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All language subtitles for SNL S01E02 Paul Simon.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,136 --> 00:00:06,938 [INTRO TO "STILL CRAZY AFTER ALL THESE YEARS" PLAYS] 2 00:00:15,281 --> 00:00:23,281 ♪ I MET MY OLD LOVER ON THE STREET LAST NIGHT ♪ ♪ SHE SEEMED SO GLAD TO SEE ME, 3 00:00:26,093 --> 00:00:30,040 STREET LAST NIGHT ♪ ♪ SHE SEEMED SO GLAD TO SEE ME, I JUST SMILED ♪ 4 00:00:30,064 --> 00:00:32,575 ♪ SHE SEEMED SO GLAD TO SEE ME, I JUST SMILED ♪ ♪ AND WE TALKED ABOUT SOME OLD 5 00:00:32,599 --> 00:00:35,345 I JUST SMILED ♪ ♪ AND WE TALKED ABOUT SOME OLD TIMES, AND WE DRANK OURSELVES 6 00:00:35,369 --> 00:00:36,846 ♪ AND WE TALKED ABOUT SOME OLD TIMES, AND WE DRANK OURSELVES SOME BEERS ♪ 7 00:00:36,870 --> 00:00:40,850 TIMES, AND WE DRANK OURSELVES SOME BEERS ♪ ♪ STILL CRAZY AFTER ALL THESE 8 00:00:40,874 --> 00:00:42,785 SOME BEERS ♪ ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ 9 00:00:42,809 --> 00:00:47,491 ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ ♪ WHOA, STILL CRAZY AFTER ALL 10 00:00:47,515 --> 00:00:55,499 YEARS ♪ ♪ WHOA, STILL CRAZY AFTER ALL THESE YEARS ♪ 11 00:00:55,523 --> 00:00:59,536 ♪ WHOA, STILL CRAZY AFTER ALL THESE YEARS ♪ ♪ I'M NOT THE KIND OF MAN WHO 12 00:00:59,560 --> 00:01:02,972 THESE YEARS ♪ ♪ I'M NOT THE KIND OF MAN WHO TENDS TO SOCIALIZE ♪ 13 00:01:02,996 --> 00:01:05,909 ♪ I'M NOT THE KIND OF MAN WHO TENDS TO SOCIALIZE ♪ ♪ I SEEM TO LEAN ON OLD, 14 00:01:05,933 --> 00:01:10,380 TENDS TO SOCIALIZE ♪ ♪ I SEEM TO LEAN ON OLD, FAMILIAR WAYS ♪ 15 00:01:10,404 --> 00:01:13,183 ♪ I SEEM TO LEAN ON OLD, FAMILIAR WAYS ♪ ♪ AND I AIN'T NO FOOL FOR LOVE 16 00:01:13,207 --> 00:01:17,020 FAMILIAR WAYS ♪ ♪ AND I AIN'T NO FOOL FOR LOVE SONGS THAT WHISPER IN MY EARS ♪ 17 00:01:17,044 --> 00:01:21,525 ♪ AND I AIN'T NO FOOL FOR LOVE SONGS THAT WHISPER IN MY EARS ♪ ♪ STILL CRAZY AFTER ALL THESE 18 00:01:21,549 --> 00:01:23,293 SONGS THAT WHISPER IN MY EARS ♪ ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ 19 00:01:23,317 --> 00:01:27,931 ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ ♪ WHOA, STILL CRAZY AFTER ALL 20 00:01:27,955 --> 00:01:34,371 YEARS ♪ ♪ WHOA, STILL CRAZY AFTER ALL THESE YEARS ♪ 21 00:01:34,395 --> 00:01:37,274 ♪ WHOA, STILL CRAZY AFTER ALL THESE YEARS ♪ ♪ 4:00 IN THE MORNING ♪ 22 00:01:37,298 --> 00:01:40,843 THESE YEARS ♪ ♪ 4:00 IN THE MORNING ♪ ♪ CRAPPED OUT, YAWNING ♪ 23 00:01:40,867 --> 00:01:47,684 ♪ 4:00 IN THE MORNING ♪ ♪ CRAPPED OUT, YAWNING ♪ ♪ LONGING MY LIFE AWAY ♪ 24 00:01:47,708 --> 00:01:51,254 ♪ CRAPPED OUT, YAWNING ♪ ♪ LONGING MY LIFE AWAY ♪ ♪ I'LL NEVER WORRY ♪ 25 00:01:51,278 --> 00:01:57,360 ♪ LONGING MY LIFE AWAY ♪ ♪ I'LL NEVER WORRY ♪ ♪ WHY SHOULD I? ♪ 26 00:01:57,384 --> 00:02:02,354 ♪ I'LL NEVER WORRY ♪ ♪ WHY SHOULD I? ♪ ♪ IT'S ALL GONNA FADE ♪ 27 00:02:07,227 --> 00:02:10,028 [SAXOPHONE SOLO] 28 00:02:43,463 --> 00:02:51,463 ♪ NOW I SIT BY MY WINDOW, AND I WATCH THE CARS ♪ ♪ I FEAR I'LL DO SOME DAMAGE 29 00:02:51,605 --> 00:02:56,219 WATCH THE CARS ♪ ♪ I FEAR I'LL DO SOME DAMAGE ONE FINE DAY ♪ 30 00:02:56,243 --> 00:02:59,589 ♪ I FEAR I'LL DO SOME DAMAGE ONE FINE DAY ♪ ♪ BUT I WOULD NOT BE CONVICTED 31 00:02:59,613 --> 00:03:02,759 ONE FINE DAY ♪ ♪ BUT I WOULD NOT BE CONVICTED BY A JURY OF MY PEERS ♪ 32 00:03:02,783 --> 00:03:07,030 ♪ BUT I WOULD NOT BE CONVICTED BY A JURY OF MY PEERS ♪ ♪ STILL CRAZY AFTER ALL THESE 33 00:03:07,054 --> 00:03:08,831 BY A JURY OF MY PEERS ♪ ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ 34 00:03:08,855 --> 00:03:13,270 ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ ♪ WHOA, STILL CRAZY ♪ 35 00:03:13,294 --> 00:03:16,873 YEARS ♪ ♪ WHOA, STILL CRAZY ♪ ♪ STILL CRAZY ♪ 36 00:03:16,897 --> 00:03:22,679 ♪ WHOA, STILL CRAZY ♪ ♪ STILL CRAZY ♪ ♪ STILL CRAZY AFTER ALL THESE 37 00:03:22,703 --> 00:03:27,050 ♪ STILL CRAZY ♪ ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ 38 00:03:27,074 --> 00:03:29,355 ♪ STILL CRAZY AFTER ALL THESE YEARS ♪ [CHEERS AND APPLAUSE] 39 00:03:42,955 --> 00:03:49,127 LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! [BAND PLAYS] 40 00:04:02,842 --> 00:04:04,543 Announcer: STARRING... 41 00:04:07,547 --> 00:04:11,850 WITH PAUL'S GUESTS... 42 00:04:22,695 --> 00:04:25,096 SPECIAL GUEST STAR... 43 00:04:38,811 --> 00:04:41,546 AND THE NOT-READY-FOR-PRIME-TIME 44 00:04:41,681 --> 00:04:44,048 PLAYERS... 45 00:04:44,317 --> 00:04:50,021 LADIES AND GENTLEMEN, PAUL SIMON! [CHEERS AND APPLAUSE] 46 00:04:58,597 --> 00:05:01,778 THANK YOU. THANK YOU. THESE ARE MY FRIENDS THE 47 00:05:01,802 --> 00:05:03,212 THANK YOU. THESE ARE MY FRIENDS THE JESSY DIXON SINGERS. 48 00:05:03,236 --> 00:05:07,450 THESE ARE MY FRIENDS THE JESSY DIXON SINGERS. THIS IS ALDREA AND ETHEL. 49 00:05:07,474 --> 00:05:09,184 JESSY DIXON SINGERS. THIS IS ALDREA AND ETHEL. THIS IS ELSA. 50 00:05:09,208 --> 00:05:11,621 THIS IS ALDREA AND ETHEL. THIS IS ELSA. THIS IS MY MAN J.D., 51 00:05:11,645 --> 00:05:12,822 THIS IS ELSA. THIS IS MY MAN J.D., JESSY DIXON. 52 00:05:12,846 --> 00:05:20,129 THIS IS MY MAN J.D., JESSY DIXON. [APPLAUSE] 53 00:05:20,153 --> 00:05:20,696 JESSY DIXON. [APPLAUSE] ♪ LOVE ♪ 54 00:05:20,720 --> 00:05:21,464 [APPLAUSE] ♪ LOVE ♪ ♪ LOVE ♪ 55 00:05:21,488 --> 00:05:22,197 ♪ LOVE ♪ ♪ LOVE ♪ ♪ LOVE ♪ 56 00:05:22,221 --> 00:05:22,965 ♪ LOVE ♪ ♪ LOVE ♪ ♪ LOVE ♪ 57 00:05:22,989 --> 00:05:24,634 ♪ LOVE ♪ ♪ LOVE ♪ ♪ LOVE ♪ 58 00:05:24,658 --> 00:05:26,135 ♪ LOVE ♪ ♪ LOVE ♪ ♪ WHEN I WAS A LITTLE BOY ♪ 59 00:05:26,159 --> 00:05:27,537 ♪ LOVE ♪ ♪ WHEN I WAS A LITTLE BOY ♪ ♪ WAS A LITTLE BOY ♪ 60 00:05:27,561 --> 00:05:28,704 ♪ WHEN I WAS A LITTLE BOY ♪ ♪ WAS A LITTLE BOY ♪ ♪ AND THE DEVIL WOULD CALL MY 61 00:05:28,728 --> 00:05:29,138 ♪ WAS A LITTLE BOY ♪ ♪ AND THE DEVIL WOULD CALL MY NAME ♪ 62 00:05:29,162 --> 00:05:30,706 ♪ AND THE DEVIL WOULD CALL MY NAME ♪ ♪ WAS A LITTLE BOY ♪ 63 00:05:30,730 --> 00:05:33,576 NAME ♪ ♪ WAS A LITTLE BOY ♪ ♪ WELL, I'D SAY, "WHO DO, WHO 64 00:05:33,600 --> 00:05:34,444 ♪ WAS A LITTLE BOY ♪ ♪ WELL, I'D SAY, "WHO DO, WHO DO YOU THINK YOU'RE 65 00:05:34,468 --> 00:05:35,144 ♪ WELL, I'D SAY, "WHO DO, WHO DO YOU THINK YOU'RE FOOLING?" ♪ 66 00:05:35,168 --> 00:05:36,446 DO YOU THINK YOU'RE FOOLING?" ♪ ♪ WAS A LITTLE BOY ♪ 67 00:05:36,470 --> 00:05:38,080 FOOLING?" ♪ ♪ WAS A LITTLE BOY ♪ ♪ I'M A CONSECRATED BOY ♪ 68 00:05:38,104 --> 00:05:40,616 ♪ WAS A LITTLE BOY ♪ ♪ I'M A CONSECRATED BOY ♪ ♪ WAS A LITTLE BOY ♪ 69 00:05:40,640 --> 00:05:41,283 ♪ I'M A CONSECRATED BOY ♪ ♪ WAS A LITTLE BOY ♪ ♪ OOH ♪ 70 00:05:41,307 --> 00:05:42,552 ♪ WAS A LITTLE BOY ♪ ♪ OOH ♪ ♪ A SINGER IN A SUNDAY 71 00:05:42,576 --> 00:05:43,218 ♪ OOH ♪ ♪ A SINGER IN A SUNDAY CHOIR ♪ 72 00:05:43,242 --> 00:05:45,521 ♪ A SINGER IN A SUNDAY CHOIR ♪ ♪ MY MAMA LOVES ME, SHE LOVES 73 00:05:45,545 --> 00:05:46,322 CHOIR ♪ ♪ MY MAMA LOVES ME, SHE LOVES ME ♪ 74 00:05:46,346 --> 00:05:48,223 ♪ MY MAMA LOVES ME, SHE LOVES ME ♪ ♪ SHE GET DOWN ON HER KNEES AND 75 00:05:48,247 --> 00:05:49,124 ME ♪ ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ 76 00:05:49,148 --> 00:05:53,095 ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ 77 00:05:53,119 --> 00:05:55,097 HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF 78 00:05:55,121 --> 00:05:57,567 ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ 79 00:05:57,591 --> 00:06:00,736 ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ 80 00:06:00,760 --> 00:06:02,371 AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ WHEN I WAS GROWN TO BE A MAN ♪ 81 00:06:02,395 --> 00:06:03,973 ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ WHEN I WAS GROWN TO BE A MAN ♪ ♪ GROWN TO BE A MAN ♪ 82 00:06:03,997 --> 00:06:05,207 ♪ WHEN I WAS GROWN TO BE A MAN ♪ ♪ GROWN TO BE A MAN ♪ ♪ THE DEVIL WOULD CALL MY 83 00:06:05,231 --> 00:06:05,641 ♪ GROWN TO BE A MAN ♪ ♪ THE DEVIL WOULD CALL MY NAME ♪ 84 00:06:05,665 --> 00:06:07,142 ♪ THE DEVIL WOULD CALL MY NAME ♪ ♪ GROWN TO BE A MAN ♪ 85 00:06:07,166 --> 00:06:09,479 NAME ♪ ♪ GROWN TO BE A MAN ♪ ♪ AND I WOULD SAY, "WHO DO, 86 00:06:09,503 --> 00:06:10,980 ♪ GROWN TO BE A MAN ♪ ♪ AND I WOULD SAY, "WHO DO, WHO DO YOU THINK YOU'RE 87 00:06:11,004 --> 00:06:11,614 ♪ AND I WOULD SAY, "WHO DO, WHO DO YOU THINK YOU'RE FOOLING?" ♪ 88 00:06:11,638 --> 00:06:13,082 WHO DO YOU THINK YOU'RE FOOLING?" ♪ ♪ GROWN TO BE A MAN ♪ 89 00:06:13,106 --> 00:06:14,517 FOOLING?" ♪ ♪ GROWN TO BE A MAN ♪ ♪ I'M A CONSUMMATED MAN ♪ 90 00:06:14,541 --> 00:06:17,219 ♪ GROWN TO BE A MAN ♪ ♪ I'M A CONSUMMATED MAN ♪ ♪ GROWN TO BE A MAN ♪ 91 00:06:17,243 --> 00:06:18,621 ♪ I'M A CONSUMMATED MAN ♪ ♪ GROWN TO BE A MAN ♪ ♪ I CAN SNATCH A LITTLE 92 00:06:18,645 --> 00:06:19,722 ♪ GROWN TO BE A MAN ♪ ♪ I CAN SNATCH A LITTLE PURITY ♪ 93 00:06:19,746 --> 00:06:22,024 ♪ I CAN SNATCH A LITTLE PURITY ♪ ♪ MY MAMA LOVES ME, SHE LOVES 94 00:06:22,048 --> 00:06:22,825 PURITY ♪ ♪ MY MAMA LOVES ME, SHE LOVES ME ♪ 95 00:06:22,849 --> 00:06:24,727 ♪ MY MAMA LOVES ME, SHE LOVES ME ♪ ♪ SHE GET DOWN ON HER KNEES AND 96 00:06:24,751 --> 00:06:25,628 ME ♪ ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ 97 00:06:25,652 --> 00:06:29,599 ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ 98 00:06:29,623 --> 00:06:31,601 HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF 99 00:06:31,625 --> 00:06:34,069 ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ 100 00:06:34,093 --> 00:06:37,272 ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ 101 00:06:37,296 --> 00:06:39,976 AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ IF I WAS THE PRESIDENT ♪ 102 00:06:40,000 --> 00:06:41,711 ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ IF I WAS THE PRESIDENT ♪ ♪ AND THE CONGRESS CALLED MY 103 00:06:41,735 --> 00:06:43,613 ♪ IF I WAS THE PRESIDENT ♪ ♪ AND THE CONGRESS CALLED MY NAME ♪ 104 00:06:43,637 --> 00:06:46,649 ♪ AND THE CONGRESS CALLED MY NAME ♪ ♪ WELL, I'D SAY, "WHO DO, WHO DO 105 00:06:46,673 --> 00:06:47,783 NAME ♪ ♪ WELL, I'D SAY, "WHO DO, WHO DO YOU THINK YOU'RE FOOLING?" ♪ 106 00:06:47,807 --> 00:06:49,018 ♪ WELL, I'D SAY, "WHO DO, WHO DO YOU THINK YOU'RE FOOLING?" ♪ ♪ WHO DO YOU THINK YOU'RE 107 00:06:49,042 --> 00:06:49,451 YOU THINK YOU'RE FOOLING?" ♪ ♪ WHO DO YOU THINK YOU'RE FOOLING? ♪ 108 00:06:49,475 --> 00:06:50,720 ♪ WHO DO YOU THINK YOU'RE FOOLING? ♪ ♪ I'VE GOT THE PRESIDENTIAL 109 00:06:50,744 --> 00:06:52,154 FOOLING? ♪ ♪ I'VE GOT THE PRESIDENTIAL SEAL ♪ 110 00:06:52,178 --> 00:06:53,789 ♪ I'VE GOT THE PRESIDENTIAL SEAL ♪ ♪ I'M UP ON THE PRESIDENTIAL 111 00:06:53,813 --> 00:06:55,625 SEAL ♪ ♪ I'M UP ON THE PRESIDENTIAL PODIUM ♪ 112 00:06:55,649 --> 00:06:58,160 ♪ I'M UP ON THE PRESIDENTIAL PODIUM ♪ ♪ MY MAMA STILL LOVES ME, SHE 113 00:06:58,184 --> 00:06:59,395 PODIUM ♪ ♪ MY MAMA STILL LOVES ME, SHE LOVES ME ♪ 114 00:06:59,419 --> 00:07:01,296 ♪ MY MAMA STILL LOVES ME, SHE LOVES ME ♪ ♪ SHE GET DOWN ON HER KNEES AND 115 00:07:01,320 --> 00:07:02,197 LOVES ME ♪ ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ 116 00:07:02,221 --> 00:07:06,168 ♪ SHE GET DOWN ON HER KNEES AND HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ 117 00:07:06,192 --> 00:07:08,170 HUG ME ♪ ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF 118 00:07:08,194 --> 00:07:10,640 ♪ AND SHE LOVES ME LIKE A ROCK ♪ ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ 119 00:07:10,664 --> 00:07:12,307 ♪ SHE ROCK ME LIKE THE ROCK OF AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ 120 00:07:12,331 --> 00:07:13,809 AGES AND LOVE ME ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ 121 00:07:13,833 --> 00:07:15,411 ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ 122 00:07:15,435 --> 00:07:16,846 ♪ LOVES ME LIKE A ROCK ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ 123 00:07:16,870 --> 00:07:18,247 ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ ♪ SHE LOVE ME, LOVE ME, LOVE 124 00:07:18,271 --> 00:07:18,614 ♪ LOVES ME LIKE A ROCK ♪ ♪ SHE LOVE ME, LOVE ME, LOVE ME ♪ 125 00:07:18,638 --> 00:07:19,916 ♪ SHE LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ 126 00:07:19,940 --> 00:07:21,316 ME ♪ ♪ LOVES ME LIKE A ROCK ♪ ♪ SHE LOVE ME, LOVE ME, LOVE 127 00:07:21,340 --> 00:07:21,684 ♪ LOVES ME LIKE A ROCK ♪ ♪ SHE LOVE ME, LOVE ME, LOVE ME ♪ 128 00:07:21,708 --> 00:07:23,019 ♪ SHE LOVE ME, LOVE ME, LOVE ME ♪ ♪ LOVES ME LIKE A ROCK ♪ 129 00:07:23,043 --> 00:07:24,186 ME ♪ ♪ LOVES ME LIKE A ROCK ♪ ♪ OOH ♪ 130 00:07:24,210 --> 00:07:26,255 ♪ LOVES ME LIKE A ROCK ♪ ♪ OOH ♪ ♪ ROCK ME LIKE THE ROCK OF 131 00:07:26,279 --> 00:07:27,023 ♪ OOH ♪ ♪ ROCK ME LIKE THE ROCK OF AGES ♪ 132 00:07:27,047 --> 00:07:30,459 ♪ ROCK ME LIKE THE ROCK OF AGES ♪ ♪ LOVE ME LIKE A ROCK ♪ 133 00:07:30,483 --> 00:07:33,495 AGES ♪ ♪ LOVE ME LIKE A ROCK ♪ ♪ OOH, OH ♪ 134 00:07:33,519 --> 00:07:35,230 ♪ LOVE ME LIKE A ROCK ♪ ♪ OOH, OH ♪ ♪ LOVE ME LIKE THE ROCK OF 135 00:07:35,254 --> 00:07:35,698 ♪ OOH, OH ♪ ♪ LOVE ME LIKE THE ROCK OF AGES ♪ 136 00:07:35,722 --> 00:07:37,667 ♪ LOVE ME LIKE THE ROCK OF AGES ♪ ♪ WELL, SHE LOVE ME LIKE A 137 00:07:37,691 --> 00:07:39,435 AGES ♪ ♪ WELL, SHE LOVE ME LIKE A ROCK ♪ 138 00:07:39,459 --> 00:07:41,136 ♪ WELL, SHE LOVE ME LIKE A ROCK ♪ ♪ LOVE ME LIKE A ROCK ♪ 139 00:07:41,160 --> 00:07:42,572 ROCK ♪ ♪ LOVE ME LIKE A ROCK ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ 140 00:07:42,596 --> 00:07:44,239 ♪ LOVE ME LIKE A ROCK ♪ ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ ROCK ME LIKE THE ROCK OF 141 00:07:44,263 --> 00:07:44,674 ♪ LOVE ME, LOVE ME, LOVE ME ♪ ♪ ROCK ME LIKE THE ROCK OF AGES ♪ 142 00:07:44,698 --> 00:07:46,609 ♪ ROCK ME LIKE THE ROCK OF AGES ♪ ♪ COME ON AND LOVE ME LIKE A 143 00:07:46,633 --> 00:07:48,477 AGES ♪ ♪ COME ON AND LOVE ME LIKE A ROCK ♪ 144 00:07:48,501 --> 00:07:50,079 ♪ COME ON AND LOVE ME LIKE A ROCK ♪ ♪ LOVE ME LIKE A ROCK ♪ 145 00:07:50,103 --> 00:07:51,614 ROCK ♪ ♪ LOVE ME LIKE A ROCK ♪ ♪ WHA-WHA-WHA-WHA-WHA ♪ 146 00:07:51,638 --> 00:07:53,248 ♪ LOVE ME LIKE A ROCK ♪ ♪ WHA-WHA-WHA-WHA-WHA ♪ ♪ ROCK ME LIKE THE ROCK OF 147 00:07:53,272 --> 00:07:53,683 ♪ WHA-WHA-WHA-WHA-WHA ♪ ♪ ROCK ME LIKE THE ROCK OF AGES ♪ 148 00:07:53,707 --> 00:07:54,884 ♪ ROCK ME LIKE THE ROCK OF AGES ♪ ♪ COME ON AND LO-O-O-VE ♪ 149 00:07:54,908 --> 00:07:55,885 AGES ♪ ♪ COME ON AND LO-O-O-VE ♪ ♪ LOVE ♪ 150 00:07:55,909 --> 00:07:57,352 ♪ COME ON AND LO-O-O-VE ♪ ♪ LOVE ♪ ♪ LOVE ♪ 151 00:07:57,376 --> 00:08:00,690 ♪ LOVE ♪ ♪ LOVE ♪ ♪ LOVE ME ♪ 152 00:08:00,714 --> 00:08:05,527 ♪ LOVE ♪ ♪ LOVE ME ♪ ♪ OOH ♪ 153 00:08:05,551 --> 00:08:07,518 ♪ LOVE ME ♪ ♪ OOH ♪ [CHEERS AND APPLAUSE] 154 00:08:20,532 --> 00:08:25,715 ♪ THE ANSWER, MY FRIEND... ♪ THE 1960s... A TIME OF CHANGE, A TIME OF SHARING, A 155 00:08:25,739 --> 00:08:27,916 THE 1960s... A TIME OF CHANGE, A TIME OF SHARING, A TIME OF GROWTH. 156 00:08:27,940 --> 00:08:29,340 HI, I'M FORMER YIPPIE LEADER 157 00:08:29,474 --> 00:08:30,975 JERRY RUBIN, AND I LIVED THOSE 158 00:08:31,110 --> 00:08:32,644 YEARS WITH YOU... BURNING DRAFT 159 00:08:32,778 --> 00:08:33,878 CARDS, LIBERATING THE 160 00:08:34,013 --> 00:08:35,579 ADMINISTRATION BUILDING, AND, OF 161 00:08:35,714 --> 00:08:37,281 COURSE, SCRAWLING REVOLUTIONARY 162 00:08:37,415 --> 00:08:38,850 SLOGANS ON THE WALLS IN SPRAY 163 00:08:38,984 --> 00:08:40,785 PAINT. 164 00:08:41,053 --> 00:08:46,301 NOW THE BERKELEY COLLECTION HAS CAPTURED THOSE COLORFUL YEARS AND THE GRAFFITI THAT TELLS IT 165 00:08:46,325 --> 00:08:47,603 CAPTURED THOSE COLORFUL YEARS AND THE GRAFFITI THAT TELLS IT LIKE IT WAS ON THESE 166 00:08:47,627 --> 00:08:49,505 AND THE GRAFFITI THAT TELLS IT LIKE IT WAS ON THESE PRE-TRIMMED, PRE-PASTED ROLLS OF 167 00:08:49,529 --> 00:08:51,107 LIKE IT WAS ON THESE PRE-TRIMMED, PRE-PASTED ROLLS OF DURABLE DECORATOR-APPROVED 168 00:08:51,131 --> 00:08:52,975 PRE-TRIMMED, PRE-PASTED ROLLS OF DURABLE DECORATOR-APPROVED WALLPAPER, PERFECT FOR YOUR DEN 169 00:08:52,999 --> 00:08:54,209 DURABLE DECORATOR-APPROVED WALLPAPER, PERFECT FOR YOUR DEN OR RECREATION AREA. 170 00:08:54,233 --> 00:08:56,211 WALLPAPER, PERFECT FOR YOUR DEN OR RECREATION AREA. JOIN ME IN A PROTEST MARCH DOWN 171 00:08:56,235 --> 00:08:58,080 OR RECREATION AREA. JOIN ME IN A PROTEST MARCH DOWN MEMORY LANE WITH A PATTERN WE 172 00:08:58,104 --> 00:08:59,348 JOIN ME IN A PROTEST MARCH DOWN MEMORY LANE WITH A PATTERN WE CALL "THE DISSIDENT." 173 00:08:59,372 --> 00:09:00,650 MEMORY LANE WITH A PATTERN WE CALL "THE DISSIDENT." TO THE PEOPLE! 174 00:09:00,674 --> 00:09:02,217 CALL "THE DISSIDENT." TO THE PEOPLE! THE STREETS BELONG TO THE 175 00:09:02,241 --> 00:09:04,486 TO THE PEOPLE! THE STREETS BELONG TO THE PEOPLE! 176 00:09:04,510 --> 00:09:06,588 THE STREETS BELONG TO THE PEOPLE! TWO, FOUR, SIX, EIGHT! 177 00:09:06,612 --> 00:09:11,861 PEOPLE! TWO, FOUR, SIX, EIGHT! [INDISTINCT CHANTING] 178 00:09:11,885 --> 00:09:13,195 TWO, FOUR, SIX, EIGHT! [INDISTINCT CHANTING] TOO HEAVY FOR YOU? 179 00:09:13,219 --> 00:09:14,130 [INDISTINCT CHANTING] TOO HEAVY FOR YOU? I UNDERSTAND. 180 00:09:14,154 --> 00:09:15,998 TOO HEAVY FOR YOU? I UNDERSTAND. PERHAPS "THE PEACEMAKER" IS MORE 181 00:09:16,022 --> 00:09:16,732 I UNDERSTAND. PERHAPS "THE PEACEMAKER" IS MORE YOUR BAG. 182 00:09:16,756 --> 00:09:19,735 PERHAPS "THE PEACEMAKER" IS MORE YOUR BAG. ♪ GIVE PEACE A CHANCE ♪ 183 00:09:19,759 --> 00:09:22,738 YOUR BAG. ♪ GIVE PEACE A CHANCE ♪ ♪ ALL WE ARE SAYING... ♪ 184 00:09:22,762 --> 00:09:25,107 ♪ GIVE PEACE A CHANCE ♪ ♪ ALL WE ARE SAYING... ♪ POWER TO THE PEOPLE! 185 00:09:25,131 --> 00:09:26,876 ♪ ALL WE ARE SAYING... ♪ POWER TO THE PEOPLE! POWER TO THE PEOPLE! 186 00:09:26,900 --> 00:09:28,277 POWER TO THE PEOPLE! POWER TO THE PEOPLE! SOCK IT TO ME! 187 00:09:28,301 --> 00:09:29,945 POWER TO THE PEOPLE! SOCK IT TO ME! BUT NO MATTER WHERE YOUR HEAD 188 00:09:29,969 --> 00:09:31,613 SOCK IT TO ME! BUT NO MATTER WHERE YOUR HEAD IS AT, BEING FREE TURNS EVERYONE 189 00:09:31,637 --> 00:09:32,281 BUT NO MATTER WHERE YOUR HEAD IS AT, BEING FREE TURNS EVERYONE ON, RIGHT? 190 00:09:32,305 --> 00:09:33,749 IS AT, BEING FREE TURNS EVERYONE ON, RIGHT? THAT'S WHY WE CHOSE THIS 191 00:09:33,773 --> 00:09:35,517 ON, RIGHT? THAT'S WHY WE CHOSE THIS FIT-ANY-MOOD FREEDOM MOTIF FOR 192 00:09:35,541 --> 00:09:36,852 THAT'S WHY WE CHOSE THIS FIT-ANY-MOOD FREEDOM MOTIF FOR OUR BORDERS AND TRIM. 193 00:09:36,876 --> 00:09:38,353 FIT-ANY-MOOD FREEDOM MOTIF FOR OUR BORDERS AND TRIM. WE CALL IT "THE DIGGER." 194 00:09:38,377 --> 00:09:41,412 OUR BORDERS AND TRIM. WE CALL IT "THE DIGGER." ["BORN FREE" PLAYS] 195 00:09:50,422 --> 00:09:55,004 OOPS, NO HASSLE. THIS WALLPAPER IS VINYL-ACRYLIC-COATED TO MAKE IT 196 00:09:55,028 --> 00:09:56,772 THIS WALLPAPER IS VINYL-ACRYLIC-COATED TO MAKE IT SCUFF- AND STAIN-RESISTANT. 197 00:09:56,796 --> 00:09:59,175 VINYL-ACRYLIC-COATED TO MAKE IT SCUFF- AND STAIN-RESISTANT. WIPES CLEAN WITH A DAMP CLOTH. 198 00:09:59,199 --> 00:10:01,143 SCUFF- AND STAIN-RESISTANT. WIPES CLEAN WITH A DAMP CLOTH. ISN'T THIS OUT OF SIGHT? 199 00:10:01,167 --> 00:10:03,012 WIPES CLEAN WITH A DAMP CLOTH. ISN'T THIS OUT OF SIGHT? SO TAKE IT FROM ME, JERRY RUBIN, 200 00:10:03,036 --> 00:10:04,613 ISN'T THIS OUT OF SIGHT? SO TAKE IT FROM ME, JERRY RUBIN, WHEN I SAY, "UP AGAINST THE 201 00:10:04,637 --> 00:10:06,215 SO TAKE IT FROM ME, JERRY RUBIN, WHEN I SAY, "UP AGAINST THE WALLPAPER [BLEEP]" 202 00:10:06,239 --> 00:10:07,850 WHEN I SAY, "UP AGAINST THE WALLPAPER [BLEEP]" THE BERKELEY COLLECTION, BY 203 00:10:07,874 --> 00:10:09,551 WALLPAPER [BLEEP]" THE BERKELEY COLLECTION, BY CHEMSTRO. 204 00:10:09,575 --> 00:10:11,975 THE BERKELEY COLLECTION, BY CHEMSTRO. [CHEERS AND APPLAUSE] 205 00:10:20,619 --> 00:10:28,619 ♪ YOU LOOKED LIKE A PRINCESS THE NIGHT WE MET ♪ ♪ WITH YOUR HAIR PILED UP HIGH, 206 00:10:31,998 --> 00:10:35,644 THE NIGHT WE MET ♪ ♪ WITH YOUR HAIR PILED UP HIGH, I WILL NEVER FORGET ♪ 207 00:10:35,668 --> 00:10:40,416 ♪ WITH YOUR HAIR PILED UP HIGH, I WILL NEVER FORGET ♪ ♪ I'M DRUNK NOW, BABY, BUT I'VE 208 00:10:40,440 --> 00:10:43,386 I WILL NEVER FORGET ♪ ♪ I'M DRUNK NOW, BABY, BUT I'VE GOT TO BE ♪ 209 00:10:43,410 --> 00:10:47,189 ♪ I'M DRUNK NOW, BABY, BUT I'VE GOT TO BE ♪ ♪ OR I NEVER COULD TELL YOU WHAT 210 00:10:47,213 --> 00:10:50,959 GOT TO BE ♪ ♪ OR I NEVER COULD TELL YOU WHAT YOU MEAN TO ME ♪ 211 00:10:50,983 --> 00:10:54,563 ♪ OR I NEVER COULD TELL YOU WHAT YOU MEAN TO ME ♪ ♪ BUT I LOVED YOU THE FIRST TIME 212 00:10:54,587 --> 00:10:58,200 YOU MEAN TO ME ♪ ♪ BUT I LOVED YOU THE FIRST TIME I SAW YOU ♪ 213 00:10:58,224 --> 00:11:01,871 ♪ BUT I LOVED YOU THE FIRST TIME I SAW YOU ♪ ♪ AND I ALWAYS WILL LOVE YOU, 214 00:11:01,895 --> 00:11:05,374 I SAW YOU ♪ ♪ AND I ALWAYS WILL LOVE YOU, MARIE ♪ 215 00:11:05,398 --> 00:11:09,144 ♪ AND I ALWAYS WILL LOVE YOU, MARIE ♪ ♪ I LOVED YOU THE FIRST TIME I 216 00:11:09,168 --> 00:11:12,147 MARIE ♪ ♪ I LOVED YOU THE FIRST TIME I SAW YOU ♪ 217 00:11:12,171 --> 00:11:15,851 ♪ I LOVED YOU THE FIRST TIME I SAW YOU ♪ ♪ AND I ALWAYS WILL LOVE YOU, 218 00:11:15,875 --> 00:11:18,220 SAW YOU ♪ ♪ AND I ALWAYS WILL LOVE YOU, MARIE ♪ 219 00:11:18,244 --> 00:11:20,525 ♪ AND I ALWAYS WILL LOVE YOU, MARIE ♪ [CHEERS AND APPLAUSE] 220 00:11:32,458 --> 00:11:36,872 THAT'S A... THANK YOU. THANK YOU. THAT'S... THAT'S A RANDY NEWMAN 221 00:11:36,896 --> 00:11:38,907 THANK YOU. THAT'S... THAT'S A RANDY NEWMAN SONG, AND RANDY IS A SONGWRITER 222 00:11:38,931 --> 00:11:40,943 THAT'S... THAT'S A RANDY NEWMAN SONG, AND RANDY IS A SONGWRITER THAT I GREATLY ADMIRE AND A MAN 223 00:11:40,967 --> 00:11:42,678 SONG, AND RANDY IS A SONGWRITER THAT I GREATLY ADMIRE AND A MAN WHO VERY SELDOM APPEARS ON 224 00:11:42,702 --> 00:11:43,579 THAT I GREATLY ADMIRE AND A MAN WHO VERY SELDOM APPEARS ON TELEVISION. 225 00:11:43,603 --> 00:11:45,648 WHO VERY SELDOM APPEARS ON TELEVISION. I'M VERY HAPPY THAT HE TOOK MY 226 00:11:45,672 --> 00:11:47,750 TELEVISION. I'M VERY HAPPY THAT HE TOOK MY INVITATION AND AGREED TO COME, 227 00:11:47,774 --> 00:11:49,352 I'M VERY HAPPY THAT HE TOOK MY INVITATION AND AGREED TO COME, AND JUST TO ADD TO THE 228 00:11:49,376 --> 00:11:51,387 INVITATION AND AGREED TO COME, AND JUST TO ADD TO THE EMBARRASSMENT OF RICHES HERE, 229 00:11:51,411 --> 00:11:53,522 AND JUST TO ADD TO THE EMBARRASSMENT OF RICHES HERE, HE'S SINGING A SONG THAT I WISH 230 00:11:53,546 --> 00:11:55,725 EMBARRASSMENT OF RICHES HERE, HE'S SINGING A SONG THAT I WISH THAT I HAD WRITTEN, "SAIL AWAY." 231 00:11:55,749 --> 00:11:56,859 HE'S SINGING A SONG THAT I WISH THAT I HAD WRITTEN, "SAIL AWAY." HERE'S RANDY NEWMAN. 232 00:11:56,883 --> 00:11:57,560 THAT I HAD WRITTEN, "SAIL AWAY." HERE'S RANDY NEWMAN. [CHEERS AND APPLAUSE] 233 00:11:57,584 --> 00:11:59,328 HERE'S RANDY NEWMAN. [CHEERS AND APPLAUSE] THANK YOU. 234 00:11:59,352 --> 00:12:03,399 [CHEERS AND APPLAUSE] THANK YOU. THANK YOU VERY MUCH. 235 00:12:03,423 --> 00:12:08,804 THANK YOU. THANK YOU VERY MUCH. THANK YOU. 236 00:12:08,828 --> 00:12:12,675 THANK YOU VERY MUCH. THANK YOU. ♪ IN AMERICA, YOU GET FOOD TO 237 00:12:12,699 --> 00:12:15,511 THANK YOU. ♪ IN AMERICA, YOU GET FOOD TO EAT ♪ 238 00:12:15,535 --> 00:12:17,747 ♪ IN AMERICA, YOU GET FOOD TO EAT ♪ ♪ YOU WON'T HAVE TO RUN THROUGH 239 00:12:17,771 --> 00:12:19,582 EAT ♪ ♪ YOU WON'T HAVE TO RUN THROUGH THE JUNGLE AND SCUFF UP YOUR 240 00:12:19,606 --> 00:12:23,051 ♪ YOU WON'T HAVE TO RUN THROUGH THE JUNGLE AND SCUFF UP YOUR FEET ♪ 241 00:12:23,075 --> 00:12:25,521 THE JUNGLE AND SCUFF UP YOUR FEET ♪ ♪ YOU'LL JUST SING ABOUT JESUS 242 00:12:25,545 --> 00:12:29,958 FEET ♪ ♪ YOU'LL JUST SING ABOUT JESUS AND DRINK WINE ALL DAY ♪ 243 00:12:29,982 --> 00:12:37,533 ♪ YOU'LL JUST SING ABOUT JESUS AND DRINK WINE ALL DAY ♪ ♪ IT'S GREAT TO BE AN AMERICAN ♪ 244 00:12:37,557 --> 00:12:39,869 AND DRINK WINE ALL DAY ♪ ♪ IT'S GREAT TO BE AN AMERICAN ♪ ♪ AIN'T NO LION OR TIGER, 245 00:12:39,893 --> 00:12:44,473 ♪ IT'S GREAT TO BE AN AMERICAN ♪ ♪ AIN'T NO LION OR TIGER, AIN'T NO MAMBA SNAKE ♪ 246 00:12:44,497 --> 00:12:47,342 ♪ AIN'T NO LION OR TIGER, AIN'T NO MAMBA SNAKE ♪ ♪ JUST THE SWEET WATERMELON AND 247 00:12:47,366 --> 00:12:51,980 AIN'T NO MAMBA SNAKE ♪ ♪ JUST THE SWEET WATERMELON AND THE BUCKWHEAT CAKE ♪ 248 00:12:52,004 --> 00:12:55,350 ♪ JUST THE SWEET WATERMELON AND THE BUCKWHEAT CAKE ♪ ♪ EVERYBODY IS AS HAPPY AS A MAN 249 00:12:55,374 --> 00:12:59,321 THE BUCKWHEAT CAKE ♪ ♪ EVERYBODY IS AS HAPPY AS A MAN CAN BE ♪ 250 00:12:59,345 --> 00:13:01,857 ♪ EVERYBODY IS AS HAPPY AS A MAN CAN BE ♪ ♪ CLIMB ABOARD, LITTLE WOG, SAIL 251 00:13:01,881 --> 00:13:04,894 CAN BE ♪ ♪ CLIMB ABOARD, LITTLE WOG, SAIL AWAY WITH ME ♪ 252 00:13:04,918 --> 00:13:08,063 ♪ CLIMB ABOARD, LITTLE WOG, SAIL AWAY WITH ME ♪ ♪ SAIL AWAY ♪ 253 00:13:08,087 --> 00:13:11,834 AWAY WITH ME ♪ ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ 254 00:13:11,858 --> 00:13:15,270 ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN 255 00:13:15,294 --> 00:13:18,741 ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ 256 00:13:18,765 --> 00:13:22,778 ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ ♪ SAIL AWAY ♪ 257 00:13:22,802 --> 00:13:26,515 INTO CHARLESTON BAY ♪ ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ 258 00:13:26,539 --> 00:13:30,753 ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN 259 00:13:30,777 --> 00:13:38,777 ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ 260 00:13:40,753 --> 00:13:44,633 ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ ♪ IN AMERICA, EVERY MAN IS 261 00:13:44,657 --> 00:13:48,236 INTO CHARLESTON BAY ♪ ♪ IN AMERICA, EVERY MAN IS FREE ♪ 262 00:13:48,260 --> 00:13:50,973 ♪ IN AMERICA, EVERY MAN IS FREE ♪ ♪ TO TAKE CARE OF HIS HOME AND 263 00:13:50,997 --> 00:13:55,845 FREE ♪ ♪ TO TAKE CARE OF HIS HOME AND HIS FAMILY ♪ 264 00:13:55,869 --> 00:13:58,313 ♪ TO TAKE CARE OF HIS HOME AND HIS FAMILY ♪ ♪ YOU'LL BE AS HAPPY AS A MONKEY 265 00:13:58,337 --> 00:14:02,918 HIS FAMILY ♪ ♪ YOU'LL BE AS HAPPY AS A MONKEY IN A MONKEY TREE ♪ 266 00:14:02,942 --> 00:14:04,987 ♪ YOU'LL BE AS HAPPY AS A MONKEY IN A MONKEY TREE ♪ ♪ YOU'RE ALL GONNA BE AN 267 00:14:05,011 --> 00:14:08,958 IN A MONKEY TREE ♪ ♪ YOU'RE ALL GONNA BE AN AMERICAN ♪ 268 00:14:08,982 --> 00:14:12,194 ♪ YOU'RE ALL GONNA BE AN AMERICAN ♪ ♪ SAIL AWAY ♪ 269 00:14:12,218 --> 00:14:15,965 AMERICAN ♪ ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ 270 00:14:15,989 --> 00:14:19,602 ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN 271 00:14:19,626 --> 00:14:23,238 ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ 272 00:14:23,262 --> 00:14:26,942 ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ ♪ SAIL AWAY ♪ 273 00:14:26,966 --> 00:14:30,546 INTO CHARLESTON BAY ♪ ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ 274 00:14:30,570 --> 00:14:35,384 ♪ SAIL AWAY ♪ ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN 275 00:14:35,408 --> 00:14:38,375 ♪ SAIL AWAY ♪ ♪ WE WILL CROSS THE MIGHTY OCEAN INTO CHARLESTON BAY ♪ 276 00:14:46,284 --> 00:14:54,284 [FINALE PLAYS] [CHEERS AND APPLAUSE] THANK YOU. 277 00:14:55,194 --> 00:15:01,143 [CHEERS AND APPLAUSE] THANK YOU. THANK YOU ALL VERY MUCH. 278 00:15:01,167 --> 00:15:03,813 THANK YOU. THANK YOU ALL VERY MUCH. WE'LL BE BACK... 279 00:15:03,837 --> 00:15:05,714 THANK YOU ALL VERY MUCH. WE'LL BE BACK... WE'LL BE BACK IN A MOMENT WITH, 280 00:15:05,738 --> 00:15:07,950 WE'LL BE BACK... WE'LL BE BACK IN A MOMENT WITH, UH... 281 00:15:07,974 --> 00:15:10,486 WE'LL BE BACK IN A MOMENT WITH, UH... OH, MY GOODNESS. 282 00:15:10,510 --> 00:15:11,587 UH... OH, MY GOODNESS. I'M REALLY SORRY. 283 00:15:11,611 --> 00:15:12,955 OH, MY GOODNESS. I'M REALLY SORRY. THE BEES NUMBER IS CUT. 284 00:15:12,979 --> 00:15:13,923 I'M REALLY SORRY. THE BEES NUMBER IS CUT. WHAT? 285 00:15:13,947 --> 00:15:15,324 THE BEES NUMBER IS CUT. WHAT? AW, SHUCKS. 286 00:15:15,348 --> 00:15:16,859 WHAT? AW, SHUCKS. IT DIDN'T WORK LAST WEEK. 287 00:15:16,883 --> 00:15:18,026 AW, SHUCKS. IT DIDN'T WORK LAST WEEK. IT'S CUT. I'M SORRY. 288 00:15:18,050 --> 00:15:22,765 IT DIDN'T WORK LAST WEEK. IT'S CUT. I'M SORRY. OKAY. 289 00:15:22,789 --> 00:15:24,533 IT'S CUT. I'M SORRY. OKAY. WE'LL BE BACK. 290 00:15:24,557 --> 00:15:28,503 OKAY. WE'LL BE BACK. [CHEERS AND APPLAUSE] 291 00:15:28,527 --> 00:15:30,272 WE'LL BE BACK. [CHEERS AND APPLAUSE] FROM "SATURDAY NIGHT" NEWS 292 00:15:30,296 --> 00:15:31,606 [CHEERS AND APPLAUSE] FROM "SATURDAY NIGHT" NEWS HEADQUARTERS, THIS IS 293 00:15:31,630 --> 00:15:32,975 FROM "SATURDAY NIGHT" NEWS HEADQUARTERS, THIS IS "WEEKEND UPDATE" WITH 294 00:15:32,999 --> 00:15:34,476 HEADQUARTERS, THIS IS "WEEKEND UPDATE" WITH CHEVY CHASE. 295 00:15:34,500 --> 00:15:36,045 "WEEKEND UPDATE" WITH CHEVY CHASE. WHAT ARE YOU TALKING ABOUT? 296 00:15:36,069 --> 00:15:37,546 CHEVY CHASE. WHAT ARE YOU TALKING ABOUT? I COULD SEE RIGHT THROUGH THE 297 00:15:37,570 --> 00:15:38,647 WHAT ARE YOU TALKING ABOUT? I COULD SEE RIGHT THROUGH THE FENCE. 298 00:15:38,671 --> 00:15:46,671 I COULD SEE RIGHT THROUGH THE FENCE. I COULD S... 299 00:15:46,745 --> 00:15:48,190 FENCE. I COULD S... GOOD EVENING, I'M CHEVY CHASE, 300 00:15:48,214 --> 00:15:49,591 I COULD S... GOOD EVENING, I'M CHEVY CHASE, HERE TO KEEP YOU UP ON WHAT'S 301 00:15:49,615 --> 00:15:52,027 GOOD EVENING, I'M CHEVY CHASE, HERE TO KEEP YOU UP ON WHAT'S GOING DOWN. 302 00:15:52,051 --> 00:15:54,029 HERE TO KEEP YOU UP ON WHAT'S GOING DOWN. PRESIDENT FORD'S REGULAR WEEKLY 303 00:15:54,053 --> 00:15:56,065 GOING DOWN. PRESIDENT FORD'S REGULAR WEEKLY ACCIDENT TOOK PLACE THIS WEEK IN 304 00:15:56,089 --> 00:15:57,899 PRESIDENT FORD'S REGULAR WEEKLY ACCIDENT TOOK PLACE THIS WEEK IN HARTFORD, CONNECTICUT, WHERE 305 00:15:57,923 --> 00:15:59,668 ACCIDENT TOOK PLACE THIS WEEK IN HARTFORD, CONNECTICUT, WHERE FORD'S LINCOLN WAS HIT BY A 306 00:15:59,692 --> 00:16:00,936 HARTFORD, CONNECTICUT, WHERE FORD'S LINCOLN WAS HIT BY A BUICK. 307 00:16:00,960 --> 00:16:02,504 FORD'S LINCOLN WAS HIT BY A BUICK. ALERT SECRET SERVICE AGENTS 308 00:16:02,528 --> 00:16:04,340 BUICK. ALERT SECRET SERVICE AGENTS SEIZED THE BUICK AND WRESTLED IT 309 00:16:04,364 --> 00:16:05,407 ALERT SECRET SERVICE AGENTS SEIZED THE BUICK AND WRESTLED IT TO THE GROUND. 310 00:16:05,431 --> 00:16:07,042 SEIZED THE BUICK AND WRESTLED IT TO THE GROUND. [LAUGHTER] 311 00:16:07,066 --> 00:16:08,510 TO THE GROUND. [LAUGHTER] NO ONE WAS INJURED IN THE 312 00:16:08,534 --> 00:16:10,346 [LAUGHTER] NO ONE WAS INJURED IN THE ACCIDENT, BUT WHEN THE PRESIDENT 313 00:16:10,370 --> 00:16:11,713 NO ONE WAS INJURED IN THE ACCIDENT, BUT WHEN THE PRESIDENT GOT OUT TO SEE WHAT HAD 314 00:16:11,737 --> 00:16:13,349 ACCIDENT, BUT WHEN THE PRESIDENT GOT OUT TO SEE WHAT HAD HAPPENED, HE TORE HIS JACKET 315 00:16:13,373 --> 00:16:15,017 GOT OUT TO SEE WHAT HAD HAPPENED, HE TORE HIS JACKET SLEEVE ON THE, UH... ON THE CAR 316 00:16:15,041 --> 00:16:16,618 HAPPENED, HE TORE HIS JACKET SLEEVE ON THE, UH... ON THE CAR BUMPER, BUMPED HIS HEAD, AND 317 00:16:16,642 --> 00:16:18,253 SLEEVE ON THE, UH... ON THE CAR BUMPER, BUMPED HIS HEAD, AND STUCK HIS THUMB IN HIS RIGHT 318 00:16:18,277 --> 00:16:19,788 BUMPER, BUMPED HIS HEAD, AND STUCK HIS THUMB IN HIS RIGHT EYE. 319 00:16:19,812 --> 00:16:21,190 STUCK HIS THUMB IN HIS RIGHT EYE. ALERT SECRET SERVICE AGENTS 320 00:16:21,214 --> 00:16:22,791 EYE. ALERT SECRET SERVICE AGENTS SEIZED THE THUMB AND WRESTLED IT 321 00:16:22,815 --> 00:16:27,929 ALERT SECRET SERVICE AGENTS SEIZED THE THUMB AND WRESTLED IT TO THE GROUND. 322 00:16:27,953 --> 00:16:30,199 SEIZED THE THUMB AND WRESTLED IT TO THE GROUND. SAID MR. FORD, "I JUST ASSUMED 323 00:16:30,223 --> 00:16:32,468 TO THE GROUND. SAID MR. FORD, "I JUST ASSUMED MY THUMB WAS IN MY POCKET WITH 324 00:16:32,492 --> 00:16:34,103 SAID MR. FORD, "I JUST ASSUMED MY THUMB WAS IN MY POCKET WITH THE REST OF MY FINGERS." 325 00:16:34,127 --> 00:16:35,871 MY THUMB WAS IN MY POCKET WITH THE REST OF MY FINGERS." [LAUGHTER] 326 00:16:35,895 --> 00:16:37,206 THE REST OF MY FINGERS." [LAUGHTER] CONCERNING THE COLLISION, 327 00:16:37,230 --> 00:16:38,740 [LAUGHTER] CONCERNING THE COLLISION, NEW ORLEANS DISTRICT ATTORNEY 328 00:16:38,764 --> 00:16:40,075 CONCERNING THE COLLISION, NEW ORLEANS DISTRICT ATTORNEY JIM GARRISON SAYS HE WILL 329 00:16:40,099 --> 00:16:41,243 NEW ORLEANS DISTRICT ATTORNEY JIM GARRISON SAYS HE WILL IMMEDIATELY LAUNCH AN 330 00:16:41,267 --> 00:16:42,444 JIM GARRISON SAYS HE WILL IMMEDIATELY LAUNCH AN INVESTIGATION INTO THE 331 00:16:42,468 --> 00:16:44,913 IMMEDIATELY LAUNCH AN INVESTIGATION INTO THE SECOND-CAR THEORY. 332 00:16:44,937 --> 00:16:46,748 INVESTIGATION INTO THE SECOND-CAR THEORY. [LAUGHTER] 333 00:16:46,772 --> 00:16:48,750 SECOND-CAR THEORY. [LAUGHTER] IN OTHER NEWS, MUHAMMAD ALI 334 00:16:48,774 --> 00:16:50,619 [LAUGHTER] IN OTHER NEWS, MUHAMMAD ALI TODAY CHANGED HIS NAME TO 335 00:16:50,643 --> 00:16:51,887 IN OTHER NEWS, MUHAMMAD ALI TODAY CHANGED HIS NAME TO RHONDA FLEMING. 336 00:16:51,911 --> 00:16:53,488 TODAY CHANGED HIS NAME TO RHONDA FLEMING. HE GAVE NO REASON FOR HIS 337 00:16:53,512 --> 00:16:54,489 RHONDA FLEMING. HE GAVE NO REASON FOR HIS DECISION. 338 00:16:54,513 --> 00:16:56,225 HE GAVE NO REASON FOR HIS DECISION. BUT THE BIG NEWS ON THE SPORTS 339 00:16:56,249 --> 00:16:57,659 DECISION. BUT THE BIG NEWS ON THE SPORTS SCENE IS, OF COURSE, THE 340 00:16:57,683 --> 00:16:59,028 BUT THE BIG NEWS ON THE SPORTS SCENE IS, OF COURSE, THE ONE-ON-ONE MATCHUP WITH 341 00:16:59,052 --> 00:17:00,729 SCENE IS, OF COURSE, THE ONE-ON-ONE MATCHUP WITH CONNIE HAWKINS OF THE ATLANTA 342 00:17:00,753 --> 00:17:02,464 ONE-ON-ONE MATCHUP WITH CONNIE HAWKINS OF THE ATLANTA HAWKS AND PAUL SIMON, ACOUSTIC 343 00:17:02,488 --> 00:17:03,198 CONNIE HAWKINS OF THE ATLANTA HAWKS AND PAUL SIMON, ACOUSTIC GUITARIST. 344 00:17:03,222 --> 00:17:05,000 HAWKS AND PAUL SIMON, ACOUSTIC GUITARIST. FOR AN ON-THE-SPOT REPORT, LET'S 345 00:17:05,024 --> 00:17:07,602 GUITARIST. FOR AN ON-THE-SPOT REPORT, LET'S GO NOW TO MARV ALBERT. 346 00:17:07,626 --> 00:17:09,305 FOR AN ON-THE-SPOT REPORT, LET'S GO NOW TO MARV ALBERT. I'M MARV ALBERT, AND IN JUST 347 00:17:09,329 --> 00:17:10,705 GO NOW TO MARV ALBERT. I'M MARV ALBERT, AND IN JUST A MOMENT, THE ONE-ON-ONE 348 00:17:10,729 --> 00:17:12,374 I'M MARV ALBERT, AND IN JUST A MOMENT, THE ONE-ON-ONE CONFRONTATION UPCOMING BETWEEN 349 00:17:12,398 --> 00:17:14,009 A MOMENT, THE ONE-ON-ONE CONFRONTATION UPCOMING BETWEEN "THE HAWK" CONNIE HAWKINS, 350 00:17:14,033 --> 00:17:15,777 CONFRONTATION UPCOMING BETWEEN "THE HAWK" CONNIE HAWKINS, ONE-TIME HARLEM GLOBETROTTER, 351 00:17:15,801 --> 00:17:17,712 "THE HAWK" CONNIE HAWKINS, ONE-TIME HARLEM GLOBETROTTER, ONE THE MOST EXCITING PLAYERS IN 352 00:17:17,736 --> 00:17:19,315 ONE-TIME HARLEM GLOBETROTTER, ONE THE MOST EXCITING PLAYERS IN THE NBA AS A MEMBER OF THE 353 00:17:19,339 --> 00:17:20,316 ONE THE MOST EXCITING PLAYERS IN THE NBA AS A MEMBER OF THE ATLANTA HAWKS. 354 00:17:20,340 --> 00:17:22,484 THE NBA AS A MEMBER OF THE ATLANTA HAWKS. NOW, THE HAWK WILL BE OPPOSED BY 355 00:17:22,508 --> 00:17:23,785 ATLANTA HAWKS. NOW, THE HAWK WILL BE OPPOSED BY PAUL SIMON. 356 00:17:23,809 --> 00:17:25,955 NOW, THE HAWK WILL BE OPPOSED BY PAUL SIMON. PAUL, OF COURSE, KNOWN AS A 357 00:17:25,979 --> 00:17:27,923 PAUL SIMON. PAUL, OF COURSE, KNOWN AS A SONGWRITER, AS A SINGER. 358 00:17:27,947 --> 00:17:29,224 PAUL, OF COURSE, KNOWN AS A SONGWRITER, AS A SINGER. WHY THIS ONE-ON-ONE 359 00:17:29,248 --> 00:17:30,326 SONGWRITER, AS A SINGER. WHY THIS ONE-ON-ONE CONFRONTATION? 360 00:17:30,350 --> 00:17:31,760 WHY THIS ONE-ON-ONE CONFRONTATION? WELL, THE CHALLENGE... THE 361 00:17:31,784 --> 00:17:33,662 CONFRONTATION? WELL, THE CHALLENGE... THE CHALLENGE CAME FROM CONNIE. 362 00:17:33,686 --> 00:17:36,231 WELL, THE CHALLENGE... THE CHALLENGE CAME FROM CONNIE. I DON'T KNOW WHY HE... WHY HE 363 00:17:36,255 --> 00:17:39,501 CHALLENGE CAME FROM CONNIE. I DON'T KNOW WHY HE... WHY HE CHOSE ME, BUT I GOT THE MESSAGE 364 00:17:39,525 --> 00:17:42,604 I DON'T KNOW WHY HE... WHY HE CHOSE ME, BUT I GOT THE MESSAGE THROUGH MY OFFICE THAT HE DID 365 00:17:42,628 --> 00:17:44,606 CHOSE ME, BUT I GOT THE MESSAGE THROUGH MY OFFICE THAT HE DID CHALLENGE ME TO ONE-ON-ONE, AND 366 00:17:44,630 --> 00:17:45,674 THROUGH MY OFFICE THAT HE DID CHALLENGE ME TO ONE-ON-ONE, AND I'M READY. 367 00:17:45,698 --> 00:17:46,442 CHALLENGE ME TO ONE-ON-ONE, AND I'M READY. I'M READY TO PLAY. 368 00:17:46,466 --> 00:17:50,846 I'M READY. I'M READY TO PLAY. I'M HERE, AND I'M READY TO GO. 369 00:17:50,870 --> 00:17:52,281 I'M READY TO PLAY. I'M HERE, AND I'M READY TO GO. I NOTICE, IN LOOKING AT YOUR 370 00:17:52,305 --> 00:17:56,151 I'M HERE, AND I'M READY TO GO. I NOTICE, IN LOOKING AT YOUR UNIFORM, THE NUMBER .02. 371 00:17:56,175 --> 00:17:57,586 I NOTICE, IN LOOKING AT YOUR UNIFORM, THE NUMBER .02. ANY PARTICULAR SIGNIFICANCE TO 372 00:17:57,610 --> 00:17:57,987 UNIFORM, THE NUMBER .02. ANY PARTICULAR SIGNIFICANCE TO THAT? 373 00:17:58,011 --> 00:17:59,654 ANY PARTICULAR SIGNIFICANCE TO THAT? NO, THAT'S ALWAYS BEEN MY 374 00:17:59,678 --> 00:18:01,390 THAT? NO, THAT'S ALWAYS BEEN MY NUMBER EVER SINCE JUNIOR HIGH 375 00:18:01,414 --> 00:18:01,991 NO, THAT'S ALWAYS BEEN MY NUMBER EVER SINCE JUNIOR HIGH SCHOOL. 376 00:18:02,015 --> 00:18:02,992 NUMBER EVER SINCE JUNIOR HIGH SCHOOL. IT'S NOT CONNIE'S NUMBER. 377 00:18:03,016 --> 00:18:04,193 SCHOOL. IT'S NOT CONNIE'S NUMBER. I DON'T THINK THERE WILL BE ANY 378 00:18:04,217 --> 00:18:05,060 IT'S NOT CONNIE'S NUMBER. I DON'T THINK THERE WILL BE ANY CONFUSION BETWEEN US. 379 00:18:05,084 --> 00:18:06,495 I DON'T THINK THERE WILL BE ANY CONFUSION BETWEEN US. PAUL, WHAT IS YOUR GAME PLAN 380 00:18:06,519 --> 00:18:07,229 CONFUSION BETWEEN US. PAUL, WHAT IS YOUR GAME PLAN FOR THE HAWK? 381 00:18:07,253 --> 00:18:09,798 PAUL, WHAT IS YOUR GAME PLAN FOR THE HAWK? WELL, I'M SPOTTING HIM A 382 00:18:09,822 --> 00:18:13,402 FOR THE HAWK? WELL, I'M SPOTTING HIM A 1'4" HEIGHT ADVANTAGE, AND I 383 00:18:13,426 --> 00:18:15,971 WELL, I'M SPOTTING HIM A 1'4" HEIGHT ADVANTAGE, AND I HAVE TO BE HONEST... THAT'S 384 00:18:15,995 --> 00:18:18,874 1'4" HEIGHT ADVANTAGE, AND I HAVE TO BE HONEST... THAT'S GONNA BE A FACTOR IN THIS GAME. 385 00:18:18,898 --> 00:18:20,675 HAVE TO BE HONEST... THAT'S GONNA BE A FACTOR IN THIS GAME. HE'S GOT ME ON SPEED AND 386 00:18:20,699 --> 00:18:23,879 GONNA BE A FACTOR IN THIS GAME. HE'S GOT ME ON SPEED AND SHOOTING ABILITY. 387 00:18:23,903 --> 00:18:26,048 HE'S GOT ME ON SPEED AND SHOOTING ABILITY. BUT I'LL JUST HAVE TO PLAY MY 388 00:18:26,072 --> 00:18:29,451 SHOOTING ABILITY. BUT I'LL JUST HAVE TO PLAY MY GAME AS I USUALLY PLAY IT. 389 00:18:29,475 --> 00:18:31,186 BUT I'LL JUST HAVE TO PLAY MY GAME AS I USUALLY PLAY IT. I MEAN, I'M NOT GONNA CHANGE 390 00:18:31,210 --> 00:18:31,953 GAME AS I USUALLY PLAY IT. I MEAN, I'M NOT GONNA CHANGE ANYTHING. 391 00:18:31,977 --> 00:18:33,322 I MEAN, I'M NOT GONNA CHANGE ANYTHING. I GOT TO STAY WITH MY 392 00:18:33,346 --> 00:18:36,591 ANYTHING. I GOT TO STAY WITH MY STRENGTHS... BASICALLY SINGING 393 00:18:36,615 --> 00:18:38,260 I GOT TO STAY WITH MY STRENGTHS... BASICALLY SINGING AND SONGWRITING. 394 00:18:38,284 --> 00:18:39,728 STRENGTHS... BASICALLY SINGING AND SONGWRITING. OKAY, HERE'S THE HAWK, 395 00:18:39,752 --> 00:18:41,163 AND SONGWRITING. OKAY, HERE'S THE HAWK, CONNIE HAWKINS. 396 00:18:41,187 --> 00:18:43,565 OKAY, HERE'S THE HAWK, CONNIE HAWKINS. CONNIE, I'M TRYING TO FIGURE 397 00:18:43,589 --> 00:18:46,168 CONNIE HAWKINS. CONNIE, I'M TRYING TO FIGURE OUT WHY THIS ONE-ON-ONE MATCHUP. 398 00:18:46,192 --> 00:18:47,802 CONNIE, I'M TRYING TO FIGURE OUT WHY THIS ONE-ON-ONE MATCHUP. OF COURSE, WE KNOW YOUR SKILLS 399 00:18:47,826 --> 00:18:49,371 OUT WHY THIS ONE-ON-ONE MATCHUP. OF COURSE, WE KNOW YOUR SKILLS ON THE BASKETBALL COURT, BUT, 400 00:18:49,395 --> 00:18:51,040 OF COURSE, WE KNOW YOUR SKILLS ON THE BASKETBALL COURT, BUT, UH, ALL PAUL SIMON IS KNOWN FOR 401 00:18:51,064 --> 00:18:52,607 ON THE BASKETBALL COURT, BUT, UH, ALL PAUL SIMON IS KNOWN FOR IS, UH, "BRIDGE OVER TROUBLED 402 00:18:52,631 --> 00:18:53,375 UH, ALL PAUL SIMON IS KNOWN FOR IS, UH, "BRIDGE OVER TROUBLED WATERS." 403 00:18:53,399 --> 00:18:54,876 IS, UH, "BRIDGE OVER TROUBLED WATERS." WELL, ACTUALLY, I'M PROBABLY 404 00:18:54,900 --> 00:18:56,111 WATERS." WELL, ACTUALLY, I'M PROBABLY KNOWN AS ONE OF THE BEST 405 00:18:56,135 --> 00:18:57,646 WELL, ACTUALLY, I'M PROBABLY KNOWN AS ONE OF THE BEST ONE-ON-ONE BASKETBALL PLAYERS IN 406 00:18:57,670 --> 00:18:59,181 KNOWN AS ONE OF THE BEST ONE-ON-ONE BASKETBALL PLAYERS IN THE SCHOOLYARDS, AND I FOUND OUT 407 00:18:59,205 --> 00:19:00,715 ONE-ON-ONE BASKETBALL PLAYERS IN THE SCHOOLYARDS, AND I FOUND OUT THROUGH THE GRAPEVINE THAT HE'S 408 00:19:00,739 --> 00:19:01,917 THE SCHOOLYARDS, AND I FOUND OUT THROUGH THE GRAPEVINE THAT HE'S PROBABLY ONE OF THE BEST 409 00:19:01,941 --> 00:19:03,185 THROUGH THE GRAPEVINE THAT HE'S PROBABLY ONE OF THE BEST BASKETBALL PLAYERS IN THE 410 00:19:03,209 --> 00:19:04,553 PROBABLY ONE OF THE BEST BASKETBALL PLAYERS IN THE SCHOOLYARD, AND I CHALLENGED 411 00:19:04,577 --> 00:19:06,388 BASKETBALL PLAYERS IN THE SCHOOLYARD, AND I CHALLENGED HIM TO SEE WHO'S THE BEST. 412 00:19:06,412 --> 00:19:08,157 SCHOOLYARD, AND I CHALLENGED HIM TO SEE WHO'S THE BEST. ANY PARTICULAR STRATEGY THAT 413 00:19:08,181 --> 00:19:09,558 HIM TO SEE WHO'S THE BEST. ANY PARTICULAR STRATEGY THAT YOU HAVE PLANNED? 414 00:19:09,582 --> 00:19:11,193 ANY PARTICULAR STRATEGY THAT YOU HAVE PLANNED? WELL, I UNDERSTAND THAT HE'S 415 00:19:11,217 --> 00:19:12,761 YOU HAVE PLANNED? WELL, I UNDERSTAND THAT HE'S REALLY NOT THAT HEAVY AND HE'S 416 00:19:12,785 --> 00:19:14,329 WELL, I UNDERSTAND THAT HE'S REALLY NOT THAT HEAVY AND HE'S NOT THAT, UH, STRONG AND HE'S 417 00:19:14,353 --> 00:19:15,897 REALLY NOT THAT HEAVY AND HE'S NOT THAT, UH, STRONG AND HE'S PROBABLY SHORT, BUT I THINK HE 418 00:19:15,921 --> 00:19:17,533 NOT THAT, UH, STRONG AND HE'S PROBABLY SHORT, BUT I THINK HE HAS A LOT OF SAVVY AND A LOT OF 419 00:19:17,557 --> 00:19:18,633 PROBABLY SHORT, BUT I THINK HE HAS A LOT OF SAVVY AND A LOT OF HUTZPAH. 420 00:19:18,657 --> 00:19:20,135 HAS A LOT OF SAVVY AND A LOT OF HUTZPAH. IS THERE A CHANCE THAT PAUL 421 00:19:20,159 --> 00:19:21,670 HUTZPAH. IS THERE A CHANCE THAT PAUL MIGHT GET HURT OUT HERE ON THE 422 00:19:21,694 --> 00:19:23,338 IS THERE A CHANCE THAT PAUL MIGHT GET HURT OUT HERE ON THE BASKETBALL COURT? 423 00:19:23,362 --> 00:19:25,074 MIGHT GET HURT OUT HERE ON THE BASKETBALL COURT? YES. 424 00:19:25,098 --> 00:19:26,875 BASKETBALL COURT? YES. CONNIE, WE WISH YOU THE BEST 425 00:19:26,899 --> 00:19:28,410 YES. CONNIE, WE WISH YOU THE BEST OF LUCK IN THIS ONE-ON-ONE 426 00:19:28,434 --> 00:19:30,045 CONNIE, WE WISH YOU THE BEST OF LUCK IN THIS ONE-ON-ONE CONFRONTATION, AND IN JUST A 427 00:19:30,069 --> 00:19:31,846 OF LUCK IN THIS ONE-ON-ONE CONFRONTATION, AND IN JUST A MOMENT, THE OPENING TAP BETWEEN 428 00:19:31,870 --> 00:19:33,549 CONFRONTATION, AND IN JUST A MOMENT, THE OPENING TAP BETWEEN THE HAWK, CONNIE HAWKINS, AND 429 00:19:33,573 --> 00:19:36,651 MOMENT, THE OPENING TAP BETWEEN THE HAWK, CONNIE HAWKINS, AND PAUL SIMON. 430 00:19:36,675 --> 00:19:37,652 THE HAWK, CONNIE HAWKINS, AND PAUL SIMON. [INTRO TO "ME AND JULIO DOWN BY 431 00:19:37,676 --> 00:19:40,236 PAUL SIMON. [INTRO TO "ME AND JULIO DOWN BY THE SCHOOLYARD" PLAYS] 432 00:19:52,690 --> 00:19:58,240 ♪ THE MAMA PAJAMA ROLLED OUT OF BED, AND SHE RAN TO THE POLICE STATION ♪ 433 00:19:58,264 --> 00:19:59,808 BED, AND SHE RAN TO THE POLICE STATION ♪ ♪ WHEN THE PAPA FOUND OUT, HE 434 00:19:59,832 --> 00:20:01,410 STATION ♪ ♪ WHEN THE PAPA FOUND OUT, HE BEGAN TO SHOUT, AND HE STARTED 435 00:20:01,434 --> 00:20:03,512 ♪ WHEN THE PAPA FOUND OUT, HE BEGAN TO SHOUT, AND HE STARTED THE INVESTIGATION ♪ 436 00:20:03,536 --> 00:20:05,914 BEGAN TO SHOUT, AND HE STARTED THE INVESTIGATION ♪ ♪ IT'S AGAINST THE LAW ♪ 437 00:20:05,938 --> 00:20:08,016 THE INVESTIGATION ♪ ♪ IT'S AGAINST THE LAW ♪ ♪ IT WAS AGAINST THE LAW ♪ 438 00:20:08,040 --> 00:20:10,352 ♪ IT'S AGAINST THE LAW ♪ ♪ IT WAS AGAINST THE LAW ♪ ♪ WHAT THE MAMA SAW ♪ 439 00:20:10,376 --> 00:20:13,589 ♪ IT WAS AGAINST THE LAW ♪ ♪ WHAT THE MAMA SAW ♪ ♪ IT WAS AGAINST THE LAW ♪ 440 00:20:13,613 --> 00:20:15,190 ♪ WHAT THE MAMA SAW ♪ ♪ IT WAS AGAINST THE LAW ♪ ♪ THE MAMA LOOKED DOWN AND SPIT 441 00:20:15,214 --> 00:20:16,825 ♪ IT WAS AGAINST THE LAW ♪ ♪ THE MAMA LOOKED DOWN AND SPIT ON THE GROUND EVERY TIME MY NAME 442 00:20:16,849 --> 00:20:19,027 ♪ THE MAMA LOOKED DOWN AND SPIT ON THE GROUND EVERY TIME MY NAME GETS MENTIONED ♪ 443 00:20:19,051 --> 00:20:20,829 ON THE GROUND EVERY TIME MY NAME GETS MENTIONED ♪ ♪ THE PAPA SAID, "OY, IF I GET 444 00:20:20,853 --> 00:20:22,231 GETS MENTIONED ♪ ♪ THE PAPA SAID, "OY, IF I GET THAT BOY, I'M GONNA STICK HIM IN 445 00:20:22,255 --> 00:20:24,233 ♪ THE PAPA SAID, "OY, IF I GET THAT BOY, I'M GONNA STICK HIM IN THE HOUSE OF DETENTION ♪ 446 00:20:24,257 --> 00:20:26,735 THAT BOY, I'M GONNA STICK HIM IN THE HOUSE OF DETENTION ♪ ♪ WELL, I'M ON MY WAY ♪ 447 00:20:26,759 --> 00:20:29,204 THE HOUSE OF DETENTION ♪ ♪ WELL, I'M ON MY WAY ♪ ♪ I DON'T KNOW WHERE I'M GOING ♪ 448 00:20:29,228 --> 00:20:31,373 ♪ WELL, I'M ON MY WAY ♪ ♪ I DON'T KNOW WHERE I'M GOING ♪ ♪ I'M ON MY WAY ♪ 449 00:20:31,397 --> 00:20:32,807 ♪ I DON'T KNOW WHERE I'M GOING ♪ ♪ I'M ON MY WAY ♪ ♪ I'M TAKING MY TIME, BUT I 450 00:20:32,831 --> 00:20:33,842 ♪ I'M ON MY WAY ♪ ♪ I'M TAKING MY TIME, BUT I DON'T KNOW WHERE ♪ 451 00:20:33,866 --> 00:20:36,545 ♪ I'M TAKING MY TIME, BUT I DON'T KNOW WHERE ♪ ♪ GOODBYE TO ROSIE, THE QUEEN OF 452 00:20:36,569 --> 00:20:38,313 DON'T KNOW WHERE ♪ ♪ GOODBYE TO ROSIE, THE QUEEN OF CORONA ♪ 453 00:20:38,337 --> 00:20:40,549 ♪ GOODBYE TO ROSIE, THE QUEEN OF CORONA ♪ ♪ SEEIN' ME AND JULIO DOWN BY 454 00:20:40,573 --> 00:20:42,884 CORONA ♪ ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ 455 00:20:42,908 --> 00:20:45,053 ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY 456 00:20:45,077 --> 00:20:48,557 THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ 457 00:20:48,581 --> 00:20:50,821 ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ [WHISTLING] 458 00:21:11,536 --> 00:21:13,070 ♪ WHOA, IN A COUPLE OF DAYS, 459 00:21:13,205 --> 00:21:14,445 THEY COME AND TAKE ME AWAY, BUT 460 00:21:14,539 --> 00:21:17,274 THE PRESS LET THE STORY LEAK ♪ 461 00:21:17,542 --> 00:21:22,424 ♪ AND WHEN THE RADICAL PRIEST COME TO GET ME RELEASED, WE WAS ALL ON THE COVER OF NEWSWEEK ♪ 462 00:21:22,448 --> 00:21:24,726 COME TO GET ME RELEASED, WE WAS ALL ON THE COVER OF NEWSWEEK ♪ ♪ AND I'M ON MY WAY ♪ 463 00:21:24,750 --> 00:21:27,396 ALL ON THE COVER OF NEWSWEEK ♪ ♪ AND I'M ON MY WAY ♪ ♪ I DON'T KNOW WHERE I'M GOING ♪ 464 00:21:27,420 --> 00:21:29,298 ♪ AND I'M ON MY WAY ♪ ♪ I DON'T KNOW WHERE I'M GOING ♪ ♪ I'M ON MY WAY ♪ 465 00:21:29,322 --> 00:21:30,899 ♪ I DON'T KNOW WHERE I'M GOING ♪ ♪ I'M ON MY WAY ♪ ♪ I'M TAKING MY TIME, BUT I 466 00:21:30,923 --> 00:21:31,833 ♪ I'M ON MY WAY ♪ ♪ I'M TAKING MY TIME, BUT I DON'T KNOW WHERE ♪ 467 00:21:31,857 --> 00:21:34,603 ♪ I'M TAKING MY TIME, BUT I DON'T KNOW WHERE ♪ ♪ GOODBYE TO ROSIE, THE QUEEN OF 468 00:21:34,627 --> 00:21:36,471 DON'T KNOW WHERE ♪ ♪ GOODBYE TO ROSIE, THE QUEEN OF CORONA ♪ 469 00:21:36,495 --> 00:21:38,640 ♪ GOODBYE TO ROSIE, THE QUEEN OF CORONA ♪ ♪ SEEIN' ME AND JULIO DOWN BY 470 00:21:38,664 --> 00:21:41,009 CORONA ♪ ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ 471 00:21:41,033 --> 00:21:43,111 ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY 472 00:21:43,135 --> 00:21:45,447 THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ 473 00:21:45,471 --> 00:21:47,649 ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY 474 00:21:47,673 --> 00:21:50,140 THE SCHOOLYARD ♪ ♪ SEEIN' ME AND JULIO DOWN BY THE SCHOOLYARD ♪ 475 00:22:15,099 --> 00:22:20,048 PAUL, INCREDIBLE UPSET. WHAT HAPPENED? HOW DID YOU DO IT? 476 00:22:20,072 --> 00:22:25,120 WHAT HAPPENED? HOW DID YOU DO IT? WELL, UH... FIRST OF ALL, WHEN 477 00:22:25,144 --> 00:22:28,757 HOW DID YOU DO IT? WELL, UH... FIRST OF ALL, WHEN MY OUTSIDE SHOT IS ON, IT'S ON. 478 00:22:28,781 --> 00:22:31,059 WELL, UH... FIRST OF ALL, WHEN MY OUTSIDE SHOT IS ON, IT'S ON. IT'S REALLY ON, AND I HAD A GOOD 479 00:22:31,083 --> 00:22:31,993 MY OUTSIDE SHOT IS ON, IT'S ON. IT'S REALLY ON, AND I HAD A GOOD DAY TODAY. 480 00:22:32,017 --> 00:22:34,296 IT'S REALLY ON, AND I HAD A GOOD DAY TODAY. I PUT IN A COUPLE OF QUICK EARLY 481 00:22:34,320 --> 00:22:34,963 DAY TODAY. I PUT IN A COUPLE OF QUICK EARLY SHOTS. 482 00:22:34,987 --> 00:22:36,197 I PUT IN A COUPLE OF QUICK EARLY SHOTS. I THINK HE GAVE ME ROOM THAT HE 483 00:22:36,221 --> 00:22:37,366 SHOTS. I THINK HE GAVE ME ROOM THAT HE SHOULDN'T HAVE GIVEN ME ROOM. 484 00:22:37,390 --> 00:22:38,032 I THINK HE GAVE ME ROOM THAT HE SHOULDN'T HAVE GIVEN ME ROOM. HE SHOULD HAVE PRESSED ME. 485 00:22:38,056 --> 00:22:38,634 SHOULDN'T HAVE GIVEN ME ROOM. HE SHOULD HAVE PRESSED ME. HE SHOULD HAVE PLAYED A 486 00:22:38,658 --> 00:22:43,672 HE SHOULD HAVE PRESSED ME. HE SHOULD HAVE PLAYED A BASE-LINE GAME. 487 00:22:43,696 --> 00:22:45,106 HE SHOULD HAVE PLAYED A BASE-LINE GAME. A LOT OF LUCK WENT MY WAY, YOU 488 00:22:45,130 --> 00:22:46,074 BASE-LINE GAME. A LOT OF LUCK WENT MY WAY, YOU KNOW. 489 00:22:46,098 --> 00:22:47,909 A LOT OF LUCK WENT MY WAY, YOU KNOW. I THOUGHT HE PLAYED BEAUTIFUL 490 00:22:47,933 --> 00:22:48,443 KNOW. I THOUGHT HE PLAYED BEAUTIFUL BALL. 491 00:22:48,467 --> 00:22:51,012 I THOUGHT HE PLAYED BEAUTIFUL BALL. HE WAS MUCH... HE WAS MUCH 492 00:22:51,036 --> 00:22:53,482 BALL. HE WAS MUCH... HE WAS MUCH TOUGHER AND TALLER THAN I 493 00:22:53,506 --> 00:22:54,483 HE WAS MUCH... HE WAS MUCH TOUGHER AND TALLER THAN I THOUGHT. 494 00:22:54,507 --> 00:22:58,353 TOUGHER AND TALLER THAN I THOUGHT. SEE, 1'4" IS REALLY A LOT. 495 00:22:58,377 --> 00:22:59,954 THOUGHT. SEE, 1'4" IS REALLY A LOT. IT'S REALLY A LOT TO GO AGAINST, 496 00:22:59,978 --> 00:23:03,992 SEE, 1'4" IS REALLY A LOT. IT'S REALLY A LOT TO GO AGAINST, AND I'M ABOUT WORN OUT NOW. 497 00:23:04,016 --> 00:23:05,894 IT'S REALLY A LOT TO GO AGAINST, AND I'M ABOUT WORN OUT NOW. DID HIS PHYSICAL INTIMIDATION 498 00:23:05,918 --> 00:23:08,263 AND I'M ABOUT WORN OUT NOW. DID HIS PHYSICAL INTIMIDATION BOTHER YOU AT ALL? 499 00:23:08,287 --> 00:23:09,698 DID HIS PHYSICAL INTIMIDATION BOTHER YOU AT ALL? TOWARDS THE END OF THE GAME, 500 00:23:09,722 --> 00:23:11,733 BOTHER YOU AT ALL? TOWARDS THE END OF THE GAME, I STARTED TO FEEL IT IN MY LEGS. 501 00:23:11,757 --> 00:23:13,568 TOWARDS THE END OF THE GAME, I STARTED TO FEEL IT IN MY LEGS. HE PHYSICALLY INTIMIDATED MY 502 00:23:13,592 --> 00:23:14,536 I STARTED TO FEEL IT IN MY LEGS. HE PHYSICALLY INTIMIDATED MY LEGS. 503 00:23:14,560 --> 00:23:15,970 HE PHYSICALLY INTIMIDATED MY LEGS. MM-HMM. 504 00:23:15,994 --> 00:23:17,339 LEGS. MM-HMM. WHAT HAPPENS FROM HERE FOR 505 00:23:17,363 --> 00:23:18,973 MM-HMM. WHAT HAPPENS FROM HERE FOR PAUL SIMON? 506 00:23:18,997 --> 00:23:20,041 WHAT HAPPENS FROM HERE FOR PAUL SIMON? WELL, I'M GONNA GO ON THE 507 00:23:20,065 --> 00:23:20,809 PAUL SIMON? WELL, I'M GONNA GO ON THE ROAD, HOWARD, UH... 508 00:23:20,833 --> 00:23:22,811 WELL, I'M GONNA GO ON THE ROAD, HOWARD, UH... MARV, MARV. 509 00:23:22,835 --> 00:23:24,646 ROAD, HOWARD, UH... MARV, MARV. MARV, I'M GONNA GO ON THE 510 00:23:24,670 --> 00:23:26,581 MARV, MARV. MARV, I'M GONNA GO ON THE ROAD FROM HERE AND PROBABLY DO 511 00:23:26,605 --> 00:23:27,616 MARV, I'M GONNA GO ON THE ROAD FROM HERE AND PROBABLY DO SOME CONCERTS. 512 00:23:27,640 --> 00:23:28,684 ROAD FROM HERE AND PROBABLY DO SOME CONCERTS. I HAVE TO TRY AND GET BACK INTO 513 00:23:28,708 --> 00:23:31,920 SOME CONCERTS. I HAVE TO TRY AND GET BACK INTO MUSIC A LITTLE BIT NOW... 514 00:23:31,944 --> 00:23:35,056 I HAVE TO TRY AND GET BACK INTO MUSIC A LITTLE BIT NOW... WRITE SOME SONGS AND, UH... 515 00:23:35,080 --> 00:23:36,991 MUSIC A LITTLE BIT NOW... WRITE SOME SONGS AND, UH... I MEAN, THIS IS NOT GONNA BE A 516 00:23:37,015 --> 00:23:38,927 WRITE SOME SONGS AND, UH... I MEAN, THIS IS NOT GONNA BE A REGULAR THING WITH ME, I DON'T 517 00:23:38,951 --> 00:23:40,829 I MEAN, THIS IS NOT GONNA BE A REGULAR THING WITH ME, I DON'T SUPPOSE, UNLESS SOMEBODY ELSE 518 00:23:40,853 --> 00:23:42,764 REGULAR THING WITH ME, I DON'T SUPPOSE, UNLESS SOMEBODY ELSE WANTS TO COME UP AND CHALLENGE 519 00:23:42,788 --> 00:23:44,833 SUPPOSE, UNLESS SOMEBODY ELSE WANTS TO COME UP AND CHALLENGE ME AGAIN, AND IF THEY DO, IF THE 520 00:23:44,857 --> 00:23:46,835 WANTS TO COME UP AND CHALLENGE ME AGAIN, AND IF THEY DO, IF THE SCHEDULE PERMITS, I'LL BE DOING 521 00:23:46,859 --> 00:23:47,268 ME AGAIN, AND IF THEY DO, IF THE SCHEDULE PERMITS, I'LL BE DOING IT. 522 00:23:47,292 --> 00:23:49,371 SCHEDULE PERMITS, I'LL BE DOING IT. I'LL BE HERE AND READY. 523 00:23:49,395 --> 00:23:50,672 IT. I'LL BE HERE AND READY. PAUL, CONGRATULATIONS. 524 00:23:50,696 --> 00:23:51,640 I'LL BE HERE AND READY. PAUL, CONGRATULATIONS. INCREDIBLE UPSET. 525 00:23:51,664 --> 00:23:53,744 PAUL, CONGRATULATIONS. INCREDIBLE UPSET. THANKS. 526 00:24:03,908 --> 00:24:06,910 [INTRO TO "MRS. ROBINSON" PLAYS] 527 00:24:14,419 --> 00:24:22,419 DE DE-DE-DE DE-DE DE-DE DE-DE DE-DE-DE ♪ ♪ DO DO-DO-DO DO-DO DO-DO-DO ♪ 528 00:24:26,232 --> 00:24:29,344 DE-DE-DE ♪ ♪ DO DO-DO-DO DO-DO DO-DO-DO ♪ ♪ DE-DE-DE-DE DE-DE DE-DE DE-DE 529 00:24:29,368 --> 00:24:36,784 ♪ DO DO-DO-DO DO-DO DO-DO-DO ♪ ♪ DE-DE-DE-DE DE-DE DE-DE DE-DE DE-DE-DE ♪ 530 00:24:36,808 --> 00:24:38,386 ♪ DE-DE-DE-DE DE-DE DE-DE DE-DE DE-DE-DE ♪ ♪ AND HERE'S TO YOU, 531 00:24:38,410 --> 00:24:40,355 DE-DE-DE ♪ ♪ AND HERE'S TO YOU, MRS. ROBINSON ♪ 532 00:24:40,379 --> 00:24:42,757 ♪ AND HERE'S TO YOU, MRS. ROBINSON ♪ ♪ JESUS LOVES YOU MORE THAN YOU 533 00:24:42,781 --> 00:24:44,959 MRS. ROBINSON ♪ ♪ JESUS LOVES YOU MORE THAN YOU WILL KNOW ♪ 534 00:24:44,983 --> 00:24:47,429 ♪ JESUS LOVES YOU MORE THAN YOU WILL KNOW ♪ ♪ WHOA, WHOA, WHOA ♪ 535 00:24:47,453 --> 00:24:49,164 WILL KNOW ♪ ♪ WHOA, WHOA, WHOA ♪ ♪ GOD BLESS YOU, PLEASE, 536 00:24:49,188 --> 00:24:51,166 ♪ WHOA, WHOA, WHOA ♪ ♪ GOD BLESS YOU, PLEASE, MRS. ROBINSON ♪ 537 00:24:51,190 --> 00:24:53,535 ♪ GOD BLESS YOU, PLEASE, MRS. ROBINSON ♪ ♪ HEAVEN HOLDS A PLACE FOR THOSE 538 00:24:53,559 --> 00:24:55,703 MRS. ROBINSON ♪ ♪ HEAVEN HOLDS A PLACE FOR THOSE WHO PRAY ♪ 539 00:24:55,727 --> 00:24:58,273 ♪ HEAVEN HOLDS A PLACE FOR THOSE WHO PRAY ♪ ♪ HEY, HEY, HEY ♪ 540 00:24:58,297 --> 00:25:03,978 WHO PRAY ♪ ♪ HEY, HEY, HEY ♪ ♪ HEY, HEY, HEY ♪ 541 00:25:04,002 --> 00:25:06,748 ♪ HEY, HEY, HEY ♪ ♪ HEY, HEY, HEY ♪ ♪ WE'D LIKE TO KNOW A LITTLE BIT 542 00:25:06,772 --> 00:25:10,652 ♪ HEY, HEY, HEY ♪ ♪ WE'D LIKE TO KNOW A LITTLE BIT ABOUT YOU FOR OUR FILES ♪ 543 00:25:10,676 --> 00:25:13,121 ♪ WE'D LIKE TO KNOW A LITTLE BIT ABOUT YOU FOR OUR FILES ♪ ♪ WE'D LIKE TO HELP YOU LEARN TO 544 00:25:13,145 --> 00:25:16,324 ABOUT YOU FOR OUR FILES ♪ ♪ WE'D LIKE TO HELP YOU LEARN TO HELP YOURSELF ♪ 545 00:25:16,348 --> 00:25:18,527 ♪ WE'D LIKE TO HELP YOU LEARN TO HELP YOURSELF ♪ ♪ LOOK AROUND YOU, ALL YOU SEE 546 00:25:18,551 --> 00:25:23,165 HELP YOURSELF ♪ ♪ LOOK AROUND YOU, ALL YOU SEE ARE SYMPATHETIC EYES ♪ 547 00:25:23,189 --> 00:25:24,332 ♪ LOOK AROUND YOU, ALL YOU SEE ARE SYMPATHETIC EYES ♪ AND NOW MY FRIEND 548 00:25:24,356 --> 00:25:25,634 ARE SYMPATHETIC EYES ♪ AND NOW MY FRIEND ART GARFUNKEL. 549 00:25:25,658 --> 00:25:27,235 AND NOW MY FRIEND ART GARFUNKEL. [CHEERS AND APPLAUSE] 550 00:25:27,259 --> 00:25:28,703 ART GARFUNKEL. [CHEERS AND APPLAUSE] ♪ AND HERE'S TO YOU, 551 00:25:28,727 --> 00:25:30,705 [CHEERS AND APPLAUSE] ♪ AND HERE'S TO YOU, MRS. ROBINSON ♪ 552 00:25:30,729 --> 00:25:32,541 ♪ AND HERE'S TO YOU, MRS. ROBINSON ♪ ♪ JESUS LOVES YOU MORE 553 00:25:32,565 --> 00:25:33,975 MRS. ROBINSON ♪ ♪ JESUS LOVES YOU MORE THAN YOU WILL KNOW ♪ 554 00:25:33,999 --> 00:25:36,199 ♪ JESUS LOVES YOU MORE THAN YOU WILL KNOW ♪ [MUSIC STOPS] 555 00:25:47,312 --> 00:25:49,112 [SPEAKING INDISTINCTLY] 556 00:26:07,298 --> 00:26:15,217 SO, ARTIE, YOU'VE COME CRAWLING BACK. [LAUGHTER] 557 00:26:15,241 --> 00:26:16,851 BACK. [LAUGHTER] IT'S VERY NICE THAT YOU WOULD 558 00:26:16,875 --> 00:26:18,353 [LAUGHTER] IT'S VERY NICE THAT YOU WOULD INVITE ME ON YOUR SHOW, PAUL. 559 00:26:18,377 --> 00:26:19,153 IT'S VERY NICE THAT YOU WOULD INVITE ME ON YOUR SHOW, PAUL. THANKS A LOT. 560 00:26:19,177 --> 00:26:21,155 INVITE ME ON YOUR SHOW, PAUL. THANKS A LOT. THE MOVIES ARE OVER NOW? 561 00:26:21,179 --> 00:26:24,860 THANKS A LOT. THE MOVIES ARE OVER NOW? YEAH. 562 00:26:24,884 --> 00:26:26,961 THE MOVIES ARE OVER NOW? YEAH. LITTLE TWO-PART HARMONY? 563 00:26:26,985 --> 00:26:28,463 YEAH. LITTLE TWO-PART HARMONY? I'LL TRY IT AGAIN, SEE IF IT 564 00:26:28,487 --> 00:26:32,467 LITTLE TWO-PART HARMONY? I'LL TRY IT AGAIN, SEE IF IT WORKS THIS TIME. 565 00:26:32,491 --> 00:26:33,502 I'LL TRY IT AGAIN, SEE IF IT WORKS THIS TIME. "THE BOXER"? 566 00:26:33,526 --> 00:26:34,636 WORKS THIS TIME. "THE BOXER"? YEAH. 567 00:26:34,660 --> 00:26:42,660 "THE BOXER"? YEAH. [APPLAUSE] 568 00:26:44,770 --> 00:26:46,848 YEAH. [APPLAUSE] ♪ I AM JUST A POOR BOY ♪ 569 00:26:46,872 --> 00:26:48,950 [APPLAUSE] ♪ I AM JUST A POOR BOY ♪ ♪ THOUGH MY STORY'S SELDOM 570 00:26:48,974 --> 00:26:49,484 ♪ I AM JUST A POOR BOY ♪ ♪ THOUGH MY STORY'S SELDOM TOLD ♪ 571 00:26:49,508 --> 00:26:51,319 ♪ THOUGH MY STORY'S SELDOM TOLD ♪ ♪ I HAVE SQUANDERED MY 572 00:26:51,343 --> 00:26:54,322 TOLD ♪ ♪ I HAVE SQUANDERED MY RESISTANCE FOR A POCKETFUL OF 573 00:26:54,346 --> 00:26:58,460 ♪ I HAVE SQUANDERED MY RESISTANCE FOR A POCKETFUL OF MUMBLES, SUCH ARE PROMISES ♪ 574 00:26:58,484 --> 00:27:00,395 RESISTANCE FOR A POCKETFUL OF MUMBLES, SUCH ARE PROMISES ♪ ♪ ALL LIES AND JEST ♪ 575 00:27:00,419 --> 00:27:02,531 MUMBLES, SUCH ARE PROMISES ♪ ♪ ALL LIES AND JEST ♪ ♪ STILL, A MAN HEARS WHAT HE 576 00:27:02,555 --> 00:27:04,999 ♪ ALL LIES AND JEST ♪ ♪ STILL, A MAN HEARS WHAT HE WANTS TO HEAR AND DISREGARDS THE 577 00:27:05,023 --> 00:27:05,867 ♪ STILL, A MAN HEARS WHAT HE WANTS TO HEAR AND DISREGARDS THE REST ♪ 578 00:27:05,891 --> 00:27:09,103 WANTS TO HEAR AND DISREGARDS THE REST ♪ ♪ MMM, MMM, MMM ♪ 579 00:27:09,127 --> 00:27:15,444 REST ♪ ♪ MMM, MMM, MMM ♪ ♪ MMM, MMM-MMM, MMM, MMMMM ♪ 580 00:27:15,468 --> 00:27:17,278 ♪ MMM, MMM, MMM ♪ ♪ MMM, MMM-MMM, MMM, MMMMM ♪ ♪ WHEN I LEFT MY HOME AND MY 581 00:27:17,302 --> 00:27:18,346 ♪ MMM, MMM-MMM, MMM, MMMMM ♪ ♪ WHEN I LEFT MY HOME AND MY FAMILY ♪ 582 00:27:18,370 --> 00:27:20,582 ♪ WHEN I LEFT MY HOME AND MY FAMILY ♪ ♪ I WAS NO MORE THAN A BOY ♪ 583 00:27:20,606 --> 00:27:23,652 FAMILY ♪ ♪ I WAS NO MORE THAN A BOY ♪ ♪ IN THE COMPANY OF STRANGERS 584 00:27:23,676 --> 00:27:25,887 ♪ I WAS NO MORE THAN A BOY ♪ ♪ IN THE COMPANY OF STRANGERS IN THE QUIET OF THE RAILWAY 585 00:27:25,911 --> 00:27:29,825 ♪ IN THE COMPANY OF STRANGERS IN THE QUIET OF THE RAILWAY STATION, RUNNING SCARED ♪ 586 00:27:29,849 --> 00:27:32,393 IN THE QUIET OF THE RAILWAY STATION, RUNNING SCARED ♪ ♪ LAYING LOW, SEEKING OUT THE 587 00:27:32,417 --> 00:27:35,129 STATION, RUNNING SCARED ♪ ♪ LAYING LOW, SEEKING OUT THE POORER QUARTERS WHERE THE RAGGED 588 00:27:35,153 --> 00:27:36,431 ♪ LAYING LOW, SEEKING OUT THE POORER QUARTERS WHERE THE RAGGED PEOPLE GO ♪ 589 00:27:36,455 --> 00:27:38,967 POORER QUARTERS WHERE THE RAGGED PEOPLE GO ♪ ♪ LOOKING FOR THE PLACES ONLY 590 00:27:38,991 --> 00:27:41,636 PEOPLE GO ♪ ♪ LOOKING FOR THE PLACES ONLY THEY WOULD KNOW ♪ 591 00:27:41,660 --> 00:27:44,339 ♪ LOOKING FOR THE PLACES ONLY THEY WOULD KNOW ♪ ♪ LIE-LA-LIE ♪ 592 00:27:44,363 --> 00:27:47,108 THEY WOULD KNOW ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 593 00:27:47,132 --> 00:27:49,711 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 594 00:27:49,735 --> 00:27:52,246 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 595 00:27:52,270 --> 00:27:57,786 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 596 00:27:57,810 --> 00:28:00,421 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ ♪ ASKING ONLY WORKMAN'S WAGES, 597 00:28:00,445 --> 00:28:02,757 ♪ LA-LA LIE-LA-LIE ♪ ♪ ASKING ONLY WORKMAN'S WAGES, I COME LOOKING FOR A JOB ♪ 598 00:28:02,781 --> 00:28:06,260 ♪ ASKING ONLY WORKMAN'S WAGES, I COME LOOKING FOR A JOB ♪ ♪ BUT I GET NO OFFERS ♪ 599 00:28:06,284 --> 00:28:07,796 I COME LOOKING FOR A JOB ♪ ♪ BUT I GET NO OFFERS ♪ ♪ JUST A COME-ON FROM THE 600 00:28:07,820 --> 00:28:12,166 ♪ BUT I GET NO OFFERS ♪ ♪ JUST A COME-ON FROM THE WHORES ON SEVENTH AVENUE ♪ 601 00:28:12,190 --> 00:28:15,003 ♪ JUST A COME-ON FROM THE WHORES ON SEVENTH AVENUE ♪ ♪ I DO DECLARE THERE WERE TIMES 602 00:28:15,027 --> 00:28:17,639 WHORES ON SEVENTH AVENUE ♪ ♪ I DO DECLARE THERE WERE TIMES WHEN I WAS SO LONESOME, I TOOK 603 00:28:17,663 --> 00:28:19,007 ♪ I DO DECLARE THERE WERE TIMES WHEN I WAS SO LONESOME, I TOOK SOME COMFORT THERE ♪ 604 00:28:19,031 --> 00:28:27,031 WHEN I WAS SO LONESOME, I TOOK SOME COMFORT THERE ♪ ♪ LA LA LA LA-LA LA LA ♪ 605 00:28:28,607 --> 00:28:31,119 SOME COMFORT THERE ♪ ♪ LA LA LA LA-LA LA LA ♪ ♪ NOW THE YEARS ARE ROLLING BY 606 00:28:31,143 --> 00:28:31,720 ♪ LA LA LA LA-LA LA LA ♪ ♪ NOW THE YEARS ARE ROLLING BY ME ♪ 607 00:28:31,744 --> 00:28:34,055 ♪ NOW THE YEARS ARE ROLLING BY ME ♪ ♪ THEY ARE ROCKING EVENLY ♪ 608 00:28:34,079 --> 00:28:37,425 ME ♪ ♪ THEY ARE ROCKING EVENLY ♪ ♪ I AM OLDER THAN I ONCE WAS 609 00:28:37,449 --> 00:28:39,293 ♪ THEY ARE ROCKING EVENLY ♪ ♪ I AM OLDER THAN I ONCE WAS AND YOUNGER THAN I'LL BE ♪ 610 00:28:39,317 --> 00:28:43,197 ♪ I AM OLDER THAN I ONCE WAS AND YOUNGER THAN I'LL BE ♪ ♪ THAT'S NOT UNUSUAL ♪ 611 00:28:43,221 --> 00:28:44,833 AND YOUNGER THAN I'LL BE ♪ ♪ THAT'S NOT UNUSUAL ♪ ♪ NO, IT ISN'T STRANGE ♪ 612 00:28:44,857 --> 00:28:48,169 ♪ THAT'S NOT UNUSUAL ♪ ♪ NO, IT ISN'T STRANGE ♪ ♪ AFTER CHANGES UPON CHANGES, WE 613 00:28:48,193 --> 00:28:49,905 ♪ NO, IT ISN'T STRANGE ♪ ♪ AFTER CHANGES UPON CHANGES, WE ARE MORE OR LESS THE SAME ♪ 614 00:28:49,929 --> 00:28:52,641 ♪ AFTER CHANGES UPON CHANGES, WE ARE MORE OR LESS THE SAME ♪ ♪ AFTER CHANGES, WE ARE MORE OR 615 00:28:52,665 --> 00:28:55,243 ARE MORE OR LESS THE SAME ♪ ♪ AFTER CHANGES, WE ARE MORE OR LESS THE SAME ♪ 616 00:28:55,267 --> 00:28:57,946 ♪ AFTER CHANGES, WE ARE MORE OR LESS THE SAME ♪ ♪ LIE-LA-LIE ♪ 617 00:28:57,970 --> 00:29:00,715 LESS THE SAME ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 618 00:29:00,739 --> 00:29:03,317 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 619 00:29:03,341 --> 00:29:05,854 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 620 00:29:05,878 --> 00:29:08,723 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 621 00:29:08,747 --> 00:29:11,426 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 622 00:29:11,450 --> 00:29:13,995 ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 623 00:29:14,019 --> 00:29:16,531 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 624 00:29:16,555 --> 00:29:22,303 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 625 00:29:22,327 --> 00:29:24,739 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ ♪ THEN I'M LAYING OUT MY WINTER 626 00:29:24,763 --> 00:29:27,508 ♪ LA-LA LIE-LA-LIE ♪ ♪ THEN I'M LAYING OUT MY WINTER CLOTHES AND WISHING I WAS GONE, 627 00:29:27,532 --> 00:29:30,645 ♪ THEN I'M LAYING OUT MY WINTER CLOTHES AND WISHING I WAS GONE, GOING HOME ♪ 628 00:29:30,669 --> 00:29:32,146 CLOTHES AND WISHING I WAS GONE, GOING HOME ♪ ♪ WHERE THE NEW YORK CITY 629 00:29:32,170 --> 00:29:36,885 GOING HOME ♪ ♪ WHERE THE NEW YORK CITY WINTERS AREN'T BLEEDING ME ♪ 630 00:29:36,909 --> 00:29:40,855 ♪ WHERE THE NEW YORK CITY WINTERS AREN'T BLEEDING ME ♪ ♪ LEADING ME ♪ 631 00:29:40,879 --> 00:29:44,214 WINTERS AREN'T BLEEDING ME ♪ ♪ LEADING ME ♪ ♪ TO GOING HOME ♪ 632 00:29:50,655 --> 00:29:58,473 ♪ IN THE CLEARING STANDS A BOXER AND A FIGHTER BY HIS TRADE ♪ ♪ AND HE CARRIES THE REMINDERS 633 00:29:58,497 --> 00:30:00,642 AND A FIGHTER BY HIS TRADE ♪ ♪ AND HE CARRIES THE REMINDERS OF EVERY GLOVE THAT LAID HIM 634 00:30:00,666 --> 00:30:03,144 ♪ AND HE CARRIES THE REMINDERS OF EVERY GLOVE THAT LAID HIM DOWN OR CUT HIM TILL HE CRIED 635 00:30:03,168 --> 00:30:06,180 OF EVERY GLOVE THAT LAID HIM DOWN OR CUT HIM TILL HE CRIED OUT IN HIS ANGER AND HIS SHAME ♪ 636 00:30:06,204 --> 00:30:09,084 DOWN OR CUT HIM TILL HE CRIED OUT IN HIS ANGER AND HIS SHAME ♪ ♪ "I AM LEAVING, I AM LEAVING" ♪ 637 00:30:09,108 --> 00:30:10,785 OUT IN HIS ANGER AND HIS SHAME ♪ ♪ "I AM LEAVING, I AM LEAVING" ♪ ♪ BUT THE FIGHTER STILL 638 00:30:10,809 --> 00:30:11,820 ♪ "I AM LEAVING, I AM LEAVING" ♪ ♪ BUT THE FIGHTER STILL REMAINS ♪ 639 00:30:11,844 --> 00:30:16,858 ♪ BUT THE FIGHTER STILL REMAINS ♪ ♪ MMM-MMM, MMM, MMM, MMM ♪ 640 00:30:16,882 --> 00:30:19,560 REMAINS ♪ ♪ MMM-MMM, MMM, MMM, MMM ♪ ♪ LIE-LA-LIE ♪ 641 00:30:19,584 --> 00:30:22,330 ♪ MMM-MMM, MMM, MMM, MMM ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 642 00:30:22,354 --> 00:30:24,933 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 643 00:30:24,957 --> 00:30:27,468 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 644 00:30:27,492 --> 00:30:30,105 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 645 00:30:30,129 --> 00:30:32,874 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 646 00:30:32,898 --> 00:30:35,476 ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 647 00:30:35,500 --> 00:30:38,013 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 648 00:30:38,037 --> 00:30:40,548 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 649 00:30:40,572 --> 00:30:43,317 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 650 00:30:43,341 --> 00:30:45,920 ♪ LA-LA LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ 651 00:30:45,944 --> 00:30:48,456 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ 652 00:30:48,480 --> 00:30:55,496 ♪ LIE-LA-LIE ♪ ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ 653 00:30:55,520 --> 00:31:03,337 ♪ LIE-LA-LIE LIE LIE-LA-LIE ♪ ♪ LA-LA LIE-LA-LIE ♪ [CHEERS AND APPLAUSE] 654 00:31:03,361 --> 00:31:05,521 ♪ LA-LA LIE-LA-LIE ♪ [CHEERS AND APPLAUSE] THANK YOU. 655 00:31:21,545 --> 00:31:29,545 WELL, THANK YOU. IT'S GOOD TO SING WITH YOU AGAIN. 656 00:31:30,089 --> 00:31:30,665 IT'S GOOD TO SING WITH YOU AGAIN. YES. 657 00:31:30,689 --> 00:31:32,333 AGAIN. YES. TWO-PART HARMONY... IT'S THE 658 00:31:32,357 --> 00:31:33,501 YES. TWO-PART HARMONY... IT'S THE GREATEST. 659 00:31:33,525 --> 00:31:41,525 TWO-PART HARMONY... IT'S THE GREATEST. [SCATTERED LAUGHTER] 660 00:31:41,867 --> 00:31:43,345 GREATEST. [SCATTERED LAUGHTER] [INTRO TO "SCARBOROUGH FAIR" 661 00:31:43,369 --> 00:31:47,081 [SCATTERED LAUGHTER] [INTRO TO "SCARBOROUGH FAIR" PLAYS] 662 00:31:47,105 --> 00:31:52,887 [INTRO TO "SCARBOROUGH FAIR" PLAYS] [APPLAUSE] 663 00:31:52,911 --> 00:31:55,890 [PLAYS] [APPLAUSE] ♪ ARE YOU GOING TO 664 00:31:55,914 --> 00:32:00,695 [APPLAUSE] ♪ ARE YOU GOING TO SCARBOROUGH FAIR? ♪ 665 00:32:00,719 --> 00:32:04,733 ♪ ARE YOU GOING TO SCARBOROUGH FAIR? ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 666 00:32:04,757 --> 00:32:09,771 SCARBOROUGH FAIR? ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 667 00:32:09,795 --> 00:32:14,743 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ REMEMBER ME TO ONE WHO LIVES 668 00:32:14,767 --> 00:32:17,445 THYME ♪ ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 669 00:32:17,469 --> 00:32:22,083 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ ♪ SHE ONCE WAS A TRUE LOVE OF 670 00:32:22,107 --> 00:32:27,622 THERE ♪ ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 671 00:32:27,646 --> 00:32:30,525 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ ♪ TELL HER TO MAKE ME A 672 00:32:30,549 --> 00:32:35,129 MINE ♪ ♪ TELL HER TO MAKE ME A CAMBRIC SHIRT ♪ 673 00:32:35,153 --> 00:32:39,167 ♪ TELL HER TO MAKE ME A CAMBRIC SHIRT ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 674 00:32:39,191 --> 00:32:44,406 CAMBRIC SHIRT ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 675 00:32:44,430 --> 00:32:48,042 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ WITHOUT NO SEAM NOR 676 00:32:48,066 --> 00:32:52,347 THYME ♪ ♪ WITHOUT NO SEAM NOR NEEDLEWORK ♪ 677 00:32:52,371 --> 00:32:56,851 ♪ WITHOUT NO SEAM NOR NEEDLEWORK ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF 678 00:32:56,875 --> 00:33:02,089 NEEDLEWORK ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 679 00:33:02,113 --> 00:33:06,594 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ ♪ TELL HER TO FIND ME AN ACRE OF 680 00:33:06,618 --> 00:33:09,731 MINE ♪ ♪ TELL HER TO FIND ME AN ACRE OF LAND ♪ 681 00:33:09,755 --> 00:33:13,868 ♪ TELL HER TO FIND ME AN ACRE OF LAND ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 682 00:33:13,892 --> 00:33:18,840 LAND ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 683 00:33:18,864 --> 00:33:23,378 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ BETWEEN THE SALT WATER AND THE 684 00:33:23,402 --> 00:33:26,914 THYME ♪ ♪ BETWEEN THE SALT WATER AND THE SEASTRAND ♪ 685 00:33:26,938 --> 00:33:31,419 ♪ BETWEEN THE SALT WATER AND THE SEASTRAND ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF 686 00:33:31,443 --> 00:33:36,658 SEASTRAND ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 687 00:33:36,682 --> 00:33:39,594 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ ♪ TELL HER TO REAP IT IN A 688 00:33:39,618 --> 00:33:44,198 MINE ♪ ♪ TELL HER TO REAP IT IN A SICKLE OF LEATHER ♪ 689 00:33:44,222 --> 00:33:48,236 ♪ TELL HER TO REAP IT IN A SICKLE OF LEATHER ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 690 00:33:48,260 --> 00:33:53,508 SICKLE OF LEATHER ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 691 00:33:53,532 --> 00:33:57,979 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ AND GATHER IT ALL IN A BUNCH 692 00:33:58,003 --> 00:34:01,516 THYME ♪ ♪ AND GATHER IT ALL IN A BUNCH OF HEATHER ♪ 693 00:34:01,540 --> 00:34:05,854 ♪ AND GATHER IT ALL IN A BUNCH OF HEATHER ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF 694 00:34:05,878 --> 00:34:11,359 OF HEATHER ♪ ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ 695 00:34:11,383 --> 00:34:14,362 ♪ THEN SHE'LL BE A TRUE LOVE OF MINE ♪ ♪ ARE YOU GOING TO 696 00:34:14,386 --> 00:34:19,166 MINE ♪ ♪ ARE YOU GOING TO SCARBOROUGH FAIR? ♪ 697 00:34:19,190 --> 00:34:23,204 ♪ ARE YOU GOING TO SCARBOROUGH FAIR? ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND 698 00:34:23,228 --> 00:34:28,242 SCARBOROUGH FAIR? ♪ ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ 699 00:34:28,266 --> 00:34:34,516 ♪ PARSLEY, SAGE, ROSEMARY, AND THYME ♪ ♪ REMEMBER ME TO ONE WHO LIVES 700 00:34:34,540 --> 00:34:36,851 THYME ♪ ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ 701 00:34:36,875 --> 00:34:41,923 ♪ REMEMBER ME TO ONE WHO LIVES THERE ♪ ♪ SHE ONCE WAS A TRUE LOVE OF 702 00:34:41,947 --> 00:34:47,462 THERE ♪ ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ 703 00:34:47,486 --> 00:34:55,486 ♪ SHE ONCE WAS A TRUE LOVE OF MINE ♪ [FINALE PLAYS] 704 00:34:55,661 --> 00:34:57,594 MINE ♪ [FINALE PLAYS] [CHEERS AND APPLAUSE] 705 00:35:12,443 --> 00:35:16,246 [INTRO TO "MY LITTLE TOWN" PLAYS] 706 00:35:29,526 --> 00:35:37,526 ♪ IN MY LITTLE TOWN ♪ ♪ I GREW UP BELIEVING ♪ ♪ GOD KEEPS HIS EYE ON US ALL ♪ 707 00:35:44,909 --> 00:35:48,423 ♪ I GREW UP BELIEVING ♪ ♪ GOD KEEPS HIS EYE ON US ALL ♪ ♪ AND HE USED TO LEAN UPON ME 708 00:35:48,447 --> 00:35:51,125 ♪ GOD KEEPS HIS EYE ON US ALL ♪ ♪ AND HE USED TO LEAN UPON ME AS I PLEDGED ALLEGIANCE 709 00:35:51,149 --> 00:35:54,095 ♪ AND HE USED TO LEAN UPON ME AS I PLEDGED ALLEGIANCE TO THE WALL ♪ 710 00:35:54,119 --> 00:35:56,464 AS I PLEDGED ALLEGIANCE TO THE WALL ♪ ♪ LORD, I RECALL ♪ 711 00:35:56,488 --> 00:35:58,599 TO THE WALL ♪ ♪ LORD, I RECALL ♪ ♪ MY LITTLE TOWN ♪ 712 00:35:58,623 --> 00:36:01,869 ♪ LORD, I RECALL ♪ ♪ MY LITTLE TOWN ♪ ♪ COMING HOME AFTER SCHOOL ♪ 713 00:36:01,893 --> 00:36:03,771 ♪ MY LITTLE TOWN ♪ ♪ COMING HOME AFTER SCHOOL ♪ ♪ FLYING MY BIKE PAST THE 714 00:36:03,795 --> 00:36:11,579 ♪ COMING HOME AFTER SCHOOL ♪ ♪ FLYING MY BIKE PAST THE GATES OF THE FACTORIES ♪ 715 00:36:11,603 --> 00:36:15,483 ♪ FLYING MY BIKE PAST THE GATES OF THE FACTORIES ♪ ♪ MY MOM DOING THE LAUNDRY ♪ 716 00:36:15,507 --> 00:36:17,618 GATES OF THE FACTORIES ♪ ♪ MY MOM DOING THE LAUNDRY ♪ ♪ HANGING OUR SHIRTS IN THE 717 00:36:17,642 --> 00:36:23,458 ♪ MY MOM DOING THE LAUNDRY ♪ ♪ HANGING OUR SHIRTS IN THE DIRTY BREEZE ♪ 718 00:36:23,482 --> 00:36:25,960 ♪ HANGING OUR SHIRTS IN THE DIRTY BREEZE ♪ ♪ AND AFTER IT RAINS ♪ 719 00:36:25,984 --> 00:36:28,096 DIRTY BREEZE ♪ ♪ AND AFTER IT RAINS ♪ ♪ THERE'S A RAINBOW ♪ 720 00:36:28,120 --> 00:36:30,598 ♪ AND AFTER IT RAINS ♪ ♪ THERE'S A RAINBOW ♪ ♪ AND ALL OF THE COLORS ARE 721 00:36:30,622 --> 00:36:32,166 ♪ THERE'S A RAINBOW ♪ ♪ AND ALL OF THE COLORS ARE BLACK ♪ 722 00:36:32,190 --> 00:36:34,068 ♪ AND ALL OF THE COLORS ARE BLACK ♪ ♪ IT'S NOT THAT THE COLORS 723 00:36:34,092 --> 00:36:35,503 BLACK ♪ ♪ IT'S NOT THAT THE COLORS AREN'T THERE ♪ 724 00:36:35,527 --> 00:36:40,375 ♪ IT'S NOT THAT THE COLORS AREN'T THERE ♪ ♪ IT'S JUST IMAGINATION THEY 725 00:36:40,399 --> 00:36:41,675 AREN'T THERE ♪ ♪ IT'S JUST IMAGINATION THEY LACK ♪ 726 00:36:41,699 --> 00:36:43,677 ♪ IT'S JUST IMAGINATION THEY LACK ♪ ♪ EVERYTHING'S THE SAME 727 00:36:43,701 --> 00:36:47,482 LACK ♪ ♪ EVERYTHING'S THE SAME BACK IN MY LITTLE TOWN ♪ 728 00:36:47,506 --> 00:36:49,250 ♪ EVERYTHING'S THE SAME BACK IN MY LITTLE TOWN ♪ ♪ MY LITTLE TOWN ♪ 729 00:36:49,274 --> 00:36:51,914 BACK IN MY LITTLE TOWN ♪ ♪ MY LITTLE TOWN ♪ ♪ MY LITTLE TOWN ♪ 730 00:37:10,194 --> 00:37:18,194 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 731 00:37:20,338 --> 00:37:28,338 DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 732 00:37:28,380 --> 00:37:32,193 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ IN MY LITTLE TOWN ♪ 733 00:37:32,217 --> 00:37:34,195 BACK IN MY LITTLE TOWN ♪ ♪ IN MY LITTLE TOWN ♪ ♪ I NEVER MEANT NOTHING ♪ 734 00:37:34,219 --> 00:37:39,100 ♪ IN MY LITTLE TOWN ♪ ♪ I NEVER MEANT NOTHING ♪ ♪ I WAS JUST MY FATHER'S SON ♪ 735 00:37:39,124 --> 00:37:42,437 ♪ I NEVER MEANT NOTHING ♪ ♪ I WAS JUST MY FATHER'S SON ♪ ♪ MM-HMM ♪ 736 00:37:42,461 --> 00:37:46,474 ♪ I WAS JUST MY FATHER'S SON ♪ ♪ MM-HMM ♪ ♪ SAVING MY MONEY ♪ 737 00:37:46,498 --> 00:37:50,578 ♪ MM-HMM ♪ ♪ SAVING MY MONEY ♪ ♪ DREAMING OF GLORY ♪ 738 00:37:50,602 --> 00:37:53,448 ♪ SAVING MY MONEY ♪ ♪ DREAMING OF GLORY ♪ ♪ TWITCHING LIKE A FINGER ON THE 739 00:37:53,472 --> 00:37:58,619 ♪ DREAMING OF GLORY ♪ ♪ TWITCHING LIKE A FINGER ON THE TRIGGER OF A GUN ♪ 740 00:37:58,643 --> 00:38:00,921 ♪ TWITCHING LIKE A FINGER ON THE TRIGGER OF A GUN ♪ ♪ LEAVING NOTHING BUT THE DEAD 741 00:38:00,945 --> 00:38:03,124 TRIGGER OF A GUN ♪ ♪ LEAVING NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE 742 00:38:03,148 --> 00:38:07,061 ♪ LEAVING NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 743 00:38:07,085 --> 00:38:09,763 AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 744 00:38:09,787 --> 00:38:14,969 TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 745 00:38:14,993 --> 00:38:17,638 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 746 00:38:17,662 --> 00:38:22,743 BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 747 00:38:22,767 --> 00:38:25,480 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 748 00:38:25,504 --> 00:38:30,551 BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 749 00:38:30,575 --> 00:38:33,287 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 750 00:38:33,311 --> 00:38:38,526 BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 751 00:38:38,550 --> 00:38:40,394 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING 752 00:38:40,418 --> 00:38:43,264 BACK IN MY LITTLE TOWN ♪ ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ 753 00:38:43,288 --> 00:38:45,266 ♪ NOTHING BUT THE DEAD AND DYING BACK IN MY LITTLE TOWN ♪ [FINALE PLAYS] 754 00:38:45,290 --> 00:38:47,650 BACK IN MY LITTLE TOWN ♪ [FINALE PLAYS] [CHEERS AND APPLAUSE] 755 00:38:57,568 --> 00:39:02,550 WELL, I HAD TO GIVE HIM HIS SOLO NUMBER. DEMANDED A SOLO OF ME, AND, 756 00:39:02,574 --> 00:39:04,719 SOLO NUMBER. DEMANDED A SOLO OF ME, AND, TRUTH BE TOLD, HE ALWAYS DID 757 00:39:04,743 --> 00:39:06,787 DEMANDED A SOLO OF ME, AND, TRUTH BE TOLD, HE ALWAYS DID SING BETTER, SO HERE'S ART 758 00:39:06,811 --> 00:39:07,588 TRUTH BE TOLD, HE ALWAYS DID SING BETTER, SO HERE'S ART SINGING 759 00:39:07,612 --> 00:39:09,524 SING BETTER, SO HERE'S ART SINGING "I ONLY HAVE EYES FOR YOU." 760 00:39:09,548 --> 00:39:15,162 SINGING "I ONLY HAVE EYES FOR YOU." [CHEERS AND APPLAUSE] 761 00:39:15,186 --> 00:39:18,298 "I ONLY HAVE EYES FOR YOU." [CHEERS AND APPLAUSE] ♪ MY LOVE MUST BE A KIND OF 762 00:39:18,322 --> 00:39:23,838 [CHEERS AND APPLAUSE] ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ 763 00:39:23,862 --> 00:39:30,433 ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ ♪ I CAN'T SEE ANYONE BUT YOU ♪ 764 00:39:40,644 --> 00:39:48,644 ♪ ARE THE STARS OUT TONIGHT? ♪ ♪ I DON'T KNOW IF IT'S CLOUDY OR BRIGHT ♪ 765 00:39:54,292 --> 00:40:02,176 ♪ I DON'T KNOW IF IT'S CLOUDY OR BRIGHT ♪ ♪ I ONLY HAVE EYES ♪ 766 00:40:02,200 --> 00:40:07,314 BRIGHT ♪ ♪ I ONLY HAVE EYES ♪ ♪ FOR YOU ♪ 767 00:40:07,338 --> 00:40:13,153 ♪ I ONLY HAVE EYES ♪ ♪ FOR YOU ♪ ♪ DEAR ♪ 768 00:40:13,177 --> 00:40:18,993 ♪ FOR YOU ♪ ♪ DEAR ♪ ♪ THE MOON MAY BE HIGH ♪ 769 00:40:19,017 --> 00:40:23,564 ♪ DEAR ♪ ♪ THE MOON MAY BE HIGH ♪ ♪ BUT I CAN'T SEE A THING IN THE 770 00:40:23,588 --> 00:40:26,901 ♪ THE MOON MAY BE HIGH ♪ ♪ BUT I CAN'T SEE A THING IN THE SKY ♪ 771 00:40:26,925 --> 00:40:34,609 ♪ BUT I CAN'T SEE A THING IN THE SKY ♪ ♪ 'CAUSE I ONLY HAVE EYES 772 00:40:34,633 --> 00:40:42,633 SKY ♪ ♪ 'CAUSE I ONLY HAVE EYES FOR YOU ♪ 773 00:40:44,609 --> 00:40:51,993 ♪ 'CAUSE I ONLY HAVE EYES FOR YOU ♪ ♪ I DON'T KNOW IF WE'RE IN A 774 00:40:52,017 --> 00:41:00,017 FOR YOU ♪ ♪ I DON'T KNOW IF WE'RE IN A GARDEN ♪ 775 00:41:00,825 --> 00:41:06,674 ♪ I DON'T KNOW IF WE'RE IN A GARDEN ♪ ♪ OR ON A CROWDED 776 00:41:06,698 --> 00:41:11,578 GARDEN ♪ ♪ OR ON A CROWDED AVENUE ♪ 777 00:41:11,602 --> 00:41:19,053 ♪ OR ON A CROWDED AVENUE ♪ ♪ YOU ARE HERE ♪ 778 00:41:19,077 --> 00:41:23,057 AVENUE ♪ ♪ YOU ARE HERE ♪ ♪ SO AM I ♪ 779 00:41:23,081 --> 00:41:27,995 ♪ YOU ARE HERE ♪ ♪ SO AM I ♪ ♪ MAYBE MILLIONS OF PEOPLE GO 780 00:41:28,019 --> 00:41:30,865 ♪ SO AM I ♪ ♪ MAYBE MILLIONS OF PEOPLE GO BY ♪ 781 00:41:30,889 --> 00:41:38,889 ♪ MAYBE MILLIONS OF PEOPLE GO BY ♪ ♪ BUT THEY ALL DISAPPEAR FROM 782 00:41:39,597 --> 00:41:46,147 BY ♪ ♪ BUT THEY ALL DISAPPEAR FROM VIEW ♪ 783 00:41:46,171 --> 00:41:53,520 ♪ BUT THEY ALL DISAPPEAR FROM VIEW ♪ ♪ AND I ONLY HAVE EYES ♪ 784 00:41:53,544 --> 00:41:55,723 VIEW ♪ ♪ AND I ONLY HAVE EYES ♪ ♪ FO-O-O-O-O-O-R ♪ 785 00:41:55,747 --> 00:42:03,747 ♪ AND I ONLY HAVE EYES ♪ ♪ FO-O-O-O-O-O-R ♪ ♪ YO-O-O-O-O-O-O-O-O-U ♪ 786 00:42:04,089 --> 00:42:06,609 ♪ FO-O-O-O-O-O-R ♪ ♪ YO-O-O-O-O-O-O-O-O-U ♪ [CHEERS AND APPLAUSE] 787 00:42:25,075 --> 00:42:31,158 Announcer: COME WITH US NOW, FROM THE BUBBLING TAR PITS TO THE SULFUROUS WASTELAND, FROM 788 00:42:31,182 --> 00:42:33,026 FROM THE BUBBLING TAR PITS TO THE SULFUROUS WASTELAND, FROM THE ROTTING FORESTS TO THE 789 00:42:33,050 --> 00:42:35,196 THE SULFUROUS WASTELAND, FROM THE ROTTING FORESTS TO THE STAGNANT MUD FLATS, TO THE LAND 790 00:42:35,220 --> 00:42:39,132 THE ROTTING FORESTS TO THE STAGNANT MUD FLATS, TO THE LAND OF GORCH. 791 00:42:39,156 --> 00:42:41,468 STAGNANT MUD FLATS, TO THE LAND OF GORCH. [MUTTERING] 792 00:42:41,492 --> 00:42:42,903 OF GORCH. [MUTTERING] MORE BILLS, YOUR 793 00:42:42,927 --> 00:42:44,137 [MUTTERING] MORE BILLS, YOUR THOUGHTLESSNESS. 794 00:42:44,161 --> 00:42:46,106 MORE BILLS, YOUR THOUGHTLESSNESS. AHH, BILLS, BILLS, BILLS! 795 00:42:46,130 --> 00:42:47,274 THOUGHTLESSNESS. AHH, BILLS, BILLS, BILLS! WHAT'S THE USE? 796 00:42:47,298 --> 00:42:49,476 AHH, BILLS, BILLS, BILLS! WHAT'S THE USE? WE'RE NEVER GONNA BE ABLE TO PAY 797 00:42:49,500 --> 00:42:50,077 WHAT'S THE USE? WE'RE NEVER GONNA BE ABLE TO PAY THEM. 798 00:42:50,101 --> 00:42:52,979 WE'RE NEVER GONNA BE ABLE TO PAY THEM. AW, WHAT'S THE MATTER, PRIVY 799 00:42:53,003 --> 00:42:53,947 THEM. AW, WHAT'S THE MATTER, PRIVY BREATH? 800 00:42:53,971 --> 00:42:58,051 AW, WHAT'S THE MATTER, PRIVY BREATH? SCRED, OUR FAIR LAND OF GORCH 801 00:42:58,075 --> 00:43:02,623 BREATH? SCRED, OUR FAIR LAND OF GORCH IS ON THE BRINK OF DEFAULT. 802 00:43:02,647 --> 00:43:03,490 SCRED, OUR FAIR LAND OF GORCH IS ON THE BRINK OF DEFAULT. NO, IT'S NOT. 803 00:43:03,514 --> 00:43:04,925 IS ON THE BRINK OF DEFAULT. NO, IT'S NOT. IT'S ON THE EDGE OF SCABLAND! 804 00:43:04,949 --> 00:43:06,360 NO, IT'S NOT. IT'S ON THE EDGE OF SCABLAND! THERE'S THE BORDER, RIGHT OVER 805 00:43:06,384 --> 00:43:06,827 IT'S ON THE EDGE OF SCABLAND! THERE'S THE BORDER, RIGHT OVER THERE! 806 00:43:06,851 --> 00:43:08,028 THERE'S THE BORDER, RIGHT OVER THERE! YOU IDIOT! 807 00:43:08,052 --> 00:43:08,962 THERE! YOU IDIOT! OHH, OHH, OHH! 808 00:43:08,986 --> 00:43:10,163 YOU IDIOT! OHH, OHH, OHH! WE'RE ON THE BRINK OF 809 00:43:10,187 --> 00:43:10,731 OHH, OHH, OHH! WE'RE ON THE BRINK OF DEFAULT! 810 00:43:10,755 --> 00:43:12,165 WE'RE ON THE BRINK OF DEFAULT! WELL, WHAT DOES THAT MEAN? 811 00:43:12,189 --> 00:43:13,367 DEFAULT! WELL, WHAT DOES THAT MEAN? IT MEANS WE CAN'T PAY 812 00:43:13,391 --> 00:43:14,000 WELL, WHAT DOES THAT MEAN? IT MEANS WE CAN'T PAY OUR BILLS. 813 00:43:14,024 --> 00:43:15,569 IT MEANS WE CAN'T PAY OUR BILLS. IT MEANS THE GARBAGE MAN WILL NO 814 00:43:15,593 --> 00:43:17,003 OUR BILLS. IT MEANS THE GARBAGE MAN WILL NO LONGER BE ABLE TO DELIVER THE 815 00:43:17,027 --> 00:43:17,538 IT MEANS THE GARBAGE MAN WILL NO LONGER BE ABLE TO DELIVER THE GARBAGE. 816 00:43:17,562 --> 00:43:19,873 LONGER BE ABLE TO DELIVER THE GARBAGE. OH, WELL, HOW WILL WE FEED 817 00:43:19,897 --> 00:43:22,075 GARBAGE. OH, WELL, HOW WILL WE FEED THE... HOW WILL WE FEED THE 818 00:43:22,099 --> 00:43:22,743 OH, WELL, HOW WILL WE FEED THE... HOW WILL WE FEED THE RATS? 819 00:43:22,767 --> 00:43:24,878 THE... HOW WILL WE FEED THE RATS? WHAT WE NEED, SCRED, IS 820 00:43:24,902 --> 00:43:26,447 RATS? WHAT WE NEED, SCRED, IS FISCAL ASSISTANCE. 821 00:43:26,471 --> 00:43:28,649 WHAT WE NEED, SCRED, IS FISCAL ASSISTANCE. OH, THAT SOUNDS PAINFUL. 822 00:43:28,673 --> 00:43:29,683 FISCAL ASSISTANCE. OH, THAT SOUNDS PAINFUL. SCRED! 823 00:43:29,707 --> 00:43:30,384 OH, THAT SOUNDS PAINFUL. SCRED! [MOANS] 824 00:43:30,408 --> 00:43:31,352 SCRED! [MOANS] YOU'RE NO HELP. 825 00:43:31,376 --> 00:43:32,686 [MOANS] YOU'RE NO HELP. I'M JUST TRYING TO HELP, 826 00:43:32,710 --> 00:43:33,487 YOU'RE NO HELP. I'M JUST TRYING TO HELP, YOUR ANNOYANCE. 827 00:43:33,511 --> 00:43:34,955 I'M JUST TRYING TO HELP, YOUR ANNOYANCE. BUT, YOU KNOW, USUALLY WHEN WE 828 00:43:34,979 --> 00:43:37,324 YOUR ANNOYANCE. BUT, YOU KNOW, USUALLY WHEN WE NEED HELP, WE ASK... 829 00:43:37,348 --> 00:43:39,460 BUT, YOU KNOW, USUALLY WHEN WE NEED HELP, WE ASK... YOU KNOW WHO. 830 00:43:39,484 --> 00:43:40,927 NEED HELP, WE ASK... YOU KNOW WHO. OH, YEAH. 831 00:43:40,951 --> 00:43:43,130 YOU KNOW WHO. OH, YEAH. THE MIGHTY FAVOG. 832 00:43:43,154 --> 00:43:45,399 OH, YEAH. THE MIGHTY FAVOG. [GONG BANGS] 833 00:43:45,423 --> 00:43:49,403 THE MIGHTY FAVOG. [GONG BANGS] THIS IS THE MIGHTY FAVOG. 834 00:43:49,427 --> 00:43:52,105 [GONG BANGS] THIS IS THE MIGHTY FAVOG. THAT'S MY NAME, WISDOM'S MY 835 00:43:52,129 --> 00:43:54,308 THIS IS THE MIGHTY FAVOG. THAT'S MY NAME, WISDOM'S MY GAME. 836 00:43:54,332 --> 00:43:57,077 THAT'S MY NAME, WISDOM'S MY GAME. MIGHTY FAVOG, WE'VE COME TO 837 00:43:57,101 --> 00:44:00,080 GAME. MIGHTY FAVOG, WE'VE COME TO SEEK FISCAL ASSISTANCE. 838 00:44:00,104 --> 00:44:02,316 MIGHTY FAVOG, WE'VE COME TO SEEK FISCAL ASSISTANCE. OOH, THAT SOUNDS PAINFUL. 839 00:44:02,340 --> 00:44:03,884 SEEK FISCAL ASSISTANCE. OOH, THAT SOUNDS PAINFUL. THAT'S WHAT I SAID! 840 00:44:03,908 --> 00:44:04,652 OOH, THAT SOUNDS PAINFUL. THAT'S WHAT I SAID! WILL YOU SHUT UP?! 841 00:44:04,676 --> 00:44:05,886 THAT'S WHAT I SAID! WILL YOU SHUT UP?! OH, OH, OH, OH, OH! 842 00:44:05,910 --> 00:44:07,655 WILL YOU SHUT UP?! OH, OH, OH, OH, OH! OH, MIGHTY FAVOG... 843 00:44:07,679 --> 00:44:08,889 OH, OH, OH, OH, OH! OH, MIGHTY FAVOG... TALK TO ME. 844 00:44:08,913 --> 00:44:11,258 OH, MIGHTY FAVOG... TALK TO ME. OUR FAIR LAND OF GORCH IS ON 845 00:44:11,282 --> 00:44:12,959 TALK TO ME. OUR FAIR LAND OF GORCH IS ON THE BRINK OF DEFAULT. 846 00:44:12,983 --> 00:44:13,827 OUR FAIR LAND OF GORCH IS ON THE BRINK OF DEFAULT. NO, IT'S NOT. 847 00:44:13,851 --> 00:44:15,095 THE BRINK OF DEFAULT. NO, IT'S NOT. IT'S RIGHT ON THE EDGE OF 848 00:44:15,119 --> 00:44:15,696 NO, IT'S NOT. IT'S RIGHT ON THE EDGE OF SCABLAND. 849 00:44:15,720 --> 00:44:16,997 IT'S RIGHT ON THE EDGE OF SCABLAND. SEE THE BORDER OVER THERE? 850 00:44:17,021 --> 00:44:17,964 SCABLAND. SEE THE BORDER OVER THERE? SEE? I TOLD YA! 851 00:44:17,988 --> 00:44:19,700 SEE THE BORDER OVER THERE? SEE? I TOLD YA! WILL YOU SHUT UP, SCRED?! 852 00:44:19,724 --> 00:44:21,502 SEE? I TOLD YA! WILL YOU SHUT UP, SCRED?! LISTEN, FAVOG, GORCH IS BROKE. 853 00:44:21,526 --> 00:44:23,304 WILL YOU SHUT UP, SCRED?! LISTEN, FAVOG, GORCH IS BROKE. WE CAN'T PAY OUR BILLS, AND WE 854 00:44:23,328 --> 00:44:24,305 LISTEN, FAVOG, GORCH IS BROKE. WE CAN'T PAY OUR BILLS, AND WE NEED YOUR HELP. 855 00:44:24,329 --> 00:44:25,238 WE CAN'T PAY OUR BILLS, AND WE NEED YOUR HELP. [SNORTS] 856 00:44:25,262 --> 00:44:28,008 NEED YOUR HELP. [SNORTS] IT'S GONNA COST YA. 857 00:44:28,032 --> 00:44:29,643 [SNORTS] IT'S GONNA COST YA. BUT... BUT WE'RE BROKE. 858 00:44:29,667 --> 00:44:31,144 IT'S GONNA COST YA. BUT... BUT WE'RE BROKE. I MEAN, I GOT NOTHING TO 859 00:44:31,168 --> 00:44:31,945 BUT... BUT WE'RE BROKE. I MEAN, I GOT NOTHING TO SACRIFICE. 860 00:44:31,969 --> 00:44:33,814 I MEAN, I GOT NOTHING TO SACRIFICE. WELL, WHAT ABOUT YOUR FRIEND 861 00:44:33,838 --> 00:44:34,381 SACRIFICE. WELL, WHAT ABOUT YOUR FRIEND THERE? 862 00:44:34,405 --> 00:44:36,116 WELL, WHAT ABOUT YOUR FRIEND THERE? HE'S GOT NOTHING, EITHER. 863 00:44:36,140 --> 00:44:37,651 THERE? HE'S GOT NOTHING, EITHER. THAT'S RIGHT! 864 00:44:37,675 --> 00:44:40,187 HE'S GOT NOTHING, EITHER. THAT'S RIGHT! NO, NO, I MEAN... I'LL TAKE 865 00:44:40,211 --> 00:44:43,023 THAT'S RIGHT! NO, NO, I MEAN... I'LL TAKE HIM! 866 00:44:43,047 --> 00:44:44,057 NO, NO, I MEAN... I'LL TAKE HIM! OH, NO. 867 00:44:44,081 --> 00:44:44,858 HIM! OH, NO. NO, NO. 868 00:44:44,882 --> 00:44:46,427 OH, NO. NO, NO. NO, NOT OLD SCRED! 869 00:44:46,451 --> 00:44:47,260 NO, NO. NO, NOT OLD SCRED! OH, NO! 870 00:44:47,284 --> 00:44:49,196 NO, NOT OLD SCRED! OH, NO! NO, IF I GO, WHO'LL TORTURE THE 871 00:44:49,220 --> 00:44:50,263 OH, NO! NO, IF I GO, WHO'LL TORTURE THE BIRDS?! 872 00:44:50,287 --> 00:44:51,965 NO, IF I GO, WHO'LL TORTURE THE BIRDS?! RIGHT IN THERE. 873 00:44:51,989 --> 00:44:52,966 BIRDS?! RIGHT IN THERE. YEAH. 874 00:44:52,990 --> 00:44:54,335 RIGHT IN THERE. YEAH. OH, N-O-O-O-O-O! 875 00:44:54,359 --> 00:44:57,338 YEAH. OH, N-O-O-O-O-O! [LIQUID SPLASHES, FLUSHING] 876 00:44:57,362 --> 00:45:00,907 OH, N-O-O-O-O-O! [LIQUID SPLASHES, FLUSHING] HE DON'T GO DOWN EASY. 877 00:45:00,931 --> 00:45:03,577 [LIQUID SPLASHES, FLUSHING] HE DON'T GO DOWN EASY. LISTEN, FAVOG, N-NOW, HOW CAN 878 00:45:03,601 --> 00:45:05,178 HE DON'T GO DOWN EASY. LISTEN, FAVOG, N-NOW, HOW CAN YOU HELP GORCH? 879 00:45:05,202 --> 00:45:08,014 LISTEN, FAVOG, N-NOW, HOW CAN YOU HELP GORCH? GORCH IS BETTER OFF ALREADY. 880 00:45:08,038 --> 00:45:09,049 YOU HELP GORCH? GORCH IS BETTER OFF ALREADY. HOW COME? 881 00:45:09,073 --> 00:45:11,352 GORCH IS BETTER OFF ALREADY. HOW COME? YA GOT ONE LESS MOUTH TO 882 00:45:11,376 --> 00:45:13,053 HOW COME? YA GOT ONE LESS MOUTH TO FEED. 883 00:45:13,077 --> 00:45:14,521 YA GOT ONE LESS MOUTH TO FEED. OH, YEAH. 884 00:45:14,545 --> 00:45:16,457 FEED. OH, YEAH. YA WANT SOME MORE HELP? 885 00:45:16,481 --> 00:45:19,460 OH, YEAH. YA WANT SOME MORE HELP? BRING SOME MORE FRIENDS. 886 00:45:19,484 --> 00:45:21,495 YA WANT SOME MORE HELP? BRING SOME MORE FRIENDS. YEAH, AND BRING SOME GIRLS! 887 00:45:21,519 --> 00:45:23,764 BRING SOME MORE FRIENDS. YEAH, AND BRING SOME GIRLS! Both: GET BACK IN THERE! 888 00:45:23,788 --> 00:45:26,789 YEAH, AND BRING SOME GIRLS! Both: GET BACK IN THERE! [APPLAUSE] 889 00:45:32,262 --> 00:45:37,578 AND NOW ANOTHER REGULAR FEATURE OF THE "SATURDAY NIGHT" SHOW, A FILM BY ALBERT BROOKS. 890 00:45:37,602 --> 00:45:39,279 FEATURE OF THE "SATURDAY NIGHT" SHOW, A FILM BY ALBERT BROOKS. YOU'LL LAUGH. 891 00:45:39,303 --> 00:45:47,153 SHOW, A FILM BY ALBERT BROOKS. YOU'LL LAUGH. [CHEERS AND APPLAUSE] 892 00:45:47,177 --> 00:45:47,821 YOU'LL LAUGH. [CHEERS AND APPLAUSE] HELLO. 893 00:45:47,845 --> 00:45:48,889 [CHEERS AND APPLAUSE] HELLO. I'M ALBERT BROOKS. 894 00:45:48,913 --> 00:45:50,557 HELLO. I'M ALBERT BROOKS. IN THE FOLLOWING FEW WEEKS, YOU 895 00:45:50,581 --> 00:45:52,259 I'M ALBERT BROOKS. IN THE FOLLOWING FEW WEEKS, YOU AND I ARE GOING TO SPEND QUITE A 896 00:45:52,283 --> 00:45:53,494 IN THE FOLLOWING FEW WEEKS, YOU AND I ARE GOING TO SPEND QUITE A BIT OF TIME TOGETHER. 897 00:45:53,518 --> 00:45:55,195 AND I ARE GOING TO SPEND QUITE A BIT OF TIME TOGETHER. NO, WE'RE NOT GOING TO ANY FANCY 898 00:45:55,219 --> 00:45:55,996 BIT OF TIME TOGETHER. NO, WE'RE NOT GOING TO ANY FANCY RESTAURANTS. 899 00:45:56,020 --> 00:45:57,731 NO, WE'RE NOT GOING TO ANY FANCY RESTAURANTS. WE'RE GOING TO DO IT THROUGH THE 900 00:45:57,755 --> 00:45:58,599 RESTAURANTS. WE'RE GOING TO DO IT THROUGH THE MAGIC OF FILM. 901 00:45:58,623 --> 00:46:00,200 WE'RE GOING TO DO IT THROUGH THE MAGIC OF FILM. NOW, FOR THOSE OF YOU WHO AREN'T 902 00:46:00,224 --> 00:46:01,735 MAGIC OF FILM. NOW, FOR THOSE OF YOU WHO AREN'T FAMILIAR WITH MY WORK, HERE ARE 903 00:46:01,759 --> 00:46:03,103 NOW, FOR THOSE OF YOU WHO AREN'T FAMILIAR WITH MY WORK, HERE ARE A FEW PEOPLE WHO JUST SAW A 904 00:46:03,127 --> 00:46:03,937 FAMILIAR WITH MY WORK, HERE ARE A FEW PEOPLE WHO JUST SAW A CURRENT MOVIE. 905 00:46:03,961 --> 00:46:05,972 A FEW PEOPLE WHO JUST SAW A CURRENT MOVIE. LET'S SEE WHAT THEY HAVE TO SAY. 906 00:46:05,996 --> 00:46:07,641 CURRENT MOVIE. LET'S SEE WHAT THEY HAVE TO SAY. PSYCHEDELIC AND ENTERTAINING. 907 00:46:07,665 --> 00:46:09,242 LET'S SEE WHAT THEY HAVE TO SAY. PSYCHEDELIC AND ENTERTAINING. IT PLACES AMONG THE DAMNDEST 908 00:46:09,266 --> 00:46:10,444 PSYCHEDELIC AND ENTERTAINING. IT PLACES AMONG THE DAMNDEST THINGS I'VE EVER SEEN. 909 00:46:10,468 --> 00:46:12,513 IT PLACES AMONG THE DAMNDEST THINGS I'VE EVER SEEN. EVERYBODY IS REALLY A GENIUS. 910 00:46:12,537 --> 00:46:14,214 THINGS I'VE EVER SEEN. EVERYBODY IS REALLY A GENIUS. I'M TELLING YOU THE TRUTH. 911 00:46:14,238 --> 00:46:15,449 EVERYBODY IS REALLY A GENIUS. I'M TELLING YOU THE TRUTH. THEY'RE GENIUSES. 912 00:46:15,473 --> 00:46:16,884 I'M TELLING YOU THE TRUTH. THEY'RE GENIUSES. THEY'RE ALL GENIUSES. 913 00:46:16,908 --> 00:46:17,951 THEY'RE GENIUSES. THEY'RE ALL GENIUSES. [LAUGHS] 914 00:46:17,975 --> 00:46:19,453 THEY'RE ALL GENIUSES. [LAUGHS] NOW, I ALSO PUT TOGETHER A 915 00:46:19,477 --> 00:46:21,054 [LAUGHS] NOW, I ALSO PUT TOGETHER A FEW HOME MOVIES MY PARENTS TOOK 916 00:46:21,078 --> 00:46:22,088 NOW, I ALSO PUT TOGETHER A FEW HOME MOVIES MY PARENTS TOOK WHEN I WAS YOUNGER. 917 00:46:22,112 --> 00:46:23,657 FEW HOME MOVIES MY PARENTS TOOK WHEN I WAS YOUNGER. YOU MIGHT LIKE TO GET A LITTLE 918 00:46:23,681 --> 00:46:24,925 WHEN I WAS YOUNGER. YOU MIGHT LIKE TO GET A LITTLE GLIMPSE OF MY CHILDHOOD. 919 00:46:24,949 --> 00:46:26,693 YOU MIGHT LIKE TO GET A LITTLE GLIMPSE OF MY CHILDHOOD. DADDY! DADDY! 920 00:46:26,717 --> 00:46:28,662 GLIMPSE OF MY CHILDHOOD. DADDY! DADDY! WELL, SPEAKING OF CHILDHOOD. 921 00:46:28,686 --> 00:46:31,498 DADDY! DADDY! WELL, SPEAKING OF CHILDHOOD. HELLO, SUGAR! 922 00:46:31,522 --> 00:46:33,233 WELL, SPEAKING OF CHILDHOOD. HELLO, SUGAR! ARE YOU WORKING, DADDY? 923 00:46:33,257 --> 00:46:35,035 HELLO, SUGAR! ARE YOU WORKING, DADDY? ARE YOU MAKING MILLIONS OF 924 00:46:35,059 --> 00:46:37,037 ARE YOU WORKING, DADDY? ARE YOU MAKING MILLIONS OF PEOPLE LAUGH AND FORGET THEIR 925 00:46:37,061 --> 00:46:37,838 ARE YOU MAKING MILLIONS OF PEOPLE LAUGH AND FORGET THEIR TROUBLES? 926 00:46:37,862 --> 00:46:39,239 PEOPLE LAUGH AND FORGET THEIR TROUBLES? WELL, HONEY, I'M DOING THE 927 00:46:39,263 --> 00:46:39,907 TROUBLES? WELL, HONEY, I'M DOING THE BEST I CAN. 928 00:46:39,931 --> 00:46:40,707 WELL, HONEY, I'M DOING THE BEST I CAN. WHAT'S THIS? 929 00:46:40,731 --> 00:46:42,108 BEST I CAN. WHAT'S THIS? IT'S A PROJECTOR, SWEETIE. 930 00:46:42,132 --> 00:46:42,943 WHAT'S THIS? IT'S A PROJECTOR, SWEETIE. WHAT'S THIS? 931 00:46:42,967 --> 00:46:44,077 IT'S A PROJECTOR, SWEETIE. WHAT'S THIS? IT'S MY DESK, HONEY. 932 00:46:44,101 --> 00:46:44,912 WHAT'S THIS? IT'S MY DESK, HONEY. WHAT'S THAT? 933 00:46:44,936 --> 00:46:46,046 IT'S MY DESK, HONEY. WHAT'S THAT? IT'S A CHAIR, HONEY. 934 00:46:46,070 --> 00:46:46,880 WHAT'S THAT? IT'S A CHAIR, HONEY. WHAT'S THIS? 935 00:46:46,904 --> 00:46:48,515 IT'S A CHAIR, HONEY. WHAT'S THIS? TIME TO GO, HONEY. 936 00:46:48,539 --> 00:46:49,583 WHAT'S THIS? TIME TO GO, HONEY. NO! 937 00:46:49,607 --> 00:46:51,184 TIME TO GO, HONEY. NO! I DON'T WANT TO! 938 00:46:51,208 --> 00:46:52,385 NO! I DON'T WANT TO! YOU WANT DADDY TO CALL THE 939 00:46:52,409 --> 00:46:54,120 I DON'T WANT TO! YOU WANT DADDY TO CALL THE POLICE? 940 00:46:54,144 --> 00:46:56,156 YOU WANT DADDY TO CALL THE POLICE? OW! MIKE, GET HER OUT! 941 00:46:56,180 --> 00:46:57,491 POLICE? OW! MIKE, GET HER OUT! MISSY, LET'S GO. 942 00:46:57,515 --> 00:46:59,092 OW! MIKE, GET HER OUT! MISSY, LET'S GO. I DON'T WANT TO! 943 00:46:59,116 --> 00:47:00,427 MISSY, LET'S GO. I DON'T WANT TO! MISSY! 944 00:47:00,451 --> 00:47:03,063 I DON'T WANT TO! MISSY! [WHINING] 945 00:47:03,087 --> 00:47:04,097 MISSY! [WHINING] I'M SORRY, HONEY. 946 00:47:04,121 --> 00:47:05,265 [WHINING] I'M SORRY, HONEY. I'LL MAKE IT UP TO YOU. 947 00:47:05,289 --> 00:47:06,099 I'M SORRY, HONEY. I'LL MAKE IT UP TO YOU. [DOOR CLOSES] 948 00:47:06,123 --> 00:47:07,367 I'LL MAKE IT UP TO YOU. [DOOR CLOSES] I'M SORRY, SWEETIE. 949 00:47:07,391 --> 00:47:08,769 [DOOR CLOSES] I'M SORRY, SWEETIE. THAT'S MY LITTLE GIRL. 950 00:47:08,793 --> 00:47:10,604 I'M SORRY, SWEETIE. THAT'S MY LITTLE GIRL. YOU WON'T BE SEEING HER AGAIN. 951 00:47:10,628 --> 00:47:12,339 THAT'S MY LITTLE GIRL. YOU WON'T BE SEEING HER AGAIN. OKAY, I THINK WE'RE READY TO 952 00:47:12,363 --> 00:47:13,173 YOU WON'T BE SEEING HER AGAIN. OKAY, I THINK WE'RE READY TO ROLL THESE. 953 00:47:13,197 --> 00:47:14,675 OKAY, I THINK WE'RE READY TO ROLL THESE. LIGHTS! 954 00:47:14,699 --> 00:47:15,342 ROLL THESE. LIGHTS! [DOOR CLOSES] 955 00:47:15,366 --> 00:47:16,510 LIGHTS! [DOOR CLOSES] MR. BROOKS, I CAN'T FIND MY 956 00:47:16,534 --> 00:47:17,377 [DOOR CLOSES] MR. BROOKS, I CAN'T FIND MY WAY BACK TO THE SEAT. 957 00:47:17,401 --> 00:47:18,011 MR. BROOKS, I CAN'T FIND MY WAY BACK TO THE SEAT. IT'S TOO DARK. 958 00:47:18,035 --> 00:47:18,879 WAY BACK TO THE SEAT. IT'S TOO DARK. OH, COME ON, MIKE. 959 00:47:18,903 --> 00:47:19,780 IT'S TOO DARK. OH, COME ON, MIKE. YOU KNOW THE WAY BACK. 960 00:47:19,804 --> 00:47:20,881 OH, COME ON, MIKE. YOU KNOW THE WAY BACK. I WANT TO START THESE FILMS. 961 00:47:20,905 --> 00:47:21,482 YOU KNOW THE WAY BACK. I WANT TO START THESE FILMS. NO, SIR... 962 00:47:21,506 --> 00:47:22,248 I WANT TO START THESE FILMS. NO, SIR... [GLASS SHATTERS] 963 00:47:22,272 --> 00:47:22,549 NO, SIR... [GLASS SHATTERS] OW! 964 00:47:22,573 --> 00:47:23,750 [GLASS SHATTERS] OW! MIKE, ARE YOU ALL RIGHT? 965 00:47:23,774 --> 00:47:24,518 OW! MIKE, ARE YOU ALL RIGHT? IT'S MY LEG! 966 00:47:24,542 --> 00:47:25,118 MIKE, ARE YOU ALL RIGHT? IT'S MY LEG! HIS LEG. 967 00:47:25,142 --> 00:47:26,052 IT'S MY LEG! HIS LEG. IS MY WIFE HERE? 968 00:47:26,076 --> 00:47:26,954 HIS LEG. IS MY WIFE HERE? I'M HERE, HONEY. 969 00:47:26,978 --> 00:47:27,821 IS MY WIFE HERE? I'M HERE, HONEY. ARE YOU ALL RIGHT? 970 00:47:27,845 --> 00:47:28,455 I'M HERE, HONEY. ARE YOU ALL RIGHT? SHE'S HERE. 971 00:47:28,479 --> 00:47:29,122 ARE YOU ALL RIGHT? SHE'S HERE. OH, MY LEG! 972 00:47:29,146 --> 00:47:30,357 SHE'S HERE. OH, MY LEG! JIM, ERNIE, COME HERE, QUICK! 973 00:47:30,381 --> 00:47:31,458 OH, MY LEG! JIM, ERNIE, COME HERE, QUICK! MIKE, ARE YOU ALL RIGHT? 974 00:47:31,482 --> 00:47:32,659 JIM, ERNIE, COME HERE, QUICK! MIKE, ARE YOU ALL RIGHT? JUST STOP ASKING HIM IF HE'S 975 00:47:32,683 --> 00:47:33,193 MIKE, ARE YOU ALL RIGHT? JUST STOP ASKING HIM IF HE'S ALL RIGHT! 976 00:47:33,217 --> 00:47:34,160 JUST STOP ASKING HIM IF HE'S ALL RIGHT! GET HIM TO THE HOSPITAL! 977 00:47:34,184 --> 00:47:35,696 ALL RIGHT! GET HIM TO THE HOSPITAL! ALL RIGHT! ALL RIGHT! ALL RIGHT! 978 00:47:35,720 --> 00:47:36,663 GET HIM TO THE HOSPITAL! ALL RIGHT! ALL RIGHT! ALL RIGHT! [DOOR CLOSES] 979 00:47:36,687 --> 00:47:38,264 ALL RIGHT! ALL RIGHT! ALL RIGHT! [DOOR CLOSES] OH, GOD, I'M GONNA GET SUED. 980 00:47:38,288 --> 00:47:39,867 [DOOR CLOSES] OH, GOD, I'M GONNA GET SUED. ALL RIGHT, LET'S START THESE 981 00:47:39,891 --> 00:47:41,134 OH, GOD, I'M GONNA GET SUED. ALL RIGHT, LET'S START THESE FILMS. 982 00:47:41,158 --> 00:47:43,136 ALL RIGHT, LET'S START THESE FILMS. OKAY, NOW, THIS IS ME WHEN I WAS 983 00:47:43,160 --> 00:47:43,871 FILMS. OKAY, NOW, THIS IS ME WHEN I WAS A CHILD. 984 00:47:43,895 --> 00:47:45,706 OKAY, NOW, THIS IS ME WHEN I WAS A CHILD. MY PARENTS WERE THE KIND THAT 985 00:47:45,730 --> 00:47:47,407 A CHILD. MY PARENTS WERE THE KIND THAT WERE FILMING ALL THE TIME. 986 00:47:47,431 --> 00:47:48,909 MY PARENTS WERE THE KIND THAT WERE FILMING ALL THE TIME. SEE, WHEN I DIDN'T REACT, THEY'D 987 00:47:48,933 --> 00:47:49,877 WERE FILMING ALL THE TIME. SEE, WHEN I DIDN'T REACT, THEY'D DO STUFF LIKE THAT. 988 00:47:49,901 --> 00:47:51,277 SEE, WHEN I DIDN'T REACT, THEY'D DO STUFF LIKE THAT. I GUESS THEY THOUGHT I'D LAUGH 989 00:47:51,301 --> 00:47:52,012 DO STUFF LIKE THAT. I GUESS THEY THOUGHT I'D LAUGH OR SOMETHING. 990 00:47:52,036 --> 00:47:53,013 I GUESS THEY THOUGHT I'D LAUGH OR SOMETHING. OF COURSE, I DIDN'T. 991 00:47:53,037 --> 00:47:54,414 OR SOMETHING. OF COURSE, I DIDN'T. THOSE ARE TRAUMAS YOU REMEMBER 992 00:47:54,438 --> 00:47:56,216 OF COURSE, I DIDN'T. THOSE ARE TRAUMAS YOU REMEMBER FOR ABOUT 30, 40 YEARS. 993 00:47:56,240 --> 00:47:57,484 THOSE ARE TRAUMAS YOU REMEMBER FOR ABOUT 30, 40 YEARS. THEY'RE REAL NICE PEOPLE. 994 00:47:57,508 --> 00:47:58,351 FOR ABOUT 30, 40 YEARS. THEY'RE REAL NICE PEOPLE. ISN'T THAT CUTE? 995 00:47:58,375 --> 00:47:59,185 THEY'RE REAL NICE PEOPLE. ISN'T THAT CUTE? OKAY. OH, YEAH. 996 00:47:59,209 --> 00:48:00,554 ISN'T THAT CUTE? OKAY. OH, YEAH. NOW, THIS IS ABOUT SIX YEARS 997 00:48:00,578 --> 00:48:01,021 OKAY. OH, YEAH. NOW, THIS IS ABOUT SIX YEARS LATER. 998 00:48:01,045 --> 00:48:02,556 NOW, THIS IS ABOUT SIX YEARS LATER. THIS IS THE FIRST TIME I WENT TO 999 00:48:02,580 --> 00:48:03,891 LATER. THIS IS THE FIRST TIME I WENT TO THE BATHROOM BY MYSELF, AND 1000 00:48:03,915 --> 00:48:05,425 THIS IS THE FIRST TIME I WENT TO THE BATHROOM BY MYSELF, AND HERE'S MY FATHER TRYING TO TAKE 1001 00:48:05,449 --> 00:48:06,259 THE BATHROOM BY MYSELF, AND HERE'S MY FATHER TRYING TO TAKE PICTURES OF IT. 1002 00:48:06,283 --> 00:48:07,794 HERE'S MY FATHER TRYING TO TAKE PICTURES OF IT. WE HAD A LITTLE FIGHT THERE, BUT 1003 00:48:07,818 --> 00:48:10,497 PICTURES OF IT. WE HAD A LITTLE FIGHT THERE, BUT HE'S A VERY DETERMINED MAN. 1004 00:48:10,521 --> 00:48:12,232 WE HAD A LITTLE FIGHT THERE, BUT HE'S A VERY DETERMINED MAN. GONNA GET BACK IN. 1005 00:48:12,256 --> 00:48:12,933 HE'S A VERY DETERMINED MAN. GONNA GET BACK IN. HE'S NICE. 1006 00:48:12,957 --> 00:48:14,467 GONNA GET BACK IN. HE'S NICE. I SEE HIM ABOUT TWICE A YEAR 1007 00:48:14,491 --> 00:48:14,868 HE'S NICE. I SEE HIM ABOUT TWICE A YEAR NOW. 1008 00:48:14,892 --> 00:48:16,570 I SEE HIM ABOUT TWICE A YEAR NOW. ALL RIGHT, NOW, HE DOES... WATCH 1009 00:48:16,594 --> 00:48:18,204 NOW. ALL RIGHT, NOW, HE DOES... WATCH HIM FORCE MY HEAD DOWN AND TRY 1010 00:48:18,228 --> 00:48:19,873 ALL RIGHT, NOW, HE DOES... WATCH HIM FORCE MY HEAD DOWN AND TRY AND FILM IT THERE. 1011 00:48:19,897 --> 00:48:20,807 HIM FORCE MY HEAD DOWN AND TRY AND FILM IT THERE. SEE? 1012 00:48:20,831 --> 00:48:23,276 AND FILM IT THERE. SEE? I WAS ABLE TO ESCAPE. 1013 00:48:23,300 --> 00:48:24,578 SEE? I WAS ABLE TO ESCAPE. I REMEMBER I RAN DOWN AND WENT 1014 00:48:24,602 --> 00:48:25,512 I WAS ABLE TO ESCAPE. I REMEMBER I RAN DOWN AND WENT TO A FRIEND'S HOUSE. 1015 00:48:25,536 --> 00:48:26,847 I REMEMBER I RAN DOWN AND WENT TO A FRIEND'S HOUSE. I REALLY HAD TROUBLE FOR ABOUT 1016 00:48:26,871 --> 00:48:28,114 TO A FRIEND'S HOUSE. I REALLY HAD TROUBLE FOR ABOUT TWO YEARS AFTER THAT GOING AT 1017 00:48:28,138 --> 00:48:28,448 I REALLY HAD TROUBLE FOR ABOUT TWO YEARS AFTER THAT GOING AT ALL. 1018 00:48:28,472 --> 00:48:30,350 TWO YEARS AFTER THAT GOING AT ALL. OH, YEAH, THIS IS A LITTLE... 1019 00:48:30,374 --> 00:48:32,052 ALL. OH, YEAH, THIS IS A LITTLE... ABOUT A HALF A YEAR LATER. 1020 00:48:32,076 --> 00:48:33,854 OH, YEAH, THIS IS A LITTLE... ABOUT A HALF A YEAR LATER. MY FATHER'S POSED AS A TREE 1021 00:48:33,878 --> 00:48:35,923 ABOUT A HALF A YEAR LATER. MY FATHER'S POSED AS A TREE HERE, AND THIS IS MY FIRST KISS. 1022 00:48:35,947 --> 00:48:37,691 MY FATHER'S POSED AS A TREE HERE, AND THIS IS MY FIRST KISS. AND THERE HE IS FILMING IT. 1023 00:48:37,715 --> 00:48:39,325 HERE, AND THIS IS MY FIRST KISS. AND THERE HE IS FILMING IT. AND HE MADE SOME NOISE, AND I 1024 00:48:39,349 --> 00:48:40,027 AND THERE HE IS FILMING IT. AND HE MADE SOME NOISE, AND I HEARD HIM. 1025 00:48:40,051 --> 00:48:41,562 AND HE MADE SOME NOISE, AND I HEARD HIM. I PROBABLY WOULD NEVER HAVE 1026 00:48:41,586 --> 00:48:42,395 HEARD HIM. I PROBABLY WOULD NEVER HAVE SPOTTED HIM. 1027 00:48:42,419 --> 00:48:43,496 I PROBABLY WOULD NEVER HAVE SPOTTED HIM. BUT I WAS FURIOUS. 1028 00:48:43,520 --> 00:48:44,497 SPOTTED HIM. BUT I WAS FURIOUS. AND WATCH THE GIRL. 1029 00:48:44,521 --> 00:48:45,365 BUT I WAS FURIOUS. AND WATCH THE GIRL. SHE WAS SHOCKED. 1030 00:48:45,389 --> 00:48:46,633 AND WATCH THE GIRL. SHE WAS SHOCKED. LOOK AT HER. SHE RAN OFF. 1031 00:48:46,657 --> 00:48:47,768 SHE WAS SHOCKED. LOOK AT HER. SHE RAN OFF. I NEVER SAW HER AGAIN. 1032 00:48:47,792 --> 00:48:48,902 LOOK AT HER. SHE RAN OFF. I NEVER SAW HER AGAIN. HE TRIED TO APOLOGIZE. 1033 00:48:48,926 --> 00:48:50,103 I NEVER SAW HER AGAIN. HE TRIED TO APOLOGIZE. HE RAN DOWN, BUT HE KEPT 1034 00:48:50,127 --> 00:48:51,404 HE TRIED TO APOLOGIZE. HE RAN DOWN, BUT HE KEPT FILMING. 1035 00:48:51,428 --> 00:48:52,806 HE RAN DOWN, BUT HE KEPT FILMING. AND... OH, YEAH. 1036 00:48:52,830 --> 00:48:54,274 FILMING. AND... OH, YEAH. THIS IS ABOUT SEVEN YEARS LATER. 1037 00:48:54,298 --> 00:48:55,609 AND... OH, YEAH. THIS IS ABOUT SEVEN YEARS LATER. THIS IS THE FIRST TIME I EVER 1038 00:48:55,633 --> 00:48:57,044 THIS IS ABOUT SEVEN YEARS LATER. THIS IS THE FIRST TIME I EVER MADE LOVE TO A GIRL, AND HERE'S 1039 00:48:57,068 --> 00:48:58,378 THIS IS THE FIRST TIME I EVER MADE LOVE TO A GIRL, AND HERE'S MY DAD AGAIN, FILMING IT, YOU 1040 00:48:58,402 --> 00:48:58,745 MADE LOVE TO A GIRL, AND HERE'S MY DAD AGAIN, FILMING IT, YOU SEE. 1041 00:48:58,769 --> 00:49:01,582 MY DAD AGAIN, FILMING IT, YOU SEE. AND YOU CAN'T IMAGINE WHAT THIS 1042 00:49:01,606 --> 00:49:01,915 SEE. AND YOU CAN'T IMAGINE WHAT THIS DOES. 1043 00:49:01,939 --> 00:49:03,216 AND YOU CAN'T IMAGINE WHAT THIS DOES. THIS JUST MAKES YOU WANT TO STAY 1044 00:49:03,240 --> 00:49:04,350 DOES. THIS JUST MAKES YOU WANT TO STAY IN YOUR ROOM FOR THE REST OF 1045 00:49:04,374 --> 00:49:04,885 THIS JUST MAKES YOU WANT TO STAY IN YOUR ROOM FOR THE REST OF YOUR LIFE. 1046 00:49:04,909 --> 00:49:05,686 IN YOUR ROOM FOR THE REST OF YOUR LIFE. LOOK AT THIS GIRL. 1047 00:49:05,710 --> 00:49:07,353 YOUR LIFE. LOOK AT THIS GIRL. SHE WAS MORTIFIED, RAN OUT. 1048 00:49:07,377 --> 00:49:09,255 LOOK AT THIS GIRL. SHE WAS MORTIFIED, RAN OUT. I TRIED TO RUN AFTER HER. 1049 00:49:09,279 --> 00:49:09,957 SHE WAS MORTIFIED, RAN OUT. I TRIED TO RUN AFTER HER. I LOST MY HAT. 1050 00:49:09,981 --> 00:49:10,891 I TRIED TO RUN AFTER HER. I LOST MY HAT. I NEVER FOUND THAT. 1051 00:49:10,915 --> 00:49:12,158 I LOST MY HAT. I NEVER FOUND THAT. AND I THINK HE THOUGHT IT WAS 1052 00:49:12,182 --> 00:49:13,727 I NEVER FOUND THAT. AND I THINK HE THOUGHT IT WAS ONE BIG JOKE. 1053 00:49:13,751 --> 00:49:15,528 AND I THINK HE THOUGHT IT WAS ONE BIG JOKE. REAL ANNOYING PEOPLE, BUT I LOVE 1054 00:49:15,552 --> 00:49:16,362 ONE BIG JOKE. REAL ANNOYING PEOPLE, BUT I LOVE THEM DEARLY. 1055 00:49:16,386 --> 00:49:19,733 REAL ANNOYING PEOPLE, BUT I LOVE THEM DEARLY. OKAY, LIGHTS. 1056 00:49:19,757 --> 00:49:21,201 THEM DEARLY. OKAY, LIGHTS. ALL RIGHT. 1057 00:49:21,225 --> 00:49:22,736 OKAY, LIGHTS. ALL RIGHT. THAT WAS THE PAST. 1058 00:49:22,760 --> 00:49:25,572 ALL RIGHT. THAT WAS THE PAST. NOW, WHAT ABOUT THE FUTURE? 1059 00:49:25,596 --> 00:49:27,474 THAT WAS THE PAST. NOW, WHAT ABOUT THE FUTURE? WELL, YOU MIGHT BE SAYING, "WHAT 1060 00:49:27,498 --> 00:49:29,375 NOW, WHAT ABOUT THE FUTURE? WELL, YOU MIGHT BE SAYING, "WHAT IS HE GOING TO BE DOING IN THESE 1061 00:49:29,399 --> 00:49:31,211 WELL, YOU MIGHT BE SAYING, "WHAT IS HE GOING TO BE DOING IN THESE LITTLE FILMS THAT HE'S MAKING?" 1062 00:49:31,235 --> 00:49:33,080 IS HE GOING TO BE DOING IN THESE LITTLE FILMS THAT HE'S MAKING?" WELL, I DON'T WANT TO GIVE AWAY 1063 00:49:33,104 --> 00:49:34,414 LITTLE FILMS THAT HE'S MAKING?" WELL, I DON'T WANT TO GIVE AWAY ANY OF THE SURPRISES. 1064 00:49:34,438 --> 00:49:36,316 WELL, I DON'T WANT TO GIVE AWAY ANY OF THE SURPRISES. I THINK THAT WOULD TAKE AWAY THE 1065 00:49:36,340 --> 00:49:37,818 ANY OF THE SURPRISES. I THINK THAT WOULD TAKE AWAY THE SURPRISE ELEMENT. 1066 00:49:37,842 --> 00:49:40,921 I THINK THAT WOULD TAKE AWAY THE SURPRISE ELEMENT. BUT I WOULD LIKE TO SHOW YOU A 1067 00:49:40,945 --> 00:49:43,957 SURPRISE ELEMENT. BUT I WOULD LIKE TO SHOW YOU A FEW THINGS WE DECIDED NOT TO 1068 00:49:43,981 --> 00:49:45,291 BUT I WOULD LIKE TO SHOW YOU A FEW THINGS WE DECIDED NOT TO USE. 1069 00:49:45,315 --> 00:49:47,094 FEW THINGS WE DECIDED NOT TO USE. NOW, THIS DIDN'T WORK OUT, BUT I 1070 00:49:47,118 --> 00:49:48,729 USE. NOW, THIS DIDN'T WORK OUT, BUT I THOUGHT IT WOULD BE FUNNY TO 1071 00:49:48,753 --> 00:49:50,396 NOW, THIS DIDN'T WORK OUT, BUT I THOUGHT IT WOULD BE FUNNY TO DRESS UP AS A COW AND TRY AND 1072 00:49:50,420 --> 00:49:52,132 THOUGHT IT WOULD BE FUNNY TO DRESS UP AS A COW AND TRY AND PURCHASE AN AIRLINE TICKET. 1073 00:49:52,156 --> 00:49:53,600 DRESS UP AS A COW AND TRY AND PURCHASE AN AIRLINE TICKET. HELLO. 1074 00:49:53,624 --> 00:49:54,835 PURCHASE AN AIRLINE TICKET. HELLO. I'D LIKE TO GET A TICKET TO 1075 00:49:54,859 --> 00:49:57,137 HELLO. I'D LIKE TO GET A TICKET TO CHICAGO. 1076 00:49:57,161 --> 00:49:59,773 I'D LIKE TO GET A TICKET TO CHICAGO. YOU'RE ALBERT BROOKS! 1077 00:49:59,797 --> 00:50:00,641 CHICAGO. YOU'RE ALBERT BROOKS! CUT IT! 1078 00:50:00,665 --> 00:50:02,109 YOU'RE ALBERT BROOKS! CUT IT! HOW'D YOU KNOW THAT? 1079 00:50:02,133 --> 00:50:04,111 CUT IT! HOW'D YOU KNOW THAT? WELL, I CAN RECOGNIZE YOUR 1080 00:50:04,135 --> 00:50:04,745 HOW'D YOU KNOW THAT? WELL, I CAN RECOGNIZE YOUR VOICE. 1081 00:50:04,769 --> 00:50:05,211 WELL, I CAN RECOGNIZE YOUR VOICE. OH. 1082 00:50:05,235 --> 00:50:06,647 VOICE. OH. AND THERE'S A CAMERA OVER 1083 00:50:06,671 --> 00:50:07,114 OH. AND THERE'S A CAMERA OVER THERE. 1084 00:50:07,138 --> 00:50:08,015 AND THERE'S A CAMERA OVER THERE. OKAY, CUT IT. 1085 00:50:08,039 --> 00:50:09,349 THERE. OKAY, CUT IT. WE SHOULD HIDE THE CAMERA. 1086 00:50:09,373 --> 00:50:10,851 OKAY, CUT IT. WE SHOULD HIDE THE CAMERA. OH, WAIT, DO YOU WANT ME TO 1087 00:50:10,875 --> 00:50:11,652 WE SHOULD HIDE THE CAMERA. OH, WAIT, DO YOU WANT ME TO ACT SURPRISED? 1088 00:50:11,676 --> 00:50:12,953 OH, WAIT, DO YOU WANT ME TO ACT SURPRISED? NO, NO, NO. IT'S OKAY. 1089 00:50:12,977 --> 00:50:13,687 ACT SURPRISED? NO, NO, NO. IT'S OKAY. [GASPS] 1090 00:50:13,711 --> 00:50:14,821 NO, NO, NO. IT'S OKAY. [GASPS] THAT'S FINE, GREAT. 1091 00:50:14,845 --> 00:50:15,989 [GASPS] THAT'S FINE, GREAT. LET'S GET OUT OF HERE. 1092 00:50:16,013 --> 00:50:17,323 THAT'S FINE, GREAT. LET'S GET OUT OF HERE. HIDE THE CAMERA, WILL YOU? 1093 00:50:17,347 --> 00:50:19,693 LET'S GET OUT OF HERE. HIDE THE CAMERA, WILL YOU? THAT'S ALBERT BROOKS! 1094 00:50:19,717 --> 00:50:21,594 HIDE THE CAMERA, WILL YOU? THAT'S ALBERT BROOKS! OKAY, NOW, IN THIS ONE, WE 1095 00:50:21,618 --> 00:50:23,563 THAT'S ALBERT BROOKS! OKAY, NOW, IN THIS ONE, WE DID HIDE THE CAMERA, AND I EVEN 1096 00:50:23,587 --> 00:50:25,632 OKAY, NOW, IN THIS ONE, WE DID HIDE THE CAMERA, AND I EVEN DISGUISED MY VOICE, AND I PLAYED 1097 00:50:25,656 --> 00:50:26,800 DID HIDE THE CAMERA, AND I EVEN DISGUISED MY VOICE, AND I PLAYED A TALKING DRYER. 1098 00:50:26,824 --> 00:50:28,635 DISGUISED MY VOICE, AND I PLAYED A TALKING DRYER. BUT, I DON'T KNOW, IT SEEMS HARD 1099 00:50:28,659 --> 00:50:30,436 A TALKING DRYER. BUT, I DON'T KNOW, IT SEEMS HARD TO PUT ONE OVER ON PEOPLE THESE 1100 00:50:30,460 --> 00:50:30,937 BUT, I DON'T KNOW, IT SEEMS HARD TO PUT ONE OVER ON PEOPLE THESE DAYS. 1101 00:50:30,961 --> 00:50:32,305 TO PUT ONE OVER ON PEOPLE THESE DAYS. HEY, MISTER! 1102 00:50:32,329 --> 00:50:34,107 DAYS. HEY, MISTER! MISTER! 1103 00:50:34,131 --> 00:50:35,575 HEY, MISTER! MISTER! MISTER! 1104 00:50:35,599 --> 00:50:36,677 MISTER! MISTER! LET ME DRY YOUR CLOTHES. 1105 00:50:36,701 --> 00:50:38,045 MISTER! LET ME DRY YOUR CLOTHES. HEY, MAN, WHAT THE HELL ARE 1106 00:50:38,069 --> 00:50:38,979 LET ME DRY YOUR CLOTHES. HEY, MAN, WHAT THE HELL ARE YOU DOING IN THERE? 1107 00:50:39,003 --> 00:50:39,680 HEY, MAN, WHAT THE HELL ARE YOU DOING IN THERE? ARE YOU CRAZY? 1108 00:50:39,704 --> 00:50:41,114 YOU DOING IN THERE? ARE YOU CRAZY? WHY, BECAUSE I EXTEND MYSELF? 1109 00:50:41,138 --> 00:50:42,515 ARE YOU CRAZY? WHY, BECAUSE I EXTEND MYSELF? JUST 'CAUSE I TALK DOESN'T MEAN 1110 00:50:42,539 --> 00:50:43,349 WHY, BECAUSE I EXTEND MYSELF? JUST 'CAUSE I TALK DOESN'T MEAN I CAN'T DRY WELL. 1111 00:50:43,373 --> 00:50:44,384 JUST 'CAUSE I TALK DOESN'T MEAN I CAN'T DRY WELL. LOOK, I DON'T KNOW WHAT 1112 00:50:44,408 --> 00:50:45,485 I CAN'T DRY WELL. LOOK, I DON'T KNOW WHAT YOU'RE DOING IN THERE, BUT I 1113 00:50:45,509 --> 00:50:46,653 LOOK, I DON'T KNOW WHAT YOU'RE DOING IN THERE, BUT I REALLY THINK YOU OUGHT TO COME 1114 00:50:46,677 --> 00:50:47,788 YOU'RE DOING IN THERE, BUT I REALLY THINK YOU OUGHT TO COME OUT BEFORE YOU HURT YOURSELF. 1115 00:50:47,812 --> 00:50:48,588 REALLY THINK YOU OUGHT TO COME OUT BEFORE YOU HURT YOURSELF. I CAN'T COME OUT. 1116 00:50:48,612 --> 00:50:49,823 OUT BEFORE YOU HURT YOURSELF. I CAN'T COME OUT. I'M INSTALLED BY A PROFESSIONAL. 1117 00:50:49,847 --> 00:50:50,924 I CAN'T COME OUT. I'M INSTALLED BY A PROFESSIONAL. WHAT IF ALL THE DRYERS LEFT? 1118 00:50:50,948 --> 00:50:51,992 I'M INSTALLED BY A PROFESSIONAL. WHAT IF ALL THE DRYERS LEFT? THE DRYERS ARE NOT GONNA 1119 00:50:52,016 --> 00:50:52,358 WHAT IF ALL THE DRYERS LEFT? THE DRYERS ARE NOT GONNA LEAVE. 1120 00:50:52,382 --> 00:50:53,359 THE DRYERS ARE NOT GONNA LEAVE. YOU SHOULD LEAVE. 1121 00:50:53,383 --> 00:50:54,695 LEAVE. YOU SHOULD LEAVE. LET ME DRY YOUR SOCKS. 1122 00:50:54,719 --> 00:50:55,595 YOU SHOULD LEAVE. LET ME DRY YOUR SOCKS. I AM THE DRYER! 1123 00:50:55,619 --> 00:50:56,629 LET ME DRY YOUR SOCKS. I AM THE DRYER! NO, YOU'RE NOT. 1124 00:50:56,653 --> 00:50:58,098 I AM THE DRYER! NO, YOU'RE NOT. HEY, BOB, CAN I GET A HAND, 1125 00:50:58,122 --> 00:50:58,631 NO, YOU'RE NOT. HEY, BOB, CAN I GET A HAND, PLEASE? 1126 00:50:58,655 --> 00:51:01,101 HEY, BOB, CAN I GET A HAND, PLEASE? HEY, I GOT 5,000 WATTS! 1127 00:51:01,125 --> 00:51:02,435 PLEASE? HEY, I GOT 5,000 WATTS! CUT IT! 1128 00:51:02,459 --> 00:51:03,837 HEY, I GOT 5,000 WATTS! CUT IT! WE FILMED 10 OTHER PEOPLE, BUT 1129 00:51:03,861 --> 00:51:05,238 CUT IT! WE FILMED 10 OTHER PEOPLE, BUT THEY ALL PRETTY MUCH ACTED THE 1130 00:51:05,262 --> 00:51:07,174 WE FILMED 10 OTHER PEOPLE, BUT THEY ALL PRETTY MUCH ACTED THE SAME WAY. 1131 00:51:07,198 --> 00:51:09,076 THEY ALL PRETTY MUCH ACTED THE SAME WAY. WELL, WE'RE ALMOST OUT OF TIME. 1132 00:51:09,100 --> 00:51:10,911 SAME WAY. WELL, WE'RE ALMOST OUT OF TIME. YOU KNOW, WE'LL BE FILMING ALL 1133 00:51:10,935 --> 00:51:12,746 WELL, WE'RE ALMOST OUT OF TIME. YOU KNOW, WE'LL BE FILMING ALL AROUND THE COUNTRY IN THE NEXT 1134 00:51:12,770 --> 00:51:13,613 YOU KNOW, WE'LL BE FILMING ALL AROUND THE COUNTRY IN THE NEXT FEW MONTHS. 1135 00:51:13,637 --> 00:51:15,281 AROUND THE COUNTRY IN THE NEXT FEW MONTHS. IF YOU SEE US, PLEASE DON'T 1136 00:51:15,305 --> 00:51:17,283 FEW MONTHS. IF YOU SEE US, PLEASE DON'T HESITATE TO COME UP AND SAY... 1137 00:51:17,307 --> 00:51:20,020 IF YOU SEE US, PLEASE DON'T HESITATE TO COME UP AND SAY... I'M JACK FROM CINCINNATI. 1138 00:51:20,044 --> 00:51:21,354 HESITATE TO COME UP AND SAY... I'M JACK FROM CINCINNATI. I ENJOY YOU. 1139 00:51:21,378 --> 00:51:22,956 I'M JACK FROM CINCINNATI. I ENJOY YOU. WELL, THANK YOU, JACK. 1140 00:51:22,980 --> 00:51:27,861 I ENJOY YOU. WELL, THANK YOU, JACK. [CHEERS AND APPLAUSE] 1141 00:51:27,885 --> 00:51:29,229 WELL, THANK YOU, JACK. [CHEERS AND APPLAUSE] AH, WELCOME HOME. 1142 00:51:29,253 --> 00:51:31,131 [CHEERS AND APPLAUSE] AH, WELCOME HOME. THIS IS PHOEBE SNOW. 1143 00:51:31,155 --> 00:51:34,089 AH, WELCOME HOME. THIS IS PHOEBE SNOW. [CHEERS AND APPLAUSE] 1144 00:51:45,935 --> 00:51:50,517 PHOEBE'S NOT ONLY... NOT ONLY ONE OF THE BEST SINGERS TO COME ALONG IN MANY A YEAR, BUT SHE IS 1145 00:51:50,541 --> 00:51:52,051 ONE OF THE BEST SINGERS TO COME ALONG IN MANY A YEAR, BUT SHE IS SEVEN MONTHS CLOSER TO BEING A 1146 00:51:52,075 --> 00:51:53,654 ALONG IN MANY A YEAR, BUT SHE IS SEVEN MONTHS CLOSER TO BEING A MOTHER THAN MOST OF THE REST OF 1147 00:51:53,678 --> 00:51:54,788 SEVEN MONTHS CLOSER TO BEING A MOTHER THAN MOST OF THE REST OF US IN THIS STUDIO. 1148 00:51:54,812 --> 00:51:55,622 MOTHER THAN MOST OF THE REST OF US IN THIS STUDIO. [CHUCKLES] 1149 00:51:55,646 --> 00:51:58,425 US IN THIS STUDIO. [CHUCKLES] YOU NOTICED. 1150 00:51:58,449 --> 00:51:59,092 [CHUCKLES] YOU NOTICED. SHE'S GONNA DO A 1151 00:51:59,116 --> 00:52:00,294 YOU NOTICED. SHE'S GONNA DO A BILLIE HOLIDAY TUNE CALLED 1152 00:52:00,318 --> 00:52:01,528 SHE'S GONNA DO A BILLIE HOLIDAY TUNE CALLED "NO REGRETS." 1153 00:52:01,552 --> 00:52:04,331 BILLIE HOLIDAY TUNE CALLED "NO REGRETS." [APPLAUSE] 1154 00:52:04,355 --> 00:52:08,802 "NO REGRETS." [APPLAUSE] [INTRODUCTION PLAYS] 1155 00:52:08,826 --> 00:52:16,826 [APPLAUSE] [INTRODUCTION PLAYS] ♪ NO REGRETS ♪ 1156 00:52:17,201 --> 00:52:20,314 [INTRODUCTION PLAYS] ♪ NO REGRETS ♪ ♪ THOUGH OUR LOVE AFFAIR HAS 1157 00:52:20,338 --> 00:52:24,851 ♪ NO REGRETS ♪ ♪ THOUGH OUR LOVE AFFAIR HAS GONE ASTRAY ♪ 1158 00:52:24,875 --> 00:52:32,192 ♪ THOUGH OUR LOVE AFFAIR HAS GONE ASTRAY ♪ ♪ NO REGRETS ♪ 1159 00:52:32,216 --> 00:52:34,828 GONE ASTRAY ♪ ♪ NO REGRETS ♪ ♪ I KNOW I'LL CARE THOUGH YOU'RE 1160 00:52:34,852 --> 00:52:39,533 ♪ NO REGRETS ♪ ♪ I KNOW I'LL CARE THOUGH YOU'RE AWAY ♪ 1161 00:52:39,557 --> 00:52:45,972 ♪ I KNOW I'LL CARE THOUGH YOU'RE AWAY ♪ ♪ SOMEHOW OUR HAPPY ROMANCE 1162 00:52:45,996 --> 00:52:50,009 AWAY ♪ ♪ SOMEHOW OUR HAPPY ROMANCE ENDED SUDDENLY ♪ 1163 00:52:50,033 --> 00:52:56,249 ♪ SOMEHOW OUR HAPPY ROMANCE ENDED SUDDENLY ♪ ♪ STILL, IN MY HEART YOU'LL BE 1164 00:52:56,273 --> 00:53:04,273 ENDED SUDDENLY ♪ ♪ STILL, IN MY HEART YOU'LL BE FOREVER MINE ♪ 1165 00:53:04,548 --> 00:53:05,992 ♪ STILL, IN MY HEART YOU'LL BE FOREVER MINE ♪ HMPH. 1166 00:53:06,016 --> 00:53:08,662 FOREVER MINE ♪ HMPH. [CHUCKLES] 1167 00:53:08,686 --> 00:53:12,566 HMPH. [CHUCKLES] ♪ NO REGRETS ♪ 1168 00:53:12,590 --> 00:53:14,901 [CHUCKLES] ♪ NO REGRETS ♪ ♪ ALTHOUGH SOMEBODY NEW LOOKS 1169 00:53:14,925 --> 00:53:16,837 ♪ NO REGRETS ♪ ♪ ALTHOUGH SOMEBODY NEW LOOKS GOOD TO YOU ♪ 1170 00:53:16,861 --> 00:53:20,807 ♪ ALTHOUGH SOMEBODY NEW LOOKS GOOD TO YOU ♪ ♪ NO REGRETS ♪ 1171 00:53:20,831 --> 00:53:23,343 GOOD TO YOU ♪ ♪ NO REGRETS ♪ ♪ SWEETHEART, NO MATTER WHAT YOU 1172 00:53:23,367 --> 00:53:25,412 ♪ NO REGRETS ♪ ♪ SWEETHEART, NO MATTER WHAT YOU SAY OR DO ♪ 1173 00:53:25,436 --> 00:53:28,214 ♪ SWEETHEART, NO MATTER WHAT YOU SAY OR DO ♪ ♪ WELL, I KNOW OUR LOVE WILL 1174 00:53:28,238 --> 00:53:29,516 SAY OR DO ♪ ♪ WELL, I KNOW OUR LOVE WILL LINGER ♪ 1175 00:53:29,540 --> 00:53:33,353 ♪ WELL, I KNOW OUR LOVE WILL LINGER ♪ ♪ WHEN THE OTHER LOVE FORGETS ♪ 1176 00:53:33,377 --> 00:53:37,557 LINGER ♪ ♪ WHEN THE OTHER LOVE FORGETS ♪ ♪ SO I SAY GOODBYE WITH NO 1177 00:53:37,581 --> 00:53:40,427 ♪ WHEN THE OTHER LOVE FORGETS ♪ ♪ SO I SAY GOODBYE WITH NO REGRETS ♪ 1178 00:53:40,451 --> 00:53:45,866 ♪ SO I SAY GOODBYE WITH NO REGRETS ♪ ♪ NO REGRETS ♪ 1179 00:53:45,890 --> 00:53:48,167 REGRETS ♪ ♪ NO REGRETS ♪ ♪ THOUGH OUR LOVING LOVE AFFAIR 1180 00:53:48,191 --> 00:53:50,036 ♪ NO REGRETS ♪ ♪ THOUGH OUR LOVING LOVE AFFAIR HAS GONE ASTRAY ♪ 1181 00:53:50,060 --> 00:53:53,774 ♪ THOUGH OUR LOVING LOVE AFFAIR HAS GONE ASTRAY ♪ ♪ NO REGRETS ♪ 1182 00:53:53,798 --> 00:53:56,075 HAS GONE ASTRAY ♪ ♪ NO REGRETS ♪ ♪ I KNOW I'LL CARE THOUGH YOU'RE 1183 00:53:56,099 --> 00:53:58,177 ♪ NO REGRETS ♪ ♪ I KNOW I'LL CARE THOUGH YOU'RE AWAY ♪ 1184 00:53:58,201 --> 00:54:00,881 ♪ I KNOW I'LL CARE THOUGH YOU'RE AWAY ♪ ♪ WELL, SOMEHOW OUR HAPPY 1185 00:54:00,905 --> 00:54:05,886 AWAY ♪ ♪ WELL, SOMEHOW OUR HAPPY ROMANCE ENDED SUDDENLY ♪ 1186 00:54:05,910 --> 00:54:09,823 ♪ WELL, SOMEHOW OUR HAPPY ROMANCE ENDED SUDDENLY ♪ ♪ STILL IN MY HEART YOU'LL BE 1187 00:54:09,847 --> 00:54:11,691 ROMANCE ENDED SUDDENLY ♪ ♪ STILL IN MY HEART YOU'LL BE FOREVER MINE ♪ 1188 00:54:11,715 --> 00:54:12,559 ♪ STILL IN MY HEART YOU'LL BE FOREVER MINE ♪ ♪ BABY, EVEN THOUGH YOU SPLIT, 1189 00:54:12,583 --> 00:54:14,160 FOREVER MINE ♪ ♪ BABY, EVEN THOUGH YOU SPLIT, YOU TOLD ME TO REMEMBER TO HAVE 1190 00:54:14,184 --> 00:54:18,131 ♪ BABY, EVEN THOUGH YOU SPLIT, YOU TOLD ME TO REMEMBER TO HAVE NO REGRETS ♪ 1191 00:54:18,155 --> 00:54:20,534 YOU TOLD ME TO REMEMBER TO HAVE NO REGRETS ♪ ♪ ALTHOUGH SOMEBODY NEW LOOKS 1192 00:54:20,558 --> 00:54:21,735 NO REGRETS ♪ ♪ ALTHOUGH SOMEBODY NEW LOOKS GOOD TO YOU ♪ 1193 00:54:21,759 --> 00:54:26,339 ♪ ALTHOUGH SOMEBODY NEW LOOKS GOOD TO YOU ♪ ♪ NO REGRETS ♪ 1194 00:54:26,363 --> 00:54:28,742 GOOD TO YOU ♪ ♪ NO REGRETS ♪ ♪ SWEETHEART, NO MATTER WHAT YOU 1195 00:54:28,766 --> 00:54:29,976 ♪ NO REGRETS ♪ ♪ SWEETHEART, NO MATTER WHAT YOU SAY OR DO ♪ 1196 00:54:30,000 --> 00:54:34,948 ♪ SWEETHEART, NO MATTER WHAT YOU SAY OR DO ♪ ♪ I KNOW OUR LOVE WILL LINGER ♪ 1197 00:54:34,972 --> 00:54:38,585 SAY OR DO ♪ ♪ I KNOW OUR LOVE WILL LINGER ♪ ♪ WHEN THE OTHER LOVE FORGETS ♪ 1198 00:54:38,609 --> 00:54:44,324 ♪ I KNOW OUR LOVE WILL LINGER ♪ ♪ WHEN THE OTHER LOVE FORGETS ♪ ♪ SO I SAY GOODBYE WITH NO 1199 00:54:44,348 --> 00:54:45,725 ♪ WHEN THE OTHER LOVE FORGETS ♪ ♪ SO I SAY GOODBYE WITH NO REGRETS ♪ 1200 00:54:45,749 --> 00:54:51,364 ♪ SO I SAY GOODBYE WITH NO REGRETS ♪ ♪ WELL, SO I SAY GOODBYE WITH NO 1201 00:54:51,388 --> 00:54:52,398 REGRETS ♪ ♪ WELL, SO I SAY GOODBYE WITH NO REGRETS ♪ 1202 00:54:52,422 --> 00:54:54,534 ♪ WELL, SO I SAY GOODBYE WITH NO REGRETS ♪ ♪ OOH, DOO-BOO DOO-BOO DOO-BOO 1203 00:54:54,558 --> 00:54:55,802 REGRETS ♪ ♪ OOH, DOO-BOO DOO-BOO DOO-BOO DOO-BA ♪ 1204 00:54:55,826 --> 00:54:58,438 ♪ OOH, DOO-BOO DOO-BOO DOO-BOO DOO-BA ♪ ♪ B-A-A-A-A-A ♪ 1205 00:54:58,462 --> 00:55:05,378 DOO-BA ♪ ♪ B-A-A-A-A-A ♪ [CHEERS AND APPLAUSE] 1206 00:55:05,402 --> 00:55:06,512 ♪ B-A-A-A-A-A ♪ [CHEERS AND APPLAUSE] [INTRO TO "GONE AT LAST" 1207 00:55:06,536 --> 00:55:08,670 [CHEERS AND APPLAUSE] [INTRO TO "GONE AT LAST" PLAYS] 1208 00:55:25,455 --> 00:55:30,470 ♪ THE NIGHT WAS BLACK ♪ ♪ THE ROADS WERE ICY ♪ ♪ SNOW WAS FALLIN' ♪ 1209 00:55:30,494 --> 00:55:32,172 ♪ THE ROADS WERE ICY ♪ ♪ SNOW WAS FALLIN' ♪ ♪ AND THE DRIFTS WERE HIGH ♪ 1210 00:55:32,196 --> 00:55:34,674 ♪ SNOW WAS FALLIN' ♪ ♪ AND THE DRIFTS WERE HIGH ♪ ♪ AND I WAS WEARY FROM MY 1211 00:55:34,698 --> 00:55:35,675 ♪ AND THE DRIFTS WERE HIGH ♪ ♪ AND I WAS WEARY FROM MY DRIVING ♪ 1212 00:55:35,699 --> 00:55:37,877 ♪ AND I WAS WEARY FROM MY DRIVING ♪ ♪ AND I STOPPED TO REST FOR A 1213 00:55:37,901 --> 00:55:38,979 DRIVING ♪ ♪ AND I STOPPED TO REST FOR A WHILE ♪ 1214 00:55:39,003 --> 00:55:42,515 ♪ AND I STOPPED TO REST FOR A WHILE ♪ ♪ I SAT DOWN AT A TRUCK STOP ♪ 1215 00:55:42,539 --> 00:55:45,785 WHILE ♪ ♪ I SAT DOWN AT A TRUCK STOP ♪ ♪ I WAS THINKING ABOUT MY PAST ♪ 1216 00:55:45,809 --> 00:55:48,254 ♪ I SAT DOWN AT A TRUCK STOP ♪ ♪ I WAS THINKING ABOUT MY PAST ♪ ♪ I'VE HAD A LONG STREAK OF THAT 1217 00:55:48,278 --> 00:55:49,255 ♪ I WAS THINKING ABOUT MY PAST ♪ ♪ I'VE HAD A LONG STREAK OF THAT BAD LUCK ♪ 1218 00:55:49,279 --> 00:55:51,591 ♪ I'VE HAD A LONG STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1219 00:55:51,615 --> 00:55:52,392 BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1220 00:55:52,416 --> 00:55:53,526 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1221 00:55:53,550 --> 00:55:54,461 LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1222 00:55:54,485 --> 00:55:55,295 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1223 00:55:55,319 --> 00:55:56,129 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1224 00:55:56,153 --> 00:55:56,929 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1225 00:55:56,953 --> 00:55:57,730 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1226 00:55:57,754 --> 00:55:58,631 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1227 00:55:58,655 --> 00:55:59,565 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1228 00:55:59,589 --> 00:56:00,367 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ 1229 00:56:00,391 --> 00:56:01,401 ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1230 00:56:01,425 --> 00:56:03,236 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1231 00:56:03,260 --> 00:56:05,372 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1232 00:56:05,396 --> 00:56:07,073 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1233 00:56:07,097 --> 00:56:10,477 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ OOOOH-OOH-OOH-OOH-OOH ♪ 1234 00:56:10,501 --> 00:56:12,445 LAST ♪ ♪ OOOOH-OOH-OOH-OOH-OOH ♪ ♪ OOH-OOOOH-OOH ♪ 1235 00:56:12,469 --> 00:56:18,385 ♪ OOOOH-OOH-OOH-OOH-OOH ♪ ♪ OOH-OOOOH-OOH ♪ [SAXOPHONE SOLO] 1236 00:56:18,409 --> 00:56:19,952 ♪ OOH-OOOOH-OOH ♪ [SAXOPHONE SOLO] ♪ I AIN'T DUMB ♪ 1237 00:56:19,976 --> 00:56:21,787 [SAXOPHONE SOLO] ♪ I AIN'T DUMB ♪ ♪ I KICKED AROUND SOME ♪ 1238 00:56:21,811 --> 00:56:24,957 ♪ I AIN'T DUMB ♪ ♪ I KICKED AROUND SOME ♪ ♪ I DON'T FALL TOO EASILY ♪ 1239 00:56:24,981 --> 00:56:27,193 ♪ I KICKED AROUND SOME ♪ ♪ I DON'T FALL TOO EASILY ♪ ♪ BUT THAT BOY LOOKED SO 1240 00:56:27,217 --> 00:56:28,495 ♪ I DON'T FALL TOO EASILY ♪ ♪ BUT THAT BOY LOOKED SO DEJECTED ♪ 1241 00:56:28,519 --> 00:56:31,398 ♪ BUT THAT BOY LOOKED SO DEJECTED ♪ ♪ HE JUST GRABBED MY SYMPATHY ♪ 1242 00:56:31,422 --> 00:56:33,133 DEJECTED ♪ ♪ HE JUST GRABBED MY SYMPATHY ♪ ♪ SWEET LITTLE SOUL ♪ 1243 00:56:33,157 --> 00:56:35,201 ♪ HE JUST GRABBED MY SYMPATHY ♪ ♪ SWEET LITTLE SOUL ♪ ♪ NOW, WHAT'S YOUR PROBLEM? ♪ 1244 00:56:35,225 --> 00:56:37,170 ♪ SWEET LITTLE SOUL ♪ ♪ NOW, WHAT'S YOUR PROBLEM? ♪ ♪ TELL ME WHY YOU'RE SO 1245 00:56:37,194 --> 00:56:38,338 ♪ NOW, WHAT'S YOUR PROBLEM? ♪ ♪ TELL ME WHY YOU'RE SO DOWNCAST ♪ 1246 00:56:38,362 --> 00:56:39,205 ♪ TELL ME WHY YOU'RE SO DOWNCAST ♪ ♪ I'VE HAD A LONG ♪ 1247 00:56:39,229 --> 00:56:40,206 DOWNCAST ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1248 00:56:40,230 --> 00:56:41,941 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1249 00:56:41,965 --> 00:56:44,010 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1250 00:56:44,034 --> 00:56:44,877 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1251 00:56:44,901 --> 00:56:45,978 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1252 00:56:46,002 --> 00:56:46,913 LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1253 00:56:46,937 --> 00:56:47,747 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1254 00:56:47,771 --> 00:56:48,581 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1255 00:56:48,605 --> 00:56:49,382 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1256 00:56:49,406 --> 00:56:50,183 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1257 00:56:50,207 --> 00:56:51,084 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1258 00:56:51,108 --> 00:56:52,018 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1259 00:56:52,042 --> 00:56:52,818 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ 1260 00:56:52,842 --> 00:56:53,853 ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1261 00:56:53,877 --> 00:56:55,688 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1262 00:56:55,712 --> 00:56:57,823 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1263 00:56:57,847 --> 00:56:58,658 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1264 00:56:58,682 --> 00:57:02,662 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ OOOOH-OOH-OOH-OOH-OOH ♪ 1265 00:57:02,686 --> 00:57:05,198 LAST ♪ ♪ OOOOH-OOH-OOH-OOH-OOH ♪ ♪ OOH-OOOOH-OOH ♪ 1266 00:57:05,222 --> 00:57:10,470 ♪ OOOOH-OOH-OOH-OOH-OOH ♪ ♪ OOH-OOOOH-OOH ♪ [SAXOPHONE SOLO] 1267 00:57:10,494 --> 00:57:12,138 ♪ OOH-OOOOH-OOH ♪ [SAXOPHONE SOLO] ♪ EVERY ONCE IN A WHILE ♪ 1268 00:57:12,162 --> 00:57:13,873 [SAXOPHONE SOLO] ♪ EVERY ONCE IN A WHILE ♪ ♪ FROM OUT OF NOWHERE ♪ 1269 00:57:13,897 --> 00:57:15,442 ♪ EVERY ONCE IN A WHILE ♪ ♪ FROM OUT OF NOWHERE ♪ ♪ WHEN YOU DON'T EXPECT IT ♪ 1270 00:57:15,466 --> 00:57:17,043 ♪ FROM OUT OF NOWHERE ♪ ♪ WHEN YOU DON'T EXPECT IT ♪ ♪ AND YOU'RE UNPREPARED ♪ 1271 00:57:17,067 --> 00:57:19,379 ♪ WHEN YOU DON'T EXPECT IT ♪ ♪ AND YOU'RE UNPREPARED ♪ ♪ SOMEBODY WILL COME AND LIFT 1272 00:57:19,403 --> 00:57:20,780 ♪ AND YOU'RE UNPREPARED ♪ ♪ SOMEBODY WILL COME AND LIFT YOU HIGHER ♪ 1273 00:57:20,804 --> 00:57:22,882 ♪ SOMEBODY WILL COME AND LIFT YOU HIGHER ♪ ♪ AND YOUR BURDENS WILL BE 1274 00:57:22,906 --> 00:57:23,516 YOU HIGHER ♪ ♪ AND YOUR BURDENS WILL BE SHED ♪ 1275 00:57:23,540 --> 00:57:24,817 ♪ AND YOUR BURDENS WILL BE SHED ♪ ♪ YES, I DO BELIEVE ♪ 1276 00:57:24,841 --> 00:57:25,452 SHED ♪ ♪ YES, I DO BELIEVE ♪ ♪ DO BELIEVE ♪ 1277 00:57:25,476 --> 00:57:26,352 ♪ YES, I DO BELIEVE ♪ ♪ DO BELIEVE ♪ ♪ IF I HADN'T MET YOU ♪ 1278 00:57:26,376 --> 00:57:27,187 ♪ DO BELIEVE ♪ ♪ IF I HADN'T MET YOU ♪ ♪ DO BELIEVE ♪ 1279 00:57:27,211 --> 00:57:28,054 ♪ IF I HADN'T MET YOU ♪ ♪ DO BELIEVE ♪ ♪ I MIGHT STILL ♪ 1280 00:57:28,078 --> 00:57:28,854 ♪ DO BELIEVE ♪ ♪ I MIGHT STILL ♪ ♪ DO BELIEVE ♪ 1281 00:57:28,878 --> 00:57:29,789 ♪ I MIGHT STILL ♪ ♪ DO BELIEVE ♪ ♪ BE SINKING FAST ♪ 1282 00:57:29,813 --> 00:57:30,457 ♪ DO BELIEVE ♪ ♪ BE SINKING FAST ♪ ♪ DO BELIEVE ♪ 1283 00:57:30,481 --> 00:57:31,257 ♪ BE SINKING FAST ♪ ♪ DO BELIEVE ♪ ♪ I'VE HAD A LONG ♪ 1284 00:57:31,281 --> 00:57:32,292 ♪ DO BELIEVE ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1285 00:57:32,316 --> 00:57:33,993 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1286 00:57:34,017 --> 00:57:36,096 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1287 00:57:36,120 --> 00:57:37,130 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1288 00:57:37,154 --> 00:57:37,997 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1289 00:57:38,021 --> 00:57:38,931 LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1290 00:57:38,955 --> 00:57:39,765 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1291 00:57:39,789 --> 00:57:40,600 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1292 00:57:40,624 --> 00:57:41,401 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1293 00:57:41,425 --> 00:57:42,202 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1294 00:57:42,226 --> 00:57:43,103 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1295 00:57:43,127 --> 00:57:44,036 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1296 00:57:44,060 --> 00:57:44,837 ♪ GONE AT LAST ♪ ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ 1297 00:57:44,861 --> 00:57:45,871 ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1298 00:57:45,895 --> 00:57:47,707 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1299 00:57:47,731 --> 00:57:49,842 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT 1300 00:57:49,866 --> 00:57:51,478 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ 1301 00:57:51,502 --> 00:57:52,412 ♪ BUT I'M PRAYIN' IT'S GONE AT LAST ♪ ♪ GONE AT LAST ♪ 1302 00:57:52,436 --> 00:57:53,246 LAST ♪ ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ 1303 00:57:53,270 --> 00:57:54,080 ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ 1304 00:57:54,104 --> 00:57:54,880 ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ 1305 00:57:54,904 --> 00:57:55,681 ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ 1306 00:57:55,705 --> 00:57:56,583 ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ 1307 00:57:56,607 --> 00:57:57,517 ♪ GONE AT LAST ♪ ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ 1308 00:57:57,541 --> 00:57:58,318 ♪ GONE, GONE, GONE ♪ ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ 1309 00:57:58,342 --> 00:57:59,352 ♪ GONE AT LAST ♪ ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ 1310 00:57:59,376 --> 00:58:01,187 ♪ I'VE HAD A LONG ♪ ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ 1311 00:58:01,211 --> 00:58:05,592 ♪ I'VE HAD A LONG ♪ ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' ♪ 1312 00:58:05,616 --> 00:58:10,630 ♪ STREAK OF THAT BAD LUCK ♪ ♪ BUT I'M PRAYIN' ♪ ♪ IT'S GONE ♪ 1313 00:58:10,654 --> 00:58:17,670 ♪ BUT I'M PRAYIN' ♪ ♪ IT'S GONE ♪ ♪ AT LAST ♪ 1314 00:58:17,694 --> 00:58:19,339 ♪ IT'S GONE ♪ ♪ AT LAST ♪ [FINALE PLAYS] 1315 00:58:19,363 --> 00:58:21,396 ♪ AT LAST ♪ [FINALE PLAYS] [CHEERS AND APPLAUSE] 1316 00:58:29,972 --> 00:58:34,220 Announcer: NOW THIS FILMED MESSAGE. WE'RE HERE IN 1317 00:58:34,244 --> 00:58:35,889 MESSAGE. WE'RE HERE IN INTERNATIONAL FALLS, MINNESOTA, 1318 00:58:35,913 --> 00:58:37,356 WE'RE HERE IN INTERNATIONAL FALLS, MINNESOTA, WHERE WE PURPOSELY LEFT THE 1319 00:58:37,380 --> 00:58:38,724 INTERNATIONAL FALLS, MINNESOTA, WHERE WE PURPOSELY LEFT THE PACEMAKERS OF THESE FIVE 1320 00:58:38,748 --> 00:58:40,426 WHERE WE PURPOSELY LEFT THE PACEMAKERS OF THESE FIVE GERIATRICS ON ALL NIGHT, JUST TO 1321 00:58:40,450 --> 00:58:41,961 PACEMAKERS OF THESE FIVE GERIATRICS ON ALL NIGHT, JUST TO PROVE THAT THE TRY-HARD 1-11 1322 00:58:41,985 --> 00:58:43,562 GERIATRICS ON ALL NIGHT, JUST TO PROVE THAT THE TRY-HARD 1-11 BATTERY CAN WITHSTAND EVEN THE 1323 00:58:43,586 --> 00:58:45,598 PROVE THAT THE TRY-HARD 1-11 BATTERY CAN WITHSTAND EVEN THE MOST ADVERSE CONDITIONS. 1324 00:58:45,622 --> 00:58:46,800 BATTERY CAN WITHSTAND EVEN THE MOST ADVERSE CONDITIONS. [CRICKETS CHIRPING, 1325 00:58:46,824 --> 00:58:50,036 MOST ADVERSE CONDITIONS. [CRICKETS CHIRPING, OWLS HOOTING] 1326 00:58:50,060 --> 00:58:52,806 [CRICKETS CHIRPING, OWLS HOOTING] [BIRDS CHIRPING] 1327 00:58:52,830 --> 00:58:54,140 [OWLS HOOTING] [BIRDS CHIRPING] THE NEXT MORNING, ALL GERIATRICS 1328 00:58:54,164 --> 00:58:55,374 [BIRDS CHIRPING] THE NEXT MORNING, ALL GERIATRICS HAVE TROUBLE GETTING STARTED, 1329 00:58:55,398 --> 00:58:59,245 THE NEXT MORNING, ALL GERIATRICS HAVE TROUBLE GETTING STARTED, BUT NOT THE ONE WITH THE 1-11. 1330 00:58:59,269 --> 00:59:02,429 HAVE TROUBLE GETTING STARTED, BUT NOT THE ONE WITH THE 1-11. THE TRY-HARD 1-11... 1331 00:59:03,973 --> 00:59:10,523 [CHEERS AND APPLAUSE] [INTRO TO "AMERICAN TUNE" PLAYS] 1332 00:59:10,547 --> 00:59:13,526 [INTRO TO "AMERICAN TUNE" PLAYS] ♪ MANY IS THE TIME I'VE BEEN 1333 00:59:13,550 --> 00:59:16,562 [PLAYS] ♪ MANY IS THE TIME I'VE BEEN MISTAKEN ♪ 1334 00:59:16,586 --> 00:59:22,568 ♪ MANY IS THE TIME I'VE BEEN MISTAKEN ♪ ♪ AND MANY TIMES CONFUSED ♪ 1335 00:59:22,592 --> 00:59:25,505 MISTAKEN ♪ ♪ AND MANY TIMES CONFUSED ♪ ♪ YES, AND I'VE OFTEN FELT 1336 00:59:25,529 --> 00:59:28,308 ♪ AND MANY TIMES CONFUSED ♪ ♪ YES, AND I'VE OFTEN FELT FORSAKEN ♪ 1337 00:59:28,332 --> 00:59:34,414 ♪ YES, AND I'VE OFTEN FELT FORSAKEN ♪ ♪ AND CERTAINLY MISUSED ♪ 1338 00:59:34,438 --> 00:59:37,850 FORSAKEN ♪ ♪ AND CERTAINLY MISUSED ♪ ♪ OH, BUT I'M ALL RIGHT ♪ 1339 00:59:37,874 --> 00:59:40,520 ♪ AND CERTAINLY MISUSED ♪ ♪ OH, BUT I'M ALL RIGHT ♪ ♪ I'M ALL RIGHT ♪ 1340 00:59:40,544 --> 00:59:48,028 ♪ OH, BUT I'M ALL RIGHT ♪ ♪ I'M ALL RIGHT ♪ ♪ I'M JUST WEARY TO MY BONES ♪ 1341 00:59:48,052 --> 00:59:50,397 ♪ I'M ALL RIGHT ♪ ♪ I'M JUST WEARY TO MY BONES ♪ ♪ STILL, YOU DON'T EXPECT TO BE 1342 00:59:50,421 --> 00:59:54,300 ♪ I'M JUST WEARY TO MY BONES ♪ ♪ STILL, YOU DON'T EXPECT TO BE BRIGHT AND BON VIVANT ♪ 1343 00:59:54,324 --> 01:00:00,140 ♪ STILL, YOU DON'T EXPECT TO BE BRIGHT AND BON VIVANT ♪ ♪ SO FAR AWAY FROM HOME ♪ 1344 01:00:00,164 --> 01:00:08,164 BRIGHT AND BON VIVANT ♪ ♪ SO FAR AWAY FROM HOME ♪ ♪ SO FAR AWAY FROM HOME ♪ 1345 01:00:09,139 --> 01:00:11,317 ♪ SO FAR AWAY FROM HOME ♪ ♪ SO FAR AWAY FROM HOME ♪ ♪ AND I DON'T KNOW A SOUL WHO'S 1346 01:00:11,341 --> 01:00:14,987 ♪ SO FAR AWAY FROM HOME ♪ ♪ AND I DON'T KNOW A SOUL WHO'S NOT BEEN BATTERED ♪ 1347 01:00:15,011 --> 01:00:17,123 ♪ AND I DON'T KNOW A SOUL WHO'S NOT BEEN BATTERED ♪ ♪ I DON'T HAVE A FRIEND WHO 1348 01:00:17,147 --> 01:00:20,826 NOT BEEN BATTERED ♪ ♪ I DON'T HAVE A FRIEND WHO FEELS AT EASE ♪ 1349 01:00:20,850 --> 01:00:22,962 ♪ I DON'T HAVE A FRIEND WHO FEELS AT EASE ♪ ♪ I DON'T KNOW A DREAM THAT'S 1350 01:00:22,986 --> 01:00:26,632 FEELS AT EASE ♪ ♪ I DON'T KNOW A DREAM THAT'S NOT BEEN SHATTERED ♪ 1351 01:00:26,656 --> 01:00:32,539 ♪ I DON'T KNOW A DREAM THAT'S NOT BEEN SHATTERED ♪ ♪ OR DRIVEN TO ITS KNEES ♪ 1352 01:00:32,563 --> 01:00:36,076 NOT BEEN SHATTERED ♪ ♪ OR DRIVEN TO ITS KNEES ♪ ♪ AH, BUT IT'S ALL RIGHT ♪ 1353 01:00:36,100 --> 01:00:38,778 ♪ OR DRIVEN TO ITS KNEES ♪ ♪ AH, BUT IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ 1354 01:00:38,802 --> 01:00:42,014 ♪ AH, BUT IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ ♪ FOR WE'VE LIVED SO WELL SO 1355 01:00:42,038 --> 01:00:46,086 ♪ IT'S ALL RIGHT ♪ ♪ FOR WE'VE LIVED SO WELL SO LONG ♪ 1356 01:00:46,110 --> 01:00:48,455 ♪ FOR WE'VE LIVED SO WELL SO LONG ♪ ♪ STILL, WHEN I THINK OF THE 1357 01:00:48,479 --> 01:00:52,225 LONG ♪ ♪ STILL, WHEN I THINK OF THE ROAD WE'RE TRAVELING ON ♪ 1358 01:00:52,249 --> 01:00:57,663 ♪ STILL, WHEN I THINK OF THE ROAD WE'RE TRAVELING ON ♪ ♪ I WONDER WHAT'S GONE WRONG ♪ 1359 01:00:57,687 --> 01:01:00,900 ROAD WE'RE TRAVELING ON ♪ ♪ I WONDER WHAT'S GONE WRONG ♪ ♪ I CAN'T HELP IT, I WONDER 1360 01:01:00,924 --> 01:01:06,973 ♪ I WONDER WHAT'S GONE WRONG ♪ ♪ I CAN'T HELP IT, I WONDER WHAT'S GONE WRONG ♪ 1361 01:01:06,997 --> 01:01:11,944 ♪ I CAN'T HELP IT, I WONDER WHAT'S GONE WRONG ♪ ♪ AND I DREAMED I WAS DYING ♪ 1362 01:01:11,968 --> 01:01:15,881 WHAT'S GONE WRONG ♪ ♪ AND I DREAMED I WAS DYING ♪ ♪ I DREAMED THAT MY SOUL ROSE 1363 01:01:15,905 --> 01:01:18,585 ♪ AND I DREAMED I WAS DYING ♪ ♪ I DREAMED THAT MY SOUL ROSE UNEXPECTEDLY ♪ 1364 01:01:18,609 --> 01:01:21,554 ♪ I DREAMED THAT MY SOUL ROSE UNEXPECTEDLY ♪ ♪ AND, LOOKING BACK DOWN AT ME, 1365 01:01:21,578 --> 01:01:25,191 UNEXPECTEDLY ♪ ♪ AND, LOOKING BACK DOWN AT ME, SMILED REASSURINGLY ♪ 1366 01:01:25,215 --> 01:01:30,396 ♪ AND, LOOKING BACK DOWN AT ME, SMILED REASSURINGLY ♪ ♪ AND I DREAMED I WAS FLYING ♪ 1367 01:01:30,420 --> 01:01:34,734 SMILED REASSURINGLY ♪ ♪ AND I DREAMED I WAS FLYING ♪ ♪ AND HIGH UP ABOVE, MY EYES 1368 01:01:34,758 --> 01:01:37,137 ♪ AND I DREAMED I WAS FLYING ♪ ♪ AND HIGH UP ABOVE, MY EYES COULD CLEARLY SEE ♪ 1369 01:01:37,161 --> 01:01:39,905 ♪ AND HIGH UP ABOVE, MY EYES COULD CLEARLY SEE ♪ ♪ THE STATUE OF LIBERTY ♪ 1370 01:01:39,929 --> 01:01:43,843 COULD CLEARLY SEE ♪ ♪ THE STATUE OF LIBERTY ♪ ♪ SAILING AWAY TO SEA ♪ 1371 01:01:43,867 --> 01:01:49,582 ♪ THE STATUE OF LIBERTY ♪ ♪ SAILING AWAY TO SEA ♪ ♪ AND I DREAMED I WAS FLYING ♪ 1372 01:01:49,606 --> 01:01:52,585 ♪ SAILING AWAY TO SEA ♪ ♪ AND I DREAMED I WAS FLYING ♪ ♪ WE COME ON THE SHIP THEY CALL 1373 01:01:52,609 --> 01:01:55,255 ♪ AND I DREAMED I WAS FLYING ♪ ♪ WE COME ON THE SHIP THEY CALL THE MAYFLOWER ♪ 1374 01:01:55,279 --> 01:01:57,323 ♪ WE COME ON THE SHIP THEY CALL THE MAYFLOWER ♪ ♪ WE COME ON THE SHIP THAT 1375 01:01:57,347 --> 01:02:01,060 THE MAYFLOWER ♪ ♪ WE COME ON THE SHIP THAT SAILED THE MOON ♪ 1376 01:02:01,084 --> 01:02:04,330 ♪ WE COME ON THE SHIP THAT SAILED THE MOON ♪ ♪ WE COME IN THE AGE'S MOST 1377 01:02:04,354 --> 01:02:07,099 SAILED THE MOON ♪ ♪ WE COME IN THE AGE'S MOST UNCERTAIN HOURS ♪ 1378 01:02:07,123 --> 01:02:11,804 ♪ WE COME IN THE AGE'S MOST UNCERTAIN HOURS ♪ ♪ AND SING AN AMERICAN TUNE ♪ 1379 01:02:11,828 --> 01:02:16,075 UNCERTAIN HOURS ♪ ♪ AND SING AN AMERICAN TUNE ♪ ♪ OH, AND IT'S ALL RIGHT ♪ 1380 01:02:16,099 --> 01:02:17,810 ♪ AND SING AN AMERICAN TUNE ♪ ♪ OH, AND IT'S ALL RIGHT ♪ ♪ YEAH, IT'S ALL RIGHT, IT'S ALL 1381 01:02:17,834 --> 01:02:18,711 ♪ OH, AND IT'S ALL RIGHT ♪ ♪ YEAH, IT'S ALL RIGHT, IT'S ALL RIGHT ♪ 1382 01:02:18,735 --> 01:02:26,286 ♪ YEAH, IT'S ALL RIGHT, IT'S ALL RIGHT ♪ ♪ YOU CAN'T BE FOREVER BLESSED ♪ 1383 01:02:26,310 --> 01:02:28,655 RIGHT ♪ ♪ YOU CAN'T BE FOREVER BLESSED ♪ ♪ STILL, TOMORROW'S GONNA BE 1384 01:02:28,679 --> 01:02:32,258 ♪ YOU CAN'T BE FOREVER BLESSED ♪ ♪ STILL, TOMORROW'S GONNA BE ANOTHER WORKING DAY ♪ 1385 01:02:32,282 --> 01:02:35,662 ♪ STILL, TOMORROW'S GONNA BE ANOTHER WORKING DAY ♪ ♪ AND I'M TRYING TO GET SOME 1386 01:02:35,686 --> 01:02:37,664 ANOTHER WORKING DAY ♪ ♪ AND I'M TRYING TO GET SOME REST ♪ 1387 01:02:37,688 --> 01:02:41,367 ♪ AND I'M TRYING TO GET SOME REST ♪ ♪ THAT'S ALL, I'M TRYING TO GET 1388 01:02:41,391 --> 01:02:43,791 REST ♪ ♪ THAT'S ALL, I'M TRYING TO GET SOME REST ♪ 1389 01:02:53,035 --> 01:03:01,035 [FINALE PLAYS] [APPLAUSE] THANK YOU. 1390 01:03:01,411 --> 01:03:03,612 [APPLAUSE] THANK YOU. OH, I THANK YOU. 1391 01:03:25,167 --> 01:03:30,817 I JUST WANT TO TAKE THIS OPPORTUNITY TO THANK ALL THE GUESTS WHO WERE ON THE SHOW... 1392 01:03:30,841 --> 01:03:34,086 OPPORTUNITY TO THANK ALL THE GUESTS WHO WERE ON THE SHOW... PHOEBE AND RANDY NEWMAN, WHO I 1393 01:03:34,110 --> 01:03:35,621 GUESTS WHO WERE ON THE SHOW... PHOEBE AND RANDY NEWMAN, WHO I HAD NEVER MET, AND THIS WAS MY 1394 01:03:35,645 --> 01:03:36,923 PHOEBE AND RANDY NEWMAN, WHO I HAD NEVER MET, AND THIS WAS MY OPPORTUNITY TO MEET HIM. 1395 01:03:36,947 --> 01:03:38,291 HAD NEVER MET, AND THIS WAS MY OPPORTUNITY TO MEET HIM. I WAS VERY HAPPY TO DO SO. 1396 01:03:38,315 --> 01:03:39,826 OPPORTUNITY TO MEET HIM. I WAS VERY HAPPY TO DO SO. AND, OF COURSE, MY OLD FRIEND 1397 01:03:39,850 --> 01:03:41,360 I WAS VERY HAPPY TO DO SO. AND, OF COURSE, MY OLD FRIEND ART GARFUNKEL. 1398 01:03:41,384 --> 01:03:43,896 AND, OF COURSE, MY OLD FRIEND ART GARFUNKEL. THE FILM BY ALBERT BROOKS. 1399 01:03:43,920 --> 01:03:45,531 ART GARFUNKEL. THE FILM BY ALBERT BROOKS. THE MUPPETS. 1400 01:03:45,555 --> 01:03:47,066 THE FILM BY ALBERT BROOKS. THE MUPPETS. CHEVY CHASE. 1401 01:03:47,090 --> 01:03:50,303 THE MUPPETS. CHEVY CHASE. AND... HAVE I FORGOTTEN ANYBODY? 1402 01:03:50,327 --> 01:03:51,037 CHEVY CHASE. AND... HAVE I FORGOTTEN ANYBODY? I HOPE NOT. 1403 01:03:51,061 --> 01:03:52,404 AND... HAVE I FORGOTTEN ANYBODY? I HOPE NOT. Announcer: LADIES AND 1404 01:03:52,428 --> 01:03:54,040 I HOPE NOT. Announcer: LADIES AND GENTLEMEN, BILL BRADLEY OF THE 1405 01:03:54,064 --> 01:03:55,041 Announcer: LADIES AND GENTLEMEN, BILL BRADLEY OF THE NEW YORK KNICKS. 1406 01:03:55,065 --> 01:03:57,832 GENTLEMEN, BILL BRADLEY OF THE NEW YORK KNICKS. [CHEERS AND APPLAUSE] 1407 01:04:04,907 --> 01:04:12,907 OH, MY GOD. FOR ONE-ON-ONE PLAYERS EVERYWHERE, I PRESENT YOU WITH 1408 01:04:13,783 --> 01:04:14,626 FOR ONE-ON-ONE PLAYERS EVERYWHERE, I PRESENT YOU WITH THIS TROPHY. 1409 01:04:14,650 --> 01:04:16,462 EVERYWHERE, I PRESENT YOU WITH THIS TROPHY. CONGRATULATIONS, CHAMP. 1410 01:04:16,486 --> 01:04:18,726 THIS TROPHY. CONGRATULATIONS, CHAMP. [CHEERS AND APPLAUSE] 1411 01:04:28,998 --> 01:04:36,998 I'D JUST LIKE TO SAY, IF KAREEM ABDUL-JABBAR IS WATCHING, MOST OF THIS WEEK... OOH, I'M 1412 01:04:37,140 --> 01:04:38,117 KAREEM ABDUL-JABBAR IS WATCHING, MOST OF THIS WEEK... OOH, I'M SORRY. 1413 01:04:38,141 --> 01:04:40,119 MOST OF THIS WEEK... OOH, I'M SORRY. MOST OF THIS WEEK, I HAVE BEEN 1414 01:04:40,143 --> 01:04:42,255 SORRY. MOST OF THIS WEEK, I HAVE BEEN PRACTICING GOING TO MY RIGHT, SO 1415 01:04:42,279 --> 01:04:44,390 MOST OF THIS WEEK, I HAVE BEEN PRACTICING GOING TO MY RIGHT, SO THIS FILM CAN BE VERY MISLEADING 1416 01:04:44,414 --> 01:04:46,025 PRACTICING GOING TO MY RIGHT, SO THIS FILM CAN BE VERY MISLEADING ABOUT GOING TO THE LEFT. 1417 01:04:46,049 --> 01:04:47,994 THIS FILM CAN BE VERY MISLEADING ABOUT GOING TO THE LEFT. I JUST WANT TO SAY I'M READY. 1418 01:04:48,018 --> 01:04:48,928 ABOUT GOING TO THE LEFT. I JUST WANT TO SAY I'M READY. GOOD NIGHT. 1419 01:04:48,952 --> 01:04:49,795 I JUST WANT TO SAY I'M READY. GOOD NIGHT. THANK YOU. 1420 01:04:49,819 --> 01:04:52,987 GOOD NIGHT. THANK YOU. [CHEERS AND APPLAUSE] 1421 01:05:15,744 --> 01:05:16,444 Announcer: THE MUPPETS ARE 1422 01:05:16,578 --> 01:05:17,878 FRANK OZ, JERRY NELSON, 1423 01:05:18,013 --> 01:05:19,613 RICHARD HUNT, AND JIM HENSON. 1424 01:05:19,748 --> 01:05:21,316 NEXT WEEK ON NBC's "SATURDAY 1425 01:05:21,450 --> 01:05:23,184 NIGHT," ROB REINER WILL BE YOUR 1426 01:05:23,319 --> 01:05:23,684 HOST. 1427 01:05:23,819 --> 01:05:25,320 JOINING ROB WILL BE THE LOCKERS, 1428 01:05:25,454 --> 01:05:26,887 PENNY MARSHALL, JIM HENSON AND 1429 01:05:27,022 --> 01:05:28,423 HIS MUPPETS, ANOTHER FILM FROM 1430 01:05:28,557 --> 01:05:30,024 ALBERT BROOKS, AND A VARIETY OF 1431 01:05:30,159 --> 01:05:31,625 MUSIC AND COMEDY ENTERTAINMENT. 1432 01:05:31,760 --> 01:05:33,461 DON'T MISS ROB REINER NEXT WEEK 1433 01:05:33,595 --> 01:05:35,696 ON NBC's "SATURDAY NIGHT." 1434 01:05:35,831 --> 01:05:37,298 THIS IS DON PARDO SAYING, "THIS 1435 01:05:37,433 --> 01:05:38,833 IS DON PARDO SAYING, 'THIS IS 1436 01:05:38,968 --> 01:05:39,968 DON PARDO SPEAKING.'" 1437 01:05:40,102 --> 01:05:41,569 YOUR ANNOUNCER THIS EVENING HAS 1438 01:05:41,703 --> 01:05:42,870 BEEN DON PARDO. 1439 01:05:43,005 --> 01:05:44,839 MAYBE NEXT WEEK I'LL... YEAH. 158549