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ONE OF THE THINGS
THAT I FIND DISTRESSING
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ABOUT LIFE TODAY
3
00:01:28,922 --> 00:01:31,968
IS THAT PEOPLE DON'T REALLY
SEEM TO ENJOY THEIR WORK ANYMORE.
4
00:01:31,992 --> 00:01:34,304
WHEN I WAS GROWING UP
ON WALTON'S MOUNTAIN,
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00:01:34,328 --> 00:01:37,707
MY FATHER AND MY
GRANDFATHER LOVED THEIR WORK.
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00:01:37,731 --> 00:01:41,111
AND THEY INSTILLED A RESPECT
FOR WORK IN EACH OF US.
7
00:01:41,135 --> 00:01:45,315
BUT I RECALL ONE TIME, WHEN MY
BROTHER JASON HAD TO MAKE A CHOICE.
8
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A CHOICE THAT WAS
DIFFICULT FOR HIM,
9
00:01:47,207 --> 00:01:49,385
BUT EVEN MORE
DIFFICULT FOR MY FATHER.
10
00:01:51,811 --> 00:01:54,624
♪♪
11
00:01:54,648 --> 00:01:56,459
IT'S THE 4TH TIME HE'S
PLAYED THAT SONG.
12
00:01:56,483 --> 00:01:58,461
IT'S GETTING
MONOTONOUS, ISN'T IT?
13
00:01:58,485 --> 00:02:00,430
HE HAS TO PRACTICE
FOR THIS AFTERNOON.
14
00:02:00,454 --> 00:02:02,332
WHY, WHAT'S SO SPECIAL
ABOUT THIS AFTERNOON?
15
00:02:02,356 --> 00:02:04,066
OH, IT'S SHOW AND TELL.
16
00:02:04,090 --> 00:02:06,736
MISS HUNTER ASKED ALL THE
UPPER-GRADE KIDS TO BRING IN SOMETHING
17
00:02:06,760 --> 00:02:08,138
TO SHOW WHAT
THEY'RE INTERESTED IN.
18
00:02:08,162 --> 00:02:10,573
I SEE, SO JASON'S
SHOWIN' A SONG.
19
00:02:10,597 --> 00:02:11,941
YEAH, HE'S SO DUMB.
20
00:02:11,965 --> 00:02:13,643
EVERYONE ELSE IS
BRINGING IN STUFF
21
00:02:13,667 --> 00:02:15,311
LIKE SOAP CARVINGS
AND ANT FARMS.
22
00:02:15,335 --> 00:02:16,979
JUST MY LUCK TO HAVE A BROTHER
23
00:02:17,003 --> 00:02:18,714
WHO STANDS UP IN FRONT
OF EVERYONE AND SINGS.
24
00:02:18,738 --> 00:02:20,883
MARY ELLEN, YOU HAVE A
BROTHER WHO HAS A SPECIAL TALENT.
25
00:02:20,907 --> 00:02:23,419
- YOU SHOULD BE PROUD OF HIM.
- WASN'T ONE ENOUGH?
26
00:02:23,443 --> 00:02:26,322
I MEAN, IT'S HARD ALWAYS HAVING SOMEONE
IN THE FAMILY WHO'S BETTER THAN ME.
27
00:02:26,346 --> 00:02:28,458
JOHN-BOY'S ALWAYS BEEN
THE BEST IN COMPOSITIONING.
28
00:02:28,482 --> 00:02:30,326
JASON'S THE BEST IN MUSIC.
29
00:02:30,350 --> 00:02:32,128
YOU'RE YOUNG YET.
YOU'LL FIND YOUR WAY.
30
00:02:32,152 --> 00:02:34,197
BESIDES, JOHN-BOY AND
JASON ARE BOYS AND...
31
00:02:34,221 --> 00:02:36,732
GRANDMA, I THINK I'M GOING TO
SCREAM IF YOU FINISH THAT SENTENCE.
32
00:02:36,756 --> 00:02:38,401
I THINK YOU'LL BE
SORRY IF YOU DO.
33
00:02:38,425 --> 00:02:40,670
MARY ELLEN, WHO TOLD YOU YOU
COULD HOG ALL THE BLUE RIBBON?
34
00:02:40,694 --> 00:02:43,540
ERIN, NO ONE DID. BUT BESIDES, IT'S
FIRST COME, FIRST SERVED AROUND HERE.
35
00:02:43,564 --> 00:02:44,940
IT AIN'T UP TO ME.
LET ME HAVE IT BACK.
36
00:02:44,964 --> 00:02:46,543
NEVER MIND ALL THAT.
37
00:02:46,567 --> 00:02:48,511
YOU TWO HAVE BEEN DRAGGIN'
YOUR FEET ALL MORNIN'.
38
00:02:48,535 --> 00:02:51,481
ELIZABETH WAS THE ONLY ONE HERE
WHO HELPED WITH THE BREAKFAST DISHES.
39
00:02:51,505 --> 00:02:53,616
MARY ELLEN, YOU MAY NOT
BE THE ONLY ONE IN THE FAMILY
40
00:02:53,640 --> 00:02:55,084
WHO DOESN'T WANNA
BE TIED TO A STOVE.
41
00:02:55,108 --> 00:02:56,486
ELIZABETH MIGHT
WANT A CAREER, TOO.
42
00:02:56,510 --> 00:02:59,822
I DO WANT A CAREER.
I WANNA TO BE A...
43
00:02:59,846 --> 00:03:01,757
A...
44
00:03:01,781 --> 00:03:04,594
WELL, I HAVEN'T DECIDED
WHAT I WANNA BE JUST YET.
45
00:03:04,618 --> 00:03:06,384
BUT I'M GONNA BE A SOMETHING.
46
00:03:08,888 --> 00:03:11,767
I SURE HOPE YOU DO BETTER THIS
AFTERNOON THAN YOU DID THIS MORNING.
47
00:03:11,791 --> 00:03:13,403
ME, TOO.
48
00:03:13,427 --> 00:03:15,838
THANKS. IT'S SURE NICE TO HAVE
THE SUPPORT OF YOUR FAMILY.
49
00:03:15,862 --> 00:03:18,040
THEY'RE JUST TEASING,
JASON. YOU WERE WONDERFUL.
50
00:03:18,064 --> 00:03:21,077
YEAH, REAL CHEERFUL. FIRST THING IN
THE MORNING, HEARING YOU TWANGING AWAY.
51
00:03:21,101 --> 00:03:22,745
FLAT.
52
00:03:22,769 --> 00:03:24,980
WHAT DO YOU KNOW? YOU
COULDN'T CARRY A TUNE IN A BUCKET.
53
00:03:25,004 --> 00:03:26,382
IS THAT YOUR BUCKET?
54
00:03:26,406 --> 00:03:28,117
ALL RIGHT. THAT'S
ENOUGH OF THAT.
55
00:03:28,141 --> 00:03:29,785
GET READY AND GO.
56
00:03:29,809 --> 00:03:30,853
BYE.
57
00:03:30,877 --> 00:03:32,121
BYE-BYE, MAMA. BYE-BYE.
58
00:03:32,145 --> 00:03:33,389
BYE-BYE, GRANDMA.
59
00:03:33,413 --> 00:03:36,326
AND JASON, GOOD
LUCK THIS AFTERNOON.
60
00:03:36,350 --> 00:03:37,460
THANK YOU, MAMA.
61
00:03:37,484 --> 00:03:39,562
ERIN, LEAVE MY STUFF ALONE.
62
00:03:43,523 --> 00:03:45,768
BYE-BYE, DADDY. GRANDPA!
63
00:03:45,792 --> 00:03:46,936
BYE!
64
00:03:46,960 --> 00:03:48,003
HAVE A GOOD DAY.
65
00:03:48,027 --> 00:03:49,572
STUDY HARD. BYE, HONEY.
66
00:03:49,596 --> 00:03:50,906
BYE.
67
00:03:50,930 --> 00:03:53,710
THERE GOES THAT
LONG-LEGGED JASON.
68
00:03:53,734 --> 00:03:55,345
YOU KNOW, IT SEEMS
ONLY YESTERDAY
69
00:03:55,369 --> 00:03:56,879
HE WAS NO BIGGER THAN ELIZABETH.
70
00:03:56,903 --> 00:03:58,581
THAT WAS 10 YEARS AGO, PA.
71
00:03:58,605 --> 00:04:00,250
COME ON, LET'S GET MOVIN'.
72
00:04:00,274 --> 00:04:01,751
OH, YEAH, WE GOT PLENTY TO DO.
73
00:04:01,775 --> 00:04:03,185
YOU KNOW LUCIUS FENTON?
74
00:04:03,209 --> 00:04:05,821
PAUL LOWELL SAYS HE WANTS
HIS ORDER OUT BY MONDAY.
75
00:04:05,845 --> 00:04:08,558
WE'VE GOT SO MUCH TO DO, PA, WE'RE
GOING TO HAVE TO TURN HIM DOWN.
76
00:04:08,582 --> 00:04:10,926
WALTER WINCHELL WAS
JUST SAYIN' ON THE RADIO
77
00:04:10,950 --> 00:04:13,363
THAT THE DEPRESSION
WAS ABOUT OVER.
78
00:04:13,387 --> 00:04:15,465
PRETTY SOON, SOME
FOLKS AROUND HERE
79
00:04:15,489 --> 00:04:17,734
WON'T HAVE ANY
EXCUSE FOR NOT WORKIN'.
80
00:04:17,758 --> 00:04:21,971
I DON'T KNOW ABOUT THE DEPRESSION
BEING OVER, PA, BUT THINGS ARE EASIN' UP.
81
00:04:21,995 --> 00:04:25,575
YOU KNOW, MAYBE IT'S TIME WE
WENT INTO BUSINESS IN A BIGGER WAY.
82
00:04:25,599 --> 00:04:27,943
BIGGER AND BETTER
MILL FOR IT, HUH?
83
00:04:27,967 --> 00:04:29,545
GOT THE SPACE RIGHT OVER THERE.
84
00:04:29,569 --> 00:04:31,414
YEAH, THAT'S GOOD
DRAINAGE, THERE.
85
00:04:31,438 --> 00:04:33,650
OH, BUT WE'D NEED A NEW MOTOR.
86
00:04:33,674 --> 00:04:35,385
WELL, MAYBE WE'D NEED 2, PA.
87
00:04:35,409 --> 00:04:36,719
BUT WE'D HAVE OUR
OWN LUMBERYARD,
88
00:04:36,743 --> 00:04:37,987
GET RID OF THIS MAKESHIFT THING.
89
00:04:38,011 --> 00:04:39,656
HEY, I THINK WE COULD DO IT.
90
00:04:39,680 --> 00:04:43,025
WHY NOT? JASON WILL OUT OF
SCHOOL PRETTY SOON, IT'D BE A CINCH.
91
00:04:43,049 --> 00:04:44,827
HOW MUCH WE GOT LEFT
ON THAT STEVENS ORDER?
92
00:04:44,851 --> 00:04:47,129
WELL, WE GOT AN HOUR
AND A HALF'S WORK, ANYWAY.
93
00:04:47,153 --> 00:04:49,265
LET'S GET CRACKIN'. WE'LL
MAKE THIS DELIVERY TO TOWN,
94
00:04:49,289 --> 00:04:50,566
AND WE'LL PRICE SOME EQUIPMENT.
95
00:04:50,590 --> 00:04:51,901
JUST FOR INFORMATION'S SAKE.
96
00:04:53,226 --> 00:04:56,406
AH, SOMETHING TO DREAM OF.
97
00:04:56,430 --> 00:04:59,897
WALTON AND SONS LUMBERYARD!
98
00:05:01,935 --> 00:05:05,682
♪ I'M LOOKING OVER
A 4-LEAF CLOVER ♪
99
00:05:05,706 --> 00:05:09,352
♪ THAT I OVERLOOKED,
THAT I OVERLOOKED ♪
100
00:05:09,376 --> 00:05:13,044
♪ THAT I OVERLOOKED BEFORE ♪♪
101
00:05:18,585 --> 00:05:20,296
MISS HUNTER, CAN JASON
PLEASE SING A SONG
102
00:05:20,320 --> 00:05:22,231
HE WROTE ABOUT THE SOLDIER?
103
00:05:22,255 --> 00:05:23,688
GO AHEAD, JASON.
104
00:05:34,634 --> 00:05:37,880
♪ THERE WAS A FAIR MAIDEN ♪
105
00:05:37,904 --> 00:05:41,150
♪ WHO LIVED OVER THE HILL ♪
106
00:05:41,174 --> 00:05:44,354
♪ IN A LITTLE LOG CABIN ♪
107
00:05:44,378 --> 00:05:47,189
♪ THAT'S STANDING THERE STILL ♪
108
00:05:47,213 --> 00:05:50,926
♪ AND EACH MORNING SHE'D RISE ♪
109
00:05:50,950 --> 00:05:54,797
♪ WITH THE COMING OF DAWN ♪
110
00:05:54,821 --> 00:05:57,467
♪ AND ALL THROUGH THE VALLEY ♪
111
00:05:57,491 --> 00:06:00,759
♪ YOU COULD HEAR
HER SWEET SONG ♪
112
00:06:08,968 --> 00:06:12,648
♪ IN THE SPRING
THERE CAME COURTIN' ♪
113
00:06:12,672 --> 00:06:16,051
♪ A FARMER'S YOUNG SON ♪
114
00:06:16,075 --> 00:06:18,421
♪ AND SOON THEY WERE MARRIED ♪
115
00:06:18,445 --> 00:06:21,657
♪ IN NAME JOINED AS ONE ♪
116
00:06:21,681 --> 00:06:25,528
♪ BUT HER YOUNG MAN WAS CALLED ♪
117
00:06:25,552 --> 00:06:28,097
♪ TO SERVE HIS COUNTRY ♪
118
00:06:28,121 --> 00:06:31,401
♪ SO HE JOINED IN THE RANKS ♪
119
00:06:31,425 --> 00:06:34,492
♪ UNDER ROBERT E. LEE ♪
120
00:06:43,269 --> 00:06:46,215
♪ THE LETTER THAT CAME ♪
121
00:06:46,239 --> 00:06:49,307
♪ ONE COLD WINTER'S DAY ♪
122
00:06:50,644 --> 00:06:52,822
♪ TOLD HOW HE'D DIED ♪
123
00:06:52,846 --> 00:06:56,659
♪ AS A HERO IN GRAY ♪
124
00:06:56,683 --> 00:07:00,162
♪ BUT HER POOR
HEART WAS BROKEN ♪
125
00:07:00,186 --> 00:07:03,165
♪ TO THINK OF HIM GONE ♪
126
00:07:03,189 --> 00:07:07,036
♪ AND SHE, TOO,
DIED SOON AFTER ♪
127
00:07:07,060 --> 00:07:09,828
♪ TO JOIN HER LOVED ONE ♪
128
00:07:11,798 --> 00:07:15,311
♪ AND TO THIS VERY DAY ♪
129
00:07:15,335 --> 00:07:20,049
♪ YOU CAN STAND ON THE HILL ♪
130
00:07:20,073 --> 00:07:23,842
♪ WHERE THE SOUND
OF HER SINGING ♪
131
00:07:25,311 --> 00:07:28,980
♪ IS ECHOING STILL ♪♪
132
00:07:39,926 --> 00:07:43,072
I'M AFRAID YOU'RE GONNA HAVE TO
WAIT TILL NEXT WEDNESDAY, JIMMY.
133
00:07:43,096 --> 00:07:46,175
REMEMBER, THERE'S A SPELLING
TEST TOMORROW. CLASS DISMISSED.
134
00:07:47,934 --> 00:07:49,812
WOULD YOU HELP
HIM WITH THE CHAIR?
135
00:07:49,836 --> 00:07:50,947
BYE-BYE, MISS HUNTER.
136
00:07:50,971 --> 00:07:52,682
BYE-BYE.
137
00:07:52,706 --> 00:07:56,018
JASON, JASON, COULD I
SPEAK TO YOU FOR A MINUTE?
138
00:07:56,042 --> 00:07:58,187
WELL, YES, MA'AM.
139
00:07:58,211 --> 00:08:01,245
I THINK IT'S TIME FOR YOU
TO TAKE MUSIC LESSONS.
140
00:08:02,482 --> 00:08:04,827
WELL, THERE'S
NOTHING I'D LIKE MORE.
141
00:08:04,851 --> 00:08:06,796
WHY DON'T YOU TALK TO
MRS. BRECKENRIDGE ABOUT IT?
142
00:08:06,820 --> 00:08:08,498
WHY HER?
143
00:08:08,522 --> 00:08:11,133
WELL, SHE USED TO TEACH MUSIC AT
THE HIGH SCHOOL IN CHARLOTTESVILLE
144
00:08:11,157 --> 00:08:13,603
BEFORE SHE WAS MARRIED, AND
NOW SHE'S GIVING PRIVATE LESSONS.
145
00:08:13,627 --> 00:08:14,871
WHY DON'T YOU STOP BY HER HOUSE
146
00:08:14,895 --> 00:08:17,540
ON YOUR WAY HOME
AND TALK TO HER?
147
00:08:17,564 --> 00:08:19,274
I WILL. THANK YOU.
148
00:08:19,298 --> 00:08:20,331
MMM.
149
00:08:30,577 --> 00:08:32,054
MISS HUNTER.
150
00:08:32,078 --> 00:08:33,489
JOHN-BOY.
151
00:08:33,513 --> 00:08:35,892
HOW NICE TO SEE YOU.
152
00:08:35,916 --> 00:08:37,493
HOW ARE YOU?
153
00:08:37,517 --> 00:08:40,429
I REALLY WISHED YOU'D BEEN
WITH US THIS AFTERNOON.
154
00:08:40,453 --> 00:08:41,864
SOMETHING SPECIAL?
155
00:08:41,888 --> 00:08:43,232
JASON PLAYED AND SANG FOR US.
156
00:08:43,256 --> 00:08:46,035
HE WAS ABSOLUTELY WONDERFUL.
157
00:08:46,059 --> 00:08:47,703
YEAH, HE WAS NERVOUS
ABOUT IT THIS MORNIN'.
158
00:08:47,727 --> 00:08:49,104
I'M GLAD HE DID OK.
159
00:08:49,128 --> 00:08:50,706
OH, IT WAS BETTER THAN OK.
160
00:08:50,730 --> 00:08:51,941
CAN I GIVE YOU A LIFT SOMEPLACE?
161
00:08:51,965 --> 00:08:53,075
I'M GOING UP TO IKE'S.
162
00:08:53,099 --> 00:08:54,209
WELL, GOOD. HOP IN.
163
00:08:54,233 --> 00:08:55,366
THANK YOU.
164
00:08:58,738 --> 00:09:00,750
WELL, HOW'S THINGS
AT BOATWRIGHT?
165
00:09:00,774 --> 00:09:02,618
OH, THEY'RE FINE, THANK YOU.
166
00:09:02,642 --> 00:09:04,954
IT WAS DIFFICULT FOR
YOU AT FIRST, WASN'T IT?
167
00:09:04,978 --> 00:09:06,055
OH, IT STILL IS.
168
00:09:06,079 --> 00:09:07,790
I NEVER DREAMED I'D
HAVE THIS MUCH WORK.
169
00:09:07,814 --> 00:09:10,026
AND HOMEWORK!
TONS OF IT, TONS OF IT.
170
00:09:10,050 --> 00:09:11,761
I'M UP ALL NIGHT, EVERY NIGHT.
171
00:09:11,785 --> 00:09:13,128
HOW IS YOUR WRITING CLASS?
172
00:09:13,152 --> 00:09:14,864
OH, THAT'S THE BEST PART OF ALL.
173
00:09:14,888 --> 00:09:16,666
WE HAVE A PROFESSOR PARKS.
174
00:09:16,690 --> 00:09:19,501
HE'S VERY TOUGH, BUT IT
JUST MAKES ME WORK HARDER.
175
00:09:19,525 --> 00:09:22,204
YOU'RE ENJOYING IT, AREN'T YOU?
176
00:09:22,228 --> 00:09:25,841
EVERY BIT AS MUCH AS
WE BOTH KNEW I WOULD.
177
00:09:25,865 --> 00:09:28,811
ONLY THING I'M HAVING TROUBLE
WITH NOW IS I'VE GOT TO THINK OF
178
00:09:28,835 --> 00:09:30,613
A BIG PROJECT FOR
MY WRITING CLASS,
179
00:09:30,637 --> 00:09:33,015
AND I CAN'T THINK OF ANYTHING
THAT EXCITES ME FOR IT.
180
00:09:33,039 --> 00:09:34,216
WHAT HAVE YOU TRIED?
181
00:09:34,240 --> 00:09:36,919
OH, I'VE WRITTEN A ONE-ACT PLAY
182
00:09:36,943 --> 00:09:40,355
AND... AND... AND A BUNCH OF
CHARACTER SKETCHES, BUT...
183
00:09:40,379 --> 00:09:42,792
WHY... WHY ARE YOU
DISSATISFIED WITH THEM?
184
00:09:42,816 --> 00:09:46,651
WELL, I'LL TELL YOU. THEY DON'T
SEEM IMPORTANT ENOUGH FOR THIS.
185
00:09:49,555 --> 00:09:51,433
WHY DON'T YOU TRY A NOVEL?
186
00:09:51,457 --> 00:09:53,970
A NOVEL? OH, NO!
187
00:09:53,994 --> 00:09:56,105
WHY NOT? A NOVEL!
188
00:09:56,129 --> 00:10:00,275
WELL, NOVELS ARE... ARE WRITTEN BY PEOPLE
LIKE PROUST AND THACKERAY AND DOSTOYEVSKY,
189
00:10:00,299 --> 00:10:02,377
NOT BOYS FROM THE
BACKWOODS OF VIRGINIA.
190
00:10:02,401 --> 00:10:04,179
WHAT ABOUT BOYS FROM THE HILLS
191
00:10:04,203 --> 00:10:06,415
OF NORTH CAROLINA,
LIKE THOMAS WOLFE?
192
00:10:06,439 --> 00:10:08,217
WELL, THOMAS WOLFE IS A GENIUS.
193
00:10:08,241 --> 00:10:10,319
DIDN'T MATTER
WHERE HE CAME FROM.
194
00:10:10,343 --> 00:10:14,223
BESIDES, HE'S SAID EVERYTHING THERE
IS TO SAY ABOUT THIS KIND OF COUNTRY.
195
00:10:14,247 --> 00:10:17,526
SOME OF YOUR SHORT STORIES
I'VE FELT WERE... WERE CRAMPED,
196
00:10:17,550 --> 00:10:20,029
LIKE YOU'RE CONSTRICTED
BY THE FORM. HMM?
197
00:10:20,053 --> 00:10:21,664
IT'S LIKE YOU HAVE
MORE TO SAY THAN
198
00:10:21,688 --> 00:10:23,232
THE SHORT STORY CAN ENCOMPASS.
199
00:10:23,256 --> 00:10:24,734
WELL, I DON'T THINK
I'M READY FOR THAT.
200
00:10:24,758 --> 00:10:26,468
I HAVEN'T BEEN ANYPLACE.
201
00:10:26,492 --> 00:10:29,238
I... I HAVEN'T SEEN ANYTHING IMPORTANT
ENOUGH TO WRITE A NOVEL ABOUT.
202
00:10:29,262 --> 00:10:30,840
MAYBE YOU DON'T HAVE TO TRAVEL.
203
00:10:30,864 --> 00:10:32,742
MAYBE THE NOVEL'S RIGHT HERE.
204
00:10:32,766 --> 00:10:33,943
ON THE MOUNTAIN?
205
00:10:33,967 --> 00:10:35,299
IN THE PEOPLE.
206
00:10:36,803 --> 00:10:38,547
OH, THESE ARE JUST
ORDINARY PEOPLE.
207
00:10:38,571 --> 00:10:41,250
I MEAN, THEY'RE FINE
FOR SHORT STORIES, SURE,
208
00:10:41,274 --> 00:10:44,408
BUT I DON'T THINK THERE'S ANYTHING
BIG ENOUGH HERE FOR A NOVEL.
209
00:10:45,444 --> 00:10:47,222
WELL, I DON'T KNOW.
210
00:10:47,246 --> 00:10:52,083
MAYBE THE BIGNESS OR WHAT'S
EXTRAORDINARY IS IN ORDINARY PEOPLE.
211
00:10:59,559 --> 00:11:00,725
WELL...
212
00:11:02,095 --> 00:11:05,875
THAT'S QUITE A
SUGGESTION, MISS HUNTER.
213
00:11:05,899 --> 00:11:08,310
I DON'T KNOW IF
I'M UP TO THAT YET.
214
00:11:08,334 --> 00:11:10,412
WELL, GOOD LUCK,
WHATEVER YOU CHOOSE TO DO.
215
00:11:10,436 --> 00:11:11,647
THANK YOU.
216
00:11:11,671 --> 00:11:12,782
THANKS FOR THE LIFT.
217
00:11:12,806 --> 00:11:14,538
OH, YOU'RE WELCOME.
218
00:11:15,641 --> 00:11:16,686
BYE-BYE.
219
00:11:16,710 --> 00:11:17,742
BYE-BYE.
220
00:11:22,348 --> 00:11:25,895
♪ BUT HER POOR
HEART WAS BROKEN ♪
221
00:11:25,919 --> 00:11:28,864
♪ TO THINK OF HIM GONE ♪
222
00:11:28,888 --> 00:11:32,768
♪ AND SHE TOO DIED SOON AFTER ♪
223
00:11:32,792 --> 00:11:35,593
♪ TO JOIN HER LOVED ONE ♪
224
00:11:37,563 --> 00:11:41,077
♪ AND TO THIS VERY DAY ♪
225
00:11:41,101 --> 00:11:45,681
♪ YOU CAN STAND ON THE HILL ♪
226
00:11:45,705 --> 00:11:50,786
♪ WHERE THE SOUND
OF HER SINGING ♪
227
00:11:50,810 --> 00:11:54,912
♪ IS ECHOING STILL ♪♪
228
00:11:59,719 --> 00:12:01,853
THAT'S VERY LOVELY, JASON.
229
00:12:03,556 --> 00:12:06,435
HAVE YOU EVER
STUDIED COMPOSITION?
230
00:12:06,459 --> 00:12:07,636
NO, MA'AM.
231
00:12:07,660 --> 00:12:08,838
DO YOU PLAY THE PIANO?
232
00:12:08,862 --> 00:12:10,628
WELL, A LITTLE BIT.
233
00:12:11,731 --> 00:12:13,275
UM, SORT OF PICKED IT UP BY EAR,
234
00:12:13,299 --> 00:12:14,844
LISTENING TO SONGS ON THE RADIO.
235
00:12:14,868 --> 00:12:16,612
IT'S... IT'S A LOT EASIER
236
00:12:16,636 --> 00:12:20,783
TO LEARN SCALES AND HARMONY ON
THE KEYBOARD THAN ON THE GUITAR.
237
00:12:20,807 --> 00:12:23,318
DO YOU HAVE A PIANO
YOU COULD PRACTICE ON?
238
00:12:23,342 --> 00:12:26,188
YES, MA'AM, WE HAVE ONE AT HOME,
239
00:12:26,212 --> 00:12:28,690
BUT IT'S NOTHING LIKE THAT ONE.
240
00:12:28,714 --> 00:12:32,661
GOOD. I'LL WRITE OUT THE
FIRST 5 SCALES FOR YOU
241
00:12:32,685 --> 00:12:34,185
BEFORE YOU GO.
242
00:12:35,454 --> 00:12:38,033
UH, DO YOU READ MUSIC?
243
00:12:38,057 --> 00:12:39,735
JUST A LITTLE BIT.
244
00:12:39,759 --> 00:12:41,859
THAT'S ALL RIGHT.
I'LL EXPLAIN IT TO YOU.
245
00:12:42,896 --> 00:12:44,640
I SURE HAVE A LOT TO LEARN.
246
00:12:44,664 --> 00:12:47,965
OH, MOST OF IT IS NOT
REALLY THAT DIFFICULT.
247
00:12:49,602 --> 00:12:51,180
YOU HAVE A NATURAL GIFT.
248
00:12:51,204 --> 00:12:52,536
THAT CAN'T BE TAUGHT.
249
00:12:53,940 --> 00:12:56,740
YES, I THINK YOU COULD
BECOME A FINE MUSICIAN.
250
00:12:59,078 --> 00:13:02,646
UH, ARE YOU FAMILIAR WITH
THE WORKS OF MOZART?
251
00:13:03,817 --> 00:13:05,460
NO, MA'AM. NOT REALLY.
252
00:13:05,484 --> 00:13:09,921
HE WAS A FAMOUS COMPOSER
WHO LIVED MANY, MANY YEARS AGO.
253
00:13:11,390 --> 00:13:14,292
HERE, LET ME, UH, PLAY
SOMETHING FOR YOU.
254
00:13:26,172 --> 00:13:27,972
♪♪
255
00:14:01,941 --> 00:14:04,086
SUPPER READY? I'M
HUNGRY. ME, TOO.
256
00:14:04,110 --> 00:14:05,287
SOON.
257
00:14:05,311 --> 00:14:06,588
YOU MISSED LUNCH.
258
00:14:06,612 --> 00:14:08,357
I COULDN'T FIGURE
WHAT HAPPENED TO YOU.
259
00:14:08,381 --> 00:14:10,659
MYSTERIOUS ERRANDS.
260
00:14:10,683 --> 00:14:13,484
WELL, YOU DO LOOK
LIKE YOU ATE THE CANARY.
261
00:14:15,088 --> 00:14:16,999
JOHN, YOU LOOK DIFFERENT, TOO.
262
00:14:17,023 --> 00:14:19,101
WELL, PA AND ME HAVE
SOMETHING WE WANNA TELL YOU,
263
00:14:19,125 --> 00:14:20,469
BUT, UH, IT'S A SURPRISE.
264
00:14:20,493 --> 00:14:21,971
WE'LL WAIT FOR THE
OTHERS TO GET HERE.
265
00:14:21,995 --> 00:14:23,727
CAN WE HAVE A HINT?
266
00:14:43,616 --> 00:14:45,283
♪♪
267
00:14:52,591 --> 00:14:55,804
THE MAN THAT WROTE THIS MUSIC
268
00:14:55,828 --> 00:14:58,573
IS CONSIDERED ONE OF THE
MOST IMPORTANT COMPOSERS
269
00:14:58,597 --> 00:15:02,044
IN THE HISTORY OF
CLASSICAL MUSIC.
270
00:15:02,068 --> 00:15:06,548
HIS NAME WAS, UH,
FELIX MENDELSSOHN.
271
00:15:06,572 --> 00:15:09,518
AND WHEN HE WROTE
WHAT YOU JUST LISTENED TO,
272
00:15:09,542 --> 00:15:11,542
HE WAS 17 YEARS OLD.
273
00:15:13,146 --> 00:15:15,557
I DON'T BELIEVE IT.
274
00:15:15,581 --> 00:15:18,460
IF I LIVED TO BE 1,000, I
COULDN'T WRITE MUSIC LIKE THAT.
275
00:15:18,484 --> 00:15:20,495
OH, MAYBE NOT.
276
00:15:20,519 --> 00:15:24,266
BUT IF YOU AIM FOR THE VERY
BEST, YOU'RE ON THE RIGHT TRACK.
277
00:15:24,290 --> 00:15:25,290
UM...
278
00:15:27,560 --> 00:15:30,672
C-COULD YOU EXPLAIN HOW...
HOW ALL THE SOUNDS WORK?
279
00:15:30,696 --> 00:15:33,764
WELL, THOSE ARE THE
THINGS I WANT TO TEACH YOU.
280
00:15:35,768 --> 00:15:37,612
MAKES GUITAR PLAYING SEEM...
281
00:15:37,636 --> 00:15:39,714
WELL, EVEN PLAYING
WITH BOBBY BIGELOW,
282
00:15:39,738 --> 00:15:41,984
IT MAKES IT SEEM KIND OF SILLY.
283
00:15:42,008 --> 00:15:44,786
JASON, YOU MUST NEVER
LOOK AT WHAT YOU DO THAT WAY.
284
00:15:44,810 --> 00:15:48,190
NEVER MINIMIZE WHAT YOU'RE
DOING AT ANY PARTICULAR TIME.
285
00:15:48,214 --> 00:15:50,592
JUST RECOGNIZE
IT FOR WHAT IT IS.
286
00:15:50,616 --> 00:15:53,295
A STAGE IN YOUR DEVELOPMENT.
287
00:15:53,319 --> 00:15:54,896
AND REMEMBER,
288
00:15:54,920 --> 00:15:58,956
EVERY EXPERIENCE IS
VALUABLE TO AN ARTIST.
289
00:16:03,396 --> 00:16:05,740
WE THANK THEE, LORD, FOR
THE BOUNTY OF THIS TABLE
290
00:16:05,764 --> 00:16:08,978
AND PRAY FOR THE CONTINUED HEALTH
AND HAPPINESS OF THIS FAMILY. AMEN.
291
00:16:09,002 --> 00:16:10,312
AMEN.
292
00:16:10,336 --> 00:16:12,314
I LIKE THESE PITCHING TOMATOES.
293
00:16:12,338 --> 00:16:14,216
I TELL YOU, I SAW
YOU PICKING THEM OUT
294
00:16:14,240 --> 00:16:15,550
IN THE GARDEN THE OTHER DAY
295
00:16:15,574 --> 00:16:17,319
MY MOUTH STARTED
WATERING BEFORE THEY WAS...
296
00:16:17,343 --> 00:16:18,454
SORRY I'M LATE, EVERYONE.
297
00:16:18,478 --> 00:16:19,855
WHERE WERE YOU, JASON?
298
00:16:19,879 --> 00:16:21,190
YOU'RE ALWAYS LATE.
299
00:16:21,214 --> 00:16:22,958
I HAD AN ERRAND TO RUN.
300
00:16:22,982 --> 00:16:25,694
SEEMS LIKE THE WHOLE FAMILY
WAS OFF TODAY RUNNING ERRANDS.
301
00:16:25,718 --> 00:16:27,629
ALL RIGHT, I CAN'T
WAIT ANOTHER MINUTE.
302
00:16:27,653 --> 00:16:30,032
JOHN SAID HE HAD SOMETHIN' TO
TELL US AND HE WAS GONNA WAIT
303
00:16:30,056 --> 00:16:32,801
TILL ALL THE FAMILY WAS AT
THE TABLE TOGETHER. JOHN?
304
00:16:32,825 --> 00:16:35,371
I'M GONNA ANNOUNCE THE
FORMATION OF A NEW COMPANY.
305
00:16:35,395 --> 00:16:37,006
WE'RE EXPANDIN' OUR BUSINESS.
306
00:16:37,030 --> 00:16:38,673
WALTON AND SONS LUMBERYARD.
307
00:16:38,697 --> 00:16:40,009
HEY, THAT SOUNDS GREAT!
308
00:16:40,033 --> 00:16:41,110
WHAT ABOUT THE GIRLS?
309
00:16:41,134 --> 00:16:42,777
GOOD LORD!
310
00:16:42,801 --> 00:16:45,247
WELL, I HAVE A FEELIN' YOU'RE
BEHIND THIS SCHEME, OLD MAN.
311
00:16:45,271 --> 00:16:46,848
JUST WANT TO SEND
US TO THE POOR HOUSE.
312
00:16:46,872 --> 00:16:48,317
DON'T BE A WET BLANKET, ESTHER,
313
00:16:48,341 --> 00:16:49,651
WHY, WE MIGHT GET
OURSELVES RICH.
314
00:16:49,675 --> 00:16:51,120
A LUMBERYARD?
315
00:16:51,144 --> 00:16:53,422
LET ME EXPLAIN. THINGS ARE
EASIN' UP AROUND HERE NOW
316
00:16:53,446 --> 00:16:55,190
AND THE BANKS ARE WILLIN'
TO MAKE LOANS AGAIN.
317
00:16:55,214 --> 00:16:57,726
LOANS? JOHN, YOU KNOW
HOW I FEEL ABOUT LOANS.
318
00:16:57,750 --> 00:16:59,761
LIV, WILL YOU LET ME EXPLAIN?
319
00:16:59,785 --> 00:17:01,563
PA AND ME WENT BY THE
DAWKINS' PLACE TODAY.
320
00:17:01,587 --> 00:17:03,165
THEY'RE SELLIN' ALL
THEIR EQUIPMENT.
321
00:17:03,189 --> 00:17:05,901
WE CAN PICK UP SOME FINE
EQUIPMENT, DIRT CHEAP.
322
00:17:05,925 --> 00:17:08,303
THE BANKS ARE
WILLIN' TO FINANCE US
323
00:17:08,327 --> 00:17:10,205
AND THE INTEREST
RATES ARE REAL LOW.
324
00:17:10,229 --> 00:17:11,540
GRANDMA'S RIGHT.
325
00:17:11,564 --> 00:17:13,375
SOUNDS LIKE WE'RE
GOING FROM BEING POOR
326
00:17:13,399 --> 00:17:15,144
TO WHATEVER'S WORSE THAN THAT.
327
00:17:15,168 --> 00:17:16,878
LIV, WE CAN HAVE A BIGGER MILL
328
00:17:16,902 --> 00:17:19,614
AND WE CAN GET SOME GOOD
EQUIPMENT TO MAKE FINE FURNITURE.
329
00:17:19,638 --> 00:17:21,283
WON'T THAT BE SOMETHING?
330
00:17:21,307 --> 00:17:23,018
A FINE LINE OF
CHAIRS AND TABLES.
331
00:17:23,042 --> 00:17:24,653
WALTON AND COMPANY.
332
00:17:24,677 --> 00:17:27,222
WALTON AND SONS
LUMBERYARD AND FINE FURNITURE.
333
00:17:27,246 --> 00:17:29,458
THAT SOUNDS GREAT, DADDY. I
CAN WORK WITH YOU FULL-TIME.
334
00:17:29,482 --> 00:17:31,826
AND JASON, WHEN YOU
GRADUATE, YOU'LL HAVE A TRADE.
335
00:17:31,850 --> 00:17:33,462
YOU WON'T HAVE
TO CUT FENCE POSTS.
336
00:17:33,486 --> 00:17:35,453
YOU CAN BE A FURNITURE MAKER.
337
00:17:56,092 --> 00:17:58,003
IF YOU DRAW THE LINE
CATTY-CORNER, THERE,
338
00:17:58,027 --> 00:18:00,839
YOU CAN HAVE A FINE
VIEW FROM THE HOUSE, TOO.
339
00:18:00,863 --> 00:18:02,241
REALLY NICE, PA.
340
00:18:02,265 --> 00:18:05,543
WE GONNA HAVE TO MAKE
THIS ROAD HERE WIDER.
341
00:18:05,567 --> 00:18:08,813
WE CAN BORROW LUKE MORGAN'S
TRACTOR, GET THIS DONE IN A DAY OR TWO.
342
00:18:08,837 --> 00:18:10,215
YOU HAVE THE CHILDREN HELPIN',
343
00:18:10,239 --> 00:18:12,517
YOU OUGHT TO DO
IT IN AN AFTERNOON.
344
00:18:12,541 --> 00:18:15,053
WE GOTTA HAVE ROOM FOR
THE TRUCKS TO TURN AROUND.
345
00:18:15,077 --> 00:18:16,688
YOU REALLY LIKE IT, PA?
346
00:18:16,712 --> 00:18:18,245
OH, I SURE DO.
347
00:18:19,615 --> 00:18:21,960
I CAN JUST SEE JASON
STACKIN' LUMBER OVER THERE.
348
00:18:21,984 --> 00:18:23,996
AND YOU OVER THERE
WORKIN' THE NEW MACHINE.
349
00:18:24,020 --> 00:18:26,298
AND ME SITTING RIGHT HERE
350
00:18:26,322 --> 00:18:29,968
ROCKING AWAY AND
ADMIRING THE BEAUTY OF IT ALL.
351
00:18:29,992 --> 00:18:31,636
TOO BAD WE DIDN'T DO
THIS 2 YEARS AGO, PA,
352
00:18:31,660 --> 00:18:33,105
WHEN WE FIRST HAD THE IDEA.
353
00:18:33,129 --> 00:18:35,673
OH, WE COULDN'T. THE
DEPRESSION GOT IN OUR WAY.
354
00:18:35,697 --> 00:18:37,742
NO ONE IN OUR WAY NOW, PA.
355
00:18:37,766 --> 00:18:40,478
I FEEL LIKE IF WE OUGHT TO
BE ABLE TO START NEXT WEEK.
356
00:18:40,502 --> 00:18:41,914
I DON'T KNOW IF I CAN WAIT.
357
00:18:41,938 --> 00:18:44,383
ME, NEITHER!
358
00:18:44,407 --> 00:18:46,551
♪♪WE CAN PUT THE
OFFICE RIGHT HERE, PA.
359
00:18:46,575 --> 00:18:48,653
WE CAN HAVE A DOOR
LEADIN' INTO THE WORK AREA
360
00:18:48,677 --> 00:18:51,756
AND ANOTHER DOOR WITH
DIRECT ACCESS TO THE ROAD.
361
00:18:51,780 --> 00:18:54,426
DON'T FORGET TO
GIVE IT SOME PLUMBING.
362
00:18:54,450 --> 00:18:56,561
I KNOW. IF WE CAN
RUN THOSE PIPES...
363
00:18:56,585 --> 00:19:00,832
JASON, COULD YOU
STOP THAT FOR A WHILE?
364
00:19:00,856 --> 00:19:03,402
WE'RE TRYING TO FIGURE OUT THE
NEW WORKIN' ARRANGEMENTS HERE.
365
00:19:03,426 --> 00:19:05,070
DADDY, I'M PRACTICING.
366
00:19:05,094 --> 00:19:08,040
MRS. BRECKENRIDGE SAYS I HAVE
TO PRACTICE AT LEAST 2 HOURS A DAY
367
00:19:08,064 --> 00:19:10,104
OR THE LESSONS AREN'T
GONNA BE WORTH IT.
368
00:19:12,168 --> 00:19:14,379
WELL, MRS. BRECKENRIDGE
DOESN'T HAVE TO SIT AROUND
369
00:19:14,403 --> 00:19:16,815
LISTENING TO YOU PLAY THAT
THING OVER AND OVER AGAIN.
370
00:19:16,839 --> 00:19:18,750
IT'S NOT A THING.
371
00:19:18,774 --> 00:19:20,953
IT'S AN IMPORTANT BEGINNING
PIECE FOR A MUSICIAN,
372
00:19:20,977 --> 00:19:22,857
AND I WANT TO GET IT JUST RIGHT.
373
00:19:25,647 --> 00:19:27,192
NEVER MIND, I'LL DO
IT SOME OTHER TIME
374
00:19:27,216 --> 00:19:28,726
WHEN IT DOESN'T BOTHER ANYBODY.
375
00:19:28,750 --> 00:19:30,795
JASON, COME ON OVER HERE AND SEE
376
00:19:30,819 --> 00:19:32,998
HOW THE NEW MILL IS SHAPING UP.
377
00:19:33,022 --> 00:19:36,301
NO, THANKS, GRANDPA.
SOME OTHER TIME.
378
00:19:36,325 --> 00:19:38,103
GUY LINE RIGHT HERE, PA...
379
00:19:45,234 --> 00:19:47,712
I NEVER THOUGHT
YOU'D STOP THAT RACKET.
380
00:19:47,736 --> 00:19:51,649
YEAH, JASON, CAN'T YOU PLAY
SOMETHING A LITTLE MORE CATCHY?
381
00:19:51,673 --> 00:19:53,473
WHY CAN'T YOU LEAVE ME ALONE?
382
00:19:55,644 --> 00:19:57,255
JASON.
383
00:19:57,279 --> 00:19:59,724
WHAT DO YOU WANT?
384
00:20:18,100 --> 00:20:20,834
YOU'D BETTER SPILL IT
BEFORE YOU EXPLODE.
385
00:20:27,943 --> 00:20:29,243
JOHN-BOY,
386
00:20:31,713 --> 00:20:34,226
I CAN'T STAND EVERYONE
ACTING AS THOUGH
387
00:20:34,250 --> 00:20:35,860
MY LESSONS WITH
MRS. BRECKENRIDGE
388
00:20:35,884 --> 00:20:38,585
WAS JUST SOME DUMB, KID THING.
389
00:20:39,888 --> 00:20:42,534
I KNOW EXACTLY HOW YOU FEEL.
390
00:20:42,558 --> 00:20:43,768
NO, YOU DON'T.
391
00:20:43,792 --> 00:20:45,370
OH, YES, I DO.
392
00:20:45,394 --> 00:20:48,407
YOU'RE LEARNIN' ABOUT
MUSIC FOR THE FIRST TIME
393
00:20:48,431 --> 00:20:49,707
AND ABOUT WHAT IT REALLY IS.
394
00:20:49,731 --> 00:20:51,476
YOU WANNA SHARE
IT WITH EVERYBODY.
395
00:20:51,500 --> 00:20:54,946
AND YOU WANT TO PLAY
EVERYTHING PERFECTLY.
396
00:20:54,970 --> 00:20:57,637
THAT'S RIGHT. YOU'RE
ABSOLUTELY RIGHT.
397
00:20:59,741 --> 00:21:02,587
I CAN'T STAND IT WHEN
I MAKE A MISTAKE. I...
398
00:21:02,611 --> 00:21:05,023
I JUST HAVE TO PLAY
EVERYTHING OVER AND OVER AGAIN
399
00:21:05,047 --> 00:21:06,991
TILL I GET IT
ABSOLUTELY PERFECT.
400
00:21:07,015 --> 00:21:09,561
I RECOGNIZE THE SIGNS.
401
00:21:09,585 --> 00:21:10,795
WHAT SIGNS?
402
00:21:10,819 --> 00:21:12,697
OH, YEAH.
403
00:21:12,721 --> 00:21:16,435
WHEN I DECIDED I WAS GONNA BE A
WRITER, I WAS JUST... I WAS AWFUL.
404
00:21:16,459 --> 00:21:19,971
I JUST WANTED EVERYBODY TO
READ WHATEVER I WAS READING
405
00:21:19,995 --> 00:21:21,873
AND I'D CARRY AROUND A
BOOK BY THOMAS WOLFE
406
00:21:21,897 --> 00:21:25,710
AND I'D GRAB ONTO PEOPLE
AND I'D MAKE 'EM LISTEN TO ME.
407
00:21:25,734 --> 00:21:27,412
AND ALL I REALLY
WANTED WAS TO SAY
408
00:21:27,436 --> 00:21:29,948
"SOMEDAY I'M GOING TO
WRITE WORDS LIKE THAT."
409
00:21:29,972 --> 00:21:32,217
YOU KNOW, MRS.
BRECKENRIDGE PLAYED ME
410
00:21:32,241 --> 00:21:35,053
A CONCERTO BY GEORGE GERSHWIN.
411
00:21:35,077 --> 00:21:37,989
NOW, THERE'S A REAL GENIUS.
412
00:21:38,013 --> 00:21:39,691
MMM-HMM.
413
00:21:39,715 --> 00:21:43,495
YOU KNOW HOW YOU WANTED
TO WRITE LIKE THOMAS WOLFE?
414
00:21:43,519 --> 00:21:45,630
WELL, SOMEDAY,
415
00:21:45,654 --> 00:21:48,888
I THINK I'D TO LIKE TO COMPOSE
LIKE GEORGE GERSHWIN.
416
00:21:51,293 --> 00:21:55,195
AND I... I DON'T THINK I WANT TO
BE A PART OF DADDY'S NEW MILL.
417
00:22:24,960 --> 00:22:26,505
THAT'S WONDERFUL, JASON.
418
00:22:26,529 --> 00:22:28,507
YOU'VE REALLY LEARNED
THAT BEAUTIFULLY.
419
00:22:28,531 --> 00:22:30,275
THANK YOU.
420
00:22:30,299 --> 00:22:33,133
MRS. BRECKENRIDGE,
LISTEN TO THIS.
421
00:22:48,684 --> 00:22:50,895
WHAT IS THAT, JASON?
422
00:22:50,919 --> 00:22:53,565
WELL... WELL, I WAS JUST SORT
OF PLAYING AROUND AT HOME,
423
00:22:53,589 --> 00:22:56,067
AND THAT'S WHAT CAME OUT.
424
00:22:56,091 --> 00:22:58,492
YOU ACTUALLY COMPOSED
THAT VARIATION?
425
00:22:59,861 --> 00:23:01,506
YES, MA'AM.
426
00:23:01,530 --> 00:23:04,198
IT'S VERY GOOD. VERY.
427
00:23:06,435 --> 00:23:10,582
UM, YOU'RE GRADUATING FROM MISS
HUNTER'S SCHOOL THIS YEAR, AREN'T YOU?
428
00:23:10,606 --> 00:23:11,683
YES, MA'AM.
429
00:23:11,707 --> 00:23:13,552
HAVE YOU MADE ANY DEFINITE PLANS
430
00:23:13,576 --> 00:23:15,687
ABOUT GOING ON
TO COLLEGE OR, UH...
431
00:23:15,711 --> 00:23:19,824
WELL, MY DADDY'S PLANNING ON
ME WORKING FOR HIM FULL-TIME.
432
00:23:19,848 --> 00:23:21,193
I SEE.
433
00:23:21,217 --> 00:23:23,495
DO YOU WANT TO GO
ON STUDYING MUSIC?
434
00:23:23,519 --> 00:23:25,730
YES, MA'AM. I REALLY DO.
435
00:23:25,754 --> 00:23:27,532
WELL, YOU KNOW,
436
00:23:27,556 --> 00:23:33,071
THE KLEINBERG CONSERVATORY OFFERS
SCHOLARSHIPS IN... IN COMPOSITION.
437
00:23:33,095 --> 00:23:35,762
AND JASON, I THINK
YOU SHOULD APPLY.
438
00:23:47,543 --> 00:23:48,820
WELL, WHAT WOULD THAT MEAN?
439
00:23:48,844 --> 00:23:50,689
WELL, IT WOULD MEAN,
440
00:23:50,713 --> 00:23:53,991
JUST LIKE GOING TO COLLEGE, EXCEPT
THAT ALL YOUR WORK WOULD BE IN MUSIC.
441
00:23:54,015 --> 00:23:55,827
FULL-TIME? YES.
442
00:23:55,851 --> 00:23:58,730
AND THEY'D PAY YOUR FULL
TUITION, AND YOU'D GET SOME MONEY
443
00:23:58,754 --> 00:24:00,898
FOR BOOKS AND SUPPLIES.
444
00:24:04,526 --> 00:24:06,070
I'LL HAVE TO TALK TO MY FATHER.
445
00:24:06,094 --> 00:24:08,340
OF COURSE.
446
00:24:08,364 --> 00:24:11,543
BUT IF YOU'RE INTERESTED, I'LL
GET AN APPLICATION FOR YOU.
447
00:24:11,567 --> 00:24:14,801
AND... AND WE CAN FILL IT OUT
THE NEXT TIME YOU'RE HERE.
448
00:24:18,440 --> 00:24:20,340
A-ARE YOU INTERESTED, JASON?
449
00:24:23,512 --> 00:24:27,659
YES, MA'AM. I REALLY AM.
450
00:24:27,683 --> 00:24:30,284
I'D APPRECIATE IT IF YOU'D
GET THE FORMS FOR ME.
451
00:24:34,790 --> 00:24:36,401
DADDY?
452
00:24:36,425 --> 00:24:39,271
JASON, I WAS HOPING
YOU'D GET HERE EARLIER.
453
00:24:39,295 --> 00:24:40,872
DADDY, CAN I TALK
TO YOU FOR A MINUTE?
454
00:24:40,896 --> 00:24:41,906
SURE.
455
00:24:43,499 --> 00:24:46,010
YOU KNOW THOSE LESSONS I'VE
BEEN TAKING WITH MRS. BRECKENRIDGE?
456
00:24:46,034 --> 00:24:50,047
KNOW ABOUT IT? EVERYBODY IN THE FAMILY
KNOWS ABOUT THE WAY YOU BEEN PRACTICING.
457
00:24:50,071 --> 00:24:52,617
SHE SAYS I'M DOING REAL WELL.
458
00:24:52,641 --> 00:24:54,207
THAT'S NICE, SON.
459
00:24:56,211 --> 00:24:59,791
DADDY, SHE'S TEACHING ME
ALL ABOUT CLASSICAL MUSIC.
460
00:24:59,815 --> 00:25:01,893
SHE'S PLAYING ME
THESE VICTROLA RECORDS
461
00:25:01,917 --> 00:25:04,829
OF MUSIC WRITTEN BY A MAN
NAMED GEORGE GERSHWIN.
462
00:25:04,853 --> 00:25:07,131
HE'S AN AMERICAN COMPOSER.
463
00:25:07,155 --> 00:25:08,566
GOOD.
464
00:25:08,590 --> 00:25:11,035
DADDY, I WANT TO
WRITE MUSIC, TOO.
465
00:25:11,059 --> 00:25:13,571
WELL, SURE, SON, KEEP ON
STUDYING AS LONG AS YOU WANT.
466
00:25:13,595 --> 00:25:16,941
NO, THAT'S NOT WHAT I MEAN.
467
00:25:16,965 --> 00:25:19,911
MRS. BRECKENRIDGE THINKS THAT I
OUGHT TO TRY OUT FOR A SCHOLARSHIP
468
00:25:19,935 --> 00:25:24,048
SO THAT I COULD GO TO THE
KLEINBERG CONSERVATORY OF MUSIC.
469
00:25:24,072 --> 00:25:25,817
WHAT DOES THAT MEAN, EXACTLY?
470
00:25:25,841 --> 00:25:27,385
WELL, THAT MEANS
THAT IF I WANTED,
471
00:25:27,409 --> 00:25:30,322
THEN... THEN I'D BE GOING TO
SCHOOL FULL-TIME, LIKE JOHN-BOY.
472
00:25:30,346 --> 00:25:31,790
WELL, IT WOULD BE ALL PAID FOR,
473
00:25:31,814 --> 00:25:33,057
AND I COULD STUDY COMPOSITION.
474
00:25:33,081 --> 00:25:35,059
WHAT GOOD WOULD
THAT DO YOU, SON?
475
00:25:35,083 --> 00:25:37,529
WELL, THEN I COULD GO ON TO
BECOME A WORKING COMPOSER.
476
00:25:37,553 --> 00:25:41,633
WELL NOW, SON, MUSIC
IS ALL WELL AND GOOD,
477
00:25:41,657 --> 00:25:43,267
BUT YOU GOT TO LEARN
YOURSELF A TRADE.
478
00:25:43,291 --> 00:25:45,269
YOU'RE GONNA HAVE TO
SUPPORT A FAMILY SOMEDAY.
479
00:25:45,293 --> 00:25:47,872
WELL, ISN'T THAT JUST LIKE
JOHN-BOY WANTING TO BE A WRITER?
480
00:25:47,896 --> 00:25:49,341
NO, IT'S NOT LIKE THAT AT ALL.
481
00:25:49,365 --> 00:25:50,775
JOHN-BOY'S LEARNING A TRADE.
482
00:25:50,799 --> 00:25:52,544
HE'S GOING TO BE A
JOURNALIST OR A TEACHER.
483
00:25:52,568 --> 00:25:54,946
WHAT ARE YOU GONNA HAVE?
484
00:25:54,970 --> 00:25:56,748
WELL, I...
485
00:25:56,772 --> 00:25:59,083
WELL, I'D BE DOING
THE THING I WANT TO DO.
486
00:25:59,107 --> 00:26:00,374
NO, SON,
487
00:26:01,910 --> 00:26:05,011
I MEAN, I APPRECIATE YOUR
INTEREST IN MUSIC, BUT FULL-TIME?
488
00:26:06,482 --> 00:26:08,362
NO. I DON'T WANT YOU TO DO THAT.
489
00:26:25,451 --> 00:26:27,696
IF EVER I HAD TO
DESCRIBE MY FATHER,
490
00:26:27,720 --> 00:26:29,197
I WOULD HAVE TO
START WITH HIS HANDS.
491
00:26:29,221 --> 00:26:31,065
WHAT THEY DO.
492
00:26:31,089 --> 00:26:35,169
THE TOIL THEY ARE ENGAGED IN
DURING THE DAY IS REFLECTED IN THEM.
493
00:26:35,193 --> 00:26:37,071
AND THE SKILL WITH
WHICH THEY WORK HAS
494
00:26:37,095 --> 00:26:38,940
SHAPED THEM IN A
DIFFERENT MANNER
495
00:26:38,964 --> 00:26:42,310
THAN I'M SURE A STONECUTTER'S
HANDS WOULD HAVE BEEN SHAPED.
496
00:26:43,569 --> 00:26:45,279
HMM?
497
00:26:45,303 --> 00:26:46,348
JOHN-BOY?
498
00:26:46,372 --> 00:26:47,816
OH, I'M SORRY.
499
00:26:47,840 --> 00:26:50,680
NO, NO, IT'S ALL RIGHT.
COME ON IN. JUST A SECOND.
500
00:26:52,177 --> 00:26:53,421
WHAT'S THE MATTER?
501
00:26:53,445 --> 00:26:55,245
NEVER MIND, I CAN GUESS.
502
00:26:56,948 --> 00:26:58,226
DID DADDY SAY ANYTHING TO YOU?
503
00:26:58,250 --> 00:26:59,761
NO, HE DIDN'T HAVE TO.
504
00:26:59,785 --> 00:27:02,705
YOU TWO HARDLY LOOKED AT
EACH OTHER ALL THROUGH DINNER.
505
00:27:04,623 --> 00:27:08,536
HE SAID I SHOULDN'T APPLY FOR THAT
SCHOLARSHIP AT THE CONSERVATORY.
506
00:27:08,560 --> 00:27:11,339
I WAS AFRAID OF THAT.
507
00:27:11,363 --> 00:27:13,608
WERE YOU CALM OR DID
YOU GET EMOTIONAL ABOUT IT?
508
00:27:13,632 --> 00:27:15,276
NO, I WAS CALM, JOHN-BOY. I WAS.
509
00:27:15,300 --> 00:27:17,345
WELL, JASON,
510
00:27:17,369 --> 00:27:19,581
THIS MILL IS A VERY IMPORTANT
THING TO DADDY AND GRANDPA.
511
00:27:19,605 --> 00:27:21,249
IT MEANS A LOT TO 'EM.
512
00:27:21,273 --> 00:27:23,651
THEY'RE BOTH PROUD MEN AND...
AND THEY'RE PROUD OF THEIR WORK.
513
00:27:23,675 --> 00:27:25,353
I KNOW.
514
00:27:25,377 --> 00:27:27,856
YOU GOTTA UNDERSTAND. FIRST, I
COME ALONG AND I SAY TO MY FATHER,
515
00:27:27,880 --> 00:27:29,491
"DADDY, YOUR
WORK IS NOT FOR ME."
516
00:27:29,515 --> 00:27:32,827
BEFORE HE GETS USED TO THAT, YOU
COME ALONG AND SAY THE SAME THING.
517
00:27:32,851 --> 00:27:36,063
YOU'VE GOT TO GIVE HIM
TIME TO GET USED TO THE IDEA.
518
00:27:36,087 --> 00:27:38,299
YOU DO THINK HE'LL GET
USED TO IT, DON'T YOU?
519
00:27:38,323 --> 00:27:40,802
WELL, HE'S A
REASONABLE MAN, JASON.
520
00:27:40,826 --> 00:27:44,038
I THINK DEEP INSIDE HE WANTS US
TO HAVE WHAT WE ALL REALLY WANT.
521
00:27:44,062 --> 00:27:46,474
IT'S JUST THAT I DON'T
THINK HE REALLY SEES
522
00:27:46,498 --> 00:27:48,810
MUSIC AS A SERIOUS OCCUPATION,
523
00:27:48,834 --> 00:27:52,146
THE KIND OF THING THAT CAN
HELP YOU SUPPORT A... A FAMILY.
524
00:27:52,170 --> 00:27:55,483
IT'S JUST THAT MUSIC, TO HIM, IS
SOMETHING THAT COMES OVER ON THE RADIO
525
00:27:55,507 --> 00:27:57,519
AND SOMETHING YOU
DANCE TO. THAT'S ALL.
526
00:27:57,543 --> 00:27:59,353
IT'S NOT SERIOUS.
527
00:27:59,377 --> 00:28:00,488
WELL, THAT'S SILLY.
528
00:28:00,512 --> 00:28:01,956
OF COURSE IT IS.
529
00:28:01,980 --> 00:28:03,792
MAYBE HE'LL COME
TO REALIZE THAT,
530
00:28:03,816 --> 00:28:05,827
BUT YOU GOTTA GIVE HIM TIME.
531
00:28:07,519 --> 00:28:10,253
I FEEL A LITTLE BETTER JUST
GETTING IT OFF MY CHEST.
532
00:28:12,825 --> 00:28:15,158
WHAT ARE ALL THOSE
LITTLE PIECES OF PAPER?
533
00:28:16,161 --> 00:28:19,541
THESE ARE STORIES AND OUTLINES
534
00:28:19,565 --> 00:28:22,766
AND COMPOSITIONS AND POEMS
AND I DON'T KNOW WHAT ALL.
535
00:28:24,102 --> 00:28:26,470
WHAT ARE YOU GONNA
DO WITH ALL OF IT?
536
00:28:28,340 --> 00:28:30,574
MISS HUNTER THINKS I
OUGHT TO WRITE A NOVEL.
537
00:28:32,811 --> 00:28:34,556
WELL, THAT'S A GOOD IDEA.
538
00:28:34,580 --> 00:28:36,257
NO, NO, NO, REALLY.
539
00:28:36,281 --> 00:28:38,593
S-S-SUPPOSE YOU DID
AND IT WAS PUBLISHED?
540
00:28:38,617 --> 00:28:40,495
YOU'D BE A FAMOUS WRITER,
LIVIN' IN NEW YORK CITY.
541
00:28:40,519 --> 00:28:42,997
OH, YOU JUST SAY THAT 'CAUSE
YOU'D WANT TO COME AND LIVE WITH ME.
542
00:28:43,021 --> 00:28:44,265
OH, SURE.
543
00:28:44,289 --> 00:28:46,935
NO, NO, LISTEN. LISTEN. I
COULD GO OFF TO SOME... SOME
544
00:28:46,959 --> 00:28:49,571
FANCY MUSIC SCHOOL DURING THE
DAY AND NIGHTS I'D SIT UP AND WRITE...
545
00:28:49,595 --> 00:28:51,172
OH, WAIT A MINUTE,
546
00:28:51,196 --> 00:28:53,675
SYMPHONIES AND CONCERTOS.
WAIT A MINUTE, WAIT A MINUTE.
547
00:28:53,699 --> 00:28:55,109
OH, WAIT A MINUTE,
WAIT A MINUTE.
548
00:28:55,133 --> 00:28:57,078
I CAN JUST SEE THE WHOLE
FAMILY, ONE WINTER NIGHT,
549
00:28:57,102 --> 00:28:59,547
ALL TRAIPSING INTO CARNEGIE
HALL DRESSED UP IN OUR OVERALLS.
550
00:28:59,571 --> 00:29:02,016
WAIT A MINUTE. TO HEAR
THE FIRST PERFORMANCE
551
00:29:02,040 --> 00:29:05,152
OF THE... THE RHAPSODY OF THE
BLUE RIDGE, BY JASON WALTON!
552
00:29:05,176 --> 00:29:07,310
WITH ME CONDUCTING
THE ORCHESTRA.
553
00:29:11,049 --> 00:29:13,929
C-CAN'T YOU SEE THE TRUCK
PARKED IN FRONT OF IT ALL?
554
00:29:16,688 --> 00:29:20,156
I TELL YOU, BROTHER, I THINK YOU
AND I GOT A LOT TO LOOK FORWARD TO.
555
00:29:21,727 --> 00:29:23,159
YEAH, WE SURE DO.
556
00:29:24,262 --> 00:29:26,975
ALL OF A SUDDEN, I CAN'T WAIT.
557
00:29:28,066 --> 00:29:29,499
NEITHER CAN I.
558
00:29:39,745 --> 00:29:43,146
OK. I CAN TAKE A HINT.
559
00:29:47,285 --> 00:29:48,317
JOHN-BOY?
560
00:29:49,588 --> 00:29:50,620
THANKS.
561
00:29:58,530 --> 00:29:59,829
JASON?
562
00:30:08,306 --> 00:30:09,784
UH, WHAT DO I PUT HERE?
563
00:30:09,808 --> 00:30:11,085
WHERE?
564
00:30:11,109 --> 00:30:14,321
UH, UH, "PREVIOUS TRAINING."
565
00:30:14,345 --> 00:30:16,323
WELL, LET'S SEE.
566
00:30:16,347 --> 00:30:21,763
UM, PUT DOWN, "MUSIC
APPRECIATION IN HIGH SCHOOL,
567
00:30:21,787 --> 00:30:26,634
"MUSIC COMPOSITION LESSONS
WITH, UH, MRS. MARY BRECKENRIDGE,
568
00:30:26,658 --> 00:30:31,005
AND, UH, BAND EXPERIENCE WITH
BOBBY BIGELOW AND THE HAYSTACK GANG."
569
00:30:31,029 --> 00:30:32,574
IT DOESN'T SOUND LIKE MUCH.
570
00:30:32,598 --> 00:30:35,599
OH, IT'S A LOT FOR
A BOY OF YOUR AGE.
571
00:30:37,202 --> 00:30:40,882
WHAT DO THEY MEAN HERE
BY, UH, FINANCIAL NEED?
572
00:30:40,906 --> 00:30:44,452
YOU HAVE TO ASK YOUR FATHER
WHAT HIS YEARLY INCOME IS, AND FILL IN
573
00:30:44,476 --> 00:30:47,755
ALL THE PEOPLE THAT HE
SUPPORTS, HERE, EVERY YEAR.
574
00:30:47,779 --> 00:30:50,124
SHOULD I INCLUDE MY
GRANDMOTHER AND MY GRANDFATHER?
575
00:30:50,148 --> 00:30:51,993
AND YOUR MOTHER AND YOUR FATHER
576
00:30:52,017 --> 00:30:54,117
AND ALL YOUR
SISTERS AND BROTHERS.
577
00:30:56,088 --> 00:30:57,932
WHAT'S THE MATTER, JASON?
578
00:30:57,956 --> 00:30:59,233
NOTHING.
579
00:30:59,257 --> 00:31:01,936
WELL, THAT JUST ABOUT DOES IT.
580
00:31:01,960 --> 00:31:04,920
ALL YOU HAVE TO DO NOW IS
FIND OUT YOUR FATHER'S INCOME.
581
00:31:05,998 --> 00:31:07,208
OH, I CAN'T.
582
00:31:07,232 --> 00:31:09,711
WHY NOT? IT'S NOTHING
TO BE ASHAMED OF.
583
00:31:09,735 --> 00:31:11,646
NO, IT'S NOT THAT.
584
00:31:11,670 --> 00:31:14,682
HE DOESN'T KNOW I'M
APPLYING FOR THE SCHOLARSHIP.
585
00:31:14,706 --> 00:31:15,706
OH?
586
00:31:17,709 --> 00:31:19,420
HE'S PLANNING ON
EXPANDING THE MILL,
587
00:31:19,444 --> 00:31:22,289
AND HE EXPECTS ME TO BE THERE.
588
00:31:22,313 --> 00:31:25,192
WELL, PERHAPS YOU COULD WORK
SOMETHING OUT SO YOU COULD
589
00:31:25,216 --> 00:31:27,161
BE IN THE MILL ONLY PART-TIME.
590
00:31:27,185 --> 00:31:29,363
NO. I DON'T THINK SO.
591
00:31:29,387 --> 00:31:32,000
HE WANTS ME TO
BE THERE FULL-TIME.
592
00:31:32,024 --> 00:31:34,602
ANYWAY, HE THINKS OF MUSIC
AS JUST SOME KIND OF HOBBY
593
00:31:34,626 --> 00:31:36,470
AND NOT SOMETHING I
CAN MAKE A LIVING AT.
594
00:31:36,494 --> 00:31:39,073
JASON, ARE YOU SAYING
THAT YOU'VE CHANGED
595
00:31:39,097 --> 00:31:41,142
YOUR MIND ABOUT APPLYING, THEN?
596
00:31:41,166 --> 00:31:43,299
NO, MA'AM. NO, I WANT TO.
597
00:31:45,637 --> 00:31:47,749
WOULD YOU LIKE ME TO
TALK TO YOUR FATHER?
598
00:31:47,773 --> 00:31:48,872
NO.
599
00:31:50,008 --> 00:31:52,820
THAT'S SOMETHING I HAVE TO DO.
600
00:31:52,844 --> 00:31:54,922
ALL RIGHT, THEN.
601
00:31:54,946 --> 00:31:56,190
BUT REMEMBER,
602
00:31:56,214 --> 00:31:58,459
THAT APPLICATION
BETTER BE IN THE MAIL
603
00:31:58,483 --> 00:32:00,443
BY TOMORROW
EVENING, AT THE LATEST.
604
00:32:02,120 --> 00:32:03,120
THANK YOU.
605
00:32:26,411 --> 00:32:29,290
HOW WAS YOUR LESSON TODAY?
606
00:32:29,314 --> 00:32:31,214
IT WAS FINE, JUST FINE.
607
00:32:32,383 --> 00:32:33,761
YOU'RE NOT BEING VERY TALKATIVE.
608
00:32:33,785 --> 00:32:35,051
IS SOMETHING WRONG?
609
00:32:37,189 --> 00:32:40,201
MAMA, I WASN'T JUST
WALKING BY THE STORE.
610
00:32:40,225 --> 00:32:41,836
I HAD TO MAIL IN MY APPLICATION
611
00:32:41,860 --> 00:32:43,705
FOR THAT SCHOLARSHIP AUDITION.
612
00:32:43,729 --> 00:32:45,695
DID YOU TELL YOUR FATHER?
613
00:32:46,932 --> 00:32:47,997
JASON?
614
00:32:50,168 --> 00:32:51,612
NO, MA'AM.
615
00:32:51,636 --> 00:32:53,469
YOU HAVE TO TELL HIM.
616
00:32:55,540 --> 00:32:57,351
HE TOLD ME I SHOULDN'T APPLY.
617
00:32:57,375 --> 00:33:00,321
THAT'S EXACTLY WHY
YOU HAVE TO TELL HIM.
618
00:33:00,345 --> 00:33:02,623
MAMA, THERE'S PROBABLY
GONNA BE THOUSANDS OF PEOPLE
619
00:33:02,647 --> 00:33:04,358
AUDITIONING FOR THIS THING.
620
00:33:04,382 --> 00:33:06,260
I PROBABLY WON'T
EVEN GET A CHANCE.
621
00:33:06,284 --> 00:33:08,451
JASON, YOU HAVE GOT
TO TELL YOUR FATHER.
622
00:33:10,789 --> 00:33:12,767
WELL, COULDN'T IT AT LEAST WAIT
623
00:33:12,791 --> 00:33:14,535
TILL I FIND OUT IF I
GOT AN AUDITION?
624
00:33:14,559 --> 00:33:16,303
WHEN WILL THAT BE?
625
00:33:16,327 --> 00:33:19,340
WELL, I GUESS THEY NOTIFY
IN ABOUT A WEEK'S TIME.
626
00:33:22,067 --> 00:33:23,566
MAMA, PLEASE.
627
00:33:29,607 --> 00:33:31,052
WE'VE JUST COME FROM THE BANK.
628
00:33:31,076 --> 00:33:32,586
THEY APPROVED THE LOAN.
629
00:33:32,610 --> 00:33:34,756
WE CAN GO OVER TO MRS.
DAWKINS' AND PICK UP THE EQUIPMENT
630
00:33:34,780 --> 00:33:36,390
BY THE END OF THE WEEK.
631
00:33:36,414 --> 00:33:40,394
AND A NEW TRUCK FOR THE MILL,
AND A FAMILY CAR, MAYBE A LASALLE.
632
00:33:40,418 --> 00:33:43,164
NOT SO FAST, PA.
COME ON, GET IN.
633
00:33:43,188 --> 00:33:44,754
I'LL GIVE YOU A RIDE HOME.
634
00:33:46,224 --> 00:33:47,957
COME ON, JASON.
635
00:33:49,494 --> 00:33:51,705
NO THANKS, GRANDPA. I'LL WALK.
636
00:33:51,729 --> 00:33:54,197
ALL RIGHT, SON. HURRY HOME.
637
00:34:07,512 --> 00:34:09,924
BANK SAYS I CAN COME DOWN
THURSDAY MORNING AND GET THE MONEY.
638
00:34:09,948 --> 00:34:13,227
SO THAT MEANS BEFORE LONG, RIGHT IN
FRONT, THERE'LL BE A SIGN THAT READS
639
00:34:13,251 --> 00:34:15,196
"WALTON AND SONS
LUMBER COMPANY."
640
00:34:16,988 --> 00:34:18,232
ARE WE GONNA BE RICH
641
00:34:18,256 --> 00:34:19,901
AND HAVE ALL SORTS OF
THINGS LIKE FUR COATS?
642
00:34:19,925 --> 00:34:20,902
RIGHT.
643
00:34:20,926 --> 00:34:22,236
OH, I WANT A
BUNNY-FUR ONE, DADDY.
644
00:34:22,260 --> 00:34:23,871
MARTHA ROSE COVERDALE HAS ONE.
645
00:34:23,895 --> 00:34:25,639
OH, IT'S SO CUTE AND
SOFT AND CUDDLY.
646
00:34:25,663 --> 00:34:27,074
SO ARE BUNNIES.
647
00:34:27,098 --> 00:34:28,810
BEN, THAT'S DISGUSTING.
648
00:34:28,834 --> 00:34:30,711
FOR ONCE IN HER
LIFE, ERIN'S RIGHT.
649
00:34:30,735 --> 00:34:32,313
RABBITS SCRATCH AND
THEY'RE NASTY AND...
650
00:34:32,337 --> 00:34:34,048
MARY ELLEN.
651
00:34:34,072 --> 00:34:36,550
I DON'T THINK THIS KIND OF TALK IS
NECESSARY AT THE SUPPER TABLE.
652
00:34:36,574 --> 00:34:38,385
FOR ONCE, I'M ON
YOUR SIDE, ESTHER.
653
00:34:38,409 --> 00:34:40,321
AND FURTHER MORE...
ABOUT THE RABBITS.
654
00:34:40,345 --> 00:34:42,323
DON'T COUNT YOUR CHICKENS
BEFORE THEY'RE HATCHED.
655
00:34:42,347 --> 00:34:43,858
I DON'T AGREE WITH THAT, ESTHER.
656
00:34:43,882 --> 00:34:45,927
I THINK WE GOT A PRETTY
FAIR CHANCE WITH THAT MILL.
657
00:34:45,951 --> 00:34:48,362
WITH JOHN, JASON, ME WORKIN'
OUT THERE, AND THE REST OF YOU
658
00:34:48,386 --> 00:34:51,598
HELPIN' IN ON OCCASION, WHY, I THINK
WE COULD ALL BE LUMBER BARONS.
659
00:34:51,622 --> 00:34:52,733
DADDY?
660
00:34:52,757 --> 00:34:53,901
I DON'T KNOW ABOUT THAT, PA.
661
00:34:53,925 --> 00:34:55,002
THERE'S A LOT OF WORK TO DO.
662
00:34:55,026 --> 00:34:56,326
DADDY,
663
00:34:57,329 --> 00:34:58,940
I FILLED IN THAT APPLICATION
664
00:34:58,964 --> 00:35:01,442
FOR THE SCHOLARSHIP AUDITION
AT THE KLEINBERG CONSERVATORY.
665
00:35:01,466 --> 00:35:02,576
WHAT'S THAT?
666
00:35:02,600 --> 00:35:03,911
AND I MAILED IT.
667
00:35:03,935 --> 00:35:06,495
ARE YOU GOING TO COLLEGE?
668
00:35:08,173 --> 00:35:11,133
I THOUGHT I TOLD YOU I DIDN'T
WANT YOU TO DO THAT, SON.
669
00:35:11,943 --> 00:35:13,855
WELL, IT'S DONE.
670
00:35:13,879 --> 00:35:16,724
WELL, I DON'T SEE ANY HARM IN
JUST MAILING IN AN APPLICATION.
671
00:35:16,748 --> 00:35:18,592
DADDY, I CAN TAKE JASON'S PLACE.
672
00:35:18,616 --> 00:35:19,626
THERE'S TIME FOR THAT, SON.
673
00:35:19,650 --> 00:35:21,229
YOU'RE TOO YOUNG NOW.
674
00:35:21,253 --> 00:35:24,098
I AM NOT. AND WHEN ARE YOU GOING
TO STOP TREATING ME LIKE A BABY?
675
00:35:24,122 --> 00:35:25,333
I'M JUST AS STRONG AS HE IS.
676
00:35:25,357 --> 00:35:27,101
BEN, YOU HEARD YOUR FATHER.
677
00:35:27,125 --> 00:35:29,803
DADDY KEEPS ON SAYING IT'S GONNA
BE WALTON AND SONS LUMBERYARD.
678
00:35:29,827 --> 00:35:31,438
WELL, I'M HIS SON, ALSO!
679
00:35:31,462 --> 00:35:32,828
QUIET DOWN.
680
00:35:35,100 --> 00:35:36,878
LET ME TELL YOU SOMETHIN'.
681
00:35:36,902 --> 00:35:40,214
I'D LIKE YOU ALL TO BE ABLE TO
DO EXACTLY WHAT YOU WANNA DO.
682
00:35:40,238 --> 00:35:43,617
BUT I'M NOT GONNA LET YOU MAKE
CHOICES THAT ARE GONNA HURT YOU.
683
00:35:43,641 --> 00:35:45,608
NOW, YOU'RE GONNA
FINISH SCHOOL, SON.
684
00:35:46,711 --> 00:35:48,577
AND AS FOR MUSIC, JASON,
685
00:35:49,781 --> 00:35:51,792
WELL, YOU CAN KEEP
THAT AS A HOBBY, BUT
686
00:35:51,816 --> 00:35:54,495
IT'S NOT GONNA GET YOU A JOB, IT'S
NOT GONNA HELP YOU RAISE A FAMILY
687
00:35:54,519 --> 00:35:56,197
AND FEED THAT FAMILY.
688
00:35:56,221 --> 00:36:00,334
I'M OFFERING YOU A CHANCE TO
LEARN A TRADE, TO BE PART OF THIS MILL.
689
00:36:00,358 --> 00:36:03,604
NOW, YOU, UH, KEEP
THIS MUSIC COMPOSING
690
00:36:03,628 --> 00:36:06,407
FOR AFTER-HOURS OR FOR A HOBBY.
691
00:36:06,431 --> 00:36:08,242
DADDY, YOU KNOW
I DON'T WANT THAT.
692
00:36:08,266 --> 00:36:12,413
I'M NOT GONNA LET YOU RUN OFF BEFORE
YOU EVEN GIVE THIS THING A CHANCE.
693
00:36:12,437 --> 00:36:14,277
I DON'T WANNA GIVE IT A CHANCE.
694
00:36:16,841 --> 00:36:20,087
AND IF THE ONLY OTHER THING
I CAN DO IS RUN OFF, THEN...
695
00:36:20,111 --> 00:36:21,951
THEN THAT'S WHAT I HAVE TO DO.
696
00:36:40,715 --> 00:36:42,148
YOU WANT COMPANY?
697
00:36:46,121 --> 00:36:48,054
THEY SAY MISERY LOVES IT.
698
00:36:49,290 --> 00:36:51,369
YOU OK?
699
00:36:51,393 --> 00:36:54,227
LITTLE DOWN. I'LL BE ALL RIGHT.
700
00:36:55,863 --> 00:36:58,575
GUESS YOU'VE GOTTEN OVER
IT ONCE BEFORE, HAVEN'T YOU?
701
00:36:58,599 --> 00:37:00,244
WHAT DO YOU MEAN?
702
00:37:00,268 --> 00:37:02,913
OH, YOU REMEMBER WHEN I WAS 16
703
00:37:02,937 --> 00:37:05,249
AND YOU WERE WORKIN'
OVER IN WAYNESBORO?
704
00:37:05,273 --> 00:37:07,451
YOU HAD ALL KINDS
OF PLANS FOR ME.
705
00:37:07,475 --> 00:37:09,520
YOU INTRODUCED ME TO
THE FOREMAN AT THE SHOP,
706
00:37:09,544 --> 00:37:13,657
AND HE WAS GONNA MAKE ME AN APPRENTICE
AS SOON AS I GOT OUT OF HIGH SCHOOL.
707
00:37:13,681 --> 00:37:15,459
WHEN I TOLD YOU I
HAD PLANS OF MY OWN,
708
00:37:15,483 --> 00:37:17,363
YOU GOT A LITTLE UPSET ABOUT IT.
709
00:37:18,986 --> 00:37:20,864
I GOT OVER IT.
710
00:37:20,888 --> 00:37:23,089
DADDY, I KNOW HOW JASON FEELS.
711
00:37:24,825 --> 00:37:25,985
IT MAY SEEM DEFIANT TO YOU.
712
00:37:27,929 --> 00:37:30,441
BUT BELIEVE ME, HE'S
EVERY BIT AS ANGRY
713
00:37:30,465 --> 00:37:34,578
AND FRUSTRATED WITH
HIMSELF AS HE IS WITH YOU.
714
00:37:34,602 --> 00:37:37,814
IT'S NOT AN EASY
STAND FOR HIM TO TAKE
715
00:37:37,838 --> 00:37:39,816
'CAUSE HE LOVES YOU VERY MUCH,
716
00:37:39,840 --> 00:37:42,175
AND I'M SURE HE
FEELS A LITTLE GUILTY.
717
00:37:43,911 --> 00:37:46,879
AND IT'S EASY FOR ME TO
UNDERSTAND HOW JASON FEELS.
718
00:37:48,316 --> 00:37:49,982
AND I'LL TELL YOU,
719
00:37:51,119 --> 00:37:54,098
WATCHING YOU TWO,
720
00:37:54,122 --> 00:37:58,069
I THINK I'M JUST BEGINNING
TO UNDERSTAND HOW YOU FEEL.
721
00:37:58,093 --> 00:38:01,760
AND THE KIND OF TROUBLES YOU'RE
GOING THROUGH WITH ALL THIS.
722
00:38:03,331 --> 00:38:05,498
IT'S JUST YOUR LUCK, ISN'T IT?
723
00:38:06,701 --> 00:38:09,613
YOU RAISING US KIDS
TO GO OFF AND HURT YOU.
724
00:38:09,637 --> 00:38:11,148
JOHN-BOY, I'M NOT
SURE I UNDERSTAND
725
00:38:11,172 --> 00:38:12,783
WHAT YOU'RE TRYING TO TELL ME.
726
00:38:12,807 --> 00:38:14,885
I MEAN THAT
727
00:38:14,909 --> 00:38:16,954
FROM THE TIME
WHEN WE WERE LITTLE,
728
00:38:16,978 --> 00:38:18,956
YOU WERE ALWAYS
DRILLING IT INTO OUR HEADS
729
00:38:18,980 --> 00:38:20,724
TO MAKE SOMETHING WITH OUR LIVES
730
00:38:20,748 --> 00:38:22,681
AND TO DO SOMETHING,
BE SOMEBODY.
731
00:38:24,352 --> 00:38:27,898
AND YOU GIVE US SO MUCH
LOVE AND SO MUCH SECURITY AND
732
00:38:27,922 --> 00:38:31,702
SUCH A FEELING OF STRENGTH
ABOUT OURSELVES THAT
733
00:38:31,726 --> 00:38:33,870
WE'RE JUST RUNNING OFF
AND DOING ALL KINDS OF THINGS
734
00:38:33,894 --> 00:38:35,928
YOU NEVER EVEN THOUGHT OF.
735
00:38:37,232 --> 00:38:38,498
I, UH...
736
00:38:40,168 --> 00:38:43,102
I JUST WANTED YOU ALWAYS
TO GROW UP INDEPENDENT.
737
00:38:44,272 --> 00:38:46,183
TO BE ABLE TO TAKE
CARE OF YOURSELVES.
738
00:38:46,207 --> 00:38:47,585
TAKE CARE OF YOUR FAMILIES.
739
00:38:47,609 --> 00:38:51,377
WE WILL. BELIEVE
ME, 'CAUSE OF YOU.
740
00:38:56,451 --> 00:38:58,331
I DON'T KNOW WHAT THE ANSWER IS.
741
00:39:00,255 --> 00:39:03,335
I JUST WANT YOU TO KNOW THAT
I'M BEGINNING TO UNDERSTAND YOU,
742
00:39:04,392 --> 00:39:05,625
AS A FATHER.
743
00:39:12,933 --> 00:39:15,146
JASON WAS WRONG, YOU KNOW.
744
00:39:15,170 --> 00:39:17,214
GOING AGAINST JOHN'S WISHES.
745
00:39:17,238 --> 00:39:21,652
APPLYING FOR THAT AUDITION
WITHOUT... WITHOUT TELLING HIM.
746
00:39:21,676 --> 00:39:23,754
I'M NOT WORRIED ABOUT JASON.
747
00:39:23,778 --> 00:39:26,056
YOU KNOW, HE'S A
PRETTY SENSIBLE FELLOW,
748
00:39:26,080 --> 00:39:28,159
EVEN IF HE DID FLY
OFF HALF-COCKED.
749
00:39:28,183 --> 00:39:32,363
YOU KNOW, IN THE LIGHT OF
DAY YOU'LL SEE THINGS CLEARER.
750
00:39:32,387 --> 00:39:35,699
BUT IT IS JOHN THAT
I'M WORRIED ABOUT.
751
00:39:35,723 --> 00:39:39,203
YEAH, I KNOW, HE'S NOT
ACTING LIKE HIMSELF.
752
00:39:39,227 --> 00:39:42,373
I DON'T KNOW WHY
HE'S ACTING SO... STERN.
753
00:39:42,397 --> 00:39:44,330
YEAH, STERN TOWARD JASON.
754
00:39:45,600 --> 00:39:47,211
OH, OF COURSE YOU KNOW.
755
00:39:47,235 --> 00:39:51,382
YOU KNOW, I... I TREATED HIM THE
SAME WAY WHEN HE WAS A YOUNG ONE.
756
00:39:51,406 --> 00:39:52,983
OH, YOU NEVER DID.
757
00:39:53,007 --> 00:39:55,319
REMEMBER THAT TIME WHEN
HE CAME BACK FROM THE ARMY?
758
00:39:55,343 --> 00:39:58,155
AND HE WAS ALL SET GOING OFF
TO NORFOLK OR NEWPORT NEWS
759
00:39:58,179 --> 00:39:59,690
OR SOMEWHERE TO GET A JOB?
760
00:39:59,714 --> 00:40:03,260
HE JUST COULDN'T STAND THE
IDEA OF WORKING ALONGSIDE OF ME.
761
00:40:03,284 --> 00:40:05,929
OH, I REMEMBER.
OH, YOU WERE AWFUL.
762
00:40:05,953 --> 00:40:09,433
AND YOU WERE MEAN, AND I
JUST COULDN'T UNDERSTAND WHY.
763
00:40:09,457 --> 00:40:11,868
I WAS SCARED AND ANGRY.
764
00:40:11,892 --> 00:40:14,338
SCARED? MMM.
765
00:40:14,362 --> 00:40:16,807
BECAUSE HE DIDN'T WANT THE
SAME THINGS THAT YOU DID?
766
00:40:16,831 --> 00:40:19,410
NO, BECAUSE I WAS
AFRAID WE'D LOST HIM.
767
00:40:19,434 --> 00:40:23,647
HE'D GO AWAY AND HE'D
NO LONGER BE OUR SON.
768
00:40:23,671 --> 00:40:26,783
THEN I WAS ANGRY, TOO,
BECAUSE HE DIDN'T SEEM TO THINK
769
00:40:26,807 --> 00:40:29,753
THE THINGS WE LIKED
WERE IMPORTANT TO HIM.
770
00:40:29,777 --> 00:40:32,089
YEAH, WELL, I KNOW ONE THING.
771
00:40:32,113 --> 00:40:35,959
I KNOW THAT HE'S GLAD THAT
HE DECIDED TO STAY HERE.
772
00:40:35,983 --> 00:40:39,330
HE LIKES THE MOUNTAINS AND
THE LAND JUST AS MUCH AS WE DO.
773
00:40:39,354 --> 00:40:40,964
MMM. AND HE ALWAYS HAS.
774
00:40:40,988 --> 00:40:44,823
OH, HE'D COME BACK HERE THAT
TIME, EVEN IF HE HAD GONE AWAY.
775
00:40:46,494 --> 00:40:50,274
I WONDER IF JASON AND JOHN-BOY
WILL BE LEAVING SOMEDAY.
776
00:40:50,298 --> 00:40:52,343
I SUPPOSE THEY WILL.
777
00:40:52,367 --> 00:40:55,412
YOU KNOW, THOSE 2 BOYS,
THEY'RE KIND OF ARTISTIC-LIKE.
778
00:40:55,436 --> 00:40:57,514
THAT'S THE WAY
THEY LOVE OUR LAND.
779
00:40:57,538 --> 00:41:01,585
BUT ME AND... ME AND JOHN,
WE'VE GOT TO HAVE THE FEEL
780
00:41:01,609 --> 00:41:04,755
OF THE WOOD AND THE
EARTH BETWEEN OUR FINGERS.
781
00:41:04,779 --> 00:41:07,458
THAT'S WHAT WE NEED.
782
00:41:07,482 --> 00:41:11,161
DO YOU THINK JOHN WILL LET
JASON TRY FOR THAT SCHOOLING?
783
00:41:11,185 --> 00:41:12,829
YES, IN THE LONG RUN HE WILL.
784
00:41:12,853 --> 00:41:14,898
HE WANTS THEM TO
HAVE WHAT THEY WANT.
785
00:41:14,922 --> 00:41:17,890
AND HE'LL LET 'EM GO, ONE BY ONE
786
00:41:18,959 --> 00:41:21,472
IF THEY WANT TO.
787
00:41:21,496 --> 00:41:24,608
AH, COME ON, OLD GIRL,
LET'S GET OURSELVES TO BED.
788
00:41:24,632 --> 00:41:26,377
ZEB, THAT'S NOT NICE.
789
00:41:26,401 --> 00:41:27,921
OH.
790
00:41:36,645 --> 00:41:38,222
SOUNDED LIKE
GRANDMA AND GRANDPA.
791
00:41:38,246 --> 00:41:41,058
YOU THINK THEY'RE ALL RIGHT?
792
00:41:41,082 --> 00:41:42,627
RESTLESS, I GUESS.
793
00:41:42,651 --> 00:41:43,916
I GUESS.
794
00:41:45,720 --> 00:41:47,920
SORRY IF I'M KEEPING YOU AWAKE.
795
00:41:49,324 --> 00:41:51,535
MAYBE I SHOULD GO FOR A WALK.
796
00:41:51,559 --> 00:41:53,660
YOU GO, I'M GOIN' WITH YOU.
797
00:41:56,331 --> 00:41:58,831
I DON'T FEEL LIKE
GETTIN' UP ANYWAY.
798
00:42:01,969 --> 00:42:04,470
YOU THINK I'M BEING
UNFAIR TO JASON?
799
00:42:05,473 --> 00:42:06,639
SOME.
800
00:42:08,743 --> 00:42:11,855
HE'S KNOWN FOR YEARS I'VE
WANTED HIM WITH ME IN THE MILL.
801
00:42:11,879 --> 00:42:14,292
IF HE WAS SO DEAD SET
ON THIS MUSIC BUSINESS,
802
00:42:14,316 --> 00:42:16,382
WHY HASN'T HE SAID
ANYTHING BEFORE?
803
00:42:20,422 --> 00:42:22,466
BECAUSE I THINK
IT'S ONLY RECENTLY
804
00:42:22,490 --> 00:42:25,536
THAT HE'S REALIZED HOW
MUCH HIS MUSIC MEANS TO HIM.
805
00:42:25,560 --> 00:42:28,272
BESIDES, IF HE HAD
TOLD YOU BEFORE,
806
00:42:28,296 --> 00:42:30,107
WOULD YOU HAVE
FELT ANY DIFFERENT?
807
00:42:30,131 --> 00:42:33,210
LIV, A MAN HAS TO HAVE A TRADE.
808
00:42:33,234 --> 00:42:36,414
I CAN'T STAND TO THINK OF JASON
GOIN' THROUGH LIFE STRUGGLIN'.
809
00:42:36,438 --> 00:42:39,650
TRYING TO KEEP HIMSELF AND
HIS FAMILY TOGETHER ON NOTHIN'.
810
00:42:39,674 --> 00:42:41,419
JOHN, IS THAT WHAT'S
REALLY BOTHERING YOU?
811
00:42:41,443 --> 00:42:43,354
OF COURSE IT'S WHAT'S
REALLY BOTHERING ME.
812
00:42:43,378 --> 00:42:44,577
JOHN...
813
00:42:47,215 --> 00:42:50,695
WELL, HOW WOULD YOU FEEL IF YOU
PLANNED AND PLANNED AND PLANNED
814
00:42:50,719 --> 00:42:53,230
TO GIVE YOUR KIDS GOOD
THINGS, HAVE A DECENT LIFE...
815
00:42:53,254 --> 00:42:55,533
AND THEN, WHEN THEY GET OLD
ENOUGH TO TAKE ADVANTAGE OF IT,
816
00:42:55,557 --> 00:42:57,089
THEY TURN YOU DOWN FLAT?
817
00:42:59,227 --> 00:43:01,405
JASON DOESN'T APPRECIATE
WHAT I'M TRYING TO DO FOR HIM.
818
00:43:01,429 --> 00:43:02,873
ALL HE'S THINKING ABOUT IS SOME
819
00:43:02,897 --> 00:43:05,075
SCATTERBRAINED IDEA OF
BEING A FANCY MUSICIAN.
820
00:43:05,099 --> 00:43:07,044
JOHN WALTON,
821
00:43:07,068 --> 00:43:10,314
YOU TAUGHT YOUR CHILDREN THAT IF
THEY WANTED SOMETHING, TO REACH FOR IT.
822
00:43:10,338 --> 00:43:13,651
NOW, THAT DOESN'T MEAN THAT THEY'RE
GONNA WANT THE SAME THING THAT YOU DO.
823
00:43:13,675 --> 00:43:15,820
JASON'S DOIN' EXACTLY
WHAT YOU HOPED HE'D DO.
824
00:43:15,844 --> 00:43:17,822
HE'S BEING HIS OWN
SEPARATE PERSON.
825
00:43:17,846 --> 00:43:21,325
I JUST DON'T WANT LIFE
TO BE HARD FOR HIM, LIV.
826
00:43:21,349 --> 00:43:23,361
NO ONE DOES, BUT
HE'S GOT TO WORK
827
00:43:23,385 --> 00:43:26,196
THAT OUT FOR
HIMSELF, DOESN'T HE?
828
00:43:26,220 --> 00:43:27,587
I GUESS SO.
829
00:43:30,091 --> 00:43:33,158
GOOD NIGHT, JOHN. I LOVE YOU.
830
00:43:36,998 --> 00:43:38,798
WHAT DO YOU LOVE ME FOR?
831
00:43:41,002 --> 00:43:44,948
I CAN'T WRITE, CAN'T DO
MUSIC, CAN'T DO NOTHIN'.
832
00:43:46,775 --> 00:43:48,441
GO TO SLEEP.
833
00:44:05,126 --> 00:44:06,169
WHO IS IT?
834
00:44:06,193 --> 00:44:07,833
IT'S ME, SON.
835
00:44:09,297 --> 00:44:10,530
YES, SIR.
836
00:44:14,869 --> 00:44:16,302
YOU'RE GOIN'?
837
00:44:17,839 --> 00:44:20,584
I WAS GOING TO TALK
TO YOU BEFORE I LEFT.
838
00:44:20,608 --> 00:44:23,854
I KNOW I SHOULDN'T HAVE MAILED
THAT APPLICATION IN WITHOUT ASKIN' YOU.
839
00:44:23,878 --> 00:44:25,255
NO, SON, YOU SHOULDN'T.
840
00:44:25,279 --> 00:44:26,457
I'M SORRY.
841
00:44:26,481 --> 00:44:29,627
BUT, WELL, I FIGURE, UH,
842
00:44:29,651 --> 00:44:32,563
THINGS ARE ONLY GONNA GET WORSE,
843
00:44:32,587 --> 00:44:34,754
SO I MIGHT AS WELL LEAVE NOW.
844
00:44:37,358 --> 00:44:38,791
JASON, UH...
845
00:44:43,164 --> 00:44:46,043
HOW ARE YOU GOING TO
TAKE CARE OF YOURSELF?
846
00:44:46,067 --> 00:44:50,013
WELL, I... I RECKON I'LL WORK WITH
BOBBY BIGELOW AS MUCH AS I CAN.
847
00:44:50,037 --> 00:44:51,782
YOU'D BE TRAVELING
ALL AROUND, THEN.
848
00:44:51,806 --> 00:44:54,718
YOU WON'T HAVE TIME
FOR THE CONSERVATORY.
849
00:44:54,742 --> 00:44:57,743
I'LL JUST HAVE TO FIGURE
OUT A WAY TO DO BOTH.
850
00:44:59,380 --> 00:45:03,148
WOULD YOU CONSIDER A
PART-TIME JOB AT THE MILL?
851
00:45:08,556 --> 00:45:10,089
YES, I WOULD.
852
00:45:11,726 --> 00:45:14,137
CAN IT STILL BE WALTON AND SONS?
853
00:45:14,161 --> 00:45:15,995
I'D LIKE THAT JUST FINE.
854
00:45:17,465 --> 00:45:20,177
YOU KNOW, I MIGHT NOT
EVEN WIN THAT SCHOLARSHIP.
855
00:45:20,201 --> 00:45:23,113
THEN YOU TRY SOMEWHERE ELSE.
856
00:45:23,137 --> 00:45:24,504
THANK YOU, DADDY.
857
00:45:31,946 --> 00:45:33,713
YOU'RE AN INCREDIBLE MAN.
858
00:45:35,149 --> 00:45:37,561
YOU'RE AN INCREDIBLE MAN.
859
00:45:37,585 --> 00:45:41,286
JASON JUST TOLD ME WHAT YOU'VE
DONE, AND I THINK IT'S WONDERFUL.
860
00:45:49,130 --> 00:45:50,875
I'M GOING TO WRITE THAT NOVEL.
861
00:45:50,899 --> 00:45:52,643
JOHN-BOY, YOU BEEN
DIPPIN' IN THE RECIPE?
862
00:45:52,667 --> 00:45:55,646
NO. BUT I'M INTOXICATED.
863
00:45:55,670 --> 00:45:57,280
DON'T LET YOUR
MAMA KNOW ABOUT IT.
864
00:45:57,304 --> 00:45:59,316
OH, SHE'S GONNA KNOW ABOUT IT.
865
00:45:59,340 --> 00:46:01,585
EVERYBODY'S GONNA KNOW ABOUT IT.
866
00:46:01,609 --> 00:46:03,654
FOR DAYS MISS HUNTER
WAS TELLING ME...
867
00:46:03,678 --> 00:46:05,155
DO YOU KNOW WHAT
IT'S GOING TO BE ABOUT?
868
00:46:05,179 --> 00:46:06,456
NO, WHAT'S IT GONNA BE ABOUT?
869
00:46:06,480 --> 00:46:08,191
IT'S GOING TO BE ABOUT
AN EXTRAORDINARY MAN.
870
00:46:08,215 --> 00:46:09,192
WHO? YOU.
871
00:46:09,216 --> 00:46:10,561
ME?
872
00:46:10,585 --> 00:46:13,063
YES, YOU. AND THE
EXTRAORDINARY THINGS YOU DO
873
00:46:13,087 --> 00:46:17,434
SO THAT YOUR CHILDREN CAN GROW UP
AND HAVE THE KIND OF LIVES THAT THEY WANT.
874
00:46:17,458 --> 00:46:19,403
AND IT'S GONNA TO BE ABOUT MAMA.
875
00:46:19,427 --> 00:46:22,205
AND, IT'S GONNA
BE ABOUT GRANDPA.
876
00:46:22,229 --> 00:46:24,575
AND, IT'S GONNA BE ABOUT
GRANDMA AND MARY ELLEN
877
00:46:24,599 --> 00:46:26,566
AND JASON AND BEN AND ELIZABETH.
878
00:46:28,269 --> 00:46:31,015
I WONDER HOW'S IT GONNA END?
879
00:46:31,039 --> 00:46:32,182
WHAT?
880
00:46:32,206 --> 00:46:34,885
I WAS WONDERIN',
HOW'S IT GONNA END?
881
00:46:34,909 --> 00:46:37,120
I DON'T KNOW.
882
00:46:37,144 --> 00:46:39,078
WE'RE STILL LIVING IT.
883
00:46:46,988 --> 00:46:48,388
OK.
884
00:46:50,257 --> 00:46:54,004
PA, I THINK WE SHOULD
PUT THE OFFICE RIGHT HERE.
885
00:46:54,028 --> 00:46:56,674
DADDY, I'D LIKE TO HAVE
THE DESK SPACE AT THE BACK
886
00:46:56,698 --> 00:46:57,808
SO THAT I CAN LOOK AT THE VIEW
887
00:46:57,832 --> 00:46:59,643
WHILE I'M WORKIN'. RIGHT HERE.
888
00:46:59,667 --> 00:47:02,012
BEN, IF YOU WERE WORKIN', YOU
WON'T HAVE TIME FOR LOOKIN'.
889
00:47:02,036 --> 00:47:03,581
GRANDPA, A MAN NEEDS TO HAVE...
890
00:47:03,605 --> 00:47:05,148
TO HAVE TIME TO
THINK WHILE HE WORKS.
891
00:47:05,172 --> 00:47:06,717
COME OVER HERE, SON. YEAH?
892
00:47:06,741 --> 00:47:08,919
ALMOST ALL OF US
CHOSE CAREERS THAT
893
00:47:08,943 --> 00:47:11,055
TOOK US AWAY FROM
WALTON'S MOUNTAIN.
894
00:47:11,079 --> 00:47:14,124
BUT NO MATTER HOW FAR ANY
OF US TRAVELED IN LATER YEARS,
895
00:47:14,148 --> 00:47:15,726
WE ALWAYS CAME HOME.
896
00:47:15,750 --> 00:47:17,461
AND WHILE WE WERE AWAY,
897
00:47:17,485 --> 00:47:20,064
MY MOTHER AND FATHER
WERE ALWAYS WITH US
898
00:47:20,088 --> 00:47:24,356
IN OUR HEARTS, AND MORE IMPORTANTLY,
IN OUR ATTITUDES TOWARD LIFE.
899
00:47:28,730 --> 00:47:32,943
JASON, YOU GONNA KEEP
THAT RACKET UP ALL NIGHT?
900
00:47:32,967 --> 00:47:34,712
SORRY, DADDY.
901
00:47:34,736 --> 00:47:37,948
I JUST STARTED PLAYIN' AND I
FORGOT ALL ABOUT THE TIME.
902
00:47:37,972 --> 00:47:39,683
ONE MORE MINUTE?
903
00:47:39,707 --> 00:47:41,140
THAT'S ALL.
904
00:47:45,947 --> 00:47:47,290
GOOD NIGHT, JASON.
905
00:47:47,314 --> 00:47:49,059
GOOD NIGHT, JASON.
906
00:47:49,083 --> 00:47:51,128
GOODNIGHT, JOHN-BOY.
907
00:47:51,152 --> 00:47:53,263
GOODNIGHT, MARY ELLEN.
908
00:47:53,287 --> 00:47:55,365
GOODNIGHT, ERIN.
909
00:47:55,389 --> 00:47:58,257
GOODNIGHT, JIM-BOB.
GOODNIGHT, BEN.
910
00:47:59,326 --> 00:48:00,971
GOODNIGHT, JOHN-BOY.
911
00:48:00,995 --> 00:48:02,940
GOODNIGHT, ERIN.
912
00:48:02,964 --> 00:48:04,341
GOODNIGHT, BEN.
913
00:48:04,365 --> 00:48:05,943
GOODNIGHT, MARY ELLEN.
914
00:48:05,967 --> 00:48:08,078
GOODNIGHT, MAMA.
GOODNIGHT, DADDY.
915
00:48:08,102 --> 00:48:11,348
GOODNIGHT EVERYBODY.
69049
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