All language subtitles for Project_Runway_S09E03

>> Previously on Project

Runway...

>> Welcome to Petland Discounts.

This is the source for the

materials for your next

challenge.

>> Agh!

>> I wouldn't say that I'm

trying to win this challenge as

much as I am trying to just get

by.

>> I don't want to go on this

show and make these costumes.

>> I think that Bert has kind of

a crummy attitude.

>> ♪ I'm glad I've got ♪

♪ immunity ♪

♪ do-dah, do-dah ♪

♪ ♪

>> Bert, you are so lucky that

you have immunity.

>> It's interesting and

exciting, but it's actually

beautiful.

>> Oliver, you're the winner of

this challenge.

>>

>> She looks like she's from the

Blue Man Group.

>> You've gotta have, like,

candy corn teeth to wear that

dress.

>> And this just tried to play

it too safe.

>> It really misses the mark as

far as thinking outside the box.

>> Josh...You're out.

>> This...

>> This...

>> This...

>> This...

>> This is the search for the

next big fashion designer.

>> Yes.

>> 16 designers.

>> It's about style.

>> Fashion.

>> Attitude.

>> How do I have attitude?

Attitude.

>> Three finalists.

>> I would wear that.

>> I think it's fantastic.

>> Let me see you put it on.

>> Keep me out of this.

>> And one winner.

>> This is for real.

>> Be good.

>> Be great.

>> This is Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their

own line...

A fashion spread in Marie Claire

magazine...

A $50,000 technology suite from

HP and Intel to enable their

creativity and run their

business, and the opportunity to

design and sell an exclusive

collection on Piperlime.com.

The model paired with the winner

of Project Runway will receive a

fashion spread in Marie Claire

magazine and $25,000 from

L'Oreal Paris Studio Secrets
Professional.

Project Runway 9x03
Go Big or Go Home
Original Air Date on August 11, 2011

== sync, corrected by elderman ==

>> I wasn't ready for Josh to

go.

He has so much talent, and

there's people like Fallene that

don't even know really what

their direction is at this

point.

She talks to much about being

a hairstylist, I'm not even sure

if she's a designer, you know?

>> Mm-hmm.

>> Oh, man.

I'm just freakin' nervous for

today.

I'm like, maybe I'm too much of

a normal person.

I never thought I would be

normal, but...

>>

>> My way of designing is a lot

more artistic than what we have

to do here.

I'm glad they gave me a second

shot.

>> I'm gonna be after you today,

Oliver.

I feel pretty good so far.

I mean, being in the top three

the past two times...

The judges notice who I am now.

I'm looking for that first win.

>> You ready?

>> Let's go.

>> Good-bye!

>> Oh, my God.

>>

>> All: Hi!

>> You're kidding.

>> What?

>> Heidi comes out on these

stilts.

It's hilarious.

Hi, guys.

>> All: Hi.

>> You grew.

>> How's everything going down

there?

>> All: Great.

>> There's a reason that I am

this tall right now.

>> Oh, my God, we're going to

the circus.

>> Oh, , I am scared.

>> For your next challenge, we

want you to think big.

Really big.

>> Uh-oh, there's more.

>> Oh, my God.

>> Oh, lord.

>> Who are these people?

>> Holy crap.

>> The stilts models, they're

kind of scary.

>> Ohh.

>> This is so freaky.

>> Oh, my God.

>> Meet your models for your

next challenge.

>> All: Hi, ladies.

>> For your next runway show, we

want you to think outside of the

box.

We want you to create a look

that is eye-catching,

imaginative, and truly larger

than life.

>> We have to dress stilt

walkers.

>> You will be divided into

teams of two.

>> Oh, no.

Now we have to work with

somebody else.

>> And each team will have a

stilt walker as your model.

I will choose a team from the

button bag.

>> Hi, button bag.

>> Hi, button bag.

>> The first one is...

Bert.

>> Fabulous.

>> Teamed up with...

Viktor.

>> I do not want to be on a team

with Bert.

>> Viktor, you look funny.

>> My heart dropped.

I think Bert is a difficult

person.

He is just saying the wrong

things at the wrong time.

It annoys me.

>> He acted in such a childish

way.

"Oh, gee, look who I'm stuck

with."

I don't appreciate it, and I

don't think it's professional.

>> Anthony Ryan...

Teamed up with...Laura.

>>

>> Joshua McKinley...

With Julie.

>>

Here we go.

I'm a little nervous being

paired with Julie.

I've seen her last two garments

for the challenges.

It seems as though she's a

little bit lost.

>> Danielle...

With Cecelia.

Anya...Teamed up with...

Oliver.

>> I totally lucked out.

>> Kimberly...

With...Becky.

>> Ohh.

>> Hmm.

I am not that inspired by

Becky's designs.

They are very plain.

>> That means Bryce and fallene.

>> I wanted to my pants.

I just had this crazy challenge,

and now I have to pair up with

somebody that also had bad

results.

>> There's a big bull's-eye on

the two of us.

>> For the first time ever on

Project Runway, your fashion

show will take place outside, in

front of a live audience and the

press.

>> Whoa.

I got goosebumps.

Just the bigness of it is very,

very exciting to me.

>> So your job is to make sure

that your look will stand out...

But be in at the same time.

Good luck, everybody.

And we all will see you on the

outdoor runway.

Let's go, girls.

Bye, guys!

>> All: Bye!

>> Have fun! Think big!

>> Okay.

>> Whoo!

>> I really like color.

And I really like pattern.

>> I think of crazy things

sometimes.

You know, obviously, sometimes--

>> no, yeah, keep going.

>> You know?

>> Talk to me, because if you

talk and I can draw--

>> but sometimes, we can have

them like they're coming out of

something, you know?

>> Right.

>> I was thinking more like old

Hollywood.

Something more classic, so...

>> Mae West?

>> Yeah, like, even Mae West.

Exactly.

Like it's a--it's--

you can make it have pants.

>> Mae West never wore pants.

Her entire life.

No, she didn't.

She wore skirts.

>> Bert is too defensive.

He needs to calm down.

>> Good morning, designers.

>> Good morning.

>> How excited are you about

this challenge?

It's completely thrilling.

I want you to think

about a couple of things.

Think about Paris Couture Week.

It causes you to question what's

real and what isn't.

Very much like this challenge.

I'm always looking at fashion

illustrations, which I happen to

love, but I always say, "These

aren't real women."

Well, for this challenge, they

are.

>> Everyone always says that

when I draw my fashion figures,

they're so, like, long.

It's kind of like our fashion

illustrations get to come to

life.

It's a pretty exciting

challenge, I think, for all the

designers.

>> I am bringing in your

stilt walker models.

You will have 30 minutes to

consult with them as a team.

We're going shopping at Mood,

and each team will have a budget

of $500.

>> Whoo!

>> And you have one day for this

challenge.

So it's today.

>> No way.

>> Way.

>> Are you crazy?

>> So I'm sending in your

models.

Have fun!

>> Does it have to be pants?

>> I would imagine.

>> Probably.

>> So that you can--

>> the dress would get tangled.

>> Yeah, yeah.

That'd be a disaster.

>> Oh, great, I have never even

talked to her.

She's never really talked to me.

But we agreed on kind of a look

and a style, and realized, "Oh,

she makes great pants."

And I make great tailored

jackets, so...That's what we're

doing.

>> Yes.

>> Hey, ladies.

Over here.

>> Hi, how are you?

>> Sit here.

>> Okay.

>> I can crouch all the way down

to, like...Like that, or--

>> what about sleeves?

Does that bother you?

>> How is it, walking in

something...Long and full?

>> It is important that it's not

below where my feet fasten into

my stilts.

>> Where your stilt is.

>> Because it causes you to

tumble.

>> Our inspiration for this

design, we're thinking Parisian

couture.

Just a really flattering

silhouette, and not make her

look like she's in the circus,

walking down a runway.

>> The way--I'm thinking drapey.

>> Okay, real drapey. Okay.

>> I'm thinking like this.

>> But think circus-y too.

>> Oh, I--I am.

Like, think about it moving back

behind her.

Like, it's gonna be like flowing

and moving.

So Fallene and I know that we

want to do a big, full skirt.

And we're inspired by our model.

She has been a ballerina

forever.

She's got tattoos, funky hair.

We definitely want to go with

this kind of dark ballerina.

>> Kind of like Queen Victoria a

little bit, like, just...

>> Oh, that's very good.

>> A little bit big here.

Nice, big, like, open here.

But maybe a big collar.

But it's sexy here.

>> Uh-huh.

>> Queen Victoria was in

mourning for 50 years.

I don't think that's a sexy

direction I would like to go

into.

>> If you do a dress that's like

a bust like here, her boobs are

gonna be showing like this.

>> That's not Victorian.

That's Elizabethan.

>> Well, whatever.

>> Well, there's a difference.

>> Bert is a know-it-all.

He's just very obnoxious.

>> Viktor really needs to do a

little bit of book reading.

>> Designers...

Say good-bye to your models.

They will be back later today

for a fitting.

>> Bye!

>> Thank you, ladies.

All right, let's head out to our

first trip to Mood.

So follow me.

Design teams, here we go.

Your 30 minutes begins...

Right now.

>> A little bit here, here,

here, and more here,

and then boom.

>> Viktor.

>> Bert, darling.

>> Where are you?

>> Where are you?

>> Back here. Look.

Follow my voice.

>> I want to to, like, a kimono

with this, and then have big

sleeves, and not go--

>> so big sleeves mean couture?

I literally had to bite my

tongue.

How much training do you have in

couture?

>> What's this?

>> Our game plan is to just pull

every red shade that we like.

We have our grocery list.

So it's just a matter of

executing it.

>> Yeah, I like this pattern

better.

>> But as far as that, I feel

like it should be more modern.

>> Are you two all right?

>> Yes, we're great.

>> Okay.

You're kind of a dream team.

So...

>> We're having a good time.

>> We have high expectations.

>> I was looking forward to a

team challenge, and to have one

with Oliver, it is a dream.

>> Can this be pleated?

>> Ugh.

>> Julie, anything in life can

be pleated.

She was rockin' my nerves.

>> Ooh, I like the texture of

this.

Chiffon is the lightest of all

the fabrics you can grab.

It's like this...

Of silk.

So I think it'd be cool to do

something that's almost a muted,

like, really muted polka dot.

This is way too --

>> instead of the denim?

>> Yeah.

>> Okay, go find it.

>> I'm not settling for all

black.

We're not creating a freakin'

gothic...stilt walker.

>> You have two minutes

remaining.

>> Oh! Okay.

>> So we need to hurry up.

>> Yes, we need to hurry up.

>> Thank you.

>> There is nothing like it, so

I'm just grabbing anything.

>> Get a lot of it.

>> All right, designers.

Time is up.

Design teams at the register.

Anya, you're walking the wrong

way.

So let's head back to Parsons.

Thank you, Mood!

>> All: Thank you!

>> Hey.

>> Yeah, let's not focus so much

on this.

>> Well, that's part of the

dress.

>> I'm not saying we're

building a--

>> no, I'm not disagreeing with

anything you're saying, though.

>> I just want to make sure we

know what we're going as far as

units.

We've agreed on the silhouette.

It's going to be a strapless

bustier piece, and then there'll

be this full skirt.

>> May I have your attention,

just for a moment?

You have until 9:00 tonight.

All right, work hard.

I will see you later.

Thank you.

>> Do you feel comfortable

making very well-fitting pants?

>> I'm comfortable with pattern

making, so...

>> Okay, for your...Other looks,

were you happy with the fit?

>> Lady, I make custom-made

clothing for people with all

kind of bodies.

I know how to fit pants.

>> You know that I wanted the

other prints, right?

Like a more modern print.

They might say it might be

dated, 'cause it's a little bit

too flowery.

It's gonna be definitely a

challenge to work with that ugly

fabric.

>> I think it's beautiful.

>> I think this fabric is

genius.

>> As soon as he found the

fabric, I knew the idea.

Josh and myself are doing a

romantic matador stilt walker.

>> I mean, you colored it, not

me.

>> But if you don't put it

underneath the whole dress and

the jacket, then you're gonna--

it's gonna be messy.

>> What do you mean, messy?

>> I thought the shape was

supposed to be kind of roundish.

>> I feel this direction we're

taking is absolutely wrong.

It's not what we need to be

presenting in 2011.

>> Why don't you finish this,

since you have the whole idea?

>> No, I don't have the whole

idea.

This is a design that we're

working on together.

>> No, I know.

I'm not saying that.

I'm saying--no, no, no.

You need to hold on.

You need to hold on.

>> Let me finish.

>> I'll be back.

>> Okay, you come back.

>> I can't deal with you.

It's like you act like a small

kid, like, you--you don't

let me talk.

>> No, 'cause you're getting

confused.

>> No, it's not a question.

It's not a question.

It was a comment.

>> Okay, well, I'm making a

statement.

>> Save it for the judge.

He's, like, so immature.

He's like a 57-year-old kid.

It's only his way or the

highway.

It's kind of difficult to make

sense with somebody who's crazy.

>>

>> Coming up on

Project Runway...

>> You really don't think that

looks good?

>> No, I do not.

>> We're all feeling tense.

Anyone could go down because of

their teammate.

>> That's very immature.

>> What's immature is you're not

letting me finish.

>>

>>What was that about?

>> What?

What are you talking about?

I just think he kind of just

gets defensive right away.

And it's unnecessary.

>> He's shaking in his boots.

He doesn't have immunity this

time.

>> Here's the skirt.

And I was just saying, like,

since you have the idea how

you're doing this--

>> that's fine, but you switched

fabrics on us a couple times.

>> It's mostly your design.

I'm just kind of following you.

>> No, it isn't.

>> But we could go on and on and

talk about--

>> no, I'm just getting that--

clarifying what I understood we

said in the store.

>> Okay, so, you want to talk--

>> that was my understanding.

Well, no, but it...

>> Bert will fight you on

anything, even if there is

nothing to fight about.

>> I don't want to debate that.

I just wanna do this.

>> Maybe I do.

>> That's very immature.

>> No, it's not.

What's immature is you're not

letting me finish.

>> Okay, it's--let me hear you.

>> That's all I'm saying.

>> You know, I don't know what

Bert has in his mind.

I almost feel like he does

things on purpose to sabotage

me, or maybe it's a strategy.

I don't--I have no idea.

>> Working, working, working,

working.

>> The hardest part of designing

a garment for a stilt walker is

figuring out how to make her

look as chic as possible,

and also to make it safe.

>> Yeah, but this is what I'm

envisioning.

Fullness, we want at the bottom.

So we need a hoop, right?

>> Right.

Laura and I agree on making a

cage for a big hoop skirt.

Almost like an old Alabama

plantation girl.

>> This will be an old

petticoat?

>> Yes.

Just allow for some volume on

the bottom to get that dramatic

effect, but so it didn't get

caught under the model's stilts.

So I'm cutting all this boning

and gluing and circles.

And...A lot of math.

>> Teamwork.

>> What do you think

the color should be?

>> Well, just something high

around the neck.

Either wrapping or, like--

we want dramatic.

>> I think, when it comes to

group challenge, it's not about

how brilliant or how amazing you

can do by yourself.

It's much more about the

collaboration and communication

between the two people.

>> No, I wanna do, like, a

little bullfighter jacket.

But--but the sleeves so you can

hold it and be, like...

>> Right.

>> Does that make sense?

And then, if you made a

bustier--

>> but, like, does that make

sense?

>> Does that make sense?

>> Do you need to poke me?

Quit poking me.

You're like a poker and a

puncher.

You're such a rough chick.

>> I'm the man here.

>> Me and Julie could basically

flop genders.

>> So once you make this

pattern, you think you can base

all the other ones off of this,

right?

>> Yeah.

>> Okay, good.

A lot of teams thought that we

were crazy for working with

chiffon.

And, yeah, it's a little bit of

a risk.

>> Okay.

>> Most designers consider

chiffon difficult.

Danielle and I are very

comfortable with those fabrics.

And we love how it flows

and how it moves.

The thing about Becky's

personality is I really can't

read it.

She stares a lot.

She just stares.

So you just wonder what's going

through her mind.

>> What? What?

I think we're all feeling tense

because anyone could go down

because of their teammate.

So it's not just about one

person anymore.

So it's anybody's game today.

>>

>> You making a giant tutu?

>> Yeah.

>> Awesome.

>> Becky sounded scared when she

said that.

"You're making a black tutu?"

You were in the bottom last

time, right?

>> It's pretty important for me

and Bryce to do well.

We were both in the bottom, and

we both got paired up together.

>> We need to have something

that is a thin line between

costume and fashion.

>> Bryce, I just want to look at

this real quick with you.

This bodice with that is, like,

pretty blah.

And I really feel like that

turquoise as a waistband would--

>> no.

>> Why?

>> Absolutely not.

>> Why not?

>> Dude, it's too much.

>> You really don't think that

looks good?

>> No, I do not.

This is way too much pop.

No, I am not doing the

turquoise.

>> Okay.

>> Bryce is taking over all the

control, so I'm feeling like I

can't have any input because

he'll probably bite my head off.

>> Just get the bodice done

first, and then we'll worry

about this stuff later.

>> Okay.

>> I think he trusts me with

the style that I'm doing.

>> Yeah. Yeah, yeah.

>> Working with Josh is actually

surprisingly really smooth.

>> Was this a team challenge?

>>

>> 'Cause I'm working alone.

>> No, where is she?

>> It's fine.

It's quiet over here.

>> Ooh, drama on 34th street.

>> So a couple hours into this

challenge, Anthony's been trying

to make this cage that we had a

great idea for.

>> This is literally gonna take

hours.

I mean, what do you think

about that?

>> 'Cause if you think this

isn't working, we can't spend

any time on it.

>> This isn't gonna work.

>> Okay. Problem solved.

>> We need to scratch it and

move forward.

>> So it might just look

awesome, because then we have to

put the pants everywhere.

>> All the layers, yeah.

>> Kimberly, what do you think?

I have a collar on here.

>> Uh...

>> I think it's not too

Star Trek-y, it's, uh--

>> I think we definitely need

something here.

You know, everybody's going big

and elaborate; We gotta--

>> get some sparkle.

>> We gotta get something.

>> Kimberly and I are getting

along fine.

But I wasn't gonna let her

put gold lame on that thing.

Sorry. Gross.

>>

>> I just want to make sure

that...I'm, like, cutting it on

the right grain.

I feel like I am, though.

>> Well, you should be matching

it, sweetheart.

Any piece of fabric, you have

threads that are going this way

and threads that are going this

way.

So you should have your grain

on your drape.

>> Right, yeah.

>> It's really important to line

up your fabric on grain, meaning

grain line that matches up with

this thread.

If it doesn't, then it can skew

the whole thing.

>> Yeah, you need to be careful.

'Cause it's--if it gets off

grain, you're screwed.

>> Okay.

>> I just got out of school, so

it's all fresh in my head.

Did you ever go to school?

>> No.

>> You never went to school?

>> Hm-mmm.

>> Oh.

Fallene has no training.

She is self-taught.

And I'm worried about that.

>> I feel like I have to confirm

everything with you right now,

because I'm totally lost.

>> No, if it makes you feel

good, I don't mind being

comforting.

>> I just could not see the

grain line on that fabric.

Oh, God.

I'm glad we have a good

relationship, Bryce.

>> She didn't know how

to cut it on-grain.

>> What?

>> On grain.

>> So did she, like, take the

fabric and was like, "wah!"

>> It's just a difference of

being self-taught and going

to school.

>> She's trying, but...

>> Right.

>> I've been turning into the

boss.

>> Which then will put a lot of

responsibility on your

shoulders, though.

'Cause then, at the end, if it

comes down to they still didn't

like it, then they're like,

"Well, who led?"

It's hard.

>> Hello, designers!

>> All: Hi, Tim.

>> Joshua and Julie.

>> Hi, Tim.

>> How are you all?

>> We're definitely helping each

other out, and I think our

styles will collide.

>> Collide...Or converge?

>> Both: Converge.

>> Okay.

>> I think we'll...

>> They've collided a little

bit, but...

>> We're gonna go for this

little Spanish feel.

>> She's a bullfighter?

>> Both: Yes.

>> Ole!

>> Pshew!

>> Julie has been working on

that jacket forever.

>> But it's cute.

>> Look at this beautiful...

>> We found this great fabric.

And I think it's gonna create

like a great--

>> I think it's smashing.

Smashing.

>> I love Joshua M's pants.

It reminds me of Beetlejuice.

>> Carry on.

>> Appreciate it.

>> Cecelia and Danielle, how are

you doing?

>> Good.

We're doing sort of a tailored

blouse with a teal chiffon with

a big, huge, billowy sleeve.

>> Okay.

>> And these are our fabrics.

We're using a lot of materials

that we both like.

>> So when she walks, you know,

these sleeves will billow back.

And it's all about movement.

>> Yeah.

>> Well, it's all about the

proportion of the bottom

garment to the top garment.

And it just needs--needs to

work.

>> The proportions are so

different, we are unfamiliar

with how this look will fit.

>> Viktor and Bert.

Talk to me.

>> I guess we wanted to start

with a bodice and do something

very tight.

And also, a little bit of

structure, just to create the

drama.

>> Drama's important.

But this isn't intended to be a

costume.

>> No, no. No.

>> Good Lord.

That thing is ghastly.

>> I think he was thinking of

doing it this way, and I was

thinking of doing it the other

way.

>> I wanted to do a contemporary

look, and he was at, "Well, I

really think we should do this."

And I had some other ideas, and,

no, this is what we have to do.

>> No, that's not true.

Whenever I suggest, "that

doesn't work; Maybe we could do

something like this," and

automatically, he goes, "That's

not gonna work.

This won't work."

So right now, I'm in the point

where I'm just kind of trying to

get it done.

>> Well, getting it done is

important.

>> Yeah, and I'm trying--

>> and you can't do that if you

walk away and walk out of the

room when someone doesn't agree

with you.

>> Coming up on

Project Runway...

>> Are you worried?

It's nerve-racking, because

this thing might fall apart.

>> No, no, like this.

I mean, this is up

because I listened to you.

>> Fallene, you need to own this

look.

>> I'm just kind of trying to

get it done.

>> Well, getting it done is

important.

>> Yeah, and I'm trying to--

>> and you can't do that if you

walk away and walk out of the

room when someone doesn't agree

with you.

>> Can I tell you what concerns

me about our conversation?

I don't think I've heard either

of you say "We."

This has to be a "We."

>> Yeah.

>> It needs to be.

>> Yeah.

>> Well, earlier, he said,

"This is your design," and I

said, "No, it's not."

>> No, I didn't say that.

>> You did.

>> Whatever you're going to do,

you need to do it now.

Laura and Anthony Ryan.

Wow, color.

>> Red.

>> Red.

When you said "Paris," that's

the big key word, that did it

for me, having that dramatic

feel to it.

>> These shoulder pads are very

on trend for fall.

>> We're making the skirt out of

this.

Then we're lining it with the

charmeuse that we made these out

of, so I'm--

>> and you feel you can control

this well enough?

>> Yeah.

>> Okay.

I mean, if you can pull this

off, I think it's a wow moment.

>> That's what we want to

hear, right?

>> Yeah.

Becky and Kimberly.

>> Becky kind of thought of

military, and I kind of was like

punk, which the model was

totally for and about.

>> And she has a tattoo on her

collarbone.

>> Mm-hmm.

>> And so we went with a

one-shoulder so we could see

this great tattoo over here.

>> Oh.

>> I just made the green sleeve

and now I'm gonna make one in

the stripe to see which one we

like better.

>> I'm hoping that this works in

the stripe.

>> Yeah.

>> You've worked well together?

>> Yeah.

She makes good pants, I make

good jackets.

We divide and conquer.

>> Great. Thank you.

>> Thanks, Tim.

>> I feel like I have a black

cloud over me.

>> Fallene, you need to own this

look.

How are you feeling?

>> I--I'm good.

I'm--

>> you are?

>> I'm just worried it's getting

too big.

Heidi said, "Go big."

I was gonna keep going.

This is my gut telling me to

stop.

>> You listen to your gut,

both of you.

>> Yeah.

>> Yeah.

>> What is this textile being

used for?

>> Um, so this is gonna be the

bodice.

I liked the polka dot because I

felt that it gave some color and

some pop, which is me.

>> Right now, I really want

Fallene to get this bodice done

so that we can worry about the

pants.

>> Okay, go. Go, go, go.

>> Thank you.

>> Anya and Olivier.

I'd love to hear what you're

doing.

>> Well, the idea was, uh,

because Olivier's really

menswear and I do womens wear,

we have this polar opposite way

of working and way of seeing

things.

>> I think this makes you a

great team.

>> Yeah, and so it's gonna have

this tight feeling of, like,

things holding her.

>> Uh-huh.

>> And this going on top of

this.

>> I'll be blunt.

I think it's unexpected.

>> Tim seems a little thrown off

by our fabric selections.

Maybe he just doesn't know how

to say, "I don't like it."

>> Bye, everybody.

Bye, Tim.

>> Have a good night.

>> Thanks.

>> You too.

>> Bertzilla.

>> Bertzilla, you said?

>> Yeah.

>> Is that my new name?

>> I'm gonna cut this so it

won't be boggy.

>> Yeah, yeah, cool.

>> Unless you want that.

>> No, it's cool.

Beautiful.

>> Tim did mention all he heard

was "I, I, I," which is true,

but I am willing to just start

again, like, leave that behind

and enjoy the moment.

>> Because of that, this is

taking forever.

I'm sorry.

>> Just get it done.

>> I will.

>> I think Bryce and Fallene are

in trouble because even though

they have this great, voluminous

tutu that's really impressive

looking, there's nothing else

that they have.

And I know Fallene's having

trouble getting the bodice done.

>> Is it almost done?

>> It's done, but what else do

we need to sew?

>> The cincher that I was gonna

have you do, it's basically

here's the two pieces together.

I'm showing Julie a quick and

effective way to get a ruching

effect for the waistband.

Leave these two ends open and

stitch this one side down.

And then you're gonna have to

grab this.

>> Oh, yeah, yeah.

>> Bring it all the way over to

here, and then it's all gonna

shrink into itself and it's just

gonna make, like, a great cover

belt.

Perfect.

>> I'm in such bad shape with

this.

We don't have time.

>> No, go like this, go like

this.

Here. Go just like--

>> no, no.

>> Like this.

>> I made this is ed up

because I listened to you.

No, I really don't care about

anymore.

I'll make interfacing.

I'm sorry.

>> It is what it is, Danielle.

>> At the end of the night, I'm

already concerned because it's

a one-day challenge and chiffon

takes double the time.

>> Hello.

>> This is so weird.

>> How do you put pants on?

>> Pants first, then stilts.

>> I've never, like--

>> never hemmed a giant before.

>> I think it's beautiful.

It's like Alice in Wonderland.

>> This is a fantasy.

It's not a costume, okay?

That's the word.

It's fantasy.

>> How long do we have?

Ten minutes?

>> Why are you worried?

>> Well, I want to see it come

together.

>> Now it looks like a mess.

>> Yeah.

>> Oh, my God.

It's gonna come out okay.

>> Do you have a bodice to fit

on her?

>> Yeah.

>> Oh, good.

>> Hold that and, like...

Is it?

I'll re-cut it.

I know, it's--it's looking

weird.

>> It's off-grain.

>> It's looking weird.

>> .

>> Okay.

Once I put the bodice onto her,

I thinking, oh, why is this all

wonky?

And didn't even realize that I

didn't cut it on-grain.

I just feel like I can't do

simple things right now 'cause

I'm, like, so tired and on edge.

>> When Fallene cuts the bodice

off-grain, it's a big deal, and

you have to immediately re-cut.

I'm worried that she won't have

enough time to do something like

that.

I just--I don't know how this is

gonna go.

>> See you tomorrow.

>> Ciao.

>> Bye.

>> It looks okay.

Actually, this looks nice.

I'm sorry, I don't mean to snap

at you, it's just there is no

time for getting fancy at this

point.

>> Oh, Bryce.

What happened to me today?

This is really bad.

>> I have a feeling we're gonna

be in the bottom two or the

bottom three.

>> It just--it's just really

disappointing.

I let Bryce down 'cause I just

could not finish my garment, so

it's...

I'm sorry.

>> It's okay.

>> It's really gonna look bad

for you.

I'm so sorry.

>> All right, guys, let's move.

>> Are you excited for today?

>> I'm wondering where we're

going.

That's the exciting part.

>> I think our outfit looks

good.

>> I think it looks very, very

good.

>> It's--it's definitely what

you and I put together.

>> I think now I'm okay with it.

Yesterday, I was a little bit

hoping for a thunderstorm.

>> Everyone was intense

yesterday.

Some people here, they can whip

up so fast, you know?

Like, I feel like I'm not at

that level to do that.

>> Do the best you can.

Just do the best you can.

>> I wish I had my soul right

now.

I feel like I'm kind of--

>> well, maybe you'll find it in

the workroom today.

Maybe it's sitting under a

table just waiting for you.

All right.

>> Later.

>> Let's go.

>> Well, since we finished on

time, we can chill.

>> Maybe glue some of the fabric

from here?

>> Sure.

>> I'm gonna figure out whether

or not we can do, like, a tube

top or something like that.

>> We still have a lot of this

left.

>> I'm nervous about what people

are gonna think.

The bodice is cut off-grain, so

it's a mess.

We could send it down but I feel

like it's too bad.

>> Bryce decides last minute to

just put together a tube top,

and I just let him take over at

that point.

>> Fallene is sweet.

Bryce really pushed her around a

bit.

He's very sort of a bossy kid.

>> Oh, you changed the top?

>> It was not cut on-grain.

>> Oh, right.

>> Like, it looked like it was

melting or something awful.

>> I think that looks--that'll

look nice.

>> Yeah.

Okay, we're done talking about

it.

It needs to be sewn, because

this jacket has taken you over

12 hours and--

>> it looks great.

>> Oh, Julie.

>> Oh!

>> Oh, Julie.

>> Did you--did you--did you

manage to stitch some of the

shoulder last night?

>> No, it was so tight to the

mannequin.

I didn't have time to sew

everything perfectly.

It's nerve-racking because I'm

worried that this thing might

fall apart.

>> Good morning, designers.

>> Good morning.

>> This is going to be a hugely

jam-packed morning.

In an hour and a half, we are

leaving the workroom for our

outdoor runway.

>> It hasn't been done on the

show before, and to be a part of

the first public runway makes me

completely speechless.

>> I feel like I'm running

around with my head cut off,

'cause I don't think that I'm

gonna have enough time to sew up

a new top.

>> Coming up on project

runway...

>> The hair looks like a

pumpkin.

>> I know we both don't think

this is our best work.

>> We're headed to our first

outdoor runway ever.

>> I'm sort of freaking out.

>> No, you're gonna be fine.

>> I don't think there's any

making this attractive.

Son of a bitch.

>> Bryce is completely stressed

out, and I felt bad but after

seeing what he's producing, I'm

sort of freaking out.

>> I don't know.

Maybe I should put the zip in.

>> I don't feel that's right.

I don't know.

>> I'm just--I'm honestly so

frustrated right now.

I mean, I know we both don't

think this is our best work.

>> Like, if we just add, like, a

couple little--

>> for your jacket.

>> It's major.

>> If Josh wants to bedazzle,

I'm gonna let him do it.

>>

>> We have a lot more to do--

all the finishing work on the

skirt and then attach it to the

bodice.

I'm just hoping we have enough

time.

>> I knew I wanted to create a

headpiece, knowing that this is

a team effort and I didn't

create anything.

And so I got the red feathers.

I broke 'em up with some of the

fabric to kind of bring

something interesting to this

garment.

>> It's beautiful.

It's really stunning.

>> This is the Josh side.

>> And you sewed it beautifully.

It's sewn beautifully.

With Julie, I knew it could go

one of two ways--completely

horrible or amazing between both

of us, and I think that we're

gonna do something that might

shock a lot of people.

>> Designers, I am sending in

your models.

You will have an hour to send

your models to the L'Oreal Paris

makeup room and the Garnier hair

studio.

The Piperlime wall, of course,

is important here.

I'm being very strict about the

schedule this morning because we

have a curtain call, everyone.

>> Right.

>> All right?

Thank you.

>> Make it just a tad bit

tighter.

>> Josh, you want to do makeup?

I think you're gonna be better

at that than I will.

>> I'll wager you that.

>>

>> A really red, rich lip.

I don't know, maybe a little bit

whiter face.

I don't want it to look Asian,

though.

>> We're not going to kabuki.

>> Yeah, I don't want kabuki.

>> This is the color of our

dress.

>> Just a dusting of your--

>> just a dusting of this, yeah.

>> Smoky eye is looking awesome.

>> The only red I can think of

is frosty and futuristic.

>> Otherwise, it's gonna be a

white lip, white lashes.

>> Got it.

>> Great.

>> Thanks so much.

>> Thank you.

>> This is our illustration.

It's kind of a romantic matador.

>> Like a finger wave kind of

look?

>> Yeah, yeah.

>> That's good, thank you.

>> A big roll in the front.

>> You don't want it to be

mohawky.

>> Not retro.

>> Not retro?

>> Futuristic.

>> I would love it if it was

pulled back.

Not a ponytail, but--

>> a phony tail.

>> We sort of want to do

royalty.

>> What era royalty?

'Cause there's a whole bunch of

royalty.

>> Yeah, um, up and off to the

side a little bit?

So very dramatic.

Do you think you've got it?

>> It's kind of vague, but

we'll--we'll kind of work with

it.

>> I'm so tired.

>> Oh, no.

>> That's not what they want.

>> Thanks for that.

>> The hair looks like a huge

pumpkin on her head.

There was nothing we could do at

this point because we had to

walk out of there.

>> Designers and models, let's

go.

We're headed to our first

outdoor runway ever and we're

gonna have a blast.

>> I'm not excited for the

runway show.

No, I'm terrified.

I'm thinking, like, that I could

have made this work but instead

I just let him take over and

we're in trouble.

>> Here we go.

>> Where's my big leopard bag?

>> Thank you, Tim.

>> Ooh!

>> We have this huge event,

bigger than actually I think any

of us really thought it was

going to be, and it's all taking

place in battery park.

It still does not feel real.

>> I have to say that if I had

to have my show out in the

middle of New York Harbor, I'd

be a little nervous.

>> I'm just overjoyed by this,

being outdoors as well as all

the press and it being the first

time this has ever happened,

everything is just exhilarating.

>> And right down here.

>> Behind the stage at the

runway show, it's just madness.

>> Backstage, I'm panicked.

After seeing all the fans and

press and seeing my garment, I

just fell apart.

>> I'm disappointed that I

didn't make anything.

>> But listen, it's a

collaboration between the two of

you and you're responsible for

the entire look.

We do the best we can under the

conditions.

We do the best we can, all

right?

>> I feel like I'm not even a

designer right now.

I'm just, like, really

disappointed.

>> Don't be.

No, you're gonna be fine.

>> Coming up on Project

Runway...

>> It's so unbelievably tacky.

>> It looks like a bad costume.

>> And then the hair is crazy!

>> We still have to know,

though, who is responsible for

this mess.

>> Hi, everybody.

It's been my dream to do this

show once outside in front of

all of our fans.

Thank you very much for coming,

everybody.

This is our first Project Runway

live show outside, and we're

very excited.

These are all of our new

designers.

Welcome.

Our judges--fashion designer

Michael Kors.

And of course the lovely Nina

Garcia.

And our guest judge today, Kim

Kardashian.

Welcome.

Okay, everybody, enjoy the show.

>> I feel really proud to be

seeing my garment on my model.

It's just a surreal moment for

me, and I hope that it's the

first of many to come.

>> She looks like a bedazzled

Spanish matador.

I mean, yeah, it was a

little showy, but I thought it

was appropriate for the event.

>> It's big and dramatic, but

the stilt models really freak me

out.

They look like aliens or

something.

>> I have a feeling of regret

that I was encumbered with

Viktor.

If I'd been by myself, my design

would have been amazing in this

setting, and I believe it would

have been a knockout.

>> I'm excited but also worried,

because I wasn't so confident in

what we had done.

Had we finished that bodice, we

would have had a really cute

look.

Now I'm just kind of worried

about it.

>> I'm thinking, it's amateur

hour.

We both feel that we are gonna

be on the chopping block.

I'm, like, super emotional right

now.

>> My model was a little awkward

in her walking.

It's just really strange, but

she was wearing borrowed stilts.

Maybe that had something to do

with it.

>> I'm very pleased with our

look and I think it will go over

really well.

The only think I would change is

the pointed collar that Becky

put on the shoulder pad.

I told her that it was too Star

Trek looking, but I think we

fulfilled the challenge.

>> I think it's a very cool

garment, but if we could have

speeded things up, we probably

could have done a better job.

>> I'm pleased that it looks

beautiful but I really feel that

this could have been super

dynamic.

Regardless of how simple the

dress is, it's still a pretty

sight.

>> I'm thinking, like, this is

beautiful.

The pants and the top fit

perfectly, and they're flowing

beautifully.

But then, when you get up to the

hair, we were like, uh-oh.

>> She looks great.

You couldn't see any

resemblance of a stilt in there,

and I was afraid of that.

But I know that they are gonna

hit me hard with the

hairstyling.

It's just traumatic.

>> I really think that Anthony

and I have a really good chance

in having the winning design.

It's chic, it's Parisian

couture, just like Tim said, but

yet it's got drama involved.

The charmeuse skirt is flying,

the pants look beautiful and

full.

It's just perfect.

>> I'm super proud of just what

Laura and I have accomplished.

Ours is definitely the wow

dress.

I'm amazed at how the fabric

just went.

It's just phenomenal.

>> Did you enjoy showing off

your work to a live audience

today?

>> Very much.

>> We expected to see

show-stopping garments today,

and we were very impressed by

some of your designs, but others

didn't do as well as we

expected.

The winner of this challenge

will receive immunity and cannot

be eliminated for next week.

Olivier, you won the last

challenge, so today you cannot

be eliminated.

We scored your designs as they

came down the runway.

One of you will be named the

winner and one of you will be

out.

Olivier, Anya, your scores have

qualified you to move on to the

next challenge.

You can leave the runway.

>> Thank you.

Anthony, Laura, Danielle,

Cecilia, Kimberly, Becky, your

teams had the highest scores.

>> Yes.

>> Joshua and Julie, Bert and

Viktor, Fallene and Bryce, your

teams had the lowest scores.

We're going to talk to the team

with the highest scores first

and then we'll bring you back

out.

You can leave the runway.

>> It was a mess.

It really was a mess, I'm sorry

to say this.

I feel like ours is--they're

gonna say harsh things.

>> Well, here's the funny thing.

If you look at it, costume,

costume, costume.

>> Yeah.

>> Who's on the runway?

Ready to wear, ready to wear,

ready to wear.

>> It just feels very horrible,

the wait, like somebody punched

you in the stomach and threw you

down on the stage.

>> Anthony, Laura, tell us about

your look.

>> We decided on the color red.

You know, we wanted a wow.

Carla was gonna just, when she

walked out, it was like, whoa.

>> I liked it a lot.

I think it was dramatic enough.

I loved all those little pieces.

You know, you can always tell

when designers do that,

it means so much work.

I guess most people probably

think it's just, like, thrown on

there and glued together.

>> I did not hand-sew any of

that.

It is all with a hot glue gun.

>> Scrap what I said before.

>> Well...

>> I loved this look.

I love that color.

I love the detailing of the

little black belt.

This looked so elegant, not

costumey at all.

It looks amazing.

>> I really like this.

I thought it was very beautiful,

the way it flowed and the way

the wind made it move was

beautiful.

My only worry--and Anthony,

we've had this on two occasions

with you--is it's a little

referential to me.

It looks like something that

I've seen, so please try to be

original when you design.

But other than that, it is

absolutely beautiful.

>> I think the trickiest thing

to do is, if you scaled it down

and she wasn't on stilts, would

it still be fabulous?

And I think it would still be

fabulous.

>> But who takes more

responsibility for this gorgeous

look?

>> Well, I told her before we

got here, I was like, if we get

up there, I want you to take it.

>> That's nice.

All right, Danielle, Cecilia,

tell us about your look.

>> It reflects very much what we

do.

Uh, we wanted to create

elegance.

>> So, who did what exactly?

>> When we saw the stiltwalkers,

I instantly thought of doing a

huge sleeve, so I was really

married to the blouse idea and

then Cecilia came up with the

pants.

>> I like this look.

I like the blouse.

I like the color combination.

I like the brown pants and I

like the way you constructed

them.

I like the sheerness, that you

can see through.

I think that's very nice.

What ruins it for me is her

head.

>> The hair is crazy!

I mean, my God!

>> I love this look.

I think this is so chic, and I

love bling, and I do love that

detailing, and I think the thing

that stood out to me the most

was just that color, I think, is

so rich.

>> Thank you.

>> Thank you, Kim.

>> It's a very pretty outfit.

>> I thought you picked a

beautiful fabric, but it's about

drama, and it's too quiet.

>> Listen, you picked the

trickiest fabric in the world.

I mean, chiffon, and to do it

impeccably is--it takes so much

time.

>> We were very comfortable

using chiffon, which everybody

thought it was a bit crazy,

given the restraint on time.

>> Mm-hmm.

>> And it was actually a crazy

idea.

>> Because you can do a chiffon

pant like that and make someone

just look like a mess, and she

doesn't.

>> Kimberly and Becky, tell us

about your look.

>> We knew instantly when we got

our model that we wanted to do

something edgy.

We wanted to play on each

other's strengths.

So she's strong in jackets.

I like structure, so I wanted to

do a tailored pant.

>> I was very impressed when I

saw this outfit.

You tailored the pants and it

still is a showstopper because

it is so sharp, because it is

almost perfect.

>> Thank you.

>> I think you guys are kick-ass

tailors.

I mean, you really cut a mean

pant.

>> Thank you.

>> Thanks.

>> Thank you.

>> It'll make every woman who

wants to wear it want to get

that tattoo.

You need the tattoo.

>> I love the pants.

>> Oh, thank you.

>> Love the pants.

My only detail that I feel could

have been edited is that

half-collar.

It just looks a little circusy.

But all in all, it was one of my

favorite looks too.

>> Thank you.

>> Now we're going to talk to

the designers with the lower

scores.

Thank you very much.

You can leave the runway.

Bert, Viktor, tell us about your

look.

>> I chose the bottom part

'cause I wanted it to be a

little bit more modern and thin.

And Bert chose the top part.

We did--had our little

struggles, and we did--had

miscommunications and things

like that.

>> To me, it's like the

wallpaper and curtains at a

really tacky catering hall.

>> Mm-hmm.

>> I hate that dust ruffle of

gold on the top of it.

It's just, it's really old.

>> It's almost like in the movie

The Sound of Music, when they

took the drapes off and made

their clothes, but like Marie

Antoinette days.

It really does look like

curtains.

>> I think it looks like a bad

costume.

It's terrible.

>> I don't believe that this was

what I wanted to present.

>> So you think it's his

responsibility.

>> I didn't create this.

>> Okay.

Viktor, what do you think?

>> I own it.

I think we both worked at it at

the end and we finished it and--

>> So when you say, "I own it,"

it means that it was your idea.

>> I mean, I own the work with

him because we both did very

much 50-50.

>> "I own it"?

50-50 is not "I own it."

>> No, like, no, not own it.

I guess I'm being responsible

for it.

>> So that means if this outfit

today is the worst look, you

would be the one to go home?

>> Oh, no.

No, no.

>> Well, then, that's not owning

it.

>> Bert, you're turning slightly

lobster color.

>> Oh, am I? Sorry.

He was very emphatic about, "I

want to do this, we need to do a

Victorian," and I found it

unusual that he wouldn't sketch.

He said, "Well, you sketch it.

You sketch better."

>> Why would you not sketch

something?

>> No, I-I--no, I did sketch.

>> No, you told me, "Bert, you

sketch, you sketch."

>> It's in my HP computer.

>> It seems like you two had a

lovely day yesterday.

>> Yes.

>> All right, from one strange

look to the next, Fallene and

Bryce, tell us about your

outfit.

>> I had the idea, because we

were working with such long

legs, that we could do a really,

really big, kind of full tulle

skirt and then we were gonna

have cute little details up on

the top.

>> But literally, you gave her a

Black Swan.

>> Yeah.

>> I don't get it.

>> This has no effort put into

it.

It does look like just a tank

top that I wear to bed and it

looks like a tie wrapped around

the waist a couple times.

This just looks like you could

have done this in 15 minutes.

>> You know, I think the idea

had so much promise.

However, there's nothing.

There's no detail.

It's just the beginning of

something.

>> It's--it's--like you said,

it's, like, half done.

>> So it's like none done, then.

>> Yeah.

>> I love her headpiece.

I think the headpiece is nice.

>> Well, I'm so glad I made

something.

>> I think the headpiece is

great.

Listen, to me, it's like she's

got every dance reference and it

ends up just looking like

nothing because they don't meld.

>> So Bryce, if this was the

worst look, who do you think

should go home?

>> Um, I think both of us.

I think that--I think this was a

team effort.

>> Unfortunately, it would be

only one.

>> I think I should be able to

stay.

I did my best.

>> I would say myself.

>> I would say Fallene.

>> Josh, Julie, tell us about

your look.

>> Well, I came up with the

concepts.

>> And the concept was circus?

>> No, it was matador.

>> Ole, ole, ole!

I mean, guys, you know, drama

doesn't mean tacky.

>> Spanish matador, you can be

inspired by that, you know, and

that could be really chic.

You know, we've seen it.

>> I just think it's yet another

Halloween costume.

It's the weirdest hybrid I've

ever heard of.

>> And she's got these tiny arms

and these extremely long legs.

It gives her a very bizarre--

when she walked out, I was like,

huh.

Forget the matador, circus, and

all that.

>> The only positive thing that

I could say about this outfit

is, it looks well made.

>> I agree.

>> I mean, it is sharp.

That it is, definitely.

So if we decide that this is the

worst look for today, who should

go home?

>> Well, it was my idea, and I'm

not gonna throw Josh under the

bus.

>> What do you think, Josh?

>> I would hope not to go home,

and I would not choose myself.

>> So you're saying you would

choose Julie.

>> Yes, I would choose Julie.

>> Okay, so we've heard what

you had to say.

We're gonna have a little chat

and then I'll call you back out.

You can leave the runway.

Thank you.

>> Thank you.

>> Let's talk about the designs

and the designers that we did

like today.

Laura and Anthony Ryan.

>> The garment really looked

modern, dramatic, exciting.

>> Well, it was the right choice

of color, it was the right way

to do the pants, and it still

looks like a gown.

>> I thought it was beautiful on

the model wearing stilts, and I

could picture it on a woman

without the stilts.

>> That was pretty.

Then we have Danielle and

Cecilia.

>> I happened to like that

outfit.

I think it's just really chic.

>> And the beading was

beautiful.

>> The plus here is to take that

chiffon and make something that

is finished beautifully.

The chiffon, if you make a

mistake, she's in a rag.

>> Danielle and Cecilia, they

both know how to sew.

>> Oh, yeah.

>> They do.

>> You saw it here.

>> Becky and Kimberly.

>> The simple truth is, they

sent out something impeccably

tailored.

The pants were fantastic.

>> And the proportions were

right.

>> Yes.

>> It also didn't look like two

designers did something and they

stuck it together.

>> But realistically, they had a

very cohesive look.

>> Yeah, I thought that it

looked like it was done by one

person.

>> Me too.

>> Let's talk about the

designers that we didn't like.

Even though it was Julie's idea

to make this circus matador

outfit, I can still see Josh's

bedazzling in there.

>> They're an odd team, when you

think about Julie and Josh.

Julie is, you know, rocky, you

know, mountain woman, and Josh

is like, bedazzle it,

glamorous, and kind of those

two things together ended up

with this insane, very tacky

matador outfit.

>> Yeah.

>> You are a designer.

You're selling design, you're

selling taste.

>> I mean, there was like so

many details, you didn't know

where to look.

It was crazy.

Bryce and Fallene.

>> You get to the Black Swan/Bob

Fosse combo.

I mean, the hat was the only

thing that had any bit of charm

or, I don't know, personality.

>> It looked like two different

eras.

It was like showgirl hat,

ballerina--I--you know, it

didn't go together at all.

>> Yeah.

Dance hall girl, modern dance,

and ballet, all combined.

What if they hadn't had--

>> an inspiration.

There was nothing.

It was a promise of an idea, but

they couldn't deliver anything.

I mean, I'm not defending Bryce,

but I think at least he's got a

little more spunk.

>> But the only thing that we

did like was the hat, and she

made the hat.

>> If the hat wasn't there, you

really would have fallen asleep.

>> Viktor totally threw Bert

under the bus.

He didn't really say it, but he

did.

>> Well, Bert threw Viktor under

the bus too.

>> I just think that Viktor is

full of it, and he just--

>> I do too.

>> You know, I believe Bert when

he says he didn't do a drawing

and all of that stuff.

>> Shouldn't Bert have said,

"You know what?

I think this thing is not

working."

It's ugly drapes.

I mean, they're ugly drapes.

>> Awful fabric.

>> Everything bad in the house

on your body.

>> So we've made our decision?

Okay, let's bring them back out.

Your teams represent the highest

and the lowest scores.

One designer will be the winner

of this challenge and one

designer will be out.

>> Anthony Ryan and Laura, you

two did a great job.

Laura, congratulations.

You're the winner of this

challenge.

That means that you have

immunity next time.

Anthony Ryan, we think that you

also did a great job.

Laura and Anthony Ryan, you can

leave the runway.

>> Thank you.

>> Thank you.

>> Winning is awesome, but it's

also wonderful winning with such

a great partner that was so

gracious.

>> Oh! I knew it.

So who won?

>> I did.

>> Oh! Congratulations.

>> Thank you.

I'm gonna win the next one too.

>> Congratulations.

>> Thank you.

Immunity, yay, but I want to

kick ass.

>> Becky and Kimberly, you're

in.

You can leave the runway.

>> Both: Thank you.

>> Danielle, Cecilia, you're in.

You can leave the runway.

>> Both: Thank you.

>> Josh, Julie, you're in.

You can leave the runway.

>> Thank you very much.

Thank you.

>> Bert, Viktor, you have to

remember that dramatic does not

mean costumey.

Your fabric choice was so very

wrong that almost anything that

you would have done with it

would have been bad.

Bert, you're in.

You can leave the runway.

>> Thank you.

>> Bryce and Fallene, your look

was boring ballerina.

It looked like there was no

effort put into it.

Bryce, you're in.

You can leave the runway.

>>

>> Fallene, Viktor, one of you

will be out.

Fallene, you're out.

Viktor, that means you're in.

You can leave the runway.

>> Thank you.

Thank you, guys.

>> I'm sorry.

>> Thank you so much.

>> Auf wiedersehen.

>> Thanks.

>> All the best to you.

>> Thanks.

>> Bye.

>> I'm happy that I tried this

out.

It's something that I've always

wanted to do and I'm happy and

proud that I made it this far.

Hi, guys.

>> We're here.

>> It's okay, to be honest.

>> You're the sweetest person

ever.

>> It's something that I'm

passionate about, but I kind of

take it to the more playful, fun

side.

>> Hi, everybody.

Hi, Tim.

>> Fallene, we're gonna miss

you.

>>

Not my craziness, I'm sure.

>> No.

>> Aw.

>> Eccentricities.

>> It was fun.

>> So I have to send you to the

workroom to clean up your space.

>> That's cool.

>> Okay?

>> That's cool.

Thank you so much.

>> We're gonna miss you.

>> Thank you, guys.

>> Bye, Fallene.

>> Now you get to hang out with

other people.

>> The workroom's never gonna be

the same.

>> Aw.

>> Bye.

>> Bye.

>> Good luck.

>> Thank you.

Right now, I'm having a

breakdown, but when I get home,

things are gonna be different

and I hope that I do inspire

people to always go with their
heart.

== sync, corrected by elderman ==

>> Next time on Project

Runway...

Oh!

>> So you're designing for me.

>> I am terrified.

>> I'm gonna be very tough on
this.

>> Oh, .

>> You're so very different,

Julie.

>> I know, and I'm just trying

to be normal.

The judges are always giving me

a second chance and I think

I'm running out of chances.

>> Would this ever be an

option for you?

>> No.

>> I could do that in black.

>> No.

It's just looking a little sad.

>> It doesn't look sharp.

>> The fabric is a disaster.

>> The choice of color is very

sad.

>> I mean, it's depressing.

>> Visit Mylifetime.com to learn

more about the fashion you've

seen on tonight's show.