Original subtitles

Hi everybody.

It's Season Nine.

>> We've been interviewing

designers all over the country,

and now our 20 favorites are

coming to New York for Season

Nine of Project Runway.

>> Are we really back here

again?

Ooh, yes, we are.

>> It's cool to be in a city

that's so big compared to

Louisville, Kentucky.

>> I was getting married in

Iceland, and we canceled the

wedding for me to do this.

Project Runway's going to

happen this one time.

And I can fly to Iceland any

time.

>> But we haven't quite decided

who's going to compete yet.

>> This year, we're going to

shake things up a little bit.

Project Runway 9x01 Come As You Are Original Air Date on July 28, 2011

We have invited 20 designers to

show us their best work.

>> But before they can move

forward, they have to prove

themselves to the toughest

judges of all.

Michael Kors, Nina Garcia,

Heidi Klum, and me.

== sync, corrected by elderman ==

16 of the designers will be in.

>> So four are going home before

it even starts.

'Cause we're a little bit mean

that way.

>> I didn't come here just to go

home.

I will be 1 of those 16.

>> The competition starts now.

>> This is Project Runway.

>> So we've gathered here to

meet with the judges one last

time before they decide who

makes it into the top 16 for the

show.

>> The funnest part, actually,

is like sizing each other up and

seeing what people pull out of

their garment bags.

>> Is there something I'm

missing?

Turn this sucker, turn that

sucker.

>> How many blondes does it take

to turn on an iron?

Totally kidding--I'm blonde

under here, I promise.

>> You are?

>> Yeah.

>> I'm feeling old, looking

around the room.

>> That thing sold like crazy.

>> There's a lot of really,

really dedicated, hard-working

people in this room.

I can tell.

>> Do you--do you do any dyeing?

>> Usually I have someone dye

for me, but--

>> I firmly believe good people

confer good things.

>> But until you believe in

yourself--

>> it's very true.

>> You won't go anywhere.

>> This is exciting.

Let's look at the first

designer.

Hi.

>>

I'm so excited!

>> Let's take a look.

>> Yes.

These are my pants.

They're my super-duper new

favorite.

>> They look great.

>> So who's your customer?

>> She's urban, but she likes to

be glammed up.

You know, whether she's going to

the grocery or, you know, like

I work out in a sequined tank

top.

>> I love a girl who works out

in a sequined tank top.

I hope you're working out in

that purple satin shoe.

>>

>> I just want to get through

this, and then I want to start

making clothes.

>> So who is wearing all those

feathers?

>> Somebody that wants to walk

into a room and everybody turns

and looks at them.

>> Can I try it on?

>> The fact that Heidi put on my

cape...

>> Hi.

>> And walked around in it was

kind of awesome, because oh, my

God, a supermodel is wearing my

clothes.

>> I like it.

>> Thank you.

>> In 2008, I went to the

Miss Universe Pageant as

Miss Trinidad and Tobago.

And I got to design some of my

clothes for the pageant.

And that's when I really

discovered my passion for

designing clothes.

And I decided to develop my own

clothing line.

It was actually worn to the

B.E.T. Awards last year, um...

>> That's pretty.

>> I really like it.

>> And I--this is part of a

collection I did that was

military inspired.

>> And you made these for--

>> yeah.

>> When did you learn how to

sew?

>> Actually, when I applied for

this.

>> So you just learned how to

sew?

>> Anya, you--you did sew all of

these clothes, right?

>> This is the only one I

didn't.

>> That's the only one you

didn't.

But everything else, you did do?

>> Yes, I do learn very quickly.

>> Yeah, Tim, I--

>> I'm baffled.

>>

>> So that is four months ago.

>> I am too.

>> You learned how to sew four

months ago.

>> Let me see that.

Do you use a Merrow machine this

perfectly at all?

>> I mean, I-I hate challenging

your credibility here, but this

is masterful sewing.

>> I mean, especially the black

one.

I mean, the black one is so--

>> I mean, I'll tell you,

honestly, I had a lot of help,

okay?

>> But you're not going to have

any help on Project Runway.

>> Yeah.

>> I'm horrified.

>> What are you horrified by,

Tim?

>> You are handicapped, in a

manner of speaking, by not

having the sewing skills to

execute the work.

>> Or she might be really good.

She might be one of those people

that just--

>> you will just have to be

very, very creative.

>> Maybe.

>> I think we should give her

the chance.

>> That's it, we're not saying--

>> it's just that you're going

to have to be very creative in

using all of the strengths that

you have--

>> thank you very much, Anya.

>> Thank you.

>> I'm gonna try to convince

them; Let's see what happens.

>> Thank you, Heidi.

>> What are we gonna do?

>> It's not gonna happen.

>> I don't know how you feel.

I would like to wave her

through.

>> She's not even going to be

able to make the simple--

>> we will know in one

challenge!

>> You're gonna know

immediately.

>> I think we should put her to

the test.

>> So here's the inside.

>> It's very, very nicely done.

>> Yeah.

>> And when I style them and put

them in the photo shoot, this

was the accessories.

>> These are the women's pieces

I made.

>> Okay.

They're very chic.

>> Yeah, I love the little...

Boob window.

>> The boob window.

>> You could be the designer and

the model.

>> Oh, thank you.

>> Did you model a little bit?

>> No, I'm too short and ugly.

>> Can we see more?

>> Um, yeah, so different--

>> I don't even want to see

more.

I think that you're fabulous.

>> Oh...

>> I do.

I love the clothes.

>> I think the plastic--

>> I love you.

I love your accent.

>> Thank you.

>> You're cute on top of it.

>> You did a good job.

>> Josh.

>> ♪ Joshua, come and show us ♪

♪ what you've got ♪

>> I am so excited to--to meet

these people for the first time.

Um, I do mostly menswear, and I

guess you can kind of see the

tailoring.

But this is like my crowning

achievement of, like, structural

making.

>> Do you support yourself by

being a designer?

>> I do.

I got to a point recently where

I was like, well, I guess I

would rather be poor and hungry

than go back to my previous

career.

>> Which was?

>> Banking.

I did that for about six years.

>> This goes on one side, and

then another arm comes out over

here.

>> Who says people from the

Midwest don't like color?

>> Right?

>> You're, like, full Florida.

>> I do love color.

But this is almost too much of

an explosion of color, and

it's--

>> well, it's presented as a

kind of collection, so I'm kind

of glad you're saying it's

one-note, because then I'm like,

okay, well, it all goes

together.

>> I'm a little nervous.

Little anxious.

Do you need hangers?

I don't know what's going to

happen, and I just want it to be

over with.

I like to make clothes that are

distinct but wearable.

Um, I was inspired by cocoons

and chrysalises.

This I actually just made last

week, because I wanted to play

with silk gazar.

Never have before.

>> I see everything has the same

shape--

>> well, these are mostly from

the same collection.

>> I just don't know if you can

break out of this...

>> I know it's a little '80s,

but when you pair it with

something, it looks a little bit

more modern and chic.

>> I'm nervous.

But I'm actually curious to see

what they're going to say.

It's called Nomad's Land.

And it's my SCAD collection.

Savannah College of Art and

Design.

Imagine these belts around it.

Like this.

>> You have a passion for

outerwear, clearly.

>> To me, doesn't--there's no

direct separation.

It's all design.

>> Fine.

>> Just different rules.

It's not runway and it's not

outerwear.

It's in between.

And that hasn't happened yet,

and it's time to see some

change.

>> What's your most favorite

piece on your rack?

>> My most favorite piece is

probably my romper.

>> Let's--let's see it.

>> I hate rompers, to be honest.

So I made one that's kind of

like a dress.

>> Can I ask you this?

If you don't like rompers, why

did you make one?

>> Um, well, I was putting

together a line, and rompers

were the big thing.

>> Okay, okay.

'Cause it's on trend.

>> Right.

>> You had to work out how you

would do it.

>> Exactly.

>> She gave herself a challenge.

>> I am proud of what I have

with me, and it represents me as

a designer.

So I'm standing strong behind

it.

>> She had some cute things

there.

I mean, that ruched top, that

scared me a lot.

>> Who's next?

>> Next.

>> So this dress, it's really

cool because I created the

pattern underneath all these

feathers to really contour the

body.

>> So are dresses your--your--

really your love?

>> No, you know, um, I actually

really dig, um, the whole look

of men's apparel for women.

>> Fallene, did you make those

trousers you're wearing?

>> Yeah.

>> They're pretty cool.

>> I thought I'd be more

intimidated than I am, but I'm--

I'm ready to prove it to

everybody that I have what it

takes to be on Project Runway.

>> Show us this first outfit for

the average woman.

>> Okay.

She was the Cancer Center's

ambassador for the 2011 Derby.

>> For the Kentucky Derby?

>> Yes, she wanted a cinderella

dress, and something that was--

that you couldn't walk in

somewhere and just buy.

So I hand-burned every flower on

here.

Hand-cut every detail on it.

>> So what do you think we think

about this dress?

>> It's probably you think it's

a little over-the-top.

And that's okay.

>> I did a completely sheer

line, interested in the

construction of clothing.

>> Why should we put you on

Project Runway?

>> Like, I think I can be a

really good competitor.

I can make anything.

I'm pretty confident in my work

compared to the other designers.

I think I might have a little

bit more experience than other

people.

I haven't seen everyone's work,

but from what I've seen, I think

I'm okay.

>> That's a cool vest.

>> So this is actually really

inspired by the idea of, like,

an upside-down lapel.

>> Do you know who your customer

is?

>> She's definitely someone that

lives her life in confidence.

Kind of neurotic.

Just, white, white gloves.

Like, she's coming into, like,

basically figure out what the

hell happened on the scene here.

>> Okay.

>> This is a tailor's, uh,

shirt.

And I like a lot to play with

folding fabrics.

This is a sheath dress, and it's

really tight to the body.

Really, really good looking.

>> Like, I feel like you're

showing more your sewing skills

than...Showing...

You know, some fashion.

>> I think I didn't make it, to

be quite honest.

They seemed not to understand

what I tried to convey.

>> And actually, this style

jacket is a reference off of

this one.

You can see the same kind of

detailing.

It was kind of surreal to really

be in front of them.

I really wanted to focus in on

my aesthetic.

I really wanted to hone in on

what it was that I like to make

and what it was that I was

offering.

Nina Garcia's pretty hot.

Nina and I are clearly talking

sex with our eyes.

Um, she's really, like, staring

at me.

Like, she's, like, looking at

me like she's thinking something

else.

But yet and still, she knows

nobody else is going to have

this dress in the club.

>> I'm next up in line to

present to the judges.

I'm really excited.

This is a romper.

It's a 4 ply crepe.

It's silk.

I think if you have, like, a

kick-ass pair of heels and,

like, the right hair and makeup,

you could definitely wear that

to a cocktail party.

>> So the work that you brought

with you today, is this work

that is from former collections?

Is it work that is recent?

>> No, it's stuff that I've just

made over the last few years.

And, I think, a few things

really recently.

>> Hi there.

How are you?

>> Hi!

>> My name is Bert.

I'm 102 years old, and I'm from

Los Angeles.

Actually, I'm 57.

I haven't designed for quite a

while.

I just started designing in

1978.

I was fortunate enough to work

with three of America's top

designers, Bill Blass,

Arnold Scaasi, and Halston.

Stopped designing about 1992.

I left pretty much the industry

behind, moved to D.C.

I lost my two closest friends to

AIDS.

My partner of 18 years, John, he

became ill.

And it just was a really rough,

rough time for me emotionally.

And it was during that period

that I used alcohol to change

the way I felt.

This is just a cute little--a

bra top.

And it has a slight a-line

again.

It only go--

shaping is--is created by these

two darts here in the front and

in the back.

I'm sober now about almost three

years.

My life has completely turned

around.

And it's wonderful designing

again.

I love it.

I just know I've got what it

takes.

That's why--that's why I'm here.

>> I like what you do.

But I think in order to really

knock us off our chairs, I think

the volume has to like sometimes

be going a little bit to ten.

I think you just have to be

careful to not be too simple.

>> Hello, Anthony.

>> Hey, how are y'all?

For me, everything's at stake.

I was diagnosed with testicular

cancer in November of 2008.

So I rock one now.

>> Did you make this scarf?

>> No, ma'am.

I just, uh, designed it.

But I had someone else knit it.

>> Can I have it?

>> We've heard that before.

>> I want it.

>> So let's see some of the

clothes.

>> After my recovery with

surgery, I started, um,

chemotherapy.

It's one of those things that

you overcome, but you're never

the same ever again.

>> It's so cute!

>> The next one, uh, it looks

polka dot, but it's a monkey

print.

>> What is that all?

>> It's monkeys.

>> Monkeys?

>> That's funny.

>> Cute.

>> So, you know, I love fun,

quirky, you know.

I'm colorblind, so I like to mix

patterns.

>> You're colorblind?

>> Uh-huh, so I'm all about

patterns and mixing--being

graphic design.

I'm all about texture, you know,

things of that nature.

I'm just happy to be sitting

here.

I'm happy to be doing what I

love.

And, you know, I'm very

passionate about it.

>> Anthony, thank you.

>> Watch out, or that scarf's

going to get stolen.

She's gonna swipe it.

>> I really like that scarf.

>> You know where it is if it's

missing.

>> Thank y'all.

>> Yeah.

I haven't made the show yet.

But I'm feeling pretty good

about it.

I don't know if we should be

celebrating it, but.

>> Let's talk maybe about the

ones that we didn't like so

much, because we'll have to get

rid of four.

>> Everybody's on pins and

needles right now, because

they're gonna let go of four

people.

We're just waiting to find out

who's in and who's out.

You know, keep my fingers

crossed, prayers up.

>> There were some interesting

things, I thought.

>> We're talking about someone

who has no training at all.

>> Yeah, I just--I would hate

to think I flew all the way here

to turn around and go back home.

>> Yeah, that's the worst part.

No taking no for an answer,

ever.

>> The vibe in the room is very

dry, intense, and serious.

I think everyone really is on

edge right now, just because no

one really knows what direction

the judges are gonna go.

>> I'm very scared of this taste

level here.

>> I think this one understands

the business of actually getting

women dressed.

>> We'll find out.

>> It's a very emotional

process.

I really think they are looking

for people who will just, uh,

blow their mind at the first

glance.

But I don't think I accomplished

that.

>> So have we made our decision?

>> Yep.

>> I think I'm good.

>> All right.

>> It's just kind of weird

thinking four of you won't be

here after tonight.

And I'm looking around the room,

thinking, who could it be?

>> All right, it's time to find

out who is in and who is out.

Coming up on Project Runway...

>> Rise and shine, everyone.

>> The hell?

>> We're having a Project Runway

come-as-you-are party.

>> Oh, my God.

>> Make it work.

♪ ♪

>> All right, it's time to find

out who is in and who is out.

>> I'm looking around the room,

and I see fear and panicked

looks of, "oh, God."

This decision has been made.

This is it.

Four people are outta here.

>> It's the beginning of

Project Runway musical chairs.

And when the music stops today,

four of you go home.

>> All right.

Fallene...

Danielle...

Rafael...

Kimberly...

You're in.

Congratulations.

Viktor...

Bryce...

Becky...

Olivier...

Laura....

Anthony...

Julie...

You're in, congratulations.

Joshua McKinley...

You're in.

>> There can be lots of crying.

Trust me.

>> David...

I'm sorry, you're out.

>> Okay.

I'm disappointed.

I don't want to go back to

waiting tables.

I really wanted to do this.

I really thought this would work

out.

Oh, my God.

>> Gunnar...

I'm sorry, you're out.

>> I think that everything

happens for a reason.

You get knocked down, you get

back up again.

There's nothing to worry about

with that.

>> Josh Christensen...

Congratulations, you're in.

>>

>> You can breathe now.

>> Laugh and cry at the same

time.

>> Amanda...

I'm sorry, you're out.

>> I was proud of what I made.

I am good, and...

I will do something with myself.

This just wasn't my time.

But it's okay.

>> Anya...

You're in.

Congratulations.

Bert...

You're in.

>> Thank you.

Thank you.

Thank you.

>> Cecilia and Serena...

One of you will be in, and one

of you will be out.

Serena...

I'm sorry, you're out.

That means Cecilia, you're in.

Congratulations.

>> Of course I'm disappointed.

I postponed my wedding for me to

do this.

I think I deserve to be on the

show.

I still leave, like, feeling

good about myself as a designer.

>> Congratulations.

You are all now officially our

designers of Project Runway.

All right, let's have a little

toast to celebrate the start of

Project Runway Season Nine.

Come on, everybody.

>> I am just so excited to be

able to feel the intensity of

the moment.

It's just--it's just really

exciting.

>> All right, now I'm going to

send all of you off to move into

Project Runway's originally

New York home--original.

Original New York home at the

Atlas, Gotham's luxury apartment

building.

In Manhattan's fashion district.

>> So, everyone.

Unpack and settle in.

Because you never know what's

waiting for you on

Project Runway.

>> Cheers, everybody!

>> Cheers.

Congratulations.

>> Season Nine of

Project Runway!

>> This is exciting, huh?

>> All: Cheers!

♪ ♪

>> Wow, it's pink.

Freaking awesome.

>> It's pink!

It's very, very pink.

I started making Barbie clothes

when I was eight.

My design aesthetic can be

summed up in three words:

Artsy, girly, and edgy.

Whoa.

Swanky-licious.

The edgy comes and goes, but the

blue hair helps.

>> Oh, my ♪ God ♪

The Empire State Building is

right out my window.

Yes, this is a little off the

beaten path for a Mormon.

I've never been to New York

before.

I'm in a strange place.

I don't know these people.

And I will no longer be the

same.

>> I'm going for the back one.

>> Right? Yeah.

>> Yes, be my roomie.

What everyone keeps calling me

is "Barbie."

And I get it, you know.

I kind of have that sort of

look.

That's not really me.

The first initial thing people

want to say when they see me is

"Oh, she looks sweet."

But I've got quite a bite.

I'll cook breakfast.

>> 5:00 a.m., you're gonna be

like--

>> No, I'm a morning person.

>> You're not--

>> I'm Bert.

>> You don't happen to snore, do

you?

>> I don't think so, no.

But you'll find out real fast.

>> I feel like we're in summer

camp.

>> You know, what if you have to

pack it up right away?

>> Don't think that way.

>> Okay, I won't.

>> I'm not packing it up.

>> Good night.

♪ ♪

>> Surprise!

I need you all to wake up right

now.

>> Oh, my God.

>>

>> Rise and shine, everyone.

>> Aah.

>> Rally.

>> Tim! What are you doing here?

That's rude.

Don't come into people's house

unannounced.

>> We're having a Project Runway

come-as-you-are party, everyone.

>> Oh, my God.

>> I want you to grab one sheet

from your bed and meet me

downstairs.

>> Can I at least put a bra on?

>> Come as you are.

>> Holy God!

>> Typically I sleep stark

naked, so let's thank the

heavens that I didn't do that.

>> Laura, come as you are.

No makeup.

>> Can we get Starbucks?

>> They're not open yet.

>> It's just shocking.

>> I'm out in New York with a

head scarf on.

Not good.

>> Here we are.

>> It's very odd.

5:00 in the morning, and you're

passing Bryant Park.

>> We pass Red Lobster.

I'm like yeah, we're going to

Red Lobster, get some cheddar

biscuits.

>> Oh, my God.

Walking through Times Square in

my pjs?

Check.

>> Come on in.

>> We get to Parsons, and I

think, oh, we're really here.

>> Come on in.

Find your space.

>> Oh, my God.

We are in the workroom.

>> It's like, you can feel the

energy of, like, so many people

that's been there before you.

So you're almost like a

continuation of a legacy.

>> Designers, I want to welcome

you to the workroom at Parsons

the New School for Design.

Next door, we have our Brother

sewing room, which is fully

outfitted with Brother sewing

machines.

You each have an HP tablet, and

the HP and Intel technology is a

vital and critical resource for

your creativity.

So use it.

Now, you may be wondering why I

brought you here in your pajamas

at the crack of dawn.

>> Yes.

>> What you are wearing and the

one sheet that you brought are

the materials for this

challenge.

All right?

>> Holy .

Like, what am I going to do?

>> I barely have anything to

work with.

Plus, this is, like, old and

pilling.

>> I mean, this is what it's all

about.

Making something from nothing.

>> What you see on your table

are what you can wear, because

you're going to have to take the

clothes you're wearing off.

In the designer's lounge, we

have closures for you.

We have dyes and dyeing bins.

So you can manipulate these

things.

Now, it's your first challenge.

This is your opportunity to

really wow them.

You have until 10:00 tonight.

You will sketch, and then just

dive into your challenge.

>> Thank you, Tim.

>> Thank you, Tim.

>> Make it work.

>> You want to get noticed right

away.

So I'm going for it.

That's why I came here.

I'm not coming in tip-toeing,

I'm coming in stomping.

>> I like these things.

Sketching is really fast.

>> What I'm wearing is obviously

not that classy.

But I do have a lot to work

with.

A top, a jacket, and some

shorts.

>> I love, I love.

>> As soon as I found out about

the challenge, I knew right away

that I wanted to use the puking

clown.

I have to.

That's like totally my

personality.

>> I think I'm in phenomenal

shape.

Who else is wearing satin

pajamas with lace?

Good thing that I'm glam, and

that I like to wear this kind of

stuff to bed.

>> Laura has an amazing

negligee.

But I don't know if she's going

to have the skills to work with

the silks and the laces.

>> I'm gonna make this cute

little one-shouldered dress

using the boxer shorts as the

bodice.

The judges said my clothes were

a little too subdued, a little

too quiet.

But that's why I wanted to do

Project Runway, to get me a

little bit more, uh,

experimental.

♪ ♪

>> Work.

>> May God be with me.

I don't know what I'm doing.

This looks like maroon, not red.

>> I can see a little bit of

panic in some people's faces.

Cecilia's freaking out about her

fabric dyeing.

>> Ugh, I hate it.

>> Dyeing fabric is definitely a

science.

You have to make sure you add

salt to your bath.

It helps set the dye.

And if you don't watch the time,

I mean, your color can change

drastically.

>> Look at my hands.

>> Oh, no.

>> I'm going to be covered in

black by the time that this is

done.

Why did I give myself something

that I've never done before in

my first challenge?

Oh, my God, this threading takes

forever.

Four months of sewing is four

months of sewing, so obviously,

if I'd done it before, it

wouldn't take so long for me to

figure it out.

But I'm literally teaching

myself as I'm going along.

It's showing that I don't have

the experience that everyone

else has, for sure.

>> Coming up on

Project Runway...

>> Is that a toilet?

>>

>> I liked it, but I don't--

>> aah!

You didn't maximize your

resources.

Let me raise another flag.

>> Really? Right now?

>> The challenge is we must use

our bedsheet and incorporate the

pajamas that we were wearing

into the look.

>> Those pants are so funny.

That's so not her personality.

>> Yeah, those pants.

I don't know what she's going to

do with them.

They have bows and candy or

something.

>> Maybe she likes that.

>> My vision is kind of sporty,

but sophisticated.

So in my head, it makes sense.

Is it gonna work?

I don't know.

>> I wonder if there's gonna be

a twist.

"You need to make an accessory

out of your underwear."

>> Ew.

>> I have a clutch idea.

>> Oh, God.

>> Bert's using his underwear.

>> Uh-huh.

>> You are?

>> Your model's gonna have nut

juice.

>> You said what?

>> Who even said that?

That's terrible.

>> It's natural, people.

>> But we don't want that visual

right now.

>> I'm doing a pair of pants,

because I've never really made a

pair of pants.

I don't really know what I'm

doing.

But I'm just using common sense,

because I don't really know what

else to do.

>> How is everybody?

>> Tim!

>> Hey.

>> I feel like I'm in a medical

center with all these scrubs.

So, Anthony Ryan.

>> Yes.

>> Talk to me.

>> So I started out with a tank

top and these shorts.

>> I think my biggest

competition is Anthony.

He has a lot of good ideas.

He's very organic.

>> What I was thinking with the

feathers is to cluster them

here.

>> I mean, I don't want to

sexualize everything, but look

at the placement of those.

>> Yeah...

>> There's a way of using the

feathers that wouldn't be this

pubic patch.

>> Got it.

>> All right, Anthony Ryan.

Thank you very much.

>> Thank you, Mr. Gunn.

>> You have to call me Tim,

please.

>>

>> Or else I'm gonna really feel

like an old fart.

How's Fallene?

>> These are my yoga pants.

>> Okay.

>> And this was the T-shirt.

This was the logo that was on

the T-shirt.

I just wanted to--

>> what is this logo?

>> It's a clown puking rainbows.

>> Is that a toilet?

>>

>> It's some interesting looking

things in this room.

But, you know, some people can't

help what they sleep in.

>> I think that once I finish

it, it could look really good.

>> All right, Fallene.

Carry on, carry on.

How are you, Josh?

>> Tim, I'm so good.

I did like a square little

v-neck.

And then I did just a white

short.

>> How much seam allowance do

you have?

>> Half an inch.

>> You haven't met this model

yet.

>> Right.

>> I hope half an inch is

enough.

>> And then my last piece is,

like, a little jacket with a

hood from the sweats.

>> Don't lose your way here,

because I think this could be an

absolute knockout.

>> I'll be making sure that it

really is a knockout.

>> Julie, I'm eager to hear what

you're doing.

There's product.

>> There's pants.

They're just big pants.

Almost like snowboard-y-esque.

>> Okay.

>> Julie is really kooky and

fun.

I think she could do some pretty

cool stuff.

>> And then the top, I'm gonna

make strips of this and then

topstitch it.

>> Do you have time?

>> Yes.

>>

You say it with complete

confidence, so I believe you.

>> Absolutely.

>> How's Bert?

>> This is--these are my shorts.

This is a T-shirt I had on.

And then this is the sheet,

which I've dyed.

>> Who is this person?

>> Just a beautiful young girl

going out for a--maybe a summer

party somewhere.

>> You just have to keep that in

mind when you're styling it.

>> Okay.

>> How are you?

>> Um, I'm not bad.

>> What does that mean?

Are you good?

>> I liked it, but I don't--

>> aah!

>>

Tim.

>> You can't lower the skirt?

>> She's gonna look like a

50-cent hooker.

>> I know.

So talk to me.

Tell me what you're doing.

>> Well, silk is a little bit

challenging.

>> Well, you didn't know when

you went to bed last night that

this was going to happen.

>> I'm grateful that that's what

I wore, but...

>> What I see sewn so far looks

very good.

>> I haven't dyed before, and I

did it.

I've never draped something like

this before and I did it.

>> You haven't made pants before

either.

>> It's the first one like this.

>> You took on a very ambitious

project.

>> Thank you.

>> I love Anya.

I think she's really gonna pull

out some stops that we're all

all gonna go, "What just

happened?"

>> Hello, Rafael.

>> Hi, Tim.

How are you?

>> Good.

I can envision what this is

going to be.

Talk to me about this top.

>> I'm kind of waiting to

determine just exactly which

direction to go with it.

>> Why are you waiting?

>> Um, because I really want to

see how it looks on the model.

>> I'm concerned that these

decisions aren't made.

>> I understand.

I can see it all, it's just, I

have to finalize it.

>> Let me raise another flag.

The judges are going to say to

you, the most interesting

textile that you have is the one

on your head.

>> Right, right, right.

It's something that I'm very

mindful of, and that I have

considered, and how to

incorporate into the outfit.

>> Well, why don't you take it

off right now and drape it?

>> I couldn't take it off

because my hair looked a hot

mess.

I don't want to look homeless.

>> They're going to say to you,

you didn't maximize your

resources.

>> Yeah, I totally understand

what you're saying.

>> Can I share something else

with you?

>> Yeah.

We had to eliminate 4 designers

from the 20 who arrived in

New York.

Your name was in and out of that

out pile.

I don't want the judges to say

on the runway tomorrow, "We

should've."

All right?

I can see you gulping.

I want--I want you to gulp.

>> I am gulping.

O.M.G.

Like, really, right now?

>> I felt like you needed a dose

of Tim Gunn medicine.

>> Very strong, and I love it.

>> You can do this.

>> I can.

>> But you've got to make

decisions.

Now.

>> Yeah.

>> Coming up on

Project Runway...

>> It didn't really occur to me

that I would be that far behind

until I was that far behind.

>> There's a couple of people

freaking out.

But that's all you can do at

this point.

>> Designers, the transformation

that you've brought to these

materials is remarkable.

I will also say, though, some of

you, we have a lot of work to

do.

Because tomorrow, we will have

precious little time to actually

work.

Your models will be coming in

for a fitting very soon.

And we randomly selected models

for you for this first

challenge, all right?

Bye, everybody.

>> Thank you.

>> I think after that

conversation with Tim, I really

made up my mind that I wanted to

fight for myself as a designer.

>> Hello.

>> Hi.

>> Oh, my gosh.

>> What's your zodiac sign?

>> Uh, Gemini.

>> Okay, you're cool.

>> That's a lot of personality.

This beautiful girl came over.

She's awesome.

I'm very, very happy.

>> Let's hope that these fit.

Okay, maybe they're a little bit

tight.

I'm having problems with my

model.

There was definitely some fit

issues, because her measurements

were not correct.

Those will be a lot more

comfortable tomorrow.

>> Where are you from?

>> Italia.

>>

>>

>>

>> Are you speaking foreign?

>> "Speaking foreign"?

>> Tim told Rafael that the

judges were kind of on the fence

about him.

And he just completely shut off.

If you're not going to be able

to take that, you probably don't

deserve a place here.

>> Ashley looked great in my

clothes.

The clothes weren't a perfect

fit, but really, it was not more

than maybe an extra 30 minutes

of work to get it to where it

needed to be.

That will have to work.

>> It didn't really occur to me

that I would be that far behind

until I was that far behind,

because this is something I've

never done before.

>> So let's go.

>> Whoo!

>> Get some sleep.

>> Hot mama.

>> Hot mama needs a hot toddy.

>> I know.

>> Y'all ready for today?

>> I don't think anybody in this

room is going to go home

anyway.

>> Are we ready to rock and

roll?

>> First of many.

>> Okay.

>> Game day. Yeah!

>> Good morning, designers.

How is everyone?

>> All: Good.

>> Really?

>>

>> I'm about to send in your

models.

You will have two hours to send

them to the L'Oreal Paris Makeup

Room and the Garnier Hair

Studio.

And your accessory resource is

the Piperlime wall.

It's very, very, very important.

All right.

Good-bye, everybody.

>> Bye, Tim.

>> Make it work.

>> Yay, we did it.

Your butt looks good.

>> So pretty with the lace.

>> I have to figure out how it

is I'm going to incorporate my

head scarf into the garment.

>> There's a couple of people

freaking out.

Silently, at this point.

But just push forward.

That's all you can do at this

point.

So you're--you're adding them as

tiers to the back?

>> No, it's gonna be like a

necklace.

>> Oh, it's gonna be an

accessory, then.

>> Yeah.

>> Gorgeous.

>> Hi.

>> Hey, great look.

>> Thank you.

Smoky eyed, mainly black, not

too big.

Just to really bring out the

blue in her eyes.

She has such pretty eyes.

>> I really want contoured,

tailored face.

Just a really clean, kind of

edgy look.

>> A little too orange?

>> It's beautiful.

It's a little bit of a pop.

>> Okay. I want pop.

>> Maybe a little bit more

mascara.

It's lash out.

>> A scarlet lip, but I don't

want too much color on her eyes

at all, 'cause I just want the

lip to show.

>> Maybe, I don't know if you

want to--I mean, I'm not that--

with the hair, not that I've had

that much experience.

But sort of big, loose, wavy

hair, very--

>> Brigitte Bardot-ish?

>> Yes.

>> Deep part, and a slickness to

her head.

Like, really, really, really

tight.

>> It's a little bit

Judy Jetson, so it's a little

sweet.

No bangs, bangs back in.

>> Tight around the sides?

>> Tighter, but not too tight.

>> I want it to be more, like,

pulled back.

Cool, cool.

Now it's getting here.

>> We're all set.

♪ ♪

>> This is it.

It's the moment of truth.

We are going down to the runway

right now.

Let's go.

Good work.

>> I think we're going to have

some interesting looks walking

down the runway.

We're all going to be a bit

surprised.

>> Rafael, this is it.

Anya.

Okay, that's everybody.

All right, we did it.

>> Coming up on

Project Runway...

I think she looks awful in that

outfit.

>> I hate your styling.

>> It looks really dated.

>> Welcome to the Runway.

As you know, in fashion, one day

you're in, and the next day,

you're out.

There are 16 of you here.

And after tonight, there will be

15.

Three of you will be showing at

Mercedes-Benz Fashion Week.

And one of you will be the

winner of Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their own

line, a fashion spread in

Marie Claire magazine,

a $50,000 technology suite from

HP and Intel to enable their

creativity and run their

business, and the opportunity to

design and sell an exclusive

collection on Piperlime.com.

The model paired with the

winner of Project Runway will

receive a fashion spread in

Marie Claire magazine and

$25,000 from L'Oreal Paris

Studio Secrets Professional.

For your very first challenge,

we asked you to create a look

out of your pajamas and one

sheet from your bed.

The winner of this challenge

will receive immunity and

cannot be eliminated in the next

challenge.

All right, let's meet the

judges.

First we have C.F.D.A. lifetime

achievement award winner

Michael Kors.

>> Hey, guys.

>> Fashion director for

Marie Claire magazine,

Nina Garcia.

>> Hi, everyone.

>> And actress Christina Ricci,

soon to be seen in ABC's Pan Am.

Welcome.

We will score your designs as

they come down the runway.

One of you will be named the

winner, and one of you will be

out.

All right, let's start the show.

♪ ♪

>> As I'm watching my model, I'm

in this dream state, because I

can't believe that I'm...

Or I can believe that I'm

sitting in these chairs, because

I've worked hard to get here.

>> Seeing my look on the runway,

I am proud of what I did.

I hope that the judges can see I

fully lined a jacket and chain

weighted it.

I don't think anybody else made

three separate pieces.

>> I think she looks amazing.

This is a great look to show

first.

This is a lot of what I do, and,

you know, it's possible I could

have a chance of getting in the

top.

>> As I see my model walking

on the runway, I'm thinking,

it looks really elegant.

It looks really good.

And I could tell the judges are

looking at it.

Nice, sell it. Sell it.

>> Not bad.

It's well constructed.

It's cute.

Except the color's a little bit

too pastel.

That's the only thing I'm

thinking.

>> I am so excited.

She looks amazing.

I can't believe I pulled it off.

I am very pleased with the way

mine turned out.

>> She looks fabulous.

The look overall, I think, says

something about me.

I'm really happy I went in the

direction that I did.

>> Those pants are amazing.

>> I am pretty confident that

look is not going to fly.

I'm feeling kind of mortified,

but what can you do about it?

>> I'm satisfied with what I

have, given the limited time and

resource we had.

Overall, I was extremely happy,

and my model was amazing.

>> I know the top looks great.

But I just hope the judges don't

see the fit issues on the pants.

I wasn't happy.

I just wasn't happy.

>> I am just praying to God that

her butt doesn't come out of it.

Naturally, it's gonna start to

ride up.

But I'm just thinking, "No ass

cheek, no ass cheek, no ass

cheek."

>> I feel confident within my

look.

But yet and still, I know that

everything isn't where it should

be.

I'm really most proud of the

detailing that I did in the back

of the vest.

Yes.

>> I'm feeling so happy when my

clothes come down the runway.

I'm totally backing the puking

clown.

That's my sense of humor, all

the way.

I don't have any regrets.

>> I'm very excited about the

way my garment turned out.

It's almost like something that

i would design for a client,

but it's different.

It's made me reach that little

bit of edge that I've been

looking for on Project Runway.

>> Ashley looked great in my

clothes.

I truly believe that what I've

put together is exactly what I

envisioned.

I am really pleased with what I

have.

>> I think my model looks chic

and expensive.

I am a little concerned about

the skirt, because the skirt is

going up a little bit.

But I was satisfied with the

whole look.

My gosh, I could actually win

this.

>> If I call your name, please

step forward.

Anthony Ryan, please step

forward.

Rafael.

Josh.

Anya.

Bert.

Julie, please step forward.

If I have not called your name,

congratulations.

Your scores have qualified you

to move on to the next

challenge.

You can leave the runway.

>>

>>

>> Wow.

>> That was so nerve-racking.

>> Oh, my goodness.

>> Like, I am not in the right

spot.

Like, what the hell?

>> You're in, you're safe.

>> That's like--not good enough.

>> The remaining designers have

the highest and the lowest

scores.

Let's bring out your models.

One of you will be named the

winner...

And one of you will be out.

>> Anthony Ryan.

Tell us about your look.

>> I started off with a bad pair

of, you know, high '80s shorts.

And just an ill-fitting tank.

Being colorblind, I was like,

I'm gonna work with black,

white, gray.

This was originally the yellow.

So I took some trimmings that

they provided for us and just

recovered it just to give it

that jet black feel that I

wanted.

And then I made a short skirt.

>> First of all, it's very

interesting to see what you guys

wear to bed.

Because we never get to see

that.

I like how you changed your

pajamas into this a lot.

You know, it's unrecognizable.

>> If you told someone that you

were colorblind, you know, and

they didn't know, they'd be

like, "what?"

I think these colors look very

cool together.

>> Thank you.

>> I like the fact that you used

the trimmings, but it didn't go

overboard.

>> And you used them in a way

that fixed problems.

>> Right.

>> The skirt is a little bit

short.

But I think the proportions

work on her.

And that's something I always

look for, being somebody who is

very short.

>> Thank you.

>> Rafael, tell us about your

look.

>> Um, my look was pretty much--

well, clearly I used my pajamas

to make my look, but with the

jogging pants, I did the

pleating in the front.

I did this, um, layering right

here on the side.

If you could turn around for me.

And in the back it kind of has

these tiers, panels that go in

the back.

And then in the front, the neck

piece is my head scarf.

I had time constraints on that

part, and that's the head scarf

that I used.

>> I see a lot of problems with

this outfit.

What grown-up wants to walk

around in--with a bib?

I think she looks awful in that

outfit.

>> She's wearing like a

Flintstone disco pouch.

And then it's like a sweatshirt-

legging-jean combo that is just

unflattering.

>> I think you had fit problems.

It looks tight on her.

And it looks really dated.

>> It's mainly the pants...Are

off-putting.

But the shirt is--is really

interesting, and it shows a lot

of craftsmanship and--and it

looks like a lot of time went

into it.

>> Yeah. Thank you, Christina.

>> Julie, tell us about your

look.

>> Well, I had for--that you

have the photo of--my pajama

pants, which was this.

Um, I kind of was referencing an

oversized pant, snow pants.

Just something fun and easy to

wear.

>> I had really high

expectations.

Um, when your rack came into--

you know, to the casting that

day, I loved all the things that

you had there.

I'm very surprised today.

The whole thing is just...Bad.

>> Yeah, I'm a little confused.

The shirt is charming.

But I wouldn't want to wear it.

>> Um, my only defense is...

I was in a sewing, um, learning

curve, I guess.

>> What's on the side of those

pants?

How--

>> Oh, it's just elastic holding

them on.

>> That's my biggest problem, to

be honest with you, is the poor

construction of those pants.

Because they look weird.

>> It's an odd angle for a

pocket.

Might be a very "I like myself"

kind of pocket.

Where it's like, "Hi!"

I mean, you know.

It's a little...It's tough.

>> Thank you.

>> Anya.

>> Well, you can see that I was

wearing a sort of kimono-esque

nightdress.

And that was what made the top.

And then the pants are from my

bedsheet.

I really wanted to prove that I

could construct something,

especially since I've actually

never sewn silk before.

>> I think for you to choose to

make a pair of pants, which is

not easy, that they look this

good...Is extraordinary.

The top looks really great.

But the--the back of it is what

I like the most.

It's a nice touch.

>> I'm happy to see that you can

sew.

Because I was really rooting for

you.

>> I wish I had that top.

Those are great pants.

I love the whole thing.

>> Thank you.

>> Really great job.

>> I mean, also the butt.

Let's just focus on the butt.

>> That's a really good butt on

a pant.

>> Just stay right there.

>> Great, great.

>> And the butt fits pretty

nicely, right?

>> Great. Great.

>> Mm-hmm.

>> Very well done.

>> Thank you.

>> Bert.

Tell us about your look.

>> I had on my little orange

checked boxer shorts and a taupe

T-shirt.

I do remember, though, in my

last interview, that I--the

comment was that my clothes were

a little simple.

So I wanted to try and get some

tension going with the pullings

and the things and the--

I love the different tonals

here.

That's following the asymmetric

line.

>> I am in love with this

outfit.

>> Thank you.

>> It's sexy, it's elegant.

>> It's casual, too.

>> It's modern.

I love that, you know, the

neckline.

It looks so simple, but it has a

lot of interesting design to it.

>> I think you have adorable

boxers.

It's an adorable dress.

It's feminine, it's sexy.

Terrific.

>> Thank you.

>> I love the proportions of it.

I love that it cinches in at the

waist.

Can I see the back of it?

Yeah, I just think that's so

pretty.

It's really, really beautiful.

Good job.

>> Thank you.

>> I like all the tones, the

taupe mixed.

I like the asymmetry.

I hate your styling.

You need to bring her into

modern times.

>> I second-guessed that, yeah.

>> You know, I mean, I want to,

like, scrub her lips, pull her

hair into a ponytail, because

the design is fabulous.

>> Thank you.

>> Josh.

>> I had a T-shirt and sweats.

This little jacket hoodie.

Um, I quilted some of the

panels.

And then on the T-shirt, you

know, manipulated the fabric a

little bit.

I was definitely looking for a

summery, fun, maybe a little

more athletically inspired look.

>> Are you happy with the way

that it fits your model?

>> Um, I think there were some

issues.

There's some fit issues maybe in

the front of the shorts.

I actually had to, you know,

take out a little bit in the

shirt as well.

But, I mean, those are things

that you learn for next time, I

guess.

>> I don't know which one is

worse.

Rafael's or yours.

>> Oh, boy.

>> This top, it's terrible.

What is this thing down the

front that is like--is that the

piece that you had to put in

because it didn't fit?

I mean, the front, right around

here, is the most important

thing on the garment, no?

>> Right, right.

It's so terrifying, because I

feel like I wish somebody else

had told me throughout this,

"That doesn't look good."

>> It is not up to any of the

other designers to tell you that

you're going the wrong way.

>> You're totally right.

I agree.

>> What this is all about is

your gut.

>> Sure.

>> You are in a competition of

design, and you are going to

show me a pair of white shorts

and a tank top?

I need to see something

creative, exciting, imaginative.

>> I get it.

I mean, there definitely has to

be something more than what I'm

doing.

Thank you.

>> Okay, we're gonna have a

little chat.

And then I'm gonna bring you

back out.

You can leave the runway.

>> Anya.

>> Oh, God, how was it?

>> It was intense.

It's very hot.

>> What's going on?

>> It's a disaster.

They hated it.

>> They hated it?

>> They hated it, yeah.

>> Like, the word "hate"?

>> Like, yeah.

They were like, "I don't know

whose is worse, Rafael or

yours."

I've essentially just taken the

beating of a lifetime.

It is...Like having someone look

into your soul and tell you

everything bad you've ever done.

It is terrifying.

>> Based on the fact of what

they had to work with, I think

our designers came up with a

great fashion show today.

>> It's not easy to take a

poly-cotton blend sheet, which

doesn't sew that easily, doesn't

take to dye that well, and come

up with something creative and

polished.

>> But I also have to say, there

were some really ugly things on

that runway as well.

>> Mm-hmm.

>> Josh, for example.

I mean, that was really bad.

>> That was hideous.

I mean, I-I don't know much

about how you fix this.

>> You could have put a side

panel, like a tuxedo stripe, up

the side of the shorts.

You could've hidden, in the back

of the T-shirt, a seam.

>> It wouldn't have looked so

garishly...

>> Off.

>> It was a problem.

>> But I don't know which one

was worse, because Rafael's is

just as bad.

>> But the shirt kind of saves

it a little bit.

>> Mm...

>> Do you think? No?

>> I don't think Rafael

understands that there is a

problem.

>> I don't either.

>> I think he thinks this tight

stuff is good.

>> Excuse me, it looks like she

went out to eat, she ate too

much, and had to unsnap her

shirt.

>> Not very fashion-forward.

>> Fashion-backward.

>> Fashion-backward.

Julie, close third.

>>

>> Also pretty bad.

>> No, but you look at what

Julie had to work with.

You know, and she's wearing this

juvenile pajama pant.

>> Right.

Who would want to wear that

print?

>> But you could take that print

and you could make it something

wearable by making it darker,

and then match it with a color

that goes with something that's

more sophisticated.

>> Not bright yellow.

>> I wasn't so offended by the

print.

It was the pant that went to

south.

And it was the construction of

the pant, actually.

>> Let's talk about the

designers that we do like.

We liked Anya.

>> She knew we doubted her.

>> Yes.

>> So she really was smart and

thought about it.

And she said, you know what?

I'm gonna make a beautifully

tailored pair of trousers.

>> Yes, she was clever with

that.

>> Yep, it looked perfect.

>> And focused on the pant.

>> The pant was quite

impressive, I have to say.

I was like, wow.

>> I liked the top very much.

>> I always said that she should

be in here.

You guys weren't so sure about

that.

>> I was sure. I wanted her.

>> I love the taste.

I just was unsure of the fact of

saying that someone could be

that much of a wizard, that they

could do all of this in such a

short period of time.

>> We also liked Anthony.

Anthony Ryan.

>> That T-shirt was adorable.

>> That's something that we all

would want to have, yeah.

>> All of us.

It looked cool.

It looked great.

It--he didn't embellish it too

much.

>> I like the overall look.

>> I like that he kind of left

her a bit disheveled to go with

the fact that his look wasn't

totally put together and

polished.

He knew to--to do that.

And I liked that about it.

>> Yeah.

>> Bert!

I have to say, I like Bert.

And he listened, because we

said, you know, Bert, you have

to turn the volume up a little

bit.

>> I think it was the most

interesting garment--

>> Yeah, very nice.

>> As far as design, that we saw

today.

>> Yeah.

>> Yeah, very sophisticated.

The styling freaked me out.

>> Oh, the Farrah Fawcett hair

and then the heels.

>> No, I loved the dress so

much, I didn't even notice the

bad styling.

>> 'Cause the dress is great.

>> Yeah.

>> I think he's a good designer.

>> Yeah, I do too.

>> So have we made our

decision?

All right, let's bring them back

out.

One of you will be named the

winner, and one of you will be

out.

>> One of you will be named the

winner, and one of you will be

out.

Bert...

Congratulations.

You are the winner of this

challenge.

>> Thank you so much.

Danke schoen.

>> Bitte schon.

I'm happy to say that you have

immunity for the next challenge,

and you cannot be eliminated.

>> That's the best.

Thank you.

>> You can leave the runway.

>> Thank you.

Guys.

You guys.

>> Good job.

>> Thank you.

My right hand, I had to keep it

in my pocket, because it was

sort of going like crazy.

I thought, "I'm gonna have a

stroke here on the runway."

But, um, that didn't happen.

I feel amazing.

And I'm very relieved.

>> And?

>> I won.

>> Really?

>> Best part is I have immunity

for the next challenge.

Whoo!

>> Congratulations!

>> Thank you, guys.

>> Congratulations. Good job.

>> We all did a great job.

>> Good job.

>> Why are you shaking, then?

>> 'Cause I'm a little freaked

out.

>> Oh, no.

>> I think I might have

discriminated against Bert a

little bit just because of age,

you know?

I was blown away.

I thought Bert did a great job.

>>

>> Anya, you're in.

You can leave the runway.

>> Thank you.

>> Nice job.

>> Good luck.

>> Anthony Ryan, you're in.

You can leave the runway.

>> Thank you.

>> Good job.

>> Josh, Julie, Rafael.

Your designs were clearly less

successful.

Julie.

You're in.

You can leave the runway.

>> Oh, thank you.

>> Good job.

>> Josh...

You're in.

>>

Thank you.

Thank you.

>> But barely.

>> You won't regret it.

Thank you.

>> Rafael, unfortunately, that

means you're out.

Auf wiedersehen.

>> All right.

>> Best to you.

>> Thank you.

Thank you guys so much.

I definitely enjoyed my time

here.

Just because I'm off the show

doesn't mean the sewing machine

is turned off.

It's always something I'm going

to strive to do.

>> Oh, Rafael.

>> Well, clearly, it's me.

>> Aww.

>> Thank you guys so much.

It's been fun.

All you guys are lovely.

>> Amazing.

>> Hey, Tim.

>> Hi, everybody.

>> Hi, Tim.

>> Rafael, we're gonna miss you.

You've made a--such a positive

impression in such a short

period of time.

>> Thank you so much, Tim.

>> So I have to send you to the

workroom to clean up your space,

okay?

We're gonna miss you.

>> Thanks so much, Tim.

>> You take care, all right?

>> Bye, Rafael.

>> All: Bye, Rafael!

>> Do good! Bye!

>> We'll see you around.

>> I'm just gonna continue to

push the bar.

I'm just gonna continue to knock

down doors, break down barriers,

and just really fight for myself

as a designer.

And just continue living my life

and my dream, and just sewing.

>> This season on

Project Runway...

>> Welcome to Petland Discounts.

>> Holy crap.

We're dressing dogs.

>> Hi!

>> Hello.

>> We're headed to our first

outdoor runway ever.

>> It's just madness.

>> Let's see your butt in that.

>> There's no time for worrying.

I just have to get it done.

>> Olivier's stressed.

>> Oh, my God.

>> I am struggling to stay in

the game.

>> I will not have it, Bert.

>> I can see it's getting very

stressful.

>> In the history of

Project Runway, I've never ever

felt this worried about people

not finishing.

>> It feels like there's a black

cloud over me.

>> If this is too hard for you,

you can go anytime.

>> That looks bad.

>> That does look bad.

>> Just keep going, that's what

you have to do to survive in

this competition.

>> You're gonna be fine.

>> I am shocked.

>> She looks like an old

grandmother.

>> And then the hair is crazy!

>> And I even said, this looks

like a cocktail dress.

>> You're just lying right now.

>> No, I'm not.

>> Yes, you are.

>> I haven't probably gotten

this pissed since I had cancer.

>> Visit mylifetime.com

to learn more about the fashion

you've seen on tonight's show.

== sync, corrected by elderman ==