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how did you come to
false it's a long
story when they talked about doing a
spin-off I had ideas and they've just
taken those ideas and made them
something even better action you're
maintaining all of this history but
you're bringing it into a completely new
world it is The Walking Dead but it's a
totally new version of it being
surrounded by olders walkers in the
Eiffel Tower it was magnificent we're
constantly trying to do things that we
haven't done before this is the first
time The Walking Dead has done
superpowered walk it was wild to fight
walkers in the Gladiator battle that
move like they do I hope they love it
this is the exciting place that we find
ourselves in as we tell stories not just
for ourselves but for everybody in the
whole world the season is full of
surprises it's epic in scale there's
very heartbreaking moments some insane
action they really taking it to a whole
another level
here well it's very exciting to be
shooting this show in France when we
first started talking about this series
the number one question is well how are
we going to do it how are we going to
translate the essence of the show into
another country to sort of Infuse a new
culture and a new
landscape there's something really
exciting about having it set somewhere
completely different and seeing what the
apocalypse looks like on the other side
of the ocean sure beats a view from my
old house we've gotten to film at insane
locations it's a castle here it's an
Abbey there it's the catacombs over here
in the Eiffel Tower there we filmed in
the south of France with The Story
begins we're here in the
comed in Paris we are at the park it's
just next to Paris we filmed
that shooting at Monami shed was really
beautiful it was an amazing place it's a
much different show than shooting in the
woods it's in uh full
force my name is darl
Dixon I come from a place called The
Commonwealth it's in American
I went out looking for
something well I found was
trouble the story that we're telling is
first off Daryl getting here and him
trying to figure out where he's at well
you're
homick I see in your eyes he just wants
to get from point A to point B and to
get back home he's got to take this
group with him through France so it's
this sort of Epic Journey from the south
to the north going through Paris in the
middle and all of the turmoil that he
creates on the way and that he's running
from and trying to salvage the hopes of
these people you know at first I was
afraid of you wow there was something in
your eyes that could tell you've been
through
stuff it has elements of the same show
but it's a complete reboot it's a new
start of a story with this character
that I mean I've been playing for 13
years and it feels so fresh to me if I
don't make it
back I want him to know I
tried
and the decision to shoot the show in
France I think everyone thinks it was my
decision but it wasn't I was like wow
that's interesting this redneck Wild guy
in France well Norman has been Central
to this whole production I mean he he's
been the heart and soul of it this is
his show as as far as I'm concerned with
David Z and I'm here to bring it to life
for them you know I'd never filmed over
here before and I was game for it
there's an Artistry here like the camera
Department you do a take and then they
would stop and they would talk and I
wasn't used to that then I realized what
they were talking about and they were
talking about like what is this move
what's the story it's telling you know
once I learned what the camera
Department was talking about I was like
take your time all your day players are
really good so got the zombies that are
really good you have your cameraman who
are artists kind of a dream to work here
all of France is such a character in the
show and it's really added in Elegance I
really like the way it's affected the
storytelling and the look and the
lighting of it and the pacing the more
we let it breathe and the more true we
are to what we're filming on the day I
think the better it
is
dead ones at the market here we call
them there's a the hungry ones butar is
just one
[Applause]
kind I think one of the most exciting
things for me was coming to France doing
zombie school and the majority of the
performers you know their dancers their
mimes they had all seen the show and I
think a lot of them were really
delighted to be able to be a part of the
series they came ready to go 3:00 a.m.
excited to be in the makeup chair they
really love like walk up and touch the
Prosthetics and look at the teeth and
look at the contact
lenses and they take off their mask and
they're these amazing youthful full of
life men and women and the minute they
put on everything you kind of want to
stay
away well you know the real challenge
with changing up the rules is is you
know people are very very specific in
terms of what our zombies can and can't
do so it's been introduced that there's
a group of people that are doing
experiments there's burners who react
differently and they sort of have this
like acid Bloods to the touch there's
some there sort of pulsating and emate a
little smoke something we've never done
on The Walking Dead we've never painted
veins on them before changed the color
of the contact lenses so that the
eyeballs kind of look almost like a
bright blue hot flame like a blowtorch
it's just something different because
the traditionalists who know what the
zombie rules are will understand that oh
this is a mutation a
variant there's an amped up version of
the Walkers that move really fast and
are super
terrifying There's an actual reason for
the zombies to become even more active
they're injected with this fluid that
act as an accelerant and their eyes
change color to Black and the zombies
become very quick and very
powerful it's just a momentary change in
their
physiology and it's something that I
think suits the story well and you know
they only last for a minute maybe two
and then and then they just kind of melt
down into puddles of rotting
flashh which is also
fun there's a sequence that I direct
where Daryl falls through a glass roof
and lands in the water we had several
Walkers they were burners we had
actually rigged a tube up Zombie's hand
so when he grabs Daryl's arm bubbles
erupt as if it's sizzling we had tubing
underneath the Prosthetics so when darl
would stab one we would just start
pumping the brown fluid into the water
we spent about 8 hours in this water
tank meticulously choreographing laugh
in this I think Norman might have drank
half of the water in the pool by the
time he got
[Music]
out there of the Angels
[Music]
now are we lost as
a we never lost
[Music]
him I had never seen The Walking Dead
I'd heard a lot about it thought I'd be
too
scared I like the idea of starting the
project with no idea about who Daryl was
and what he had been up to and so I kept
it that way thinking I could binge watch
it
later hello I'm Clon I play Isabelle
when we meet her she's a nun but what we
discovered that Isabelle was someone
with quite a troubled youth and someone
who found some kind of redemption in the
apocalypse she has a few Secrets wasn't
always a none Isabelle has learned a few
tricks in our youth which come handy
when you need to fight off zombies and
fascists Isabelle was like a second
month to L there's a motherly Bond
there's a sisterly Bond I think she
wants to save Lan and she believes that
he needs to be saved he's got a greater
Destiny than just surviving because he's
going to be the one leading Humanity
towards something better kind a lot to
put on a kid don't you think God chooses
our burdens Clemen and I you know we
didn't know each other before this we
kind of barely met before we started
filming but as they sort of soften
towards each other we as people sort of
softened towards each other it just kind
of worked out perfectly maybe we the
saying that way broken until the world
[Music]
ended hi I'm Lou pry and I played the
roong of lauron I just enjoy Lou he'd
never have been on the set before so
just to see that Discovery through his
eyes is quite was quite special I really
like Lou right off the bat I read a
bunch of Kit's age and I liked him first
during my audition we were starting to
improvise and it was really cool and it
made us kind of bun you look homesick I
see it in your eyes when he was
Shing he's super smart I could tell he
was kind of like mimicking me in real
life sort of like the way the character
was mimicking me in the show as that
happened our friendship grew and I had
to call into Sony and I'm like I got to
get a PlayStation for this kid yeah he
gave that to me and I was really happy I
run out to no woman and I give him a big
Hub thaning him that's kind of how we
started our relationship please to make
your
[Music]
acquaintance I think sometimes I wish he
wouldn't be the chosen one he wants to
be a kid I want to be like other the
kids yeah I know you do the kid is an
outsider I think Daryl sees a lot of
himself in
luron I don't want to
be yeah yeah come here I think he's
going to be a superstar of that
kid hi I'm laa FR and I'm playing
sylv I just passed the audition telling
myself that I'm never going to have this
part because it's Walking Dead and I
just did it for fun and it worked I know
she's not perfect but she'll do anything
for you little brother she'll die for
you is
nuron and Isabelle they are family she's
like the big sister of lauron and she's
taking care of him Isabelle is like a
mother to her she really T her about the
world and they are really close and have
this strong
connection
she's a kind of naive but she's also a
badass because she know how to fight and
to defend
herself so I like this duality of her
personality we're looking for an
American we understand has been here his
name is darl
Dixon I'm ROM and I play codon I been
actually I was very nervous about this
audition for me it's really a dream come
true I am a big big fan of the show I
have watched every episode Kon he's a
French soldier for political movement
called the cause our leader is
Jan hi I'm anay and I'm playing Mar J
she's a political
figure
she's kind of bad
seed it was name
Dix that scene in the Abby with Dariel
when Kon finally meets Dariel that was
my first scene Norman was so kind with
me so careful with me all the time
because he punched me a lot during that
scene I love loved
it so Dell is immediately a threat
anything that goes against a will is a
threat she's threatened by Lon because
it's another Power she can't let him be
I think Lon thinks that Jan has a broken
heart cuz she's doing bad things really
bad things but she's doing it for
others she's fighting for right but
she's doing wrong she wants people to be
free but she needs to control them she
knows what is right and she believes it
so much that's the point of the
character she's a
tyrant you still love
champ I I would grew
it my name is Adam neus and I play Quinn
he owns a cabaret club called the demim
mon he's made alliances with Jana and
he's um purveyor of rare items in this
dystopian World hi is he he he ends up
stumbling across the love of his life
again after a decade strange to see you
again after all these years everybody
else gets shut off as soon as he sees
Isabelle walk in should we talk in my
office and what he wants changes and
therefore he changes you still should
have told me that my sister died
and I had a son I mean he's genuinely
hurt for whatever he can be hurt a boy
should know his dad he just gets angry
which is what men do best darl
when you get down to this Primal level
of a dystopian world just go people
certainly tend to adopt the most cliche
versions of
themselves his selfish and self-
obsession is his
downfall the journey to wash aore is was
such a big Journey he's got to take a
minute to sort of figure it
out
he RS in France wearing the costume that
he's been last seen in uh the finale of
season 11 the iconic blue winged vest
the vest makes its way over here it just
is in bad shape everything on me is in
bad shape my clothes are ripped
everything that I have with me is pretty
much
destroyed see we had to make this
beautiful iconic item into something
completely unwearable to justify the
fact that we're going to give him a
French look we painted the result of a
SE salt drying for days wetting drying
then we painted the wings and by fading
the paint on the wings and then we we
went at it with a cutter so so that he
would never feel like wearing his rest
again my first idea was um we have to
get him into a is never wor before for
sure we've never seen him in blue it's
quite ionic France on the boat when he
arrives he finds a blue Pono hey you
American guy and then when he gets
attacked on the road very quickly he
finds himself rescued by the
nuns all of my wardrobe is from an old
priest this is per we are waiting for
him to rise again he's dressed with per
old clothes B being his character in VI
who has become a zomie and so his
clothing are being shared he's the only
male that lived there so I end up
incorporating his wardrobe into my
wardrobe yeah we should probably have
some it one of the things that David's
able the showrunner had said was we got
to find a castle because we have to have
a moat filled with
zombies
we had 80 zombies uh in the moat and we
shot over four
days that looks great that going be good
we have our hero closeup makeups we have
our mid-ground masks we have our
background printed masks I brought
several people from the United States
that were part of my makeup team on The
Walking Dead and and then I found a lot
of fantastic local makeup artists who
have sort of been indoctrinated into the
family so if we have some that are
grabbing here here and then some of the
bigger ones could be up there in this
instance we wanted to just make sure
that the shots that we did in the mod
look like it was filled from every
direction for vfix we have all the blue
screens when we are doing the editing
and we can add crowds of zombies adding
blood adding stuff maybe adding some
blood on the camera lens we will be
there if needed get back there is a
signature Moment In The Walking Dead
anytime any character is killed by
zombies the disembowelment you
know you want to see that ripping senu
and muscle so he's actually dangling
like a
pinata and then the zombies grab him and
start to devour his legs and pull him
down and start to tear him apart so we
designed a dummy that we could tear the
stomach open and pull all these fig
intestines out and then what we did was
we put uh bite Prosthetics on the
actor's legs one the high part of his
leg and one uh and his calf that were
pre-rigged so that a zombie could bite
into it we would pump blood and you'd
see the muscle in the skin rip so it's
something that Walking Dead audiences
have come to expect no no
no everything has a poetic nature to it
although it can be brutally Savage
it's been a lot of
fun that was a great day it was the
first I think scene that we did that
involved a lot of
zombies and
explosives for shooting the propan tank
we have a huge team working there
actually you see the zombies and then we
blow them up with old antique rifles we
will be enhancing all of this with CGI
to make the propine tanks fly directly
in front of the
camera so we have a way of doing things
and the French crew has a way of doing
things and I think what's fun is we're
both learning from each other and I've
been really impressed the team has been
fantastic it's very good
we're always really looking for uh new
and different ways to portray the
zombies in this universe uh the Daryl
Dixon show gives us a unique perspective
because the European flare and the
European flavor is something that allows
us to be a bit more artistic and a bit
more
creative like a
show so there's a sequence where there's
a conductor who has has actually
modified zombies to be performers in
this little symphony that he's set up
it's an interesting scene that sort of
came from the minds of our our writer
David zel and his team we have to create
musicians to be in this Orchestra for
this crazed and I would say desperate
conductor who's yearning to put an
orchestra back together you see music
cure it lives heav now it still lives
our department in conjunction with
Clovis the production designer came up
some really beautiful concept art we
were able to really do something a
little different you know having zombies
with its arms broken that was able to
bang on a Gong and we had other zombies
that had trumpets shoved down their
throat we had a zombie head that was
swinging back and forth in a harp so it
was something really really outrageous
you fired up oh no I use some buts for
um
amplification the radio's been
repurposed as a stereo and of course
it's very disconcerting for darl and
Isabelle who who who've come to find a
radio and find instead the zombie
Orchestra that's a stupid
detour you did it your way now we're
going to do it
mine I'm going to
Paris you hear that Miss Paris
crying
come this set is our camp Hey voila home
sweet home and he did amazing job
because this set is in the studio but
the thing is it looks like it outdoor
our
Garden Palo is an artist and he lives
with an underground group of
people and they are self-sufficient and
they're trying to do their best to
survive and the history behind
everywhere that we're going it Blends
very well into the story where are we
the cath comes brother among the remains
of the 6 million who died in laest Noir
the Black Death there's a really great
line from
where he says uh this is this is France
oh here we surviv many
apocalypses we we survive this one too
history is entwined with what's going on
with the
plot as fun come back as
fun we just always remember the
resistance and the occupation so it just
remind us that what happened in the past
may come again I love that tribute that
David and his team have weaved in to the
French
Resistance and to Heroes who have
actually been there good luck you too
thank
you okay's shoot so today we are
shooting at UT Beach it's particular
place for the cultural exchange between
France and United
States action it has this sort of old
Battlefield
rustic traditional feeling here that you
don't have in the United
States the cemetery where darl will
discover his uh grandfather
Tom we will just dress a little part
where darel will work and then we will
enlarge all the cemetery and adding a
lot of graves it's a huge part of the
vfix to be unseen if our job is well
done then you won't see
it he's heard stories of his grandfather
but finding those Graves there he sort
of realizes where he is and then he sort
of frantically starts looking for these
names and then he finds it and it sort
of hits some who that is so there's a
moment of sadness but then there's also
I'm not going to be you I'm not going to
destroy the family I have back home by
being you so there's like resentment
there as well even though the guy's a
hero but it just sort of makes him walk
faster to the boat hey we are shooting D
living and we will have the huge fight
with all the zombies in the
Hills I like the fight through the
walkers on the way to the water because
it was like one foot in front of the
other determined determined determined
you know it wasn't like a normal fight
that you see on the shows but it's great
I love
it if there is a deal to be made this is
the place Isabelle when she reaches
Paris with Daryl and Lon and syv they
end up in a place called The Dy the
flame of lavid still Burns in the
dyon which is this like crazy
underground cab and I think we were all
kind of as Amazed by it as our
characters were people find all sort of
things
here you help us now we help you you
walk into sex and heathenism but also
Beauty it's walking into Quinn's brain
how
that actually at the beginning in was
supposed to be in the catacombs not in a
sewer and I spoke with David made
drawings I've showed him some stuff and
well here we are now it's the kind of
thing that only Quinn could do would be
to say the world is ending I think I'm
going to start an underground nightclub
he's more at home underground than he is
above it Queen Is AA I collect all sorts
of things by the time he's at his height
when we meet him he's collected out in
the streets everything that you could
think of that's of value he's got it
can't believe You' never heard one of
those looks a bit
old an old one is better than none at
all in art Department including set
decoration art Department designers we
are about 150 people working on that
show which is enough to make those great
sets for this specific set we took three
months we started from ground from zero
and we built everything here on the
demim and on Queen Banker CU a such a
place do not exist in real life this is
where the generals HD away during World
War II good
B I like the idea of making the
beautiful sexy Cabaret in a sewer and
transform it into this weird and yet a
sexy place there's debauchery and danger
but also elegance and beauty and art all
trapped in the caves of the
catacomb those will be
those Paloma who won rupal's drag race
France was performing
there and I'm a huge drag race Watcher
I've seen them all so I was kind of
geeking out there being in drag is a
pain everything is painful most
difficult part is the the PS in my back
which are very heavy I've been on drag
race I can do everything
now watching L's performance was really
beautiful everything on my look is very
uh FES in the eyes and the the finger
wavs classic
glamour we don't have a lot of chance in
France to play in big am Hollywood
production for an actor and for dragman
like
a big dream I
think
[Applause]
I think that's such a different look
than things we've seen it was very
colorful and it was awesome to film that
old school mixed with uh apocalyptic
that was such a a ciray moment in the
middle of the darkness I thought it was
awesome every time I pass the Eiffel
Tower in real life I have to take a
picture of it I don't know why I have a
thousand Pi of it
now looks like I got the tip knocked off
of them it must be magical to stand
under it and look up at the sky the
Eiffel tower has a special twist to it
cuz it's broken in half and at night the
wind will pick it up a little
bit when the winds blow the metal grows
that sort of is the feeling of the world
here at the
moment
the scene at the base of the Eiffel
Tower is a great action
sceney so here we are in parl in sanlu
it's in the suburb of Paris we are
recreating the Shand Mar that's why
we're here because it's the same kind of
garden with the same Alle the same trees
and where we can put the F Tower the art
department just didn't amazing work so
for this set we just established this
white blue screen it's one of the
biggest we've done in Paris outside the
main idea is we have a hord of zombie
like thousands of zombie under the the a
Tor and it's so fun I bring the F to the
zombies and the zombies to the
F the set was really
amazing and the Walkers were coming up
to me and then surrounding me it was
kind of funny cuz there were kind of
making funny faces cuz we weren't really
in the sh they just saw the exterior of
the Walkers surrounding
me today you died watching The Gladiator
scenes was
incredible the crew really has brought a
unique sensibility to the show the way
they shoot things here it's very
different than the way that we've done
it in the state so for me it's exciting
to watch the tools that they use and see
the way that they compose shots which
makes the show feel unique very good we
pick it up from this moment Dan paral
who was the director of the episode was
very keen to collaborate making sure
that this didn't feel like a sequence
that we had seen before the whole thing
is theater for the masses it needs to
feel like a post-apocalyptic
gladiatorial combat I ain't going to be
in here the way the spotlights came in
it done one 2 free they're panning from
Walker to Walker and the crowds yelling
and screaming and as we see these
zombies being altered by the injection
of this fluid it sort of amps everything
up find by braking just by break now
this is the first time The Walking Dead
has done superpowered Walkers so so they
move really really fast it's always
challenging to cast uh zombie performers
because the aesthetic is they're rotting
corpses so you imagine that they're
thinner they look more skeletal I think
in the early incarnation of the script
and they talking about Uber zombies some
of the people that they auditioned were
like 6'4 they look like the rock it says
super strong Uber zombies but you don't
want them to be muscular they're still
corpses they're corpses that have been
chemically altered something we've never
done on The Walking Dead Before darl
Dixon has spent his whole life fighting
Walkers that Lumber around like this and
now now he's having to fight from the
run at him it's a whole new experience
it's wild to fight walkers in the
Gladiator battle that move like they do
and the stunt team here is phenomenal
they give it up 200% every single take
they're just like so in it biggest
challenge is to have two people fighting
together chained together it's you
against me then eh darl is experienced
and knows how to kill these things Quinn
is not experienced in killing these
things but he's not a coward and so how
would they fight it's very Scrappy for
Quinn and Daryl manages to maneuver it's
a ballet between camera directors actors
stunt people special effects well Norman
and Adam want to do all their own starts
they want to do all their own fighting
you know there was barely a moment here
where they weren't doing your own
fighting and when they did I was just
giving them a break it's exhausting I'm
glad I was chain to Norman I can think
of other people in my life I'd rather
not be chainu they were doing these long
set choreograph pieces and nail it both
fantastic fantastic physical access it's
a really fun way to work 3 2
1 the hardest part was throwing the head
in the right spot from across the room
but I thought my aim was a little better
but it took me like 10 dve at one point
I threw it in the head landed right in
some guy's lap and he was like a which
was great but it wasn't
right and then at one point I threw it I
threw at J and she went to catch it so
the head was there and we kind of played
with it you know we made pictures and
stuff was clearly a caret you know or
dummy and I got
afraid it's a very bad day for her it
starts really
well and ends up not so
good that gladiator battle was the most
fun to film the days that we shot that
gladiator walkers scene was a huge day
for me was a dream coming true being on
the set of The Walking Dead all right
here more
Jeff I hope the fans love
it it was a gross fun exhausting day
which are my
favorite that location M Michelle's it's
just
magnificent
we are on a little island there's a real
medieval vibe in the streets shooting at
Mami Shadow was really beautiful it was
an amazing place and the view was great
and we had loads of fun when they
arrived at the nest there's this big
feeling of we did it we
succeeded the whole first season they're
trying to get to this mysterious place
and at the end of the season they find
it welcome to the nest I'm
loang you French now
Hoboken for a character like loang it
just really appeals to me because first
of all he's Asian in appearance and yet
he's speaking French and then he's a
Buddhist monk but he now Embraces
Catholicism and Judaism and
Hinduism God does not exist unless we
believe in God there's a great faith
that salvation is near and that they
just have to hold on and they have have
to tow the line and if they can do that
then they can be present and in service
of a return to the way things used to be
I like it
here yeah kind of gross on it feels like
home we've talked about the nest so much
throughout the season and to finally
meet all the characters at the nest was
great I got family waiting for me back
home you've got people here who hope
you'll stay I think the arrival of
finally getting this kid where he has to
go and Daryl having to make a decision
where he's grown very fond of these
people and sort of feels a
responsibility and a and a sense of
family here and he don't know if he
wants to admit it it isn't my fight
maybe the fight's not the reason you're
torn sometimes when a person leaves
home he comes to find he belongs
someplace
else the thing that loang sees is that
Daryl has an ability to love
which is something that I don't even
think Daryl acknowledges and I think
Daryl has a wonderful influence he
breaks the cycle and allows Laur to just
be a kid we're so lucky to have the
opportunity to shoot in a place like M
Melle I believe it's the first
non-french production to have the
opportunity to shoot there the monelle
has been restored for cultur purpose so
we will remove the bridge we will remove
the scaffoldings and we will make
everything feels like the M Mel is
living during the apocalypse you have
this beautiful Jewel in Western France
it has a Mystique about it and so to
take this group The Nest and to put them
there it's a great match story-wise it
just sort of enhances the mystery and
the Majesty of the place it just adds an
air of authenticity and makes it so much
easier to to do your job as an actor to
inhabit the space in the world because
you have this amazing
place to get to the top of that place
you climb stairs for like an hour and a
half there's no escalator or elevator in
that spot and you're so tired it's the
sort of spiral the Cathedral at the top
of the mam shell was really big and cold
and they were telling me at the top oh
there's a few fans there and I was like
oh it's cool but I did not expect to see
the spiral road all the way down the
mountain full of people that was crazy
there was a Quee of like 3,000 people
there it took me a long time to get in
the
car but other than that it was
great hello are you
there hello hey it's me Daryl are you
okay I'm hoping when they hear a Carol's
voice on the other end of that radio
they're going to be surprised Melissa
has been part of the show since before
the first script was written looking for
a friend of mine nam's Daryl Dixon I got
out here before you got out here and I
knew you were coming but I couldn't say
you were coming you got the ball rolling
in a really big way yeah we're supposed
to like keep it a secret yeah so I was
just H up in a hotel room
oh six weeks I was visiting the Eiffel
Tower I was going to restaurants right
yeah you were hiding and I'm like
wearing hats and sunglasses and just
staying in and yeah hoping nobody sees
me yeah I'm happy that you're here how
does it feel coming back it feels
exciting it feels strange and it feels
very
familiar easy lady where'd you get the
bike I think the most important thing
was really Carol's heads space she
needed her friend and she needed to know
that he was okay if you're lying I won't
be back that sort of gut feeling is
something that reverberates inside of
her and she in Very Carol fashion goes
to figure it out I think that she will
be true to her character and there are
always changes coming with her she's
holding something
back to be able to continue as a
producer director and creative on the
show with Norman has been an absolute
dream come true it's a complete reset
for us this show has scale that we've
never seen where the other show was Time
Square this is like candl
light everything is working you know
which is how the original Walking Dead
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felt
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