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All language subtitles for SNL S02E13 Fran Tarkenton.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,800 --> 00:00:04,348 I CAN'T PLAY THE GAME FOR YOU. I DON'T KNOW WHAT ELSE TO TELL 2 00:00:04,372 --> 00:00:04,781 YOU. I DON'T KNOW WHAT ELSE TO TELL YOU. 3 00:00:04,805 --> 00:00:06,416 I DON'T KNOW WHAT ELSE TO TELL YOU. I DON'T KNOW WHAT ELSE TO DO. 4 00:00:06,440 --> 00:00:07,617 YOU. I DON'T KNOW WHAT ELSE TO DO. THIS IS THE BIG ONE. 5 00:00:07,641 --> 00:00:09,919 I DON'T KNOW WHAT ELSE TO DO. THIS IS THE BIG ONE. OUR LAST TWO GAMES, WE WERE OFF 6 00:00:09,943 --> 00:00:11,188 THIS IS THE BIG ONE. OUR LAST TWO GAMES, WE WERE OFF OUR GAME, OKAY? 7 00:00:11,212 --> 00:00:13,090 OUR LAST TWO GAMES, WE WERE OFF OUR GAME, OKAY? WE BLEW SOME SURE LAUGHS. 8 00:00:13,114 --> 00:00:14,124 OUR GAME, OKAY? WE BLEW SOME SURE LAUGHS. WE WERE SLOPPY. 9 00:00:14,148 --> 00:00:15,625 WE BLEW SOME SURE LAUGHS. WE WERE SLOPPY. WE DIDN'T HAVE ANY GUTS. 10 00:00:15,649 --> 00:00:17,494 WE WERE SLOPPY. WE DIDN'T HAVE ANY GUTS. LET'S FACE IT... WE DIDN'T WANT 11 00:00:17,518 --> 00:00:19,562 WE DIDN'T HAVE ANY GUTS. LET'S FACE IT... WE DIDN'T WANT IT BAD ENOUGH. 12 00:00:19,586 --> 00:00:21,298 LET'S FACE IT... WE DIDN'T WANT IT BAD ENOUGH. OKAY, NOW, WE'RE LOSING SOME 13 00:00:21,322 --> 00:00:22,032 IT BAD ENOUGH. OKAY, NOW, WE'RE LOSING SOME STRENGTH. 14 00:00:22,056 --> 00:00:23,700 OKAY, NOW, WE'RE LOSING SOME STRENGTH. BELUSHI'S GONNA BE OUT THIS 15 00:00:23,724 --> 00:00:24,234 STRENGTH. BELUSHI'S GONNA BE OUT THIS WEEK. 16 00:00:24,258 --> 00:00:25,969 BELUSHI'S GONNA BE OUT THIS WEEK. BUT I'LL BE ON THE SIDELINES 17 00:00:25,993 --> 00:00:27,904 WEEK. BUT I'LL BE ON THE SIDELINES SENDING IN THOSE JOKES WHEN IT'S 18 00:00:27,928 --> 00:00:28,638 BUT I'LL BE ON THE SIDELINES SENDING IN THOSE JOKES WHEN IT'S NECESSARY. 19 00:00:28,662 --> 00:00:30,474 SENDING IN THOSE JOKES WHEN IT'S NECESSARY. AND WHEN YOU GET OUT IN FRONT OF 20 00:00:30,498 --> 00:00:32,309 NECESSARY. AND WHEN YOU GET OUT IN FRONT OF THOSE CAMERAS, I WANT YOU TO ACT 21 00:00:32,333 --> 00:00:33,877 AND WHEN YOU GET OUT IN FRONT OF THOSE CAMERAS, I WANT YOU TO ACT WHAT YOU FEEL, ACT WHAT YOU 22 00:00:33,901 --> 00:00:34,378 THOSE CAMERAS, I WANT YOU TO ACT WHAT YOU FEEL, ACT WHAT YOU KNOW. 23 00:00:34,402 --> 00:00:36,046 WHAT YOU FEEL, ACT WHAT YOU KNOW. AND REMEMBER, WHAT'S THE MOST 24 00:00:36,070 --> 00:00:37,080 KNOW. AND REMEMBER, WHAT'S THE MOST IMPORTANT THING? 25 00:00:37,104 --> 00:00:39,483 AND REMEMBER, WHAT'S THE MOST IMPORTANT THING? All: BE FUNNY! 26 00:00:39,507 --> 00:00:41,118 IMPORTANT THING? All: BE FUNNY! FUNNY! FUNNY! FUNNY! 27 00:00:41,142 --> 00:00:43,520 All: BE FUNNY! FUNNY! FUNNY! FUNNY! HA! HA! HA! HA! HA! HA! 28 00:00:43,544 --> 00:00:45,288 FUNNY! FUNNY! FUNNY! HA! HA! HA! HA! HA! HA! OKAY, NOW, TARK, YOU'RE GONNA 29 00:00:45,312 --> 00:00:46,423 HA! HA! HA! HA! HA! HA! OKAY, NOW, TARK, YOU'RE GONNA BE OUT THERE FIRST. 30 00:00:46,447 --> 00:00:47,724 OKAY, NOW, TARK, YOU'RE GONNA BE OUT THERE FIRST. YOU GOT ANY QUESTIONS? 31 00:00:47,748 --> 00:00:49,493 BE OUT THERE FIRST. YOU GOT ANY QUESTIONS? YEAH, IF I TELL A JOKE AND IT 32 00:00:49,517 --> 00:00:50,860 YOU GOT ANY QUESTIONS? YEAH, IF I TELL A JOKE AND IT DOESN'T GET AN IMMEDIATE 33 00:00:50,884 --> 00:00:52,629 YEAH, IF I TELL A JOKE AND IT DOESN'T GET AN IMMEDIATE RESPONSE, DO I WAIT FOR A LAUGH? 34 00:00:52,653 --> 00:00:54,797 DOESN'T GET AN IMMEDIATE RESPONSE, DO I WAIT FOR A LAUGH? NO. NO! NO! 35 00:00:54,821 --> 00:00:55,132 RESPONSE, DO I WAIT FOR A LAUGH? NO. NO! NO! BILL. 36 00:00:55,156 --> 00:00:56,233 NO. NO! NO! BILL. WHEN A JOKE DOESN'T GET A 37 00:00:56,257 --> 00:00:57,367 BILL. WHEN A JOKE DOESN'T GET A LAUGH, THE TELLER OF THE JOKE 38 00:00:57,391 --> 00:00:58,168 WHEN A JOKE DOESN'T GET A LAUGH, THE TELLER OF THE JOKE SHOULD MAKE A FACE. 39 00:00:58,192 --> 00:00:59,169 LAUGH, THE TELLER OF THE JOKE SHOULD MAKE A FACE. WHAT KIND OF FACE? 40 00:00:59,193 --> 00:01:00,003 SHOULD MAKE A FACE. WHAT KIND OF FACE? A FUNNY FACE. 41 00:01:00,027 --> 00:01:00,703 WHAT KIND OF FACE? A FUNNY FACE. ALL RIGHT. 42 00:01:00,727 --> 00:01:01,371 A FUNNY FACE. ALL RIGHT. FUNNY. 43 00:01:01,395 --> 00:01:02,939 ALL RIGHT. FUNNY. FUNNY! FUNNY! FUNNY! 44 00:01:02,963 --> 00:01:04,541 FUNNY. FUNNY! FUNNY! FUNNY! HA! HA! HA! HA! 45 00:01:04,565 --> 00:01:06,376 FUNNY! FUNNY! FUNNY! HA! HA! HA! HA! ALL RIGHT, ANY MORE 46 00:01:06,400 --> 00:01:07,411 HA! HA! HA! HA! ALL RIGHT, ANY MORE QUESTIONS? 47 00:01:07,435 --> 00:01:08,111 ALL RIGHT, ANY MORE QUESTIONS? TARK? 48 00:01:08,135 --> 00:01:10,880 QUESTIONS? TARK? YEAH, COACH, IF I BLOW A LINE 49 00:01:10,904 --> 00:01:13,583 TARK? YEAH, COACH, IF I BLOW A LINE OR A WORD, WHAT DO I DO, IGNORE 50 00:01:13,607 --> 00:01:14,151 YEAH, COACH, IF I BLOW A LINE OR A WORD, WHAT DO I DO, IGNORE IT? 51 00:01:14,175 --> 00:01:15,585 OR A WORD, WHAT DO I DO, IGNORE IT? NO, NO, NO! 52 00:01:15,609 --> 00:01:16,086 IT? NO, NO, NO! GILDA. 53 00:01:16,110 --> 00:01:17,554 NO, NO, NO! GILDA. WHEN YOU BLOW A LINE OR A 54 00:01:17,578 --> 00:01:19,156 GILDA. WHEN YOU BLOW A LINE OR A WORD, THE BLOWER OF THE LINE OR 55 00:01:19,180 --> 00:01:20,723 WHEN YOU BLOW A LINE OR A WORD, THE BLOWER OF THE LINE OR THE WORD SHOULD ACKNOWLEDGE IT 56 00:01:20,747 --> 00:01:21,891 WORD, THE BLOWER OF THE LINE OR THE WORD SHOULD ACKNOWLEDGE IT AND HAVE FUN WITH IT. 57 00:01:21,915 --> 00:01:22,492 THE WORD SHOULD ACKNOWLEDGE IT AND HAVE FUN WITH IT. GOOD. 58 00:01:22,516 --> 00:01:24,094 AND HAVE FUN WITH IT. GOOD. JANE, WHY DO WE HAVE FUN WITH 59 00:01:24,118 --> 00:01:24,461 GOOD. JANE, WHY DO WE HAVE FUN WITH IT? 60 00:01:24,485 --> 00:01:25,762 JANE, WHY DO WE HAVE FUN WITH IT? BECAUSE IF WE DON'T HAVE FUN 61 00:01:25,786 --> 00:01:27,097 IT? BECAUSE IF WE DON'T HAVE FUN WITH IT, THE AUDIENCE WON'T HAVE 62 00:01:27,121 --> 00:01:27,730 BECAUSE IF WE DON'T HAVE FUN WITH IT, THE AUDIENCE WON'T HAVE FUN WITH IT! 63 00:01:27,754 --> 00:01:31,101 WITH IT, THE AUDIENCE WON'T HAVE FUN WITH IT! HA! HA! HA! HA! 64 00:01:31,125 --> 00:01:32,869 FUN WITH IT! HA! HA! HA! HA! ALL RIGHT, ALL RIGHT, GOOD. 65 00:01:32,893 --> 00:01:34,637 HA! HA! HA! HA! ALL RIGHT, ALL RIGHT, GOOD. ARE THERE ANY OTHER QUESTIONS? 66 00:01:34,661 --> 00:01:35,305 ALL RIGHT, ALL RIGHT, GOOD. ARE THERE ANY OTHER QUESTIONS? YEAH. 67 00:01:35,329 --> 00:01:38,175 ARE THERE ANY OTHER QUESTIONS? YEAH. TARK. 68 00:01:38,199 --> 00:01:41,010 YEAH. TARK. I FORGOT THE FIRST JOKE IN MY 69 00:01:41,034 --> 00:01:42,145 TARK. I FORGOT THE FIRST JOKE IN MY MONOLOGUE. 70 00:01:42,169 --> 00:01:44,247 I FORGOT THE FIRST JOKE IN MY MONOLOGUE. WHAT? 71 00:01:44,271 --> 00:01:46,550 MONOLOGUE. WHAT? ARE YOU CLUTCHING? 72 00:01:46,574 --> 00:01:48,151 WHAT? ARE YOU CLUTCHING? IS THAT IT? 73 00:01:48,175 --> 00:01:49,819 ARE YOU CLUTCHING? IS THAT IT? YOU'RE TELLING ME IT'S TRUE WHAT 74 00:01:49,843 --> 00:01:51,254 IS THAT IT? YOU'RE TELLING ME IT'S TRUE WHAT THEY SAY ABOUT YOU... THAT 75 00:01:51,278 --> 00:01:52,922 YOU'RE TELLING ME IT'S TRUE WHAT THEY SAY ABOUT YOU... THAT FRAN TARKENTON CAN'T WIN THE BIG 76 00:01:52,946 --> 00:01:54,824 THEY SAY ABOUT YOU... THAT FRAN TARKENTON CAN'T WIN THE BIG ONE? 77 00:01:54,848 --> 00:01:55,692 FRAN TARKENTON CAN'T WIN THE BIG ONE? OH, BOY. 78 00:01:55,716 --> 00:01:57,327 ONE? OH, BOY. THAT YOU'RE A LOSER? 79 00:01:57,351 --> 00:01:59,629 OH, BOY. THAT YOU'RE A LOSER? FRAN, LET ME TELL YOU A LITTLE 80 00:01:59,653 --> 00:02:02,065 THAT YOU'RE A LOSER? FRAN, LET ME TELL YOU A LITTLE STORY... A STORY ABOUT A KID WHO 81 00:02:02,089 --> 00:02:03,533 FRAN, LET ME TELL YOU A LITTLE STORY... A STORY ABOUT A KID WHO PLAYED FOOTBALL IN HIGH SCHOOL. 82 00:02:03,557 --> 00:02:04,867 STORY... A STORY ABOUT A KID WHO PLAYED FOOTBALL IN HIGH SCHOOL. HIS GRADES WERE PRETTY BAD. 83 00:02:04,891 --> 00:02:06,103 PLAYED FOOTBALL IN HIGH SCHOOL. HIS GRADES WERE PRETTY BAD. BUT HE PLAYED FOOTBALL. 84 00:02:06,127 --> 00:02:07,604 HIS GRADES WERE PRETTY BAD. BUT HE PLAYED FOOTBALL. HE PLAYED FOUR YEARS, AND HIS 85 00:02:07,628 --> 00:02:08,438 BUT HE PLAYED FOOTBALL. HE PLAYED FOUR YEARS, AND HIS GRADES GOT UP. 86 00:02:08,462 --> 00:02:09,139 HE PLAYED FOUR YEARS, AND HIS GRADES GOT UP. HE WENT TO THE 87 00:02:09,163 --> 00:02:10,273 GRADES GOT UP. HE WENT TO THE UNIVERSITY OF ILLINOIS... 88 00:02:10,297 --> 00:02:11,274 HE WENT TO THE UNIVERSITY OF ILLINOIS... FOOTBALL SCHOLARSHIP. 89 00:02:11,298 --> 00:02:12,275 UNIVERSITY OF ILLINOIS... FOOTBALL SCHOLARSHIP. GOT GOOD GRADES THERE. 90 00:02:12,299 --> 00:02:14,144 FOOTBALL SCHOLARSHIP. GOT GOOD GRADES THERE. PLAYED FOOTBALL THERE, THEN HE 91 00:02:14,168 --> 00:02:15,979 GOT GOOD GRADES THERE. PLAYED FOOTBALL THERE, THEN HE WENT ON TO HARVARD LAW SCHOOL, 92 00:02:16,003 --> 00:02:17,847 PLAYED FOOTBALL THERE, THEN HE WENT ON TO HARVARD LAW SCHOOL, GRADUATED, AND WENT TO CHICAGO 93 00:02:17,871 --> 00:02:19,682 WENT ON TO HARVARD LAW SCHOOL, GRADUATED, AND WENT TO CHICAGO TO BECOME A SUCCESSFUL BANKER. 94 00:02:19,706 --> 00:02:23,820 GRADUATED, AND WENT TO CHICAGO TO BECOME A SUCCESSFUL BANKER. THAT BOY'S NAME WAS BOB BUCKLEY. 95 00:02:23,844 --> 00:02:25,222 TO BECOME A SUCCESSFUL BANKER. THAT BOY'S NAME WAS BOB BUCKLEY. WHO'S BOB BUCKLEY, COACH? 96 00:02:25,246 --> 00:02:26,723 THAT BOY'S NAME WAS BOB BUCKLEY. WHO'S BOB BUCKLEY, COACH? A GUY I WENT TO HIGH SCHOOL 97 00:02:26,747 --> 00:02:27,157 WHO'S BOB BUCKLEY, COACH? A GUY I WENT TO HIGH SCHOOL WITH. 98 00:02:27,181 --> 00:02:28,057 A GUY I WENT TO HIGH SCHOOL WITH. HEY, COME ON. 99 00:02:28,081 --> 00:02:29,559 WITH. HEY, COME ON. ALL RIGHT, OKAY. ALL RIGHT. 100 00:02:29,583 --> 00:02:30,193 HEY, COME ON. ALL RIGHT, OKAY. ALL RIGHT. ALL RIGHT! 101 00:02:30,217 --> 00:02:31,761 ALL RIGHT, OKAY. ALL RIGHT. ALL RIGHT! NOW, LOOK, I CAN'T HOST THE SHOW 102 00:02:31,785 --> 00:02:32,329 ALL RIGHT! NOW, LOOK, I CAN'T HOST THE SHOW FOR YOU. 103 00:02:32,353 --> 00:02:33,597 NOW, LOOK, I CAN'T HOST THE SHOW FOR YOU. YOU'RE GONNA BE OUT THERE 104 00:02:33,621 --> 00:02:35,132 FOR YOU. YOU'RE GONNA BE OUT THERE HOSTING THAT SHOW FOR YOURSELF. 105 00:02:35,156 --> 00:02:36,633 YOU'RE GONNA BE OUT THERE HOSTING THAT SHOW FOR YOURSELF. YOU LOSE YOUR HEAD OUT THERE IN 106 00:02:36,657 --> 00:02:38,101 HOSTING THAT SHOW FOR YOURSELF. YOU LOSE YOUR HEAD OUT THERE IN FRONT OF THOSE CAMERAS, YOU ARE 107 00:02:38,125 --> 00:02:39,302 YOU LOSE YOUR HEAD OUT THERE IN FRONT OF THOSE CAMERAS, YOU ARE GONNA MAKE A FOOL OUT OF 108 00:02:39,326 --> 00:02:39,969 FRONT OF THOSE CAMERAS, YOU ARE GONNA MAKE A FOOL OUT OF YOURSELF. 109 00:02:39,993 --> 00:02:40,703 GONNA MAKE A FOOL OUT OF YOURSELF. ALL RIGHT? 110 00:02:40,727 --> 00:02:41,804 YOURSELF. ALL RIGHT? OKAY, NOW, LOOK... 111 00:02:41,828 --> 00:02:43,006 ALL RIGHT? OKAY, NOW, LOOK... WHAT DO YOU DO HERE? 112 00:02:43,030 --> 00:02:44,241 OKAY, NOW, LOOK... WHAT DO YOU DO HERE? I DO MY MONOLOGUE. 113 00:02:44,265 --> 00:02:45,775 WHAT DO YOU DO HERE? I DO MY MONOLOGUE. DO YOUR MONOLOGUE. GOOD. 114 00:02:45,799 --> 00:02:46,776 I DO MY MONOLOGUE. DO YOUR MONOLOGUE. GOOD. WHAT DO YOU DO HERE? 115 00:02:46,800 --> 00:02:47,344 DO YOUR MONOLOGUE. GOOD. WHAT DO YOU DO HERE? I ACT. 116 00:02:47,368 --> 00:02:48,145 WHAT DO YOU DO HERE? I ACT. RIGHT. GOOD. 117 00:02:48,169 --> 00:02:49,179 I ACT. RIGHT. GOOD. WHAT DO YOU DO HERE? 118 00:02:49,203 --> 00:02:50,514 RIGHT. GOOD. WHAT DO YOU DO HERE? I INTRODUCE LEO SAYER AND 119 00:02:50,538 --> 00:02:51,914 WHAT DO YOU DO HERE? I INTRODUCE LEO SAYER AND DONNIE HARPER AND HIS SINGERS. 120 00:02:51,938 --> 00:02:52,449 I INTRODUCE LEO SAYER AND DONNIE HARPER AND HIS SINGERS. GOOD. 121 00:02:52,473 --> 00:02:53,850 DONNIE HARPER AND HIS SINGERS. GOOD. NOW, LOOK, TARK, JUST MAINTAIN 122 00:02:53,874 --> 00:02:54,851 GOOD. NOW, LOOK, TARK, JUST MAINTAIN YOUR SENSE OF HUMOR. 123 00:02:54,875 --> 00:02:55,752 NOW, LOOK, TARK, JUST MAINTAIN YOUR SENSE OF HUMOR. JUST GET A LAUGH. 124 00:02:55,776 --> 00:02:57,020 YOUR SENSE OF HUMOR. JUST GET A LAUGH. HAVE SOME FUN WITH IT. 125 00:02:57,044 --> 00:02:57,754 JUST GET A LAUGH. HAVE SOME FUN WITH IT. STAY LOOSE. 126 00:02:57,778 --> 00:02:58,821 HAVE SOME FUN WITH IT. STAY LOOSE. STAY IN CONDITION. 127 00:02:58,845 --> 00:03:00,990 STAY LOOSE. STAY IN CONDITION. THAT WAS WHAT WAS WRONG WITH 128 00:03:01,014 --> 00:03:02,759 STAY IN CONDITION. THAT WAS WHAT WAS WRONG WITH TONY ORLANDO AND DAWN. 129 00:03:02,783 --> 00:03:05,028 THAT WAS WHAT WAS WRONG WITH TONY ORLANDO AND DAWN. THEY DIDN'T STAY IN CONDITION! 130 00:03:05,052 --> 00:03:05,695 TONY ORLANDO AND DAWN. THEY DIDN'T STAY IN CONDITION! OKAY? 131 00:03:05,719 --> 00:03:06,763 THEY DIDN'T STAY IN CONDITION! OKAY? FUNNY! 132 00:03:06,787 --> 00:03:09,399 OKAY? FUNNY! All: HA! HA! HA! HA! HA! HA! 133 00:03:09,423 --> 00:03:09,866 FUNNY! All: HA! HA! HA! HA! HA! HA! HA! 134 00:03:09,890 --> 00:03:11,868 All: HA! HA! HA! HA! HA! HA! HA! EVERYBODY, LET'S HAVE SOME 135 00:03:11,892 --> 00:03:12,769 HA! EVERYBODY, LET'S HAVE SOME EXERCISES. 136 00:03:12,793 --> 00:03:13,770 EVERYBODY, LET'S HAVE SOME EXERCISES. COMEDY CALS. 137 00:03:13,794 --> 00:03:16,306 EXERCISES. COMEDY CALS. OKAY, TAKE TO THE RIGHT. 138 00:03:16,330 --> 00:03:17,374 COMEDY CALS. OKAY, TAKE TO THE RIGHT. TAKE TO THE LEFT. 139 00:03:17,398 --> 00:03:18,808 OKAY, TAKE TO THE RIGHT. TAKE TO THE LEFT. DOUBLE TAKE RIGHT. 140 00:03:18,832 --> 00:03:20,210 TAKE TO THE LEFT. DOUBLE TAKE RIGHT. DOUBLE TAKE LEFT. 141 00:03:20,234 --> 00:03:22,646 DOUBLE TAKE RIGHT. DOUBLE TAKE LEFT. OKAY, RIGHT EYEBROW UP. 142 00:03:22,670 --> 00:03:24,447 DOUBLE TAKE LEFT. OKAY, RIGHT EYEBROW UP. LEFT EYEBROW UP. 143 00:03:24,471 --> 00:03:27,184 OKAY, RIGHT EYEBROW UP. LEFT EYEBROW UP. BOTH EYEBROWS UP. 144 00:03:27,208 --> 00:03:28,251 LEFT EYEBROW UP. BOTH EYEBROWS UP. OKAY, NOW MUG. 145 00:03:28,275 --> 00:03:30,119 BOTH EYEBROWS UP. OKAY, NOW MUG. FUNNY FACES. MUG. 146 00:03:30,143 --> 00:03:31,688 OKAY, NOW MUG. FUNNY FACES. MUG. CROSS YOUR EYES. 147 00:03:31,712 --> 00:03:33,523 FUNNY FACES. MUG. CROSS YOUR EYES. COME ON. MUG. 148 00:03:33,547 --> 00:03:36,226 CROSS YOUR EYES. COME ON. MUG. AKROYD! 149 00:03:36,250 --> 00:03:37,561 COME ON. MUG. AKROYD! OKAY, GOOD, GOOD, GOOD. 150 00:03:37,585 --> 00:03:39,095 AKROYD! OKAY, GOOD, GOOD, GOOD. OKAY, WE'RE GOOD AND LOOSE. 151 00:03:39,119 --> 00:03:40,797 OKAY, GOOD, GOOD, GOOD. OKAY, WE'RE GOOD AND LOOSE. OKAY, LET'S GET TOGETHER FOR A 152 00:03:40,821 --> 00:03:41,598 OKAY, WE'RE GOOD AND LOOSE. OKAY, LET'S GET TOGETHER FOR A TEAM PRAYER. 153 00:03:41,622 --> 00:03:44,000 OKAY, LET'S GET TOGETHER FOR A TEAM PRAYER. GET DOWN ON ONE KNEE. 154 00:03:44,024 --> 00:03:46,436 TEAM PRAYER. GET DOWN ON ONE KNEE. DEAR LORD, PLEASE GIVE US THE 155 00:03:46,460 --> 00:03:48,971 GET DOWN ON ONE KNEE. DEAR LORD, PLEASE GIVE US THE ZANINESS AND COURAGE THESE MEN 156 00:03:48,995 --> 00:03:51,174 DEAR LORD, PLEASE GIVE US THE ZANINESS AND COURAGE THESE MEN NEED TO MAKE AMERICA LAUGH 157 00:03:51,198 --> 00:03:52,809 ZANINESS AND COURAGE THESE MEN NEED TO MAKE AMERICA LAUGH BECAUSE AMERICA IS THE FUNNIEST 158 00:03:52,833 --> 00:03:53,976 NEED TO MAKE AMERICA LAUGH BECAUSE AMERICA IS THE FUNNIEST NATION IN THE WORLD. 159 00:03:54,000 --> 00:03:55,512 BECAUSE AMERICA IS THE FUNNIEST NATION IN THE WORLD. HELP THEM REMEMBER WHAT THEIR 160 00:03:55,536 --> 00:03:57,180 NATION IN THE WORLD. HELP THEM REMEMBER WHAT THEIR COACHES TOLD THEM SO THAT EVERY 161 00:03:57,204 --> 00:03:58,582 HELP THEM REMEMBER WHAT THEIR COACHES TOLD THEM SO THAT EVERY MAN HERE WILL HAVE LEARNED 162 00:03:58,606 --> 00:03:59,916 COACHES TOLD THEM SO THAT EVERY MAN HERE WILL HAVE LEARNED SOMETHING ABOUT HIMSELF. 163 00:03:59,940 --> 00:04:02,151 MAN HERE WILL HAVE LEARNED SOMETHING ABOUT HIMSELF. AND PLEASE, LORD, HELP GUIDE 164 00:04:02,175 --> 00:04:04,521 SOMETHING ABOUT HIMSELF. AND PLEASE, LORD, HELP GUIDE FRAN TARKENTON SO THAT HE WILL 165 00:04:04,545 --> 00:04:06,789 AND PLEASE, LORD, HELP GUIDE FRAN TARKENTON SO THAT HE WILL NOT HUMILIATE HIMSELF LIKE HE 166 00:04:06,813 --> 00:04:08,625 FRAN TARKENTON SO THAT HE WILL NOT HUMILIATE HIMSELF LIKE HE DID IN THE SUPER BOWL. 167 00:04:08,649 --> 00:04:11,728 NOT HUMILIATE HIMSELF LIKE HE DID IN THE SUPER BOWL. All: AMEN! 168 00:04:11,752 --> 00:04:19,752 DID IN THE SUPER BOWL. All: AMEN! [CHANTING "HA! HA! HA! HA!"] 169 00:04:20,494 --> 00:04:27,877 All: AMEN! [CHANTING "HA! HA! HA! HA!"] [CHANTING CONTINUES] 170 00:04:27,901 --> 00:04:31,981 [CHANTING "HA! HA! HA! HA!"] [CHANTING CONTINUES] LIVE FROM NEW YORK, IT'S 171 00:04:32,005 --> 00:04:34,445 [CHANTING CONTINUES] LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! 172 00:04:48,621 --> 00:04:55,427 Announcer: NBC's "SATURDAY NIGHT." STARRING... 173 00:05:02,001 --> 00:05:04,202 WITH SPECIAL GUEST... 174 00:05:17,483 --> 00:05:18,784 AND... 175 00:05:38,237 --> 00:05:43,842 LADIES AND GENTLEMEN, FRAN TARKENTON! [CHEERS AND APPLAUSE] 176 00:05:56,088 --> 00:06:00,537 THANK YOU. THANK YOU VERY MUCH. NOW, I'M NOT GOING TO PREDICT 177 00:06:00,561 --> 00:06:02,505 THANK YOU VERY MUCH. NOW, I'M NOT GOING TO PREDICT HOW THIS SHOW WILL TURN OUT. 178 00:06:02,529 --> 00:06:04,708 NOW, I'M NOT GOING TO PREDICT HOW THIS SHOW WILL TURN OUT. YOU KNOW, I'VE NEVER HOSTED A TV 179 00:06:04,732 --> 00:06:06,876 HOW THIS SHOW WILL TURN OUT. YOU KNOW, I'VE NEVER HOSTED A TV SHOW BEFORE, AND I REALLY DON'T 180 00:06:06,900 --> 00:06:08,911 YOU KNOW, I'VE NEVER HOSTED A TV SHOW BEFORE, AND I REALLY DON'T HAVE THE BEST TRACK RECORD AS 181 00:06:08,935 --> 00:06:10,513 SHOW BEFORE, AND I REALLY DON'T HAVE THE BEST TRACK RECORD AS FAR AS PREDICTIONS GO. 182 00:06:10,537 --> 00:06:12,515 HAVE THE BEST TRACK RECORD AS FAR AS PREDICTIONS GO. BEFORE THE SUPER BOWL, I KIND OF 183 00:06:12,539 --> 00:06:13,983 FAR AS PREDICTIONS GO. BEFORE THE SUPER BOWL, I KIND OF MADE A FOOL OF MYSELF. 184 00:06:14,007 --> 00:06:16,018 BEFORE THE SUPER BOWL, I KIND OF MADE A FOOL OF MYSELF. I GOT ON NATIONAL TELEVISION AND 185 00:06:16,042 --> 00:06:18,020 MADE A FOOL OF MYSELF. I GOT ON NATIONAL TELEVISION AND TOLD THE WHOLE WORLD THE VIKINGS 186 00:06:18,044 --> 00:06:19,922 I GOT ON NATIONAL TELEVISION AND TOLD THE WHOLE WORLD THE VIKINGS WOULD DEFINITELY WIN THE GAME. 187 00:06:19,946 --> 00:06:21,758 TOLD THE WHOLE WORLD THE VIKINGS WOULD DEFINITELY WIN THE GAME. AND, AS YOU PROBABLY KNOW, WE 188 00:06:21,782 --> 00:06:23,393 WOULD DEFINITELY WIN THE GAME. AND, AS YOU PROBABLY KNOW, WE WERE NARROWLY DEFEATED... 189 00:06:23,417 --> 00:06:24,327 AND, AS YOU PROBABLY KNOW, WE WERE NARROWLY DEFEATED... [LAUGHTER] 190 00:06:24,351 --> 00:06:27,731 WERE NARROWLY DEFEATED... [LAUGHTER] BY A VERY, VERY LUCKY OAKLAND 191 00:06:27,755 --> 00:06:28,631 [LAUGHTER] BY A VERY, VERY LUCKY OAKLAND TEAM. 192 00:06:28,655 --> 00:06:31,501 BY A VERY, VERY LUCKY OAKLAND TEAM. BUT BEFORE WE GO ANY FURTHER, 193 00:06:31,525 --> 00:06:32,736 TEAM. BUT BEFORE WE GO ANY FURTHER, I'D LIKE TO SAY SOMETHING ABOUT 194 00:06:32,760 --> 00:06:34,003 BUT BEFORE WE GO ANY FURTHER, I'D LIKE TO SAY SOMETHING ABOUT THE KIND OF PEOPLE THAT ARE HERE 195 00:06:34,027 --> 00:06:34,871 I'D LIKE TO SAY SOMETHING ABOUT THE KIND OF PEOPLE THAT ARE HERE ON "SATURDAY NIGHT." 196 00:06:34,895 --> 00:06:36,539 THE KIND OF PEOPLE THAT ARE HERE ON "SATURDAY NIGHT." THEY ASKED ME TO DO THIS SHOW A 197 00:06:36,563 --> 00:06:38,007 ON "SATURDAY NIGHT." THEY ASKED ME TO DO THIS SHOW A WEEK BEFORE THE SUPER BOWL. 198 00:06:38,031 --> 00:06:39,542 THEY ASKED ME TO DO THIS SHOW A WEEK BEFORE THE SUPER BOWL. AND I THOUGHT IF WE LOST THE 199 00:06:39,566 --> 00:06:41,210 WEEK BEFORE THE SUPER BOWL. AND I THOUGHT IF WE LOST THE GAME, "SATURDAY NIGHT" WOULD BE 200 00:06:41,234 --> 00:06:42,912 AND I THOUGHT IF WE LOST THE GAME, "SATURDAY NIGHT" WOULD BE WELL WITHIN THEIR RIGHTS TO CALL 201 00:06:42,936 --> 00:06:44,381 GAME, "SATURDAY NIGHT" WOULD BE WELL WITHIN THEIR RIGHTS TO CALL ME THE NEXT DAY AND CANCEL. 202 00:06:44,405 --> 00:06:46,182 WELL WITHIN THEIR RIGHTS TO CALL ME THE NEXT DAY AND CANCEL. WELL, I WAS WRONG. 203 00:06:46,206 --> 00:06:48,551 ME THE NEXT DAY AND CANCEL. WELL, I WAS WRONG. THEY CALLED ME AT HALFTIME. 204 00:06:48,575 --> 00:06:50,987 WELL, I WAS WRONG. THEY CALLED ME AT HALFTIME. [LAUGHTER] 205 00:06:51,011 --> 00:06:53,055 THEY CALLED ME AT HALFTIME. [LAUGHTER] NOW, I WANT EVERYONE TO KNOW, 206 00:06:53,079 --> 00:06:54,924 [LAUGHTER] NOW, I WANT EVERYONE TO KNOW, ESPECIALLY YOU VIKING FANS 207 00:06:54,948 --> 00:06:56,860 NOW, I WANT EVERYONE TO KNOW, ESPECIALLY YOU VIKING FANS OUT THERE, THAT THE VIKINGS 208 00:06:56,884 --> 00:06:58,127 ESPECIALLY YOU VIKING FANS OUT THERE, THAT THE VIKINGS AREN'T DEAD YET. 209 00:06:58,151 --> 00:07:04,567 OUT THERE, THAT THE VIKINGS AREN'T DEAD YET. [CHEERS AND APPLAUSE] 210 00:07:04,591 --> 00:07:06,703 AREN'T DEAD YET. [CHEERS AND APPLAUSE] WE'RE A TEAM BUILT ON PRIDE AND 211 00:07:06,727 --> 00:07:07,637 [CHEERS AND APPLAUSE] WE'RE A TEAM BUILT ON PRIDE AND DISCIPLINE. 212 00:07:07,661 --> 00:07:09,773 WE'RE A TEAM BUILT ON PRIDE AND DISCIPLINE. AND NEXT JULY, WE'RE GOING BACK 213 00:07:09,797 --> 00:07:12,308 DISCIPLINE. AND NEXT JULY, WE'RE GOING BACK TO MANKATO, MINNESOTA. 214 00:07:12,332 --> 00:07:13,910 AND NEXT JULY, WE'RE GOING BACK TO MANKATO, MINNESOTA. WE'RE GONNA WORK HARDER THAN 215 00:07:13,934 --> 00:07:14,377 TO MANKATO, MINNESOTA. WE'RE GONNA WORK HARDER THAN EVER. 216 00:07:14,401 --> 00:07:16,178 WE'RE GONNA WORK HARDER THAN EVER. WE'RE GONNA PUT ON THOSE BONNETS 217 00:07:16,202 --> 00:07:17,781 EVER. WE'RE GONNA PUT ON THOSE BONNETS AND THOSE PURPLE JERSEYS AND 218 00:07:17,805 --> 00:07:19,416 WE'RE GONNA PUT ON THOSE BONNETS AND THOSE PURPLE JERSEYS AND STRAP THOSE SHOULDER PADS ON. 219 00:07:19,440 --> 00:07:21,117 AND THOSE PURPLE JERSEYS AND STRAP THOSE SHOULDER PADS ON. AND I GUARANTEE YOU THAT WE'LL 220 00:07:21,141 --> 00:07:22,585 STRAP THOSE SHOULDER PADS ON. AND I GUARANTEE YOU THAT WE'LL BE IN THE SUPER BOWL NEXT 221 00:07:22,609 --> 00:07:23,152 AND I GUARANTEE YOU THAT WE'LL BE IN THE SUPER BOWL NEXT SEASON. 222 00:07:23,176 --> 00:07:27,957 BE IN THE SUPER BOWL NEXT SEASON. AND I PREDICT WE'LL LOSE AGAIN. 223 00:07:27,981 --> 00:07:32,328 SEASON. AND I PREDICT WE'LL LOSE AGAIN. [APPLAUSE] 224 00:07:32,352 --> 00:07:33,763 AND I PREDICT WE'LL LOSE AGAIN. [APPLAUSE] YOU KNOW, IN THE NFL, MOST 225 00:07:33,787 --> 00:07:35,064 [APPLAUSE] YOU KNOW, IN THE NFL, MOST PLAYS ARE SENT IN TO THE 226 00:07:35,088 --> 00:07:36,733 YOU KNOW, IN THE NFL, MOST PLAYS ARE SENT IN TO THE QUARTERBACK FROM THE SIDELINES, 227 00:07:36,757 --> 00:07:38,200 PLAYS ARE SENT IN TO THE QUARTERBACK FROM THE SIDELINES, BUT I'M A LITTLE DIFFERENT. 228 00:07:38,224 --> 00:07:39,702 QUARTERBACK FROM THE SIDELINES, BUT I'M A LITTLE DIFFERENT. I CALL MY OWN PLAYS, AND I'M 229 00:07:39,726 --> 00:07:41,270 BUT I'M A LITTLE DIFFERENT. I CALL MY OWN PLAYS, AND I'M GONNA TRY TO DO THAT TONIGHT. 230 00:07:41,294 --> 00:07:43,773 I CALL MY OWN PLAYS, AND I'M GONNA TRY TO DO THAT TONIGHT. SO, RIGHT NOW I'D LIKE TO SING A 231 00:07:43,797 --> 00:07:49,813 GONNA TRY TO DO THAT TONIGHT. SO, RIGHT NOW I'D LIKE TO SING A SONG... A SONG THAT'S REALLY 232 00:07:49,837 --> 00:07:51,147 SO, RIGHT NOW I'D LIKE TO SING A SONG... A SONG THAT'S REALLY VERY, VERY SPECIAL TO ME. 233 00:07:51,171 --> 00:07:53,650 SONG... A SONG THAT'S REALLY VERY, VERY SPECIAL TO ME. AND HERE IT IS. 234 00:07:53,674 --> 00:07:55,552 VERY, VERY SPECIAL TO ME. AND HERE IT IS. [INTRODUCTION TO "FEELINGS" 235 00:07:55,576 --> 00:07:57,642 AND HERE IT IS. [INTRODUCTION TO "FEELINGS" PLAYS] 236 00:08:05,685 --> 00:08:13,685 ♪ FEELINGS ♪ ♪ NOTHING MORE THAN FEELINGS ♪ ♪ TRYING TO FORGET MY... ♪ 237 00:08:21,001 --> 00:08:22,211 ♪ NOTHING MORE THAN FEELINGS ♪ ♪ TRYING TO FORGET MY... ♪ WELL, YOU CAN'T HELP BUT 238 00:08:22,235 --> 00:08:22,979 ♪ TRYING TO FORGET MY... ♪ WELL, YOU CAN'T HELP BUT WONDER IF MAYBE 239 00:08:23,003 --> 00:08:24,313 WELL, YOU CAN'T HELP BUT WONDER IF MAYBE COACH JOHN BELUSHI HAS MADE A 240 00:08:24,337 --> 00:08:25,815 WONDER IF MAYBE COACH JOHN BELUSHI HAS MADE A TECHNICAL ERROR TONIGHT LETTING 241 00:08:25,839 --> 00:08:27,350 COACH JOHN BELUSHI HAS MADE A TECHNICAL ERROR TONIGHT LETTING FRAN TARKENTON TRY HIS LUCK AS A 242 00:08:27,374 --> 00:08:27,851 TECHNICAL ERROR TONIGHT LETTING FRAN TARKENTON TRY HIS LUCK AS A SINGER. 243 00:08:27,875 --> 00:08:28,852 FRAN TARKENTON TRY HIS LUCK AS A SINGER. DON'T GET ME WRONG. 244 00:08:28,876 --> 00:08:30,252 SINGER. DON'T GET ME WRONG. I'M NOT BAD-RAPPING TARK, BUT 245 00:08:30,276 --> 00:08:31,688 DON'T GET ME WRONG. I'M NOT BAD-RAPPING TARK, BUT YOU JUST CAN'T EXPECT A GUY 246 00:08:31,712 --> 00:08:33,189 I'M NOT BAD-RAPPING TARK, BUT YOU JUST CAN'T EXPECT A GUY WHO'S PASSED FOR OVER 25,000 247 00:08:33,213 --> 00:08:34,757 YOU JUST CAN'T EXPECT A GUY WHO'S PASSED FOR OVER 25,000 YARDS AND 300 TOUCHDOWNS TO BE 248 00:08:34,781 --> 00:08:36,192 WHO'S PASSED FOR OVER 25,000 YARDS AND 300 TOUCHDOWNS TO BE ABLE TO PULL OFF A DRAMATIC 249 00:08:36,216 --> 00:08:36,726 YARDS AND 300 TOUCHDOWNS TO BE ABLE TO PULL OFF A DRAMATIC BALLAD. 250 00:08:36,750 --> 00:08:38,194 ABLE TO PULL OFF A DRAMATIC BALLAD. NOW, I'M SORRY, BUT THAT'S MY 251 00:08:38,218 --> 00:08:38,728 BALLAD. NOW, I'M SORRY, BUT THAT'S MY OPINION. 252 00:08:38,752 --> 00:08:40,062 NOW, I'M SORRY, BUT THAT'S MY OPINION. NOW, I SEE THAT BELUSHI IS 253 00:08:40,086 --> 00:08:41,230 OPINION. NOW, I SEE THAT BELUSHI IS SENDING IN A PLAY WITH 254 00:08:41,254 --> 00:08:42,632 NOW, I SEE THAT BELUSHI IS SENDING IN A PLAY WITH GARRETT MORRIS, THE TALENTED 255 00:08:42,656 --> 00:08:43,666 SENDING IN A PLAY WITH GARRETT MORRIS, THE TALENTED RUNNING BACK OUT OF 256 00:08:43,690 --> 00:08:45,201 GARRETT MORRIS, THE TALENTED RUNNING BACK OUT OF JULIUS ERVING HIGH SCHOOL HERE. 257 00:08:45,225 --> 00:08:47,003 RUNNING BACK OUT OF JULIUS ERVING HIGH SCHOOL HERE. AND I WONDER MAYBE IF WE CAN GET 258 00:08:47,027 --> 00:08:48,738 JULIUS ERVING HIGH SCHOOL HERE. AND I WONDER MAYBE IF WE CAN GET OUR STATISTICIAN BOBBY VAN RYE 259 00:08:48,762 --> 00:08:50,239 AND I WONDER MAYBE IF WE CAN GET OUR STATISTICIAN BOBBY VAN RYE TO FIND OUT HOW MANY MILES 260 00:08:50,263 --> 00:08:52,609 OUR STATISTICIAN BOBBY VAN RYE TO FIND OUT HOW MANY MILES 25,000 YARDS ADDS UP TO. 261 00:08:52,633 --> 00:08:53,877 TO FIND OUT HOW MANY MILES 25,000 YARDS ADDS UP TO. WELL, IT LOOKS LIKE GARRETT'S 262 00:08:53,901 --> 00:08:55,111 25,000 YARDS ADDS UP TO. WELL, IT LOOKS LIKE GARRETT'S GONNA MAKE A LITTLE BIT OF A 263 00:08:55,135 --> 00:08:55,745 WELL, IT LOOKS LIKE GARRETT'S GONNA MAKE A LITTLE BIT OF A CHANGE HERE. 264 00:08:55,769 --> 00:08:57,013 GONNA MAKE A LITTLE BIT OF A CHANGE HERE. BACK TO THE ACTION HERE FOR A 265 00:08:57,037 --> 00:08:57,446 CHANGE HERE. BACK TO THE ACTION HERE FOR A SECOND. 266 00:08:57,470 --> 00:08:58,481 BACK TO THE ACTION HERE FOR A SECOND. LOOK, I KNOW YOU. 267 00:08:58,505 --> 00:08:59,782 SECOND. LOOK, I KNOW YOU. I KNOW YOU'RE AT YOUR PEAK, 268 00:08:59,806 --> 00:09:00,182 LOOK, I KNOW YOU. I KNOW YOU'RE AT YOUR PEAK, BABY. 269 00:09:00,206 --> 00:09:01,618 I KNOW YOU'RE AT YOUR PEAK, BABY. BUT THE COACH WANTS TO TALK TO 270 00:09:01,642 --> 00:09:04,153 BABY. BUT THE COACH WANTS TO TALK TO YOU. 271 00:09:04,177 --> 00:09:07,957 BUT THE COACH WANTS TO TALK TO YOU. ♪ FEELINGS ♪ 272 00:09:07,981 --> 00:09:14,397 YOU. ♪ FEELINGS ♪ ♪ WH-O-O-OA, FEELINGS ♪ 273 00:09:14,421 --> 00:09:21,070 ♪ FEELINGS ♪ ♪ WH-O-O-OA, FEELINGS ♪ ♪ WH-O-OA, FEELINGS ♪ 274 00:09:21,094 --> 00:09:29,094 ♪ WH-O-O-OA, FEELINGS ♪ ♪ WH-O-OA, FEELINGS ♪ ♪ AGAIN IN MY ARMS ♪ 275 00:09:39,178 --> 00:09:41,179 WE'LL BE RIGHT BACK. 276 00:09:47,519 --> 00:09:51,034 I BET YOU'RE TIRED OF SEARCHING FOR THE BEST MULTIPURPOSE PORTABLE FISH TOOL. 277 00:09:51,058 --> 00:09:52,368 SEARCHING FOR THE BEST MULTIPURPOSE PORTABLE FISH TOOL. THERE CERTAINLY ARE A LOT OF 278 00:09:52,392 --> 00:09:53,302 MULTIPURPOSE PORTABLE FISH TOOL. THERE CERTAINLY ARE A LOT OF THEM ON THE MARKET. 279 00:09:53,326 --> 00:09:54,604 THERE CERTAINLY ARE A LOT OF THEM ON THE MARKET. WOULDN'T YOU LIKE TO FIND ONE 280 00:09:54,628 --> 00:09:55,939 THEM ON THE MARKET. WOULDN'T YOU LIKE TO FIND ONE THAT NOT ONLY CUTS AND SCALES 281 00:09:55,963 --> 00:09:57,073 WOULDN'T YOU LIKE TO FIND ONE THAT NOT ONLY CUTS AND SCALES FISH BUT ALSO OFFERS YOU 282 00:09:57,097 --> 00:09:58,307 THAT NOT ONLY CUTS AND SCALES FISH BUT ALSO OFFERS YOU PERSONAL PROTECTION IN YOUR 283 00:09:58,331 --> 00:09:59,308 FISH BUT ALSO OFFERS YOU PERSONAL PROTECTION IN YOUR HOME, OFFICE, OR CAR? 284 00:09:59,332 --> 00:10:00,710 PERSONAL PROTECTION IN YOUR HOME, OFFICE, OR CAR? COULDN'T YOU USE A MULTIPURPOSE 285 00:10:00,734 --> 00:10:02,011 HOME, OFFICE, OR CAR? COULDN'T YOU USE A MULTIPURPOSE FISHING TOOL THAT ENSURES THE 286 00:10:02,035 --> 00:10:03,179 COULDN'T YOU USE A MULTIPURPOSE FISHING TOOL THAT ENSURES THE SAFETY OF YOUR FAMILY AND 287 00:10:03,203 --> 00:10:04,480 FISHING TOOL THAT ENSURES THE SAFETY OF YOUR FAMILY AND GUARANTEES THAT YOU'LL GET YOUR 288 00:10:04,504 --> 00:10:05,815 SAFETY OF YOUR FAMILY AND GUARANTEES THAT YOU'LL GET YOUR LIMIT ON ELK, DEER, AND MOOSE ON 289 00:10:05,839 --> 00:10:06,816 GUARANTEES THAT YOU'LL GET YOUR LIMIT ON ELK, DEER, AND MOOSE ON YOUR NEXT HUNTING TRIP? 290 00:10:06,840 --> 00:10:08,184 LIMIT ON ELK, DEER, AND MOOSE ON YOUR NEXT HUNTING TRIP? SOUNDS INCREDIBLE, DOESN'T IT? 291 00:10:08,208 --> 00:10:09,518 YOUR NEXT HUNTING TRIP? SOUNDS INCREDIBLE, DOESN'T IT? WELL, NOW, FOR A LIMITED TIME 292 00:10:09,542 --> 00:10:10,954 SOUNDS INCREDIBLE, DOESN'T IT? WELL, NOW, FOR A LIMITED TIME ONLY, ROVCO OFFERS THE ULTIMATE 293 00:10:10,978 --> 00:10:12,354 WELL, NOW, FOR A LIMITED TIME ONLY, ROVCO OFFERS THE ULTIMATE FISHING TOOL THAT DOES ALL THIS 294 00:10:12,378 --> 00:10:13,623 ONLY, ROVCO OFFERS THE ULTIMATE FISHING TOOL THAT DOES ALL THIS IN ONE MULTIPLE INDEPENDENT 295 00:10:13,647 --> 00:10:14,023 FISHING TOOL THAT DOES ALL THIS IN ONE MULTIPLE INDEPENDENT UNIT. 296 00:10:14,047 --> 00:10:15,758 IN ONE MULTIPLE INDEPENDENT UNIT. FROM SWITZERLAND, IT'S ROVCO'S 297 00:10:15,782 --> 00:10:17,359 UNIT. FROM SWITZERLAND, IT'S ROVCO'S AMAZING NEW SWISS ARMY GUN. 298 00:10:17,383 --> 00:10:18,527 FROM SWITZERLAND, IT'S ROVCO'S AMAZING NEW SWISS ARMY GUN. YES, IT'S THE ALL-PURPOSE 299 00:10:18,551 --> 00:10:19,562 AMAZING NEW SWISS ARMY GUN. YES, IT'S THE ALL-PURPOSE SURVIVAL TOOL THAT HAS 300 00:10:19,586 --> 00:10:20,663 YES, IT'S THE ALL-PURPOSE SURVIVAL TOOL THAT HAS GUARANTEED SWITZERLAND'S 301 00:10:20,687 --> 00:10:21,898 SURVIVAL TOOL THAT HAS GUARANTEED SWITZERLAND'S NEUTRALITY FOR DECADES, NOW 302 00:10:21,922 --> 00:10:23,099 GUARANTEED SWITZERLAND'S NEUTRALITY FOR DECADES, NOW AVAILABLE IN AMERICA FOR A 303 00:10:23,123 --> 00:10:24,433 NEUTRALITY FOR DECADES, NOW AVAILABLE IN AMERICA FOR A FRACTION OF ITS ORIGINAL COST. 304 00:10:24,457 --> 00:10:26,335 AVAILABLE IN AMERICA FOR A FRACTION OF ITS ORIGINAL COST. YOU GET FISH SCALER AND HOOK 305 00:10:26,359 --> 00:10:28,137 FRACTION OF ITS ORIGINAL COST. YOU GET FISH SCALER AND HOOK REMOVER, ALL-STEEL HUNTING 306 00:10:28,161 --> 00:10:29,706 YOU GET FISH SCALER AND HOOK REMOVER, ALL-STEEL HUNTING KNIFE, CAN OPENER, AND 307 00:10:29,730 --> 00:10:32,875 REMOVER, ALL-STEEL HUNTING KNIFE, CAN OPENER, AND SCREWDRIVER AS WELL AS A 308 00:10:32,899 --> 00:10:36,913 KNIFE, CAN OPENER, AND SCREWDRIVER AS WELL AS A CORKSCREW, A NAIL FILE, AND A 309 00:10:36,937 --> 00:10:39,148 SCREWDRIVER AS WELL AS A CORKSCREW, A NAIL FILE, AND A UTILITY BLADE. 310 00:10:39,172 --> 00:10:42,785 CORKSCREW, A NAIL FILE, AND A UTILITY BLADE. PLUS, YES, A .38-CALIBER 311 00:10:42,809 --> 00:10:48,224 UTILITY BLADE. PLUS, YES, A .38-CALIBER REVOLVER AND A SEMIAUTOMATIC 312 00:10:48,248 --> 00:10:50,426 PLUS, YES, A .38-CALIBER REVOLVER AND A SEMIAUTOMATIC CARBINE WITH 30 ROUNDS OF 313 00:10:50,450 --> 00:10:51,628 REVOLVER AND A SEMIAUTOMATIC CARBINE WITH 30 ROUNDS OF AMMUNITION. 314 00:10:51,652 --> 00:10:53,395 CARBINE WITH 30 ROUNDS OF AMMUNITION. ISN'T THAT AMAZING? 315 00:10:53,419 --> 00:10:56,032 AMMUNITION. ISN'T THAT AMAZING? AND ALSO A ROCKET LAUNCHER WITH 316 00:10:56,056 --> 00:10:57,800 ISN'T THAT AMAZING? AND ALSO A ROCKET LAUNCHER WITH INCENDIARY GRENADE. 317 00:10:57,824 --> 00:11:00,103 AND ALSO A ROCKET LAUNCHER WITH INCENDIARY GRENADE. YES, AND IT REALLY, REALLY 318 00:11:00,127 --> 00:11:02,605 INCENDIARY GRENADE. YES, AND IT REALLY, REALLY WORKS IN THE HOME, OFFICE, OR 319 00:11:02,629 --> 00:11:03,272 YES, AND IT REALLY, REALLY WORKS IN THE HOME, OFFICE, OR CAR. 320 00:11:03,296 --> 00:11:06,042 WORKS IN THE HOME, OFFICE, OR CAR. AND WHAT SWISS ARMY GUN WOULD BE 321 00:11:06,066 --> 00:11:08,811 CAR. AND WHAT SWISS ARMY GUN WOULD BE COMPLETE WITHOUT A GENUINE IVORY 322 00:11:08,835 --> 00:11:09,946 AND WHAT SWISS ARMY GUN WOULD BE COMPLETE WITHOUT A GENUINE IVORY TOOTHPICK? 323 00:11:09,970 --> 00:11:10,980 COMPLETE WITHOUT A GENUINE IVORY TOOTHPICK? YES, THAT TRULY IS AMAZING. 324 00:11:11,004 --> 00:11:12,115 TOOTHPICK? YES, THAT TRULY IS AMAZING. A MULTIPURPOSE TOOL THE WHOLE 325 00:11:12,139 --> 00:11:13,016 YES, THAT TRULY IS AMAZING. A MULTIPURPOSE TOOL THE WHOLE FAMILY CAN DEPEND UPON. 326 00:11:13,040 --> 00:11:14,216 A MULTIPURPOSE TOOL THE WHOLE FAMILY CAN DEPEND UPON. AND IF YOU ORDER NOW, YOU GET A 327 00:11:14,240 --> 00:11:15,317 FAMILY CAN DEPEND UPON. AND IF YOU ORDER NOW, YOU GET A MANUAL ON ALPINE FIGHTING AND 328 00:11:15,341 --> 00:11:15,952 AND IF YOU ORDER NOW, YOU GET A MANUAL ON ALPINE FIGHTING AND URBAN WARFARE. 329 00:11:15,976 --> 00:11:16,986 MANUAL ON ALPINE FIGHTING AND URBAN WARFARE. THE SWISS ARMY GUN. 330 00:11:17,010 --> 00:11:18,254 URBAN WARFARE. THE SWISS ARMY GUN. YOU'LL NEVER OWN A BETTER 331 00:11:18,278 --> 00:11:19,022 THE SWISS ARMY GUN. YOU'LL NEVER OWN A BETTER FISHING TOOL. 332 00:11:19,046 --> 00:11:21,946 YOU'LL NEVER OWN A BETTER FISHING TOOL. ORDER NOW WHILE SUPPLIES LAST. 333 00:11:22,214 --> 00:11:26,751 Announcer: SEND $359 TO... 334 00:11:26,886 --> 00:11:28,086 FEDERAL LAW PROHIBITS SALES OF 335 00:11:28,187 --> 00:11:30,188 MORE THAN ONE PER FAMILY. 336 00:11:39,198 --> 00:11:44,380 ALL RIGHT, CLASS, IS EVERYONE READY FOR OUR MORNING QUIZ? All: YES, MISS BRANCHETTE! 337 00:11:44,404 --> 00:11:47,271 READY FOR OUR MORNING QUIZ? All: YES, MISS BRANCHETTE! GOOD. 338 00:12:02,121 --> 00:12:08,871 HELLO, AMY. YOU'RE LATE AGAIN. TAKE YOUR SEAT, AMY. SORRY. 339 00:12:08,895 --> 00:12:10,239 TAKE YOUR SEAT, AMY. SORRY. THE LIMOUSINE GOT STUCK IN 340 00:12:10,263 --> 00:12:10,807 SORRY. THE LIMOUSINE GOT STUCK IN TRAFFIC. 341 00:12:10,831 --> 00:12:12,175 THE LIMOUSINE GOT STUCK IN TRAFFIC. YOU COULD HAVE USED YOUR 342 00:12:12,199 --> 00:12:14,177 TRAFFIC. YOU COULD HAVE USED YOUR FLASHERS. 343 00:12:14,201 --> 00:12:20,950 YOU COULD HAVE USED YOUR FLASHERS. NOW... 344 00:12:20,974 --> 00:12:24,220 FLASHERS. NOW... SETTLE DOWN, BOYS. 345 00:12:24,244 --> 00:12:25,955 NOW... SETTLE DOWN, BOYS. WE'RE GOING TO HAVE AN AMERICAN 346 00:12:25,979 --> 00:12:27,456 SETTLE DOWN, BOYS. WE'RE GOING TO HAVE AN AMERICAN HISTORY QUIZ THIS MORNING. 347 00:12:27,480 --> 00:12:29,158 WE'RE GOING TO HAVE AN AMERICAN HISTORY QUIZ THIS MORNING. NOW, WHO WOULD LIKE TO TELL ME 348 00:12:29,182 --> 00:12:30,359 HISTORY QUIZ THIS MORNING. NOW, WHO WOULD LIKE TO TELL ME WHY WE HAVE QUIZZES? 349 00:12:30,383 --> 00:12:31,127 NOW, WHO WOULD LIKE TO TELL ME WHY WE HAVE QUIZZES? PICK ME! 350 00:12:31,151 --> 00:12:32,494 WHY WE HAVE QUIZZES? PICK ME! PICK ME, MISS BRANCHETTE! 351 00:12:32,518 --> 00:12:34,163 PICK ME! PICK ME, MISS BRANCHETTE! ALL RIGHT, HEATHER THURMAN. 352 00:12:34,187 --> 00:12:35,198 PICK ME, MISS BRANCHETTE! ALL RIGHT, HEATHER THURMAN. YOU TELL US. 353 00:12:35,222 --> 00:12:37,399 ALL RIGHT, HEATHER THURMAN. YOU TELL US. WE TAKE QUIZZES TO SHOW WHAT 354 00:12:37,423 --> 00:12:39,635 YOU TELL US. WE TAKE QUIZZES TO SHOW WHAT WE KNOW, NOT WHAT WE DON'T KNOW. 355 00:12:39,659 --> 00:12:40,770 WE TAKE QUIZZES TO SHOW WHAT WE KNOW, NOT WHAT WE DON'T KNOW. THAT'S RIGHT. 356 00:12:40,794 --> 00:12:42,271 WE KNOW, NOT WHAT WE DON'T KNOW. THAT'S RIGHT. YES, THAT'S VERY GOOD. 357 00:12:42,295 --> 00:12:43,940 THAT'S RIGHT. YES, THAT'S VERY GOOD. ALL RIGHT, PUPILS, TABLETS 358 00:12:43,964 --> 00:12:44,540 YES, THAT'S VERY GOOD. ALL RIGHT, PUPILS, TABLETS READY. 359 00:12:44,564 --> 00:12:46,408 ALL RIGHT, PUPILS, TABLETS READY. NOW, IN YOUR BEST PENMANSHIP, 360 00:12:46,432 --> 00:12:48,077 READY. NOW, IN YOUR BEST PENMANSHIP, WRITE DOWN THE ANSWERS TO THESE 361 00:12:48,101 --> 00:12:48,778 NOW, IN YOUR BEST PENMANSHIP, WRITE DOWN THE ANSWERS TO THESE QUESTIONS. 362 00:12:48,802 --> 00:12:50,379 WRITE DOWN THE ANSWERS TO THESE QUESTIONS. ALL RIGHT. 363 00:12:50,403 --> 00:12:53,616 QUESTIONS. ALL RIGHT. WHO IS OUR NEW PRESIDENT? 364 00:12:53,640 --> 00:12:54,350 ALL RIGHT. WHO IS OUR NEW PRESIDENT? [CHUCKLES] 365 00:12:54,374 --> 00:12:55,384 WHO IS OUR NEW PRESIDENT? [CHUCKLES] SHE SHOULD GET THAT ONE. 366 00:12:55,408 --> 00:12:59,222 [CHUCKLES] SHE SHOULD GET THAT ONE. YEAH. 367 00:12:59,246 --> 00:13:01,590 SHE SHOULD GET THAT ONE. YEAH. OKAY, NOW, WHO WAS OUR FIRST 368 00:13:01,614 --> 00:13:08,131 YEAH. OKAY, NOW, WHO WAS OUR FIRST PRESIDENT? 369 00:13:08,155 --> 00:13:09,932 OKAY, NOW, WHO WAS OUR FIRST PRESIDENT? WHO WAS THE PRESIDENT DURING THE 370 00:13:09,956 --> 00:13:17,956 PRESIDENT? WHO WAS THE PRESIDENT DURING THE CIVIL WAR? 371 00:13:18,031 --> 00:13:21,010 WHO WAS THE PRESIDENT DURING THE CIVIL WAR? Lincoln. Abraham Lincoln. 372 00:13:21,034 --> 00:13:25,214 CIVIL WAR? Lincoln. Abraham Lincoln. I KNOW IT. 373 00:13:25,238 --> 00:13:27,449 Lincoln. Abraham Lincoln. I KNOW IT. OKAY, WHO WAS THE PRESIDENT 374 00:13:27,473 --> 00:13:35,473 I KNOW IT. OKAY, WHO WAS THE PRESIDENT DURING THE WAR OF 1812? 375 00:13:36,582 --> 00:13:41,264 OKAY, WHO WAS THE PRESIDENT DURING THE WAR OF 1812? Madison. James Madison. 376 00:13:41,288 --> 00:13:42,331 DURING THE WAR OF 1812? Madison. James Madison. ALL RIGHT. 377 00:13:42,355 --> 00:13:44,267 Madison. James Madison. ALL RIGHT. WHY DID THE PILGRIMS COME TO 378 00:13:44,291 --> 00:13:49,038 ALL RIGHT. WHY DID THE PILGRIMS COME TO AMERICA? 379 00:13:49,062 --> 00:13:52,008 WHY DID THE PILGRIMS COME TO AMERICA? The Pilgrims... came to 380 00:13:52,032 --> 00:13:56,478 AMERICA? The Pilgrims... came to America... to escape... religious 381 00:13:56,502 --> 00:13:58,147 The Pilgrims... came to America... to escape... religious persecution. 382 00:13:58,171 --> 00:14:00,950 America... to escape... religious persecution. S-E-C-U-T-I-O-N. 383 00:14:00,974 --> 00:14:01,951 Persecution. S-E-C-U-T-I-O-N. MISS BRANCHETTE, 384 00:14:01,975 --> 00:14:02,819 S-E-C-U-T-I-O-N. MISS BRANCHETTE, MISS BRANCHETTE! 385 00:14:02,843 --> 00:14:03,652 MISS BRANCHETTE, MISS BRANCHETTE! AMY'S CHEATING! 386 00:14:03,676 --> 00:14:04,353 MISS BRANCHETTE! AMY'S CHEATING! I AM NOT! 387 00:14:04,377 --> 00:14:05,254 AMY'S CHEATING! I AM NOT! YOU ARE, TOO! 388 00:14:05,278 --> 00:14:05,955 I AM NOT! YOU ARE, TOO! I AM NOT! 389 00:14:05,979 --> 00:14:07,089 YOU ARE, TOO! I AM NOT! YOU ARE, TOO! YOU ARE... 390 00:14:07,113 --> 00:14:09,158 I AM NOT! YOU ARE, TOO! YOU ARE... ERNIE! ROB! ERNIE! ERNIE! 391 00:14:09,182 --> 00:14:10,026 YOU ARE, TOO! YOU ARE... ERNIE! ROB! ERNIE! ERNIE! ROB! 392 00:14:10,050 --> 00:14:12,261 ERNIE! ROB! ERNIE! ERNIE! ROB! STOP! STOP, STOP, STOP! 393 00:14:12,285 --> 00:14:17,533 ROB! STOP! STOP, STOP, STOP! STOP. 394 00:14:17,557 --> 00:14:19,035 STOP! STOP, STOP, STOP! STOP. SORRY, MISS BRANCHETTE, IT 395 00:14:19,059 --> 00:14:20,136 STOP. SORRY, MISS BRANCHETTE, IT WON'T HAPPEN AGAIN. 396 00:14:20,160 --> 00:14:21,537 SORRY, MISS BRANCHETTE, IT WON'T HAPPEN AGAIN. WELL, JUST SEE THAT IT 397 00:14:21,561 --> 00:14:24,573 WON'T HAPPEN AGAIN. WELL, JUST SEE THAT IT DOESN'T. 398 00:14:24,597 --> 00:14:27,844 WELL, JUST SEE THAT IT DOESN'T. SETTLE DOWN, HEATHER. 399 00:14:27,868 --> 00:14:30,813 DOESN'T. SETTLE DOWN, HEATHER. ALL RIGHT, NEXT QUESTION... AND 400 00:14:30,837 --> 00:14:32,949 SETTLE DOWN, HEATHER. ALL RIGHT, NEXT QUESTION... AND NO COPYING THIS TIME. 401 00:14:32,973 --> 00:14:36,352 ALL RIGHT, NEXT QUESTION... AND NO COPYING THIS TIME. COMPARE AND CONTRAST THE 402 00:14:36,376 --> 00:14:38,554 NO COPYING THIS TIME. COMPARE AND CONTRAST THE JEFFERSONIAN AND JACKSONIAN 403 00:14:38,578 --> 00:14:40,056 COMPARE AND CONTRAST THE JEFFERSONIAN AND JACKSONIAN DEMOCRACY IN RELATION TO THE 404 00:14:40,080 --> 00:14:43,360 JEFFERSONIAN AND JACKSONIAN DEMOCRACY IN RELATION TO THE REFORMIST MOVEMENT OF 1834. 405 00:14:53,558 --> 00:14:56,627 I DON'T REALLY KNOW THAT ONE. NO. 406 00:15:10,809 --> 00:15:14,290 ALL RIGHT. ALL RIGHT. ALL RIGHT. COME ON. 407 00:15:14,314 --> 00:15:16,458 ALL RIGHT. COME ON. COME ON! HE'S GOT IT! GOT IT! 408 00:15:16,482 --> 00:15:18,460 COME ON. COME ON! HE'S GOT IT! GOT IT! OKAY, HE'S OPEN! HE'S OPEN! 409 00:15:18,484 --> 00:15:20,496 COME ON! HE'S GOT IT! GOT IT! OKAY, HE'S OPEN! HE'S OPEN! GO! GO! 410 00:15:20,520 --> 00:15:22,431 OKAY, HE'S OPEN! HE'S OPEN! GO! GO! GO, GO, GO! 411 00:15:22,455 --> 00:15:26,635 GO! GO! GO, GO, GO! OH, GOD! HE DROPPED THE BALL! 412 00:15:26,659 --> 00:15:28,304 GO, GO, GO! OH, GOD! HE DROPPED THE BALL! OH, GOD! I DON'T BELIEVE IT. 413 00:15:28,328 --> 00:15:29,671 OH, GOD! HE DROPPED THE BALL! OH, GOD! I DON'T BELIEVE IT. DEFENSE, GET IN THERE. 414 00:15:29,695 --> 00:15:31,040 OH, GOD! I DON'T BELIEVE IT. DEFENSE, GET IN THERE. GET IN THERE. DEFENSE. 415 00:15:31,064 --> 00:15:32,608 DEFENSE, GET IN THERE. GET IN THERE. DEFENSE. MOVE, MOVE! GET THAT BALL. 416 00:15:32,632 --> 00:15:33,575 GET IN THERE. DEFENSE. MOVE, MOVE! GET THAT BALL. GET THAT BALL. 417 00:15:33,599 --> 00:15:34,576 MOVE, MOVE! GET THAT BALL. GET THAT BALL. WHERE'S CHAMBERS? 418 00:15:34,600 --> 00:15:35,912 GET THAT BALL. WHERE'S CHAMBERS? CHAMBERS, GET OVER HERE! 419 00:15:35,936 --> 00:15:36,578 WHERE'S CHAMBERS? CHAMBERS, GET OVER HERE! CHAMBERS! 420 00:15:36,602 --> 00:15:38,147 CHAMBERS, GET OVER HERE! CHAMBERS! CHAMBERS, WHAT'S GOING ON OUT 421 00:15:38,171 --> 00:15:39,115 CHAMBERS! CHAMBERS, WHAT'S GOING ON OUT THERE, CHAMBERS? 422 00:15:39,139 --> 00:15:40,716 CHAMBERS, WHAT'S GOING ON OUT THERE, CHAMBERS? YOU'RE THE BEST HALFBACK WE'VE 423 00:15:40,740 --> 00:15:41,050 THERE, CHAMBERS? YOU'RE THE BEST HALFBACK WE'VE GOT. 424 00:15:41,074 --> 00:15:42,451 YOU'RE THE BEST HALFBACK WE'VE GOT. YOU WERE WIDE OPEN AND SOME GUY 425 00:15:42,475 --> 00:15:43,819 GOT. YOU WERE WIDE OPEN AND SOME GUY PULLS AN ARM TACKLE ON YOU AND 426 00:15:43,843 --> 00:15:44,787 YOU WERE WIDE OPEN AND SOME GUY PULLS AN ARM TACKLE ON YOU AND YOU FUMBLE THE BALL. 427 00:15:44,811 --> 00:15:45,721 PULLS AN ARM TACKLE ON YOU AND YOU FUMBLE THE BALL. I DON'T BELIEVE IT. 428 00:15:45,745 --> 00:15:46,455 YOU FUMBLE THE BALL. I DON'T BELIEVE IT. WHAT HAPPENED? 429 00:15:46,479 --> 00:15:47,290 I DON'T BELIEVE IT. WHAT HAPPENED? I DON'T KNOW. 430 00:15:47,314 --> 00:15:48,690 WHAT HAPPENED? I DON'T KNOW. I SAW DAYLIGHT, AND I WAS GOING 431 00:15:48,714 --> 00:15:49,458 I DON'T KNOW. I SAW DAYLIGHT, AND I WAS GOING THROUGH, COACH. 432 00:15:49,482 --> 00:15:50,859 I SAW DAYLIGHT, AND I WAS GOING THROUGH, COACH. AND THIS GUY GRABBED MY ARM AND 433 00:15:50,883 --> 00:15:52,194 THROUGH, COACH. AND THIS GUY GRABBED MY ARM AND TORE MY ARM OFF AND I FUMBLED 434 00:15:52,218 --> 00:15:52,728 AND THIS GUY GRABBED MY ARM AND TORE MY ARM OFF AND I FUMBLED THE BALL. 435 00:15:52,752 --> 00:15:54,730 TORE MY ARM OFF AND I FUMBLED THE BALL. WHAT? 436 00:15:54,754 --> 00:16:01,070 THE BALL. WHAT? HE TORE MY ARM OFF! 437 00:16:01,094 --> 00:16:03,039 WHAT? HE TORE MY ARM OFF! SO, IT'S A LITTLE INJURY, IS 438 00:16:03,063 --> 00:16:04,706 HE TORE MY ARM OFF! SO, IT'S A LITTLE INJURY, IS IT? 439 00:16:04,730 --> 00:16:05,707 SO, IT'S A LITTLE INJURY, IS IT? YOU CAN'T PLAY HURT. 440 00:16:05,731 --> 00:16:07,076 IT? YOU CAN'T PLAY HURT. IS THAT WHAT YOU'RE TRYING TO 441 00:16:07,100 --> 00:16:08,244 YOU CAN'T PLAY HURT. IS THAT WHAT YOU'RE TRYING TO TELL ME, YOU CREAM PUFF? 442 00:16:08,268 --> 00:16:10,246 IS THAT WHAT YOU'RE TRYING TO TELL ME, YOU CREAM PUFF? YOU CAN'T PLAY HURT, CHAMBERS. 443 00:16:10,270 --> 00:16:12,148 TELL ME, YOU CREAM PUFF? YOU CAN'T PLAY HURT, CHAMBERS. WELL, THIS IS A CHAMPIONSHIP 444 00:16:12,172 --> 00:16:12,748 YOU CAN'T PLAY HURT, CHAMBERS. WELL, THIS IS A CHAMPIONSHIP GAME. 445 00:16:12,772 --> 00:16:14,583 WELL, THIS IS A CHAMPIONSHIP GAME. HEY, MAN, IS THIS YOURS? 446 00:16:14,607 --> 00:16:16,518 GAME. HEY, MAN, IS THIS YOURS? YEAH. 447 00:16:16,542 --> 00:16:18,421 HEY, MAN, IS THIS YOURS? YEAH. IS THIS THE ARM, CHAMBERS? 448 00:16:18,445 --> 00:16:19,755 YEAH. IS THIS THE ARM, CHAMBERS? YEAH, THAT'S IT. 449 00:16:19,779 --> 00:16:21,290 IS THIS THE ARM, CHAMBERS? YEAH, THAT'S IT. IT LOOKS FINE TO ME. 450 00:16:21,314 --> 00:16:23,025 YEAH, THAT'S IT. IT LOOKS FINE TO ME. LET'S TAPE IT UP. COME ON. 451 00:16:23,049 --> 00:16:24,126 IT LOOKS FINE TO ME. LET'S TAPE IT UP. COME ON. GET IT UP HERE. 452 00:16:24,150 --> 00:16:24,793 LET'S TAPE IT UP. COME ON. GET IT UP HERE. TAPE IT UP. 453 00:16:24,817 --> 00:16:26,162 GET IT UP HERE. TAPE IT UP. NOW, REMEMBER, CHAMBERS, JUST 454 00:16:26,186 --> 00:16:27,396 TAPE IT UP. NOW, REMEMBER, CHAMBERS, JUST TUCK THE BALL, ALL RIGHT? 455 00:16:27,420 --> 00:16:28,364 NOW, REMEMBER, CHAMBERS, JUST TUCK THE BALL, ALL RIGHT? JUST TUCK THE BALL. 456 00:16:28,388 --> 00:16:29,865 TUCK THE BALL, ALL RIGHT? JUST TUCK THE BALL. GET THAT TAPE UP THERE. COME ON. 457 00:16:29,889 --> 00:16:30,399 JUST TUCK THE BALL. GET THAT TAPE UP THERE. COME ON. COME ON. 458 00:16:30,423 --> 00:16:30,967 GET THAT TAPE UP THERE. COME ON. COME ON. NOW, RUN. 459 00:16:30,991 --> 00:16:32,401 COME ON. NOW, RUN. WHEN THE GOING GETS TOUGH, THE 460 00:16:32,425 --> 00:16:33,869 NOW, RUN. WHEN THE GOING GETS TOUGH, THE TOUGH GET WEAK... NO, THE TOUGH 461 00:16:33,893 --> 00:16:35,371 WHEN THE GOING GETS TOUGH, THE TOUGH GET WEAK... NO, THE TOUGH GET HURT... THE TOUGH GET GOING. 462 00:16:35,395 --> 00:16:36,305 TOUGH GET WEAK... NO, THE TOUGH GET HURT... THE TOUGH GET GOING. DON'T WORRY ABOUT IT. 463 00:16:36,329 --> 00:16:37,306 GET HURT... THE TOUGH GET GOING. DON'T WORRY ABOUT IT. GET THAT TAPE UP THERE. 464 00:16:37,330 --> 00:16:38,607 DON'T WORRY ABOUT IT. GET THAT TAPE UP THERE. OKAY, IT'S IN. OKAY, IT'S FINE. 465 00:16:38,631 --> 00:16:40,109 GET THAT TAPE UP THERE. OKAY, IT'S IN. OKAY, IT'S FINE. WHEN YOU PLAY WITH PAIN, YOU 466 00:16:40,133 --> 00:16:41,143 OKAY, IT'S IN. OKAY, IT'S FINE. WHEN YOU PLAY WITH PAIN, YOU PLAY WELL, ALL RIGHT? 467 00:16:41,167 --> 00:16:42,144 WHEN YOU PLAY WITH PAIN, YOU PLAY WELL, ALL RIGHT? OKAY, GET OUT THERE. 468 00:16:42,168 --> 00:16:43,612 PLAY WELL, ALL RIGHT? OKAY, GET OUT THERE. WHAT IF I PERMANENTLY DAMAGE 469 00:16:43,636 --> 00:16:44,113 OKAY, GET OUT THERE. WHAT IF I PERMANENTLY DAMAGE THE ARM? 470 00:16:44,137 --> 00:16:45,114 WHAT IF I PERMANENTLY DAMAGE THE ARM? THAT'S ALL RIGHT. 471 00:16:45,138 --> 00:16:46,349 THE ARM? THAT'S ALL RIGHT. YOU CAN ALWAYS BE A PLACE 472 00:16:46,373 --> 00:16:46,815 THAT'S ALL RIGHT. YOU CAN ALWAYS BE A PLACE KICKER. 473 00:16:46,839 --> 00:16:48,017 YOU CAN ALWAYS BE A PLACE KICKER. MOVE! GET OUT THERE! 474 00:16:48,041 --> 00:16:48,917 KICKER. MOVE! GET OUT THERE! GET OUT THERE! 475 00:16:48,941 --> 00:16:50,386 MOVE! GET OUT THERE! GET OUT THERE! TARKENTON, MOVE OUT THERE. 476 00:16:50,410 --> 00:16:51,487 GET OUT THERE! TARKENTON, MOVE OUT THERE. COME ON. LET'S GO. 477 00:16:51,511 --> 00:16:52,888 TARKENTON, MOVE OUT THERE. COME ON. LET'S GO. DO THE INTROS. LET'S GO. 478 00:16:52,912 --> 00:16:54,223 COME ON. LET'S GO. DO THE INTROS. LET'S GO. MAKE IT HAPPEN. 479 00:16:54,247 --> 00:16:57,726 DO THE INTROS. LET'S GO. MAKE IT HAPPEN. MAKE SOMETHING HAPPEN. 480 00:16:57,750 --> 00:16:59,328 MAKE IT HAPPEN. MAKE SOMETHING HAPPEN. LADIES AND GENTLEMEN, 481 00:16:59,352 --> 00:17:00,696 MAKE SOMETHING HAPPEN. LADIES AND GENTLEMEN, LEO SAYER. 482 00:17:00,720 --> 00:17:02,999 LADIES AND GENTLEMEN, LEO SAYER. [APPLAUSE] 483 00:17:03,023 --> 00:17:05,134 LEO SAYER. [APPLAUSE] [INTRODUCTION TO 484 00:17:05,158 --> 00:17:07,158 [APPLAUSE] [INTRODUCTION TO "WHEN I NEED YOU" PLAYS] 485 00:17:27,612 --> 00:17:35,612 ♪ WHEN I NEED YOU, I JUST CLOSE MY EYES AND I'M WITH YOU ♪ ♪ AND ALL THAT I SO WANT TO GIVE 486 00:17:42,695 --> 00:17:44,340 CLOSE MY EYES AND I'M WITH YOU ♪ ♪ AND ALL THAT I SO WANT TO GIVE YOU ♪ 487 00:17:44,364 --> 00:17:49,645 ♪ AND ALL THAT I SO WANT TO GIVE YOU ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ 488 00:17:49,669 --> 00:17:55,151 YOU ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ WHEN I NEED LOVE, I HOLD OUT 489 00:17:55,175 --> 00:18:00,222 ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ WHEN I NEED LOVE, I HOLD OUT MY HANDS, AND I TOUCH LOVE ♪ 490 00:18:00,246 --> 00:18:03,259 ♪ WHEN I NEED LOVE, I HOLD OUT MY HANDS, AND I TOUCH LOVE ♪ ♪ I NEVER KNEW THERE WAS 491 00:18:03,283 --> 00:18:06,562 MY HANDS, AND I TOUCH LOVE ♪ ♪ I NEVER KNEW THERE WAS SO MUCH LOVE ♪ 492 00:18:06,586 --> 00:18:08,897 ♪ I NEVER KNEW THERE WAS SO MUCH LOVE ♪ ♪ KEEPING ME WARM 493 00:18:08,921 --> 00:18:12,668 SO MUCH LOVE ♪ ♪ KEEPING ME WARM NIGHT AND DAY ♪ 494 00:18:12,692 --> 00:18:15,271 ♪ KEEPING ME WARM NIGHT AND DAY ♪ ♪ MILES AND MILES OF EMPTY SPACE 495 00:18:15,295 --> 00:18:19,141 NIGHT AND DAY ♪ ♪ MILES AND MILES OF EMPTY SPACE IN BETWEEN US ♪ 496 00:18:19,165 --> 00:18:20,876 ♪ MILES AND MILES OF EMPTY SPACE IN BETWEEN US ♪ ♪ A TELEPHONE CAN'T TAKE THE 497 00:18:20,900 --> 00:18:24,846 IN BETWEEN US ♪ ♪ A TELEPHONE CAN'T TAKE THE PLACE OF YOUR SMILE ♪ 498 00:18:24,870 --> 00:18:26,982 ♪ A TELEPHONE CAN'T TAKE THE PLACE OF YOUR SMILE ♪ ♪ BUT YOU KNOW I WON'T BE 499 00:18:27,006 --> 00:18:31,554 PLACE OF YOUR SMILE ♪ ♪ BUT YOU KNOW I WON'T BE TRAVELING FOREVER ♪ 500 00:18:31,578 --> 00:18:34,756 ♪ BUT YOU KNOW I WON'T BE TRAVELING FOREVER ♪ ♪ IT'S COLD OUT, BUT HOLD OUT ♪ 501 00:18:34,780 --> 00:18:37,025 TRAVELING FOREVER ♪ ♪ IT'S COLD OUT, BUT HOLD OUT ♪ ♪ AND DO LIKE I DO ♪ 502 00:18:37,049 --> 00:18:42,364 ♪ IT'S COLD OUT, BUT HOLD OUT ♪ ♪ AND DO LIKE I DO ♪ ♪ WHEN I NEED YOU, I JUST CLOSE 503 00:18:42,388 --> 00:18:47,470 ♪ AND DO LIKE I DO ♪ ♪ WHEN I NEED YOU, I JUST CLOSE MY EYES AND I'M WITH YOU ♪ 504 00:18:47,494 --> 00:18:51,207 ♪ WHEN I NEED YOU, I JUST CLOSE MY EYES AND I'M WITH YOU ♪ ♪ AND ALL THAT I SO WANT TO GIVE 505 00:18:51,231 --> 00:18:53,409 MY EYES AND I'M WITH YOU ♪ ♪ AND ALL THAT I SO WANT TO GIVE YOU, BABE ♪ 506 00:18:53,433 --> 00:18:59,748 ♪ AND ALL THAT I SO WANT TO GIVE YOU, BABE ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ 507 00:18:59,772 --> 00:19:03,152 YOU, BABE ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ IT'S NOT EASY WHEN THE ROAD IS 508 00:19:03,176 --> 00:19:06,021 ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ IT'S NOT EASY WHEN THE ROAD IS YOUR DRIVER ♪ 509 00:19:06,045 --> 00:19:08,424 ♪ IT'S NOT EASY WHEN THE ROAD IS YOUR DRIVER ♪ ♪ HONEY, THAT'S A HEAVY LOAD 510 00:19:08,448 --> 00:19:11,494 YOUR DRIVER ♪ ♪ HONEY, THAT'S A HEAVY LOAD THAT WE BEAR ♪ 511 00:19:11,518 --> 00:19:14,196 ♪ HONEY, THAT'S A HEAVY LOAD THAT WE BEAR ♪ ♪ BUT YOU KNOW I WON'T BE 512 00:19:14,220 --> 00:19:18,234 THAT WE BEAR ♪ ♪ BUT YOU KNOW I WON'T BE TRAVELING A LIFETIME ♪ 513 00:19:18,258 --> 00:19:21,370 ♪ BUT YOU KNOW I WON'T BE TRAVELING A LIFETIME ♪ ♪ IT'S COLD OUT, BUT HOLD OUT ♪ 514 00:19:21,394 --> 00:19:23,972 TRAVELING A LIFETIME ♪ ♪ IT'S COLD OUT, BUT HOLD OUT ♪ ♪ AND DO LIKE I DO ♪ 515 00:19:23,996 --> 00:19:27,309 ♪ IT'S COLD OUT, BUT HOLD OUT ♪ ♪ AND DO LIKE I DO ♪ ♪ OH, I NEED YOU ♪ 516 00:19:27,333 --> 00:19:29,493 ♪ AND DO LIKE I DO ♪ ♪ OH, I NEED YOU ♪ [SAXOPHONE SOLO] 517 00:19:48,654 --> 00:19:56,654 ♪ WHEN I NEED LOVE, I HOLD OUT MY HANDS, AND I TOUCH LOVE ♪ ♪ I NEVER KNEW THERE WAS 518 00:20:01,767 --> 00:20:05,181 MY HANDS, AND I TOUCH LOVE ♪ ♪ I NEVER KNEW THERE WAS SO MUCH LOVE ♪ 519 00:20:05,205 --> 00:20:07,283 ♪ I NEVER KNEW THERE WAS SO MUCH LOVE ♪ ♪ KEEPING ME WARM 520 00:20:07,307 --> 00:20:10,519 SO MUCH LOVE ♪ ♪ KEEPING ME WARM NIGHT AND DAY ♪ 521 00:20:10,543 --> 00:20:14,723 ♪ KEEPING ME WARM NIGHT AND DAY ♪ ♪ WHEN I NEED YOU, 522 00:20:14,747 --> 00:20:21,763 NIGHT AND DAY ♪ ♪ WHEN I NEED YOU, I JUST CLOSE MY E-E-E-EYES ♪ 523 00:20:21,787 --> 00:20:22,964 ♪ WHEN I NEED YOU, I JUST CLOSE MY E-E-E-EYES ♪ ♪ AND YOU'RE RIGHT HERE 524 00:20:22,988 --> 00:20:27,069 I JUST CLOSE MY E-E-E-EYES ♪ ♪ AND YOU'RE RIGHT HERE BY MY SIDE ♪ 525 00:20:27,093 --> 00:20:29,171 ♪ AND YOU'RE RIGHT HERE BY MY SIDE ♪ ♪ KEEPING ME WARM 526 00:20:29,195 --> 00:20:32,374 BY MY SIDE ♪ ♪ KEEPING ME WARM NIGHT AND DAY ♪ 527 00:20:32,398 --> 00:20:35,644 ♪ KEEPING ME WARM NIGHT AND DAY ♪ ♪ I JUST HOLD OUT MY HANDS ♪ 528 00:20:35,668 --> 00:20:38,714 NIGHT AND DAY ♪ ♪ I JUST HOLD OUT MY HANDS ♪ ♪ I JUST HOLD OUT MY HANDS ♪ 529 00:20:38,738 --> 00:20:41,183 ♪ I JUST HOLD OUT MY HANDS ♪ ♪ I JUST HOLD OUT MY HANDS ♪ ♪ AND I'M WITH YOU, DARLIN' ♪ 530 00:20:41,207 --> 00:20:43,919 ♪ I JUST HOLD OUT MY HANDS ♪ ♪ AND I'M WITH YOU, DARLIN' ♪ ♪ YES, I'M WITH YOU, DARLIN' ♪ 531 00:20:43,943 --> 00:20:47,623 ♪ AND I'M WITH YOU, DARLIN' ♪ ♪ YES, I'M WITH YOU, DARLIN' ♪ ♪ ALL I WANT TO GIVE YOU ♪ 532 00:20:47,647 --> 00:20:55,647 ♪ YES, I'M WITH YOU, DARLIN' ♪ ♪ ALL I WANT TO GIVE YOU ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ 533 00:20:56,556 --> 00:21:02,438 ♪ ALL I WANT TO GIVE YOU ♪ ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ WHEN I NEED YOU ♪ 534 00:21:02,462 --> 00:21:05,262 ♪ IT'S ONLY A HEARTBEAT AWAY ♪ ♪ WHEN I NEED YOU ♪ [CHEERS AND APPLAUSE] 535 00:21:20,646 --> 00:21:24,826 GOOD EVENING, AND WELCOME TO "BLACK PERSPECTIVE." I'M YOUR HOST, GARRETT MORRIS. 536 00:21:24,850 --> 00:21:26,362 "BLACK PERSPECTIVE." I'M YOUR HOST, GARRETT MORRIS. TONIGHT'S DISCUSSION CONCERNS 537 00:21:26,386 --> 00:21:27,630 I'M YOUR HOST, GARRETT MORRIS. TONIGHT'S DISCUSSION CONCERNS THE BLACK ATHLETE IN PRO 538 00:21:27,654 --> 00:21:28,530 TONIGHT'S DISCUSSION CONCERNS THE BLACK ATHLETE IN PRO FOOTBALL. 539 00:21:28,554 --> 00:21:31,400 THE BLACK ATHLETE IN PRO FOOTBALL. AND OUR GUEST IS THE LEGENDARY 540 00:21:31,424 --> 00:21:32,868 FOOTBALL. AND OUR GUEST IS THE LEGENDARY QUARTERBACK OF THE MINNESOTA 541 00:21:32,892 --> 00:21:34,169 AND OUR GUEST IS THE LEGENDARY QUARTERBACK OF THE MINNESOTA VIKINGS, FRAN TARKENTON. 542 00:21:34,193 --> 00:21:35,003 QUARTERBACK OF THE MINNESOTA VIKINGS, FRAN TARKENTON. WELCOME, FRAN. 543 00:21:35,027 --> 00:21:36,071 VIKINGS, FRAN TARKENTON. WELCOME, FRAN. WELL, THANK YOU. 544 00:21:36,095 --> 00:21:37,239 WELCOME, FRAN. WELL, THANK YOU. IT'S NICE TO BE HERE. 545 00:21:37,263 --> 00:21:38,807 WELL, THANK YOU. IT'S NICE TO BE HERE. YEAH, FRAN, ASIDE FROM YOUR 546 00:21:38,831 --> 00:21:40,309 IT'S NICE TO BE HERE. YEAH, FRAN, ASIDE FROM YOUR FABULOUS CAREER ON THE FIELD, 547 00:21:40,333 --> 00:21:41,777 YEAH, FRAN, ASIDE FROM YOUR FABULOUS CAREER ON THE FIELD, YOU ARE ALSO A MEMBER OF THE 548 00:21:41,801 --> 00:21:43,879 FABULOUS CAREER ON THE FIELD, YOU ARE ALSO A MEMBER OF THE NATIONAL FOOTBALL LEAGUE'S 549 00:21:43,903 --> 00:21:44,880 YOU ARE ALSO A MEMBER OF THE NATIONAL FOOTBALL LEAGUE'S COMMITTEE ON RACE RELATIONS. 550 00:21:44,904 --> 00:21:45,981 NATIONAL FOOTBALL LEAGUE'S COMMITTEE ON RACE RELATIONS. WELL, THAT'S TRUE, GARRETT. 551 00:21:46,005 --> 00:21:46,982 COMMITTEE ON RACE RELATIONS. WELL, THAT'S TRUE, GARRETT. I'VE BEEN THE CHAIRMAN SINCE 552 00:21:47,006 --> 00:21:47,516 WELL, THAT'S TRUE, GARRETT. I'VE BEEN THE CHAIRMAN SINCE 1971. 553 00:21:47,540 --> 00:21:49,418 I'VE BEEN THE CHAIRMAN SINCE 1971. YEAH, YOU HAVE BEEN QUOTED AS 554 00:21:49,442 --> 00:21:51,287 1971. YEAH, YOU HAVE BEEN QUOTED AS SAYING THAT FOOTBALL IS REALLY 555 00:21:51,311 --> 00:21:52,521 YEAH, YOU HAVE BEEN QUOTED AS SAYING THAT FOOTBALL IS REALLY BROTHERHOOD IN ACTION, MAN. 556 00:21:52,545 --> 00:21:53,722 SAYING THAT FOOTBALL IS REALLY BROTHERHOOD IN ACTION, MAN. WHAT DID YOU MEAN BY THAT? 557 00:21:53,746 --> 00:21:55,056 BROTHERHOOD IN ACTION, MAN. WHAT DID YOU MEAN BY THAT? WELL, YOU KNOW, A FOOTBALL 558 00:21:55,080 --> 00:21:56,458 WHAT DID YOU MEAN BY THAT? WELL, YOU KNOW, A FOOTBALL TEAM IS A FAMILY, A FAMILY UNIT 559 00:21:56,482 --> 00:21:57,859 WELL, YOU KNOW, A FOOTBALL TEAM IS A FAMILY, A FAMILY UNIT CONSISTING OF 40 MEN LIVING AND 560 00:21:57,883 --> 00:21:59,194 TEAM IS A FAMILY, A FAMILY UNIT CONSISTING OF 40 MEN LIVING AND WORKING TOGETHER TOWARD A 561 00:21:59,218 --> 00:22:00,162 CONSISTING OF 40 MEN LIVING AND WORKING TOGETHER TOWARD A GOAL... WINNING. 562 00:22:00,186 --> 00:22:01,797 WORKING TOGETHER TOWARD A GOAL... WINNING. AND IT'S THE FAMILY THAT COUNTS. 563 00:22:01,821 --> 00:22:03,332 GOAL... WINNING. AND IT'S THE FAMILY THAT COUNTS. THE ONLY COLOR THAT EXISTS IS 564 00:22:03,356 --> 00:22:05,267 AND IT'S THE FAMILY THAT COUNTS. THE ONLY COLOR THAT EXISTS IS THE COLOR OF A PLAYER'S JERSEY. 565 00:22:05,291 --> 00:22:07,102 THE ONLY COLOR THAT EXISTS IS THE COLOR OF A PLAYER'S JERSEY. WELL, TIMES CERTAINLY HAVE 566 00:22:07,126 --> 00:22:08,136 THE COLOR OF A PLAYER'S JERSEY. WELL, TIMES CERTAINLY HAVE CHANGED, FRAN. 567 00:22:08,160 --> 00:22:10,005 WELL, TIMES CERTAINLY HAVE CHANGED, FRAN. I MEAN, WE'VE COME A LONG WAY. 568 00:22:10,029 --> 00:22:11,340 CHANGED, FRAN. I MEAN, WE'VE COME A LONG WAY. YEAH, AND IT'S ABOUT TIME, 569 00:22:11,364 --> 00:22:11,840 I MEAN, WE'VE COME A LONG WAY. YEAH, AND IT'S ABOUT TIME, I'D SAY. 570 00:22:11,864 --> 00:22:12,508 YEAH, AND IT'S ABOUT TIME, I'D SAY. RIGHT ON. 571 00:22:12,532 --> 00:22:14,643 I'D SAY. RIGHT ON. RIGHT ON, MAN. 572 00:22:14,667 --> 00:22:18,647 RIGHT ON. RIGHT ON, MAN. BUT STILL, MAN, EVEN IN 1977, 573 00:22:18,671 --> 00:22:20,148 RIGHT ON, MAN. BUT STILL, MAN, EVEN IN 1977, YOU KNOW, SOME STEREOTYPES AND 574 00:22:20,172 --> 00:22:21,450 BUT STILL, MAN, EVEN IN 1977, YOU KNOW, SOME STEREOTYPES AND CLASS DISTINCTIONS STILL DO 575 00:22:21,474 --> 00:22:22,785 YOU KNOW, SOME STEREOTYPES AND CLASS DISTINCTIONS STILL DO EXIST, WOULDN'T YOU AGREE? 576 00:22:22,809 --> 00:22:25,220 CLASS DISTINCTIONS STILL DO EXIST, WOULDN'T YOU AGREE? UH, NONE THAT I KNOW OF. 577 00:22:25,244 --> 00:22:27,055 EXIST, WOULDN'T YOU AGREE? UH, NONE THAT I KNOW OF. WELL, HOW ABOUT THE MYTH THAT 578 00:22:27,079 --> 00:22:28,824 UH, NONE THAT I KNOW OF. WELL, HOW ABOUT THE MYTH THAT A BLACK MAN CANNOT MAKE IT AS A 579 00:22:28,848 --> 00:22:29,792 WELL, HOW ABOUT THE MYTH THAT A BLACK MAN CANNOT MAKE IT AS A PRO QUARTERBACK? 580 00:22:29,816 --> 00:22:31,159 A BLACK MAN CANNOT MAKE IT AS A PRO QUARTERBACK? THERE ARE 28 TEAMS IN THE 581 00:22:31,183 --> 00:22:32,761 PRO QUARTERBACK? THERE ARE 28 TEAMS IN THE LEAGUE, AND ONLY THREE OF THEM 582 00:22:32,785 --> 00:22:34,262 THERE ARE 28 TEAMS IN THE LEAGUE, AND ONLY THREE OF THEM HAVE BLACK QUARTERBACKS, AND 583 00:22:34,286 --> 00:22:35,864 LEAGUE, AND ONLY THREE OF THEM HAVE BLACK QUARTERBACKS, AND THEY ALL SITTING ON THE BENCH, 584 00:22:35,888 --> 00:22:37,232 HAVE BLACK QUARTERBACKS, AND THEY ALL SITTING ON THE BENCH, YOU KNOW WHAT I MEAN? 585 00:22:37,256 --> 00:22:38,099 THEY ALL SITTING ON THE BENCH, YOU KNOW WHAT I MEAN? YES, YES. 586 00:22:38,123 --> 00:22:40,001 YOU KNOW WHAT I MEAN? YES, YES. WELL, FOR YEARS, THERE'S BEEN 587 00:22:40,025 --> 00:22:41,903 YES, YES. WELL, FOR YEARS, THERE'S BEEN THIS MYTH THAT A BLACK'S MIND IS 588 00:22:41,927 --> 00:22:43,639 WELL, FOR YEARS, THERE'S BEEN THIS MYTH THAT A BLACK'S MIND IS NOT ELABORATE ENOUGH TO READ 589 00:22:43,663 --> 00:22:45,441 THIS MYTH THAT A BLACK'S MIND IS NOT ELABORATE ENOUGH TO READ DEFENSES, THAT HE CAN'T CALL 590 00:22:45,465 --> 00:22:47,409 NOT ELABORATE ENOUGH TO READ DEFENSES, THAT HE CAN'T CALL AUDIBLES FROM THE LINE, AND THAT 591 00:22:47,433 --> 00:22:49,378 DEFENSES, THAT HE CAN'T CALL AUDIBLES FROM THE LINE, AND THAT HE HAS NO LEADERSHIP QUALITIES. 592 00:22:49,402 --> 00:22:50,779 AUDIBLES FROM THE LINE, AND THAT HE HAS NO LEADERSHIP QUALITIES. NOW, YOU'VE BEEN, YOU KNOW, IN 593 00:22:50,803 --> 00:22:52,280 HE HAS NO LEADERSHIP QUALITIES. NOW, YOU'VE BEEN, YOU KNOW, IN THE LEAGUE FOR 16 YEARS, AND YOU 594 00:22:52,304 --> 00:22:53,549 NOW, YOU'VE BEEN, YOU KNOW, IN THE LEAGUE FOR 16 YEARS, AND YOU JUST SAID THAT THERE IS NO 595 00:22:53,573 --> 00:22:54,583 THE LEAGUE FOR 16 YEARS, AND YOU JUST SAID THAT THERE IS NO PREJUDICE, RIGHT? 596 00:22:54,607 --> 00:22:55,351 JUST SAID THAT THERE IS NO PREJUDICE, RIGHT? UH, YES. 597 00:22:55,375 --> 00:22:57,085 PREJUDICE, RIGHT? UH, YES. THEN WHAT ABOUT THESE MYTHS? 598 00:22:57,109 --> 00:22:58,587 UH, YES. THEN WHAT ABOUT THESE MYTHS? THEY'RE ABSOLUTELY TRUE, 599 00:22:58,611 --> 00:23:01,523 THEN WHAT ABOUT THESE MYTHS? THEY'RE ABSOLUTELY TRUE, GARRETT. 600 00:23:01,547 --> 00:23:02,891 THEY'RE ABSOLUTELY TRUE, GARRETT. I MUST HAVE MISSED SOMETHING. 601 00:23:02,915 --> 00:23:03,692 GARRETT. I MUST HAVE MISSED SOMETHING. WHAT DID YOU SAY? 602 00:23:03,716 --> 00:23:05,994 I MUST HAVE MISSED SOMETHING. WHAT DID YOU SAY? IT'S NOT A MYTH. IT'S A FACT. 603 00:23:06,018 --> 00:23:08,163 WHAT DID YOU SAY? IT'S NOT A MYTH. IT'S A FACT. EVERY BLACK I KNOW HAS TROUBLE 604 00:23:08,187 --> 00:23:10,098 IT'S NOT A MYTH. IT'S A FACT. EVERY BLACK I KNOW HAS TROUBLE WITH AREA CODES, LET ALONE 605 00:23:10,122 --> 00:23:12,968 EVERY BLACK I KNOW HAS TROUBLE WITH AREA CODES, LET ALONE NUMBERS OF PLAYS. 606 00:23:12,992 --> 00:23:14,470 WITH AREA CODES, LET ALONE NUMBERS OF PLAYS. WAIT, WAIT, WAIT. 607 00:23:14,494 --> 00:23:15,704 NUMBERS OF PLAYS. WAIT, WAIT, WAIT. SAY THAT AGAIN. 608 00:23:15,728 --> 00:23:17,639 WAIT, WAIT, WAIT. SAY THAT AGAIN. WELL, YOU KNOW, EVEN THE 609 00:23:17,663 --> 00:23:19,007 SAY THAT AGAIN. WELL, YOU KNOW, EVEN THE BLACK KIDS IN THE SUMMER CAMP I 610 00:23:19,031 --> 00:23:19,908 WELL, YOU KNOW, EVEN THE BLACK KIDS IN THE SUMMER CAMP I RUN DON'T HAVE IT. 611 00:23:19,932 --> 00:23:21,276 BLACK KIDS IN THE SUMMER CAMP I RUN DON'T HAVE IT. SURE, THEY CAN DANCE IN THE END 612 00:23:21,300 --> 00:23:21,677 RUN DON'T HAVE IT. SURE, THEY CAN DANCE IN THE END ZONE. 613 00:23:21,701 --> 00:23:23,044 SURE, THEY CAN DANCE IN THE END ZONE. THEY HAVE EXTRA BONES IN THEIR 614 00:23:23,068 --> 00:23:23,412 ZONE. THEY HAVE EXTRA BONES IN THEIR FEET. 615 00:23:23,436 --> 00:23:24,813 THEY HAVE EXTRA BONES IN THEIR FEET. BUT WHEN IT COMES TO LEADERSHIP, 616 00:23:24,837 --> 00:23:26,181 FEET. BUT WHEN IT COMES TO LEADERSHIP, ONE BLACK QUARTERBACK ENGINEERED 617 00:23:26,205 --> 00:23:27,549 BUT WHEN IT COMES TO LEADERSHIP, ONE BLACK QUARTERBACK ENGINEERED A DRIVE THAT STARTED AT HIS OWN 618 00:23:27,573 --> 00:23:28,917 ONE BLACK QUARTERBACK ENGINEERED A DRIVE THAT STARTED AT HIS OWN 40-YARD LINE AND ENDED UP IN THE 619 00:23:28,941 --> 00:23:30,151 A DRIVE THAT STARTED AT HIS OWN 40-YARD LINE AND ENDED UP IN THE PARKING LOT WITH A BUCKET OF 620 00:23:30,175 --> 00:23:31,720 40-YARD LINE AND ENDED UP IN THE PARKING LOT WITH A BUCKET OF CHICKEN. 621 00:23:31,744 --> 00:23:33,389 PARKING LOT WITH A BUCKET OF CHICKEN. HEY, MAN, I KNOW WHAT YOU 622 00:23:33,413 --> 00:23:33,922 CHICKEN. HEY, MAN, I KNOW WHAT YOU MEAN! 623 00:23:33,946 --> 00:23:35,090 HEY, MAN, I KNOW WHAT YOU MEAN! YEAH, THAT'S TRUE! 624 00:23:35,114 --> 00:23:36,725 MEAN! YEAH, THAT'S TRUE! YEAH, I KNOW WHAT YOU MEAN. 625 00:23:36,749 --> 00:23:38,560 YEAH, THAT'S TRUE! YEAH, I KNOW WHAT YOU MEAN. AND, GARRETT, LET'S FACE IT. 626 00:23:38,584 --> 00:23:39,828 YEAH, I KNOW WHAT YOU MEAN. AND, GARRETT, LET'S FACE IT. TRY TO BE OBJECTIVE. 627 00:23:39,852 --> 00:23:41,263 AND, GARRETT, LET'S FACE IT. TRY TO BE OBJECTIVE. IF YOU WERE ON THE OFFENSIVE 628 00:23:41,287 --> 00:23:42,865 TRY TO BE OBJECTIVE. IF YOU WERE ON THE OFFENSIVE LINE, WOULD YOU TURN YOUR BACK 629 00:23:42,889 --> 00:23:44,433 IF YOU WERE ON THE OFFENSIVE LINE, WOULD YOU TURN YOUR BACK ON A BLACK GUY STANDING BEHIND 630 00:23:44,457 --> 00:23:47,669 LINE, WOULD YOU TURN YOUR BACK ON A BLACK GUY STANDING BEHIND YOU, ESPECIALLY DURING A NIGHT 631 00:23:47,693 --> 00:23:48,604 ON A BLACK GUY STANDING BEHIND YOU, ESPECIALLY DURING A NIGHT GAME? 632 00:23:48,628 --> 00:23:50,005 YOU, ESPECIALLY DURING A NIGHT GAME? NO, MAN. NOT ME. 633 00:23:50,029 --> 00:23:51,740 GAME? NO, MAN. NOT ME. I'VE GOT A WIFE AND KIDS. 634 00:23:51,764 --> 00:23:53,442 NO, MAN. NOT ME. I'VE GOT A WIFE AND KIDS. LOOK, MAN, THANK YOU FOR 635 00:23:53,466 --> 00:23:55,010 I'VE GOT A WIFE AND KIDS. LOOK, MAN, THANK YOU FOR CLEARING THAT UP, MAN. 636 00:23:55,034 --> 00:23:56,645 LOOK, MAN, THANK YOU FOR CLEARING THAT UP, MAN. I'VE ALWAYS HAD A PROBLEM ABOUT 637 00:23:56,669 --> 00:23:57,112 CLEARING THAT UP, MAN. I'VE ALWAYS HAD A PROBLEM ABOUT THAT. 638 00:23:57,136 --> 00:23:58,514 I'VE ALWAYS HAD A PROBLEM ABOUT THAT. AND THANK YOU FOR WATCHING 639 00:23:58,538 --> 00:23:59,948 THAT. AND THANK YOU FOR WATCHING "BLACK PERSPECTIVE." 640 00:23:59,972 --> 00:24:01,917 AND THANK YOU FOR WATCHING "BLACK PERSPECTIVE." NEXT WEEK, MARK SPITZ EXPLAINS 641 00:24:01,941 --> 00:24:05,221 "BLACK PERSPECTIVE." NEXT WEEK, MARK SPITZ EXPLAINS WHY THERE ARE NO BLACK SWIMMERS. 642 00:24:19,991 --> 00:24:24,973 HOW'S THE DRINK? STRONG, BUT IT'S REALLY GOOD. AND THEY ACTUALLY LIVE HERE? 643 00:24:24,997 --> 00:24:25,607 STRONG, BUT IT'S REALLY GOOD. AND THEY ACTUALLY LIVE HERE? MM-HMM. 644 00:24:25,631 --> 00:24:27,175 AND THEY ACTUALLY LIVE HERE? MM-HMM. THE VICE PRESIDENT OF DataCorp, 645 00:24:27,199 --> 00:24:28,677 MM-HMM. THE VICE PRESIDENT OF DataCorp, BILL HOGAN, TOLD ME ABOUT THIS 646 00:24:28,701 --> 00:24:29,210 THE VICE PRESIDENT OF DataCorp, BILL HOGAN, TOLD ME ABOUT THIS PLACE. 647 00:24:29,234 --> 00:24:30,846 BILL HOGAN, TOLD ME ABOUT THIS PLACE. A MAN AND HIS WIFE TURN THEIR 648 00:24:30,870 --> 00:24:32,380 PLACE. A MAN AND HIS WIFE TURN THEIR OWN HOUSE INTO A RESTAURANT 649 00:24:32,404 --> 00:24:33,582 A MAN AND HIS WIFE TURN THEIR OWN HOUSE INTO A RESTAURANT THREE NIGHTS A WEEK. 650 00:24:33,606 --> 00:24:35,016 OWN HOUSE INTO A RESTAURANT THREE NIGHTS A WEEK. IT GOT A 4-STAR RATING IN 651 00:24:35,040 --> 00:24:36,184 THREE NIGHTS A WEEK. IT GOT A 4-STAR RATING IN FOOD MAP MAGAZINE. 652 00:24:36,208 --> 00:24:36,852 IT GOT A 4-STAR RATING IN FOOD MAP MAGAZINE. OH, WOW! 653 00:24:36,876 --> 00:24:38,086 FOOD MAP MAGAZINE. OH, WOW! THEY SAID IT WAS REAL 654 00:24:38,110 --> 00:24:39,154 OH, WOW! THEY SAID IT WAS REAL EXPENSIVE, BUT I MADE 655 00:24:39,178 --> 00:24:40,456 THEY SAID IT WAS REAL EXPENSIVE, BUT I MADE RESERVATIONS TWO MONTHS IN 656 00:24:40,480 --> 00:24:42,023 EXPENSIVE, BUT I MADE RESERVATIONS TWO MONTHS IN ADVANCE BECAUSE YOU'RE WORTH IT. 657 00:24:42,047 --> 00:24:43,191 RESERVATIONS TWO MONTHS IN ADVANCE BECAUSE YOU'RE WORTH IT. [LAUGHS] 658 00:24:43,215 --> 00:24:45,961 ADVANCE BECAUSE YOU'RE WORTH IT. [LAUGHS] THANK YOU. 659 00:24:45,985 --> 00:24:46,995 [LAUGHS] THANK YOU. [French accent] IS 660 00:24:47,019 --> 00:24:48,063 THANK YOU. [French accent] IS EVERYTHING SATISFACTORY? 661 00:24:48,087 --> 00:24:49,465 [French accent] IS EVERYTHING SATISFACTORY? OH, YES, EVERYTHING IS GREAT. 662 00:24:49,489 --> 00:24:50,499 EVERYTHING SATISFACTORY? OH, YES, EVERYTHING IS GREAT. THE DRINKS ARE FINE? 663 00:24:50,523 --> 00:24:51,800 OH, YES, EVERYTHING IS GREAT. THE DRINKS ARE FINE? AND YOU HAVE A LOVELY HOME! 664 00:24:51,824 --> 00:24:52,601 THE DRINKS ARE FINE? AND YOU HAVE A LOVELY HOME! OH, THANK YOU. 665 00:24:52,625 --> 00:24:53,535 AND YOU HAVE A LOVELY HOME! OH, THANK YOU. THANK YOU VERY MUCH. 666 00:24:53,559 --> 00:24:55,036 OH, THANK YOU. THANK YOU VERY MUCH. YOU KNOW, IT IS OUR PLEASURE TO 667 00:24:55,060 --> 00:24:56,237 THANK YOU VERY MUCH. YOU KNOW, IT IS OUR PLEASURE TO SERVE YOU AND EXTEND THE 668 00:24:56,261 --> 00:24:57,606 YOU KNOW, IT IS OUR PLEASURE TO SERVE YOU AND EXTEND THE HOSPITALITY OF THE REGION OF 669 00:24:57,630 --> 00:24:59,074 SERVE YOU AND EXTEND THE HOSPITALITY OF THE REGION OF ALSACE TO YOU HERE IN AMERICA AT 670 00:24:59,098 --> 00:25:01,977 HOSPITALITY OF THE REGION OF ALSACE TO YOU HERE IN AMERICA AT MAISON ALSACE AMERICAN. 671 00:25:02,001 --> 00:25:04,245 ALSACE TO YOU HERE IN AMERICA AT MAISON ALSACE AMERICAN. THIS IS MY WIFE, ELLEN. 672 00:25:04,269 --> 00:25:05,747 MAISON ALSACE AMERICAN. THIS IS MY WIFE, ELLEN. SHE WILL ASSIST ME IN PREPARING 673 00:25:05,771 --> 00:25:07,148 THIS IS MY WIFE, ELLEN. SHE WILL ASSIST ME IN PREPARING THE MEAL FOR YOU TONIGHT AND 674 00:25:07,172 --> 00:25:08,784 SHE WILL ASSIST ME IN PREPARING THE MEAL FOR YOU TONIGHT AND MAKING YOU FEEL AT HOME IN OUR 675 00:25:08,808 --> 00:25:09,250 THE MEAL FOR YOU TONIGHT AND MAKING YOU FEEL AT HOME IN OUR HOME. 676 00:25:09,274 --> 00:25:10,552 MAKING YOU FEEL AT HOME IN OUR HOME. THIS IS OUR HOME, AS YOU KNOW. 677 00:25:10,576 --> 00:25:11,252 HOME. THIS IS OUR HOME, AS YOU KNOW. I AM THE COOK. 678 00:25:11,276 --> 00:25:12,488 THIS IS OUR HOME, AS YOU KNOW. I AM THE COOK. I WOULD LIKE TO TELL YOU... I 679 00:25:12,512 --> 00:25:13,789 I AM THE COOK. I WOULD LIKE TO TELL YOU... I TOLD YOU A LITTLE BIT ABOUT IT 680 00:25:13,813 --> 00:25:15,023 I WOULD LIKE TO TELL YOU... I TOLD YOU A LITTLE BIT ABOUT IT ON THE PHONE WHEN I CONFIRMED 681 00:25:15,047 --> 00:25:16,825 TOLD YOU A LITTLE BIT ABOUT IT ON THE PHONE WHEN I CONFIRMED YOUR RESERVATIONS... WHAT WE ARE 682 00:25:16,849 --> 00:25:18,527 ON THE PHONE WHEN I CONFIRMED YOUR RESERVATIONS... WHAT WE ARE GOING TO HAVE FOR YOU TONIGHT, 683 00:25:18,551 --> 00:25:19,761 YOUR RESERVATIONS... WHAT WE ARE GOING TO HAVE FOR YOU TONIGHT, EXCLUSIVELY FOR YOU. 684 00:25:19,785 --> 00:25:21,463 GOING TO HAVE FOR YOU TONIGHT, EXCLUSIVELY FOR YOU. AS YOU KNOW, THIS IS OUR HOME. 685 00:25:21,487 --> 00:25:23,699 EXCLUSIVELY FOR YOU. AS YOU KNOW, THIS IS OUR HOME. I COOK ONLY THREE NIGHTS A WEEK 686 00:25:23,723 --> 00:25:25,233 AS YOU KNOW, THIS IS OUR HOME. I COOK ONLY THREE NIGHTS A WEEK FOR ONLY ONE COUPLE. 687 00:25:25,257 --> 00:25:26,602 I COOK ONLY THREE NIGHTS A WEEK FOR ONLY ONE COUPLE. WE HAVE CHOSEN YOU. 688 00:25:26,626 --> 00:25:28,336 FOR ONLY ONE COUPLE. WE HAVE CHOSEN YOU. THIS WAY WE CAN SERVE YOU 689 00:25:28,360 --> 00:25:30,238 WE HAVE CHOSEN YOU. THIS WAY WE CAN SERVE YOU EXCLUSIVELY AND GIVE YOU OUR 690 00:25:30,262 --> 00:25:31,507 THIS WAY WE CAN SERVE YOU EXCLUSIVELY AND GIVE YOU OUR FULL HOSPITALITY. 691 00:25:31,531 --> 00:25:33,208 EXCLUSIVELY AND GIVE YOU OUR FULL HOSPITALITY. NOW, TONIGHT, FOR YOU, I HAVE 692 00:25:33,232 --> 00:25:35,043 FULL HOSPITALITY. NOW, TONIGHT, FOR YOU, I HAVE SUPPER FROM THE ALSACE REGION OF 693 00:25:35,067 --> 00:25:35,844 NOW, TONIGHT, FOR YOU, I HAVE SUPPER FROM THE ALSACE REGION OF FRANCE. 694 00:25:35,868 --> 00:25:37,779 SUPPER FROM THE ALSACE REGION OF FRANCE. YOU WILL HAVE, TO START, 695 00:25:37,803 --> 00:25:40,148 FRANCE. YOU WILL HAVE, TO START, PâTé DE FOIE GRAS, A SOUP MADE 696 00:25:40,172 --> 00:25:42,083 YOU WILL HAVE, TO START, PâTé DE FOIE GRAS, A SOUP MADE FROM LEEKS AND TOMATOES. 697 00:25:42,107 --> 00:25:43,919 PâTé DE FOIE GRAS, A SOUP MADE FROM LEEKS AND TOMATOES. [French accent] EXCUSE ME, 698 00:25:43,943 --> 00:25:44,553 FROM LEEKS AND TOMATOES. [French accent] EXCUSE ME, MAîTRE? 699 00:25:44,577 --> 00:25:46,454 [French accent] EXCUSE ME, MAîTRE? THE TOMATOES ARE NOT AS FRESH AS 700 00:25:46,478 --> 00:25:47,523 MAîTRE? THE TOMATOES ARE NOT AS FRESH AS THE RED PEPPERS. 701 00:25:47,547 --> 00:25:51,126 THE TOMATOES ARE NOT AS FRESH AS THE RED PEPPERS. WE WILL BE USING THE TOMATOES 702 00:25:51,150 --> 00:25:51,927 THE RED PEPPERS. WE WILL BE USING THE TOMATOES IN THE SOUP. 703 00:25:51,951 --> 00:25:53,629 WE WILL BE USING THE TOMATOES IN THE SOUP. THEY ARE PERFECT FOR THE SOUP. 704 00:25:53,653 --> 00:25:55,330 IN THE SOUP. THEY ARE PERFECT FOR THE SOUP. AS I HAVE SAID BEFORE, I AM THE 705 00:25:55,354 --> 00:25:55,831 THEY ARE PERFECT FOR THE SOUP. AS I HAVE SAID BEFORE, I AM THE COOK. 706 00:25:55,855 --> 00:25:56,832 AS I HAVE SAID BEFORE, I AM THE COOK. THIS IS MY HOME. 707 00:25:56,856 --> 00:25:58,734 COOK. THIS IS MY HOME. [MUTTERING] 708 00:25:58,758 --> 00:26:00,636 THIS IS MY HOME. [MUTTERING] IF YOU WILL EXCUSE ME. 709 00:26:00,660 --> 00:26:02,838 [MUTTERING] IF YOU WILL EXCUSE ME. AND WE WILL HAVE, FOR YOU, 710 00:26:02,862 --> 00:26:05,173 IF YOU WILL EXCUSE ME. AND WE WILL HAVE, FOR YOU, SOME QUICHE LORRAINE WITH APPLE. 711 00:26:05,197 --> 00:26:07,475 AND WE WILL HAVE, FOR YOU, SOME QUICHE LORRAINE WITH APPLE. AND YOU WILL HAVE LES CôTELETTES 712 00:26:07,499 --> 00:26:09,778 SOME QUICHE LORRAINE WITH APPLE. AND YOU WILL HAVE LES CôTELETTES D'AGNEAU, LAMB CHOPS, WITH GREEN 713 00:26:09,802 --> 00:26:12,047 AND YOU WILL HAVE LES CôTELETTES D'AGNEAU, LAMB CHOPS, WITH GREEN BEANS, HARICOT VERT, WE SAY, AND 714 00:26:12,071 --> 00:26:14,115 D'AGNEAU, LAMB CHOPS, WITH GREEN BEANS, HARICOT VERT, WE SAY, AND CANDIED CARROTS AND A LITTLE 715 00:26:14,139 --> 00:26:15,784 BEANS, HARICOT VERT, WE SAY, AND CANDIED CARROTS AND A LITTLE SAUCE ON THAT FOR YOU. 716 00:26:15,808 --> 00:26:17,719 CANDIED CARROTS AND A LITTLE SAUCE ON THAT FOR YOU. WE HAVE THE PâTISSERIE FOR 717 00:26:17,743 --> 00:26:20,055 SAUCE ON THAT FOR YOU. WE HAVE THE PâTISSERIE FOR DESSERT, AND THE WINE WILL BE A 718 00:26:20,079 --> 00:26:22,357 WE HAVE THE PâTISSERIE FOR DESSERT, AND THE WINE WILL BE A RED ALSATIAN WINE, 1968 VINTAGE. 719 00:26:22,381 --> 00:26:23,592 DESSERT, AND THE WINE WILL BE A RED ALSATIAN WINE, 1968 VINTAGE. IS THAT ALL RIGHT FOR YOU? 720 00:26:23,616 --> 00:26:24,660 RED ALSATIAN WINE, 1968 VINTAGE. IS THAT ALL RIGHT FOR YOU? SOUNDS REALLY GOOD! 721 00:26:24,684 --> 00:26:25,894 IS THAT ALL RIGHT FOR YOU? SOUNDS REALLY GOOD! ALL RIGHT, AND FOR YOUR 722 00:26:25,918 --> 00:26:27,495 SOUNDS REALLY GOOD! ALL RIGHT, AND FOR YOUR ENTERTAINMENT PLEASURE... 723 00:26:27,519 --> 00:26:29,031 ALL RIGHT, AND FOR YOUR ENTERTAINMENT PLEASURE... FRANCINE... OUR DAUGHTER 724 00:26:29,055 --> 00:26:30,832 ENTERTAINMENT PLEASURE... FRANCINE... OUR DAUGHTER FRANCINE WILL PLAY THE RECORDER 725 00:26:30,856 --> 00:26:32,668 FRANCINE... OUR DAUGHTER FRANCINE WILL PLAY THE RECORDER FOR YOU. 726 00:26:32,692 --> 00:26:34,603 FRANCINE WILL PLAY THE RECORDER FOR YOU. I COME BACK. I HOPE YOU ENJOY. 727 00:26:34,627 --> 00:26:35,136 FOR YOU. I COME BACK. I HOPE YOU ENJOY. PLEASE. 728 00:26:35,160 --> 00:26:37,573 I COME BACK. I HOPE YOU ENJOY. PLEASE. THANK YOU VERY MUCH. 729 00:26:37,597 --> 00:26:40,241 PLEASE. THANK YOU VERY MUCH. [PLAYING DISCORDANTLY] 730 00:26:40,265 --> 00:26:42,905 THANK YOU VERY MUCH. [PLAYING DISCORDANTLY] [INDISTINCT SHOUTING] 731 00:27:04,756 --> 00:27:12,756 AND FOR YOU NOW, THE SOUP AND THE PATE. IT LOOKS GREAT! 732 00:27:14,233 --> 00:27:17,178 AND THE PATE. IT LOOKS GREAT! FOR YOUR PLEASURE. 733 00:27:17,202 --> 00:27:18,379 IT LOOKS GREAT! FOR YOUR PLEASURE. AND THE WINE. 734 00:27:18,403 --> 00:27:19,781 FOR YOUR PLEASURE. AND THE WINE. I HOPE YOU ENJOY IT. 735 00:27:19,805 --> 00:27:21,717 AND THE WINE. I HOPE YOU ENJOY IT. VINTAGE 1968 FROM THE ALSACE 736 00:27:21,741 --> 00:27:22,383 I HOPE YOU ENJOY IT. VINTAGE 1968 FROM THE ALSACE REGION. 737 00:27:22,407 --> 00:27:23,184 VINTAGE 1968 FROM THE ALSACE REGION. RIGHT. 738 00:27:23,208 --> 00:27:24,886 REGION. RIGHT. PLEASE, ENJOY YOURSELVES. 739 00:27:24,910 --> 00:27:26,421 RIGHT. PLEASE, ENJOY YOURSELVES. WE ARE ONLY HERE TO SERVE YOU. 740 00:27:26,445 --> 00:27:27,956 PLEASE, ENJOY YOURSELVES. WE ARE ONLY HERE TO SERVE YOU. YOU SHOULD HAVE A LOVELY TIME. 741 00:27:27,980 --> 00:27:31,126 WE ARE ONLY HERE TO SERVE YOU. YOU SHOULD HAVE A LOVELY TIME. OH, I'M SURE WE WILL. 742 00:27:31,150 --> 00:27:32,127 YOU SHOULD HAVE A LOVELY TIME. OH, I'M SURE WE WILL. FINE FOR YOU? 743 00:27:32,151 --> 00:27:33,228 OH, I'M SURE WE WILL. FINE FOR YOU? IT'S BEAUTIFUL. 744 00:27:33,252 --> 00:27:34,730 FINE FOR YOU? IT'S BEAUTIFUL. I AM GLAD YOU ENJOY IT. 745 00:27:34,754 --> 00:27:36,397 IT'S BEAUTIFUL. I AM GLAD YOU ENJOY IT. IT IS A VERY GOOD WINE, AND WE 746 00:27:36,421 --> 00:27:38,033 I AM GLAD YOU ENJOY IT. IT IS A VERY GOOD WINE, AND WE HAVE MORE DOWNSTAIRS FOR YOU. 747 00:27:38,057 --> 00:27:40,035 IT IS A VERY GOOD WINE, AND WE HAVE MORE DOWNSTAIRS FOR YOU. ALL RIGHT. 748 00:27:40,059 --> 00:27:41,703 HAVE MORE DOWNSTAIRS FOR YOU. ALL RIGHT. AND FOR YOUR ENTERTAINMENT 749 00:27:41,727 --> 00:27:43,404 ALL RIGHT. AND FOR YOUR ENTERTAINMENT PLEASURE... FRANCINE... OUR 750 00:27:43,428 --> 00:27:44,706 AND FOR YOUR ENTERTAINMENT PLEASURE... FRANCINE... OUR DAUGHTER FRANCINE WILL PLAY FOR 751 00:27:44,730 --> 00:27:48,677 PLEASURE... FRANCINE... OUR DAUGHTER FRANCINE WILL PLAY FOR YOU THE RECORDER. 752 00:27:48,701 --> 00:27:52,748 DAUGHTER FRANCINE WILL PLAY FOR YOU THE RECORDER. [PLAYING DISCORDANTLY] 753 00:27:52,772 --> 00:27:59,821 YOU THE RECORDER. [PLAYING DISCORDANTLY] [INDISTINCT SHOUTING] 754 00:27:59,845 --> 00:28:02,325 [PLAYING DISCORDANTLY] [INDISTINCT SHOUTING] [BANGING, CRASHING] 755 00:28:20,065 --> 00:28:27,649 AND FOR YOU NOW, THE MAIN COURSE, WHICH IS, OF COURSE, LES CôTELETTES D'AGNEAU WITH A 756 00:28:27,673 --> 00:28:29,651 COURSE, WHICH IS, OF COURSE, LES CôTELETTES D'AGNEAU WITH A SMALL MINT SAUCE ON IT FOR YOU. 757 00:28:29,675 --> 00:28:32,387 CôTELETTES D'AGNEAU WITH A SMALL MINT SAUCE ON IT FOR YOU. EXCUSE ME. I HOPE YOU ENJOY IT. 758 00:28:32,411 --> 00:28:35,223 SMALL MINT SAUCE ON IT FOR YOU. EXCUSE ME. I HOPE YOU ENJOY IT. AND LES HARICOT VERT AND A SMALL 759 00:28:35,247 --> 00:28:37,659 EXCUSE ME. I HOPE YOU ENJOY IT. AND LES HARICOT VERT AND A SMALL LIGHT SAUCE ON THE CARROTS. 760 00:28:37,683 --> 00:28:38,894 AND LES HARICOT VERT AND A SMALL LIGHT SAUCE ON THE CARROTS. ARE YOU OKAY? 761 00:28:38,918 --> 00:28:42,698 LIGHT SAUCE ON THE CARROTS. ARE YOU OKAY? IT'S NOTHING. I DROP A PLATE. 762 00:28:42,722 --> 00:28:44,166 ARE YOU OKAY? IT'S NOTHING. I DROP A PLATE. THE SOUP WAS DELICIOUS. 763 00:28:44,190 --> 00:28:45,400 IT'S NOTHING. I DROP A PLATE. THE SOUP WAS DELICIOUS. SOUP IS VERY GOOD. 764 00:28:45,424 --> 00:28:46,668 THE SOUP WAS DELICIOUS. SOUP IS VERY GOOD. I'M GLAD YOU ENJOY IT. 765 00:28:46,692 --> 00:28:47,969 SOUP IS VERY GOOD. I'M GLAD YOU ENJOY IT. PLEASE ENJOY YOUR MEAL. 766 00:28:47,993 --> 00:28:49,637 I'M GLAD YOU ENJOY IT. PLEASE ENJOY YOUR MEAL. PLEASE FEEL FREE TO BE AT HOME 767 00:28:49,661 --> 00:28:50,438 PLEASE ENJOY YOUR MEAL. PLEASE FEEL FREE TO BE AT HOME IN OUR HOME. 768 00:28:50,462 --> 00:28:51,940 PLEASE FEEL FREE TO BE AT HOME IN OUR HOME. AND FOR YOUR ENTERTAINMENT 769 00:28:51,964 --> 00:28:53,441 IN OUR HOME. AND FOR YOUR ENTERTAINMENT PLEASURE NOW, FRANCINE, OUR 770 00:28:53,465 --> 00:28:55,043 AND FOR YOUR ENTERTAINMENT PLEASURE NOW, FRANCINE, OUR DAUGHTER, WILL PLAY FOR YOU 771 00:28:55,067 --> 00:28:56,244 PLEASURE NOW, FRANCINE, OUR DAUGHTER, WILL PLAY FOR YOU THE RECORDER. 772 00:28:56,268 --> 00:28:57,746 DAUGHTER, WILL PLAY FOR YOU THE RECORDER. PLEASE ENJOY. 773 00:28:57,770 --> 00:29:00,182 THE RECORDER. PLEASE ENJOY. [PLAYING DISCORDANTLY] 774 00:29:00,206 --> 00:29:02,684 PLEASE ENJOY. [PLAYING DISCORDANTLY] [INDISTINCT SHOUTING] 775 00:29:02,708 --> 00:29:03,885 [PLAYING DISCORDANTLY] [INDISTINCT SHOUTING] AAH! 776 00:29:03,909 --> 00:29:05,754 [INDISTINCT SHOUTING] AAH! [French accent] PLEASE! 777 00:29:05,778 --> 00:29:07,856 AAH! [French accent] PLEASE! I CANNOT STAND IT ANY LONGER! 778 00:29:07,880 --> 00:29:09,157 [French accent] PLEASE! I CANNOT STAND IT ANY LONGER! YOU MUST HELP ME! 779 00:29:09,181 --> 00:29:10,391 I CANNOT STAND IT ANY LONGER! YOU MUST HELP ME! I AM IN TROUBLE! 780 00:29:10,415 --> 00:29:12,527 YOU MUST HELP ME! I AM IN TROUBLE! I HAVE TO GO TO COLORADO TO SEE 781 00:29:12,551 --> 00:29:13,862 I AM IN TROUBLE! I HAVE TO GO TO COLORADO TO SEE MY BOYFRIEND! 782 00:29:13,886 --> 00:29:16,431 I HAVE TO GO TO COLORADO TO SEE MY BOYFRIEND! ALL I NEED IS $35 MORE FOR THE 783 00:29:16,455 --> 00:29:16,932 MY BOYFRIEND! ALL I NEED IS $35 MORE FOR THE BUS! 784 00:29:16,956 --> 00:29:17,799 ALL I NEED IS $35 MORE FOR THE BUS! OH, PLEASE! 785 00:29:17,823 --> 00:29:20,157 BUS! OH, PLEASE! [PLAYING DISCORDANTLY] 786 00:29:28,399 --> 00:29:36,384 AND WHEN YOU ARE THROUGH WITH YOUR MEAL, THE PATISSERIE. ECLAIR, ECLAIR. FOR LATER. 787 00:29:36,408 --> 00:29:37,518 YOUR MEAL, THE PATISSERIE. ECLAIR, ECLAIR. FOR LATER. ARE YOU ENJOYING YOUR MEAL? 788 00:29:37,542 --> 00:29:38,653 ECLAIR, ECLAIR. FOR LATER. ARE YOU ENJOYING YOUR MEAL? IS EVERYTHING SATISFACTORY? 789 00:29:38,677 --> 00:29:39,287 ARE YOU ENJOYING YOUR MEAL? IS EVERYTHING SATISFACTORY? DELICIOUS. 790 00:29:39,311 --> 00:29:40,288 IS EVERYTHING SATISFACTORY? DELICIOUS. OH! 791 00:29:40,312 --> 00:29:43,591 DELICIOUS. OH! AND NOW, FOR YOUR ENJOYMENT, OUR 792 00:29:43,615 --> 00:29:46,561 OH! AND NOW, FOR YOUR ENJOYMENT, OUR DAUGHTER FRANCINE WILL PLAY THE 793 00:29:46,585 --> 00:29:49,865 AND NOW, FOR YOUR ENJOYMENT, OUR DAUGHTER FRANCINE WILL PLAY THE RECORDER. 794 00:29:49,889 --> 00:29:56,972 DAUGHTER FRANCINE WILL PLAY THE RECORDER. [PLAYING DISCORDANTLY] 795 00:29:56,996 --> 00:29:58,907 RECORDER. [PLAYING DISCORDANTLY] OH, PLEASE! 796 00:29:58,931 --> 00:30:00,776 [PLAYING DISCORDANTLY] OH, PLEASE! ALL I NEED IS $35! 797 00:30:00,800 --> 00:30:03,678 OH, PLEASE! ALL I NEED IS $35! IF YOU HAVE $20, PLEASE GIVE IT 798 00:30:03,702 --> 00:30:04,579 ALL I NEED IS $35! IF YOU HAVE $20, PLEASE GIVE IT TO ME! 799 00:30:04,603 --> 00:30:10,752 IF YOU HAVE $20, PLEASE GIVE IT TO ME! OH, MERCI! 800 00:30:10,776 --> 00:30:12,587 TO ME! OH, MERCI! I HOPE YOU ARE ENJOYING THE 801 00:30:12,611 --> 00:30:13,088 OH, MERCI! I HOPE YOU ARE ENJOYING THE MEAL. 802 00:30:13,112 --> 00:30:13,822 I HOPE YOU ARE ENJOYING THE MEAL. GREAT! 803 00:30:13,846 --> 00:30:15,657 MEAL. GREAT! MYSELF, FOR MYSELF... AND I 804 00:30:15,681 --> 00:30:17,525 GREAT! MYSELF, FOR MYSELF... AND I SPEAK FOR MYSELF... I AM HAVING 805 00:30:17,549 --> 00:30:19,261 MYSELF, FOR MYSELF... AND I SPEAK FOR MYSELF... I AM HAVING SOME TROUBLE IN THE KITCHEN. 806 00:30:19,285 --> 00:30:21,129 SPEAK FOR MYSELF... I AM HAVING SOME TROUBLE IN THE KITCHEN. HAVING SOME TROUBLE WITH, HOW 807 00:30:21,153 --> 00:30:22,898 SOME TROUBLE IN THE KITCHEN. HAVING SOME TROUBLE WITH, HOW YOU SAY, LE FOUR, THE STOVE. 808 00:30:22,922 --> 00:30:24,599 HAVING SOME TROUBLE WITH, HOW YOU SAY, LE FOUR, THE STOVE. THE OVEN IS GIVING US SOME 809 00:30:24,623 --> 00:30:25,700 YOU SAY, LE FOUR, THE STOVE. THE OVEN IS GIVING US SOME TROUBLE TONIGHT. 810 00:30:25,724 --> 00:30:27,102 THE OVEN IS GIVING US SOME TROUBLE TONIGHT. HOW ARE YOUR CARROTS? 811 00:30:27,126 --> 00:30:28,469 TROUBLE TONIGHT. HOW ARE YOUR CARROTS? GOOD TONIGHT FOR YOU? 812 00:30:28,493 --> 00:30:30,272 HOW ARE YOUR CARROTS? GOOD TONIGHT FOR YOU? OH, NOT AS GOOD AS LAST WEEK, 813 00:30:30,296 --> 00:30:32,473 GOOD TONIGHT FOR YOU? OH, NOT AS GOOD AS LAST WEEK, BECAUSE MY WIFE DOES NOT KNOW 814 00:30:32,497 --> 00:30:34,843 OH, NOT AS GOOD AS LAST WEEK, BECAUSE MY WIFE DOES NOT KNOW HOW TO PREPARE A SAUCE, YOU SEE? 815 00:30:34,867 --> 00:30:37,312 BECAUSE MY WIFE DOES NOT KNOW HOW TO PREPARE A SAUCE, YOU SEE? THESE CARROTS ARE NOT AS GOOD AS 816 00:30:37,336 --> 00:30:38,313 HOW TO PREPARE A SAUCE, YOU SEE? THESE CARROTS ARE NOT AS GOOD AS LAST WEEK. 817 00:30:38,337 --> 00:30:40,682 THESE CARROTS ARE NOT AS GOOD AS LAST WEEK. SHE IS SO STUPID SOMETIMES. 818 00:30:40,706 --> 00:30:42,784 LAST WEEK. SHE IS SO STUPID SOMETIMES. SO, SO STUPID, MY WIFE. 819 00:30:42,808 --> 00:30:47,322 SHE IS SO STUPID SOMETIMES. SO, SO STUPID, MY WIFE. SOMETIMES... YES, MY WI... 820 00:30:47,346 --> 00:30:51,827 SO, SO STUPID, MY WIFE. SOMETIMES... YES, MY WI... AND HERE, THE CHECK. 821 00:30:51,851 --> 00:30:53,161 SOMETIMES... YES, MY WI... AND HERE, THE CHECK. BUT DO NOT RUSH. 822 00:30:53,185 --> 00:30:55,596 AND HERE, THE CHECK. BUT DO NOT RUSH. SIT, ENJOY YOUR MEAL, TAKE AS 823 00:30:55,620 --> 00:30:57,265 BUT DO NOT RUSH. SIT, ENJOY YOUR MEAL, TAKE AS MUCH TIME AS YOU LIKE. 824 00:30:57,289 --> 00:30:59,634 SIT, ENJOY YOUR MEAL, TAKE AS MUCH TIME AS YOU LIKE. AND FOR YOUR LISTENING 825 00:30:59,658 --> 00:31:01,436 MUCH TIME AS YOU LIKE. AND FOR YOUR LISTENING PLEASURE, FRANCINE WILL ALWAYS 826 00:31:01,460 --> 00:31:01,937 AND FOR YOUR LISTENING PLEASURE, FRANCINE WILL ALWAYS PLAY. 827 00:31:01,961 --> 00:31:08,176 PLEASURE, FRANCINE WILL ALWAYS PLAY. THANK YOU. 828 00:31:08,200 --> 00:31:09,644 PLAY. THANK YOU. HEY, NOW, THAT IS NOT BAD AT 829 00:31:09,668 --> 00:31:11,468 THANK YOU. HEY, NOW, THAT IS NOT BAD AT ALL! 830 00:31:21,712 --> 00:31:22,913 HI, I'M FRAN TARKENTON. 831 00:31:23,047 --> 00:31:24,481 YOU KNOW, IT TAKES STRENGTH AND 832 00:31:24,615 --> 00:31:26,416 STAMINA TO PLAY PRO FOOTBALL. 833 00:31:26,684 --> 00:31:31,432 YOU NEED TO REPLACE LOTS OF LOST MUSCLE TISSUE FAST, AND SOMETIMES YOUR METABOLIC SYSTEM 834 00:31:31,456 --> 00:31:33,068 MUSCLE TISSUE FAST, AND SOMETIMES YOUR METABOLIC SYSTEM JUST CAN'T PULL IT OFF ALONE. 835 00:31:33,092 --> 00:31:34,836 SOMETIMES YOUR METABOLIC SYSTEM JUST CAN'T PULL IT OFF ALONE. THAT'S WHY I START EACH DAY WITH 836 00:31:34,860 --> 00:31:37,372 JUST CAN'T PULL IT OFF ALONE. THAT'S WHY I START EACH DAY WITH A BIG BOWL OF SUGAR-FROSTED 837 00:31:37,396 --> 00:31:41,676 THAT'S WHY I START EACH DAY WITH A BIG BOWL OF SUGAR-FROSTED ANABOLIC STEROIDS. 838 00:31:41,700 --> 00:31:43,311 A BIG BOWL OF SUGAR-FROSTED ANABOLIC STEROIDS. THIS CEREAL IS A DELICIOUS 839 00:31:43,335 --> 00:31:45,247 ANABOLIC STEROIDS. THIS CEREAL IS A DELICIOUS SYNTHETIC DERIVATIVE OF MALE 840 00:31:45,271 --> 00:31:47,215 THIS CEREAL IS A DELICIOUS SYNTHETIC DERIVATIVE OF MALE HORMONES, AND IN ONE 8-OUNCE 841 00:31:47,239 --> 00:31:49,150 SYNTHETIC DERIVATIVE OF MALE HORMONES, AND IN ONE 8-OUNCE BOWL, I GET MORE THAN MY BODY 842 00:31:49,174 --> 00:31:51,119 HORMONES, AND IN ONE 8-OUNCE BOWL, I GET MORE THAN MY BODY WOULD PRODUCE IN THREE YEARS. 843 00:31:51,143 --> 00:31:54,389 BOWL, I GET MORE THAN MY BODY WOULD PRODUCE IN THREE YEARS. THERE'S TESTOSTERONE FOR QUICK 844 00:31:54,413 --> 00:31:58,360 WOULD PRODUCE IN THREE YEARS. THERE'S TESTOSTERONE FOR QUICK WEIGHT GAIN, STANOZOLOL TO BOOST 845 00:31:58,384 --> 00:32:00,295 THERE'S TESTOSTERONE FOR QUICK WEIGHT GAIN, STANOZOLOL TO BOOST YOUR STRENGTH, AND THESE 846 00:32:00,319 --> 00:32:02,264 WEIGHT GAIN, STANOZOLOL TO BOOST YOUR STRENGTH, AND THESE ANDROGENS TO HELP PROMOTE 847 00:32:02,288 --> 00:32:04,432 YOUR STRENGTH, AND THESE ANDROGENS TO HELP PROMOTE AGGRESSIVENESS AND TURN YOUR 848 00:32:04,456 --> 00:32:06,101 ANDROGENS TO HELP PROMOTE AGGRESSIVENESS AND TURN YOUR GRAPES INTO RAISINS. 849 00:32:06,125 --> 00:32:09,304 AGGRESSIVENESS AND TURN YOUR GRAPES INTO RAISINS. BUT THE BEST PART HAS GOT TO BE 850 00:32:09,328 --> 00:32:10,638 GRAPES INTO RAISINS. BUT THE BEST PART HAS GOT TO BE THE TASTE. 851 00:32:10,662 --> 00:32:13,208 BUT THE BEST PART HAS GOT TO BE THE TASTE. IT'S GREAT WITH MILK OR RIGHT 852 00:32:13,232 --> 00:32:14,776 THE TASTE. IT'S GREAT WITH MILK OR RIGHT FROM THE BOX. 853 00:32:14,800 --> 00:32:18,646 IT'S GREAT WITH MILK OR RIGHT FROM THE BOX. UH-HUH. 854 00:32:18,670 --> 00:32:20,848 FROM THE BOX. UH-HUH. MMM. 855 00:32:20,872 --> 00:32:22,717 UH-HUH. MMM. IT'S LIGHTLY SWEETENED AND 856 00:32:22,741 --> 00:32:24,685 MMM. IT'S LIGHTLY SWEETENED AND MIXED WITH CHEWY MARSHMALLOW 857 00:32:24,709 --> 00:32:26,554 IT'S LIGHTLY SWEETENED AND MIXED WITH CHEWY MARSHMALLOW MAGNESIUM BITS TO HELP SLOW 858 00:32:26,578 --> 00:32:28,356 MIXED WITH CHEWY MARSHMALLOW MAGNESIUM BITS TO HELP SLOW SUDDEN MUSCLE DECAY. 859 00:32:28,380 --> 00:32:30,158 MAGNESIUM BITS TO HELP SLOW SUDDEN MUSCLE DECAY. SO, WHETHER YOU'RE A 860 00:32:30,182 --> 00:32:32,693 SUDDEN MUSCLE DECAY. SO, WHETHER YOU'RE A PROFESSIONAL ATHLETE OR JUST A 861 00:32:32,717 --> 00:32:35,363 SO, WHETHER YOU'RE A PROFESSIONAL ATHLETE OR JUST A HOUSEWIFE, ALTER YOUR METABOLISM 862 00:32:35,387 --> 00:32:37,432 PROFESSIONAL ATHLETE OR JUST A HOUSEWIFE, ALTER YOUR METABOLISM THE WAY THE PROS DO WITH 863 00:32:37,456 --> 00:32:40,101 HOUSEWIFE, ALTER YOUR METABOLISM THE WAY THE PROS DO WITH SUGAR-FROSTED ANABOLIC STEROIDS, 864 00:32:40,125 --> 00:32:42,203 THE WAY THE PROS DO WITH SUGAR-FROSTED ANABOLIC STEROIDS, THE MALE HORMONE CEREAL. 865 00:32:42,227 --> 00:32:44,005 SUGAR-FROSTED ANABOLIC STEROIDS, THE MALE HORMONE CEREAL. OH, I ALMOST FORGOT. 866 00:32:44,029 --> 00:32:49,610 THE MALE HORMONE CEREAL. OH, I ALMOST FORGOT. KIDS LIKE IT, TOO. 867 00:32:49,634 --> 00:32:50,711 OH, I ALMOST FORGOT. KIDS LIKE IT, TOO. Announcer: SUGAR-FROSTED 868 00:32:50,735 --> 00:32:51,947 KIDS LIKE IT, TOO. Announcer: SUGAR-FROSTED ANABOLIC STEROIDS, THE OFFICIAL 869 00:32:51,971 --> 00:32:53,481 Announcer: SUGAR-FROSTED ANABOLIC STEROIDS, THE OFFICIAL CEREAL OF THE SOVIET WOMEN'S 870 00:32:53,505 --> 00:32:56,745 ANABOLIC STEROIDS, THE OFFICIAL CEREAL OF THE SOVIET WOMEN'S OLYMPIC SHOT-PUT TEAM. 871 00:33:07,785 --> 00:33:12,067 Announcer: AND NOW "WEEKEND UPDATE" WITH JANE CURTIN. 872 00:33:12,091 --> 00:33:14,069 "WEEKEND UPDATE" WITH JANE CURTIN. BEFORE I BEGIN MY REGULAR 873 00:33:14,093 --> 00:33:16,237 JANE CURTIN. BEFORE I BEGIN MY REGULAR NEWS BROADCAST TONIGHT, I WOULD 874 00:33:16,261 --> 00:33:19,474 BEFORE I BEGIN MY REGULAR NEWS BROADCAST TONIGHT, I WOULD LIKE TO READ YOU A LETTER. 875 00:33:19,498 --> 00:33:22,677 NEWS BROADCAST TONIGHT, I WOULD LIKE TO READ YOU A LETTER. "DEAR JANE CURTIN, I CERTAINLY 876 00:33:22,701 --> 00:33:24,145 LIKE TO READ YOU A LETTER. "DEAR JANE CURTIN, I CERTAINLY MISS CHEVY. 877 00:33:24,169 --> 00:33:26,181 "DEAR JANE CURTIN, I CERTAINLY MISS CHEVY. HE IS REAL SEXY. 878 00:33:26,205 --> 00:33:29,250 MISS CHEVY. HE IS REAL SEXY. YOU CAN'T HOLD A CANDLE TO HIM. 879 00:33:29,274 --> 00:33:31,519 HE IS REAL SEXY. YOU CAN'T HOLD A CANDLE TO HIM. WOULD YOU PLEASE SEND ME HIS 880 00:33:31,543 --> 00:33:33,488 YOU CAN'T HOLD A CANDLE TO HIM. WOULD YOU PLEASE SEND ME HIS PHOTOGRAPH? 881 00:33:33,512 --> 00:33:34,990 WOULD YOU PLEASE SEND ME HIS PHOTOGRAPH? YOURS SINCERELY, 882 00:33:35,014 --> 00:33:39,660 PHOTOGRAPH? YOURS SINCERELY, MARGIE KAUFMAN." 883 00:33:39,684 --> 00:33:41,729 YOURS SINCERELY, MARGIE KAUFMAN." I'VE BEEN GETTING LETTERS ABOUT 884 00:33:41,753 --> 00:33:43,465 MARGIE KAUFMAN." I'VE BEEN GETTING LETTERS ABOUT "NEWS UPDATE" LATELY WITH 885 00:33:43,489 --> 00:33:45,467 I'VE BEEN GETTING LETTERS ABOUT "NEWS UPDATE" LATELY WITH PHRASES LIKE "GOING DOWNHILL," 886 00:33:45,491 --> 00:33:47,568 "NEWS UPDATE" LATELY WITH PHRASES LIKE "GOING DOWNHILL," "NOT WHAT IT USED TO BE," AND 887 00:33:47,592 --> 00:33:49,104 PHRASES LIKE "GOING DOWNHILL," "NOT WHAT IT USED TO BE," AND "JUST PLAIN BORING." 888 00:33:49,128 --> 00:33:51,406 "NOT WHAT IT USED TO BE," AND "JUST PLAIN BORING." MOSTLY THE LETTERS ARE ABOUT HOW 889 00:33:51,430 --> 00:33:53,241 "JUST PLAIN BORING." MOSTLY THE LETTERS ARE ABOUT HOW "UPDATE" ISN'T AS GOOD AS WHEN 890 00:33:53,265 --> 00:33:55,143 MOSTLY THE LETTERS ARE ABOUT HOW "UPDATE" ISN'T AS GOOD AS WHEN THAT "SEXY CHEVY CHASE" DID IT. 891 00:33:55,167 --> 00:33:57,112 "UPDATE" ISN'T AS GOOD AS WHEN THAT "SEXY CHEVY CHASE" DID IT. THE NETWORK SAYS THE RATINGS ARE 892 00:33:57,136 --> 00:33:58,980 THAT "SEXY CHEVY CHASE" DID IT. THE NETWORK SAYS THE RATINGS ARE SLIPPING, AND THEY'RE PUTTING A 893 00:33:59,004 --> 00:34:00,848 THE NETWORK SAYS THE RATINGS ARE SLIPPING, AND THEY'RE PUTTING A LOT OF PRESSURE ON LORNE TO TRY 894 00:34:00,872 --> 00:34:02,717 SLIPPING, AND THEY'RE PUTTING A LOT OF PRESSURE ON LORNE TO TRY SOMEBODY NEW, LIKE THAT NEW KID 895 00:34:02,741 --> 00:34:05,220 LOT OF PRESSURE ON LORNE TO TRY SOMEBODY NEW, LIKE THAT NEW KID MURRAY OR WHATEVER HIS NAME IS. 896 00:34:05,244 --> 00:34:07,688 SOMEBODY NEW, LIKE THAT NEW KID MURRAY OR WHATEVER HIS NAME IS. YOU SEE, I JUST ASSUMED THAT IT 897 00:34:07,712 --> 00:34:10,058 MURRAY OR WHATEVER HIS NAME IS. YOU SEE, I JUST ASSUMED THAT IT WAS RESPONSIBLE JOURNALISM YOU 898 00:34:10,082 --> 00:34:12,693 YOU SEE, I JUST ASSUMED THAT IT WAS RESPONSIBLE JOURNALISM YOU WANTED, NOT SEX. 899 00:34:12,717 --> 00:34:14,762 WAS RESPONSIBLE JOURNALISM YOU WANTED, NOT SEX. I GAVE YOU MORE CREDIT THAN 900 00:34:14,786 --> 00:34:15,430 WANTED, NOT SEX. I GAVE YOU MORE CREDIT THAN THAT. 901 00:34:15,454 --> 00:34:18,266 I GAVE YOU MORE CREDIT THAN THAT. BUT I WAS WRONG. 902 00:34:18,290 --> 00:34:21,903 THAT. BUT I WAS WRONG. WHAT CAN I SAY BESIDES... 903 00:34:21,927 --> 00:34:23,538 BUT I WAS WRONG. WHAT CAN I SAY BESIDES... TRY THESE ON FOR SIZE, 904 00:34:23,562 --> 00:34:26,707 WHAT CAN I SAY BESIDES... TRY THESE ON FOR SIZE, CONNIE CHUNG! 905 00:34:26,731 --> 00:34:28,643 TRY THESE ON FOR SIZE, CONNIE CHUNG! IF IT'S RAW THRILLS YOU WANT, 906 00:34:28,667 --> 00:34:31,467 CONNIE CHUNG! IF IT'S RAW THRILLS YOU WANT, IT'S RAW THRILLS YOU'LL GET. 907 00:34:43,647 --> 00:34:49,464 OUR TOP STORY TONIGHT... FOLLOWING THE VATICAN DECLARATION THAT WOMEN CANNOT 908 00:34:49,488 --> 00:34:51,099 FOLLOWING THE VATICAN DECLARATION THAT WOMEN CANNOT BECOME PRIESTS BECAUSE THEY DO 909 00:34:51,123 --> 00:34:52,667 DECLARATION THAT WOMEN CANNOT BECOME PRIESTS BECAUSE THEY DO NOT RESEMBLE CHRIST, SOURCES 910 00:34:52,691 --> 00:34:54,335 BECOME PRIESTS BECAUSE THEY DO NOT RESEMBLE CHRIST, SOURCES REPORT THAT COLONEL SANDERS HAS 911 00:34:54,359 --> 00:34:56,071 NOT RESEMBLE CHRIST, SOURCES REPORT THAT COLONEL SANDERS HAS DECLARED THAT HE WILL NOT EMPLOY 912 00:34:56,095 --> 00:34:57,772 REPORT THAT COLONEL SANDERS HAS DECLARED THAT HE WILL NOT EMPLOY ANYONE THAT DOES NOT RESEMBLE A 913 00:34:57,796 --> 00:35:00,308 DECLARED THAT HE WILL NOT EMPLOY ANYONE THAT DOES NOT RESEMBLE A CHICKEN. 914 00:35:00,332 --> 00:35:02,210 ANYONE THAT DOES NOT RESEMBLE A CHICKEN. WELL, EVERYBODY TALKS ABOUT THE 915 00:35:02,234 --> 00:35:03,978 CHICKEN. WELL, EVERYBODY TALKS ABOUT THE WEATHER, ESPECIALLY THIS COLD 916 00:35:04,002 --> 00:35:05,880 WELL, EVERYBODY TALKS ABOUT THE WEATHER, ESPECIALLY THIS COLD WINTER, BUT MANY TIMES THEY ARE 917 00:35:05,904 --> 00:35:06,747 WEATHER, ESPECIALLY THIS COLD WINTER, BUT MANY TIMES THEY ARE INACCURATE. 918 00:35:06,771 --> 00:35:08,216 WINTER, BUT MANY TIMES THEY ARE INACCURATE. AS SPOKESPERSON FOR THE 919 00:35:08,240 --> 00:35:09,850 INACCURATE. AS SPOKESPERSON FOR THE ASSOCIATION OF AMERICAN 920 00:35:09,874 --> 00:35:12,053 AS SPOKESPERSON FOR THE ASSOCIATION OF AMERICAN WITCHES AND WARLOCKS SAID TODAY, 921 00:35:12,077 --> 00:35:14,222 ASSOCIATION OF AMERICAN WITCHES AND WARLOCKS SAID TODAY, "A WITCH'S... BREAST IS NO COLDER 922 00:35:14,246 --> 00:35:15,423 WITCHES AND WARLOCKS SAID TODAY, "A WITCH'S... BREAST IS NO COLDER THAN THE AVERAGE AMERICAN 923 00:35:15,447 --> 00:35:19,294 "A WITCH'S... BREAST IS NO COLDER THAN THE AVERAGE AMERICAN WOMAN'S BREAST." 924 00:35:19,318 --> 00:35:20,695 THAN THE AVERAGE AMERICAN WOMAN'S BREAST." MORE ON THIS STORY AS IT 925 00:35:20,719 --> 00:35:24,966 WOMAN'S BREAST." MORE ON THIS STORY AS IT DEVELOPS. 926 00:35:24,990 --> 00:35:26,334 MORE ON THIS STORY AS IT DEVELOPS. SINCE JIMMY CARTER HAS BEEN IN 927 00:35:26,358 --> 00:35:27,735 DEVELOPS. SINCE JIMMY CARTER HAS BEEN IN THE WHITE HOUSE, THE TELEPHONE 928 00:35:27,759 --> 00:35:29,036 SINCE JIMMY CARTER HAS BEEN IN THE WHITE HOUSE, THE TELEPHONE SWITCHBOARDS THERE HAVE BEEN 929 00:35:29,060 --> 00:35:31,706 THE WHITE HOUSE, THE TELEPHONE SWITCHBOARDS THERE HAVE BEEN JAMMED WITH 80,000 CALLS A DAY. 930 00:35:31,730 --> 00:35:33,608 SWITCHBOARDS THERE HAVE BEEN JAMMED WITH 80,000 CALLS A DAY. OPERATORS SAY THAT 1,000 ARE 931 00:35:33,632 --> 00:35:35,710 JAMMED WITH 80,000 CALLS A DAY. OPERATORS SAY THAT 1,000 ARE OFFICIAL BUSINESS AND 79,000 ARE 932 00:35:35,734 --> 00:35:37,778 OPERATORS SAY THAT 1,000 ARE OFFICIAL BUSINESS AND 79,000 ARE OBSCENE PHONE CALLS TRACED TO A 933 00:35:37,802 --> 00:35:39,581 OFFICIAL BUSINESS AND 79,000 ARE OBSCENE PHONE CALLS TRACED TO A PHONE BOOTH IN SAN CLEMENTE, 934 00:35:39,605 --> 00:35:47,605 OBSCENE PHONE CALLS TRACED TO A PHONE BOOTH IN SAN CLEMENTE, CALIFORNIA. 935 00:35:48,614 --> 00:35:50,625 PHONE BOOTH IN SAN CLEMENTE, CALIFORNIA. IN A SHATTERING LANDMARK RULING, 936 00:35:50,649 --> 00:35:52,327 CALIFORNIA. IN A SHATTERING LANDMARK RULING, THE SWEDISH GOVERNMENT HAS 937 00:35:52,351 --> 00:35:53,828 IN A SHATTERING LANDMARK RULING, THE SWEDISH GOVERNMENT HAS RELEASED THIS STATEMENT... 938 00:35:53,852 --> 00:36:00,535 THE SWEDISH GOVERNMENT HAS RELEASED THIS STATEMENT... [SPEAKING SWEDISH] 939 00:36:00,559 --> 00:36:01,869 RELEASED THIS STATEMENT... [SPEAKING SWEDISH] THE UNITED STATES ARMY HAS 940 00:36:01,893 --> 00:36:03,404 [SPEAKING SWEDISH] THE UNITED STATES ARMY HAS ANNOUNCED THAT IT HAS DEVELOPED 941 00:36:03,428 --> 00:36:04,939 THE UNITED STATES ARMY HAS ANNOUNCED THAT IT HAS DEVELOPED A CRUISE MISSILE IN RETALIATION 942 00:36:04,963 --> 00:36:06,907 ANNOUNCED THAT IT HAS DEVELOPED A CRUISE MISSILE IN RETALIATION TO A SIMILAR WEAPON BUILT BY THE 943 00:36:06,931 --> 00:36:07,842 A CRUISE MISSILE IN RETALIATION TO A SIMILAR WEAPON BUILT BY THE SOVIET UNION. 944 00:36:07,866 --> 00:36:09,177 TO A SIMILAR WEAPON BUILT BY THE SOVIET UNION. THE ARMY IS SPENDING 945 00:36:09,201 --> 00:36:12,347 SOVIET UNION. THE ARMY IS SPENDING $2.6 BILLION FOR THIS MISSILE 946 00:36:12,371 --> 00:36:14,115 THE ARMY IS SPENDING $2.6 BILLION FOR THIS MISSILE THAT TRACKS DOWN ITS TARGET NO 947 00:36:14,139 --> 00:36:15,350 $2.6 BILLION FOR THIS MISSILE THAT TRACKS DOWN ITS TARGET NO MATTER WHERE IT IS. 948 00:36:15,374 --> 00:36:16,784 THAT TRACKS DOWN ITS TARGET NO MATTER WHERE IT IS. "WEEKEND UPDATE" WAS ABLE TO 949 00:36:16,808 --> 00:36:18,153 MATTER WHERE IT IS. "WEEKEND UPDATE" WAS ABLE TO SNEAK ITS CAMERAS INTO THE 950 00:36:18,177 --> 00:36:19,521 "WEEKEND UPDATE" WAS ABLE TO SNEAK ITS CAMERAS INTO THE TESTING SITE IN THE NEVADA 951 00:36:19,545 --> 00:36:21,122 SNEAK ITS CAMERAS INTO THE TESTING SITE IN THE NEVADA FLATS AND OBTAINED THIS FOOTAGE 952 00:36:21,146 --> 00:36:22,690 TESTING SITE IN THE NEVADA FLATS AND OBTAINED THIS FOOTAGE OF THE FIRST TRIAL LAUNCHING OF 953 00:36:22,714 --> 00:36:25,660 FLATS AND OBTAINED THIS FOOTAGE OF THE FIRST TRIAL LAUNCHING OF THE CRUISE MISSILE. 954 00:36:25,684 --> 00:36:27,495 OF THE FIRST TRIAL LAUNCHING OF THE CRUISE MISSILE. THERE'S THE LAUNCH, AND THE 955 00:36:27,519 --> 00:36:30,398 THE CRUISE MISSILE. THERE'S THE LAUNCH, AND THE CRUISE MISSILE IS OFF! 956 00:36:30,422 --> 00:36:33,901 THERE'S THE LAUNCH, AND THE CRUISE MISSILE IS OFF! AH, IT SPOTS ITS TARGET. 957 00:36:33,925 --> 00:36:35,303 CRUISE MISSILE IS OFF! AH, IT SPOTS ITS TARGET. THERE IT GOES. 958 00:36:35,327 --> 00:36:37,338 AH, IT SPOTS ITS TARGET. THERE IT GOES. THERE'S JUST NO STOPPING THIS 959 00:36:37,362 --> 00:36:39,407 THERE IT GOES. THERE'S JUST NO STOPPING THIS CRUISE MISSILE, FOLKS! 960 00:36:39,431 --> 00:36:42,910 THERE'S JUST NO STOPPING THIS CRUISE MISSILE, FOLKS! $2.6 BILLION! 961 00:36:42,934 --> 00:36:45,146 CRUISE MISSILE, FOLKS! $2.6 BILLION! IN PURSUIT OF ITS TARGET. 962 00:36:45,170 --> 00:36:47,215 $2.6 BILLION! IN PURSUIT OF ITS TARGET. IT'S A HEAT-SEEKING DEVICE THAT 963 00:36:47,239 --> 00:36:48,749 IN PURSUIT OF ITS TARGET. IT'S A HEAT-SEEKING DEVICE THAT ALWAYS GET ITS MAN AND 964 00:36:48,773 --> 00:36:51,452 IT'S A HEAT-SEEKING DEVICE THAT ALWAYS GET ITS MAN AND SOMETIMES ITS WOMAN. 965 00:36:51,476 --> 00:36:55,323 ALWAYS GET ITS MAN AND SOMETIMES ITS WOMAN. $2.6 BILLION. 966 00:36:55,347 --> 00:36:57,525 SOMETIMES ITS WOMAN. $2.6 BILLION. HONK HONK. LOOK OUT. 967 00:36:57,549 --> 00:37:04,199 $2.6 BILLION. HONK HONK. LOOK OUT. IT'S THE CRUISE MISSILE. 968 00:37:04,223 --> 00:37:06,334 HONK HONK. LOOK OUT. IT'S THE CRUISE MISSILE. STILL TO COME... JIMMY CARTER 969 00:37:06,358 --> 00:37:08,536 IT'S THE CRUISE MISSILE. STILL TO COME... JIMMY CARTER LIKES AMY'S FRIENDS, AFTER THIS 970 00:37:08,560 --> 00:37:11,280 STILL TO COME... JIMMY CARTER LIKES AMY'S FRIENDS, AFTER THIS MESSAGE. 971 00:37:16,701 --> 00:37:24,701 HI, I'M FRAN TARKENTON. THAT WAS A GREAT MOMENT FOR ME. AND THIS WAS ANOTHER GREAT 972 00:37:24,943 --> 00:37:25,753 THAT WAS A GREAT MOMENT FOR ME. AND THIS WAS ANOTHER GREAT MOMENT. 973 00:37:25,777 --> 00:37:27,522 AND THIS WAS ANOTHER GREAT MOMENT. THIS IS JOHN BELUSHI. 974 00:37:27,546 --> 00:37:29,724 MOMENT. THIS IS JOHN BELUSHI. UNTIL RECENTLY, JOHN WAS AN 975 00:37:29,748 --> 00:37:31,593 THIS IS JOHN BELUSHI. UNTIL RECENTLY, JOHN WAS AN ACTOR OF SOME PROMISE. 976 00:37:31,617 --> 00:37:35,830 UNTIL RECENTLY, JOHN WAS AN ACTOR OF SOME PROMISE. THEN DRUGS DESTROYED HIS MIND. 977 00:37:35,854 --> 00:37:37,798 ACTOR OF SOME PROMISE. THEN DRUGS DESTROYED HIS MIND. BUT YOUR DOLLARS HAVE HELPED. 978 00:37:37,822 --> 00:37:39,734 THEN DRUGS DESTROYED HIS MIND. BUT YOUR DOLLARS HAVE HELPED. THROUGH CARE AND DEDICATION, 979 00:37:39,758 --> 00:37:41,769 BUT YOUR DOLLARS HAVE HELPED. THROUGH CARE AND DEDICATION, JOHN HAS BEEN REHABILITATED TO 980 00:37:41,793 --> 00:37:43,871 THROUGH CARE AND DEDICATION, JOHN HAS BEEN REHABILITATED TO THE POINT WHERE HE SEES SHADOWS 981 00:37:43,895 --> 00:37:46,574 JOHN HAS BEEN REHABILITATED TO THE POINT WHERE HE SEES SHADOWS AND CAN NAME THREE COUNTRIES. 982 00:37:46,598 --> 00:37:48,142 THE POINT WHERE HE SEES SHADOWS AND CAN NAME THREE COUNTRIES. GO AHEAD, JOHN. 983 00:37:48,166 --> 00:37:50,445 AND CAN NAME THREE COUNTRIES. GO AHEAD, JOHN. BELGIUM, BELGIUM, AND 984 00:37:50,469 --> 00:37:53,748 GO AHEAD, JOHN. BELGIUM, BELGIUM, AND KANSAS CITY. 985 00:37:53,772 --> 00:37:54,716 BELGIUM, BELGIUM, AND KANSAS CITY. GOOD BOY. 986 00:37:54,740 --> 00:37:56,718 KANSAS CITY. GOOD BOY. NOW, TELL THE PEOPLE ABOUT THE 987 00:37:56,742 --> 00:37:58,853 GOOD BOY. NOW, TELL THE PEOPLE ABOUT THE SPECIAL PROGRAM THEY PUT YOU ON. 988 00:37:58,877 --> 00:38:00,788 NOW, TELL THE PEOPLE ABOUT THE SPECIAL PROGRAM THEY PUT YOU ON. FIRST I GET UP IN THE 989 00:38:00,812 --> 00:38:02,923 SPECIAL PROGRAM THEY PUT YOU ON. FIRST I GET UP IN THE MORNING, AND I GET MY SHOT. 990 00:38:02,947 --> 00:38:05,192 FIRST I GET UP IN THE MORNING, AND I GET MY SHOT. THEN THEY PUT ME ON A SPECIAL 991 00:38:05,216 --> 00:38:10,898 MORNING, AND I GET MY SHOT. THEN THEY PUT ME ON A SPECIAL BUS AND... 992 00:38:10,922 --> 00:38:13,234 THEN THEY PUT ME ON A SPECIAL BUS AND... AND THEN THEY TAKE ME TO THE 993 00:38:13,258 --> 00:38:15,503 BUS AND... AND THEN THEY TAKE ME TO THE PARK THAT HAS RUBBER WALLS. 994 00:38:15,527 --> 00:38:17,037 AND THEN THEY TAKE ME TO THE PARK THAT HAS RUBBER WALLS. AND I SEE A FILM. 995 00:38:17,061 --> 00:38:19,374 PARK THAT HAS RUBBER WALLS. AND I SEE A FILM. AND ON SUNDAYS, I HAVE MILK. 996 00:38:19,398 --> 00:38:21,775 AND I SEE A FILM. AND ON SUNDAYS, I HAVE MILK. GOOD BOY, JOHN. GOOD BOY. 997 00:38:21,799 --> 00:38:23,533 COMMUNITY APPEAL. 998 00:38:23,668 --> 00:38:26,670 THANKS TO YOU, HE'S WORKING. 999 00:38:36,013 --> 00:38:41,296 HI. FORMER PRESIDENT GERALD FORD ENJOYED A ROUND OF GOLF TODAY 1000 00:38:41,320 --> 00:38:42,863 FORMER PRESIDENT GERALD FORD ENJOYED A ROUND OF GOLF TODAY NEAR HIS PALM SPRINGS HOME. 1001 00:38:42,887 --> 00:38:44,299 ENJOYED A ROUND OF GOLF TODAY NEAR HIS PALM SPRINGS HOME. WHEN A REPORTER ASKED HIM 1002 00:38:44,323 --> 00:38:46,066 NEAR HIS PALM SPRINGS HOME. WHEN A REPORTER ASKED HIM WHETHER HE REGRETS NOT BEING THE 1003 00:38:46,090 --> 00:38:47,968 WHEN A REPORTER ASKED HIM WHETHER HE REGRETS NOT BEING THE CHIEF EXECUTIVE, FORD SAID, "I'M 1004 00:38:47,992 --> 00:38:49,404 WHETHER HE REGRETS NOT BEING THE CHIEF EXECUTIVE, FORD SAID, "I'M GLAD I AM NOT THE CHIEF 1005 00:38:49,428 --> 00:38:51,005 CHIEF EXECUTIVE, FORD SAID, "I'M GLAD I AM NOT THE CHIEF EXECUTIVE OR THE PRESIDENT 1006 00:38:51,029 --> 00:38:52,840 GLAD I AM NOT THE CHIEF EXECUTIVE OR THE PRESIDENT BECAUSE THEN THERE WOULD BE TWO 1007 00:38:52,864 --> 00:38:53,741 EXECUTIVE OR THE PRESIDENT BECAUSE THEN THERE WOULD BE TWO PRESIDENTS. 1008 00:38:53,765 --> 00:38:55,710 BECAUSE THEN THERE WOULD BE TWO PRESIDENTS. I BELIEVE IN THE ONE-PRESIDENT 1009 00:38:55,734 --> 00:39:01,015 PRESIDENTS. I BELIEVE IN THE ONE-PRESIDENT SYSTEM." 1010 00:39:01,039 --> 00:39:02,883 I BELIEVE IN THE ONE-PRESIDENT SYSTEM." IN THE WAKE OF THE PHENOMENAL 1011 00:39:02,907 --> 00:39:04,852 SYSTEM." IN THE WAKE OF THE PHENOMENAL SUCCESS OF THE TV PRODUCTION OF 1012 00:39:04,876 --> 00:39:06,788 IN THE WAKE OF THE PHENOMENAL SUCCESS OF THE TV PRODUCTION OF "ROOTS," BASED ON ALEX HALEY'S 1013 00:39:06,812 --> 00:39:08,423 SUCCESS OF THE TV PRODUCTION OF "ROOTS," BASED ON ALEX HALEY'S BESTSELLER, MR. HALEY HAS 1014 00:39:08,447 --> 00:39:10,458 "ROOTS," BASED ON ALEX HALEY'S BESTSELLER, MR. HALEY HAS REPORTEDLY REVEALED A MISTAKE IN 1015 00:39:10,482 --> 00:39:12,159 BESTSELLER, MR. HALEY HAS REPORTEDLY REVEALED A MISTAKE IN HIS RESEARCH OF HIS FAMILY 1016 00:39:12,183 --> 00:39:12,960 REPORTEDLY REVEALED A MISTAKE IN HIS RESEARCH OF HIS FAMILY ORIGINS. 1017 00:39:12,984 --> 00:39:15,129 HIS RESEARCH OF HIS FAMILY ORIGINS. INSTEAD OF TRACING HIMSELF BACK 1018 00:39:15,153 --> 00:39:17,031 ORIGINS. INSTEAD OF TRACING HIMSELF BACK TO AN 18th-CENTURY AFRICAN 1019 00:39:17,055 --> 00:39:19,200 INSTEAD OF TRACING HIMSELF BACK TO AN 18th-CENTURY AFRICAN KUNTA KINTE, HALEY SAYS HE GOES 1020 00:39:19,224 --> 00:39:21,636 TO AN 18th-CENTURY AFRICAN KUNTA KINTE, HALEY SAYS HE GOES BACK ONLY AS FAR AS THE 1930s 1021 00:39:21,660 --> 00:39:25,005 KUNTA KINTE, HALEY SAYS HE GOES BACK ONLY AS FAR AS THE 1930s VOCAL GROUP THE INK SPOTS. 1022 00:39:25,029 --> 00:39:26,607 BACK ONLY AS FAR AS THE 1930s VOCAL GROUP THE INK SPOTS. HALEY HAS APOLOGIZED TO HIS 1023 00:39:26,631 --> 00:39:28,343 VOCAL GROUP THE INK SPOTS. HALEY HAS APOLOGIZED TO HIS PUBLISHER AND TO THE AMERICAN 1024 00:39:28,367 --> 00:39:29,944 HALEY HAS APOLOGIZED TO HIS PUBLISHER AND TO THE AMERICAN BROADCAST COMPANY... 1025 00:39:29,968 --> 00:39:32,112 PUBLISHER AND TO THE AMERICAN BROADCAST COMPANY... AND, FOR SOME UNKNOWN REASON, 1026 00:39:32,136 --> 00:39:33,381 BROADCAST COMPANY... AND, FOR SOME UNKNOWN REASON, SHIRLEY TEMPLE BLACK. 1027 00:39:33,405 --> 00:39:36,085 AND, FOR SOME UNKNOWN REASON, SHIRLEY TEMPLE BLACK. I DON'T KNOW WHY. 1028 00:39:42,312 --> 00:39:46,927 "WEEKEND UPDATE" WOULD LIKE TO CORRECT A MISTAKE IN ONE OF OUR NEWS ITEMS LAST WEEK. 1029 00:39:46,951 --> 00:39:47,928 CORRECT A MISTAKE IN ONE OF OUR NEWS ITEMS LAST WEEK. IN A PROFILE OF 1030 00:39:47,952 --> 00:39:49,163 NEWS ITEMS LAST WEEK. IN A PROFILE OF MAMIE EISENHOWER, WE 1031 00:39:49,187 --> 00:39:50,931 IN A PROFILE OF MAMIE EISENHOWER, WE INADVERTENTLY REPORTED THAT SHE 1032 00:39:50,955 --> 00:39:52,767 MAMIE EISENHOWER, WE INADVERTENTLY REPORTED THAT SHE ONCE KNOCKED OUT FLOYD PATTERSON 1033 00:39:52,791 --> 00:39:54,435 INADVERTENTLY REPORTED THAT SHE ONCE KNOCKED OUT FLOYD PATTERSON TO WIN THE HEAVYWEIGHT CROWN. 1034 00:39:54,459 --> 00:39:57,839 ONCE KNOCKED OUT FLOYD PATTERSON TO WIN THE HEAVYWEIGHT CROWN. WELL, WE STAND CORRECTED. 1035 00:39:57,863 --> 00:39:59,474 TO WIN THE HEAVYWEIGHT CROWN. WELL, WE STAND CORRECTED. OUR FINAL STORY TONIGHT... I'M 1036 00:39:59,498 --> 00:40:01,208 WELL, WE STAND CORRECTED. OUR FINAL STORY TONIGHT... I'M JUST OVERWHELMING YOU, AREN'T I? 1037 00:40:01,232 --> 00:40:02,810 OUR FINAL STORY TONIGHT... I'M JUST OVERWHELMING YOU, AREN'T I? DESPITE THE FACT THAT THIS IS 1038 00:40:02,834 --> 00:40:04,479 JUST OVERWHELMING YOU, AREN'T I? DESPITE THE FACT THAT THIS IS THE COLDEST WINTER IN YEARS AND 1039 00:40:04,503 --> 00:40:06,046 DESPITE THE FACT THAT THIS IS THE COLDEST WINTER IN YEARS AND THAT, WITH THE CHILL FACTOR, 1040 00:40:06,070 --> 00:40:07,515 THE COLDEST WINTER IN YEARS AND THAT, WITH THE CHILL FACTOR, TEMPERATURES HAVE BEEN WELL 1041 00:40:07,539 --> 00:40:08,983 THAT, WITH THE CHILL FACTOR, TEMPERATURES HAVE BEEN WELL BELOW ZERO, THE MEMBERS OF 1042 00:40:09,007 --> 00:40:10,852 TEMPERATURES HAVE BEEN WELL BELOW ZERO, THE MEMBERS OF NEW YORK'S FAMED POLAR BEAR CLUB 1043 00:40:10,876 --> 00:40:12,754 BELOW ZERO, THE MEMBERS OF NEW YORK'S FAMED POLAR BEAR CLUB WERE NOT DISCOURAGED FROM TAKING 1044 00:40:12,778 --> 00:40:14,955 NEW YORK'S FAMED POLAR BEAR CLUB WERE NOT DISCOURAGED FROM TAKING AN EARLY-MORNING SWIM TODAY. 1045 00:40:14,979 --> 00:40:17,258 WERE NOT DISCOURAGED FROM TAKING AN EARLY-MORNING SWIM TODAY. 16 MEMBERS ENTERED THE FRIGID 1046 00:40:17,282 --> 00:40:18,693 AN EARLY-MORNING SWIM TODAY. 16 MEMBERS ENTERED THE FRIGID WATERS OFF CONEY ISLAND THIS 1047 00:40:18,717 --> 00:40:20,194 16 MEMBERS ENTERED THE FRIGID WATERS OFF CONEY ISLAND THIS MORNING, CLAD ONLY IN BATHING 1048 00:40:20,218 --> 00:40:21,696 WATERS OFF CONEY ISLAND THIS MORNING, CLAD ONLY IN BATHING SUITS TO PROVE THAT THEY COULD 1049 00:40:21,720 --> 00:40:23,063 MORNING, CLAD ONLY IN BATHING SUITS TO PROVE THAT THEY COULD BRAVE EVEN THE ROUGHEST OF 1050 00:40:23,087 --> 00:40:24,365 SUITS TO PROVE THAT THEY COULD BRAVE EVEN THE ROUGHEST OF ELEMENTS. 1051 00:40:24,389 --> 00:40:27,301 BRAVE EVEN THE ROUGHEST OF ELEMENTS. ONE HUMOROUS NOTE... ALL 16 1052 00:40:27,325 --> 00:40:28,636 ELEMENTS. ONE HUMOROUS NOTE... ALL 16 MEMBERS FROZE TO DEATH. 1053 00:40:28,660 --> 00:40:30,337 ONE HUMOROUS NOTE... ALL 16 MEMBERS FROZE TO DEATH. GOOD NIGHT AND HAVE A PLEASANT 1054 00:40:30,361 --> 00:40:32,841 MEMBERS FROZE TO DEATH. GOOD NIGHT AND HAVE A PLEASANT TOMORROW. 1055 00:40:42,005 --> 00:40:48,155 OH, SO, THIS IS YOUR ROOM. YEAH. ROOM 411. IT'S MY LAST NIGHT HERE. 1056 00:40:48,179 --> 00:40:49,957 YEAH. ROOM 411. IT'S MY LAST NIGHT HERE. WOW, IT'S REALLY INCREDIBLE 1057 00:40:49,981 --> 00:40:51,492 IT'S MY LAST NIGHT HERE. WOW, IT'S REALLY INCREDIBLE RUNNING INTO YOU AFTER THE 1058 00:40:51,516 --> 00:40:52,794 WOW, IT'S REALLY INCREDIBLE RUNNING INTO YOU AFTER THE SUPER BOWL, YOU KNOW? 1059 00:40:52,818 --> 00:40:54,328 RUNNING INTO YOU AFTER THE SUPER BOWL, YOU KNOW? I MEAN, IT WAS OUTRAGEOUS. 1060 00:40:54,352 --> 00:40:55,563 SUPER BOWL, YOU KNOW? I MEAN, IT WAS OUTRAGEOUS. I THOUGHT TO MYSELF, 1061 00:40:55,587 --> 00:40:57,364 I MEAN, IT WAS OUTRAGEOUS. I THOUGHT TO MYSELF, "FRAN TARKENTON IN THIS BAR ALL 1062 00:40:57,388 --> 00:40:59,066 I THOUGHT TO MYSELF, "FRAN TARKENTON IN THIS BAR ALL ALONE WITH ALL THAT ENERGY TO 1063 00:40:59,090 --> 00:40:59,700 "FRAN TARKENTON IN THIS BAR ALL ALONE WITH ALL THAT ENERGY TO EXPEND." 1064 00:40:59,724 --> 00:41:03,070 ALONE WITH ALL THAT ENERGY TO EXPEND." YEAH, WELL, I'M BEAT. 1065 00:41:03,094 --> 00:41:04,405 EXPEND." YEAH, WELL, I'M BEAT. I'M ABOUT READY TO CRASH. 1066 00:41:04,429 --> 00:41:05,105 YEAH, WELL, I'M BEAT. I'M ABOUT READY TO CRASH. REALLY? 1067 00:41:05,129 --> 00:41:06,574 I'M ABOUT READY TO CRASH. REALLY? I COULD TALK ALL NIGHT, MAN. 1068 00:41:06,598 --> 00:41:07,975 REALLY? I COULD TALK ALL NIGHT, MAN. IT'S LIKE, DID I EVER TELL 1069 00:41:07,999 --> 00:41:09,410 I COULD TALK ALL NIGHT, MAN. IT'S LIKE, DID I EVER TELL YOU... NO, I COULDN'T HAVE. 1070 00:41:09,434 --> 00:41:11,011 IT'S LIKE, DID I EVER TELL YOU... NO, I COULDN'T HAVE. WE JUST MET... ABOUT WHEN I WAS 1071 00:41:11,035 --> 00:41:13,213 YOU... NO, I COULDN'T HAVE. WE JUST MET... ABOUT WHEN I WAS IN THE FOURTH GRADE, YOU KNOW? 1072 00:41:13,237 --> 00:41:15,349 WE JUST MET... ABOUT WHEN I WAS IN THE FOURTH GRADE, YOU KNOW? AND THIS GIRL, JEAN BROMBERG, 1073 00:41:15,373 --> 00:41:17,384 IN THE FOURTH GRADE, YOU KNOW? AND THIS GIRL, JEAN BROMBERG, HAD A FLY ON HER, YOU KNOW? 1074 00:41:17,408 --> 00:41:19,454 AND THIS GIRL, JEAN BROMBERG, HAD A FLY ON HER, YOU KNOW? AND, LIKE, IT REALLY BLEW ME 1075 00:41:19,478 --> 00:41:21,722 HAD A FLY ON HER, YOU KNOW? AND, LIKE, IT REALLY BLEW ME AWAY 'CAUSE SHE DIDN'T KNOW IT, 1076 00:41:21,746 --> 00:41:22,289 AND, LIKE, IT REALLY BLEW ME AWAY 'CAUSE SHE DIDN'T KNOW IT, MAN. 1077 00:41:22,313 --> 00:41:24,258 AWAY 'CAUSE SHE DIDN'T KNOW IT, MAN. AND I THOUGHT, "WELL, IF I HAD A 1078 00:41:24,282 --> 00:41:26,260 MAN. AND I THOUGHT, "WELL, IF I HAD A FLY ON ME, I WOULD KNOW IT," YOU 1079 00:41:26,284 --> 00:41:26,794 AND I THOUGHT, "WELL, IF I HAD A FLY ON ME, I WOULD KNOW IT," YOU KNOW? 1080 00:41:26,818 --> 00:41:28,696 FLY ON ME, I WOULD KNOW IT," YOU KNOW? AND THAT'S WHEN I REALIZED THAT 1081 00:41:28,720 --> 00:41:30,631 KNOW? AND THAT'S WHEN I REALIZED THAT I SAW THINGS AND FELT THINGS ON 1082 00:41:30,655 --> 00:41:32,467 AND THAT'S WHEN I REALIZED THAT I SAW THINGS AND FELT THINGS ON A MUCH DEEPER LEVEL THAN MOST 1083 00:41:32,491 --> 00:41:33,100 I SAW THINGS AND FELT THINGS ON A MUCH DEEPER LEVEL THAN MOST PEOPLE. 1084 00:41:33,124 --> 00:41:34,869 A MUCH DEEPER LEVEL THAN MOST PEOPLE. UH... UH... TIME-OUT. 1085 00:41:34,893 --> 00:41:35,736 PEOPLE. UH... UH... TIME-OUT. TIME-OUT. 1086 00:41:35,760 --> 00:41:41,909 UH... UH... TIME-OUT. TIME-OUT. [WHISTLE BLOWS] 1087 00:41:41,933 --> 00:41:43,578 TIME-OUT. [WHISTLE BLOWS] WELL, IT LOOKS LIKE TARKENTON 1088 00:41:43,602 --> 00:41:44,745 [WHISTLE BLOWS] WELL, IT LOOKS LIKE TARKENTON HAS CALLED TIME-OUT. 1089 00:41:44,769 --> 00:41:46,313 WELL, IT LOOKS LIKE TARKENTON HAS CALLED TIME-OUT. HE'S HEADING FOR THE SIDELINES 1090 00:41:46,337 --> 00:41:47,949 HAS CALLED TIME-OUT. HE'S HEADING FOR THE SIDELINES TO TALK OVER THE SITUATION WITH 1091 00:41:47,973 --> 00:41:49,049 HE'S HEADING FOR THE SIDELINES TO TALK OVER THE SITUATION WITH COACH JOHN BELUSHI. 1092 00:41:49,073 --> 00:41:50,417 TO TALK OVER THE SITUATION WITH COACH JOHN BELUSHI. YOU KNOW, BELUSHI'S KNOWN AS A 1093 00:41:50,441 --> 00:41:51,719 COACH JOHN BELUSHI. YOU KNOW, BELUSHI'S KNOWN AS A VERY EVEN-TEMPERED, KIND OF A 1094 00:41:51,743 --> 00:41:53,087 YOU KNOW, BELUSHI'S KNOWN AS A VERY EVEN-TEMPERED, KIND OF A STOIC KIND OF A GUY, BUT HE'S 1095 00:41:53,111 --> 00:41:54,254 VERY EVEN-TEMPERED, KIND OF A STOIC KIND OF A GUY, BUT HE'S GOT ONE OF THE WINNINGEST 1096 00:41:54,278 --> 00:41:55,623 STOIC KIND OF A GUY, BUT HE'S GOT ONE OF THE WINNINGEST RECORDS IN THE ENTIRE NETWORK. 1097 00:41:55,647 --> 00:41:57,057 GOT ONE OF THE WINNINGEST RECORDS IN THE ENTIRE NETWORK. SO, HE'S THE KIND OF GUY YOU'RE 1098 00:41:57,081 --> 00:41:58,459 RECORDS IN THE ENTIRE NETWORK. SO, HE'S THE KIND OF GUY YOU'RE NOT GONNA LET LOOSE OR THE KIND 1099 00:41:58,483 --> 00:41:59,927 SO, HE'S THE KIND OF GUY YOU'RE NOT GONNA LET LOOSE OR THE KIND OF GUY YOU'RE GONNA PAY A LOT OF 1100 00:41:59,951 --> 00:42:00,628 NOT GONNA LET LOOSE OR THE KIND OF GUY YOU'RE GONNA PAY A LOT OF ATTENTION TO. 1101 00:42:00,652 --> 00:42:01,996 OF GUY YOU'RE GONNA PAY A LOT OF ATTENTION TO. IT LOOKS LIKE THEY DECIDED ON 1102 00:42:02,020 --> 00:42:03,430 ATTENTION TO. IT LOOKS LIKE THEY DECIDED ON SOME KIND OF PLAN OF ACTION OVER 1103 00:42:03,454 --> 00:42:04,632 IT LOOKS LIKE THEY DECIDED ON SOME KIND OF PLAN OF ACTION OVER THERE, BUT... NOW, WAIT A 1104 00:42:04,656 --> 00:42:05,099 SOME KIND OF PLAN OF ACTION OVER THERE, BUT... NOW, WAIT A SECOND. 1105 00:42:05,123 --> 00:42:06,567 THERE, BUT... NOW, WAIT A SECOND. IT LOOKS LIKE HE'S GOING BACK TO 1106 00:42:06,591 --> 00:42:07,301 SECOND. IT LOOKS LIKE HE'S GOING BACK TO THE SIDELINES. 1107 00:42:07,325 --> 00:42:08,369 IT LOOKS LIKE HE'S GOING BACK TO THE SIDELINES. APPARENTLY THEY'RE GONNA 1108 00:42:08,393 --> 00:42:09,436 THE SIDELINES. APPARENTLY THEY'RE GONNA DOUBLE-CHECK ON SOMETHING. 1109 00:42:09,460 --> 00:42:10,771 APPARENTLY THEY'RE GONNA DOUBLE-CHECK ON SOMETHING. YOU DON'T WANT TO HAVE ANY KIND 1110 00:42:10,795 --> 00:42:11,939 DOUBLE-CHECK ON SOMETHING. YOU DON'T WANT TO HAVE ANY KIND OF MISCOMMUNICATION AT THIS 1111 00:42:11,963 --> 00:42:12,339 YOU DON'T WANT TO HAVE ANY KIND OF MISCOMMUNICATION AT THIS STAGE. 1112 00:42:12,363 --> 00:42:13,641 OF MISCOMMUNICATION AT THIS STAGE. CERTAINLY YOU WANT TO MAKE SURE 1113 00:42:13,665 --> 00:42:14,375 STAGE. CERTAINLY YOU WANT TO MAKE SURE THAT THERE'S NO 1114 00:42:14,399 --> 00:42:15,610 CERTAINLY YOU WANT TO MAKE SURE THAT THERE'S NO MISINTERPRETATION OF ANYTHING 1115 00:42:15,634 --> 00:42:16,377 THAT THERE'S NO MISINTERPRETATION OF ANYTHING THAT'S GOING ON. 1116 00:42:16,401 --> 00:42:17,712 MISINTERPRETATION OF ANYTHING THAT'S GOING ON. YOU KNOW, TARKENTON, THEY CALL 1117 00:42:17,736 --> 00:42:19,046 THAT'S GOING ON. YOU KNOW, TARKENTON, THEY CALL HIM THE LITTLEST VIKING, BUT IT 1118 00:42:19,070 --> 00:42:20,414 YOU KNOW, TARKENTON, THEY CALL HIM THE LITTLEST VIKING, BUT IT JUST SO HAPPENS THAT HE'S GOT A 1119 00:42:20,438 --> 00:42:21,716 HIM THE LITTLEST VIKING, BUT IT JUST SO HAPPENS THAT HE'S GOT A HUGE, HUGE OLDSMOBILE THAT HE 1120 00:42:21,740 --> 00:42:23,017 JUST SO HAPPENS THAT HE'S GOT A HUGE, HUGE OLDSMOBILE THAT HE LIKES TO DRIVE AROUND AND JUST 1121 00:42:23,041 --> 00:42:24,118 HUGE, HUGE OLDSMOBILE THAT HE LIKES TO DRIVE AROUND AND JUST RUN INTO PARKING METERS. 1122 00:42:24,142 --> 00:42:25,419 LIKES TO DRIVE AROUND AND JUST RUN INTO PARKING METERS. IT'S A FUNNY STORY, BUT WE CAN'T 1123 00:42:25,443 --> 00:42:26,020 RUN INTO PARKING METERS. IT'S A FUNNY STORY, BUT WE CAN'T TELL IT NOW. 1124 00:42:26,044 --> 00:42:27,221 IT'S A FUNNY STORY, BUT WE CAN'T TELL IT NOW. HE SEEMS TO BE CONFIDENT NOW, 1125 00:42:27,245 --> 00:42:28,422 TELL IT NOW. HE SEEMS TO BE CONFIDENT NOW, AND HE'S RUNNING BACK FOR HIS 1126 00:42:28,446 --> 00:42:28,956 HE SEEMS TO BE CONFIDENT NOW, AND HE'S RUNNING BACK FOR HIS NEXT MOVE. 1127 00:42:28,980 --> 00:42:31,893 AND HE'S RUNNING BACK FOR HIS NEXT MOVE. [WHISTLE BLOWS] 1128 00:42:31,917 --> 00:42:33,193 NEXT MOVE. [WHISTLE BLOWS] HOW ABOUT A DRINK? 1129 00:42:33,217 --> 00:42:34,261 [WHISTLE BLOWS] HOW ABOUT A DRINK? OH, THANK YOU. 1130 00:42:34,285 --> 00:42:36,030 HOW ABOUT A DRINK? OH, THANK YOU. YOU KNOW, IT'S REALLY WEIRD THE 1131 00:42:36,054 --> 00:42:37,431 OH, THANK YOU. YOU KNOW, IT'S REALLY WEIRD THE WAY HAIR COLLECTS IN MY 1132 00:42:37,455 --> 00:42:41,168 YOU KNOW, IT'S REALLY WEIRD THE WAY HAIR COLLECTS IN MY HAIRBRUSH. 1133 00:42:41,192 --> 00:42:42,603 WAY HAIR COLLECTS IN MY HAIRBRUSH. YEAH, UH, THERE. 1134 00:42:42,627 --> 00:42:43,738 HAIRBRUSH. YEAH, UH, THERE. THAT'S BETTER. 1135 00:42:43,762 --> 00:42:45,940 YEAH, UH, THERE. THAT'S BETTER. LIKE, MAYBE YOU NEVER THOUGHT 1136 00:42:45,964 --> 00:42:47,808 THAT'S BETTER. LIKE, MAYBE YOU NEVER THOUGHT OF IT THIS WAY, BUT, LIKE, 1137 00:42:47,832 --> 00:42:49,844 LIKE, MAYBE YOU NEVER THOUGHT OF IT THIS WAY, BUT, LIKE, FOOTBALL'S SUCH A TERRITORIAL 1138 00:42:49,868 --> 00:42:50,444 OF IT THIS WAY, BUT, LIKE, FOOTBALL'S SUCH A TERRITORIAL THING. 1139 00:42:50,468 --> 00:42:52,312 FOOTBALL'S SUCH A TERRITORIAL THING. I PERCEIVE IT AS A VERY MALE 1140 00:42:52,336 --> 00:42:52,880 THING. I PERCEIVE IT AS A VERY MALE TRIP. 1141 00:42:52,904 --> 00:42:54,782 I PERCEIVE IT AS A VERY MALE TRIP. YEAH, IT CAN GET PRETTY ROUGH 1142 00:42:54,806 --> 00:42:55,616 TRIP. YEAH, IT CAN GET PRETTY ROUGH OUT THERE. 1143 00:42:55,640 --> 00:42:57,217 YEAH, IT CAN GET PRETTY ROUGH OUT THERE. OH, I HATE VIOLENCE. 1144 00:42:57,241 --> 00:42:58,452 OUT THERE. OH, I HATE VIOLENCE. I REALLY HATE IT. 1145 00:42:58,476 --> 00:43:00,387 OH, I HATE VIOLENCE. I REALLY HATE IT. I MEAN, I'M SO SENSITIVE, YOU 1146 00:43:00,411 --> 00:43:00,922 I REALLY HATE IT. I MEAN, I'M SO SENSITIVE, YOU KNOW? 1147 00:43:00,946 --> 00:43:02,857 I MEAN, I'M SO SENSITIVE, YOU KNOW? AND, YOU KNOW, A LOT OF WOMEN 1148 00:43:02,881 --> 00:43:03,925 KNOW? AND, YOU KNOW, A LOT OF WOMEN DON'T LIKE ME. 1149 00:43:03,949 --> 00:43:05,960 AND, YOU KNOW, A LOT OF WOMEN DON'T LIKE ME. I MEAN, YOU CAN UNDERSTAND WHY. 1150 00:43:05,984 --> 00:43:07,962 DON'T LIKE ME. I MEAN, YOU CAN UNDERSTAND WHY. AND, LIKE, IT REALLY DEPRESSES 1151 00:43:07,986 --> 00:43:08,395 I MEAN, YOU CAN UNDERSTAND WHY. AND, LIKE, IT REALLY DEPRESSES ME. 1152 00:43:08,419 --> 00:43:10,397 AND, LIKE, IT REALLY DEPRESSES ME. I MEAN, SOMETIMES I WOULD LIKE 1153 00:43:10,421 --> 00:43:12,433 ME. I MEAN, SOMETIMES I WOULD LIKE TO TAKE A RAZOR BLADE AND SLICE 1154 00:43:12,457 --> 00:43:13,333 I MEAN, SOMETIMES I WOULD LIKE TO TAKE A RAZOR BLADE AND SLICE UP MY FACE. 1155 00:43:13,357 --> 00:43:15,970 TO TAKE A RAZOR BLADE AND SLICE UP MY FACE. UH... 1156 00:43:15,994 --> 00:43:16,637 UP MY FACE. UH... YEAH. 1157 00:43:16,661 --> 00:43:18,773 UH... YEAH. UM, YOU MIND IF I LIE DOWN? 1158 00:43:18,797 --> 00:43:20,307 YEAH. UM, YOU MIND IF I LIE DOWN? OH, OUTRAGEOUS! 1159 00:43:20,331 --> 00:43:22,509 UM, YOU MIND IF I LIE DOWN? OH, OUTRAGEOUS! I HAD THIS PREMONITION OF ME 1160 00:43:22,533 --> 00:43:24,979 OH, OUTRAGEOUS! I HAD THIS PREMONITION OF ME UNFOLDING IN FRONT OF YOU LIKE A 1161 00:43:25,003 --> 00:43:27,448 I HAD THIS PREMONITION OF ME UNFOLDING IN FRONT OF YOU LIKE A FLOWER WHEN YOU WERE LYING DOWN. 1162 00:43:27,472 --> 00:43:31,953 UNFOLDING IN FRONT OF YOU LIKE A FLOWER WHEN YOU WERE LYING DOWN. OH, FAR OUT, MAN. 1163 00:43:31,977 --> 00:43:33,788 FLOWER WHEN YOU WERE LYING DOWN. OH, FAR OUT, MAN. FRAN, DOES IT EVER BOTHER YOU 1164 00:43:33,812 --> 00:43:35,222 OH, FAR OUT, MAN. FRAN, DOES IT EVER BOTHER YOU THAT YOU'RE CALLED FRAN? 1165 00:43:35,246 --> 00:43:36,924 FRAN, DOES IT EVER BOTHER YOU THAT YOU'RE CALLED FRAN? I MEAN, YOU KNOW ABOUT IN THAT 1166 00:43:36,948 --> 00:43:38,325 THAT YOU'RE CALLED FRAN? I MEAN, YOU KNOW ABOUT IN THAT SONG "A BOY NAMED SUE"? 1167 00:43:38,349 --> 00:43:39,894 I MEAN, YOU KNOW ABOUT IN THAT SONG "A BOY NAMED SUE"? WELL, LIKE, I WAS THINKING, 1168 00:43:39,918 --> 00:43:42,063 SONG "A BOY NAMED SUE"? WELL, LIKE, I WAS THINKING, LIKE, IF YOU HAVE A SON, YOU'LL 1169 00:43:42,087 --> 00:43:43,931 WELL, LIKE, I WAS THINKING, LIKE, IF YOU HAVE A SON, YOU'LL NAME HIM BILL OR GEORGE OR 1170 00:43:43,955 --> 00:43:46,100 LIKE, IF YOU HAVE A SON, YOU'LL NAME HIM BILL OR GEORGE OR FRANK... ANYTHING BUT FRAN. 1171 00:43:46,124 --> 00:43:47,501 NAME HIM BILL OR GEORGE OR FRANK... ANYTHING BUT FRAN. YOU LIKE MUSIC, HUH? 1172 00:43:47,525 --> 00:43:49,369 FRANK... ANYTHING BUT FRAN. YOU LIKE MUSIC, HUH? I GOT MY CASSETTE PLAYER WITH ME 1173 00:43:49,393 --> 00:43:50,137 YOU LIKE MUSIC, HUH? I GOT MY CASSETTE PLAYER WITH ME OVER HERE. 1174 00:43:50,161 --> 00:43:51,706 I GOT MY CASSETTE PLAYER WITH ME OVER HERE. UH... 1175 00:43:51,730 --> 00:43:56,176 OVER HERE. UH... ♪ LAY, LADY, LAY ♪ 1176 00:43:56,200 --> 00:43:57,311 UH... ♪ LAY, LADY, LAY ♪ OH, WOW! 1177 00:43:57,335 --> 00:43:59,947 ♪ LAY, LADY, LAY ♪ OH, WOW! I JUST KNEW YOU'D BE INTO DYLAN. 1178 00:43:59,971 --> 00:44:02,416 OH, WOW! I JUST KNEW YOU'D BE INTO DYLAN. YOU KNOW, I AM SO PSYCHIC THAT 1179 00:44:02,440 --> 00:44:03,985 I JUST KNEW YOU'D BE INTO DYLAN. YOU KNOW, I AM SO PSYCHIC THAT IT'S FRIGHTENING. 1180 00:44:04,009 --> 00:44:06,320 YOU KNOW, I AM SO PSYCHIC THAT IT'S FRIGHTENING. YOU KNOW, MY BACK'S A BIT 1181 00:44:06,344 --> 00:44:07,021 IT'S FRIGHTENING. YOU KNOW, MY BACK'S A BIT SORE. 1182 00:44:07,045 --> 00:44:09,156 YOU KNOW, MY BACK'S A BIT SORE. I THINK I'LL START UP THE MAGIC 1183 00:44:09,180 --> 00:44:11,759 SORE. I THINK I'LL START UP THE MAGIC FINGERS HERE. 1184 00:44:11,783 --> 00:44:13,393 I THINK I'LL START UP THE MAGIC FINGERS HERE. FRAN? 1185 00:44:13,417 --> 00:44:15,062 FINGERS HERE. FRAN? WHY DO THEY CALL YOU THE 1186 00:44:15,086 --> 00:44:15,930 FRAN? WHY DO THEY CALL YOU THE SCRAMBLER? 1187 00:44:15,954 --> 00:44:17,131 WHY DO THEY CALL YOU THE SCRAMBLER? I DON'T KNOW. 1188 00:44:17,155 --> 00:44:20,200 SCRAMBLER? I DON'T KNOW. I GUESS 'CAUSE I SCRAMBLE AROUND 1189 00:44:20,224 --> 00:44:21,102 I DON'T KNOW. I GUESS 'CAUSE I SCRAMBLE AROUND A LOT. 1190 00:44:21,126 --> 00:44:23,838 I GUESS 'CAUSE I SCRAMBLE AROUND A LOT. TELL ME ABOUT JOE NAMATH. 1191 00:44:23,862 --> 00:44:26,273 A LOT. TELL ME ABOUT JOE NAMATH. ALL RIGHT. 1192 00:44:26,297 --> 00:44:29,110 TELL ME ABOUT JOE NAMATH. ALL RIGHT. [WHISTLE BLOWS] 1193 00:44:29,134 --> 00:44:30,577 ALL RIGHT. [WHISTLE BLOWS] WELL, WITH ONLY A FEW SECONDS 1194 00:44:30,601 --> 00:44:31,979 [WHISTLE BLOWS] WELL, WITH ONLY A FEW SECONDS REMAINING, TARK HAS STEPPED OUT 1195 00:44:32,003 --> 00:44:33,447 WELL, WITH ONLY A FEW SECONDS REMAINING, TARK HAS STEPPED OUT OF BOUNDS AND STOPPED THE CLOCK. 1196 00:44:33,471 --> 00:44:34,882 REMAINING, TARK HAS STEPPED OUT OF BOUNDS AND STOPPED THE CLOCK. ONCE AGAIN, HE'S CONFERRING WITH 1197 00:44:34,906 --> 00:44:35,816 OF BOUNDS AND STOPPED THE CLOCK. ONCE AGAIN, HE'S CONFERRING WITH COACH JOHN BELUSHI. 1198 00:44:35,840 --> 00:44:37,118 ONCE AGAIN, HE'S CONFERRING WITH COACH JOHN BELUSHI. GONNA SEE IF HE CAN PUT SOME 1199 00:44:37,142 --> 00:44:38,418 COACH JOHN BELUSHI. GONNA SEE IF HE CAN PUT SOME SCORING, MAYBE, ON THE CLOCK 1200 00:44:38,442 --> 00:44:39,887 GONNA SEE IF HE CAN PUT SOME SCORING, MAYBE, ON THE CLOCK SCORE JUST BEFORE THE CLOCK RUNS 1201 00:44:39,911 --> 00:44:41,288 SCORING, MAYBE, ON THE CLOCK SCORE JUST BEFORE THE CLOCK RUNS OUT HERE IN THE FIRST HALF, YOU 1202 00:44:41,312 --> 00:44:41,822 SCORE JUST BEFORE THE CLOCK RUNS OUT HERE IN THE FIRST HALF, YOU KNOW? 1203 00:44:41,846 --> 00:44:43,724 OUT HERE IN THE FIRST HALF, YOU KNOW? IT'S A REAL PSYCHOLOGICAL DEFEAT 1204 00:44:43,748 --> 00:44:45,559 KNOW? IT'S A REAL PSYCHOLOGICAL DEFEAT TO GO ALL THE WAY DOWN AND GET 1205 00:44:45,583 --> 00:44:47,427 IT'S A REAL PSYCHOLOGICAL DEFEAT TO GO ALL THE WAY DOWN AND GET THIS FAR AND NOT SCORE WITH ALL 1206 00:44:47,451 --> 00:44:48,663 TO GO ALL THE WAY DOWN AND GET THIS FAR AND NOT SCORE WITH ALL THIS WORK INVOLVED. 1207 00:44:48,687 --> 00:44:49,697 THIS FAR AND NOT SCORE WITH ALL THIS WORK INVOLVED. BUT TARKENTON'S A PRO. 1208 00:44:49,721 --> 00:44:50,731 THIS WORK INVOLVED. BUT TARKENTON'S A PRO. HE'S BEEN THERE BEFORE. 1209 00:44:50,755 --> 00:44:52,033 BUT TARKENTON'S A PRO. HE'S BEEN THERE BEFORE. HE'S THE KIND OF GUY WHO HITS 1210 00:44:52,057 --> 00:44:53,400 HE'S BEEN THERE BEFORE. HE'S THE KIND OF GUY WHO HITS AND HITS HARD AND KEEPS COMING. 1211 00:44:53,424 --> 00:44:54,501 HE'S THE KIND OF GUY WHO HITS AND HITS HARD AND KEEPS COMING. YOU KNOW WHAT I'M TALKING ABOUT, 1212 00:44:54,525 --> 00:44:55,302 AND HITS HARD AND KEEPS COMING. YOU KNOW WHAT I'M TALKING ABOUT, LADIES AND GENTLEMEN. 1213 00:44:55,326 --> 00:44:56,336 YOU KNOW WHAT I'M TALKING ABOUT, LADIES AND GENTLEMEN. HE'S THE KIND OF GUY WHO GOES 1214 00:44:56,360 --> 00:44:57,337 LADIES AND GENTLEMEN. HE'S THE KIND OF GUY WHO GOES ONCE, TWICE, THREE TIMES, AND 1215 00:44:57,361 --> 00:44:58,338 HE'S THE KIND OF GUY WHO GOES ONCE, TWICE, THREE TIMES, AND THE KIND OF GUY WHO LIKES TO 1216 00:44:58,362 --> 00:44:59,740 ONCE, TWICE, THREE TIMES, AND THE KIND OF GUY WHO LIKES TO COME BACK LATE AFTER PRACTICE, 1217 00:44:59,764 --> 00:45:01,042 THE KIND OF GUY WHO LIKES TO COME BACK LATE AFTER PRACTICE, IF YOU KNOW WHAT I'M TALKING 1218 00:45:01,066 --> 00:45:01,475 COME BACK LATE AFTER PRACTICE, IF YOU KNOW WHAT I'M TALKING ABOUT. 1219 00:45:01,499 --> 00:45:02,442 IF YOU KNOW WHAT I'M TALKING ABOUT. BACK TO THE ACTION. 1220 00:45:02,466 --> 00:45:04,066 ABOUT. BACK TO THE ACTION. [WHISTLE BLOWS] 1221 00:45:06,136 --> 00:45:07,170 ALICE? 1222 00:45:07,304 --> 00:45:08,738 WHAT, FRAN? 1223 00:45:08,872 --> 00:45:10,439 WANT TO GO TO BED? 1224 00:45:10,574 --> 00:45:13,642 SURE. 1225 00:45:13,777 --> 00:45:15,945 [GUNSHOT] 1226 00:45:33,831 --> 00:45:38,579 WELL, IT'S CERTAINLY BEEN AN EXCITING FIRST HALF OF COMEDY HERE IN THE RCA BUILDING. 1227 00:45:38,603 --> 00:45:40,047 EXCITING FIRST HALF OF COMEDY HERE IN THE RCA BUILDING. HELLO, I'M LEE WHITEHEAD. 1228 00:45:40,071 --> 00:45:41,415 HERE IN THE RCA BUILDING. HELLO, I'M LEE WHITEHEAD. AND I'M BRIAN GUMBO. 1229 00:45:41,439 --> 00:45:42,583 HELLO, I'M LEE WHITEHEAD. AND I'M BRIAN GUMBO. WE'LL HAVE SOME OF THE 1230 00:45:42,607 --> 00:45:43,951 AND I'M BRIAN GUMBO. WE'LL HAVE SOME OF THE FIRST-HALF HIGHLIGHTS WITH 1231 00:45:43,975 --> 00:45:45,252 WE'LL HAVE SOME OF THE FIRST-HALF HIGHLIGHTS WITH FRAN TARKENTON AFTER THIS 1232 00:45:45,276 --> 00:45:47,636 FIRST-HALF HIGHLIGHTS WITH FRAN TARKENTON AFTER THIS MESSAGE. 1233 00:45:53,917 --> 00:45:56,619 [MELANCHOLY ORGAN MUSIC PLAYS] 1234 00:46:17,707 --> 00:46:22,879 CARRY IT WITH YOU. All: ♪ THE FRESH BIG FLAVOR ♪ 1235 00:46:25,749 --> 00:46:28,729 HI, WELCOME BACK TO "GRANDSTAND." WE'RE TALKING WITH 1236 00:46:28,753 --> 00:46:30,030 "GRANDSTAND." WE'RE TALKING WITH FRAN TARKENTON, HOST FOR 1237 00:46:30,054 --> 00:46:31,031 WE'RE TALKING WITH FRAN TARKENTON, HOST FOR "SATURDAY NIGHT." 1238 00:46:31,055 --> 00:46:32,599 FRAN TARKENTON, HOST FOR "SATURDAY NIGHT." FRAN, YOU HAD A PRETTY GOOD 1239 00:46:32,623 --> 00:46:33,333 "SATURDAY NIGHT." FRAN, YOU HAD A PRETTY GOOD FIRST HALF. 1240 00:46:33,357 --> 00:46:35,002 FRAN, YOU HAD A PRETTY GOOD FIRST HALF. YOU COMPLETED 11 OUT OF 16 JOKES 1241 00:46:35,026 --> 00:46:36,370 FIRST HALF. YOU COMPLETED 11 OUT OF 16 JOKES FOR A TOTAL OF 97 LAUGHS. 1242 00:46:36,394 --> 00:46:37,671 YOU COMPLETED 11 OUT OF 16 JOKES FOR A TOTAL OF 97 LAUGHS. NOW, SOME OF THE JOKES HAVE BEEN 1243 00:46:37,695 --> 00:46:38,572 FOR A TOTAL OF 97 LAUGHS. NOW, SOME OF THE JOKES HAVE BEEN PRETTY HARD-HITTING. 1244 00:46:38,596 --> 00:46:39,740 NOW, SOME OF THE JOKES HAVE BEEN PRETTY HARD-HITTING. DO YOU THINK THIS IS A DIRTY 1245 00:46:39,764 --> 00:46:41,541 PRETTY HARD-HITTING. DO YOU THINK THIS IS A DIRTY SHOW? 1246 00:46:41,565 --> 00:46:42,943 DO YOU THINK THIS IS A DIRTY SHOW? WELL, IT APPEARS THAT FRAN 1247 00:46:42,967 --> 00:46:43,844 SHOW? WELL, IT APPEARS THAT FRAN CANNOT HEAR US. 1248 00:46:43,868 --> 00:46:45,345 WELL, IT APPEARS THAT FRAN CANNOT HEAR US. WE'LL HAVE THAT INTERVIEW IN 1249 00:46:45,369 --> 00:46:46,446 CANNOT HEAR US. WE'LL HAVE THAT INTERVIEW IN JUST A FEW MOMENTS. 1250 00:46:46,470 --> 00:46:48,015 WE'LL HAVE THAT INTERVIEW IN JUST A FEW MOMENTS. BUT FIRST LET'S TAKE A LOOK AT 1251 00:46:48,039 --> 00:46:49,483 JUST A FEW MOMENTS. BUT FIRST LET'S TAKE A LOOK AT THE "SATURDAY NIGHT" BLIMP, 1252 00:46:49,507 --> 00:46:51,051 BUT FIRST LET'S TAKE A LOOK AT THE "SATURDAY NIGHT" BLIMP, WHICH IS NOW ABOVE THE STUDIO. 1253 00:46:51,075 --> 00:46:52,552 THE "SATURDAY NIGHT" BLIMP, WHICH IS NOW ABOVE THE STUDIO. AND THE BLIMP, OF COURSE, IS 1254 00:46:52,576 --> 00:46:54,054 WHICH IS NOW ABOVE THE STUDIO. AND THE BLIMP, OF COURSE, IS JUST A SMALL PART OF THE AMAZING 1255 00:46:54,078 --> 00:46:55,322 AND THE BLIMP, OF COURSE, IS JUST A SMALL PART OF THE AMAZING TECHNOLOGICAL HOOKUP WHICH 1256 00:46:55,346 --> 00:46:56,824 JUST A SMALL PART OF THE AMAZING TECHNOLOGICAL HOOKUP WHICH BRINGS US "SATURDAY NIGHT." 1257 00:46:56,848 --> 00:46:57,557 TECHNOLOGICAL HOOKUP WHICH BRINGS US "SATURDAY NIGHT." EXCUSE ME. 1258 00:46:57,581 --> 00:46:58,926 BRINGS US "SATURDAY NIGHT." EXCUSE ME. I THINK FRAN CAN HEAR US NOW. 1259 00:46:58,950 --> 00:47:00,027 EXCUSE ME. I THINK FRAN CAN HEAR US NOW. IS THAT CORRECT, FRAN? 1260 00:47:00,051 --> 00:47:01,595 I THINK FRAN CAN HEAR US NOW. IS THAT CORRECT, FRAN? WE'VE GOT FRAN HERE. 1261 00:47:01,619 --> 00:47:02,863 IS THAT CORRECT, FRAN? WE'VE GOT FRAN HERE. HELLO, FRAN? FRAN. 1262 00:47:02,887 --> 00:47:04,899 WE'VE GOT FRAN HERE. HELLO, FRAN? FRAN. I GUESS WE'RE NOT READY YET FOR 1263 00:47:04,923 --> 00:47:06,233 HELLO, FRAN? FRAN. I GUESS WE'RE NOT READY YET FOR THAT INTERVIEW WITH 1264 00:47:06,257 --> 00:47:07,401 I GUESS WE'RE NOT READY YET FOR THAT INTERVIEW WITH FRAN TARKENTON. 1265 00:47:07,425 --> 00:47:09,569 THAT INTERVIEW WITH FRAN TARKENTON. AND WHILE WE WAIT, LET'S LOOK 1266 00:47:09,593 --> 00:47:11,638 FRAN TARKENTON. AND WHILE WE WAIT, LET'S LOOK AT SOME HIGHLIGHTS FROM A SHOW 1267 00:47:11,662 --> 00:47:13,674 AND WHILE WE WAIT, LET'S LOOK AT SOME HIGHLIGHTS FROM A SHOW THAT IS ALREADY IN PROGRESS ON 1268 00:47:13,698 --> 00:47:14,208 AT SOME HIGHLIGHTS FROM A SHOW THAT IS ALREADY IN PROGRESS ON ABC. 1269 00:47:14,232 --> 00:47:16,043 THAT IS ALREADY IN PROGRESS ON ABC. THEIR LATE-NIGHT MOVIE IS 1270 00:47:16,067 --> 00:47:18,312 ABC. THEIR LATE-NIGHT MOVIE IS "THAT'S ENTERTAINMENT, PART 10." 1271 00:47:18,336 --> 00:47:20,514 THEIR LATE-NIGHT MOVIE IS "THAT'S ENTERTAINMENT, PART 10." THEY HAD AN EXCITING SCENE FROM 1272 00:47:20,538 --> 00:47:21,982 "THAT'S ENTERTAINMENT, PART 10." THEY HAD AN EXCITING SCENE FROM "EVERY MAN'S HOME." 1273 00:47:22,006 --> 00:47:26,442 THEY HAD AN EXCITING SCENE FROM "EVERY MAN'S HOME." LET'S LOOK AT THAT. 1274 00:47:26,710 --> 00:47:32,915 ♪ IT'S A BIG, WIDE, WONDERFUL 1275 00:47:33,050 --> 00:47:35,818 WORLD YOU LIVE IN ♪ 1276 00:47:35,953 --> 00:47:38,287 ♪ WHEN YOU'RE IN LOVE, YOU'RE A 1277 00:47:38,421 --> 00:47:41,457 MASTER OF ALL YOU SURVEY ♪ 1278 00:47:41,725 --> 00:47:49,725 ♪ YOU'RE A GAY SANTA CLAUS ♪ ♪ IT'S SWELL WHEN YOU'RE REALLY IN LOVE ♪ 1279 00:47:51,102 --> 00:47:52,479 ♪ IT'S SWELL WHEN YOU'RE REALLY IN LOVE ♪ AND, OF COURSE, WE'LL BE 1280 00:47:52,503 --> 00:47:53,814 IN LOVE ♪ AND, OF COURSE, WE'LL BE KEEPING YOU POSTED ON ANY 1281 00:47:53,838 --> 00:47:55,149 AND, OF COURSE, WE'LL BE KEEPING YOU POSTED ON ANY DEVELOPMENTS IN THAT SHOW. 1282 00:47:55,173 --> 00:47:56,750 KEEPING YOU POSTED ON ANY DEVELOPMENTS IN THAT SHOW. I UNDERSTAND THAT FRAN CAN HEAR 1283 00:47:56,774 --> 00:47:58,385 DEVELOPMENTS IN THAT SHOW. I UNDERSTAND THAT FRAN CAN HEAR US NOW, SO, FRAN, IS THAT RIGHT? 1284 00:47:58,409 --> 00:47:59,286 I UNDERSTAND THAT FRAN CAN HEAR US NOW, SO, FRAN, IS THAT RIGHT? CAN YOU HEAR US? 1285 00:47:59,310 --> 00:48:00,087 US NOW, SO, FRAN, IS THAT RIGHT? CAN YOU HEAR US? HELLO, BUDDY. 1286 00:48:00,111 --> 00:48:01,155 CAN YOU HEAR US? HELLO, BUDDY. [LAUGHS] 1287 00:48:01,179 --> 00:48:02,923 HELLO, BUDDY. [LAUGHS] WELL, SO, FRAN CAN'T HEAR, SO 1288 00:48:02,947 --> 00:48:04,791 [LAUGHS] WELL, SO, FRAN CAN'T HEAR, SO LET'S TAKE IT DOWN TO THE FLOOR 1289 00:48:04,815 --> 00:48:06,693 WELL, SO, FRAN CAN'T HEAR, SO LET'S TAKE IT DOWN TO THE FLOOR TO HOWARD SHORE AND HIS BAND FOR 1290 00:48:06,717 --> 00:48:08,562 LET'S TAKE IT DOWN TO THE FLOOR TO HOWARD SHORE AND HIS BAND FOR SOME OF THAT HALFTIME PAGEANTRY. 1291 00:48:08,586 --> 00:48:10,197 TO HOWARD SHORE AND HIS BAND FOR SOME OF THAT HALFTIME PAGEANTRY. AND NOW THE WHITE PLAINS 1292 00:48:10,221 --> 00:48:13,700 SOME OF THAT HALFTIME PAGEANTRY. AND NOW THE WHITE PLAINS MARCHING BAND SALUTES BLIND 1293 00:48:13,724 --> 00:48:17,404 AND NOW THE WHITE PLAINS MARCHING BAND SALUTES BLIND NON-WHITE AMERICAN COMPOSERS. 1294 00:48:17,428 --> 00:48:20,207 MARCHING BAND SALUTES BLIND NON-WHITE AMERICAN COMPOSERS. TO BEGIN OUR TRIBUTE, THE BAND 1295 00:48:20,231 --> 00:48:22,609 NON-WHITE AMERICAN COMPOSERS. TO BEGIN OUR TRIBUTE, THE BAND WILL PERFORM "YOU ARE THE 1296 00:48:22,633 --> 00:48:25,079 TO BEGIN OUR TRIBUTE, THE BAND WILL PERFORM "YOU ARE THE SUNSHINE OF MY LIFE" WHILE 1297 00:48:25,103 --> 00:48:27,314 WILL PERFORM "YOU ARE THE SUNSHINE OF MY LIFE" WHILE FORMING A PAIR OF GIANT 1298 00:48:27,338 --> 00:48:30,184 SUNSHINE OF MY LIFE" WHILE FORMING A PAIR OF GIANT SUNGLASSES IN THE CENTER OF THE 1299 00:48:30,208 --> 00:48:34,889 FORMING A PAIR OF GIANT SUNGLASSES IN THE CENTER OF THE FIELD. 1300 00:48:34,913 --> 00:48:36,156 SUNGLASSES IN THE CENTER OF THE FIELD. A HARD-HITTING SHOW. 1301 00:48:36,180 --> 00:48:37,624 FIELD. A HARD-HITTING SHOW. DO YOU THINK THIS IS A DIRTY 1302 00:48:37,648 --> 00:48:38,325 A HARD-HITTING SHOW. DO YOU THINK THIS IS A DIRTY SHOW, FRAN? 1303 00:48:38,349 --> 00:48:39,626 DO YOU THINK THIS IS A DIRTY SHOW, FRAN? NO, I DON'T THINK SO. 1304 00:48:39,650 --> 00:48:41,295 SHOW, FRAN? NO, I DON'T THINK SO. I THINK IT'S GOOD, CLEAN COMEDY. 1305 00:48:41,319 --> 00:48:42,897 NO, I DON'T THINK SO. I THINK IT'S GOOD, CLEAN COMEDY. NO ONE'S TAKING ANY CHEAP SHOTS 1306 00:48:42,921 --> 00:48:44,331 I THINK IT'S GOOD, CLEAN COMEDY. NO ONE'S TAKING ANY CHEAP SHOTS OUT THERE, EXCEPT MAYBE THE 1307 00:48:44,355 --> 00:48:45,699 NO ONE'S TAKING ANY CHEAP SHOTS OUT THERE, EXCEPT MAYBE THE STEVIE WONDER JOKE WE JUST 1308 00:48:45,723 --> 00:48:46,200 OUT THERE, EXCEPT MAYBE THE STEVIE WONDER JOKE WE JUST HEARD. 1309 00:48:46,224 --> 00:48:47,868 STEVIE WONDER JOKE WE JUST HEARD. I HOPE STEVIE'S NOT HURT. 1310 00:48:47,892 --> 00:48:49,603 HEARD. I HOPE STEVIE'S NOT HURT. SPEAKING OF CHEAP SHOTS, WHEN 1311 00:48:49,627 --> 00:48:51,238 I HOPE STEVIE'S NOT HURT. SPEAKING OF CHEAP SHOTS, WHEN DON MEREDITH ANNOUNCED DURING 1312 00:48:51,262 --> 00:48:52,806 SPEAKING OF CHEAP SHOTS, WHEN DON MEREDITH ANNOUNCED DURING THE SUPER BOWL THAT YOU WERE 1313 00:48:52,830 --> 00:48:54,541 DON MEREDITH ANNOUNCED DURING THE SUPER BOWL THAT YOU WERE GOING TO HOST "SATURDAY NIGHT," 1314 00:48:54,565 --> 00:48:56,277 THE SUPER BOWL THAT YOU WERE GOING TO HOST "SATURDAY NIGHT," HE SAID THAT YOU'VE GONE A LONG 1315 00:48:56,301 --> 00:48:57,411 GOING TO HOST "SATURDAY NIGHT," HE SAID THAT YOU'VE GONE A LONG WAY WITH NO TALENT. 1316 00:48:57,435 --> 00:48:59,213 HE SAID THAT YOU'VE GONE A LONG WAY WITH NO TALENT. WHAT DO YOU THINK ABOUT THAT? 1317 00:48:59,237 --> 00:49:01,048 WAY WITH NO TALENT. WHAT DO YOU THINK ABOUT THAT? WELL, I'M NOT A VINDICTIVE 1318 00:49:01,072 --> 00:49:03,017 WHAT DO YOU THINK ABOUT THAT? WELL, I'M NOT A VINDICTIVE KIND OF GUY, BUT THERE ARE THREE 1319 00:49:03,041 --> 00:49:04,885 WELL, I'M NOT A VINDICTIVE KIND OF GUY, BUT THERE ARE THREE ACTIVE QUARTERBACKS IN THE NFL 1320 00:49:04,909 --> 00:49:06,686 KIND OF GUY, BUT THERE ARE THREE ACTIVE QUARTERBACKS IN THE NFL WHO ARE GAY, AND WHEN DON WAS 1321 00:49:06,710 --> 00:49:08,289 ACTIVE QUARTERBACKS IN THE NFL WHO ARE GAY, AND WHEN DON WAS PLAYING, THERE WERE FOUR. 1322 00:49:08,313 --> 00:49:11,225 WHO ARE GAY, AND WHEN DON WAS PLAYING, THERE WERE FOUR. OKAY, FRAN. 1323 00:49:11,249 --> 00:49:13,527 PLAYING, THERE WERE FOUR. OKAY, FRAN. LET'S TAKE A LOOK AT SOME 1324 00:49:13,551 --> 00:49:16,263 OKAY, FRAN. LET'S TAKE A LOOK AT SOME HIGHLIGHTS FROM THE FIRST HALF. 1325 00:49:16,287 --> 00:49:17,831 LET'S TAKE A LOOK AT SOME HIGHLIGHTS FROM THE FIRST HALF. NOW, THIS WAS EARLY ON IN THE 1326 00:49:17,855 --> 00:49:19,499 HIGHLIGHTS FROM THE FIRST HALF. NOW, THIS WAS EARLY ON IN THE SHOW, AND I BELIEVE IT WAS YOUR 1327 00:49:19,523 --> 00:49:20,500 NOW, THIS WAS EARLY ON IN THE SHOW, AND I BELIEVE IT WAS YOUR FIRST BIG LAUGH. 1328 00:49:20,524 --> 00:49:21,835 SHOW, AND I BELIEVE IT WAS YOUR FIRST BIG LAUGH. YES, I'D SAY THIS WAS 1329 00:49:21,859 --> 00:49:23,503 FIRST BIG LAUGH. YES, I'D SAY THIS WAS DEFINITELY THE TURNING POINT OF 1330 00:49:23,527 --> 00:49:24,571 YES, I'D SAY THIS WAS DEFINITELY THE TURNING POINT OF THE FIRST QUARTER. 1331 00:49:24,595 --> 00:49:26,006 DEFINITELY THE TURNING POINT OF THE FIRST QUARTER. JOHN BELUSHI SET ME UP JUST 1332 00:49:26,030 --> 00:49:27,574 THE FIRST QUARTER. JOHN BELUSHI SET ME UP JUST BEAUTIFULLY, AND I WENT IN FOR 1333 00:49:27,598 --> 00:49:28,675 JOHN BELUSHI SET ME UP JUST BEAUTIFULLY, AND I WENT IN FOR THE LAUGH UNTOUCHED. 1334 00:49:28,699 --> 00:49:31,511 BEAUTIFULLY, AND I WENT IN FOR THE LAUGH UNTOUCHED. YEAH... 1335 00:49:31,535 --> 00:49:32,313 THE LAUGH UNTOUCHED. YEAH... BEAUTIFUL. 1336 00:49:32,337 --> 00:49:33,780 YEAH... BEAUTIFUL. WHY DON'T YOU TELL US WHAT'S 1337 00:49:33,804 --> 00:49:35,282 BEAUTIFUL. WHY DON'T YOU TELL US WHAT'S HAPPENING IN THIS SCENE RIGHT 1338 00:49:35,306 --> 00:49:35,715 WHY DON'T YOU TELL US WHAT'S HAPPENING IN THIS SCENE RIGHT HERE? 1339 00:49:35,739 --> 00:49:37,351 HAPPENING IN THIS SCENE RIGHT HERE? WELL, I'M GETTING THE TIME TO 1340 00:49:37,375 --> 00:49:38,685 HERE? WELL, I'M GETTING THE TIME TO GET MY JOKES OFF, AND I'M 1341 00:49:38,709 --> 00:49:40,154 WELL, I'M GETTING THE TIME TO GET MY JOKES OFF, AND I'M CONNECTING WITH THE AUDIENCE. 1342 00:49:40,178 --> 00:49:41,688 GET MY JOKES OFF, AND I'M CONNECTING WITH THE AUDIENCE. AND I HOPE TO DO A LOT MORE OF 1343 00:49:41,712 --> 00:49:43,157 CONNECTING WITH THE AUDIENCE. AND I HOPE TO DO A LOT MORE OF THAT BEFORE THE SHOW'S OVER. 1344 00:49:43,181 --> 00:49:44,724 AND I HOPE TO DO A LOT MORE OF THAT BEFORE THE SHOW'S OVER. TERRIFIC STEROID BIT IF I 1345 00:49:44,748 --> 00:49:45,559 THAT BEFORE THE SHOW'S OVER. TERRIFIC STEROID BIT IF I MAY SAY SO. 1346 00:49:45,583 --> 00:49:47,194 TERRIFIC STEROID BIT IF I MAY SAY SO. YOU LOOK PRETTY GOOD HERE. 1347 00:49:47,218 --> 00:49:48,429 MAY SAY SO. YOU LOOK PRETTY GOOD HERE. NO QUESTION ABOUT IT. 1348 00:49:48,453 --> 00:49:49,763 YOU LOOK PRETTY GOOD HERE. NO QUESTION ABOUT IT. WHAT'S THIS NEXT PIECE OF TAPE 1349 00:49:49,787 --> 00:49:50,764 NO QUESTION ABOUT IT. WHAT'S THIS NEXT PIECE OF TAPE WE'RE GONNA SEE HERE? 1350 00:49:50,788 --> 00:49:52,032 WHAT'S THIS NEXT PIECE OF TAPE WE'RE GONNA SEE HERE? OH, YEAH, YOU LOOK REAL GOOD 1351 00:49:52,056 --> 00:49:52,433 WE'RE GONNA SEE HERE? OH, YEAH, YOU LOOK REAL GOOD HERE. 1352 00:49:52,457 --> 00:49:53,733 OH, YEAH, YOU LOOK REAL GOOD HERE. YOU WANT TO TELL US ABOUT THE 1353 00:49:53,757 --> 00:49:55,102 HERE. YOU WANT TO TELL US ABOUT THE KIND OF CONDITION YOU HAD TO BE 1354 00:49:55,126 --> 00:49:56,337 YOU WANT TO TELL US ABOUT THE KIND OF CONDITION YOU HAD TO BE IN TO PULL THIS ONE OFF? 1355 00:49:56,361 --> 00:49:57,704 KIND OF CONDITION YOU HAD TO BE IN TO PULL THIS ONE OFF? I THINK CONDITION'S A BIG 1356 00:49:57,728 --> 00:49:59,006 IN TO PULL THIS ONE OFF? I THINK CONDITION'S A BIG FACTOR, AND THAT'S WHY THE 1357 00:49:59,030 --> 00:50:00,240 I THINK CONDITION'S A BIG FACTOR, AND THAT'S WHY THE SHOW'S SO FUNNY TONIGHT. 1358 00:50:00,264 --> 00:50:02,443 FACTOR, AND THAT'S WHY THE SHOW'S SO FUNNY TONIGHT. [LAUGHS] 1359 00:50:02,467 --> 00:50:03,777 SHOW'S SO FUNNY TONIGHT. [LAUGHS] WELL, THANK YOU, FRAN. 1360 00:50:03,801 --> 00:50:05,279 [LAUGHS] WELL, THANK YOU, FRAN. AND THOSE ARE THE HIGHLIGHTS. 1361 00:50:05,303 --> 00:50:06,813 WELL, THANK YOU, FRAN. AND THOSE ARE THE HIGHLIGHTS. AND WE HOPE THAT YOU'RE GONNA 1362 00:50:06,837 --> 00:50:08,382 AND THOSE ARE THE HIGHLIGHTS. AND WE HOPE THAT YOU'RE GONNA CONTINUE TO BE FUNNY FOR US IN 1363 00:50:08,406 --> 00:50:09,749 AND WE HOPE THAT YOU'RE GONNA CONTINUE TO BE FUNNY FOR US IN THE SECOND HALF OR ELSE... 1364 00:50:09,773 --> 00:50:11,518 CONTINUE TO BE FUNNY FOR US IN THE SECOND HALF OR ELSE... THANK YOU, LEE AND BRIAN. 1365 00:50:11,542 --> 00:50:12,752 THE SECOND HALF OR ELSE... THANK YOU, LEE AND BRIAN. YEAH, AND THAT'S 1366 00:50:12,776 --> 00:50:13,753 THANK YOU, LEE AND BRIAN. YEAH, AND THAT'S "GRANDSTAND." 1367 00:50:13,777 --> 00:50:15,555 YEAH, AND THAT'S "GRANDSTAND." THANK YOU, LEE, FOR ANCHORING. 1368 00:50:15,579 --> 00:50:17,124 "GRANDSTAND." THANK YOU, LEE, FOR ANCHORING. THANK YOU, BRIAN, FOR 1369 00:50:17,148 --> 00:50:20,108 THANK YOU, LEE, FOR ANCHORING. THANK YOU, BRIAN, FOR PROVIDING THE COLOR. 1370 00:50:22,652 --> 00:50:23,752 Announcer: THE PRECEDING 1371 00:50:23,887 --> 00:50:25,187 BROADCAST IS THE PROPERTY OF THE 1372 00:50:25,322 --> 00:50:26,322 NATIONAL COMEDY LEAGUE. 1373 00:50:26,390 --> 00:50:27,656 ANY REPRODUCTION OR REBROADCAST 1374 00:50:27,790 --> 00:50:28,891 WITHOUT THE EXPRESS WRITTEN 1375 00:50:29,026 --> 00:50:31,527 CONSENT OF THE NLC IS STRICTLY 1376 00:50:31,661 --> 00:50:33,695 PROHIBITED BY COMMON SENSE. 1377 00:50:41,538 --> 00:50:48,222 ONCE AGAIN, HERE'S LEO SAYER. [CHEERS AND APPLAUSE] [INTRODUCTION TO "YOU MAKE ME 1378 00:50:48,246 --> 00:50:49,723 [CHEERS AND APPLAUSE] [INTRODUCTION TO "YOU MAKE ME FEEL LIKE DANCING" PLAYS] 1379 00:50:49,747 --> 00:50:51,925 [INTRODUCTION TO "YOU MAKE ME FEEL LIKE DANCING" PLAYS] ♪ AHH ♪ 1380 00:50:51,949 --> 00:50:54,928 [FEEL LIKE DANCING" PLAYS] ♪ AHH ♪ ♪ A-A-AHH ♪ 1381 00:50:54,952 --> 00:50:57,097 ♪ AHH ♪ ♪ A-A-AHH ♪ ♪ AHH ♪ 1382 00:50:57,121 --> 00:51:00,100 ♪ A-A-AHH ♪ ♪ AHH ♪ ♪ A-A-AHH ♪ 1383 00:51:00,124 --> 00:51:02,302 ♪ AHH ♪ ♪ A-A-AHH ♪ ♪ YOU'VE GOT A CUTE WAY OF 1384 00:51:02,326 --> 00:51:05,272 ♪ A-A-AHH ♪ ♪ YOU'VE GOT A CUTE WAY OF TALKING ♪ 1385 00:51:05,296 --> 00:51:10,244 ♪ YOU'VE GOT A CUTE WAY OF TALKING ♪ ♪ YOU GOT THE BETTER OF ME ♪ 1386 00:51:10,268 --> 00:51:12,046 TALKING ♪ ♪ YOU GOT THE BETTER OF ME ♪ ♪ JUST SNAP YOUR FINGERS, AND 1387 00:51:12,070 --> 00:51:14,114 ♪ YOU GOT THE BETTER OF ME ♪ ♪ JUST SNAP YOUR FINGERS, AND I'M WALKING ♪ 1388 00:51:14,138 --> 00:51:17,284 ♪ JUST SNAP YOUR FINGERS, AND I'M WALKING ♪ ♪ LIKE A DOG HANGING ON YOUR 1389 00:51:17,308 --> 00:51:20,254 I'M WALKING ♪ ♪ LIKE A DOG HANGING ON YOUR LEAD ♪ 1390 00:51:20,278 --> 00:51:22,289 ♪ LIKE A DOG HANGING ON YOUR LEAD ♪ ♪ I'M IN A SPIN, YOU KNOW ♪ 1391 00:51:22,313 --> 00:51:23,924 LEAD ♪ ♪ I'M IN A SPIN, YOU KNOW ♪ ♪ SHAKING ON A STRING, 1392 00:51:23,948 --> 00:51:25,225 ♪ I'M IN A SPIN, YOU KNOW ♪ ♪ SHAKING ON A STRING, YOU KNOW ♪ 1393 00:51:25,249 --> 00:51:27,261 ♪ SHAKING ON A STRING, YOU KNOW ♪ ♪ YOU MAKE ME FEEL LIKE 1394 00:51:27,285 --> 00:51:28,262 YOU KNOW ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1395 00:51:28,286 --> 00:51:29,263 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1396 00:51:29,287 --> 00:51:30,397 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1397 00:51:30,421 --> 00:51:32,099 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1398 00:51:32,123 --> 00:51:33,233 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1399 00:51:33,257 --> 00:51:34,401 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1400 00:51:34,425 --> 00:51:35,169 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1401 00:51:35,193 --> 00:51:37,071 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1402 00:51:37,095 --> 00:51:38,905 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1403 00:51:38,929 --> 00:51:40,674 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I FEEL LIKE DANCING ♪ 1404 00:51:40,698 --> 00:51:41,208 DANCING ♪ ♪ I FEEL LIKE DANCING ♪ WHOO! 1405 00:51:41,232 --> 00:51:42,109 ♪ I FEEL LIKE DANCING ♪ WHOO! ♪ DANCING ♪ 1406 00:51:42,133 --> 00:51:43,944 WHOO! ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ 1407 00:51:43,968 --> 00:51:46,180 ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ 1408 00:51:46,204 --> 00:51:47,081 ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ 1409 00:51:47,105 --> 00:51:49,416 ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ 1410 00:51:49,440 --> 00:51:52,052 ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ ♪ QUARTER TO 4:00 IN THE 1411 00:51:52,076 --> 00:51:54,921 ♪ AHH A-AHH A-AHH ♪ ♪ QUARTER TO 4:00 IN THE MORNING ♪ 1412 00:51:54,945 --> 00:51:56,190 ♪ QUARTER TO 4:00 IN THE MORNING ♪ ♪ I AIN'T FEELING TIRED ♪ 1413 00:51:56,214 --> 00:51:59,593 MORNING ♪ ♪ I AIN'T FEELING TIRED ♪ ♪ NO, NO, NO, NO, NO ♪ 1414 00:51:59,617 --> 00:52:02,196 ♪ I AIN'T FEELING TIRED ♪ ♪ NO, NO, NO, NO, NO ♪ ♪ JUST HOLD ME TIGHT AND LEAVE 1415 00:52:02,220 --> 00:52:04,731 ♪ NO, NO, NO, NO, NO ♪ ♪ JUST HOLD ME TIGHT AND LEAVE ON THE LIGHT ♪ 1416 00:52:04,755 --> 00:52:06,567 ♪ JUST HOLD ME TIGHT AND LEAVE ON THE LIGHT ♪ ♪ 'CAUSE I DON'T WANT TO GO 1417 00:52:06,591 --> 00:52:09,903 ON THE LIGHT ♪ ♪ 'CAUSE I DON'T WANT TO GO HOME ♪ 1418 00:52:09,927 --> 00:52:12,005 ♪ 'CAUSE I DON'T WANT TO GO HOME ♪ ♪ YOU PUT A SPELL ON ME ♪ 1419 00:52:12,029 --> 00:52:13,773 HOME ♪ ♪ YOU PUT A SPELL ON ME ♪ ♪ I'M RIGHT WHERE YOU WANT ME TO 1420 00:52:13,797 --> 00:52:14,674 ♪ YOU PUT A SPELL ON ME ♪ ♪ I'M RIGHT WHERE YOU WANT ME TO BE ♪ 1421 00:52:14,698 --> 00:52:16,643 ♪ I'M RIGHT WHERE YOU WANT ME TO BE ♪ ♪ YOU MAKE ME FEEL LIKE 1422 00:52:16,667 --> 00:52:17,744 BE ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1423 00:52:17,768 --> 00:52:18,845 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1424 00:52:18,869 --> 00:52:19,713 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1425 00:52:19,737 --> 00:52:21,548 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1426 00:52:21,572 --> 00:52:22,782 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1427 00:52:22,806 --> 00:52:23,883 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1428 00:52:23,907 --> 00:52:24,618 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1429 00:52:24,642 --> 00:52:26,587 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1430 00:52:26,611 --> 00:52:28,422 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1431 00:52:28,446 --> 00:52:30,157 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I FEEL LIKE DANCING ♪ 1432 00:52:30,181 --> 00:52:30,724 DANCING ♪ ♪ I FEEL LIKE DANCING ♪ WHOO! 1433 00:52:30,748 --> 00:52:31,725 ♪ I FEEL LIKE DANCING ♪ WHOO! ♪ DANCING ♪ 1434 00:52:31,749 --> 00:52:33,260 WHOO! ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ 1435 00:52:33,284 --> 00:52:35,362 ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ 1436 00:52:35,386 --> 00:52:36,630 ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ 1437 00:52:36,654 --> 00:52:38,698 ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ 1438 00:52:38,722 --> 00:52:41,868 ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ 1439 00:52:41,892 --> 00:52:44,238 ♪ AHH A-AHH A-AHH ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ 1440 00:52:44,262 --> 00:52:46,773 ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ 1441 00:52:46,797 --> 00:52:48,275 ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ 1442 00:52:48,299 --> 00:52:49,243 ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ OH, YEAH ♪ 1443 00:52:49,267 --> 00:52:51,445 ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ OH, YEAH ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ 1444 00:52:51,469 --> 00:52:53,913 ♪ OH, YEAH ♪ ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ 1445 00:52:53,937 --> 00:52:55,616 ♪ DO-DO-DO-DO DO DO DO-DO ♪ ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ YOU TAKE ME HIGHER ♪ 1446 00:52:55,640 --> 00:52:57,851 ♪ DO-DO-DO-DO DO DO DO-DO DO ♪ ♪ YOU TAKE ME HIGHER ♪ ♪ I WANT TO CATCH ON FIRE 1447 00:52:57,875 --> 00:52:58,852 ♪ YOU TAKE ME HIGHER ♪ ♪ I WANT TO CATCH ON FIRE 'CAUSE ♪ 1448 00:52:58,876 --> 00:53:00,754 ♪ I WANT TO CATCH ON FIRE 'CAUSE ♪ ♪ YOU MAKE ME FEEL LIKE 1449 00:53:00,778 --> 00:53:02,088 'CAUSE ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1450 00:53:02,112 --> 00:53:03,223 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1451 00:53:03,247 --> 00:53:03,890 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1452 00:53:03,914 --> 00:53:05,892 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1453 00:53:05,916 --> 00:53:07,127 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1454 00:53:07,151 --> 00:53:08,228 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1455 00:53:08,252 --> 00:53:08,762 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1456 00:53:08,786 --> 00:53:10,864 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1457 00:53:10,888 --> 00:53:12,666 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1458 00:53:12,690 --> 00:53:14,368 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I FEEL LIKE DANCING ♪ 1459 00:53:14,392 --> 00:53:14,901 DANCING ♪ ♪ I FEEL LIKE DANCING ♪ WHOO! 1460 00:53:14,925 --> 00:53:16,002 ♪ I FEEL LIKE DANCING ♪ WHOO! ♪ DANCING ♪ 1461 00:53:16,026 --> 00:53:17,471 WHOO! ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ 1462 00:53:17,495 --> 00:53:19,640 ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ 1463 00:53:19,664 --> 00:53:20,874 ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ 1464 00:53:20,898 --> 00:53:22,376 ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ 1465 00:53:22,400 --> 00:53:24,545 ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ 1466 00:53:24,569 --> 00:53:25,546 ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ 1467 00:53:25,570 --> 00:53:27,147 ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ 1468 00:53:27,171 --> 00:53:29,149 ♪ DANCING ♪ ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ 1469 00:53:29,173 --> 00:53:30,551 ♪ DANCE THE NIGHT AWAY ♪ ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ 1470 00:53:30,575 --> 00:53:33,187 ♪ I FEEL LIKE DANCING ♪ ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ 1471 00:53:33,211 --> 00:53:35,289 ♪ DANCING ♪ ♪ AHH A-AHH A-AHH ♪ ♪ YOU REALLY SLIPPED ME A 1472 00:53:35,313 --> 00:53:38,124 ♪ AHH A-AHH A-AHH ♪ ♪ YOU REALLY SLIPPED ME A POTION ♪ 1473 00:53:38,148 --> 00:53:42,962 ♪ YOU REALLY SLIPPED ME A POTION ♪ ♪ I CAN'T GET OFF OF THE FLOOR ♪ 1474 00:53:42,986 --> 00:53:46,366 POTION ♪ ♪ I CAN'T GET OFF OF THE FLOOR ♪ ♪ ALL THIS PERPETUAL MOTION ♪ 1475 00:53:46,390 --> 00:53:49,102 ♪ I CAN'T GET OFF OF THE FLOOR ♪ ♪ ALL THIS PERPETUAL MOTION ♪ ♪ YOU GOT TO GIVE ME SOME MORE ♪ 1476 00:53:49,126 --> 00:53:52,706 ♪ ALL THIS PERPETUAL MOTION ♪ ♪ YOU GOT TO GIVE ME SOME MORE ♪ ♪ YOU GOT TO GIVE ME SOME MORE ♪ 1477 00:53:52,730 --> 00:53:55,008 ♪ YOU GOT TO GIVE ME SOME MORE ♪ ♪ YOU GOT TO GIVE ME SOME MORE ♪ ♪ AND IF YOU'LL LET ME STAY ♪ 1478 00:53:55,032 --> 00:53:57,811 ♪ YOU GOT TO GIVE ME SOME MORE ♪ ♪ AND IF YOU'LL LET ME STAY ♪ ♪ WE'LL DANCE OUR LIVES AWAY ♪ 1479 00:53:57,835 --> 00:53:59,680 ♪ AND IF YOU'LL LET ME STAY ♪ ♪ WE'LL DANCE OUR LIVES AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1480 00:53:59,704 --> 00:54:00,780 ♪ WE'LL DANCE OUR LIVES AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1481 00:54:00,804 --> 00:54:01,948 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1482 00:54:01,972 --> 00:54:02,816 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1483 00:54:02,840 --> 00:54:04,618 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1484 00:54:04,642 --> 00:54:05,752 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1485 00:54:05,776 --> 00:54:06,953 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1486 00:54:06,977 --> 00:54:07,688 DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1487 00:54:07,712 --> 00:54:09,556 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ YOU MAKE ME FEEL LIKE 1488 00:54:09,580 --> 00:54:11,592 AWAY ♪ ♪ YOU MAKE ME FEEL LIKE DANCING ♪ 1489 00:54:11,616 --> 00:54:13,893 ♪ YOU MAKE ME FEEL LIKE DANCING ♪ ♪ I FEEL ♪ 1490 00:54:13,917 --> 00:54:16,530 DANCING ♪ ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ 1491 00:54:16,554 --> 00:54:18,398 ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ ♪ I FEEL ♪ 1492 00:54:18,422 --> 00:54:20,467 ♪ JUST LIKE DANCING ♪ ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ 1493 00:54:20,491 --> 00:54:21,635 ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT 1494 00:54:21,659 --> 00:54:22,336 ♪ JUST LIKE DANCING ♪ ♪ I WANT TO DANCE THE NIGHT AWAY ♪ 1495 00:54:22,360 --> 00:54:23,537 ♪ I WANT TO DANCE THE NIGHT AWAY ♪ ♪ I FEEL ♪ 1496 00:54:23,561 --> 00:54:26,540 AWAY ♪ ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ 1497 00:54:26,564 --> 00:54:28,675 ♪ I FEEL ♪ ♪ JUST LIKE DANCING ♪ ♪ I FEEL! ♪ 1498 00:54:28,699 --> 00:54:30,819 ♪ JUST LIKE DANCING ♪ ♪ I FEEL! ♪ [CHEERS AND APPLAUSE] 1499 00:54:42,145 --> 00:54:45,281 NOW HERE'S THIS WEEK'S FILM FROM GARY WEIS. 1500 00:54:49,786 --> 00:54:57,786 THIS IS SMALL WORLDS, AND WE ARE, UM... WE SET UP ENCLOSURES FOR ANIMALS 1501 00:54:58,529 --> 00:54:59,839 ARE, UM... WE SET UP ENCLOSURES FOR ANIMALS TO LIVE IN. 1502 00:54:59,863 --> 00:55:01,040 WE SET UP ENCLOSURES FOR ANIMALS TO LIVE IN. AND WE TRY TO MAKE THE 1503 00:55:01,064 --> 00:55:02,542 TO LIVE IN. AND WE TRY TO MAKE THE ENCLOSURES LOOK AS NATURAL AS 1504 00:55:02,566 --> 00:55:03,176 AND WE TRY TO MAKE THE ENCLOSURES LOOK AS NATURAL AS POSSIBLE. 1505 00:55:03,200 --> 00:55:05,011 ENCLOSURES LOOK AS NATURAL AS POSSIBLE. IN OTHER WORDS, WE TRY TO FIGURE 1506 00:55:05,035 --> 00:55:06,647 POSSIBLE. IN OTHER WORDS, WE TRY TO FIGURE OUT EXACTLY WHAT THE ANIMALS 1507 00:55:06,671 --> 00:55:08,382 IN OTHER WORDS, WE TRY TO FIGURE OUT EXACTLY WHAT THE ANIMALS NEED AND THEN TRY TO DUPLICATE 1508 00:55:08,406 --> 00:55:12,886 OUT EXACTLY WHAT THE ANIMALS NEED AND THEN TRY TO DUPLICATE THAT IN A VIVARIUM, WHICH A 1509 00:55:12,910 --> 00:55:14,421 NEED AND THEN TRY TO DUPLICATE THAT IN A VIVARIUM, WHICH A PERSON COULD HAVE IN THEIR 1510 00:55:14,445 --> 00:55:14,988 THAT IN A VIVARIUM, WHICH A PERSON COULD HAVE IN THEIR HOUSE. 1511 00:55:15,012 --> 00:55:16,623 PERSON COULD HAVE IN THEIR HOUSE. I THINK WE'RE THE ONLY STORE 1512 00:55:16,647 --> 00:55:18,124 HOUSE. I THINK WE'RE THE ONLY STORE LIKE THIS IN THE WORLD. 1513 00:55:18,148 --> 00:55:19,893 I THINK WE'RE THE ONLY STORE LIKE THIS IN THE WORLD. HE'S VERY UNUSUAL IN THAT 1514 00:55:19,917 --> 00:55:21,194 LIKE THIS IN THE WORLD. HE'S VERY UNUSUAL IN THAT HE'S VERY FRIENDLY. 1515 00:55:21,218 --> 00:55:22,996 HE'S VERY UNUSUAL IN THAT HE'S VERY FRIENDLY. HE LOVES PEOPLE AND RESPONDS... 1516 00:55:23,020 --> 00:55:24,931 HE'S VERY FRIENDLY. HE LOVES PEOPLE AND RESPONDS... FOR INSTANCE, IF YOU ASK HIM TO 1517 00:55:24,955 --> 00:55:26,767 HE LOVES PEOPLE AND RESPONDS... FOR INSTANCE, IF YOU ASK HIM TO SAY HELLO, HE'LL SIT UP HERE. 1518 00:55:26,791 --> 00:55:29,636 FOR INSTANCE, IF YOU ASK HIM TO SAY HELLO, HE'LL SIT UP HERE. SAY HELLO, BULLY. GO AHEAD. 1519 00:55:29,660 --> 00:55:30,537 SAY HELLO, HE'LL SIT UP HERE. SAY HELLO, BULLY. GO AHEAD. [BULLY CROAKS] 1520 00:55:30,561 --> 00:55:31,070 SAY HELLO, BULLY. GO AHEAD. [BULLY CROAKS] LOUDER. 1521 00:55:31,094 --> 00:55:31,938 [BULLY CROAKS] LOUDER. [BULLY CROAKS] 1522 00:55:31,962 --> 00:55:33,206 LOUDER. [BULLY CROAKS] GOOD. 1523 00:55:33,230 --> 00:55:34,508 [BULLY CROAKS] GOOD. [BULLY CROAKS] 1524 00:55:34,532 --> 00:55:36,209 GOOD. [BULLY CROAKS] THERE'S DEFINITELY A LEVEL OF 1525 00:55:36,233 --> 00:55:38,011 [BULLY CROAKS] THERE'S DEFINITELY A LEVEL OF COMMUNICATION BETWEEN THIS FROG 1526 00:55:38,035 --> 00:55:38,812 THERE'S DEFINITELY A LEVEL OF COMMUNICATION BETWEEN THIS FROG AND PEOPLE. 1527 00:55:38,836 --> 00:55:40,514 COMMUNICATION BETWEEN THIS FROG AND PEOPLE. FOR INSTANCE, IF YOU PUT YOUR 1528 00:55:40,538 --> 00:55:42,248 AND PEOPLE. FOR INSTANCE, IF YOU PUT YOUR FACE DOWN HERE AND YOU LOOK AT 1529 00:55:42,272 --> 00:55:44,518 FOR INSTANCE, IF YOU PUT YOUR FACE DOWN HERE AND YOU LOOK AT HIM, HE'LL JUMP RIGHT AT YOU. 1530 00:55:44,542 --> 00:55:46,252 FACE DOWN HERE AND YOU LOOK AT HIM, HE'LL JUMP RIGHT AT YOU. HE GETS VERY EXCITED. 1531 00:55:46,276 --> 00:55:47,521 HIM, HE'LL JUMP RIGHT AT YOU. HE GETS VERY EXCITED. ISN'T IT TRUE? 1532 00:55:47,545 --> 00:55:49,823 HE GETS VERY EXCITED. ISN'T IT TRUE? Isn't it true? 1533 00:55:49,847 --> 00:55:52,659 ISN'T IT TRUE? Isn't it true? HUH? 1534 00:55:52,683 --> 00:55:54,928 Isn't it true? HUH? HE'S NOT FOR SALE. 1535 00:55:54,952 --> 00:55:55,796 HUH? HE'S NOT FOR SALE. HE'S OUR PET. 1536 00:55:55,820 --> 00:55:57,531 HE'S NOT FOR SALE. HE'S OUR PET. WE'VE HAD HIM SINCE HE WAS VERY 1537 00:55:57,555 --> 00:55:58,064 HE'S OUR PET. WE'VE HAD HIM SINCE HE WAS VERY SMALL. 1538 00:55:58,088 --> 00:55:59,733 WE'VE HAD HIM SINCE HE WAS VERY SMALL. AND WE NAMED HIM BULLY BECAUSE 1539 00:55:59,757 --> 00:56:00,600 SMALL. AND WE NAMED HIM BULLY BECAUSE HE'S A BULLY. 1540 00:56:00,624 --> 00:56:02,202 AND WE NAMED HIM BULLY BECAUSE HE'S A BULLY. HE WILL NOT TOLERATE ANYBODY 1541 00:56:02,226 --> 00:56:03,804 HE'S A BULLY. HE WILL NOT TOLERATE ANYBODY ELSE DOWN IN HIS PART OF THE 1542 00:56:03,828 --> 00:56:04,270 HE WILL NOT TOLERATE ANYBODY ELSE DOWN IN HIS PART OF THE POND. 1543 00:56:04,294 --> 00:56:06,540 ELSE DOWN IN HIS PART OF THE POND. AND WE JUST HAVE A LOT OF FUN 1544 00:56:06,564 --> 00:56:07,474 POND. AND WE JUST HAVE A LOT OF FUN WITH HIM. 1545 00:56:07,498 --> 00:56:08,675 AND WE JUST HAVE A LOT OF FUN WITH HIM. HE'S CUTE. 1546 00:56:08,699 --> 00:56:14,080 WITH HIM. HE'S CUTE. [BULLY CROAKS] 1547 00:56:14,104 --> 00:56:16,350 HE'S CUTE. [BULLY CROAKS] HERE WE HAVE A RED RAT SNAKE, 1548 00:56:16,374 --> 00:56:18,518 [BULLY CROAKS] HERE WE HAVE A RED RAT SNAKE, OR A CORN SNAKE, WHICH I THINK 1549 00:56:18,542 --> 00:56:20,721 HERE WE HAVE A RED RAT SNAKE, OR A CORN SNAKE, WHICH I THINK IS ONE OF THE MOST BEAUTIFUL OF 1550 00:56:20,745 --> 00:56:22,255 OR A CORN SNAKE, WHICH I THINK IS ONE OF THE MOST BEAUTIFUL OF THE DOMESTIC SNAKES. 1551 00:56:22,279 --> 00:56:26,727 IS ONE OF THE MOST BEAUTIFUL OF THE DOMESTIC SNAKES. AND THEY GET VERY TAME. 1552 00:56:26,751 --> 00:56:28,027 THE DOMESTIC SNAKES. AND THEY GET VERY TAME. BUT EVEN THOUGH IT'S 1553 00:56:28,051 --> 00:56:29,929 AND THEY GET VERY TAME. BUT EVEN THOUGH IT'S UNBELIEVABLE, WE HAVE HAD PEOPLE 1554 00:56:29,953 --> 00:56:31,765 BUT EVEN THOUGH IT'S UNBELIEVABLE, WE HAVE HAD PEOPLE STEAL REPTILES FROM THE STORE, 1555 00:56:31,789 --> 00:56:33,567 UNBELIEVABLE, WE HAVE HAD PEOPLE STEAL REPTILES FROM THE STORE, PUT THEM IN THEIR POCKET, TAKE 1556 00:56:33,591 --> 00:56:35,101 STEAL REPTILES FROM THE STORE, PUT THEM IN THEIR POCKET, TAKE THEM OUT. 1557 00:56:35,125 --> 00:56:37,526 PUT THEM IN THEIR POCKET, TAKE THEM OUT. [BLUES MUSIC PLAYS] 1558 00:57:02,218 --> 00:57:08,134 IN TERMS OF HANDLING THESE CREATURES, WE FIND, STRANGELY, THAT WOMEN ARE MUCH MORE EAGER 1559 00:57:08,158 --> 00:57:09,836 CREATURES, WE FIND, STRANGELY, THAT WOMEN ARE MUCH MORE EAGER TO HANDLE THEM THAN MEN. 1560 00:57:09,860 --> 00:57:12,005 THAT WOMEN ARE MUCH MORE EAGER TO HANDLE THEM THAN MEN. A LOT OF MEN ARE QUITE SQUEAMISH 1561 00:57:12,029 --> 00:57:13,707 TO HANDLE THEM THAN MEN. A LOT OF MEN ARE QUITE SQUEAMISH ABOUT HOLDING THESE. 1562 00:57:13,731 --> 00:57:21,731 A LOT OF MEN ARE QUITE SQUEAMISH ABOUT HOLDING THESE. [BULLY CROAKS] 1563 00:57:22,573 --> 00:57:24,350 ABOUT HOLDING THESE. [BULLY CROAKS] YOU SEE, THERE'S NOTHING TO 1564 00:57:24,374 --> 00:57:25,218 [BULLY CROAKS] YOU SEE, THERE'S NOTHING TO WORRY ABOUT. 1565 00:57:25,242 --> 00:57:26,620 YOU SEE, THERE'S NOTHING TO WORRY ABOUT. TARANTULAS DON'T BITE. 1566 00:57:26,644 --> 00:57:28,124 WORRY ABOUT. TARANTULAS DON'T BITE. OW! 1567 00:57:34,350 --> 00:57:36,151 [SOFT PIANO MUSIC PLAYING] 1568 00:57:42,492 --> 00:57:50,492 EVERY TIME YOU BUY A PERFUME, ONE MILLION OTHER WOMEN ARE BUYING THE SAME PERFUME. 1569 00:57:50,734 --> 00:57:52,813 ONE MILLION OTHER WOMEN ARE BUYING THE SAME PERFUME. BUT NOW THERE IS FRENCH LIQUID. 1570 00:57:52,837 --> 00:57:54,614 BUYING THE SAME PERFUME. BUT NOW THERE IS FRENCH LIQUID. ONE MILLION WOMEN CAN WEAR 1571 00:57:54,638 --> 00:57:56,450 BUT NOW THERE IS FRENCH LIQUID. ONE MILLION WOMEN CAN WEAR FRENCH LIQUID, AND IT WON'T 1572 00:57:56,474 --> 00:57:58,485 ONE MILLION WOMEN CAN WEAR FRENCH LIQUID, AND IT WON'T SMELL QUITE THE SAME ON ANY OF 1573 00:57:58,509 --> 00:58:01,354 FRENCH LIQUID, AND IT WON'T SMELL QUITE THE SAME ON ANY OF THEM. 1574 00:58:01,378 --> 00:58:04,090 SMELL QUITE THE SAME ON ANY OF THEM. FOR EXAMPLE, ON HER, IT SMELLS 1575 00:58:04,114 --> 00:58:05,725 THEM. FOR EXAMPLE, ON HER, IT SMELLS LIKE WILDFLOWERS. 1576 00:58:05,749 --> 00:58:08,161 FOR EXAMPLE, ON HER, IT SMELLS LIKE WILDFLOWERS. AND ON HER, IT SMELLS LIKE 1577 00:58:08,185 --> 00:58:09,496 LIKE WILDFLOWERS. AND ON HER, IT SMELLS LIKE TROPIC RAIN. 1578 00:58:09,520 --> 00:58:11,998 AND ON HER, IT SMELLS LIKE TROPIC RAIN. ON HER, IT SMELLS LIKE WARM 1579 00:58:12,022 --> 00:58:13,567 TROPIC RAIN. ON HER, IT SMELLS LIKE WARM RABBIT PELLETS. 1580 00:58:13,591 --> 00:58:15,869 ON HER, IT SMELLS LIKE WARM RABBIT PELLETS. ON HER, IT SMELLS LIKE 1581 00:58:15,893 --> 00:58:18,538 RABBIT PELLETS. ON HER, IT SMELLS LIKE CICELY TYSON'S TOOTHBRUSH. 1582 00:58:18,562 --> 00:58:20,974 ON HER, IT SMELLS LIKE CICELY TYSON'S TOOTHBRUSH. ON HER, IT SMELLS LIKE DEAD 1583 00:58:20,998 --> 00:58:23,009 CICELY TYSON'S TOOTHBRUSH. ON HER, IT SMELLS LIKE DEAD OTTERS IN A DRAINPIPE. 1584 00:58:23,033 --> 00:58:25,211 ON HER, IT SMELLS LIKE DEAD OTTERS IN A DRAINPIPE. FRENCH LIQUID... VIVE LA 1585 00:58:25,235 --> 00:58:27,516 OTTERS IN A DRAINPIPE. FRENCH LIQUID... VIVE LA DIFFéRENCE. 1586 00:58:40,984 --> 00:58:44,430 "SATURDAY NIGHT" OFTEN FEATURES NEW TALENT... INDIVIDUALS OR GROUPS WHO HAVE 1587 00:58:44,454 --> 00:58:45,565 FEATURES NEW TALENT... INDIVIDUALS OR GROUPS WHO HAVE NEVER, NEVER APPEARED ON 1588 00:58:45,589 --> 00:58:46,466 INDIVIDUALS OR GROUPS WHO HAVE NEVER, NEVER APPEARED ON TELEVISION BEFORE. 1589 00:58:46,490 --> 00:58:47,667 NEVER, NEVER APPEARED ON TELEVISION BEFORE. AND I THINK YOU'RE GONNA ENJOY 1590 00:58:47,691 --> 00:58:48,401 TELEVISION BEFORE. AND I THINK YOU'RE GONNA ENJOY THIS NEXT GROUP. 1591 00:58:48,425 --> 00:58:49,669 AND I THINK YOU'RE GONNA ENJOY THIS NEXT GROUP. THEY'RE CALLED DONNIE HARPER AND 1592 00:58:49,693 --> 00:58:53,139 THIS NEXT GROUP. THEY'RE CALLED DONNIE HARPER AND THE VOICES OF AMERICA. 1593 00:58:53,163 --> 00:58:55,108 THEY'RE CALLED DONNIE HARPER AND THE VOICES OF AMERICA. [INTRODUCTION TO "SING A SONG" 1594 00:58:55,132 --> 00:58:57,566 THE VOICES OF AMERICA. [INTRODUCTION TO "SING A SONG" PLAYS] 1595 00:59:06,442 --> 00:59:14,442 ♪ OH, OH, YEAH ♪ ♪ OH, OH, YEAH ♪ ♪ OOH ♪ 1596 00:59:16,987 --> 00:59:17,797 ♪ OH, OH, YEAH ♪ ♪ OOH ♪ ♪ SING ♪ 1597 00:59:17,821 --> 00:59:19,332 ♪ OOH ♪ ♪ SING ♪ ♪ SING ♪ 1598 00:59:19,356 --> 00:59:20,667 ♪ SING ♪ ♪ SING ♪ ♪ SING A SONG ♪ 1599 00:59:20,691 --> 00:59:22,502 ♪ SING ♪ ♪ SING A SONG ♪ ♪ SING ♪ 1600 00:59:22,526 --> 00:59:23,803 ♪ SING A SONG ♪ ♪ SING ♪ ♪ SING IT LOUD ♪ 1601 00:59:23,827 --> 00:59:25,471 ♪ SING ♪ ♪ SING IT LOUD ♪ ♪ SING ♪ 1602 00:59:25,495 --> 00:59:28,742 ♪ SING IT LOUD ♪ ♪ SING ♪ ♪ SING IT LONG ♪ 1603 00:59:28,766 --> 00:59:33,013 ♪ SING ♪ ♪ SING IT LONG ♪ ♪ SING OF GOOD TIMES, NOT BAD ♪ 1604 00:59:33,037 --> 00:59:35,081 ♪ SING IT LONG ♪ ♪ SING OF GOOD TIMES, NOT BAD ♪ ♪ EVERYBODY ♪ 1605 00:59:35,105 --> 00:59:37,951 ♪ SING OF GOOD TIMES, NOT BAD ♪ ♪ EVERYBODY ♪ ♪ SING OF THE HAPPY TIMES, NOT 1606 00:59:37,975 --> 00:59:39,285 ♪ EVERYBODY ♪ ♪ SING OF THE HAPPY TIMES, NOT SAD ♪ 1607 00:59:39,309 --> 00:59:40,954 ♪ SING OF THE HAPPY TIMES, NOT SAD ♪ ♪ WHOA, WHOA ♪ 1608 00:59:40,978 --> 00:59:41,621 SAD ♪ ♪ WHOA, WHOA ♪ ♪ SING ♪ 1609 00:59:41,645 --> 00:59:42,689 ♪ WHOA, WHOA ♪ ♪ SING ♪ ♪ SING ♪ 1610 00:59:42,713 --> 00:59:44,691 ♪ SING ♪ ♪ SING ♪ ♪ SING A SONG ♪ 1611 00:59:44,715 --> 00:59:46,325 ♪ SING ♪ ♪ SING A SONG ♪ ♪ SING ♪ 1612 00:59:46,349 --> 00:59:48,728 ♪ SING A SONG ♪ ♪ SING ♪ ♪ AND MAKE IT SIMPLE TO LAST 1613 00:59:48,752 --> 00:59:52,198 ♪ SING ♪ ♪ AND MAKE IT SIMPLE TO LAST YOUR WHOLE LIFE LONG, YEAH ♪ 1614 00:59:52,222 --> 00:59:55,268 ♪ AND MAKE IT SIMPLE TO LAST YOUR WHOLE LIFE LONG, YEAH ♪ ♪ AND DON'T WORRY THAT IT'S NOT 1615 00:59:55,292 --> 00:59:58,071 YOUR WHOLE LIFE LONG, YEAH ♪ ♪ AND DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO 1616 00:59:58,095 --> 00:59:58,572 ♪ AND DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO HEAR ♪ 1617 00:59:58,596 --> 01:00:01,274 GOOD ENOUGH FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD 1618 01:00:01,298 --> 01:00:04,044 HEAR ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO 1619 01:00:04,068 --> 01:00:04,678 ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO HEAR ♪ 1620 01:00:04,702 --> 01:00:06,312 ENOUGH FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY ♪ 1621 01:00:06,336 --> 01:00:07,280 HEAR ♪ ♪ DON'T WORRY ♪ ♪ THAT'S IT'S NOT GOOD 1622 01:00:07,304 --> 01:00:08,381 ♪ DON'T WORRY ♪ ♪ THAT'S IT'S NOT GOOD ENOUGH ♪ 1623 01:00:08,405 --> 01:00:10,584 ♪ THAT'S IT'S NOT GOOD ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ 1624 01:00:10,608 --> 01:00:11,651 ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ JUST SING ♪ 1625 01:00:11,675 --> 01:00:13,519 ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ JUST SING ♪ ♪ SING ♪ 1626 01:00:13,543 --> 01:00:15,989 ♪ JUST SING ♪ ♪ SING ♪ ♪ WHOA ♪ 1627 01:00:16,013 --> 01:00:16,957 ♪ SING ♪ ♪ WHOA ♪ ♪ YEAH ♪ 1628 01:00:16,981 --> 01:00:20,727 ♪ WHOA ♪ ♪ YEAH ♪ ♪ OH, JUST TRY TO SING A SONG ♪ 1629 01:00:20,751 --> 01:00:22,662 ♪ YEAH ♪ ♪ OH, JUST TRY TO SING A SONG ♪ ♪ YEAH ♪ 1630 01:00:22,686 --> 01:00:26,700 ♪ OH, JUST TRY TO SING A SONG ♪ ♪ YEAH ♪ ♪ OOH ♪ 1631 01:00:26,724 --> 01:00:27,934 ♪ YEAH ♪ ♪ OOH ♪ ♪ YOU KIND OF SOUND REAL 1632 01:00:27,958 --> 01:00:28,735 ♪ OOH ♪ ♪ YOU KIND OF SOUND REAL SOULFUL ♪ 1633 01:00:28,759 --> 01:00:32,606 ♪ YOU KIND OF SOUND REAL SOULFUL ♪ ♪ OOH OOH OOH ♪ 1634 01:00:32,630 --> 01:00:34,540 SOULFUL ♪ ♪ OOH OOH OOH ♪ ♪ YEAH ♪ 1635 01:00:34,564 --> 01:00:37,176 ♪ OOH OOH OOH ♪ ♪ YEAH ♪ ♪ PLEASE PLAY IT FOR ME, 1636 01:00:37,200 --> 01:00:40,914 ♪ YEAH ♪ ♪ PLEASE PLAY IT FOR ME, MR. BANDMAN ♪ 1637 01:00:40,938 --> 01:00:42,381 ♪ PLEASE PLAY IT FOR ME, MR. BANDMAN ♪ ♪ JUST CLAP YOUR HANDS, 1638 01:00:42,405 --> 01:00:43,850 MR. BANDMAN ♪ ♪ JUST CLAP YOUR HANDS, EVERYBODY ♪ 1639 01:00:43,874 --> 01:00:46,486 ♪ JUST CLAP YOUR HANDS, EVERYBODY ♪ ♪ HEY, UNDERSTAND, EVERYBODY ♪ 1640 01:00:46,510 --> 01:00:50,056 EVERYBODY ♪ ♪ HEY, UNDERSTAND, EVERYBODY ♪ ♪ IT'S GONNA BE BRIGHTER, YEAH ♪ 1641 01:00:50,080 --> 01:00:52,258 ♪ HEY, UNDERSTAND, EVERYBODY ♪ ♪ IT'S GONNA BE BRIGHTER, YEAH ♪ ♪ IT'S GONNA BE LIGHTER IF WE 1642 01:00:52,282 --> 01:00:53,093 ♪ IT'S GONNA BE BRIGHTER, YEAH ♪ ♪ IT'S GONNA BE LIGHTER IF WE SING ♪ 1643 01:00:53,117 --> 01:00:53,727 ♪ IT'S GONNA BE LIGHTER IF WE SING ♪ ♪ SING ♪ 1644 01:00:53,751 --> 01:00:55,895 SING ♪ ♪ SING ♪ ♪ EVERY MORNING, SING ♪ 1645 01:00:55,919 --> 01:00:57,097 ♪ SING ♪ ♪ EVERY MORNING, SING ♪ ♪ SING ♪ 1646 01:00:57,121 --> 01:00:58,965 ♪ EVERY MORNING, SING ♪ ♪ SING ♪ ♪ IN THE NEW DAY, SING ♪ 1647 01:00:58,989 --> 01:00:59,766 ♪ SING ♪ ♪ IN THE NEW DAY, SING ♪ ♪ SING ♪ 1648 01:00:59,790 --> 01:01:01,935 ♪ IN THE NEW DAY, SING ♪ ♪ SING ♪ ♪ OVER IN THE MIDNIGHT HOUR ♪ 1649 01:01:01,959 --> 01:01:02,636 ♪ SING ♪ ♪ OVER IN THE MIDNIGHT HOUR ♪ ♪ SING ♪ 1650 01:01:02,660 --> 01:01:04,704 ♪ OVER IN THE MIDNIGHT HOUR ♪ ♪ SING ♪ ♪ OH, LET'S SING ♪ 1651 01:01:04,728 --> 01:01:05,672 ♪ SING ♪ ♪ OH, LET'S SING ♪ ♪ SING ♪ 1652 01:01:05,696 --> 01:01:07,540 ♪ OH, LET'S SING ♪ ♪ SING ♪ ♪ EVERYBODY OUGHT TO SING 1653 01:01:07,564 --> 01:01:09,109 ♪ SING ♪ ♪ EVERYBODY OUGHT TO SING SOMETIMES ♪ 1654 01:01:09,133 --> 01:01:10,610 ♪ EVERYBODY OUGHT TO SING SOMETIMES ♪ ♪ OH, SING ♪ 1655 01:01:10,634 --> 01:01:11,477 SOMETIMES ♪ ♪ OH, SING ♪ ♪ SING ♪ 1656 01:01:11,501 --> 01:01:14,313 ♪ OH, SING ♪ ♪ SING ♪ ♪ COME ON, Y'ALL, AND SING ♪ 1657 01:01:14,337 --> 01:01:15,414 ♪ SING ♪ ♪ COME ON, Y'ALL, AND SING ♪ ♪ YEAH ♪ 1658 01:01:15,438 --> 01:01:16,582 ♪ COME ON, Y'ALL, AND SING ♪ ♪ YEAH ♪ ♪ AND DON'T WORRY ♪ 1659 01:01:16,606 --> 01:01:18,051 ♪ YEAH ♪ ♪ AND DON'T WORRY ♪ ♪ DON'T WORRY THAT IT'S NOT 1660 01:01:18,075 --> 01:01:18,918 ♪ AND DON'T WORRY ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH ♪ 1661 01:01:18,942 --> 01:01:21,387 ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ 1662 01:01:21,411 --> 01:01:22,421 GOOD ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY ♪ 1663 01:01:22,445 --> 01:01:24,057 ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY ♪ ♪ DON'T WORRY THAT IT'S NOT 1664 01:01:24,081 --> 01:01:24,658 ♪ DON'T WORRY ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH ♪ 1665 01:01:24,682 --> 01:01:27,360 ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ 1666 01:01:27,384 --> 01:01:30,296 GOOD ENOUGH ♪ ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD 1667 01:01:30,320 --> 01:01:32,699 ♪ FOR ANYBODY ELSE TO HEAR ♪ ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO 1668 01:01:32,723 --> 01:01:33,266 ♪ DON'T WORRY THAT IT'S NOT GOOD ENOUGH FOR ANYBODY ELSE TO HEAR ♪ 1669 01:01:33,290 --> 01:01:34,233 ENOUGH FOR ANYBODY ELSE TO HEAR ♪ ♪ JUST SING ♪ 1670 01:01:34,257 --> 01:01:35,434 HEAR ♪ ♪ JUST SING ♪ ♪ SING ♪ 1671 01:01:35,458 --> 01:01:37,236 ♪ JUST SING ♪ ♪ SING ♪ ♪ COME ON AND JUST SING ♪ 1672 01:01:37,260 --> 01:01:38,772 ♪ SING ♪ ♪ COME ON AND JUST SING ♪ ♪ SING ♪ 1673 01:01:38,796 --> 01:01:39,572 ♪ COME ON AND JUST SING ♪ ♪ SING ♪ ♪ YEAH ♪ 1674 01:01:39,596 --> 01:01:43,342 ♪ SING ♪ ♪ YEAH ♪ ♪ OH, JUST TRY TO SING A SONG ♪ 1675 01:01:43,366 --> 01:01:45,945 ♪ YEAH ♪ ♪ OH, JUST TRY TO SING A SONG ♪ ♪ SING IT EVERY DAY, YEAH ♪ 1676 01:01:45,969 --> 01:01:47,547 ♪ OH, JUST TRY TO SING A SONG ♪ ♪ SING IT EVERY DAY, YEAH ♪ ♪ GET YOUR HEART TOGETHER AND 1677 01:01:47,571 --> 01:01:49,282 ♪ SING IT EVERY DAY, YEAH ♪ ♪ GET YOUR HEART TOGETHER AND SING A SONG ♪ 1678 01:01:49,306 --> 01:01:53,586 ♪ GET YOUR HEART TOGETHER AND SING A SONG ♪ ♪ OH, YEAH, YEAH, YEAH, YEAH ♪ 1679 01:01:53,610 --> 01:01:59,525 SING A SONG ♪ ♪ OH, YEAH, YEAH, YEAH, YEAH ♪ ♪ SING A SONG ♪ 1680 01:01:59,549 --> 01:02:01,749 ♪ OH, YEAH, YEAH, YEAH, YEAH ♪ ♪ SING A SONG ♪ [APPLAUSE] 1681 01:02:11,527 --> 01:02:16,710 LOOK, MISS WEISS, I'LL SAY IT AGAIN... WE WOULD NOT BE SUSPENDING YOUR MASTERBANK CARD 1682 01:02:16,734 --> 01:02:18,678 AGAIN... WE WOULD NOT BE SUSPENDING YOUR MASTERBANK CARD IF YOU EXERCISED BETTER CONTROL 1683 01:02:18,702 --> 01:02:19,946 SUSPENDING YOUR MASTERBANK CARD IF YOU EXERCISED BETTER CONTROL OVER YOUR SPENDING. 1684 01:02:19,970 --> 01:02:21,781 IF YOU EXERCISED BETTER CONTROL OVER YOUR SPENDING. WELL, I AM TERRIBLY SORRY. 1685 01:02:21,805 --> 01:02:23,316 OVER YOUR SPENDING. WELL, I AM TERRIBLY SORRY. I CANNOT TELL YOU WHAT AN 1686 01:02:23,340 --> 01:02:25,185 WELL, I AM TERRIBLY SORRY. I CANNOT TELL YOU WHAT AN EMBARRASSMENT THIS IS FOR ME TO 1687 01:02:25,209 --> 01:02:27,220 I CANNOT TELL YOU WHAT AN EMBARRASSMENT THIS IS FOR ME TO BE CALLED IN HERE LIKE THIS. 1688 01:02:27,244 --> 01:02:29,555 EMBARRASSMENT THIS IS FOR ME TO BE CALLED IN HERE LIKE THIS. REGARDLESS, MISS WEISS, IT 1689 01:02:29,579 --> 01:02:31,490 BE CALLED IN HERE LIKE THIS. REGARDLESS, MISS WEISS, IT SEEMS TO HAVE HAPPENED. 1690 01:02:31,514 --> 01:02:33,326 REGARDLESS, MISS WEISS, IT SEEMS TO HAVE HAPPENED. THESE RECORDS ALL SHOW YOU ARE 1691 01:02:33,350 --> 01:02:35,195 SEEMS TO HAVE HAPPENED. THESE RECORDS ALL SHOW YOU ARE WAY OVER YOUR CREDIT LIMIT, AND 1692 01:02:35,219 --> 01:02:36,830 THESE RECORDS ALL SHOW YOU ARE WAY OVER YOUR CREDIT LIMIT, AND THE CARD MUST BE SUSPENDED. 1693 01:02:36,854 --> 01:02:38,431 WAY OVER YOUR CREDIT LIMIT, AND THE CARD MUST BE SUSPENDED. THEY SPEAK FOR THEMSELVES! 1694 01:02:38,455 --> 01:02:39,899 THE CARD MUST BE SUSPENDED. THEY SPEAK FOR THEMSELVES! HERE, LET'S LOOK AT YOUR 1695 01:02:39,923 --> 01:02:40,633 THEY SPEAK FOR THEMSELVES! HERE, LET'S LOOK AT YOUR RECEIPTS. 1696 01:02:40,657 --> 01:02:41,534 HERE, LET'S LOOK AT YOUR RECEIPTS. ALL RIGHT. 1697 01:02:41,558 --> 01:02:43,469 RECEIPTS. ALL RIGHT. NOW, THIS FIRST ONE... 1698 01:02:43,493 --> 01:02:45,772 ALL RIGHT. NOW, THIS FIRST ONE... OH, RIGHT, IT'S FOR THE SILK 1699 01:02:45,796 --> 01:02:47,107 NOW, THIS FIRST ONE... OH, RIGHT, IT'S FOR THE SILK BLOUSE I'M WEARING. 1700 01:02:47,131 --> 01:02:51,211 OH, RIGHT, IT'S FOR THE SILK BLOUSE I'M WEARING. FOR WHICH YOU PAID $65.39. 1701 01:02:51,235 --> 01:02:54,313 BLOUSE I'M WEARING. FOR WHICH YOU PAID $65.39. ON SALE. 1702 01:02:54,337 --> 01:02:55,915 FOR WHICH YOU PAID $65.39. ON SALE. YOU CALL THAT A SALE? 1703 01:02:55,939 --> 01:02:57,817 ON SALE. YOU CALL THAT A SALE? I GOT A SILK BLOUSE FOR $35 AT 1704 01:02:57,841 --> 01:02:58,351 YOU CALL THAT A SALE? I GOT A SILK BLOUSE FOR $35 AT SAKS! 1705 01:02:58,375 --> 01:03:00,386 I GOT A SILK BLOUSE FOR $35 AT SAKS! WELL, I GOT A SILK BLOUSE FOR 1706 01:03:00,410 --> 01:03:02,455 SAKS! WELL, I GOT A SILK BLOUSE FOR $20 AT BLOOMIE'S MARKED DOWN 1707 01:03:02,479 --> 01:03:03,123 WELL, I GOT A SILK BLOUSE FOR $20 AT BLOOMIE'S MARKED DOWN TWICE. 1708 01:03:03,147 --> 01:03:06,860 $20 AT BLOOMIE'S MARKED DOWN TWICE. I ONCE PURCHASED A PURE SILK 1709 01:03:06,884 --> 01:03:10,029 TWICE. I ONCE PURCHASED A PURE SILK BLOUSE FOR $10 AT BONWIT'S, 1710 01:03:10,053 --> 01:03:11,965 I ONCE PURCHASED A PURE SILK BLOUSE FOR $10 AT BONWIT'S, ORIGINALLY $99. 1711 01:03:11,989 --> 01:03:13,599 BLOUSE FOR $10 AT BONWIT'S, ORIGINALLY $99. WELL, I HAVE, IN MY 1712 01:03:13,623 --> 01:03:15,769 ORIGINALLY $99. WELL, I HAVE, IN MY POSSESSION, A 100% SILK BLOUSE 1713 01:03:15,793 --> 01:03:17,771 WELL, I HAVE, IN MY POSSESSION, A 100% SILK BLOUSE WHICH WAS GIVEN TO ME BY THE 1714 01:03:17,795 --> 01:03:22,976 POSSESSION, A 100% SILK BLOUSE WHICH WAS GIVEN TO ME BY THE HEAD BUYER AT GIMBELS FOR FREE. 1715 01:03:23,000 --> 01:03:25,979 WHICH WAS GIVEN TO ME BY THE HEAD BUYER AT GIMBELS FOR FREE. IT SO HAPPENS A FRIEND OF 1716 01:03:26,003 --> 01:03:29,249 HEAD BUYER AT GIMBELS FOR FREE. IT SO HAPPENS A FRIEND OF MINE ONCE PAID ME $10 TO TAKE A 1717 01:03:29,273 --> 01:03:30,950 IT SO HAPPENS A FRIEND OF MINE ONCE PAID ME $10 TO TAKE A SILK BLOUSE OFF HER HANDS WHEN 1718 01:03:30,974 --> 01:03:33,019 MINE ONCE PAID ME $10 TO TAKE A SILK BLOUSE OFF HER HANDS WHEN SHE WAS MOVING, YOU UNDERSTAND? 1719 01:03:33,043 --> 01:03:34,788 SILK BLOUSE OFF HER HANDS WHEN SHE WAS MOVING, YOU UNDERSTAND? YOU ACTUALLY MADE MONEY 1720 01:03:34,812 --> 01:03:36,355 SHE WAS MOVING, YOU UNDERSTAND? YOU ACTUALLY MADE MONEY GETTING A SILK BLOUSE? 1721 01:03:36,379 --> 01:03:38,224 YOU ACTUALLY MADE MONEY GETTING A SILK BLOUSE? AND IT IS SO GORGEOUS, IT'S 1722 01:03:38,248 --> 01:03:40,160 GETTING A SILK BLOUSE? AND IT IS SO GORGEOUS, IT'S TO DIE FROM... TO KILL YOURSELF 1723 01:03:40,184 --> 01:03:40,693 AND IT IS SO GORGEOUS, IT'S TO DIE FROM... TO KILL YOURSELF FROM! 1724 01:03:40,717 --> 01:03:41,761 TO DIE FROM... TO KILL YOURSELF FROM! YOU COULD TAKE A BOTTLE OF 1725 01:03:41,785 --> 01:03:42,929 FROM! YOU COULD TAKE A BOTTLE OF ASPIRIN, PUT A KNIFE THROUGH 1726 01:03:42,953 --> 01:03:44,063 YOU COULD TAKE A BOTTLE OF ASPIRIN, PUT A KNIFE THROUGH YOUR HEART, A BULLET THROUGH 1727 01:03:44,087 --> 01:03:45,265 ASPIRIN, PUT A KNIFE THROUGH YOUR HEART, A BULLET THROUGH YOUR HEAD, AND THROW YOURSELF 1728 01:03:45,289 --> 01:03:46,465 YOUR HEART, A BULLET THROUGH YOUR HEAD, AND THROW YOURSELF OUT A WINDOW FROM THIS BLOUSE! 1729 01:03:46,489 --> 01:03:49,035 YOUR HEAD, AND THROW YOURSELF OUT A WINDOW FROM THIS BLOUSE! NOT TO MENTION THE $10. 1730 01:03:49,059 --> 01:03:50,369 OUT A WINDOW FROM THIS BLOUSE! NOT TO MENTION THE $10. EXACTLY. 1731 01:03:50,393 --> 01:03:52,705 NOT TO MENTION THE $10. EXACTLY. NOW, THIS RECEIPT... FROM 1732 01:03:52,729 --> 01:03:55,374 EXACTLY. NOW, THIS RECEIPT... FROM SUN DRUGS FOR $25.95? 1733 01:03:55,398 --> 01:03:56,943 NOW, THIS RECEIPT... FROM SUN DRUGS FOR $25.95? OH, YEAH, NOW, THAT'S FOR 1734 01:03:56,967 --> 01:03:57,944 SUN DRUGS FOR $25.95? OH, YEAH, NOW, THAT'S FOR SEVERAL THINGS. 1735 01:03:57,968 --> 01:03:58,945 OH, YEAH, NOW, THAT'S FOR SEVERAL THINGS. FOR INSTANCE? 1736 01:03:58,969 --> 01:04:00,646 SEVERAL THINGS. FOR INSTANCE? WELL, UH, FIRST OF ALL, ONCE 1737 01:04:00,670 --> 01:04:01,514 FOR INSTANCE? WELL, UH, FIRST OF ALL, ONCE A MONTH... 1738 01:04:01,538 --> 01:04:02,949 WELL, UH, FIRST OF ALL, ONCE A MONTH... OH, YES. OH, YES. 1739 01:04:02,973 --> 01:04:05,018 A MONTH... OH, YES. OH, YES. WELL, ALL I CAN TELL YOU IS, 1740 01:04:05,042 --> 01:04:06,986 OH, YES. OH, YES. WELL, ALL I CAN TELL YOU IS, ON THE FIRST DAY I GO THROUGH 1741 01:04:07,010 --> 01:04:09,189 WELL, ALL I CAN TELL YOU IS, ON THE FIRST DAY I GO THROUGH ONE EVERY HALF-HOUR. 1742 01:04:09,213 --> 01:04:11,825 ON THE FIRST DAY I GO THROUGH ONE EVERY HALF-HOUR. ON MY FIRST DAY, I GO THROUGH 1743 01:04:11,849 --> 01:04:15,494 ONE EVERY HALF-HOUR. ON MY FIRST DAY, I GO THROUGH TWO EVERY 15 MINUTES. 1744 01:04:15,518 --> 01:04:18,397 ON MY FIRST DAY, I GO THROUGH TWO EVERY 15 MINUTES. PLUS, I GET SO BLOATED, I 1745 01:04:18,421 --> 01:04:21,034 TWO EVERY 15 MINUTES. PLUS, I GET SO BLOATED, I CANNOT ZIP MY PANTS. 1746 01:04:21,058 --> 01:04:21,968 PLUS, I GET SO BLOATED, I CANNOT ZIP MY PANTS. I MEAN, WE ARE TALKING 1747 01:04:21,992 --> 01:04:23,837 CANNOT ZIP MY PANTS. I MEAN, WE ARE TALKING MISS BLIMP. 1748 01:04:23,861 --> 01:04:25,805 I MEAN, WE ARE TALKING MISS BLIMP. BLOAT? BLOAT?! 1749 01:04:25,829 --> 01:04:27,506 MISS BLIMP. BLOAT? BLOAT?! YOU WANT TO TALK FROM BLOAT?! 1750 01:04:27,530 --> 01:04:30,543 BLOAT? BLOAT?! YOU WANT TO TALK FROM BLOAT?! I RETAIN WATER LIKE A RESERVOIR! 1751 01:04:30,567 --> 01:04:33,146 YOU WANT TO TALK FROM BLOAT?! I RETAIN WATER LIKE A RESERVOIR! BUT EVEN WORSE, I GET SO SORE I 1752 01:04:33,170 --> 01:04:34,714 I RETAIN WATER LIKE A RESERVOIR! BUT EVEN WORSE, I GET SO SORE I CANNOT SLEEP ON MY STOMACH, YOU 1753 01:04:34,738 --> 01:04:35,849 BUT EVEN WORSE, I GET SO SORE I CANNOT SLEEP ON MY STOMACH, YOU KNOW WHAT I'M SAYING? 1754 01:04:35,873 --> 01:04:37,817 CANNOT SLEEP ON MY STOMACH, YOU KNOW WHAT I'M SAYING? DO I KNOW WHAT YOU'RE SAYING? 1755 01:04:37,841 --> 01:04:39,385 KNOW WHAT I'M SAYING? DO I KNOW WHAT YOU'RE SAYING? LISTEN, I'M JUST LUCKY IF I CAN 1756 01:04:39,409 --> 01:04:40,320 DO I KNOW WHAT YOU'RE SAYING? LISTEN, I'M JUST LUCKY IF I CAN PUT ON A BLOUSE! 1757 01:04:40,344 --> 01:04:41,888 LISTEN, I'M JUST LUCKY IF I CAN PUT ON A BLOUSE! AND THEN, OF COURSE, THERE'S 1758 01:04:41,912 --> 01:04:42,588 PUT ON A BLOUSE! AND THEN, OF COURSE, THERE'S THE CRAMPS. 1759 01:04:42,612 --> 01:04:43,857 AND THEN, OF COURSE, THERE'S THE CRAMPS. WELL, DON'T TALK TO ME! 1760 01:04:43,881 --> 01:04:47,460 THE CRAMPS. WELL, DON'T TALK TO ME! I DROP DEAD FOR 24 HOURS. 1761 01:04:47,484 --> 01:04:48,661 WELL, DON'T TALK TO ME! I DROP DEAD FOR 24 HOURS. IS THAT ALL? 1762 01:04:48,685 --> 01:04:50,763 I DROP DEAD FOR 24 HOURS. IS THAT ALL? MINE LAST FOR A WEEK, AND THEY 1763 01:04:50,787 --> 01:04:52,131 IS THAT ALL? MINE LAST FOR A WEEK, AND THEY START THE WEEK BEFORE. 1764 01:04:52,155 --> 01:04:53,933 MINE LAST FOR A WEEK, AND THEY START THE WEEK BEFORE. WELL, WHEN I GET THOSE, THEY 1765 01:04:53,957 --> 01:04:55,668 START THE WEEK BEFORE. WELL, WHEN I GET THOSE, THEY START TWO WEEKS BEFORE AND GO 1766 01:04:55,692 --> 01:04:56,769 WELL, WHEN I GET THOSE, THEY START TWO WEEKS BEFORE AND GO FOR A WEEK AFTER. 1767 01:04:56,793 --> 01:04:58,437 START TWO WEEKS BEFORE AND GO FOR A WEEK AFTER. WE'RE TALKING CRAMPS FOR ONE 1768 01:04:58,461 --> 01:04:59,505 FOR A WEEK AFTER. WE'RE TALKING CRAMPS FOR ONE ENTIRE MONTH. 1769 01:04:59,529 --> 01:05:01,574 WE'RE TALKING CRAMPS FOR ONE ENTIRE MONTH. I MEAN, ONE ENDS, AND AN HOUR 1770 01:05:01,598 --> 01:05:03,542 ENTIRE MONTH. I MEAN, ONE ENDS, AND AN HOUR LATER, MISS BLIMP DROPS DEAD. 1771 01:05:03,566 --> 01:05:05,245 I MEAN, ONE ENDS, AND AN HOUR LATER, MISS BLIMP DROPS DEAD. WELL, THAT EXPLAINS THE 1772 01:05:05,269 --> 01:05:06,079 LATER, MISS BLIMP DROPS DEAD. WELL, THAT EXPLAINS THE DRUGSTORE. 1773 01:05:06,103 --> 01:05:10,016 WELL, THAT EXPLAINS THE DRUGSTORE. NOW... 1774 01:05:10,040 --> 01:05:13,786 DRUGSTORE. NOW... LI PHA HO'S RESTAURANT, $15. 1775 01:05:13,810 --> 01:05:15,421 NOW... LI PHA HO'S RESTAURANT, $15. YOU LIKE CHINESE FOOD? 1776 01:05:15,445 --> 01:05:16,655 LI PHA HO'S RESTAURANT, $15. YOU LIKE CHINESE FOOD? IT'S MY LIFE. 1777 01:05:16,679 --> 01:05:18,892 YOU LIKE CHINESE FOOD? IT'S MY LIFE. WELL, I KNOW WHERE TO GET THE 1778 01:05:18,916 --> 01:05:21,794 IT'S MY LIFE. WELL, I KNOW WHERE TO GET THE BEST CHINESE FOOD IN NEW YORK. 1779 01:05:21,818 --> 01:05:22,628 WELL, I KNOW WHERE TO GET THE BEST CHINESE FOOD IN NEW YORK. WHERE? 1780 01:05:22,652 --> 01:05:24,397 BEST CHINESE FOOD IN NEW YORK. WHERE? THE EAST SIDE. WONG'S. 1781 01:05:24,421 --> 01:05:26,032 WHERE? THE EAST SIDE. WONG'S. VERY FEW PEOPLE KNOW ABOUT IT. 1782 01:05:26,056 --> 01:05:26,766 THE EAST SIDE. WONG'S. VERY FEW PEOPLE KNOW ABOUT IT. REALLY? 1783 01:05:26,790 --> 01:05:28,368 VERY FEW PEOPLE KNOW ABOUT IT. REALLY? WELL, I KNOW WHERE TO GET THE 1784 01:05:28,392 --> 01:05:29,735 REALLY? WELL, I KNOW WHERE TO GET THE BEST CHINESE FOOD IN THE 1785 01:05:29,759 --> 01:05:30,336 WELL, I KNOW WHERE TO GET THE BEST CHINESE FOOD IN THE COUNTRY. 1786 01:05:30,360 --> 01:05:31,004 BEST CHINESE FOOD IN THE COUNTRY. WHERE? 1787 01:05:31,028 --> 01:05:32,972 COUNTRY. WHERE? DENVER. HONG'S. 1788 01:05:32,996 --> 01:05:36,409 WHERE? DENVER. HONG'S. NOBODY KNOWS ABOUT IT. 1789 01:05:36,433 --> 01:05:38,077 DENVER. HONG'S. NOBODY KNOWS ABOUT IT. I KNOW WHERE TO GET THE BEST 1790 01:05:38,101 --> 01:05:39,612 NOBODY KNOWS ABOUT IT. I KNOW WHERE TO GET THE BEST CHINESE FOOD IN THE WORLD. 1791 01:05:39,636 --> 01:05:40,280 I KNOW WHERE TO GET THE BEST CHINESE FOOD IN THE WORLD. WHERE? 1792 01:05:40,304 --> 01:05:40,980 CHINESE FOOD IN THE WORLD. WHERE? CHINA. 1793 01:05:41,004 --> 01:05:42,548 WHERE? CHINA. EVEN I DON'T KNOW ABOUT IT. 1794 01:05:42,572 --> 01:05:44,350 CHINA. EVEN I DON'T KNOW ABOUT IT. THEY BLINDFOLD YOU BEFORE YOU GO 1795 01:05:44,374 --> 01:05:47,353 EVEN I DON'T KNOW ABOUT IT. THEY BLINDFOLD YOU BEFORE YOU GO IN SO YOU DON'T SEE THE NAME. 1796 01:05:47,377 --> 01:05:48,654 THEY BLINDFOLD YOU BEFORE YOU GO IN SO YOU DON'T SEE THE NAME. OH, SUCH CUTE EARRINGS. 1797 01:05:48,678 --> 01:05:50,056 IN SO YOU DON'T SEE THE NAME. OH, SUCH CUTE EARRINGS. OH, I GOT THEM FROM MY 1798 01:05:50,080 --> 01:05:50,656 OH, SUCH CUTE EARRINGS. OH, I GOT THEM FROM MY BROTHER. 1799 01:05:50,680 --> 01:05:52,658 OH, I GOT THEM FROM MY BROTHER. HE'S A DENTIST AND A JEWELER. 1800 01:05:52,682 --> 01:05:53,559 BROTHER. HE'S A DENTIST AND A JEWELER. REALLY? 1801 01:05:53,583 --> 01:05:55,428 HE'S A DENTIST AND A JEWELER. REALLY? MY BROTHER'S A DOCTOR AND A 1802 01:05:55,452 --> 01:05:56,029 REALLY? MY BROTHER'S A DOCTOR AND A LAWYER. 1803 01:05:56,053 --> 01:05:56,762 MY BROTHER'S A DOCTOR AND A LAWYER. REALLY? 1804 01:05:56,786 --> 01:05:57,830 LAWYER. REALLY? AND A FURRIER. 1805 01:05:57,854 --> 01:06:00,033 REALLY? AND A FURRIER. WHEN I HAD MY ACCIDENT, HE 1806 01:06:00,057 --> 01:06:01,534 AND A FURRIER. WHEN I HAD MY ACCIDENT, HE EXAMINED ME, DEFENDED ME, AND 1807 01:06:01,558 --> 01:06:02,668 WHEN I HAD MY ACCIDENT, HE EXAMINED ME, DEFENDED ME, AND REPLACED MY COAT. 1808 01:06:02,692 --> 01:06:04,437 EXAMINED ME, DEFENDED ME, AND REPLACED MY COAT. WELL, MY OTHER BROTHER IS A 1809 01:06:04,461 --> 01:06:06,272 REPLACED MY COAT. WELL, MY OTHER BROTHER IS A DENTIST, A JEWELER, A DOCTOR, A 1810 01:06:06,296 --> 01:06:08,074 WELL, MY OTHER BROTHER IS A DENTIST, A JEWELER, A DOCTOR, A LAWYER, AN ACCOUNTANT, AND THE 1811 01:06:08,098 --> 01:06:11,110 DENTIST, A JEWELER, A DOCTOR, A LAWYER, AN ACCOUNTANT, AND THE OWNER OF A SWEET'N LOW FACTORY. 1812 01:06:11,134 --> 01:06:14,047 LAWYER, AN ACCOUNTANT, AND THE OWNER OF A SWEET'N LOW FACTORY. OH, HOW NICE FOR YOU. 1813 01:06:14,071 --> 01:06:15,481 OWNER OF A SWEET'N LOW FACTORY. OH, HOW NICE FOR YOU. WELL, MISS WEISS, I THINK YOU 1814 01:06:15,505 --> 01:06:16,983 OH, HOW NICE FOR YOU. WELL, MISS WEISS, I THINK YOU UNDERSTAND WE'LL BE EXPECTING A 1815 01:06:17,007 --> 01:06:18,318 WELL, MISS WEISS, I THINK YOU UNDERSTAND WE'LL BE EXPECTING A PAYMENT FROM YOU WITHIN THE 1816 01:06:18,342 --> 01:06:18,784 UNDERSTAND WE'LL BE EXPECTING A PAYMENT FROM YOU WITHIN THE MONTH. 1817 01:06:18,808 --> 01:06:20,219 PAYMENT FROM YOU WITHIN THE MONTH. WELL, LOOK, COULD I HAVE A 1818 01:06:20,243 --> 01:06:21,020 MONTH. WELL, LOOK, COULD I HAVE A LITTLE EXTENSION? 1819 01:06:21,044 --> 01:06:22,155 WELL, LOOK, COULD I HAVE A LITTLE EXTENSION? I MEAN, I'M HAVING MY NAILS 1820 01:06:22,179 --> 01:06:23,456 LITTLE EXTENSION? I MEAN, I'M HAVING MY NAILS WRAPPED, AND I'M NOT ALLOWED TO 1821 01:06:23,480 --> 01:06:24,557 I MEAN, I'M HAVING MY NAILS WRAPPED, AND I'M NOT ALLOWED TO HOLD A PEN FOR FOUR WEEKS. 1822 01:06:24,581 --> 01:06:25,891 WRAPPED, AND I'M NOT ALLOWED TO HOLD A PEN FOR FOUR WEEKS. WELL, WHY DON'T YOU USE THE 1823 01:06:25,915 --> 01:06:26,525 HOLD A PEN FOR FOUR WEEKS. WELL, WHY DON'T YOU USE THE PADDY NAILS? 1824 01:06:26,549 --> 01:06:27,961 WELL, WHY DON'T YOU USE THE PADDY NAILS? THEY'RE WONDERFUL! YOU CAN TYPE! 1825 01:06:27,985 --> 01:06:28,527 PADDY NAILS? THEY'RE WONDERFUL! YOU CAN TYPE! REALLY? 1826 01:06:28,551 --> 01:06:28,962 THEY'RE WONDERFUL! YOU CAN TYPE! REALLY? YES! 1827 01:06:28,986 --> 01:06:30,163 REALLY? YES! I TYPED ALL YOUR WARNINGS. 1828 01:06:30,187 --> 01:06:31,264 YES! I TYPED ALL YOUR WARNINGS. WHERE DO YOU GET 'EM? 1829 01:06:31,288 --> 01:06:32,432 I TYPED ALL YOUR WARNINGS. WHERE DO YOU GET 'EM? A LITTLE PLACE DOWNSTAIRS. 1830 01:06:32,456 --> 01:06:33,632 WHERE DO YOU GET 'EM? A LITTLE PLACE DOWNSTAIRS. I'M GOING THERE IN 10 MINUTES. 1831 01:06:33,656 --> 01:06:34,700 A LITTLE PLACE DOWNSTAIRS. I'M GOING THERE IN 10 MINUTES. WELL, CAN I COME ALONG? 1832 01:06:34,724 --> 01:06:36,469 I'M GOING THERE IN 10 MINUTES. WELL, CAN I COME ALONG? OH, MISS WEISS, I REPEAT... 1833 01:06:36,493 --> 01:06:37,803 WELL, CAN I COME ALONG? OH, MISS WEISS, I REPEAT... LOOK, LOOK, LOOK. 1834 01:06:37,827 --> 01:06:40,106 OH, MISS WEISS, I REPEAT... LOOK, LOOK, LOOK. I KNOW A DIET WHERE YOU CAN LOSE 1835 01:06:40,130 --> 01:06:42,875 LOOK, LOOK, LOOK. I KNOW A DIET WHERE YOU CAN LOSE 100 POUNDS IN ONE HOUR. 1836 01:06:42,899 --> 01:06:45,979 I KNOW A DIET WHERE YOU CAN LOSE 100 POUNDS IN ONE HOUR. YOU CAN USE MY CARD. 1837 01:06:46,003 --> 01:06:48,243 100 POUNDS IN ONE HOUR. YOU CAN USE MY CARD. THANKS. 204422