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The following programme contains
strong language and violent scenes.
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(GROANS)
NURIA: What is the truth?
3
00:00:17,938 --> 00:00:19,978
Do you kill people?
No.
4
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No more lies, please.
5
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JACKAL: No more lies.
6
00:00:22,778 --> 00:00:24,778
OSI: My American friend
picked up some chatter.
7
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Rodin price point agreed.
8
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Jackal en route.
9
00:00:28,018 --> 00:00:30,738
KEITH: A contract's been
taken out on your life.
10
00:00:30,738 --> 00:00:33,778
UDC Who's taken out this contract?
We don't have that information, sir.
11
00:00:33,778 --> 00:00:35,778
BIANCA: Norman definitely knew
we were coming.
12
00:00:36,778 --> 00:00:38,658
Who exactly is this Norman Stoke?
13
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BIANCA: The sniper took the weapon
he used to kill Fest
14
00:00:41,378 --> 00:00:43,378
with him, and this is how he did it.
15
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All thanks to Norman Stoke.
LARRY: Norman...
16
00:00:45,658 --> 00:00:47,138
...I need an address.
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00:00:47,138 --> 00:00:48,218
I'll talk to my man.
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00:00:49,698 --> 00:00:51,018
I want you to see this.
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(JASMINE SCREAMS)
(LARRY CRIES OUT)
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00:00:53,338 --> 00:00:55,338
Tell me everything I need to know.
JASMINE Mum!
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WINTHROP:
The Jackal, where is he now?
22
00:00:57,218 --> 00:00:58,338
He should be in Tallinn.
23
00:00:58,338 --> 00:01:00,258
You need to find him
and stay with him.
24
00:01:02,098 --> 00:01:03,578
Hello.
25
00:01:03,578 --> 00:01:05,018
(SUSPENSEFUL MUSIC)
26
00:01:05,018 --> 00:01:06,298
(MUSIC HALTS)
27
00:01:09,578 --> 00:01:10,698
(FOGHORN BLARES)
28
00:01:13,618 --> 00:01:15,058
(FOGHORN BLARES)
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(MYSTERIOUS MUSIC)
30
00:01:50,818 --> 00:01:52,818
You've taken twenty million dollars
from people
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00:01:52,818 --> 00:01:54,618
who are used
to getting what they paid for.
32
00:01:55,858 --> 00:01:57,338
And they didn't pay you
33
00:01:57,338 --> 00:01:59,058
to go rogue in Munich.
34
00:02:04,298 --> 00:02:06,458
If I don't deliver, if YOU...
35
00:02:06,458 --> 00:02:08,578
...don't deliver,
36
00:02:09,898 --> 00:02:11,978
they will take extreme measures.
37
00:02:13,698 --> 00:02:16,818
You do not want to make enemies
of these people.
38
00:02:16,818 --> 00:02:18,898
They're more powerful than you know.
39
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(MUSIC GROWS TENSE)
40
00:02:27,298 --> 00:02:28,858
If you don't believe me...
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...just ask Norman Stoke.
42
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(TENSE MUSIC STOPS)
(SEAGULLS CALLING)
43
00:02:37,898 --> 00:02:40,138
Nobody wants you
to succeed more than me.
44
00:02:42,738 --> 00:02:44,898
I'm a huge admirer of your work.
45
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CELESTE: # Some flowers
46
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♪ Never get to bloom and see the day
47
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♪ Some flowers
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♪ Are content to wish
their lives away
49
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♪ Some may rise
50
00:03:26,858 --> 00:03:30,978
♪ And some may fall
51
00:03:30,978 --> 00:03:33,018
♪ But only
52
00:03:33,018 --> 00:03:35,378
♪ You make
53
00:03:35,378 --> 00:03:37,298
♪ Heaven
54
00:03:37,298 --> 00:03:39,258
♪ Seem it's true
55
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♪ So, only
56
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♪ You can
57
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♪ Tell them
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♪ This is who I am
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♪ This is who I am!
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♪ No lie
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00:03:59,378 --> 00:04:02,018
♪ Know that
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♪ This is who I am ♪
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(INDISTINCT CHATTER)
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00:04:15,698 --> 00:04:18,698
I'll be staying in Tallinn
until delivery, so...
65
00:04:20,138 --> 00:04:22,218
If you need anything
you can call me.
66
00:04:22,858 --> 00:04:24,178
My phone's secure.
67
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A babysitter(!)
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Anything.
(CHUCKLES)
69
00:04:37,418 --> 00:04:39,098
(CAR DOOR CLOSES)
(ENGINE STARTS)
70
00:04:42,818 --> 00:04:44,458
(DISTANT CHATTER)
71
00:04:45,338 --> 00:04:47,138
(INDISTINCT CONVERSATION)
72
00:04:50,058 --> 00:04:51,418
(MYSTERIOUS MUSIC)
73
00:04:54,138 --> 00:04:56,738
(INDISTINCT CHATTER)
(PHONES RINGING)
74
00:05:05,698 --> 00:05:07,658
You alright?
75
00:05:07,658 --> 00:05:08,938
Great.
76
00:05:13,218 --> 00:05:14,458
Look, Bianca when we...
77
00:05:14,458 --> 00:05:16,098
He tried to kill my daughter.
78
00:05:18,218 --> 00:05:19,418
Fair point.
79
00:05:22,218 --> 00:05:23,378
Outside.
80
00:05:24,458 --> 00:05:25,498
Go on, off you fuck.
81
00:05:26,698 --> 00:05:29,258
No-one comes in. Understood?
(DOOR CLOSES)
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(SIGHS SOFTLY)
83
00:05:33,498 --> 00:05:35,218
(MUFFLED SCREAMS)
84
00:05:37,458 --> 00:05:38,858
(MUFFLED WHIMPERING)
85
00:05:44,178 --> 00:05:45,738
(GASPS, COUGHS)
86
00:05:46,298 --> 00:05:47,658
Where's Norman?
87
00:05:47,658 --> 00:05:48,858
Fuck you.
88
00:05:48,858 --> 00:05:50,938
(CRIES OUT)
89
00:05:50,938 --> 00:05:53,138
Trust me when I say,
90
00:05:53,138 --> 00:05:57,698
I will find Norman
and I will kill him myself.
91
00:05:57,698 --> 00:05:59,418
(MUFFLED SHOUTING)
(LARRY GASPS)
92
00:06:00,458 --> 00:06:01,618
(COUGHS)
93
00:06:02,178 --> 00:06:03,738
She ain't fucking about.
94
00:06:03,738 --> 00:06:05,898
We're not police.
We don't need arrest warrants.
95
00:06:05,898 --> 00:06:07,978
She finds him, she's gonna kill him.
96
00:06:09,298 --> 00:06:11,858
Tell us what we need to know...
97
00:06:11,858 --> 00:06:13,858
...and one,
98
00:06:15,418 --> 00:06:17,138
we don't kill Norman.
99
00:06:17,138 --> 00:06:19,658
Two, instead of you
100
00:06:19,658 --> 00:06:23,018
going to prison for life,
the two of you do...
101
00:06:23,018 --> 00:06:25,538
...what, five years max.
102
00:06:25,538 --> 00:06:28,458
Nice, comfy prison. You'll do five
standing on your head, Larry.
103
00:06:29,378 --> 00:06:30,578
And three...
104
00:06:30,578 --> 00:06:32,938
You get to go home
105
00:06:32,938 --> 00:06:37,458
to bury Alison, Emma,
and say your goodbyes.
106
00:06:38,738 --> 00:06:40,458
So, you gonna to speak to me?
107
00:06:42,418 --> 00:06:43,578
No?
108
00:06:43,578 --> 00:06:44,658
Fuck you.
109
00:06:45,258 --> 00:06:47,858
(ECG BEEPING RAPIDLY)
(LARRY SCREAMS)
110
00:06:47,858 --> 00:06:49,618
(SCREAMING CONTINUES)
111
00:06:54,298 --> 00:06:56,018
(ZIPS UP)
(EXHALES)
112
00:07:10,978 --> 00:07:12,458
(SOFT, TENSE MUSIC)
113
00:07:25,018 --> 00:07:26,578
(KEYBOARD CLACKING GENTLY)
114
00:07:30,698 --> 00:07:32,338
(MOBILE RINGING)
115
00:07:34,298 --> 00:07:35,618
(LINE RINGING)
116
00:07:36,218 --> 00:07:38,698
'Congratulations
on your last performance.'
117
00:07:38,698 --> 00:07:42,298
Thank you. It was only made possible
by a very fine instrument.
118
00:07:42,298 --> 00:07:43,818
Made by a maestro.
119
00:07:43,818 --> 00:07:46,498
'Yeah, the best.
That's why I keep coming back.'
120
00:07:46,498 --> 00:07:48,458
'What do you need this time?'
121
00:07:49,018 --> 00:07:51,618
Er, before I get to that, um...
122
00:07:52,738 --> 00:07:54,738
I've got a question for you, Norman.
123
00:07:55,458 --> 00:07:56,538
'Shoot.'
124
00:07:58,098 --> 00:08:00,258
What's been going on with you?
125
00:08:00,258 --> 00:08:02,098
(SOFT, TENSE MUSIC)
126
00:08:05,578 --> 00:08:07,618
What'd you mean?
'I mean...'
127
00:08:07,618 --> 00:08:12,178
Have you experienced
anything unusual...
128
00:08:12,178 --> 00:08:13,658
'..recently?'
129
00:08:14,698 --> 00:08:18,138
You could say 'unusual', yeah.
130
00:08:18,138 --> 00:08:20,018
'How did you know?'
What exactly?
131
00:08:21,218 --> 00:08:24,538
I need to know before
we can... go any further.
132
00:08:26,138 --> 00:08:28,138
'I was on a business trip.'
133
00:08:28,138 --> 00:08:32,018
Abroad. Some visitors showed up.
134
00:08:33,418 --> 00:08:36,618
They weren't invited
and they weren't bringing flowers.
135
00:08:38,258 --> 00:08:39,258
'Who were they?'
136
00:08:41,298 --> 00:08:42,898
I didn't stop to chat.
137
00:08:42,898 --> 00:08:44,858
'Let's just say I gave 'em
a wee Belfast welcome,
138
00:08:44,858 --> 00:08:46,138
then I got out of there.'
139
00:08:46,138 --> 00:08:48,218
'I dealt with them.'
(SCOFFS SOFTLY)
140
00:08:49,738 --> 00:08:52,578
Right, and you're 100% secure now?
141
00:08:52,578 --> 00:08:53,938
'One hundred percent.'
142
00:08:57,258 --> 00:08:59,178
You know I don't like risks.
143
00:08:59,178 --> 00:09:00,778
'You know I don't either.'
144
00:09:02,818 --> 00:09:05,138
(SOFT, TENSE MUSIC CONTINUES)
145
00:09:08,778 --> 00:09:11,098
Distance to the target is 75 metres.
146
00:09:11,098 --> 00:09:12,738
'Not like you to get that snug.'
147
00:09:12,738 --> 00:09:15,298
'Yeah.
Unfortunately, it's my only option.'
148
00:09:15,298 --> 00:09:16,938
What are the obstacles?
'A...'
149
00:09:16,938 --> 00:09:19,298
...metal detector
and an ultra-sensitive scanner
150
00:09:19,298 --> 00:09:20,698
but I've got an idea for that.
151
00:09:20,698 --> 00:09:22,258
When you need it?
152
00:09:22,898 --> 00:09:24,738
'Well, the job's in five days.'
153
00:09:25,418 --> 00:09:26,818
There's a problem.
154
00:09:26,818 --> 00:09:28,938
Name your price, old man.
'Nah.'
155
00:09:28,938 --> 00:09:31,818
It's not about the money.
The visitors I mentioned?
156
00:09:32,818 --> 00:09:35,578
I got clipped in the arm.
Can't even wipe my arse properly.
157
00:09:35,578 --> 00:09:38,178
'On my own
I won't make your deadline.'
158
00:09:38,178 --> 00:09:40,418
Well, is there anyone
that can help you?
159
00:09:41,258 --> 00:09:42,338
'No-one I trust.'
160
00:09:45,498 --> 00:09:46,578
Would you trust me?
161
00:09:52,378 --> 00:09:54,178
LARRY: OK! Stop!
162
00:09:55,578 --> 00:09:56,658
No more!
163
00:09:57,218 --> 00:09:58,258
(LARRY COUGHING)
164
00:10:01,018 --> 00:10:02,218
You won't kill him?
165
00:10:02,218 --> 00:10:03,658
Is that a guarantee?
166
00:10:03,658 --> 00:10:06,138
Cast iron.
Where is he, Larry?
167
00:10:06,138 --> 00:10:07,498
Where's Norman?
168
00:10:08,978 --> 00:10:10,378
(LARRY SIGHS DEEPLY)
169
00:10:12,458 --> 00:10:13,618
Budapest.
170
00:10:14,538 --> 00:10:16,138
Budapest?
171
00:10:16,138 --> 00:10:19,258
What's the address?
I was only there the once.
172
00:10:19,258 --> 00:10:21,298
He picked me up at the airport.
How long did it take
173
00:10:21,298 --> 00:10:23,698
to get from the airport to his
- place?
- I don't know, about an hour?
174
00:10:23,698 --> 00:10:25,298
It was out of town.
Was it a village?
175
00:10:25,298 --> 00:10:27,458
A suburb? What'd it look like?
There, there was a...
176
00:10:27,458 --> 00:10:29,818
...coffee shop at the corner
of Norman's street.
177
00:10:29,818 --> 00:10:32,338
And there were stables
out the back. With horses.
178
00:10:32,338 --> 00:10:33,578
What sort of place has he got?
179
00:10:33,578 --> 00:10:34,658
A house, apartment?
180
00:10:34,658 --> 00:10:37,338
It not a house,
it's a big white building.
181
00:10:37,338 --> 00:10:40,818
With a gate. And a yard.
That's all I know. I swear.
182
00:10:40,818 --> 00:10:42,978
That is all I know!
(STRAINED COUGHING)
183
00:10:43,738 --> 00:10:45,458
How'd you find out where I live?
184
00:10:47,538 --> 00:10:49,058
Norman told me.
185
00:10:49,058 --> 00:10:51,098
How did Norman know?
186
00:10:51,098 --> 00:10:53,818
Norman moves in different
circles than me.
187
00:10:53,818 --> 00:10:56,058
He can find stuff out.
188
00:11:03,138 --> 00:11:05,058
(INDISTINCT ANNOUNCEMENT
PLAYING IN SPANISH)
189
00:11:05,058 --> 00:11:06,458
(GENTLE SCRAPING)
190
00:11:11,218 --> 00:11:12,818
(CHATTER IN SPANISH NEARBY)
191
00:11:12,818 --> 00:11:14,618
(PENSIVE MUSIC)
192
00:11:16,498 --> 00:11:17,778
(LINE RINGING)
193
00:11:19,898 --> 00:11:21,578
(MOBILE BUZZING)
194
00:11:30,978 --> 00:11:32,058
(VOICEMAIL BEEPS)
195
00:11:32,058 --> 00:11:34,058
(VOICEMAIL, IN SPANISH)
'Hi. It's Nuria.'
196
00:11:34,058 --> 00:11:35,418
(CALL BEEPS OFF)
197
00:11:38,778 --> 00:11:40,378
(PENSIVE MUSIC CONTINUES)
198
00:11:41,458 --> 00:11:42,658
(CHILDREN LAUGHING)
199
00:11:43,898 --> 00:11:45,498
(LIVELY CHATTER)
200
00:11:45,498 --> 00:11:47,058
(PA) 'A call'
201
00:11:47,058 --> 00:11:51,098
'for all remaining passengers on
flight EST119 flying to Budapest.'
202
00:11:51,098 --> 00:11:53,218
'Please, proceed immediately
to gate five'
203
00:11:53,218 --> 00:11:55,258
'and have your boarding passes
ready.'
204
00:11:55,258 --> 00:11:57,178
VINCE: So, one of these guys...
205
00:11:57,178 --> 00:12:01,458
...is a dirty little mole...
Yep. Just, give me a minute.
206
00:12:01,458 --> 00:12:03,738
(INDISTINCT CHATTER)
(PHONES RINGING)
207
00:12:10,298 --> 00:12:12,578
I have an update
on Alexander Duggan.
208
00:12:12,578 --> 00:12:14,178
Uh-huh?
209
00:12:14,178 --> 00:12:18,098
He was a loner. Details freak.
Pure sniper material.
210
00:12:18,098 --> 00:12:21,058
His unit specialised
in eliminating Taliban leaders.
211
00:12:21,058 --> 00:12:22,618
Killed a lot of people.
212
00:12:22,618 --> 00:12:25,658
But they were taken out
by an IED in Helmand in 2013.
213
00:12:26,778 --> 00:12:29,018
So, Duggan is dead?
214
00:12:29,018 --> 00:12:30,658
Yep.
215
00:12:30,658 --> 00:12:32,258
Was his body recovered?
216
00:12:32,738 --> 00:12:34,298
Well, I assume so, but I can check.
217
00:12:35,218 --> 00:12:36,218
Yep.
218
00:12:36,898 --> 00:12:37,898
OK...
219
00:12:40,058 --> 00:12:42,818
Hey, bit of a weird
atmosphere in the office.
220
00:12:43,578 --> 00:12:45,858
Paranoia levels are going through-
Can you...
221
00:12:45,858 --> 00:12:48,298
...get a photograph
of Duggan while you're at it.
222
00:12:48,298 --> 00:12:49,778
Yeah, copy that.
Alright.
223
00:12:49,778 --> 00:12:51,498
ANALYST: I've widened the parameters
224
00:12:51,498 --> 00:12:53,978
to make it
a 90-minute radius from the airport.
225
00:12:53,978 --> 00:12:57,858
He described it as a big, white
building with a gate and a yard.
226
00:12:57,858 --> 00:13:00,498
Coffee shop on the corner
of the street, stables at the back.
227
00:13:00,498 --> 00:13:01,938
(KEYBOARD CLACKING QUICKLY)
228
00:13:01,938 --> 00:13:04,138
How long until we have
a precise location?
229
00:13:04,138 --> 00:13:05,298
It's a little vague.
230
00:13:05,298 --> 00:13:07,578
Might take a while.
Well,
231
00:13:07,578 --> 00:13:10,658
get a move on.
An assassin's on the run.
232
00:13:11,738 --> 00:13:13,778
Right. No pressure then(!)
233
00:13:15,138 --> 00:13:17,258
You haven't given me
much to work with.
234
00:13:19,738 --> 00:13:22,138
'The Thinker or the Stinker?'
235
00:13:22,138 --> 00:13:23,618
(BIANCA SCOFFS)
236
00:13:23,618 --> 00:13:24,858
Shit.
237
00:13:26,658 --> 00:13:29,978
Rodan is UDC.
The Jackal's next target.
238
00:13:31,418 --> 00:13:33,658
OSI: Well,
that certainly raises the stakes.
239
00:13:33,658 --> 00:13:36,738
He's been pissing off
a lot of powerful people.
240
00:13:37,578 --> 00:13:40,178
I assume you've shared this
with Isabel?
241
00:13:40,178 --> 00:13:41,978
You said keep the circle tight.
242
00:13:43,698 --> 00:13:45,538
He knows. We go way back.
243
00:13:47,698 --> 00:13:50,138
Alright. What's your next step?
244
00:13:50,138 --> 00:13:52,978
I need to find Norman Stoke
and we think
245
00:13:52,978 --> 00:13:54,978
we have a rough idea
of where Norman is.
246
00:13:54,978 --> 00:13:56,098
Where?
247
00:13:59,418 --> 00:14:01,338
I get it.
248
00:14:01,338 --> 00:14:03,858
But I'm assuming as soon as you have
a precise location,
249
00:14:03,858 --> 00:14:05,538
you'll want to move quickly
and pick him up?
250
00:14:05,538 --> 00:14:06,698
Yeah, that's the plan.
251
00:14:06,698 --> 00:14:08,978
For which you'll need authorisation
and logistical support.
252
00:14:08,978 --> 00:14:12,018
Apart from Isabel the only person
who can do that, under the radar,
253
00:14:12,018 --> 00:14:13,218
is me.
254
00:14:13,218 --> 00:14:14,498
If I'm to help,
255
00:14:14,498 --> 00:14:17,018
I need the details. Where is he?
256
00:14:17,018 --> 00:14:18,818
Somewhere near Budapest.
257
00:14:19,498 --> 00:14:22,738
We don't know where exactly,
but as soon as we do we can move.
258
00:14:23,738 --> 00:14:25,138
I'll start making arrangements.
259
00:14:26,018 --> 00:14:28,538
When you're ready to roll,
let me know.
260
00:14:35,778 --> 00:14:37,018
(MOBILE BUZZING)
261
00:14:41,538 --> 00:14:42,898
Yeah, in your own time.
262
00:14:43,778 --> 00:14:46,098
Been standing here
for the past 20 minutes.
263
00:14:46,098 --> 00:14:47,658
NORMAN: 'I know.'
264
00:14:47,658 --> 00:14:49,618
'You're taller than I imagined.'
265
00:14:49,618 --> 00:14:52,538
'And slimmer.'
'OK, where the fuck are you?'
266
00:14:52,538 --> 00:14:55,098
Go to the south-east corner
of the square.
267
00:14:55,098 --> 00:14:56,578
'I'll pick you up.'
268
00:15:03,618 --> 00:15:06,178
("RAISE HELL"
BY BRANDI CARLILE PLAYING ON RADIO)
269
00:15:06,178 --> 00:15:08,738
♪ I've been down with a broken heart
270
00:15:08,738 --> 00:15:11,138
♪ Since the day I learned to speak
271
00:15:12,338 --> 00:15:13,938
♪ The devil gave me a crooked start
272
00:15:13,938 --> 00:15:16,498
♪ When he gave me crooked feet
273
00:15:16,498 --> 00:15:18,058
♪ But Gabriel done came to me
274
00:15:18,978 --> 00:15:21,298
♪ And kissed me in my sleep
275
00:15:21,298 --> 00:15:24,258
♪ And I'll be singing like an angel
276
00:15:24,258 --> 00:15:27,058
♪ Until I'm six feet deep
277
00:15:30,178 --> 00:15:31,938
♪ I found myself an omen
278
00:15:31,938 --> 00:15:34,738
♪ And I tattooed on a sign
279
00:15:34,738 --> 00:15:35,978
(GROANS)
280
00:15:35,978 --> 00:15:40,098
♪ I set my mind to wandering
And I walk a broken line
281
00:15:41,378 --> 00:15:43,698
♪ You have a mind to keep me quiet
282
00:15:43,698 --> 00:15:47,258
♪ And although you can try
283
00:15:47,258 --> 00:15:49,858
♪ Better men have hit their knees
And bigger men have died... ♪
284
00:15:49,858 --> 00:15:50,898
What's the update?
285
00:15:50,898 --> 00:15:53,338
(SPEAKERS) ANALYST: 'We've got
seventeen possible locations'
286
00:15:53,338 --> 00:15:55,898
'within 90 minutes of the airport.'
Yeah, that's not gonna work.
287
00:15:55,898 --> 00:15:59,778
Take it down to sixty.
'A 60-minute radius gives you...'
288
00:15:59,778 --> 00:16:02,378
'..eleven locations
that fit your criteria.'
289
00:16:02,378 --> 00:16:04,058
Ah, still too many.
290
00:16:04,058 --> 00:16:06,058
'Do you have anything else
to narrow it down?'
291
00:16:06,058 --> 00:16:07,218
Nope.
292
00:16:08,058 --> 00:16:11,418
'Alright, we'll see
what else we can come up with.'
293
00:16:11,418 --> 00:16:13,458
(LINE DISCONNECTS)
Fingers crossed, hey.
294
00:16:14,858 --> 00:16:16,618
Their house is the next left.
295
00:16:16,618 --> 00:16:17,978
(INDICATOR CLICKING)
296
00:16:19,938 --> 00:16:21,418
(SIGHS)
(KNOCKING ON DOOR)
297
00:16:22,578 --> 00:16:24,058
Hi, Angela-
D'you have any idea
298
00:16:24,058 --> 00:16:25,858
how much damage you're causing?
Wow.
299
00:16:25,858 --> 00:16:28,258
Straight in. I'm just here
to talk to my husband and my child.
300
00:16:28,258 --> 00:16:29,898
Can you call them, please-
A good mother
301
00:16:29,898 --> 00:16:31,818
wouldn't have to be here.
- A good mother?
- That's enough.
302
00:16:31,818 --> 00:16:33,818
You do NOT want me to comment
on you-I do NOT want...
303
00:16:33,818 --> 00:16:35,378
Angela, go inside.
I'll deal with this.
304
00:16:35,378 --> 00:16:37,898
No-one's trying to speak to you.
I'm trying to talk to my husband...
305
00:16:37,898 --> 00:16:40,498
Please, just go back inside... and
my child! 'I'll deal with this.'
306
00:16:40,498 --> 00:16:42,418
Really?! Please.
Think of it from her point of view.
307
00:16:42,418 --> 00:16:44,818
Why do I need to look at it from her
point of view... Hey! Hey, hey...
308
00:16:44,818 --> 00:16:47,058
...when I'm here to speak to you
and my child and she's chatting-
309
00:16:47,058 --> 00:16:48,778
What happened might be normal
to you, but for us,
310
00:16:48,778 --> 00:16:50,738
it's really fucking scary!
OK. Jasmine, is she there?
311
00:16:50,738 --> 00:16:51,778
What's going on?
312
00:16:51,778 --> 00:16:54,178
She's fine, she's with the boys.
They've been really great with her.
313
00:16:54,178 --> 00:16:55,538
So has Angela.
314
00:16:58,978 --> 00:17:00,298
Are you coming home?
315
00:17:00,858 --> 00:17:03,658
Or are you staying here
with your fucking ex-wife?
316
00:17:04,418 --> 00:17:05,818
Hm?
OK.
317
00:17:07,738 --> 00:17:10,538
From the start, you've been
really upfront with me
318
00:17:10,538 --> 00:17:13,018
about how much you love your job
and how important it is to you, OK?
319
00:17:13,018 --> 00:17:16,578
But last night you brought danger
into our home.
320
00:17:16,578 --> 00:17:19,138
And between that knife being held at
my daughters neck
321
00:17:19,138 --> 00:17:21,338
and that gun you had pointed
in her direction,
322
00:17:21,338 --> 00:17:22,818
Jasmine could've been
fucking killed.
323
00:17:22,818 --> 00:17:25,738
But she wasn't. I dealt with it.
She said you tortured the man.
324
00:17:27,138 --> 00:17:31,698
He had information and
I needed to get it from him.
325
00:17:31,698 --> 00:17:33,698
I don't, I don't even wanna know
326
00:17:33,698 --> 00:17:35,538
what you're saying
with that statement, but...
327
00:17:35,538 --> 00:17:36,938
...either way, Jesus Christ, it's...
328
00:17:36,938 --> 00:17:38,898
It's not really ideal
mothering is it, Bianca?
329
00:17:38,898 --> 00:17:42,778
I am trying, Paul, but
I have a job to do-
330
00:17:42,778 --> 00:17:43,938
We've all got jobs to do!
331
00:17:43,938 --> 00:17:46,138
It's just that some of us
understand that in family,
332
00:17:46,138 --> 00:17:50,058
you've gotta make compromises.
In your job, you can...
333
00:17:50,058 --> 00:17:52,738
...be late for a conference or
334
00:17:52,738 --> 00:17:55,418
bring in a paper late
and it's just...
335
00:17:56,458 --> 00:17:57,898
My job,
336
00:17:57,898 --> 00:18:00,218
if I'm not where they tell me to be,
337
00:18:00,218 --> 00:18:03,218
at the exact time that they tell me
to be there,
338
00:18:03,218 --> 00:18:06,058
then someone dies.
339
00:18:06,058 --> 00:18:07,738
Do you understand?!
340
00:18:08,298 --> 00:18:10,018
(SOMBRE MUSIC)
341
00:18:16,738 --> 00:18:18,778
I don't recognise you anymore.
342
00:18:27,778 --> 00:18:29,778
(SOMBRE MUSIC ENDS)
343
00:18:43,222 --> 00:18:44,342
(MYSTERIOUS MUSIC)
344
00:19:07,102 --> 00:19:09,222
(MUSIC GROWS ETHEREAL)
345
00:19:17,902 --> 00:19:19,702
NORMAN: Welcome to my humble abode.
346
00:19:41,342 --> 00:19:43,022
(RESOLUTE MUSIC)
347
00:20:02,742 --> 00:20:04,302
(INAUDIBLE)
348
00:20:08,302 --> 00:20:10,142
Seventy-five metres, you said?
349
00:20:10,862 --> 00:20:11,942
Yeah.
350
00:20:11,942 --> 00:20:13,502
What are the limitations?
Right. So,
351
00:20:13,502 --> 00:20:14,902
main limitation's gonna be size,
352
00:20:14,902 --> 00:20:18,222
so the action and bolt should be
no bulkier than about that.
353
00:20:18,222 --> 00:20:20,742
D'you need a trigger guard?
No, but I was wondering
354
00:20:20,742 --> 00:20:22,822
if I could get the trigger removable
like the last one,
355
00:20:22,822 --> 00:20:25,102
so that I can attach it
just before firing.
356
00:20:25,102 --> 00:20:28,422
- Why?
- Ah, because the whole mechanism
357
00:20:28,422 --> 00:20:29,982
needs to fit into that.
358
00:20:32,262 --> 00:20:33,342
(GASPS SOFTLY)
359
00:20:33,342 --> 00:20:35,142
Oh, yes.
(CHUCKLES)
360
00:20:36,022 --> 00:20:38,702
That's nice. That's very clever.
Thank you.
361
00:20:39,542 --> 00:20:41,222
And I mentioned the scanner.
362
00:20:41,222 --> 00:20:43,782
And I think that's gonna be
pretty sensitive.
363
00:20:44,342 --> 00:20:47,862
Ah, fracture boots
are made of plastic and polymer.
364
00:20:47,862 --> 00:20:49,542
They'll get
through the scanner easy,
365
00:20:49,542 --> 00:20:53,982
but the... the firing mechanism
and... the barrel,
366
00:20:53,982 --> 00:20:55,142
they're gonna show up.
367
00:20:55,142 --> 00:20:57,982
So, I was wondering about
the whole thing plastic?
368
00:20:59,502 --> 00:21:01,862
Y-You can't make a barrel
out of plastic.
369
00:21:01,862 --> 00:21:06,622
Doesn't matter
if it's machined or 3D printed,
370
00:21:06,622 --> 00:21:08,182
but we could try...
371
00:21:08,182 --> 00:21:13,622
...a low-round-count
disposable barrel made from...
372
00:21:13,622 --> 00:21:14,902
...a lightweight alloy.
373
00:21:14,902 --> 00:21:16,822
Right, and how many rounds
would that get me?
374
00:21:16,822 --> 00:21:18,142
Usually it'll be a...
375
00:21:18,142 --> 00:21:21,742
...one-shot throwaway, but
with a maestro like me,
376
00:21:21,742 --> 00:21:23,742
you can get up to eight shots.
377
00:21:23,742 --> 00:21:25,102
Seven, for sure.
378
00:21:25,102 --> 00:21:26,502
Alright, no, that'll be plenty.
379
00:21:26,502 --> 00:21:27,942
Er, can I get a silencer as well?
380
00:21:27,942 --> 00:21:30,062
We could print the suppressor core.
381
00:21:31,062 --> 00:21:33,342
It would confuse
the... scanner operators.
382
00:21:33,342 --> 00:21:35,782
What we thinking time wise?
Ah, it's gonna takes us
383
00:21:35,782 --> 00:21:37,742
four or five hours
to write the programme
384
00:21:37,742 --> 00:21:40,382
and then... another ten hours
to print.
385
00:21:41,702 --> 00:21:42,822
Do you have time for that?
386
00:21:42,822 --> 00:21:45,142
If we start now, yeah.
Alright, well...
387
00:21:45,142 --> 00:21:49,142
I'm off for a shite,
a shower, and a smoke.
388
00:21:49,142 --> 00:21:50,382
Then I'll be ready.
389
00:21:52,422 --> 00:21:55,382
(NURIA SPEAKING SPANISH)
390
00:22:18,462 --> 00:22:20,262
(TENSE MUSIC)
391
00:22:21,102 --> 00:22:22,782
(FOOTSTEPS APPROACHING)
392
00:22:26,182 --> 00:22:27,462
NORMAN: Right.
393
00:22:28,342 --> 00:22:30,222
Shall we get started?
394
00:22:30,222 --> 00:22:31,662
Let us.
395
00:22:31,662 --> 00:22:33,622
G, nine...
396
00:22:33,622 --> 00:22:35,342
...M, eight, two.
(KEYBOARD CLACKING)
397
00:22:35,342 --> 00:22:37,102
Yeah.
398
00:22:37,102 --> 00:22:38,702
M, one, four, zero.
(KEYBOARD CLACKING)
399
00:22:38,702 --> 00:22:40,862
(RESOLUTE MUSIC)
Yeah.
400
00:22:40,862 --> 00:22:43,542
S, one, four.
401
00:22:43,542 --> 00:22:45,182
(PRINTERS WHIRRING AND CLICKING)
402
00:22:56,062 --> 00:22:58,502
(RESOLUTE MUSIC CONTINUES)
403
00:23:09,222 --> 00:23:11,142
That's the printing started.
It'll take...
404
00:23:11,142 --> 00:23:12,862
...ten, twelve hours.
405
00:23:12,862 --> 00:23:14,582
(BOTH GROAN)
406
00:23:16,622 --> 00:23:18,142
Pain medication.
(CHUCKLES)
407
00:23:18,142 --> 00:23:19,462
Yeah, yeah(!)
408
00:23:19,462 --> 00:23:20,702
You have a wee drop?
409
00:23:20,702 --> 00:23:23,302
No, I'm good thank you.
Ah, you might change your mind.
410
00:23:27,382 --> 00:23:28,702
There we go.
411
00:23:31,982 --> 00:23:33,062
Cheers.
412
00:23:35,062 --> 00:23:37,822
Go on then. Well done.
413
00:23:43,622 --> 00:23:46,102
(GROANS)
(CHUCKLES)
414
00:23:46,102 --> 00:23:47,742
Jesus, look at these glasses.
415
00:23:48,542 --> 00:23:50,782
This place could do
with a woman's touch.
416
00:23:53,262 --> 00:23:54,582
Did you ever have a wife?
417
00:23:55,422 --> 00:23:57,582
A wife?
- Yeah.
- Nah.
418
00:23:57,582 --> 00:24:00,462
Well, once... nearly.
419
00:24:00,462 --> 00:24:03,262
She was a great woman, great cook,
420
00:24:03,262 --> 00:24:04,862
great in bed...
421
00:24:04,862 --> 00:24:06,142
She was great company.
422
00:24:07,702 --> 00:24:10,182
Ah, but sure in... our game...
423
00:24:10,182 --> 00:24:12,302
(SIGHS DEEPLY)
424
00:24:12,302 --> 00:24:13,622
...you can't have a wife.
425
00:24:13,622 --> 00:24:14,782
You think?
426
00:24:14,782 --> 00:24:16,502
A hundred percent. Especially
427
00:24:16,502 --> 00:24:17,942
if you fall in love with them.
428
00:24:18,702 --> 00:24:21,542
And I was always falling in love.
429
00:24:21,542 --> 00:24:22,822
(LAUGHS)
430
00:24:22,822 --> 00:24:25,902
Fucking nightmare.
I'm a hopeless romantic.
431
00:24:25,902 --> 00:24:28,782
Is that what that trip abroad was?
Was that a romantic thing?
432
00:24:28,782 --> 00:24:31,782
No, no. No. That was...
That was business.
433
00:24:31,782 --> 00:24:35,422
A client with specialist needs,
like you.
434
00:24:37,262 --> 00:24:38,262
Where'd you go?
435
00:24:43,302 --> 00:24:45,342
Client confidentiality.
436
00:24:50,662 --> 00:24:52,262
Where'd you go?
437
00:24:53,062 --> 00:24:54,222
(CHUCKLES)
438
00:24:59,982 --> 00:25:02,102
The silence makes me...
439
00:25:02,102 --> 00:25:03,142
...a bit nervous.
440
00:25:06,382 --> 00:25:09,382
It was Belarus... alright?
Does that settle your nerves?
441
00:25:09,382 --> 00:25:12,302
Who came calling for you
in Belarus, Norman? Russians?
442
00:25:14,462 --> 00:25:15,902
They had English accents.
443
00:25:17,342 --> 00:25:18,342
D'you see them?
444
00:25:18,342 --> 00:25:20,942
The bitch who shot me, I saw her
alright, aye-A woman?
445
00:25:20,942 --> 00:25:23,462
Black woman. She had a Glock 17.
446
00:25:26,942 --> 00:25:30,382
A black... armed British woman...
447
00:25:30,982 --> 00:25:32,382
...in Belarus.
448
00:25:35,702 --> 00:25:37,062
You lied to me, old man.
449
00:25:37,062 --> 00:25:38,942
Wh... How am I lying to you?
450
00:25:38,942 --> 00:25:40,662
I'm telling you all about it,
aren't I-
451
00:25:40,662 --> 00:25:43,622
How did you get away from
an MI6 snatch squad, Norman?
452
00:25:46,422 --> 00:25:47,662
I had a bit of help.
453
00:25:47,662 --> 00:25:49,942
Yeah.
I got a tip-off
454
00:25:49,942 --> 00:25:51,822
they were on their way.
Who from?
455
00:25:53,822 --> 00:25:54,822
I don't know.
456
00:25:55,662 --> 00:25:56,822
There was no number...
457
00:25:56,822 --> 00:25:59,782
It was... it was just a message
said, 'Clear out now.'
458
00:26:08,502 --> 00:26:10,102
(FOREBODING MUSIC)
459
00:26:18,782 --> 00:26:20,622
You're an artist, my friend,
460
00:26:20,622 --> 00:26:22,502
and you've always been discreet.
461
00:26:25,182 --> 00:26:26,702
But if that changes...
462
00:26:47,422 --> 00:26:48,742
(MOBILE BUZZING)
463
00:26:52,022 --> 00:26:54,062
(SOMBRE MUSIC)
464
00:27:03,222 --> 00:27:04,302
Yeah?
465
00:27:04,302 --> 00:27:07,942
VINCE: 'I've got good news. We think
we found Norman's location.'
466
00:27:07,942 --> 00:27:11,062
'It fits all the parameters, an
abandoned factory in a place called'
467
00:27:11,062 --> 00:27:13,462
'Lorinci.'
Are you sure?
468
00:27:13,462 --> 00:27:15,222
'As sure as we can be.'
469
00:27:15,222 --> 00:27:18,742
'Large white building, 56 minutes
from Budapest airport.'
470
00:27:18,742 --> 00:27:20,102
'Right now it's our best shot.'
471
00:27:20,102 --> 00:27:23,182
(LINE RINGING)
BIANCA: Osi,
we might have a location.
472
00:27:23,182 --> 00:27:24,502
Do we have authorisation?
473
00:27:24,502 --> 00:27:26,062
OSI: 'So, it is Budapest?'
474
00:27:27,222 --> 00:27:29,422
Yeah, it's Budapest.
'I'll inform the Hungarians'
475
00:27:29,422 --> 00:27:31,702
'that we're going to be operating
on their turf.'
476
00:27:31,702 --> 00:27:33,902
'You get to the airport,
I'll get the authorisation.'
477
00:27:33,902 --> 00:27:34,982
(INAUDIBLE CONVERSATION)
478
00:27:34,982 --> 00:27:38,102
'If you need anything else,
give me a call.'
479
00:27:38,102 --> 00:27:39,782
(LINE DISCONNECTS)
480
00:27:40,862 --> 00:27:42,622
Do you trust him?
481
00:27:44,222 --> 00:27:45,302
Do you?
482
00:27:52,142 --> 00:27:54,062
(SOMBRE MUSIC FADES)
483
00:27:56,262 --> 00:27:57,342
(GROANS)
484
00:27:58,222 --> 00:27:59,662
Try it on.
485
00:28:04,382 --> 00:28:05,462
(SIGHS SOFTLY)
486
00:28:09,382 --> 00:28:11,342
Yeah that's...
487
00:28:11,342 --> 00:28:13,142
...weirdly comfortable.
(NORMAN CHUCKLES)
488
00:28:13,142 --> 00:28:16,142
The scanner will pick up
the metal components,
489
00:28:16,142 --> 00:28:18,062
but that shouldn't surprise
the operator.
490
00:28:18,062 --> 00:28:19,422
If he asks you to take it off,
491
00:28:19,422 --> 00:28:21,822
you can tell him
to fuck off on medical grounds.
492
00:28:23,982 --> 00:28:25,222
Show me how to build it.
493
00:28:26,222 --> 00:28:28,142
(VOICES DIP UNDER RESOLUTE MUSIC)
494
00:28:47,342 --> 00:28:49,182
(INAUDIBLE)
495
00:29:07,542 --> 00:29:09,142
(RESOLUTE MUSIC FADES)
496
00:29:10,422 --> 00:29:14,222
That is a fucking work
of art, that is.(LAUGHS)
497
00:29:15,542 --> 00:29:17,822
So, where's the nearest place
I can take this for a spin
498
00:29:17,822 --> 00:29:22,182
without attracting attention?
Oh, top of the road, turn right.
499
00:29:22,182 --> 00:29:24,702
Left at the train tracks
and keep going
500
00:29:24,702 --> 00:29:26,502
until you get to some woods.
Right.
501
00:29:26,502 --> 00:29:28,862
(GROANS)
You can take my car.
502
00:29:28,862 --> 00:29:30,542
I'm off to bed.
503
00:29:30,542 --> 00:29:31,582
Oh.
504
00:29:34,142 --> 00:29:35,982
You'll need these.
505
00:29:35,982 --> 00:29:38,422
Couple of special ones
in there, too.
506
00:29:39,222 --> 00:29:41,182
(CHUCKLES)
Remember...
507
00:29:41,182 --> 00:29:43,142
It's not gunmetal.
508
00:29:43,142 --> 00:29:45,502
You'll get eight shots from it.
509
00:29:45,502 --> 00:29:48,582
To be on the safe side,
keep the test firing to a minimum.
510
00:29:53,062 --> 00:29:55,982
ATTENDANT: 'Welcome to Budapest.
The local time is...'
511
00:29:55,982 --> 00:29:59,542
'..01:35. We'd like to
wish you a safe onward journey.'
512
00:30:00,342 --> 00:30:01,622
There he is.
513
00:30:01,622 --> 00:30:02,662
(TENSE MUSIC)
514
00:30:19,462 --> 00:30:21,262
Actually sorry, d'you know what,
515
00:30:21,262 --> 00:30:22,902
can I get the small one?
516
00:30:24,022 --> 00:30:26,262
JACKAL: How much is that?
Two thousand, please.
517
00:30:26,262 --> 00:30:28,302
Two thousand, thank you very much.
518
00:30:29,502 --> 00:30:31,382
(INDISTINCT)
519
00:30:38,782 --> 00:30:40,782
(TENSE MUSIC)
520
00:31:02,342 --> 00:31:04,582
(TENSE MUSIC FADES)
(BIRDSONG)
521
00:32:09,742 --> 00:32:10,742
(WOOD CREAKS)
522
00:32:54,142 --> 00:32:55,582
(METAL CLINKING)
523
00:33:34,739 --> 00:33:36,259
(TENSE MUSIC)
524
00:33:42,819 --> 00:33:44,419
(MOBILE BUZZING)
525
00:33:47,779 --> 00:33:49,219
Hi...
526
00:33:49,219 --> 00:33:50,779
'..stranger.'
527
00:33:51,619 --> 00:33:52,779
(IN SPANISH) Hello, my love.
528
00:33:52,779 --> 00:33:54,779
Are you alright?
529
00:33:54,779 --> 00:33:56,539
(RADIO PLAYING INDISTINCTLY)
530
00:33:56,539 --> 00:33:58,059
Yes.
531
00:33:58,059 --> 00:33:59,179
'Are you sure?'
532
00:34:00,219 --> 00:34:01,819
'I've been trying you.'
533
00:34:01,819 --> 00:34:03,379
'You sure you're OK?'
534
00:34:04,419 --> 00:34:06,819
'I'm fine. I just...'
535
00:34:06,819 --> 00:34:09,579
'..needed some time to think.'
OK.
536
00:34:10,739 --> 00:34:13,259
Well, all good I'm hoping?
'Yeah, I think so.'
537
00:34:18,299 --> 00:34:22,099
'When are you coming back?'
Four or five days. A week at most.
538
00:34:22,859 --> 00:34:25,779
And then I promise you,
you are gonna be so bored of me,
539
00:34:25,779 --> 00:34:28,059
you're gonna be begging me to leave.
540
00:34:28,059 --> 00:34:30,899
I just want everything to be
the way it used to be.
541
00:34:33,979 --> 00:34:36,259
BIANCA:
It's just up here on the left.
542
00:34:36,259 --> 00:34:39,379
'JACKAL: How's our little boy
doing?''NURIA: He's great.'
543
00:34:39,379 --> 00:34:42,539
'Exhausting, but great.'
I miss you both so much.
544
00:34:43,619 --> 00:34:45,299
'We miss you, too.'
545
00:34:45,299 --> 00:34:48,339
'But there's something we need
to discuss, Charles.'
546
00:34:50,619 --> 00:34:52,099
'Did you hear me?'
Yeah...
547
00:34:58,459 --> 00:35:00,579
Certainly fits Larry's description.
548
00:35:02,699 --> 00:35:04,979
This is important, Charles.
549
00:35:04,979 --> 00:35:07,779
I've gotta run now, but I'll
speak to you in a sec, OK? Love you.
550
00:35:07,779 --> 00:35:09,139
'Bye.'
Bye, bye.
551
00:35:14,459 --> 00:35:16,299
(SPEAKS SPANISH)
552
00:35:35,579 --> 00:35:37,059
(SPEAKS HUNGARIAN)
553
00:35:37,059 --> 00:35:38,459
(IN ENGLISH) We can cut the power,
554
00:35:38,459 --> 00:35:40,259
it's all arranged.
555
00:35:40,819 --> 00:35:42,979
I just don't want
a repeat of Belarus.
556
00:35:44,099 --> 00:35:45,699
What d'you wanna do?
557
00:35:45,699 --> 00:35:46,979
It's your call.
558
00:35:49,419 --> 00:35:50,619
(SIGHS)
559
00:35:52,539 --> 00:35:54,739
(CHATTER IN HUNGARIAN)
(TENSE MUSIC)
560
00:36:10,779 --> 00:36:11,939
(SOFTLY) Fuck...
561
00:36:25,779 --> 00:36:27,579
(TENSE MUSIC CONTINUES)
562
00:36:36,819 --> 00:36:38,499
(SPEAKS HUNGARIAN)
563
00:36:41,699 --> 00:36:43,739
(CHATTER IN HUNGARIAN)
564
00:36:46,739 --> 00:36:48,139
(LINE RINGING)
565
00:36:48,139 --> 00:36:50,379
(BREATHING HEAVILY)
(MOBILE RINGING)
566
00:36:55,819 --> 00:36:59,539
Right. Remember we need him alive,
yeah? OK...
567
00:37:00,099 --> 00:37:01,979
(LINE RINGING)
568
00:37:07,539 --> 00:37:10,059
(MOBILE RINGING)
569
00:37:16,019 --> 00:37:18,019
(GRUNTS)
570
00:37:20,019 --> 00:37:21,579
(LINE CLICKS)
NORMAN: 'Yeah?'
571
00:37:21,579 --> 00:37:23,139
You've got visitors. One of them
572
00:37:23,139 --> 00:37:26,299
'looks like your friend from MI6.
Clean up and get out now.'
573
00:37:26,299 --> 00:37:28,419
Just make sure you clean up.
574
00:37:29,219 --> 00:37:30,419
(GROANS)
575
00:37:33,219 --> 00:37:34,659
(TENSE MUSIC BUILDING)
576
00:37:36,099 --> 00:37:37,219
Fuck...
577
00:37:43,099 --> 00:37:44,179
(ENGINE STARTS)
578
00:37:46,259 --> 00:37:47,819
(BREATHING HEAVILY)
579
00:37:54,499 --> 00:37:56,019
Fuck.
580
00:37:59,939 --> 00:38:01,579
(GRUNTS)
581
00:38:04,659 --> 00:38:06,779
(TENSE MUSIC CONTINUES)
582
00:38:09,859 --> 00:38:12,699
OK. Not this one.
583
00:38:16,459 --> 00:38:17,899
(GRUNTS)
584
00:38:28,499 --> 00:38:29,939
(TENSE MUSIC FADES)
585
00:38:31,979 --> 00:38:33,699
(DISTANT THUD)
(GASPS SOFTLY)
586
00:38:33,699 --> 00:38:35,539
(SUSPENSEFUL MUSIC)
587
00:38:51,699 --> 00:38:53,219
(GUNSHOTS CONTINUE)
588
00:38:53,979 --> 00:38:55,659
Come on, you bastards!
589
00:38:58,459 --> 00:39:00,179
(GUN CLICKS)
VINCE: Breaching!
590
00:39:03,339 --> 00:39:05,339
Move!
(GUNSHOTS)
591
00:39:11,899 --> 00:39:13,139
Fuck off!
592
00:39:15,819 --> 00:39:16,819
Fuck off!
593
00:39:21,659 --> 00:39:22,739
Move!
594
00:39:22,739 --> 00:39:24,299
(GUNFIRE CONTINUES)
595
00:39:25,379 --> 00:39:27,379
(GROANS) Fuck.
596
00:39:27,379 --> 00:39:28,659
Fuck.
(RAPID BEEPING)
597
00:39:31,899 --> 00:39:33,939
(GROANING)
598
00:39:35,339 --> 00:39:36,779
BIANCA: Hello, Norman.
599
00:39:37,379 --> 00:39:38,819
(DROPS PATTERING)
600
00:39:41,179 --> 00:39:42,219
Hmm...
601
00:39:45,819 --> 00:39:47,179
I know you made the gun
602
00:39:47,179 --> 00:39:48,579
that killed Manfred Fest.
603
00:39:48,579 --> 00:39:51,619
You know fuck all.
And here you are...
604
00:39:51,619 --> 00:39:53,659
...making a new one already, Norman.
605
00:39:56,059 --> 00:39:57,939
Is this for the Jackal as well?
606
00:39:57,939 --> 00:40:00,219
I haven't the foggiest idea
what you're talking about.
607
00:40:00,219 --> 00:40:02,979
Must be impossible
with just the one arm?
608
00:40:05,459 --> 00:40:06,819
Oh, what's all this?
609
00:40:08,099 --> 00:40:10,699
Did you have
a little friend over, Norman?
610
00:40:10,699 --> 00:40:12,339
Well, that makes sense.
611
00:40:12,339 --> 00:40:15,099
You're a pretty sad
specimen on your own, eh?
612
00:40:16,659 --> 00:40:18,059
Fuck you.
613
00:40:18,059 --> 00:40:20,299
Tell us who the Jackal is.
614
00:40:21,619 --> 00:40:26,019
I haven't the foggiest idea
what you're talking about.
615
00:40:26,019 --> 00:40:27,579
Ah, come on Norman...
616
00:40:27,579 --> 00:40:29,339
What's the Jackal's name?
617
00:40:31,739 --> 00:40:34,939
I haven't the foggiest idea
what you're talking about.
618
00:40:34,939 --> 00:40:37,579
Oh, I think you do, Norman.
We know the Jackal's
619
00:40:37,579 --> 00:40:39,339
been contracted for another hit.
620
00:40:39,339 --> 00:40:42,019
Makes sense he'd need another
bespoke weapon.
621
00:40:42,019 --> 00:40:43,979
And after you did such a good job
622
00:40:43,979 --> 00:40:45,819
with the last one.
Well, if it was me,
623
00:40:45,819 --> 00:40:48,459
I'd be hurt if
he didn't ask me for the next one.
624
00:40:48,459 --> 00:40:52,019
This is his. This... This is HIS.
625
00:40:52,019 --> 00:40:54,299
Isn't it, Norman?
626
00:40:54,299 --> 00:40:55,339
Eh?
627
00:40:57,259 --> 00:40:58,899
The Jackal's here, isn't he?
628
00:40:58,899 --> 00:41:01,299
Come on. Let's get him in the car.
No.
629
00:41:01,299 --> 00:41:02,579
Wait.
630
00:41:04,059 --> 00:41:07,539
The Jackal's been here.
His things are here...
631
00:41:07,539 --> 00:41:09,499
...so he'll be back.
632
00:41:10,579 --> 00:41:13,179
Tell Lina and Tamas
to keep watch on the street.
633
00:41:14,219 --> 00:41:16,379
Change of plan. Lina,
stay by the car.
634
00:41:16,379 --> 00:41:18,339
Tamas, take your position.
TAMAS: 'Copy.'
635
00:41:18,339 --> 00:41:21,419
Well, while we're waiting, Norman,
636
00:41:22,979 --> 00:41:27,419
you can tell me
how you got my home address.
637
00:41:27,419 --> 00:41:28,699
Hm?
638
00:41:29,739 --> 00:41:33,219
Was it the same person that tipped
you off that we were in Belarus?
639
00:41:33,219 --> 00:41:34,939
(TENSE MUSIC)
640
00:41:41,459 --> 00:41:44,619
I haven't the foggiest idea
what you're talking about.
641
00:41:44,619 --> 00:41:45,939
(LAUGHS)
642
00:41:45,939 --> 00:41:47,779
Huh...
643
00:41:48,739 --> 00:41:51,219
Aren't you wondering
who tipped us off about you?
644
00:41:51,219 --> 00:41:52,339
Huh?
645
00:41:53,099 --> 00:41:55,339
It was Larry.
646
00:41:55,339 --> 00:41:56,779
Yeah, that's right.
647
00:41:59,419 --> 00:42:02,179
Man, it must be really hard,
648
00:42:02,179 --> 00:42:05,859
finding out that it was
your own brother who sold you out.
649
00:42:05,859 --> 00:42:07,459
And it must be even harder,
650
00:42:07,459 --> 00:42:10,059
when the person
standing in front of you
651
00:42:10,059 --> 00:42:13,739
is the one who made him talk,
and is gonna put you both
652
00:42:13,739 --> 00:42:16,859
in jail for the rest
of your fucking lives.
653
00:42:19,539 --> 00:42:21,179
Shooter. Flanking left.
654
00:42:35,059 --> 00:42:37,659
VINCE: (COMMS) 'Does anyone
have eyes on? Can you see him?!'
655
00:42:37,659 --> 00:42:39,899
LINA: 'Negative.'
TAMAS: 'Negative.'
656
00:42:46,539 --> 00:42:48,539
(TENSE MUSIC)
657
00:42:52,819 --> 00:42:54,659
'I have eyes on.
He's by the stables.'
658
00:42:54,659 --> 00:42:56,339
(GUNSHOT CONTINUE)
659
00:42:56,339 --> 00:42:58,299
VINCE: 'Copy that. Eyes on.'
660
00:43:13,179 --> 00:43:14,179
Hup!
661
00:43:15,219 --> 00:43:17,939
He's going mobile...
on a fucking horse.
662
00:43:19,659 --> 00:43:20,819
LINA: 'In pursuit.'
663
00:43:21,619 --> 00:43:22,819
BIANCA: 'Lina, pick me up.'
664
00:43:22,819 --> 00:43:25,579
VINCE: 'You didn't tell me
you were after John-fucking-Wayne.'
665
00:43:27,819 --> 00:43:29,099
(TYRES SCREECH)
666
00:43:44,339 --> 00:43:45,739
(TENSE MUSIC CONTINUES)
667
00:43:50,459 --> 00:43:51,459
Go, go, go!
668
00:43:57,699 --> 00:43:59,779
(GRUNTS, GASPS)
(MUSIC ENDS)
669
00:44:04,019 --> 00:44:05,019
(RUSTLING)
670
00:44:09,259 --> 00:44:10,619
(CLOPPING FADING)
671
00:44:16,659 --> 00:44:17,659
(EXHALES SHAKILY)
672
00:44:18,979 --> 00:44:20,339
(MUFFLED GUNSHOT)
(LINA GRUNTS)
673
00:44:20,339 --> 00:44:21,459
(BODY THUDS)
674
00:44:22,619 --> 00:44:23,739
(LINA PANTING)
675
00:44:24,779 --> 00:44:26,219
You OK?
Yes.
676
00:44:26,219 --> 00:44:27,619
He hit the vest.
677
00:44:30,979 --> 00:44:32,219
(OWL HOOTS)
678
00:44:33,339 --> 00:44:34,459
(EXHALES SHAKILY)
679
00:44:40,899 --> 00:44:42,899
(TWO GUNSHOTS FIRING)
(BODY THUDS)
680
00:44:48,819 --> 00:44:50,939
(SUSPENSEFUL MUSIC)
681
00:44:58,539 --> 00:44:59,859
(TENSE MUSIC BUILDING)
682
00:45:02,979 --> 00:45:04,019
(GUNSHOT)
683
00:45:13,339 --> 00:45:14,339
Fuck!
684
00:45:17,139 --> 00:45:18,939
(TENSE MUSIC SWELLING)
685
00:45:21,339 --> 00:45:22,739
(SUSPENSEFUL MUSIC)
686
00:45:26,179 --> 00:45:27,179
(RAPID GUNFIRE)
687
00:45:45,619 --> 00:45:47,099
(BREATHING HEAVILY)
688
00:45:56,859 --> 00:45:59,099
(SCREAMING) FUCK!
689
00:45:59,099 --> 00:46:00,579
FUCK!
690
00:46:29,459 --> 00:46:30,939
(WATER SPLASHING GENTLY)
691
00:46:33,419 --> 00:46:35,059
(WATER SPLASHING)
692
00:46:35,659 --> 00:46:36,979
(BREATHING SHAKILY)
693
00:46:48,499 --> 00:46:49,939
(THUNDER RUMBLING)
694
00:46:56,699 --> 00:46:57,979
(RAIN POURING)
695
00:47:26,419 --> 00:47:27,859
(THUNDER RUMBLING)
696
00:47:33,699 --> 00:47:35,179
(FOOTSTEPS APPROACHING)
697
00:47:50,499 --> 00:47:52,099
(THUNDER ROARS)
698
00:47:52,099 --> 00:47:53,499
(GRUNTS, GROANS)
699
00:47:54,699 --> 00:47:55,939
(SOMBRE MUSIC)
700
00:48:00,259 --> 00:48:01,899
(METAL LOCKS CLANGING)
701
00:48:11,579 --> 00:48:13,779
♪ LAURA MARLING:
Devil's Resting Place
702
00:48:16,659 --> 00:48:21,139
♪ I woke up one morning
To know that I had gone
703
00:48:21,979 --> 00:48:27,139
♪ Finally taken the step
And jumped right off the wall
704
00:48:27,139 --> 00:48:31,899
♪ When you come to call on me
That's why my eyes are glazed
705
00:48:32,739 --> 00:48:37,339
♪ I've been with the devil
In the devil's resting place
706
00:48:37,339 --> 00:48:42,899
♪ I am loathed to say
It's the devil's taste
707
00:48:42,899 --> 00:48:47,299
♪ I've been with the devil
In the devil's resting place
708
00:48:51,179 --> 00:48:55,699
♪ Water won't clean you
709
00:48:56,779 --> 00:49:01,819
♪ You only hold yourself
To the things you do
710
00:49:04,139 --> 00:49:05,739
(SONG ENDS)
711
00:49:05,739 --> 00:49:08,779
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712
00:49:08,779 --> 00:49:13,779
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713
00:49:08,779 --> 00:49:18,779
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