All language subtitles for Project_Runway_S08E02

-- Sync by elderman --
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>> Previously on

Project Runway...

Welcome to Lincoln Center,

the new home of New York Fashion

Week.

[Cheers and applause]

>> your first challenge is

actually the last phase of the

audition process.

>> to only have five hours was,

like, aah!

>> oh, [Bleep].

>> is the transformation putting

the kimono on backwards?

>> it could be because of the

time restraint.

>> is it sexy, or is it vulgar?

>> this insanity.

>> it looks very hick outfit

night at the bar.

>> she's a pole dancer in Dubai.

>> I think it is butt-ugly.

>> the styling, it's a train

wreck.

>> for this challenge, we had

a rare unanimous decision.

Gretchen, you are the winner of

this challenge.

Congratulations.

McKell, I'm sorry, you're out.

>> moving into Atlas is so

surreal.

We made it here.

>> okay, so now I'm finally on

the show?

Like, what's next?

>> This is Project Runway.
Larger Than Life
Original Air Date on August 5, 2010

>> yes!

>> let's go!

>> the search for the next big

fashion designer.

>> I was born ready!

>> you know you love this.

>> you're either in...

>> or you're out.

>> it's about fashion.

>> who will be the next great

fashion designer?

>> I'm the best there is.

>> 17 designers.

>> this is my chance.

>> three finalists.

>> but only one can be

the winner.

>> it's Fashion Week or go home.

>> I've come way too far to

lose.

>> for these 17 designers,

Project Runway is the chance of

a lifetime.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their own

line, a fashion spread in

Marie Claire magazine,

a $50,000 technology suite

from HP and Intel to create

their vision and run their

business, and the opportunity to

design and sell your exclusive

line on Piperlime.Com.

The model paired with the winner

of Project Runway will receive a

fashion spread in Marie Claire

magazine and $25,000 from

L'Oreal Paris Studio Secrets

Professional.

>> good morning, ladies.

>> wake up.

>> oh, man.

>> so I wake up this morning,

and I am dead.

Like, literally dead.

Like, take my pulse, it's not

there zombie sort of thing.

I'm pretty sure this show is not

about fashion design.

It's about public torture of

designers on television.

>> moving into Atlas was such a

good experience because it meant

that I made it, it meant that I

was in it, and we were ready to

go.

>> I was pretty shocked that

McKell was the one to be booted

off.

I feel--

i feel a little bit sad for her.

I was kind of shocked that

McKell left.

Her dress was very safe.

It was cute, though.

I mean, I just didn't think that

she deserved to go home.

I really didn't.

Yeah, and one bathroom.

Are you kidding?

We'd never get out of here.

>> actually, you know what's

probably gonna be a worse room

is the boys'.

>> Peach is really, really

sweet.

She's like--

she's like my surrogate mother

right now--it's so cool.

>> high-maintenance boys in that

bathroom.

>> shut up, you do not have the

airbrush makeup thingy.

Does it really work?

Does it work good?

Is it, like...

>> ugh.

>> I only know Casanova so far.

Like, I haven't really had

a chance to talk to the other

guys.

There's a little bit of

nervousness.

And then Jason's really quiet,

and Christopher's, like, this

hot guy.

And Mondo, my first impression

is a weird guy, you know.

>> I think it's a lot of

different personalities in one

room, all the time.

And usually, I'm pretty much,

you know, by myself.

If I don't click with people

right away, I tend to run away.

>> you want me to do yours?

>> so it's been really

difficult.

>> let's blow this joint.

>> all right.

>> the hell hounds await.

>> yeah, I don't want to waste

any time.

>> hello, everybody.

>> all: Hi.

>> congratulations.

You made it through the final

audition of Project Runway,

and you are officially on the

show.

[Cheers and applause]

>> furthermore, you should all

be very proud of what you

achieved in the last challenge,

especially given the time frame.

>> thank you.

>> it's finally sunk in that I'm

on Project Runway.

And this is absolutely crazy.

>> we're thrilled to have Joanna

Coles, Editor and Chief of Marie

Claire magazine with us today.

She's going to tell you all

about your next challenge.

>> for this challenge, Marie

Claire wants you to design

a look that tells the audience

in a single brief glance who

the Marie Claire woman is.

She's intelligent, she's

practical.

She's fashion-forward,

confident, and sexy.

The winner of this challenge

will have their look featured in

the Marie Claire billboard

campaign running in New York's

Times Square.

>> that is super-exciting.

I mean, that is huge!

>> who gets on a billboard,

unless you're, like, a Calvin

Klein model, or U2?

>> getting your garment on a

billboard is huge.

Because that's a huge prize for

the first challenge.

>> it's going to appear 40-feet

tall, so bad workmanship will

show up.

And the billboard image will be

photographed by one of the

hottest fashion photographers

around, James Macari, who shoots

the Victoria's Secret campaign,

and does many fashion shoots for

Marie Claire.

>> I would love to tell

everybody, "hey, go to

Times Square, look up."

And there is my piece on

a 40-foot billboard.

It's just so operatic, I can't

stand it.

>> you have one day for this

challenge, which, compared to

what you just went through

is a luxury.

Say good-bye to Heidi and

Joanna.

We're headed off to the work

room at Parsons.

Come with me.

>> bye, everybody.

I'll see you on the Runway.

>> all right, designers, you

have 30 minutes to sketch, all

right?

>> all right.

>> and I will return.

Work hard.

Thank you.

>> see you, Tim.

>> my vision for this challenge

is, you know, grunge, punk rock.

Immediately, the image of kind

of Courtney Love and

Gwen Stefani, Blondie.

An outfit that they would wear

to a rock show.

That's what I'm sketching.

That's what I want to do.

>> I'm trying to sketch, and

nothing's happening, so I just

think, just run to the fabrics

that you love, and you'll figure

something out.

>> so what I decided to do is

something that I haven't done

yet, and I threw myself a curve

ball and decided to do pants.

It's all about shape and...

It is going to be very

Marie Claire.

>> during sketch time, I

actually make a list, you know,

which I don't think a lot of

designers do.

They draw their design and

whatever, you know, and I make

a list of the things that I know

i need to get...Like what kind

of fabric I want, the colors...

The color story, you know, and

like the notions, the zippers.

'Cause I will forget about that,

you know?

And once I get back into the

workroom, that's when I start

designing in my head.

>> my design is the infinity

dress.

It was a concept I had in my

mind for a long time.

It also represents an 8 for

Project Runway, season 8.

I like this idea because

infinity's a very positive sign.

People get anxiety and fear when

they think about death.

And infinity is just, you know,

it's forever.

What's better than infinity?

>> designers, sketching time is

up.

Bring with you whatever you need

for our shopping exposition at

mood.

It's our first trip to mood.

Very exciting.

You have your $150 budget.

All right, you have 30 minutes

beginning now.

>> $150 is not much to make

a sophisticated gown.

But the time to find the fabric

is not good.

>> oh!

>> I'm sorry!

>> ahem.

>> I'm doing a very, very cute,

architecturally detailed

miniskirt...And it has a very

drapey silk top...

With this idea where I've taken

a complete circle, and I'm gonna

be draping a little jacket out

of it.

The thing's gonna be absolutely

amazing and really innovative.

>> what I'm looking for is

a cotton, tweedy, houndstooth-y

kind of thing.

Isn't there one more lane down

here?

All they have is wool.

And I grabbed this polka-dotted

stuff and this brown dupioni,

and it's bad.

>> oh, my God!

What a nightmare!

I can't find the right color

that I was thinking in my head,

and with the stress and

everything.

My concept was a little more

translucent with stiffness.

>> you have five minutes.

>> [Strangled cry]

I'm going for something that,

you know, was timeless and

classy, and it's a classic

take on a trench dress...

Modernized and sexified.

>> okay, everybody.

That's it. Time.

Thank you, mood.

>> all: Thank you, mood.

>> we'll be back.

All right, designers...

You have until midnight tonight,

so plan on finishing tonight.

And if you have some tweaking to

do, you can do that in the

morning.

>> what I'm struggling with

right now is the fact that I

made the wrong fabric choices.

I love polka dots.

I love bright colors.

So that's kind of what's hanging

me up is I'm not moving outside

of that comfort zone.

I'm sitting right where I'm

comfortable, and it's the same

thing over and over.

>> somebody messed up the

tension in here yesterday.

>> yeah. There's something wrong

with this one.

Wow, look at all these broken

needles in here.

Somebody's been going to town.

I don't remember the last time

I ever broke a needle.

That's just--I don't remember.

>> kristin--she's a little

headstrong.

I'm not gonna lie, like...

She thinks that she is

the [Bleep].

>> I wasn't gonna do contrast

on my coat--I wanted to, but I

figured if I do contrast then I

make it look too Ann Taylor.

I-I am super-torn, like I was...

I'm going back and forth in my

mind between like which color

fabric...

Think maybe I'll just use red

piping...Or I mean, black I

could, but I didn't get any

black.

White, maybe?

So I'm a little nervous.

>> the back shoulder is...

It should be there.

More up to the front than the

front to the back.

>> are you asking me?

>> yes.

>> if I--what do I think?

>> like this, like this.

>> I mean, no offense, I--

I'm not gonna help you pattern.

Sorry. I'm sorry, I'm not.

>> that's okay.

>> I'm just not.

I don't want to be rude, but I'm

not gonna help you pattern.

This is like--this got real

serious today.

You want like...

>> no, no, no, that's okay.

That's okay.

I don't know what happened with

a.J.

I just asked simple question.

I think he's very into the

competition.

I respect that.

Most of the designer, they share

the stuff, they learn.

They make opinion.

I don't--I don't take it

personal.

If this is the way he is, I'm

cool.

>> I'm not gonna sew it for

you.

>> coming up on

Project Runway...

>> what's this?

I think it looks cheap.

They look discordant.

>> and I really don't care about

what the other people think.

They don't really interest me.

>> I'm just baffled.

>> our challenge is to design

a look to advertise for Marie

Claire on a billboard in times

square and, uh, I'm really,

really excited about it.

>> how is everybody?

>> fantastic.

>> good.

>> really?

Valerie.

>> hi, Tim.

>> I'd love to hear what you're

doing.

>> I was thinking of a classic

trench coat dress but...

I'm having the skirt be fitted.

>> I have to say, I really

respond positively to that.

>> I think Valerie's work is

really incredible.

>> where's your zipper?

>> and I think she's my top

competition.

>> does it look too brassy?

>> yeah, for me...I think it

looks cheap.

>> oh, gosh, Tim, that's the

kiss of death.

>> see? It is.

>> no.

>> so keep it clean.

>> okay. I'll keep it clean.

>> go, go, go, work, work, work.

>> I am, I'm gonna cut away and

get to sewing.

>> Mondo.

>> oh, hi, Tim.

>> listen, before we start with

this design, I have to tell you

something.

>> okay.

>> the last challenge...

>> uh-huh.

>> I have never seen a designer

take a matronly issue and make

it modern so instantaneously as

you did.

>> I can be honest with you--

I was really, really worried

about it.

After the critique, I was

feeling like I was gonna

give up.

>> oh, no, no, no--

and you didn't!

And it was like...Pow!

Anyway, you blew me away.

>> thank you.

>> so where are you with this?

>> I'm making this simple

two-tiered skirt.

For the top, I was thinking

about using this as a halter.

>> you--you have a sketch?

>> uh, no, it's all in my head.

I don't have a sketch.

>> all right, then I have to

give you blind trust...Which,

based on the last design, I'm

willing to do.

>> all right, thanks.

>> thank you, Mondo.

>> all right, bye-bye.

>> Jason.

Gorgeous colors.

>> thank you.

>> love your palette.

>> it's going to come down like

this, like an 8.

>> so it's two sides of an 8...

>> yeah.

>> overlapping each other like

a wrap?

>> yeah, kind of.

Like it's an infinity dress,

like 8...

Like for season 8

Project Runway.

>> Jason's mysterious.

I mean, he has like the bowler

hat all clockwork orange, you

know, but...

As a designer, I am not a huge

fan.

>> what I'm trying to do is mix

these colors--I want them to be

striking.

I don't know if I'm gonna go

this intense, but if it's gonna

be on a billboard, I think it

has to really come out at you.

And if I have the time, but I'm

not gonna force it--I'm gonna

finish one thing at a time--

I'm gonna maybe applique this

over that, you know?

>> what are those doing?

>> like alien...Like croppings?

>> all right. But I'm concerned

about you, I'm gonna tell you

right now.

>> okay...

>> I'm looking at our time.

I'm looking at all these scraps.

>> these are all perfectly cut

pieces.

>> but you need to put them

together.

>> yeah.

>> if they don't see something

that's superbly finished, they

will not have the patience.

>> I'm working one section at a

time, so I'll get done.

>> it's a lot of work.

>> okay.

>> do it.

>> okay. I'll surprise you, I

promise.

>> all right, Jason, thank you.

>> thank you.

Everything's stacked against me.

I'm a straight guy in a gay

man's world, and I'm just trying

my best here.

I mean, what the [Bleep]?

It's like, don't be so hard on

me, man.

>> first of all, congratulations

on being the first designer to

make the wall of fame.

>> thank you!

>> so now you have a tough act

to follow.

>> [Singsong] I know!

This is, to be honest, the first

pair of pants that I've ever

made without somebody helping

me.

>> oh. Is that a good thing?

>> yeah. I'm stoked.

>> I think that Gretchen's

talented, but the thing about

Gretchen is she's not creative.

>> and have you started the top?

>> I know I can bang the top

out.

>> all right...Less than four

hours.

>> I know!

>> okay, Gretchen, go, go, go.

Thank you.

>> thank you.

>> Casanova.

>> I'm doing something like

sailor.

>> sailor?

I mean, you went from...

>> prostitute to the virgin.

>> to a nunnery.

I mean, this is so matronly

looking.

I'm just baffled.

Do you know what I'm talking

about?

>> no, no.

>> Casanova is playing the card.

We hear him speak perfect

English in the workroom.

So feel like it's a little bit

of a front.

>> the judges are going to be

scratching their heads--this

can't be the same designer.

>> okay.

>> all right, Casanova.

Thank you.

>> okay. Thank you.

>> Nicholas, talk to me.

>> what I wanted to do with

challenge is, number one, how

much I can accomplish and also

how innovative I can be.

>> excellent.

>> and the back is my favorite.

I think it's beautiful.

>> mm-hmm.

>> the top that Nicholas made

has a striking similarity in the

back to what I made yesterday.

And I know that he thinks he

made a lovely dress, but...He

ripped me off.

>> I feel like it's much more

Nicholas.

>> what's this?

>> it's this concept of complete

circle.

And I'm able to drape it into

like this form.

Do you think that's not good,

'cause I was really excited

about it.

>> I'm ambivalent.

Only because I think that

there's a sexiness to this...

>> yeah...

>> whereas this--I mean, does

she become little red riding

hood?

Keep working.

>> thank you, Tim.

>> thank you, Nicholas.

>> Michael.

>> I wanted to do a fabulous

jacket.

I got this in the bag.

My jacket's the [Bleep].

It's beautiful.

All these other bitches are

going down.

>> it really worries me.

>> [Gasps]

>> it's old, it's...

Blanche devereaux.

>> no!

>> I don't know, I thought it

was very fashion-forward and

it's really gorgeous.

>> fashion-forward?

>> Michael's outfit looked a

little bit too...Bedroom, not

boardroom, so to speak.

>> just think about these

things.

Carry on.

>> how is Peach?

>> I wanted to do

a higher-waisted skirt and then

a little bit of a wrap and then

cover more in the back.

And I see the look on your face.

>> well, tell me what you're

thinking.

>> I'm lost.

Absolutely lost.

>> this and this--they look

discordant.

>> it seems like I need to start

over with something.

Now, do I start over with the

skirt, or do I start over with

the top?

>> it's about what you would do

and still stay true to who you

are as a designer.

The textile alone stays true to

who you are--

>> oh, good God, it was

screaming at me from the wall.

>> yeah, see, it was calling

your name.

>> it was, but...

>> singing you an operetta.

>> yeah, but it's off-key now.

>> well, it is...And at least

you know that.

>> I do know that.

>> okay, Peach, I'm leaving you.

Go, go, go.

>> all right.

[Laughter]

All right, I'm starting over.

>> what'd he say?

>> the skirt was a disaster.

>> what do you mean?

>> so plan "b".

I did exactly what he suggests

and start over.

Please don't, please don't.

I appreciate it.

>> I hope it doesn't look like

a wedding dress.

>> I'm gonna work in a little

piece of the orange, and then

I'm taking the mesh...

So that it knocks it down so

it's like a gradient.

>> little scared about the

orange.

>> I love the orange.

I think the orange is the best

part.

>> oh.

>> do you think this is chic?

>> I like the front.

>> you don't like the back?

>> you need to finish that.

>> how are you holding up?

>> me?

>> yes.

>> I don't know, I just hope

I get [Bleep] Done, man, you

know?

>> I can't believe I didn't just

leave that outfit alone.

My Twist on a bubble skirt was

not good.

It's so not me, guys.

So that went into the trash.

All right, back to the beginning

again.

>> designers...As you all know,

you're each creating a design

that you hope will be

photographed, blown up, and

placed on a billboard in

New York City.

Needless to say, this reward is

huge.

So with this in mind, there is

another element to this

challenge.

>> you know, it's gonna be like,

"make another dress out of your

scraps!"

>> I think there's gonna be

people that are gonna crack.

>> oh...Crap!

>> coming up on

Project Runway...

>> Gretchen, what do you think

with that belt?

>> what about Mondo?

Where is he?

>> I feel like this gift and

talent is a curse to me

sometimes.

>> there is another element

to this challenge.

Tomorrow morning...

You will each have a photo shoot

with a Marie Claire

photographer.

>> yes!

>> each of you.

>> yes!

>> I'm fine with that.

I'm so fine with that.

I'm pretty excited, because

that's actually a fun thing.

>> you will work with the

photographer and your model to

capture the image that you

believe best represents your

look and the Marie Claire woman.

Furthermore, your judges will

consider the image that you

capture, along with your Runway

presentation, when scoring your

designs.

So use the time between now and

midnight very thoughtfully and

very strategically.

And I am sending in your models

soon, all right?

>> Tim's talking about this

photo shoot that's gonna happen.

And this is another thing I have

to worry about.

I'm gonna have less time to sew

my garment.

I'm not gonna get it done, and

it's just sitting on my brain

now.

And it's like this baggage

that's there.

>> hi.

>> see you tomorrow.

>> I do too, but Tim hated it.

Tim's always, like, hated my

stuff.

I don't know why.

>> I need to do something

different, like...

>> yeah. That would be good.

That would be "gooder."

>> it's cool.

We're gonna do something like

this, you see?

>> oh, that's cool.

I like that.

>> it just, like, unfolds, and

you're gonna see the lining.

So you get dressed.

I'm gonna get sewing on this

'cause it's gonna be badass.

>> I like with the belt.

I like it.

Gretchen, what do you think with

that belt?

No?

I like with the belt.

>> oh, awesome.

We have plenty of room.

Yes!

I'm so excited.

I feel good about it now.

Okay, I can relax a little bit,

but not really.

>> Gretchen...

>> Casanova could be incredibly

annoying if he wasn't so

charming.

>> I need your advice.

>> that's not bad.

>> it's kind of...

>> yeah.

>> refreshing.

>> it is refreshing.

>> I like the...

>> the polka dots, yeah.

>> they're cute.

>> Tim did not like it, so

I started over, and then I came

back to it.

So we may be going home this

week, dear.

>> Peach started, I don't know,

like, three dresses.

She kept starting and stopping

and starting and stopping--

three different ideas.

>> this is pretty.

>> so she was worried, and I was

worried for her, 'cause she's

my roommate.

>> I know we're going home this

week, and I apologize.

>> we are not.

>> I decided to call you my

bosom buddy.Y.

>> Gretchen?

>> bosom.

>> bosom?

>> bosom--boobs--

buddy, 'cause we're close.

But we're close like...

>> hips buddies.

>> all right, hips buddies.

>> [Laughs]

>> it's kind of nice to have

people around you that you enjoy

being with.

And it's getting really hard to

not form friendships.

I thought Mondo was gonna be

a chipper chatter.

He is so quiet and so focused,

you don't even know he's in the

room.

>> I'm happy with this.

Are you guys happy with your

pieces?

>> I'm not gonna be happy until

it's done.

>> like, my top is all drapey,

but my model's [Bleep] Are so

big.

>> very nice.

Don't like big [Bleep].

>> I don't mind big [Bleep],

but, like, hers are so big.

>> whoa, Nellie!

It's getting crazy up in here.

>> it is not happening here.

By the time the clock hits

midnight, I am completely

defeated.

I was a maniac all day.

And it's done.

But I've got something on the

dress form.

And I have decided I'm going to

get a little sleep and map out a

plan to at least send something

plan to at least send something
down the Runway tomorrow.

>> to a great workday, and...

>> two more hours tomorrow!

>> to not going home.

>> I have the best roommates.

Oh, my goodness, like, Gretchen,

Ivy, and sarah--

we have the most fun.

We're really different, but also

really similar, and we talk for

hours.

>> all: Oh, my God!

>> like, I'm having the time of

my life.

>> did anybody see where Jason

is?

He's just so quiet and kind of,

like--everyone else, I feel like

I kind of have a feel of, like,

what they're about, both, like,

aesthetically and personally

a little bit.

I'm starting to, like, feel it

out.

But, like, with him, I still

don't have a clue.

Jason's really aloof, and I'm

not sure what his angle is yet.

He seems a little Shady.

>> I think we've all shared with

each other a little bit about

ourselves.

>> and he doesn't share anything

with anybody.

>> you know, it is what it is.

I have had the best time.

This has been so surreal for

somebody like me.

>> stop talking about it like

you're gonna leave.

Stop.

>> my only hope is that they

take mercy on the old lady.

>> hey, let's have a toast.

Well, what about Mondo?

>> he's having some.

>> where is he?

>> I'm really lonely, and I need

to connect with somebody.

And there hasn't been a

connection with anybody, to tell

you the truth.

And I think so many thoughts in

my own head, and they're

starting to beat me up.

>> I hope Mondo has earplugs,

dude.

>> we'll see him tomorrow.

>> right.

>> [Voice breaking] I feel like

I've never been loved for just

who I am and what I can give

back.

It's just always what I can

create as an artist.

I feel like this gift and talent

is a curse to me sometimes.

>> congratulations and

anything else.

>> to being alive.

>> coming up on

Project Runway...

>> wing it.

Yeah.

>> it looks like she's got

a stomachache.

>> the photo shoot is a little

intimidating.

>> that's feeling a bit weird

to me.

>> what did you tell her to do?

>> aah!

>> lighten it up a bit.

>> so what do you think about

finishing and then going to the

Runway?

>> I just hope we'll have enough

time to finish.

This morning we have a photo

shoot with Marie Claire.

I still have to do another

fitting with the model.

And we have hair and makeup.

Uhhhhh!

>> I'm really nervous.

>> are you scared you're gonna

go home?

>> yeah.

I think my biggest problem is

that I'm trying so hard to think

about what the judges are gonna

think.

I feel like a lot of people use

more color, and it's a lot more

editorial than mine.

>> yeah.

>> but I did have the attention

to detail.

The winner for this is going to

get a billboard in Times Square,

which is huge.

Do you know how many millions of

people pass through Times Square

every day?

>> your personality, your charm,

your defense, your styling will

totally win all.

>> I just really need to stay

centered and stay focused and

believe in myself.

>> clearly I don't think I'm

going home.

My bed looks like a disaster.

I've moved in.

>> I'm not ready to go home, but

i'm not ready for the Runway

either.

>> yesterday was such

a stressful day.

Coming into this, I always told

myself that I would roll with

the punches.

This morning when I woke up,

it was a clean slate.

And I'm gonna continue to do my

best and stay true to myself.

>> come on, you guys, let's go.

>> here we come, Parsons.

>> I think I'm gonna try to cut

this necklace apart.

But we've got not a lot of time

to pick everything out and get

everything together.

It's a little crazy.
Everything together.

>> good morning, designers.

>> all: Good morning, Tim.

>> how is everyone?

>> great.

>> you should be great.

I'm about to send in your

models.

You will have two hours to send

them to the l'oreal Paris

makeup room and the garnier hair

salon.

Remember, this is the

Marie Claire photo shoot.

>> Whoo!

>> this is your opportunity to

show the judges an enhanced view

of what they see on the Runway.

Think about that when you're

using the piperlime accessory

wall.

It's about attitude.

It's about your point of view as

a designer.

It's about the attitude of the

whole look.

All right?

Editorial, everyone.

Got it?

>> all: Got it.

>> okay.

>> how's it going?

>> it's going good.

I want to get done.

>> it's a little big?

It doesn't look big, that's the

thing, 'cause I want you to be

able to move in it.

>> I'm feeling okay this

morning.

The garments will be finished,

and I can have time to style

Cassie without having to, like,

worry about time at all, really.

>> yeah.

>> I think maybe the bangles are

a bit much, dude.

>> you think so?

>> yeah, 'cause she's already

looking a little punk, you know,

and it's Marie Claire.

>> I've been asking certain

people what they think.

>> I would say no earrings and

just keep the clutch, shoes, and

belt.

>> 'cause I just can't figure

out what I want to do.

>> take them off.

I'm back and forth here.

I've noticed that my best work

comes out when I really just go

with my gut and follow my heart.

I like the earrings.

Whatever, I like them.

>> hello.

>> hi.

>> hi. Tell me.

>> hi. So this is the dress.

>> gorgeous.

>> since the dress is pretty

strong and bold, neutral lip--

maybe a little matte.

Maybe just darken the eyebrows

so that they're, like, strong.

>> very velvet, red lips.

>> gorgeous.

>> really gloss the eye, but

with this kind of coloring.

>> taupe-y...

>> taupe.

>> I just want her to look

like a latina bombshell,

like, super exaggerated cat eye.

>> I'm gonna dab over this with

a little bit of eye shadow.

>> that--I love that.

Yeah, thank you.

>> so what are we doing?

>> so I want to do, like, a

fishtail up in the back.

And then I want to do a bun on

top of her head, about the same

area where mine is.

>> well, what I wanted to do

with her is Hollywood glamour,

like dita Von teese--kind of

like that wavy, controlled up.

>> because she's blonde, she'll

be a little more Marilyn than

she will be dita.

>> that's o--yeah, exactly.

Exactly.

I think that'll be nice.

>> okay.

>> okay.

>> we have what, five minutes?

The only redeeming thing

i have right now is the fact

that, you know, ify is covered.

And covered is good, but she's

covered with Barbie's sofa.

>> designers and models, time is

up.

You're going to the photo shoot.

So follow me.

>> so I ran out of time, and

i put the safety pins, which was

my backup plan, to where the

buckles were.

>> what does this piece do?

Is it a pocket?

Oh, flaps.

>> it's the infinity.

It's the eight.

If you look at it, the dress is

an eight.

>> I see it. Yeah.

Jason's kind of creepy, so you

never know if he's gonna come

behind you with the scissors and

just, like, boom!

So I try to be friends with him.

Like, "yeah, I love what you're

doing.

Oh, I get the whole infinity

thing, yeah."

>> it's a part of my process.

>> it looks like the infinity

symbol.

[Humming psycho theme]

>> come on in.

Hi, a.J.

I'm zanna from Marie Claire.

>> zanna, nice to meet you.

>> how are you?

This is mark, our photographer.

>> how you doing?

>> I'm really excited to get to

work with zanna.

She's someone who will be able

to give me some cool feedback,

and we'll get to do some really

cool things to show off the

dress and the accessories

i picked out, 'cause I feel

really good about those.

>> obviously, feel free to

direct.

>> make it work.

>> I like the arms down and

then just kind of, like...

I think it's really important to

show how our looks will look in

an editorial ad.

Yeah, that's great.

That's perfect.

>> it seems like her hands are

coming a little close together

almost.

>> it looks like she's got

a stomachache.

>> I feel like his work looks

like student work.

He's only 23, and I feel like he

does too much.

He doesn't know how to pull

back.

>> okay.

Great. Perfect. Good.

>> be loose with your bag maybe.

>> do, like, a jump.

>> there you go.

Great.

>> we're gonna do ten with it on

and then ten with it off.

>> entirely your call.

>> maybe, like, with one leg up

or something.

I'm feeling really confident and

comfortable.

Now I'm just nervous of

capturing the right shot.

You can see the silhouette on

her side and the back of it.

I'm going with 173.

>> so what was the main

direction here?

>> a powerful businesswoman.

>> Valerie's dress had a really

cool architectural shape.

And I feel like she had the

sense of futurism, and I like

that.

>> she's a vice provost/dean.

So she's pretty serious.

>> you're kind of excited.

Maybe you have a date.

You're gonna go have some fun

now.

>> we don't want to make it too

cutesy by a big smile.

>> not as much smile.

I got nothing from her.

Again, not so flat.

>> yeah.

>> there's no personality.

There's no fire.

There's no effort.

I had given up on the photo by

then.

>> sophisticated.

>> elegant and sophisticated.

>> elegant and sophisticated.

>> great.

[Camera shutter clicks]

>> act like you were naturally

walking, somebody calls your

name--you're, like, "oh.

Who's that?"

Eyen.

Great. Good.

>> Mondo is definitely

wackadoo, but it works for him.

>> while I was scrolling through

the HP touchsmart, I knew

exactly what photograph I wanted

to choose.

123.

>> well done.

>> tell me a little bit about

this dress.

>> it could be styled in so many

different ways.

And that's why I have the

user-friendly safety pins.

>> it's not working.

It looks like a mistake or a

hole in the dress.

>> Jason's dress didn't really

make a lot of sense to me.

The entire look seemed so

far away from Marie Claire.

>> what kind of, like, feeling

are we trying to get?

>> like, the tough look.

>> Marie Claire isn't so much of

a tough magazine.

It's feeling a bit weird to me.

>> absolutely, yeah.

Lighten it up a bit.

Let's see what you think.

>> I like this.

This one.

>> so jason--307.

Any tiny flaw is magnified by

hundreds on a screen like that.

But then imagine it being on the

billboard as well.

>> I know.

>> it's just, like--

it would be glaring.

>> the judges have to look past

these little closures, because

I'm not prototype Jack.

I can't pop things out.

It's emotionally draining and

physically draining.

>> coming up on

Project Runway...

>> is that a "walk of shame"

dress?

>> desperate housewives.

Oh!

>> what are you doing now?

Are you showing us her

underwear?

>> welcome to the Runway.

As you know, in fashion, one day

you're in, and the next day

you're out.

There are 16 of you here, and

after tonight, there will be

15...

Or less.

Your challenge was to create

a look that defines the

Marie Claire woman.

The winning look will be

featured on a billboard campaign

in New York's Times Square.

You also had the opportunity to

work with your model on a photo

shoot.

And since this challenge has

such a big payoff, no one will

receive immunity.

>> oh-ho-ho.

>> you had $150 and one day to

put it together.

All right, let's meet the

judges.

First, we have cfa lifetime

achievement award winner

Michael kors.

>> hey, guys.

>> hi.

>> fashion director from

Marie Claire magazine,

Nina Garcia.

>> hi, everyone.

>> hello.

>> and our guest judge today,

editor in chief of

Marie Claire magazine,

Joanna Coles.

>> hi, everyone.

>> hi, Joanna.

>> we will score your designs as

they come down the Runway, and

we will also take your photos

into account.

One of you will be named the

winner...

And one of you will be out.

All right, let's start the show.

>> I'm so confident in this look

right now.

I think she looks amazing.

And she pulls off the cloak, and

it's like, bam, there's the

look.

But I notice that, you know,

the judges don't really look as

impressed as I look.

>> I'm really happy with how my

piece turned out.

I think it's so beautiful.

I definitely think they're gonna

see that I know what I'm doing.

>> I think I stumbled upon

something.

It was impeccable the way it

was sewn.

She looks really badass.

She's rockin' out the look.

>> I'm happy with what I've

created.

I love the whole look together.

I think it's working.

I think the judges are going to

like it, and I feel confident

about it.

>> when I see my dress go down

the Runway, my immediate thought

is that it looks like amare was

impregnated by some weird alien

creature.

And it really, really worries

me.

I'm happy with the concept of my

overall work.

However, I don't feel like my

execution was up to my

standards.

So I'm a little worried.

>> two hours ago, I was done.

I was standing there with a

naked model.

Right now I'm very pleased with

what I made--

a tailored-to-perfection little

dress.

I'm thinking I can hold my own

here for a while.

>> when I see my dress, I think

I'm going to die, because I just

can't believe it is so short.

It should be a rap video.

I'm just going to use my poker

face.

I'm not gonna have any

expression, 'cause I know Nina

is watching me right now.

>> I'm happy with the entire

look.

Ekaterina totally worked it,

so I am happy with that.

However, in the back of my mind,

I'm still thinking, "you just

never know who could get sent

home, no matter how good you

think you are."

>> everything always translates

differently on the Runway.

And my dress on the Runway

really looks fantastic.

I mean, I really like my dress

on the model and in person, but

on the Runway, it's magnified

times ten.

It just beams.

>> I felt pretty confident.

The main thing that I worry

about, as far as, like, the

judges are concerned, was my

color choices.

I feel like it came across

pretty well on the Runway.

>> I am looking at the judges'

faces.

They're hard to read, but I feel

really good.

I feel really confident that

I could be in the top three on

this challenge.

When she does her little fanning

out of the sleeves, that was so

fun, and I think it was really

interesting for the judges to

see, because I don't think they

were expecting it.

And I think that's what will

keep me in the top is being

unexpected and being

interesting.

>> I think my model looks

awesome--stunning on the Runway.

Like, the sleeve--amazing.

She handle, like, everything

very nice.

But I'm a little bit concerned

about the color of the top.

I really don't like Navy.

I don't know why I decide that

disturbing color.

>> at first, I was nervous about

the fit on my model, 'cause

I could not work that fabric the

way I wanted to work it.

But when she walked down that

Runway, she sold it.

>> I felt so good looking at my

piece coming down the Runway.

Alexandra is my dream girl, and

seeing how the styling all came

together...

And getting to look over at the

judges and how they were looking

at it...

It was like magic.

>> when I see the dress walk

down the Runway, I wasn't as

nervous.

I see my skirt as this fun,

flirty garment, and eyen is

doing a great job walking down

the Runway and showing the

judges the bounce and the energy

that it has.

>> as I watch my garment go down

the Runway on millana, I think

that it looks great.

I'm super confident.

And it's really who I am as a

designer, but still keeping the

challenge in the consideration.

Overall, I'm not worried.

There's definitely a few people

that deserve to be in the bottom

tonight, and it's definitely not

me.

>> if I call your name, please

step forward.

Mondo...

Peach...

Nicholas...

Please step forward.

Jason...

Valerie...

Gretchen.

If I have not called your name,

congratulations.

Your scores have qualified you

to move on to the next

challenge.

You can leave the Runway.

Thank you.

>> oh, [Bleep].

>> [Gasps]

I know, I know, it's just...

>> you're just so excited.

>> ooh, no, no, I mean, like...

When I got called safe, I was

just thinking that this is the

one time I'm getting off the

hook.

So I started to lose it for

a minute.

>> the rest of you represent the

highest and the lowest scores.

One of you will be named the

winner, and one of you will be

out.

Okay, let's bring out your

models.

>> Valerie's out there right

now, and honestly, I have a

feeling that she's gonna take

this one home, and she's gonna

be the winner.

>> Valerie's screams billboard.

>> who do you think is gonna be

out?

>> I think Nicholas.

>> Nicholas.

>> Nicholas is, like, the

sweetest guy ever, but, like,

his finishing is just always

really rough.

>> how about Peach?

>> ooh!

She's got, like, major fit

issues.

>> she still styled it a lot

cuter than, like, Jason's combat

boots and his thing opening up

and everything.

>> so not Marie Claire, right?

>> no.

I don't know what that was.

>> I feel like those safety pins

are, like, coffin nails.

>> I've seen some of his

menswear, and he's a very, very

talented--

>> I think it would be so

unfair if Jason goes home.

>> Peach, tell us about your

look.

>> I think polka dots are

youthful and happy.

And I was thinking polka dots

for the billboard, because

I thought it would be

eye-catching.

>> when I think about

Marie Claire, I think about a

woman that is strong, powerful,

fashion-forward, hip.

When I look at this, I don't see

any of those things.

This looks like ladies at lunch.

There is no sex appeal.

>> it's like an amish cocktail

dress.

>> [Laughs]

Oh, no.

>> I think you really have to

watch the sophistication.

>> I don't think it looks young

at all.

On top of it, the styling

doesn't really help you.

She's got, you know, a lady bun

and the pumps.

It just looks very matronly,

very cliche.

>> my notes said it looks like

there's an animal climbing down

the back.

>> can we have a look at this

animal?

>> I added the brown pleating

just to give it a little

texture.

I definitely struggled.

This is my third dress.

>> so you made two complete

dresses before?

>> two skirts and a top and then

these two in the time allotment.

>> wow, so you can make a lot in

a day.

>> I can work fast.

>> Valerie, tell us about your

look.

>> I was very inspired by the

Marie Claire woman, and

I wanted to really embody the

spirit of New York as well.

So I wanted to create something

that was innovative, but still

simple and elegant--kind of

Carrie bradshaw meets

Samantha Jones.

>> I think it would be beautiful

in the picture.

There's enough detail to make it

interesting.

It's sexy, yet conservative,

which is hard to do.

The collar is very beautiful,

and it will frame a shot very

nicely.

>> you've kind of managed to

have a good balance going on--

that it has simplicity, but it

has interest.

And red on a billboard--smart

choice.

I think it's a job very well

done.

>> thank you.

>> for a woman to wear red is

always very powerful.

Joanna is wearing red.

She's very powerful.

>> very, very powerful.

I like the way you talked about

it.

It made me think that you'd

really thought about it.

>> yes.

>> I think it's great.

>> thank you very much.

>> Jason.

>> I wanted to make a look that

transcended from night to day.

And what I started with was

infinity.

It's an eight here.

And I think it's edgy and

youthful, and I'm really happy

with it.

>> I don't know how interesting

this would be on a billboard.

Are the closures safety pins?

>> yes.

>> and that was intentional,

obviously.

>> that was intentional.

>> I don't think that the

Marie Claire girl would wear it

for day or night.

At night, she would feel like

she was wearing a satin

bedspread.

For day, everyone in the office

would say, "is that a 'walk of

shame' dress?"

>> [Chuckles]

>> you know, "did you just come

in?"

>> I think she looks furious

that she's being put up in

Times Square.

And I can't believe that you

would pick a photo where it's

very clear that the hole in the

middle is not supposed to be

there.

We can't see it now, so it's

clearly not part of the design.

I don't think I've met a single

woman in America that would go

into an office with that in the

middle.

I mean, it's just not gonna

happen.

>> after you even heard all of

that, do you still think that

this is Marie Claire?

>> I think it's me for

Marie Claire.

If I had the snaps and

everything, there are all

different ways that you'd be

able to wear this.

>> what are you doing now?

Are you showing us her

underwear?

>> no, no, I'm showing you what

could be done--what options

could be done with this.

>> but that's the problem.

It's like how it should have,

could have, would have been that

we can't see, you know?

>> I understand.

>> Gretchen, tell us about your

look.

>> I felt like it was really

important to create something

that would fill the page because

it's a billboard.

It's advertising.

A woman that's as young as 22

would want to be this woman, as

well as somebody way into their

40s and 50s.

I'm not sure if you guys noticed

my day-to-evening look.

>> she looks like a cool girl.

I also love this photo.

It's really simple,

sophisticated.

And I love that you can open the

front and kind of...

Reveal a little bit more, if you

like.

>> she's a modern girl from her

head to her toes.

I think the other thing that's

cool about it is it's almost

like a piece of sportswear.

You could wear a turtleneck

under it.

You could wear a tank top under

it.

And her hair and makeup is

spot-on perfect.

>> I like the effortless ease

with which she wears it.

It looks easy.

Her hair's easy.

And in the picture, she just

looks great.

>> the Marie Claire woman is

smart.

She's confident.

She's modern, and she likes to

have fun.

These are all things that I get

out of this outfit.

>> thank you.

>> okay, Nicholas.

>> the idea was to take this

27-inch-diameter circle and

create, like, this really nice

shape around her.

>> there's too many details--

the seams of the skirt, plus

the cape, then the asymmetry of

the blouse.

This is a billboard.

It's supposed to be arresting--

simple, but beautiful.

This is very complicated.

You did not really think about

the big picture--and I mean

literally the big picture--

of this challenge.

>> I think it's utterly unsexy.

I can't imagine a modern, young

woman who would want to wear it.

>> obviously, when you went to

go take the picture, realized

that the cape is

unphotographable.

She's got it in her hand.

And the only garment that works

is the blouse.

>> maybe we should just get rid

of this cape for a second and

have a look at what was pretty.

With the blouse, you did a nice

job.

>> can we see the back?

>> oof, the back without the

cape is a little bit strange,

yeah?

>> it was my idea of, like, the

daytime to, like, evening.

>> so she has to wear the cape

all day?

>> well, I guess not all day.

[Laughter]

>> that's a rough one, 'cause

she takes the cape off, she's

naked.

And if she keeps the cape on,

she might be joining a religious

sect.

>> Mondo, tell us about your

look.

>> I wanted to create something

that was young and flirty with a

touch of whimsy, but still

practical.

>> it's really cool.

And I think that this would stop

you in your tracks.

Also, you know, in the picture,

I think it has something.

>> I was kind of thinking about

the opening credits for

Mary Tyler moore and just how

cute she was.

So I just wanted her to, like,

go on lunch and be noticed

walking down the street.

>> oh, I love that you said

Mary Tyler Moore inspired you,

because, actually,

Mary Tyler Moore is why I moved

to America.

In the picture, it has energy.

It has bounce.

It has confidence.

It feels professional, but not

corporate.

>> thank you so much.

>> I like the graphicness of the

black and white, and I love her

little shoes with the ruffles.

It has a great spirit.

>> I just want you to know this

is the first time Nina and

I have ever agreed.

[Laughter]

>> I think a lot of girls are

gonna say, "wow."

You know, "I like her.

I want to meet her."

>> thanks.

>> okay, we've heard what you

had to say.

We're gonna have a little chat,

and then we'll call you back.

You can leave the Runway.

>> hey!

>> hi.

>> hey, guys.

>> what about your critique?

>> it didn't go too good.

>> not too good?

>> no.

They didn't understand the

concept, so that's really it.

I think they thought maybe,

like, it looked too tough.

And I don't know.

I have to work with the model

I'm given.

I think she's a beautiful girl,

but she's not a Runway model.

>> that's just an excuse.

I feel like you could just--

>> I don't make excuses.

>> you are making an excuse.

>> you're blaming the girl.

>> no, no, no, I'm really not.

I'm really not.

My whole life I have had a chip

on my shoulder, because I have

been misunderstood since I was

a child.

And I really don't care

about what the other people

think, because they don't really

interest me.

>> all right, let's talk about

the designs that we did like.

Mondo tells a story.

It's definitely a different kind

of eye-catcher.

For a poster, I think it would

be also cool.

>> I love the exuberance of his

look.

You know, it had movement,

which, of course, on a billboard

is great.

I like the idea that it was

tweed-handled in a very feminine

way.

It had real confidence, which

I think is very Marie Claire.

>> yeah, and it was whimsical--

slightly eccentric, in a good

way.

>> it wasn't this pose-y old,

you know...

>> like a bad catalog.

>> right.

>> let's talk about Gretchen.

That would look amazing on a

billboard.

>> there was something about it

that I thought was very

sophisticated, but it wasn't

old.

And that's a really tricky thing

to hit.

And it had no season, no age.

And the photograph was

fantastic.

>> she really has a modern

aesthetic.

>> we also liked Valerie's

dress.

>> she managed to find a way to

do something that was sexy

without being vulgar.

>> mm-hmm.

>> it's very much a cover dress.

>> yeah.

>> right, absolutely.

It frames her face.

It's perfect.

>> she looked fabulous in it.

She looked confident.

She looked sexy.

It's just one of those dresses

that you love to go to.

It's like a really good friend.

>> all right, let's move on to

the designers that we didn't

like.

Let's start with Jason.

>> oh, gosh.

>> [Chuckles]

>> well--

>> he just has strange ideas.

>> I think that any designer

who has to have a disclaimer

with everything that they

design...

You know, the clothes should

really speak for themselves.

The picture was terrible.

We got the peekaboo belly

button.

>> so unflattering.

>> how could he remotely think

it was sexy?

Has he ever spoken to a woman?

>> I think, honestly, it was

only about that figure eight.

>> I do like messages as an

afterthought, but if that's the

selling point, then it's...

Not good.

Let's talk about Nicholas.

>> well, I feel like he was so

overly ambitious.

And each piece had something

wrong with it.

You know, I actually thought the

blouse was pretty, and then she

turned around.

>> yeah, that scared me too.

There was an entire hole in the

back.

>> I didn't notice that either

before.

>> I think he thought, "oh, I'll

sauce it up."

>> "I'll give her a cape instead

of a jacket."

>> right. "I'm gonna make her

edgy."

>> but I think he really tried.

He just went crazy with the

detailing, and it didn't work.

>> it might have been nice if

the blouse did not look like the

back was eaten.

>> well, yes.

>> maybe the model's too thin,

and she just ate her outfit.

I don't know.

But something definitely was

a disaster here.

>> okay, let's talk about Peach.

>> [Sighs]

>> desperate housewives.

Oh!

>> no, it's full Stepford wife.

When you talk about demographics

of who reads the magazine, it's

either way too young or way too

old.

I mean, you would either have to

be 11 or 70.

>> 70--with that styling, the

hairdo?

>> the neckline.

>> the pearl earrings, the

pumps.

>> that thing cascading down her

back...

That wasn't good.

>> she thought that was the

cool, edgy part of the dress.

>> it was just distracting.

The only thing I have to say,

though...

It's well made.

>> yeah.

But still, Peach could have

made it a little bit more

youthful.

>> yeah, it's hopeless.

I mean, it's completely wrong

for what we wanted her to do.

>> okay, the question is now,

how many people do we want to

get rid of today?

Let's bring them back out.

The six of you represent

the best and the worst.

One of you will be named the

winner, and one of you will be

out.

>> one of you will be named

the winner...

And one of you will be out.

Mondo, we loved your

Mary Tyler Moore reference.

It made us smile and captured

the spirit, the energy, and

confidence of your design.

Good job.

You're in.

You can leave the Runway.

>> thank you.

>> well?

>> it went well, but I'm not the

winner.

>> all: Oh.

>> it's all good.

The day before, I was feeling

quite defeated.

But I made it into the top

three, so I am so, so, so, so

happy.

It just validated everything.

It feels good.

I'm enjoying the moment.

[Laughter]

>> Gretchen, your design was

urban, seasonless, modern, and

fun.

Your photograph showed the

potential of your design

representing Marie Claire

on a big billboard.

Valerie, your red dress was

flirty and fun, but yet

sophisticated.

It embodied the Marie Claire

woman.

The combination of dress,

styling, and photo worked and

made your dress memorable.

Gretchen...

Congratulations.

You're once again the winner of

this challenge.

>> thank you so much.

Thank you very much.

>> you can leave the Runway.

>> I felt really grateful and

really prideful.

>> hey.

>> she won.

>> I won.

I have won two challenges, and

i've set a bar that people maybe

weren't expecting.

>> everything's gonna be huge!

>> literally.

I'm stoked about the billboard.

I think that's awesome.

All I know is it's gonna be in

Times Square.

>> that is awesome.

>> I think Gretchen is one of

the best designers in the room.

She's definitely my competition.

>> I just want you all to know

that, like, I really appreciate

the support.

>> [Mockingly] I'm so proud of

you, Gretchen!

I really am!

But I thought Valerie should

win.

>> Valerie...

You're in.

You can leave the Runway.

>> thank you.

[Cheers and applause]

>> girl, we knew you were coming

back.

>> oh, yeah.

I mean, I'm not gonna lie.

I do feel a little defeated.

You know, like, I'm kind of

like...

To kind of, like, get so close,

and then it's like you just

missed it.

It just sucks.

>> Nicholas...

Peach...

And Jason...

We had major problems with your

looks.

Jason, we were hoping to see

something different from you

this week, something more

impressive.

But again, we got an unfinished

mess with lots of excuses from

you.

Peach, we were split whether

your dress was too junior or too

country club matronly.

But the bad news is, either way,

we did not like it.

Nicholas, you tried to do way

too many things with your

design.

Unfortunately, the blouse,

skirt, and cape failed.

Peach...

You're safe for today.

You can leave the Runway.

>> thank you.

I heard you all.

>> Peach...

>> are you here?

>> come on.

[Cheers and applause]

>> mom's back!

>> I knew that you weren't going

anywhere.

>> thank you so much.

>> Jason...

I'm sorry.

You're out.

Auf wiedersehen.

>> thank you.

>> take care.

>> I came here, and I gave it my

best and did everything I could.

>> all: Hey.

>> heyguys, looks like I'm

out.

>> like, sit down for real.

>> no, no, I really can't stay.

I gotta go.

>> you can't just, like,

walk the [Bleep].

Like, you have to wait.

>> no, I don't have to wait for

anything.

>> okay.

>> good luck, guys.

I'm holding my head up high.

I don't think it was a good

depiction of my design aesthetic

or style.

But, you know, it's a challenge.

I knew it would be from the

start.

>> after his elimination,

i didn't have that moment to

say, "bon chance."

>> Nicholas...

I'm sorry.

You're out too.

Auf wiedersehen, Nicholas.

All the best to you.

>> thank you.

[Voice breaking] I didn't think

I was gonna go home today.

I really didn't.

I'm just really sad.

I just feel kind of disappointed

in myself a little bit.

[Sniffles]

I have to go home.

>> all: Oh.

>> Nicholas...

>> come here.

Come here, come here, come here,

come here.

[Nicholas sobbing]

>> hey, no, no, no, no.

No, no, no, no, you know, come

on, at least you made it here.

And you have really good ideas.

>> I was really scared for

Nicholas going into the

competition.

It was really sad to see him go.

I love you.

>> you've got a lot to go back

to.

>> it's just not that easy to

see it that way right now.

>> well, right.

>> that was a rough Runway.

We're gonna miss you.

I feel sick about this.

We will see more from Nicholas,

but it will be after the show.

>> come here, baby.

My buddy.

You okay?

Be so proud of yourself, okay?

Be proud of yourself.

>> good-bye.

Wow, I'm shocked that there were

two people sent home tonight.

It definitely makes me think

that this is real.

Someone is going to be sent home

every week.

>> oh, my gosh.

>> I'm just gonna miss being

here.

It's been really tiring and

hard, and it's really tough.

But it's really worth it, even

if you're only here a short time

like I was.

>> I'm lucky enough to go to the

Marie Claire photo shoot for

the billboard.

When I got there, the model was

coco rocha.

Ooh!

>> congratulations.

>> thank you.

James macari, the photographer--

you could tell that he was just

gonna knock it out.

[Gasps] Oh, my God!

>> oh, my God!

Gretchen!

>> I think any fashion designer

that's, you know, a girl like

me, coming from nothing, that's

what you dream of.

I'm experiencing my dreams

coming true.

[Tearfully] My mom's gonna be

so proud.

And it made me feel like this

isn't the last time I'll be able

to feel this way, which was

really cool.

>> next time on

Project Runway...

Tim is gonna throw a little

party for you.

>> I love the unconventional

challenges.

>> I'm not able to make a dress

with bull[Bleep].

>> aah!

>> this is atrocious.

This is not cute.

>> did you not listen to me?

>> I don't get the point.

>> can I talk for a minute?

>> you talk all the time.

I'm not gonna argue with you

tonight.

Alright

it looks like a hot mess.

Well her piñata exploded. I don't...

Yeah

I'm just really scared, for her.

-- Sync by elderman --
-- for www.addic7ed.com --