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These are the user uploaded subtitles that are being translated: 1 00:00:02,436 --> 00:00:03,671 GOSSIP GIRL HERE-- YOUR ONE AND ONLY SOURCE 2 00:00:03,704 --> 00:00:06,240 INTO THE SCANDALOUS LIVES OF MANHATTAN'S ELITE. 3 00:00:06,274 --> 00:00:07,275 YOU ARE RUNNING MY BUSINESS 4 00:00:07,308 --> 00:00:09,510 LIKE YOU'RE STILL THE MEANEST GIRL IN HIGH SCHOOL. 5 00:00:09,543 --> 00:00:13,714 I NEED TO USE MY POWER TO FORM THE FASHIONISTAS OF THE FUTURE, 6 00:00:13,747 --> 00:00:15,049 WITH A LINE FOR HIGH SCHOOL GIRLS 7 00:00:15,083 --> 00:00:17,285 INSPIRED BY MY CONSTANCE UNIFORM. 8 00:00:17,318 --> 00:00:20,221 I'M SORRY I DIDN'T SAY ANYTHING WHEN YOU TOLD ME YOU LOVED ME. 9 00:00:20,254 --> 00:00:22,656 (Serena) ALL I WANTED WAS A FRESH START. 10 00:00:22,690 --> 00:00:25,359 THAT'S WHAT I WANT. 11 00:00:25,393 --> 00:00:27,128 WELL, WE HAD TO COME TO SOME KIND OF AGREEMENT, 12 00:00:27,161 --> 00:00:29,530 OR WE NEVER WOULD'VE LEFT THAT HOTEL ROOM IN MONTE CARLO. 13 00:00:29,563 --> 00:00:31,232 IT WON'T BE MUCH LONGER, I PROMISE. 14 00:00:31,265 --> 00:00:32,566 WE'RE HAPPY TO EXTEND 15 00:00:32,600 --> 00:00:33,734 "THE SPECTATOR'S" LINE OF CREDIT. 16 00:00:33,767 --> 00:00:35,669 ARE YOU SURE WANNA COSIGN ON THIS LOAN? 17 00:00:35,703 --> 00:00:37,571 SEND ME THE DOCUMENTS TO SIGN IN THE MORNING. 18 00:00:37,605 --> 00:00:40,341 WHEN IVY WAS IN THE APARTMENT, SHE SAID BART WALKED IN 19 00:00:40,374 --> 00:00:42,710 WITH AN ENVELOPE HE HELD ON TO RATHER TIGHTLY. 20 00:00:42,743 --> 00:00:44,278 (Chuck) Is there anything missing? 21 00:00:44,312 --> 00:00:46,280 THAT PAINTING OF THE RAINBOW WOMAN IS GONE. 22 00:00:46,314 --> 00:00:47,681 IN THAT FILM, THE HEAD OF THE DRUG CARTEL 23 00:00:47,715 --> 00:00:50,118 STORED HIS ILLEGAL ACCOUNT INFORMATION 24 00:00:50,151 --> 00:00:51,319 IN THE BACK OF A PAINTING. 25 00:00:51,352 --> 00:00:54,822 (amplified voice) SOLD FOR $1.1 MILLION. 26 00:00:54,855 --> 00:00:57,091 THAT PIECE IS A CRITICAL COMPONENT 27 00:00:57,125 --> 00:00:58,426 OF MY CAMPAIGN AGAINST BART. 28 00:00:58,459 --> 00:01:00,428 IF I TOPPLE HIM, LILY WON'T BE FAR BEHIND. 29 00:01:00,461 --> 00:01:01,829 (Ivy) I'LL SELL YOU THE PAINTING. 30 00:01:01,862 --> 00:01:02,863 WHERE THE HELL IS THAT ENVELOPE? 31 00:01:02,896 --> 00:01:04,165 SOMEONE TOOK IT OFF. 32 00:01:04,198 --> 00:01:05,333 THEN THEY'VE GOT THE EVIDENCE! 33 00:01:06,667 --> 00:01:09,370 AND WHO AM I? 34 00:01:09,403 --> 00:01:12,706 THAT'S A SECRET I'LL NEVER TELL. 35 00:01:12,740 --> 00:01:14,608 YOU KNOW YOU LOVE ME. 36 00:01:14,642 --> 00:01:16,577 X.O.X.O., GOSSIP GIRL. 37 00:01:16,610 --> 00:01:18,579 -- Captions by VITA -- 38 00:01:18,612 --> 00:01:23,184 (barking) 39 00:01:23,217 --> 00:01:24,618 (barking continues) 40 00:01:24,652 --> 00:01:29,190 (Gossip Girl) DESPERATE TIMES CALL FOR DESPERATE MEASURES. 41 00:01:29,223 --> 00:01:30,724 (growling) 42 00:01:30,758 --> 00:01:32,693 AND EVEN THE MOST DISCIPLINED PEOPLE 43 00:01:32,726 --> 00:01:34,695 CAN RESORT TO DESTRUCTION... 44 00:01:34,728 --> 00:01:36,430 (elevator bell dings, doors open) 45 00:01:36,464 --> 00:01:38,199 (footsteps approach) 46 00:01:38,232 --> 00:01:41,602 (barking continues) 47 00:01:41,635 --> 00:01:44,472 FUNNY, I DIDN'T ASK FOR TURNDOWN SERVICE. 48 00:01:44,505 --> 00:01:46,307 BUT DID YOU FIND WHAT YOU'RE LOOKING FOR? 49 00:01:46,340 --> 00:01:47,775 (Fire in the Hamptons' "Humanimal" playing) 50 00:01:47,808 --> 00:01:51,379 WHILE OTHERS TRY TO REBUILD BRIDGES 51 00:01:51,412 --> 00:01:53,381 USING MORE INTIMATE TACTICS. 52 00:01:53,414 --> 00:01:55,183 (Dan and Serena laugh) 53 00:01:55,216 --> 00:01:56,717 WOW, THIS IS AMAZING. 54 00:01:56,750 --> 00:01:59,153 REALLY. AND I'M NOT JUST TALKING ABOUT THIS ESPRESSO. 55 00:01:59,187 --> 00:02:02,490 (chuckles) I WISH WE COULD JUST STAY LIKE THIS FOREVER. 56 00:02:02,523 --> 00:02:04,158 ME, TOO. 57 00:02:04,192 --> 00:02:05,493 THE ONLY THING MISSING IS FRESH AIR. 58 00:02:05,526 --> 00:02:07,861 ARE YOU--DO YOU THINK MAYBE TODAY THAT WE COULD, UH... 59 00:02:07,895 --> 00:02:10,631 ACTUALLY GO OUTSIDE? 60 00:02:10,664 --> 00:02:14,235 COME ON. YOU KNOW THAT WE CAN'T BE SEEN TOGETHER IN PUBLIC 61 00:02:14,268 --> 00:02:16,904 UNTIL WE'RE SURE THAT THIS IS ABSOLUTELY REAL. 62 00:02:16,937 --> 00:02:18,872 WELL, I DON'T KNOW ABOUT YOU, BUT I'M PRETTY SURE. 63 00:02:18,906 --> 00:02:20,874 I CAN'T THINK OF ANY REASON TO HOLD BACK. 64 00:02:20,908 --> 00:02:22,510 WELL, HERE'S A BIG ONE. 65 00:02:22,543 --> 00:02:24,378 ALL OF OUR FRIENDS ARE FURIOUS AT US. 66 00:02:24,412 --> 00:02:26,447 IF WE WANNA BE A COUPLE IN THE REAL WORLD, 67 00:02:26,480 --> 00:02:28,516 WE NEED TO GO OUT AND MAKE AMENDS. 68 00:02:28,549 --> 00:02:30,351 OKAY, WHERE DO WE START? 69 00:02:30,384 --> 00:02:32,420 I'LL START WITH BLAIR, AND YOU START WITH NATE. 70 00:02:32,453 --> 00:02:36,357 AND THEN AFTERWARDS, BRUNCH AND A MOVIE ON ME. I PROMISE. 71 00:02:36,390 --> 00:02:37,891 ** 72 00:02:37,925 --> 00:02:39,260 (chuckles) OKAY. 73 00:02:39,293 --> 00:02:40,728 * I'M NOT HUMAN 74 00:02:40,761 --> 00:02:42,296 YEAH, MY, UH, SUITE NEEDS TIDYING. 75 00:02:42,330 --> 00:02:44,932 COULD YOU PLEASE SEND THE MAID SERVICE? 76 00:02:44,965 --> 00:02:47,801 ON SECOND THOUGHT, SEND ALL THE MAIDS YOU HAVE. 77 00:02:47,835 --> 00:02:49,337 (cell phone beeps) 78 00:02:49,370 --> 00:02:51,372 WHERE IS IT? IN THE SAFE? 79 00:02:51,405 --> 00:02:53,307 I SEE YOU CHANGED THE COMBINATION. 80 00:02:53,341 --> 00:02:55,809 WHAT COULD POSSIBLY BE SO IMPORTANT THAT YOU MISPLACED IT? 81 00:02:55,843 --> 00:02:56,810 YOUR VIAGRA? 82 00:02:56,844 --> 00:02:58,446 CUT THE CRAP, CHUCK. 83 00:02:58,479 --> 00:03:01,482 THERE'S THE RICHARD PHILLIPS. IT USED TO HAVE A BACKING. 84 00:03:01,515 --> 00:03:02,716 I KNOW YOU HAVE IT. 85 00:03:02,750 --> 00:03:04,785 YOU MEAN THE PAPERS THAT HOLD THE PROOF 86 00:03:04,818 --> 00:03:06,887 TO YOUR ILLEGAL OIL ACTIVITIES? 87 00:03:06,920 --> 00:03:08,589 PAPERS? 88 00:03:08,622 --> 00:03:10,391 YOU DON'T HAVE IT. 89 00:03:10,424 --> 00:03:11,759 YOU DON'T EVEN KNOW WHAT YOU'RE LOOKING FOR. 90 00:03:11,792 --> 00:03:13,394 (elevator bell dings, doors open) 91 00:03:13,427 --> 00:03:18,832 OH, SORRY TO INTERRUPT THIS RIVETING OEDIPAL SHOWDOWN, 92 00:03:18,866 --> 00:03:20,834 BUT I THINK I HAVE WHAT YOU'RE LOOKING FOR. 93 00:03:23,437 --> 00:03:25,739 MR. BOYER! MR. BOYER! 94 00:03:25,773 --> 00:03:26,774 COULD I SPEAK WITH YOU, PLEASE? 95 00:03:26,807 --> 00:03:28,509 OH, UH... (chuckles) 96 00:03:28,542 --> 00:03:30,644 THIS IS COMPLETELY INAPPROPRIATE, MR. ARCHIBALD. 97 00:03:30,678 --> 00:03:32,746 I'M ON PERSONAL TIME. 98 00:03:32,780 --> 00:03:34,315 I APOLOGIZE FOR THE INTRUSION, 99 00:03:34,348 --> 00:03:35,148 BUT YOU WON'T RETURN ANY OF MY PHONE CALLS. 100 00:03:35,182 --> 00:03:36,049 ALL RIGHT, I'LL BE BRIEF, I PROMISE. 101 00:03:36,083 --> 00:03:37,851 LOOK, YOUR CREDIT LINE WAS DUE LAST WEEK. 102 00:03:37,885 --> 00:03:39,387 NOW IF YOU CAN'T COME UP WITH THE FUNDS, 103 00:03:39,420 --> 00:03:40,854 I DON'T SEE HOW I CAN ASSIST YOU. 104 00:03:40,888 --> 00:03:43,391 MR. BOYER, THIS PAPER MEANS EVERYTHING TO ME. 105 00:03:43,424 --> 00:03:45,359 I'VE PUT ALL MY PERSONAL ASSETS INTO IT, ALL RIGHT? 106 00:03:45,393 --> 00:03:47,361 YOU KNOW HOW PEOPLE ALWAYS TELL YOU TO BET ON YOURSELF? 107 00:03:47,395 --> 00:03:48,862 WELL, THAT'S WHAT I DID, AND I JUST-- 108 00:03:48,896 --> 00:03:50,931 I NEED SOMEONE ELSE TO BET ON ME, TOO. 109 00:03:50,964 --> 00:03:54,635 LOOK, I RESPECT YOUR PASSION, BUT I'M AFRAID IN THIS ECONOMY, 110 00:03:54,668 --> 00:03:56,370 PEOPLE AREN'T WILLING TO TAKE A BET. 111 00:03:56,404 --> 00:04:00,007 "THE SPECTATOR" IS NOT A RISK. IT WON'T FAIL BECAUSE IT CAN'T. 112 00:04:00,040 --> 00:04:02,343 IT'S EVERYTHING I'VE GOT, MR. BOYER. 113 00:04:02,376 --> 00:04:05,646 NOW IF YOU COULD JUST GET ME A LITTLE MORE TIME... 114 00:04:05,679 --> 00:04:08,616 NO PROMISES, 115 00:04:08,649 --> 00:04:09,883 BUT I'LL TALK TO THE LENDER. 116 00:04:09,917 --> 00:04:11,919 OH! THANK YOU. THANK YOU. 117 00:04:11,952 --> 00:04:13,487 I PROMISE YOU WON'T REGRET IT. 118 00:04:13,521 --> 00:04:15,756 YEAH. 119 00:04:15,789 --> 00:04:18,025 (exhales) 120 00:04:18,058 --> 00:04:19,360 (whispers) YES. 121 00:04:27,501 --> 00:04:28,802 JUST THINK, DOROTA. 122 00:04:28,836 --> 00:04:30,003 I STARTED OFF DRESSING THE MINIONS, 123 00:04:30,037 --> 00:04:31,905 AND NOW I'LL BE DRESSING THE MASSES. 124 00:04:31,939 --> 00:04:33,674 MISS BLAIR HAS COME LONG WAY. 125 00:04:33,707 --> 00:04:38,779 ALL GROWN UP WITH HER--HER OWN BARNEYS CO-OP POP-UP SHOP. 126 00:04:38,812 --> 00:04:42,950 NOW THE GIFT BAGS MUST BE PERFECT. 127 00:04:42,983 --> 00:04:44,852 WHAT ARE YOU DOING HERE? 128 00:04:44,885 --> 00:04:46,754 BLAIR, I KNOW THAT I'VE DONE SOME HORRIBLE THINGS, 129 00:04:46,787 --> 00:04:48,922 BUT I AM SO SORRY, AND I'VE COME TO MAKE AMENDS. 130 00:04:48,956 --> 00:04:51,792 AMENDS WOULD IMPLY THAT THERE'S SOMETHING TO BE MENDED. 131 00:04:51,825 --> 00:04:53,927 WHAT YOU DID CAN NEVER BE FIXED. 132 00:04:53,961 --> 00:04:57,365 YOU'VE SWORN THAT OUR FRIENDSHIP IS BEYOND REPAIR IN THE PAST, 133 00:04:57,398 --> 00:04:58,799 BUT WE'VE ALWAYS GOTTEN THROUGH IT. 134 00:04:58,832 --> 00:05:00,401 WELL, THIS TIME IS DIFFERENT. 135 00:05:00,434 --> 00:05:03,003 YOU SEDUCED DAN ON THE BAR AT THE CAMPBELL APARTMENT-- 136 00:05:03,036 --> 00:05:05,373 THE VERY SAME SPOT YOU DEFLOWERED MY FIRST BOYFRIEND. 137 00:05:05,406 --> 00:05:07,908 I WOULD NEVER BE THAT CRUEL TO YOU... ON PURPOSE. 138 00:05:07,941 --> 00:05:09,510 I WON'T ACCEPT LOSING YOU. 139 00:05:09,543 --> 00:05:12,079 SO... I'M JUST GONNA SIT HERE UNTIL YOU USE HOW SORRY I AM 140 00:05:12,112 --> 00:05:14,548 AND HOW MUCH I LOVE YOU. 141 00:05:14,582 --> 00:05:15,916 SUIT YOURSELF. 142 00:05:15,949 --> 00:05:18,051 SIT THERE, QUIETLY, LIKE A MANNEQUIN. 143 00:05:18,085 --> 00:05:19,853 THAT'S WHAT YOU'RE BEST AT ANYWAY. 144 00:05:19,887 --> 00:05:21,555 AND WHAT ARE YOU BEST AT, BLAIR? 145 00:05:21,589 --> 00:05:23,524 YOUR NEW JUNIOR LINE? 146 00:05:23,557 --> 00:05:26,460 AND WHAT MAKES YOU THINK THE KATNISS EVERDEEN GENERATION 147 00:05:26,494 --> 00:05:29,563 IS GOING TO CARE ABOUT BLAIR WALDORF'S PLEATED SKIRTS? 148 00:05:29,597 --> 00:05:31,399 YOU'RE NOT A TEENAGER ANYMORE. 149 00:05:31,432 --> 00:05:32,500 SO? DESIGNERS DON'T HAVE TO BE TEENAGERS 150 00:05:32,533 --> 00:05:34,902 IN ORDER TO INFLUENCE THEM. IN--IN FACT, NO ONE-- 151 00:05:34,935 --> 00:05:36,370 IS TALKING TO YOU! 152 00:05:36,404 --> 00:05:37,538 JUST BE QUIET. 153 00:05:37,571 --> 00:05:38,672 THE WORLD ALREADY HAS STELLA AND PHOEBE 154 00:05:38,706 --> 00:05:40,608 AND THE MULLEAVY SISTERS 155 00:05:40,641 --> 00:05:42,376 BLAIR'S TOO OLD TO BE THE QUEEN BEE 156 00:05:42,410 --> 00:05:43,877 AND NOT ESTABLISHED ENOUGH TO BE A FASHION STAR. 157 00:05:43,911 --> 00:05:45,879 SHE'S STUCK IN THE MIDDLE. 158 00:05:45,913 --> 00:05:47,748 AND WHAT COULD BE LESS COOL THAN BEING A TWEEN? 159 00:05:47,781 --> 00:05:49,883 WELL, I GUESS WE'LL HAVE TO SEE TONIGHT. 160 00:05:55,155 --> 00:05:59,059 I COULD TELL BY THE FRENZY AT THE AUCTION 161 00:05:59,092 --> 00:06:02,596 THERE HAD TO BE MORE AT STAKE THAN JUST ART. 162 00:06:02,630 --> 00:06:06,033 AND THEN I FOUND THE MICROFILM IN THE PAINTING. 163 00:06:06,066 --> 00:06:08,035 I DON'T KNOW WHAT THOSE NUMBERS MEAN, 164 00:06:08,068 --> 00:06:10,571 BUT THEY OBVIOUSLY MEAN A LOT TO YOU. 165 00:06:10,604 --> 00:06:12,139 NAME YOUR PRICE. 166 00:06:12,172 --> 00:06:13,941 WHATEVER HE SAYS, I'LL DOUBLE IT. 167 00:06:13,974 --> 00:06:15,643 I DON'T WANT MONEY. 168 00:06:15,676 --> 00:06:16,510 WHAT DO YOU WANT, THEN? 169 00:06:17,878 --> 00:06:18,779 LILY. 170 00:06:20,781 --> 00:06:23,484 LAST YEAR, LILY DID EVERYTHING IN HER POWER 171 00:06:23,517 --> 00:06:27,054 TO HURT ME AND LEAVE ME WITH NOTHING. 172 00:06:27,087 --> 00:06:31,058 NO FRIENDS, NO FAMILY, NO HOME. 173 00:06:31,091 --> 00:06:33,894 I WANT LILY TO KNOW HOW THAT FEELS. 174 00:06:33,927 --> 00:06:35,095 THAT'S MY PRICE. 175 00:06:35,128 --> 00:06:37,498 SURELY THERE MUST BE SOMETHING ELSE. 176 00:06:37,531 --> 00:06:42,069 ALL I WANT IS FOR LILY TO BE LEFT WITH NO ONE AND NOTHING. 177 00:06:42,102 --> 00:06:44,572 NOW WHICHEVER ONE OF YOU MAKES THAT HAPPEN FIRST 178 00:06:44,605 --> 00:06:48,075 CAN HAVE THE MICROFILM. 179 00:06:48,108 --> 00:06:50,911 I'LL BE WAITING TO HEAR YOUR PLANS. 180 00:06:50,944 --> 00:06:52,646 AND BE CREATIVE. 181 00:06:52,680 --> 00:06:55,816 (Sky Ferreira's "Red Lips" playing) 182 00:06:58,952 --> 00:07:01,188 * RED LIPS 183 00:07:01,221 --> 00:07:02,756 * YOU'RE TEN A PENNY 184 00:07:02,790 --> 00:07:05,192 * CHEAP SHOT 185 00:07:05,225 --> 00:07:08,529 * SPREADING YOUR LEGS FOR THE BOYS * 186 00:07:08,562 --> 00:07:09,963 * WATCH OUT 187 00:07:12,566 --> 00:07:15,636 * 'CAUSE SOMEONE WILL BEAT YOU THE SAME * 188 00:07:15,669 --> 00:07:17,571 (giggles) 189 00:07:17,605 --> 00:07:18,672 (sighs) 190 00:07:18,706 --> 00:07:20,674 IT WENT PERFECTLY! 191 00:07:20,708 --> 00:07:24,645 YOU SHOULD'VE SEEN BART AND CHUCK SQUIRM! 192 00:07:24,678 --> 00:07:27,715 OH! I CAN'T WAIT TO SEE LILY GET CAUGHT IN THEIR CROSS FIRE. 193 00:07:27,748 --> 00:07:31,652 YOU REALLY PLAYED THIS OUT MASTERFULLY. 194 00:07:31,685 --> 00:07:32,786 I'M SO PROUD OF YOU. 195 00:07:32,820 --> 00:07:34,922 * YOUR NAME, TOO BAD 196 00:07:34,955 --> 00:07:38,792 I AM JUST GLAD THIS IS ALMOST OVER. 197 00:07:38,826 --> 00:07:41,228 I MISSED YOU SO MUCH, IT HURT. 198 00:07:41,261 --> 00:07:42,796 * BIG GIRL 199 00:07:42,830 --> 00:07:44,498 BUT SOMETIMES 200 00:07:44,532 --> 00:07:47,234 THE PARTNER IS MORE SHOCKING THAN THE CRIME ITSELF. 201 00:07:47,267 --> 00:07:48,135 * WHAT A SHOCK 202 00:07:53,541 --> 00:07:54,975 OKAY, WHAT IF NELLY IS RIGHT? 203 00:07:55,008 --> 00:07:56,977 WHAT IF MY LINE GETS LOST BECAUSE I'M NOT IN HIGH SCHOOL 204 00:07:57,010 --> 00:07:59,179 OR THAT MY DAD'S NOT A BEATLE? 205 00:07:59,212 --> 00:08:00,681 MISS BLAIR, TAKE DEEP BREATHS. 206 00:08:00,714 --> 00:08:02,049 (inhales deeply) 207 00:08:02,082 --> 00:08:04,885 HEY, B., YOU MAY NOT BE THE QUEEN BEE ANYMORE, 208 00:08:04,918 --> 00:08:06,587 BUT SAGE IS. 209 00:08:06,620 --> 00:08:08,288 IF YOU GET HER ON YOUR SIDE, ALL THE OTHER GIRLS WILL FOLLOW. 210 00:08:08,321 --> 00:08:10,090 WHAT MAKES YOU THINK SAGE WOULD DO EITHER OF US A FAVOR? 211 00:08:10,123 --> 00:08:11,625 SHE WOULDN'T, 212 00:08:11,659 --> 00:08:13,093 BUT SHE'D DO ANYTHING TO KEEP ME AND STEVEN APART. 213 00:08:13,126 --> 00:08:14,795 YOU ARE APART. 214 00:08:14,828 --> 00:08:17,731 WELL, MAYBE WE MAKE IT LOOK LIKE WE'RE GETTING BACK TOGETHER. 215 00:08:17,765 --> 00:08:19,600 I HAVE A PHOTO ON MY PHONE. 216 00:08:19,633 --> 00:08:21,869 IT'S NOT A SEX TAPE, BUT IT IS A KISS. 217 00:08:21,902 --> 00:08:24,738 MAYBE WE DATE STAMP IT TO MAKE IT LOOK LIKE IT WAS TAKEN TODAY. 218 00:08:24,772 --> 00:08:28,275 AND SEND TO "GOSSIP GIRL" TO TRICK MISS SAGE. 219 00:08:28,308 --> 00:08:30,110 (scoffs) BUT ALL SAGE WOULD HAVE TO DO 220 00:08:30,143 --> 00:08:32,179 IS ASK HER DAD IF IT'S TRUE. 221 00:08:32,212 --> 00:08:34,081 IT MAKES PERFECT SENSE THAT HE WOULD COVER OUR RELATIONSHIP. 222 00:08:34,114 --> 00:08:36,950 HE KNOWS THAT SAGE HATES US BEING TOGETHER. 223 00:08:36,984 --> 00:08:38,952 SO SAGE SEES THE BLAST AND COMES TO ME FOR HELP, 224 00:08:38,986 --> 00:08:41,021 JUST LIKE WHEN SHE THOUGHT STEVEN WAS PROPOSING, 225 00:08:41,054 --> 00:08:44,024 WHICH GIVES ME LEVERAGE TO ASK FOR HER SUPPORT. 226 00:08:44,057 --> 00:08:45,092 I'LL ADMIT, 227 00:08:45,125 --> 00:08:46,894 IT'S NOT A TERRIBLE PLAN. 228 00:08:46,927 --> 00:08:48,796 OF COURSE, I NEED PHOTO APPROVAL. 229 00:08:48,829 --> 00:08:49,930 LET ME FIND IT. 230 00:08:52,132 --> 00:08:55,035 (clicking) 231 00:09:03,877 --> 00:09:05,312 ACCEPTABLE. 232 00:09:05,345 --> 00:09:07,681 NOW GO. NO ONE CAN SUSPECT WE'RE CONSPIRING. 233 00:09:07,715 --> 00:09:08,816 OF COURSE NOT. 234 00:09:13,220 --> 00:09:17,791 YOU KNOW, I-I PLAYED HEDDA GABLER IN HIGH SCHOOL, 235 00:09:17,825 --> 00:09:21,061 BUT ACTING LIKE I'M INTO RUFUS WHEN I'M REALLY IN LOVE WITH YOU 236 00:09:21,094 --> 00:09:23,964 IS THE HARDEST ROLE OF MY LIFE. 237 00:09:23,997 --> 00:09:25,866 YOU DESERVE AN OSCAR, DARLING. 238 00:09:25,899 --> 00:09:29,102 BUT TAKE SOLACE IN KNOWING THAT YOU SERVE A HIGHER CAUSE. 239 00:09:29,136 --> 00:09:31,972 GIVING LILY HER COMEUPPANCE? 240 00:09:32,005 --> 00:09:35,709 THOUGH I-I STILL WISH WE HAD TAKEN THE MONEY AND RUN, 241 00:09:35,743 --> 00:09:36,877 LIKE I WANTED TO. 242 00:09:36,910 --> 00:09:39,212 SO DO I, BUT THIS IS WHAT LOLA WANTED. 243 00:09:39,246 --> 00:09:42,616 AND LILY DESERVES TO PAY FOR THE WAY SHE TREATED YOU. 244 00:09:42,650 --> 00:09:47,054 I OWE LOLA FOR A LOT MORE THAN JUST THE MONEY. 245 00:09:47,087 --> 00:09:48,956 I MEAN, IF SHE HADN'T ASKED YOU 246 00:09:48,989 --> 00:09:51,124 TO HELP TRANSFER THE FUNDS TO ME, 247 00:09:51,158 --> 00:09:54,828 I WOULD'VE NEVER MET THE REAL YOU. 248 00:09:54,862 --> 00:09:58,098 EVEN THOUGH IT WAS AWFUL TO TEAR MYSELF AWAY FROM YOU, 249 00:09:58,131 --> 00:09:59,667 YOUR PLAN WAS BRILLIANT. 250 00:09:59,700 --> 00:10:01,068 WELL, NOW YOU HAVE ACCESS TO LILY'S SECRETS 251 00:10:01,101 --> 00:10:03,871 AND INFLUENCE TO TURN RUFUS AGAINST HER. 252 00:10:03,904 --> 00:10:05,706 BUT IF I EAT ANOTHER WAFFLE, I'LL PUKE. 253 00:10:05,739 --> 00:10:08,008 (laughs) 254 00:10:08,041 --> 00:10:09,710 (sighs) NOW THAT OUR PLAN'S ALMOST DONE, 255 00:10:09,743 --> 00:10:11,679 CAN'T I PLEASE STOP THIS CHARADE? 256 00:10:11,712 --> 00:10:14,748 NOT YET. NOT YET, NO. 257 00:10:14,782 --> 00:10:16,850 I MEAN, THE--THE MICROFILM MAY BE OUR GOLDEN TICKET, 258 00:10:16,884 --> 00:10:19,352 BUT WE STILL HAVE TO SEE IF CHUCK OR BART ARE WILLING 259 00:10:19,386 --> 00:10:22,055 TO SACRIFICE LILY FOR IT. 260 00:10:22,089 --> 00:10:22,990 COME ON. LET ME BUY YOU LUNCH. 261 00:10:23,023 --> 00:10:24,191 HMM. 262 00:10:24,224 --> 00:10:25,358 AND THIS WAY, 263 00:10:25,392 --> 00:10:29,262 YOU DON'T HAVE TO SUBSIST ON WAFFLES ALONE. 264 00:10:29,296 --> 00:10:33,400 I KNOW A SMALL, OUT-OF-THE-WAY PLACE. 265 00:10:33,433 --> 00:10:35,736 I'LL PULL THE CAR AROUND, OKAY? 266 00:10:35,769 --> 00:10:36,870 SOUNDS WONDERFUL. 267 00:10:36,904 --> 00:10:37,838 MM. 268 00:10:41,041 --> 00:10:42,175 MMM. 269 00:10:46,446 --> 00:10:47,915 (door opens) 270 00:10:49,783 --> 00:10:50,784 (door closes) 271 00:10:50,818 --> 00:10:52,152 (sighs) 272 00:10:52,185 --> 00:10:54,221 OH, THANK GOD. I'VE BEEN SICK WITH WORRY. 273 00:10:54,254 --> 00:10:56,389 DID YOU FIND THE MICROFILM AT CHARLES'? 274 00:10:56,423 --> 00:10:59,359 NO, BECAUSE CHUCK DOESN'T HAVE IT. IVY DOES. 275 00:10:59,392 --> 00:11:01,228 WHAT? HOW? 276 00:11:01,261 --> 00:11:03,764 She found it in the lining of the painting 277 00:11:03,797 --> 00:11:05,432 BEFORE SHE SOLD IT TO CHUCK THE NIGHT OF THE AUCTION. 278 00:11:05,465 --> 00:11:07,200 I AM SO SORRY, BART. 279 00:11:07,234 --> 00:11:09,002 W-what does she want for it? 280 00:11:09,036 --> 00:11:10,270 YOU. 281 00:11:10,303 --> 00:11:13,440 She will give the records to me or Chuck 282 00:11:13,473 --> 00:11:15,442 IN EXCHANGE FOR DESTROYING YOUR LIFE. 283 00:11:15,475 --> 00:11:16,443 WITH IVY, I'M NOT SURPRISED. 284 00:11:16,476 --> 00:11:18,411 Of course, I would never do anything to harm you, 285 00:11:18,445 --> 00:11:20,781 BUT I WORRY CHUCK WILL TAKE HER UP ON HER OFFER. 286 00:11:20,814 --> 00:11:23,350 OH, CHARLES WOULD NEVER ACTIVELY HURT ME. 287 00:11:23,383 --> 00:11:24,985 DON'T BE NAIVE, LILY. 288 00:11:25,018 --> 00:11:26,486 IF CHUCK GETS A HOLD OF THE MICROFILM, 289 00:11:26,519 --> 00:11:27,888 HE'LL FIGURE IT OUT. 290 00:11:27,921 --> 00:11:29,222 LET ME CALL RUFUS. 291 00:11:29,256 --> 00:11:31,158 MAYBE HE'LL BE REASONABLE AND HELP ME GET IT BACK 292 00:11:31,191 --> 00:11:32,392 BEFORE ANYONE GETS HURT. 293 00:11:32,425 --> 00:11:33,994 DO WHAT YOU CAN. 294 00:11:34,027 --> 00:11:35,963 IN THE MEANTIME, I'LL WORK ON CHUCK. 295 00:11:35,996 --> 00:11:37,898 (beep) 296 00:11:37,931 --> 00:11:39,733 YOU'RE NOT SERIOUSLY THINKING ABOUT TAKING IVY'S DEAL, 297 00:11:39,767 --> 00:11:40,901 ARE YOU? 298 00:11:40,934 --> 00:11:41,902 I MAY HAVE NO CHOICE. 299 00:11:41,935 --> 00:11:43,070 (elevator bell dings) 300 00:11:43,103 --> 00:11:44,337 I ASKED LILY FOR HELP BEFORE. SHE REFUSED. 301 00:11:45,806 --> 00:11:46,974 HEY. SORRY TO INTERRUPT. 302 00:11:47,007 --> 00:11:48,275 WHAT DO YOU WANT? 303 00:11:48,308 --> 00:11:50,177 I CAME TO APOLOGIZE. 304 00:11:50,210 --> 00:11:51,078 I'VE BEEN DOING SOME SOUL-SEARCHING. 305 00:11:51,111 --> 00:11:53,146 (scoffs) THAT IMPLIES YOU HAVE A SOUL. 306 00:11:53,180 --> 00:11:54,782 (chuckles) THAT'S FUNNY, COMING FROM YOU. 307 00:11:54,815 --> 00:11:56,416 THAT'S HILARIOUS. I MEAN, WHO WOULD'VE THOUGHT 308 00:11:56,449 --> 00:11:58,351 CHUCK BASS TURNS OUT TO BE THE GOOD GUY 309 00:11:58,385 --> 00:11:59,820 AND HUMPHREY THE VILLAIN? 310 00:11:59,853 --> 00:12:01,121 WELL, I-I-I REALLY WANNA TURN THAT AROUND. 311 00:12:01,154 --> 00:12:02,956 I'M SORRY ABOUT WHAT I WROTE ABOUT ALL OF YOU. 312 00:12:02,990 --> 00:12:04,091 I'M HERE TO MAKE AMENDS. 313 00:12:04,124 --> 00:12:05,492 HMM. 314 00:12:05,525 --> 00:12:08,996 WELL, IF YOU REALLY MEAN THAT... 315 00:12:09,029 --> 00:12:10,030 YOU JUST GAVE ME AN IDEA. 316 00:12:14,334 --> 00:12:16,503 (door closes) 317 00:12:16,536 --> 00:12:19,172 (cell phone beeps) 318 00:12:19,206 --> 00:12:21,408 WELL, IF IT ISN'T GYPSY ROSE LEE... 319 00:12:21,441 --> 00:12:23,977 WITHOUT THE TALENT. 320 00:12:24,011 --> 00:12:27,514 I HAVE NO NEED FOR STRIPPERS OR SEX TAPES AT MY POP-UP SHOP, 321 00:12:27,547 --> 00:12:28,448 SO PLEASE RUN ALONG. 322 00:12:28,481 --> 00:12:30,818 YOU SHOULD BE THANKING ME. 323 00:12:30,851 --> 00:12:32,419 THAT TAPE GOT YOU EXACTLY WHAT YOU WANTED. 324 00:12:32,452 --> 00:12:34,521 AND DID IT GET YOU WHAT YOU WANTED? 325 00:12:34,554 --> 00:12:37,157 YEAH, IT DID. MY DAD AND SERENA SPLIT UP, 326 00:12:37,190 --> 00:12:38,859 WHICH IS HOW I WANT THEM TO STAY. 327 00:12:38,892 --> 00:12:40,560 I SAW THE "GOSSIP GIRL" BLAST. 328 00:12:40,593 --> 00:12:41,962 HAS SERENA SAID ANYTHING TO YOU 329 00:12:41,995 --> 00:12:43,296 ABOUT GETTING BACK TOGETHER WITH MY FATHER? 330 00:12:43,330 --> 00:12:46,499 SHE'S MY BEST FRIEND. SHE TELLS ME EVERYTHING. 331 00:12:46,533 --> 00:12:49,169 SO IT'S TRUE. 332 00:12:49,202 --> 00:12:50,971 OF COURSE, THE MINUTE I GO TO MY MOM'S, 333 00:12:51,004 --> 00:12:53,173 HE GOES CRAWLING BACK TO HER. 334 00:12:53,206 --> 00:12:55,308 HE SWORE TO ME THAT THINGS WERE OVER BETWEEN THEM. 335 00:12:55,342 --> 00:12:57,878 I MIGHT BE WILLING TO GIVE YOU SOME GUIDANCE. 336 00:12:57,911 --> 00:12:59,379 THAT IS, IF YOU DO SOMETHING FOR ME. 337 00:12:59,412 --> 00:13:00,881 NAME IT. 338 00:13:00,914 --> 00:13:02,482 YOU'RE THE QUEEN OF CONSTANCE, 339 00:13:02,515 --> 00:13:05,085 AND I KNOW THERE'S A SECRET SOCIETY MADE OF THE MONARCHS 340 00:13:05,118 --> 00:13:07,554 OF THE FIVE MOST POWERFUL PRIVATE SCHOOLS IN MANHATTAN. 341 00:13:07,587 --> 00:13:09,422 I KNOW BECAUSE I CREATED IT. 342 00:13:09,456 --> 00:13:10,891 SO? 343 00:13:10,924 --> 00:13:13,093 I WANT A MEETING 344 00:13:13,126 --> 00:13:15,028 WITH THE HEADS OF THE FIVE FAMILIES. 345 00:13:19,166 --> 00:13:20,300 MAKE IT QUICK, LILY. 346 00:13:20,333 --> 00:13:21,869 I KNOW YOU HATE ME, RUFUS. 347 00:13:21,902 --> 00:13:23,370 YOU MADE THAT ABUNDANTLY CLEAR 348 00:13:23,403 --> 00:13:26,173 WHEN YOU HELPED IVY ENACT HER REVENGE AT THE AUCTION. 349 00:13:26,206 --> 00:13:27,908 GET TO THE POINT. 350 00:13:27,941 --> 00:13:30,310 IVY'S DONE SOMETHING NOW THAT GOES FAR BEYOND HURTING ME. 351 00:13:30,343 --> 00:13:33,280 IT ENDANGERS MY FAMILY, MY CHILDREN. 352 00:13:33,313 --> 00:13:35,115 THEY USED TO BE YOUR FAMILY, TOO. 353 00:13:35,148 --> 00:13:37,584 W-WHAT KIND OF DANGER ARE YOU TALKING ABOUT? 354 00:13:37,617 --> 00:13:40,220 IVY'S IN POSSESSION OF SOME BUSINESS RECORDS. 355 00:13:40,253 --> 00:13:41,554 THEY'RE SIMPLE DOCUMENTS. 356 00:13:41,588 --> 00:13:44,224 THEY MEAN NOTHING TO ANYONE OUTSIDE OF OUR FAMILY, 357 00:13:44,257 --> 00:13:47,995 BUT THEY HAVE THE POWER TO DESTROY US. 358 00:13:48,028 --> 00:13:50,864 PLEASE FIND IT IN YOUR HEART TO BE THE BIGGER PERSON. 359 00:13:50,898 --> 00:13:52,399 GET THEM BACK FOR ME. 360 00:13:52,432 --> 00:13:54,334 IF YOU HAD NOTHING TO HIDE, 361 00:13:54,367 --> 00:13:57,137 THEN NO ONE COULD USE THIS EVIDENCE AGAINST YOU. 362 00:13:57,170 --> 00:14:00,307 LILY, I'M SORRY. YOU REAP WHAT YOU SOW. 363 00:14:00,340 --> 00:14:02,209 I'M NOT GETTING INVOLVED. 364 00:14:09,016 --> 00:14:13,153 WELL, THANK YOU FOR THE LOVELY LUNCH. 365 00:14:13,186 --> 00:14:14,955 MY PLEASURE. 366 00:14:14,988 --> 00:14:17,657 WE'RE ALMOST AT THE FINISH LINE, MY LOVE. 367 00:14:17,690 --> 00:14:19,026 YEAH. 368 00:14:19,059 --> 00:14:20,093 (cell phone alert chimes) 369 00:14:20,127 --> 00:14:22,495 (sighs) AND IT LOOKS LIKE CHUCK WILL BE THE WINNER. 370 00:14:22,529 --> 00:14:25,098 HE WANTS ME TO MEET HIM NOW TO TELL ME HIS PLAN. 371 00:14:25,132 --> 00:14:27,100 CALL WHEN YOU CAN. 372 00:14:27,134 --> 00:14:28,035 YEAH. 373 00:14:34,441 --> 00:14:36,376 HEY. 374 00:14:58,698 --> 00:15:00,333 I DON'T KNOW WHY YOU'RE HERE, BUT GET OUT 375 00:15:00,367 --> 00:15:02,269 BEFORE SECURITY THROWS YOU OUT. 376 00:15:02,302 --> 00:15:04,537 THAT'S NOT A NICE WAY TO GREET YOUR PARTNER. 377 00:15:04,571 --> 00:15:07,474 WHAT ARE YOU TALKING ABOUT? 378 00:15:07,507 --> 00:15:09,676 YOU ARE INDEBTED TO ME, 379 00:15:09,709 --> 00:15:11,178 AND I'M HERE TO COLLECT. 380 00:15:11,211 --> 00:15:13,446 SO UNLESS TO WANNA LOSE EVERYTHING, 381 00:15:13,480 --> 00:15:15,415 YOU'RE GONNA HELP ME DEFEAT CHUCK. 382 00:15:15,448 --> 00:15:18,185 BUCK UP. IT'S GONNA BE FUN. 383 00:15:18,218 --> 00:15:20,653 BETRAYAL IS A BITTER PILL TO SWALLOW, 384 00:15:20,687 --> 00:15:22,322 BUT NOTHING'S WORSE 385 00:15:22,355 --> 00:15:25,925 THAN HAVING BLACKMAIL SHOVED DOWN YOUR THROAT. 386 00:15:38,771 --> 00:15:41,174 (Sage) DONS NIGHTINGALE, BREARLEY, CHAPIN, AND SPENCE, 387 00:15:41,208 --> 00:15:43,310 LET US NOW HAVE THIS MEETING COMMENCE. 388 00:15:43,343 --> 00:15:45,678 DON CONSTANCE, WHY IS SHE HERE? 389 00:15:45,712 --> 00:15:47,314 I'M HERE, NIGHTINGALE, 390 00:15:47,347 --> 00:15:50,383 BECAUSE NOT ONLY WAS I THE QUEEN OF CONSTANCE, 391 00:15:50,417 --> 00:15:53,186 BUT I ALSO INVENTED THIS COUNCIL. 392 00:15:53,220 --> 00:15:55,322 SO AS REGINA EMERITA, 393 00:15:55,355 --> 00:15:58,992 IT IS MY ROYAL PREROGATIVE TO COMMAND YOU TO ATTEND 394 00:15:59,026 --> 00:16:01,128 MY POP-UP EVENT TONIGHT AND BE FANS. 395 00:16:01,161 --> 00:16:03,030 SAGE, YOU SHOULDN'T HAVE BROUGHT HER HERE. 396 00:16:03,063 --> 00:16:04,464 THIS ISN'T AN ALUMNI EVENT. 397 00:16:04,497 --> 00:16:07,600 DON BREARLEY IS RIGHT. IT'S A CLEAR BREACH OF SECURITY. 398 00:16:07,634 --> 00:16:10,403 (lowered voice) INVOKE THE ORDER OF THE SECRETS. 399 00:16:10,437 --> 00:16:11,571 ORDER OF THE WHAT? 400 00:16:11,604 --> 00:16:13,306 CODIFIED BLACKMAIL. 401 00:16:13,340 --> 00:16:17,010 IF THEY DON'T DO WHAT YOU SAY, YOU SPILL THEIR SECRETS. 402 00:16:17,044 --> 00:16:20,147 LOOK, THE RULES SAY I'M ENTITLED TO ASK THE COUNCIL FOR ONE FAVOR 403 00:16:20,180 --> 00:16:22,349 DURING MY REIGN. THIS IS IT. 404 00:16:22,382 --> 00:16:24,351 AND IF YOU REFUSE, SHE'LL HAVE NO CHOICE 405 00:16:24,384 --> 00:16:27,087 BUT TO REVEAL YOUR AFFAIR WITH YOUR DRAMA TEACHER. 406 00:16:28,621 --> 00:16:29,989 YOUR LATIN TEACHER? 407 00:16:31,258 --> 00:16:34,361 YOUR FATHER'S BUSINESS PARTNER. 408 00:16:34,394 --> 00:16:36,463 WHAT? THAT'S HOW WE DID IT IN MY DAY. 409 00:16:38,631 --> 00:16:41,301 WE'LL GRANT DON CONSTANCE HER ONE REQUEST, 410 00:16:41,334 --> 00:16:43,270 AND RECONVENE AT THE POP-UP EVENT. 411 00:16:46,273 --> 00:16:49,509 THE ATTIRE IS FESTIVE COCKTAIL! 412 00:16:49,542 --> 00:16:52,779 WHEN DID THE QUEENS START CALLING THEMSELVES "DON"? 413 00:16:52,812 --> 00:16:55,315 WELL, EVERYONE LOVES A CROWN, BUT WHEN IT COMES TO POWER, 414 00:16:55,348 --> 00:16:57,617 THE MOB TOTALLY TRUMPS THE MONARCHY. 415 00:17:02,155 --> 00:17:04,457 YOU COSIGNED MY CREDIT LINE? 416 00:17:04,491 --> 00:17:06,359 I NEVER ASKED YOU TO DO THAT. 417 00:17:06,393 --> 00:17:08,361 INGRATITUDE DOESN'T BECOME YOU, NATHANIEL. 418 00:17:10,297 --> 00:17:14,067 YOU HAVE PUT SO MUCH WORK INTO "THE SPECTATOR." 419 00:17:14,101 --> 00:17:15,568 IT WOULD BE A SHAME TO LOSE IT ALL NOW. 420 00:17:15,602 --> 00:17:17,604 I'M NOT GONNA BETRAY MY BEST FRIEND. 421 00:17:17,637 --> 00:17:20,440 MY LOAN WILL BE IN DEFAULT. I'LL FILE FOR BANKRUPTCY. 422 00:17:20,473 --> 00:17:22,709 AND AS FOR "THE SPECTATOR," YOU CAN TAKE IT. 423 00:17:22,742 --> 00:17:25,345 YOUR LOYALTY IS VERY TOUCHING, 424 00:17:25,378 --> 00:17:28,248 BUT I'M AFRAID YOUR ACTIONS HAVE MORE SERIOUS CONSEQUENCES. 425 00:17:28,281 --> 00:17:31,151 YOU COULDN'T RESIST FAKING THE NUMBERS. 426 00:17:31,184 --> 00:17:32,619 MUST BE... 427 00:17:32,652 --> 00:17:34,554 AN ARCHIBALD GENE. 428 00:17:34,587 --> 00:17:36,823 SO YOU HAVE A CHOICE. 429 00:17:36,856 --> 00:17:40,327 EITHER YOU CAN TELL ME CHUCK'S PLAN TO WIN OVER IVY, 430 00:17:40,360 --> 00:17:42,829 OR YOU CAN GO TO PRISON 431 00:17:42,862 --> 00:17:44,431 AND DRAG YOUR MOTHER AND GRANDFATHER 432 00:17:44,464 --> 00:17:45,765 THROUGH A PUBLIC DISGRACE 433 00:17:45,798 --> 00:17:48,635 EVEN MORE SENSATIONAL THAN THAT OF YOUR FATHER'S. 434 00:17:48,668 --> 00:17:50,069 WHAT'S IT GONNA BE? 435 00:17:54,207 --> 00:17:58,311 I USUALLY FROWN UPON NEGOTIATING WITH TERRORISTS, 436 00:17:58,345 --> 00:17:59,612 BUT STAMPING OUT MY FATHER'S FREEDOM 437 00:17:59,646 --> 00:18:01,448 HAS BECOME MY LIFE'S MISSION. 438 00:18:01,481 --> 00:18:03,450 WHAT'S YOUR PLAN TO DESTROY LILY? 439 00:18:03,483 --> 00:18:06,553 SIMPLY PLAY THE POWERFUL CARD WE'VE BEEN DEALT. 440 00:18:06,586 --> 00:18:09,322 THE MICROFILM'S ENOUGH TO PUT HER AWAY, TOO, 441 00:18:09,356 --> 00:18:11,591 AS LONG AS SHE APPEARS TO BE BART'S ACCOMPLICE. 442 00:18:11,624 --> 00:18:13,193 YOU MEAN PLANT IT ON HER. 443 00:18:13,226 --> 00:18:14,561 PRECISELY. 444 00:18:14,594 --> 00:18:17,364 YOU GIVE ME THE FILM, I'LL DO THE DIRTY WORK, 445 00:18:17,397 --> 00:18:18,431 THEN TIP OFF THE FEDS. 446 00:18:18,465 --> 00:18:21,168 OKAY. 447 00:18:21,201 --> 00:18:22,769 BUT IT HAS TO HAPPEN IN PUBLIC. 448 00:18:22,802 --> 00:18:26,173 I WANT PRISON PLUS HUMILIATION. 449 00:18:26,206 --> 00:18:27,340 NOT A PROBLEM. 450 00:18:27,374 --> 00:18:29,742 BRING THE FILM TO BLAIR'S EVENT TONIGHT, 451 00:18:29,776 --> 00:18:30,810 AND I'LL TAKE CARE OF THE REST. 452 00:18:32,612 --> 00:18:34,381 DONE. 453 00:18:51,531 --> 00:18:53,200 (door closes) 454 00:18:56,269 --> 00:18:57,370 DAN, WHAT ARE YOU DOING HERE? 455 00:18:57,404 --> 00:18:59,772 OH. HEY, DAD. 456 00:18:59,806 --> 00:19:02,442 I'M JUST, UH, JUST PICKING UP SOME OF MY STUFF HERE. 457 00:19:02,475 --> 00:19:03,543 BUT I'M--I'M MAINLY HERE TO SEE YOU. 458 00:19:05,412 --> 00:19:07,447 I HURT YOU. 459 00:19:07,480 --> 00:19:09,216 I-I JEOPARDIZED OUR RELATIONSHIP, 460 00:19:09,249 --> 00:19:11,351 WHICH MEANS MORE TO ME THAN ANYTHING. 461 00:19:11,384 --> 00:19:14,487 I'M--I'M HERE TO MAKE AMENDS WITH YOU AND IVY. 462 00:19:14,521 --> 00:19:16,189 I'M HAPPY YOU WANNA MAKE AMENDS, SON, 463 00:19:16,223 --> 00:19:18,725 BUT I OWE YOU AN APOLOGY AS WELL. 464 00:19:18,758 --> 00:19:20,193 IT LOOKS LIKE YOU WERE RIGHT ABOUT IVY. 465 00:19:20,227 --> 00:19:21,794 I WAS A FOOL FOR TRUSTING HER. 466 00:19:21,828 --> 00:19:24,931 HONEY, I'M HOME! 467 00:19:24,964 --> 00:19:26,566 I'LL TAKE THAT AS MY CUE. 468 00:19:32,905 --> 00:19:35,242 UH... (chuckles) 469 00:19:35,275 --> 00:19:37,310 WHAT'S GOING ON? 470 00:19:37,344 --> 00:19:39,546 YOU TELL ME. 471 00:19:39,579 --> 00:19:41,748 I SAW YOU PUTTING SOMEONE IN A TOWN CAR TODAY, 472 00:19:41,781 --> 00:19:43,316 KISSING HIM GOOD-BYE. 473 00:19:46,386 --> 00:19:49,289 I OPENED MY HEART TO YOU. 474 00:19:49,322 --> 00:19:50,790 I OPENED MY HOME. 475 00:19:50,823 --> 00:19:52,925 I BELIEVED YOU WHEN YOU SAID YOU WERE PROTECTING ME FROM LILY. 476 00:19:52,959 --> 00:19:55,728 (scoffs) AT LEAST HAVE THE DECENCY TO TELL ME 477 00:19:55,762 --> 00:19:57,764 WHAT WAS TRUE AND WHAT WERE LIES. 478 00:19:57,797 --> 00:19:59,366 IT WAS ALL TRUE. 479 00:19:59,399 --> 00:20:02,302 I MEAN, LILY WAS HORRIBLE TO YOU, 480 00:20:02,335 --> 00:20:03,970 LIKE SHE IS TO EVERYONE. 481 00:20:04,003 --> 00:20:05,505 AND WHAT ABOUT US? 482 00:20:05,538 --> 00:20:08,808 THERE WAS SOMEONE ELSE BEFORE YOU. 483 00:20:08,841 --> 00:20:12,645 AND I THOUGHT IT WAS OVER, BUT I RAN INTO HIM LAST WEEK 484 00:20:12,679 --> 00:20:15,615 AND REALIZED IT WASN'T. 485 00:20:18,818 --> 00:20:20,387 I'M SORRY, RUFUS. 486 00:20:20,420 --> 00:20:22,355 PACK YOUR BAGS AND GET OUT. 487 00:20:28,561 --> 00:20:31,331 HURRY, HURRY, HURRY! LET'S GET TO THE POP-UP! 488 00:20:31,364 --> 00:20:34,467 SERENA, YOUR SCHEME IS UNFOLDING ON SCHEDULE. 489 00:20:34,501 --> 00:20:37,537 I EXCEPT TO SEE YOU AT MY EVENT TONIGHT FOR THE DENOUEMENT. 490 00:20:37,570 --> 00:20:39,872 AND... 491 00:20:39,906 --> 00:20:40,940 I WON'T MIND IF YOU'RE NOT MUTE. 492 00:20:40,973 --> 00:20:42,475 (Dorota) LET'S MOVE! 493 00:20:42,509 --> 00:20:43,776 I SUPPOSE I COULD USE A FRIEND THERE WITH ME 494 00:20:43,810 --> 00:20:46,012 TO CELEBRATE MY SUCCESS. 495 00:20:46,045 --> 00:20:48,014 (Antennas Up's "Pretenders" playing) 496 00:20:48,047 --> 00:20:50,383 (Dorota) COME ON, COME ON, COME ON, COME ON! 497 00:20:50,417 --> 00:20:53,019 ** 498 00:20:53,052 --> 00:20:55,622 (sighs) 499 00:20:55,655 --> 00:20:57,657 DON BREARLEY, I JUST SAW MY DAD, WHO IS MISERABLE WITH HEARTACHE. 500 00:20:57,690 --> 00:20:59,626 IF HE IS REALLY BACK WITH SERENA AND LYING TO ME, 501 00:20:59,659 --> 00:21:01,027 HE WOULDN'T BE BLUBBERING LIKE A BABY. 502 00:21:01,060 --> 00:21:02,762 WE'VE BEEN PLAYED. 503 00:21:02,795 --> 00:21:05,332 I'LL SEE YOU AT THE POP-UP PARTY BUT THE PLAN HAS CHANGED. 504 00:21:05,365 --> 00:21:06,032 ** 505 00:21:06,065 --> 00:21:08,468 (beep) 506 00:21:08,501 --> 00:21:09,869 HEY, MAN, I DID WHAT YOU ASKED. I SEARCHED THE LOFT AND NO LUCK. 507 00:21:09,902 --> 00:21:11,904 BUT I SAW IVY ON THE WAY OUT 508 00:21:11,938 --> 00:21:14,040 AND SPOTTED THE ENVELOPE IN HER BAG. 509 00:21:14,073 --> 00:21:15,074 DID YOU GET IT? 510 00:21:15,107 --> 00:21:16,476 NO, I COULDN'T. 511 00:21:16,509 --> 00:21:17,810 THERE WAS NO WAY. THEY WOULD'VE SEEN ME. 512 00:21:17,844 --> 00:21:20,780 I UNDERSTAND, WHICH IS WHY I HAVE A BACKUP PLAN. 513 00:21:20,813 --> 00:21:24,651 IVY WILL BRING THE MICROFILM TO BLAIR'S EVENT TONIGHT. 514 00:21:24,684 --> 00:21:26,018 THE FEDS WILL BE THERE. 515 00:21:26,052 --> 00:21:28,388 I CONVINCED HER I'D PLANT IT ON LILY. 516 00:21:28,421 --> 00:21:29,922 LILY'S GOING TO BLAIR'S JUNIOR LINE DEBUT? 517 00:21:29,956 --> 00:21:32,592 NO, BUT IVY DOESN'T KNOW THAT. 518 00:21:32,625 --> 00:21:33,926 I'D NEVER HURT LILY. 519 00:21:33,960 --> 00:21:34,894 I'M SORRY I COULDN'T BE MORE HELPFUL. 520 00:21:34,927 --> 00:21:36,062 Thanks for trying, Humphrey. 521 00:21:36,095 --> 00:21:37,997 THE IMPORTANT THING IS, 522 00:21:38,030 --> 00:21:40,032 I GOT TO IVY BEFORE MY FATHER DID. 523 00:21:40,066 --> 00:21:41,368 (whimpers) 524 00:21:41,401 --> 00:21:43,370 (cell phone rings) 525 00:21:43,403 --> 00:21:44,371 (ring) 526 00:21:44,404 --> 00:21:46,072 (ring) 527 00:21:46,105 --> 00:21:47,507 (ring) 528 00:21:47,540 --> 00:21:48,508 (ring, beep) 529 00:21:48,541 --> 00:21:49,742 (chuckles) 530 00:21:49,776 --> 00:21:51,544 BART. 531 00:21:51,578 --> 00:21:52,745 YOU'RE TOO LATE. 532 00:21:52,779 --> 00:21:53,546 I ALREADY STRUCK A DEAL WITH-- 533 00:21:53,580 --> 00:21:54,914 Chuck. 534 00:21:54,947 --> 00:21:57,116 A takedown at Blair's fashion party. 535 00:21:57,149 --> 00:22:00,553 BUT IN ACTUALITY, HE LURED YOU TO THE EMPIRE TO DISTRACT YOU 536 00:22:00,587 --> 00:22:02,355 while Dan searched the loft. 537 00:22:02,389 --> 00:22:04,724 HOLD ON A SEC. 538 00:22:09,429 --> 00:22:11,030 (lowered voice) IF HE WAS TRYING TO STEAL THE MICROFILM, 539 00:22:11,063 --> 00:22:13,132 HE DIDN'T SUCCEED. 540 00:22:13,165 --> 00:22:15,702 Chuck has no intention of having Lily arrested. 541 00:22:15,735 --> 00:22:19,372 He was planning on screwing you over all along. 542 00:22:19,406 --> 00:22:20,573 (door closes) AND WHY SHOULD I BELIEVE YOU? 543 00:22:20,607 --> 00:22:22,409 Because I have someone here 544 00:22:22,442 --> 00:22:25,845 WHO CAN CONFIRM EVERYTHING I'M SAYING IS TRUE. 545 00:22:25,878 --> 00:22:28,948 ISN'T THAT RIGHT, NATE? 546 00:22:30,116 --> 00:22:32,385 (sighs) 547 00:22:32,419 --> 00:22:33,986 It's true. 548 00:22:38,425 --> 00:22:41,661 LUCKILY, I HAVE AN OFFER FOR YOU. 549 00:22:48,635 --> 00:22:50,670 HI. DO YOU LIKE THE BEADS? 550 00:22:50,703 --> 00:22:51,638 (speaks indistinctly) 551 00:22:51,671 --> 00:22:52,805 (speaks indistinctly) 552 00:22:52,839 --> 00:22:55,842 (Katy Tiz's "Famous" playing) 553 00:22:55,875 --> 00:22:57,544 * NOT EVEN 30 SECONDS 554 00:22:57,577 --> 00:22:59,812 * YOU'RE ASKING LOADS OF QUESTIONS * 555 00:22:59,846 --> 00:23:02,615 * YOU'RE KILLING THE CONNECTION * 556 00:23:02,649 --> 00:23:04,817 * OH-OH-OH, OH-OH-OH 557 00:23:04,851 --> 00:23:07,186 * WE'RE KISSING IN THE LIMO 558 00:23:07,219 --> 00:23:09,622 * YOU PASS OVER YOUR DEMO 559 00:23:09,656 --> 00:23:11,824 * TRY TO PLAY ME LIKE NINTENDO 560 00:23:11,858 --> 00:23:14,427 * OH-OH-OH, OH-OH-OH 561 00:23:14,461 --> 00:23:17,029 * DON'T ACT LIKE YOU DON'T KNOW WHO I AM * 562 00:23:17,063 --> 00:23:19,031 THE DONS. THANK GOD YOU'RE HERE. 563 00:23:19,065 --> 00:23:21,634 NOW... START FAWNING. LOUDLY. 564 00:23:21,668 --> 00:23:23,536 AND I KNOW THAT YOU DON'T HAVE A LIMIT ON YOUR CREDIT CARDS... 565 00:23:23,570 --> 00:23:24,937 (singsongy) SO BUY, BUY, BUY! 566 00:23:24,971 --> 00:23:27,440 SORRY, BLAIR. I CALLED OFF THE FAVOR. 567 00:23:27,474 --> 00:23:28,808 WHAT? 568 00:23:28,841 --> 00:23:30,109 I KNOW YOU DUPED ME ABOUT MY DAD AND SERENA. 569 00:23:30,142 --> 00:23:32,712 I ONLY BROUGHT THE DONS HERE TO BE DETRACTORS. 570 00:23:32,745 --> 00:23:34,514 AND IF WE SAY THE CLOTHES SUCK, IT'S LAW. 571 00:23:34,547 --> 00:23:38,184 COME ON, GIRLS. AND REMEMBER, PLASTIC STAYS IN POCKETS. 572 00:23:38,217 --> 00:23:39,919 WAIT. WAIT, DONS. 573 00:23:39,952 --> 00:23:41,087 DONS? 574 00:23:41,120 --> 00:23:42,188 BLAIR. 575 00:23:42,221 --> 00:23:43,690 I MUST ADMIT, 576 00:23:43,723 --> 00:23:46,225 I'M IMPRESSED THE HIGH SCHOOL CROWD SHOWED UP. 577 00:23:46,258 --> 00:23:49,195 WE'LL JUST HAVE TO SEE WHETHER THEY LOVE OR HATE THE LINE. 578 00:23:49,228 --> 00:23:51,531 I'LL GO GET QUOTES FROM THEM FOR "W.W.D." 579 00:23:51,564 --> 00:23:52,699 OH! WAIT. YOU KNOW WHAT? 580 00:23:52,732 --> 00:23:55,034 YOU SIMPLY MUST SEE MY ACCESSORIES. 581 00:23:55,067 --> 00:23:56,636 THEY'RE IN THE CORNER. THE FAR CORNER. 582 00:23:56,669 --> 00:23:57,904 THIS WAY. 583 00:23:57,937 --> 00:23:59,939 * 'CAUSE I'M FAMOUS 584 00:23:59,972 --> 00:24:01,173 YOU SURE HE DIDN'T SEE IT WAS ME? 585 00:24:01,207 --> 00:24:04,644 IF RUFUS HAD SEEN YOU, HE WOULD'VE SAID SO. 586 00:24:04,677 --> 00:24:06,546 THIS COULDN'T BE BETTER. 587 00:24:06,579 --> 00:24:09,181 NOW I DON'T HAVE TO INVENT A REASON TO BREAK UP WITH HIM. 588 00:24:09,215 --> 00:24:12,519 THIS "BREAKUP" MUSTN'T UNDO ALL THE WORK YOU DID 589 00:24:12,552 --> 00:24:14,086 TO POISON RUFUS AGAINST LILY. 590 00:24:14,120 --> 00:24:16,489 I MEAN, OUR EFFORTS ARE FOR NOTHING 591 00:24:16,523 --> 00:24:17,924 IF RUFUS TAKES HER BACK THE MINUTE SHE HITS ROCK BOTTOM. 592 00:24:17,957 --> 00:24:19,158 HE WON'T TAKE HER BACK. 593 00:24:19,191 --> 00:24:21,794 WELL, THEN WE'RE AT THE END OF OUR ROAD. 594 00:24:21,828 --> 00:24:25,565 MM, IT'S ALL RIDING ON YOUR MEETING WITH BART. 595 00:24:25,598 --> 00:24:28,034 I'LL DO WHATEVER IT TAKES. 596 00:24:28,067 --> 00:24:31,838 (Dirty Radio's "Dancing Alone" playing) 597 00:24:31,871 --> 00:24:33,706 IT'S BEEN AN HOUR. WHERE IS SHE? 598 00:24:33,740 --> 00:24:36,108 HER PHONE IS STILL OFF. 599 00:24:36,142 --> 00:24:38,210 THIS ISN'T A GAME, MR. BASS. YOU SAID YOU HAD HARD EVIDENCE. 600 00:24:38,244 --> 00:24:39,712 DON'T WASTE OUR TIME AGAIN. 601 00:24:39,746 --> 00:24:41,681 ** 602 00:24:41,714 --> 00:24:44,116 CHUCK. OH, YOU'RE HERE. 603 00:24:44,150 --> 00:24:46,018 THINGS ARE GOING HORRIBLY. 604 00:24:46,052 --> 00:24:47,153 GIRLS TODAY ARE OUT OF CONTROL. 605 00:24:47,186 --> 00:24:48,788 THEY'RE LIKE TINY LITTLE VULTURES. 606 00:24:48,821 --> 00:24:50,156 THEN BLAIR WALDORF WOULD BE 607 00:24:50,189 --> 00:24:52,825 THE FALCON WHO DIVES IN AND DEVOURS THEM ALL. 608 00:24:52,859 --> 00:24:56,162 PLEASE. COMPARED TO THEM, I'M LIKE A TURTLEDOVE. 609 00:24:56,195 --> 00:24:58,130 WELL, AT LEAST NELLY'S DISTRACTED TALKING TO D.V.F. 610 00:24:58,164 --> 00:25:01,033 I NEED TO FIND SERENA AND FORCE HER TO FIX THINGS WITH SAGE. 611 00:25:01,067 --> 00:25:02,569 THE LINE LOOKS BEAUTIFUL. 612 00:25:02,602 --> 00:25:03,736 I'M SURE IT'S GOING TO BE A HUGE SUCCESS. 613 00:25:03,770 --> 00:25:04,904 UNLESS I CAN DO SOME DAMAGE CONTROL, 614 00:25:04,937 --> 00:25:06,305 THERE'S NO CHANCE OF THAT. 615 00:25:06,338 --> 00:25:08,708 SPEAKING OF, I NEED TO DO SOME DAMAGE CONTROL MYSELF. 616 00:25:08,741 --> 00:25:10,810 WELL, GOOD LUCK. 617 00:25:10,843 --> 00:25:13,245 IT'S MY FAITH IN YOU THAT'S FIRING ME UP TO FIX THIS MESS. 618 00:25:13,279 --> 00:25:16,816 ** 619 00:25:22,354 --> 00:25:25,658 DID YOU BRING IT? 620 00:25:25,692 --> 00:25:28,260 YES. 621 00:25:28,294 --> 00:25:32,064 I'LL SHOW YOU MINE IF YOU SHOW ME YOURS FIRST. 622 00:25:32,098 --> 00:25:35,702 I'M DIVORCING LILY. HERE ARE THE PAPERS. 623 00:25:35,735 --> 00:25:38,270 YOU MAY LEAK THEM TO WHOMEVER YOU CHOOSE. 624 00:25:38,304 --> 00:25:39,706 (scoffs) 625 00:25:39,739 --> 00:25:41,574 THAT'S HARDLY ENOUGH. 626 00:25:41,608 --> 00:25:45,612 LILY'S BEEN DIVORCED FOUR, FIVES TIMES ALREADY. 627 00:25:45,645 --> 00:25:47,914 WHO CAN KEEP COUNT? 628 00:25:47,947 --> 00:25:49,582 I WANT HER HUMILIATED. 629 00:25:49,616 --> 00:25:51,918 WHAT DID YOU HAVE IN MIND? 630 00:25:51,951 --> 00:25:54,186 (inhales deeply) 631 00:25:54,220 --> 00:25:55,855 TAKE OFF YOUR CLOTHES. 632 00:25:55,888 --> 00:25:57,056 EXCUSE ME? 633 00:25:57,089 --> 00:25:59,558 YOU HEARD ME. STRIP. 634 00:26:10,136 --> 00:26:13,005 (Niki Watkins' "Get Wild" playing) 635 00:26:13,039 --> 00:26:15,942 I SHOULD HAVE EXPECTED THE TYPICAL SERENA SABOTAGE-- 636 00:26:15,975 --> 00:26:18,077 PRETENDING TO BE MY FRIEND 637 00:26:18,110 --> 00:26:19,245 AND THEN SENDING IN THOSE MINI MAFIOSAS 638 00:26:19,278 --> 00:26:21,380 TO BLOW UP MY POP-UP SHOP. 639 00:26:21,413 --> 00:26:23,950 SAGE KNOWS YOU'RE NOT BACK WITH STEVEN. 640 00:26:23,983 --> 00:26:25,317 I WONDER WHO TOLD HER. 641 00:26:25,351 --> 00:26:28,187 WELL, IT WASN'T ME, I SWEAR. 642 00:26:28,220 --> 00:26:29,555 BLAIR, I JUST WANNA HELP. 643 00:26:29,588 --> 00:26:32,692 IF I CHOOSE TO BELIEVE YOU, AND IF YOU REALLY WANNA HELP, 644 00:26:32,725 --> 00:26:34,226 THEN COME UP WITH A NEW SCHEME 645 00:26:34,260 --> 00:26:36,228 BEFORE THOSE TEENAGE GOOMBAS RUIN EVERYTHING. 646 00:26:36,262 --> 00:26:38,230 (man) MISS WALDORF, MAY I TAKE A PICTURE? 647 00:26:38,264 --> 00:26:40,332 (camera shutter clicks) 648 00:26:40,366 --> 00:26:43,335 LOOK, I'LL DO WHATEVER YOU WANT, BUT YOU DON'T NEED A SCHEME. 649 00:26:43,369 --> 00:26:46,338 YOUR LINE IS SPECTACULAR AND IT SPEAKS FOR ITSELF. 650 00:26:46,372 --> 00:26:48,741 AND THERE'S NOTHING THAT SAGE OR ANYONE CAN DO TO CHANGE THAT. 651 00:26:48,775 --> 00:26:50,810 IT'S TIME FOR YOU TO START TRUSTING YOURSELF 652 00:26:50,843 --> 00:26:53,245 AND ACCEPTING THE FACT THAT YOU ARE OBSCENELY TALENTED. 653 00:26:53,279 --> 00:26:55,081 (sighs) 654 00:26:55,114 --> 00:26:56,148 YOU REALLY MEAN THAT? 655 00:26:56,182 --> 00:26:59,385 YES. B., YOUR CLOTHES ARE BEAUTIFUL AND ORIGINAL, 656 00:26:59,418 --> 00:27:01,187 LIKE YOU. 657 00:27:01,220 --> 00:27:03,823 DON'T TAKE MY WORD FOR IT. LOOK AROUND. 658 00:27:03,856 --> 00:27:05,391 ** 659 00:27:05,424 --> 00:27:06,392 HEY! WHAT ARE YOU DOING? 660 00:27:06,425 --> 00:27:08,394 THIS IS THE LAST SIZE 2, AND I LIKED IT FIRST. 661 00:27:08,427 --> 00:27:11,063 (Nightingale) SORRY. ALL'S FAIR IN SHOPPING AND WAR. 662 00:27:11,097 --> 00:27:12,231 WHAT ARE YOU GUYS DOING?! 663 00:27:12,264 --> 00:27:14,000 YOU'RE SUPPOSED TO BE HATING ON EVERYTHING. 664 00:27:14,033 --> 00:27:15,735 BUT WE LOVE IT, 665 00:27:15,768 --> 00:27:18,104 AND DEVOTION TO GREAT CLOTHES TRUMPS FIVE FAMILY LOYALTY. 666 00:27:18,137 --> 00:27:19,739 UH, HI. EXCUSE ME. 667 00:27:19,772 --> 00:27:21,340 DO YOU MIND IF I QUOTE YOU? 668 00:27:21,373 --> 00:27:23,009 OH, MY GOSH. 669 00:27:23,042 --> 00:27:25,011 THEY LIKE ME. 670 00:27:25,044 --> 00:27:26,713 THEY REALLY LIKE ME! 671 00:27:26,746 --> 00:27:28,314 ** 672 00:27:28,347 --> 00:27:30,182 * GET WILD 673 00:27:30,216 --> 00:27:32,118 NATHANIEL, WHAT ARE YOU DOING? 674 00:27:32,151 --> 00:27:34,053 IT'S NOT LIKE YOU TO BE PARTYING ALONE. 675 00:27:34,086 --> 00:27:37,890 (chuckles) WELL, THAT'S WHAT I WANT TO BE--ALONE... 676 00:27:37,924 --> 00:27:39,759 AND UNCONSCIOUS. (clears throat) 677 00:27:39,792 --> 00:27:43,963 BELIEVE ME, WHATEVER PROBLEMS YOU'VE GOT AT "THE SPECTATOR" 678 00:27:43,996 --> 00:27:46,232 CANNOT COMPARE TO MY DAY FROM HELL. 679 00:27:46,265 --> 00:27:49,668 SO IF YOU DON'T MIND, I'D LIKE TO JOIN YOU. 680 00:27:51,237 --> 00:27:52,972 CHUCK... 681 00:27:53,005 --> 00:27:55,842 IT WAS, UH, IT WAS ALL MY FAULT. 682 00:27:55,875 --> 00:27:57,443 WHAT WAS? 683 00:27:59,846 --> 00:28:03,015 THERE WAS NOTHING I COULD DO. 684 00:28:03,049 --> 00:28:05,117 HE CORNERED ME. 685 00:28:05,151 --> 00:28:06,318 "HE" WHO? 686 00:28:08,354 --> 00:28:10,990 MY FATHER? 687 00:28:11,023 --> 00:28:12,825 YOU TELL ME WHAT HAPPENED. WHAT DID HE DO? 688 00:28:12,859 --> 00:28:14,126 WHAT DID HE MAKE YOU DO? 689 00:28:14,160 --> 00:28:16,763 WHAT... 690 00:28:16,796 --> 00:28:17,930 TELL ME. 691 00:28:17,964 --> 00:28:19,966 BEFORE WE DO THIS... 692 00:28:19,999 --> 00:28:21,467 THE MICROFILM. 693 00:28:21,500 --> 00:28:25,337 OH. NO, WE'RE NOT ACTUALLY GOING TO HAVE SEX. (chuckles) 694 00:28:25,371 --> 00:28:26,472 I JUST WANNA TAKE A COUPLE SNAPSHOTS 695 00:28:26,505 --> 00:28:28,240 TO MAKE IT LOOK LIKE WE DID. 696 00:28:28,274 --> 00:28:29,776 ALL THAT MATTERS 697 00:28:29,809 --> 00:28:33,012 IS THAT LILY BELIEVES SHE LOST TWO HUSBANDS TO ME. 698 00:28:33,045 --> 00:28:36,816 I'M FINE BEING YOUR ELIOT SPITZER SCANDAL, 699 00:28:36,849 --> 00:28:38,384 BUT I'M A PAY-FOR-PLAY KINDA GUY. 700 00:28:38,417 --> 00:28:40,086 THE MICROFILM FIRST. 701 00:28:40,119 --> 00:28:43,122 (Gossling's "Heart Killer" playing) 702 00:28:50,863 --> 00:28:51,764 IVY. (whispers) OH, GOD. 703 00:28:51,798 --> 00:28:53,499 DON'T DO THIS. 704 00:28:53,532 --> 00:28:57,103 MY FATHER WILL SCREW YOU, THEN SCREW YOU OVER. 705 00:28:57,136 --> 00:28:59,105 IT'S NOT TOO LATE TO DO THE RIGHT THING. 706 00:28:59,138 --> 00:29:02,108 BEHIND THE CURVE AS ALWAYS, CHUCK. 707 00:29:02,141 --> 00:29:03,175 IT I TOO LATE. 708 00:29:08,047 --> 00:29:09,916 WHAT IS THIS, SOME KIND OF JOKE? 709 00:29:16,455 --> 00:29:21,293 * I WANNA SEE HURT, I WANNA SEE HURT * 710 00:29:21,327 --> 00:29:23,129 WHAT IN THE WORLD ARE YOU DOING HERE? 711 00:29:23,162 --> 00:29:24,997 * WATCHING YOU DROWN 712 00:29:25,031 --> 00:29:27,366 I KNOW I SAID I WOULDN'T HELP YOU, BUT I CHANGED MY MIND. 713 00:29:27,399 --> 00:29:30,970 * WATCHING YOU DROWN 714 00:29:31,003 --> 00:29:33,239 I HAVE WHAT YOU'RE LOOKING FOR. 715 00:29:33,272 --> 00:29:36,142 THEY SAY NOTHING INSPIRES FORGIVENESS 716 00:29:36,175 --> 00:29:38,811 QUITE LIKE REVENGE. 717 00:29:49,255 --> 00:29:53,125 THE MICROFILM WAS IN THAT ENVELOPE, I SWEAR. 718 00:29:53,159 --> 00:29:55,127 IF YOU DON'T FIND IT AND HAND IT OVER-- 719 00:29:55,161 --> 00:29:56,896 ALL THE TORTURE YOU WISHED ON LILY, 720 00:29:56,929 --> 00:29:58,430 IT'LL SEEM LIKE CHILD'S PLAY. 721 00:29:58,464 --> 00:30:00,299 MY FATHER'S THREATS AREN'T IDLE. NEITHER ARE MINE. 722 00:30:02,534 --> 00:30:04,570 THERE'S ONLY ONE PERSON WHO KNEW I HAD IT, 723 00:30:04,603 --> 00:30:05,905 WHO MIGHT KNOW WHERE IT IS. 724 00:30:12,278 --> 00:30:14,046 THANKS. 725 00:30:17,249 --> 00:30:19,919 SINCE WHEN DID YOU START SPIKING YOUR CHAMOMILE? 726 00:30:19,952 --> 00:30:21,187 OH, IT'S BEEN A ROUGH DAY. 727 00:30:21,220 --> 00:30:24,323 HOPE THIS MAKES THINGS A BIT BETTER. 728 00:30:24,356 --> 00:30:26,625 (teacup clinks) 729 00:30:26,658 --> 00:30:29,128 YOU HAVE NO IDEA. 730 00:30:29,161 --> 00:30:30,529 THANK YOU, RUFUS. 731 00:30:30,562 --> 00:30:31,931 WHAT MADE YOU CHANGE YOUR MIND? 732 00:30:31,964 --> 00:30:34,633 IVY'S NOT WHO I THOUGHT SHE WAS. 733 00:30:34,666 --> 00:30:37,136 I KNOW. I SHOULD'VE BEEN TIPPED OFF 734 00:30:37,169 --> 00:30:39,205 BY THE WHOLE "PRETENDING TO BE YOUR NIECE" THING. 735 00:30:39,238 --> 00:30:43,142 WELL, YOU ALWAYS BELIEVE THE BEST IN PEOPLE. 736 00:30:43,175 --> 00:30:45,577 IT'S YOUR VIRTUE AND YOUR DOWNFALL. 737 00:30:45,611 --> 00:30:47,613 I STILL SEE THE BEST IN YOU, LIL. 738 00:30:47,646 --> 00:30:49,648 AFTER EVERYTHING THAT WE'VE BEEN THROUGH, 739 00:30:49,681 --> 00:30:52,251 IT'S PROBABLY SAFE TO SAY THAT WE WON'T BE TOGETHER AGAIN. 740 00:30:52,284 --> 00:30:54,921 BUT WE WERE FAMILY FOR A LONG TIME, 741 00:30:54,954 --> 00:30:57,223 AND THAT MEANS SOMETHING. 742 00:30:59,491 --> 00:31:01,193 I'D REALLY LIKE PEACE BETWEEN US. 743 00:31:06,032 --> 00:31:06,598 (elevator bell dings, doors open) 744 00:31:13,105 --> 00:31:14,206 DAD, HEY. WHAT ARE YOU DOING HERE? 745 00:31:14,240 --> 00:31:17,009 YOU INSPIRED ME TO MAKE SOME AMENDS OF MY OWN, SON. 746 00:31:17,043 --> 00:31:18,978 ARE YOU GETTING BACK TOGETHER WITH LILY? W-- 747 00:31:19,011 --> 00:31:22,348 NO, I'M JUST RETURNING SOMETHING OF LILY'S THAT IVY STOLE. 748 00:31:30,056 --> 00:31:32,591 WHY IS THIS PERSON TAKING SO LONG GETTING BACK TO YOU? 749 00:31:32,624 --> 00:31:35,127 I... I DON'T KNOW. 750 00:31:35,161 --> 00:31:37,663 (cell phone alert chimes) 751 00:31:37,696 --> 00:31:39,198 (beep) 752 00:31:41,367 --> 00:31:42,668 WHERE YOU GOING? 753 00:31:42,701 --> 00:31:46,072 DOES BLAIR NEED YOU TO COME OVER TO KILL A SPIDER? 754 00:31:46,105 --> 00:31:47,406 I'M NOT WASTING ANY MORE TIME. 755 00:31:47,439 --> 00:31:49,908 SO YOU'RE GIVING UP? WHAT A SHOCKER. 756 00:31:51,477 --> 00:31:54,580 YOU'RE RIGHT. YOU KNOW ME SO WELL. 757 00:31:57,416 --> 00:32:01,020 MY PATIENCE IS WEARING THIN. 758 00:32:01,053 --> 00:32:04,056 YOU BETTER MAKE THIS PERSON APPEAR FAST. 759 00:32:04,090 --> 00:32:06,558 (beep) 760 00:32:06,592 --> 00:32:08,427 (Haley Reinhardt and B.o.B.'s "Oh My!" playing) 761 00:32:08,460 --> 00:32:09,695 * YEAH 762 00:32:09,728 --> 00:32:14,300 * WHOA, WHOA, WHOA 763 00:32:14,333 --> 00:32:16,302 * WHOA 764 00:32:16,335 --> 00:32:18,737 WE ALMOST SOLD OUT. 765 00:32:18,770 --> 00:32:20,572 (laughs) I FEEL LIKE I'M DREAMING. 766 00:32:20,606 --> 00:32:24,443 UH-OH. 2 GIRLS WRESTLING FOR LAST 3-BUTTON VEST. 767 00:32:24,476 --> 00:32:27,246 I GO ACT AS REFEREE. 768 00:32:27,279 --> 00:32:28,680 * I'M BURNING UP INSIDE 769 00:32:28,714 --> 00:32:29,615 I HAVE ALWAYS KNOWN THAT I HAD 770 00:32:29,648 --> 00:32:31,517 THE MOST BRILLIANT, TALENTED BEST FRIEND, 771 00:32:31,550 --> 00:32:33,452 BUT NOW THE WHOLE WORLD GETS TO KNOW, TOO. 772 00:32:33,485 --> 00:32:35,187 THANK YOU. 773 00:32:35,221 --> 00:32:37,389 I'M SORRY FOR ACCUSING YOU OF TURNING SAGE AGAINST ME. 774 00:32:37,423 --> 00:32:40,126 NO, I'M SORRY FOR EVERYTHING. 775 00:32:40,159 --> 00:32:42,461 I DON'T THINK I WAS EVER ABLE TO GET OVER HOW HURT I WAS 776 00:32:42,494 --> 00:32:45,731 THAT YOU WERE DATING DAN, WHICH IS WHY I ACTED SO BADLY. 777 00:32:45,764 --> 00:32:48,067 I GET IT. IF YOU'D HAVE DATED CHUCK, 778 00:32:48,100 --> 00:32:49,601 I WOULD'VE SCRATCHED YOUR EYES OUT. 779 00:32:49,635 --> 00:32:51,137 (indistinct conversations) 780 00:32:51,170 --> 00:32:52,604 * OH, OH, OH, OH MY! 781 00:32:52,638 --> 00:32:54,606 I'VE REALLY MISSED YOU. 782 00:32:54,640 --> 00:32:56,042 I MISSED YOU, TOO, B. 783 00:32:57,443 --> 00:32:59,245 YOU'RE ABOUT TO GET EVERYTHING YOU EVER WANTED, 784 00:32:59,278 --> 00:33:02,048 AND TONIGHT'S SUCCESS IS-- IS JUST THE BEGINNING. 785 00:33:02,081 --> 00:33:04,616 WELL, THIS LINE WAS INSPIRED BY BOTH OF US, 786 00:33:04,650 --> 00:33:06,518 RULING CONSTANCE TOGETHER. 787 00:33:06,552 --> 00:33:08,520 THIS IS YOUR SUCCESS, TOO. 788 00:33:08,554 --> 00:33:11,190 I JUST HOPE THAT THIS NIGHT LEADS TO... 789 00:33:11,223 --> 00:33:13,492 THE OTHER THING I'VE ALWAYS WANTED-- 790 00:33:13,525 --> 00:33:15,494 TO BE WITH CHUCK. 791 00:33:15,527 --> 00:33:17,763 HE LOVES YOU MORE THAN ANYTHING IN THE WHOLE WORLD. 792 00:33:17,796 --> 00:33:20,666 YOU'LL FIND YOUR GREAT LOVE, TOO. 793 00:33:20,699 --> 00:33:22,368 UM, I SHOULD PROBABLY GET GOING. 794 00:33:22,401 --> 00:33:24,470 BUT BREAKFAST TOMORROW MORNING? SARABETH'S? 795 00:33:24,503 --> 00:33:26,305 YES. 9:00 A.M. SHARP. 796 00:33:26,338 --> 00:33:27,739 CONGRATULATIONS, B. 797 00:33:27,773 --> 00:33:29,308 THANK YOU. 798 00:33:29,341 --> 00:33:31,743 * OH MY! 799 00:33:31,777 --> 00:33:33,712 LILY, PLEASE! 800 00:33:33,745 --> 00:33:35,081 DON'T PROTECT HIM. 801 00:33:35,114 --> 00:33:37,483 WHY WOULDN'T I PROTECT MY HUSBAND? 802 00:33:37,516 --> 00:33:38,650 HE'S THE ONLY ONE THAT PROTECTS ME. 803 00:33:38,684 --> 00:33:40,186 NO, THAT'S NOT TRUE. 804 00:33:40,219 --> 00:33:42,621 YOU'RE THE ONE WILLING TO GO TO ANY LENGTHS, 805 00:33:42,654 --> 00:33:44,290 AND I'VE HAD ENOUGH OF IT. 806 00:33:44,323 --> 00:33:47,826 I KNOW YOU WANNA BELIEVE HE IS A CHANGED MAN, 807 00:33:47,859 --> 00:33:49,495 THAT HE IS A GOOD MAN. 808 00:33:49,528 --> 00:33:52,364 AND I WANTED TO BELIEVE THAT, TOO, SO BADLY. 809 00:33:52,398 --> 00:33:55,667 BUT THE TRUTH IS, IS HE IS A RUTHLESS CRIMINAL. 810 00:33:55,701 --> 00:33:58,304 IF YOU DESTROY THAT EVIDENCE, 811 00:33:58,337 --> 00:34:00,072 THERE IS NOTHING TO STOP HIM FROM HURTING ANYONE, 812 00:34:00,106 --> 00:34:01,707 INCLUDING YOU. 813 00:34:01,740 --> 00:34:03,842 THAT'S RIDICULOUS, CHARLES. 814 00:34:03,875 --> 00:34:06,712 HE WOULD NEVER HURT ME. 815 00:34:06,745 --> 00:34:09,748 SINCE HIS RETURN, HE HAS DONE NOTHING BUT PROVE HIS LOVE. 816 00:34:15,187 --> 00:34:18,724 YOU ONCE TOLD ME MY FATHER WAS INCAPABLE OF LOVE. 817 00:34:18,757 --> 00:34:21,293 THAT IS THE TRUTH. 818 00:34:21,327 --> 00:34:25,331 I JUST SAW HIM IN A HOTEL ROOM, HALF-NAKED, 819 00:34:25,364 --> 00:34:27,099 WITH IVY. 820 00:34:27,133 --> 00:34:29,701 THAT LIE... 821 00:34:29,735 --> 00:34:32,704 IS BENEATH EVEN YOU, CHARLES. 822 00:34:32,738 --> 00:34:35,174 I'M NOT GONNA LET YOU OR ANYONE ELSE 823 00:34:35,207 --> 00:34:38,310 THREATEN OUR FAMILY EVER AGAIN. 824 00:34:38,344 --> 00:34:40,846 DON'T! 825 00:34:40,879 --> 00:34:44,550 ASHES TO ASHES. DUST TO DUST. 826 00:34:44,583 --> 00:34:47,186 EVEN THE BEST-LAID PLANS CAN GO BUST. 827 00:34:54,260 --> 00:34:58,164 (door opens and closes) 828 00:34:58,197 --> 00:34:59,431 WHERE HAVE YOU BEEN? 829 00:34:59,465 --> 00:35:01,367 I'VE BEEN CALLING FOR AN HOUR. 830 00:35:01,400 --> 00:35:02,568 I JUST GOT YOUR MESSAGES. 831 00:35:02,601 --> 00:35:03,735 ARE YOU-- 832 00:35:03,769 --> 00:35:06,438 OKAY? NO! I'M NOT OKAY! 833 00:35:06,472 --> 00:35:08,640 OUR PLAN FAILED. 834 00:35:08,674 --> 00:35:11,677 OKAY, RUFUS MUST'VE TAKEN THE MICROFILM FROM MY PURSE 835 00:35:11,710 --> 00:35:13,745 AND GIVEN IT TO LILY. 836 00:35:13,779 --> 00:35:15,681 I WAS WITH BART WHEN SHE CALLED HIM 837 00:35:15,714 --> 00:35:17,549 TO TELL HIM THAT SHE DESTROYED IT. 838 00:35:17,583 --> 00:35:19,751 SO LILY'S... STILL WITH BART? 839 00:35:19,785 --> 00:35:21,220 YES. 840 00:35:21,253 --> 00:35:23,289 AND NOW THAT HE KNOWS I'M AFTER LILY, 841 00:35:23,322 --> 00:35:25,424 HE'S THREATENED TO DESTROY ME. 842 00:35:25,457 --> 00:35:27,693 (whispers) LOOK, HE'S SCARY, WILLIAM. HE'LL DO IT. 843 00:35:27,726 --> 00:35:28,694 CALM DOWN FOR A SECOND. 844 00:35:28,727 --> 00:35:30,229 I CAN'T! 845 00:35:30,262 --> 00:35:33,232 CAN'T YOU SEE THAT WITHOUT THE MICROFILM, 846 00:35:33,265 --> 00:35:34,833 WE CAN'T FIGHT BACK? 847 00:35:34,866 --> 00:35:38,437 I KNOW THAT I-I PROMISED LOLA THAT WE'D DO EVERYTHING WE COULD 848 00:35:38,470 --> 00:35:40,572 TO DESTROY LILY. 849 00:35:40,606 --> 00:35:44,176 BUT... WE'VE DONE EVERYTHING THAT WE COULD. 850 00:35:44,210 --> 00:35:46,845 YOU'RE RIGHT. I SUPPOSE WE SHOULD... 851 00:35:46,878 --> 00:35:49,648 LEAVE AND REGROUP FOR NOW. 852 00:35:51,783 --> 00:35:53,819 I KNOW THAT WE DIDN'T GET LILY, BUT... 853 00:35:53,852 --> 00:35:56,355 THE MOST IMPORTANT THING IS THAT WE HAVE EACH OTHER. 854 00:35:56,388 --> 00:35:58,790 OF COURSE. 855 00:36:02,861 --> 00:36:05,864 (cell phone rings) 856 00:36:05,897 --> 00:36:07,333 (beep) 857 00:36:07,366 --> 00:36:09,401 (sighs) HELLO? 858 00:36:09,435 --> 00:36:11,337 (Bart) So Chuck's little game is over, Nathaniel. 859 00:36:11,370 --> 00:36:13,839 IN SPITE OF YOU TIPPING HIM OFF, HE LOST. 860 00:36:13,872 --> 00:36:16,408 OF COURSE, ONCE A LOSER, ALWAYS A LOSER. 861 00:36:16,442 --> 00:36:17,909 (slurring) WHY DON'T YOU GO GIVE YOUR... (hiccups) 862 00:36:17,943 --> 00:36:21,613 S-STIRRING LITTLE VICTORY SPEECH TO SOMEONE WHO CARES? 863 00:36:21,647 --> 00:36:23,815 OH, YEAH. THAT'S RIGHT. NO ONE DOES. 864 00:36:23,849 --> 00:36:25,951 You're just lucky that Lily destroyed the microfilm 865 00:36:25,984 --> 00:36:28,320 AND BOUGHT YOU A REPRIEVE. 866 00:36:28,354 --> 00:36:30,722 I OWN YOU, AND YOU BETTER START ACTING LIKE IT. 867 00:36:30,756 --> 00:36:32,291 What, you gonna call the police? 868 00:36:32,324 --> 00:36:34,726 ALL RIGHT, FINE. JUST DO IT. HAVE ME ARRESTED. 869 00:36:34,760 --> 00:36:36,628 Oh, you're of more use to me out of jail... 870 00:36:36,662 --> 00:36:39,431 FOR THE MOMENT. 871 00:36:39,465 --> 00:36:40,532 YOU OWE ME. 872 00:36:40,566 --> 00:36:42,801 Sober up 873 00:36:42,834 --> 00:36:45,371 AND GET READY TO PAY THE PRICE. 874 00:36:45,404 --> 00:36:46,372 (beep) 875 00:36:46,405 --> 00:36:47,939 (scoffs) 876 00:36:47,973 --> 00:36:48,840 (beep) 877 00:36:55,781 --> 00:36:57,015 (indistinct conversations) 878 00:36:57,048 --> 00:36:58,984 THERE YOU ARE. 879 00:36:59,017 --> 00:37:00,986 THE LINE WAS A GIGANTIC SUCCESS. 880 00:37:01,019 --> 00:37:03,455 EVEN THE MANNEQUINS WERE STRIPPED NAKED. 881 00:37:03,489 --> 00:37:05,591 AND NOW WE ARE HAVING A FETE AT THE ATELIER TO CELEBRATE, 882 00:37:05,624 --> 00:37:06,992 SO OF COURSE I NEED YOU BY MY SIDE. 883 00:37:07,025 --> 00:37:09,661 AND WHY HAVEN'T YOU BEEN ANSWERING YOUR PHONE? 884 00:37:09,695 --> 00:37:11,897 I'M HAPPY FOR YOU, BLAIR. 885 00:37:11,930 --> 00:37:13,532 FORGET ME. 886 00:37:16,034 --> 00:37:18,537 CHUCK? 887 00:37:18,570 --> 00:37:20,906 WHAT HAPPENED? 888 00:37:20,939 --> 00:37:22,908 WHAT I SHOULD'VE ALWAYS EXPECTED. 889 00:37:22,941 --> 00:37:29,047 THE ONLY PARENT WHO EVER LOVED ME, 890 00:37:29,080 --> 00:37:34,019 THE MOTHER WHO CHOSE ME AS A SON, 891 00:37:34,052 --> 00:37:35,754 ABANDONED ME. 892 00:37:35,787 --> 00:37:37,789 (mouths word) 893 00:37:37,823 --> 00:37:43,395 I FINALLY HAD THE EVIDENCE TO VANQUISH MY FATHER. 894 00:37:43,429 --> 00:37:46,732 SHE DESTROYED IT TO PROTECT HIM. 895 00:37:46,765 --> 00:37:48,767 WE'LL FIND NEW EVIDENCE. 896 00:37:48,800 --> 00:37:49,768 WE'LL FIND ANOTHER WAY. 897 00:37:49,801 --> 00:37:51,737 THERE IS NO OTHER WAY. 898 00:37:51,770 --> 00:37:53,639 THIS WAS IT. IT'S OVER. 899 00:37:53,672 --> 00:37:57,876 WELL, EVEN IF WE CAN'T PUT BART BEHIND BARS, 900 00:37:57,909 --> 00:38:00,045 WE'LL STILL BE TOGETHER. 901 00:38:03,615 --> 00:38:08,019 STOP... LYING TO YOURSELF. 902 00:38:08,053 --> 00:38:10,021 WE MADE A PACT. 903 00:38:10,055 --> 00:38:13,525 YOU FULFILLED YOUR SIDE. I FAILED AT MINE. 904 00:38:15,961 --> 00:38:18,764 WE CAN' BE TOGETHER. 905 00:38:21,433 --> 00:38:23,669 CHUCK... 906 00:38:23,702 --> 00:38:25,337 PLEASE. 907 00:38:25,371 --> 00:38:28,073 GO. 908 00:38:28,106 --> 00:38:29,941 JUST GO. 909 00:39:01,172 --> 00:39:02,941 HEY. 910 00:39:02,974 --> 00:39:05,944 HEY. 911 00:39:05,977 --> 00:39:07,779 SO I FINALLY MADE AMENDS WITH BLAIR, 912 00:39:07,813 --> 00:39:10,382 AND WE'RE IN A REALLY GOOD PLACE AND I COULDN'T BE HAPPIER. 913 00:39:10,416 --> 00:39:12,384 HOW WAS YOUR DAY? 914 00:39:12,418 --> 00:39:13,619 I HATE TO COMPETE, 915 00:39:13,652 --> 00:39:15,721 BUT I MADE AMENDS WITH CHUCK, NATE, AND MY DAD. 916 00:39:15,754 --> 00:39:16,755 WOW. I'M IMPRESSED. 917 00:39:16,788 --> 00:39:18,524 YEAH, ALL RIGHT. 918 00:39:18,557 --> 00:39:21,727 SO NOW THAT WE'VE KNOCKED DOWN OUR LAST OBSTACLES, 919 00:39:21,760 --> 00:39:23,028 ARE WE FINALLY READY TO DO THIS? 920 00:39:25,531 --> 00:39:27,165 WELL, DO YOU REMEMBER THAT WE SAID 921 00:39:27,198 --> 00:39:29,468 IF WE EVER JUMPED INTO A RELATIONSHIP AGAIN THAT 922 00:39:29,501 --> 00:39:31,036 THAT WOULD BE IT? 923 00:39:31,069 --> 00:39:33,505 THAT WE WOULD ONLY GET ONE MORE CHANCE? 924 00:39:33,539 --> 00:39:35,040 ARE YOU SURE THAT 925 00:39:35,073 --> 00:39:37,676 I'M THE ONE PERSON YOU WANNA BE WITH? 926 00:39:37,709 --> 00:39:39,445 ARE YOU TALKING ABOUT BLAIR? 927 00:39:41,112 --> 00:39:45,050 SERENA, YES, I'M SURE YOU ARE THE ONE. 928 00:39:45,083 --> 00:39:47,052 BUT WHETHER OR NOT I'VE ADMITTED IT TO MYSELF, 929 00:39:47,085 --> 00:39:50,722 YOU HAVE ALWAYS BEEN THE ONE. 930 00:39:52,123 --> 00:39:53,625 HOW ABOUT YOU? 931 00:39:53,659 --> 00:39:56,061 YEAH, I'M SURE. 932 00:39:56,094 --> 00:40:00,098 (Chromatics' "Kill For Love" playing) 933 00:40:01,700 --> 00:40:03,902 WAIT. HOLD ON. 934 00:40:03,935 --> 00:40:06,905 I THOUGHT THE WHOLE POINT OF THIS WAS TO GO PUBLIC. 935 00:40:06,938 --> 00:40:09,040 UH, WHAT--WHAT HAPPENED TO GETTING FRESH AIR? 936 00:40:09,074 --> 00:40:10,942 I MEAN, SHOULDN'T WE GO OUT AND GET A DRINK OR SOMETHING? 937 00:40:10,976 --> 00:40:12,478 SUDDENLY, I'M OKAY WITH BEING A SHUT-IN. 938 00:40:12,511 --> 00:40:15,714 * EVERYBODY'S GOT A SECRET TO HIDE * 939 00:40:19,084 --> 00:40:21,219 LET ME AT LEAST GET CHAMPAGNE SO WE CAN CELEBRATE. 940 00:40:21,252 --> 00:40:22,921 * EVERYONE IS SLIPPING BACKWARDS * 941 00:40:22,954 --> 00:40:25,056 SOMETIMES THE LIGHT IS SO DAZZLING 942 00:40:25,090 --> 00:40:28,226 IT'S ALL YOU CAN SEE. 943 00:40:28,259 --> 00:40:31,029 * I DRANK THE WATER AND I FELT ALL RIGHT * 944 00:40:31,062 --> 00:40:34,065 OTHER TIMES, DARK CLOUDS DEVOUR YOU, 945 00:40:34,099 --> 00:40:36,234 AND IT SEEMS THE SKIES WILL NEVER CLEAR. 946 00:40:36,267 --> 00:40:39,938 * IN MY MIND I WAS WAITING FOR CHANGE * 947 00:40:39,971 --> 00:40:43,208 * I CAN'T REMEMBER IF I LIKE WHAT I SAID * 948 00:40:43,241 --> 00:40:44,543 OH! 949 00:40:44,576 --> 00:40:46,812 (all cheering) 950 00:40:46,845 --> 00:40:48,680 * IT WENT STRAIGHT TO MY HEAD 951 00:40:48,714 --> 00:40:51,917 BUT WHEN THE SUN BEAMS WHILE THE RAIN FALLS, 952 00:40:51,950 --> 00:40:54,953 IT CAN BRING A BITTERSWEET RAINBOW. 953 00:40:54,986 --> 00:40:56,087 * TOP OF MY HEAD 954 00:40:56,121 --> 00:40:58,056 * BUT I KILLED FOR LOVE 955 00:40:58,089 --> 00:41:00,492 (cell phone rings) 956 00:41:00,526 --> 00:41:02,694 (ring) 957 00:41:05,196 --> 00:41:06,798 (lowered voice) I ONLY HAVE A MINUTE. 958 00:41:06,832 --> 00:41:08,166 HUMPHREY, GOING ROGUE IS NOT PART OF OUR AGREEMENT. 959 00:41:08,199 --> 00:41:09,535 WHERE THE HELL HAVE YOU BEEN? 960 00:41:09,568 --> 00:41:11,202 I'M WRITING THE SERENA CHAPTER. 961 00:41:11,236 --> 00:41:12,170 WHAT? 962 00:41:12,203 --> 00:41:13,672 (beep) 963 00:41:26,217 --> 00:41:28,053 SO WATCH OUT. 964 00:41:28,086 --> 00:41:31,089 JUST WHEN YOU THINK YOU'RE DANCING OFF INTO THE SUNSET, 965 00:41:31,122 --> 00:41:33,825 A LIGHTNING BOLT MAY STRIKE YOU DOWN. 966 00:41:33,859 --> 00:41:35,927 X.O.X.O., GOSSIP GIRL. 69667

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