ ♪ OH, THAT'S THE WAY 1064 00:37:08,260 --> 00:37:11,706 ♪ DO-DO-DO DO-DO-DO DO-DO-DO ♪ ♪ OH, THAT'S THE WAY WE ALL LIKE IT ♪ 1065 00:37:11,730 --> 00:37:14,676 ♪ OH, THAT'S THE WAY WE ALL LIKE IT ♪ NO LIFT LINES, EITHER, HUH? 1066 00:37:14,700 --> 00:37:16,344 WE ALL LIKE IT ♪ NO LIFT LINES, EITHER, HUH? UH-OH, WAIT A SECOND. 1067 00:37:16,368 --> 00:37:17,478 NO LIFT LINES, EITHER, HUH? UH-OH, WAIT A SECOND. [ENGINE HUMMING] 1068 00:37:17,502 --> 00:37:18,346 UH-OH, WAIT A SECOND. [ENGINE HUMMING] YOU HEAR WHAT I HEAR? 1069 00:37:18,370 --> 00:37:19,280 [ENGINE HUMMING] YOU HEAR WHAT I HEAR? IT'S THE SNOWCAT... 1070 00:37:19,304 --> 00:37:21,115 YOU HEAR WHAT I HEAR? IT'S THE SNOWCAT... MEATLOAF MOUNTAIN SNOWCAT, 1071 00:37:21,139 --> 00:37:21,949 IT'S THE SNOWCAT... MEATLOAF MOUNTAIN SNOWCAT, OPERATED BY OUR OWN 1072 00:37:21,973 --> 00:37:23,251 MEATLOAF MOUNTAIN SNOWCAT, OPERATED BY OUR OWN JIMMY JOE RED SKY, THE FELLA 1073 00:37:23,275 --> 00:37:24,686 OPERATED BY OUR OWN JIMMY JOE RED SKY, THE FELLA WHO MANICURES ALL THE SLOPES AND 1074 00:37:24,710 --> 00:37:25,986 JIMMY JOE RED SKY, THE FELLA WHO MANICURES ALL THE SLOPES AND RUNS THE SNOW GUNS AND MAKES 1075 00:37:26,010 --> 00:37:27,355 WHO MANICURES ALL THE SLOPES AND RUNS THE SNOW GUNS AND MAKES SURE NONE OF YOU DUDES HIT ANY 1076 00:37:27,379 --> 00:37:28,155 RUNS THE SNOW GUNS AND MAKES SURE NONE OF YOU DUDES HIT ANY ROCKS UP THERE. 1077 00:37:28,179 --> 00:37:29,257 SURE NONE OF YOU DUDES HIT ANY ROCKS UP THERE. HE COMES IN EVERY NIGHT ABOUT 1078 00:37:29,281 --> 00:37:30,157 ROCKS UP THERE. HE COMES IN EVERY NIGHT ABOUT THIS TIME TO GIVE THE SNOW 1079 00:37:30,181 --> 00:37:30,592 HE COMES IN EVERY NIGHT ABOUT THIS TIME TO GIVE THE SNOW REPORT. 1080 00:37:30,616 --> 00:37:31,326 THIS TIME TO GIVE THE SNOW REPORT. LET'S GIVE HIM A WELCOME! 1081 00:37:31,350 --> 00:37:36,631 REPORT. LET'S GIVE HIM A WELCOME! COME ON! JIMMY JOE RED SKY! 1082 00:37:36,655 --> 00:37:38,065 LET'S GIVE HIM A WELCOME! COME ON! JIMMY JOE RED SKY! HELLO, NICK! 1083 00:37:38,089 --> 00:37:39,200 COME ON! JIMMY JOE RED SKY! HELLO, NICK! LOOK WHAT I GOT HERE! 1084 00:37:39,224 --> 00:37:41,168 HELLO, NICK! LOOK WHAT I GOT HERE! WHOA! WHAT IS THAT?! 1085 00:37:41,192 --> 00:37:42,437 LOOK WHAT I GOT HERE! WHOA! WHAT IS THAT?! IT'S A PORCUPINE! 1086 00:37:42,461 --> 00:37:43,671 WHOA! WHAT IS THAT?! IT'S A PORCUPINE! I WAS COMING DOWN BEAR RUN, 1087 00:37:43,695 --> 00:37:45,039 IT'S A PORCUPINE! I WAS COMING DOWN BEAR RUN, DOING ABOUT 50 IN THE SNOWCAT, 1088 00:37:45,063 --> 00:37:46,073 I WAS COMING DOWN BEAR RUN, DOING ABOUT 50 IN THE SNOWCAT, AND HE RAN RIGHT OUT IN FRONT OF 1089 00:37:46,097 --> 00:37:46,441 DOING ABOUT 50 IN THE SNOWCAT, AND HE RAN RIGHT OUT IN FRONT OF ME. 1090 00:37:46,465 --> 00:37:47,007 AND HE RAN RIGHT OUT IN FRONT OF ME. HE FROZE! 1091 00:37:47,031 --> 00:37:48,343 ME. HE FROZE! HE LOOKED IN THE HEADLIGHTS, 1092 00:37:48,367 --> 00:37:49,410 HE FROZE! HE LOOKED IN THE HEADLIGHTS, FROZE, AND I HIT HIM. 1093 00:37:49,434 --> 00:37:50,878 HE LOOKED IN THE HEADLIGHTS, FROZE, AND I HIT HIM. I HIT HIM WITH THE SNOW PACKER. 1094 00:37:50,902 --> 00:37:52,980 FROZE, AND I HIT HIM. I HIT HIM WITH THE SNOW PACKER. HE'S FROZEN UP SOLID NOW. 1095 00:37:53,004 --> 00:37:54,515 I HIT HIM WITH THE SNOW PACKER. HE'S FROZEN UP SOLID NOW. BUT, YOU KNOW, YOU CAN MAKE A 1096 00:37:54,539 --> 00:37:56,183 HE'S FROZEN UP SOLID NOW. BUT, YOU KNOW, YOU CAN MAKE A GOOD SOUP OUT OF THE QUILLS, YOU 1097 00:37:56,207 --> 00:37:56,618 BUT, YOU KNOW, YOU CAN MAKE A GOOD SOUP OUT OF THE QUILLS, YOU KNOW? 1098 00:37:56,642 --> 00:37:57,685 GOOD SOUP OUT OF THE QUILLS, YOU KNOW? WELL, HOW ARE THE SNOW 1099 00:37:57,709 --> 00:37:58,720 KNOW? WELL, HOW ARE THE SNOW CONDITIONS FOR TOMORROW? 1100 00:37:58,744 --> 00:37:59,987 WELL, HOW ARE THE SNOW CONDITIONS FOR TOMORROW? ONE THING ABOUT INDIANS IS THAT 1101 00:38:00,011 --> 00:38:01,322 CONDITIONS FOR TOMORROW? ONE THING ABOUT INDIANS IS THAT THEY ALWAYS KNOW WHEN IT'S GOING 1102 00:38:01,346 --> 00:38:02,390 ONE THING ABOUT INDIANS IS THAT THEY ALWAYS KNOW WHEN IT'S GOING TO SNOW, AND I LOVE THAT. 1103 00:38:02,414 --> 00:38:03,057 THEY ALWAYS KNOW WHEN IT'S GOING TO SNOW, AND I LOVE THAT. IT'S TERRIFIC. 1104 00:38:03,081 --> 00:38:03,924 TO SNOW, AND I LOVE THAT. IT'S TERRIFIC. WHAT DO YOU THINK ABOUT 1105 00:38:03,948 --> 00:38:04,392 IT'S TERRIFIC. WHAT DO YOU THINK ABOUT TOMORROW? 1106 00:38:04,416 --> 00:38:05,560 WHAT DO YOU THINK ABOUT TOMORROW? WELL, MY NOSE TELLS ME IT'S 1107 00:38:05,584 --> 00:38:06,394 TOMORROW? WELL, MY NOSE TELLS ME IT'S GONNA SNOW TOMORROW. 1108 00:38:06,418 --> 00:38:07,795 WELL, MY NOSE TELLS ME IT'S GONNA SNOW TOMORROW. YOU SEE THE VEINS STICKING OUT? 1109 00:38:07,819 --> 00:38:09,864 GONNA SNOW TOMORROW. YOU SEE THE VEINS STICKING OUT? I GUESS YOU'LL GET ABOUT 3 TO 6 1110 00:38:09,888 --> 00:38:10,698 YOU SEE THE VEINS STICKING OUT? I GUESS YOU'LL GET ABOUT 3 TO 6 INCHES. 1111 00:38:10,722 --> 00:38:11,866 I GUESS YOU'LL GET ABOUT 3 TO 6 INCHES. I KNOW, BECAUSE I'M GONNA BE OUT 1112 00:38:11,890 --> 00:38:13,067 INCHES. I KNOW, BECAUSE I'M GONNA BE OUT THERE MAKING IT WITH MY SNOW 1113 00:38:13,091 --> 00:38:13,534 I KNOW, BECAUSE I'M GONNA BE OUT THERE MAKING IT WITH MY SNOW GUNS. 1114 00:38:13,558 --> 00:38:14,435 THERE MAKING IT WITH MY SNOW GUNS. I NEED A DRINK. 1115 00:38:14,459 --> 00:38:15,803 GUNS. I NEED A DRINK. OKAY, AND THIS ONE'S ON 1116 00:38:15,827 --> 00:38:16,738 I NEED A DRINK. OKAY, AND THIS ONE'S ON NICK WINTERS. 1117 00:38:16,762 --> 00:38:17,639 OKAY, AND THIS ONE'S ON NICK WINTERS. IF YOU WOULD, HERBERT. 1118 00:38:17,663 --> 00:38:18,139 NICK WINTERS. IF YOU WOULD, HERBERT. THANK YOU. 1119 00:38:18,163 --> 00:38:18,640 IF YOU WOULD, HERBERT. THANK YOU. WELL, GREAT. 1120 00:38:18,664 --> 00:38:19,307 THANK YOU. WELL, GREAT. THERE YOU HAVE IT. 1121 00:38:19,331 --> 00:38:20,275 WELL, GREAT. THERE YOU HAVE IT. HEY, EVERYBODY, SNOW TOMORROW. 1122 00:38:20,299 --> 00:38:21,276 THERE YOU HAVE IT. HEY, EVERYBODY, SNOW TOMORROW. BUT LET'S ALL THINK POWDER AND 1123 00:38:21,300 --> 00:38:23,177 HEY, EVERYBODY, SNOW TOMORROW. BUT LET'S ALL THINK POWDER AND LOTS OF IT, PLEASE? 1124 00:38:23,201 --> 00:38:25,045 BUT LET'S ALL THINK POWDER AND LOTS OF IT, PLEASE? WHO'S A POWDER ANIMAL? 1125 00:38:25,069 --> 00:38:26,314 LOTS OF IT, PLEASE? WHO'S A POWDER ANIMAL? EVERYBODY! ALL RIGHT! 1126 00:38:26,338 --> 00:38:28,048 WHO'S A POWDER ANIMAL? EVERYBODY! ALL RIGHT! OKAY, PAULY, YOU READY TO PLAY A 1127 00:38:28,072 --> 00:38:29,216 EVERYBODY! ALL RIGHT! OKAY, PAULY, YOU READY TO PLAY A LITTLE BIT OF MUSIC? 1128 00:38:29,240 --> 00:38:29,751 OKAY, PAULY, YOU READY TO PLAY A LITTLE BIT OF MUSIC? NO. 1129 00:38:29,775 --> 00:38:30,752 LITTLE BIT OF MUSIC? NO. NOW WAIT A MINUTE! 1130 00:38:30,776 --> 00:38:32,119 NO. NOW WAIT A MINUTE! THIS IS THE NICK WINTERS SHOW, 1131 00:38:32,143 --> 00:38:33,554 NOW WAIT A MINUTE! THIS IS THE NICK WINTERS SHOW, AND I DO THE ENTERTAINING, THANK 1132 00:38:33,578 --> 00:38:33,921 THIS IS THE NICK WINTERS SHOW, AND I DO THE ENTERTAINING, THANK YOU! 1133 00:38:33,945 --> 00:38:35,156 AND I DO THE ENTERTAINING, THANK YOU! LET'S GO OUT WITH SOMETHING 1134 00:38:35,180 --> 00:38:36,491 YOU! LET'S GO OUT WITH SOMETHING REALLY HOT FOR THESE FOLKS... 1135 00:38:36,515 --> 00:38:40,094 LET'S GO OUT WITH SOMETHING REALLY HOT FOR THESE FOLKS... THE BIG HIT OUT OF '77. 1136 00:38:40,118 --> 00:38:43,498 REALLY HOT FOR THESE FOLKS... THE BIG HIT OUT OF '77. ♪ AH... STAR WARS, 1137 00:38:43,522 --> 00:38:46,934 THE BIG HIT OUT OF '77. ♪ AH... STAR WARS, NOTHING BUT STAR WARS ♪ 1138 00:38:46,958 --> 00:38:50,305 ♪ AH... STAR WARS, NOTHING BUT STAR WARS ♪ ♪ GIVE ME THOSE STAR WARS ♪ 1139 00:38:50,329 --> 00:38:54,008 NOTHING BUT STAR WARS ♪ ♪ GIVE ME THOSE STAR WARS ♪ ♪ DON'T LET THEM END ♪ 1140 00:38:54,032 --> 00:38:57,312 ♪ GIVE ME THOSE STAR WARS ♪ ♪ DON'T LET THEM END ♪ ♪ AH, STAR WARS ♪ 1141 00:38:57,336 --> 00:39:00,881 ♪ DON'T LET THEM END ♪ ♪ AH, STAR WARS ♪ ♪ IF THEY SHOULD BAR WARS ♪ 1142 00:39:00,905 --> 00:39:05,320 ♪ AH, STAR WARS ♪ ♪ IF THEY SHOULD BAR WARS ♪ ♪ PLEASE LET THESE STAR WARS 1143 00:39:05,344 --> 00:39:08,690 ♪ IF THEY SHOULD BAR WARS ♪ ♪ PLEASE LET THESE STAR WARS STAY ♪ 1144 00:39:08,714 --> 00:39:09,624 ♪ PLEASE LET THESE STAR WARS STAY ♪ ♪ AND, HEY, 1145 00:39:09,648 --> 00:39:11,559 STAY ♪ ♪ AND, HEY, HOW ABOUT THAT NUTTY "STAR WARS" 1146 00:39:11,583 --> 00:39:12,527 ♪ AND, HEY, HOW ABOUT THAT NUTTY "STAR WARS" BAR? ♪ 1147 00:39:12,551 --> 00:39:13,695 HOW ABOUT THAT NUTTY "STAR WARS" BAR? ♪ ♪ CAN YOU FORGET ALL 1148 00:39:13,719 --> 00:39:15,530 BAR? ♪ ♪ CAN YOU FORGET ALL THE CREATURES IN THERE? ♪ 1149 00:39:15,554 --> 00:39:17,699 ♪ CAN YOU FORGET ALL THE CREATURES IN THERE? ♪ ♪ AND, HEY, DARTH VADER 1150 00:39:17,723 --> 00:39:19,600 THE CREATURES IN THERE? ♪ ♪ AND, HEY, DARTH VADER IN THAT BLACK AND EVIL MASK ♪ 1151 00:39:19,624 --> 00:39:21,902 ♪ AND, HEY, DARTH VADER IN THAT BLACK AND EVIL MASK ♪ ♪ DID HE SCARE YOU AS MUCH AS HE 1152 00:39:21,926 --> 00:39:23,338 IN THAT BLACK AND EVIL MASK ♪ ♪ DID HE SCARE YOU AS MUCH AS HE SCARED ME? ♪ 1153 00:39:23,362 --> 00:39:24,071 ♪ DID HE SCARE YOU AS MUCH AS HE SCARED ME? ♪ AAHHH! 1154 00:39:24,095 --> 00:39:26,541 SCARED ME? ♪ AAHHH! ♪ STAR WARS, 1155 00:39:26,565 --> 00:39:29,076 AAHHH! ♪ STAR WARS, THOSE NEAR AND FAR WARS ♪ 1156 00:39:29,100 --> 00:39:31,111 ♪ STAR WARS, THOSE NEAR AND FAR WARS ♪ MY SEVENTH WINTER UP HERE! 1157 00:39:31,135 --> 00:39:35,839 THOSE NEAR AND FAR WARS ♪ MY SEVENTH WINTER UP HERE! ♪ STAR WARS ♪ 1158 00:39:57,895 --> 00:40:01,197 [French accent] GOOD EVENING. I AM... 1159 00:40:05,302 --> 00:40:11,118 AND WELCOME TO "FROGS LOOK AT FILM." ALORS, JEAN-PAUL SARTRE HAS 1160 00:40:11,142 --> 00:40:13,488 FILM." ALORS, JEAN-PAUL SARTRE HAS CALLED HIM L'IDIOT SACRé. 1161 00:40:13,512 --> 00:40:14,922 ALORS, JEAN-PAUL SARTRE HAS CALLED HIM L'IDIOT SACRé. JEAN GENET HAS CALLED HIM 1162 00:40:14,946 --> 00:40:18,259 CALLED HIM L'IDIOT SACRé. JEAN GENET HAS CALLED HIM L'IMBéCILE MAGNIFIQUE. 1163 00:40:18,283 --> 00:40:20,661 JEAN GENET HAS CALLED HIM L'IMBéCILE MAGNIFIQUE. BUT TO THE MILLIONS OF FRENCHMEN 1164 00:40:20,685 --> 00:40:23,063 L'IMBéCILE MAGNIFIQUE. BUT TO THE MILLIONS OF FRENCHMEN WHO ADORE HIM, HE'S KNOWN SIMPLY 1165 00:40:23,087 --> 00:40:26,768 BUT TO THE MILLIONS OF FRENCHMEN WHO ADORE HIM, HE'S KNOWN SIMPLY AS LE MORON STUPIDE. 1166 00:40:26,792 --> 00:40:29,203 WHO ADORE HIM, HE'S KNOWN SIMPLY AS LE MORON STUPIDE. I AM SPEAKING, OF COURSE, OF 1167 00:40:29,227 --> 00:40:31,739 AS LE MORON STUPIDE. I AM SPEAKING, OF COURSE, OF JERRY LEWIS, WITHOUT QUESTION 1168 00:40:31,763 --> 00:40:34,308 I AM SPEAKING, OF COURSE, OF JERRY LEWIS, WITHOUT QUESTION THE MIGHTIEST CINEMATIC GENIUS 1169 00:40:34,332 --> 00:40:36,176 JERRY LEWIS, WITHOUT QUESTION THE MIGHTIEST CINEMATIC GENIUS OF THE 20th CENTURY. 1170 00:40:36,200 --> 00:40:38,413 THE MIGHTIEST CINEMATIC GENIUS OF THE 20th CENTURY. IT IS A GREAT HONOR TO PRESENT 1171 00:40:38,437 --> 00:40:39,947 OF THE 20th CENTURY. IT IS A GREAT HONOR TO PRESENT THE CLASSIC FILM... 1172 00:40:39,971 --> 00:40:45,286 IT IS A GREAT HONOR TO PRESENT THE CLASSIC FILM... [SPEAKING FRENCH] 1173 00:40:45,310 --> 00:40:47,422 THE CLASSIC FILM... [SPEAKING FRENCH] OR, AS IT WAS RELEASED IN 1174 00:40:47,446 --> 00:40:49,990 [SPEAKING FRENCH] OR, AS IT WAS RELEASED IN AMERICA, "THE NUTTY AIR-TRAFFIC 1175 00:40:50,014 --> 00:40:51,325 OR, AS IT WAS RELEASED IN AMERICA, "THE NUTTY AIR-TRAFFIC CONTROLLER." 1176 00:40:51,349 --> 00:40:53,360 AMERICA, "THE NUTTY AIR-TRAFFIC CONTROLLER." I THINK YOU'LL AGREE. 1177 00:40:53,384 --> 00:40:55,863 CONTROLLER." I THINK YOU'LL AGREE. THIS IS THE CRèME DE LEWIS. 1178 00:40:55,887 --> 00:40:58,421 I THINK YOU'LL AGREE. THIS IS THE CRèME DE LEWIS. ENJOY. 1179 00:41:03,527 --> 00:41:07,542 NOW, YOU'RE QUITE SURE ABOUT THIS, KITTEN. OH, YES, DADDY. 1180 00:41:07,566 --> 00:41:09,310 THIS, KITTEN. OH, YES, DADDY. MELVIN JUST NEEDS A CHANCE TO 1181 00:41:09,334 --> 00:41:10,277 OH, YES, DADDY. MELVIN JUST NEEDS A CHANCE TO PROVE HIMSELF. 1182 00:41:10,301 --> 00:41:12,379 MELVIN JUST NEEDS A CHANCE TO PROVE HIMSELF. WELL, VERY WELL, THEN. 1183 00:41:12,403 --> 00:41:14,916 PROVE HIMSELF. WELL, VERY WELL, THEN. MELVIN, WOULD YOU STEP IN HERE, 1184 00:41:14,940 --> 00:41:16,984 WELL, VERY WELL, THEN. MELVIN, WOULD YOU STEP IN HERE, PLEASE? 1185 00:41:17,008 --> 00:41:18,553 MELVIN, WOULD YOU STEP IN HERE, PLEASE? WHAA! 1186 00:41:18,577 --> 00:41:21,088 PLEASE? WHAA! MELVIN, YOU HAVE HAD THREE 1187 00:41:21,112 --> 00:41:23,223 WHAA! MELVIN, YOU HAVE HAD THREE JOBS HERE AT BUTTERWORTH 1188 00:41:23,247 --> 00:41:25,760 MELVIN, YOU HAVE HAD THREE JOBS HERE AT BUTTERWORTH INTERNATIONAL AIRPORT... DOOR 1189 00:41:25,784 --> 00:41:28,429 JOBS HERE AT BUTTERWORTH INTERNATIONAL AIRPORT... DOOR BOY, ERRAND BOY, AND BELLBOY... 1190 00:41:28,453 --> 00:41:31,098 INTERNATIONAL AIRPORT... DOOR BOY, ERRAND BOY, AND BELLBOY... AND THEY'VE ALL BEEN DISASTERS! 1191 00:41:31,122 --> 00:41:33,033 BOY, ERRAND BOY, AND BELLBOY... AND THEY'VE ALL BEEN DISASTERS! DON'T HIT... DON'T HIT A 1192 00:41:33,057 --> 00:41:33,768 AND THEY'VE ALL BEEN DISASTERS! DON'T HIT... DON'T HIT A PERSON! 1193 00:41:33,792 --> 00:41:35,269 DON'T HIT... DON'T HIT A PERSON! BUT BECAUSE MY LITTLE 1194 00:41:35,293 --> 00:41:37,071 PERSON! BUT BECAUSE MY LITTLE PRINCESS HAS FAITH IN YOU, I'M 1195 00:41:37,095 --> 00:41:38,673 BUT BECAUSE MY LITTLE PRINCESS HAS FAITH IN YOU, I'M GOING TO GIVE YOU ONE LAST 1196 00:41:38,697 --> 00:41:39,273 PRINCESS HAS FAITH IN YOU, I'M GOING TO GIVE YOU ONE LAST CHANCE. 1197 00:41:39,297 --> 00:41:40,475 GOING TO GIVE YOU ONE LAST CHANCE. OH, THANK YOU, 1198 00:41:40,499 --> 00:41:41,542 CHANCE. OH, THANK YOU, MR. BLISTERWART. 1199 00:41:41,566 --> 00:41:43,444 OH, THANK YOU, MR. BLISTERWART. AS AN AIR-TRAFFIC CONTROLLER. 1200 00:41:43,468 --> 00:41:44,645 MR. BLISTERWART. AS AN AIR-TRAFFIC CONTROLLER. OH, THANK YOU, 1201 00:41:44,669 --> 00:41:45,813 AS AN AIR-TRAFFIC CONTROLLER. OH, THANK YOU, MR. BUTTERBLIMP. 1202 00:41:45,837 --> 00:41:47,281 OH, THANK YOU, MR. BUTTERBLIMP. THE NAME IS BUTTERWORTH! 1203 00:41:47,305 --> 00:41:48,583 MR. BUTTERBLIMP. THE NAME IS BUTTERWORTH! CHESTER B. BUTTERWORTH! 1204 00:41:48,607 --> 00:41:50,217 THE NAME IS BUTTERWORTH! CHESTER B. BUTTERWORTH! MR. BUTTERBLIMPER. 1205 00:41:50,241 --> 00:41:51,819 CHESTER B. BUTTERWORTH! MR. BUTTERBLIMPER. NOW, MELVIN, YOU'LL BE 1206 00:41:51,843 --> 00:41:53,821 MR. BUTTERBLIMPER. NOW, MELVIN, YOU'LL BE WORKING CLOSELY WITH THESE THREE 1207 00:41:53,845 --> 00:41:55,422 NOW, MELVIN, YOU'LL BE WORKING CLOSELY WITH THESE THREE GENTLEMEN... CLYDE HYMAN, 1208 00:41:55,446 --> 00:41:57,191 WORKING CLOSELY WITH THESE THREE GENTLEMEN... CLYDE HYMAN, STEVEN CLAVIN, AND 1209 00:41:57,215 --> 00:41:57,992 GENTLEMEN... CLYDE HYMAN, STEVEN CLAVIN, AND IRWIN FLAMEN. 1210 00:41:58,016 --> 00:41:59,827 STEVEN CLAVIN, AND IRWIN FLAMEN. HI, MR. HYMAN, MR. CLAVIN, 1211 00:41:59,851 --> 00:42:01,028 IRWIN FLAMEN. HI, MR. HYMAN, MR. CLAVIN, MR. BLOYMEN. 1212 00:42:01,052 --> 00:42:02,797 HI, MR. HYMAN, MR. CLAVIN, MR. BLOYMEN. MR. CLAVIN, PLEASE GIVE 1213 00:42:02,821 --> 00:42:04,499 MR. BLOYMEN. MR. CLAVIN, PLEASE GIVE MELVIN YOUR HEADSET, AND, 1214 00:42:04,523 --> 00:42:06,601 MR. CLAVIN, PLEASE GIVE MELVIN YOUR HEADSET, AND, MR. FLAMEN, IF YOU COULD EXPLAIN 1215 00:42:06,625 --> 00:42:08,636 MELVIN YOUR HEADSET, AND, MR. FLAMEN, IF YOU COULD EXPLAIN MELVIN'S DUTIES TO HIM, PLEASE. 1216 00:42:08,660 --> 00:42:10,738 MR. FLAMEN, IF YOU COULD EXPLAIN MELVIN'S DUTIES TO HIM, PLEASE. AND, MELVIN, IN THE FUTURE, 1217 00:42:10,762 --> 00:42:12,773 MELVIN'S DUTIES TO HIM, PLEASE. AND, MELVIN, IN THE FUTURE, WOULD YOU KINDLY WEAR REAL 1218 00:42:12,797 --> 00:42:13,674 AND, MELVIN, IN THE FUTURE, WOULD YOU KINDLY WEAR REAL CLOTHES?! 1219 00:42:13,698 --> 00:42:15,209 WOULD YOU KINDLY WEAR REAL CLOTHES?! AAH! 1220 00:42:15,233 --> 00:42:15,743 CLOTHES?! AAH! OKAY. 1221 00:42:15,767 --> 00:42:17,444 AAH! OKAY. THANK YOU, MR. BESTERWART, 1222 00:42:17,468 --> 00:42:18,546 OKAY. THANK YOU, MR. BESTERWART, MR. BUTTERBLIMP. 1223 00:42:18,570 --> 00:42:23,183 THANK YOU, MR. BESTERWART, MR. BUTTERBLIMP. THAT'S BUTTERWORTH! 1224 00:42:23,207 --> 00:42:24,184 MR. BUTTERBLIMP. THAT'S BUTTERWORTH! OH! I'M SORRY! 1225 00:42:24,208 --> 00:42:26,320 THAT'S BUTTERWORTH! OH! I'M SORRY! OH, DON'T MIND DADDY, MELVIN. 1226 00:42:26,344 --> 00:42:28,288 OH! I'M SORRY! OH, DON'T MIND DADDY, MELVIN. HE'S JUST SO PARTICULAR ABOUT 1227 00:42:28,312 --> 00:42:29,289 OH, DON'T MIND DADDY, MELVIN. HE'S JUST SO PARTICULAR ABOUT HIS AIRPORT. 1228 00:42:29,313 --> 00:42:31,526 HE'S JUST SO PARTICULAR ABOUT HIS AIRPORT. I KNOW IN TIME HE'LL LOVE YOU 1229 00:42:31,550 --> 00:42:33,227 HIS AIRPORT. I KNOW IN TIME HE'LL LOVE YOU JUST AS MUCH AS I DO. 1230 00:42:33,251 --> 00:42:38,666 I KNOW IN TIME HE'LL LOVE YOU JUST AS MUCH AS I DO. ♪ LA LA LA, LA LA LA ♪ 1231 00:42:38,690 --> 00:42:39,534 JUST AS MUCH AS I DO. ♪ LA LA LA, LA LA LA ♪ ♪ LA LA ♪ 1232 00:42:39,558 --> 00:42:41,101 ♪ LA LA LA, LA LA LA ♪ ♪ LA LA ♪ YOU'RE A NICE LADY. 1233 00:42:41,125 --> 00:42:46,473 ♪ LA LA ♪ YOU'RE A NICE LADY. GOOD LUCK, MELVIN. 1234 00:42:46,497 --> 00:42:48,009 YOU'RE A NICE LADY. GOOD LUCK, MELVIN. OKAY, MELVIN, TAKE A LOOK AT 1235 00:42:48,033 --> 00:42:49,610 GOOD LUCK, MELVIN. OKAY, MELVIN, TAKE A LOOK AT YOUR SCREEN HERE, AND I'LL BRIEF 1236 00:42:49,634 --> 00:42:51,045 OKAY, MELVIN, TAKE A LOOK AT YOUR SCREEN HERE, AND I'LL BRIEF YOU ON THE TRAFFIC PATTERN IN 1237 00:42:51,069 --> 00:42:51,779 YOUR SCREEN HERE, AND I'LL BRIEF YOU ON THE TRAFFIC PATTERN IN YOUR SECTOR. 1238 00:42:51,803 --> 00:42:53,447 YOU ON THE TRAFFIC PATTERN IN YOUR SECTOR. OKAY, IT'S GETTING PRETTY BUSY 1239 00:42:53,471 --> 00:42:54,148 YOUR SECTOR. OKAY, IT'S GETTING PRETTY BUSY OUT THERE. 1240 00:42:54,172 --> 00:42:55,816 OKAY, IT'S GETTING PRETTY BUSY OUT THERE. BRAKING CONDITIONS ARE FAIR TO 1241 00:42:55,840 --> 00:42:57,384 OUT THERE. BRAKING CONDITIONS ARE FAIR TO POOR, ZERO ROLLOUT, AND ZERO 1242 00:42:57,408 --> 00:42:58,152 BRAKING CONDITIONS ARE FAIR TO POOR, ZERO ROLLOUT, AND ZERO VISIBILITY. 1243 00:42:58,176 --> 00:42:59,654 POOR, ZERO ROLLOUT, AND ZERO VISIBILITY. AS YOU CAN SEE HERE, YOU'VE GOT 1244 00:42:59,678 --> 00:43:01,155 VISIBILITY. AS YOU CAN SEE HERE, YOU'VE GOT TWO JUMBO JETS HOLDING TO COME 1245 00:43:01,179 --> 00:43:01,689 AS YOU CAN SEE HERE, YOU'VE GOT TWO JUMBO JETS HOLDING TO COME IN HERE. 1246 00:43:01,713 --> 00:43:02,557 TWO JUMBO JETS HOLDING TO COME IN HERE. YEAH. 1247 00:43:02,581 --> 00:43:05,026 IN HERE. YEAH. THAT IS A TRANSEASTERN 601 AT 1248 00:43:05,050 --> 00:43:07,428 YEAH. THAT IS A TRANSEASTERN 601 AT 10:00 AND A PAN ASIAN AT 11:00, 1249 00:43:07,452 --> 00:43:08,228 THAT IS A TRANSEASTERN 601 AT 10:00 AND A PAN ASIAN AT 11:00, OKAY? 1250 00:43:08,252 --> 00:43:09,263 10:00 AND A PAN ASIAN AT 11:00, OKAY? I THINK YOU'LL PICK THIS UP 1251 00:43:09,287 --> 00:43:09,931 OKAY? I THINK YOU'LL PICK THIS UP PRETTY QUICKLY. 1252 00:43:09,955 --> 00:43:10,631 I THINK YOU'LL PICK THIS UP PRETTY QUICKLY. OH, SURE. 1253 00:43:10,655 --> 00:43:12,066 PRETTY QUICKLY. OH, SURE. BUT WHATEVER YOU DO, DON'T 1254 00:43:12,090 --> 00:43:13,467 OH, SURE. BUT WHATEVER YOU DO, DON'T SEND THEM TO THE SAME RUNWAY, 1255 00:43:13,491 --> 00:43:14,669 BUT WHATEVER YOU DO, DON'T SEND THEM TO THE SAME RUNWAY, OKAY? 1256 00:43:14,693 --> 00:43:16,370 SEND THEM TO THE SAME RUNWAY, OKAY? BUTTERWORTH CENTER, THIS IS 1257 00:43:16,394 --> 00:43:17,538 OKAY? BUTTERWORTH CENTER, THIS IS PAN ASIAN 28 HEAVY. 1258 00:43:17,562 --> 00:43:19,239 BUTTERWORTH CENTER, THIS IS PAN ASIAN 28 HEAVY. STARTING DESCENT NOW AT 6,000. 1259 00:43:19,263 --> 00:43:20,407 PAN ASIAN 28 HEAVY. STARTING DESCENT NOW AT 6,000. STILL WITH YOU. OVER. 1260 00:43:20,431 --> 00:43:22,877 STARTING DESCENT NOW AT 6,000. STILL WITH YOU. OVER. COME IN, PAN ASIAN 28. 1261 00:43:22,901 --> 00:43:24,912 STILL WITH YOU. OVER. COME IN, PAN ASIAN 28. HI! THIS IS MELVIN. 1262 00:43:24,936 --> 00:43:26,146 COME IN, PAN ASIAN 28. HI! THIS IS MELVIN. MELVIN? 1263 00:43:26,170 --> 00:43:27,448 HI! THIS IS MELVIN. MELVIN? I MEAN, ROGER. 1264 00:43:27,472 --> 00:43:28,649 MELVIN? I MEAN, ROGER. I MEAN, MELVIN. 1265 00:43:28,673 --> 00:43:31,118 I MEAN, ROGER. I MEAN, MELVIN. AND MR. FLAMEN AND MR. FLAMEN 1266 00:43:31,142 --> 00:43:32,587 I MEAN, MELVIN. AND MR. FLAMEN AND MR. FLAMEN AND MR. KLAMEN. 1267 00:43:32,611 --> 00:43:34,188 AND MR. FLAMEN AND MR. FLAMEN AND MR. KLAMEN. TRANSEASTERN 601 HEAVY WITH 1268 00:43:34,212 --> 00:43:34,589 AND MR. KLAMEN. TRANSEASTERN 601 HEAVY WITH YOU. 1269 00:43:34,613 --> 00:43:36,023 TRANSEASTERN 601 HEAVY WITH YOU. WE'RE HEADING TOWARDS OUTER 1270 00:43:36,047 --> 00:43:36,991 YOU. WE'RE HEADING TOWARDS OUTER MARKER AT 2,000. 1271 00:43:37,015 --> 00:43:38,593 WE'RE HEADING TOWARDS OUTER MARKER AT 2,000. REQUEST PERMISSION TO LAND 1272 00:43:38,617 --> 00:43:39,627 MARKER AT 2,000. REQUEST PERMISSION TO LAND RUNWAY 22 LEFT. 1273 00:43:39,651 --> 00:43:40,160 REQUEST PERMISSION TO LAND RUNWAY 22 LEFT. OVER. 1274 00:43:40,184 --> 00:43:41,395 RUNWAY 22 LEFT. OVER. WAIT A MINUTE, 1275 00:43:41,419 --> 00:43:42,630 OVER. WAIT A MINUTE, MR. TRANSEASTERN. 1276 00:43:42,654 --> 00:43:44,331 WAIT A MINUTE, MR. TRANSEASTERN. I'M TALKING TO PAN ASIAN. 1277 00:43:44,355 --> 00:43:45,700 MR. TRANSEASTERN. I'M TALKING TO PAN ASIAN. PAN ASIAN 28 WITH YOU AT 1278 00:43:45,724 --> 00:43:46,166 I'M TALKING TO PAN ASIAN. PAN ASIAN 28 WITH YOU AT 2,000. 1279 00:43:46,190 --> 00:43:47,334 PAN ASIAN 28 WITH YOU AT 2,000. WE'RE LOOKING FOR THAT 1280 00:43:47,358 --> 00:43:48,268 2,000. WE'RE LOOKING FOR THAT TRANSEASTERN 601. 1281 00:43:48,292 --> 00:43:49,570 WE'RE LOOKING FOR THAT TRANSEASTERN 601. ESTIMATE CLOSE PROXIMITY. 1282 00:43:49,594 --> 00:43:50,671 TRANSEASTERN 601. ESTIMATE CLOSE PROXIMITY. STILL NO CONTACT. 1283 00:43:50,695 --> 00:43:52,306 ESTIMATE CLOSE PROXIMITY. STILL NO CONTACT. REQUEST PERMISSION TO LAND, 1284 00:43:52,330 --> 00:43:54,274 STILL NO CONTACT. REQUEST PERMISSION TO LAND, RUNWAY 22 LEFT. 1285 00:43:54,298 --> 00:43:55,676 REQUEST PERMISSION TO LAND, RUNWAY 22 LEFT. STOP HOLLERING. 1286 00:43:55,700 --> 00:43:57,678 RUNWAY 22 LEFT. STOP HOLLERING. TRANSAMERICAN... MR. FLAMEN. 1287 00:43:57,702 --> 00:43:59,747 STOP HOLLERING. TRANSAMERICAN... MR. FLAMEN. TRANSEASTERN 601 HEADING 260 1288 00:43:59,771 --> 00:44:01,548 TRANSAMERICAN... MR. FLAMEN. TRANSEASTERN 601 HEADING 260 AT 2,000 TO RUNWAY 22 LEFT. 1289 00:44:01,572 --> 00:44:02,650 TRANSEASTERN 601 HEADING 260 AT 2,000 TO RUNWAY 22 LEFT. PLEASE ADVISE. 1290 00:44:02,674 --> 00:44:04,451 AT 2,000 TO RUNWAY 22 LEFT. PLEASE ADVISE. WHERE ARE YOU, BUTTERWORTH? 1291 00:44:04,475 --> 00:44:06,286 PLEASE ADVISE. WHERE ARE YOU, BUTTERWORTH? MR. CLAVIN... 1292 00:44:06,310 --> 00:44:07,788 WHERE ARE YOU, BUTTERWORTH? MR. CLAVIN... I'M AT BUTTERWORTH. 1293 00:44:07,812 --> 00:44:09,724 MR. CLAVIN... I'M AT BUTTERWORTH. JUST SPOTTED TRANSEASTERN 601! 1294 00:44:09,748 --> 00:44:10,725 I'M AT BUTTERWORTH. JUST SPOTTED TRANSEASTERN 601! OH, DON'T GO THAT WAY! 1295 00:44:10,749 --> 00:44:11,258 JUST SPOTTED TRANSEASTERN 601! OH, DON'T GO THAT WAY! OH, THEY WENT. 1296 00:44:11,282 --> 00:44:13,761 OH, DON'T GO THAT WAY! OH, THEY WENT. MR. FLAMEN, THE TWO... THEY WENT 1297 00:44:13,785 --> 00:44:14,729 OH, THEY WENT. MR. FLAMEN, THE TWO... THEY WENT TOGETHER. 1298 00:44:14,753 --> 00:44:15,596 MR. FLAMEN, THE TWO... THEY WENT TOGETHER. IT'S NOT GOOD. 1299 00:44:15,620 --> 00:44:17,197 TOGETHER. IT'S NOT GOOD. THEY WENT IN THE SAME... THERE 1300 00:44:17,221 --> 00:44:24,204 IT'S NOT GOOD. THEY WENT IN THE SAME... THERE WAS YELLING. 1301 00:44:24,228 --> 00:44:25,472 THEY WENT IN THE SAME... THERE WAS YELLING. THEY WERE THERE. 1302 00:44:25,496 --> 00:44:27,675 WAS YELLING. THEY WERE THERE. WHEN AM I GONNA GET YELLED AT? 1303 00:44:27,699 --> 00:44:29,443 THEY WERE THERE. WHEN AM I GONNA GET YELLED AT? YEAH. 1304 00:44:29,467 --> 00:44:30,611 WHEN AM I GONNA GET YELLED AT? YEAH. THE TWO PLANES... 1305 00:44:30,635 --> 00:44:33,047 YEAH. THE TWO PLANES... ALL RIGHT, WHO WAS 1306 00:44:33,071 --> 00:44:36,350 THE TWO PLANES... ALL RIGHT, WHO WAS RESPONSIBLE FOR THOSE TWO 747s 1307 00:44:36,374 --> 00:44:38,519 ALL RIGHT, WHO WAS RESPONSIBLE FOR THOSE TWO 747s CRASHING INTO EACH OTHER? 1308 00:44:38,543 --> 00:44:41,722 RESPONSIBLE FOR THOSE TWO 747s CRASHING INTO EACH OTHER? IT WAS MELVIN, SIR. 1309 00:44:41,746 --> 00:44:43,423 CRASHING INTO EACH OTHER? IT WAS MELVIN, SIR. YOU COULD LOOK AT ME. 1310 00:44:43,447 --> 00:44:44,859 IT WAS MELVIN, SIR. YOU COULD LOOK AT ME. YOU COULD TOUCH ME. 1311 00:44:44,883 --> 00:44:47,061 YOU COULD LOOK AT ME. YOU COULD TOUCH ME. BUT DON'T HIT ME. 1312 00:44:47,085 --> 00:44:49,797 YOU COULD TOUCH ME. BUT DON'T HIT ME. I'M SORRY. 1313 00:44:49,821 --> 00:44:52,867 BUT DON'T HIT ME. I'M SORRY. I DID BAD. 1314 00:44:52,891 --> 00:44:56,537 I'M SORRY. I DID BAD. I'LL LEAVE. 1315 00:44:56,561 --> 00:44:59,206 I DID BAD. I'LL LEAVE. I GUESS I'M... I'M JUST NOT SUCH 1316 00:44:59,230 --> 00:45:00,641 I'LL LEAVE. I GUESS I'M... I'M JUST NOT SUCH A SMART PERSON. 1317 00:45:00,665 --> 00:45:02,677 I GUESS I'M... I'M JUST NOT SUCH A SMART PERSON. I DIDN'T MEAN TO. 1318 00:45:02,701 --> 00:45:04,879 A SMART PERSON. I DIDN'T MEAN TO. I'LL GO NOW. 1319 00:45:04,903 --> 00:45:08,248 I DIDN'T MEAN TO. I'LL GO NOW. TELL VERONICA I LOVE HER. 1320 00:45:08,272 --> 00:45:10,017 I'LL GO NOW. TELL VERONICA I LOVE HER. NOT SO FAST, YOUNG MAN! 1321 00:45:10,041 --> 00:45:11,152 TELL VERONICA I LOVE HER. NOT SO FAST, YOUNG MAN! COME BACK HERE! 1322 00:45:11,176 --> 00:45:11,986 NOT SO FAST, YOUNG MAN! COME BACK HERE! MR. BUTTERBLIMP. 1323 00:45:12,010 --> 00:45:13,854 COME BACK HERE! MR. BUTTERBLIMP. MELVIN, I WOULD LIKE TO SHAKE 1324 00:45:13,878 --> 00:45:14,621 MR. BUTTERBLIMP. MELVIN, I WOULD LIKE TO SHAKE YOUR HAND. 1325 00:45:14,645 --> 00:45:15,823 MELVIN, I WOULD LIKE TO SHAKE YOUR HAND. I'M PROUD OF YOU, SON. 1326 00:45:15,847 --> 00:45:16,290 YOUR HAND. I'M PROUD OF YOU, SON. WHAT? 1327 00:45:16,314 --> 00:45:17,024 I'M PROUD OF YOU, SON. WHAT? YOU MEAN YOU'RE NOT MAD? 1328 00:45:17,048 --> 00:45:18,025 WHAT? YOU MEAN YOU'RE NOT MAD? THE TWO PLANES WENT BOOM 1329 00:45:18,049 --> 00:45:18,993 YOU MEAN YOU'RE NOT MAD? THE TWO PLANES WENT BOOM TOGETHER IN THE SAME... 1330 00:45:19,017 --> 00:45:20,828 THE TWO PLANES WENT BOOM TOGETHER IN THE SAME... IT WAS A GOOD THING, MELVIN! 1331 00:45:20,852 --> 00:45:22,563 TOGETHER IN THE SAME... IT WAS A GOOD THING, MELVIN! THOSE JUMBO JETS WERE FULL OF 1332 00:45:22,587 --> 00:45:24,098 IT WAS A GOOD THING, MELVIN! THOSE JUMBO JETS WERE FULL OF BAD RUSSIAN, CHINESE, AND 1333 00:45:24,122 --> 00:45:25,132 THOSE JUMBO JETS WERE FULL OF BAD RUSSIAN, CHINESE, AND JAPANESE SPIES. 1334 00:45:25,156 --> 00:45:26,734 BAD RUSSIAN, CHINESE, AND JAPANESE SPIES. YOU MEAN THERE WERE BAD 1335 00:45:26,758 --> 00:45:27,802 JAPANESE SPIES. YOU MEAN THERE WERE BAD PERSONS ON THEM? 1336 00:45:27,826 --> 00:45:29,636 YOU MEAN THERE WERE BAD PERSONS ON THEM? YES, MELVIN! 1337 00:45:29,660 --> 00:45:31,438 PERSONS ON THEM? YES, MELVIN! OH, MELVIN, I JUST HEARD WHAT 1338 00:45:31,462 --> 00:45:33,074 YES, MELVIN! OH, MELVIN, I JUST HEARD WHAT YOU DID, AND I'M SO PROUD OF 1339 00:45:33,098 --> 00:45:33,941 OH, MELVIN, I JUST HEARD WHAT YOU DID, AND I'M SO PROUD OF YOU, DARLING! 1340 00:45:33,965 --> 00:45:35,442 YOU DID, AND I'M SO PROUD OF YOU, DARLING! YOU KNOW, MELVIN, I'LL ADMIT 1341 00:45:35,466 --> 00:45:36,944 YOU, DARLING! YOU KNOW, MELVIN, I'LL ADMIT THAT I DIDN'T LIKE YOU AT FIRST. 1342 00:45:36,968 --> 00:45:37,712 YOU KNOW, MELVIN, I'LL ADMIT THAT I DIDN'T LIKE YOU AT FIRST. I DON'T KNOW. 1343 00:45:37,736 --> 00:45:38,913 THAT I DIDN'T LIKE YOU AT FIRST. I DON'T KNOW. MAYBE IT WAS YOUR PANTS. 1344 00:45:38,937 --> 00:45:40,147 I DON'T KNOW. MAYBE IT WAS YOUR PANTS. BUT I'VE BEEN THINKING OF 1345 00:45:40,171 --> 00:45:41,682 MAYBE IT WAS YOUR PANTS. BUT I'VE BEEN THINKING OF RETIRING, AND, WELL, MELVIN, I'D 1346 00:45:41,706 --> 00:45:42,750 BUT I'VE BEEN THINKING OF RETIRING, AND, WELL, MELVIN, I'D LIKE YOU TO TAKE OVER 1347 00:45:42,774 --> 00:45:43,984 RETIRING, AND, WELL, MELVIN, I'D LIKE YOU TO TAKE OVER BUTTERWORTH INTERNATIONAL 1348 00:45:44,008 --> 00:45:44,819 LIKE YOU TO TAKE OVER BUTTERWORTH INTERNATIONAL AIRPORT FOR ME. 1349 00:45:44,843 --> 00:45:46,220 BUTTERWORTH INTERNATIONAL AIRPORT FOR ME. OH, THANK YOU, 1350 00:45:46,244 --> 00:45:47,487 AIRPORT FOR ME. OH, THANK YOU, MR. BUBBLEWART. 1351 00:45:47,511 --> 00:45:49,356 OH, THANK YOU, MR. BUBBLEWART. YOU'RE A REAL NICE PERSON. 1352 00:45:49,380 --> 00:45:51,491 MR. BUBBLEWART. YOU'RE A REAL NICE PERSON. NOW, MELVIN, THE AIRPORT IS 1353 00:45:51,515 --> 00:45:52,626 YOU'RE A REAL NICE PERSON. NOW, MELVIN, THE AIRPORT IS IN YOUR HANDS. 1354 00:45:52,650 --> 00:45:54,895 NOW, MELVIN, THE AIRPORT IS IN YOUR HANDS. AND YOUR FIRST JOB IS TO GET OUT 1355 00:45:54,919 --> 00:45:57,064 IN YOUR HANDS. AND YOUR FIRST JOB IS TO GET OUT THERE AND CLEAN UP THAT RUNWAY! 1356 00:45:57,088 --> 00:45:59,928 AND YOUR FIRST JOB IS TO GET OUT THERE AND CLEAN UP THAT RUNWAY! OKAY! 1357 00:46:09,332 --> 00:46:15,983 [ROCK 'N' ROLL PLAYS] YEAH, THAT WAS "GIVE ME BACK MY ALGEBRA HOMEWORK, BABY" BY 1358 00:46:16,007 --> 00:46:17,752 YEAH, THAT WAS "GIVE ME BACK MY ALGEBRA HOMEWORK, BABY" BY THE NERDS. 1359 00:46:17,776 --> 00:46:19,486 MY ALGEBRA HOMEWORK, BABY" BY THE NERDS. ACID ROCK, PUNK ROCK, WHAT NEXT? 1360 00:46:19,510 --> 00:46:21,088 THE NERDS. ACID ROCK, PUNK ROCK, WHAT NEXT? I'M LARRY DUGGAN, AND SITTING 1361 00:46:21,112 --> 00:46:22,723 ACID ROCK, PUNK ROCK, WHAT NEXT? I'M LARRY DUGGAN, AND SITTING HERE WITH ME THIS AFTERNOON AT 1362 00:46:22,747 --> 00:46:24,091 I'M LARRY DUGGAN, AND SITTING HERE WITH ME THIS AFTERNOON AT KLOG-FM IS THE GROUP WHO 1363 00:46:24,115 --> 00:46:25,626 HERE WITH ME THIS AFTERNOON AT KLOG-FM IS THE GROUP WHO RECORDED THAT LAST SONG, THE 1364 00:46:25,650 --> 00:46:27,294 KLOG-FM IS THE GROUP WHO RECORDED THAT LAST SONG, THE NERDS, AND THEY FEEL THAT THEY 1365 00:46:27,318 --> 00:46:28,829 RECORDED THAT LAST SONG, THE NERDS, AND THEY FEEL THAT THEY HAVE THE ANSWER... WHAT THEY 1366 00:46:28,853 --> 00:46:29,864 NERDS, AND THEY FEEL THAT THEY HAVE THE ANSWER... WHAT THEY CALL "NERD ROCK." 1367 00:46:29,888 --> 00:46:31,498 HAVE THE ANSWER... WHAT THEY CALL "NERD ROCK." SO LET'S JUST START BY GETTING 1368 00:46:31,522 --> 00:46:32,499 CALL "NERD ROCK." SO LET'S JUST START BY GETTING EVERYBODY'S NAME. 1369 00:46:32,523 --> 00:46:35,469 SO LET'S JUST START BY GETTING EVERYBODY'S NAME. I'M SPAZ. 1370 00:46:35,493 --> 00:46:37,671 EVERYBODY'S NAME. I'M SPAZ. SALUTATIONS FROM THE UNITED 1371 00:46:37,695 --> 00:46:38,472 I'M SPAZ. SALUTATIONS FROM THE UNITED NATIONS. 1372 00:46:38,496 --> 00:46:40,540 SALUTATIONS FROM THE UNITED NATIONS. I'M "FOUR EYES." 1373 00:46:40,564 --> 00:46:43,244 NATIONS. I'M "FOUR EYES." UM... I'M "PIZZA FACE." 1374 00:46:43,268 --> 00:46:44,344 I'M "FOUR EYES." UM... I'M "PIZZA FACE." PIZZA FACE? 1375 00:46:44,368 --> 00:46:46,313 UM... I'M "PIZZA FACE." PIZZA FACE? WHY DO THEY CALL YOU... NEVER 1376 00:46:46,337 --> 00:46:46,881 PIZZA FACE? WHY DO THEY CALL YOU... NEVER MIND. 1377 00:46:46,905 --> 00:46:48,315 WHY DO THEY CALL YOU... NEVER MIND. THREE GUESSES, AND THE FIRST 1378 00:46:48,339 --> 00:46:49,150 MIND. THREE GUESSES, AND THE FIRST TWO DON'T COUNT. 1379 00:46:49,174 --> 00:46:50,818 THREE GUESSES, AND THE FIRST TWO DON'T COUNT. YOU KNOW, I'M GONNA DO THIS 1380 00:46:50,842 --> 00:46:52,019 TWO DON'T COUNT. YOU KNOW, I'M GONNA DO THIS INTERVIEW IN PHONES. 1381 00:46:52,043 --> 00:46:53,988 YOU KNOW, I'M GONNA DO THIS INTERVIEW IN PHONES. MAYBE IT'LL HELP. 1382 00:46:54,012 --> 00:46:54,588 INTERVIEW IN PHONES. MAYBE IT'LL HELP. TELL ME. 1383 00:46:54,612 --> 00:46:56,190 MAYBE IT'LL HELP. TELL ME. WHY DID YOU CALL YOURSELVES THE 1384 00:46:56,214 --> 00:46:56,690 TELL ME. WHY DID YOU CALL YOURSELVES THE NERDS? 1385 00:46:56,714 --> 00:46:57,524 WHY DID YOU CALL YOURSELVES THE NERDS? WE DIDN'T. 1386 00:46:57,548 --> 00:46:58,558 NERDS? WE DIDN'T. OTHER PEOPLE DID. 1387 00:46:58,582 --> 00:47:00,460 WE DIDN'T. OTHER PEOPLE DID. YEAH, WE HAD ORIGINALLY 1388 00:47:00,484 --> 00:47:02,462 OTHER PEOPLE DID. YEAH, WE HAD ORIGINALLY WANTED TO CALL OURSELVES THE 1389 00:47:02,486 --> 00:47:04,665 YEAH, WE HAD ORIGINALLY WANTED TO CALL OURSELVES THE BELL TONES. 1390 00:47:04,689 --> 00:47:06,433 WANTED TO CALL OURSELVES THE BELL TONES. WELL, WE'LL BE GIVING AWAY 1391 00:47:06,457 --> 00:47:08,269 BELL TONES. WELL, WE'LL BE GIVING AWAY COPIES OF THE NERDS' NEW ALBUM, 1392 00:47:08,293 --> 00:47:09,804 WELL, WE'LL BE GIVING AWAY COPIES OF THE NERDS' NEW ALBUM, "TRYING DESPERATELY TO BE 1393 00:47:09,828 --> 00:47:11,571 COPIES OF THE NERDS' NEW ALBUM, "TRYING DESPERATELY TO BE LIKED," TO THE FIRST 10 LUCKY 1394 00:47:11,595 --> 00:47:13,373 "TRYING DESPERATELY TO BE LIKED," TO THE FIRST 10 LUCKY KLOG-FM LISTENERS WHO CALL IN. 1395 00:47:13,397 --> 00:47:15,509 LIKED," TO THE FIRST 10 LUCKY KLOG-FM LISTENERS WHO CALL IN. YOU GET SONGS LIKE "I'LL GIVE 1396 00:47:15,533 --> 00:47:17,678 KLOG-FM LISTENERS WHO CALL IN. YOU GET SONGS LIKE "I'LL GIVE YOU MY LUNCH MONEY," "I CAN'T 1397 00:47:17,702 --> 00:47:19,947 YOU GET SONGS LIKE "I'LL GIVE YOU MY LUNCH MONEY," "I CAN'T HELP IT IF I HAVE EGG SALAD ON 1398 00:47:19,971 --> 00:47:22,116 YOU MY LUNCH MONEY," "I CAN'T HELP IT IF I HAVE EGG SALAD ON MY RETAINER," AND "LET MY HEAD 1399 00:47:22,140 --> 00:47:24,185 HELP IT IF I HAVE EGG SALAD ON MY RETAINER, " AND " LET MY HEAD UP OUT OF THE JOHN, AND I'LL 1400 00:47:24,209 --> 00:47:26,086 MY RETAINER, " AND " LET MY HEAD UP OUT OF THE JOHN, AND I'LL GIVE YOU TOMORROW'S LUNCH 1401 00:47:26,110 --> 00:47:26,821 UP OUT OF THE JOHN, AND I'LL GIVE YOU TOMORROW'S LUNCH MONEY." 1402 00:47:26,845 --> 00:47:29,456 GIVE YOU TOMORROW'S LUNCH MONEY." SOUNDS LIKE A DYNAMITE ALBUM. 1403 00:47:29,480 --> 00:47:29,957 MONEY." SOUNDS LIKE A DYNAMITE ALBUM. TELL ME. 1404 00:47:29,981 --> 00:47:31,391 SOUNDS LIKE A DYNAMITE ALBUM. TELL ME. HOW DID THE GROUP GET TOGETHER? 1405 00:47:31,415 --> 00:47:33,861 TELL ME. HOW DID THE GROUP GET TOGETHER? OH, WELL, MY AUNT FIXED US 1406 00:47:33,885 --> 00:47:34,461 HOW DID THE GROUP GET TOGETHER? OH, WELL, MY AUNT FIXED US UP. 1407 00:47:34,485 --> 00:47:36,997 OH, WELL, MY AUNT FIXED US UP. DO YOU REMEMBER IN THE MALTESE 1408 00:47:37,021 --> 00:47:39,033 UP. DO YOU REMEMBER IN THE MALTESE BIPPY WHERE THIS GUY... 1409 00:47:39,057 --> 00:47:40,835 DO YOU REMEMBER IN THE MALTESE BIPPY WHERE THIS GUY... HEADLOCK! HEADLOCK! 1410 00:47:40,859 --> 00:47:42,369 BIPPY WHERE THIS GUY... HEADLOCK! HEADLOCK! WELL, HERE'S THOSE NOOGIES THAT 1411 00:47:42,393 --> 00:47:43,037 HEADLOCK! HEADLOCK! WELL, HERE'S THOSE NOOGIES THAT YOU WANTED. 1412 00:47:43,061 --> 00:47:44,038 WELL, HERE'S THOSE NOOGIES THAT YOU WANTED. HOW MANY DID YOU SAY? 1413 00:47:44,062 --> 00:47:45,005 YOU WANTED. HOW MANY DID YOU SAY? WAS IT SIX OR SEVEN? 1414 00:47:45,029 --> 00:47:47,174 HOW MANY DID YOU SAY? WAS IT SIX OR SEVEN? WAS THAT PART OF YOUR ACT? 1415 00:47:47,198 --> 00:47:48,976 WAS IT SIX OR SEVEN? WAS THAT PART OF YOUR ACT? NO, BUT THIS IS... INDIAN 1416 00:47:49,000 --> 00:47:49,509 WAS THAT PART OF YOUR ACT? NO, BUT THIS IS... INDIAN BURN! 1417 00:47:49,533 --> 00:47:51,245 NO, BUT THIS IS... INDIAN BURN! INDIAN BURN! 1418 00:47:51,269 --> 00:47:53,747 BURN! INDIAN BURN! THAT'S REAL FUNNY. 1419 00:47:53,771 --> 00:47:55,782 INDIAN BURN! THAT'S REAL FUNNY. SO FUNNY I FORGOT TO LAUGH. 1420 00:47:55,806 --> 00:47:57,684 THAT'S REAL FUNNY. SO FUNNY I FORGOT TO LAUGH. [LAUGHS] 1421 00:47:57,708 --> 00:47:58,986 SO FUNNY I FORGOT TO LAUGH. [LAUGHS] I WISH YOU KLOG-FM LISTENERS 1422 00:47:59,010 --> 00:48:00,020 [LAUGHS] I WISH YOU KLOG-FM LISTENERS COULD SEE THESE NERDS. 1423 00:48:00,044 --> 00:48:01,488 I WISH YOU KLOG-FM LISTENERS COULD SEE THESE NERDS. PIZZA FACE, YOU'VE GOT DOZENS OF 1424 00:48:01,512 --> 00:48:02,923 COULD SEE THESE NERDS. PIZZA FACE, YOU'VE GOT DOZENS OF PENS AND PENCILS IN SOME KIND OF 1425 00:48:02,947 --> 00:48:04,258 PIZZA FACE, YOU'VE GOT DOZENS OF PENS AND PENCILS IN SOME KIND OF PLASTIC THING IN YOUR POCKET. 1426 00:48:04,282 --> 00:48:05,759 PENS AND PENCILS IN SOME KIND OF PLASTIC THING IN YOUR POCKET. AND, FOUR EYES, YOU'VE GOT A LOT 1427 00:48:05,783 --> 00:48:07,228 PLASTIC THING IN YOUR POCKET. AND, FOUR EYES, YOU'VE GOT A LOT OF YELLOW PLAQUE ON YOUR TEETH. 1428 00:48:07,252 --> 00:48:08,528 AND, FOUR EYES, YOU'VE GOT A LOT OF YELLOW PLAQUE ON YOUR TEETH. AND, SPAZ, YOU'RE WEARING A 1429 00:48:08,552 --> 00:48:09,330 OF YELLOW PLAQUE ON YOUR TEETH. AND, SPAZ, YOU'RE WEARING A "THIMK" BUTTON. 1430 00:48:09,354 --> 00:48:10,497 AND, SPAZ, YOU'RE WEARING A "THIMK" BUTTON. YOU KNOW, I'M CURIOUS. 1431 00:48:10,521 --> 00:48:11,932 "THIMK" BUTTON. YOU KNOW, I'M CURIOUS. THE MUSIC BUSINESS IS TOUGH. 1432 00:48:11,956 --> 00:48:13,533 YOU KNOW, I'M CURIOUS. THE MUSIC BUSINESS IS TOUGH. WHAT EXACTLY GIVES YOU NERDS THE 1433 00:48:13,557 --> 00:48:14,969 THE MUSIC BUSINESS IS TOUGH. WHAT EXACTLY GIVES YOU NERDS THE IMPRESSION THAT YOU'RE GONNA 1434 00:48:14,993 --> 00:48:17,338 WHAT EXACTLY GIVES YOU NERDS THE IMPRESSION THAT YOU'RE GONNA CATCH ON? 1435 00:48:17,362 --> 00:48:19,806 IMPRESSION THAT YOU'RE GONNA CATCH ON? WELL, WE'RE JUST AN IDEA 1436 00:48:19,830 --> 00:48:21,708 CATCH ON? WELL, WE'RE JUST AN IDEA WHOSE TIME HAS COME. 1437 00:48:21,732 --> 00:48:23,810 WELL, WE'RE JUST AN IDEA WHOSE TIME HAS COME. WE'RE YOUNG, WE'RE GIFTED, AND 1438 00:48:23,834 --> 00:48:24,811 WHOSE TIME HAS COME. WE'RE YOUNG, WE'RE GIFTED, AND WE'RE NERDS. 1439 00:48:24,835 --> 00:48:28,182 WE'RE YOUNG, WE'RE GIFTED, AND WE'RE NERDS. AND IT'S OUR TURN TO BE POPULAR! 1440 00:48:28,206 --> 00:48:30,150 WE'RE NERDS. AND IT'S OUR TURN TO BE POPULAR! AND IF THE PUNKS DON'T LIKE 1441 00:48:30,174 --> 00:48:32,086 AND IT'S OUR TURN TO BE POPULAR! AND IF THE PUNKS DON'T LIKE IT, THEY CAN GO TO H-E-DOUBLE 1442 00:48:32,110 --> 00:48:33,153 AND IF THE PUNKS DON'T LIKE IT, THEY CAN GO TO H-E-DOUBLE HOCKEY STICKS. 1443 00:48:33,177 --> 00:48:34,989 IT, THEY CAN GO TO H-E-DOUBLE HOCKEY STICKS. COME ON, LISTENERS. 1444 00:48:35,013 --> 00:48:37,124 HOCKEY STICKS. COME ON, LISTENERS. WE'RE TRYING TO GIVE AWAY THOSE 1445 00:48:37,148 --> 00:48:38,458 COME ON, LISTENERS. WE'RE TRYING TO GIVE AWAY THOSE FREE NERD ALBUMS. 1446 00:48:38,482 --> 00:48:39,826 WE'RE TRYING TO GIVE AWAY THOSE FREE NERD ALBUMS. SO GIVE US A CALL. 1447 00:48:39,850 --> 00:48:41,295 FREE NERD ALBUMS. SO GIVE US A CALL. SOMETIMES I JUST START 1448 00:48:41,319 --> 00:48:43,063 SO GIVE US A CALL. SOMETIMES I JUST START TALKING IN A MEXICAN ACCENT FOR 1449 00:48:43,087 --> 00:48:44,265 SOMETIMES I JUST START TALKING IN A MEXICAN ACCENT FOR NO REASON AT ALL. 1450 00:48:44,289 --> 00:48:45,933 TALKING IN A MEXICAN ACCENT FOR NO REASON AT ALL. AND I'LL JUST TALK LIKE THAT FOR 1451 00:48:45,957 --> 00:48:46,833 NO REASON AT ALL. AND I'LL JUST TALK LIKE THAT FOR DAYS AT A TIME. 1452 00:48:46,857 --> 00:48:48,468 AND I'LL JUST TALK LIKE THAT FOR DAYS AT A TIME. NO MATTER WHAT YOU WOULD SAY, I 1453 00:48:48,492 --> 00:48:50,037 DAYS AT A TIME. NO MATTER WHAT YOU WOULD SAY, I WOULD ALWAYS ANSWER YOU LIKE A 1454 00:48:50,061 --> 00:48:50,637 NO MATTER WHAT YOU WOULD SAY, I WOULD ALWAYS ANSWER YOU LIKE A MEXICAN. 1455 00:48:50,661 --> 00:48:51,906 WOULD ALWAYS ANSWER YOU LIKE A MEXICAN. WELL, NOW, THAT'S PRETTY 1456 00:48:51,930 --> 00:48:52,339 MEXICAN. WELL, NOW, THAT'S PRETTY FUNNY! 1457 00:48:52,363 --> 00:48:53,307 WELL, NOW, THAT'S PRETTY FUNNY! WAS THAT FROM YOUR ACT? 1458 00:48:53,331 --> 00:48:54,108 FUNNY! WAS THAT FROM YOUR ACT? NO. 1459 00:48:54,132 --> 00:48:56,377 WAS THAT FROM YOUR ACT? NO. HEY, YOUR HOBBY SHOP'S OPEN. 1460 00:48:56,401 --> 00:49:01,515 NO. HEY, YOUR HOBBY SHOP'S OPEN. OH, IS THAT YOUR HOBBY? 1461 00:49:01,539 --> 00:49:03,550 HEY, YOUR HOBBY SHOP'S OPEN. OH, IS THAT YOUR HOBBY? WELL, THERE YOU HAVE IT... 1462 00:49:03,574 --> 00:49:04,651 OH, IS THAT YOUR HOBBY? WELL, THERE YOU HAVE IT... THE NERD WIT. 1463 00:49:04,675 --> 00:49:06,753 WELL, THERE YOU HAVE IT... THE NERD WIT. YOU HEARD IT FIRST ON KLOG-FM. 1464 00:49:06,777 --> 00:49:08,622 THE NERD WIT. YOU HEARD IT FIRST ON KLOG-FM. WELL, WE STILL HAVE 10 FREE NERD 1465 00:49:08,646 --> 00:49:10,024 YOU HEARD IT FIRST ON KLOG-FM. WELL, WE STILL HAVE 10 FREE NERD ALBUMS TO UNLOAD ON YOU 1466 00:49:10,048 --> 00:49:10,791 WELL, WE STILL HAVE 10 FREE NERD ALBUMS TO UNLOAD ON YOU LISTENERS. 1467 00:49:10,815 --> 00:49:12,126 ALBUMS TO UNLOAD ON YOU LISTENERS. SO PICK UP THE PHONE. 1468 00:49:12,150 --> 00:49:13,727 LISTENERS. SO PICK UP THE PHONE. CALL ME AT KLOG-FM, PLEASE. 1469 00:49:13,751 --> 00:49:15,362 SO PICK UP THE PHONE. CALL ME AT KLOG-FM, PLEASE. SOMEBODY'S JUST COME INTO THE 1470 00:49:15,386 --> 00:49:15,930 CALL ME AT KLOG-FM, PLEASE. SOMEBODY'S JUST COME INTO THE STUDIO. 1471 00:49:15,954 --> 00:49:17,965 SOMEBODY'S JUST COME INTO THE STUDIO. HI, MOM! 1472 00:49:17,989 --> 00:49:20,801 STUDIO. HI, MOM! Both: MRS. LOOPNER! 1473 00:49:20,825 --> 00:49:21,302 HI, MOM! Both: MRS. LOOPNER! HI, KIDS. 1474 00:49:21,326 --> 00:49:22,803 Both: MRS. LOOPNER! HI, KIDS. I HATE TO INTRUDE, BUT I JUST 1475 00:49:22,827 --> 00:49:24,138 HI, KIDS. I HATE TO INTRUDE, BUT I JUST WANT TO LET YOU KNOW THAT 1476 00:49:24,162 --> 00:49:25,772 I HATE TO INTRUDE, BUT I JUST WANT TO LET YOU KNOW THAT MR. LOOPNER AND I ARE WAITING IN 1477 00:49:25,796 --> 00:49:26,340 WANT TO LET YOU KNOW THAT MR. LOOPNER AND I ARE WAITING IN THE CAR. 1478 00:49:26,364 --> 00:49:28,375 MR. LOOPNER AND I ARE WAITING IN THE CAR. YOU MUST BE SPAZ'S MOTHER. 1479 00:49:28,399 --> 00:49:29,576 THE CAR. YOU MUST BE SPAZ'S MOTHER. WELL, I'M SURE THE FOLKS OUT 1480 00:49:29,600 --> 00:49:30,710 YOU MUST BE SPAZ'S MOTHER. WELL, I'M SURE THE FOLKS OUT THERE WOULDN'T WANT TO KEEP 1481 00:49:30,734 --> 00:49:31,611 WELL, I'M SURE THE FOLKS OUT THERE WOULDN'T WANT TO KEEP MR. LOOPNER WAITING. 1482 00:49:31,635 --> 00:49:33,547 THERE WOULDN'T WANT TO KEEP MR. LOOPNER WAITING. SO WHY DON'T YOU JUST TAKE YOUR 1483 00:49:33,571 --> 00:49:34,415 MR. LOOPNER WAITING. SO WHY DON'T YOU JUST TAKE YOUR NERDS HOME? 1484 00:49:34,439 --> 00:49:36,516 SO WHY DON'T YOU JUST TAKE YOUR NERDS HOME? OKAY, KIDS, WHAT DO YOU SAY? 1485 00:49:36,540 --> 00:49:39,519 NERDS HOME? OKAY, KIDS, WHAT DO YOU SAY? All: THANK YOU FOR A LOVELY 1486 00:49:39,543 --> 00:49:41,422 OKAY, KIDS, WHAT DO YOU SAY? All: THANK YOU FOR A LOVELY TIME, MR. DUGGAN! 1487 00:49:41,446 --> 00:49:42,323 All: THANK YOU FOR A LOVELY TIME, MR. DUGGAN! OKAY, NERDS. 1488 00:49:42,347 --> 00:49:43,757 TIME, MR. DUGGAN! OKAY, NERDS. GOOD LUCK WITH YOUR ALBUM, 1489 00:49:43,781 --> 00:49:45,125 OKAY, NERDS. GOOD LUCK WITH YOUR ALBUM, "TRYING DESPERATELY TO BE 1490 00:49:45,149 --> 00:49:45,659 GOOD LUCK WITH YOUR ALBUM, "TRYING DESPERATELY TO BE LIKED." 1491 00:49:45,683 --> 00:49:47,394 "TRYING DESPERATELY TO BE LIKED." NOBODY SEEMS TO HAVE CALLED US 1492 00:49:47,418 --> 00:49:49,163 LIKED." NOBODY SEEMS TO HAVE CALLED US HERE AT KLOG-FM FOR THOSE FREE 1493 00:49:49,187 --> 00:49:49,763 NOBODY SEEMS TO HAVE CALLED US HERE AT KLOG-FM FOR THOSE FREE COPIES. 1494 00:49:49,787 --> 00:49:51,165 HERE AT KLOG-FM FOR THOSE FREE COPIES. YOU CAN'T GIVE IT AWAY. 1495 00:49:51,189 --> 00:49:52,466 COPIES. YOU CAN'T GIVE IT AWAY. I SURE HOPE IT SELLS. 1496 00:49:52,490 --> 00:49:53,600 YOU CAN'T GIVE IT AWAY. I SURE HOPE IT SELLS. WILL NERD ROCK MAKE IT? 1497 00:49:53,624 --> 00:49:54,401 I SURE HOPE IT SELLS. WILL NERD ROCK MAKE IT? IT'S UP TO YOU. 1498 00:49:54,425 --> 00:49:55,735 WILL NERD ROCK MAKE IT? IT'S UP TO YOU. I THINK YOU KNOW HOW I FEEL. 1499 00:49:55,759 --> 00:49:57,137 IT'S UP TO YOU. I THINK YOU KNOW HOW I FEEL. AND NOW, HOW ABOUT SOME GOOD, 1500 00:49:57,161 --> 00:49:58,538 I THINK YOU KNOW HOW I FEEL. AND NOW, HOW ABOUT SOME GOOD, OLD-FASHIONED PUNK SOUND, WITH 1501 00:49:58,562 --> 00:50:00,274 AND NOW, HOW ABOUT SOME GOOD, OLD-FASHIONED PUNK SOUND, WITH "INFECT MY WOUND," BY THE 1502 00:50:00,298 --> 00:50:03,299 OLD-FASHIONED PUNK SOUND, WITH "INFECT MY WOUND," BY THE PUS-TONES? 1503 00:50:14,077 --> 00:50:18,325 YOU KNOW, ONE OF THE JOYS OF HOSTING THIS SHOW IS THE OPPORTUNITY TO WORK WITH A 1504 00:50:18,349 --> 00:50:19,626 HOSTING THIS SHOW IS THE OPPORTUNITY TO WORK WITH A WONDERFUL PERFORMER LIKE 1505 00:50:19,650 --> 00:50:20,461 OPPORTUNITY TO WORK WITH A WONDERFUL PERFORMER LIKE BONNIE RAITT. 1506 00:50:20,485 --> 00:50:21,628 WONDERFUL PERFORMER LIKE BONNIE RAITT. BONNIE AND I FIRST... 1507 00:50:21,652 --> 00:50:22,896 BONNIE RAITT. BONNIE AND I FIRST... ROBERT, I'M SORRY TO 1508 00:50:22,920 --> 00:50:23,763 BONNIE AND I FIRST... ROBERT, I'M SORRY TO INTERRUPT YOU. 1509 00:50:23,787 --> 00:50:25,399 ROBERT, I'M SORRY TO INTERRUPT YOU. PLEASE EXCUSE ME, BUT I'VE JUST 1510 00:50:25,423 --> 00:50:27,001 INTERRUPT YOU. PLEASE EXCUSE ME, BUT I'VE JUST BEEN HANDED A "WEEKEND UPDATE" 1511 00:50:27,025 --> 00:50:27,634 PLEASE EXCUSE ME, BUT I'VE JUST BEEN HANDED A "WEEKEND UPDATE" BULLETIN. 1512 00:50:27,658 --> 00:50:29,103 BEEN HANDED A "WEEKEND UPDATE" BULLETIN. IT SEEMS THOSE GIANT LOBSTERS AS 1513 00:50:29,127 --> 00:50:30,471 BULLETIN. IT SEEMS THOSE GIANT LOBSTERS AS LARGE AS HELICOPTERS THAT WERE 1514 00:50:30,495 --> 00:50:31,938 IT SEEMS THOSE GIANT LOBSTERS AS LARGE AS HELICOPTERS THAT WERE CREATED BY THE RUSSIAN SATELLITE 1515 00:50:31,962 --> 00:50:33,207 LARGE AS HELICOPTERS THAT WERE CREATED BY THE RUSSIAN SATELLITE ARE MOVING DOWN THE EASTERN 1516 00:50:33,231 --> 00:50:36,710 CREATED BY THE RUSSIAN SATELLITE ARE MOVING DOWN THE EASTERN SEABOARD TOWARDS NEW YORK CITY. 1517 00:50:36,734 --> 00:50:38,578 ARE MOVING DOWN THE EASTERN SEABOARD TOWARDS NEW YORK CITY. "DESPITE EFFORTS BY THE NATIONAL 1518 00:50:38,602 --> 00:50:40,247 SEABOARD TOWARDS NEW YORK CITY. "DESPITE EFFORTS BY THE NATIONAL GUARD, BOSTON AND PROVIDENCE 1519 00:50:40,271 --> 00:50:41,882 "DESPITE EFFORTS BY THE NATIONAL GUARD, BOSTON AND PROVIDENCE HAVE FALLEN BEFORE THE HUGE 1520 00:50:41,906 --> 00:50:42,749 GUARD, BOSTON AND PROVIDENCE HAVE FALLEN BEFORE THE HUGE CRUSTACEANS. 1521 00:50:42,773 --> 00:50:44,418 HAVE FALLEN BEFORE THE HUGE CRUSTACEANS. ALL CONVENTIONAL WEAPONS HAVE 1522 00:50:44,442 --> 00:50:46,053 CRUSTACEANS. ALL CONVENTIONAL WEAPONS HAVE PROVEN USELESS AGAINST THEM. 1523 00:50:46,077 --> 00:50:47,754 ALL CONVENTIONAL WEAPONS HAVE PROVEN USELESS AGAINST THEM. MINUTES AGO, PRESIDENT CARTER 1524 00:50:47,778 --> 00:50:49,423 PROVEN USELESS AGAINST THEM. MINUTES AGO, PRESIDENT CARTER DECLARED A STATE OF NATIONAL 1525 00:50:49,447 --> 00:50:50,924 MINUTES AGO, PRESIDENT CARTER DECLARED A STATE OF NATIONAL EMERGENCY AND ASSURED THE 1526 00:50:50,948 --> 00:50:52,626 DECLARED A STATE OF NATIONAL EMERGENCY AND ASSURED THE AMERICAN PEOPLE THAT THERE WAS 1527 00:50:52,650 --> 00:50:53,727 EMERGENCY AND ASSURED THE AMERICAN PEOPLE THAT THERE WAS NO CAUSE FOR"... 1528 00:50:53,751 --> 00:50:54,995 AMERICAN PEOPLE THAT THERE WAS NO CAUSE FOR"... IS THAT ALL THERE IS? 1529 00:50:55,019 --> 00:50:56,430 NO CAUSE FOR"... IS THAT ALL THERE IS? TELETYPE MACHINE WENT DEAD 1530 00:50:56,454 --> 00:50:58,732 IS THAT ALL THERE IS? TELETYPE MACHINE WENT DEAD AFTER THAT. 1531 00:50:58,756 --> 00:51:00,700 TELETYPE MACHINE WENT DEAD AFTER THAT. WELL, IF YOU'RE AN ORTHODOX 1532 00:51:00,724 --> 00:51:02,769 AFTER THAT. WELL, IF YOU'RE AN ORTHODOX JEW AND LIVE HERE IN NEW YORK, I 1533 00:51:02,793 --> 00:51:04,871 WELL, IF YOU'RE AN ORTHODOX JEW AND LIVE HERE IN NEW YORK, I WOULDN'T WORRY, BECAUSE LOBSTERS 1534 00:51:04,895 --> 00:51:06,940 JEW AND LIVE HERE IN NEW YORK, I WOULDN'T WORRY, BECAUSE LOBSTERS DON'T EAT ORTHODOX JEWS, EITHER. 1535 00:51:06,964 --> 00:51:08,842 WOULDN'T WORRY, BECAUSE LOBSTERS DON'T EAT ORTHODOX JEWS, EITHER. LADIES AND GENTLEMEN, ONCE 1536 00:51:08,866 --> 00:51:10,610 DON'T EAT ORTHODOX JEWS, EITHER. LADIES AND GENTLEMEN, ONCE AGAIN, BONNIE RAITT! 1537 00:51:10,634 --> 00:51:14,748 LADIES AND GENTLEMEN, ONCE AGAIN, BONNIE RAITT! [CHEERS AND APPLAUSE] 1538 00:51:14,772 --> 00:51:17,940 AGAIN, BONNIE RAITT! [CHEERS AND APPLAUSE] [UP-TEMPO INTRODUCTION PLAYS] 1539 00:51:42,632 --> 00:51:47,047 ♪ WELL, I TOLD YOU, PRETTY BABY, SUCH A LONG TIME AGO, 1540 00:51:47,071 --> 00:51:49,450 PRETTY BABY, SUCH A LONG TIME AGO, IF I FIND YOU WITH ANOTHER 1541 00:51:49,474 --> 00:51:52,419 SUCH A LONG TIME AGO, IF I FIND YOU WITH ANOTHER GONNA WALK RIGHT OUT THE DOOR ♪ 1542 00:51:52,443 --> 00:51:54,788 IF I FIND YOU WITH ANOTHER GONNA WALK RIGHT OUT THE DOOR ♪ ♪ YOU MIGHT THINK I'M CRAZY ♪ 1543 00:51:54,812 --> 00:52:01,228 GONNA WALK RIGHT OUT THE DOOR ♪ ♪ YOU MIGHT THINK I'M CRAZY ♪ ♪ ONE THING YOU GOT TO KNOW ♪ 1544 00:52:01,252 --> 00:52:02,429 ♪ YOU MIGHT THINK I'M CRAZY ♪ ♪ ONE THING YOU GOT TO KNOW ♪ ♪ WELL, IF YOU WANT ME 1545 00:52:02,453 --> 00:52:03,564 ♪ ONE THING YOU GOT TO KNOW ♪ ♪ WELL, IF YOU WANT ME TO LOVE YOU, 1546 00:52:03,588 --> 00:52:05,399 ♪ WELL, IF YOU WANT ME TO LOVE YOU, YOU GOT TO GIVE IT UP 1547 00:52:05,423 --> 00:52:10,537 TO LOVE YOU, YOU GOT TO GIVE IT UP OR LET ME GO ♪ 1548 00:52:10,561 --> 00:52:11,838 YOU GOT TO GIVE IT UP OR LET ME GO ♪ ♪ I KNOW IT'S USELESS 1549 00:52:11,862 --> 00:52:13,607 OR LET ME GO ♪ ♪ I KNOW IT'S USELESS TO BE JEALOUS ♪ 1550 00:52:13,631 --> 00:52:14,708 ♪ I KNOW IT'S USELESS TO BE JEALOUS ♪ ♪ I COULDN'T TIE YOU 1551 00:52:14,732 --> 00:52:16,310 TO BE JEALOUS ♪ ♪ I COULDN'T TIE YOU IF I TRIED ♪ 1552 00:52:16,334 --> 00:52:17,144 ♪ I COULDN'T TIE YOU IF I TRIED ♪ ♪ THINKIN' YOU'RE MESSIN' 1553 00:52:17,168 --> 00:52:17,911 IF I TRIED ♪ ♪ THINKIN' YOU'RE MESSIN' BEHIND MY BACK ♪ 1554 00:52:17,935 --> 00:52:23,038 ♪ THINKIN' YOU'RE MESSIN' BEHIND MY BACK ♪ ♪ IT'S A PAIN I CAN'T HIDE ♪ 1555 00:52:29,879 --> 00:52:37,879 ♪ AND IF CAN MAKE A SACRIFICE, YOU CAN DAMN WELL MAKE IT, TOO ♪ 1556 00:53:07,717 --> 00:53:11,031 ♪ WELL, YOU COME HOME DRUNK AND NASTY ♪ ♪ YOU DON'T TELL ME 1557 00:53:11,055 --> 00:53:12,799 DRUNK AND NASTY ♪ ♪ YOU DON'T TELL ME WHERE YOU BEEN ♪ 1558 00:53:12,823 --> 00:53:14,434 ♪ YOU DON'T TELL ME WHERE YOU BEEN ♪ ♪ JUST WHEN THINGS ARE GOIN' 1559 00:53:14,458 --> 00:53:15,636 WHERE YOU BEEN ♪ ♪ JUST WHEN THINGS ARE GOIN' NICE AND SWEET, 1560 00:53:15,660 --> 00:53:20,774 ♪ JUST WHEN THINGS ARE GOIN' NICE AND SWEET, YOU SLIP RIGHT OUT AGAIN ♪ 1561 00:53:20,798 --> 00:53:22,509 NICE AND SWEET, YOU SLIP RIGHT OUT AGAIN ♪ ♪ WELL, BABY, WHY YOU HAVE TO 1562 00:53:22,533 --> 00:53:27,381 YOU SLIP RIGHT OUT AGAIN ♪ ♪ WELL, BABY, WHY YOU HAVE TO MESS UP A GOOD THING? ♪ 1563 00:53:27,405 --> 00:53:29,015 ♪ WELL, BABY, WHY YOU HAVE TO MESS UP A GOOD THING? ♪ ♪ I'LL HAVE TO FIND MYSELF 1564 00:53:29,039 --> 00:53:30,817 MESS UP A GOOD THING? ♪ ♪ I'LL HAVE TO FIND MYSELF ANOTHER MAN ♪ 1565 00:53:30,841 --> 00:53:35,477 ♪ I'LL HAVE TO FIND MYSELF ANOTHER MAN ♪ ♪ ONE WHO CAN BLOW ANYTHING ♪ 1566 00:54:04,674 --> 00:54:12,292 ♪ WELL, I TOLD YOU, BABY, LONG TIME AGO IF I CAUGHT YOU WITH ANOTHER, 1567 00:54:12,316 --> 00:54:17,797 LONG TIME AGO IF I CAUGHT YOU WITH ANOTHER, I'D WALK OUT YOUR DOOR ♪ 1568 00:54:17,821 --> 00:54:23,637 IF I CAUGHT YOU WITH ANOTHER, I'D WALK OUT YOUR DOOR ♪ ♪ ONE THING YOU'VE GOT TO KNOW ♪ 1569 00:54:23,661 --> 00:54:25,372 I'D WALK OUT YOUR DOOR ♪ ♪ ONE THING YOU'VE GOT TO KNOW ♪ ♪ HONEY, IF YOU WANT ME 1570 00:54:25,396 --> 00:54:27,274 ♪ ONE THING YOU'VE GOT TO KNOW ♪ ♪ HONEY, IF YOU WANT ME TO LOVE YOU, 1571 00:54:27,298 --> 00:54:31,177 ♪ HONEY, IF YOU WANT ME TO LOVE YOU, GIVE IT UP OR LET IT GO ♪ 1572 00:54:31,201 --> 00:54:35,103 TO LOVE YOU, GIVE IT UP OR LET IT GO ♪ ♪ GIVE IT UP ♪ 1573 00:55:09,639 --> 00:55:12,874 HAPPY BIRTHDAY, DAD! 1574 00:55:22,084 --> 00:55:24,886 [CHEERS AND APPLAUSE] 1575 00:55:35,932 --> 00:55:43,082 [COUGHS] NO KIDDING, BARBARA. I AM SO OUT OF IT. 1576 00:55:43,106 --> 00:55:46,386 NO KIDDING, BARBARA. I AM SO OUT OF IT. THIS IS REALLY GREAT STUFF. 1577 00:55:46,410 --> 00:55:47,954 I AM SO OUT OF IT. THIS IS REALLY GREAT STUFF. I KNOW. 1578 00:55:47,978 --> 00:55:51,090 THIS IS REALLY GREAT STUFF. I KNOW. I AM COMPLETELY WRECKED. 1579 00:55:51,114 --> 00:55:53,360 I KNOW. I AM COMPLETELY WRECKED. OF COURSE, WHEN I GET LIKE 1580 00:55:53,384 --> 00:55:55,595 I AM COMPLETELY WRECKED. OF COURSE, WHEN I GET LIKE THIS, WE ARE TALKING PARANOID 1581 00:55:55,619 --> 00:55:56,262 OF COURSE, WHEN I GET LIKE THIS, WE ARE TALKING PARANOID CITY. 1582 00:55:56,286 --> 00:55:58,598 THIS, WE ARE TALKING PARANOID CITY. I AM THE ORIGINAL SPACE CADET. 1583 00:55:58,622 --> 00:56:00,967 CITY. I AM THE ORIGINAL SPACE CADET. BEAM ME DOWN, CAPTAIN KIRK. 1584 00:56:00,991 --> 00:56:03,036 I AM THE ORIGINAL SPACE CADET. BEAM ME DOWN, CAPTAIN KIRK. YOU SEEM FINE NOW. 1585 00:56:03,060 --> 00:56:08,308 BEAM ME DOWN, CAPTAIN KIRK. YOU SEEM FINE NOW. WAIT. 1586 00:56:08,332 --> 00:56:10,377 YOU SEEM FINE NOW. WAIT. RHONDA, YOU KNOW WHAT I JUST 1587 00:56:10,401 --> 00:56:11,177 WAIT. RHONDA, YOU KNOW WHAT I JUST REALIZED? 1588 00:56:11,201 --> 00:56:13,747 RHONDA, YOU KNOW WHAT I JUST REALIZED? THAT STAIN ON MY RUG LOOKS JUST 1589 00:56:13,771 --> 00:56:18,352 REALIZED? THAT STAIN ON MY RUG LOOKS JUST LIKE A HORSE LAUGHING. 1590 00:56:18,376 --> 00:56:20,620 THAT STAIN ON MY RUG LOOKS JUST LIKE A HORSE LAUGHING. YOU KNOW, I CAN SEE MYSELF IN 1591 00:56:20,644 --> 00:56:22,589 LIKE A HORSE LAUGHING. YOU KNOW, I CAN SEE MYSELF IN YOUR GLASSES, AND I CAN SEE 1592 00:56:22,613 --> 00:56:24,624 YOU KNOW, I CAN SEE MYSELF IN YOUR GLASSES, AND I CAN SEE MYSELF SEEING MYSELF IN YOUR 1593 00:56:24,648 --> 00:56:25,425 YOUR GLASSES, AND I CAN SEE MYSELF SEEING MYSELF IN YOUR GLASSES. 1594 00:56:25,449 --> 00:56:26,893 MYSELF SEEING MYSELF IN YOUR GLASSES. TRY NOT TO LOOK. 1595 00:56:26,917 --> 00:56:29,329 GLASSES. TRY NOT TO LOOK. THE HARDER I TRY, THE MORE I 1596 00:56:29,353 --> 00:56:31,832 TRY NOT TO LOOK. THE HARDER I TRY, THE MORE I KEEP DOING IT TO TORTURE MYSELF. 1597 00:56:31,856 --> 00:56:33,800 THE HARDER I TRY, THE MORE I KEEP DOING IT TO TORTURE MYSELF. YOU WANT I SHOULD PUT ON MY 1598 00:56:33,824 --> 00:56:34,568 KEEP DOING IT TO TORTURE MYSELF. YOU WANT I SHOULD PUT ON MY CONTACTS? 1599 00:56:34,592 --> 00:56:35,001 YOU WANT I SHOULD PUT ON MY CONTACTS? NO. 1600 00:56:35,025 --> 00:56:36,503 CONTACTS? NO. THEN I'LL START SEEING MYSELF IN 1601 00:56:36,527 --> 00:56:37,871 NO. THEN I'LL START SEEING MYSELF IN YOUR CONTACTS, AND I'LL START 1602 00:56:37,895 --> 00:56:39,272 THEN I'LL START SEEING MYSELF IN YOUR CONTACTS, AND I'LL START SEEING MYSELF SEEING MYSELF IN 1603 00:56:39,296 --> 00:56:40,039 YOUR CONTACTS, AND I'LL START SEEING MYSELF SEEING MYSELF IN YOUR CONTACTS. 1604 00:56:40,063 --> 00:56:41,475 SEEING MYSELF SEEING MYSELF IN YOUR CONTACTS. AND THEN I'LL START SEEING YOUR 1605 00:56:41,499 --> 00:56:42,876 YOUR CONTACTS. AND THEN I'LL START SEEING YOUR CONTACTS MOVING AROUND IN YOUR 1606 00:56:42,900 --> 00:56:43,276 AND THEN I'LL START SEEING YOUR CONTACTS MOVING AROUND IN YOUR EYES. 1607 00:56:43,300 --> 00:56:44,644 CONTACTS MOVING AROUND IN YOUR EYES. AND THEN I'LL START SEEING 1608 00:56:44,668 --> 00:56:46,112 EYES. AND THEN I'LL START SEEING MYSELF MOVING AROUND IN YOUR 1609 00:56:46,136 --> 00:56:46,546 AND THEN I'LL START SEEING MYSELF MOVING AROUND IN YOUR EYES. 1610 00:56:46,570 --> 00:56:47,881 MYSELF MOVING AROUND IN YOUR EYES. AND THEN I'LL START BLINKING. 1611 00:56:47,905 --> 00:56:49,315 EYES. AND THEN I'LL START BLINKING. ONLY THEN I'LL BE THINKING ABOUT 1612 00:56:49,339 --> 00:56:49,683 AND THEN I'LL START BLINKING. ONLY THEN I'LL BE THINKING ABOUT IT. 1613 00:56:49,707 --> 00:56:51,551 ONLY THEN I'LL BE THINKING ABOUT IT. SO I'LL START BLINKING A WHOLE 1614 00:56:51,575 --> 00:56:53,553 IT. SO I'LL START BLINKING A WHOLE LOT OF EXTRA TIMES AND WORRYING. 1615 00:56:53,577 --> 00:56:55,221 SO I'LL START BLINKING A WHOLE LOT OF EXTRA TIMES AND WORRYING. YOU CAN BREAK OUT JUST BY 1616 00:56:55,245 --> 00:56:56,790 LOT OF EXTRA TIMES AND WORRYING. YOU CAN BREAK OUT JUST BY WORRYING AND THINKING... 1617 00:56:56,814 --> 00:56:58,925 YOU CAN BREAK OUT JUST BY WORRYING AND THINKING... I'M SORRY I MENTIONED IT, 1618 00:56:58,949 --> 00:56:59,559 WORRYING AND THINKING... I'M SORRY I MENTIONED IT, OKAY? 1619 00:56:59,583 --> 00:57:01,361 I'M SORRY I MENTIONED IT, OKAY? NOW ALL I CAN THINK ABOUT IS 1620 00:57:01,385 --> 00:57:02,829 OKAY? NOW ALL I CAN THINK ABOUT IS THAT YOU SAID I'M SORRY I 1621 00:57:02,853 --> 00:57:03,730 NOW ALL I CAN THINK ABOUT IS THAT YOU SAID I'M SORRY I MENTIONED IT. 1622 00:57:03,754 --> 00:57:05,465 THAT YOU SAID I'M SORRY I MENTIONED IT. I CAN'T GET IT OUT OF MY MIND. 1623 00:57:05,489 --> 00:57:07,133 MENTIONED IT. I CAN'T GET IT OUT OF MY MIND. ONCE SOMETHING LIKE THIS 1624 00:57:07,157 --> 00:57:08,869 I CAN'T GET IT OUT OF MY MIND. ONCE SOMETHING LIKE THIS HAPPENED TO ME, AND THE WAY I 1625 00:57:08,893 --> 00:57:10,704 ONCE SOMETHING LIKE THIS HAPPENED TO ME, AND THE WAY I GOT OUT OF IT WAS BY TRYING TO 1626 00:57:10,728 --> 00:57:12,439 HAPPENED TO ME, AND THE WAY I GOT OUT OF IT WAS BY TRYING TO IMAGINE THE IDEAL WALLET, KEY 1627 00:57:12,463 --> 00:57:14,307 GOT OUT OF IT WAS BY TRYING TO IMAGINE THE IDEAL WALLET, KEY CASE, AND CIGARETTE-HOLDER SET. 1628 00:57:14,331 --> 00:57:16,676 IMAGINE THE IDEAL WALLET, KEY CASE, AND CIGARETTE-HOLDER SET. THAT'S A GREAT IDEA... THE 1629 00:57:16,700 --> 00:57:19,312 CASE, AND CIGARETTE-HOLDER SET. THAT'S A GREAT IDEA... THE IDEAL WALLET, KEY CASE, AND 1630 00:57:19,336 --> 00:57:22,916 THAT'S A GREAT IDEA... THE IDEAL WALLET, KEY CASE, AND CIGARETTE-HOLDER SET. 1631 00:57:22,940 --> 00:57:25,786 IDEAL WALLET, KEY CASE, AND CIGARETTE-HOLDER SET. IT KEEPS COMING OUT IN VINYL! 1632 00:57:25,810 --> 00:57:28,121 CIGARETTE-HOLDER SET. IT KEEPS COMING OUT IN VINYL! OKAY, OKAY, OKAY, OKAY, OKAY, 1633 00:57:28,145 --> 00:57:28,755 IT KEEPS COMING OUT IN VINYL! OKAY, OKAY, OKAY, OKAY, OKAY, OKAY. 1634 00:57:28,779 --> 00:57:30,256 OKAY, OKAY, OKAY, OKAY, OKAY, OKAY. RHONDA, LET'S GO THROUGH YOUR 1635 00:57:30,280 --> 00:57:31,391 OKAY. RHONDA, LET'S GO THROUGH YOUR WEDDING ALBUM, OKAY? 1636 00:57:31,415 --> 00:57:32,893 RHONDA, LET'S GO THROUGH YOUR WEDDING ALBUM, OKAY? FIRST, THERE'S THE PICTURE OF 1637 00:57:32,917 --> 00:57:33,293 WEDDING ALBUM, OKAY? FIRST, THERE'S THE PICTURE OF YOU. 1638 00:57:33,317 --> 00:57:34,961 FIRST, THERE'S THE PICTURE OF YOU. THEN, THERE'S THE PICTURE OF YOU 1639 00:57:34,985 --> 00:57:36,596 YOU. THEN, THERE'S THE PICTURE OF YOU AND YOUR MOTHER AND YOUR FATHER. 1640 00:57:36,620 --> 00:57:38,064 THEN, THERE'S THE PICTURE OF YOU AND YOUR MOTHER AND YOUR FATHER. THEN, THE PICTURE OF YOU AND 1641 00:57:38,088 --> 00:57:38,665 AND YOUR MOTHER AND YOUR FATHER. THEN, THE PICTURE OF YOU AND BARRY... 1642 00:57:38,689 --> 00:57:39,866 THEN, THE PICTURE OF YOU AND BARRY... YOU SKIPPED A PAGE! 1643 00:57:39,890 --> 00:57:41,301 BARRY... YOU SKIPPED A PAGE! RHONDA, LET'S CHANGE THE 1644 00:57:41,325 --> 00:57:41,868 YOU SKIPPED A PAGE! RHONDA, LET'S CHANGE THE SUBJECT. 1645 00:57:41,892 --> 00:57:42,736 RHONDA, LET'S CHANGE THE SUBJECT. ALL RIGHT. 1646 00:57:42,760 --> 00:57:44,270 SUBJECT. ALL RIGHT. YOU KNOW, THE LAST TIME THAT 1647 00:57:44,294 --> 00:57:45,939 ALL RIGHT. YOU KNOW, THE LAST TIME THAT THIS KIND OF THING HAPPENED TO 1648 00:57:45,963 --> 00:57:47,607 YOU KNOW, THE LAST TIME THAT THIS KIND OF THING HAPPENED TO ME, IT WAS RIGHT BEFORE I WENT 1649 00:57:47,631 --> 00:57:48,174 THIS KIND OF THING HAPPENED TO ME, IT WAS RIGHT BEFORE I WENT TO BED. 1650 00:57:48,198 --> 00:57:50,811 ME, IT WAS RIGHT BEFORE I WENT TO BED. AND ALL I COULD THINK WAS, 1651 00:57:50,835 --> 00:57:53,313 TO BED. AND ALL I COULD THINK WAS, "WHO'S GONNA KNOW IF I'M 1652 00:57:53,337 --> 00:57:56,382 AND ALL I COULD THINK WAS, "WHO'S GONNA KNOW IF I'M BREATHING AFTER I FALL ASLEEP?" 1653 00:57:56,406 --> 00:57:57,216 "WHO'S GONNA KNOW IF I'M BREATHING AFTER I FALL ASLEEP?" BARRY'S ASLEEP. 1654 00:57:57,240 --> 00:57:58,518 BREATHING AFTER I FALL ASLEEP?" BARRY'S ASLEEP. HE'S NOT GONNA KNOW IF I'M 1655 00:57:58,542 --> 00:57:59,419 BARRY'S ASLEEP. HE'S NOT GONNA KNOW IF I'M BREATHING OR NOT. 1656 00:57:59,443 --> 00:58:03,222 HE'S NOT GONNA KNOW IF I'M BREATHING OR NOT. SO I STAYED UP THE ENTIRE NIGHT 1657 00:58:03,246 --> 00:58:06,593 BREATHING OR NOT. SO I STAYED UP THE ENTIRE NIGHT TO BE SURE THAT I WAS STILL 1658 00:58:06,617 --> 00:58:08,161 SO I STAYED UP THE ENTIRE NIGHT TO BE SURE THAT I WAS STILL BREATHING. 1659 00:58:08,185 --> 00:58:10,296 TO BE SURE THAT I WAS STILL BREATHING. I DIDN'T FALL ASLEEP TILL 1660 00:58:10,320 --> 00:58:12,933 BREATHING. I DIDN'T FALL ASLEEP TILL 6:00 A.M. AND ONLY BY GIVING ALL 1661 00:58:12,957 --> 00:58:14,968 I DIDN'T FALL ASLEEP TILL 6:00 A.M. AND ONLY BY GIVING ALL THE CHENILLE BALLS ON MY 1662 00:58:14,992 --> 00:58:16,470 6:00 A.M. AND ONLY BY GIVING ALL THE CHENILLE BALLS ON MY BEDSPREAD NAMES. 1663 00:58:16,494 --> 00:58:20,139 THE CHENILLE BALLS ON MY BEDSPREAD NAMES. I KNOW EXACTLY WHAT YOU MEAN. 1664 00:58:20,163 --> 00:58:21,107 BEDSPREAD NAMES. I KNOW EXACTLY WHAT YOU MEAN. YOU KNOW WHAT HAPPENED TO ME 1665 00:58:21,131 --> 00:58:21,508 I KNOW EXACTLY WHAT YOU MEAN. YOU KNOW WHAT HAPPENED TO ME ONCE? 1666 00:58:21,532 --> 00:58:22,175 YOU KNOW WHAT HAPPENED TO ME ONCE? WHAT? 1667 00:58:22,199 --> 00:58:24,143 ONCE? WHAT? WELL, DID YOU EVER GET AFRAID 1668 00:58:24,167 --> 00:58:25,912 WHAT? WELL, DID YOU EVER GET AFRAID THAT YOU COULDN'T SWALLOW, SO 1669 00:58:25,936 --> 00:58:27,848 WELL, DID YOU EVER GET AFRAID THAT YOU COULDN'T SWALLOW, SO YOU KEEP SWALLOWING TO MAKE SURE 1670 00:58:27,872 --> 00:58:28,849 THAT YOU COULDN'T SWALLOW, SO YOU KEEP SWALLOWING TO MAKE SURE YOU STILL CAN? 1671 00:58:28,873 --> 00:58:30,851 YOU KEEP SWALLOWING TO MAKE SURE YOU STILL CAN? AND THEN YOUR MOUTH GETS SO DRY, 1672 00:58:30,875 --> 00:58:32,586 YOU STILL CAN? AND THEN YOUR MOUTH GETS SO DRY, AND THEN YOU ACTUALLY CAN'T 1673 00:58:32,610 --> 00:58:33,286 AND THEN YOUR MOUTH GETS SO DRY, AND THEN YOU ACTUALLY CAN'T SWALLOW? 1674 00:58:33,310 --> 00:58:34,220 AND THEN YOU ACTUALLY CAN'T SWALLOW? NO. 1675 00:58:34,244 --> 00:58:37,056 SWALLOW? NO. I NEVER EXPERIENCED THAT, BUT 1676 00:58:37,080 --> 00:58:40,382 NO. I NEVER EXPERIENCED THAT, BUT I'M GOING TO START NOW. 1677 00:58:45,454 --> 00:58:53,454 RHONDA? WHAT? NOTHING. 1678 00:58:54,031 --> 00:58:55,642 WHAT? NOTHING. NO, REALLY. WHAT? 1679 00:58:55,666 --> 00:58:59,880 NOTHING. NO, REALLY. WHAT? I TOLD YOU, NOTHING! 1680 00:58:59,904 --> 00:59:01,748 NO, REALLY. WHAT? I TOLD YOU, NOTHING! WHAT?! 1681 00:59:01,772 --> 00:59:02,448 I TOLD YOU, NOTHING! WHAT?! LISTEN! 1682 00:59:02,472 --> 00:59:04,050 WHAT?! LISTEN! DID YOU JUST HEAR A BLACK MAN 1683 00:59:04,074 --> 00:59:05,719 LISTEN! DID YOU JUST HEAR A BLACK MAN COME IN HERE AND STEAL ALL YOUR 1684 00:59:05,743 --> 00:59:09,122 DID YOU JUST HEAR A BLACK MAN COME IN HERE AND STEAL ALL YOUR JEWELRY?! 1685 00:59:09,146 --> 00:59:12,425 COME IN HERE AND STEAL ALL YOUR JEWELRY?! YES, I DID! 1686 00:59:12,449 --> 00:59:14,060 JEWELRY?! YES, I DID! LOOK! 1687 00:59:14,084 --> 00:59:16,195 YES, I DID! LOOK! [SCREECHING, HONKING IN 1688 00:59:16,219 --> 00:59:17,296 LOOK! [SCREECHING, HONKING IN DISTANCE] 1689 00:59:17,320 --> 00:59:17,831 [SCREECHING, HONKING IN DISTANCE] LOOK. 1690 00:59:17,855 --> 00:59:19,766 [DISTANCE] LOOK. WHY DON'T WE GET A BAG OF MILANO 1691 00:59:19,790 --> 00:59:21,434 LOOK. WHY DON'T WE GET A BAG OF MILANO COOKIES, AND THAT WAY, WHEN 1692 00:59:21,458 --> 00:59:23,336 WHY DON'T WE GET A BAG OF MILANO COOKIES, AND THAT WAY, WHEN BARRY COMES HOME, WE'LL BE ABLE 1693 00:59:23,360 --> 00:59:24,337 COOKIES, AND THAT WAY, WHEN BARRY COMES HOME, WE'LL BE ABLE TO NOT LOOK... 1694 00:59:24,361 --> 00:59:26,540 BARRY COMES HOME, WE'LL BE ABLE TO NOT LOOK... [SCREECHING, HONKING CONTINUE] 1695 00:59:26,564 --> 00:59:29,275 TO NOT LOOK... [SCREECHING, HONKING CONTINUE] JANE, WHAT'S THAT NOISE? 1696 00:59:29,299 --> 00:59:30,476 [SCREECHING, HONKING CONTINUE] JANE, WHAT'S THAT NOISE? I DON'T KNOW. 1697 00:59:30,500 --> 00:59:32,045 JANE, WHAT'S THAT NOISE? I DON'T KNOW. VAN RY, WHAT IS THAT NOISE? 1698 00:59:32,069 --> 00:59:33,079 I DON'T KNOW. VAN RY, WHAT IS THAT NOISE? HEY, WE'RE RUNNING LATE. 1699 00:59:33,103 --> 00:59:34,247 VAN RY, WHAT IS THAT NOISE? HEY, WE'RE RUNNING LATE. JUST TRY TO FINISH THE SCENE. 1700 00:59:34,271 --> 00:59:35,181 HEY, WE'RE RUNNING LATE. JUST TRY TO FINISH THE SCENE. I DON'T KNOW WHAT IT IS. 1701 00:59:35,205 --> 00:59:36,416 JUST TRY TO FINISH THE SCENE. I DON'T KNOW WHAT IT IS. HOW DO YOU EXPECT US TO BE 1702 00:59:36,440 --> 00:59:37,183 I DON'T KNOW WHAT IT IS. HOW DO YOU EXPECT US TO BE HEARD OVER THAT? 1703 00:59:37,207 --> 00:59:38,585 HOW DO YOU EXPECT US TO BE HEARD OVER THAT? BELUSHI, DO YOU KNOW WHAT THAT 1704 00:59:38,609 --> 00:59:39,052 HEARD OVER THAT? BELUSHI, DO YOU KNOW WHAT THAT IS? 1705 00:59:39,076 --> 00:59:43,056 BELUSHI, DO YOU KNOW WHAT THAT IS? I DON'T KNOW. 1706 00:59:43,080 --> 00:59:44,558 IS? I DON'T KNOW. THE NOISE, HUH? 1707 00:59:44,582 --> 00:59:47,226 I DON'T KNOW. THE NOISE, HUH? WELL, I CAN TELL YOU ONE THING. 1708 00:59:47,250 --> 00:59:49,529 THE NOISE, HUH? WELL, I CAN TELL YOU ONE THING. IT'S NOT THE CONCORDE. 1709 00:59:49,553 --> 00:59:50,697 WELL, I CAN TELL YOU ONE THING. IT'S NOT THE CONCORDE. LORNE? LORNE? 1710 00:59:50,721 --> 00:59:52,331 IT'S NOT THE CONCORDE. LORNE? LORNE? WILL SOMEBODY OUT THERE FIND 1711 00:59:52,355 --> 00:59:53,232 LORNE? LORNE? WILL SOMEBODY OUT THERE FIND LORNE QUICKLY? 1712 00:59:53,256 --> 00:59:54,500 WILL SOMEBODY OUT THERE FIND LORNE QUICKLY? WHAT IS THAT NOISE?! 1713 00:59:54,524 --> 00:59:55,301 LORNE QUICKLY? WHAT IS THAT NOISE?! [SCREECHING] 1714 00:59:55,325 --> 00:59:56,269 WHAT IS THAT NOISE?! [SCREECHING] STRANGE. 1715 00:59:56,293 --> 00:59:58,004 [SCREECHING] STRANGE. COULD HAVE SWORN IT SOUNDED LIKE 1716 00:59:58,028 --> 01:00:01,274 STRANGE. COULD HAVE SWORN IT SOUNDED LIKE THE ROAR OF A GIANT LOBSTER. 1717 01:00:01,298 --> 01:00:03,176 COULD HAVE SWORN IT SOUNDED LIKE THE ROAR OF A GIANT LOBSTER. A GIANT LOBSTER?! 1718 01:00:03,200 --> 01:00:04,210 THE ROAR OF A GIANT LOBSTER. A GIANT LOBSTER?! YEAH, THEY'RE LIKE GIANT 1719 01:00:04,234 --> 01:00:05,378 A GIANT LOBSTER?! YEAH, THEY'RE LIKE GIANT SPIDERS, ONLY MORE INTELLIGENT. 1720 01:00:05,402 --> 01:00:07,113 YEAH, THEY'RE LIKE GIANT SPIDERS, ONLY MORE INTELLIGENT. SOUNDS LIKE THEY'RE OUTSIDE THE 1721 01:00:07,137 --> 01:00:08,682 SPIDERS, ONLY MORE INTELLIGENT. SOUNDS LIKE THEY'RE OUTSIDE THE BUILDING SOMEWHERE... RIGHT 1722 01:00:08,706 --> 01:00:09,883 SOUNDS LIKE THEY'RE OUTSIDE THE BUILDING SOMEWHERE... RIGHT HERE, OUTSIDE THE... 1723 01:00:09,907 --> 01:00:12,452 BUILDING SOMEWHERE... RIGHT HERE, OUTSIDE THE... WHAT ARE YOU TALKING...? 1724 01:00:12,476 --> 01:00:18,858 HERE, OUTSIDE THE... WHAT ARE YOU TALKING...? [SCREECHING] 1725 01:00:18,882 --> 01:00:21,850 WHAT ARE YOU TALKING...? [SCREECHING] [PEOPLE SCREAMING] 1726 01:00:31,293 --> 01:00:34,096 [MAN WHISTLES] 1727 01:00:44,107 --> 01:00:50,478 AAH! AAH! LET ME GO! LET ME GO! 1728 01:01:05,728 --> 01:01:11,033 AAH! AAH! AAH! 1729 01:01:17,740 --> 01:01:20,542 [SIRENS WAILING] 1730 01:01:27,583 --> 01:01:30,618 [GLASS SHATTERS] 1731 01:01:36,759 --> 01:01:39,139 ARE WE ON? ARE WE ON? I CAN'T HEAR. 1732 01:01:39,163 --> 01:01:39,739 ARE WE ON? I CAN'T HEAR. ARE WE ON? 1733 01:01:39,763 --> 01:01:41,440 I CAN'T HEAR. ARE WE ON? LADIES AND GENTLEMEN, I-I JUST 1734 01:01:41,464 --> 01:01:42,709 ARE WE ON? LADIES AND GENTLEMEN, I-I JUST WISH YOU COULD SEE... 1735 01:01:42,733 --> 01:01:44,911 LADIES AND GENTLEMEN, I-I JUST WISH YOU COULD SEE... [GUN FIRES] 1736 01:01:44,935 --> 01:01:47,981 WISH YOU COULD SEE... [GUN FIRES] MUTILATION SPREAD OUT BEFORE ME. 1737 01:01:48,005 --> 01:01:49,615 [GUN FIRES] MUTILATION SPREAD OUT BEFORE ME. ENORMOUS LOBSTERS HAVE BROKEN 1738 01:01:49,639 --> 01:01:50,216 MUTILATION SPREAD OUT BEFORE ME. ENORMOUS LOBSTERS HAVE BROKEN THROUGH. 1739 01:01:50,240 --> 01:01:51,617 ENORMOUS LOBSTERS HAVE BROKEN THROUGH. THEY'RE NOW CRUSHING AND 1740 01:01:51,641 --> 01:01:53,286 THROUGH. THEY'RE NOW CRUSHING AND MANGLING MEMBERS OF THE STUDIO 1741 01:01:53,310 --> 01:01:53,953 THEY'RE NOW CRUSHING AND MANGLING MEMBERS OF THE STUDIO AUDIENCE. 1742 01:01:53,977 --> 01:01:56,489 MANGLING MEMBERS OF THE STUDIO AUDIENCE. JOHN BELUSHI HAS BEEN SEIZED BY 1743 01:01:56,513 --> 01:01:57,991 AUDIENCE. JOHN BELUSHI HAS BEEN SEIZED BY AN IMMENSE CLAW! 1744 01:01:58,015 --> 01:01:59,625 JOHN BELUSHI HAS BEEN SEIZED BY AN IMMENSE CLAW! IT'S WAVING ABOUT. 1745 01:01:59,649 --> 01:02:01,995 AN IMMENSE CLAW! IT'S WAVING ABOUT. OH, IT'S HORRIBLE! 1746 01:02:02,019 --> 01:02:03,163 IT'S WAVING ABOUT. OH, IT'S HORRIBLE! IT'S HORRIBLE. 1747 01:02:03,187 --> 01:02:05,331 OH, IT'S HORRIBLE! IT'S HORRIBLE. HE HAD HIS WHOLE LIFE AHEAD OF 1748 01:02:05,355 --> 01:02:05,899 IT'S HORRIBLE. HE HAD HIS WHOLE LIFE AHEAD OF HIM! 1749 01:02:05,923 --> 01:02:07,300 HE HAD HIS WHOLE LIFE AHEAD OF HIM! OR AT LEAST TWO OR THREE MORE 1750 01:02:07,324 --> 01:02:08,467 HIM! OR AT LEAST TWO OR THREE MORE YEARS, ANYWAY. 1751 01:02:08,491 --> 01:02:10,904 OR AT LEAST TWO OR THREE MORE YEARS, ANYWAY. BOB! BOB! 1752 01:02:10,928 --> 01:02:12,505 YEARS, ANYWAY. BOB! BOB! OH, SAVE YOURSELF! 1753 01:02:12,529 --> 01:02:14,273 BOB! BOB! OH, SAVE YOURSELF! NO, I'VE GOT TO STAY HERE. 1754 01:02:14,297 --> 01:02:15,875 OH, SAVE YOURSELF! NO, I'VE GOT TO STAY HERE. I'M STAYING UNTIL THE END. 1755 01:02:15,899 --> 01:02:17,210 NO, I'VE GOT TO STAY HERE. I'M STAYING UNTIL THE END. THIS APPEARS TO BE THE 1756 01:02:17,234 --> 01:02:18,912 I'M STAYING UNTIL THE END. THIS APPEARS TO BE THE DESTRUCTION OF CIVILIZATION AS 1757 01:02:18,936 --> 01:02:20,646 THIS APPEARS TO BE THE DESTRUCTION OF CIVILIZATION AS WE KNOW IT, AND I WANT TO LEAVE 1758 01:02:20,670 --> 01:02:22,315 DESTRUCTION OF CIVILIZATION AS WE KNOW IT, AND I WANT TO LEAVE SOME RECORD FOR THE SURVIVORS 1759 01:02:22,339 --> 01:02:23,783 WE KNOW IT, AND I WANT TO LEAVE SOME RECORD FOR THE SURVIVORS IF, INDEED, THERE ARE ANY 1760 01:02:23,807 --> 01:02:24,517 SOME RECORD FOR THE SURVIVORS IF, INDEED, THERE ARE ANY SURVIVORS. 1761 01:02:24,541 --> 01:02:26,319 IF, INDEED, THERE ARE ANY SURVIVORS. I WANT TO LEAVE A WARNING TO 1762 01:02:26,343 --> 01:02:28,321 SURVIVORS. I WANT TO LEAVE A WARNING TO THOSE YET UNBORN NOT TO MAKE THE 1763 01:02:28,345 --> 01:02:29,723 I WANT TO LEAVE A WARNING TO THOSE YET UNBORN NOT TO MAKE THE SAME MISTAKES WE DID. 1764 01:02:29,747 --> 01:02:31,557 THOSE YET UNBORN NOT TO MAKE THE SAME MISTAKES WE DID. IN THE BACKGROUND, YOU CAN HEAR 1765 01:02:31,581 --> 01:02:33,126 SAME MISTAKES WE DID. IN THE BACKGROUND, YOU CAN HEAR HOWARD SHORE AND THE BAND 1766 01:02:33,150 --> 01:02:34,761 IN THE BACKGROUND, YOU CAN HEAR HOWARD SHORE AND THE BAND PLAYING "NEARER, MY GOD, TO 1767 01:02:34,785 --> 01:02:35,328 HOWARD SHORE AND THE BAND PLAYING "NEARER, MY GOD, TO THEE." 1768 01:02:35,352 --> 01:02:36,930 PLAYING "NEARER, MY GOD, TO THEE." DAVEY, ARE THERE ANY CAMERAS 1769 01:02:36,954 --> 01:02:38,598 THEE." DAVEY, ARE THERE ANY CAMERAS LEFT TO GET THIS POIGNANT AND 1770 01:02:38,622 --> 01:02:39,632 DAVEY, ARE THERE ANY CAMERAS LEFT TO GET THIS POIGNANT AND BEAUTIFUL SCENE? 1771 01:02:39,656 --> 01:02:41,667 LEFT TO GET THIS POIGNANT AND BEAUTIFUL SCENE? YES, YOU ARE WITNESSING A RARE 1772 01:02:41,691 --> 01:02:43,803 BEAUTIFUL SCENE? YES, YOU ARE WITNESSING A RARE KIND OF COURAGE, AS THESE PLUCKY 1773 01:02:43,827 --> 01:02:45,805 YES, YOU ARE WITNESSING A RARE KIND OF COURAGE, AS THESE PLUCKY MUSICIANS DEFIANTLY REFUSE TO 1774 01:02:45,829 --> 01:02:47,941 KIND OF COURAGE, AS THESE PLUCKY MUSICIANS DEFIANTLY REFUSE TO FLEE BEFORE THE MUTANT LOBSTERS, 1775 01:02:47,965 --> 01:02:50,110 MUSICIANS DEFIANTLY REFUSE TO FLEE BEFORE THE MUTANT LOBSTERS, CHOOSING TO DIE AS THEY LIVED, 1776 01:02:50,134 --> 01:02:52,311 FLEE BEFORE THE MUTANT LOBSTERS, CHOOSING TO DIE AS THEY LIVED, WITH THEIR INSTRUMENTS IN THEIR 1777 01:02:52,335 --> 01:02:54,480 CHOOSING TO DIE AS THEY LIVED, WITH THEIR INSTRUMENTS IN THEIR HANDS... WHAT A GRAND GESTURE. 1778 01:02:54,504 --> 01:02:56,716 WITH THEIR INSTRUMENTS IN THEIR HANDS... WHAT A GRAND GESTURE. ROBERT! 1779 01:02:56,740 --> 01:03:00,653 HANDS... WHAT A GRAND GESTURE. ROBERT! SAVE YOURSELVES! 1780 01:03:00,677 --> 01:03:02,722 ROBERT! SAVE YOURSELVES! I'VE JUST RECEIVED WORD THAT 1781 01:03:02,746 --> 01:03:04,824 SAVE YOURSELVES! I'VE JUST RECEIVED WORD THAT LOS ANGELES HAS BEEN LEVELED. 1782 01:03:04,848 --> 01:03:08,594 I'VE JUST RECEIVED WORD THAT LOS ANGELES HAS BEEN LEVELED. CHICAGO, DALLAS... NOTHING SEEMS 1783 01:03:08,618 --> 01:03:10,429 LOS ANGELES HAS BEEN LEVELED. CHICAGO, DALLAS... NOTHING SEEMS TO STOP THEM! 1784 01:03:10,453 --> 01:03:11,530 CHICAGO, DALLAS... NOTHING SEEMS TO STOP THEM! AAH! 1785 01:03:11,554 --> 01:03:14,433 TO STOP THEM! AAH! [GUN FIRES] 1786 01:03:14,457 --> 01:03:15,101 AAH! [GUN FIRES] HELP! 1787 01:03:15,125 --> 01:03:16,702 [GUN FIRES] HELP! I TWISTED MY ANKLE! 1788 01:03:16,726 --> 01:03:17,804 HELP! I TWISTED MY ANKLE! HOLD TIGHT, BABY! 1789 01:03:17,828 --> 01:03:19,139 I TWISTED MY ANKLE! HOLD TIGHT, BABY! I'LL GET YOU OUT OF HERE! 1790 01:03:19,163 --> 01:03:24,978 HOLD TIGHT, BABY! I'LL GET YOU OUT OF HERE! LOOK AT THE SIZE OF THEM! 1791 01:03:25,002 --> 01:03:27,981 I'LL GET YOU OUT OF HERE! LOOK AT THE SIZE OF THEM! OH, MY GOD! MY GOD! 1792 01:03:28,005 --> 01:03:29,548 LOOK AT THE SIZE OF THEM! OH, MY GOD! MY GOD! HAVE YOU TRIED SHOOTING AT 1793 01:03:29,572 --> 01:03:30,316 OH, MY GOD! MY GOD! HAVE YOU TRIED SHOOTING AT THE ANTENNA?! 1794 01:03:30,340 --> 01:03:32,518 HAVE YOU TRIED SHOOTING AT THE ANTENNA?! GOOD HEAVENS! 1795 01:03:32,542 --> 01:03:33,552 THE ANTENNA?! GOOD HEAVENS! ONE OF THE CREATURES IS 1796 01:03:33,576 --> 01:03:34,420 GOOD HEAVENS! ONE OF THE CREATURES IS ATTACKING THE BAND! 1797 01:03:34,444 --> 01:03:38,158 ONE OF THE CREATURES IS ATTACKING THE BAND! IT'S TOO HIDEOUS TO DESCRIBE. 1798 01:03:38,182 --> 01:03:40,260 ATTACKING THE BAND! IT'S TOO HIDEOUS TO DESCRIBE. WORDS FAIL ME! 1799 01:03:40,284 --> 01:03:41,427 IT'S TOO HIDEOUS TO DESCRIBE. WORDS FAIL ME! LORDY, LORDY! 1800 01:03:41,451 --> 01:03:43,462 WORDS FAIL ME! LORDY, LORDY! LORDY, LORDY, THERE'S A LOBSTER 1801 01:03:43,486 --> 01:03:44,130 LORDY, LORDY! LORDY, LORDY, THERE'S A LOBSTER COMING! 1802 01:03:44,154 --> 01:03:45,799 LORDY, LORDY, THERE'S A LOBSTER COMING! THERE'S A LOBSTER COMING! 1803 01:03:45,823 --> 01:03:46,599 COMING! THERE'S A LOBSTER COMING! SIR! 1804 01:03:46,623 --> 01:03:48,001 THERE'S A LOBSTER COMING! SIR! I DON'T WANT NOTHING TO DO 1805 01:03:48,025 --> 01:03:48,968 SIR! I DON'T WANT NOTHING TO DO WITH THEM LOBSTERS! 1806 01:03:48,992 --> 01:03:54,107 I DON'T WANT NOTHING TO DO WITH THEM LOBSTERS! YOU'RE GOING THE WRONG WAY! 1807 01:03:54,131 --> 01:03:55,909 WITH THEM LOBSTERS! YOU'RE GOING THE WRONG WAY! AAH! 1808 01:03:55,933 --> 01:03:57,610 YOU'RE GOING THE WRONG WAY! AAH! I'M GOING TO STAY ON THE AIR 1809 01:03:57,634 --> 01:03:59,179 AAH! I'M GOING TO STAY ON THE AIR AS LONG AS POSSIBLE, BUT I'M 1810 01:03:59,203 --> 01:04:00,914 I'M GOING TO STAY ON THE AIR AS LONG AS POSSIBLE, BUT I'M GETTING A SIGNAL THAT WE DO HAVE 1811 01:04:00,938 --> 01:04:02,581 AS LONG AS POSSIBLE, BUT I'M GETTING A SIGNAL THAT WE DO HAVE TO PAUSE HERE FOR A COMMERCIAL 1812 01:04:02,605 --> 01:04:03,183 GETTING A SIGNAL THAT WE DO HAVE TO PAUSE HERE FOR A COMMERCIAL MESSAGE. 1813 01:04:03,207 --> 01:04:05,651 TO PAUSE HERE FOR A COMMERCIAL MESSAGE. I DON'T KNOW IF WE'LL BE BACK. 1814 01:04:05,675 --> 01:04:09,889 MESSAGE. I DON'T KNOW IF WE'LL BE BACK. [GUNFIRE, PEOPLE SCREAMING] 1815 01:04:09,913 --> 01:04:13,393 I DON'T KNOW IF WE'LL BE BACK. [GUNFIRE, PEOPLE SCREAMING] [LOBSTERS SCREECHING, HONKING] 1816 01:04:20,923 --> 01:04:26,405 WELL, IT'S STILL GOING ON, EVEN WORSE THAN BEFORE. ALL AROUND ME, THE DEAD, THE 1817 01:04:26,429 --> 01:04:28,975 WORSE THAN BEFORE. ALL AROUND ME, THE DEAD, THE DYING... OH, THE HUMANITY! 1818 01:04:28,999 --> 01:04:32,745 ALL AROUND ME, THE DEAD, THE DYING... OH, THE HUMANITY! OUR ARMY WIPED OUT! 1819 01:04:32,769 --> 01:04:36,537 DYING... OH, THE HUMANITY! OUR ARMY WIPED OUT! [LOBSTERS SCREECHING, HONKING] 1820 01:04:39,075 --> 01:04:43,957 THIS MAY WELL BE MANKIND'S FINAL BROADCAST. AS I SPEAK, GOOD LORD! 1821 01:04:43,981 --> 01:04:45,491 BROADCAST. AS I SPEAK, GOOD LORD! ONE OF THE GIGANTIC LOBSTERS HAS 1822 01:04:45,515 --> 01:04:46,960 AS I SPEAK, GOOD LORD! ONE OF THE GIGANTIC LOBSTERS HAS DEMOLISHED OUR LAST CAMERA WITH 1823 01:04:46,984 --> 01:04:48,394 ONE OF THE GIGANTIC LOBSTERS HAS DEMOLISHED OUR LAST CAMERA WITH A SINGLE SWIPE OF ITS HORRIBLE 1824 01:04:48,418 --> 01:04:48,962 DEMOLISHED OUR LAST CAMERA WITH A SINGLE SWIPE OF ITS HORRIBLE CLAW! 1825 01:04:48,986 --> 01:04:50,763 A SINGLE SWIPE OF ITS HORRIBLE CLAW! NOW IT'S MOVING TOWARD ME! 1826 01:04:50,787 --> 01:04:52,631 CLAW! NOW IT'S MOVING TOWARD ME! IT'S 15 FEET AWAY. 1827 01:04:52,655 --> 01:04:53,532 NOW IT'S MOVING TOWARD ME! IT'S 15 FEET AWAY. TEN! 1828 01:04:53,556 --> 01:04:55,335 IT'S 15 FEET AWAY. TEN! I CAN SEE THE LONG, QUIVERING 1829 01:04:55,359 --> 01:04:57,436 TEN! I CAN SEE THE LONG, QUIVERING ANTENNAE, THE SLIMY LEGS, ITS 1830 01:04:57,460 --> 01:04:59,572 I CAN SEE THE LONG, QUIVERING ANTENNAE, THE SLIMY LEGS, ITS SNOUT AND CLAWS, GLISTENING WITH 1831 01:04:59,596 --> 01:05:01,574 ANTENNAE, THE SLIMY LEGS, ITS SNOUT AND CLAWS, GLISTENING WITH HUMAN BLOO... 1832 01:05:01,598 --> 01:05:07,769 SNOUT AND CLAWS, GLISTENING WITH HUMAN BLOO... [LOBSTERS SCREECHING, HONKING] 1833 01:05:08,037 --> 01:05:09,304 Announcer: ROBERT KLEIN! 1834 01:05:09,438 --> 01:05:11,472 ROBERT KLEIN, DO YOU READ ME? 1835 01:05:11,607 --> 01:05:13,308 WELL, GOODBYE, AMERICA. 1836 01:05:13,442 --> 01:05:15,443 UNTIL WE MEET AGAIN, THIS IS 1837 01:05:15,577 --> 01:05:19,147 DON PARDO SAYING AAAHHHH! 1838 01:05:19,282 --> 01:05:20,081 MY GOD! 1839 01:05:20,216 --> 01:05:21,649 PARDO'S BEEN EATEN BY THE BEAST. 1840 01:05:21,784 --> 01:05:22,824 IS THERE NO STOPPING THESE 1841 01:05:22,919 --> 01:05:24,019 ATOMIC LOBSTERS? 1842 01:05:24,153 --> 01:05:25,253 LISTEN. I HAVE A PLAN. 1843 01:05:25,388 --> 01:05:26,154 IT SOUNDS CRAZY, BUT IT JUST 1844 01:05:26,289 --> 01:05:26,687 MIGHT WORK. 1845 01:05:26,822 --> 01:05:28,256 I'LL NEED BOILING WATER. 1846 01:05:28,391 --> 01:05:29,057 BOILING WATER? 1847 01:05:29,191 --> 01:05:30,351 HOW MUCH... A COUPLE GALLONS? 1848 01:05:30,459 --> 01:05:31,592 NO! MILLIONS OF GALLONS! 1849 01:05:31,727 --> 01:05:32,360 ENOUGH TO FILL CENTRAL PARK 1850 01:05:32,494 --> 01:05:33,361 POND. 1851 01:05:33,495 --> 01:05:34,162 AND I'LL NEED A TRUCKLOAD OF 1852 01:05:34,297 --> 01:05:34,629 BUTTER. 1853 01:05:34,763 --> 01:05:35,563 MAKE THAT DRAWN BUTTER. 1854 01:05:35,697 --> 01:05:37,532 ONE TRUCKLOAD, DRAWN BUTTER. 1855 01:05:37,666 --> 01:05:38,066 CHECK. 1856 01:05:38,200 --> 01:05:39,400 AND BAKED POTATOES THE SIZE 1857 01:05:39,435 --> 01:05:40,555 OF BOXCARS AND LOBSTER BIBS. 1858 01:05:40,602 --> 01:05:41,336 LOBSTER BIBS? 1859 01:05:41,470 --> 01:05:42,710 YOU MEAN ORDINARY LOBSTER BIBS? 1860 01:05:42,738 --> 01:05:43,818 NO! HUGE LOBSTER BIBS... 1861 01:05:43,940 --> 01:05:45,006 15 BY 20 FEET AT LEAST. 1862 01:05:45,141 --> 01:05:45,740 AND NUTCRACKERS! 1863 01:05:45,874 --> 01:05:46,507 NUT...? 1864 01:05:46,642 --> 01:05:47,409 YOU MEAN REGULAR NUTCRACKERS? 1865 01:05:47,543 --> 01:05:48,209 NO! NOT AT ALL. 1866 01:05:48,344 --> 01:05:49,521 ENORMOUS NUTCRACKERS, AT LEAST 1867 01:05:49,545 --> 01:05:50,045 10 FEET LONG. 1868 01:05:50,179 --> 01:05:51,346 AND LEMONS THE SIZE OF GOLF 1869 01:05:51,480 --> 01:05:51,779 CARTS! 1870 01:05:51,914 --> 01:05:52,447 CHECK, CHECK. 1871 01:05:52,581 --> 01:05:53,591 HOW ABOUT SOME SOUR CREAM FOR 1872 01:05:53,615 --> 01:05:54,115 THOSE POTATOES? 1873 01:05:54,250 --> 01:05:54,782 GOOD POINT. 1874 01:05:54,917 --> 01:05:56,117 I'LL NEED, SAY, ABOUT A MOVING 1875 01:05:56,185 --> 01:05:56,884 VAN OF SOUR CREAM. 1876 01:05:57,019 --> 01:05:58,320 FOR DESSERT, A CHOCOLATE MOUSSE 1877 01:05:58,454 --> 01:05:59,220 AS BIG AS A HOUSE. 1878 01:05:59,355 --> 01:06:00,688 CHOCOLATE MOUSSE? 1879 01:06:00,823 --> 01:06:02,723 NO, IT'S TOO RICH... MUCH TOO 1880 01:06:02,858 --> 01:06:03,325 RICH. 1881 01:06:03,459 --> 01:06:04,469 WELL, HOW ABOUT A SWIMMING 1882 01:06:04,493 --> 01:06:05,093 POOL FULL OF JELL-O? 1883 01:06:05,227 --> 01:06:06,894 UH, WHAT FLAVOR? 1884 01:06:07,029 --> 01:06:08,096 ANY FLAVOR YOU WANT. 1885 01:06:08,230 --> 01:06:09,831 HOW ABOUT, UH, LIME WITH CARROT 1886 01:06:09,966 --> 01:06:10,565 SCRAPINGS? 1887 01:06:10,699 --> 01:06:11,743 WELL, I JUST HAD LIME WITH 1888 01:06:11,767 --> 01:06:12,633 CARROT SCRAPINGS FOR LUNCH. 1889 01:06:12,768 --> 01:06:13,812 I SUPPOSE I COULD HAVE SOMETHING 1890 01:06:13,836 --> 01:06:14,102 ELSE. 1891 01:06:14,236 --> 01:06:15,247 IT'S AN EMERGENCY, BUT, UH... 1892 01:06:15,271 --> 01:06:16,348 WELL, WHAT ABOUT RASPBERRY? 1893 01:06:16,372 --> 01:06:17,612 WELL, I'M... I'M ALLERGIC TO 1894 01:06:17,739 --> 01:06:18,173 RASPBERRY. 1895 01:06:18,307 --> 01:06:19,547 HOW ABOUT A... HOW ABOUT A POOL 1896 01:06:19,575 --> 01:06:20,275 FULL OF FRUIT CUP? 1897 01:06:20,409 --> 01:06:21,042 INSTEAD OF JELL-O? 1898 01:06:21,177 --> 01:06:21,809 YEAH, YEAH. 1899 01:06:21,944 --> 01:06:23,311 WELL, ISN'T FRUIT CUP MORE AN 1900 01:06:23,446 --> 01:06:24,679 APPETIZER, LIKE TOMATO JUICE? 1901 01:06:24,813 --> 01:06:25,847 NO, NOT NECESSARILY. 1902 01:06:25,982 --> 01:06:27,148 YOU CAN HAVE FRUIT CUP FOR 1903 01:06:27,283 --> 01:06:27,682 DESSERT. 1904 01:06:27,816 --> 01:06:29,650 WELL, I DON'T KNOW. 1905 01:06:29,785 --> 01:06:30,218 LISTEN. 1906 01:06:30,353 --> 01:06:31,686 HOW WOULD YOU FEEL ABOUT A 1907 01:06:31,820 --> 01:06:33,121 RUM-RAISIN CAKE THE SIZE OF A 1908 01:06:33,255 --> 01:06:33,855 TENNIS COURT? 1909 01:06:33,990 --> 01:06:35,556 WELL, WHAT KIND OF ICING? 1910 01:06:35,691 --> 01:06:36,791 ANY KIND, I SUPPOSE. 1911 01:06:36,925 --> 01:06:38,165 ORANGE MARMALADE WOULD BE NICE. 1912 01:06:38,227 --> 01:06:39,394 WELL, HOW ABOUT COCONUT 1913 01:06:39,528 --> 01:06:39,861 ICING? 1914 01:06:39,996 --> 01:06:40,462 WAIT. 1915 01:06:40,596 --> 01:06:42,130 YOU KNOW, COCONUT REALLY DOESN'T 1916 01:06:42,264 --> 01:06:43,264 GO WITH RUM RAISIN. 1917 01:06:43,366 --> 01:06:44,732 IF YOU WANTED COCONUT ICING, I 1918 01:06:44,867 --> 01:06:45,633 COULD HAVE A SPONGE CAKE THE 1919 01:06:45,767 --> 01:06:46,334 SIZE OF A ROLLER RINK. 1920 01:06:46,469 --> 01:06:47,502 OKAY, GOTCHA. 1921 01:06:47,636 --> 01:06:48,436 SOUNDS GOOD. 1922 01:06:48,570 --> 01:06:49,770 WHO WE GONNA INVITE TO THIS 1923 01:06:49,872 --> 01:06:51,306 THING, ACTUALLY? 1924 01:06:51,440 --> 01:06:53,441 GONNA BRING EMILY? 206753