All language subtitles for Project_Runway_S08E07

Previously on

Project Runway...

For this challenge, you will

need to take these bridesmaids

dresses and create a look that

these women would want to wear.

These dresses are hideous.

Designers, you will be

presenting at the designer

showcase.

This was the dress that she

had before.

Quite a transformation.

That's really nice.

Michael C. Is trying to

sabotage me.

He's been telling people not

to vote for me because I'm

the bitch of the show.

Never said that.

Really?

Would never, ever do that.

Michael Costello,

we loved your look.

Congratulations, you're the

winner of this challenge.

Oh, yes.

I don't think Michael C.

Deserved to win.

I won.

They loved it.

They really loved it.

I mean, she's got an avocado

goiter.

I just got lost.

I got lost.

I'm sorry, Peach, that means

you're out.

I've had the time of my life.

Where else is a 50-year-old

gonna get another chance?

This is Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their own

line, a fashion spread in

Marie Claire magazine,

a $50,000 technology suite from

HP and Intel to create their

vision and run their business,

and the opportunity to design

and sell an exclusive collection

on piperlime.com.

The model paired with the winner

of Project Runway will receive

a fashion spread in

Marie Claire magazine and

$25,000 from L'Oreal Paris

Studio Secrets Professional.

Project Runway 8x07
What's Mine Is Yours
Original Air Date on September 9, 2010

-- Sync by elderman --
-- for www.addic7ed.com --

Having Peach gone, it's sad

because she was my roommate,

Buddy, and my good friend here.

I'm moving into the apartment

with Val, Gretchen, and Ivy,

and it's uncomfortable for me

to move into their room because

I know that people have said

things about me being young

and not being ready to be here.

Yeah, April's coming.

That'll be cool.

I hope we can, like, gel with

her though, you know, 'cause

she's a lot younger than us.

That's the only uncomforting

thing, is the unknown.

But I'm a really strong girl,

and I don't deal with

bull[Bleep], so if I have

a problem, I'll voice it to

them.

So how does it feel like

to win two times?

Oh, great.

That feels fabulous.

I feel like Gretchen.

Just a little better.

Oh, okay.

When I went back to the

designers' lounge and I told

them I won...

I won.

I won, they loved it.

None of them were happy.

None of them were excited.

And this kinda hurt me really,

really bad.

I didn't think that I'd win that

challenge, I really didn't.

There were so many haters

yesterday.

Nobody really cared that I won.

Felt sad.

I'm trying my best to

respect him as a designer,

but I do think he is the weakest

designer here, and I don't think

he has the skill sets to stay

here.

No, but you know what my

struggle is with you with,

like--'cause I still don't know

who you are, and that's just

my honest opinion, is I don't

know your aesthetic completely.

I like evening wear,

and I like doing draping and

pleating and that kind of stuff.

And I've developed my own kinda

sewing technique that works for

me.

Well, I guess it's working.

[Indistinct chatter]

[Knocks]

Entre!

Come in.

Sista!

Hi!

Welcome!

Hey, how's it going?

What's up?

Welcome to our room.

We made you a sign.

Hey.

Oh, wow, you guys are so

welcoming.

Welcome!

Good to have you.

Hello, Gretchen.

How are you?

I think that they're just trying

to put their differences aside

and see how I really am.

Welcome to our home.

Oh, my gosh.

Wow.

It's nice to have all the

girls together.

Can't believe there's only four

girls left.

What the [Bleep]?

Fab four right here.

Yep.

The only girls.

Yeah.

Go, fab four.

Whoo.

I think having April in the

room is great.

You know, it takes up bathroom

space, but whatever.

Okay, fantastic four.

You've abducted April.

[Laughter]

Hello.

Hi.

All right, it's time for your

next challenge.

Michael, you were the winner

of the last challenge,

so you have immunity and you

cannot be eliminated this week.

Awesome.

Well, for this challenge,

we want you to kick back and

relax and have some fun.

Tim and a very special guest are

going to treat you to brunch.

Meet them at the marina, and

they will fill you in on all of

the details.

Good luck.

And I'll see you all on the

runway.

Cheers.

[Upbeat music]

♪ ♪

good morning, designers.

And please welcome a familiar

face.

We are so fortunate to have

Michael Kors with us today to

present a very Michael Kors

challenge.

I was a little bit scared,

because Michael Kors had been so

rude with me in the critiques.

Good morning, designers.

All: Good morning.

I'm sure you're all wondering

y we're standing here at

a boat dock.

Well, today we're gonna talk

out resort wear.

You challenge is to create

a resort wear look that

illustrates your point of view

as a designer.

And your look should be

interesting, eye-catching,

and of course super fashionable.

I come from Palm Springs.

I can do resort wear.

I got this.

The key thing that you need

to remember is that resort wear

can include anything from

swimwear to casual clothes

or even an evening gown.

I love resorts.

I love going on vacation.

I'm actually kind of excited

about this one.

Ha ha, resort wear.

I never go on vacation.

You know what, I wake up late

in my apartment and I walk

around in my underwear and

a t-shirt.

That's resort wear for me.

So whatever.

To get you guys into

a relaxed state of mind,

i'm sending you out on a boat

ride where you're gonna sketch

and have a little brunch.

I'm also giving you sunglasses

from my line.

[Cheering]

Designers, you will have

30 minutes to sketch.

And you will have one day

for this challenge, okay?

Follow me onto the boat.

I know this is gonna be

challenging because Michael Kors

has high standards.

It's gonna be hard to live up

to those.

Have a mimosa

i want to lift a glass to you.

Cheers.

Bites.

Let's pretend like we're

rich.

Yeah.

Have me more fruit.

Cheers to Michael Kors'

sunglasses.

Cheers to--

i think they go with my

outfit.

Designers, I just want you to

know your sketchbooks and your

HP Touchsmart notebooks are

here, and we're gonna begin your

30 minutes of sketching now,

all right?

You know, I don't want to

sketch.

Like, this is amazing.

I'm sitting with Christopher,

and we're just like...

Like, you know, puppy dogs

hanging out a window 'cause

there's the Statue of Liberty

and all these amazing Bridges,

and it's phenomenal.

This challenge is very

Michael Kors

this is not my challenge.

Just trying to get into my

head about resort wear, 'cause

live in Hawaii.

I don't think of it as resort

wear.

I think of it just like any

other day.

Well, then it's just

any-other-day-wear to you.

I'm going the route of

a luxury bathing suit that will

be a one-piece and very sexy.

I'm gonna also do a cover-up,

which is gonna give my client

the option of wearing this

bathing suit all day basically.

Just love what you do,

because I think you like to put

things that are unexpected

together.

Well, I was called out for it

yesterday.

I was called out for a lot

of things that I did.

But would I take it back?

[Bleep] No.

Even if I knew I'd be in the

bottom again, [Bleep] No.

Everything thus far I've done,

i've been like, wow, I really

like that.

I've never done resort wear

before, except for the hat

challenge.

It's just really

unflattering, and I have

a feeling even worse from

the back.

Oh!

No.

I am going to create a sexy,

all-black really risque, like,

she's taking this resort

vacation to this asylum.

It kinda creepy, but I like

the idea of it.

All right, designers, has

this not been fantastic?

Yes.

So let's head off to mood,

everybody.

All righty, let's go.

Follow me.

Rocky as it is.

Those are good.

Designers.

[Laughs]

Designers, you have 30 minutes

and a budget of 50,

and think resort, okay?

Your time star now.

I'm creating a little

bocut bikini with a cute

little windbreaker and a little

visor.

What's the matter?

Well, um, I'm such a dark

signer, and I don't want to,

like, go this route.

This is not a time to betray

what is at your core.

I don't want you standing on the

runway saying, "well, I'm a dark

designer, so I decided to do

something else."

If you're dark, make dark

resort.

Okay.

There are those customers.

I love them too.

I have to stay true to myself,

because I'm not gonna let

anybody crush my vision,

'cause it's a gift.

What I want to do is

a three-dimensional pant.

And in the top, I wanted to do

a print and have a vest that

goes over it that's very

romantic.

Is this where your heart

and stomach are?

Yeah.

Then do it.

Okay.

It's about you.

'Cause you have to stand by it.

Right.

At the end of the turn to buy

the fabric, I just pick a few

fabrics.

Squash is here for the

five-minute call.

All right, designers, you have

five minutes remaining.

If you're not at a cutting

table, may I suggest that you

please get to one.

Hi, squash.

Excuse me.

Anybody?

I need that fuchsia.

Good work.

Designers, time is up.

Are you all ready to head back

to the workroom?

Yes.

Let's go, go, go.

What a day, guys, huh?

[Indistinct chatter]

Designers, may I ask you

to gather 'round, please?

Tim comes in with the bag.

And we all know that when Tim

has the bag, it's trouble.

I knew it.

I hate this bag.

I hate the bag.

I hate this bag.

Every single time when I see

the velvet bag with the golden

rope, I get scared.

I don't like this.

Coming up on

Project Runway...

Each of you will be wearing

two hats.

A lot of the people in the

room don't really like me.

Your construction is awful.

I am pissed.

Designers, may I ask you to

gather 'round, please?

We all know that when Tim has

the bag, it's trouble.

Designers, as I'm certain

you've deduced, there is another

dimension to this challenge.

Great, there's something

else.

I'm putting you into teams

of two.

I knew it.

Because each of you will be

wearing two hats.

One is the hat of the designer.

The other is the hat of

a one-person sample room.

Because you are executing each

other's design work.

Oh, my God.

I cannot believe that we have to

give our designs to someone else

to execute.

It's like handing your child

to somebody else.

Successful designers in the

fashion industry do not make

their own work.

They outsource to sample rooms

and production houses.

And, in a manner of speaking,

that's what you're going to be

doing today.

First we have Valerie.

And, Valerie, you're going to be

teamed with...

Andy.

I was so ready to work on my

piece, and now I have to trust

Valerie to execute my look for

me.

That's really Scary.

Michael C. And...

I hope my name does not come

next.

Everybody in that room is

thinking to themselves,

oh, my God, oh, my God,

I do not want to be on

Michael C.'S team.

I don't want to be his partner.

Mondo.

Oh, yay.

I am so pissed.

I can't even stand it.

I feel like I want to scream.

April and...

Christopher.

Hello.

Thank God he pulls out

Christopher's name,

because me and Christopher work

exactly the same way.

Casanova and...

Gretchen.

I'm a little nervous about

working with Casanova, but I

really enjoy his company.

You already love me.

Okay.

Oh, my God.

So, guess who our last team

is.

It's Ivy a Mel d.

Yes.

I worry Michael d.'S

construction level may not be at

par to my construction level,

but with our personality dynamic

I think things will work out

well.

The designer is responsible

for how the sample maker

executes the work.

What's critically important in

this relationship is

communication.

Any other questions?

Get to work, everybody.

Thank you.

I'll see you later.

[Upbeat music]

♪ ♪

on a scale of one to ten,

how confident do you feel about

making pants?

I'm a scale two.

We'll do a skirt.

Sorry.

It's okay.

Hang on.

What I'm happy about is you

know how to pattern draft,

and I know how to pattern draft,

and we know how to sew really

well.

April is a very talented

designer.

She's got tons of ideas in her

head.

And April knows how to drape.

She understands bias,

pattern-making.

I think April and I are gonna do

well as a team.

Well, I'll tell you right

now, I'm not the fastest,

best sewer.

And I don't know if you already

know, but I don't use patterns.

I do all draping stuff.

I know.

Well, let me just say this.

And I'm not real excited about

this, because your construction

is awful.

And the fact is you have

immunity.

I know he don't like me,

but I'm not banking on the

immunity to get me through this

challenge.

I wanna prove that I can do

outstanding work.

[Techno music]

♪ ♪

that's gonna be the crotch

part.

This will be the other side of

the v.

I'm worried about val.

I'm not sure she's worked with

swimwear very much.

He was like, "so you do

swimwear, right?"

And I was like, "yeah, totally.

Duh."

How low do you want it, like,

on the butt?

Um, like, low.

You know about grains though

and everything, right?

We'll be fine.

Let's just not worry.

We'll just stay calm.

This is a really difficult

challenge right now because

I'm so used to just doing my

own work.

And so now I've had to, like,

hand over what I do best to Ivy,

and she's handing over her

neurosis to me.

Got a tape measure?

Mondo doesn't like to sketch.

He makes notes.

So my plan is right now just to

go in there, take the direction.

So this is gonna be half an

inch, right?

Half an inch, yeah.

You have to draw your lines.

I can't believe you don't have

a ruler.

What?

I can't believe you don't

have a ruler.

This is flat.

Flat.

So she'll need darts.

Whatever.

What is darts?

Um...

[Indistinct]

Yeah, yes.

Oh, my God, Gretchen,

she was very conscious about

that I cannot speak English

very well.

So she make, like, six or seven

sketches this big.

I have no problem with my eyes.

I can see very well.

Oh, my gosh, she believed that

I'm a retard.

I was thinking about doing,

like, a shawl collar.

Like here's--here's her waist.

I just can't--I'm just trying

to visualize it.

I'll show you.

Okay.

This is nothing personal against

Michael d., but it's

a challenge.

It is.

This is the pant.

And I have to choose between

these three colors to make

the blouse.

This is my favorite.

It's old.

It's the old Lady?

I'm hook with the old ladies.

You love the old ladies.

[Bleep].

Because my grandmother.

I think that's younger.

Casanova's fallen back into his

aged aesthetic, and I think

that aesthetic isn't going to

take him much further.

Do you want me to topstitch

this?

I think it might look kind of

cheese, but--

um, that don't need to be

topstitched.

Michael C.'S fabric choice,

I don't like it at all.

But you know what, I'm not

afraid to just really focus on

working with him to get my

garment done.

All I've done is cut out a pant.

I haven't even started sewing

anything yet, because I have to

be there.

He doesn't have a clear ruler,

nothing.

Although, in the judges'

eyes, Michael C. Is a good

designer, it just makes me

wonder, what is his level?

And when is it going to be

reached?

And when is he going to

exasperate his bag of tricks?

I should win the prize for

this.

Even if I don't win the

challenge, I should win a prize

for this if it gets done.

I'm feeling like [Bleep].

I am actually thinking that I

might want to leave right now,

because I'm feeling like this

is the end for me.

Coming up on

Project Runway...

I'm a little worried for

Casanova.

Why can't the judges see

value in what I do?

My concern is that, like,

it's not gonna lay flat against

her body.

The band will, yeah.

The Twist on this is that we

have to switch our work with

someone.

We're basically having to be

a designer that's watching

a sample maker do our stuff and

execute someone else's look.

Oh, you brought the whole

mannequin.

You're funny--okay, come in.

Well, see, you can see

and get a good idea.

It gets me a little upset

sometimes when people say I

can't sew.

Press it and then pin it

all the way around.

I'm obviously here for

a reason.

Someone thought I can sew.

Perfect.

Looks good.

After a good pressing, yeah.

After working with Michael

costello for a couple hours,

I know that he's a good guy

and that he's willing to learn

and he's willing to grow.

And I was being a Dick.

Sorry for being such a bitch,

but--

it's okay.

I have faith in you, okay?

I'm serious, Michael.

With mondo, it's going a lot

better than what I thought it

would be.

How is everyone?

Good, good, good.

I have a very special

surprise.

We have an esteemed guest

conducting the critiques today.

Would you like to meet him?

Yes.

Hi, guys.

Say hello to Michael kors.

Hello.

I very much admire Michael

kors, and to get just a little

face time I think is exciting

for us all.

So I heard you guys got

a little bit of a Twist.

I'm sure it freaked all of you

out, but you always have to be

able to explain what you want

to someone else.

'Cause the chances of you sewing

every sample that you're gonna

make in your career are

impossible.

So I'm interested and excited to

see.

Let's start with Gretchen

and Casanova.

Fantastic.

So tell me what we were thinking

here.

I'm looking for her to make

a simple blouse with palazzo

very tailored pant.

Be careful.

It's not a young pant.

And it's beige, and I love

beige, but you've got to make

sure it still looks a little

youthful.

I'm a little worried for

Casanova.

Traditional couture is for older

clientele.

Unfortunately I don't think

that's what the judges are

looking for.

Great, so now what's going on

over here?

To me, resort is about from

the beach to nighttime.

Right.

This is, like, a super

exaggerated palazzo.

This is a whole lot of

bordeaux.

Maybe you want to Twist the two

colors.

Gretchen's still hook on

the same color palette of the

group challenge.

The color palette was awful.

Be careful that it stays

modern, so, you know, or else

it could look really old.

Tell me what's going on here.

Mondo wanted to have a hooded

batwing jacket with a zipper

going down the front.

Mondo's stuff is just insane.

He's an amazing designer.

Where's the pink ribbon

going?

It's the elastic.

I think you'd better be

really careful--

the styling, I know.

You got a lot of pattern.

You got a lot of color.

It's fun.

I know it's your thing.

Just make her look like

a fabulously sexy girl at the

beach.

I wanted to do this humungous

palazzo pant.

It's low cut, but it's not too

low cut.

You know, it's really not my

style.

This is his design.

But I have to do a good job

at executing his vision because

I am going to be judged for

that.

It's cool fabric.

Do me a favor.

She's glammy-puss over the top.

Keep it simple.

Hey, guys.

Hello.

I wanted to do a long, like,

maxi sundress.

But I also wanted to keep true

to my style.

You've got some really nice

lines here.

I think it's pretty great.

Well, I have a wacky idea.

And I'm not saying it's easy.

[Chuckles]

If you made a brief out of

this.

That's what I have drawn

there.

That's actually what I wanted

to do and keep that sheer.

That's what I would do.

That's what I wanted to do.

Go with your gut.

You gotta go with your gut.

But I got the diaper thing,

so it's like--

no, no, no, no, no.

You do a tailored boy short,

and then you do this, just sheer

floating over it.

That's divine.

Awesome.

Shorts better fit.

I know, and more work.

And no ass cheek.

I am going to take Michael

kors' advice to go with my

instinct.

And if I go out, at least I go

out doing something that I'm

really excited about.

So now what are we looking

at?

I wanted to do something

that's whimsical that will kind

of flow and just feel like she's

in Los Angeles, she's going out

to dinner.

I don't want it to be too

toga party at all, so we were

gonna try to pull it--

but I actually like the

draping, 'cause I think you've

got something pretty here.

The fabric wants to move.

It does.

You know, when it walks down

the runway, if it has movement,

it just always looks more

dramatic.

All right, we can't wait to see

it.

So let's see.

Ivy, you have all your sketches.

Well, this was my original

sketch, but we had to modify

the pants a little bit.

I'm keeping the top as is.

And I thought a nice circle

skirt might work in the linen,

and lining it with this

georgette.

I don't understand this with

this.

I was originally gonna do the

pants and the georgette,

but I wanted to simplify it,

so I decided to do a skirt to

make life easier.

Ivy's design, I mean, it was

just dumbed down and dumbed down

and dumbed down and boring.

I think that the print on the

blouse looks careerish.

I agree with Michael.

You need to release yourselves

from the print.

It does not take me to

a resort situation.

For Michael kors to come in

and kind of just tell you what

you're not doing right, it's

difficult to hear because we're

at such a vulnerable stage.

You've got to make sure that

you can really get your seams

gorgeous here.

If Ivy can give me a clear

idea of what I need to do,

I can do a good job.

You know, Ivy's a powerhouse,

and she's a bossy Lady.

And good luck, Michael d.

I was just going to have

this silhouette.

And I was going to have it have,

like, a long sleeve attached

to it with sort of, like,

a ruffle.

I think you should be careful

that the arm hole and the back

of it feel sexy enough.

Okay, yeah.

So it doesn't look like she's

just in a black prison matron

sack.

Right.

So all right, well, good

luck, and looking forward to

seeing it.

This is my look that

Valerie's working on, and it's

a one-piece bathing suit.

And then we're using this silver

silk to do a wrap.

A lot of work you have there.

Yeah.

Well, I think I'm gonna make

that first and then--

this is very time-consuming

to get that thing right.

And it's got to be hemmed

beautifully.

Right, doing a baby hem.

We judges are hem-obsessed.

This design is something

that's really relaxed but also

can kind of act as a cover-up.

It's like a little vest.

Right, right.

And then the top is just gonna

be a bandeau, and we're using

this knit for the bandeau.

I don't get that blue--

well, first off, I mean, you

keep going back to colors that,

I mean, quite honestly no one

likes.

I mean, the addiction to this

cadet blue and the bordeaux,

I'm telling you, like, move on.

I've been in the top four

times now, and I've not won yet.

And I just keep wondering why--

like, why can't the judges see

value in what I do?

Designers, I want you to

thank Michael kors for this

extraordinary experience.

Michael, it was wonderful.

Thank you.

See you on the runway.

Work hard, everyone.

So you're wearing my look,

she's wearing your look,

but I'm sewing her look,

and she's sewing my look.

That's a little big.

I suck at sewing what Ivy's

got.

You know, that's clear, and

that's honest.

It just looks way too short.

I feel really terrible.

I can make another one.

I think we might have to.

I'm so frustrated because

I don't even have a garment to

try on the model other than

the shelf for the top.

I'm just telling Michael,

"you know, we just need to have

this finished, and we just don't

have time for this going back

and forth."

Nice.

Yes, good job.

I miss you guys so much, mom.

I came into this competition

extremely uncertain of how I

would perform.

And I started doing really well.

I was really blown away, and I

was really proud of myself.

Well, it's just hard here, you

know, 'cause we're sewing every

day all day, and it's pretty

intense.

And it's just, you know,

sometimes, like, whenever it

gets hard, you just want to,

like, talk to your mom, you

know, or--

if I don't get to fashion week,

I sacrificed so much time

and so many relationships to be

here.

I'm sorry, I just miss you guys

so much.

I wish I could see you right

now.

Why are you crying?

Don't need to be sorry.

No, I just--

we love you.

I love you, mom.

Bye.

Okay, bye.

If I don't get there, I just

feel like everything's gonna

die and I'm gonna let so many

people down.

That's why I need this.

I don't just want it.

I need it.

Coming up on

Project Runway...

This probably makes you

insanely nervous, huh?

If we can just finish.

I could just feel her crazy

energy.

Ooh, let me finish hemming

it.

I'm gonna work my ass off,

because going home isn't an

option for me.

Are you guys excited for

the runway?

No.

Yes, I'm excited to hear,

"Christopher Collins..."

"Please, step forward.

You may leave the runway."

It was really fun yesterday.

The Twist kind of freaked me

out at first.

But it's interesting because,

like, I'm doing something that

I usually wouldn't do.

"Casanova, please step

forward."

I think everyone in the

workroom had a good

communication with their sample

maker and their designer.

I think so too.

"Michael drummond, please

step forward."

No, they're going to make me

go home.

How 'bout you, Ivy?

Well, it was interesting

working with Michael.

I just feel it was challenging

because a lot of the technical

terms he didn't really know.

I was worried about this day

all last night.

I'm not finished with Ivy's

look.

Ivy's freaking out.

She doesn't trust me.

It makes it harder.

I definitely have a feeling

that I might be on the bottom,

because it's too late to even

think about a new concept and

we only have two hours left,

so I'm going to make sure that

Michael d. Keeps his end of the

deal and finishes my look.

It'd be great not to feel

like you're a complete doo-doo

head.

Okay, let's work on your

stuff.

We got to get some [Bleep]

Done.

It doesn't have to be as

clean in the inside.

You can just cut it to finish

it.

Oh, I look how you did the

hook and eyes there, cute.

'Cause a zipper would be too

heavy.

Yeah, that's a good idea.

This is where we have to

regroup.

We have to really, really play

smart.

I'm not gonna second-guess

myself anymore.

I'm gonna work my ass off.

Because going home isn't an

option for me.

What are you gonna say on the

runway about this whole process?

I'm gonna say that you knew

exactly how I wanted my garment.

And the construction was not

only magnificent, but the

collaboration was very

acceptable as well.

Michael Costello has caught

me off guard.

I was such a jerk at the

beginning.

But we have two beautiful

garments, and I think we're

ready for the runway.

I'm really not worried at all,

to tell you the truth.

Good morning, everyone.

Morning.

All right, you have two hours

to send your models to the

L'Oreal Paris makeup room and

the garnier hair salon.

Channel Nina Garcia and Michael

kors when you're using the

piperlime accessory wall.

You will have your look back

in your hands ten minutes before

we're going to the runway.

So you can do final tweaking

and work on the look.

But your sample maker owns

the work until that moment.

Okay.

Your models are coming in

shortly, everyone.

Work hard.

Thank you.

Bye, Tim.

Yeah, it pinches a little

bit.

This is the ones, sticky

ones, but I think we'll just

use this one.

That looks great.

Mm-hmm.

Yay.

I took Michael's advice,

and I switched the color,

which was kind of a bit much

since we're kind of halfway

through the first cup.

If it was lower, then this

wouldn't hit her [Indistinct].

Andy's a fast sewer, so I was

really trusting that he would

bang it out.

Should I take in just a

little?

Actually, you can use it

over there.

Yeah, it makes you look

really chic.

I believe that my look on

the runway is going to be

awesome.

"Your construction is flawless.

Your sense of glamour is

amazing.

Blah, blah, blah.

You are out."

And, lenka, I just want you

to have, like, lots of fun,

lots of energy.

Smile.

Really, really playful.

Okay, smiling?

Yeah, yeah, smiling.

Let me zip these shorts up,

and you're gonna walk,

and I'm gonna watch your ass,

so don't be offended.

I can see your ass.

No way.

He has to go back and add two

triangle panels to drop the

shorts lower so they would

cover her ass, literally.

And my ass.

Ivy, it looks fabulous.

Is that what you were

envisioning?

Mm-hmm.

My look that Ivy's created is

fantastic.

You have 40 minutes.

All right.

I'm a little frustrated,

but I'm just trying to keep it

together.

It has to be on the right side,

'cause right now you have it

coming on the wrong side.

Right, right.

I'm not as good as Ivy,

my process is not as fast,

and I don't have such a huge

resume, but that doesn't mean

that I'm bad.

The seams will go towards

center front.

Oh, really?

Yes.

So, like, that's fine?

Yes.

And then stay stitch it.

Okay.

And then topstitch it.

Stay stitching is when I take

this and stitch it right there,

right?

I'm almost feeling like I'm

turning into my mother.

And you don't want to see

a korean get angry,

let me just tell you, uh-uh.

This probably makes you

insanely nervous, huh?

You just finish.

What'd you say?

If we can just finish.

We can finish.

Yeah.

I could just feel her crazy

energy coming off me.

I would never do that to

someone, even if I was

completely freaked out.

You actually wanna do it on

the other side so it doesn't

catch it underneath it.

Okay.

So do it like this?

Exactly.

Where's my sleeve?

I think we're gonna have to

leave it.

I don't think there's time.

[Sigh]

We need to tan her up.

We wanna to keep her looking

really like she's just come off

the beach.

So really fresh golden tan.

Mm-hmm.

Sounds good.

Cool.

Okay, I'll see you in a bit.

Beautiful!

Can you do, like, a lot of

mascara?

Just to pull out her eyelashes.

[Laughing]

I just wanna keep it

au natural, and play up the

beachy vibe that I'm sending

down the runway.

I basically want her to look

like a really sophisticated

woman on vacation.

I wanna have some volume and

some curl in there like there's

a little bit of salt in there.

I'm gonna have her have an

April sloppy bun.

Just kind of edgy and raw but

still sophisticated.

Do you want, like,

cheerleader ponytail?

Think wet.

You know, like coming out of the

beach, and just, like--

high shine.

Exactly.

Straight.

Yeah, high shine is the exact

word.

Designers, you may now take

possession of the garment you

designed, all right?

And in ten minutes we're going

down to the runway.

Thank you, everyone.

Ivy and Michael...

Hi.

You may now take possession

of the garment you designed.

Bye.

Can you bring my skirt--

I'm getting it.

Thank you.

I was really happy to get out

of that chair.

It was, like, a unanimous, like

whooh!

I need the skirt, I need the

skirt.

Thank you.

I know we have ten minutes left

before the runway, so I'm trying

to scramble as quickly as I can

to get the straps on the top

so the model is not busting out

of them.

Sorry.

That's okay.

You need some thread threaded

for you on a needle?

Yes, please.

Donna?

Can you take your pants off, put

your shoes on, and be ready when

I have to dress you?

Thank you.

Don't worry about your hair.

I'd rather you french braid.

[Bleep].

Designers and models, we're

going down to the runway.

Follow me, please.

My piece looks fabulous,

Ivy's design looks like [Bleep].

And I feel awful.

April and Christopher.

Ivy...

Coming!

Andy...

Valerie...

We've gotta go, go, go, go.

Is that it?

Yes.

Coming up on

Project Runway...

This was very disappointing.

There is nothing cool about this

outfit.

You still threw him under

the bus.

Hello.

All: Hi.

Welcome to the runway.

As you know in fashion, one day

you're in and the next day

you're out.

There are ten of you here.

And after tonight, there will

be nine.

Michael Costello, you were the

winner of the last challenge.

Which means that you have

immunity and cannot be

eliminated.

For this challenge, our very own

Michael kors asked you to

create a resort look that wows

us your point of view as a

designer.

And then we gave you a little

Twist.

We paired you up and asked you

to instruct a fellow designer

on how to execute your look.

The designer who created the

concept will be judged and

responsible for their own

design.

All right, let's meet the

judges.

First, we have CFDA lifetime

achievement award-winner,

Michael kors.

Hey, guys.

Hi.

Fashion director for marie

claire magazine, Nina Garcia.

Hi, everyone.

All: Hi.

And stylish American actress,

starring in the upcoming movie

you again, kristen Bell.

Hello.

All: Hi.

We will score your designs as

they come down the runway.

One of you will be named the

winner, and one of you will be

out.

Okay, let's start the show.

When I see my look walking

down the runway, the lights are

picking up the metallics in the

jumpsuit.

It looks shimmery.

I am feeling very confident

right now.

I'm excited because, you

know, it's cheerful and fun.

It's sunny.

The only thing is that lenka

isn't bringing the bubbly

spirit I'm trying to show to

the judges.

My design looks amazing.

It's beautiful, and it's chic,

and really sexy, and glamorous.

Ivy executed my piece really,

really well.

And I think I have a chance at

being in the top three.

I don't think it looks that

great.

I'm thinking that I basically

screwed myself on this

challenge, because it's just

horrid.

I know it's not all my fault,

but Ivy's unhappy with it.

And it looks boring and bland.

She kinda looks like the statue

of liberty.

My look on the runway is very

soft.

The drape is very nice.

It's beautiful.

When I see my look come down

the runway, I'm really excited.

She looks so sexual.

It looks like this dark,

romantic vision that I had.

This remote island that was this

crazy-ass asylum.

I love it.

It's perfect.

Good job on the execution,

my friend.

I'm so happy with my look.

I feel, like, more comfortable

than before.

I'm going to be okay.

I just think Heidi would love

my look.

But everything here is, like,

unpredictable.

I think it has richness, and

luxury, and the essence of

resort.

And I think Michael kors would

like it.

So we'll see.

I'm really happy with my

look.

But just, like, little things I

notice on the runway that I

wasn't thrilled with.

I noticed some of the panels are

kind of popping out, and it

wasn't how I would do things.

Damn, that's coming out a little

bit.

My design looks really great.

She is this glamorous,

sophisticated woman on vacation.

If I call your name, please

step forward.

Andy.

Casanova.

Mondo, please step forward.

April

Ivy.

Michael drummond.

If I have not called your name,

congratulations.

Your scores have qualified you

to move on to the next

challenge.

You can leave the runway.

The remaining designers have the

highest and the lowest scores.

One of you will be named the

winner...

And one of you will be out.

One of you will be named the

winner...

And one of you will be out.

Andy, April, Michael, you three

have the highest scores.

Mondo, Casanova, Ivy, the three

of you have the lowest scores.

We're gonna talk to the

designers with the highest

scores first.

The lowest scores can leave the

runway.

I don't wanna go home, I know

that for sure.

But my resort time is me in my

living room in my underwear and

a t-shirt.

Well, you kicked it up a

notch from that.

Okay, let's bring out your

models and your tailors.

So it's you, you, and who's

the third?

Ivy.

And Ivy and I, this is the

third time we are in the bottom.

Right.

But who's in the top?

It's--

April...

Michael...

Michael d's in the top?

Michael d.

Is he?

And, um...

Oh, no.

There's gonna be some drama.

April, tell us about your

look?

I kind of wanted this dark

inspiration, because that's kind

of my aesthetic.

So I looked to the idea of her

being, like, captured.

And this is where I got the idea

of the intricate top.

And Christopher did an excellent

job, so it worked out really

well.

I think April, this very much

to me looks like you.

So I think it's really well

done.

I think the work that went into

the top, which I saw in the

workroom, was brilliantly

finished.

It's this tough, punk,

baby doll.

Which is kind of a cool thing.

I love it too.

I think that she looks super

hot, super sexy, but not vulgar.

Because you put, like, a real

big panty under it.

They are shorts.

Not, like, underwear, it's

shorts.

Let's have a look.

The top follows the short,

it's like function follows form.

That's why they fit so

nicely.

You think it's not noticeable,

but it is.

Kristen, what do you think?

I love, love this dress.

This is definitely something

that I would wear.

And I often describe myself as a

super punky edgy baby doll, as

you have said.

So this is right up my alley.

And I would wear it on the red

carpet.

Wow, thank you.

I think this looks stunning.

I mean, from head to toe.

It has movement, it is sheer,

it's got something going on in

the top.

It's fantastic.

Thank you.

Andy...

Tell us about your look.

I wanted something that was

versatile.

Living in Hawaii, I know a lot

of women who just live in

bikini's and cover-ups.

But I wanted to do something

more sophisticated, edgy.

So I did a one-piece bathing

suit that has this wrap that

actually can tie up here for

more coverage, or tie at the hip

for less coverage, depending on

where she's going.

And Valerie did an excellent

job executing it.

She had to do a swimsuit and

work with a fine silk-chiffon.

I think that it's very

commercial.

I can see tons of hot women

wanting to wear this on a boat

somewhere, cruising from place

to place.

I like it a lot.

I think it looks very

sophisticated.

I think the choice of fabric was

spot-on.

And it looks expensive.

I think it is really

beautifully done.

It's exciting, it's glamorous.

I mean, it's really an easy suit

for a lot of women to wear.

And that's actually the

reason I like it the most.

Because I don't think you have

to sacrifice beauty for

simplicity.

Whether you're a size 12 or a

size 2.

Thank you.

Michael.

So I made a simple

silhouette.

I went with this linen because I

thought it looked really

beautiful and expensive.

Ivy is an exceptional craftsman.

I think she did a fabulous,

fabulous job.

I was very lucky to have her.

Ivy, how was it working with

Michael?

It was just...A bit of a

challenge just because I don't

think Michael really knows how

garments go on and off.

So that was--I felt like in that

aspect I did help him.

What do you think about that,

Michael?

I think that that's actually

true.

We don't speak the same jargon.

Mm-hmm.

Ivy is very technical.

She went to parsons, I'm

self-taught.

I think it was difficult for

Ivy.

Well, it sounds like the

back story maybe was a little

complicated.

A little oil and water here.

But what we're talking about

today is the end result.

Mm-hmm.

And the end result is a

really fabulous-looking garment.

Oh, totally, I agree.

It works in every regard.

I love the black chain detail,

how it worked out, can I see

the back for a sec?

It's legitimately what you'd

wanna wear in the tropics.

The more I look at it, I'm

really falling in love with it.

I think that it's very, very

effortless.

It could work for women of

many ages.

It's just really, really

beautiful.

Thank you.

We've heard what you had to

say.

You can leave the runway.

Dude, that was tough, man.

Who's down there?

It's Ivy, Casanova...

Ivy, Casanova, and mondo.

Oh, mondo.

I didn't think they were

gonna like his because it's

very junior.

I'm really nervous for Ivy,

because she's gonna be at the

bottom because her partner's

skills were lacking.

I think it's gonna be between

Casanova and...

Both: And Ivy.

Mondo.

Hi.

Tell us about your look.

Well, when Michael approached

us with this challenge, honestly

I almost peed my trunks, because

I've never been to a resort in

my life.

I don't even know what resort

wear is.

So I like to play with color, so

that's just what I did.

This was very disappointing,

mondo.

It looks very inexpensive, and

it looks very junior.

Okay.

The whole--I--well, I don't

know what resort is because I've

never been to a resort and so

this is what I'm presenting--I

think that's a cop out.

Every designer, regardless of

your aesthetic, does a resort

collection.

Okay.

Doesn't matter who you are.

I would've liked to have seen

a little bit more of an idea for

an adult.

I'm just a tiny bit confused.

It just looks like a weird

assemblage of clothes from

forever 21 that were on the sale

rack.

Michael, how was it working

with mondo?

Him and I were not really

friends in the beginning.

But working with him, I've never

had more of an amazing time in

my life.

I have to say this was the

funnest challenge for me.

He gave the most amazing

direction.

And I think he collaborated with

me on a professional level as a

sample-maker amazingly.

And I'm really proud of him.

I'm proud of our energy

together.

And I learned so much about

myself, helping Michael through

this process, you know.

I mean, we're on the chopping

block and this is the result,

but...

Oh, well.

Ivy, tell us about your look.

The color palette that I

chose was something reminiscent

of the ocean.

It would have the movement of

the ocean.

But when I found out that I was

working with Michael, with his

limitations of skill, I had to

edit down a lot.

Because he had mentioned that he

didn't know how to execute a

pant.

So I think I changed my skirt

design probably about two times

because I was worried that he

wasn't going to be able to

finish in time.

Michael, how do you feel

about that?

I didn't say I can't execute

a pant, I just said that I'm

uncomfortable executing a pant

in this amount of time.

I've made pants, and they fit

really well.

I can sew.

These fabrics were difficult for

me, and I did my best.

She probably had seven

different fabrics.

I had four.

But by buying all of those

fabrics, and in some instances

buying so little of them, you

can't really do much with them.

Well, the silhouettes that I

had in mind, I could have.

I don't know.

All I can tell you is the top

and the whole outfit just has no

personality.

I agree.

It's a yawn.

It is.

What keeps coming up is that

you're very good technically.

But I question if you have the

ideas to really be a designer.

Be a good designer.

I'm just very disappointed

that I wasn't able to execute

my look for you.

Michael, I probably saw you

roll your eyes ten times while

Ivy was speaking.

Working with her on a

previous challenge, I was

terrified.

I don't know if Michael was in

the same category as I, but--

then you shouldn't roll your

eyes.

I'm just saying that...

I just see your eyes rolling.

You can be pretty bossy,

that's all.

Ivy, as trained as you are,

you have to be the type of

person that can look at

Michael's strengths and say,

"okay, how can we best win

together?"

In our defense, I have to say

we did do that to see where

Michael's strengths were.

But now, with all this

explanation why your outfit

looks the way it looks, you

still threw him under the bus.

Well, I'm here for the

competition and I need to defend

my look, so this is what I'm

doing.

I don't think that's throwing

him under the bus, I think--

totally!

Okay.

Well, that's your opinion, but--

is that not throwing him

under the bus?

Does sound a little bit like

she's throwing him under the

bus.

Like, your outfit is not

good because he couldn't sew it.

So that to me is throwing him

under the bus.

All right.

And you right with him.

Casanova, tell us about your

look.

I have to say that I really

love my look.

Not intentional, unintentional--

I don't know if this word is

correct.

Unintentional.

Unintentional.

I'm making stuff connected to

my grandmother.

I've been in resorts hundreds

of times...

[Clap]

More than welcome the critiques.

So...

It's a little bit

unfortunate, this look.

Especially when you start

talking about your grandmother,

and you designed with your

grandmother in mind.

This does not really read

vacation to me.

I think if the challenge was

to make something for a

70-year-old woman to go sit in

a mall and getting back to the

house early so she can watch

television, you've succeeded.

But the reality is it's a runway

show.

So the fantasy needs to be

there.

I'm generally attracted to

neutrals, and there is something

about this that doesn't have

enough for me to want to love.

It might not have worked this

time.

There is nothing cool about

this outfit.

It is so mumsy.

Here's what I don't understand,

I've seen extremely sexy from

you.

Maybe too sexy.

And then this extremely matronly

from you.

It's either she's almost naked

or she looks like she's 70 years

old.

Where is the middle ground here?

I got it.

Okay, we've heard what you

had to say.

We're gonna have a little chat,

and then I call you back out.

You can leave the runway.

Thank you.

Hey, guys.

Hi.

Hey.

What'd they say about you

guys?

They attacked me about the

old-fashioned Lady.

Dah, dah, dah, dah, dah.

No, I think it's me.

Because, well, they said, "well,

we've heard that you're a really

great sewer, but we wonder if

you're a great designer."

No, I was--I was trying to give

them a perspective of--no--how

it was going.

And it came across as I was

throwing him under the bus,

and you know, I'm sorry.

It's okay.

That was the most poorly-sewn

garment I've done since I've

been here.

And I really think in hindsight

it's because she didn't trust

me.

Let's talk about the

designers that we did like.

Let's talk about Andy.

He managed to have something

that was dramatic and very him.

It was very wearable, it was

saleable.

And the other thing, he made

a bathing suit.

And a very good-looking bathing

suit.

Let's talk about Michael

drummond.

It's definitely something

someone would wanna wear in a

resort.

This idea of all these cutouts,

and the interesting neckline and

the straps.

Also, he left her clean, and

polished, and pulled-together.

I think that he really did

have a clear, concise idea.

He managed to explain to her

what he wanted.

Because he ended up with a great

garment.

Okay, let's talk about April.

I love this dress.

She managed to give us this,

kind of, punky baby doll that I

think was very her but still

playful.

I thought it was very

editorial, very cool.

It's also wearable.

Yeah.

Which is the best of both

worlds.

Let's talk about the designs

that we didn't like so much.

Let's start with mondo.

These are just random,

colorful clothes.

Yes.

There's nothing unusual.

You can find them in K-mart.

There's an idea to be

respected about it...

You know.

That's colorful and fun.

Because, think about it,

let's say you had to shoot an

editorial...

No!

I don't think so, Heidi.

I don't think I could get away

with it.

Not even.

This is for leny!

He is your daughter's personal

couturier.

Ivy, too, I think that's

awful what she's made.

It's no design there, it's--

nothing.

Nothing.

If she is such a good

designer, I can't imagine what

she could've come up with to

salvage this blandness.

Also, I mean, talking about

Michael.

She really threw him under--

she threw him under the bus!

Completely.

I'm suspicious.

She's a seamstress, that's

what she is.

Yes, but she can't design.

Let's talk about Casanova.

He is very confused.

She's a hooker or a

grandmother.

Yes.

Going up a wheelchair ramp.

Nothing cool or modern.

There's nothing cool about

this.

No, nothing.

So we've made our decision?

Mm-hmm.

Let's bring them back out.

The six of you have the highest

and the lowest scores.

One of you will be named the

winner, and one of you will be

out.

♪ ♪

one of you will be named the

winner...

And one of you will be out.

Michael.

You're in, you can leave

the runway.

Hi.

Hi.

Hey.

I've never in all my life

been so glad that I didn't win

the challenge, that's all I have

to say.

Why?

Why, would you feel guilty

if you did?

What would you feel like?

Yeah.

A lunatic, right?

I would feel guilty too.

I was on the chopping block

with Ivy, and she was throwing

me under the bus, and I could've

easily thrown her back under the

bus but I believe in myself,

and I'm not going to retaliate

because it's childish.

April, we love your look.

Your resort look fit your

aesthetic perfectly.

And more importantly, it was

exciting fashion.

Andy.

Your bathing suit and cover-up

were both beautiful.

It was versatile, effortless,

and well-made.

The look was dramatic, but it

was still very wearable.

April...

Congratulations, you are the

winner of this challenge.

Are you serious?

Serious.

Wow.

Thank you so much.

It's nice to see you so

excited.

Nice to see a smile on your

face.

It's really nice to win,

thank you.

Congratulations, you can

leave the runway.

Thank you.

So I won the challenge.

[Cheers and applause]

I kinda got used to just being

safe and [Bleep], but I mean it

was really cool.

I mean, I worked really hard.

Congratulations.

Good job, man, for your help.

You're the one who won that.

You won it.

[Sigh]

I have a lot of crazy, crazy

ideas.

And I have a lot of potential,

and I think that they maybe saw

that, and it makes me feel

really good.

Heidi was like, "you should

probably be happy about this."

And I was just standing there

like, "is this for real?"

She's like, "yeah, it's for

real."

I was just like, "oh, okay.

Wow."

Andy.

Good job, you're in.

You can leave the runway.

Thank you.

Mondo...

You're in, you can leave

the runway.

Thank you.

Yes, I'm still in the game.

[Cheers and applause]

Ivy, Casanova...

One of you will be out.

Ivy...

We heard a lot of excuses and

blame from you today.

You were the one responsible

for your unfortunate fabric

choices and dumbing down your

design.

That's on you.

Casanova...

Your look could not have been

further from resort.

It was matronly, it lacked any

sense of sexiness, you were

inspired by your grandmother,

and it showed.

Ivy...

You're in.

Thank you.

But we encourage you to wow

us next time.

Absolutely.

You can leave the runway.

Thank you.

Oh, hi.

Oh, I'm safe.

[Gasps] Really?

Yeah.

Thank God.

I don't wanna be responsible for

someone going home.

Seriously?

You need to stop doing this, I

swear, because I'm having

a heart attack.

You?

Me!

Don't worry.

Oh, stop.

God.

I love you.

Casanova.

[Chuckles]

I'm sorry, that means you're

out.

Auf weidersehen.

Ciao.

[Gasps]

[Giggles]

Casanova.

What's he do--

[all laughing]

Sad?

Zero.

Disappointed?

Maybe a quart.

Bye.

It's gonna be weird without

having Casanova here being like,

"designers on deck."

And calling me paulina, and...

You're leaving your paulina.

[Laughing]

You've made it fun.

Oh, yes.

I was so nervous, thinking of

New York.

Take me, or I take New York from

the balls.

Do I see a big old question mark

over your head?

Yes.

Did you understand the

question?

No.

I'm making clothes for old

ladies, sluts, flamenco dancer--

no, you're not.

And I'm even getting fat!

Maybe I've just been so

sensitive.

Oh!

Thank you.

[Laughing]

I know how to make it works.

Exactly.

Exactly.

Casanova's a great guy.

And he's definitely the

personality of the bunch.

'Cause he was just so carefree

and so lighthearted.

I really am gonna miss him.

Exactly!

Aw!

Casanova...

What are we gonna do without

you?

I live very close from here.

[All laughing]

So I have to send you to the

work room to clean up your

space.

We're gonna miss you.

Mm!

Casanova.

Bye.

[Speaking alternate language]

Oh, you've been so much fun.

Maybe I will have another

opportunity.

Because in life, everything is

about opportunities.

Right now, I have to say that I

grab one ball of New York, and

New York grabbed one of mine.

Next time on

Project Runway...

I am honored to be standing

in front of photographs of

jacqueline Kennedy.

Jackie wouldn't wear goth,

you know what I mean?

Jackie would not wear goth,

you are right.

Jacqueline Kennedy was a

fashion risk-taker.

and so it's gonna be a statement

piece.

Mondo, I don't wanna Rob you

of who you are, but, boy, I

question that.

Jackie Kennedy would not have

camel toe.

That you would think that

that's American sportswear, I

think it's insulting.

It looks a bit sloppy.

I feel like I'm on a

different planet.

This is a train wreck.

M.C. Hammer meets the beverly

hillbillies grandmother.

Visit mylifetime.Com to learn

more about the fashion you've

seen on tonight's show.

-- Sync by elderman --
-- for www.addic7ed.com --