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1
00:00:02,436 --> 00:00:03,671
GOSSIP GIRL HERE--
YOUR ONE AND ONLY SOURCE
2
00:00:03,704 --> 00:00:06,240
INTO THE SCANDALOUS LIVES
OF MANHATTAN'S ELITE.
3
00:00:06,274 --> 00:00:07,275
YOU ARE RUNNING MY BUSINESS
4
00:00:07,308 --> 00:00:09,510
LIKE YOU'RE STILL
THE MEANEST GIRL IN HIGH SCHOOL.
5
00:00:09,543 --> 00:00:13,714
I NEED TO USE MY POWER TO FORM
THE FASHIONISTAS OF THE FUTURE,
6
00:00:13,747 --> 00:00:15,049
WITH A LINE
FOR HIGH SCHOOL GIRLS
7
00:00:15,083 --> 00:00:17,285
INSPIRED BY
MY CONSTANCE UNIFORM.
8
00:00:17,318 --> 00:00:20,221
I'M SORRY I DIDN'T SAY ANYTHING
WHEN YOU TOLD ME YOU LOVED ME.
9
00:00:20,254 --> 00:00:22,656
(Serena) ALL I WANTED
WAS A FRESH START.
10
00:00:22,690 --> 00:00:25,359
THAT'S WHAT I WANT.
11
00:00:25,393 --> 00:00:27,128
WELL, WE HAD TO COME
TO SOME KIND OF AGREEMENT,
12
00:00:27,161 --> 00:00:29,530
OR WE NEVER WOULD'VE LEFT
THAT HOTEL ROOM IN MONTE CARLO.
13
00:00:29,563 --> 00:00:31,232
IT WON'T BE MUCH LONGER,
I PROMISE.
14
00:00:31,265 --> 00:00:32,566
WE'RE HAPPY TO EXTEND
15
00:00:32,600 --> 00:00:33,734
"THE SPECTATOR'S"
LINE OF CREDIT.
16
00:00:33,767 --> 00:00:35,669
ARE YOU SURE WANNA COSIGN
ON THIS LOAN?
17
00:00:35,703 --> 00:00:37,571
SEND ME THE DOCUMENTS
TO SIGN IN THE MORNING.
18
00:00:37,605 --> 00:00:40,341
WHEN IVY WAS IN THE APARTMENT,
SHE SAID BART WALKED IN
19
00:00:40,374 --> 00:00:42,710
WITH AN ENVELOPE HE HELD ON TO
RATHER TIGHTLY.
20
00:00:42,743 --> 00:00:44,278
(Chuck)
Is there anything missing?
21
00:00:44,312 --> 00:00:46,280
THAT PAINTING OF
THE RAINBOW WOMAN IS GONE.
22
00:00:46,314 --> 00:00:47,681
IN THAT FILM,
THE HEAD OF THE DRUG CARTEL
23
00:00:47,715 --> 00:00:50,118
STORED HIS ILLEGAL ACCOUNT
INFORMATION
24
00:00:50,151 --> 00:00:51,319
IN THE BACK OF A PAINTING.
25
00:00:51,352 --> 00:00:54,822
(amplified voice)
SOLD FOR $1.1 MILLION.
26
00:00:54,855 --> 00:00:57,091
THAT PIECE
IS A CRITICAL COMPONENT
27
00:00:57,125 --> 00:00:58,426
OF MY CAMPAIGN AGAINST BART.
28
00:00:58,459 --> 00:01:00,428
IF I TOPPLE HIM,
LILY WON'T BE FAR BEHIND.
29
00:01:00,461 --> 00:01:01,829
(Ivy) I'LL SELL YOU
THE PAINTING.
30
00:01:01,862 --> 00:01:02,863
WHERE THE HELL
IS THAT ENVELOPE?
31
00:01:02,896 --> 00:01:04,165
SOMEONE TOOK IT OFF.
32
00:01:04,198 --> 00:01:05,333
THEN THEY'VE GOT THE EVIDENCE!
33
00:01:06,667 --> 00:01:09,370
AND WHO AM I?
34
00:01:09,403 --> 00:01:12,706
THAT'S A SECRET
I'LL NEVER TELL.
35
00:01:12,740 --> 00:01:14,608
YOU KNOW YOU LOVE ME.
36
00:01:14,642 --> 00:01:16,577
X.O.X.O., GOSSIP GIRL.
37
00:01:16,610 --> 00:01:18,579
-- Captions by VITA --
38
00:01:18,612 --> 00:01:23,184
(barking)
39
00:01:23,217 --> 00:01:24,618
(barking continues)
40
00:01:24,652 --> 00:01:29,190
(Gossip Girl) DESPERATE TIMES
CALL FOR DESPERATE MEASURES.
41
00:01:29,223 --> 00:01:30,724
(growling)
42
00:01:30,758 --> 00:01:32,693
AND EVEN
THE MOST DISCIPLINED PEOPLE
43
00:01:32,726 --> 00:01:34,695
CAN RESORT TO DESTRUCTION...
44
00:01:34,728 --> 00:01:36,430
(elevator bell dings,
doors open)
45
00:01:36,464 --> 00:01:38,199
(footsteps approach)
46
00:01:38,232 --> 00:01:41,602
(barking continues)
47
00:01:41,635 --> 00:01:44,472
FUNNY, I DIDN'T ASK
FOR TURNDOWN SERVICE.
48
00:01:44,505 --> 00:01:46,307
BUT DID YOU FIND
WHAT YOU'RE LOOKING FOR?
49
00:01:46,340 --> 00:01:47,775
(Fire in the Hamptons'
"Humanimal" playing)
50
00:01:47,808 --> 00:01:51,379
WHILE OTHERS
TRY TO REBUILD BRIDGES
51
00:01:51,412 --> 00:01:53,381
USING MORE INTIMATE TACTICS.
52
00:01:53,414 --> 00:01:55,183
(Dan and Serena laugh)
53
00:01:55,216 --> 00:01:56,717
WOW, THIS IS AMAZING.
54
00:01:56,750 --> 00:01:59,153
REALLY. AND I'M NOT JUST
TALKING ABOUT THIS ESPRESSO.
55
00:01:59,187 --> 00:02:02,490
(chuckles) I WISH WE COULD
JUST STAY LIKE THIS FOREVER.
56
00:02:02,523 --> 00:02:04,158
ME, TOO.
57
00:02:04,192 --> 00:02:05,493
THE ONLY THING MISSING
IS FRESH AIR.
58
00:02:05,526 --> 00:02:07,861
ARE YOU--DO YOU THINK MAYBE
TODAY THAT WE COULD, UH...
59
00:02:07,895 --> 00:02:10,631
ACTUALLY GO OUTSIDE?
60
00:02:10,664 --> 00:02:14,235
COME ON. YOU KNOW THAT WE CAN'T
BE SEEN TOGETHER IN PUBLIC
61
00:02:14,268 --> 00:02:16,904
UNTIL WE'RE SURE THAT
THIS IS ABSOLUTELY REAL.
62
00:02:16,937 --> 00:02:18,872
WELL, I DON'T KNOW ABOUT YOU,
BUT I'M PRETTY SURE.
63
00:02:18,906 --> 00:02:20,874
I CAN'T THINK OF ANY REASON
TO HOLD BACK.
64
00:02:20,908 --> 00:02:22,510
WELL, HERE'S A BIG ONE.
65
00:02:22,543 --> 00:02:24,378
ALL OF OUR FRIENDS
ARE FURIOUS AT US.
66
00:02:24,412 --> 00:02:26,447
IF WE WANNA BE A COUPLE
IN THE REAL WORLD,
67
00:02:26,480 --> 00:02:28,516
WE NEED TO GO OUT
AND MAKE AMENDS.
68
00:02:28,549 --> 00:02:30,351
OKAY, WHERE DO WE START?
69
00:02:30,384 --> 00:02:32,420
I'LL START WITH BLAIR,
AND YOU START WITH NATE.
70
00:02:32,453 --> 00:02:36,357
AND THEN AFTERWARDS, BRUNCH
AND A MOVIE ON ME. I PROMISE.
71
00:02:36,390 --> 00:02:37,891
**
72
00:02:37,925 --> 00:02:39,260
(chuckles) OKAY.
73
00:02:39,293 --> 00:02:40,728
* I'M NOT HUMAN
74
00:02:40,761 --> 00:02:42,296
YEAH, MY, UH, SUITE
NEEDS TIDYING.
75
00:02:42,330 --> 00:02:44,932
COULD YOU PLEASE SEND
THE MAID SERVICE?
76
00:02:44,965 --> 00:02:47,801
ON SECOND THOUGHT,
SEND ALL THE MAIDS YOU HAVE.
77
00:02:47,835 --> 00:02:49,337
(cell phone beeps)
78
00:02:49,370 --> 00:02:51,372
WHERE IS IT? IN THE SAFE?
79
00:02:51,405 --> 00:02:53,307
I SEE YOU CHANGED
THE COMBINATION.
80
00:02:53,341 --> 00:02:55,809
WHAT COULD POSSIBLY BE SO
IMPORTANT THAT YOU MISPLACED IT?
81
00:02:55,843 --> 00:02:56,810
YOUR VIAGRA?
82
00:02:56,844 --> 00:02:58,446
CUT THE CRAP, CHUCK.
83
00:02:58,479 --> 00:03:01,482
THERE'S THE RICHARD PHILLIPS.
IT USED TO HAVE A BACKING.
84
00:03:01,515 --> 00:03:02,716
I KNOW YOU HAVE IT.
85
00:03:02,750 --> 00:03:04,785
YOU MEAN THE PAPERS
THAT HOLD THE PROOF
86
00:03:04,818 --> 00:03:06,887
TO YOUR ILLEGAL
OIL ACTIVITIES?
87
00:03:06,920 --> 00:03:08,589
PAPERS?
88
00:03:08,622 --> 00:03:10,391
YOU DON'T HAVE IT.
89
00:03:10,424 --> 00:03:11,759
YOU DON'T EVEN KNOW
WHAT YOU'RE LOOKING FOR.
90
00:03:11,792 --> 00:03:13,394
(elevator bell dings,
doors open)
91
00:03:13,427 --> 00:03:18,832
OH, SORRY TO INTERRUPT
THIS RIVETING OEDIPAL SHOWDOWN,
92
00:03:18,866 --> 00:03:20,834
BUT I THINK I HAVE
WHAT YOU'RE LOOKING FOR.
93
00:03:23,437 --> 00:03:25,739
MR. BOYER! MR. BOYER!
94
00:03:25,773 --> 00:03:26,774
COULD I SPEAK WITH YOU,
PLEASE?
95
00:03:26,807 --> 00:03:28,509
OH, UH... (chuckles)
96
00:03:28,542 --> 00:03:30,644
THIS IS COMPLETELY
INAPPROPRIATE, MR. ARCHIBALD.
97
00:03:30,678 --> 00:03:32,746
I'M ON PERSONAL TIME.
98
00:03:32,780 --> 00:03:34,315
I APOLOGIZE
FOR THE INTRUSION,
99
00:03:34,348 --> 00:03:35,148
BUT YOU WON'T RETURN
ANY OF MY PHONE CALLS.
100
00:03:35,182 --> 00:03:36,049
ALL RIGHT, I'LL BE BRIEF,
I PROMISE.
101
00:03:36,083 --> 00:03:37,851
LOOK, YOUR CREDIT LINE
WAS DUE LAST WEEK.
102
00:03:37,885 --> 00:03:39,387
NOW IF YOU CAN'T COME UP
WITH THE FUNDS,
103
00:03:39,420 --> 00:03:40,854
I DON'T SEE
HOW I CAN ASSIST YOU.
104
00:03:40,888 --> 00:03:43,391
MR. BOYER, THIS PAPER MEANS
EVERYTHING TO ME.
105
00:03:43,424 --> 00:03:45,359
I'VE PUT ALL MY PERSONAL ASSETS
INTO IT, ALL RIGHT?
106
00:03:45,393 --> 00:03:47,361
YOU KNOW HOW PEOPLE ALWAYS
TELL YOU TO BET ON YOURSELF?
107
00:03:47,395 --> 00:03:48,862
WELL, THAT'S WHAT I DID,
AND I JUST--
108
00:03:48,896 --> 00:03:50,931
I NEED SOMEONE ELSE
TO BET ON ME, TOO.
109
00:03:50,964 --> 00:03:54,635
LOOK, I RESPECT YOUR PASSION,
BUT I'M AFRAID IN THIS ECONOMY,
110
00:03:54,668 --> 00:03:56,370
PEOPLE AREN'T WILLING
TO TAKE A BET.
111
00:03:56,404 --> 00:04:00,007
"THE SPECTATOR" IS NOT A RISK.
IT WON'T FAIL BECAUSE IT CAN'T.
112
00:04:00,040 --> 00:04:02,343
IT'S EVERYTHING I'VE GOT,
MR. BOYER.
113
00:04:02,376 --> 00:04:05,646
NOW IF YOU COULD JUST GET ME
A LITTLE MORE TIME...
114
00:04:05,679 --> 00:04:08,616
NO PROMISES,
115
00:04:08,649 --> 00:04:09,883
BUT I'LL TALK TO THE LENDER.
116
00:04:09,917 --> 00:04:11,919
OH! THANK YOU. THANK YOU.
117
00:04:11,952 --> 00:04:13,487
I PROMISE
YOU WON'T REGRET IT.
118
00:04:13,521 --> 00:04:15,756
YEAH.
119
00:04:15,789 --> 00:04:18,025
(exhales)
120
00:04:18,058 --> 00:04:19,360
(whispers) YES.
121
00:04:27,501 --> 00:04:28,802
JUST THINK, DOROTA.
122
00:04:28,836 --> 00:04:30,003
I STARTED OFF
DRESSING THE MINIONS,
123
00:04:30,037 --> 00:04:31,905
AND NOW I'LL BE DRESSING
THE MASSES.
124
00:04:31,939 --> 00:04:33,674
MISS BLAIR
HAS COME LONG WAY.
125
00:04:33,707 --> 00:04:38,779
ALL GROWN UP WITH HER--HER OWN
BARNEYS CO-OP POP-UP SHOP.
126
00:04:38,812 --> 00:04:42,950
NOW THE GIFT BAGS
MUST BE PERFECT.
127
00:04:42,983 --> 00:04:44,852
WHAT ARE YOU DOING HERE?
128
00:04:44,885 --> 00:04:46,754
BLAIR, I KNOW THAT I'VE DONE
SOME HORRIBLE THINGS,
129
00:04:46,787 --> 00:04:48,922
BUT I AM SO SORRY,
AND I'VE COME TO MAKE AMENDS.
130
00:04:48,956 --> 00:04:51,792
AMENDS WOULD IMPLY THAT THERE'S
SOMETHING TO BE MENDED.
131
00:04:51,825 --> 00:04:53,927
WHAT YOU DID
CAN NEVER BE FIXED.
132
00:04:53,961 --> 00:04:57,365
YOU'VE SWORN THAT OUR FRIENDSHIP
IS BEYOND REPAIR IN THE PAST,
133
00:04:57,398 --> 00:04:58,799
BUT WE'VE ALWAYS
GOTTEN THROUGH IT.
134
00:04:58,832 --> 00:05:00,401
WELL, THIS TIME IS DIFFERENT.
135
00:05:00,434 --> 00:05:03,003
YOU SEDUCED DAN ON THE BAR
AT THE CAMPBELL APARTMENT--
136
00:05:03,036 --> 00:05:05,373
THE VERY SAME SPOT YOU
DEFLOWERED MY FIRST BOYFRIEND.
137
00:05:05,406 --> 00:05:07,908
I WOULD NEVER BE THAT CRUEL
TO YOU... ON PURPOSE.
138
00:05:07,941 --> 00:05:09,510
I WON'T ACCEPT LOSING YOU.
139
00:05:09,543 --> 00:05:12,079
SO... I'M JUST GONNA SIT HERE
UNTIL YOU USE HOW SORRY I AM
140
00:05:12,112 --> 00:05:14,548
AND HOW MUCH I LOVE YOU.
141
00:05:14,582 --> 00:05:15,916
SUIT YOURSELF.
142
00:05:15,949 --> 00:05:18,051
SIT THERE, QUIETLY,
LIKE A MANNEQUIN.
143
00:05:18,085 --> 00:05:19,853
THAT'S WHAT YOU'RE BEST AT
ANYWAY.
144
00:05:19,887 --> 00:05:21,555
AND WHAT ARE YOU BEST AT,
BLAIR?
145
00:05:21,589 --> 00:05:23,524
YOUR NEW JUNIOR LINE?
146
00:05:23,557 --> 00:05:26,460
AND WHAT MAKES YOU THINK
THE KATNISS EVERDEEN GENERATION
147
00:05:26,494 --> 00:05:29,563
IS GOING TO CARE ABOUT
BLAIR WALDORF'S PLEATED SKIRTS?
148
00:05:29,597 --> 00:05:31,399
YOU'RE NOT
A TEENAGER ANYMORE.
149
00:05:31,432 --> 00:05:32,500
SO? DESIGNERS DON'T HAVE TO
BE TEENAGERS
150
00:05:32,533 --> 00:05:34,902
IN ORDER TO INFLUENCE THEM.
IN--IN FACT, NO ONE--
151
00:05:34,935 --> 00:05:36,370
IS TALKING TO YOU!
152
00:05:36,404 --> 00:05:37,538
JUST BE QUIET.
153
00:05:37,571 --> 00:05:38,672
THE WORLD ALREADY HAS
STELLA AND PHOEBE
154
00:05:38,706 --> 00:05:40,608
AND THE MULLEAVY SISTERS
155
00:05:40,641 --> 00:05:42,376
BLAIR'S TOO OLD
TO BE THE QUEEN BEE
156
00:05:42,410 --> 00:05:43,877
AND NOT ESTABLISHED ENOUGH
TO BE A FASHION STAR.
157
00:05:43,911 --> 00:05:45,879
SHE'S STUCK IN THE MIDDLE.
158
00:05:45,913 --> 00:05:47,748
AND WHAT COULD BE LESS COOL
THAN BEING A TWEEN?
159
00:05:47,781 --> 00:05:49,883
WELL, I GUESS
WE'LL HAVE TO SEE TONIGHT.
160
00:05:55,155 --> 00:05:59,059
I COULD TELL BY THE FRENZY
AT THE AUCTION
161
00:05:59,092 --> 00:06:02,596
THERE HAD TO BE MORE AT STAKE
THAN JUST ART.
162
00:06:02,630 --> 00:06:06,033
AND THEN I FOUND THE MICROFILM
IN THE PAINTING.
163
00:06:06,066 --> 00:06:08,035
I DON'T KNOW
WHAT THOSE NUMBERS MEAN,
164
00:06:08,068 --> 00:06:10,571
BUT THEY OBVIOUSLY
MEAN A LOT TO YOU.
165
00:06:10,604 --> 00:06:12,139
NAME YOUR PRICE.
166
00:06:12,172 --> 00:06:13,941
WHATEVER HE SAYS,
I'LL DOUBLE IT.
167
00:06:13,974 --> 00:06:15,643
I DON'T WANT MONEY.
168
00:06:15,676 --> 00:06:16,510
WHAT DO YOU WANT, THEN?
169
00:06:17,878 --> 00:06:18,779
LILY.
170
00:06:20,781 --> 00:06:23,484
LAST YEAR, LILY DID
EVERYTHING IN HER POWER
171
00:06:23,517 --> 00:06:27,054
TO HURT ME AND LEAVE ME
WITH NOTHING.
172
00:06:27,087 --> 00:06:31,058
NO FRIENDS, NO FAMILY, NO HOME.
173
00:06:31,091 --> 00:06:33,894
I WANT LILY TO KNOW
HOW THAT FEELS.
174
00:06:33,927 --> 00:06:35,095
THAT'S MY PRICE.
175
00:06:35,128 --> 00:06:37,498
SURELY THERE MUST BE
SOMETHING ELSE.
176
00:06:37,531 --> 00:06:42,069
ALL I WANT IS FOR LILY TO BE
LEFT WITH NO ONE AND NOTHING.
177
00:06:42,102 --> 00:06:44,572
NOW WHICHEVER ONE OF YOU
MAKES THAT HAPPEN FIRST
178
00:06:44,605 --> 00:06:48,075
CAN HAVE THE MICROFILM.
179
00:06:48,108 --> 00:06:50,911
I'LL BE WAITING
TO HEAR YOUR PLANS.
180
00:06:50,944 --> 00:06:52,646
AND BE CREATIVE.
181
00:06:52,680 --> 00:06:55,816
(Sky Ferreira's "Red Lips"
playing)
182
00:06:58,952 --> 00:07:01,188
* RED LIPS
183
00:07:01,221 --> 00:07:02,756
* YOU'RE TEN A PENNY
184
00:07:02,790 --> 00:07:05,192
* CHEAP SHOT
185
00:07:05,225 --> 00:07:08,529
* SPREADING YOUR LEGS
FOR THE BOYS *
186
00:07:08,562 --> 00:07:09,963
* WATCH OUT
187
00:07:12,566 --> 00:07:15,636
* 'CAUSE SOMEONE WILL
BEAT YOU THE SAME *
188
00:07:15,669 --> 00:07:17,571
(giggles)
189
00:07:17,605 --> 00:07:18,672
(sighs)
190
00:07:18,706 --> 00:07:20,674
IT WENT PERFECTLY!
191
00:07:20,708 --> 00:07:24,645
YOU SHOULD'VE SEEN
BART AND CHUCK SQUIRM!
192
00:07:24,678 --> 00:07:27,715
OH! I CAN'T WAIT TO SEE LILY GET
CAUGHT IN THEIR CROSS FIRE.
193
00:07:27,748 --> 00:07:31,652
YOU REALLY
PLAYED THIS OUT MASTERFULLY.
194
00:07:31,685 --> 00:07:32,786
I'M SO PROUD OF YOU.
195
00:07:32,820 --> 00:07:34,922
* YOUR NAME, TOO BAD
196
00:07:34,955 --> 00:07:38,792
I AM JUST GLAD
THIS IS ALMOST OVER.
197
00:07:38,826 --> 00:07:41,228
I MISSED YOU SO MUCH,
IT HURT.
198
00:07:41,261 --> 00:07:42,796
* BIG GIRL
199
00:07:42,830 --> 00:07:44,498
BUT SOMETIMES
200
00:07:44,532 --> 00:07:47,234
THE PARTNER IS MORE SHOCKING
THAN THE CRIME ITSELF.
201
00:07:47,267 --> 00:07:48,135
* WHAT A SHOCK
202
00:07:53,541 --> 00:07:54,975
OKAY, WHAT IF NELLY IS RIGHT?
203
00:07:55,008 --> 00:07:56,977
WHAT IF MY LINE GETS LOST
BECAUSE I'M NOT IN HIGH SCHOOL
204
00:07:57,010 --> 00:07:59,179
OR THAT MY DAD'S NOT A BEATLE?
205
00:07:59,212 --> 00:08:00,681
MISS BLAIR,
TAKE DEEP BREATHS.
206
00:08:00,714 --> 00:08:02,049
(inhales deeply)
207
00:08:02,082 --> 00:08:04,885
HEY, B., YOU MAY NOT BE
THE QUEEN BEE ANYMORE,
208
00:08:04,918 --> 00:08:06,587
BUT SAGE IS.
209
00:08:06,620 --> 00:08:08,288
IF YOU GET HER ON YOUR SIDE,
ALL THE OTHER GIRLS WILL FOLLOW.
210
00:08:08,321 --> 00:08:10,090
WHAT MAKES YOU THINK SAGE WOULD
DO EITHER OF US A FAVOR?
211
00:08:10,123 --> 00:08:11,625
SHE WOULDN'T,
212
00:08:11,659 --> 00:08:13,093
BUT SHE'D DO ANYTHING
TO KEEP ME AND STEVEN APART.
213
00:08:13,126 --> 00:08:14,795
YOU ARE APART.
214
00:08:14,828 --> 00:08:17,731
WELL, MAYBE WE MAKE IT LOOK LIKE
WE'RE GETTING BACK TOGETHER.
215
00:08:17,765 --> 00:08:19,600
I HAVE A PHOTO ON MY PHONE.
216
00:08:19,633 --> 00:08:21,869
IT'S NOT A SEX TAPE,
BUT IT IS A KISS.
217
00:08:21,902 --> 00:08:24,738
MAYBE WE DATE STAMP IT TO MAKE
IT LOOK LIKE IT WAS TAKEN TODAY.
218
00:08:24,772 --> 00:08:28,275
AND SEND TO "GOSSIP GIRL"
TO TRICK MISS SAGE.
219
00:08:28,308 --> 00:08:30,110
(scoffs) BUT ALL SAGE WOULD
HAVE TO DO
220
00:08:30,143 --> 00:08:32,179
IS ASK HER DAD IF IT'S TRUE.
221
00:08:32,212 --> 00:08:34,081
IT MAKES PERFECT SENSE THAT
HE WOULD COVER OUR RELATIONSHIP.
222
00:08:34,114 --> 00:08:36,950
HE KNOWS THAT SAGE
HATES US BEING TOGETHER.
223
00:08:36,984 --> 00:08:38,952
SO SAGE SEES THE BLAST
AND COMES TO ME FOR HELP,
224
00:08:38,986 --> 00:08:41,021
JUST LIKE WHEN SHE THOUGHT
STEVEN WAS PROPOSING,
225
00:08:41,054 --> 00:08:44,024
WHICH GIVES ME LEVERAGE
TO ASK FOR HER SUPPORT.
226
00:08:44,057 --> 00:08:45,092
I'LL ADMIT,
227
00:08:45,125 --> 00:08:46,894
IT'S NOT A TERRIBLE PLAN.
228
00:08:46,927 --> 00:08:48,796
OF COURSE,
I NEED PHOTO APPROVAL.
229
00:08:48,829 --> 00:08:49,930
LET ME FIND IT.
230
00:08:52,132 --> 00:08:55,035
(clicking)
231
00:09:03,877 --> 00:09:05,312
ACCEPTABLE.
232
00:09:05,345 --> 00:09:07,681
NOW GO. NO ONE CAN SUSPECT
WE'RE CONSPIRING.
233
00:09:07,715 --> 00:09:08,816
OF COURSE NOT.
234
00:09:13,220 --> 00:09:17,791
YOU KNOW, I-I PLAYED
HEDDA GABLER IN HIGH SCHOOL,
235
00:09:17,825 --> 00:09:21,061
BUT ACTING LIKE I'M INTO RUFUS
WHEN I'M REALLY IN LOVE WITH YOU
236
00:09:21,094 --> 00:09:23,964
IS THE HARDEST ROLE
OF MY LIFE.
237
00:09:23,997 --> 00:09:25,866
YOU DESERVE AN OSCAR,
DARLING.
238
00:09:25,899 --> 00:09:29,102
BUT TAKE SOLACE IN KNOWING
THAT YOU SERVE A HIGHER CAUSE.
239
00:09:29,136 --> 00:09:31,972
GIVING LILY HER COMEUPPANCE?
240
00:09:32,005 --> 00:09:35,709
THOUGH I-I STILL WISH WE HAD
TAKEN THE MONEY AND RUN,
241
00:09:35,743 --> 00:09:36,877
LIKE I WANTED TO.
242
00:09:36,910 --> 00:09:39,212
SO DO I,
BUT THIS IS WHAT LOLA WANTED.
243
00:09:39,246 --> 00:09:42,616
AND LILY DESERVES TO PAY
FOR THE WAY SHE TREATED YOU.
244
00:09:42,650 --> 00:09:47,054
I OWE LOLA FOR A LOT MORE
THAN JUST THE MONEY.
245
00:09:47,087 --> 00:09:48,956
I MEAN,
IF SHE HADN'T ASKED YOU
246
00:09:48,989 --> 00:09:51,124
TO HELP TRANSFER THE FUNDS
TO ME,
247
00:09:51,158 --> 00:09:54,828
I WOULD'VE NEVER MET
THE REAL YOU.
248
00:09:54,862 --> 00:09:58,098
EVEN THOUGH IT WAS AWFUL
TO TEAR MYSELF AWAY FROM YOU,
249
00:09:58,131 --> 00:09:59,667
YOUR PLAN WAS BRILLIANT.
250
00:09:59,700 --> 00:10:01,068
WELL, NOW YOU HAVE ACCESS
TO LILY'S SECRETS
251
00:10:01,101 --> 00:10:03,871
AND INFLUENCE
TO TURN RUFUS AGAINST HER.
252
00:10:03,904 --> 00:10:05,706
BUT IF I EAT ANOTHER WAFFLE,
I'LL PUKE.
253
00:10:05,739 --> 00:10:08,008
(laughs)
254
00:10:08,041 --> 00:10:09,710
(sighs) NOW THAT OUR PLAN'S
ALMOST DONE,
255
00:10:09,743 --> 00:10:11,679
CAN'T I PLEASE STOP
THIS CHARADE?
256
00:10:11,712 --> 00:10:14,748
NOT YET. NOT YET, NO.
257
00:10:14,782 --> 00:10:16,850
I MEAN, THE--THE MICROFILM
MAY BE OUR GOLDEN TICKET,
258
00:10:16,884 --> 00:10:19,352
BUT WE STILL HAVE TO SEE
IF CHUCK OR BART ARE WILLING
259
00:10:19,386 --> 00:10:22,055
TO SACRIFICE LILY FOR IT.
260
00:10:22,089 --> 00:10:22,990
COME ON.
LET ME BUY YOU LUNCH.
261
00:10:23,023 --> 00:10:24,191
HMM.
262
00:10:24,224 --> 00:10:25,358
AND THIS WAY,
263
00:10:25,392 --> 00:10:29,262
YOU DON'T HAVE TO SUBSIST
ON WAFFLES ALONE.
264
00:10:29,296 --> 00:10:33,400
I KNOW A SMALL,
OUT-OF-THE-WAY PLACE.
265
00:10:33,433 --> 00:10:35,736
I'LL PULL THE CAR AROUND,
OKAY?
266
00:10:35,769 --> 00:10:36,870
SOUNDS WONDERFUL.
267
00:10:36,904 --> 00:10:37,838
MM.
268
00:10:41,041 --> 00:10:42,175
MMM.
269
00:10:46,446 --> 00:10:47,915
(door opens)
270
00:10:49,783 --> 00:10:50,784
(door closes)
271
00:10:50,818 --> 00:10:52,152
(sighs)
272
00:10:52,185 --> 00:10:54,221
OH, THANK GOD.
I'VE BEEN SICK WITH WORRY.
273
00:10:54,254 --> 00:10:56,389
DID YOU FIND THE MICROFILM
AT CHARLES'?
274
00:10:56,423 --> 00:10:59,359
NO, BECAUSE CHUCK
DOESN'T HAVE IT. IVY DOES.
275
00:10:59,392 --> 00:11:01,228
WHAT? HOW?
276
00:11:01,261 --> 00:11:03,764
She found it in the lining
of the painting
277
00:11:03,797 --> 00:11:05,432
BEFORE SHE SOLD IT TO CHUCK
THE NIGHT OF THE AUCTION.
278
00:11:05,465 --> 00:11:07,200
I AM SO SORRY, BART.
279
00:11:07,234 --> 00:11:09,002
W-what does she want for it?
280
00:11:09,036 --> 00:11:10,270
YOU.
281
00:11:10,303 --> 00:11:13,440
She will give the records
to me or Chuck
282
00:11:13,473 --> 00:11:15,442
IN EXCHANGE FOR DESTROYING
YOUR LIFE.
283
00:11:15,475 --> 00:11:16,443
WITH IVY, I'M NOT SURPRISED.
284
00:11:16,476 --> 00:11:18,411
Of course, I would never
do anything to harm you,
285
00:11:18,445 --> 00:11:20,781
BUT I WORRY CHUCK WILL
TAKE HER UP ON HER OFFER.
286
00:11:20,814 --> 00:11:23,350
OH, CHARLES WOULD NEVER
ACTIVELY HURT ME.
287
00:11:23,383 --> 00:11:24,985
DON'T BE NAIVE, LILY.
288
00:11:25,018 --> 00:11:26,486
IF CHUCK GETS A HOLD
OF THE MICROFILM,
289
00:11:26,519 --> 00:11:27,888
HE'LL FIGURE IT OUT.
290
00:11:27,921 --> 00:11:29,222
LET ME CALL RUFUS.
291
00:11:29,256 --> 00:11:31,158
MAYBE HE'LL BE REASONABLE
AND HELP ME GET IT BACK
292
00:11:31,191 --> 00:11:32,392
BEFORE ANYONE GETS HURT.
293
00:11:32,425 --> 00:11:33,994
DO WHAT YOU CAN.
294
00:11:34,027 --> 00:11:35,963
IN THE MEANTIME,
I'LL WORK ON CHUCK.
295
00:11:35,996 --> 00:11:37,898
(beep)
296
00:11:37,931 --> 00:11:39,733
YOU'RE NOT SERIOUSLY THINKING
ABOUT TAKING IVY'S DEAL,
297
00:11:39,767 --> 00:11:40,901
ARE YOU?
298
00:11:40,934 --> 00:11:41,902
I MAY HAVE NO CHOICE.
299
00:11:41,935 --> 00:11:43,070
(elevator bell dings)
300
00:11:43,103 --> 00:11:44,337
I ASKED LILY FOR HELP BEFORE.
SHE REFUSED.
301
00:11:45,806 --> 00:11:46,974
HEY. SORRY TO INTERRUPT.
302
00:11:47,007 --> 00:11:48,275
WHAT DO YOU WANT?
303
00:11:48,308 --> 00:11:50,177
I CAME TO APOLOGIZE.
304
00:11:50,210 --> 00:11:51,078
I'VE BEEN DOING
SOME SOUL-SEARCHING.
305
00:11:51,111 --> 00:11:53,146
(scoffs) THAT IMPLIES
YOU HAVE A SOUL.
306
00:11:53,180 --> 00:11:54,782
(chuckles) THAT'S FUNNY,
COMING FROM YOU.
307
00:11:54,815 --> 00:11:56,416
THAT'S HILARIOUS.
I MEAN, WHO WOULD'VE THOUGHT
308
00:11:56,449 --> 00:11:58,351
CHUCK BASS TURNS OUT TO BE
THE GOOD GUY
309
00:11:58,385 --> 00:11:59,820
AND HUMPHREY THE VILLAIN?
310
00:11:59,853 --> 00:12:01,121
WELL, I-I-I REALLY WANNA
TURN THAT AROUND.
311
00:12:01,154 --> 00:12:02,956
I'M SORRY ABOUT WHAT I WROTE
ABOUT ALL OF YOU.
312
00:12:02,990 --> 00:12:04,091
I'M HERE TO MAKE AMENDS.
313
00:12:04,124 --> 00:12:05,492
HMM.
314
00:12:05,525 --> 00:12:08,996
WELL, IF YOU REALLY
MEAN THAT...
315
00:12:09,029 --> 00:12:10,030
YOU JUST GAVE ME AN IDEA.
316
00:12:14,334 --> 00:12:16,503
(door closes)
317
00:12:16,536 --> 00:12:19,172
(cell phone beeps)
318
00:12:19,206 --> 00:12:21,408
WELL, IF IT ISN'T
GYPSY ROSE LEE...
319
00:12:21,441 --> 00:12:23,977
WITHOUT THE TALENT.
320
00:12:24,011 --> 00:12:27,514
I HAVE NO NEED FOR STRIPPERS
OR SEX TAPES AT MY POP-UP SHOP,
321
00:12:27,547 --> 00:12:28,448
SO PLEASE RUN ALONG.
322
00:12:28,481 --> 00:12:30,818
YOU SHOULD BE THANKING ME.
323
00:12:30,851 --> 00:12:32,419
THAT TAPE GOT YOU EXACTLY WHAT
YOU WANTED.
324
00:12:32,452 --> 00:12:34,521
AND DID IT GET YOU
WHAT YOU WANTED?
325
00:12:34,554 --> 00:12:37,157
YEAH, IT DID.
MY DAD AND SERENA SPLIT UP,
326
00:12:37,190 --> 00:12:38,859
WHICH IS HOW I WANT THEM
TO STAY.
327
00:12:38,892 --> 00:12:40,560
I SAW
THE "GOSSIP GIRL" BLAST.
328
00:12:40,593 --> 00:12:41,962
HAS SERENA
SAID ANYTHING TO YOU
329
00:12:41,995 --> 00:12:43,296
ABOUT GETTING BACK TOGETHER
WITH MY FATHER?
330
00:12:43,330 --> 00:12:46,499
SHE'S MY BEST FRIEND.
SHE TELLS ME EVERYTHING.
331
00:12:46,533 --> 00:12:49,169
SO IT'S TRUE.
332
00:12:49,202 --> 00:12:50,971
OF COURSE, THE MINUTE
I GO TO MY MOM'S,
333
00:12:51,004 --> 00:12:53,173
HE GOES CRAWLING BACK
TO HER.
334
00:12:53,206 --> 00:12:55,308
HE SWORE TO ME THAT THINGS
WERE OVER BETWEEN THEM.
335
00:12:55,342 --> 00:12:57,878
I MIGHT BE WILLING
TO GIVE YOU SOME GUIDANCE.
336
00:12:57,911 --> 00:12:59,379
THAT IS, IF YOU DO
SOMETHING FOR ME.
337
00:12:59,412 --> 00:13:00,881
NAME IT.
338
00:13:00,914 --> 00:13:02,482
YOU'RE
THE QUEEN OF CONSTANCE,
339
00:13:02,515 --> 00:13:05,085
AND I KNOW THERE'S A SECRET
SOCIETY MADE OF THE MONARCHS
340
00:13:05,118 --> 00:13:07,554
OF THE FIVE MOST POWERFUL
PRIVATE SCHOOLS IN MANHATTAN.
341
00:13:07,587 --> 00:13:09,422
I KNOW BECAUSE I CREATED IT.
342
00:13:09,456 --> 00:13:10,891
SO?
343
00:13:10,924 --> 00:13:13,093
I WANT A MEETING
344
00:13:13,126 --> 00:13:15,028
WITH THE HEADS
OF THE FIVE FAMILIES.
345
00:13:19,166 --> 00:13:20,300
MAKE IT QUICK, LILY.
346
00:13:20,333 --> 00:13:21,869
I KNOW YOU HATE ME, RUFUS.
347
00:13:21,902 --> 00:13:23,370
YOU MADE THAT
ABUNDANTLY CLEAR
348
00:13:23,403 --> 00:13:26,173
WHEN YOU HELPED IVY ENACT
HER REVENGE AT THE AUCTION.
349
00:13:26,206 --> 00:13:27,908
GET TO THE POINT.
350
00:13:27,941 --> 00:13:30,310
IVY'S DONE SOMETHING NOW THAT
GOES FAR BEYOND HURTING ME.
351
00:13:30,343 --> 00:13:33,280
IT ENDANGERS MY FAMILY,
MY CHILDREN.
352
00:13:33,313 --> 00:13:35,115
THEY USED TO BE
YOUR FAMILY, TOO.
353
00:13:35,148 --> 00:13:37,584
W-WHAT KIND OF DANGER
ARE YOU TALKING ABOUT?
354
00:13:37,617 --> 00:13:40,220
IVY'S IN POSSESSION
OF SOME BUSINESS RECORDS.
355
00:13:40,253 --> 00:13:41,554
THEY'RE SIMPLE DOCUMENTS.
356
00:13:41,588 --> 00:13:44,224
THEY MEAN NOTHING TO ANYONE
OUTSIDE OF OUR FAMILY,
357
00:13:44,257 --> 00:13:47,995
BUT THEY HAVE THE POWER
TO DESTROY US.
358
00:13:48,028 --> 00:13:50,864
PLEASE FIND IT IN YOUR HEART
TO BE THE BIGGER PERSON.
359
00:13:50,898 --> 00:13:52,399
GET THEM BACK FOR ME.
360
00:13:52,432 --> 00:13:54,334
IF YOU HAD NOTHING TO HIDE,
361
00:13:54,367 --> 00:13:57,137
THEN NO ONE COULD USE
THIS EVIDENCE AGAINST YOU.
362
00:13:57,170 --> 00:14:00,307
LILY, I'M SORRY.
YOU REAP WHAT YOU SOW.
363
00:14:00,340 --> 00:14:02,209
I'M NOT GETTING INVOLVED.
364
00:14:09,016 --> 00:14:13,153
WELL, THANK YOU
FOR THE LOVELY LUNCH.
365
00:14:13,186 --> 00:14:14,955
MY PLEASURE.
366
00:14:14,988 --> 00:14:17,657
WE'RE ALMOST AT
THE FINISH LINE, MY LOVE.
367
00:14:17,690 --> 00:14:19,026
YEAH.
368
00:14:19,059 --> 00:14:20,093
(cell phone alert chimes)
369
00:14:20,127 --> 00:14:22,495
(sighs) AND IT LOOKS LIKE
CHUCK WILL BE THE WINNER.
370
00:14:22,529 --> 00:14:25,098
HE WANTS ME TO MEET HIM NOW
TO TELL ME HIS PLAN.
371
00:14:25,132 --> 00:14:27,100
CALL WHEN YOU CAN.
372
00:14:27,134 --> 00:14:28,035
YEAH.
373
00:14:34,441 --> 00:14:36,376
HEY.
374
00:14:58,698 --> 00:15:00,333
I DON'T KNOW WHY YOU'RE HERE,
BUT GET OUT
375
00:15:00,367 --> 00:15:02,269
BEFORE SECURITY
THROWS YOU OUT.
376
00:15:02,302 --> 00:15:04,537
THAT'S NOT A NICE WAY
TO GREET YOUR PARTNER.
377
00:15:04,571 --> 00:15:07,474
WHAT ARE YOU TALKING ABOUT?
378
00:15:07,507 --> 00:15:09,676
YOU ARE INDEBTED TO ME,
379
00:15:09,709 --> 00:15:11,178
AND I'M HERE TO COLLECT.
380
00:15:11,211 --> 00:15:13,446
SO UNLESS TO WANNA
LOSE EVERYTHING,
381
00:15:13,480 --> 00:15:15,415
YOU'RE GONNA
HELP ME DEFEAT CHUCK.
382
00:15:15,448 --> 00:15:18,185
BUCK UP. IT'S GONNA BE FUN.
383
00:15:18,218 --> 00:15:20,653
BETRAYAL IS
A BITTER PILL TO SWALLOW,
384
00:15:20,687 --> 00:15:22,322
BUT NOTHING'S WORSE
385
00:15:22,355 --> 00:15:25,925
THAN HAVING BLACKMAIL
SHOVED DOWN YOUR THROAT.
386
00:15:38,771 --> 00:15:41,174
(Sage) DONS NIGHTINGALE,
BREARLEY, CHAPIN, AND SPENCE,
387
00:15:41,208 --> 00:15:43,310
LET US NOW HAVE THIS MEETING
COMMENCE.
388
00:15:43,343 --> 00:15:45,678
DON CONSTANCE,
WHY IS SHE HERE?
389
00:15:45,712 --> 00:15:47,314
I'M HERE, NIGHTINGALE,
390
00:15:47,347 --> 00:15:50,383
BECAUSE NOT ONLY WAS I
THE QUEEN OF CONSTANCE,
391
00:15:50,417 --> 00:15:53,186
BUT I ALSO INVENTED
THIS COUNCIL.
392
00:15:53,220 --> 00:15:55,322
SO AS REGINA EMERITA,
393
00:15:55,355 --> 00:15:58,992
IT IS MY ROYAL PREROGATIVE
TO COMMAND YOU TO ATTEND
394
00:15:59,026 --> 00:16:01,128
MY POP-UP EVENT TONIGHT
AND BE FANS.
395
00:16:01,161 --> 00:16:03,030
SAGE, YOU SHOULDN'T HAVE
BROUGHT HER HERE.
396
00:16:03,063 --> 00:16:04,464
THIS ISN'T AN ALUMNI EVENT.
397
00:16:04,497 --> 00:16:07,600
DON BREARLEY IS RIGHT.
IT'S A CLEAR BREACH OF SECURITY.
398
00:16:07,634 --> 00:16:10,403
(lowered voice) INVOKE
THE ORDER OF THE SECRETS.
399
00:16:10,437 --> 00:16:11,571
ORDER OF THE WHAT?
400
00:16:11,604 --> 00:16:13,306
CODIFIED BLACKMAIL.
401
00:16:13,340 --> 00:16:17,010
IF THEY DON'T DO WHAT YOU SAY,
YOU SPILL THEIR SECRETS.
402
00:16:17,044 --> 00:16:20,147
LOOK, THE RULES SAY I'M ENTITLED
TO ASK THE COUNCIL FOR ONE FAVOR
403
00:16:20,180 --> 00:16:22,349
DURING MY REIGN.
THIS IS IT.
404
00:16:22,382 --> 00:16:24,351
AND IF YOU REFUSE,
SHE'LL HAVE NO CHOICE
405
00:16:24,384 --> 00:16:27,087
BUT TO REVEAL YOUR AFFAIR
WITH YOUR DRAMA TEACHER.
406
00:16:28,621 --> 00:16:29,989
YOUR LATIN TEACHER?
407
00:16:31,258 --> 00:16:34,361
YOUR FATHER'S
BUSINESS PARTNER.
408
00:16:34,394 --> 00:16:36,463
WHAT? THAT'S HOW WE DID IT
IN MY DAY.
409
00:16:38,631 --> 00:16:41,301
WE'LL GRANT DON CONSTANCE
HER ONE REQUEST,
410
00:16:41,334 --> 00:16:43,270
AND RECONVENE
AT THE POP-UP EVENT.
411
00:16:46,273 --> 00:16:49,509
THE ATTIRE
IS FESTIVE COCKTAIL!
412
00:16:49,542 --> 00:16:52,779
WHEN DID THE QUEENS START
CALLING THEMSELVES "DON"?
413
00:16:52,812 --> 00:16:55,315
WELL, EVERYONE LOVES A CROWN,
BUT WHEN IT COMES TO POWER,
414
00:16:55,348 --> 00:16:57,617
THE MOB TOTALLY TRUMPS
THE MONARCHY.
415
00:17:02,155 --> 00:17:04,457
YOU COSIGNED MY CREDIT LINE?
416
00:17:04,491 --> 00:17:06,359
I NEVER ASKED YOU TO DO THAT.
417
00:17:06,393 --> 00:17:08,361
INGRATITUDE DOESN'T BECOME YOU,
NATHANIEL.
418
00:17:10,297 --> 00:17:14,067
YOU HAVE PUT SO MUCH WORK
INTO "THE SPECTATOR."
419
00:17:14,101 --> 00:17:15,568
IT WOULD BE A SHAME
TO LOSE IT ALL NOW.
420
00:17:15,602 --> 00:17:17,604
I'M NOT GONNA BETRAY
MY BEST FRIEND.
421
00:17:17,637 --> 00:17:20,440
MY LOAN WILL BE IN DEFAULT.
I'LL FILE FOR BANKRUPTCY.
422
00:17:20,473 --> 00:17:22,709
AND AS FOR "THE SPECTATOR,"
YOU CAN TAKE IT.
423
00:17:22,742 --> 00:17:25,345
YOUR LOYALTY IS VERY TOUCHING,
424
00:17:25,378 --> 00:17:28,248
BUT I'M AFRAID YOUR ACTIONS
HAVE MORE SERIOUS CONSEQUENCES.
425
00:17:28,281 --> 00:17:31,151
YOU COULDN'T RESIST
FAKING THE NUMBERS.
426
00:17:31,184 --> 00:17:32,619
MUST BE...
427
00:17:32,652 --> 00:17:34,554
AN ARCHIBALD GENE.
428
00:17:34,587 --> 00:17:36,823
SO YOU HAVE A CHOICE.
429
00:17:36,856 --> 00:17:40,327
EITHER YOU CAN TELL ME
CHUCK'S PLAN TO WIN OVER IVY,
430
00:17:40,360 --> 00:17:42,829
OR YOU CAN GO TO PRISON
431
00:17:42,862 --> 00:17:44,431
AND DRAG YOUR MOTHER
AND GRANDFATHER
432
00:17:44,464 --> 00:17:45,765
THROUGH A PUBLIC DISGRACE
433
00:17:45,798 --> 00:17:48,635
EVEN MORE SENSATIONAL
THAN THAT OF YOUR FATHER'S.
434
00:17:48,668 --> 00:17:50,069
WHAT'S IT GONNA BE?
435
00:17:54,207 --> 00:17:58,311
I USUALLY FROWN UPON
NEGOTIATING WITH TERRORISTS,
436
00:17:58,345 --> 00:17:59,612
BUT STAMPING OUT
MY FATHER'S FREEDOM
437
00:17:59,646 --> 00:18:01,448
HAS BECOME MY LIFE'S MISSION.
438
00:18:01,481 --> 00:18:03,450
WHAT'S YOUR PLAN
TO DESTROY LILY?
439
00:18:03,483 --> 00:18:06,553
SIMPLY PLAY THE POWERFUL CARD
WE'VE BEEN DEALT.
440
00:18:06,586 --> 00:18:09,322
THE MICROFILM'S ENOUGH
TO PUT HER AWAY, TOO,
441
00:18:09,356 --> 00:18:11,591
AS LONG AS SHE APPEARS TO BE
BART'S ACCOMPLICE.
442
00:18:11,624 --> 00:18:13,193
YOU MEAN PLANT IT ON HER.
443
00:18:13,226 --> 00:18:14,561
PRECISELY.
444
00:18:14,594 --> 00:18:17,364
YOU GIVE ME THE FILM,
I'LL DO THE DIRTY WORK,
445
00:18:17,397 --> 00:18:18,431
THEN TIP OFF THE FEDS.
446
00:18:18,465 --> 00:18:21,168
OKAY.
447
00:18:21,201 --> 00:18:22,769
BUT IT HAS TO HAPPEN
IN PUBLIC.
448
00:18:22,802 --> 00:18:26,173
I WANT PRISON
PLUS HUMILIATION.
449
00:18:26,206 --> 00:18:27,340
NOT A PROBLEM.
450
00:18:27,374 --> 00:18:29,742
BRING THE FILM
TO BLAIR'S EVENT TONIGHT,
451
00:18:29,776 --> 00:18:30,810
AND I'LL TAKE CARE
OF THE REST.
452
00:18:32,612 --> 00:18:34,381
DONE.
453
00:18:51,531 --> 00:18:53,200
(door closes)
454
00:18:56,269 --> 00:18:57,370
DAN, WHAT ARE YOU
DOING HERE?
455
00:18:57,404 --> 00:18:59,772
OH. HEY, DAD.
456
00:18:59,806 --> 00:19:02,442
I'M JUST, UH, JUST PICKING UP
SOME OF MY STUFF HERE.
457
00:19:02,475 --> 00:19:03,543
BUT I'M--I'M MAINLY HERE
TO SEE YOU.
458
00:19:05,412 --> 00:19:07,447
I HURT YOU.
459
00:19:07,480 --> 00:19:09,216
I-I JEOPARDIZED
OUR RELATIONSHIP,
460
00:19:09,249 --> 00:19:11,351
WHICH MEANS MORE TO ME
THAN ANYTHING.
461
00:19:11,384 --> 00:19:14,487
I'M--I'M HERE TO MAKE AMENDS
WITH YOU AND IVY.
462
00:19:14,521 --> 00:19:16,189
I'M HAPPY YOU WANNA
MAKE AMENDS, SON,
463
00:19:16,223 --> 00:19:18,725
BUT I OWE YOU AN APOLOGY
AS WELL.
464
00:19:18,758 --> 00:19:20,193
IT LOOKS LIKE YOU WERE RIGHT
ABOUT IVY.
465
00:19:20,227 --> 00:19:21,794
I WAS A FOOL
FOR TRUSTING HER.
466
00:19:21,828 --> 00:19:24,931
HONEY, I'M HOME!
467
00:19:24,964 --> 00:19:26,566
I'LL TAKE THAT AS MY CUE.
468
00:19:32,905 --> 00:19:35,242
UH... (chuckles)
469
00:19:35,275 --> 00:19:37,310
WHAT'S GOING ON?
470
00:19:37,344 --> 00:19:39,546
YOU TELL ME.
471
00:19:39,579 --> 00:19:41,748
I SAW YOU PUTTING SOMEONE
IN A TOWN CAR TODAY,
472
00:19:41,781 --> 00:19:43,316
KISSING HIM GOOD-BYE.
473
00:19:46,386 --> 00:19:49,289
I OPENED MY HEART TO YOU.
474
00:19:49,322 --> 00:19:50,790
I OPENED MY HOME.
475
00:19:50,823 --> 00:19:52,925
I BELIEVED YOU WHEN YOU SAID YOU
WERE PROTECTING ME FROM LILY.
476
00:19:52,959 --> 00:19:55,728
(scoffs) AT LEAST
HAVE THE DECENCY TO TELL ME
477
00:19:55,762 --> 00:19:57,764
WHAT WAS TRUE
AND WHAT WERE LIES.
478
00:19:57,797 --> 00:19:59,366
IT WAS ALL TRUE.
479
00:19:59,399 --> 00:20:02,302
I MEAN, LILY WAS HORRIBLE
TO YOU,
480
00:20:02,335 --> 00:20:03,970
LIKE SHE IS TO EVERYONE.
481
00:20:04,003 --> 00:20:05,505
AND WHAT ABOUT US?
482
00:20:05,538 --> 00:20:08,808
THERE WAS SOMEONE ELSE
BEFORE YOU.
483
00:20:08,841 --> 00:20:12,645
AND I THOUGHT IT WAS OVER,
BUT I RAN INTO HIM LAST WEEK
484
00:20:12,679 --> 00:20:15,615
AND REALIZED IT WASN'T.
485
00:20:18,818 --> 00:20:20,387
I'M SORRY, RUFUS.
486
00:20:20,420 --> 00:20:22,355
PACK YOUR BAGS AND GET OUT.
487
00:20:28,561 --> 00:20:31,331
HURRY, HURRY, HURRY!
LET'S GET TO THE POP-UP!
488
00:20:31,364 --> 00:20:34,467
SERENA, YOUR SCHEME IS UNFOLDING
ON SCHEDULE.
489
00:20:34,501 --> 00:20:37,537
I EXCEPT TO SEE YOU AT MY EVENT
TONIGHT FOR THE DENOUEMENT.
490
00:20:37,570 --> 00:20:39,872
AND...
491
00:20:39,906 --> 00:20:40,940
I WON'T MIND IF YOU'RE NOT MUTE.
492
00:20:40,973 --> 00:20:42,475
(Dorota) LET'S MOVE!
493
00:20:42,509 --> 00:20:43,776
I SUPPOSE I COULD USE
A FRIEND THERE WITH ME
494
00:20:43,810 --> 00:20:46,012
TO CELEBRATE MY SUCCESS.
495
00:20:46,045 --> 00:20:48,014
(Antennas Up's "Pretenders"
playing)
496
00:20:48,047 --> 00:20:50,383
(Dorota) COME ON, COME ON,
COME ON, COME ON!
497
00:20:50,417 --> 00:20:53,019
**
498
00:20:53,052 --> 00:20:55,622
(sighs)
499
00:20:55,655 --> 00:20:57,657
DON BREARLEY, I JUST SAW MY DAD,
WHO IS MISERABLE WITH HEARTACHE.
500
00:20:57,690 --> 00:20:59,626
IF HE IS REALLY BACK WITH SERENA
AND LYING TO ME,
501
00:20:59,659 --> 00:21:01,027
HE WOULDN'T BE BLUBBERING
LIKE A BABY.
502
00:21:01,060 --> 00:21:02,762
WE'VE BEEN PLAYED.
503
00:21:02,795 --> 00:21:05,332
I'LL SEE YOU AT THE POP-UP PARTY
BUT THE PLAN HAS CHANGED.
504
00:21:05,365 --> 00:21:06,032
**
505
00:21:06,065 --> 00:21:08,468
(beep)
506
00:21:08,501 --> 00:21:09,869
HEY, MAN, I DID WHAT YOU ASKED.
I SEARCHED THE LOFT AND NO LUCK.
507
00:21:09,902 --> 00:21:11,904
BUT I SAW IVY ON THE WAY OUT
508
00:21:11,938 --> 00:21:14,040
AND SPOTTED THE ENVELOPE
IN HER BAG.
509
00:21:14,073 --> 00:21:15,074
DID YOU GET IT?
510
00:21:15,107 --> 00:21:16,476
NO, I COULDN'T.
511
00:21:16,509 --> 00:21:17,810
THERE WAS NO WAY.
THEY WOULD'VE SEEN ME.
512
00:21:17,844 --> 00:21:20,780
I UNDERSTAND, WHICH IS WHY
I HAVE A BACKUP PLAN.
513
00:21:20,813 --> 00:21:24,651
IVY WILL BRING THE MICROFILM
TO BLAIR'S EVENT TONIGHT.
514
00:21:24,684 --> 00:21:26,018
THE FEDS WILL BE THERE.
515
00:21:26,052 --> 00:21:28,388
I CONVINCED HER
I'D PLANT IT ON LILY.
516
00:21:28,421 --> 00:21:29,922
LILY'S GOING TO
BLAIR'S JUNIOR LINE DEBUT?
517
00:21:29,956 --> 00:21:32,592
NO,
BUT IVY DOESN'T KNOW THAT.
518
00:21:32,625 --> 00:21:33,926
I'D NEVER HURT LILY.
519
00:21:33,960 --> 00:21:34,894
I'M SORRY I COULDN'T BE
MORE HELPFUL.
520
00:21:34,927 --> 00:21:36,062
Thanks for trying, Humphrey.
521
00:21:36,095 --> 00:21:37,997
THE IMPORTANT THING IS,
522
00:21:38,030 --> 00:21:40,032
I GOT TO IVY
BEFORE MY FATHER DID.
523
00:21:40,066 --> 00:21:41,368
(whimpers)
524
00:21:41,401 --> 00:21:43,370
(cell phone rings)
525
00:21:43,403 --> 00:21:44,371
(ring)
526
00:21:44,404 --> 00:21:46,072
(ring)
527
00:21:46,105 --> 00:21:47,507
(ring)
528
00:21:47,540 --> 00:21:48,508
(ring, beep)
529
00:21:48,541 --> 00:21:49,742
(chuckles)
530
00:21:49,776 --> 00:21:51,544
BART.
531
00:21:51,578 --> 00:21:52,745
YOU'RE TOO LATE.
532
00:21:52,779 --> 00:21:53,546
I ALREADY STRUCK A DEAL WITH--
533
00:21:53,580 --> 00:21:54,914
Chuck.
534
00:21:54,947 --> 00:21:57,116
A takedown
at Blair's fashion party.
535
00:21:57,149 --> 00:22:00,553
BUT IN ACTUALITY, HE LURED YOU
TO THE EMPIRE TO DISTRACT YOU
536
00:22:00,587 --> 00:22:02,355
while Dan searched the loft.
537
00:22:02,389 --> 00:22:04,724
HOLD ON A SEC.
538
00:22:09,429 --> 00:22:11,030
(lowered voice) IF HE WAS TRYING
TO STEAL THE MICROFILM,
539
00:22:11,063 --> 00:22:13,132
HE DIDN'T SUCCEED.
540
00:22:13,165 --> 00:22:15,702
Chuck has no intention
of having Lily arrested.
541
00:22:15,735 --> 00:22:19,372
He was planning on
screwing you over all along.
542
00:22:19,406 --> 00:22:20,573
(door closes)
AND WHY SHOULD I BELIEVE YOU?
543
00:22:20,607 --> 00:22:22,409
Because I have someone here
544
00:22:22,442 --> 00:22:25,845
WHO CAN CONFIRM
EVERYTHING I'M SAYING IS TRUE.
545
00:22:25,878 --> 00:22:28,948
ISN'T THAT RIGHT, NATE?
546
00:22:30,116 --> 00:22:32,385
(sighs)
547
00:22:32,419 --> 00:22:33,986
It's true.
548
00:22:38,425 --> 00:22:41,661
LUCKILY, I HAVE AN OFFER
FOR YOU.
549
00:22:48,635 --> 00:22:50,670
HI. DO YOU LIKE THE BEADS?
550
00:22:50,703 --> 00:22:51,638
(speaks indistinctly)
551
00:22:51,671 --> 00:22:52,805
(speaks indistinctly)
552
00:22:52,839 --> 00:22:55,842
(Katy Tiz's "Famous" playing)
553
00:22:55,875 --> 00:22:57,544
* NOT EVEN 30 SECONDS
554
00:22:57,577 --> 00:22:59,812
* YOU'RE ASKING
LOADS OF QUESTIONS *
555
00:22:59,846 --> 00:23:02,615
* YOU'RE KILLING
THE CONNECTION *
556
00:23:02,649 --> 00:23:04,817
* OH-OH-OH, OH-OH-OH
557
00:23:04,851 --> 00:23:07,186
* WE'RE KISSING IN THE LIMO
558
00:23:07,219 --> 00:23:09,622
* YOU PASS OVER YOUR DEMO
559
00:23:09,656 --> 00:23:11,824
* TRY TO PLAY ME LIKE NINTENDO
560
00:23:11,858 --> 00:23:14,427
* OH-OH-OH, OH-OH-OH
561
00:23:14,461 --> 00:23:17,029
* DON'T ACT LIKE YOU DON'T KNOW
WHO I AM *
562
00:23:17,063 --> 00:23:19,031
THE DONS.
THANK GOD YOU'RE HERE.
563
00:23:19,065 --> 00:23:21,634
NOW... START FAWNING.
LOUDLY.
564
00:23:21,668 --> 00:23:23,536
AND I KNOW THAT YOU DON'T HAVE
A LIMIT ON YOUR CREDIT CARDS...
565
00:23:23,570 --> 00:23:24,937
(singsongy) SO BUY, BUY, BUY!
566
00:23:24,971 --> 00:23:27,440
SORRY, BLAIR.
I CALLED OFF THE FAVOR.
567
00:23:27,474 --> 00:23:28,808
WHAT?
568
00:23:28,841 --> 00:23:30,109
I KNOW YOU DUPED ME
ABOUT MY DAD AND SERENA.
569
00:23:30,142 --> 00:23:32,712
I ONLY BROUGHT THE DONS HERE
TO BE DETRACTORS.
570
00:23:32,745 --> 00:23:34,514
AND IF WE SAY THE CLOTHES SUCK,
IT'S LAW.
571
00:23:34,547 --> 00:23:38,184
COME ON, GIRLS. AND REMEMBER,
PLASTIC STAYS IN POCKETS.
572
00:23:38,217 --> 00:23:39,919
WAIT. WAIT, DONS.
573
00:23:39,952 --> 00:23:41,087
DONS?
574
00:23:41,120 --> 00:23:42,188
BLAIR.
575
00:23:42,221 --> 00:23:43,690
I MUST ADMIT,
576
00:23:43,723 --> 00:23:46,225
I'M IMPRESSED
THE HIGH SCHOOL CROWD SHOWED UP.
577
00:23:46,258 --> 00:23:49,195
WE'LL JUST HAVE TO SEE WHETHER
THEY LOVE OR HATE THE LINE.
578
00:23:49,228 --> 00:23:51,531
I'LL GO GET QUOTES FROM THEM
FOR "W.W.D."
579
00:23:51,564 --> 00:23:52,699
OH! WAIT. YOU KNOW WHAT?
580
00:23:52,732 --> 00:23:55,034
YOU SIMPLY MUST SEE
MY ACCESSORIES.
581
00:23:55,067 --> 00:23:56,636
THEY'RE IN THE CORNER.
THE FAR CORNER.
582
00:23:56,669 --> 00:23:57,904
THIS WAY.
583
00:23:57,937 --> 00:23:59,939
* 'CAUSE I'M FAMOUS
584
00:23:59,972 --> 00:24:01,173
YOU SURE HE DIDN'T SEE
IT WAS ME?
585
00:24:01,207 --> 00:24:04,644
IF RUFUS HAD SEEN YOU,
HE WOULD'VE SAID SO.
586
00:24:04,677 --> 00:24:06,546
THIS COULDN'T BE BETTER.
587
00:24:06,579 --> 00:24:09,181
NOW I DON'T HAVE TO INVENT
A REASON TO BREAK UP WITH HIM.
588
00:24:09,215 --> 00:24:12,519
THIS "BREAKUP" MUSTN'T UNDO
ALL THE WORK YOU DID
589
00:24:12,552 --> 00:24:14,086
TO POISON RUFUS AGAINST LILY.
590
00:24:14,120 --> 00:24:16,489
I MEAN, OUR EFFORTS
ARE FOR NOTHING
591
00:24:16,523 --> 00:24:17,924
IF RUFUS TAKES HER BACK
THE MINUTE SHE HITS ROCK BOTTOM.
592
00:24:17,957 --> 00:24:19,158
HE WON'T TAKE HER BACK.
593
00:24:19,191 --> 00:24:21,794
WELL, THEN WE'RE AT THE END
OF OUR ROAD.
594
00:24:21,828 --> 00:24:25,565
MM, IT'S ALL RIDING
ON YOUR MEETING WITH BART.
595
00:24:25,598 --> 00:24:28,034
I'LL DO WHATEVER IT TAKES.
596
00:24:28,067 --> 00:24:31,838
(Dirty Radio's "Dancing Alone"
playing)
597
00:24:31,871 --> 00:24:33,706
IT'S BEEN AN HOUR.
WHERE IS SHE?
598
00:24:33,740 --> 00:24:36,108
HER PHONE IS STILL OFF.
599
00:24:36,142 --> 00:24:38,210
THIS ISN'T A GAME, MR. BASS.
YOU SAID YOU HAD HARD EVIDENCE.
600
00:24:38,244 --> 00:24:39,712
DON'T WASTE OUR TIME AGAIN.
601
00:24:39,746 --> 00:24:41,681
**
602
00:24:41,714 --> 00:24:44,116
CHUCK. OH, YOU'RE HERE.
603
00:24:44,150 --> 00:24:46,018
THINGS ARE GOING HORRIBLY.
604
00:24:46,052 --> 00:24:47,153
GIRLS TODAY
ARE OUT OF CONTROL.
605
00:24:47,186 --> 00:24:48,788
THEY'RE LIKE
TINY LITTLE VULTURES.
606
00:24:48,821 --> 00:24:50,156
THEN BLAIR WALDORF WOULD BE
607
00:24:50,189 --> 00:24:52,825
THE FALCON WHO DIVES IN
AND DEVOURS THEM ALL.
608
00:24:52,859 --> 00:24:56,162
PLEASE. COMPARED TO THEM,
I'M LIKE A TURTLEDOVE.
609
00:24:56,195 --> 00:24:58,130
WELL, AT LEAST NELLY'S
DISTRACTED TALKING TO D.V.F.
610
00:24:58,164 --> 00:25:01,033
I NEED TO FIND SERENA AND FORCE
HER TO FIX THINGS WITH SAGE.
611
00:25:01,067 --> 00:25:02,569
THE LINE LOOKS BEAUTIFUL.
612
00:25:02,602 --> 00:25:03,736
I'M SURE IT'S GOING TO BE
A HUGE SUCCESS.
613
00:25:03,770 --> 00:25:04,904
UNLESS I CAN DO
SOME DAMAGE CONTROL,
614
00:25:04,937 --> 00:25:06,305
THERE'S NO CHANCE OF THAT.
615
00:25:06,338 --> 00:25:08,708
SPEAKING OF, I NEED TO DO
SOME DAMAGE CONTROL MYSELF.
616
00:25:08,741 --> 00:25:10,810
WELL, GOOD LUCK.
617
00:25:10,843 --> 00:25:13,245
IT'S MY FAITH IN YOU THAT'S
FIRING ME UP TO FIX THIS MESS.
618
00:25:13,279 --> 00:25:16,816
**
619
00:25:22,354 --> 00:25:25,658
DID YOU BRING IT?
620
00:25:25,692 --> 00:25:28,260
YES.
621
00:25:28,294 --> 00:25:32,064
I'LL SHOW YOU MINE
IF YOU SHOW ME YOURS FIRST.
622
00:25:32,098 --> 00:25:35,702
I'M DIVORCING LILY.
HERE ARE THE PAPERS.
623
00:25:35,735 --> 00:25:38,270
YOU MAY LEAK THEM
TO WHOMEVER YOU CHOOSE.
624
00:25:38,304 --> 00:25:39,706
(scoffs)
625
00:25:39,739 --> 00:25:41,574
THAT'S HARDLY ENOUGH.
626
00:25:41,608 --> 00:25:45,612
LILY'S BEEN DIVORCED
FOUR, FIVES TIMES ALREADY.
627
00:25:45,645 --> 00:25:47,914
WHO CAN KEEP COUNT?
628
00:25:47,947 --> 00:25:49,582
I WANT HER HUMILIATED.
629
00:25:49,616 --> 00:25:51,918
WHAT DID YOU HAVE IN MIND?
630
00:25:51,951 --> 00:25:54,186
(inhales deeply)
631
00:25:54,220 --> 00:25:55,855
TAKE OFF YOUR CLOTHES.
632
00:25:55,888 --> 00:25:57,056
EXCUSE ME?
633
00:25:57,089 --> 00:25:59,558
YOU HEARD ME. STRIP.
634
00:26:10,136 --> 00:26:13,005
(Niki Watkins' "Get Wild"
playing)
635
00:26:13,039 --> 00:26:15,942
I SHOULD HAVE EXPECTED
THE TYPICAL SERENA SABOTAGE--
636
00:26:15,975 --> 00:26:18,077
PRETENDING TO BE MY FRIEND
637
00:26:18,110 --> 00:26:19,245
AND THEN SENDING IN
THOSE MINI MAFIOSAS
638
00:26:19,278 --> 00:26:21,380
TO BLOW UP MY POP-UP SHOP.
639
00:26:21,413 --> 00:26:23,950
SAGE KNOWS
YOU'RE NOT BACK WITH STEVEN.
640
00:26:23,983 --> 00:26:25,317
I WONDER WHO TOLD HER.
641
00:26:25,351 --> 00:26:28,187
WELL, IT WASN'T ME, I SWEAR.
642
00:26:28,220 --> 00:26:29,555
BLAIR, I JUST WANNA HELP.
643
00:26:29,588 --> 00:26:32,692
IF I CHOOSE TO BELIEVE YOU,
AND IF YOU REALLY WANNA HELP,
644
00:26:32,725 --> 00:26:34,226
THEN COME UP WITH A NEW SCHEME
645
00:26:34,260 --> 00:26:36,228
BEFORE THOSE TEENAGE GOOMBAS
RUIN EVERYTHING.
646
00:26:36,262 --> 00:26:38,230
(man) MISS WALDORF,
MAY I TAKE A PICTURE?
647
00:26:38,264 --> 00:26:40,332
(camera shutter clicks)
648
00:26:40,366 --> 00:26:43,335
LOOK, I'LL DO WHATEVER YOU WANT,
BUT YOU DON'T NEED A SCHEME.
649
00:26:43,369 --> 00:26:46,338
YOUR LINE IS SPECTACULAR
AND IT SPEAKS FOR ITSELF.
650
00:26:46,372 --> 00:26:48,741
AND THERE'S NOTHING THAT SAGE
OR ANYONE CAN DO TO CHANGE THAT.
651
00:26:48,775 --> 00:26:50,810
IT'S TIME FOR YOU TO START
TRUSTING YOURSELF
652
00:26:50,843 --> 00:26:53,245
AND ACCEPTING THE FACT THAT
YOU ARE OBSCENELY TALENTED.
653
00:26:53,279 --> 00:26:55,081
(sighs)
654
00:26:55,114 --> 00:26:56,148
YOU REALLY MEAN THAT?
655
00:26:56,182 --> 00:26:59,385
YES. B., YOUR CLOTHES
ARE BEAUTIFUL AND ORIGINAL,
656
00:26:59,418 --> 00:27:01,187
LIKE YOU.
657
00:27:01,220 --> 00:27:03,823
DON'T TAKE MY WORD FOR IT.
LOOK AROUND.
658
00:27:03,856 --> 00:27:05,391
**
659
00:27:05,424 --> 00:27:06,392
HEY! WHAT ARE YOU DOING?
660
00:27:06,425 --> 00:27:08,394
THIS IS THE LAST SIZE 2,
AND I LIKED IT FIRST.
661
00:27:08,427 --> 00:27:11,063
(Nightingale) SORRY.
ALL'S FAIR IN SHOPPING AND WAR.
662
00:27:11,097 --> 00:27:12,231
WHAT ARE YOU GUYS DOING?!
663
00:27:12,264 --> 00:27:14,000
YOU'RE SUPPOSED TO
BE HATING ON EVERYTHING.
664
00:27:14,033 --> 00:27:15,735
BUT WE LOVE IT,
665
00:27:15,768 --> 00:27:18,104
AND DEVOTION TO GREAT CLOTHES
TRUMPS FIVE FAMILY LOYALTY.
666
00:27:18,137 --> 00:27:19,739
UH, HI. EXCUSE ME.
667
00:27:19,772 --> 00:27:21,340
DO YOU MIND IF I QUOTE YOU?
668
00:27:21,373 --> 00:27:23,009
OH, MY GOSH.
669
00:27:23,042 --> 00:27:25,011
THEY LIKE ME.
670
00:27:25,044 --> 00:27:26,713
THEY REALLY LIKE ME!
671
00:27:26,746 --> 00:27:28,314
**
672
00:27:28,347 --> 00:27:30,182
* GET WILD
673
00:27:30,216 --> 00:27:32,118
NATHANIEL,
WHAT ARE YOU DOING?
674
00:27:32,151 --> 00:27:34,053
IT'S NOT LIKE YOU
TO BE PARTYING ALONE.
675
00:27:34,086 --> 00:27:37,890
(chuckles) WELL, THAT'S WHAT
I WANT TO BE--ALONE...
676
00:27:37,924 --> 00:27:39,759
AND UNCONSCIOUS.
(clears throat)
677
00:27:39,792 --> 00:27:43,963
BELIEVE ME, WHATEVER PROBLEMS
YOU'VE GOT AT "THE SPECTATOR"
678
00:27:43,996 --> 00:27:46,232
CANNOT COMPARE
TO MY DAY FROM HELL.
679
00:27:46,265 --> 00:27:49,668
SO IF YOU DON'T MIND,
I'D LIKE TO JOIN YOU.
680
00:27:51,237 --> 00:27:52,972
CHUCK...
681
00:27:53,005 --> 00:27:55,842
IT WAS, UH,
IT WAS ALL MY FAULT.
682
00:27:55,875 --> 00:27:57,443
WHAT WAS?
683
00:27:59,846 --> 00:28:03,015
THERE WAS NOTHING I COULD DO.
684
00:28:03,049 --> 00:28:05,117
HE CORNERED ME.
685
00:28:05,151 --> 00:28:06,318
"HE" WHO?
686
00:28:08,354 --> 00:28:10,990
MY FATHER?
687
00:28:11,023 --> 00:28:12,825
YOU TELL ME WHAT HAPPENED.
WHAT DID HE DO?
688
00:28:12,859 --> 00:28:14,126
WHAT DID HE MAKE YOU DO?
689
00:28:14,160 --> 00:28:16,763
WHAT...
690
00:28:16,796 --> 00:28:17,930
TELL ME.
691
00:28:17,964 --> 00:28:19,966
BEFORE WE DO THIS...
692
00:28:19,999 --> 00:28:21,467
THE MICROFILM.
693
00:28:21,500 --> 00:28:25,337
OH. NO, WE'RE NOT ACTUALLY
GOING TO HAVE SEX. (chuckles)
694
00:28:25,371 --> 00:28:26,472
I JUST WANNA TAKE
A COUPLE SNAPSHOTS
695
00:28:26,505 --> 00:28:28,240
TO MAKE IT LOOK LIKE WE DID.
696
00:28:28,274 --> 00:28:29,776
ALL THAT MATTERS
697
00:28:29,809 --> 00:28:33,012
IS THAT LILY BELIEVES
SHE LOST TWO HUSBANDS TO ME.
698
00:28:33,045 --> 00:28:36,816
I'M FINE BEING
YOUR ELIOT SPITZER SCANDAL,
699
00:28:36,849 --> 00:28:38,384
BUT I'M
A PAY-FOR-PLAY KINDA GUY.
700
00:28:38,417 --> 00:28:40,086
THE MICROFILM FIRST.
701
00:28:40,119 --> 00:28:43,122
(Gossling's "Heart Killer"
playing)
702
00:28:50,863 --> 00:28:51,764
IVY.
(whispers) OH, GOD.
703
00:28:51,798 --> 00:28:53,499
DON'T DO THIS.
704
00:28:53,532 --> 00:28:57,103
MY FATHER WILL SCREW YOU,
THEN SCREW YOU OVER.
705
00:28:57,136 --> 00:28:59,105
IT'S NOT TOO LATE
TO DO THE RIGHT THING.
706
00:28:59,138 --> 00:29:02,108
BEHIND THE CURVE AS ALWAYS,
CHUCK.
707
00:29:02,141 --> 00:29:03,175
IT I TOO LATE.
708
00:29:08,047 --> 00:29:09,916
WHAT IS THIS, SOME KIND OF JOKE?
709
00:29:16,455 --> 00:29:21,293
* I WANNA SEE HURT,
I WANNA SEE HURT *
710
00:29:21,327 --> 00:29:23,129
WHAT IN THE WORLD
ARE YOU DOING HERE?
711
00:29:23,162 --> 00:29:24,997
* WATCHING YOU DROWN
712
00:29:25,031 --> 00:29:27,366
I KNOW I SAID I WOULDN'T
HELP YOU, BUT I CHANGED MY MIND.
713
00:29:27,399 --> 00:29:30,970
* WATCHING YOU DROWN
714
00:29:31,003 --> 00:29:33,239
I HAVE WHAT
YOU'RE LOOKING FOR.
715
00:29:33,272 --> 00:29:36,142
THEY SAY
NOTHING INSPIRES FORGIVENESS
716
00:29:36,175 --> 00:29:38,811
QUITE LIKE REVENGE.
717
00:29:49,255 --> 00:29:53,125
THE MICROFILM WAS
IN THAT ENVELOPE, I SWEAR.
718
00:29:53,159 --> 00:29:55,127
IF YOU DON'T FIND IT
AND HAND IT OVER--
719
00:29:55,161 --> 00:29:56,896
ALL THE TORTURE
YOU WISHED ON LILY,
720
00:29:56,929 --> 00:29:58,430
IT'LL SEEM LIKE CHILD'S PLAY.
721
00:29:58,464 --> 00:30:00,299
MY FATHER'S THREATS AREN'T IDLE.
NEITHER ARE MINE.
722
00:30:02,534 --> 00:30:04,570
THERE'S ONLY ONE PERSON
WHO KNEW I HAD IT,
723
00:30:04,603 --> 00:30:05,905
WHO MIGHT KNOW WHERE IT IS.
724
00:30:12,278 --> 00:30:14,046
THANKS.
725
00:30:17,249 --> 00:30:19,919
SINCE WHEN DID YOU START
SPIKING YOUR CHAMOMILE?
726
00:30:19,952 --> 00:30:21,187
OH, IT'S BEEN A ROUGH DAY.
727
00:30:21,220 --> 00:30:24,323
HOPE THIS MAKES THINGS
A BIT BETTER.
728
00:30:24,356 --> 00:30:26,625
(teacup clinks)
729
00:30:26,658 --> 00:30:29,128
YOU HAVE NO IDEA.
730
00:30:29,161 --> 00:30:30,529
THANK YOU, RUFUS.
731
00:30:30,562 --> 00:30:31,931
WHAT MADE YOU CHANGE
YOUR MIND?
732
00:30:31,964 --> 00:30:34,633
IVY'S NOT
WHO I THOUGHT SHE WAS.
733
00:30:34,666 --> 00:30:37,136
I KNOW. I SHOULD'VE
BEEN TIPPED OFF
734
00:30:37,169 --> 00:30:39,205
BY THE WHOLE "PRETENDING TO BE
YOUR NIECE" THING.
735
00:30:39,238 --> 00:30:43,142
WELL, YOU ALWAYS BELIEVE
THE BEST IN PEOPLE.
736
00:30:43,175 --> 00:30:45,577
IT'S YOUR VIRTUE
AND YOUR DOWNFALL.
737
00:30:45,611 --> 00:30:47,613
I STILL SEE
THE BEST IN YOU, LIL.
738
00:30:47,646 --> 00:30:49,648
AFTER EVERYTHING
THAT WE'VE BEEN THROUGH,
739
00:30:49,681 --> 00:30:52,251
IT'S PROBABLY SAFE TO SAY
THAT WE WON'T BE TOGETHER AGAIN.
740
00:30:52,284 --> 00:30:54,921
BUT WE WERE FAMILY
FOR A LONG TIME,
741
00:30:54,954 --> 00:30:57,223
AND THAT MEANS SOMETHING.
742
00:30:59,491 --> 00:31:01,193
I'D REALLY LIKE PEACE
BETWEEN US.
743
00:31:06,032 --> 00:31:06,598
(elevator bell dings,
doors open)
744
00:31:13,105 --> 00:31:14,206
DAD, HEY.
WHAT ARE YOU DOING HERE?
745
00:31:14,240 --> 00:31:17,009
YOU INSPIRED ME TO MAKE
SOME AMENDS OF MY OWN, SON.
746
00:31:17,043 --> 00:31:18,978
ARE YOU GETTING BACK TOGETHER
WITH LILY? W--
747
00:31:19,011 --> 00:31:22,348
NO, I'M JUST RETURNING SOMETHING
OF LILY'S THAT IVY STOLE.
748
00:31:30,056 --> 00:31:32,591
WHY IS THIS PERSON TAKING
SO LONG GETTING BACK TO YOU?
749
00:31:32,624 --> 00:31:35,127
I... I DON'T KNOW.
750
00:31:35,161 --> 00:31:37,663
(cell phone alert chimes)
751
00:31:37,696 --> 00:31:39,198
(beep)
752
00:31:41,367 --> 00:31:42,668
WHERE YOU GOING?
753
00:31:42,701 --> 00:31:46,072
DOES BLAIR NEED YOU TO COME OVER
TO KILL A SPIDER?
754
00:31:46,105 --> 00:31:47,406
I'M NOT WASTING
ANY MORE TIME.
755
00:31:47,439 --> 00:31:49,908
SO YOU'RE GIVING UP?
WHAT A SHOCKER.
756
00:31:51,477 --> 00:31:54,580
YOU'RE RIGHT.
YOU KNOW ME SO WELL.
757
00:31:57,416 --> 00:32:01,020
MY PATIENCE IS WEARING THIN.
758
00:32:01,053 --> 00:32:04,056
YOU BETTER MAKE
THIS PERSON APPEAR FAST.
759
00:32:04,090 --> 00:32:06,558
(beep)
760
00:32:06,592 --> 00:32:08,427
(Haley Reinhardt and B.o.B.'s
"Oh My!" playing)
761
00:32:08,460 --> 00:32:09,695
* YEAH
762
00:32:09,728 --> 00:32:14,300
* WHOA, WHOA, WHOA
763
00:32:14,333 --> 00:32:16,302
* WHOA
764
00:32:16,335 --> 00:32:18,737
WE ALMOST SOLD OUT.
765
00:32:18,770 --> 00:32:20,572
(laughs) I FEEL LIKE
I'M DREAMING.
766
00:32:20,606 --> 00:32:24,443
UH-OH. 2 GIRLS WRESTLING
FOR LAST 3-BUTTON VEST.
767
00:32:24,476 --> 00:32:27,246
I GO ACT AS REFEREE.
768
00:32:27,279 --> 00:32:28,680
* I'M BURNING UP INSIDE
769
00:32:28,714 --> 00:32:29,615
I HAVE ALWAYS KNOWN
THAT I HAD
770
00:32:29,648 --> 00:32:31,517
THE MOST BRILLIANT,
TALENTED BEST FRIEND,
771
00:32:31,550 --> 00:32:33,452
BUT NOW THE WHOLE WORLD
GETS TO KNOW, TOO.
772
00:32:33,485 --> 00:32:35,187
THANK YOU.
773
00:32:35,221 --> 00:32:37,389
I'M SORRY FOR ACCUSING YOU
OF TURNING SAGE AGAINST ME.
774
00:32:37,423 --> 00:32:40,126
NO,
I'M SORRY FOR EVERYTHING.
775
00:32:40,159 --> 00:32:42,461
I DON'T THINK I WAS EVER ABLE
TO GET OVER HOW HURT I WAS
776
00:32:42,494 --> 00:32:45,731
THAT YOU WERE DATING DAN,
WHICH IS WHY I ACTED SO BADLY.
777
00:32:45,764 --> 00:32:48,067
I GET IT.
IF YOU'D HAVE DATED CHUCK,
778
00:32:48,100 --> 00:32:49,601
I WOULD'VE
SCRATCHED YOUR EYES OUT.
779
00:32:49,635 --> 00:32:51,137
(indistinct conversations)
780
00:32:51,170 --> 00:32:52,604
* OH, OH, OH, OH MY!
781
00:32:52,638 --> 00:32:54,606
I'VE REALLY MISSED YOU.
782
00:32:54,640 --> 00:32:56,042
I MISSED YOU, TOO, B.
783
00:32:57,443 --> 00:32:59,245
YOU'RE ABOUT TO GET EVERYTHING
YOU EVER WANTED,
784
00:32:59,278 --> 00:33:02,048
AND TONIGHT'S SUCCESS IS--
IS JUST THE BEGINNING.
785
00:33:02,081 --> 00:33:04,616
WELL, THIS LINE WAS INSPIRED
BY BOTH OF US,
786
00:33:04,650 --> 00:33:06,518
RULING CONSTANCE TOGETHER.
787
00:33:06,552 --> 00:33:08,520
THIS IS YOUR SUCCESS, TOO.
788
00:33:08,554 --> 00:33:11,190
I JUST HOPE THAT THIS NIGHT
LEADS TO...
789
00:33:11,223 --> 00:33:13,492
THE OTHER THING
I'VE ALWAYS WANTED--
790
00:33:13,525 --> 00:33:15,494
TO BE WITH CHUCK.
791
00:33:15,527 --> 00:33:17,763
HE LOVES YOU MORE THAN ANYTHING
IN THE WHOLE WORLD.
792
00:33:17,796 --> 00:33:20,666
YOU'LL FIND
YOUR GREAT LOVE, TOO.
793
00:33:20,699 --> 00:33:22,368
UM, I SHOULD PROBABLY
GET GOING.
794
00:33:22,401 --> 00:33:24,470
BUT BREAKFAST TOMORROW MORNING?
SARABETH'S?
795
00:33:24,503 --> 00:33:26,305
YES. 9:00 A.M. SHARP.
796
00:33:26,338 --> 00:33:27,739
CONGRATULATIONS, B.
797
00:33:27,773 --> 00:33:29,308
THANK YOU.
798
00:33:29,341 --> 00:33:31,743
* OH MY!
799
00:33:31,777 --> 00:33:33,712
LILY, PLEASE!
800
00:33:33,745 --> 00:33:35,081
DON'T PROTECT HIM.
801
00:33:35,114 --> 00:33:37,483
WHY WOULDN'T I PROTECT
MY HUSBAND?
802
00:33:37,516 --> 00:33:38,650
HE'S THE ONLY ONE
THAT PROTECTS ME.
803
00:33:38,684 --> 00:33:40,186
NO, THAT'S NOT TRUE.
804
00:33:40,219 --> 00:33:42,621
YOU'RE THE ONE WILLING
TO GO TO ANY LENGTHS,
805
00:33:42,654 --> 00:33:44,290
AND I'VE HAD ENOUGH OF IT.
806
00:33:44,323 --> 00:33:47,826
I KNOW YOU WANNA BELIEVE
HE IS A CHANGED MAN,
807
00:33:47,859 --> 00:33:49,495
THAT HE IS A GOOD MAN.
808
00:33:49,528 --> 00:33:52,364
AND I WANTED TO BELIEVE
THAT, TOO, SO BADLY.
809
00:33:52,398 --> 00:33:55,667
BUT THE TRUTH IS,
IS HE IS A RUTHLESS CRIMINAL.
810
00:33:55,701 --> 00:33:58,304
IF YOU DESTROY THAT EVIDENCE,
811
00:33:58,337 --> 00:34:00,072
THERE IS NOTHING TO STOP HIM
FROM HURTING ANYONE,
812
00:34:00,106 --> 00:34:01,707
INCLUDING YOU.
813
00:34:01,740 --> 00:34:03,842
THAT'S RIDICULOUS, CHARLES.
814
00:34:03,875 --> 00:34:06,712
HE WOULD NEVER HURT ME.
815
00:34:06,745 --> 00:34:09,748
SINCE HIS RETURN, HE HAS DONE
NOTHING BUT PROVE HIS LOVE.
816
00:34:15,187 --> 00:34:18,724
YOU ONCE TOLD ME MY FATHER
WAS INCAPABLE OF LOVE.
817
00:34:18,757 --> 00:34:21,293
THAT IS THE TRUTH.
818
00:34:21,327 --> 00:34:25,331
I JUST SAW HIM IN A HOTEL ROOM,
HALF-NAKED,
819
00:34:25,364 --> 00:34:27,099
WITH IVY.
820
00:34:27,133 --> 00:34:29,701
THAT LIE...
821
00:34:29,735 --> 00:34:32,704
IS BENEATH EVEN YOU, CHARLES.
822
00:34:32,738 --> 00:34:35,174
I'M NOT GONNA LET YOU
OR ANYONE ELSE
823
00:34:35,207 --> 00:34:38,310
THREATEN OUR FAMILY
EVER AGAIN.
824
00:34:38,344 --> 00:34:40,846
DON'T!
825
00:34:40,879 --> 00:34:44,550
ASHES TO ASHES.
DUST TO DUST.
826
00:34:44,583 --> 00:34:47,186
EVEN THE BEST-LAID PLANS
CAN GO BUST.
827
00:34:54,260 --> 00:34:58,164
(door opens and closes)
828
00:34:58,197 --> 00:34:59,431
WHERE HAVE YOU BEEN?
829
00:34:59,465 --> 00:35:01,367
I'VE BEEN CALLING
FOR AN HOUR.
830
00:35:01,400 --> 00:35:02,568
I JUST GOT YOUR MESSAGES.
831
00:35:02,601 --> 00:35:03,735
ARE YOU--
832
00:35:03,769 --> 00:35:06,438
OKAY? NO! I'M NOT OKAY!
833
00:35:06,472 --> 00:35:08,640
OUR PLAN FAILED.
834
00:35:08,674 --> 00:35:11,677
OKAY, RUFUS MUST'VE TAKEN
THE MICROFILM FROM MY PURSE
835
00:35:11,710 --> 00:35:13,745
AND GIVEN IT TO LILY.
836
00:35:13,779 --> 00:35:15,681
I WAS WITH BART
WHEN SHE CALLED HIM
837
00:35:15,714 --> 00:35:17,549
TO TELL HIM
THAT SHE DESTROYED IT.
838
00:35:17,583 --> 00:35:19,751
SO LILY'S...
STILL WITH BART?
839
00:35:19,785 --> 00:35:21,220
YES.
840
00:35:21,253 --> 00:35:23,289
AND NOW THAT HE KNOWS
I'M AFTER LILY,
841
00:35:23,322 --> 00:35:25,424
HE'S THREATENED
TO DESTROY ME.
842
00:35:25,457 --> 00:35:27,693
(whispers) LOOK, HE'S SCARY,
WILLIAM. HE'LL DO IT.
843
00:35:27,726 --> 00:35:28,694
CALM DOWN FOR A SECOND.
844
00:35:28,727 --> 00:35:30,229
I CAN'T!
845
00:35:30,262 --> 00:35:33,232
CAN'T YOU SEE THAT
WITHOUT THE MICROFILM,
846
00:35:33,265 --> 00:35:34,833
WE CAN'T FIGHT BACK?
847
00:35:34,866 --> 00:35:38,437
I KNOW THAT I-I PROMISED LOLA
THAT WE'D DO EVERYTHING WE COULD
848
00:35:38,470 --> 00:35:40,572
TO DESTROY LILY.
849
00:35:40,606 --> 00:35:44,176
BUT... WE'VE DONE
EVERYTHING THAT WE COULD.
850
00:35:44,210 --> 00:35:46,845
YOU'RE RIGHT.
I SUPPOSE WE SHOULD...
851
00:35:46,878 --> 00:35:49,648
LEAVE AND REGROUP FOR NOW.
852
00:35:51,783 --> 00:35:53,819
I KNOW THAT WE DIDN'T
GET LILY, BUT...
853
00:35:53,852 --> 00:35:56,355
THE MOST IMPORTANT THING
IS THAT WE HAVE EACH OTHER.
854
00:35:56,388 --> 00:35:58,790
OF COURSE.
855
00:36:02,861 --> 00:36:05,864
(cell phone rings)
856
00:36:05,897 --> 00:36:07,333
(beep)
857
00:36:07,366 --> 00:36:09,401
(sighs) HELLO?
858
00:36:09,435 --> 00:36:11,337
(Bart) So Chuck's little game
is over, Nathaniel.
859
00:36:11,370 --> 00:36:13,839
IN SPITE OF YOU TIPPING HIM OFF,
HE LOST.
860
00:36:13,872 --> 00:36:16,408
OF COURSE, ONCE A LOSER,
ALWAYS A LOSER.
861
00:36:16,442 --> 00:36:17,909
(slurring) WHY DON'T YOU GO
GIVE YOUR... (hiccups)
862
00:36:17,943 --> 00:36:21,613
S-STIRRING LITTLE VICTORY SPEECH
TO SOMEONE WHO CARES?
863
00:36:21,647 --> 00:36:23,815
OH, YEAH. THAT'S RIGHT.
NO ONE DOES.
864
00:36:23,849 --> 00:36:25,951
You're just lucky that
Lily destroyed the microfilm
865
00:36:25,984 --> 00:36:28,320
AND BOUGHT YOU A REPRIEVE.
866
00:36:28,354 --> 00:36:30,722
I OWN YOU, AND YOU BETTER
START ACTING LIKE IT.
867
00:36:30,756 --> 00:36:32,291
What, you gonna call
the police?
868
00:36:32,324 --> 00:36:34,726
ALL RIGHT, FINE. JUST DO IT.
HAVE ME ARRESTED.
869
00:36:34,760 --> 00:36:36,628
Oh, you're of more use to me
out of jail...
870
00:36:36,662 --> 00:36:39,431
FOR THE MOMENT.
871
00:36:39,465 --> 00:36:40,532
YOU OWE ME.
872
00:36:40,566 --> 00:36:42,801
Sober up
873
00:36:42,834 --> 00:36:45,371
AND GET READY
TO PAY THE PRICE.
874
00:36:45,404 --> 00:36:46,372
(beep)
875
00:36:46,405 --> 00:36:47,939
(scoffs)
876
00:36:47,973 --> 00:36:48,840
(beep)
877
00:36:55,781 --> 00:36:57,015
(indistinct conversations)
878
00:36:57,048 --> 00:36:58,984
THERE YOU ARE.
879
00:36:59,017 --> 00:37:00,986
THE LINE WAS
A GIGANTIC SUCCESS.
880
00:37:01,019 --> 00:37:03,455
EVEN THE MANNEQUINS
WERE STRIPPED NAKED.
881
00:37:03,489 --> 00:37:05,591
AND NOW WE ARE HAVING A FETE
AT THE ATELIER TO CELEBRATE,
882
00:37:05,624 --> 00:37:06,992
SO OF COURSE I NEED YOU
BY MY SIDE.
883
00:37:07,025 --> 00:37:09,661
AND WHY HAVEN'T YOU BEEN
ANSWERING YOUR PHONE?
884
00:37:09,695 --> 00:37:11,897
I'M HAPPY FOR YOU, BLAIR.
885
00:37:11,930 --> 00:37:13,532
FORGET ME.
886
00:37:16,034 --> 00:37:18,537
CHUCK?
887
00:37:18,570 --> 00:37:20,906
WHAT HAPPENED?
888
00:37:20,939 --> 00:37:22,908
WHAT I SHOULD'VE
ALWAYS EXPECTED.
889
00:37:22,941 --> 00:37:29,047
THE ONLY PARENT
WHO EVER LOVED ME,
890
00:37:29,080 --> 00:37:34,019
THE MOTHER WHO CHOSE ME
AS A SON,
891
00:37:34,052 --> 00:37:35,754
ABANDONED ME.
892
00:37:35,787 --> 00:37:37,789
(mouths word)
893
00:37:37,823 --> 00:37:43,395
I FINALLY HAD THE EVIDENCE
TO VANQUISH MY FATHER.
894
00:37:43,429 --> 00:37:46,732
SHE DESTROYED IT
TO PROTECT HIM.
895
00:37:46,765 --> 00:37:48,767
WE'LL FIND NEW EVIDENCE.
896
00:37:48,800 --> 00:37:49,768
WE'LL FIND ANOTHER WAY.
897
00:37:49,801 --> 00:37:51,737
THERE IS NO OTHER WAY.
898
00:37:51,770 --> 00:37:53,639
THIS WAS IT. IT'S OVER.
899
00:37:53,672 --> 00:37:57,876
WELL, EVEN IF WE CAN'T
PUT BART BEHIND BARS,
900
00:37:57,909 --> 00:38:00,045
WE'LL STILL BE TOGETHER.
901
00:38:03,615 --> 00:38:08,019
STOP... LYING TO YOURSELF.
902
00:38:08,053 --> 00:38:10,021
WE MADE A PACT.
903
00:38:10,055 --> 00:38:13,525
YOU FULFILLED YOUR SIDE.
I FAILED AT MINE.
904
00:38:15,961 --> 00:38:18,764
WE CAN' BE TOGETHER.
905
00:38:21,433 --> 00:38:23,669
CHUCK...
906
00:38:23,702 --> 00:38:25,337
PLEASE.
907
00:38:25,371 --> 00:38:28,073
GO.
908
00:38:28,106 --> 00:38:29,941
JUST GO.
909
00:39:01,172 --> 00:39:02,941
HEY.
910
00:39:02,974 --> 00:39:05,944
HEY.
911
00:39:05,977 --> 00:39:07,779
SO I FINALLY
MADE AMENDS WITH BLAIR,
912
00:39:07,813 --> 00:39:10,382
AND WE'RE IN A REALLY GOOD PLACE
AND I COULDN'T BE HAPPIER.
913
00:39:10,416 --> 00:39:12,384
HOW WAS YOUR DAY?
914
00:39:12,418 --> 00:39:13,619
I HATE TO COMPETE,
915
00:39:13,652 --> 00:39:15,721
BUT I MADE AMENDS WITH CHUCK,
NATE, AND MY DAD.
916
00:39:15,754 --> 00:39:16,755
WOW. I'M IMPRESSED.
917
00:39:16,788 --> 00:39:18,524
YEAH, ALL RIGHT.
918
00:39:18,557 --> 00:39:21,727
SO NOW THAT WE'VE KNOCKED DOWN
OUR LAST OBSTACLES,
919
00:39:21,760 --> 00:39:23,028
ARE WE FINALLY READY
TO DO THIS?
920
00:39:25,531 --> 00:39:27,165
WELL, DO YOU REMEMBER
THAT WE SAID
921
00:39:27,198 --> 00:39:29,468
IF WE EVER JUMPED INTO
A RELATIONSHIP AGAIN THAT
922
00:39:29,501 --> 00:39:31,036
THAT WOULD BE IT?
923
00:39:31,069 --> 00:39:33,505
THAT WE WOULD ONLY GET
ONE MORE CHANCE?
924
00:39:33,539 --> 00:39:35,040
ARE YOU SURE THAT
925
00:39:35,073 --> 00:39:37,676
I'M THE ONE PERSON
YOU WANNA BE WITH?
926
00:39:37,709 --> 00:39:39,445
ARE YOU TALKING ABOUT BLAIR?
927
00:39:41,112 --> 00:39:45,050
SERENA, YES,
I'M SURE YOU ARE THE ONE.
928
00:39:45,083 --> 00:39:47,052
BUT WHETHER OR NOT
I'VE ADMITTED IT TO MYSELF,
929
00:39:47,085 --> 00:39:50,722
YOU HAVE ALWAYS BEEN THE ONE.
930
00:39:52,123 --> 00:39:53,625
HOW ABOUT YOU?
931
00:39:53,659 --> 00:39:56,061
YEAH, I'M SURE.
932
00:39:56,094 --> 00:40:00,098
(Chromatics' "Kill For Love"
playing)
933
00:40:01,700 --> 00:40:03,902
WAIT. HOLD ON.
934
00:40:03,935 --> 00:40:06,905
I THOUGHT THE WHOLE POINT
OF THIS WAS TO GO PUBLIC.
935
00:40:06,938 --> 00:40:09,040
UH, WHAT--WHAT HAPPENED
TO GETTING FRESH AIR?
936
00:40:09,074 --> 00:40:10,942
I MEAN, SHOULDN'T WE GO OUT
AND GET A DRINK OR SOMETHING?
937
00:40:10,976 --> 00:40:12,478
SUDDENLY, I'M OKAY
WITH BEING A SHUT-IN.
938
00:40:12,511 --> 00:40:15,714
* EVERYBODY'S GOT
A SECRET TO HIDE *
939
00:40:19,084 --> 00:40:21,219
LET ME AT LEAST GET CHAMPAGNE
SO WE CAN CELEBRATE.
940
00:40:21,252 --> 00:40:22,921
* EVERYONE IS
SLIPPING BACKWARDS *
941
00:40:22,954 --> 00:40:25,056
SOMETIMES THE LIGHT
IS SO DAZZLING
942
00:40:25,090 --> 00:40:28,226
IT'S ALL YOU CAN SEE.
943
00:40:28,259 --> 00:40:31,029
* I DRANK THE WATER
AND I FELT ALL RIGHT *
944
00:40:31,062 --> 00:40:34,065
OTHER TIMES,
DARK CLOUDS DEVOUR YOU,
945
00:40:34,099 --> 00:40:36,234
AND IT SEEMS THE SKIES
WILL NEVER CLEAR.
946
00:40:36,267 --> 00:40:39,938
* IN MY MIND
I WAS WAITING FOR CHANGE *
947
00:40:39,971 --> 00:40:43,208
* I CAN'T REMEMBER
IF I LIKE WHAT I SAID *
948
00:40:43,241 --> 00:40:44,543
OH!
949
00:40:44,576 --> 00:40:46,812
(all cheering)
950
00:40:46,845 --> 00:40:48,680
* IT WENT STRAIGHT TO MY HEAD
951
00:40:48,714 --> 00:40:51,917
BUT WHEN THE SUN BEAMS
WHILE THE RAIN FALLS,
952
00:40:51,950 --> 00:40:54,953
IT CAN BRING
A BITTERSWEET RAINBOW.
953
00:40:54,986 --> 00:40:56,087
* TOP OF MY HEAD
954
00:40:56,121 --> 00:40:58,056
* BUT I KILLED FOR LOVE
955
00:40:58,089 --> 00:41:00,492
(cell phone rings)
956
00:41:00,526 --> 00:41:02,694
(ring)
957
00:41:05,196 --> 00:41:06,798
(lowered voice)
I ONLY HAVE A MINUTE.
958
00:41:06,832 --> 00:41:08,166
HUMPHREY, GOING ROGUE IS NOT
PART OF OUR AGREEMENT.
959
00:41:08,199 --> 00:41:09,535
WHERE THE HELL HAVE YOU BEEN?
960
00:41:09,568 --> 00:41:11,202
I'M WRITING
THE SERENA CHAPTER.
961
00:41:11,236 --> 00:41:12,170
WHAT?
962
00:41:12,203 --> 00:41:13,672
(beep)
963
00:41:26,217 --> 00:41:28,053
SO WATCH OUT.
964
00:41:28,086 --> 00:41:31,089
JUST WHEN YOU THINK YOU'RE
DANCING OFF INTO THE SUNSET,
965
00:41:31,122 --> 00:41:33,825
A LIGHTNING BOLT
MAY STRIKE YOU DOWN.
966
00:41:33,859 --> 00:41:35,927
X.O.X.O., GOSSIP GIRL.
69667
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