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welcome to Day 9 of our Sound Healing
Immersion online training
today we will explore the enchanting world of
other ancestral instruments
uncovering the history properties
and techniques for applying
their unique healing properties
we start today with exploring sansula and kalimba
captivating instruments
with origins rooted in Asian cultures
Kalimba is basically westernized
younger version of bira it was popularized in sixties
due to the success of the band Earth
Wind and fire these musicians included mbira on stage
accompanying modern rock instruments
such electric guitar and bass and drum kit and horns
their arrangements included numerous songs
directly drawn from traditional Bira repertoire
I don't know if you have known this
Mira is a family of musical instruments
traditional to the Shauna people of Zimbabwe
it consists of the wooden board
with attached taggered metal times
playing by holding the instrument in the hands
and plucking the times with times
it is an important instrument
played at religious ceremonies
weddings and other social gatherings
in eastern and southern Africa
there are so many kinds of mirror
often a combined but whole show a percussion instrument
as you see I have here a modern version of Mira
with integrated horshell
this instrument we call sansula
we play it similar escalimba
yet integrated drum give a great resonance
creating a Wawa effect
it amplifies the sound
so you can be heard better without using microphones
during your session
3
2 1
haha
the sansula and kalimba offer unique soundscapes
through the resonating metal keys
and enchanting melodies they create soothing tones
that can transport us into a state of deep relaxation
and inner peace as I said
playing the sansula or kalimba
involves plucking the metal keys
or times with your fingers
experiment with different rhythms
to create captivating melodies
you can end those instruments in any moment
during your sound healing session
depending on your main intention
or purpose of your sound healing session
now let's journey to the Asian roots of didgeridoo
an iconic Australian instrument known for its deep
resonant tones and cultural significance
traditionally the didgeridoo originates from indigenous
Aboriginal people in northern Australia
and it's made from eucalyptus wood
the term didgeridoo is onomatopaic origin
coined by British
Aboriginals refer to this instrument as G ducky
its origins date back more than 15th century
with evidence of didgeridoo players
depicted in cave paintings
the didgeridoo is a wind instrument
belonging to the trumpet family
to play it you can use your lips
and you need to know the circular breathing
which takes time to master
is this incredible instrument gained popularity
we discovered variations of the Jews
in different regions and traditions
for example in Mexico
there is the Mayan trumpet made from agavetry
they would select hollow trees
that had been eaten by termites
they discovered that the Hollywood vibrates
producing overtones that induce relaxation
trance or higher state of consciousness
similarly in Eastern Europe
traditional corns were used in a manner similar
to did you reduce across these cultures
the properties of this instrument on the human psychic
were recognized as it could alter the state of mind
not only for the listener
but also for the player
as I said before
playing the didgeridoo involves circular breathing
a technique where you maintain continuous air flow
while simultaneously inhaling through your nose
it's a complex technique you need to master
modern versions of didgeridoo
like those spiral drones
offered enhanced resonance and ease of playing
they are very convenient
if you travel with your instruments
as they don't occupy so much space
nowadays it can be difficult to fly
with the original did you reduce
so I really advocate for the modern spiral version
the sound of those ones
can also be very deep and powerful
as in the original didgeridoo
yet
if you plan to walk around people with your instrument
they won't provide as many powerful vibrations
sitting or walking
let's delve deeper into this aspect of sound healing
during your sessions
I'm pretty sure for most of your sessions
you will be comfortably seated
surrendered by your instruments
I normally sit against the wall
as I don't don't like to have people behind my back
and I place my instruments in a half moon arrangement
this guarantees me
comfortable access to all my instruments at any time
sometimes I start from the left
and move gradually to the right
and yes sometimes I play different types of instruments
simultaneously so
I wanna make sure I can access them
without breaking the sound
or making unnecessary and noisy movements
I also want to protect my spine
maybe starting your career as a sound healer
you still don't feel strained in your back but trust me
spending so many hours seated on my stage
within my 25 years as a sound healer
I found the most
optimal ways to play without unnecessary discomfort
so as I mentioned earlier
most of the session will likely be spent seated however
they will be moments when you can walk
with your instruments you can wear walk with didgeridoo
with flute
one bowl drum
small gong or the fierce while playing
you need to make sure though
you have enough space
and you don't disturb your participants journey
don't step on them or make sounds with your clothes etc
you don't touch or place instruments on participants
or apply any oils
if they prefer to stay in their own bubble
you don't play too loudly close to their ears
you don't abandon the whole group
for just one participant
if you play while walking around
make sure all participants can hear you
you can walk
while having another person help you on stage
by playing other instruments
if you use microphone
it will also help maintain the continuity of sound
while you walk personally
I think walking around
people provides a sense of closeness
also participants are happy
feeling they have received something extra
if you stay with them for a moment
thank you for joining me today
as we explored
and chanting diversity of ancestral instruments
and their profound healing potential
in our next session we will continue our journey
discovering more advanced techniques
for further unlocked
transformative power of these instruments
thank you for joining me today
as we explored
enchanting diversity of ancestral instruments
and their profound healing potential
in our next session we will continue our journey
discovering more advanced techniques
to further
unlock the transformative power of these instruments
meanwhile practice
drink water rest and see you tomorrow
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