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1
00:01:16,694 --> 00:01:19,539
IN THOSE GRAY AND GRINDING
DAYS OF THE DEPRESSION,
2
00:01:19,563 --> 00:01:23,576
WE OFTEN FOUND COMFORT
IN THE OLD FAMILIAR PROVERBS.
3
00:01:23,600 --> 00:01:26,046
WE KNEW THAT IN UNITY
THERE WAS STRENGTH,
4
00:01:26,070 --> 00:01:28,081
THAT BLOOD WAS
THICKER THAN WATER,
5
00:01:28,105 --> 00:01:31,551
THAT TO ERR WAS HUMAN
AND TO FORGIVE DIVINE.
6
00:01:31,575 --> 00:01:34,988
USUALLY, WE NEVER EXAMINED
THESE TRUTHS TOO CLOSELY,
7
00:01:35,012 --> 00:01:37,290
BUT IN THE AUTUMN OF 1934,
8
00:01:37,314 --> 00:01:40,093
I DISCOVERED, THROUGH
PAIN AND REMORSE
9
00:01:40,117 --> 00:01:42,729
JUST HOW PROFOUNDLY
TRUE THEY WERE.
10
00:01:42,753 --> 00:01:45,631
HEY! WHAT ON EARTH YOU GOT HERE?
11
00:01:45,655 --> 00:01:47,500
IT'S A BOAT! AND IT'S ALL OURS!
12
00:01:47,524 --> 00:01:49,302
YOU KNOW MR. CARMICHAEL,
THE ONE THAT OWNS
13
00:01:49,326 --> 00:01:51,571
THAT BIG HOUSE ON
ROCKFISH RIVER? YEAH.
14
00:01:51,595 --> 00:01:52,939
WELL, IT WAS HIS.
15
00:01:52,963 --> 00:01:55,441
HOW MUCH DID HE PAY
YOU TO HAUL IT AWAY?
16
00:01:55,465 --> 00:01:57,177
LET'S GO GET JASON AND JOHN-BOY.
17
00:01:57,201 --> 00:01:58,477
AND MARY ELLEN!
18
00:01:58,501 --> 00:02:00,013
THEN WE CAN UNLOAD IT RIGHT NOW.
19
00:02:00,037 --> 00:02:02,515
NOT NOW. WE'LL
UNLOAD IT AFTER SUPPER.
20
00:02:02,539 --> 00:02:06,086
IN FACT, IT CAN WAIT TILL AFTER THE DISHES
ARE DONE AND THE HOMEWORK'S FINISHED.
21
00:02:06,110 --> 00:02:08,154
OH, DADDY. DADDY'S RIGHT.
22
00:02:08,178 --> 00:02:10,857
THERE'S NOTHING MORE COULD
POSSIBLY HAPPEN TO THIS BOAT
23
00:02:10,881 --> 00:02:12,092
THAT HASN'T
HAPPENED TO IT BEFORE.
24
00:02:12,116 --> 00:02:14,160
WE'RE GONNA FIX IT UP
AND SAIL IT ON THE POND.
25
00:02:14,184 --> 00:02:16,062
AND WE'RE GONNA GIVE IT
A NAME AND EVERYTHING.
26
00:02:16,086 --> 00:02:18,031
WHY DON'T WE CALL
IT ILE-DE-FRANCE?
27
00:02:18,055 --> 00:02:19,766
I THINK THAT NAME
HAS BEEN TAKEN, HONEY.
28
00:02:19,790 --> 00:02:21,434
MIGHT I SUGGEST CORK?
29
00:02:21,458 --> 00:02:24,170
CORK? WHY CALL IT CORK?
30
00:02:24,194 --> 00:02:27,874
'CAUSE CORK IS THE FLOATINGEST
MATERIAL THERE IS KNOWN TO MAN
31
00:02:27,898 --> 00:02:29,909
AND YOU'RE GONNA
NEED ALL THE HELP
32
00:02:29,933 --> 00:02:32,245
YOU CAN POSSIBLY GET
FOR THIS SORRY MESS.
33
00:02:32,269 --> 00:02:34,169
OH, GRANDPA.
34
00:02:35,806 --> 00:02:38,218
YOU CHILDREN OUGHT TO
GET A BOAT MORE OFTEN.
35
00:02:38,242 --> 00:02:41,121
ERIN, I'M NOT THROUGH YET. NOW.
36
00:02:41,145 --> 00:02:43,156
DADDY, CAN WE GO
WORK ON THE BOAT NOW?
37
00:02:43,180 --> 00:02:45,058
DO YOUR HOMEWORK? YEAH.
38
00:02:45,082 --> 00:02:47,727
PA, LET'S SET IT UP WITH SOME
SAWHORSES, AND THEY CAN WORK ON IT.
39
00:02:47,751 --> 00:02:49,462
THAT'S ONE WAY OF
KEEPING HER AFLOAT.
40
00:02:49,486 --> 00:02:51,030
THERE'S NOTHING
TO FIXING THAT BOAT.
41
00:02:51,054 --> 00:02:52,531
YOU JUST PUT SOME
BANDAGES ON IT.
42
00:02:52,555 --> 00:02:53,933
COME ON, JOHN-BOY.
43
00:02:53,957 --> 00:02:55,034
IN A MINUTE.
44
00:02:55,058 --> 00:02:56,335
WHAT'S THE MATTER, COLLEGE MAN?
45
00:02:56,359 --> 00:02:58,239
NO TIME FOR US
KIDS AND OUR BOAT?
46
00:03:04,134 --> 00:03:05,854
WHAT ARE YOU SMILING AT?
47
00:03:07,070 --> 00:03:09,849
WELL, I WAS GONNA
ASK YOU WHAT'S WRONG,
48
00:03:09,873 --> 00:03:13,519
BUT I KNEW YOU'D SAY, "NOTHING,
MAMA, NOTHING." SO I'M NOT GONNA ASK.
49
00:03:15,879 --> 00:03:18,391
WELL, IT'S THAT
SPECIAL WRITING CLASS
50
00:03:18,415 --> 00:03:20,426
I'VE BEEN TRYING TO
GET INTO FOR A LONG TIME.
51
00:03:20,450 --> 00:03:22,228
IS THAT IT? THEY
WON'T ACCEPT YOU?
52
00:03:22,252 --> 00:03:24,264
NO, THEY DID ACCEPT
ME. THAT'S THE PROBLEM.
53
00:03:24,288 --> 00:03:27,333
JOHN-BOY, YOU'VE BEEN TALKING AND
TALKING ABOUT THAT CLASS FOR MONTHS.
54
00:03:27,357 --> 00:03:29,135
ARE YOU TRYING TO TELL ME
YOU DON'T WANT TO GET IN IT?
55
00:03:29,159 --> 00:03:30,736
I JUST DON'T THINK
I BELONG THERE.
56
00:03:30,760 --> 00:03:32,571
EVERYONE ELSE IN THE
CLASS IS A SOPHOMORE.
57
00:03:32,595 --> 00:03:35,875
THEY'VE EVEN GOT A SENIOR WHO'S
SUPPOSEDLY WRITING A NOVEL IN VERSE.
58
00:03:35,899 --> 00:03:38,444
I'M THE ONLY FRESHMAN
IN THE ENTIRE CLASS.
59
00:03:38,468 --> 00:03:39,946
IT'S A FEATHER IN YOUR CAP.
60
00:03:39,970 --> 00:03:42,481
THAT'S TRUE.
61
00:03:42,505 --> 00:03:44,665
I JUST DON'T THINK I'M
GONNA MEASURE UP TO IT.
62
00:03:45,608 --> 00:03:47,187
BROODING ABOUT
IT ISN'T GONNA HELP.
63
00:03:47,211 --> 00:03:48,922
WHAT YOU NEED IS TO KEEP BUSY.
64
00:03:48,946 --> 00:03:52,391
I'M SURE THE CHILDREN CAN FIND
YOU SOMETHING TO DO ON THAT BOAT.
65
00:03:52,415 --> 00:03:54,393
OK.
66
00:03:54,417 --> 00:03:55,995
OK.
67
00:03:56,019 --> 00:03:57,530
MAYBE IF WE GET
IT INTO SHIPSHAPE,
68
00:03:57,554 --> 00:04:00,421
I CAN ESCAPE IN IT
BEFORE CLASS TOMORROW.
69
00:04:12,535 --> 00:04:13,935
MISS BARSTOW.
70
00:04:15,372 --> 00:04:17,917
MR. TATLOCK. HERE.
71
00:04:17,941 --> 00:04:20,186
MISS WEBB. HERE.
72
00:04:20,210 --> 00:04:21,343
MR. CARPENTER.
73
00:04:22,512 --> 00:04:24,846
AND, OF COURSE, OUR
NEWCOMER, MR. WALTON.
74
00:04:26,216 --> 00:04:27,827
SINCE YOU WEREN'T
HERE FOR THE FIRST CLASS
75
00:04:27,851 --> 00:04:30,263
YOU MISSED MY INTRODUCTORY
SPEECH, MR. WALTON.
76
00:04:32,489 --> 00:04:35,869
HOWEVER, SO AS NOT TO
DEPRIVE YOU, I'LL REPEAT IT.
77
00:04:37,627 --> 00:04:38,738
IN CAPSULE FORM.
78
00:04:41,231 --> 00:04:44,577
IN A NUTSHELL, I REALLY CAN'T
TEACH YOU HOW TO WRITE.
79
00:04:44,601 --> 00:04:47,446
YOU'RE EITHER A
WRITER, OR YOU'RE NOT.
80
00:04:47,470 --> 00:04:51,550
SO, CLASS, WHY DON'T YOU TELL
MR. WALTON ABOUT YOUR PROJECTS?
81
00:04:51,574 --> 00:04:53,086
MR. TATLOCK.
82
00:04:53,110 --> 00:04:55,889
I'M WRITING A NOVELLA IN
WHICH ALL THE ACTION IS MENTAL.
83
00:04:55,913 --> 00:04:57,757
HAVE YOU READ PROUST? SOME.
84
00:04:57,781 --> 00:04:59,225
THEN YOU KNOW
WHAT I'M GOING FOR.
85
00:04:59,249 --> 00:05:00,493
IT'S VERY CHALLENGING.
86
00:05:00,517 --> 00:05:02,661
IT CERTAINLY IS. MISS BARSTOW.
87
00:05:02,685 --> 00:05:06,099
I'M DOING A FANTASY ABOUT
THE END OF CIVILIZATION
88
00:05:06,123 --> 00:05:09,535
IN WHICH JUST A HANDFUL OF PEOPLE
ARE KEEPING KNOWLEDGE ALIVE,
89
00:05:09,559 --> 00:05:13,606
BUT AT THE END, YOU REALIZE IT'S
REALLY ABOUT THE FALL OF ROME.
90
00:05:13,630 --> 00:05:16,542
IN OTHER WORDS, IT'S
PROPHETIC LITERATURE.
91
00:05:16,566 --> 00:05:19,379
WHAT ARE YOU WORKING ON, WALTON?
92
00:05:19,403 --> 00:05:22,215
UH, SHORT STORIES.
93
00:05:22,239 --> 00:05:25,218
ON WHAT THEMES?
94
00:05:25,242 --> 00:05:28,955
WELL, UH, FAMILY LIFE.
95
00:05:28,979 --> 00:05:31,891
I'M NOT TOO SURE BUT WHAT
REGIONALISM ISN'T DEAD.
96
00:05:31,915 --> 00:05:35,094
REALLY, MISS WEBB? HAS
ANYONE TOLD THOMAS WOLFE?
97
00:05:37,988 --> 00:05:39,232
WHAT APPROACH ARE YOU TAKING?
98
00:05:39,256 --> 00:05:40,800
PRETTY REALISTIC, I THINK.
99
00:05:40,824 --> 00:05:43,236
WELL, SINCLAIR LEWIS DID
SOME GOOD REPORTAGE,
100
00:05:43,260 --> 00:05:46,539
BUT, UH, THESE DAYS, I THINK
YOU NEED A LARGER FRAME.
101
00:05:46,563 --> 00:05:48,975
EXACTLY. YOU KNOW, MR. WALTON,
102
00:05:48,999 --> 00:05:50,243
IF YOU CAN DO WITH YOUR PEOPLE
103
00:05:50,267 --> 00:05:52,778
WHAT PROUST DID WITH
THE FRENCH BOURGEOISIE...
104
00:05:52,802 --> 00:05:55,148
YOU MUST HAVE
SOCIOPOLITICAL OVERTONES.
105
00:05:55,172 --> 00:05:58,484
WITHOUT THAT, WORK IS
MEANINGLESS IN THIS DAY AND AGE.
106
00:05:58,508 --> 00:06:00,954
WELL, I JUST, UH,
107
00:06:00,978 --> 00:06:03,222
WRITE ABOUT MY FAMILY
THE WAY I SEE THEM,
108
00:06:03,246 --> 00:06:04,390
THE DAY-TO-DAY
EXPERIENCES AND SUCH.
109
00:06:04,414 --> 00:06:06,659
GOOD ENOUGH, MR. WALTON.
110
00:06:06,683 --> 00:06:09,395
YOU'RE DOING WHAT EVERY
BEGINNING WRITER SHOULD DO.
111
00:06:09,419 --> 00:06:11,297
WRITE ABOUT WHAT YOU KNOW.
112
00:06:11,321 --> 00:06:13,599
THAT'S ALL VERY WELL AND GOOD,
113
00:06:13,623 --> 00:06:15,801
BUT MAYBE HE SHOULD KNOW MORE.
114
00:06:15,825 --> 00:06:18,171
THANK YOU, MISS WEBB.
115
00:06:18,195 --> 00:06:21,307
MISS BARSTOW, WHY DON'T YOU
READ FOR US FROM YOUR NEW WORK?
116
00:06:21,331 --> 00:06:22,875
"IT SEEMED TO CHRISTINA
117
00:06:22,899 --> 00:06:24,344
"THAT THE SOUND
OF THE TRAIN WHEELS
118
00:06:24,368 --> 00:06:26,980
WOULD STAY INSIDE HER
HEAD AS LONG AS SHE LIVED."
119
00:06:27,004 --> 00:06:31,617
1, 2, 3. PULL!
120
00:06:31,641 --> 00:06:32,651
PULL!
121
00:06:32,675 --> 00:06:34,520
PULL! PULL!
122
00:06:34,544 --> 00:06:35,855
ERIN, YOU'RE NOT PULLING.
123
00:06:35,879 --> 00:06:37,490
I AM PULLING, JASON.
WELL, PULL HARDER.
124
00:06:37,514 --> 00:06:39,625
PULL, ERIN! HARDER? I AM, JASON.
125
00:06:39,649 --> 00:06:42,195
OK, OK, OK, OK.
126
00:06:42,219 --> 00:06:44,930
DIDN'T BUDGE AN INCH.
127
00:06:44,954 --> 00:06:46,299
THAT'S ALL IT HAS
TO BUDGE, IS AN INCH.
128
00:06:46,323 --> 00:06:48,134
I GOT AN IDEA.
129
00:06:48,158 --> 00:06:51,137
IF WE BEND 2 TREES AND TIE
THEM, PUT THE BOAT IN THE MIDDLE,
130
00:06:51,161 --> 00:06:53,373
WHEN WE CUT THE TREES, WHAMMO!
IT'D BE BACK TOGETHER AGAIN.
131
00:06:53,397 --> 00:06:54,773
OH, NO.
132
00:06:54,797 --> 00:06:56,142
I SAW IT IN A MOVIE.
133
00:06:56,166 --> 00:06:57,510
I THINK YOU MADE IT UP.
134
00:06:57,534 --> 00:06:59,212
AND I ALSO THINK WE
SHOULD GET DADDY.
135
00:06:59,236 --> 00:07:01,347
NO, WE PROMISED
WE'D DO IT OURSELVES.
136
00:07:01,371 --> 00:07:03,216
SO LET'S DO IT AGAIN. COME ON.
137
00:07:03,240 --> 00:07:04,417
OK. COME ON.
138
00:07:04,441 --> 00:07:05,885
YOU GOTTA PULL
AS HARD AS YOU CAN,
139
00:07:05,909 --> 00:07:07,653
AND DON'T MOVE IT OFF THE BENCH.
140
00:07:07,677 --> 00:07:09,522
OK. READY?
141
00:07:09,546 --> 00:07:10,890
PULL!
142
00:07:10,914 --> 00:07:11,991
COME ON, JASON, GO!
143
00:07:12,015 --> 00:07:13,575
PULL!
144
00:07:21,391 --> 00:07:22,835
JUST IN TIME.
145
00:07:22,859 --> 00:07:24,170
FOR WHAT?
146
00:07:24,194 --> 00:07:26,339
OH, NO, I'VE HAD A TOUGH DAY.
147
00:07:26,363 --> 00:07:28,074
GEE, JOHN-BOY, YOU'RE NOT THE
ONLY ONE WHO GOES TO SCHOOL.
148
00:07:28,098 --> 00:07:31,010
YEAH, I HAD A TOUGH
TIME. I GOT A D IN SPELLING.
149
00:07:31,034 --> 00:07:33,379
YOU'RE TRYING TO
CLOSE THAT SEAM?
150
00:07:33,403 --> 00:07:36,382
DO I GET TO BE CAPTAIN IF I
FIGURE OUT A WAY TO DO IT?
151
00:07:36,406 --> 00:07:38,973
IT'S A DEAL.
152
00:07:40,477 --> 00:07:43,222
LET ME HAVE THE ENDS
OF THE ROPE, PLEASE.
153
00:07:43,246 --> 00:07:44,857
THANK YOU.
154
00:07:44,881 --> 00:07:46,859
JIM-BOB, I NEED, UH...
155
00:07:46,883 --> 00:07:49,644
BRING ME THAT LENGTH
OF PIPE THERE, ALL RIGHT?
156
00:07:53,756 --> 00:07:54,822
OK.
157
00:07:55,892 --> 00:07:56,991
NOW...
158
00:08:03,633 --> 00:08:04,865
IT'S WORKING.
159
00:08:06,470 --> 00:08:07,913
BEN,
160
00:08:07,937 --> 00:08:10,649
NOW YOU SEE THE VALUE OF
ONE MAN WITH A LITTLE KNOW-HOW.
161
00:08:10,673 --> 00:08:13,419
YOU'RE A MECHANICAL GENIUS
AND YOU'RE SMART, TOO. THANK YOU.
162
00:08:13,443 --> 00:08:15,088
WELL, I DON'T KNOW ABOUT THAT.
163
00:08:15,112 --> 00:08:16,956
AFTER ALL, WE DID GET HIM TO
DO OUR WORK FOR US, DIDN'T WE?
164
00:08:16,980 --> 00:08:19,092
LIKE TOM SAWYER GETTING HIS
FRIENDS TO WHITEWASH THE FENCE.
165
00:08:19,116 --> 00:08:21,427
JASON, YOU'VE BEEN READING TOO
MANY BOOKS. THAT'S BAD FOR YOU.
166
00:08:21,451 --> 00:08:22,595
IT'S BAD FOR YOU, YOU MEAN.
167
00:08:22,619 --> 00:08:24,897
WELL, I BETTER GET IN THE HOUSE.
168
00:08:24,921 --> 00:08:26,532
JOHN-BOY, YOU GONNA
WRITE ABOUT OUR BOAT?
169
00:08:26,556 --> 00:08:29,368
I THINK IT WOULD
MAKE A GOOD STORY.
170
00:08:29,392 --> 00:08:32,538
MARY ELLEN, LAST WEEK
I'D HAVE THOUGHT SO, TOO.
171
00:08:32,562 --> 00:08:34,807
RIGHT NOW, I'M NOT SURE AT ALL.
172
00:08:34,831 --> 00:08:37,210
COME ON. LET'S GET
THOSE SIDES HAMMERED IN.
173
00:08:37,234 --> 00:08:38,244
GET THAT HAMMER.
174
00:08:38,268 --> 00:08:40,913
NAILS.
175
00:08:42,038 --> 00:08:43,638
JOHN-BOY.
176
00:08:44,574 --> 00:08:45,840
COME IN.
177
00:08:48,445 --> 00:08:50,845
YOU DIDN'T EAT ANY SUPPER. I
THOUGHT YOU MIGHT BE HUNGRY.
178
00:08:52,982 --> 00:08:55,428
WHAT'S THE MATTER?
179
00:08:55,452 --> 00:08:58,319
TOMORROW I HAVE TO BRING
IN A SAMPLE OF MY WORK.
180
00:08:59,422 --> 00:09:01,033
ALL THE SCADS OF
STORIES YOU'VE WRITTEN,
181
00:09:01,057 --> 00:09:03,169
YOU MUST BE ABLE TO
FIND SOMETHING GOOD.
182
00:09:03,193 --> 00:09:04,937
I THINK THEY'RE ALL GOOD.
183
00:09:04,961 --> 00:09:06,739
THE QUESTION IS, ARE
THEY GOOD ENOUGH?
184
00:09:06,763 --> 00:09:08,807
GOOD ENOUGH FOR WHAT?
185
00:09:10,167 --> 00:09:12,711
MAMA, THE PEOPLE
IN THIS CLASS ARE...
186
00:09:12,735 --> 00:09:15,948
THEY'RE VERY SOPHISTICATED.
THEY'RE VERY DISCRIMINATING.
187
00:09:15,972 --> 00:09:20,136
IT'S NOT AS EASY TO IMPRESS
THEM AS IT IS TO IMPRESS YOU.
188
00:09:20,160 --> 00:09:23,405
SINCE WHEN HAVE YOU BEEN
OUT TO IMPRESS OTHER PEOPLE?
189
00:09:23,429 --> 00:09:25,207
THAT'S NOT WHAT I MEAN.
190
00:09:25,231 --> 00:09:28,477
IT'S JUST THAT THEY KNOW SO MUCH
MORE THAN I DO ABOUT THESE THINGS.
191
00:09:28,501 --> 00:09:31,180
THEY'RE INTERESTED IN VERY
IMPORTANT THEMES FOR THEIR WORK.
192
00:09:31,204 --> 00:09:33,516
YOU FEELING THAT YOUR
STORIES AREN'T SERIOUS ENOUGH?
193
00:09:33,540 --> 00:09:37,086
THAT'S EXACTLY WHAT I'M FEELING.
194
00:09:37,110 --> 00:09:38,587
TELL YOU THE
TRUTH, I'M WONDERING
195
00:09:38,611 --> 00:09:40,623
IF I REALLY HAVE ANYTHING
AT ALL TO SAY AS A WRITER.
196
00:09:40,647 --> 00:09:42,291
JOHN-BOY, THAT IS FOOLISH.
197
00:09:42,315 --> 00:09:43,993
NO, MOM, IT'S A TERRIBLE FEELING
198
00:09:44,017 --> 00:09:46,029
TO SUDDENLY WONDER
IF WHAT YOU WANT TO SAY
199
00:09:46,053 --> 00:09:48,364
IS IMPORTANT OR
MEANINGFUL TO OTHER PEOPLE.
200
00:09:48,388 --> 00:09:50,399
YOUR FEELINGS ARE IN AN
UPROAR 'CAUSE YOU'RE HAVING TO
201
00:09:50,423 --> 00:09:53,036
PROVE YOURSELF TO
STRANGERS FOR THE FIRST TIME.
202
00:09:53,060 --> 00:09:55,071
BUT THAT'S GONNA HAPPEN
ALL THE TIME FROM NOW ON.
203
00:09:55,095 --> 00:09:56,706
YOU'RE JUST GONNA
HAVE TO GET USED TO IT.
204
00:09:56,730 --> 00:09:57,862
THAT'S TERRIBLE.
205
00:09:59,432 --> 00:10:02,145
I WISH I COULD HELP.
206
00:10:02,169 --> 00:10:04,914
WHEN YOU WERE LITTLE
IT WAS SO MUCH EASIER.
207
00:10:04,938 --> 00:10:06,883
YOU FELL DOWN, I
COULD PICK YOU UP.
208
00:10:06,907 --> 00:10:08,517
YOU WERE AFRAID OF THE DARK,
209
00:10:08,541 --> 00:10:11,621
I COULD SHOW YOU THAT THERE
WEREN'T ANY GHOSTS IN THE CORNER.
210
00:10:12,145 --> 00:10:14,145
BUT NOW THERE'S
TRULY NOTHING I CAN DO.
211
00:10:15,716 --> 00:10:17,493
EXCEPT TO TELL YOU WHEN TO EAT,
212
00:10:17,517 --> 00:10:19,818
AND THAT IS NOW. HERE.
213
00:10:21,121 --> 00:10:22,987
I ADMIT IT. I'M STARVING.
214
00:10:25,325 --> 00:10:27,904
MOM. THANK YOU.
215
00:10:27,928 --> 00:10:30,829
♪♪
216
00:10:37,104 --> 00:10:41,217
JASON, YOUR BROTHER'S
TRYING TO WORK.
217
00:10:50,583 --> 00:10:52,595
OH, HI, OLIVIA. NICE TO SEE YOU.
218
00:10:52,619 --> 00:10:54,864
WELL, YOU KNOW THAT MATERIAL
YOU ORDERED? IT'S HERE.
219
00:10:54,888 --> 00:10:58,134
THANKS, IKE. JASON WANTED ME
TO ASK IF HIS HARMONICA'S HERE YET.
220
00:10:58,158 --> 00:11:00,436
OH, THAT JASON. HE ORDERS
A HARMONICA YESTERDAY
221
00:11:00,460 --> 00:11:01,871
AND HE EXPECTS IT TODAY.
222
00:11:01,895 --> 00:11:03,372
HERE'S SOMETHING YOU
MIGHT BE INTERESTED IN.
223
00:11:03,396 --> 00:11:06,609
GROGAN'S DEPARTMENT STORE
IS HAVING A FALL FASHION SHOW.
224
00:11:06,633 --> 00:11:08,733
I NEVER MISS ONE OF THESE.
225
00:11:11,805 --> 00:11:13,149
YOU GOING, HUH?
226
00:11:13,173 --> 00:11:15,785
I THINK I'LL SKIP THIS ONE.
227
00:11:15,809 --> 00:11:17,453
IT'S FREE.
228
00:11:17,477 --> 00:11:19,588
I DON'T SEE ANY POINT IN GOING
ALL THE WAY TO CHARLOTTESVILLE
229
00:11:19,612 --> 00:11:22,247
TO LOOK AT A BUNCH OF
DRESSES I CAN'T AFFORD TO BUY.
230
00:11:27,788 --> 00:11:29,668
THAT DRESS CATCH YOUR EYE, HUH?
231
00:11:30,791 --> 00:11:32,568
IKE, HAVE YOU
FINISHED WITH THIS?
232
00:11:32,592 --> 00:11:33,569
OH, SURE, YEAH.
233
00:11:33,593 --> 00:11:35,037
DO YOU MIND IF I
TAKE IT WITH ME?
234
00:11:35,061 --> 00:11:36,172
OH, NO, GO AHEAD.
235
00:11:36,196 --> 00:11:37,295
THANK YOU.
236
00:11:39,499 --> 00:11:43,545
UH, MUST BE SOMETHING PRETTY
INTERESTING IN THERE, HUH?
237
00:11:43,569 --> 00:11:45,403
AH, NO, IT'S NOTHING SPECIAL.
238
00:12:17,653 --> 00:12:19,832
OH, COME IN, COME IN, MISS...
239
00:12:19,856 --> 00:12:23,102
MRS. WALTON. MRS.
WALTON. HAVE A SEAT, PLEASE.
240
00:12:23,126 --> 00:12:25,004
THANK YOU.
241
00:12:25,028 --> 00:12:27,039
AND WHAT HAVE YOU BROUGHT US?
242
00:12:27,063 --> 00:12:28,841
YOU'VE WRITTEN A
NOVEL, HAVE YOU?
243
00:12:28,865 --> 00:12:30,009
OH, NO.
244
00:12:30,033 --> 00:12:31,710
THIS IS MY SON'S WORK.
245
00:12:31,734 --> 00:12:34,113
HE'S 18 AND A VERY FINE WRITER.
246
00:12:34,137 --> 00:12:35,348
AT LEAST, I THINK SO.
247
00:12:35,372 --> 00:12:37,884
WE WANT TO BELIEVE
THAT AS MUCH AS YOU DO.
248
00:12:37,908 --> 00:12:42,143
AFTER ALL, WITHOUT NEW WRITERS,
WHAT WOULD PUBLISHERS DO?
249
00:12:43,679 --> 00:12:45,258
DO YOU PUBLISH SHORT STORIES?
250
00:12:45,282 --> 00:12:47,927
CERTAINLY. IF THEY'RE GOOD.
251
00:12:47,951 --> 00:12:49,896
DO I LEAVE THESE WITH YOU?
252
00:12:49,920 --> 00:12:52,164
THEY'RE ONLY A FEW SAMPLES.
JOHN-BOY'S WRITTEN A LOT MORE.
253
00:12:52,188 --> 00:12:54,100
YOU JUST LEAVE
THEM, MRS. WALTON,
254
00:12:54,124 --> 00:12:56,369
AND WE'LL BE GIVING YOU
AN OPINION WITHIN THE WEEK.
255
00:12:56,393 --> 00:12:59,005
UH, THE ADDRESS IS HERE.
256
00:12:59,029 --> 00:13:02,441
AND I'D APPRECIATE IT IF YOU'D
SEND YOUR REPLY ADDRESSED TO ME.
257
00:13:02,465 --> 00:13:06,545
MY SON DOESN'T KNOW I'M
HERE, AND IF YOU TURN HIM DOWN,
258
00:13:06,569 --> 00:13:08,114
IT MIGHT BE BETTER
IF HE NEVER KNEW.
259
00:13:08,138 --> 00:13:10,449
YOU SHOULD THINK
MORE POSITIVELY.
260
00:13:10,473 --> 00:13:13,152
WE JUST MAY CONSIDER
YOUR SON'S WORK GOOD
261
00:13:13,176 --> 00:13:14,253
AND WANT TO PUBLISH IT.
262
00:13:14,277 --> 00:13:15,288
THINK OF THAT.
263
00:13:15,312 --> 00:13:16,923
I WILL.
264
00:13:16,947 --> 00:13:19,892
BUT I WOULD APPRECIATE IT IF YOU'D
SEND THE REPLY ADDRESSED TO ME.
265
00:13:19,916 --> 00:13:21,115
CERTAINLY.
266
00:13:22,618 --> 00:13:24,931
I LOOK FORWARD TO
READING YOUR SON'S NOVEL.
267
00:13:24,955 --> 00:13:27,033
SHORT STORIES. RIGHT.
268
00:13:27,057 --> 00:13:28,667
AND AS I SAID,
WE'LL BE IN TOUCH.
269
00:13:28,691 --> 00:13:30,303
THANK YOU FOR CHOOSING US.
270
00:13:30,327 --> 00:13:31,837
THANK YOU. BYE-BYE.
271
00:13:31,861 --> 00:13:33,605
GOODBYE.
272
00:13:33,629 --> 00:13:36,242
IKE, IKE, DID MY
HARMONICA COME IN YET?
273
00:13:36,266 --> 00:13:38,510
NOW STOP IT, WILL YOU?
I'M SICK AND TIRED OF YOU
274
00:13:38,534 --> 00:13:41,513
COMING IN HERE AND ASKING WHEN
THAT HARMONICA'S GONNA COME IN!
275
00:13:41,537 --> 00:13:42,848
OK. YOU KNOW WHY?
276
00:13:42,872 --> 00:13:44,350
WHY? 'CAUSE IT CAME IN.
277
00:13:44,374 --> 00:13:47,253
HOT DOG! THANKS, IKE.
278
00:13:47,277 --> 00:13:50,656
OH, LOOK AT THAT. BRAND NEW.
279
00:13:50,680 --> 00:13:54,093
HOLD IT. 94 CENTS.
CASH ON DELIVERY.
280
00:13:54,117 --> 00:13:55,928
GOT IT RIGHT HERE.
281
00:13:55,952 --> 00:13:58,331
EXACT CHANGE. 94 CENTS.
282
00:13:58,355 --> 00:13:59,398
OK.
283
00:14:12,469 --> 00:14:13,946
IT'S A CATCHY TUNE.
284
00:14:13,970 --> 00:14:15,703
I WROTE IT MYSELF.
285
00:14:20,143 --> 00:14:22,054
IKE, YOU GOT ANY
WINGS CIGARETTES?
286
00:14:22,078 --> 00:14:24,123
YEAH, SURE.
287
00:14:24,147 --> 00:14:28,194
I'LL TAKE A PACK OF THEM AND,
UH, ONE OF THEM CHOCOLATE BARS.
288
00:14:28,218 --> 00:14:29,283
OK.
289
00:14:34,991 --> 00:14:36,157
HERE YOU GO.
290
00:14:45,168 --> 00:14:46,912
I, UH...
291
00:14:46,936 --> 00:14:49,548
IT'S NEW. I COULDN'T
WAIT TO TRY IT OUT.
292
00:14:49,572 --> 00:14:52,351
YOU PLAY THAT THING
PRETTY GOOD. YOU SURELY DO.
293
00:14:52,375 --> 00:14:54,053
YOUR CHANGE. THANK YOU.
294
00:14:54,077 --> 00:14:55,354
WHAT ELSE YOU DO?
295
00:14:55,378 --> 00:14:57,523
OH, I PLAY A LITTLE GUITAR.
296
00:14:57,547 --> 00:14:58,590
I SING.
297
00:14:58,614 --> 00:14:59,791
EVER DO IT PROFESSIONAL?
298
00:14:59,815 --> 00:15:02,461
I WON AN AMATEUR CONTEST ONCE.
299
00:15:02,485 --> 00:15:04,063
GONNA BE PROFESSIONAL
ONE OF THESE DAYS.
300
00:15:04,087 --> 00:15:06,065
MAYBE SOONER THAN YOU THINK.
301
00:15:06,089 --> 00:15:07,533
HOW'S THAT?
302
00:15:07,557 --> 00:15:10,036
WELL, THAT, UH,
THAT ALL DEPENDS.
303
00:15:10,060 --> 00:15:12,738
HAVE YOU EVER HEARD OF BOBBY
BIGELOW AND THE HAYSTACK GANG?
304
00:15:12,762 --> 00:15:15,408
OH, SURE. THEY PLAY ALL OVER
VIRGINIA. WHAT ABOUT THEM?
305
00:15:15,432 --> 00:15:17,609
I TRAVEL WITH THEM
AND IT JUST SO HAPPENS
306
00:15:17,633 --> 00:15:19,545
WE NEED A NEW MAN
WHEN WE'RE IN THESE PARTS.
307
00:15:19,569 --> 00:15:22,481
YOU MEAN, MAYBE I COULD PLAY WITH
THE HAYSTACK GANG. STARTING WHEN?
308
00:15:22,505 --> 00:15:24,016
WAIT A MINUTE. NOW
SLOW DOWN, BOY.
309
00:15:24,040 --> 00:15:25,784
NOW LIKE I SAID, IT ALL DEPENDS.
310
00:15:25,808 --> 00:15:27,019
BOBBY'D HAVE TO HEAR YOU.
311
00:15:27,043 --> 00:15:28,421
WHEN?
312
00:15:28,445 --> 00:15:31,690
WELL, NOW DON'T GET YOUR
HOPES UP TOO MUCH, YOU SEE,
313
00:15:31,714 --> 00:15:33,825
'CAUSE BOBBY'S PRETTY PICKY.
314
00:15:33,849 --> 00:15:36,795
BUT YOU SHOW UP AT THE
BARN DANCE HALL IN SCOTTSVILLE
315
00:15:36,819 --> 00:15:38,730
A WEEK FROM FRIDAY AT 5:00.
316
00:15:38,754 --> 00:15:42,268
IF YOU DON'T SEE ME, YOU TELL
BOBBY THAT CASPAR TICE SENT YOU.
317
00:15:42,292 --> 00:15:43,802
AND THEN WE'LL SEE.
318
00:15:43,826 --> 00:15:46,004
I SURELY WILL.
319
00:15:46,028 --> 00:15:48,974
OH, UH, WHAT'S YOUR NAME, SO I
CAN TELL BOBBY WHO TO EXPECT?
320
00:15:48,998 --> 00:15:50,476
WALTON. JASON WALTON.
321
00:15:50,500 --> 00:15:51,610
ALL RIGHT NOW.
322
00:15:51,634 --> 00:15:54,713
A WEEK FROM FRIDAY, 5:00.
323
00:15:54,737 --> 00:15:56,870
I'LL BE THERE. THANK YOU.
324
00:15:58,541 --> 00:16:00,252
IKE.
325
00:16:00,276 --> 00:16:03,355
2 WEEKS FROM NOW, I MIGHT BE
A REAL PROFESSIONAL MUSICIAN.
326
00:16:03,379 --> 00:16:04,756
YOUR MOM AND YOUR
DADDY ARE GONNA HAVE
327
00:16:04,780 --> 00:16:07,460
THE BIGGEST SURPRISE
OF THEIR LIVES.
328
00:16:07,484 --> 00:16:08,961
YOU KNOW, I DON'T THINK
I'M GONNA TELL ANYBODY
329
00:16:08,985 --> 00:16:10,463
ABOUT GETTING TO
MEET BOBBY BIGELOW
330
00:16:10,487 --> 00:16:11,597
UNTIL AFTER IT HAPPENS.
331
00:16:11,621 --> 00:16:13,365
YOU'LL TAKE ALL
THE JOY OUT OF IT.
332
00:16:13,389 --> 00:16:14,700
NO, IKE, REALLY.
333
00:16:14,724 --> 00:16:16,469
PROMISE ME YOU WON'T MENTION IT.
334
00:16:16,493 --> 00:16:18,537
I'LL SAY I MET MR. TICE
AND THEN LATER
335
00:16:18,561 --> 00:16:21,140
IF I DO GET A JOB, THEN THAT'S
DIFFERENT. I'LL TELL THE WORLD.
336
00:16:21,164 --> 00:16:24,310
SO WILL I, AND I'LL KEEP
YOUR PROMISE, TOO.
337
00:16:24,334 --> 00:16:27,045
MUM'S THE WORD. THANKS, IKE.
338
00:16:51,460 --> 00:16:53,238
SUCH INDUSTRY.
339
00:16:53,262 --> 00:16:55,440
THE BOAT'S BEGINNING
TO LOOK REAL GOOD.
340
00:16:55,464 --> 00:16:57,710
YOU ALL ARE REALLY
DOING A GREAT JOB. THANKS.
341
00:16:57,734 --> 00:16:59,712
HOW WAS YOUR
WRITING CLASS TODAY?
342
00:16:59,736 --> 00:17:01,379
OH, NOT SO GOOD.
343
00:17:01,403 --> 00:17:03,281
I READ THEM THAT
STORY ABOUT BENJI.
344
00:17:03,305 --> 00:17:05,383
YOU KNOW, THAT TERRIER I
HAD WHEN I WAS A LITTLE BOY.
345
00:17:05,407 --> 00:17:07,152
OH, THAT ONE'S
REAL GOOD. I LIKED IT.
346
00:17:07,176 --> 00:17:08,887
I THOUGHT SO, TOO.
347
00:17:08,911 --> 00:17:10,756
BUT YOU KNOW
WHAT THE CLASS SAID?
348
00:17:10,780 --> 00:17:12,825
THEY SAID IT WAS
VERY NICE. NICE.
349
00:17:12,849 --> 00:17:14,889
WELL, THEY COULD
HAVE SAID IT WAS LOUSY.
350
00:17:16,719 --> 00:17:18,497
WELL, THAT'S TRUE.
351
00:17:18,521 --> 00:17:20,755
OF COURSE, I WASN'T
THINKING ABOUT IT THAT WAY.
352
00:17:28,397 --> 00:17:29,541
I'M HOME.
353
00:17:29,565 --> 00:17:31,343
SORRY I'M LATE. I
WAS AT THE LIBRARY.
354
00:17:31,367 --> 00:17:34,947
JOHN-BOY, I THOUGHT YOU'D
NEVER GET HOME. HERE.
355
00:17:34,971 --> 00:17:36,682
WHAT'S THIS? READ IT.
356
00:17:36,706 --> 00:17:38,851
"MAJESTIC PRESS. MRS.
JOHN WALTON." THIS IS YOURS.
357
00:17:38,875 --> 00:17:40,753
JOHN-BOY, PLEASE
OPEN IT AND READ IT.
358
00:17:40,777 --> 00:17:43,088
OK. ALL RIGHT, I'LL READ IT.
359
00:17:43,112 --> 00:17:45,257
I'LL READ IT.
360
00:17:45,281 --> 00:17:47,459
"DEAR MRS. WALTON,
CONGRATULATIONS.
361
00:17:47,483 --> 00:17:51,196
YOUR SON IS AN EXCITING NEW
TALENT IN THE REGIONAL VEIN."
362
00:17:51,220 --> 00:17:53,165
WHAT IS THIS? GO ON, READ IT!
363
00:17:53,189 --> 00:17:56,735
"WE ARE MOST EAGER...
364
00:17:56,759 --> 00:17:59,538
WE ARE MOST EAGER TO
PUBLISH HIS SHORT STORIES."
365
00:17:59,562 --> 00:18:02,541
WHAT? IS THIS REAL?
366
00:18:02,565 --> 00:18:05,811
THEY'RE GOING TO
PUBLISH ME? OH, MY LORD!
367
00:18:05,835 --> 00:18:07,713
DADDY! DADDY!
368
00:18:07,737 --> 00:18:10,315
MAMA! UH, UH, GRANDMA,
GRANDPA, COME HERE!
369
00:18:10,339 --> 00:18:12,084
JASON! MARY ELLEN!
370
00:18:12,108 --> 00:18:13,451
JOHN-BOY, CALM DOWN!
371
00:18:13,475 --> 00:18:16,288
LOOK AT THIS. I'M
GONNA BE PUBLISHED.
372
00:18:16,312 --> 00:18:18,456
LOOK AT THAT. "MAJESTIC PRESS!"
373
00:18:18,480 --> 00:18:19,925
I CAN'T BELIEVE
IT. LOOK AT THIS.
374
00:18:19,949 --> 00:18:22,027
I-I'VE BEEN WRITING IN
MY DIARY EVERY NIGHT
375
00:18:22,051 --> 00:18:23,862
SINCE I LEARNED HOW
TO PUT WORDS ON PAPER.
376
00:18:23,886 --> 00:18:25,030
AND IT'S GOING TO HAPPEN.
377
00:18:25,054 --> 00:18:26,364
IT'S GOING TO HAPPEN.
378
00:18:26,388 --> 00:18:28,801
I'M GOING TO BE
PUBLISHED. LISTEN, LISTEN.
379
00:18:28,825 --> 00:18:31,136
"WE ARE MOST EAGER TO
PUBLISH YOUR SHORT STORIES.
380
00:18:31,160 --> 00:18:34,306
"WE WILL NEED AT LEAST 6 MORE
STORIES FOR A FULL-LENGTH VOLUME
381
00:18:34,330 --> 00:18:36,575
"AND IF THEY ARE OF THE SAME
CALIBER AS THE ONES WE'VE READ
382
00:18:36,599 --> 00:18:38,310
A CONTRACT WILL BE FORTHCOMING."
383
00:18:38,334 --> 00:18:40,412
THEY WANT 6 STORIES!
I'LL SEND THEM 16!
384
00:18:40,436 --> 00:18:42,214
HEY. YOU WANNA HEAR SOMETHING?
JASON, WHERE HAVE YOU BEEN?
385
00:18:42,238 --> 00:18:44,917
YOU MISSED ALL THE EXCITEMENT.
JOHN-BOY'S GONNA HAVE A BOOK COME OUT!
386
00:18:44,941 --> 00:18:46,785
WHAT? MAJESTIC PRESS,
CHARLOTTESVILLE, VIRGINIA.
387
00:18:46,809 --> 00:18:48,921
THEY'RE GONNA
PUBLISH ME! IT'S REAL!
388
00:18:48,945 --> 00:18:51,323
CONGRATULATIONS!
389
00:18:51,347 --> 00:18:52,958
AND MAMA DID IT ALL BY HERSELF.
390
00:18:52,982 --> 00:18:55,794
THEY SAY THAT BEHIND
EVERY GREAT MAN IS A WOMAN.
391
00:18:55,818 --> 00:18:57,562
YOU JUST BEAR THAT IN MIND, ZEB.
392
00:18:57,586 --> 00:18:59,164
GET THEE BEHIND ME, OLD WOMAN.
393
00:18:59,188 --> 00:19:00,899
BOY, HAS IT BEEN SOME
DAY FOR THIS FAMILY.
394
00:19:00,923 --> 00:19:02,601
JOHN-BOY'S GONNA
GET PUBLISHED AND I...
395
00:19:02,625 --> 00:19:04,502
MAMA, I'M GONNA
DEDICATE THIS BOOK TO YOU.
396
00:19:04,526 --> 00:19:06,038
TO OLIVIA WALTON.
TO THE WHOLE FAMILY.
397
00:19:06,062 --> 00:19:07,405
SAY, EVERYBODY,
I MET THIS MAN...
398
00:19:07,429 --> 00:19:09,041
LISTEN TO WHAT I'LL DO.
399
00:19:09,065 --> 00:19:12,044
I'LL DEDICATE IT TO ZEBULON
AND ESTHER AND JOHN AND OLIVIA
400
00:19:12,068 --> 00:19:14,646
AND ELIZABETH AND
JASON AND MARY ELLEN...
401
00:19:15,772 --> 00:19:17,116
EASY NOW, EASY NOW.
402
00:19:17,140 --> 00:19:18,483
I COULDN'T BELIEVE IT.
403
00:19:18,507 --> 00:19:20,352
EASY.
404
00:19:44,066 --> 00:19:46,544
HAVE YOU HEARD ANYTHING
FROM YOUR PUBLISHERS YET?
405
00:19:46,568 --> 00:19:48,446
NO. I IMAGINE IT
TAKES A LITTLE WHILE.
406
00:19:48,470 --> 00:19:50,949
I'VE SENT THEM THE 6 OTHER
STORIES THEY REQUESTED, THOUGH.
407
00:19:50,973 --> 00:19:52,717
AND THE CONTRACT,
HAS IT ARRIVED YET?
408
00:19:52,741 --> 00:19:54,519
MAYBE TODAY.
409
00:19:54,543 --> 00:19:57,355
WHICH ONES DID YOU
SEND THEM, JOHN?
410
00:19:57,379 --> 00:19:59,858
WELL, I SENT THEM SOME THAT
I HAVEN'T BROUGHT IN HERE
411
00:19:59,882 --> 00:20:01,493
AND I SENT THEM THE
ONE ABOUT THE DOG.
412
00:20:01,517 --> 00:20:04,296
YOU REMEMBER, I READ
THAT IN CLASS LAST WEEK?
413
00:20:04,320 --> 00:20:06,731
YES, I REMEMBER.
414
00:20:06,755 --> 00:20:07,766
YOU THINK THAT
WAS A WISE CHOICE?
415
00:20:07,790 --> 00:20:09,802
OH, YES.
416
00:20:09,826 --> 00:20:11,603
I THINK IT HAS THE RIGHT
SORT OF INNOCENCE
417
00:20:11,627 --> 00:20:14,139
TO PUT INTO A COLLECTION
OF EARLY WORK.
418
00:20:14,163 --> 00:20:15,707
POSSIBLY.
419
00:20:15,731 --> 00:20:18,410
AT ANY RATE, I THINK PEOPLE
WILL FIND IT PLEASANT READING.
420
00:20:18,434 --> 00:20:21,379
I HOPE I GET A STRONGER
RESPONSE THAN THAT.
421
00:20:21,403 --> 00:20:22,981
THEN I HOPE SO, TOO.
422
00:20:23,005 --> 00:20:25,350
FOR THE MOMENT, LET'S GET BACK
TO THE BUSINESS OF THE CLASS.
423
00:20:25,374 --> 00:20:28,275
MISS BARSTOW, ARE
YOU READY TO READ?
424
00:20:32,381 --> 00:20:33,926
"WHEN HER MOTHER STARTED TO CRY,
425
00:20:33,950 --> 00:20:35,527
EDNA RAN OUT INTO THE STREET."
426
00:20:38,721 --> 00:20:40,221
♪♪
427
00:20:44,894 --> 00:20:47,672
HELLO THERE. MR. TICE.
428
00:20:47,696 --> 00:20:49,374
HEY, BOBBY!
429
00:20:49,398 --> 00:20:50,642
COME ON.
430
00:20:50,666 --> 00:20:53,078
HERE'S THAT BOY I'VE
BEEN TELLING YOU ABOUT.
431
00:20:53,102 --> 00:20:54,446
WHAT'D YOU SAY YOUR NAME WAS?
432
00:20:54,470 --> 00:20:55,647
JASON WALTON.
433
00:20:55,671 --> 00:20:56,681
BOBBY BIGELOW. HOW ARE YOU?
434
00:20:56,705 --> 00:20:58,116
I KNOW.
435
00:20:58,140 --> 00:21:00,219
I'VE ADMIRED YOUR PLAYING
FOR A LONG TIME, SIR.
436
00:21:00,243 --> 00:21:03,989
WELL, NOT TOO LONG, I HOPE. I'M
BARELY OUT OF DIAPERS MYSELF.
437
00:21:04,013 --> 00:21:06,691
CASPAR HERE TELLS
ME YOU PLAY REAL GOOD,
438
00:21:06,715 --> 00:21:09,194
AND, UH, HE LIKED
THE WAY YOU LOOK.
439
00:21:09,218 --> 00:21:11,451
HOW'D YOU LIKE TO PLAY
WITH THE HAYSTACK GANG?
440
00:21:13,256 --> 00:21:15,267
WELL, LET'S, UH,
SEE WHAT YOU DO.
441
00:21:15,291 --> 00:21:16,534
NOW?
442
00:21:16,558 --> 00:21:18,503
NO TIME LIKE THE
PRESENT, I ALWAYS SAY.
443
00:21:18,527 --> 00:21:20,072
UH, YOU SAID YOU COULD SING.
444
00:21:20,096 --> 00:21:21,740
YES, SIR.
445
00:21:21,764 --> 00:21:23,675
WELL, DO US A
CHORUS OF SOMETHING.
446
00:21:23,699 --> 00:21:25,010
WHAT DO YOU LIKE?
447
00:21:25,034 --> 00:21:27,045
WOULD SWEET BETSY
FROM PIKE BE ALL RIGHT?
448
00:21:27,069 --> 00:21:28,380
YOU BET.
449
00:21:28,404 --> 00:21:29,836
LET HER RIP.
450
00:21:33,175 --> 00:21:34,875
♪♪
451
00:21:38,480 --> 00:21:41,693
♪ DON'T YOU REMEMBER
SWEET BETSY FROM PIKE ♪
452
00:21:41,717 --> 00:21:45,330
♪ WHO CROSSED THE BIG
MOUNTAINS WITH HER LOVER IKE ♪
453
00:21:45,354 --> 00:21:49,234
♪ THEY HAD TWO YOKE OF
OXEN AND AN OLD YELLER DOG ♪
454
00:21:49,258 --> 00:21:52,570
♪ A TALL SHANGHAI ROOSTER
AND A BIG SPOTTED HOG ♪
455
00:21:52,594 --> 00:21:56,674
♪ SAYING FAREWELL PIKE
COUNTY GOODBYE FOR A WHILE ♪
456
00:21:56,698 --> 00:22:00,700
♪ WE'LL COME BACK AGAIN WHEN
WE'VE PANNED OUT OUR PILE ♪
457
00:22:03,539 --> 00:22:07,352
♪ ON AN EVENING QUITE EARLY
THEY CAMPED ON THE PLATTE ♪
458
00:22:07,376 --> 00:22:10,188
♪ NEARBY THE ROAD ON
A GREEN SHADY FLAT ♪♪
459
00:22:10,212 --> 00:22:11,756
UH, JASON. JASON.
460
00:22:11,780 --> 00:22:14,159
YES, SIR?
461
00:22:14,183 --> 00:22:17,396
LET ME TELL YOU,
SON, UH, YOU'RE GOOD.
462
00:22:17,420 --> 00:22:19,197
REAL GOOD.
463
00:22:19,221 --> 00:22:20,765
WHAT DID I TELL YOU?
464
00:22:20,789 --> 00:22:22,234
WELL, THANK YOU.
465
00:22:22,258 --> 00:22:23,601
YOU PLAY REAL GOOD. DOESN'T HE?
466
00:22:23,625 --> 00:22:25,192
HE'S REAL GOOD.
467
00:22:26,429 --> 00:22:28,162
THANK YOU.
468
00:22:30,816 --> 00:22:33,028
WHEN I SIGN THIS, IT MEANS
I'M A PROFESSIONAL WRITER.
469
00:22:33,052 --> 00:22:34,730
LET ME HAVE A LOOK AT THAT, SON.
470
00:22:34,754 --> 00:22:36,665
NO, IT'S JUST A STANDARD
WRITER'S CONTRACT. I CHECKED IT...
471
00:22:36,689 --> 00:22:39,167
HURRY UP AND SIGN IT. ANOTHER
MINUTE WON'T MAKE A DIFFERENCE.
472
00:22:39,191 --> 00:22:42,403
I JUST WANNA SAY ONE THING
BEFORE I DO SIGN THIS, THOUGH.
473
00:22:42,427 --> 00:22:44,840
THIS, THIS REALLY IS THE
HAPPIEST DAY OF MY LIFE
474
00:22:44,864 --> 00:22:47,442
AND NONE OF IT WOULD HAVE BEEN
POSSIBLE WITHOUT EVERY ONE OF YOU ALL.
475
00:22:47,466 --> 00:22:49,077
ALL RIGHT, SON.
NOW LET ME SEE THIS.
476
00:22:49,101 --> 00:22:50,311
I'M GONNA GO GET THE PEN.
477
00:22:50,335 --> 00:22:52,347
I'LL GET THE INK.
478
00:22:52,371 --> 00:22:53,581
WELL, NOW LOOK HERE.
479
00:22:53,605 --> 00:22:55,784
IT SAYS YOU HAVE TO
BE OVER 21, OR A PARENT
480
00:22:55,808 --> 00:22:57,352
OR GUARDIAN HAS TO
SIGN ALONG WITH YOU.
481
00:22:57,376 --> 00:22:59,187
WHERE?
482
00:22:59,211 --> 00:23:01,757
NOW LET'S JUST CALM DOWN A BIT. MAYBE
YOU MISSED SOME OTHER THINGS HERE.
483
00:23:01,781 --> 00:23:03,591
JUST A...
484
00:23:03,615 --> 00:23:06,528
IF IT'S ALL RIGHT WITH YOU, I'D
LIKE MAMA TO BE THE ONE TO SIGN IT
485
00:23:06,552 --> 00:23:09,632
SINCE SHE STARTED ALL OF THIS.
NOW, LIVIE, JUST A SECOND. LIV.
486
00:23:15,861 --> 00:23:17,673
JOHN-BOY.
487
00:23:17,697 --> 00:23:19,908
YOU WRITE GOOD AND CLEAR
NOW SO THEY CAN READ IT.
488
00:23:19,932 --> 00:23:21,609
MAYBE YOU OUGHT TO
PRACTICE IT A FEW TIMES.
489
00:23:21,633 --> 00:23:23,211
I'M JUST GONNA SIGN MY NAME.
490
00:23:23,235 --> 00:23:25,547
DOES IT SAY ANYTHING THERE
ABOUT YOUR PICTURE ON THE COVER?
491
00:23:25,571 --> 00:23:27,549
MAMA. I'M SERIOUS.
492
00:23:27,573 --> 00:23:29,051
IF IT DOESN'T, YOU
OUGHT TO WRITE IT IN.
493
00:23:29,075 --> 00:23:30,640
HERE GOES.
494
00:23:41,987 --> 00:23:43,765
MAYBE I OUGHT TO
SEE ABOUT A CONTRACT.
495
00:23:43,789 --> 00:23:45,701
OH, ARE YOU GONNA BE
A WRITER TOO, JASON?
496
00:23:45,725 --> 00:23:48,103
NO. BUT, SEE, I MIGHT GET TO
PLAY WITH BOBBY BIGELOW SOON.
497
00:23:48,127 --> 00:23:50,038
DO YOU KNOW WHAT HAPPENED
TO ME TODAY ON MY WAY TO CLASS?
498
00:23:50,062 --> 00:23:52,307
A GIRL STOPPED ME AND
ASKED ME FOR MY AUTOGRAPH.
499
00:23:52,331 --> 00:23:53,975
SHE PROBABLY THOUGHT
YOU WERE REAL IMPORTANT.
500
00:23:53,999 --> 00:23:55,577
YEAH, SOME MOVIE STAR.
501
00:23:55,601 --> 00:23:56,644
CAN I MAIL IT?
502
00:23:56,668 --> 00:23:57,879
JOHN-BOY SAID I COULD.
503
00:23:57,903 --> 00:23:59,581
YOU CAN BOTH MAIL IT.
504
00:23:59,605 --> 00:24:01,116
YEAH. YOU BOTH WASH YOUR HANDS.
505
00:24:01,140 --> 00:24:02,684
IT CAN'T ARRIVE ALL MESSY.
506
00:24:02,708 --> 00:24:04,385
PLEASE WATCH IT! WATCH IT!
507
00:24:04,409 --> 00:24:07,122
JUST A MINUTE, JASON. NOW WILL
YOU 2 STOP THAT? OR I'LL MAIL IT.
508
00:24:07,146 --> 00:24:08,690
NOW THIS IS IMPORTANT.
509
00:24:08,714 --> 00:24:11,292
MAMA, IF IT'S ALL THE SAME
TO YOU, I'D LIKE TO MAIL IT.
510
00:24:11,316 --> 00:24:12,861
I'D LIKE TO GET A
LITTLE FRESH AIR
511
00:24:12,885 --> 00:24:14,863
AND JUST SORT OF
THINK ABOUT ALL OF THIS.
512
00:24:14,887 --> 00:24:16,664
CAN WE GO WITH YOU AND
WATCH YOU PUT IT IN THE BOX?
513
00:24:16,688 --> 00:24:19,735
THANK YOU, JIM-BOB, BUT I'D LIKE
TO BE BY MYSELF FOR A LITTLE WHILE.
514
00:24:19,759 --> 00:24:20,936
WHY DON'T WE GO
WORK ON THE BOAT?
515
00:24:20,960 --> 00:24:22,570
COME ON, EVERYONE.
516
00:24:22,594 --> 00:24:25,594
IT'S BEDTIME, SO ONLY
TAKE A COUPLE OF MINUTES.
517
00:24:26,265 --> 00:24:28,376
YOU KNOW WHAT ELSE
HAPPENED TO ME TODAY?
518
00:24:28,400 --> 00:24:30,478
A PROFESSOR I'D NEVER
EVEN SEEN IN MY LIFE
519
00:24:30,502 --> 00:24:32,180
CAME UP TO ME IN
THE HALLWAY AND SAID,
520
00:24:32,204 --> 00:24:34,082
"MR. WALTON,
521
00:24:34,106 --> 00:24:36,351
YOU'RE GETTING TO BE A REGULAR
LITERARY LION AROUND HERE, AREN'T YOU?"
522
00:24:36,375 --> 00:24:38,108
DID YOU GROWL AT HIM?
523
00:24:41,413 --> 00:24:43,458
LIV, I KNOW HOW IMPORTANT
THIS IS TO JOHN-BOY,
524
00:24:43,482 --> 00:24:45,193
BUT, YOU KNOW,
SIGNING A CONTRACT
525
00:24:45,217 --> 00:24:47,929
AND HAVING A BOOK
PUBLISHED IS A SERIOUS MATTER.
526
00:24:47,953 --> 00:24:51,399
HE'S RUNNING OFF TO MAIL IT
SO QUICK... IT'S JUST SO EXCITING.
527
00:24:51,423 --> 00:24:55,270
IMAGINE, OUR SON
A LITERARY LION.
528
00:24:55,294 --> 00:24:56,371
HMM.
529
00:25:03,102 --> 00:25:05,280
GOOD. I'M GLAD YOU'RE STILL UP.
530
00:25:05,304 --> 00:25:06,514
JOHN-BOY.
531
00:25:08,507 --> 00:25:10,451
IT'S BEEN QUITE A
DAY FOR YOU, SON.
532
00:25:10,475 --> 00:25:12,155
YES, IT HAS.
533
00:25:15,414 --> 00:25:17,292
I WANTED TO TALK
TO YOU ABOUT THAT.
534
00:25:17,316 --> 00:25:21,718
UM, I WAS THINKING
OUT THERE ON THE ROAD.
535
00:25:23,588 --> 00:25:25,733
I DON'T REALLY KNOW
HOW TO SAY THIS.
536
00:25:25,757 --> 00:25:30,205
UH, WELL, IT SEEMS TO
ME THAT FROM NOW ON
537
00:25:30,229 --> 00:25:32,140
A LOT MORE IS GONNA
BE EXPECTED OF ME.
538
00:25:32,164 --> 00:25:36,644
I MEAN, FROM MY FELLOW
STUDENTS AND TEACHERS AND...
539
00:25:36,668 --> 00:25:39,014
EVERYWHERE.
540
00:25:39,038 --> 00:25:43,018
AND I THINK I'M GONNA NEED A
LITTLE BIT MORE TIME TO MYSELF.
541
00:25:43,042 --> 00:25:45,453
JASON'S ALREADY TAKEN OVER A
BIG SHARE OF YOUR CHORES, SON.
542
00:25:45,477 --> 00:25:47,155
I KNOW THAT. THAT'S TRUE.
543
00:25:47,179 --> 00:25:49,724
BUT THAT'S NOT WHAT I MEAN.
I'M TALKING ABOUT THE CHILDREN.
544
00:25:49,748 --> 00:25:51,626
NOW, I'M NOT GOING TO BE ABLE
TO JUMP EVERY TIME THEY CALL ME,
545
00:25:51,650 --> 00:25:53,728
LIKE WITH THIS
BOAT BUSINESS HERE.
546
00:25:53,752 --> 00:25:57,270
I'D LIKE YOU TO TELL THEM THAT FOR ME
'CAUSE I DON'T WANNA HURT THEIR FEELINGS.
547
00:25:58,890 --> 00:26:00,935
IF YOU'RE NEEDING MORE
TIME TO YOURSELF, SON,
548
00:26:00,959 --> 00:26:02,604
MAYBE YOU OUGHT
TO EXPLAIN IT TO THEM.
549
00:26:02,628 --> 00:26:05,708
THEY'LL UNDERSTAND. THEY KNOW
HOW MUCH ALL THIS MEANS TO YOU.
550
00:26:07,433 --> 00:26:11,501
WELL, SURE, OK.
551
00:26:15,407 --> 00:26:18,287
I GUESS I'D BETTER GO
UPSTAIRS AND DO SOME READING.
552
00:26:21,847 --> 00:26:25,649
I MIGHT HAVE TO COME UP WITH A
SECOND COLLECTION BEFORE YOU KNOW IT.
553
00:26:27,953 --> 00:26:30,654
IMAGINE THAT. A SECOND BOOK.
554
00:26:38,129 --> 00:26:39,907
MR. PARKS. YES.
555
00:26:39,931 --> 00:26:43,177
DO YOU KNOW THE NAME OF THE
YOUNGEST WRITER EVER PUBLISHED?
556
00:26:43,201 --> 00:26:46,381
I DON'T BELIEVE I
DO, MR. WALTON,
557
00:26:46,405 --> 00:26:49,317
BUT I COULD TRY AND
FIND OUT FOR YOU,
558
00:26:49,341 --> 00:26:52,754
OR YOU COULD AVAIL
YOURSELF OF THE LIBRARY.
559
00:26:52,778 --> 00:26:55,423
YES, I THINK I'LL DO THAT.
560
00:26:55,447 --> 00:26:57,359
JOHN.
561
00:26:57,383 --> 00:26:59,427
I BELONG TO A LITERARY SOCIETY
562
00:26:59,451 --> 00:27:01,396
THAT MEETS IN
WESTHAM TWICE A MONTH,
563
00:27:01,420 --> 00:27:02,964
AND I WAS TELLING THEM ABOUT YOU
564
00:27:02,988 --> 00:27:05,500
AND THEY WOULD LIKE YOU TO
COME AND SPEAK ON THE SHORT STORY
565
00:27:05,524 --> 00:27:07,469
AS A LITERARY FORM.
566
00:27:07,493 --> 00:27:08,958
ME?
567
00:27:10,896 --> 00:27:12,940
I GUESS I COULD GIVE IT A TRY.
568
00:27:12,964 --> 00:27:14,909
THEN I'LL TELL THEM YOU ACCEPT?
569
00:27:14,933 --> 00:27:18,346
SURE. OK.
570
00:27:18,370 --> 00:27:20,248
JOHN?
571
00:27:20,272 --> 00:27:22,684
THERE'S BEEN ANOTHER
REQUEST FOR YOU TO SPEAK.
572
00:27:22,708 --> 00:27:24,252
YES, SIR?
573
00:27:24,276 --> 00:27:26,554
ARE YOU FAMILIAR WITH A PROGRAM
CALLED THE ROVING REPORTER?
574
00:27:26,578 --> 00:27:29,056
YES, MY FAMILY LISTENS
TO IT AT HOME ALL THE TIME.
575
00:27:29,080 --> 00:27:31,292
WELL, TIMOTHY COLLINS,
576
00:27:31,316 --> 00:27:32,660
THAT'S THE REPORTER'S
ACTUAL NAME,
577
00:27:32,684 --> 00:27:34,228
HE'S A NEXT-DOOR
NEIGHBOR OF MINE
578
00:27:34,252 --> 00:27:35,963
AND WHEN HE HEARD
ABOUT YOUR GOOD FORTUNE
579
00:27:35,987 --> 00:27:38,332
HE EXPRESSED AN INTEREST IN HAVING
YOU INTERVIEWED ON HIS PROGRAM.
580
00:27:38,356 --> 00:27:40,167
HE'S GONNA PUT ME ON THE RADIO?
581
00:27:40,191 --> 00:27:42,036
IF YOU'RE WILLING.
582
00:27:42,060 --> 00:27:44,406
HE WANTS TO COME RIGHT
IN HERE, INTO THE CLASSROOM
583
00:27:44,430 --> 00:27:47,375
AND CUT WHAT HE CALLS AN
ELECTRICAL TRANSCRIPTION.
584
00:27:47,399 --> 00:27:50,044
THAT-THAT'S ONE OF THOSE...
THOSE, UH, THOSE RECORD THINGS
585
00:27:50,068 --> 00:27:52,580
AND THEN THEY REPLAY IT WHEN
THE PROGRAM IS BROADCAST.
586
00:27:52,604 --> 00:27:53,681
THAT'S RIGHT.
587
00:27:53,705 --> 00:27:55,450
SO YOU CAN BE HOME
IN YOUR LIVING ROOM
588
00:27:55,474 --> 00:27:57,952
LISTENING TO THE SOUND OF
YOUR OWN VOICE IN COMFORT.
589
00:27:57,976 --> 00:28:00,555
PROGRESS SURE BRINGS
STRANGE THINGS WITH IT.
590
00:28:00,579 --> 00:28:02,824
WELL, JOHN, YOU DON'T HAVE TO
MAKE UP YOUR MIND JUST THIS MINUTE,
591
00:28:02,848 --> 00:28:05,593
BUT I PRESUME YOU COULD
USE A LITTLE PUBLICITY.
592
00:28:05,617 --> 00:28:07,862
BE KIND OF GOOD FOR BOOK
SALES, THAT SORT OF THING.
593
00:28:07,886 --> 00:28:09,764
OH, OH, YES, I'D LIKE TO.
594
00:28:09,788 --> 00:28:12,534
MAYBE I COULD READ A STORY,
AND WE COULD DISCUSS IT AFTER.
595
00:28:12,558 --> 00:28:14,591
WELL, IT'S ONLY A
3-MINUTE INTERVIEW.
596
00:28:15,928 --> 00:28:17,371
WELL, THAT'S ALL
RIGHT, I'D LOVE TO DO IT.
597
00:28:17,395 --> 00:28:21,008
JUST TELL HIM I'LL DO IT
WHENEVER IT'S CONVENIENT FOR HIM.
598
00:28:21,032 --> 00:28:22,143
GOOD.
599
00:28:22,167 --> 00:28:25,313
WELL, NOW THAT
THAT'S TAKEN CARE OF,
600
00:28:25,337 --> 00:28:27,057
LET'S GET BACK TO CLASS.
601
00:28:30,141 --> 00:28:32,420
YOU HAVE LAST WEEK'S
ASSIGNMENTS IN FRONT OF YOU
602
00:28:32,444 --> 00:28:34,522
AND I THINK I HAVE GRADED
THEM RATHER GENEROUSLY.
603
00:28:34,546 --> 00:28:36,190
B-MINUS?
604
00:28:36,214 --> 00:28:39,716
AS I SAY, JOHN, I THINK I HAVE
GRADED THEM RATHER GENEROUSLY.
605
00:28:46,825 --> 00:28:50,071
MARY ELLEN, WHAT'S THE POINT
IN PUTTING THAT IN RIGHT NOW?
606
00:28:50,095 --> 00:28:52,440
BECAUSE THEY'RE READY, AND
IT MAKES THE BOAT LOOK NICE.
607
00:28:52,464 --> 00:28:53,842
YEAH, BUT WHEN
YOU PAINT ALL AROUND
608
00:28:53,866 --> 00:28:55,376
IT'S GONNA GET ALL SMEARED UP.
609
00:28:55,400 --> 00:28:56,744
BEN, YOU'RE SO LOGICAL.
610
00:28:56,768 --> 00:28:58,079
AND YOU ACT JUST LIKE A GIRL.
611
00:28:58,103 --> 00:28:59,547
MAYBE THAT'S BECAUSE SHE IS ONE.
612
00:28:59,571 --> 00:29:01,749
WHY DO YOU GIRLS
STICK TOGETHER ANYWAY?
613
00:29:01,773 --> 00:29:03,985
WELL, WE NEED TO.
614
00:29:04,009 --> 00:29:05,820
WHAT FOR?
615
00:29:05,844 --> 00:29:07,589
BECAUSE...
616
00:29:07,613 --> 00:29:09,524
I DON'T KNOW.
MARY ELLEN SAID SO.
617
00:29:09,548 --> 00:29:12,760
HEAVE HO, ME HEARTIES
618
00:29:12,784 --> 00:29:14,462
AND WET THEM ALL OVER,
619
00:29:14,486 --> 00:29:17,699
AND A BOTTLE OF THE
RECIPE FOR THE LAUNCHING.
620
00:29:17,723 --> 00:29:20,167
OH, YOU'VE CHANGED
YOUR TUNE, OLD MAN,
621
00:29:20,191 --> 00:29:22,837
BUT I'VE KNOWN ALL ALONG
THEY'D GET THIS BOAT IN ORDER.
622
00:29:22,861 --> 00:29:27,041
ESTHER, FOR YOUR FAITH IN THIS
PROJECT, I WILL CARVE A FIGUREHEAD
623
00:29:27,065 --> 00:29:28,610
AND USE YOU AS A MODEL.
624
00:29:28,634 --> 00:29:30,645
OH, STOP THAT.
625
00:29:30,669 --> 00:29:32,647
YOU'VE GOT A
NASTY MIND, OLD MAN.
626
00:29:32,671 --> 00:29:37,552
MY INTENTION WAS TO CARVE YOU
WITH YOUR DRESS AND YOUR APRON ON.
627
00:29:37,576 --> 00:29:39,009
LOOK TO YOUR OWN MIND.
628
00:29:40,946 --> 00:29:42,857
HEY, DADDY, WHAT TIME
IS JASON COMING HOME?
629
00:29:42,881 --> 00:29:44,358
WE NEED HIM TO HELP US.
630
00:29:44,382 --> 00:29:47,428
EARLY, I GUESS. HE
HAD SOMETHING TO DO.
631
00:29:47,452 --> 00:29:50,031
LET'S GO ASK JOHN-BOY.
HE CAN HELP US. OK.
632
00:29:50,055 --> 00:29:51,575
COME ON. YEAH.
633
00:29:52,724 --> 00:29:54,524
I'M STAYING HERE.
634
00:29:56,094 --> 00:30:00,274
HEY, JOHN-BOY! JOHN-BOY!
635
00:30:00,298 --> 00:30:02,443
HEY, JOHN-BOY, ARE YOU DEAF?
636
00:30:02,467 --> 00:30:05,880
NO, BUT I WILL BE IF YOU DON'T
STOP HOLLERING LIKE A BANSHEE.
637
00:30:05,904 --> 00:30:07,715
COME ON, WE NEED
YOUR HELP. WHAT FOR?
638
00:30:07,739 --> 00:30:09,918
THERE'S STILL PAINTING
ON THE BOAT TO BE DONE.
639
00:30:09,942 --> 00:30:11,252
YOU'RE THE CAPTAIN, YOU KNOW.
640
00:30:11,276 --> 00:30:12,820
SORRY. SORRY ABOUT WHAT?
641
00:30:12,844 --> 00:30:14,088
I'M BUSY.
642
00:30:14,112 --> 00:30:16,558
JOHN-BOY, YOU'VE BEEN
SAYING THAT ALL WEEK.
643
00:30:16,582 --> 00:30:18,793
I'M SORRY, BUT THAT'S
THE WAY IT HAS TO BE.
644
00:30:18,817 --> 00:30:21,796
I HAVE A RADIO SPEECH TO GET
READY, AND I HAVE GALLEYS TO READ.
645
00:30:21,820 --> 00:30:24,632
LISTEN, IF YOU DON'T HELP US
FINISH, YOU'RE OFF THE BOAT.
646
00:30:24,656 --> 00:30:26,333
NO MORE SAILING PRIVILEGES.
647
00:30:26,357 --> 00:30:29,837
BEN, THAT IS JUST
CHILDISH NONSENSE.
648
00:30:29,861 --> 00:30:31,505
NOW STOP BOTHERING ME.
649
00:30:36,802 --> 00:30:38,312
NOW WHO'S GONNA BE CAPTAIN?
650
00:30:38,336 --> 00:30:39,346
ME. ME.
651
00:30:39,370 --> 00:30:41,248
HOW ABOUT MY GIVING YOU A HAND?
652
00:30:41,272 --> 00:30:43,985
SURE, GRANDPA, HERE. GREAT.
653
00:30:44,009 --> 00:30:48,022
WELL, FOR THE FIRST TIME IN
LONG YEARS, I'D LIKE TO GIVE A HAND
654
00:30:48,046 --> 00:30:50,357
ON JOHN-BOY'S BOTTOM.
655
00:30:50,381 --> 00:30:52,627
I KNOW HE'S ACTING FOOLISH,
656
00:30:52,651 --> 00:30:54,195
BUT HE'S BEEN
WRITING AND WRITING,
657
00:30:54,219 --> 00:30:57,031
PRACTICALLY SINCE HE COULD
WALK WITH NO ENCOURAGEMENT.
658
00:30:57,055 --> 00:31:00,101
HE'S RIDING A LITTLE HIGH.
HE'LL COME DOWN TO EARTH.
659
00:31:00,125 --> 00:31:02,492
HE'LL COME DOWN WITH A
THUMP IF HE DOESN'T WATCH OUT.
660
00:31:05,964 --> 00:31:08,498
♪♪
661
00:31:32,658 --> 00:31:34,836
♪ MY WIFE AND I
LIVED ALL ALONE ♪
662
00:31:34,860 --> 00:31:37,138
♪ IN A LITTLE LOG HUT
WE CALLED OUR OWN ♪
663
00:31:37,162 --> 00:31:39,206
♪ SHE LOVES GIN AND I LOVE RUM ♪
664
00:31:39,230 --> 00:31:41,242
♪ I TELL YOU WE
HAD LOTS OF FUN ♪
665
00:31:41,266 --> 00:31:43,511
♪ HA, HA, HA, YOU AND ME ♪
666
00:31:43,535 --> 00:31:45,680
♪ LITTLE BROWN JUG
HOW I LOVE THEE ♪
667
00:31:45,704 --> 00:31:47,649
♪ HA, HA, HA, YOU AND ME ♪
668
00:31:47,673 --> 00:31:50,140
♪ LITTLE BROWN JUG
HOW I LOVE THEE ♪
669
00:31:58,050 --> 00:32:00,128
♪ HA, HA, HA, YOU AND ME ♪
670
00:32:00,152 --> 00:32:02,196
♪ LITTLE BROWN JUG
HOW I LOVE THEE ♪
671
00:32:02,220 --> 00:32:04,398
♪ HA, HA, HA, YOU AND ME ♪
672
00:32:04,422 --> 00:32:06,462
♪ LITTLE BROWN JUG
DON'T I LOVE THEE ♪♪
673
00:32:14,766 --> 00:32:16,844
LOOKS LIKE YOU GOT
YOURSELF A JOB, JASON.
674
00:32:16,868 --> 00:32:18,846
YOU MEAN IT?
675
00:32:18,870 --> 00:32:21,549
DO I LOOK LIKE A FELLOW THAT
SAYS THINGS HE DON'T MEAN?
676
00:32:21,573 --> 00:32:24,085
$3 A NIGHT ANYTIME
WE PLAY THIS AREA.
677
00:32:24,109 --> 00:32:26,353
$3?
678
00:32:26,377 --> 00:32:30,892
OK, OK, $3.50, BUT DON'T HAGGLE ON
THE BANDSTAND. IT'S NOT PROFESSIONAL.
679
00:32:30,916 --> 00:32:33,783
I WISH I WAS SINGLE AGAIN.
680
00:32:41,326 --> 00:32:45,106
♪ OH, I WISH I WAS
SINGLE AGAIN ♪
681
00:32:45,130 --> 00:32:48,810
♪ I WISH I WAS SINGLE AGAIN ♪
682
00:32:48,834 --> 00:32:50,778
♪ 'CAUSE WHEN I WAS SINGLE ♪
683
00:32:50,802 --> 00:32:52,747
♪ MY POCKETS WOULD JINGLE ♪
684
00:32:52,771 --> 00:32:55,671
♪ I WISH I WAS SINGLE AGAIN ♪♪
685
00:32:57,843 --> 00:32:59,620
IKE?
686
00:32:59,644 --> 00:33:01,422
IKE?
687
00:33:01,446 --> 00:33:02,990
YEAH, IT'S HERE. I
GOT IT RIGHT HERE.
688
00:33:03,014 --> 00:33:04,558
CAME IN ABOUT A HALF HOUR AGO.
689
00:33:04,582 --> 00:33:06,482
OH, THANK YOU.
690
00:33:21,633 --> 00:33:23,332
IT'S BLUE.
691
00:33:26,571 --> 00:33:28,938
OH, MAMA, IT'S BEAUTIFUL.
692
00:33:30,876 --> 00:33:32,675
IT'S SO BEAUTIFUL.
693
00:33:35,914 --> 00:33:38,325
LOOK AT THAT.
694
00:33:38,349 --> 00:33:42,085
"SHORT STORIES A COLLECTION
BY JOHN WALTON JR."
695
00:33:45,290 --> 00:33:47,423
THIS IS FOR YOU, IKE.
696
00:33:49,560 --> 00:33:51,939
I'D BE PROUD TO ACCEPT IT.
697
00:33:51,963 --> 00:33:54,803
WOULD YOU WRITE
YOUR NAME INSIDE IT?
698
00:33:56,401 --> 00:33:59,147
OF COURSE.
699
00:33:59,171 --> 00:34:03,117
AND... AND UH, SAY SOMETHING
SPECIAL, UH, YOU KNOW.
700
00:34:03,141 --> 00:34:05,008
ALL RIGHT, UM...
701
00:34:16,354 --> 00:34:18,432
THAT'S RIGHT NICE, JOHN-BOY.
702
00:34:18,456 --> 00:34:20,734
"TO MY FRIEND, IKE GODSEY,
703
00:34:20,758 --> 00:34:22,536
"ONE OF THE PEOPLE
WHO MADE IT POSSIBLE
704
00:34:22,560 --> 00:34:24,305
"FOR ME TO WRITE THESE STORIES.
705
00:34:24,329 --> 00:34:27,708
SINCERELY, JOHN WALTON JR."
706
00:34:27,732 --> 00:34:30,644
WELL, IT'S THE, UH, FIRST
ONE OUT OF THE BOX
707
00:34:30,668 --> 00:34:33,828
AND THE FIRST ONE I AUTOGRAPHED
AND THE FIRST OF THE FIRST EDITION.
708
00:34:35,440 --> 00:34:36,984
THANK YOU, IKE.
709
00:34:37,008 --> 00:34:40,421
BYE-BYE. LET'S GET THESE...
LET'S GET THESE HOME. BYE-BYE.
710
00:34:40,445 --> 00:34:42,205
GOODBYE, IKE. BYE, OLIVIA.
711
00:34:48,553 --> 00:34:50,497
THANK YOU. DADDY, HERE THEY ARE!
712
00:34:50,521 --> 00:34:52,133
GRANDMA, GRANDPA.
713
00:34:52,157 --> 00:34:53,734
LOOK AT THIS. LOOK AT THAT.
714
00:34:53,758 --> 00:34:56,370
WELL, LOOK AT THAT.
ISN'T THAT BEAUTIFUL?
715
00:34:58,296 --> 00:34:59,562
ISN'T IT BEAUTIFUL?
716
00:35:01,900 --> 00:35:03,544
MY OWN WORDS IN PRINT.
717
00:35:03,568 --> 00:35:05,046
IT'S SUCH A STRANGE THING.
718
00:35:05,070 --> 00:35:07,248
LISTEN TO THIS.
719
00:35:07,272 --> 00:35:11,085
"AT NIGHT, ACROSS VIRGINIA,
ACROSS THE OLD FOUGHT-UPON EARTH
720
00:35:11,109 --> 00:35:14,922
"THERE COMES A SWEET DARKNESS
THAT SEEPS DOWN FROM THE MOUNTAINS
721
00:35:14,946 --> 00:35:17,058
"AND, LADEN WITH THE
SCENT OF DOGWOOD
722
00:35:17,082 --> 00:35:20,561
FLOWS ACROSS THE HILLS
AND INTO THE VALLEYS."
723
00:35:20,585 --> 00:35:23,297
OH.
724
00:35:23,321 --> 00:35:26,622
HERE'S A LETTER. MUST BE A
COVERING LETTER OF SOME SORT.
725
00:35:28,260 --> 00:35:29,959
UM...
726
00:35:31,729 --> 00:35:33,307
WAIT A MINUTE. THIS CAN'T BE.
727
00:35:33,331 --> 00:35:36,443
THIS CAN'T BE RIGHT.
THIS... WHAT IS IT?
728
00:35:36,467 --> 00:35:38,246
THIS IS A BILL.
729
00:35:38,270 --> 00:35:40,414
THIS IS A BILL FOR $50.
730
00:35:40,438 --> 00:35:43,284
LOOK, IT SAYS, "$50, COST OF THE
ENTIRE FIRST PRINTING. PLEASE REMIT.
731
00:35:43,308 --> 00:35:45,186
YOU MAY ORDER MORE IF YOU WISH."
732
00:35:45,210 --> 00:35:47,889
YOU MEAN THEY PRINT THEM UP, THEY SEND
THEM TO YOU AND THEY CHARGE YOU FOR IT?
733
00:35:47,913 --> 00:35:50,657
IT'S A RACKET.
734
00:35:50,681 --> 00:35:52,782
IT'S A RACKET,
THAT'S WHAT IT IS!
735
00:36:01,510 --> 00:36:04,922
YES, A VERY SLICK
CONTRACT, VERY SLICK.
736
00:36:04,946 --> 00:36:06,390
IS IT LEGAL?
737
00:36:06,414 --> 00:36:08,325
COULDN'T BE MORE SO.
738
00:36:08,349 --> 00:36:11,596
I HATE TO DISAPPOINT YOU, PEOPLE,
BUT THIS DOCUMENT IS IRONCLAD,
739
00:36:11,620 --> 00:36:14,966
AND OLIVIA'S SIGNATURE, AS
PARENT HERE, SETTLES THAT.
740
00:36:14,990 --> 00:36:17,790
DIDN'T ANYBODY READ THIS?
741
00:36:19,260 --> 00:36:21,438
WELL, I THOUGHT I DID.
742
00:36:21,462 --> 00:36:24,241
I WISH YOU WOULD HAVE BROUGHT
THIS IN TO ME BEFORE YOU SIGNED IT.
743
00:36:24,265 --> 00:36:26,276
I COULD HAVE TOLD
YOU THERE WAS A CATCH.
744
00:36:26,300 --> 00:36:28,145
YOU MEAN THEY CAN JUST
GET AWAY WITH THAT RACKET?
745
00:36:28,169 --> 00:36:29,547
IT'S NO RACKET, JOHN.
746
00:36:29,571 --> 00:36:32,449
YOU SEE, THE NAME FOR THIS
KIND OF PUBLISHING VENTURE
747
00:36:32,473 --> 00:36:35,553
IS CALLED A VANITY PRESS,
AND A GOOD NAME IT IS, TOO.
748
00:36:35,577 --> 00:36:38,956
YOU SEE, THESE PRINTING
HOUSES, THEY APPEAL TO THE VANITY
749
00:36:38,980 --> 00:36:42,627
OF ANYONE WHO IS HANKERING TO BE
PUBLISHED AND IS WILLING TO PAY FOR IT.
750
00:36:42,651 --> 00:36:44,829
WE DIDN'T KNOW WE WERE
GETTING INTO THAT KIND OF A DEAL!
751
00:36:44,853 --> 00:36:46,731
WE THOUGHT IT WAS A
LEGITIMATE PUBLISHING OFFER.
752
00:36:46,755 --> 00:36:50,735
DID YOU GET 50
BOOKS, BOUND AND ALL?
753
00:36:50,759 --> 00:36:51,969
PROPERLY BOUND?
754
00:36:51,993 --> 00:36:53,704
YES.
755
00:36:53,728 --> 00:36:55,406
SO THEY LIVED UP
TO THEIR CONTRACT.
756
00:36:55,430 --> 00:36:57,307
YOU CAN'T VERY WELL
CALL THAT A RACKET.
757
00:36:57,331 --> 00:36:59,176
GUFFY'S RIGHT. THERE'S
NOTHING WE CAN DO ABOUT IT
758
00:36:59,200 --> 00:37:00,611
EXCEPT FIGURE OUT HOW TO PAY.
759
00:37:00,635 --> 00:37:02,780
OH, NO, DADDY, I'LL
TAKE CARE OF THAT.
760
00:37:04,039 --> 00:37:06,017
I DON'T WANT THE FAMILY
PAYING FOR MY VANITY.
761
00:37:06,041 --> 00:37:07,418
WELL, IT WAS MY FAULT.
762
00:37:07,442 --> 00:37:09,319
MAMA.
763
00:37:09,343 --> 00:37:11,288
ONCE THAT LETTER CAME I
WOULD HAVE DONE ANYTHING
764
00:37:11,312 --> 00:37:12,690
TO GET THOSE BOOKS,
765
00:37:12,714 --> 00:37:15,760
AND I GUESS THAT'S JUST
WHAT THOSE PEOPLE COUNT ON.
766
00:37:15,784 --> 00:37:19,329
YOU'RE SO BUSY THINKING ABOUT
YOUR NAME ON THE SPINE OF A BOOK
767
00:37:19,353 --> 00:37:20,831
THAT YOU DON'T
READ THE FINE PRINT.
768
00:37:20,855 --> 00:37:22,266
DADDY WAS TRYING
TO TELL US THAT.
769
00:37:22,290 --> 00:37:24,724
I GUESS WE ALL WENT OVERBOARD
WHEN WE GOT THAT LETTER.
770
00:37:26,360 --> 00:37:28,320
I JUST KEPT RIGHT
ON GOING, DIDN'T I?
771
00:37:30,599 --> 00:37:32,309
WELL, THANK YOU, SAM.
772
00:37:32,333 --> 00:37:35,179
YOU'RE WELCOME. I GUESS I
BETTER TAKE THIS HOME WITH ME.
773
00:37:35,203 --> 00:37:38,404
IT'LL DO GOOD TO LOOK
AT IT FROM TIME TO TIME.
774
00:37:42,077 --> 00:37:44,722
THE VANITY PRESS, THEY CALL IT.
775
00:37:44,746 --> 00:37:47,324
WELL, THE SCRIPTURES
SAID IT. "ALL IS VANITY."
776
00:37:47,348 --> 00:37:48,859
VANITY.
777
00:37:48,883 --> 00:37:51,395
I DON'T KNOW HOW MANY
TIMES I'VE TOLD THIS FAMILY
778
00:37:51,419 --> 00:37:54,364
NEVER TO SIGN ANYTHING UNLESS
A LAWYER READS THE FINE PRINT
779
00:37:54,388 --> 00:37:56,067
UPSIDE DOWN AND INSIDE OUT.
780
00:37:56,091 --> 00:37:57,534
LOTS OF TIMES, PA.
781
00:37:57,558 --> 00:37:59,770
EXCEPT I DIDN'T HEAR YOU
SAY ANYTHING THE OTHER DAY
782
00:37:59,794 --> 00:38:02,573
WHEN JOHN-BOY WAS SIGNING
THAT CONTRACT RIGHT HERE. UH, I...
783
00:38:02,597 --> 00:38:03,808
OH, STOP IT.
784
00:38:03,832 --> 00:38:05,943
I WISH HE'D COME OUT.
785
00:38:05,967 --> 00:38:08,807
HE HASN'T BUDGED FROM
HIS ROOM SINCE WE GOT BACK.
786
00:38:10,939 --> 00:38:13,718
EMBARRASSED ABOUT FACING
ALL HIS FRIENDS AT SCHOOL.
787
00:38:13,742 --> 00:38:15,319
I'LL GO FETCH HIM.
788
00:38:15,343 --> 00:38:18,122
NO, LEAVE HIM BE. HE NEEDS
TO BE ALONE RIGHT NOW, PA.
789
00:38:18,146 --> 00:38:20,157
BOAT'S ALMOST PAINTED.
790
00:38:20,181 --> 00:38:21,291
HOW'S SHE LOOK?
791
00:38:21,315 --> 00:38:23,694
COME ON OUT AND
SEE. NOT NOW, JASON.
792
00:38:23,718 --> 00:38:26,063
OH, OK.
793
00:38:26,087 --> 00:38:28,899
UH, DADDY, CAN I USE
THE TRUCK AGAIN TONIGHT?
794
00:38:28,923 --> 00:38:31,301
WELL, WELL, NOW WHAT
ARE YOU DOING ON THE SIDE?
795
00:38:31,325 --> 00:38:34,972
SOME SORT OF NEW ROMANTIC
BUSINESS, LIKE BOOTLEGGING?
796
00:38:34,996 --> 00:38:36,306
ZEB, HUSH UP.
797
00:38:36,330 --> 00:38:38,575
NO, JUST SOMEPLACE I HAVE TO GO.
798
00:38:38,599 --> 00:38:40,811
THIS IS THE THIRD TIME YOU
ASKED FOR IT THIS WEEK, SON.
799
00:38:40,835 --> 00:38:42,913
I GOTTA ASK YOU
WHERE YOU WANNA GO.
800
00:38:42,937 --> 00:38:44,715
I HAVE A JOB.
801
00:38:44,739 --> 00:38:45,983
A JOB?
802
00:38:46,007 --> 00:38:47,417
WHAT?
803
00:38:47,441 --> 00:38:48,686
MAMA, IT'S TERRIFIC.
804
00:38:48,710 --> 00:38:50,888
I'M PLAYING GUITAR AND
HARMONICA AND SINGING
805
00:38:50,912 --> 00:38:52,489
WITH BOBBY BIGELOW
AND THE HAYSTACK GANG.
806
00:38:52,513 --> 00:38:53,624
YOU'RE WHAT?
807
00:38:53,648 --> 00:38:55,259
HOW LONG HAS THIS BEEN GOING ON?
808
00:38:55,283 --> 00:38:57,194
WELL, I MET THIS MAN AT IKE'S.
809
00:38:57,218 --> 00:39:00,564
IT WAS THE DAY MAMA GOT THE LETTER
ABOUT JOHN-BOY BEING PUBLISHED,
810
00:39:00,588 --> 00:39:03,934
AND, UH, WELL, THERE WAS ALL THAT
EXCITEMENT ABOUT JOHN-BOY, SO...
811
00:39:03,958 --> 00:39:05,636
WHAT ABOUT THIS MAN YOU MET?
812
00:39:05,660 --> 00:39:09,373
WELL, HE HAD ME COME AND TRY OUT
FOR BOBBY BIGELOW, AND HE LIKED ME.
813
00:39:09,397 --> 00:39:11,842
SO I WORK FOR HIM WHENEVER
THEY PLAY AROUND HERE.
814
00:39:11,866 --> 00:39:14,478
I GET $3.50 A NIGHT.
815
00:39:14,502 --> 00:39:16,213
GOT ALMOST $9 SAVED UP.
816
00:39:16,237 --> 00:39:18,749
WELL, WHY DID YOU KEEP
IT SUCH A SECRET, SON?
817
00:39:18,773 --> 00:39:21,152
WELL, I TRIED TO TELL
YOU A COUPLE OF TIMES,
818
00:39:21,176 --> 00:39:24,621
BUT, WELL, EVERYTHING WAS
HAPPENING SO FAST WITH JOHN-BOY
819
00:39:24,645 --> 00:39:27,124
DIDN'T WANT TO
STEAL HIS THUNDER.
820
00:39:27,148 --> 00:39:28,893
JASON.
821
00:39:28,917 --> 00:39:30,783
IT'S OK.
822
00:39:34,923 --> 00:39:36,500
DADDY, CAN I USE THE TRUCK?
823
00:39:36,524 --> 00:39:39,291
I GOTTA BE IN
SCOTTSVILLE BY 8:00.
824
00:39:41,262 --> 00:39:43,340
WHY DON'T WE ALL GO ALONG?
825
00:39:43,364 --> 00:39:44,608
WOULD YOU LIKE TO?
826
00:39:44,632 --> 00:39:46,811
IT MIGHT BE JUST WHAT
THIS FAMILY NEEDS.
827
00:39:46,835 --> 00:39:48,545
I'LL GET THE KIDS
ALL SCRUBBED UP.
828
00:39:48,569 --> 00:39:50,380
THEY MUST BE JUST
COVERED WITH PAINT.
829
00:39:50,404 --> 00:39:52,850
THEY ARE.
830
00:39:52,874 --> 00:39:54,914
I THINK I'D LIKE TO
ASK JOHN-BOY MYSELF.
831
00:39:55,910 --> 00:39:57,409
I WISH YOU WOULD, JASON.
832
00:40:10,959 --> 00:40:13,470
JOHN-BOY, IT'S ME, JASE.
833
00:40:13,494 --> 00:40:15,572
COME IN?
834
00:40:15,596 --> 00:40:17,307
IT'S IMPORTANT.
835
00:40:17,331 --> 00:40:19,031
DOOR'S OPEN.
836
00:40:28,843 --> 00:40:30,587
JOHN-BOY,
837
00:40:30,611 --> 00:40:33,557
THE FAMILY IS GOING INTO SCOTTSVILLE
TO HEAR ME WHERE I'M WORKING.
838
00:40:33,581 --> 00:40:34,892
WHERE YOU'RE WORKING?
839
00:40:34,916 --> 00:40:36,127
MMM-HMM.
840
00:40:36,151 --> 00:40:38,129
I'M SINGING AND PLAYING
WITH BOBBY BIGELOW.
841
00:40:38,153 --> 00:40:41,065
WOULD YOU LIKE TO COME ALONG?
842
00:40:41,089 --> 00:40:44,534
THAT'S WONDERFUL.
WHEN DID THAT HAPPEN?
843
00:40:44,558 --> 00:40:46,904
A COUPLE OF WEEKS AGO.
844
00:40:46,928 --> 00:40:48,906
WHY DIDN'T YOU TELL ME?
845
00:40:48,930 --> 00:40:50,863
WELL, I TRIED TO.
846
00:40:54,068 --> 00:40:56,313
YEAH, I WAS JUST TOO
BUSY THINKING OF MYSELF
847
00:40:56,337 --> 00:40:59,083
AS THE NEXT PULITZER
PRIZE WINNER, WASN'T I?
848
00:41:01,042 --> 00:41:02,241
COME ON WITH US.
849
00:41:06,347 --> 00:41:08,826
I WOULDN'T MISS IT
FOR THE WORLD, JASON.
850
00:41:08,850 --> 00:41:11,495
GOOD. I'LL MEET YOU DOWNSTAIRS.
851
00:41:11,519 --> 00:41:12,797
OK, I'LL BE THERE IN A MINUTE.
852
00:41:12,821 --> 00:41:14,320
OK.
853
00:41:21,595 --> 00:41:23,629
♪♪
854
00:42:26,494 --> 00:42:28,638
THAT'S MY GRANDSON UP THERE.
855
00:42:28,662 --> 00:42:30,241
THE REDDISH-HAIRED ONE.
856
00:42:30,265 --> 00:42:31,675
HIS NAME'S JASON.
857
00:42:31,699 --> 00:42:32,865
A WALTON.
858
00:43:24,886 --> 00:43:27,152
JASON, BEEN LOOKING FOR YOU.
859
00:43:28,423 --> 00:43:29,522
IF I, UH...
860
00:43:31,225 --> 00:43:33,265
I GUESS I KIND OF
OVERLOOKED YOU LATELY.
861
00:43:34,194 --> 00:43:36,339
NOT THAT I NOTICED.
862
00:43:36,363 --> 00:43:38,742
I FEEL BAD.
863
00:43:38,766 --> 00:43:42,613
I WAS WORRIED ABOUT JOHN-BOY.
HE SEEMED SO DISCOURAGED
864
00:43:42,637 --> 00:43:46,450
AND THEN, WHEN ALL THAT
BOOK BUSINESS STARTED
865
00:43:46,474 --> 00:43:50,120
I GUESS I JUST DIDN'T GIVE
MUCH THOUGHT TO OTHER PEOPLE.
866
00:43:50,144 --> 00:43:53,793
WELL, YOU CAN'T BE
EVERYWHERE AT ONCE.
867
00:43:55,583 --> 00:43:57,215
JASON.
868
00:44:00,020 --> 00:44:02,154
I GOTTA GET BACK TO WORK NOW.
869
00:44:14,301 --> 00:44:16,647
JOHN, YOU'RE LATE. YES,
SIR, I HAVE TO SPEAK TO YOU...
870
00:44:16,671 --> 00:44:19,049
JOHN, I WANT YOU TO
MEET TIMOTHY COLLINS.
871
00:44:19,073 --> 00:44:21,652
TIM'S THE ROVING REPORTER
AND JOHN WALTON HERE IS, UH...
872
00:44:21,676 --> 00:44:24,220
WELL, I GUESS, A NEW STAR IN THE
LITERARY FIRMAMENT. WELL, THAT'S WHAT I...
873
00:44:24,244 --> 00:44:25,722
IT'S GOOD TO MEET YOU, JOHN.
WE GOTTA GET GOING HERE.
874
00:44:25,746 --> 00:44:28,692
EXCUSE ME, MR. COLLINS...
SHH. WE'RE GOING, JOHN.
875
00:44:28,716 --> 00:44:30,861
NOW DON'T WORRY ABOUT A
THING AND DON'T BE NERVOUS.
876
00:44:30,885 --> 00:44:35,466
TESTING, 1, 2, 3, TESTING.
877
00:44:35,490 --> 00:44:36,967
GOOD EVENING,
LADIES AND GENTLEMEN,
878
00:44:36,991 --> 00:44:39,135
THIS IS TIMOTHY COLLINS,
YOUR ROVING REPORTER.
879
00:44:39,159 --> 00:44:41,638
AND OUR LOCAL LUMINARY FOR
THIS EVENING IS A YOUNG MAN
880
00:44:41,662 --> 00:44:43,474
WHO'S DESTINED FOR
FAME AS A WRITER.
881
00:44:43,498 --> 00:44:45,442
HIS NAME IS JOHN WALTON JR.
882
00:44:45,466 --> 00:44:47,644
HE'S A FRESHMAN AT
BOATWRIGHT UNIVERSITY
883
00:44:47,668 --> 00:44:50,413
AND HE'S ALREADY BEGUN HIS
CAREER AS A PROFESSIONAL WRITER.
884
00:44:50,437 --> 00:44:52,816
HIS FIRST BOOK, A
COLLECTION OF SHORT STORIES,
885
00:44:52,840 --> 00:44:54,451
IS ON ITS WAY TO
BEING PUBLISHED AND...
886
00:44:54,475 --> 00:44:57,676
EXCUSE ME, EXCUSE ME,
THAT... THAT ISN'T REALLY TRUE.
887
00:44:59,614 --> 00:45:02,381
I MEAN, IT'S PARTLY
TRUE, BUT, UH...
888
00:45:04,451 --> 00:45:09,099
WELL, UH, THERE'S... THERE'S
A LOT MORE TO IT THAN THAT.
889
00:45:09,123 --> 00:45:12,123
AND EVERY-EVERYBODY DOESN'T
KNOW THE WHOLE STORY ABOUT IT.
890
00:45:21,201 --> 00:45:25,816
WELL, I'VE ALWAYS... I'VE ALWAYS
WANTED TO BE PUBLISHED, BUT, UH...
891
00:45:25,840 --> 00:45:29,019
I GUESS I'VE ALWAYS DREAMED
ABOUT BEING PUBLISHED.
892
00:45:29,043 --> 00:45:31,622
BUT IT WASN'T THE
PUBLISHING COMPANY
893
00:45:31,646 --> 00:45:33,824
THAT DECEIVED ME.
894
00:45:33,848 --> 00:45:36,226
I REALLY DECEIVED MYSELF.
895
00:45:36,250 --> 00:45:39,696
I JUST, UH, BECAME
SO SELF-IMPORTANT
896
00:45:39,720 --> 00:45:42,933
THAT I REALLY DON'T SEE HOW
MY FAMILY EVER LIVED WITH ME
897
00:45:42,957 --> 00:45:46,803
OR HOW MY CLASSMATES
COULD EVEN PUT UP WITH ME.
898
00:45:46,827 --> 00:45:50,173
AND I'D BE LYING IF I
SAID IT DIDN'T HURT.
899
00:45:50,197 --> 00:45:52,009
UH,
900
00:45:52,033 --> 00:45:56,747
MY PROFESSOR SAID ONCE THAT IT'S
AN ARROGANT THING TO BE A WRITER,
901
00:45:56,771 --> 00:46:00,851
AND TO THINK THAT YOU CAN CREATE
A WORLD THAT'S SO INTERESTING
902
00:46:00,875 --> 00:46:02,986
THAT PEOPLE WILL PAY
MONEY TO BUY YOUR BOOKS
903
00:46:03,010 --> 00:46:05,221
OR READ YOUR SHORT STORIES.
904
00:46:05,245 --> 00:46:09,693
SO MAYBE I JUST GOT A
LITTLE TOO ARROGANT.
905
00:46:09,717 --> 00:46:11,461
UM, I JUST...
906
00:46:11,485 --> 00:46:14,820
I'D JUST LIKE TO SAY THAT IT'S
A FINE THING TO BE A WRITER.
907
00:46:16,190 --> 00:46:20,170
THERE'S A VERY SECRET
AND WONDERFUL JOY
908
00:46:20,194 --> 00:46:22,039
WHEN YOU PUT DOWN A FEW WORDS
909
00:46:22,063 --> 00:46:25,430
THAT REALLY SAY WHAT YOU MEANT
TO CONVEY IN THE FIRST PLACE.
910
00:46:27,969 --> 00:46:30,769
AND I'M JUST GONNA
KEEP ON TRYING.
911
00:46:36,477 --> 00:46:39,456
ALL RIGHT, EVERYBODY,
UPSTAIRS AND DO YOUR HOMEWORK.
912
00:46:39,480 --> 00:46:41,080
COME ON, ELIZABETH.
913
00:46:53,494 --> 00:46:54,972
IT WAS A NICE TALK, SON.
914
00:46:54,996 --> 00:46:56,406
YOU SAID SOME GOOD THINGS.
915
00:46:56,430 --> 00:46:58,742
THANK YOU. I MEANT THEM.
916
00:46:58,766 --> 00:47:02,079
I'M SURE YOU DID. THESE HAVEN'T
BEEN MY BEST DAYS, DADDY.
917
00:47:02,103 --> 00:47:03,246
I KNOW.
918
00:47:03,270 --> 00:47:04,881
GUESS THEY'RE ABOUT
OVER, THOUGH, HUH?
919
00:47:04,905 --> 00:47:06,416
YES, THEY ARE.
920
00:47:06,440 --> 00:47:08,974
THE FAMILY'S GONNA BE
MIGHTY PLEASED TO HEAR THAT.
921
00:47:13,313 --> 00:47:14,891
COME ON! COME ON, JOHN-BOY!
922
00:47:19,620 --> 00:47:21,180
COME ON!
923
00:47:23,124 --> 00:47:24,701
ALL RIGHT, I'M COMING!
924
00:47:24,725 --> 00:47:26,670
THE SCARS OF THAT
FIRST DISAPPOINTMENT
925
00:47:26,694 --> 00:47:28,571
WERE A LONG TIME IN HEALING,
926
00:47:28,595 --> 00:47:30,340
BUT THEY DID HEAL.
927
00:47:30,364 --> 00:47:32,175
THE BEST MEDICINE, AS ALWAYS,
928
00:47:32,199 --> 00:47:35,378
WAS THE SYMPATHY AND
UNDERSTANDING OF MY FAMILY.
929
00:47:35,402 --> 00:47:37,614
AND A RIDICULOUS LITTLE ROWBOAT
930
00:47:37,638 --> 00:47:40,338
THAT WENT A LONG WAY
IN HELPING ME TO FORGET.
931
00:47:42,743 --> 00:47:44,621
JOHN-BOY, NOW THAT
I'M MAKING MONEY
932
00:47:44,645 --> 00:47:47,124
I CAN HELP YOU OUT WITH
THAT BILL FOR THE BOOKS.
933
00:47:47,148 --> 00:47:49,392
NO, JASON. I'M GONNA
PAY FOR THAT MYSELF.
934
00:47:49,416 --> 00:47:52,195
SURE NOW? GLAD TO HELP OUT.
935
00:47:52,219 --> 00:47:55,598
NO, REALLY, JASON.
BUT THANK YOU.
936
00:47:55,622 --> 00:47:57,834
JOHN-BOY? UH-HUH.
937
00:47:57,858 --> 00:48:00,637
I'M KIND OF GLAD YOU
DIDN'T TAKE ME UP ON IT.
938
00:48:00,661 --> 00:48:01,872
GOOD NIGHT, JASON.
939
00:48:01,896 --> 00:48:03,273
GOOD NIGHT, JOHN-BOY.
70565
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