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NARRATOR: Chichen Itza,
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one of Mexico's
main historic sites
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is the sacred city
of the ancient Maya civilisation.
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is the sacred city
of the ancient Maya civilisation.
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- It's the centre of the world,
the universe!
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NARRATOR:
Precisely constructed monuments
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with thousands of
colourfully sculpted decorations
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with thousands of
colourfully sculpted decorations
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make these remains unique.
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- I think there's nowhere like it
in today's world!
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- I think there's nowhere like it
in today's world!
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- They mastered not only
the beauty in architecture
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but the practical side of it,
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it's very impressive!
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it's very impressive!
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NARRATOR: Over 800 years ago,
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the builders of Chichen Itza,
masters of geometry and astronomy,
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the builders of Chichen Itza,
masters of geometry and astronomy,
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created a whole new
architectural style.
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- There's a shadow effect,
it looks like the body of a snake!
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NARRATOR:
These mysterious structures
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are marked by a little-known history
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and hide the secrets
of an elaborate religion.
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and hide the secrets
of an elaborate religion.
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- Each of these elements tells us
what the Maya worldview was
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and how they understood time.
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NARRATOR: How did the Maya
design such a large city
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with such refined decorations?
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Who were the priest
and warrior architects
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behind the splendour and magic
of Chichen Itza?
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- Inside, there is a solid block
with a small spiral staircase.
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- Inside, there is a solid block
with a small spiral staircase.
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- I don't believe in coincidence.
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If they built it there,
it was because they knew something!
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NARRATOR: With the latest technology
used by archaeologists,
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we'll X-ray these bodies of stone,
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we'll X-ray these bodies of stone,
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revealing their hidden structures
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and the genius of the builders
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who created
the mystic city of the Maya!
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who created
the mystic city of the Maya!
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An unusual atmosphere reigns
in this Central American forest.
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An unusual atmosphere reigns
in this Central American forest.
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These imposing stone constructions
seem to cast a spell...
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..and take you back in time.
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- You feel an energy
that's hard to describe.
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I've been to places
that scared me a bit
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I've been to places
that scared me a bit
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and, well, sometimes
I leave offerings for protection
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because yes, it's a bit intense!
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NARRATOR: The impressive,
enigmatic remains of Chichen Itza
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are a portal to
the mysterious Maya civilisation...
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are a portal to
the mysterious Maya civilisation...
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..one of the most
technically advanced
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but also most mystical civilisations
in this part of the world.
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but also most mystical civilisations
in this part of the world.
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This immense archaeological site
covers almost 20 square kilometres.
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This immense archaeological site
covers almost 20 square kilometres.
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Located in Mexico's
Yucatan Peninsula,
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Chichen Itza developed
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in the northeast
of the ancient Maya territory
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in the northeast
of the ancient Maya territory
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in Central America.
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The centre of the city
is littered with unusual monuments
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thousands of years old.
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thousands of years old.
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The Temple of the Warriors
and its hundreds of columns,
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the Caracol with its circular shape,
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a first in Maya architecture,
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a first in Maya architecture,
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or the Castillo,
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a pyramidal temple
and centre of the whole city.
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The main superstructures
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were built on
a 240,000 square metre esplanade
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three times the size of Paris'
Place de la Concorde.
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- These areas,
like any other town here,
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were the seat of political,
economic and religious institutions.
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were the seat of political,
economic and religious institutions.
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But there's also
the countryside beyond,
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where there were
smaller communities,
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small huts where families lived
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and where most of the food
consumed by the city was produced.
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- The monuments are very large.
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Massive amounts of work, energy
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Massive amounts of work, energy
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and materials
were needed to create them.
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It's an extremely important site
for Maya culture.
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It's an extremely important site
for Maya culture.
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NARRATOR:
In the 11th and 12th centuries AD,
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NARRATOR:
In the 11th and 12th centuries AD,
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tens of thousands of inhabitants
made Chichen Itza an urban centre
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in the heart of the forest,
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the political and economic capital
of the Yucatan region
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the political and economic capital
of the Yucatan region
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with a wide
spiritual and cultural influence.
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- We know that from a long time ago
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- We know that from a long time ago
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people would come
from different places,
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distant places
all the way to South America.
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distant places
all the way to South America.
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So, imagine in Mesoamerica
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the importance that place have
for people doing peregrinations
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and all these trips.
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and all these trips.
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- This is a very different site
from the others.
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It stands out, of course,
because of its vast size
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It stands out, of course,
because of its vast size
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and there are buildings
you don't see on Maya territory
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from other eras.
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NARRATOR: Why was this city
so important and so special
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to the Maya?
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Was there another reason to create
this unique architectural site?
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Was there another reason to create
this unique architectural site?
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Here, unlike other Maya cities,
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the inhabitants
left no written historical record.
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the inhabitants
left no written historical record.
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Archaeologists
must dissect the remains
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to unlock the secrets
of Chichen Itza.
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The Castillo,
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so named by the 16th century
Spanish conquistadors,
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so named by the 16th century
Spanish conquistadors,
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is the builders'
most impressive legacy.
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This nine-level pyramid
and its temple
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This nine-level pyramid
and its temple
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reach a height of 30 metres.
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With a base
55 and a half metres square,
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it stands out
for its balanced proportions
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it stands out
for its balanced proportions
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and symmetrical shape.
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It's not the tallest
Maya construction
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but the recently restored pyramid
is now popularly considered
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one of
the Seven Wonders of the World.
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Since its 19th century rediscovery,
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the Temple of Kukulkan is, however,
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the Temple of Kukulkan is, however,
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not the Chichen Itza structure
which most intrigues archaeologists.
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The building that has long puzzled
them the most is the Caracol,
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Spanish for snail.
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- The Caracol structure
is an unusual building.
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First of all, it has a round roof,
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First of all, it has a round roof,
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which is unusual in the Maya area.
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It's a round building.
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And also because you can see
different parts of the sky.
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And also because you can see
different parts of the sky.
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NARRATOR: Set on
a large rectangular terrace,
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this circular building
is even more surprising inside
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this circular building
is even more surprising inside
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as Marco Santos Ramirez,
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the archaeological site's director
explains...
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- The inside is a solid block
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with a small spiral staircase
to the upper part
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with a small spiral staircase
to the upper part
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formed from a type of vault
built by the Maya
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which made tall structures possible.
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NARRATOR:
In the middle of the platform,
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the 11-metre-diameter tower
encloses two circular rooms
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the 11-metre-diameter tower
encloses two circular rooms
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around a central core.
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This core was the base
for a staircase
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This core was the base
for a staircase
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built out of the stone
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to reach
another small vaulted chamber
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now gone.
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The tower's four entrances
face the four points of the compass
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The tower's four entrances
face the four points of the compass
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but slightly offset
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so that the structure
precisely aligns with the sun
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so that the structure
precisely aligns with the sun
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at the summer and winter solstices.
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- There's a series
of doors and windows
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- There's a series
of doors and windows
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through which
you can see the horizon.
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If the evening sun
comes through here
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and forms a line of light
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and forms a line of light
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it means it's the summer solstice.
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NARRATOR: The key element
of this complex architecture
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is the Maya arch.
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- This is the Maya arch
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built out from these large walls.
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That's where the axial forces
are directed
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That's where the axial forces
are directed
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and that's what makes it possible
to reach great heights
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and then bring them together!
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NARRATOR: The Maya arch
is an ancestral technique
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in which blocks of stone
are stacked in a staggered way
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to bring them
progressively closer together
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to bring them
progressively closer together
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above the walls
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and form
these large triangular vaults.
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Weight is then transferred
vertically to the ground
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Weight is then transferred
vertically to the ground
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without pushing outwards.
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This technique
gives high but narrow rooms,
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This technique
gives high but narrow rooms,
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meaning the walls
have to be very thick.
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- These other blocks
gave stability to the walls here.
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- These other blocks
gave stability to the walls here.
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So, with this type of architecture,
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they would create
this great building,
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one of the most recognisable
in Chichen Itza.
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one of the most recognisable
in Chichen Itza.
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NARRATOR: Built through the wall
just above the vaults,
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NARRATOR: Built through the wall
just above the vaults,
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the spiral staircase went up to
a floor where windows were cut
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to observe the planet Venus...
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..for this mysterious
round structure
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built to align with
the course of stars and planets
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built to align with
the course of stars and planets
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is much like
an astronomical observatory.
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From the Caracol,
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From the Caracol,
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the Maya had a 360-degree view
of the movement of the sun,
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the moon, Venus
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and a whole series
of constellations.
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00:10:00,000 --> 00:10:01,320
and a whole series
of constellations.
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The builders of Chichen Itza
were experienced astronomers,
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certainly the most advanced
of their time.
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certainly the most advanced
of their time.
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- It's incredible to see
how the ancient Maya designed,
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perfected and built a building
over a thousand years ago
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perfected and built a building
over a thousand years ago
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that's very similar
to today's observatories
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with the same features.
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with the same features.
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- Astronomy
is one of the first sciences
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that was dominated by the Mayas,
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not only for the calendar
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but also in a way
of laying out their cities.
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For a long time,
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the Mayas were called
the skywatchers culture
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the Mayas were called
the skywatchers culture
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because they were so knowledgeable
about the universe
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that they were able
to place structures
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exactly with the alignment
of the stars
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exactly with the alignment
of the stars
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00:10:48,880 --> 00:10:50,680
and the planets
that they really wanted
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00:10:50,840 --> 00:10:51,960
and that's amazing!
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NARRATOR: Thanks to their
meticulous observation of the sky
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00:10:55,920 --> 00:10:56,000
and mathematical skills,
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and mathematical skills,
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00:10:57,840 --> 00:11:00,600
the Maya were able
to accurately measure time.
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00:11:01,520 --> 00:11:03,280
They used several calendars,
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all interconnected,
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all interconnected,
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and with some similarities
to our own system of time.
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00:11:08,720 --> 00:11:10,240
The beginning of time,
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00:11:10,400 --> 00:11:11,400
the Maya zero,
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00:11:11,560 --> 00:11:12,000
corresponds to
the 11th of August 3113 BC.
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00:11:12,000 --> 00:11:16,360
corresponds to
the 11th of August 3113 BC.
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00:11:16,520 --> 00:11:20,000
With each cycle
lasting 5,125 years,
253
00:11:20,000 --> 00:11:20,560
With each cycle
lasting 5,125 years,
254
00:11:20,720 --> 00:11:24,720
the first one ended
on the 21st of December 2012.
255
00:11:25,560 --> 00:11:28,000
The Maya also counted the days
in a solar year
256
00:11:28,000 --> 00:11:28,200
The Maya also counted the days
in a solar year
257
00:11:28,360 --> 00:11:32,480
using a 365-day calendar
similar to our own.
258
00:11:32,640 --> 00:11:35,320
Finally, they used
the sacred calendar
259
00:11:35,480 --> 00:11:36,000
common to all the civilisations
of pre-Hispanic Central America
260
00:11:36,000 --> 00:11:39,120
common to all the civilisations
of pre-Hispanic Central America
261
00:11:39,280 --> 00:11:42,080
which counted
13 months of 20 days each.
262
00:11:42,240 --> 00:11:44,000
This 365-day division of time
263
00:11:44,000 --> 00:11:45,080
This 365-day division of time
264
00:11:45,240 --> 00:11:47,480
is inscribed
in Chichen Itza's stone.
265
00:11:48,960 --> 00:11:51,720
The Castillo is like
an open-air ephemeris,
266
00:11:51,880 --> 00:11:52,000
a book of astronomical charts.
267
00:11:52,000 --> 00:11:53,760
a book of astronomical charts.
268
00:11:53,920 --> 00:11:56,080
There are 365 steps,
269
00:11:56,240 --> 00:11:59,360
91
on each of the four side staircases
270
00:11:59,520 --> 00:12:00,000
plus the last step
to enter the temple...
271
00:12:00,000 --> 00:12:02,080
plus the last step
to enter the temple...
272
00:12:03,480 --> 00:12:07,600
..and 52 decorative panels
on the pyramid's four sides
273
00:12:07,760 --> 00:12:08,000
marking the conjunction
of the sacred and solar calendars
274
00:12:08,000 --> 00:12:10,840
marking the conjunction
of the sacred and solar calendars
275
00:12:11,000 --> 00:12:13,080
exactly every 52 years.
276
00:12:17,520 --> 00:12:19,520
- So, there are many
symbolic numbers like that
277
00:12:19,680 --> 00:12:22,720
spread throughout the architecture
and the decoration of the building
278
00:12:22,880 --> 00:12:24,000
which makes it
a very special construction
279
00:12:24,000 --> 00:12:25,120
which makes it
a very special construction
280
00:12:25,280 --> 00:12:28,840
and extremely symbolic
of the Maya concept of time!
281
00:12:35,480 --> 00:12:37,760
NARRATOR: All of
the architecture of the Castillo
282
00:12:37,920 --> 00:12:39,600
is determined by astronomy.
283
00:12:40,560 --> 00:12:44,480
Another example is how builders
moved the pyramid's north face
284
00:12:44,640 --> 00:12:46,520
some 15 degrees to the east.
285
00:12:46,680 --> 00:12:48,000
Twice a year,
in September and March,
286
00:12:48,000 --> 00:12:49,280
Twice a year,
in September and March,
287
00:12:49,440 --> 00:12:52,760
this precise alignment
produces an impressive effect.
288
00:12:58,240 --> 00:13:01,440
- El Castillo
is not only a beautiful structure,
289
00:13:01,600 --> 00:13:03,680
it's also an equinox marker.
290
00:13:03,840 --> 00:13:04,000
You know that,
at certain times of the year,
291
00:13:04,000 --> 00:13:06,200
You know that,
at certain times of the year,
292
00:13:06,360 --> 00:13:09,520
it's so well-planned
and so well-designed
293
00:13:09,680 --> 00:13:12,000
that the staircases,
that they have snakes around...
294
00:13:12,000 --> 00:13:12,840
that the staircases,
that they have snakes around...
295
00:13:13,000 --> 00:13:16,520
You can see, actually,
the sun moving
296
00:13:16,680 --> 00:13:19,120
and it's
a very impressive visual effect
297
00:13:19,280 --> 00:13:20,000
to see how this snake comes down.
298
00:13:20,000 --> 00:13:21,600
to see how this snake comes down.
299
00:13:23,320 --> 00:13:25,840
- I imagine that
when it was being built
300
00:13:26,000 --> 00:13:27,080
they made a model
301
00:13:27,240 --> 00:13:28,000
to work out mathematical alignment
of the temple
302
00:13:28,000 --> 00:13:30,000
to work out mathematical alignment
of the temple
303
00:13:30,160 --> 00:13:31,640
to achieve this effect.
304
00:13:34,200 --> 00:13:35,440
It's a shadow effect
305
00:13:35,600 --> 00:13:36,000
which seems to mimic
the body of a snake.
306
00:13:36,000 --> 00:13:38,000
which seems to mimic
the body of a snake.
307
00:13:42,360 --> 00:13:44,000
NARRATOR: This snake is Kukulkan,
308
00:13:44,000 --> 00:13:44,720
NARRATOR: This snake is Kukulkan,
309
00:13:44,880 --> 00:13:46,760
the feathered serpent god.
310
00:13:48,440 --> 00:13:52,000
- At certain times of the year
the god Kukulkan would descend.
311
00:13:52,000 --> 00:13:52,480
- At certain times of the year
the god Kukulkan would descend.
312
00:13:53,600 --> 00:13:56,680
He would come down the Castillo
all the way down to the ground.
313
00:13:58,560 --> 00:14:00,000
- Imagine that effect
in the Maya society at that time.
314
00:14:00,000 --> 00:14:02,400
- Imagine that effect
in the Maya society at that time.
315
00:14:03,480 --> 00:14:04,640
It must have been impressive!
316
00:14:07,440 --> 00:14:08,000
NARRATOR: Today,
317
00:14:08,000 --> 00:14:08,440
NARRATOR: Today,
318
00:14:08,600 --> 00:14:11,840
this play of light and shadow
is watched by crowds of tourists.
319
00:14:12,800 --> 00:14:14,640
More than 800 years ago,
320
00:14:14,800 --> 00:14:16,000
this effect conferred immense power
on the priests of Chichen Itza.
321
00:14:16,000 --> 00:14:18,680
this effect conferred immense power
on the priests of Chichen Itza.
322
00:14:19,920 --> 00:14:21,360
Thought to be masters of time
323
00:14:21,520 --> 00:14:23,800
and able to communicate
with the gods,
324
00:14:23,960 --> 00:14:24,000
the priests looked down
from the pyramid temple
325
00:14:24,000 --> 00:14:26,880
the priests looked down
from the pyramid temple
326
00:14:27,040 --> 00:14:30,000
on ceremonies
attended by tens of thousands
327
00:14:30,160 --> 00:14:31,520
to the glory of Kukulkan.
328
00:14:34,160 --> 00:14:36,840
The god of resurrection
and reincarnation,
329
00:14:37,000 --> 00:14:39,520
his return
heralds the end of the world.
330
00:14:40,440 --> 00:14:43,600
Kukulkan is a major divinity
in Maya mythology,
331
00:14:43,760 --> 00:14:45,800
although his cult took hold late,
332
00:14:45,960 --> 00:14:47,680
around the year 1000.
333
00:14:49,040 --> 00:14:50,320
The builders of Chichen Itza
334
00:14:50,480 --> 00:14:53,240
used their knowledge
of astronomy and mathematics
335
00:14:53,400 --> 00:14:56,000
to measure time
and determine agricultural seasons
336
00:14:56,000 --> 00:14:57,160
to measure time
and determine agricultural seasons
337
00:14:57,320 --> 00:14:59,360
both to honour Kukulkan
338
00:14:59,520 --> 00:15:03,520
and to organise sacred rituals
reserved for the bravest warriors.
339
00:15:04,720 --> 00:15:07,000
Very close to the Castillo
is a structure
340
00:15:07,160 --> 00:15:08,920
typical of the Maya civilisation,
341
00:15:09,080 --> 00:15:10,200
a ball court.
342
00:15:12,520 --> 00:15:13,520
- In Mesoamerica,
343
00:15:13,680 --> 00:15:16,840
a ball court always takes the form
of two long parallel structures
344
00:15:17,000 --> 00:15:19,280
marking out a central playing area.
345
00:15:22,000 --> 00:15:23,920
NARRATOR:
The rules of this game aren't known
346
00:15:24,080 --> 00:15:26,160
though it wasn't a sport
as we know it,
347
00:15:26,320 --> 00:15:27,760
rather a bloody confrontation
348
00:15:27,920 --> 00:15:28,000
which ended with the losing team
being sacrificed
349
00:15:28,000 --> 00:15:30,920
which ended with the losing team
being sacrificed
350
00:15:31,080 --> 00:15:32,640
in the centre of the arena.
351
00:15:32,800 --> 00:15:34,160
- We call it a game
352
00:15:34,320 --> 00:15:36,000
but in reality
it was a ritual practice!
353
00:15:36,000 --> 00:15:37,520
but in reality
it was a ritual practice!
354
00:15:38,960 --> 00:15:40,120
NARRATOR: For the Maya,
355
00:15:40,280 --> 00:15:43,160
this religious ritual
symbolised the daily battle
356
00:15:43,320 --> 00:15:44,000
between day and night,
life and death.
357
00:15:44,000 --> 00:15:46,440
between day and night,
life and death.
358
00:15:47,280 --> 00:15:49,440
Two teams of warriors
faced each other
359
00:15:49,600 --> 00:15:52,000
using a ball made of rubber
symbolising the sun.
360
00:15:52,000 --> 00:15:52,600
using a ball made of rubber
symbolising the sun.
361
00:15:55,080 --> 00:15:57,360
- There are rings
attached to the side walls...
362
00:15:58,720 --> 00:16:00,000
And one aspect of the game
363
00:16:00,000 --> 00:16:00,360
And one aspect of the game
364
00:16:00,520 --> 00:16:02,520
was to pass the ball
through these rings.
365
00:16:05,520 --> 00:16:07,080
NARRATOR: These rings are special,
366
00:16:07,240 --> 00:16:08,000
as are the dimensions
of the Chichen Itza site.
367
00:16:08,000 --> 00:16:09,680
as are the dimensions
of the Chichen Itza site.
368
00:16:13,320 --> 00:16:16,000
Chichen Itza's ball court
is 168 metres long
369
00:16:16,000 --> 00:16:16,680
Chichen Itza's ball court
is 168 metres long
370
00:16:16,840 --> 00:16:18,880
and 79 metres wide,
371
00:16:19,040 --> 00:16:21,360
roughly the size of
a modern football stadium.
372
00:16:24,560 --> 00:16:28,120
The elite watched from the temples
to the north and south
373
00:16:28,280 --> 00:16:32,000
while the public stood on the two
eight-metre-high side platforms.
374
00:16:32,000 --> 00:16:32,160
while the public stood on the two
eight-metre-high side platforms.
375
00:16:34,240 --> 00:16:36,280
The last temple
on the eastern platform
376
00:16:36,440 --> 00:16:38,360
was occupied by the priests,
377
00:16:38,520 --> 00:16:40,000
its entrance framed
by two enormous columns
378
00:16:40,000 --> 00:16:41,240
its entrance framed
by two enormous columns
379
00:16:41,400 --> 00:16:44,040
each with an effigy
of the feathered serpent god.
380
00:16:48,000 --> 00:16:51,560
- The ball court at Chichen Itza
is unique in terms of its size
381
00:16:51,720 --> 00:16:52,720
and scale,
382
00:16:52,880 --> 00:16:55,600
which is virtually unrivalled
in the Maya area.
383
00:16:57,280 --> 00:16:59,880
- They mastered
not only the beauty in architecture
384
00:17:00,040 --> 00:17:01,960
but the practical side of it,
385
00:17:02,120 --> 00:17:03,760
it's very impressive!
386
00:17:07,640 --> 00:17:09,280
NARRATOR: An arena of this size,
387
00:17:09,440 --> 00:17:11,600
designed for several hundred
spectators,
388
00:17:11,760 --> 00:17:12,000
needed considerable stonework.
389
00:17:12,000 --> 00:17:13,400
needed considerable stonework.
390
00:17:21,160 --> 00:17:24,880
The base of the two stepped walls
is around ten metres wide.
391
00:17:25,040 --> 00:17:26,400
Beneath the carvings,
392
00:17:26,560 --> 00:17:28,000
the filling is made of
crushed stone, earth and mortar,
393
00:17:28,000 --> 00:17:30,120
the filling is made of
crushed stone, earth and mortar,
394
00:17:30,280 --> 00:17:32,480
just like the walls
of a medieval fortress.
395
00:17:33,360 --> 00:17:36,000
These two massive galleries
stretch over 95 metres in length.
396
00:17:36,000 --> 00:17:37,360
These two massive galleries
stretch over 95 metres in length.
397
00:17:47,480 --> 00:17:51,080
Most of the quarries
at Chichen Itza have disappeared
398
00:17:51,240 --> 00:17:52,000
but one has been identified
deep in the forest
399
00:17:52,000 --> 00:17:54,320
but one has been identified
deep in the forest
400
00:17:54,480 --> 00:17:56,840
which provided limestone
for the ball game site.
401
00:18:05,960 --> 00:18:07,800
- We know that the Maya
quarried stone blocks
402
00:18:07,960 --> 00:18:08,000
and limestone powder here...
403
00:18:08,000 --> 00:18:09,480
and limestone powder here...
404
00:18:10,720 --> 00:18:12,440
..also known in the region
as sascab.
405
00:18:16,440 --> 00:18:19,800
NARRATOR: Powdered limestone,
which the Maya call sascab,
406
00:18:19,960 --> 00:18:21,920
is an essential material
for building.
407
00:18:26,000 --> 00:18:29,320
- This sascab was used
to prepare mortar for stonework,
408
00:18:29,480 --> 00:18:32,000
to make plasters
and prepare stucco.
409
00:18:32,000 --> 00:18:32,720
to make plasters
and prepare stucco.
410
00:18:37,360 --> 00:18:40,000
NARRATOR: The Maya covered
all structures with this plaster
411
00:18:40,000 --> 00:18:40,040
NARRATOR: The Maya covered
all structures with this plaster
412
00:18:40,200 --> 00:18:42,720
made from sascab,
water and quicklime.
413
00:18:43,600 --> 00:18:46,520
This layer of stucco
gave the buildings a perfect finish
414
00:18:46,680 --> 00:18:47,680
and colour
415
00:18:47,840 --> 00:18:48,000
but above all
protected the stone from erosion
416
00:18:48,000 --> 00:18:50,360
but above all
protected the stone from erosion
417
00:18:50,520 --> 00:18:52,040
by making it waterproof.
418
00:18:56,480 --> 00:18:59,520
In a tropical region
where the rainy season is intense
419
00:18:59,680 --> 00:19:01,920
and hurricanes
can destroy everything
420
00:19:02,080 --> 00:19:03,520
waterproofing is essential.
421
00:19:07,080 --> 00:19:10,000
- In all the buildings
we found not just a single layer
422
00:19:10,160 --> 00:19:11,480
but a succession of them.
423
00:19:11,640 --> 00:19:12,000
The older the building, the more
layers were needed to maintain it.
424
00:19:12,000 --> 00:19:15,520
The older the building, the more
layers were needed to maintain it.
425
00:19:19,360 --> 00:19:20,000
NARRATOR: The builders needed to
put the different layers of stucco
426
00:19:20,000 --> 00:19:22,640
NARRATOR: The builders needed to
put the different layers of stucco
427
00:19:22,800 --> 00:19:24,440
on walls
eight metres from the ground.
428
00:19:33,360 --> 00:19:34,920
Like builders everywhere,
429
00:19:35,080 --> 00:19:36,000
the Maya used scaffolding
430
00:19:36,000 --> 00:19:36,880
the Maya used scaffolding
431
00:19:37,040 --> 00:19:40,320
made from tropical wood
and fixed with vines.
432
00:19:48,560 --> 00:19:50,520
- What's special
about this scaffolding
433
00:19:50,680 --> 00:19:52,000
is the vines that hold it together,
434
00:19:52,160 --> 00:19:55,400
a species called soulbatche
in the Maya language.
435
00:19:56,560 --> 00:19:58,360
As the vines dry,
they shrink and harden
436
00:19:58,520 --> 00:20:00,000
the supports for the building.
437
00:20:00,000 --> 00:20:00,040
the supports for the building.
438
00:20:00,200 --> 00:20:01,480
It's very stable
439
00:20:01,640 --> 00:20:05,240
and can take the weight of many men
and several blocks of limestone.
440
00:20:10,040 --> 00:20:11,760
NARRATOR:
To make it even more stable,
441
00:20:11,920 --> 00:20:13,840
the Maya built holes into the walls
442
00:20:14,000 --> 00:20:16,000
so that scaffolding support
could be driven into the wall
443
00:20:16,000 --> 00:20:17,160
so that scaffolding support
could be driven into the wall
444
00:20:17,320 --> 00:20:18,560
along its entire length.
445
00:20:23,080 --> 00:20:24,000
This gigantic enclosure
446
00:20:24,000 --> 00:20:25,000
This gigantic enclosure
447
00:20:25,160 --> 00:20:28,640
built using traditional
Maya masonry techniques
448
00:20:28,800 --> 00:20:32,000
is also notable for the thousands
of bas-reliefs surrounding the site.
449
00:20:32,000 --> 00:20:32,600
is also notable for the thousands
of bas-reliefs surrounding the site.
450
00:20:35,480 --> 00:20:36,960
On closer inspection,
451
00:20:37,120 --> 00:20:40,000
these ancient engravings
aren't all of the same standard.
452
00:20:40,000 --> 00:20:40,320
these ancient engravings
aren't all of the same standard.
453
00:20:42,040 --> 00:20:44,280
- The central scenes
seem to be better carved
454
00:20:44,440 --> 00:20:45,680
than the ones on the side.
455
00:20:45,840 --> 00:20:48,000
There must have been a master
who worked on the central panels
456
00:20:48,000 --> 00:20:48,520
There must have been a master
who worked on the central panels
457
00:20:48,680 --> 00:20:50,880
while his apprentices
worked on the side ones,
458
00:20:51,040 --> 00:20:53,080
rather like
the great masters of painting.
459
00:20:57,360 --> 00:20:58,920
NARRATOR: These refined frescoes
460
00:20:59,080 --> 00:21:02,120
were carved
without the use of any metal tools.
461
00:21:03,520 --> 00:21:04,000
- Limestone is a sedimentary stone
462
00:21:04,000 --> 00:21:06,040
- Limestone is a sedimentary stone
463
00:21:06,200 --> 00:21:08,240
that can be worked
with volcanic stones.
464
00:21:08,400 --> 00:21:09,520
If you use a harder...
465
00:21:09,680 --> 00:21:10,920
Like, let's say granite
466
00:21:11,080 --> 00:21:12,000
or you use andesite
467
00:21:12,000 --> 00:21:12,480
or you use andesite
468
00:21:12,640 --> 00:21:14,080
or basalt
469
00:21:14,240 --> 00:21:16,200
or any other tool that is harder
470
00:21:16,360 --> 00:21:19,920
you can really carved and cut
in the shape you want.
471
00:21:21,080 --> 00:21:23,520
NARRATOR: The Castillo
and adjacent ball court
472
00:21:23,680 --> 00:21:26,600
were constructed at the start
of the city's golden age
473
00:21:26,760 --> 00:21:28,000
from the year 1000 onwards.
474
00:21:28,000 --> 00:21:28,880
from the year 1000 onwards.
475
00:21:29,800 --> 00:21:32,280
A ritual confrontation
was held in the arena
476
00:21:32,440 --> 00:21:33,720
probably every day
477
00:21:33,880 --> 00:21:36,000
under the eyes
of the city's masters
478
00:21:36,000 --> 00:21:36,200
under the eyes
of the city's masters
479
00:21:36,360 --> 00:21:38,520
faithful to the god Kukulkan.
480
00:21:40,040 --> 00:21:43,480
The Maya considered blood
a source of divine energy,
481
00:21:43,640 --> 00:21:44,000
helping to fertilise the earth.
482
00:21:44,000 --> 00:21:45,160
helping to fertilise the earth.
483
00:21:46,080 --> 00:21:49,000
And at Chichen Itza,
human sacrifices were frequent.
484
00:21:49,840 --> 00:21:52,000
On this large platform
carved with symbols of death,
485
00:21:52,000 --> 00:21:52,920
On this large platform
carved with symbols of death,
486
00:21:53,080 --> 00:21:56,920
the skulls of the tortured
were displayed for all to see.
487
00:21:58,240 --> 00:21:59,640
But who were these builders,
488
00:21:59,800 --> 00:22:00,000
followers of Kukulkan
and bloody sacrifices
489
00:22:00,000 --> 00:22:03,040
followers of Kukulkan
and bloody sacrifices
490
00:22:03,200 --> 00:22:04,480
and who were their masters?
491
00:22:06,360 --> 00:22:08,000
Archaeologists have discovered
something about their identity
492
00:22:08,000 --> 00:22:09,360
Archaeologists have discovered
something about their identity
493
00:22:09,520 --> 00:22:10,680
thanks to a building
494
00:22:10,840 --> 00:22:13,000
they have called
the Warriors' Temple.
495
00:22:17,920 --> 00:22:19,040
These remains,
496
00:22:19,200 --> 00:22:21,880
under restoration
after centuries of looting,
497
00:22:22,040 --> 00:22:24,000
show an architecture
very untypical of the Maya region.
498
00:22:24,000 --> 00:22:25,480
show an architecture
very untypical of the Maya region.
499
00:22:26,720 --> 00:22:28,760
Located to the east of the Castillo,
500
00:22:28,920 --> 00:22:30,120
the Temple of the Warriors
501
00:22:30,280 --> 00:22:32,000
was one of the most imposing
complexes in Chichen Itza.
502
00:22:32,000 --> 00:22:33,680
was one of the most imposing
complexes in Chichen Itza.
503
00:22:33,840 --> 00:22:37,560
The structure consisted
of an 11-metre-high pyramidal base
504
00:22:37,720 --> 00:22:39,720
38 metres on each side
505
00:22:39,880 --> 00:22:40,000
topped by a building
with five vaulted rooms.
506
00:22:40,000 --> 00:22:42,920
topped by a building
with five vaulted rooms.
507
00:22:43,080 --> 00:22:45,320
A type of sculpture
called chacmool
508
00:22:45,480 --> 00:22:46,880
stood in front of the entrance.
509
00:22:47,800 --> 00:22:48,000
At the bottom
of the grand staircase,
510
00:22:48,000 --> 00:22:49,480
At the bottom
of the grand staircase,
511
00:22:49,640 --> 00:22:53,040
almost 200 columns
formed a long covered gallery
512
00:22:53,200 --> 00:22:55,120
which extended
to the south and east.
513
00:22:56,680 --> 00:22:58,440
Built at
the end of the 10th century,
514
00:22:58,600 --> 00:23:00,440
it is one of
the most recent constructions
515
00:23:00,600 --> 00:23:01,680
in Chichen Itza.
516
00:23:04,600 --> 00:23:07,080
- We don't see these buildings today
as they once were
517
00:23:07,240 --> 00:23:09,240
but as the colonnade
and the upper building
518
00:23:09,400 --> 00:23:12,000
had a large frieze
from which a vault emerged
519
00:23:12,000 --> 00:23:12,120
had a large frieze
from which a vault emerged
520
00:23:12,280 --> 00:23:15,520
we know that the spaces
must have been very large.
521
00:23:18,040 --> 00:23:20,000
NARRATOR:
These hundreds of round, square
522
00:23:20,000 --> 00:23:20,080
NARRATOR:
These hundreds of round, square
523
00:23:20,240 --> 00:23:22,280
and sometimes even curved columns
524
00:23:22,440 --> 00:23:25,360
supported the stone ceilings
over the living spaces.
525
00:23:27,600 --> 00:23:28,000
- Of course, it's hard to imagine
that it was covered
526
00:23:28,000 --> 00:23:29,800
- Of course, it's hard to imagine
that it was covered
527
00:23:29,960 --> 00:23:32,920
but there is evidence
that the ceilings weren't flat
528
00:23:33,080 --> 00:23:35,120
and all the colonnades were vaulted,
529
00:23:35,280 --> 00:23:36,000
So that might double
the height of the interior spaces.
530
00:23:36,000 --> 00:23:38,320
So that might double
the height of the interior spaces.
531
00:23:42,880 --> 00:23:44,000
NARRATOR: At the time
of the city's golden age,
532
00:23:44,000 --> 00:23:45,000
NARRATOR: At the time
of the city's golden age,
533
00:23:45,160 --> 00:23:48,600
this temple and covered gallery
close to the market
534
00:23:48,760 --> 00:23:51,480
would have housed
a military and religious centre.
535
00:23:52,560 --> 00:23:54,880
Chichen Itza
did not have great palaces
536
00:23:55,040 --> 00:23:56,960
built by powerful lords.
537
00:23:57,120 --> 00:24:00,000
The city seems to have been ruled
by a council of wise men
538
00:24:00,000 --> 00:24:00,880
The city seems to have been ruled
by a council of wise men
539
00:24:01,040 --> 00:24:03,200
perhaps governing
from the Temple of the Warriors.
540
00:24:04,720 --> 00:24:06,800
Some of the columns
still bear carvings
541
00:24:06,960 --> 00:24:08,000
describing where these leaders
came from.
542
00:24:08,000 --> 00:24:09,000
describing where these leaders
came from.
543
00:24:12,400 --> 00:24:13,760
- The name of
the Temple of Warriors
544
00:24:13,920 --> 00:24:16,000
comes from the figures
depicted on the pillars.
545
00:24:16,000 --> 00:24:16,040
comes from the figures
depicted on the pillars.
546
00:24:16,920 --> 00:24:19,480
They're holding weapons
such as a propelling bow...
547
00:24:22,160 --> 00:24:24,000
..a type of weapon
from central Mexico.
548
00:24:24,000 --> 00:24:24,120
..a type of weapon
from central Mexico.
549
00:24:25,800 --> 00:24:28,240
But now, seeing
each of these representations,
550
00:24:28,400 --> 00:24:30,280
we know that
they're not all warriors.
551
00:24:30,440 --> 00:24:32,000
Some of these figures are armed,
others are gods.
552
00:24:32,000 --> 00:24:33,520
Some of these figures are armed,
others are gods.
553
00:24:38,040 --> 00:24:40,000
NARRATOR: The weapons,
headdresses and breastplates
554
00:24:40,000 --> 00:24:40,680
NARRATOR: The weapons,
headdresses and breastplates
555
00:24:40,840 --> 00:24:41,840
engraved in the stone
556
00:24:42,000 --> 00:24:45,000
have enabled archaeologists
to trace the builders
557
00:24:45,160 --> 00:24:46,840
to 1,100 kilometres away...
558
00:24:47,800 --> 00:24:48,000
..in Tula,
559
00:24:48,000 --> 00:24:49,000
..in Tula,
560
00:24:49,160 --> 00:24:50,960
the capital of the Toltec people.
561
00:24:51,880 --> 00:24:54,360
In the heart of
this desert region of Mexico,
562
00:24:54,520 --> 00:24:56,000
so-called master builders
left behind five-metre-high warriors
563
00:24:56,000 --> 00:24:58,760
so-called master builders
left behind five-metre-high warriors
564
00:24:58,920 --> 00:25:00,440
made of volcanic rock.
565
00:25:01,560 --> 00:25:03,840
Giant figures equipped with
the same weapons,
566
00:25:04,000 --> 00:25:05,480
headdresses and breastplates
567
00:25:05,640 --> 00:25:07,800
as those
at the Temple of Chichen Itza.
568
00:25:09,000 --> 00:25:12,000
Tula also boasts
a very special sculpture
569
00:25:12,000 --> 00:25:12,240
Tula also boasts
a very special sculpture
570
00:25:12,400 --> 00:25:14,600
used in sacrificial rituals
571
00:25:14,760 --> 00:25:17,120
and similar to the one
found in Chichen Itza.
572
00:25:19,000 --> 00:25:20,000
- This is one of the most beautiful
existing pieces
573
00:25:20,000 --> 00:25:21,200
- This is one of the most beautiful
existing pieces
574
00:25:21,360 --> 00:25:22,760
of chacmool sculpture.
575
00:25:25,440 --> 00:25:26,760
It is the divine messenger,
576
00:25:26,920 --> 00:25:28,000
through which men
pay homage to the gods
577
00:25:28,000 --> 00:25:29,480
through which men
pay homage to the gods
578
00:25:29,640 --> 00:25:32,000
with sacrifices and self-sacrifice.
579
00:25:36,680 --> 00:25:37,680
At one time,
580
00:25:37,840 --> 00:25:39,840
chacmool was thought
to have come from the Itzas,
581
00:25:40,000 --> 00:25:41,360
the Maya of Northern Yucatan,
582
00:25:41,520 --> 00:25:43,240
but it is in fact much older.
583
00:25:47,160 --> 00:25:49,120
The chacmool
comes from Toltec culture,
584
00:25:49,280 --> 00:25:51,200
meaning that the chacmool
of Chichen Itza
585
00:25:51,360 --> 00:25:52,000
originated with the Toltecs
586
00:25:52,000 --> 00:25:52,960
originated with the Toltecs
587
00:25:53,120 --> 00:25:54,720
and the importance of the chacmool
588
00:25:54,880 --> 00:25:57,400
is no longer solely rooted
with the Toltecs.
589
00:25:59,520 --> 00:26:00,000
NARRATOR:
The former vestibule of Pyramid B
590
00:26:00,000 --> 00:26:01,680
NARRATOR:
The former vestibule of Pyramid B
591
00:26:01,840 --> 00:26:04,520
confirms the influence
of the Toltecs
592
00:26:04,680 --> 00:26:06,600
with its columns
decorated and assembled
593
00:26:06,760 --> 00:26:08,000
in the same way
as those in the Maya city.
594
00:26:08,000 --> 00:26:09,360
in the same way
as those in the Maya city.
595
00:26:13,360 --> 00:26:16,000
- The blocks in this square pillar
have a hole in the middle
596
00:26:16,160 --> 00:26:18,720
and also a spike
so that they fit together.
597
00:26:19,800 --> 00:26:22,320
It's quite impressive
from an architectural point of view.
598
00:26:27,240 --> 00:26:28,720
NARRATOR: On closer inspection,
599
00:26:28,880 --> 00:26:32,000
the sculptures at Tula
tell part of the Chichen Itza story.
600
00:26:32,000 --> 00:26:32,280
the sculptures at Tula
tell part of the Chichen Itza story.
601
00:26:35,520 --> 00:26:37,680
- What's interesting
about this character
602
00:26:37,840 --> 00:26:40,000
is that he has a glyph
on top of his head.
603
00:26:40,000 --> 00:26:40,120
is that he has a glyph
on top of his head.
604
00:26:41,880 --> 00:26:44,600
Here, you can also see his face.
He has a beard.
605
00:26:45,600 --> 00:26:48,000
He is wearing
a feathered snake helmet
606
00:26:48,000 --> 00:26:48,080
He is wearing
a feathered snake helmet
607
00:26:48,240 --> 00:26:50,600
and the glyph at the top
is also a feathered snake.
608
00:26:52,480 --> 00:26:56,000
So, this glyph probably tells us
that this figure is Quetzalcoatl.
609
00:26:56,000 --> 00:26:56,480
So, this glyph probably tells us
that this figure is Quetzalcoatl.
610
00:26:57,440 --> 00:26:58,440
This is a portrait
611
00:26:58,600 --> 00:27:01,040
one of the most important rulers
of Tula.
612
00:27:04,640 --> 00:27:08,200
NARRATOR: The powerful Toltec ruler
and warrior, Quetzalcoatl,
613
00:27:08,360 --> 00:27:12,000
is said to have seized Chichen Itza
between 967 and 987
614
00:27:12,000 --> 00:27:13,760
is said to have seized Chichen Itza
between 967 and 987
615
00:27:13,920 --> 00:27:15,760
and the Yucatan Maya called him...
616
00:27:16,800 --> 00:27:17,800
..Kukulkan!
617
00:27:19,120 --> 00:27:20,000
He brought the cult of
the feathered serpent to the city,
618
00:27:20,000 --> 00:27:21,760
He brought the cult of
the feathered serpent to the city,
619
00:27:21,920 --> 00:27:25,360
which boomed under his impetus
from the year 1000 onwards
620
00:27:25,520 --> 00:27:27,320
and saw
the construction of buildings
621
00:27:27,480 --> 00:27:28,000
such as
the Temple of the Warriors.
622
00:27:28,000 --> 00:27:29,400
such as
the Temple of the Warriors.
623
00:27:31,040 --> 00:27:34,320
The temple shows the dominance
of the Toltecs over the Maya
624
00:27:34,480 --> 00:27:35,640
after the classical era
625
00:27:35,800 --> 00:27:36,000
but it's also a symbol of
the closeness of the two cultures.
626
00:27:36,000 --> 00:27:39,480
but it's also a symbol of
the closeness of the two cultures.
627
00:27:42,000 --> 00:27:44,000
The temple's sculptures
were all the more beautiful
628
00:27:44,000 --> 00:27:44,480
The temple's sculptures
were all the more beautiful
629
00:27:44,640 --> 00:27:45,920
for their vibrant colours.
630
00:27:51,560 --> 00:27:52,000
- The site must have been striking
because it wasn't just painted,
631
00:27:52,000 --> 00:27:54,760
- The site must have been striking
because it wasn't just painted,
632
00:27:54,920 --> 00:27:56,920
all the surfaces were polished too,
633
00:27:57,080 --> 00:28:00,000
which means the colours would have
really stood out in the sunlight.
634
00:28:00,160 --> 00:28:02,640
I really think there's
nowhere like it in today's world.
635
00:28:10,720 --> 00:28:12,760
NARRATOR: The colours
have been erased by time
636
00:28:12,920 --> 00:28:13,920
and the weather
637
00:28:14,080 --> 00:28:16,000
but the Temple of Warriors
was originally covered
638
00:28:16,000 --> 00:28:16,400
but the Temple of Warriors
was originally covered
639
00:28:16,560 --> 00:28:18,600
with an undercoat of white plaster
640
00:28:18,760 --> 00:28:21,360
then decorated
in red, yellow and blue.
641
00:28:24,400 --> 00:28:27,800
The reliefs on the outer columns
had a range of colours
642
00:28:27,960 --> 00:28:30,760
and the inside walls
were painted from floor to ceiling.
643
00:28:35,560 --> 00:28:38,600
The Temple of the Warriors
and the whole of Chichen Itza
644
00:28:38,760 --> 00:28:39,760
shone brightly.
645
00:28:43,840 --> 00:28:46,200
Today, Claudia Garcia Solis,
646
00:28:46,360 --> 00:28:48,000
in charge of protecting
the remaining paintings,
647
00:28:48,000 --> 00:28:49,040
in charge of protecting
the remaining paintings,
648
00:28:49,200 --> 00:28:52,160
is analysing the pigments
that have survived the centuries.
649
00:28:55,440 --> 00:28:56,000
- We can actually see
what it looked like.
650
00:28:56,000 --> 00:28:57,200
- We can actually see
what it looked like.
651
00:28:58,320 --> 00:28:59,320
These are blocks of stone
652
00:28:59,480 --> 00:29:02,360
that have been coated
with a thin layer of stucco.
653
00:29:03,360 --> 00:29:04,000
It was on this surface
they applied the colours,
654
00:29:04,000 --> 00:29:05,600
It was on this surface
they applied the colours,
655
00:29:05,760 --> 00:29:06,920
starting with red.
656
00:29:08,080 --> 00:29:10,640
The decorations
were probably drawn first
657
00:29:10,800 --> 00:29:12,000
to mark out the areas
658
00:29:12,000 --> 00:29:12,080
to mark out the areas
659
00:29:12,240 --> 00:29:14,400
that would later be painted
with different colours.
660
00:29:18,920 --> 00:29:20,000
NARRATOR: These rare images
inside the Temple of the Warriors
661
00:29:20,000 --> 00:29:22,280
NARRATOR: These rare images
inside the Temple of the Warriors
662
00:29:22,440 --> 00:29:25,880
give us a glimpse of the artistry
of Chichen Itza's builders.
663
00:29:31,480 --> 00:29:35,040
- Red was the basic colour
for large surfaces such as floors
664
00:29:35,200 --> 00:29:36,000
but the decorations
and all the reliefs in the buildings
665
00:29:36,000 --> 00:29:38,000
but the decorations
and all the reliefs in the buildings
666
00:29:38,160 --> 00:29:39,360
were multi-coloured,
667
00:29:39,520 --> 00:29:41,040
depending on the motifs depicted.
668
00:29:47,600 --> 00:29:52,000
- There's a very wide colour palette
on the walls, pillars and columns
669
00:29:52,000 --> 00:29:52,800
- There's a very wide colour palette
on the walls, pillars and columns
670
00:29:52,960 --> 00:29:55,040
which still have
their stucco and decoration.
671
00:29:57,240 --> 00:29:59,120
What's more,
there isn't just one green
672
00:29:59,280 --> 00:30:00,000
but different shades of green.
673
00:30:00,000 --> 00:30:00,600
but different shades of green.
674
00:30:01,440 --> 00:30:03,600
There isn't just one red
but different shades of red.
675
00:30:08,680 --> 00:30:10,080
NARRATOR: The colouring of buildings
676
00:30:10,240 --> 00:30:12,400
was a key aspect
of Maya construction.
677
00:30:14,000 --> 00:30:16,000
How did the builders produce
the millions of litres of paint
678
00:30:16,000 --> 00:30:17,120
How did the builders produce
the millions of litres of paint
679
00:30:17,280 --> 00:30:19,240
that covered
these colossal structures?
680
00:30:24,560 --> 00:30:28,040
- In the Maya lands
we have blue and green...
681
00:30:29,000 --> 00:30:30,000
..which are hybrids.
682
00:30:30,160 --> 00:30:32,000
These hybrid colours
were the first man-made colours
683
00:30:32,000 --> 00:30:32,600
These hybrid colours
were the first man-made colours
684
00:30:32,760 --> 00:30:33,760
to exist.
685
00:30:35,360 --> 00:30:36,600
For example, in Europe,
686
00:30:36,760 --> 00:30:38,680
all pigments
were made from minerals
687
00:30:38,840 --> 00:30:40,000
but here a synthetic colour
was produced for the first time,
688
00:30:40,000 --> 00:30:42,160
but here a synthetic colour
was produced for the first time,
689
00:30:42,320 --> 00:30:44,760
which says a lot
about the level of technology
690
00:30:44,920 --> 00:30:47,120
available to the Maya
to make these colours.
691
00:30:54,480 --> 00:30:56,000
NARRATOR: Luis May Ku, a painter,
692
00:30:56,000 --> 00:30:56,440
NARRATOR: Luis May Ku, a painter,
693
00:30:56,600 --> 00:30:57,680
has spent several years
694
00:30:57,840 --> 00:31:00,720
investigating how
this synthetic paint was produced.
695
00:31:02,440 --> 00:31:04,000
The ancestral recipe for Maya blue
had been lost over time...
696
00:31:04,000 --> 00:31:05,800
The ancestral recipe for Maya blue
had been lost over time...
697
00:31:07,920 --> 00:31:09,200
..but after a few experiments
698
00:31:09,360 --> 00:31:12,000
this archaeology enthusiast
found the right ingredients.
699
00:31:12,000 --> 00:31:13,120
this archaeology enthusiast
found the right ingredients.
700
00:31:19,880 --> 00:31:20,000
- This plant in Mayan
is called Ch'oj,
701
00:31:20,000 --> 00:31:22,520
- This plant in Mayan
is called Ch'oj,
702
00:31:22,680 --> 00:31:23,800
native to this region
703
00:31:23,960 --> 00:31:26,240
and a plant that was
on the verge of extinction
704
00:31:26,400 --> 00:31:28,000
until I did some research
to find it.
705
00:31:28,000 --> 00:31:28,760
until I did some research
to find it.
706
00:31:31,840 --> 00:31:34,880
The ancient Maya
used it to make Maya blue.
707
00:31:38,880 --> 00:31:42,440
NARRATOR: After leaving the plant
to infuse for 14 hours,
708
00:31:42,600 --> 00:31:44,000
the water needs to be
patiently stirred to oxygenate it.
709
00:31:44,000 --> 00:31:45,600
the water needs to be
patiently stirred to oxygenate it.
710
00:31:55,480 --> 00:31:56,800
- Here is the final result
711
00:31:56,960 --> 00:31:59,560
after extracting the ink
from the plant.
712
00:31:59,720 --> 00:32:00,000
This is the dye
obtained from Ch'oj.
713
00:32:00,000 --> 00:32:03,440
This is the dye
obtained from Ch'oj.
714
00:32:06,880 --> 00:32:08,000
NARRATOR: The second
essential ingredient of Maya blue
715
00:32:08,000 --> 00:32:09,480
NARRATOR: The second
essential ingredient of Maya blue
716
00:32:09,640 --> 00:32:10,760
is a clay rock
717
00:32:10,920 --> 00:32:13,560
found only within
a 50-kilometre radius
718
00:32:13,720 --> 00:32:14,720
of Chichen Itza.
719
00:32:20,760 --> 00:32:24,000
- The other element is this clay
called sak lu'um in Mayan.
720
00:32:24,000 --> 00:32:24,680
- The other element is this clay
called sak lu'um in Mayan.
721
00:32:26,400 --> 00:32:28,440
It's a type of clay
that holds colour.
722
00:32:36,600 --> 00:32:39,840
If we in the Yucatan Peninsula
have this clay
723
00:32:40,000 --> 00:32:41,720
as well as the Ch'oj plant
724
00:32:41,880 --> 00:32:43,520
then
there's a very strong probability
725
00:32:43,680 --> 00:32:47,840
that the Maya of Yucatan
were the first to create Maya blue.
726
00:32:53,840 --> 00:32:56,000
NARRATOR: The synthetic colour
was finally obtained
727
00:32:56,000 --> 00:32:56,120
NARRATOR: The synthetic colour
was finally obtained
728
00:32:56,280 --> 00:32:57,280
by mixing the clay
729
00:32:57,440 --> 00:33:00,840
with crystals
produced by fermenting the plant.
730
00:33:02,000 --> 00:33:03,560
And to make sure
the paint would stick,
731
00:33:03,720 --> 00:33:04,000
the Maya
added a final ingredient...
732
00:33:04,000 --> 00:33:05,920
the Maya
added a final ingredient...
733
00:33:06,080 --> 00:33:07,880
Honey or sap.
734
00:33:11,720 --> 00:33:12,000
If a few drops of Maya blue
take so many hours of work,
735
00:33:12,000 --> 00:33:15,480
If a few drops of Maya blue
take so many hours of work,
736
00:33:15,640 --> 00:33:17,560
the large-scale production of paint
737
00:33:17,720 --> 00:33:20,000
had to be based on
a quasi-industrial organisation.
738
00:33:20,000 --> 00:33:20,720
had to be based on
a quasi-industrial organisation.
739
00:33:22,640 --> 00:33:24,520
When they arrived at Chichen Itza,
740
00:33:24,680 --> 00:33:28,000
the Toltec builders used
their own construction techniques
741
00:33:28,160 --> 00:33:31,600
while drawing on Maya skills
for decoration and painting.
742
00:33:32,520 --> 00:33:34,280
But in transforming the city
743
00:33:34,440 --> 00:33:36,000
they also wiped out
hundreds of years of its history.
744
00:33:36,000 --> 00:33:37,280
they also wiped out
hundreds of years of its history.
745
00:33:40,960 --> 00:33:44,000
- This large terrace
is an artificial construction.
746
00:33:45,280 --> 00:33:47,920
I mean, at Chichen,
everything was levelled over
747
00:33:48,080 --> 00:33:52,000
so what we see is a filled platform
covering the ancient buildings.
748
00:33:52,000 --> 00:33:52,280
so what we see is a filled platform
covering the ancient buildings.
749
00:33:53,360 --> 00:33:55,920
This created a large square
750
00:33:56,080 --> 00:33:57,920
where
the post-classical buildings are.
751
00:34:01,720 --> 00:34:04,480
NARRATOR: This esplanade
surrounding the Castillo
752
00:34:04,640 --> 00:34:07,240
serves as a foundation
for all the superstructures
753
00:34:07,400 --> 00:34:08,000
built between the end of the 10th
and beginning of the 13th century.
754
00:34:08,000 --> 00:34:11,120
built between the end of the 10th
and beginning of the 13th century.
755
00:34:12,400 --> 00:34:14,960
By digging a trench
in the middle of this platform,
756
00:34:15,120 --> 00:34:16,000
archaeologists
uncovered older ruins
757
00:34:16,000 --> 00:34:17,640
archaeologists
uncovered older ruins
758
00:34:17,800 --> 00:34:21,560
erected before the 9th century
and buried by the Toltecs.
759
00:34:25,520 --> 00:34:28,760
It was an area
of 240,000 square metres
760
00:34:28,920 --> 00:34:31,960
levelled with more than
two metres of stone and mortar.
761
00:34:32,880 --> 00:34:36,760
A thick covering layer of plaster
made the terrace surface flat
762
00:34:36,920 --> 00:34:37,920
and watertight.
763
00:34:41,400 --> 00:34:43,480
- It was a project
that seems like madness
764
00:34:43,640 --> 00:34:44,880
when you think about it now.
765
00:34:45,720 --> 00:34:48,000
It's a testament
to the power that Chichen had,
766
00:34:48,000 --> 00:34:48,600
It's a testament
to the power that Chichen had,
767
00:34:48,760 --> 00:34:51,680
to its ability to mobilise
all the necessary manpower.
768
00:34:53,480 --> 00:34:56,000
I mean, tons and tons of stone
had to be brought in,
769
00:34:56,000 --> 00:34:57,720
I mean, tons and tons of stone
had to be brought in,
770
00:34:57,880 --> 00:35:01,000
transported and laid out
over this entire area
771
00:35:01,160 --> 00:35:03,480
and that's because
the leaders of Chichen,
772
00:35:03,640 --> 00:35:04,000
whoever they were,
773
00:35:04,000 --> 00:35:04,800
whoever they were,
774
00:35:04,960 --> 00:35:08,280
had enough people at their disposal
to do that amount of work.
775
00:35:13,760 --> 00:35:15,240
NARRATOR: With these earthworks,
776
00:35:15,400 --> 00:35:19,720
the new masters of Chichen Itza
had created a huge ceremonial space
777
00:35:19,880 --> 00:35:20,000
to welcome thousands of devotees
to the Kukulkan pyramid
778
00:35:20,000 --> 00:35:23,960
to welcome thousands of devotees
to the Kukulkan pyramid
779
00:35:24,120 --> 00:35:26,320
and around their sacrificial sites.
780
00:35:28,360 --> 00:35:29,560
But it wasn't the Toltecs
781
00:35:29,720 --> 00:35:32,720
who gave this sacred city
its mystical aura.
782
00:35:36,200 --> 00:35:37,200
In the 1930s,
783
00:35:37,360 --> 00:35:39,520
after exploring
the four vaulted rooms
784
00:35:39,680 --> 00:35:42,320
of the temple at Castillo's summit,
785
00:35:42,480 --> 00:35:44,000
archaeologists dig tunnels
into the pyramid's base.
786
00:35:44,000 --> 00:35:45,920
archaeologists dig tunnels
into the pyramid's base.
787
00:35:47,880 --> 00:35:51,160
They then discovered traces
of another building,
788
00:35:51,320 --> 00:35:52,000
another pyramid smaller and older
789
00:35:52,000 --> 00:35:54,320
another pyramid smaller and older
790
00:35:54,480 --> 00:35:57,400
but which appears to have
the same shape and layout
791
00:35:57,560 --> 00:35:58,560
as the current one.
792
00:36:02,800 --> 00:36:04,640
- So, a first pyramid is built
793
00:36:04,800 --> 00:36:07,040
and then this pyramid's
built on top of it.
794
00:36:07,200 --> 00:36:08,000
It's literally covered over
by another, slightly larger pyramid.
795
00:36:08,000 --> 00:36:10,760
It's literally covered over
by another, slightly larger pyramid.
796
00:36:11,960 --> 00:36:15,600
This is an architectural practice
that's common with Mesoamerica
797
00:36:15,760 --> 00:36:16,000
and the Maya.
798
00:36:16,000 --> 00:36:16,760
and the Maya.
799
00:36:20,920 --> 00:36:23,120
NARRATOR: A technique
which enabled the Toltecs
800
00:36:23,280 --> 00:36:24,000
to build their own temple
801
00:36:24,000 --> 00:36:24,840
to build their own temple
802
00:36:25,000 --> 00:36:27,560
while saving
on raw materials and labour.
803
00:36:28,560 --> 00:36:30,800
But it's not clear
who built the structure
804
00:36:30,960 --> 00:36:32,000
buried beneath the Castillo.
805
00:36:32,000 --> 00:36:32,320
buried beneath the Castillo.
806
00:36:34,040 --> 00:36:35,040
For the Maya,
807
00:36:35,200 --> 00:36:38,640
pyramids linked
the three dimensions of the cosmos.
808
00:36:38,800 --> 00:36:40,000
The worlds of the dead,
living beings
809
00:36:40,000 --> 00:36:41,400
The worlds of the dead,
living beings
810
00:36:41,560 --> 00:36:43,080
and celestial divinities.
811
00:36:44,240 --> 00:36:47,040
They're often
the burial place of a ruler
812
00:36:47,200 --> 00:36:48,000
but here it's scientists that have
made a completely new discovery.
813
00:36:48,000 --> 00:36:51,680
but here it's scientists that have
made a completely new discovery.
814
00:36:58,280 --> 00:37:02,840
NARRATOR: It's 1500 kilometres
from Chichen Itza in Mexico City
815
00:37:03,000 --> 00:37:04,000
that the Castillo's secrets
are being revealed.
816
00:37:04,000 --> 00:37:05,440
that the Castillo's secrets
are being revealed.
817
00:37:07,200 --> 00:37:10,280
Rene Chavez Segura
is not an archaeologist
818
00:37:10,440 --> 00:37:12,000
but a geophysicist.
819
00:37:12,160 --> 00:37:13,960
In 2015,
820
00:37:14,120 --> 00:37:17,080
he used non-invasive
and non-destructive methods
821
00:37:17,240 --> 00:37:19,440
to explore the body of the Castillo.
822
00:37:20,720 --> 00:37:23,840
Placing hundreds of electrodes
all over the pyramid,
823
00:37:24,000 --> 00:37:27,160
he bombarded the structure
with electrical impulses
824
00:37:27,320 --> 00:37:28,000
to see through its casing.
825
00:37:28,000 --> 00:37:28,520
to see through its casing.
826
00:37:33,920 --> 00:37:35,160
- Well, here's what we see...
827
00:37:35,320 --> 00:37:36,000
These are our electrodes
828
00:37:36,000 --> 00:37:37,040
These are our electrodes
829
00:37:37,200 --> 00:37:39,160
with the cables connected
to the measuring equipment
830
00:37:39,320 --> 00:37:41,560
and this is the number of points
we obtained.
831
00:37:41,720 --> 00:37:44,000
There are over 37,000 data points!
832
00:37:44,000 --> 00:37:45,160
There are over 37,000 data points!
833
00:37:49,040 --> 00:37:50,480
This is the model we came up with.
834
00:37:52,040 --> 00:37:54,360
Here, we can see the external
structure of the pyramid...
835
00:37:56,000 --> 00:37:59,000
..and these changes
clearly show the wall here.
836
00:38:02,480 --> 00:38:04,760
NARRATOR:
Like with a medical MRI scan,
837
00:38:04,920 --> 00:38:07,840
he can see the internal volumes
of the pyramid,
838
00:38:08,000 --> 00:38:11,440
an examination which provided
some unexpected discoveries.
839
00:38:16,120 --> 00:38:17,640
- We've known for a long time
840
00:38:17,800 --> 00:38:20,680
that inside this pyramid
there‘s another pyramid
841
00:38:20,840 --> 00:38:22,080
but we've also discovered
842
00:38:22,240 --> 00:38:24,000
that inside this second pyramid
is a THIRD pyramid!
843
00:38:24,000 --> 00:38:26,160
that inside this second pyramid
is a THIRD pyramid!
844
00:38:30,600 --> 00:38:32,000
NARRATOR: This very first pyramid
buried inside the Castillo
845
00:38:32,000 --> 00:38:34,040
NARRATOR: This very first pyramid
buried inside the Castillo
846
00:38:34,200 --> 00:38:35,640
is some ten metres high.
847
00:38:36,560 --> 00:38:38,960
It's thought to have been built
around the sixth century.
848
00:38:40,040 --> 00:38:42,480
It was then covered
by a second structure,
849
00:38:42,640 --> 00:38:46,320
a 20-metre-high pyramid
dating back to the 800s.
850
00:38:49,400 --> 00:38:52,160
Then,
between the 11th and 12th centuries,
851
00:38:52,320 --> 00:38:55,120
Toltec builders
constructed another shell,
852
00:38:55,280 --> 00:38:56,000
giving the Castillo its final shape.
853
00:38:56,000 --> 00:38:57,400
giving the Castillo its final shape.
854
00:38:59,080 --> 00:39:00,680
Discovering these hidden pyramids
855
00:39:00,840 --> 00:39:03,280
has rewritten
part of Chichen Itza's history.
856
00:39:09,040 --> 00:39:11,840
Seven hundred years
before the city's golden age,
857
00:39:12,000 --> 00:39:13,160
in the fifth century
858
00:39:13,320 --> 00:39:17,160
early Maya colonists built a pyramid
beneath the Castillo.
859
00:39:20,000 --> 00:39:21,800
The people known as the Itzas,
860
00:39:21,960 --> 00:39:23,880
meaning the wizards of water,
861
00:39:24,040 --> 00:39:27,000
built their first settlements
south of the Castillo
862
00:39:27,160 --> 00:39:28,000
in the old district of Chichen.
863
00:39:28,000 --> 00:39:29,320
in the old district of Chichen.
864
00:39:30,280 --> 00:39:33,120
Buildings here have classical
sculpted ornamentation.
865
00:39:37,480 --> 00:39:40,520
These 'wizards' settled
in the hostile Yucatan area
866
00:39:40,680 --> 00:39:43,680
because of strange formations,
867
00:39:43,840 --> 00:39:44,000
rock pools known as cenotes.
868
00:39:44,000 --> 00:39:46,480
rock pools known as cenotes.
869
00:39:49,480 --> 00:39:52,000
- The soil of the Yucatán peninsula
is made of limestone,
870
00:39:52,000 --> 00:39:52,960
- The soil of the Yucatán peninsula
is made of limestone,
871
00:39:53,120 --> 00:39:54,440
which is very porous.
872
00:39:54,600 --> 00:39:56,320
Over millions of years,
873
00:39:56,480 --> 00:39:59,200
water has seeped in
to create cavities.
874
00:40:04,440 --> 00:40:08,000
These sinkholes are large wells
whose dome has collapsed
875
00:40:08,000 --> 00:40:08,440
These sinkholes are large wells
whose dome has collapsed
876
00:40:08,600 --> 00:40:10,760
and we call them cenotes.
877
00:40:15,520 --> 00:40:16,000
- And it's one of the main
sources of water in northern Yucatan
878
00:40:16,000 --> 00:40:19,480
- And it's one of the main
sources of water in northern Yucatan
879
00:40:19,640 --> 00:40:21,280
as there are no rivers or lakes.
880
00:40:23,080 --> 00:40:24,000
NARRATOR: Cenotes are essential
during the dry season
881
00:40:24,000 --> 00:40:26,040
NARRATOR: Cenotes are essential
during the dry season
882
00:40:26,200 --> 00:40:30,760
as the only access to fresh water
in this otherwise arid forest.
883
00:40:30,920 --> 00:40:32,000
- Water was vital
for everyday life,
884
00:40:32,000 --> 00:40:33,120
- Water was vital
for everyday life,
885
00:40:33,280 --> 00:40:34,960
for agriculture, for survival
886
00:40:35,120 --> 00:40:38,000
but also for building the monuments
we see today.
887
00:40:43,680 --> 00:40:46,320
- Water is needed to make the mortar
888
00:40:46,480 --> 00:40:48,000
and the limestone
also needs to be made wet
889
00:40:48,000 --> 00:40:49,480
and the limestone
also needs to be made wet
890
00:40:49,640 --> 00:40:51,000
during building...
891
00:40:52,520 --> 00:40:54,960
..otherwise the blocks
absorb water from the mortar,
892
00:40:55,120 --> 00:40:56,000
which weakens the structure.
893
00:40:56,000 --> 00:40:56,440
which weakens the structure.
894
00:40:58,400 --> 00:41:02,160
So, water is absolutely essential
not just for everyday living
895
00:41:02,320 --> 00:41:04,000
but also for creating
monumental architecture.
896
00:41:04,000 --> 00:41:05,040
but also for creating
monumental architecture.
897
00:41:08,600 --> 00:41:10,680
NARRATOR:
In the centre of Chichen Itza,
898
00:41:10,840 --> 00:41:12,000
the main natural wells
are the cenotes
899
00:41:12,000 --> 00:41:12,720
the main natural wells
are the cenotes
900
00:41:12,880 --> 00:41:16,200
called the Sacred and the Xtoloc.
901
00:41:18,960 --> 00:41:20,000
The Castillo pyramid
lies directly on a north-south line
902
00:41:20,000 --> 00:41:22,760
The Castillo pyramid
lies directly on a north-south line
903
00:41:22,920 --> 00:41:25,120
formed by these two cenotes.
904
00:41:26,960 --> 00:41:28,000
Around it are two more,
905
00:41:28,000 --> 00:41:28,800
Around it are two more,
906
00:41:28,960 --> 00:41:30,920
further to the east and west
907
00:41:31,080 --> 00:41:33,720
and the Castillo sits at
the junction of them all.
908
00:41:38,280 --> 00:41:41,000
- One of the main things
about the Castillo
909
00:41:41,160 --> 00:41:42,360
is where it's placed.
910
00:41:42,520 --> 00:41:44,000
That's what makes it
such an extraordinary building.
911
00:41:44,000 --> 00:41:45,760
That's what makes it
such an extraordinary building.
912
00:41:46,720 --> 00:41:49,320
It's a place that's symbolically
very significant
913
00:41:49,480 --> 00:41:52,000
in terms of the Maya vision
of the universe.
914
00:41:52,000 --> 00:41:52,400
in terms of the Maya vision
of the universe.
915
00:41:55,960 --> 00:41:57,680
NARRATOR:
The position of the Castillo
916
00:41:57,840 --> 00:41:59,200
is no coincidence.
917
00:42:00,040 --> 00:42:03,560
The Itza saw the cenotes
as symbolic entrances
918
00:42:03,720 --> 00:42:05,000
to the Maya underworld...
919
00:42:06,040 --> 00:42:07,600
..the world of the dead.
920
00:42:10,800 --> 00:42:12,040
- The cenote, or well,
921
00:42:12,200 --> 00:42:14,480
was the entrance
to the sacred spaces
922
00:42:14,640 --> 00:42:16,000
where the gods resided
923
00:42:16,160 --> 00:42:20,080
to whom offerings had to be made
as thanks for all the gifts
924
00:42:20,240 --> 00:42:21,520
they had given to mankind.
925
00:42:23,760 --> 00:42:24,000
These offerings
could be human beings
926
00:42:24,000 --> 00:42:25,480
These offerings
could be human beings
927
00:42:25,640 --> 00:42:28,400
or objects made of gold or jade.
928
00:42:28,560 --> 00:42:32,000
This is why the cenote
is considered a sacred place,
929
00:42:32,000 --> 00:42:32,320
This is why the cenote
is considered a sacred place,
930
00:42:32,480 --> 00:42:34,880
it's where the most important
rituals were performed
931
00:42:35,040 --> 00:42:37,560
in honour of the gods
of the underworld.
932
00:42:42,000 --> 00:42:44,560
NARRATOR: Geophysicist
Rene Chavez Segura
933
00:42:44,720 --> 00:42:46,720
has recently found pivotal evidence
934
00:42:46,880 --> 00:42:48,000
for the sacred positioning
of the Castillo
935
00:42:48,000 --> 00:42:49,600
for the sacred positioning
of the Castillo
936
00:42:49,760 --> 00:42:51,560
and the ingenuity of its builders.
937
00:42:54,760 --> 00:42:56,000
He analysed thousands of electrical
measurements from the scan
938
00:42:56,000 --> 00:42:58,600
He analysed thousands of electrical
measurements from the scan
939
00:42:58,760 --> 00:43:00,800
and made another
remarkable discovery.
940
00:43:03,640 --> 00:43:04,000
Beneath the two buried pyramids
and the foundation rock
941
00:43:04,000 --> 00:43:07,280
Beneath the two buried pyramids
and the foundation rock
942
00:43:07,440 --> 00:43:11,240
he found a cavity
with air and water,
943
00:43:11,400 --> 00:43:12,000
meaning the Castillo
lies just above another cenote.
944
00:43:12,000 --> 00:43:15,520
meaning the Castillo
lies just above another cenote.
945
00:43:17,560 --> 00:43:20,000
- We found that the third pyramid,
as well as the second pyramid...
946
00:43:20,000 --> 00:43:20,960
- We found that the third pyramid,
as well as the second pyramid...
947
00:43:22,120 --> 00:43:23,480
..are centred on the cenote.
948
00:43:27,960 --> 00:43:28,000
We expected to find
some kind of structure, a platform,
949
00:43:28,000 --> 00:43:33,040
We expected to find
some kind of structure, a platform,
950
00:43:33,200 --> 00:43:35,760
but we never thought there could be
a cavity of this nature
951
00:43:35,920 --> 00:43:36,000
under the Kukulkan pyramid.
952
00:43:36,000 --> 00:43:37,760
under the Kukulkan pyramid.
953
00:43:41,920 --> 00:43:43,240
I don't believe in coincidence...
954
00:43:44,200 --> 00:43:47,520
If they built it there, it was
because they knew something!
955
00:43:51,480 --> 00:43:52,000
NARRATOR:
This chasm is 20 metres deep
956
00:43:52,000 --> 00:43:54,080
NARRATOR:
This chasm is 20 metres deep
957
00:43:54,240 --> 00:43:56,920
and 25 by 35 metres across.
958
00:43:57,920 --> 00:44:00,000
The pyramid above it
sits on a layer of limestone
959
00:44:00,000 --> 00:44:01,040
The pyramid above it
sits on a layer of limestone
960
00:44:01,200 --> 00:44:02,760
only four to five metres thick.
961
00:44:06,480 --> 00:44:08,000
- Being built like this
on top of a cavity,
962
00:44:08,000 --> 00:44:08,360
- Being built like this
on top of a cavity,
963
00:44:08,520 --> 00:44:11,480
the Castillo,
this artificial mountain,
964
00:44:11,640 --> 00:44:15,520
actually brings together the vision
the Maya had of their universe.
965
00:44:15,680 --> 00:44:16,000
The pyramid is a link between
its different levels.
966
00:44:16,000 --> 00:44:18,240
The pyramid is a link between
its different levels.
967
00:44:22,640 --> 00:44:24,000
NARRATOR: This stone mountain
demonstrates the builders' skills
968
00:44:24,000 --> 00:44:26,040
NARRATOR: This stone mountain
demonstrates the builders' skills
969
00:44:26,200 --> 00:44:29,600
in geometry, geology
and cave exploration.
970
00:44:32,160 --> 00:44:36,160
By positioning their pyramid
at the centre of four cenotes
971
00:44:36,320 --> 00:44:38,160
and directly above a fifth,
972
00:44:38,320 --> 00:44:40,000
the Itza builders had constructed
the most saved and mystical temple
973
00:44:40,000 --> 00:44:42,680
the Itza builders had constructed
the most saved and mystical temple
974
00:44:42,840 --> 00:44:43,840
in Mesoamerica.
975
00:44:47,200 --> 00:44:48,000
- For the ancient Maya,
976
00:44:48,000 --> 00:44:48,200
- For the ancient Maya,
977
00:44:48,360 --> 00:44:52,440
this space was the axis mundi,
the centre of the world.
978
00:44:52,600 --> 00:44:54,080
It was a most sacred place
979
00:44:54,240 --> 00:44:56,000
where the most important
ceremonies happened
980
00:44:56,000 --> 00:44:56,840
where the most important
ceremonies happened
981
00:44:57,000 --> 00:44:59,960
and where the forces
from below and above
982
00:45:00,120 --> 00:45:02,400
came to communicate to the rulers
983
00:45:02,560 --> 00:45:04,000
what should happen
in Maya daily life.
984
00:45:04,000 --> 00:45:04,840
what should happen
in Maya daily life.
985
00:45:09,520 --> 00:45:10,760
NARRATOR: Building Chichen Itza
986
00:45:10,920 --> 00:45:12,000
needed countless thousands of tonnes
of materials
987
00:45:12,000 --> 00:45:14,120
needed countless thousands of tonnes
of materials
988
00:45:14,280 --> 00:45:17,320
and thousands of days
to construct and decorate
989
00:45:17,480 --> 00:45:20,000
carried out by armies
of labourers and artisans.
990
00:45:20,000 --> 00:45:20,600
carried out by armies
of labourers and artisans.
991
00:45:22,040 --> 00:45:24,840
An unparalleled 700-year
work of art
992
00:45:25,000 --> 00:45:28,000
in which each building
has its own sacred purpose.
993
00:45:28,000 --> 00:45:28,320
in which each building
has its own sacred purpose.
994
00:45:29,880 --> 00:45:32,240
But after 200 years of prosperity,
995
00:45:32,400 --> 00:45:35,640
in the early 13th century
it was suddenly abandoned.
996
00:45:36,520 --> 00:45:37,520
It was in Mayapan,
997
00:45:37,680 --> 00:45:39,840
a hundred kilometres away,
998
00:45:40,000 --> 00:45:41,680
that the city's fate was decided.
999
00:45:43,000 --> 00:45:44,000
A small fortified town
strikingly similar to Chichen Itza,
1000
00:45:44,000 --> 00:45:47,360
A small fortified town
strikingly similar to Chichen Itza,
1001
00:45:47,520 --> 00:45:50,760
as with this structure
resembling the Caracol observatory.
1002
00:45:53,080 --> 00:45:55,600
- All the doors are oriented
to the cardinal points,
1003
00:45:55,760 --> 00:45:58,880
east, south, north and west, OK?
1004
00:45:59,040 --> 00:46:00,000
Every equinox,
1005
00:46:00,000 --> 00:46:00,040
Every equinox,
1006
00:46:00,200 --> 00:46:01,520
I mean, 21st of March,
1007
00:46:01,680 --> 00:46:03,000
22nd of September
1008
00:46:03,160 --> 00:46:04,600
when the sun rise,
1009
00:46:04,760 --> 00:46:06,200
the ray of the sun
1010
00:46:06,360 --> 00:46:08,000
cross from
the east door to the north door,
1011
00:46:08,000 --> 00:46:11,440
cross from
the east door to the north door,
1012
00:46:11,600 --> 00:46:13,480
making a perfect angle.
1013
00:46:15,640 --> 00:46:16,000
NARRATOR: Mayapan
was a satellite of Chichen Itza
1014
00:46:16,000 --> 00:46:18,480
NARRATOR: Mayapan
was a satellite of Chichen Itza
1015
00:46:18,640 --> 00:46:22,240
and for two centuries the two cities
formed a powerful military
1016
00:46:22,400 --> 00:46:23,640
and trading alliance.
1017
00:46:25,760 --> 00:46:27,160
- It's a mini Chichen Itza.
1018
00:46:28,040 --> 00:46:31,560
We are sure that
the Cocom family dynasty
1019
00:46:31,720 --> 00:46:32,000
from Chichen Itza,
1020
00:46:32,000 --> 00:46:32,720
from Chichen Itza,
1021
00:46:32,880 --> 00:46:35,960
when Chichen Itza decline in 1200,
1022
00:46:36,120 --> 00:46:38,640
they decide to be here
1023
00:46:38,800 --> 00:46:40,000
and they try to do almost the same
like in Chichen Itza.
1024
00:46:40,000 --> 00:46:42,080
and they try to do almost the same
like in Chichen Itza.
1025
00:46:44,000 --> 00:46:46,520
NARRATOR: Mayapan
has exactly the same pyramid
1026
00:46:46,680 --> 00:46:48,000
dedicated to Kukulkan
1027
00:46:48,000 --> 00:46:48,400
dedicated to Kukulkan
1028
00:46:48,560 --> 00:46:49,560
but half the size.
1029
00:46:50,760 --> 00:46:53,360
Its builders
failed to reach the same heights
1030
00:46:53,520 --> 00:46:54,760
as those at Chichen Itza.
1031
00:46:56,560 --> 00:46:58,680
- Those guys that built Mayapan,
1032
00:46:58,840 --> 00:47:03,600
they didn't use
a good quality of limestone.
1033
00:47:04,440 --> 00:47:05,600
They did it very fast.
1034
00:47:05,760 --> 00:47:07,600
They did it very fast, OK?
1035
00:47:07,760 --> 00:47:09,680
They just came from Chichen Itza
1036
00:47:09,840 --> 00:47:11,720
and they tried to do the city
very fast,
1037
00:47:11,880 --> 00:47:12,000
so they found stones,
1038
00:47:12,000 --> 00:47:13,680
so they found stones,
1039
00:47:13,840 --> 00:47:16,240
the closest part
but not a good quality.
1040
00:47:18,040 --> 00:47:20,000
NARRATOR: Its architecture may not
have been the equal of Chichen Itza
1041
00:47:20,000 --> 00:47:20,640
NARRATOR: Its architecture may not
have been the equal of Chichen Itza
1042
00:47:20,800 --> 00:47:22,880
but around 1220
1043
00:47:23,040 --> 00:47:27,000
Mayapan did manage to defeat
and take over its rival.
1044
00:47:27,840 --> 00:47:28,000
From then on,
1045
00:47:28,000 --> 00:47:28,840
From then on,
1046
00:47:29,000 --> 00:47:31,320
as power was transferred
to Mayapan,
1047
00:47:31,480 --> 00:47:34,800
the Toltecs and Itzas
deserted the sacred city.
1048
00:47:35,760 --> 00:47:36,000
But even after 600 years of neglect,
1049
00:47:36,000 --> 00:47:38,360
But even after 600 years of neglect,
1050
00:47:38,520 --> 00:47:42,640
this city founded by sorcerers
then taken over by warriors
1051
00:47:42,800 --> 00:47:44,000
has never lost its magnetism.
1052
00:47:44,000 --> 00:47:44,320
has never lost its magnetism.
1053
00:47:45,360 --> 00:47:47,040
- We are creative beings.
1054
00:47:47,200 --> 00:47:48,840
This is the meaning
of these monuments,
1055
00:47:49,000 --> 00:47:51,760
this cultural heritage
that brings us together
1056
00:47:51,920 --> 00:47:52,000
across cultures and civilisations!
1057
00:47:52,000 --> 00:47:54,560
across cultures and civilisations!
1058
00:47:57,600 --> 00:47:59,200
NARRATOR: At Chichen Itza,
1059
00:47:59,360 --> 00:48:00,000
the builders' knowledge of
engineering, geometry and astronomy
1060
00:48:00,000 --> 00:48:03,440
the builders' knowledge of
engineering, geometry and astronomy
1061
00:48:03,600 --> 00:48:08,000
created a city that continues
to exert its magic and mystery.
1062
00:48:08,000 --> 00:48:08,280
created a city that continues
to exert its magic and mystery.
1063
00:48:08,440 --> 00:48:11,080
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