All language subtitles for Jurassic Park 1993

CAPTIONING BY
RYAN HITCHCOCK

[OMINOUS INSTRUMENTAL MUSIC]

[THUDDING]

[CHILLING INSTRUMENTAL MUSIC]

Man 1: EVERYBODY, HEADS UP!
KEEP IT CLEAR, NOW.

KEEP IT CLEAR!

STAND BACK!

Man 2: BRING IT
FORWARD, COME ON!

Man 3: SLOW IT DOWN!

[CREATURE SNORTING]

PUSHING TEAM, MOVE IN THERE.
MAN 3: MOVE IN.

Man 3: ON YOUR READY.
ROBERT: I WANT TASERS ON FULL CHARGE.

[CREATURE SHRIEKING]

Robert: STEADY!
GO ON. STEP BACK IN.

Man 4: READY. MOVE IT.

Robert: AND PUSH.

(SUSPENSEFUL
INSTRUMENTAL MUSIC)

LOCKED. LOADING TEAM,
STEP AWAY.

Man 5: MOVE IT.

JOPHERY, RAISE THE GATE.

[SUSPENSEFUL INSTRUMENTAL
MUSIC INTENSIFIES]

[CREATURE SHRIEKING]

AAH!

Robert: BLOCK THE OPENING!
DON'T LET HER GET OUT!

AAH! AAH!

[CREATURE GROWLING]

[DRAMATIC INSTRUMENTAL MUSIC]

Man 6: SOMEBODY HELP HIM!

WORK HER BACK!

SHOOT HER!

SHOOT HER!

[GUNSHOTS]

AAH!

[SPEAKING IN SPANISH]

I HEARD THAT HAMMOND'S
NOT EVEN HERE.

HE SENDS HIS APOLOGIES.

THERE'S A $20 MILLION LAWSUIT
BY THE FAMILY OF THAT WORKER

AND YOU'RE TELLING ME THAT
HAMMOND CAN'T SEE ME?

HE HAD TO LEAVE EARLY, HIS
DAUGHTER'S GETTING A DIVORCE.

I UNDERSTAND, BUT WE NEED TO
DEAL WITH THE SITUATION NOW.

THE INSURANCE COMPANY...
YOU OKAY?

THE UNDERWRITERS FEEL THAT THE ACCIDENT'S
RAISED SAFETY QUESTIONS ABOUT THE PARK.

THAT MAKES THE INVESTORS
VERY ANXIOUS.

I HAD TO PROMISE TO CONDUCT A VERY
THOROUGH, ON-SITE INSPECTION.

HAMMOND HATES INSPECTIONS.
THEY SLOW EVERYTHING DOWN.

I NEED TO OR THEY'LL
PULL THE FUNDING.

THAT'LL SLOW HIM DOWN
EVEN MORE.

[SPEAKING IN SPANISH]

OOH! AAH!
WATCH YOUR HEAD.

IF TWO EXPERTS SIGN OFF
ON THE ISLAND,

THE INSURANCE GUYS
WILL BACK OFF.

I'VE ALREADY GOT IAN MALCOLM,
BUT THEY THINK HE'S TOO TRENDY.

THEY WANT ALAN GRANT.
GRANT?

YOU'LL NEVER GET HIM
OUT OF MONTANA.

WHY NOT?

[SPEAKING IN SPANISH]

WHY NOT?

[SUSPENSEFUL
INSTRUMENTAL MUSIC]

BECAUSE GRANT'S LIKE ME.

HE'S A DIGGER.

[CHUCKLING]

[OMINOUS INSTRUMENTAL MUSIC]

[SUSPENSEFUL
INSTRUMENTAL MUSIC]

DR. GRANT, DR. SATTLER,
WE'RE READY TO TRY AGAIN.

I HATE COMPUTERS.

THE FEELING'S MUTUAL.

Man: TAKE A LOOK.

WOMAN: DID IT WORK?

HOW LONG
DOES THIS TAKE?

SHOULD BRING
AN IMMEDIATE RETURN.

YOU SHOOT THE RADAR
INTO THE GROUND,

AND THE BONE BOUNCES
THE IMAGE BACK.

BOUNCES IT BACK...

THIS NEW PROGRAM
IS INCREDIBLE.

A FEW MORE YEARS' DEVELOPMENT, AND
WE WON'T EVEN HAVE TO DIG ANYMORE.

WHERE'S THE FUN IN THAT?

IT'S A LITTLE DISTORTED, BUT I
DON'T THINK IT'S THE COMPUTER.

POST-MORTEM CONTRACTION OF THE
POSTERIOR NECK LIGAMENTS.

VELOCIRAPTOR?

YES. GOOD SHAPE, TOO.

IT'S FIVE, SIX FEET HIGH.
I'M GUESSING NINE FEET LONG.

LOOK...
WHAT'D YOU DO?

[CHUCKLING]
HE TOUCHED IT.

DR. GRANT'S NOT
MACHINE-COMPATIBLE.

HELL, THEY'VE GOT IT
IN FOR ME.

AND LOOK AT THE HALF-MOON
SHAPED BONES IN THE WRISTS.

IT'S NO WONDER THESE GUYS
LEARNED HOW TO FLY.

[ALL CHUCKLING]

NO, SERIOUSLY.

MAYBE DINOSAURS HAVE MORE IN COMMON WITH
PRESENT-DAY BIRDS THAN WITH REPTILES.

LOOK AT THE PUBIC BONE, TURNED
BACKWARD, JUST LIKE A BIRD.

LOOK AT THE VERTEBRAE, FULL OF AIR
SACS AND HOLLOWS, LIKE A BIRD.

AND EVEN THE WORD "RAPTOR"
MEANS "BIRD OF PREY."

Boy: THAT DOESN'T
LOOK VERY SCARY.

MORE LIKE A 6-FOOT TURKEY.

A TURKEY?

IMAGINE YOURSELF IN
THE CRETACEOUS PERIOD.

HERE WE GO.

YOU'D GET YOUR FIRST LOOK AT THIS
6-FOOT TURKEY AS YOU ENTER A CLEARING.

HE MOVES LIKE A BIRD,
LIGHTLY BOBBING HIS HEAD.

YOU KEEP STILL BECAUSE YOU THINK MAYBE
HIS VISUAL ACUITY IS BASED ON MOVEMENT,

LIKE T-REX
AND HE'LL LOSE YOU
IF YOU DON'T MOVE.

BUT NO, NOT VELOCIRAPTOR.

YOU STARE AT HIM
AND HE JUST STARES
RIGHT BACK.

AND THAT'S WHEN
THE ATTACK COMES.

NOT FROM THE FRONT,
BUT FROM THE SIDE.

FROM THE OTHER TWO RAPTORS YOU
DIDN'T EVEN KNOW WERE THERE.

BECAUSE VELOCIRAPTOR'S
A PACK HUNTER.

HE USES COORDINATED
ATTACK PATTERNS

AND HE IS OUT
IN FORCE TODAY.

AND HE SLASHES AT YOU
WITH THIS,

A 6-INCH RETRACTABLE CLAW, LIKE
A RAZOR, ON THE MIDDLE TOE.

HE DOESN'T BOTHER TO BITE
YOUR JUGULAR LIKE A LION. NO.

HE SLASHES AT YOU

HERE OR HERE...

ALAN.

OR MAYBE ACROSS THE BELLY,
SPILLING YOUR INTESTINES.

THE POINT IS, YOU ARE ALIVE
WHEN THEY START TO EAT YOU.

SO, YOU KNOW, TRY TO
SHOW A LITTLE RESPECT.

OKAY.

ALAN, IF YOU WANTED
TO SCARE THE KID,

YOU COULD'VE PULLED
A GUN ON HIM.

YEAH, I KNOW. KIDS.

YOU WANT TO HAVE
ONE OF THOSE?

[CHUCKLING]
I DON'T WANT THAT KID,

BUT A BREED OF THE CHILD
COULD BE INTRIGUING.

I MEAN, WHAT'S SO
WRONG WITH KIDS?

THEY'RE NOISY, THEY'RE MESSY,
THEY'RE EXPENSIVE.

CHEAP, CHEAP.

THEY SMELL.

THEY DON'T SMELL!
SOME SMELL.

GIVE ME A BREAK!
BABIES SMELL.

COVER THE SITE!
COVER UP THE DIG!

TELL THEM TO SHUT DOWN!

CUT THE MACHINE!

Ellie: COVER IT ALL UP.
PULL IT OVER.

JUST CUT IT, WILL YOU?
SHUT IT DOWN!

WHAT?

WHAT THE HELL DO YOU THINK
YOU'RE DOING IN HERE?

WE WERE SAVING THAT.

FOR TODAY, I GUARANTEE IT.

WHO IN GOD'S NAME
DO YOU THINK YOU ARE?

JOHN HAMMOND.

AND I'M DELIGHTED TO MEET YOU
FINALLY IN PERSON, DR. GRANT.

SO, I CAN SEE THAT MY $50,000
A YEAR HAS BEEN WELL SPENT.

WHO'S THE JERK?

THIS IS OUR PALEOBOTANIST,
DR...

SATTLER.

ELLIE, THIS IS MR. HAMMOND.

I'M SORRY ABOUT THE DRAMATIC ENTRANCE, DR.
SATTLER, BUT...

DID I SAY "JERK"?
...WE'RE IN A HURRY.

WILL YOU HAVE A DRINK? WE WON'T
LET IT GET WARM. SIT DOWN.

Ellie: LET ME HAVE THIS. I'LL JUST
GET A GLASS OR TWO. I CAN DO IT.

Ellie: THERE'S SAMPLES
ALL OVER HERE.

I KNOW MY WAY
AROUND THE KITCHEN.

NOW, I'LL GET RIGHT
TO THE POINT.

I LIKE YOU.
BOTH OF YOU.

I CAN TELL INSTANTLY ABOUT PEOPLE.
IT'S A GIFT.

I OWN AN ISLAND OFF THE
COAST OF COSTA RICA.

I'VE LEASED IT FROM THE GOVERNMENT
AND DURING THE LAST FIVE YEARS,

I'VE BEEN SETTING UP A
BIOLOGICAL PRESERVE.

REALLY SPECTACULAR.
SPARED NO EXPENSE.

MAKE THE ONE I'VE GOT DOWN IN
KENYA LOOK LIKE A PETTING ZOO.

AND THERE'S NO DOUBT OUR ATTRACTIONS
WILL DRIVE KIDS OUT OF THEIR MINDS.

AND WHAT ARE THOSE?

SMALL VERSIONS OF
ADULTS, HONEY.

AND NOT JUST
KIDS, EVERYONE.

WE'RE GOING TO OPEN NEXT YEAR, IF
THE LAWYERS DON'T KILL ME FIRST.

I DON'T CARE FOR
LAWYERS, DO YOU?

I DON'T REALLY KNOW ANY.
DON'T REALLY KNOW ANY.

I DO, THERE'S A PARTICULAR PEBBLE IN
MY SHOE, WHO REPRESENTS MY INVESTORS.

SAYS THAT THEY INSIST
ON OUTSIDE OPINIONS.

WHAT KIND OF OPINIONS?

WELL, YOUR KIND, NOT TO PUT
TOO FINE A POINT ON IT.

LET'S FACE IT, IN YOUR PARTICULAR
FIELDS, YOU'RE THE TOP MINDS.

AND IF I COULD JUST
PERSUADE YOU

TO SIGN OFF ON THE PARK,
GIVE IT YOUR ENDORSEMENT,

MAYBE EVEN PEN A WEE TESTIMONIAL,
I COULD GET BACK ON SCHEDULE.

WHY WOULD THEY CARE
WHAT WE THINK?

WHAT KIND OF PARK
IS THIS?

IT'S RIGHT UP YOUR ALLEY.

[SOFT INSTRUMENTAL MUSIC]

WHY DON'T YOU COME DOWN, JUST THE
PAIR OF YOU, FOR THE WEEKEND?

I'D LOVE TO HAVE AN OPINION
OF A PALEOBOTANIST AS WELL.

I'VE GOT A JET
STANDING BY AT CHOTEAU.

I'M SORRY.
THIS ISN'T POSSIBLE.

WE JUST DUG UP
A NEW SKELETON...

I COULD COMPENSATE YOU
BY FULLY FUNDING YOUR DIG...

THIS IS A VERY UNUSUAL TIME.
THE TIMING IS...

...FOR A FURTHER
THREE YEARS.

WHERE'S THE PLANE?

OKAY.
THREE YEARS.

CHEERS.

[MUSIC SWELLS]

[ELLIE WHOOPING]

[LIVELY MEXICAN MUSIC PLAYING]

DODGSON!

YOU SHOULDN'T USE MY NAME.

DODGSON. WE'VE GOT
DODGSON HERE.

SEE, NOBODY CARES.
NICE HAT.

WHAT'RE YOU TRYING TO LOOK
LIKE, A SECRET AGENT?

WELL? $750,000.

ON DELIVERY, $50,000 MORE
FOR EACH VIABLE EMBRYO.

THAT'S $1.5 MILLION IF YOU GET
ALL 15 SPECIES OFF THE ISLAND.

I'LL GET THEM ALL.

REMEMBER, VIABLE EMBRYOS. THEY'RE
NO USE TO US IF THEY DON'T SURVIVE.

HOW AM I SUPPOSED
TO TRANSPORT THEM?

THE BOTTOM SCREWS OPEN.

THAT'S GREAT.
OH, MY GOD.

IT'S COOLED AND
COMPARTMENTALIZED INSIDE.

YOU GUYS. THAT'S GREAT.

CUSTOMS CAN EVEN CHECK
IT IF THEY WANT TO.

LET ME SEE. GO ON.

THERE'S ENOUGH COOLANT
FOR 36 HOURS.

NO MENTHOL?

THE EMBRYOS HAVE TO BE BACK
HERE IN SAN JOSÉ BY THEN.

THAT'S UP TO YOUR
GUY ON THE BOAT.

7:00 TOMORROW NIGHT ON THE EAST DOCK.
MAKE SURE HE GETS IT RIGHT.

HOW ARE YOU PLANNING
TO BEAT SECURITY?

I'VE GOT AN
18-MINUTE WINDOW.

EIGHTEEN MINUTES AND YOUR COMPANY
CATCHES UP ON 10 YEARS OF RESEARCH.

[WAITER SPEAKING
IN SPANISH]

DON'T GET CHEAP
ON ME, DODGSON.

THAT WAS HAMMOND'S
MISTAKE.

[ADVENTUROUS
INSTRUMENTAL MUSIC]

SO YOU TWO DIG
UP DINOSAURS?

WELL... WE TRY TO.

[CHUCKLING]

YOU'LL HAVE TO GET USED TO DR.
MALCOLM.

HE SUFFERS FROM A DEPLORABLE
EXCESS OF PERSONALITY,

ESPECIALLY FOR A
MATHEMATICIAN.

CHAOTICIAN.
CHAOTICIAN, ACTUALLY.

JOHN DOESN'T
SUBSCRIBE TO CHAOS,

PARTICULARLY WHAT IT SAYS
ABOUT HIS SCIENCE PROJECT.

IAN, YOU'VE NEVER BEEN ABLE TO
SUFFICIENTLY EXPLAIN YOUR CONCERNS...

BECAUSE OF THE BEHAVIOR OF
THE SYSTEM IN PHASE SPACE?

A LOAD, IF I MAY SAY SO, OF
FASHIONABLE NUMBER CRUNCHING...

DON'T.

DR. SATTLER, DR. GRANT,
YOU'VE HEARD OF CHAOS THEORY?

NO.

NO? NON-LINEAR
EQUATIONS?

STRANGE ATTRACTORS?

I REFUSE TO BELIEVE THAT YOU AREN'T
FAMILIAR WITH THE CONCEPT OF ATTRACTION.

I BRING SCIENTISTS. YOU
BRING A ROCK STAR.

THERE IT IS.

[SWEEPING
INSTRUMENTAL MUSIC]

BAD WIND SHEARS. WE HAVE
TO DROP PRETTY FAST.

HOLD ON, THIS WILL
BE THRILLING.

YAHOO.

[SWEEPING INSTRUMENTAL
MUSIC CONTINUES]

BUT YOU NEED THAT PIECE OVER
HERE, AND THAT PIECE...

WE'LL HAVE LANDED BY THE
TIME YOU GET IT RIGHT.

Alan: GREAT.

[SWEEPING INSTRUMENTAL
MUSIC CONTINUES]

[ADVENTUROUS
INSTRUMENTAL MUSIC]

THE FULL 50 MILES OF PERIMETER
FENCE ARE IN PLACE?

AND THE CONCRETE MOATS, AND THE
MOTION-SENSOR TRACKING SYSTEMS.

DONALD, DEAR BOY, RELAX.
TRY AND ENJOY YOURSELF.

LET'S GET THIS STRAIGHT. THIS
IS NOT A WEEKEND EXCURSION.

THIS IS A SERIOUS INVESTIGATION
OF THE STABILITY OF THE ISLAND.

YOUR INVESTORS, WHOM I
REPRESENT, ARE DEEPLY CONCERNED.

FORTY-EIGHT HOURS FROM NOW, IF THEY'RE
NOT CONVINCED, I'M NOT CONVINCED.

I'LL SHUT YOU
DOWN, JOHN.

IN 48 HOURS, I'LL BE
ACCEPTING YOUR APOLOGIES.

[ADVENTUROUS INSTRUMENTAL
MUSIC CONTINUES]

ALL RIGHT, SLOW DOWN.
SLOW. STOP!

THIS SHOULDN'T BE HERE.

[SUSPENSEFUL
INSTRUMENTAL MUSIC]

ALAN, THIS SPECIES
OF VERIFORMAN
HAS BEEN EXTINCT

SINCE THE CRETACEOUS PERIOD.
I MEAN, THIS THING...

WHAT?

[BELLOWING]

LOOK AT THAT.

IT'S A DINOSAUR.

YOU DID IT. CRAZY SON
OF A BITCH, YOU DID IT.

WE COULD TEAR UP THE RULE BOOK ON
COLD-BLOODEDNESS. IT DOESN'T APPLY.

THEY'RE WRONG. THIS IS A
WARM-BLOODED CREATURE.

THIS THING DOESN'T
LIVE IN A SWAMP.

THIS THING'S GOT A
25, 27-FOOT NECK?

THE BRACHIOSAURUS? 30.

THIRTY FEET.

[BELLOWING]

[SWEEPING INSTRUMENTAL MUSIC]

WE'RE GONNA MAKE
A FORTUNE WITH THIS PLACE.

HOW FAST ARE THEY?

WELL, WE CLOCKED THE T-REX
AT 32 MILES AN HOUR.

T-REX?

YOU SAID YOU'VE GOT A T-REX?

SAY AGAIN.

WE HAVE A T-REX.

PUT YOUR HEAD
BETWEEN YOUR KNEES.

DR. GRANT,

MY DEAR DR. SATTLER,

WELCOME TO JURASSIC PARK.

[SWEEPING INSTRUMENTAL
MUSIC CONTINUES]

THEY'RE MOVING IN HERDS.

THEY DO MOVE IN HERDS.

HOW DID YOU DO THIS?

I'LL SHOW YOU.

[EXCITING INSTRUMENTAL MUSIC]

John: GOOD DAY.

THE MOST ADVANCED AMUSEMENT
PARK IN THE ENTIRE WORLD,

INCORPORATING ALL THE
LATEST TECHNOLOGIES.

AND I'M NOT TALKING JUST ABOUT RIDES.
EVERYBODY HAS RIDES.

NO, WE'VE MADE LIVING BIOLOGICAL
ATTRACTIONS SO ASTOUNDING

THAT THEY'LL CAPTURE THE
IMAGINATION OF THE ENTIRE PLANET.

SO, WHAT ARE YOU THINKING?

THAT WE'RE OUT OF A JOB.

DON'T YOU MEAN "EXTINCT"?

WHY DON'T YOU ALL SIT DOWN?
DONALD, SIT DOWN.

HERE HE COMES.
WELL, HERE I COME.

HELLO.

SAY HELLO.

HELLO.

HELLO, JOHN.

YES, I'VE GOT LINES.

WELL, FINE, I GUESS.
BUT, HOW DID I GET HERE?

WELL, LET ME SHOW YOU. FIRST,
I'LL NEED A DROP OF BLOOD.

YOUR BLOOD.

RIGHT.

THAT HURT.

John: RELAX, JOHN. IT'S ALL
PART OF THE MIRACLE OF CLONING.

HELLO, JOHN.

Alan: CLONED FROM WHAT?

LOY EXTRACTIONS NEVER RECREATED
AN INTACT DNA STRAND.

NOT WITHOUT MASSIVE
SEQUENCE GAPS.

PALEO-DNA,
FROM WHAT SOURCE?

WHERE DO YOU GET 100
MILLION-YEAR-OLD DINOSAUR BLOOD?

[LIGHT INSTRUMENTAL MUSIC]

WHAT? WHAT?

WELL, MR. DNA,
WHERE DID YOU COME FROM?

FROM YOUR BLOOD.

JUST ONE DROP OF YOUR BLOOD CONTAINS
BILLIONS OF STRANDS OF DNA,

THE BUILDING
BLOCKS OF LIFE.

A DNA STRAND LIKE ME IS A BLUEPRINT
FOR BUILDING A LIVING THING.

AND SOMETIMES ANIMALS THAT WENT EXTINCT
MILLIONS OF YEARS AGO, LIKE DINOSAURS,

LEFT THEIR BLUEPRINTS BEHIND FOR US TO FIND.
WE JUST HAD TO KNOW WHERE TO LOOK.

A HUNDRED MILLION YEARS AGO, THERE
WERE MOSQUITOES JUST LIKE TODAY.

AND JUST LIKE TODAY, THEY FED
ON THE BLOOD OF ANIMALS.

EVEN DINOSAURS. SOMETIMES,
AFTER BITING A DINOSAUR,

MOSQUITOES WOULD LAND ON THE BRANCH
OF A TREE AND GET STUCK IN THE SAP.

AFTER A LONG TIME, THE TREE SAP WOULD
GET HARD AND BECOME FOSSILIZED,

JUST LIKE A DINOSAUR BONE,
PRESERVING THE MOSQUITO INSIDE.

THIS FOSSILISED TREE SAP,
WHICH WE CALL AMBER,

WAITED FOR MILLIONS OF YEARS
WITH THE MOSQUITO INSIDE

UNTIL JURASSIC PARK
SCIENTISTS CAME ALONG.

USING SOPHISTICATED
TECHNIQUES,

THEY EXTRACT THE
PRESERVED BLOOD

FROM THE MOSQUITO,
AND BINGO: DINO DNA!

A FULL DNA STRAND CONTAINS
THREE BILLION GENETIC CODES.

IF WE LOOKED AT SCREENS LIKE THESE
ONCE A SECOND FOR EIGHT HOURS A DAY,

IT'D TAKE TWO YEARS TO LOOK
AT THE ENTIRE DNA STRAND.

IT'S THAT LONG. SINCE IT'S
SO OLD, IT'S FULL OF HOLES.

NOW THAT'S WHERE OUR
GENETICISTS TAKE OVER.

THINKING MACHINE SUPER-COMPUTERS
AND GENE SEQUENCERS

BREAK DOWN THE
STRAND IN MINUTES.

AND VIRTUAL-REALITY
DISPLAYS

SHOW OUR GENETICISTS THE
GAPS IN THE DNA SEQUENCE.

WE USED THE COMPLETE
DNA OF A FROG

TO FILL IN THE HOLES
AND COMPLETE THE CODE.

WHEW! AND NOW, WE CAN
MAKE A BABY DINOSAUR.

[LULLABY PLAYING]

John: THIS SCORE
IS ONLY TEMPORARY.

IT ALL HAS VERY DRAMATIC
MUSIC, OF COURSE.

A MARCH OR SOMETHING. IT
HASN'T BEEN WRITTEN YET.

AND THEN, THE
TOUR MOVES ON.

DNA: [ON TV] WELL, LOOK HERE. THOSE
HARD-WORKING COWPOKES YOU SEE BEHIND US...

THIS IS
OVERWHELMING, JOHN.

ARE THESE CHARACTERS
AUTOEROTICA?

NO, WE HAVE NO
ANIMATRONICS HERE.

THOSE PEOPLE ARE THE REAL MIRACLE
WORKERS OF JURASSIC PARK.

...IN UNFERTILIZED
EMU OR OSTRICH EGGS.

WAIT A MINUTE. HOW DO YOU
INTERRUPT THE CELLULAR MITOSIS?

CAN'T WE SEE THE
UNFERTILIZED EGGS?

SHORTLY.

NOW A WHOLE TEAM OF GENETIC
ENGINEERS GOES TO WORK ON...

CAN'T YOU STOP
THESE THINGS?

I'M SORRY. IT'S
KIND OF A RIDE.

ONE, TWO, THREE.

DONALD: YOU CAN'T DO THAT.
JOHN: WHAT?

CAN THEY DO THAT?

Man: [ON PA SYSTEM] A REMINDER:
THE BOAT FOR THE MAINLAND

WILL BE LEAVING
AT 1900.

ALL PERSONNEL BE AT THE DOCK NO
LATER THAN 1845. NO EXCEPTIONS.

GOOD DAY, HENRY.

GOOD DAY, SIR.

IT'S TURNING THE EGGS.

[SOFT INSTRUMENTAL MUSIC]

PERFECT TIMING. I'D HOPED THEY'D HATCH
BEFORE I HAD TO GO TO THE BOAT.

HENRY, WHY DIDN'T
YOU TELL ME?

I INSIST ON BEING HERE
WHEN THEY'RE BORN.

John: COME ON.

COME ON, LITTLE ONE.

[JOHN LAUGHS GLEEFULLY]

[SQUEAKS]

COME ON, THEN.

VERY GOOD. PUSH.

VERY GOOD.
Ellie: GOD.

PUSH. COME ON.

COME ON. COME ON, THEN.

[CHUCKLING]
THERE YOU ARE.

[SQUEALING]

THEY IMPRINT ON THE FIRST CREATURE
THEY COME IN CONTACT WITH.

THAT'S IT. HELPS
THEM TO TRUST ME.

I'VE BEEN PRESENT FOR THE BIRTH OF
EVERY LITTLE CREATURE ON THIS ISLAND.

SURELY NOT THE ONES THAT
HAVE BRED IN THE WILD?

ACTUALLY THEY CAN'T
BREED IN THE WILD.

POPULATION CONTROL IS ONE OF
OUR SECURITY PRECAUTIONS.

THERE'S NO UNAUTHORIZED
BREEDING IN JURASSIC PARK.

HOW DO YOU KNOW
THEY CAN'T BREED?

BECAUSE ALL THE ANIMALS IN
JURASSIC PARK ARE FEMALE.

WE'VE ENGINEERED
THEM THAT WAY.

THERE YOU ARE.

Ellie: OH, MY GOD.
LOOK AT THAT.

BLOOD TEMPERATURE SEEMS
LIKE ABOUT HIGH 80S, MAYBE.

WU?

NINETY-ONE.

HOMOEOTHERMIC?
IT HOLDS THAT TEMPERATURE?

YES.

BUT, AGAIN, HOW DO YOU
KNOW THEY'RE ALL FEMALE?

WHAT, DOES SOMEBODY GO OUT IN THE PARK
AND PULL UP THE DINOSAURS' SKIRTS?

WE CONTROL THEIR CHROMOSOMES.
IT'S REALLY NOT THAT DIFFICULT.

ALL VERTEBRATE EMBRYOS ARE
INHERENTLY FEMALE, ANYWAY.

THEY JUST REQUIRE AN EXTRA HORMONE
GIVEN AT THE RIGHT DEVELOPMENTAL STAGE

TO MAKE THEM MALE.

WE SIMPLY DENY
THEM THAT.

DENY THEM THAT?

JOHN, THE KIND OF CONTROL YOU'RE
ATTEMPTING IS NOT POSSIBLE.

IF THERE'S ONE THING THE HISTORY
OF EVOLUTION HAS TAUGHT US,

IT'S THAT LIFE WILL
NOT BE CONTAINED.

LIFE BREAKS FREE. EXPANDS
TO NEW TERRITORIES

AND IT CRASHES THROUGH BARRIERS,
PAINFULLY, MAYBE EVEN DANGEROUSLY,

BUT THERE IT IS.

THERE IT IS.

YOU'RE IMPLYING THAT A GROUP COMPOSED
ENTIRELY OF FEMALE ANIMALS WILL BREED?

NO, I'M SIMPLY SAYING
THAT LIFE FINDS A WAY.

[WHIMPERING]

[SUSPENSEFUL
INSTRUMENTAL MUSIC]

WHAT SPECIES IS THIS?

IT'S A VELOCIRAPTOR.

YOU BRED RAPTORS?

[DINOSAUR SCREECHING]

DR. GRANT! AS I WAS SAYING, WE LAID ON
LUNCH FOR YOU BEFORE YOU GO INTO THE PARK.

OUR GOURMET CHEF, ALEJANDRO...
WHAT ARE THEY DOING?

FEEDING THEM.

ALEJANDRO'S PREPARED A DELIGHTFUL MENU FOR US.
CHILEAN SEA BASS, I BELIEVE.

SHALL WE?

[MOOING IN FEAR]

[LOUD THUD]

[LOUD SHRIEKING]

[ROARING]

THEY SHOULD ALL
BE DESTROYED.

ROBERT MULDOON. MY GAME
WARDEN FROM KENYA.

BIT OF AN ALARMIST, BUT KNOWS
MORE ABOUT RAPTORS THAN ANYONE.

WHAT'S THEIR
GROWTH RATE?

THEY'RE LETHAL AT EIGHT
MONTHS, AND I DO MEAN LETHAL.

I'VE HUNTED MOST THINGS THAT CAN
HUNT YOU, BUT THE WAY THESE MOVE...

FAST FOR A BIPED?
CHEETAH SPEED.

FIFTY, SIXTY MILES PER HOUR IF
THEY EVER GOT OUT IN THE OPEN.

AND THEY'RE
ASTONISHING JUMPERS.

YES. THAT'S WHY WE'RE
TAKING EXTREME PRECAUTIONS.

DO THEY SHOW INTELLIGENCE?
WAS THEIR BRAIN CAVITY...

THEY SHOW EXTREME
INTELLIGENCE.

EVEN PROBLEM-SOLVING
INTELLIGENCE.

ESPECIALLY THE BIG ONE.

WE BRED EIGHT ORIGINALLY,
BUT WHEN SHE CAME IN,

SHE TOOK OVER THE PRIDE AND
KILLED ALL BUT TWO OF THE OTHERS.

THAT ONE, WHEN SHE LOOKS AT YOU, YOU
CAN SEE SHE'S WORKING THINGS OUT.

THAT'S WHY WE HAVE TO
FEED THEM LIKE THIS.

SHE HAD THEM ALL ATTACKING THE
FENCES WHEN THE FEEDERS CAME.

THE FENCES ARE
ELECTRIFIED, RIGHT?

THAT'S RIGHT, BUT THEY NEVER
ATTACK THE SAME PLACE TWICE.

THEY WERE TESTING THE FENCES FOR
WEAKNESSES, SYSTEMATICALLY.

THEY REMEMBER.

[CRANE WHIRRING]

YES. WELL,
WHO'S HUNGRY?

Man: [ON SPEAKER] MORE
ADVENTUROUS GUESTS, OF COURSE,

CAN OPT FOR OUR
JUNGLE RIVER CRUISE

OR FOR A CLOSE-UP LOOK
AT OUR MAJESTIC...

JOHN: NONE OF THESE ATTRACTIONS ARE
READY YET, BUT THE PARK WILL OPEN

WITH THE BASIC TOUR YOU ARE ABOUT TO TAKE,
AND THEN OTHER RIDES WILL COME ON-LINE

SIX OR TWELVE
MONTHS AFTER THAT.

ABSOLUTELY
SPECTACULAR DESIGNS.

SPARED NO EXPENSE.

AND WE CAN CHARGE
ANYTHING WE WANT.

$2,000 A DAY, $10,000 A DAY,
AND PEOPLE WILL PAY IT.

AND THERE'S THE
MERCHANDISE...

JOHN: DONALD.

THIS PARK WAS NOT BUILT TO
CATER ONLY FOR THE SUPER RICH.

EVERYONE IN THE WORLD HAS THE
RIGHT TO ENJOY THESE ANIMALS.

SURE. THEY WILL. WE'LL HAVE
A COUPON DAY OR SOMETHING.

THE LACK OF HUMILITY BEFORE NATURE
THAT'S BEING DISPLAYED HERE STAGGERS ME.

THANK YOU. BUT THINGS ARE A LITTLE
DIFFERENT THAN YOU AND I HAD FEARED.

I KNOW. THEY'RE
A LOT WORSE.

NOW, WAIT A SECOND, WE HAVEN'T
EVEN SEEN THE PARK YET...

DONALD, LET HIM TALK. THERE'S NO REASON,
I WANT TO HEAR EVERY VIEWPOINT.

DON'T YOU SEE THE DANGER, JOHN,
INHERENT IN WHAT YOU'RE DOING HERE?

GENETIC POWER'S THE MOST AWESOME
FORCE THE PLANET'S EVER SEEN

BUT YOU WIELD IT LIKE A KID
THAT'S FOUND HIS DAD'S GUN.

IT'S HARDLY APPROPRIATE
TO START HURLING...

IF I MAY.

I'LL TELL YOU THE PROBLEM WITH THE
SCIENTIFIC POWER YOU'RE USING HERE.

IT DIDN'T REQUIRE ANY
DISCIPLINE TO ATTAIN IT.

YOU READ WHAT OTHERS HAD DONE,
AND YOU TOOK THE NEXT STEP.

YOU DIDN'T EARN THE
KNOWLEDGE FOR YOURSELVES

SO YOU DON'T TAKE ANY
RESPONSIBILITY FOR IT.

YOU STOOD ON THE SHOULDERS
OF GENIUSES TO ACCOMPLISH

SOMETHING AS FAST
AS YOU COULD.

BEFORE YOU EVEN KNEW WHAT YOU HAD,
YOU PATENTED IT, AND PACKAGED IT

AND SLAPPED IT ON A PLASTIC LUNCH
BOX, NOW YOU'RE SELLING IT.

YOU'RE GOING
TO SELL IT.

I DON'T THINK YOU'RE
GIVING US OUR DUE CREDIT.

OUR SCIENTISTS HAVE DONE THINGS
WHICH NOBODY HAS EVER DONE BEFORE.

BUT YOUR SCIENTISTS WERE SO
PREOCCUPIED WITH WHETHER THEY COULD,

THEY DIDN'T STOP TO
THINK IF THEY SHOULD.

CONDORS. CONDORS ARE ON
THE VERGE OF EXTINCTION.

IF I WAS TO CREATE A FLOCK
OF CONDORS ON THIS ISLAND,

YOU WOULDN'T HAVE
ANYTHING TO SAY.

HOLD ON, THIS ISN'T SOME
SPECIES THAT WAS OBLITERATED

BY DEFORESTATION OR THE
BUILDING OF A DAM.

DINOSAURS HAD THEIR SHOT AND NATURE
SELECTED THEM FOR EXTINCTION.

I DON'T UNDERSTAND THIS LUDDITE ATTITUDE.
ESPECIALLY FROM A SCIENTIST.

HOW CAN WE STAND IN THE LIGHT
OF DISCOVERY AND NOT ACT?

WHAT'S SO GREAT
ABOUT DISCOVERY?

IT'S A VIOLENT,
PENETRATIVE ACT,

THAT SCARS WHAT IT EXPLORES.
WHAT YOU CALL DISCOVERY,

I CALL THE RAPE OF
THE NATURAL WORLD.

THE QUESTION IS, HOW CAN YOU KNOW
ANYTHING ABOUT AN EXTINCT ECO-SYSTEM?

AND THEREFORE, HOW COULD YOU EVER
ASSUME THAT YOU CAN CONTROL IT?

YOU HAVE POISONOUS
PLANTS IN THIS BUILDING.

YOU PICKED THEM BECAUSE
THEY LOOK GOOD.

BUT THESE ARE AGGRESSIVE LIVING THINGS
THAT HAVE NO IDEA WHAT CENTURY THEY'RE IN

AND THEY'LL DEFEND THEMSELVES.
VIOLENTLY, IF NECESSARY.

DR. GRANT, IF THERE'S
ONE PERSON HERE

WHO COULD APPRECIATE WHAT
I AM TRYING TO DO...

THE WORLD HAS JUST CHANGED SO RADICALLY
AND WE'RE ALL RUNNING TO CATCH UP.

I DON'T WANT TO JUMP TO ANY
CONCLUSIONS, BUT DINOSAURS AND MAN,

TWO SPECIES SEPARATED BY 65
MILLION YEARS OF EVOLUTION

HAVE JUST BEEN SUDDENLY THROWN
BACK INTO THE MIX TOGETHER.

HOW CAN WE POSSIBLY HAVE THE
SLIGHTEST IDEA WHAT TO EXPECT?

I DON'T BELIEVE IT.

YOU'RE MEANT TO COME HERE AND
DEFEND ME AGAINST THESE CHARACTERS

AND THE ONLY ONE I'VE GOT ON MY
SIDE IS THE BLOOD-SUCKING LAWYER.

THANK YOU.

THEY'RE HERE.

YOU FOUR ARE GONNA HAVE A SPOT
OF COMPANY OUT IN THE PARK.

SPEND A LITTLE TIME WITH
OUR TARGET AUDIENCE.

Both: GRANDPA!
KIDS!

WAIT! CAREFUL WITH ME.

WE MISSED YOU.

ME, TOO.

WE LOVED THE PRESENTS.
THEY WERE GREAT.

John: DID YOU ENJOY
THE HELICOPTER?

Lex: YEAH, IT WENT DOWN
AND WE ALL WENT RIGHT UP.

John: NOW, KIDS, COME AWAY.
NOT TOO CLOSE TO THE CARS.

John: AREN'T THEY LOVELY?
AREN'T THEY GLORIOUS, THOUGH?

THESE WILL BE YOUR TRANSPORTS
FOR THE AFTERNOON.

Donald: NO DRIVERS?

NO. NO DRIVERS.
THEY'RE ELECTRIC.

THEY RUN ON THIS TRACK IN THE
MIDDLE OF THE ROADWAY HERE.

TOTALLY NON-POLLUTING. TOP OF THE LINE.
SPARED NO EXPENSE.

IT'S AN INTERACTIVE
CD-ROM!

YOU TOUCH THE RIGHT PART OF THE SCREEN
AND IT TALKS ABOUT WHATEVER YOU WANT.

LEX, YOU'RE ALL RIGHT IN THERE.
DR. SATTLER, COME WITH ME.

DR. GRANT, COME IN
THE SECOND CAR.

I'M GONNA RIDE WITH DR.
SATTLER.

[SOFT INSTRUMENTAL MUSIC]

I READ YOUR BOOK.

THAT'S GREAT.

DO YOU REALLY THINK DINOSAURS TURNED
INTO BIRDS AND THAT'S WHERE THEY WENT?

A FEW SPECIES MAY HAVE
EVOLVED ALONG THOSE LINES.

BECAUSE THEY SURE DON'T
LOOK LIKE BIRDS TO ME.

I HEARD THAT THERE
WAS THIS METEOR,

HIT THE EARTH SOMEPLACE DOWN IN
MEXICO, AND MADE THIS BIG CRATER.

LISTEN...

TIM.

TIM, WHICH CAR WERE
YOU PLANNING ON?

WHICHEVER ONE YOU ARE.

THEN I HEARD ABOUT THIS THING IN OMNI
ABOUT THIS METEOR MAKING ALL THIS HEAT.

IT MADE DIAMOND DUST AND
THAT CHANGED THE WEATHER.

THEY DIED BECAUSE
OF THE WEATHER.

MY TEACHER TELLS ME ABOUT THIS BOOK
BY A GUY NAMED BAKKER. HE SAYS...

SHE SAID I SHOULD RIDE WITH YOU
'CAUSE IT'D BE GOOD FOR YOU.

Man: [ON PA SYSTEM] THE
BOAT IS NOW LOADING.

EVERYONE MUST BE ON THE DOCK
FOR THE 1900 DEPARTURE.

NATIONAL WEATHER SERVICE IS
TRACKING A TROPICAL STORM

ABOUT 75 MILES
WEST OF US.

WHY DIDN'T I BUILD
IN ORLANDO?

I'LL KEEP AN EYE ON IT. MAYBE IT'LL
SWING SOUTH LIKE THE LAST ONE.

RAY, START THE
TOUR PROGRAM.

HOLD ONTO YOUR BUTTS.

Ellie: [ON TV] AND WHY DID
THEY PUT THE FIBERGLASS THING?

Lex: I KNOW.

[TIM AND LEX
CHATTERING EXCITEDLY]

Donald: YOU WANT TO
JOIN THE FUTURE, RIGHT?

Ian: GOD HELP US WHEN THE
HANDS OF ENGINEERS...

RECORDED VOICE:
DURING YOUR TOUR,

THE APPROPRIATE
INFORMATION WILL BE

AUTOMATICALLY SELECTED
AND DISPLAYED FOR YOU.

Tim: LOOK!

TOUCH THE AREA OF THE SCREEN
DISPLAYING THE APPROPRIATE ICON.

ARE WE GONNA HIT THAT?

WELCOME TO
JURASSIC PARK.

WHAT HAVE THEY GOT
IN THERE, KING KONG?

[EXCITING
INSTRUMENTAL MUSIC]

THE VOICE YOU'RE NOW
HEARING IS RICHARD KILEY.

WE SPARED NO EXPENSE.

Kiley: [ON SPEAKER] IF
YOU LOOK TO THE RIGHT,

YOU'LL SEE A HERD OF THE FIRST DINOSAURS
ON OUR TOUR, CALLED DILOPHOSAURUS.

DILOPHOSAURUS!

SHIT!

ONE OF THE EARLIEST
CARNIVORES,

WE NOW KNOW DILOPHOSAURUS
IS ACTUALLY POISONOUS

SPITTING ITS VENOM AT ITS PREY,
CAUSING BLINDNESS AND PARALYSIS,

ALLOWING THE CARNIVORE
TO EAT AT ITS LEISURE.

THIS MAKES DILOPHOSAURUS A
BEAUTIFUL BUT DEADLY ADDITION

TO JURASSIC PARK.

ALAN?

WHERE?

DAMN.

VEHICLE HEADLIGHTS ARE
ON AND NOT RESPONDING.

THOSE SHOULDN'T BE RUNNING
OFF OF CAR BATTERIES.

ITEM 151 ON TODAY'S
GLITCH LIST.

WE HAVE ALL THE PROBLEMS OF A
MAJOR THEME PARK AND A MAJOR ZOO

AND THE COMPUTERS AREN'T
EVEN ON THEIR FEET YET.

DENNIS, OUR LIVES ARE IN YOUR
HANDS AND YOU HAVE BUTTERFINGERS?

[LAUGHS SCORNFULLY]

I AM TOTALLY UNAPPRECIATED
IN MY TIME.

YOU CAN RUN THIS PARK FROM THIS ROOM
WITH MINIMAL STAFF FOR UP TO THREE DAYS.

YOU THINK THAT KIND OF
AUTOMATION IS EASY? OR CHEAP?

YOU KNOW ANYBODY WHO CAN
NETWORK EIGHT MACHINES

AND DE-BUG TWO MILLION LINES OF CODE ON MY SALARY?
IF SO, I WANT TO SEE THEM.

SORRY ABOUT YOUR FINANCIAL PROBLEMS, I REALLY AM.
BUT THEY ARE YOUR PROBLEMS.

YOU'RE ABSOLUTELY RIGHT.
EVERYTHING'S MY PROBLEM.

I WILL NOT BE DRAWN INTO ANOTHER
FINANCIAL DEBATE WITH YOU.

I REALLY WILL NOT.

THERE'S BEEN HARDLY
ANY DEBATE AT ALL.

I DON'T BLAME PEOPLE
FOR THEIR MISTAKES.

BUT I DO ASK THAT
THEY PAY FOR THEM.

THANKS, DAD.

THE HEADLIGHTS.

I'LL DEBUG THE TOUR PROGRAM
WHEN THEY GET BACK, OKAY?

IT'LL EAT A LOT OF
COMPUTE CYCLES.

WE'LL LOSE PART
OF THE SYSTEM.

THERE'S A FINITE AMOUNT OF MEMORY,
YOU CAN'T USE IT FOR EVERYTHING.

ARE YOU GONNA COMPILE
FOR A HALF AN HOUR...

QUIET, ALL OF YOU!

THEY'RE APPROACHING THE
TYRANNOSAUR PADDOCK.

[BIRDS CHIRPING]

GOD CREATES DINOSAURS.
GOD DESTROYS DINOSAURS.

GOD CREATES MAN. MAN DESTROYS GOD.
MAN CREATES DINOSAURS.

DINOSAURS EAT MAN.

WOMAN INHERITS
THE EARTH.

Ray: [ON RADIO] WE'LL TRY TO TEMPT THE REX NOW.
KEEP WATCHING THE FENCE.

[GOAT BLEATING
PLAINTIVELY]

WHAT'S GOING TO
HAPPEN TO THE GOAT?

HE'S GOING TO
EAT THE GOAT?

EXCELLENT.

WHAT'S THE MATTER, KID?
YOU NEVER HAD LAMB CHOPS?

I HAPPEN TO BE
A VEGETARIAN.

T-REX DOESN'T WANT TO BE FED.
HE WANTS TO HUNT.

YOU CAN'T JUST SUPPRESS 65
MILLION YEARS OF GUT INSTINCT.

EVENTUALLY YOU DO PLAN TO HAVE DINOSAURS
ON YOUR DINOSAUR TOUR, RIGHT?

HELLO. YES?

I REALLY HATE THAT MAN.

THE TYRANNOSAUR DOESN'T OBEY ANY
SET PATTERNS OR PARK SCHEDULES.

THE ESSENCE OF CHAOS.

I'M STILL NOT
CLEAR ON CHAOS.

IT SIMPLY DEALS WITH
UNPREDICTABILITY IN COMPLEX SYSTEMS.

THE SHORTHAND IS THE
BUTTERFLY EFFECT.

A BUTTERFLY CAN FLAP
ITS WINGS IN PEKING

AND IN CENTRAL PARK YOU GET
RAIN INSTEAD OF SUNSHINE.

WAS I GOING TOO FAST?
I MISSED IT.

I DID A FLY-BY.

GIVE ME THAT GLASS OF WATER.
WE'LL CONDUCT AN EXPERIMENT.

WE SHOULD BE STILL.
THE CAR'S BOUNCING.

THAT'S OKAY.
IT'S JUST AN EXAMPLE.

PUT YOUR HAND FLAT
LIKE A HIEROGLYPHIC.

A DROP OF WATER FALLS
ON YOUR HAND.

WHICH WAY WILL
THE DROP ROLL OFF?
WHICH FINGER?

Ellie: THUMB, I'D SAY.

FREEZE YOUR HAND.
DON'T MOVE.

I'LL DO THE SAME THING, START
WITH THE SAME PLACE AGAIN.

WHICH WAY, NOW?

LET'S SAY BACK
THE SAME WAY.

[GASPS IN MOCK
SURPRISE]

IT CHANGED. WHY?

BECAUSE TINY
VARIATIONS,

THE ORIENTATION OF THE
HAIRS ON YOUR HANDS...

ALAN, LOOK AT THIS.

...THE AMOUNT OF BLOOD DISTENDING YOUR
VESSELS, IMPERFECTIONS IN THE SKIN...

"LMPERFECTIONS
IN THE SKIN"?

...JUST MICROSCOPIC,

NEVER REPEAT AND VASTLY
AFFECT THE OUTCOME.

THAT'S WHAT?

UNPREDICTABILITY.

THERE. LOOK AT THIS. SEE?
I'M RIGHT AGAIN.

NOBODY COULD PREDICT THAT DR. GRANT WOULD
SUDDENLY JUMP OUT OF A MOVING VEHICLE.

AND THERE'S
ANOTHER EXAMPLE.

SEE, HERE I AM NOW BY MYSELF, TALKING TO MYSELF.
THAT'S CHAOS THEORY.

STOP THE PROGRAM.

[ALARM BEEPING]

I TOLD YOU, HOW MANY TIMES, WE NEEDED
LOCKING MECHANISMS ON THE VEHICLE DOORS.

Man: [ON PA SYSTEM] STOPPING PARK
VEHICLES AND REBOOTING PROGRAM.

WE'RE ON. WILL
NOTIFY FOR RESUME.

Technician 1: I'LL SWITCH
IT OVER TO TELEPROMPTER.

Technician 2: WHAT ABOUT
THE CIRCUIT INTEGRITIES?

Technician 3: SCREEN
SAYS FAULTY SENSOR.

Technician 2: I'LL
CALL SECURITY.

Technician 3: WE'RE AT FULL
GO ON THAT AND IT LOOKS GOOD.

LIKE I SAID, THERE'S THIS OTHER
BOOK BY A GUY NAMED BAKKER

AND HE SAYS DINOSAURS
DIED FROM DISEASES.

WHERE ARE WE GOING?

Tim: HE DIDN'T SAY THEY
TURNED INTO BIRDS.

ANYONE ELSE THINK WE
SHOULDN'T BE OUT HERE?

AND HIS BOOK WAS A LOT FATTER THAN YOURS.
LIKE THIS.

REALLY? YOURS WAS
FULLY ILLUSTRATED.

YOU OKAY?

LOOK AT THIS. WAIT.
WATCH.

COME ON. WATCH THIS.

[LOW BELLOWING]

WHOA.

EVERYBODY STAY HERE.

Tim: WOW.

OKAY?

OF COURSE.

[GROANING]

Gerry: DON'T BE SCARED.
COME ON, IT'S OKAY.

MULDOON TRANQUILLIZED
HER FOR ME.

Alan: SHE'S SICK.

[SOFT INSTRUMENTAL MUSIC]

OH, MY GOD.

HEY, BABY.

SHE WAS ALWAYS MY
FAVORITE WHEN I WAS A KID

AND NOW I SEE SHE'S THE MOST
BEAUTIFUL THING I EVER SAW.

IT'S OKAY.

MICROVESICLES.
THAT'S INTERESTING.

THANKS. WHAT ARE
HER SYMPTOMS?

IMBALANCE, DISORIENTATION,
LABORED BREATHING.

IT SEEMS TO HAPPEN
EVERY SIX WEEKS OR SO.

SIX WEEKS.

THESE ARE DILATED.
THEY ARE?

TAKE A LOOK.

I'LL BE DAMNED.

THAT'S PHARMACOLOGICAL.
FROM LOCAL PLANT LIFE.

IS THIS WEST
INDIAN LILAC?

Gerry: YES. WE KNOW THEY'RE TOXIC,
BUT THE ANIMALS DON'T EAT THEM.

ARE YOU SURE?

Gerry: PRETTY SURE.

THERE'S ONLY ONE WAY
TO BE POSITIVE.

I'D HAVE TO SEE THE
DINOSAUR'S DROPPINGS.

DINO DROPPINGS?
DROPPINGS?

YEAH, I GOT THAT.

THAT STORM CENTER HASN'T
DISSIPATED OR CHANGED COURSE.

WE'RE GONNA HAVE TO
CUT THE TOUR SHORT.

WE'LL PICK IT UP
AGAIN TOMORROW.

ARE YOU SURE
WE HAVE TO?

IT'S NOT WORTH
TAKING THE CHANCE.

SUSTAINED WINDS
AT 45 KNOTS.

TELL THEM WHEN THEY
GET BACK IN THE CARS.

LADIES AND GENTLEMEN, LAST SHUTTLE LEAVING
FOR THE DOCK LEAVES IN FIVE MINUTES.

DROP WHAT YOU'RE
DOING AND LEAVE NOW.

DAMN!

[FLIES BUZZING]

THAT IS ONE BIG
PILE OF SHIT.

YOU'RE RIGHT. THERE'S NO
TRACE OF LILAC BERRIES.

THAT'S SO ODD, THOUGH.

ALL RIGHT, SHE'S SUFFERING
FROM MELIA TOXICITY

EVERY SIX WEEKS.

LET'S SEE, RATS.

SHE'S TENACIOUS.

YOU HAVE NO IDEA.

[THUNDER RUMBLING]

YOU WILL REMEMBER TO WASH YOUR
HANDS BEFORE YOU EAT ANYTHING?

[TENSE INSTRUMENTAL
MUSIC]

[THUNDER CRACKING]

DOCTORS, IF YOU PLEASE, I HAVE
TO INSIST THAT WE GET MOVING.

I'D LIKE TO STAY WITH DR. HARDING
AND FINISH UP WITH THE TRIKE.

SURE. I'M IN A
GAS-POWERED JEEP.

I'LL DROP HER OFF AT THE
CENTER BEFORE I MAKE THE BOAT.

GREAT. THEN I'LL CATCH
UP WITH YOU LATER.

YOU SURE?

YEAH, I WANT TO STAY WITH
HER A LITTLE LONGER.

OKAY, THEN.

[TENSE INSTRUMENTAL
MUSIC INTENSIFIES]

THERE'S NOTHING I CAN DO. THE CAPTAIN
SAYS WE GOT TO GO, WE GOT TO GO.

YOU'VE GOT TO
GIVE ME THE TIME.

I DID A TEST RUN, IT TOOK ME 20 MINUTES.
I THINK I CAN PUSH IT TO 18

BUT YOU'VE GOT TO GIVE
ME AT LEAST 15 MINUTES.

NO PROMISES.

Ray: VISITOR VEHICLES ARE
RETURNING TO THE GARAGE.

SO MUCH FOR OUR FIRST TOUR. TWO
NO-SHOWS AND ONE SICK TRICERATOPS.

IT COULD'VE BEEN WORSE.

A LOT WORSE.

Dennis: ANYBODY WANT A SODA OR SOMETHING?
I'M GOING UP TO THE MACHINE.

I THOUGHT MAYBE I'D GET
SOMEBODY SOMETHING.

I'VE HAD ONLY SWEETS AND I'M
GONNA GET SOMETHING SALTY.

I FINISHED DEBUGGING
THE PHONES.

I WAS GOING
TO, SO I DID.

SO I DEBUGGED THE PHONES.
AND I THOUGHT MAYBE

I SHOULD TELL YOU THE
SYSTEM WILL BE COMPILING

FOR 18 TO 20 MINUTES, SO
SOME OF THE MINOR SYSTEMS,

THEY MIGHT GO ON AND OFF FOR A WHILE,
BUT IT'S NOTHING TO WORRY ABOUT.

[TENSE INSTRUMENTAL MUSIC]

[THUNDER CLAPPING]

DO YOU GOT ANY KIDS?

ME? HELL, YEAH.
THREE. I LOVE KIDS.

ANYTHING AT ALL CAN
AND DOES HAPPEN.

SAME WITH WIVES,
FOR THAT MATTER.

YOU'RE MARRIED?

OCCASIONALLY.

I'M ALWAYS ON THE LOOKOUT
FOR A FUTURE EX-MRS. MALCOLM.

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

FIVE, FOUR, THREE,

TWO, ONE.

THAT'S ODD.
John: WHAT?

DOOR SECURITY SYSTEMS
ARE SHUTTING DOWN.

NEDRY SAID A FEW SYSTEMS
WOULD GO OFF-LINE, DIDN'T HE?

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

BY THE WAY, DR. SATTLER,

SHE'S NOT AVAILABLE,
IS SHE?

WHY?

I'M SORRY. YOU TWO ARE...

YEAH.

WHAT'D I TOUCH?

YOU DIDN'T TOUCH ANYTHING.
WE STOPPED.

Ray: WHAT THE HELL?

WHAT NOW?

FENCES ARE FAILING
ALL OVER THE PARK.

FIND NEDRY. CHECK
THE VENDING MACHINES.

[SINISTER INSTRUMENTAL MUSIC]

JUST LOOK AT THIS
WORK STATION.

WHAT A COMPLETE SLOB.

Robert: THE RAPTOR FENCES
AREN'T OUT, ARE THEY?

NO, NO. THEY'RE STILL ON.

WHY THE HELL WOULD HE TURN
THE OTHER ONES OFF?

[TENSE INSTRUMENTAL MUSIC]

Ray: ACCESS MAIN PROGRAM.

ACCESS MAIN SECURITY.

ACCESS MAIN PROGRAM GRID.

YOU DIDN'T SAY
THE MAGIC WORD.

PLEASE! GOD DAMN IT.
I HATE THIS HACKER CRAP.

John: PHONE NEDRY'S
PEOPLE IN CAMBRIDGE.

PHONES ARE OUT, TOO.

WHERE DID THE VEHICLES STOP?

THEIR RADIO'S OUT, TOO.

GENNARO SAID TO STAY PUT.
KIDS OKAY?

I DIDN'T ASK. WHY
WOULDN'T THEY BE?

KIDS GET SCARED.
WHAT'S SCARY?

IT'S JUST A LITTLE HICCUP IN THE POWER.
I'M NOT SCARED.

I DIDN'T SAY YOU
WERE SCARED.

I KNOW.

BOO!

HEY, WHERE DID
YOU FIND THOSE?

IN THE BOX, UNDER MY SEAT.

ARE THEY HEAVY?

YEAH.
THEN THEY'RE EXPENSIVE.
PUT THEM BACK.

DON'T SCARE ME.

[GOAT BLEATING]

AH, COOL. NIGHT VISION.

[DISTANT THUDDING]

DID YOU FEEL THAT?

[THUDDING CONTINUES]

[THUDDING GETS LOUDER]

MAYBE IT'S THE POWER
TRYING TO COME BACK ON.

LEX: WHAT IS THAT?

WHERE'S THE GOAT?

[GASPS]

[GROWLING]

JESUS!

HE LEFT US.

AAH! AAH!

WHERE DOES HE THINK
HE'S GOING?

WHEN YOU GOT TO GO,
YOU GOT TO GO.

[LOUD THUDDING]

[FENCE CREAKING LOUDLY]

DR. GRANT.

[ROARING]

I HATE BEING
RIGHT ALL THE TIME.

KEEP ABSOLUTELY STILL. ITS
VISION IS BASED ON MOVEMENT.

TURN THE LIGHT OFF.
TURN THE LIGHT OFF.

TURN THE LIGHT OFF!

[SNARLING]

[ROARING DEAFENINGLY]

AAH! AAH! AAH!
AAH! AAH! AAH! AAH!

HURRY! TURN IT OFF!

I'M SORRY!

YOU'RE THE ONE
WHO TURNED IT...

Both: AAH! AAH!

AAH! AAH! AAH! AAH!

AAH! AAH! AAH!
AAH! AAH! AAH!

Lex: AAH!

Lex: AAH! AAH!
Tim: AAH! AAH!

AAH! AAH!

AAH! AAH!

[BELLOWING LOUDLY]

UGH! AAH!

UNH! UGH!

[LEX SOBBING]

Lex: AAH!

HEY!

(ROARS)

HEY! HEY! HEY! HEY!

IAN, FREEZE!

GET THE KIDS!

GET RID OF THE FLARE!

GET THE KIDS!

GET RID OF THE FLARE!

HAIL MARY,
FULL OF GRACE...

AAAH!

UNH!

NO! NO!

AAAH!

Lex: DR. GRANT!

[LEX CRYING]

I'M STUCK.
THE SEAT'S GOT MY FEET.

I'LL GET YOU NEXT.
YOU'RE OKAY.

YOU'RE ALL RIGHT.

TIM!

AAAAH!

DON'T MOVE. HE CAN'T SEE
US IF WE DON'T MOVE.

AAH!

[SNARLING]

Alan: TIM!
Lex: AAH!

LEX, YOU'RE CHOKING ME.

GRAB THE WIRE.

[ROARING]

"KEYCHECK SPACE MINUS 0. KEYCHECKS
OFF, SAFETY SPACE MINUS 0."

HE'S TURNING THE SAFETY SYSTEMS OFF.
DOESN'T WANT ANYBODY TO SEE.

LOOK AT THIS NEXT ENTRY. IT'S THE KICKER.
"WHITE RABBIT OBJECT."

IT DID IT ALL. WITH
THE KEYCHECKS OFF,

THE COMPUTER DIDN'T
FILE THE KEYSTROKES.

THE WAY TO FIND THEM IS TO CHECK THE
COMPUTER'S LINES OF CODE ONE BY ONE.

HOW MANY LINES OF
CODE ARE THERE?

ABOUT TWO MILLION.

TWO MILLION?
YEAH.

ROBERT, I WONDER IF PERHAPS YOU WOULD
BE GOOD ENOUGH TO TAKE A GAS JEEP

AND BRING BACK
MY GRANDCHILDREN.

SURE.

I'M GOING WITH HIM.

[TENSE INSTRUMENTAL MUSIC]

JOHN.

I CAN'T GET JURASSIC PARK BACK
ONLINE WITHOUT DENNIS NEDRY.

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

SHOULD HAVE BEEN
THERE BY NOW.

DAMN IT!

THERE'S THE ROAD!

WINCH THIS SUCKER OFF THE THING AND
THEN I TIE IT TO THAT THING THERE.

I'LL PULL DOWN THIS THING HERE,
AND PULL IT BACK UP AGAIN.

WHOA! UNH! UNH!

MY GLASSES. I CAN
AFFORD MORE GLASSES!

[SOFT SQUEALING]

YOU'VE GOT TIME.
YOU CAN DO IT. DO IT.
COME ON, DENNIS.

UNH! UNH!

[SQUEALING]

HELLO.

YEAH, THAT'S NICE.
I'VE GOT TO GO.

[SQUEALING CONTINUES]

NICE BOY.

NICE DINOSAUR.

THOUGHT YOU WERE ONE OF YOUR BIG BROTHERS.
YOU'RE NOT SO BAD.

WHAT DO YOU WANT? A LITTLE FOOD? LOOK AT ME.
I JUST FELL DOWN A HILL.

I'M SOAKING WET. I DON'T HAVE ANY FOOD.
I HAVE NOTHING ON ME.

GO ON. PLAY FETCH?

LOOK, STICK.

LOOK AT STICK.

STICK, STUPID. FETCH THE STICK, BOY.
LOOK AT THE STICK.

YOU LIKE THE STICK?
GO ON AND GET IT.

NO WONDER YOU'RE EXTINCT.

I'M GONNA RUN YOU OVER
WHEN I COME BACK DOWN.

[SQUAWKING]

AAH! AAH! AAH!

AAH! AAH!

AAH! UNH! AAH!

UNH! OW!

AAH! AAH! AAH! AAH!
AAH! AAH! UNH! AAH!

TIMMY!

NOW, LEX. LISTEN.

LEX, I'M RIGHT HERE.

I'LL LOOK AFTER YOU.
I HAVE TO HELP YOUR BROTHER.

STAY RIGHT HERE
AND WAIT FOR ME.

[HYSTERICALLY]
HE LEFT US.

BUT THAT'S NOT WHAT
I'M GOING TO DO.

[WHIMPERING]

OKAY?

STAY HERE.

[DINOSAUR BELLOWING
IN THE DISTANCE]

YOU HEAR ME?
I'M COMING UP.

I HATE CLIMBING. I HATE
TREES, WAY TOO HIGH.

YOU OKAY?

I THREW UP.

THAT'S OKAY.

JUST GIVE ME YOUR HAND.

TIM, I WON'T TELL ANYONE YOU THREW UP.
JUST GIVE ME YOUR HAND.

HERE, I'VE GOT YOU.

OKAY.

THAT'S GOOD.
OVER THE RAIL.

DON'T PULL ME TOO HARD.

Alan: STAND ON THE DOOR.
HANG ON TO ME.

THAT'S NOT TOO BAD,
RIGHT, TIMMY?
YES, IT IS.

IT'S LIKE A TREE HOUSE.
YOUR DAD EVER BUILD YOU ONE?

NO.
YEAH, ME, TOO.

THE THING ABOUT CLIMBING IS,
YOU NEVER LOOK DOWN.

THIS IS IMPOSSIBLE.

HOW AM I GOING TO DO THIS?
IT'S ABOUT...

I'M GOING TO HELP YOU
WITH YOUR FOOTING.

OH, NO.

TIM, GO.

[TENSE INSTRUMENTAL MUSIC]

GO, TIM, GO!

FASTER, TIM!

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

Alan: TIM, JUMP!

GO, TIM.

Tim: WE'RE BACK
IN THE CAR AGAIN.

Alan: AT LEAST
YOU'RE OUT OF THE TREE.

Ellie: WHERE'S THE OTHER CAR?

ALAN!

Robert: DR. GRANT!

[TENSE INSTRUMENTAL MUSIC]

I THINK THIS WAS GENNARO.

I THINK THIS WAS, TOO.

[DINOSAUR ROARING]

I THINK IT'S AHEAD OF US.

IT COULD BE ANYWHERE.

WITH FENCES DOWN,
IT CAN WANDER IN AND OUT
OF ANY PADDOCK IT LIKES.

Ian: AHHH!

HE'S PUT A TOURNIQUET ON. IAN.

REMIND ME TO THANK JOHN
FOR A LOVELY WEEKEND.

[ROARING CONTINUES]

CAN WE CHANCE MOVING HIM?

PLEASE CHANCE IT.

ELLIE, COME ON!

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

IT'S THE OTHER CAR!

Robert: DR. GRANT?

Robert: THEY'RE NOT HERE.

[DISTANT THUDDING]

[THUDDING CONTINUES]

[OMINOUS INSTRUMENTAL MUSIC]

ANYBODY HEAR THAT?

IT'S AN IMPACT TREMOR,
IS WHAT IT IS.

I'M FAIRLY ALARMED HERE.

COME ON. WE'VE GOT TO GET
OUT OF HERE. NOW! RIGHT NOW!

LET'S GO.

[GRIPPING INSTRUMENTAL MUSIC]

[ROARS]

MUST GO FASTER.

Ian: HERE IT COMES! STAND ON IT! FIFTH GEAR!
Ellie: SHIT! SHIT!

Ian: AAAH!

GET OFF THE STICK!
BLOODY MOVE!

LOOK OUT!

AAH!

[GRIPPING INSTRUMENTAL
MUSIC CONTINUES]

AAAAH!

THINK THEY'LL HAVE
THAT ON THE TOUR?

[LOUD BELLOWING]

ARE YOU HEARING THIS?

Alan: COME ON, TIM.
HURRY UP.

LET'S GET UP THIS TREE.

COME ON, TIM, IT'S OKAY.
LISTEN. TRY UP HERE.

OH, MAN.

I HATE TREES.

THEY DON'T BOTHER ME.

YEAH? WELL, YOU WEREN'T
IN THE LAST ONE.

[DINOSAURS MOANING SOFTLY]

LOOK AT THE BRONTOSAURUSES.
I MEAN, BRACHIOSAURUS.

Alan: THEY'RE SINGING.

[DINOSAURS CONTINUE MOANING]

[IMITATING DINOSAUR BELLOW]

[DINOSAURS BELLOWING
IN RESPONSE]

Lex: DON'T LET THE MONSTERS
COME OVER HERE.

THEY'RE NOT MONSTERS, THEY'RE ANIMALS.
THESE ARE HERBIVORES.

THEY ONLY EAT VEGETABLES.
FOR YOU, I THINK
THEY'D MAKE AN EXCEPTION.

I HATE THE OTHER KIND.

THEY JUST DO WHAT THEY DO.

[TENDER INSTRUMENTAL MUSIC]

[GRUNTING]

WHAT'S THAT?

WHAT ARE YOU AND ELLIE GOING
TO DO NOW, IF YOU DON'T DIG
UP BONES ANYMORE?

I DON'T KNOW.

I GUESS WE'LL JUST
HAVE TO EVOLVE, TOO.

WHAT DO YOU CALL
A BLIND DINOSAUR?

"DO-YOU-THINK-HE-SAURUS."

[CHUCKLES]

WHAT DO YOU CALL
A BLIND DINOSAUR'S DOG?

YOU GOT ME.

A "DO-YOU-THINK
- HE-SAURUS REX."

ALAN?

YEAH?

WHAT IF THE DINOSAURS
COME BACK WHILE
WE'RE ALL ASLEEP?

I'LL STAY AWAKE.
ALL NIGHT?

ALL NIGHT.

[TENDER INSTRUMENTAL
MUSIC CONTINUES]

[SOFT INSTRUMENTAL MUSIC]

[SOFT INSTRUMENTAL
MUSIC CONTINUES]

THEY WERE ALL MELTING.

MALCOLM'S OKAY FOR NOW. I
GAVE HIM A SHOT OF MORPHINE.

THEY'LL BE FINE.

WHO BETTER TO GET THE CHILDREN THROUGH
JURASSIC PARK THAN A DINOSAUR EXPERT?

YOU KNOW, THE FIRST

ATTRACTION I EVER BUILT
WHEN I CAME
DOWN FROM SCOTLAND

WAS A FLEA CIRCUS,
PETTICOAT LANE.

REALLY QUITE WONDERFUL.

I HAD A WEE TRAPEZE
AND A

CAROUSEL

AND A SEESAW.

THEY ALL MOVE MOTORIZED,
OF COURSE.

PEOPLE SAID
THEY SAW THE FLEAS.
"I CAN SEE THE FLEAS.

"CAN'T YOU SEE THE FLEAS?"

CLOWN FLEAS, HIGH-WIRE FLEAS,
AND FLEAS ON PARADE.

WITH THIS PLACE,

I WANTED TO SHOW THEM SOMETHING
THAT WASN'T AN ILLUSION.

SOMETHING THAT WAS REAL.
SOMETHING THAT THEY COULD

SEE AND TOUCH.

[SENTIMENTAL
INSTRUMENTAL MUSIC]

AN AIM NOT
DEVOID OF MERIT.

BUT YOU CAN'T THINK
THROUGH THIS ONE, JOHN.
YOU HAVE TO FEEL IT.

YOU'RE ABSOLUTELY RIGHT.

HIRING NEDRY WAS A MISTAKE,
THAT'S OBVIOUS.

WE'RE OVER-DEPENDENT ON
AUTOMATION, I CAN SEE THAT NOW.

NEXT TIME,
EVERYTHING'S CORRECTABLE.

CREATION IS AN ACT
OF SHEER WILL.

NEXT TIME,
IT'LL BE FLAWLESS.

IT'S STILL THE FLEA CIRCUS.
IT'S ALL AN ILLUSION.

WHEN WE HAVE CONTROL...

YOU'VE NEVER HAD CONTROL!
THAT'S THE ILLUSION.

I WAS OVERWHELMED
BY THE POWER OF THIS PLACE.

I MADE A MISTAKE, TOO.

I DIDN'T HAVE ENOUGH RESPECT FOR
THAT POWER, AND IT'S OUT NOW.

THE ONLY THING THAT MATTERS
NOW ARE THE PEOPLE WE LOVE.

ALAN AND LEX AND TIM.

JOHN, THEY'RE OUT THERE,
WHERE PEOPLE ARE DYING.

IT'S GOOD.

SPARED NO EXPENSE.

[SOFT INSTRUMENTAL MUSIC]

[GASPS]

GO AWAY!

IT'S OKAY.
IT'S A BRACHIOSAURUS.

IT'S A "VEGGIE-SAURUS", LEX.
"VEGGIE-SAURUS."

VEGGIE.

COME ON. COME ON, GIRL.

COME ON, BABY.

[GROWLING]

GO.

I'M NOT LETTING GO.

IT LOOKS LIKE
IT HAS A COLD.

YEAH. MAYBE.

CAN I TOUCH IT?
SURE.

JUST THINK OF IT
AS KIND OF A BIG COW.

Lex: I LIKE COWS.

COME ON, GIRL.
COME ON UP HERE, GIRL.

[SNEEZES]

GOD BLESS YOU.

Lex: YUCK.
GREAT.

NOW SHE'LL NEVER
TRY ANYTHING NEW.

SHE'LL SIT IN HER ROOM, NEVER
COME OUT, PLAY ON HER COMPUTER.

I'M A HACKER.

THAT'S WHAT I SAID.
YOU'RE A NERD.

Lex: I AM NOT
A COMPUTER NERD.

I PREFER TO BE
CALLED A HACKER.

GOD.

YOU KNOW WHAT THIS IS?

IT'S A DINOSAUR EGG.

THE DINOSAURS ARE BREEDING.

BUT MY GRANDPA SAID ALL
THE DINOSAURS WERE GIRLS.

AMPHIBIAN DNA.
WHAT'S THAT?

WELL, ON THE TOUR,

THE FILM SAID THEY USED FROG DNA
TO FILL IN THE GENE-SEQUENCE GAPS.

THEY MUTATED THE DINOSAUR
GENETIC CODE

AND BLENDED IT WITH
THAT OF FROGS.

SOME WEST AFRICAN FROGS HAVE BEEN KNOWN
TO CHANGE SEX FROM MALE TO FEMALE

IN A SINGLE SEX ENVIRONMENT.

MALCOLM WAS RIGHT.

LOOK.

LIFE FOUND A WAY.

Ray: NO. THAT'S CRAZY.
YOU'RE OUT OF YOUR MIND.

HE'S ABSOLUTELY
OUT OF HIS MIND.

Ellie: WAIT. WHAT EXACTLY
WOULD THIS MEAN?

WE'RE TALKING ABOUT
A CALCULATED RISK,

WHICH IS THE ONLY
OPTION LEFT TO US.

WE'LL NEVER FIND THE COMMAND NEDRY USED.
HE'S COVERED HIS TRACKS FAR TOO WELL.

I THINK IT'S OBVIOUS NOW
THAT HE'S NOT COMING BACK.

SO, SHUTTING DOWN
THE ENTIRE SYSTEM...

GET SOMEBODY ELSE.
I WON'T DO IT.

SHUTTING DOWN THE SYSTEM IS THE ONLY
WAY TO WIPE OUT EVERYTHING HE DID.

NOW, AS I UNDERSTAND IT, ALL THE
SYSTEMS WILL THEN COME BACK

ON THEIR ORIGINAL
START-UP MODE. CORRECT?

THEORETICALLY, YES. WE'VE NEVER
SHUT DOWN THE ENTIRE SYSTEM BEFORE.

IT MAY NOT COME BACK ON.

WOULD WE GET
THE PHONES BACK?

YES, AGAIN, IN THEORY.

WHAT ABOUT
THE LYSINE CONTINGENCY?

WE COULD PUT
THAT INTO EFFECT.

WHAT'S THAT?

THAT'S ABSOLUTELY OUT
OF THE QUESTION.

THE LYSINE CONTINGENCY PREVENTS
THE SPREAD OF ANIMALS,

IF THEY EVER GET
OFF THE ISLAND.

WU INSERTED A GENE THAT CREATES A
FAULTY ENZYME IN PROTEIN METABOLISM.

THE ANIMALS CAN'T MANUFACTURE
THE AMINO ACID, LYSINE.

UNLESS THEY'RE SUPPLIED WITH LYSINE
BY US, THEY SLIP INTO A COMA AND DIE.

PEOPLE ARE DYING.

WILL YOU PLEASE SHUT
DOWN THE SYSTEM?

HOLD ON TO YOUR BUTTS.

[TENSE INSTRUMENTAL MUSIC]

IT'S OKAY.

LOOK, SEE THAT?
IT'S ON. IT WORKED.

WHAT DO YOU MEAN IT WORKED?
EVERYTHING'S OFF.

SHUTDOWN TRIPPED
THE CIRCUIT BREAKERS.

TURN THEM BACK ON,
REBOOT A FEW SYSTEMS:

TELEPHONES, SECURITY DOORS, HALF
DOZEN OTHERS, BUT IT WORKED.

SYSTEM'S READY.
WHERE ARE THE BREAKERS?

MAINTENANCE SHED
AT THE END OF THE COMPOUND.

THREE MINUTES, I'LL HAVE THE
POWER BACK ON IN THE PARK.

JUST TO BE SAFE, I WANT EVERYBODY
IN THE EMERGENCY BUNKER

UNTIL MR. ARNOLD RETURNS, AND THE
WHOLE SYSTEM'S RUNNING AGAIN.

I'M TIRED.
I'M DIRTY.

I'M HOT.

LOOKING AT THE MAP, I'D SAY THE
VISITOR'S CENTER IS JUST A MILE

OVER THAT RISE THERE.
JUST KEEP...

WHAT IS THAT?

TIM, CAN YOU TELL ME
WHAT THEY ARE?

THEY ARE

GALLIMIMUS.

ARE THOSE MEAT-EATING?

"MEAT-ASAURUSES"?

LOOK AT THE WHEELING.
UNIFORM DIRECTION CHANGES.

JUST LIKE A FLOCK OF BIRDS
EVADING A PREDATOR.

THEY'RE FLOCKING THIS WAY.

[RUMBLING]

[DINOSAURS SQUEALING]

[ROARING]

I WANT TO GO NOW.

JUST LOOK HOW IT EATS.

PLEASE.

I BET YOU'LL
NEVER LOOK AT BIRDS
THE SAME WAY AGAIN.

YES.
GO NOW.

OKAY. KEEP LOW
AND FOLLOW ME.

LOOK HOW MUCH BLOOD.

GOD. SOMETHING WENT WRONG.

SOMETHING'S HAPPENED.
SOMETHING'S WRONG.

[TENSE INSTRUMENTAL MUSIC]

John: THIS IS JUST A DELAY.

THAT'S ALL IT IS. ALL MAJOR
THEME PARKS HAVE DELAYS.

WHEN THEY OPENED DISNEYLAND
IN 1956, NOTHING WORKED.

IF THE PIRATES OF THE
CARIBBEAN BREAKS DOWN,

THE PIRATES DON'T
EAT TOURISTS.

I CAN'T WAIT ANY MORE.
SOMETHING'S WRONG.

I'M GONNA GO GET
THE POWER BACK ON.

YOU CAN'T JUST STROLL
DOWN THE ROAD, YOU KNOW?

DON'T LET'S BE TOO HASTY.
I MEAN, IT'S ONLY BEEN GONE...

I'M GOING WITH YOU.
OKAY.

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

SORRY.

NOW, THIS ISN'T GOING TO BE JUST
LIKE SWITCHING ON THE KITCHEN LIGHT.

BUT I THINK I CAN FOLLOW THIS
AND THEN TALK YOU THROUGH IT.

RIGHT.

BUT IT OUGHT TO BE ME,
REALLY, GOING.

WHY?

I'M A... AND YOU'RE A...

LOOK.
COME ON, LET'S GO.

WE CAN DISCUSS SEXISM IN SURVIVAL
SITUATIONS WHEN I GET BACK.

YOU JUST TAKE ME THROUGH THIS STEP BY STEP.
I'M ON CHANNEL 2.

RIGHT.

[DRAMATIC INSTRUMENTAL MUSIC]

THE SHUTDOWN MUST'VE
TURNED OFF ALL THE FENCES.

DAMN IT, EVEN NEDRY KNEW BETTER
THAN TO MESS WITH THE RAPTOR PEN.

COME ON, THIS WAY.

[TENSE INSTRUMENTAL MUSIC]

I CAN SEE THE SHED
FROM HERE.

WE CAN MAKE IT IF WE RUN.

NO. WE CAN'T.

WHY NOT?

BECAUSE WE'RE BEING HUNTED.

IN THE BUSHES,
STRAIGHT AHEAD.

IT'S ALL RIGHT.

LIKE HELL IT IS.

RUN. TOWARDS THE SHED.

I'VE GOT HER.

GO. NOW!

[MUSIC INTENSIFIES]

MR. ARNOLD?

JOHN, I'M IN.

John: [ON RADIO] GREAT.

AHEAD OF YOU IS A METAL STAIRCASE.
GO DOWN IT.

Ellie: [ON RADIO]
OKAY. GOING DOWN.

AFTER 20 OR 30 FEET YOU COME
TO A T-JUNCTION. TAKE A LEFT.

HAVE HER FOLLOW
THE MAIN CABLE.

I KNOW HOW TO READ
A SCHEMATIC.

I GUESS THAT MEANS
THE POWER'S OFF.

Alan: AAAAAAH!
Lex: AAAAH!

THAT'S NOT FUNNY.

THAT WAS GREAT.

WELL, MAYBE WE, WE COULD...

[DINOSAUR ROARING]

[DRAMATIC INSTRUMENTAL MUSIC]

DAMN IT. DEAD END.

WAIT A MINUTE.

THERE SHOULD HAVE BEEN A RIGHT
TURN BACK THERE SOMEWHERE.

LOOK ABOVE YOU.

Ian: THERE SHOULD BE A BUNDLE OF CABLE AND
PIPES ALL HEADING IN THE SAME DIRECTION.

FOLLOW THAT.

OKAY. FOLLOWING THE PIPING.

I BET I COULD CLIMB OVER TO THE OTHER SIDE
BEFORE YOU COULD EVEN GET TO THE TOP.

WHAT WOULD YOU GIVE ME?

RESPECT.

COME ON, GUYS,
IT'S NOT A RACE.

I SEE THE BOX.

IT SAYS, "HIGH VOLTAGE."
YEAH.

OKAY.

GOOD. HERE WE GO.

OVER THE TOP.

TAKE YOUR TIME.

GOOD. COME ON.

FIND YOUR FOOTING.

YOU CAN'T THROW
THE MAIN SWITCH BY HAND.

YOU'VE GOT TO PUMP UP THE PRIMER
HANDLE IN ORDER TO GET THE CHARGE.

IT'S LARGE, FLAT, AND GRAY.

ALL RIGHT,
HERE I GO. OKAY?

ONE, TWO, THREE, FOUR.

OKAY, CHARGED.

UNDER THE WORDS "CONTACT POSITION,"
THERE'S A ROUND GREEN BUTTON

WHICH SAYS "PUSH TO CLOSE."

PUSH TO CLOSE.

PUSH IT.

[ALARM SOUNDING]

AAH! UNH!

THE RED BUTTONS TURN ON
THE INDIVIDUAL PARK SYSTEMS.

SWITCH THEM ON.

[GRIPPING INSTRUMENTAL MUSIC]

GET DOWN NOW!

YOU'RE GONNA HAVE TO JUMP.

YOU CRAZY?
I'M NOT GONNA JUMP.

DO WHAT DR. GRANT SAYS!

LET GO.
I'LL COUNT TO THREE.

ONE, TWO, THREE!

FOUR. FIVE.

I'M COMING UP TO GET YOU.

I'VE GOT TO GET TIM.

OKAY. I'M GONNA
COUNT TO THREE.

ONE,

TWO...

HE'S NOT BREATHING.

I THINK WE'RE BACK
IN BUSINESS!

[SNARLING]

AAH! AAH! GODDAMN!

NO!

[GRIPPING INSTRUMENTAL
MUSIC CONTINUES]

[GASPING]

Ellie: AAH!

[SUSPENSEFUL
INSTRUMENTAL MUSIC]

CLEVER GIRL.

AAH! AAH!

AAAAH!

AAAH!

NO, TIM!

[COUGHING]

GOOD BOY.

THREE.

Alan: HELLO?

OKAY. I'M GONNA HAVE
TO FIND THE OTHERS.

GET YOU TO A DOCTOR.

LEX, YOU LOOK AFTER TIM.
YEAH.

YOUR HAIR IS
ALL STICKING UP.

BIG TIM, THE HUMAN
PIECE OF TOAST.

I'LL BE BACK SOON.
I PROMISE.

RUN.

[DINOSAUR SNORTING]

[GASPING]

JUST THE TWO RAPTORS, RIGHT?

YOU SURE THE THIRD
ONE'S CONTAINED?

YES, UNLESS THEY FIGURE OUT
HOW TO OPEN DOORS.

[TENSE INSTRUMENTAL MUSIC]

Lex: WHAT IS IT?

Tim: IT'S A VELOCIRAPTOR.

IT'S INSIDE.

[ROARING]

FOLLOW ME.

[BELLOWING]

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

[SNIFFING]

[METALLIC TAPPING]

[SNARLING]

[CRYING IN FEAR]

Lex: AAH! AAH! AAH!

AAH! AAH!

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

AAH!

AAH!

[SNORTING]

IT'S IN THERE.

CONTROL ROOM.

[TENSE INSTRUMENTAL
MUSIC CONTINUES]

Lex: WE CAN
CALL FOR HELP?

WE'VE GOT TO REBOOT
THE SYSTEM FIRST.

THE DOOR LOCKS!

ELLIE, BOOT UP
THE DOOR LOCKS!

NO, BOOT UP
THE DOOR LOCKS!

GET BACK! BOOT UP
THE DOOR LOCKS.

YOU CAN'T HOLD IT
BY YOURSELF!

IT'S A UNIX SYSTEM.
I KNOW THIS.

Lex: IT'S ALL THE FILES
OF THE WHOLE PARK.

IT TELLS YOU EVERYTHING.
I'VE GOT TO FIND
THE RIGHT FILE.

TRY TO REACH THE GUN.

I CAN'T GET IT
UNLESS I MOVE.

[MUSIC INTENSIFIES]

THIS IS IT. THIS MIGHT
BE THE RIGHT FILE.

YOU GOT IT!
YES!

Tim: DID IT!

YES!

[TRIUMPHANT
INSTRUMENTAL MUSIC]

Alan: WHAT WORKS?

ALL SECURITY SYSTEMS
ARE ENABLED. WE GOT IT.

[PHONE RINGING]

GRANT.

MR. HAMMOND,
THE PHONES ARE WORKING.

THE CHILDREN ALL RIGHT?

Alan: THE CHILDREN ARE FINE.

CALL THE MAINLAND. TELL THEM
TO SEND THE DAMN HELICOPTERS.

Ellie: IT'S GONNA CUT
THROUGH THE GLASS!

[GUNSHOTS OVER PHONE]

GRANT!

[DRAMATIC INSTRUMENTAL MUSIC]

[SHRIEKS]

AAAH! AAAH!

AAH!

AAH! AAH!
AAH! AAH!

MOVE!

[DRAMATIC INSTRUMENTAL
MUSIC CONTINUES]

[ROARING]

TIM, LET GO. YEAH!

[CEILING CREAKING]

AAAAH!

[TENSE INSTRUMENTAL MUSIC]

(DRAMATIC INSTRUMENTAL MUSIC)

AFTER CAREFUL CONSIDERATION, I'VE
DECIDED NOT TO ENDORSE YOUR PARK.

SO HAVE I.

[ROARING WILDLY]

[SOLEMN INSTRUMENTAL MUSIC]

COME ON.

[MELANCHOLIC
INSTRUMENTAL MUSIC]

[SERENE INSTRUMENTAL MUSIC]

[SWEEPING INSTRUMENTAL MUSIC]

CAPTIONING BY
RYAN HITCHCOCK

CAPTIONING MADE POSSIBLE BY
THE NATIONAL CAPTIONING INSTITUTE
www.ncicap.org