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1
00:00:24,758 --> 00:00:27,461
I'M HOME!
Aunt Bee: OH, ANDY?
2
00:00:27,495 --> 00:00:29,097
ANDY, GUESS WHAT?
3
00:00:29,130 --> 00:00:31,199
WHAT?
THE LEWISES ARE
MOVING TO RALEIGH.
4
00:00:31,232 --> 00:00:33,667
OH, YEAH, I HEARD.
THAT MEANS CLARA
WON'T BE HAVING
5
00:00:33,701 --> 00:00:34,735
LITTLE DOUGLAS ANYMORE
6
00:00:34,768 --> 00:00:36,537
AND THAT GIVES
HER TWO HOURS OPEN,
7
00:00:36,570 --> 00:00:38,172
AND I THINK IT'D
BE WONDERFUL
8
00:00:38,206 --> 00:00:40,074
IF OPIE STARTED TO
TAKE PIANO LESSONS.
9
00:00:40,108 --> 00:00:41,342
WHAT?
WELL, YOU SEE,
10
00:00:41,375 --> 00:00:43,377
THE LEWISES ARE
MOVING TO RALEIGH...
11
00:00:43,411 --> 00:00:44,545
NO, WAIT, WAIT, WAIT.
12
00:00:44,578 --> 00:00:46,547
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
13
00:00:46,580 --> 00:00:49,150
IF, IF YOU'RE TALKING
ABOUT MY FORCING THE BOY
14
00:00:49,183 --> 00:00:50,618
TO TAKE PIANO
LESSONS, NO.
15
00:00:50,651 --> 00:00:53,087
WELL, WHO SAYS YOU'D
YOU'D BE FORCING HIM?
16
00:00:53,121 --> 00:00:54,555
HE'S AN AVERAGE BOY,
ISN'T HE?
17
00:00:54,588 --> 00:00:57,858
WELL, IT JUST SO HAPPENS
LOTS OF BOYS LIKE TO PLAY PIANO.
18
00:00:57,891 --> 00:01:00,594
MAYBE ONE OUT OF TEN,
BUT MOST ARE TOO BUSY FISHING
19
00:01:00,628 --> 00:01:02,630
AND PLAYING FOOTBALL
AND FOOLING AROUND
20
00:01:02,663 --> 00:01:05,333
TO WORRY ABOUT PIANO LESSONS,
AND I'M NOT SPENDING
21
00:01:05,366 --> 00:01:07,635
THE NEXT FIVE YEARS
FORCING HIM TO PRACTICE.
22
00:01:07,668 --> 00:01:09,270
FINE FATHER.
23
00:01:09,303 --> 00:01:12,340
WHAT'S IT GOT TO DO WITH WHETHER
I'M A GOOD FATHER OR NOT?
24
00:01:12,373 --> 00:01:14,142
I JUST KNOW WHEN I'M WELL-OFF.
25
00:01:14,175 --> 00:01:15,743
ANDY, DO YOU REALIZE
WHAT AN ASSET
26
00:01:15,776 --> 00:01:18,112
THAT WOULD BE FOR HIM
AT SOCIAL FUNCTIONS?
27
00:01:18,146 --> 00:01:19,147
OH, COME ON.
28
00:01:19,180 --> 00:01:20,414
THAT'S ALWAYS
THE ARGUMENT --
29
00:01:20,448 --> 00:01:22,550
IF YOU PLAY THE PIANO,
YOU'LL BE POPULAR.
30
00:01:22,583 --> 00:01:24,518
WHEN I WAS A BOY,
THE MOST POPULAR KID
31
00:01:24,552 --> 00:01:27,355
WAS HARVEY BELFAST, AND HE
DIDN'T KNOW THE DIFFERENCE
32
00:01:27,388 --> 00:01:29,490
BETWEEN "LET'S HAVE
ANOTHER CUP OF COFFEE"
33
00:01:29,523 --> 00:01:30,824
AND "TEA FOR TWO."
34
00:01:30,858 --> 00:01:33,227
ALL RIGHT,
LET'S DROP IT.
YEAH, LET'S DROP IT.
35
00:01:33,261 --> 00:01:34,895
HEAVEN FORBID THAT
A LITTLE CULTURE
36
00:01:34,928 --> 00:01:36,530
MIGHT CREEP
INTO THIS HOUSE.
37
00:01:36,564 --> 00:01:38,466
I THOUGHT WE WERE GOING
TO DROP IT.
38
00:01:38,499 --> 00:01:39,900
I THINK THE LEAST
WE SHOULD DO
39
00:01:39,933 --> 00:01:41,635
IS ASK OPIE IF
HE'S INTERESTED.
40
00:01:41,669 --> 00:01:43,137
OKAY, I'LL ASK HIM.
OPIE?
41
00:01:43,171 --> 00:01:45,473
AND I THINK YOU SHOULD
GIVE HIM THE OPPORTUNITY
42
00:01:45,506 --> 00:01:46,774
TO MAKE HIS
OWN DECISION.
43
00:01:46,807 --> 00:01:48,242
Andy: RIGHT.
44
00:01:48,276 --> 00:01:49,677
YES, PAW?
45
00:01:49,710 --> 00:01:52,346
YOU DON'T WANT TO TAKE
PIANO LESSONS, DO YOU?
46
00:01:52,380 --> 00:01:54,682
WHAT?!
47
00:01:54,715 --> 00:01:56,184
PIANO LESSONS, OPIE.
48
00:01:56,217 --> 00:01:58,852
YOUR FATHER'S ASKING YOU
IF YOU WOULDN'T ENJOY
49
00:01:58,886 --> 00:02:01,322
EXPLORING THE WONDROUS
WORLD OF MUSIC
50
00:02:01,355 --> 00:02:02,556
WITH CLARA EDWARDS.
51
00:02:02,590 --> 00:02:04,292
PIANO LESSONS? GEE, YEAH.
52
00:02:04,325 --> 00:02:07,261
I BEEN WANTING TO LEARN TO PLAY
FOR A LONG TIME.
53
00:02:07,295 --> 00:02:08,396
YOU'RE KIDDING.
54
00:02:08,429 --> 00:02:10,398
I DIDN'T KNOW WHETHER
TO SAY ANYTHING
55
00:02:10,431 --> 00:02:13,501
ABOUT IT OR NOT, BUT SOME
OF THE KIDS ARE TAKING LESSONS
56
00:02:13,534 --> 00:02:15,369
AND I WANT
TO LEARN, TOO.
57
00:02:17,705 --> 00:02:20,774
WELL, YOU'D HAVE TO PRACTICE
AND EVERYTHING.
58
00:02:20,808 --> 00:02:22,943
WELL, SURE, PAW,
YOU GOT TO PRACTICE.
59
00:02:22,976 --> 00:02:25,246
CLARA EDWARDS CAN
TAKE YOU RIGHT AWAY.
60
00:02:25,279 --> 00:02:26,647
TWO LESSONS A WEEK.
61
00:02:26,680 --> 00:02:27,515
GREAT.
62
00:02:27,548 --> 00:02:29,883
YOU SOUND LIKE
YOU'RE SERIOUS ABOUT THIS.
63
00:02:29,917 --> 00:02:31,419
I AM SERIOUS, PAW.
64
00:02:31,452 --> 00:02:33,621
PIANO LESSONS COST
A LOT OF MONEY.
65
00:02:33,654 --> 00:02:36,957
OH, ANDY, CLARA'S 20-LESSON COST
IS VERY REASONABLE.
66
00:02:36,990 --> 00:02:40,861
YOU'RE GOING TO HAVE TO GIVE UP
ALL YOUR OTHER ACTIVITIES
67
00:02:40,894 --> 00:02:42,830
AND STAY
RIGHT AT THAT PIANO.
68
00:02:42,863 --> 00:02:44,232
I DON'T CARE.
69
00:02:44,265 --> 00:02:45,533
YOU PROMISE I WON'T HAVE
70
00:02:45,566 --> 00:02:46,967
TO STAY AFTER YOU
TO PRACTICE?
71
00:02:47,000 --> 00:02:47,968
I PROMISE.
72
00:02:48,001 --> 00:02:50,338
I GIVE UP.
73
00:02:50,371 --> 00:02:55,576
YOU KNOW, PAW,
I CAN PLAY SOMETHING ALREADY.
74
00:03:01,349 --> 00:03:05,353
YOU KNOW, ANDY, WE MAY HAVE
ANOTHER LIBERACE HERE.
75
00:03:08,256 --> 00:03:09,757
OH, VERY NICE,
NOW LET ME SEE YOUR HANDS.
76
00:03:09,790 --> 00:03:11,024
I SCRUBBED THEM REAL GOOD,
AUNT BEE.
77
00:03:11,058 --> 00:03:13,994
NOW, CLEAN HANDS ARE THE FIRST
REQUIREMENT OF THE PIANO PLAYER.
78
00:03:14,027 --> 00:03:16,330
I KNOW.
DID YOU USE THAT
FILE I GAVE YOU?
79
00:03:16,364 --> 00:03:19,800
YES, MA'AM.
OH, OPIE,
THEY'RE NOT VERY CLEAN.
80
00:03:19,833 --> 00:03:22,903
WELL, A LOT OF THAT STUFF
IS LOCKED IN.
81
00:03:27,675 --> 00:03:29,243
HELLO, MISS EDWARDS.
OPIE.
82
00:03:29,277 --> 00:03:30,511
HELLO, CLARA.
BEE.
83
00:03:30,544 --> 00:03:32,846
I THINK YOU'VE GOT
A VERY ENTHUSIASTIC PUPIL.
84
00:03:32,880 --> 00:03:34,948
OH, WELL, I'M VERY
HAPPY TO HEAR THAT,
85
00:03:34,982 --> 00:03:36,850
BECAUSE IT'S ONLY
BY DEDICATING
86
00:03:36,884 --> 00:03:38,852
OURSELVES COMPLETELY
THAT WE CAN HOPE
87
00:03:38,886 --> 00:03:40,854
TO ACHIEVE A DEGREE
OF EXCELLENCE.
88
00:03:40,888 --> 00:03:43,491
DID YOU UNDERSTAND
WHAT MISS EDWARDS SAID, OPIE?
89
00:03:43,524 --> 00:03:44,692
YES, MA'AM.
90
00:03:44,725 --> 00:03:47,828
AND I, WHO HAVE DEVOTED
MY LIFE TO MUSIC,
91
00:03:47,861 --> 00:03:49,863
CAN ATTEST TO THE REWARDS.
92
00:03:49,897 --> 00:03:51,899
DID YOU UNDERSTAND THAT,
TOO, OPIE?
93
00:03:51,932 --> 00:03:53,767
YES, MA'AM.
WELL, GOOD.
94
00:03:53,801 --> 00:03:56,404
I'LL LEAVE YOU TWO ALONE.
95
00:03:56,437 --> 00:04:00,674
OH, CLARA, HIS NAILS'LL BE
A LITTLE CLEANER NEXT TIME.
96
00:04:01,909 --> 00:04:04,278
NOW, AS I UNDERSTAND IT, OPIE,
97
00:04:04,312 --> 00:04:07,281
YOU HAVE NEVER
REALLY PLAYED BEFORE.
98
00:04:07,315 --> 00:04:08,516
NO, MA'AM.
99
00:04:08,549 --> 00:04:11,051
GOOD. I MUCH PREFER
WORKING WITH RAW CLAY.
100
00:04:11,084 --> 00:04:12,386
WHAT?
101
00:04:12,420 --> 00:04:13,587
OH, NOTHING. NOW...
102
00:04:13,621 --> 00:04:16,657
WE'RE GOING TO SPEND
THE FIRST LESSON
103
00:04:16,690 --> 00:04:18,058
LEARNING THE NOTES
104
00:04:18,091 --> 00:04:20,928
AND THE PROPER
METHOD OF PLAYING.
105
00:04:22,696 --> 00:04:26,567
NOW, THAT IS THE HEART
OF THE PIANO-- MIDDLE "C."
106
00:04:26,600 --> 00:04:31,372
THEN, OF COURSE, WE
HAVE "D-E-F-G-A-B-C."
107
00:04:31,405 --> 00:04:33,941
NOW, REMEMBER, OPIE,
WHEN YOU ATTACK THE NOTES,
108
00:04:33,974 --> 00:04:35,409
YOU DO NOT STRIKE THEM
109
00:04:35,443 --> 00:04:37,545
WITH THE FLAT PART
OF YOUR FINGERS.
110
00:04:37,578 --> 00:04:40,080
YOU STRIKE THEM WITH
THE ENDS OF YOUR FINGERS.
111
00:04:40,113 --> 00:04:42,616
SEE? NOW, TRY IT AGAIN.
112
00:04:46,854 --> 00:04:48,856
MMM. THAT'S
APPROXIMATELY RIGHT.
113
00:04:48,889 --> 00:04:50,023
IT'S HARD.
114
00:04:50,057 --> 00:04:51,725
WELL, IT'LL COME EASIER
115
00:04:51,759 --> 00:04:54,662
ONCE YOU'VE GOT YOUR
FINGERS LIMBERED UP.
116
00:04:54,695 --> 00:04:56,564
NOW, THAT'S IMPORTANT.
117
00:04:56,597 --> 00:04:57,965
GET THEM LIMBER--
118
00:04:57,998 --> 00:05:00,734
AND STRETCH THEM,
STRETCH THEM.
119
00:05:00,768 --> 00:05:03,771
LIMBER, LIMBER,
STRETCH, STRETCH...
120
00:05:03,804 --> 00:05:06,674
OH, WELL, I GUESS
OUR TIME IS UP.
121
00:05:06,707 --> 00:05:08,442
WELL, HOW DID HE DO?
122
00:05:08,476 --> 00:05:11,512
WELL, VERY NICELY,
I'M HAPPY TO SAY.
123
00:05:11,545 --> 00:05:13,447
NOW, OPIE, I WANT
YOU TO PRACTICE
124
00:05:13,481 --> 00:05:15,583
ANOTHER HOUR TODAY,
AND BETWEEN LESSONS,
125
00:05:15,616 --> 00:05:17,351
I EXPECT
MY BEGINNING STUDENTS
126
00:05:17,385 --> 00:05:18,752
TO PRACTICE
TWO HOURS A DAY.
127
00:05:18,786 --> 00:05:20,053
YES, MA'AM.
128
00:05:20,087 --> 00:05:21,922
I THINK RIGHT AFTER SCHOOL
WOULD BE BEST, OPIE.
129
00:05:21,955 --> 00:05:22,956
3:30 TO 5:30?
130
00:05:22,990 --> 00:05:24,492
SURE.
131
00:05:24,525 --> 00:05:26,960
UH, BEE, YOUR PIANO
COULD USE SOME TUNING.
132
00:05:26,994 --> 00:05:27,995
OH, YES, CLARA.
133
00:05:28,028 --> 00:05:29,463
WELL, I'LL FIND OUT
134
00:05:29,497 --> 00:05:32,099
WHEN MR. HIGBY'S
GOING THROUGH MAYBERRY.
135
00:05:32,132 --> 00:05:35,436
NOW, I'LL SEE YOU
DAY AFTER TOMORROW, OPIE,
136
00:05:35,469 --> 00:05:36,704
AND REMEMBER...
137
00:05:36,737 --> 00:05:39,673
Both: LIMBER, LIMBER,
STRETCH, STRETCH.
138
00:05:39,707 --> 00:05:41,509
WELL, BYE-BYE.
139
00:05:41,542 --> 00:05:42,876
BYE, CLARA.
140
00:05:45,779 --> 00:05:46,814
WELL.
141
00:05:46,847 --> 00:05:51,018
LIMBER, LIMBER,
STRETCH, STRETCH...
142
00:05:53,854 --> 00:05:55,155
HI, FELLAS.
143
00:05:55,188 --> 00:05:56,524
HI, TOM.
144
00:05:56,557 --> 00:05:57,925
HEY, DOES
ANYBODY KNOW
145
00:05:57,958 --> 00:05:59,760
WHY WE'RE SUPPOSED
TO MEET HERE?
146
00:05:59,793 --> 00:06:01,762
ALL I KNOW IS
THAT MR. JACKSON SAID
147
00:06:01,795 --> 00:06:03,797
WE'RE SUPPOSED
TO WAIT FOR HIM HERE
148
00:06:03,831 --> 00:06:04,898
IN THE PLAYGROUND.
149
00:06:04,932 --> 00:06:06,099
HERE HE
COMES NOW.
150
00:06:07,868 --> 00:06:09,036
HI, BOYS.
151
00:06:09,069 --> 00:06:11,672
OKAY, NOW LET ME HAVE
YOUR ATTENTION.
152
00:06:11,705 --> 00:06:13,607
LET ME HAVE YOUR ATTENTION.
153
00:06:13,641 --> 00:06:15,776
NOW, YOU MAY
OR MAY NOT RECOGNIZE
154
00:06:15,809 --> 00:06:17,611
THE GENTLEMAN
WITH ME HERE,
155
00:06:17,645 --> 00:06:20,881
BUT I'M SURE HIS NAME
IS FAMILIAR TO ALL OF YOU.
156
00:06:20,914 --> 00:06:22,950
MR. FLIP CONROY.
157
00:06:22,983 --> 00:06:24,885
Boys: FLIP CONROY?!
158
00:06:24,918 --> 00:06:27,621
Opie: OF THE NEW YORK GIANTS?!
159
00:06:27,655 --> 00:06:28,922
THAT'S RIGHT,
FLIP CONROY.
160
00:06:28,956 --> 00:06:30,624
I DON'T WANT
TO EMBARRASS FLIP,
161
00:06:30,658 --> 00:06:32,493
BUT YOU ARE PROBABLY LOOKING
162
00:06:32,526 --> 00:06:35,563
AT ONE OF THE GREATEST PRO
FOOTBALL PLAYERS OF ALL TIME.
163
00:06:35,596 --> 00:06:37,831
I WOULDN'T GO THAT
FAR, BUT HI, FELLAS.
164
00:06:37,865 --> 00:06:40,468
All: HI, FLIP!
165
00:06:40,501 --> 00:06:41,969
ALL RIGHT,
ALL RIGHT, BOYS.
166
00:06:42,002 --> 00:06:43,704
NOW, LET ME
TELL YOU WHY...
167
00:06:43,737 --> 00:06:46,206
BOYS, NOW, LET ME TELL YOU
WHY HE'S HERE.
168
00:06:46,239 --> 00:06:48,075
LET ME TELL YOU
WHY HE'S HERE.
169
00:06:48,108 --> 00:06:51,845
AFTER FOUR YEARS OF COLLEGE
AND TEN YEARS WITH THE GIANTS,
170
00:06:51,879 --> 00:06:53,847
FLIP HAS COME
BACK TO MAYBERRY
171
00:06:53,881 --> 00:06:55,849
TO WORK
IN HIS FATHER'S BUSINESS,
172
00:06:55,883 --> 00:06:58,218
AND HE HAS ALSO SAID
THAT HE IS WILLING
173
00:06:58,251 --> 00:06:59,920
TO DEVOTE SOME OF HIS TIME
174
00:06:59,953 --> 00:07:03,123
TO HELPING YOU BOYS BUILD
A TOP-NOTCH FOOTBALL TEAM.
175
00:07:05,559 --> 00:07:06,727
FLIP?
176
00:07:06,760 --> 00:07:08,562
WELL, IT LOOKS
LIKE WE GOT
177
00:07:08,596 --> 00:07:10,664
SOME PRETTY GOOD
MATERIAL HERE.
178
00:07:10,698 --> 00:07:12,165
WE'RE GOING TO
HAVE A LOT OF FUN,
179
00:07:12,199 --> 00:07:14,502
BUT WE'RE GOING TO
WORK HARD AT IT, TOO.
180
00:07:14,535 --> 00:07:17,671
I UNDERSTAND YOU BOYS
HAVE BEEN PLAYING FOOTBALL.
181
00:07:17,705 --> 00:07:19,206
YEAH, THAT'S RIGHT.
182
00:07:19,239 --> 00:07:23,010
WELL, IT'S GOING TO MEAN A LOT
OF PRACTICE FOR ALL OF US --
183
00:07:23,043 --> 00:07:25,045
AT LEAST TWO HOURS
EVERY AFTERNOON
184
00:07:25,078 --> 00:07:26,914
IF WE WANT A GOOD TEAM.
185
00:07:26,947 --> 00:07:29,950
NOW, HOW DOES THAT
SIT WITH EVERYBODY?
186
00:07:29,983 --> 00:07:31,218
Boys: FINE!
187
00:07:31,251 --> 00:07:33,086
ALL RIGHT,
WHO'S YOUR QUARTERBACK?
188
00:07:33,120 --> 00:07:34,254
OPIE TAYLOR.
189
00:07:34,287 --> 00:07:35,989
HE'S OUR CAPTAIN, TOO.
190
00:07:36,023 --> 00:07:37,224
FINE, FINE.
191
00:07:37,257 --> 00:07:39,259
NOW, YOU ALL KNOW
THAT THE QUARTERBACK
192
00:07:39,292 --> 00:07:41,495
IS THE KEY MAN
ON ANY FOOTBALL TEAM.
193
00:07:41,529 --> 00:07:43,163
SO THAT MEANS WE'RE GOING TO BE
194
00:07:43,196 --> 00:07:45,633
COUNTING REAL HEAVILY
ON YOU, OPIE.
UH-HUH.
195
00:07:45,666 --> 00:07:47,000
AND ONE MORE THING.
196
00:07:47,034 --> 00:07:49,537
IF YOU WANT TO DO ANYTHING--
AND I MEAN ANYTHING--
197
00:07:49,570 --> 00:07:51,772
AND DO IT WELL,
YOU'VE GOT TO GIVE IT YOUR ALL.
198
00:07:51,805 --> 00:07:52,906
YOU REMEMBER THAT
199
00:07:52,940 --> 00:07:54,975
AND WE'LL COME UP
WITH A GOOD TEAM.
200
00:07:55,008 --> 00:07:56,109
RIGHT BOYS?
201
00:07:56,143 --> 00:07:57,545
Boys: RIGHT!
202
00:07:57,578 --> 00:07:59,112
ALL RIGHT, BOYS,
WHAT DO YOU SAY
203
00:07:59,146 --> 00:08:01,148
GO HOME AND CHANGE
INTO YOUR SNEAKERS
204
00:08:01,181 --> 00:08:03,551
OR YOUR FOOTBALL SHOES,
GET YOUR HELMETS
205
00:08:03,584 --> 00:08:05,152
AND GET BACK HERE
IN A HALF HOUR
206
00:08:05,185 --> 00:08:06,654
FOR YOUR FIRST PRACTICE!
207
00:08:06,687 --> 00:08:07,688
COME ON, LET'S GO!
208
00:08:07,721 --> 00:08:08,789
COME ON, BOYS!
209
00:08:21,234 --> 00:08:22,936
HI, PAW.
210
00:08:25,105 --> 00:08:26,139
HI, OPE.
211
00:08:26,173 --> 00:08:27,240
WHAT'S UP?
212
00:08:27,274 --> 00:08:29,076
OH, NOTHING MUCH.
213
00:08:29,109 --> 00:08:31,311
SHOULDN'T YOU BE HOME
PRACTICING THE PIANO?
214
00:08:31,344 --> 00:08:34,181
WELL, THAT'S WHAT I WANT
TO TALK TO YOU ABOUT, PAW.
215
00:08:35,983 --> 00:08:37,551
YES?
216
00:08:37,585 --> 00:08:40,554
WHEN MISS EDWARDS GAVE ME
MY PIANO LESSON YESTERDAY
217
00:08:40,588 --> 00:08:42,823
SHE SAID MY FINGERS
NEEDED STRETCHING.
218
00:08:42,856 --> 00:08:45,225
YOUR FINGERS NEEDED STRETCHING?
219
00:08:45,258 --> 00:08:47,160
YEAH. LIKE THIS.
220
00:08:50,097 --> 00:08:51,665
THEY DO?
221
00:08:51,699 --> 00:08:52,833
YEAH.
222
00:08:52,866 --> 00:08:55,636
SHE SAID IT'S VERY IMPORTANT
FOR ME TO BE ABLE TO DO THAT.
223
00:08:55,669 --> 00:08:56,837
IT'S NOT EASY.
224
00:08:56,870 --> 00:08:57,971
TRY IT, PAW.
225
00:09:01,241 --> 00:09:02,309
KIND OF HARD, ISN'T IT?
226
00:09:02,342 --> 00:09:04,712
WELL, I SUPPOSE,
227
00:09:04,745 --> 00:09:05,979
IF IT'S NEW TO YOU.
228
00:09:06,013 --> 00:09:08,181
NOW, I WAS FIGURING
IT WOULD BE MUCH SMARTER
229
00:09:08,215 --> 00:09:09,717
IF YOU PUT OFF
THE PIANO LESSONS,
230
00:09:09,750 --> 00:09:11,218
SAY FOR ABOUT A MONTH,
231
00:09:11,251 --> 00:09:13,887
TILL I CAN LIMBER UP MY FINGERS
AND GET 'EM STRETCHED.
232
00:09:13,921 --> 00:09:15,122
OH, I SEE.
233
00:09:15,155 --> 00:09:18,892
YEAH, I COULD TAKE ALL KINDS
OF FINGER-STRETCHING EXERCISES.
234
00:09:18,926 --> 00:09:20,994
AND, PAW, I KNOW
HOW MUCH YOU'RE PAYING
235
00:09:21,028 --> 00:09:22,229
FOR THOSE PIANO LESSONS.
236
00:09:22,262 --> 00:09:24,131
SO MAYBE
IT'D BE BETTER ALL AROUND
237
00:09:24,164 --> 00:09:27,100
IF WE WAITED UNTIL I WAS READIER
TO TAKE ADVANTAGE OF IT.
238
00:09:30,738 --> 00:09:32,706
YOU KNOW, I APPRECIATE THAT.
239
00:09:32,740 --> 00:09:33,974
I REALLY DO.
240
00:09:34,007 --> 00:09:36,076
IT'S, IT'S NICE OF YOU,
AND I APPRECIATE IT.
241
00:09:36,109 --> 00:09:38,812
HOWEVER,
242
00:09:38,846 --> 00:09:41,081
I EXPECT
THAT MISS EDWARDS WOULD AGREE
243
00:09:41,114 --> 00:09:44,685
THAT THE BEST WAY FOR YOU
TO GET YOUR FINGERS STRETCHED
244
00:09:44,718 --> 00:09:47,220
AND LIMBERED UP
AND EVERYTHING WOULD BE
245
00:09:47,254 --> 00:09:50,023
RIGHT AT THE PIANO
WHILE YOU'RE PRACTICING.
246
00:09:54,194 --> 00:09:56,930
OKAY, PAW.
247
00:10:04,905 --> 00:10:09,276
[ SLOW SCALE WITH MISSED
NOTES BEING PLAYED ]
248
00:10:19,820 --> 00:10:21,121
Woman: YOO-HOO!
249
00:10:21,154 --> 00:10:22,322
HELLO, BEE!
250
00:10:22,355 --> 00:10:23,757
OH, HELLO, SARAH.
251
00:10:23,791 --> 00:10:25,092
HOW'S OPIE DOING?
252
00:10:25,125 --> 00:10:28,161
WELL, FAIRLY WELL
FOR THE SECOND DAY.
253
00:10:28,195 --> 00:10:29,897
WELL, IT TAKES TIME.
254
00:10:29,930 --> 00:10:33,033
AFTER ALL, ROME
WASN'T BUILT IN A DAY.
255
00:10:33,066 --> 00:10:34,702
YES.
256
00:10:38,105 --> 00:10:42,743
WELL, I SUPPOSE THEY HAD
THEIR PROBLEMS, TOO.
257
00:10:42,776 --> 00:10:44,244
HOW LONG DOES
HE PRACTICE?
258
00:10:44,277 --> 00:10:46,079
TWO HOURS A DAY.
259
00:10:46,113 --> 00:10:47,915
EVERY DAY.
260
00:10:47,948 --> 00:10:50,283
IMAGINE IT'S PRETTY
TRYING IN THE BEGINNING.
261
00:10:50,317 --> 00:10:53,420
WELL...
262
00:10:53,453 --> 00:10:56,857
BEE, I'VE GOT AN IDEA.
263
00:10:56,890 --> 00:10:58,391
I'M GOING TO START
ON THAT QUILTING
264
00:10:58,425 --> 00:11:00,127
THAT WE TALKED ABOUT
THE OTHER DAY,
265
00:11:00,160 --> 00:11:01,294
SO WHY DON'T
YOU COME OVER
266
00:11:01,328 --> 00:11:03,063
IN THE AFTERNOONS
AND HELP ME ON IT?
267
00:11:03,096 --> 00:11:05,432
OH, COULD I SEW?
COULD I?
268
00:11:05,465 --> 00:11:07,300
OF COURSE YOU COULD!
269
00:11:07,334 --> 00:11:09,703
AH!
270
00:11:11,471 --> 00:11:13,306
I'M LEAVING, AUNT BEE.
271
00:11:16,109 --> 00:11:17,878
SEVEN, FIVE, NINE, HIKE.
272
00:11:27,821 --> 00:11:30,290
NOT BAD, TIM, BUT YOU GOT
TO WORK ON THAT TIMING.
273
00:11:30,323 --> 00:11:32,960
IF YOU CAN'T GET THE BALL
TO YOUR RECEIVER
274
00:11:32,993 --> 00:11:34,327
YOU'RE IN TROUBLE.
275
00:11:34,361 --> 00:11:36,797
UH, ANY OF THE OTHER MEN
WANT TO TRY THROWING?
276
00:11:36,830 --> 00:11:38,498
OPIE'S ALWAYS BEEN
OUR QUARTERBACK.
277
00:11:38,531 --> 00:11:40,033
HE'S A REAL
GOOD PASSER.
278
00:11:40,067 --> 00:11:41,334
WAIT TILL
HE GETS HERE.
279
00:11:41,368 --> 00:11:42,435
YOU'LL SEE.
280
00:11:42,469 --> 00:11:43,804
OKAY, TIM, TRY IT AGAIN.
281
00:11:43,837 --> 00:11:45,505
THE SHORT PATTERN
THIS TIME. OKAY.
282
00:11:45,538 --> 00:11:47,107
HI, FELLAS.
283
00:11:50,443 --> 00:11:52,479
I'M SORRY I'M LATE,
MR. CONROY.
284
00:11:52,512 --> 00:11:55,248
IT WAS JUST KIND OF
ONE OF THOSE THINGS.
285
00:11:55,282 --> 00:11:57,818
WELL, WE'LL FORGET IT
THIS TIME, OPIE
286
00:11:57,851 --> 00:11:59,853
BUT TOMORROW,
IT'S 4:00, RIGHT?
287
00:11:59,887 --> 00:12:01,088
UH...
288
00:12:01,121 --> 00:12:02,522
HE'LL BE HERE. DON'T WORRY.
289
00:12:02,555 --> 00:12:04,958
OKAY, OPIE, TAKE OVER
QUARTERBACK POSITION.
290
00:12:04,992 --> 00:12:08,195
NOW, WE'LL TRY A SHORT PASS
PATTERN TO YOUR RIGHT END.
291
00:12:08,228 --> 00:12:11,398
HE'LL GO OUT ABOUT TEN YARDS,
FAKE TO HIS RIGHT AND CUT IN.
292
00:12:11,431 --> 00:12:13,266
OKAY, LET'S GO.
293
00:12:19,940 --> 00:12:21,909
29, 24--
294
00:12:21,942 --> 00:12:23,176
HUT, HUT!
295
00:12:29,549 --> 00:12:30,918
ATTAWAY TO GO, TEAM!
296
00:12:30,951 --> 00:12:31,985
ATTAWAY TO GO!
297
00:12:32,019 --> 00:12:33,086
GOOD BLOCK, JOEY!
298
00:12:33,120 --> 00:12:34,154
GOOD HUSTLE!
299
00:12:34,187 --> 00:12:35,455
ALL RIGHT,
GATHER AROUND.
300
00:12:35,488 --> 00:12:36,990
REAL NICE, OPIE,
REAL NICE.
301
00:12:37,024 --> 00:12:38,191
THANKS.
GOOD PASS.
302
00:12:38,225 --> 00:12:40,393
ALL RIGHT, FELLAS,
I JUST WANTED TO SEE
303
00:12:40,427 --> 00:12:42,162
WHAT KIND
OF A QUARTERBACK WE HAD
304
00:12:42,195 --> 00:12:44,197
AND I'D SAY
WE'RE IN PRETTY GOOD SHAPE.
305
00:12:44,231 --> 00:12:47,134
LET'S HIT THE TIRE DRILL,
AND KEEP THOSE KNEES HIGH.
306
00:12:47,167 --> 00:12:48,135
OKAY, LET'S GO!
307
00:12:48,168 --> 00:12:49,169
MOVE IT!
308
00:12:49,202 --> 00:12:50,804
OPIE?
309
00:12:52,139 --> 00:12:53,540
REMEMBER WHAT I SAID.
310
00:12:53,573 --> 00:12:55,442
IF WE WANT A GOOD TEAM
311
00:12:55,475 --> 00:12:57,377
EVERYBODY'S
GOT TO GIVE THEIR ALL?
312
00:12:57,410 --> 00:12:59,012
UH-HUH.
313
00:12:59,046 --> 00:13:01,882
SO YOU'LL BE HERE TOMORROW
AT 4:00, RIGHT?
314
00:13:03,316 --> 00:13:04,584
RIGHT.
315
00:13:04,617 --> 00:13:08,355
OKAY, GET THOSE FEET HIGH!
316
00:13:17,264 --> 00:13:19,232
[ PLAYING SIMPLE MELODY
ON PIANO ]
317
00:13:19,266 --> 00:13:23,003
ONE, TWO, THREE, FOUR,
HOLD, TWO, THREE, FOUR...
318
00:13:23,036 --> 00:13:24,604
CRISPER, CRISPER...
319
00:13:24,637 --> 00:13:27,040
YOU KNOW WHY I DON'T THINK IT
SOUNDS TOO GOOD, MISS EDWARDS?
320
00:13:27,074 --> 00:13:28,175
WHY, OPIE?
321
00:13:28,208 --> 00:13:30,110
BECAUSE, LIKE YOU
SAID THE OTHER DAY,
322
00:13:30,143 --> 00:13:31,344
THE PIANO'S OUT OF TUNE.
323
00:13:31,378 --> 00:13:33,446
THAT'S OF NO IMPORTANCE
AT THIS POINT,
324
00:13:33,480 --> 00:13:36,216
BUT IT DOES SHOW
THAT YOU HAVE A VERY GOOD EAR.
325
00:13:36,249 --> 00:13:39,386
THANKS. I WAS THINKING MAYBE
I OUGHT TO TRY TO KEEP IT GOOD.
326
00:13:39,419 --> 00:13:41,955
I MEAN, IF I PLAY ON A PIANO
THAT'S OUT OF TUNE,
327
00:13:41,989 --> 00:13:43,190
MY EAR MIGHT GO BAD.
328
00:13:43,223 --> 00:13:45,525
OH, THAT COULDN'T HAPPEN, OPIE.
329
00:13:45,558 --> 00:13:48,095
IT MIGHT. MAYBE WE OUGHT
TO WAIT ON THE LESSONS
330
00:13:48,128 --> 00:13:50,430
UNTIL MR. HIGBY CAME
TO MAYBERRY AND TUNED IT.
331
00:13:50,463 --> 00:13:52,199
THEN I COULD GET STARTED RIGHT.
332
00:13:52,232 --> 00:13:53,600
NONSENSE, OPIE.
333
00:13:53,633 --> 00:13:56,603
IT DOESN'T MAKE THAT MUCH
DIFFERENCE TO A BEGINNER.
334
00:13:56,636 --> 00:13:58,071
NOW, LET'S CONTINUE.
335
00:13:58,105 --> 00:13:59,572
ONE...
336
00:13:59,606 --> 00:14:01,274
Both:...TWO, THREE, FOUR,
337
00:14:01,308 --> 00:14:02,609
HOLD, TWO, THREE, FOUR...
338
00:14:02,642 --> 00:14:03,944
OH...
339
00:14:03,977 --> 00:14:05,913
THIS IS MUCH MORE RESTFUL.
340
00:14:05,946 --> 00:14:08,481
YES, I CAN IMAGINE.
341
00:14:10,250 --> 00:14:13,353
[ MELODY STOPS
AND STARTS AGAIN ]
342
00:14:18,458 --> 00:14:22,229
WELL, HE'S COMING ALONG
FAIRLY WELL, DON'T YOU THINK?
343
00:14:22,262 --> 00:14:24,231
OH... YES, YES.
344
00:14:24,264 --> 00:14:26,066
OH, YES.
345
00:14:30,170 --> 00:14:35,475
Both: ONE, TWO, THREE, FOUR,
HOLD, TWO, THREE, FOUR...
346
00:14:39,146 --> 00:14:40,981
Both:...TWO, THREE, FOUR...
347
00:14:42,549 --> 00:14:43,683
OH, IT'S 4:30.
348
00:14:43,716 --> 00:14:46,086
WELL, THAT'LL BE
ALL FOR TODAY, OPIE.
349
00:14:46,119 --> 00:14:49,556
NOW, DON'T FORGET -- AN HOUR'S
PRACTICE BEGINNING RIGHT NOW.
350
00:14:49,589 --> 00:14:52,292
SPEND 15 MINUTES ON
EACH OF YOUR EXERCISES.
351
00:14:52,325 --> 00:14:53,961
YES, MA'AM.
OKAY.
352
00:15:06,039 --> 00:15:08,108
WE GOT TO SPEAK TO OPIE,
MISS EDWARDS.
353
00:15:08,141 --> 00:15:09,609
OH? WELL, FOR ONLY
A MOMENT NOW,
354
00:15:09,642 --> 00:15:12,479
BECAUSE HE STILL HAS AN HOUR'S
PRACTICE TO GET IN.
355
00:15:12,512 --> 00:15:13,913
YES, MA'AM.
356
00:15:17,350 --> 00:15:18,718
SO THIS IS IT?
357
00:15:18,751 --> 00:15:20,287
PIANO LESSONS, HUH?
358
00:15:20,320 --> 00:15:21,554
YEAH.
359
00:15:21,588 --> 00:15:23,156
AS THE MANAGER
OF THE TEAM,
360
00:15:23,190 --> 00:15:24,992
MR. CONROY TOLD
ME TO TELL YOU
361
00:15:25,025 --> 00:15:26,693
IF YOU DON'T COME
OVER RIGHT NOW,
362
00:15:26,726 --> 00:15:28,161
YOU'RE OFF THE TEAM.
363
00:15:28,195 --> 00:15:29,963
I CAN'T. I GOT
TO PRACTICE.
364
00:15:29,997 --> 00:15:33,100
THEN YOU'RE OFF THE TEAM.
365
00:15:33,133 --> 00:15:35,368
OKAY. I'M OFF.
366
00:15:35,402 --> 00:15:37,204
AW, YOU GUYS
TALK TO HIM.
367
00:15:37,237 --> 00:15:38,505
Boy: OPIE,
YOU GOT TO COME.
368
00:15:38,538 --> 00:15:40,974
YOU'RE THE ONLY
QUARTERBACK WE'VE GOT.
369
00:15:42,042 --> 00:15:43,443
I TELL YOU,
I GOT TO PRACTICE.
370
00:15:43,476 --> 00:15:45,112
IS YOUR
AUNT BEE HOME?
NO.
371
00:15:45,145 --> 00:15:47,614
WHO'S GOING TO KNOW WHETHER
YOU'RE PRACTICING OR NOT?
372
00:15:47,647 --> 00:15:49,282
SHE'S NEXT DOOR.
SHE CAN HEAR.
373
00:15:49,316 --> 00:15:50,950
HEY, WAIT A MINUTE.
374
00:15:52,352 --> 00:15:54,054
WHY CAN'T I PRACTICE FOR YOU?
375
00:15:54,087 --> 00:15:56,189
I TOOK LESSONS
FROM MISS EDWARDS, TOO.
376
00:15:56,223 --> 00:15:57,524
YOUR AUNT BEE WON'T KNOW
377
00:15:57,557 --> 00:15:59,692
WHETHER IT'S YOU
OR ME THAT'S PLAYING,
378
00:15:59,726 --> 00:16:01,694
AND THEY DON'T NEED
ME AT THE FIELD
379
00:16:01,728 --> 00:16:03,163
'CAUSE I'M
THE MANAGER.
380
00:16:03,196 --> 00:16:04,631
THAT'D BE LIKE LYING.
381
00:16:04,664 --> 00:16:07,534
THEN TELL YOUR AUNT BEE
YOU'VE GOT TO PLAY FOOTBALL.
382
00:16:07,567 --> 00:16:09,702
SHE DOESN'T UNDERSTAND
ABOUT FOOTBALL.
383
00:16:09,736 --> 00:16:12,072
WELL, YOUR FATHER DOES.
TELL HIM.
384
00:16:12,105 --> 00:16:13,540
MAYBE.
385
00:16:13,573 --> 00:16:16,076
HEY, MAYBE I'LL GO DOWN
AND TELL HIM NOW.
386
00:16:16,109 --> 00:16:17,110
THERE'S NO TIME.
387
00:16:17,144 --> 00:16:18,611
WE'VE GOT TO GET
TO THE FIELD.
388
00:16:18,645 --> 00:16:20,113
COACH IS WAITING FOR US.
389
00:16:20,147 --> 00:16:21,014
LOOK, OPIE...
390
00:16:21,048 --> 00:16:22,482
AND THIS WOULDN'T
BE LYING.
391
00:16:22,515 --> 00:16:24,251
YOU CAN TELL
YOUR FATHER TONIGHT.
392
00:16:24,284 --> 00:16:25,785
RIGHT NOW, I'LL DO YOUR SCALES
393
00:16:25,818 --> 00:16:27,687
SO YOUR AUNT BEE'LL
HEAR SOMETHING.
394
00:16:27,720 --> 00:16:30,490
YEAH, THAT'S NOT DOING
ANYTHING WRONG.
395
00:16:30,523 --> 00:16:31,758
ALL RIGHT, LET'S GO.
396
00:16:31,791 --> 00:16:33,626
ALL MY SCALES
ARE OVER THERE.
397
00:16:33,660 --> 00:16:36,363
OH, AND REMEMBER--
DON'T PLAY TOO GOOD.
398
00:16:47,307 --> 00:16:49,542
HE'S PLAYING
WITH A LOT MORE ASSURANCE.
399
00:16:49,576 --> 00:16:50,810
I NOTICED THAT.
400
00:16:50,843 --> 00:16:53,346
THESE CHILDREN
LEARN SO FAST.
401
00:16:53,380 --> 00:16:56,083
[ PLAYING FASTER,
HANDS TOGETHER ]
402
00:16:56,116 --> 00:16:57,650
HMM.
403
00:17:14,367 --> 00:17:17,304
THAT'S REMARKABLE
HOW HE SUDDENLY IMPROVED.
404
00:17:17,337 --> 00:17:19,806
HE SEEMS TO HAVE
CAUGHT ON TO IT, HMM?
405
00:17:19,839 --> 00:17:22,542
HE MUST HAVE A GREAT
DEAL OF TALENT.
406
00:17:24,711 --> 00:17:27,780
HE'S DEVELOPED
A VERY LIVELY RHYTHM.
407
00:17:29,316 --> 00:17:31,551
I THINK I'LL GO OVER
AND TELL HIM.
408
00:17:31,584 --> 00:17:33,253
OH, WHY DON'T YOU, BEE?
409
00:17:33,286 --> 00:17:35,788
A LITTLE PRAISE
NEVER HURT ANYBODY.
410
00:17:35,822 --> 00:17:37,224
YES.
411
00:17:50,437 --> 00:17:52,139
OPIE, I JUST...
412
00:17:52,172 --> 00:17:54,541
HI, SHERIFF TAYLOR.
413
00:17:54,574 --> 00:17:56,143
WHERE'S OPIE?
414
00:17:56,176 --> 00:17:58,478
YOU HAVE A REAL NICE
PIANO, SHERIFF.
415
00:17:58,511 --> 00:18:00,380
WELL, I GOT TO BE GOING.
416
00:18:00,413 --> 00:18:02,782
ARNOLD...
417
00:18:02,815 --> 00:18:04,251
YES, SIR?
418
00:18:04,284 --> 00:18:06,519
WHAT ARE YOU DOING HERE,
AND WHERE IS OPIE?
419
00:18:06,553 --> 00:18:09,156
I CAN EXPLAIN THAT,
SHERIFF... SIR.
420
00:18:09,189 --> 00:18:11,291
I'M LISTENING.
421
00:18:11,324 --> 00:18:14,694
WELL, FIRST OF ALL, OPE WAS
GOING TO TELL YOU TONIGHT.
422
00:18:14,727 --> 00:18:16,263
TELL ME WHAT?
423
00:18:16,296 --> 00:18:18,898
WHY I'M HERE AND HE ISN'T.
424
00:18:18,931 --> 00:18:20,267
YOU TELL ME.
425
00:18:20,300 --> 00:18:21,501
WELL, YOU SEE,
426
00:18:21,534 --> 00:18:23,370
HIS AUNT BEE
IS NEXT DOOR LISTENING,
427
00:18:23,403 --> 00:18:26,539
AND IF SHE DIDN'T HEAR ANYTHING,
SHE WOULDN'T LIKE IT.
428
00:18:26,573 --> 00:18:28,308
GO ON.
429
00:18:28,341 --> 00:18:29,876
WELL, WHAT HAPPENED WAS...
430
00:18:29,909 --> 00:18:31,378
HELLO, ANDY, ARNOLD.
431
00:18:31,411 --> 00:18:33,180
I CAME OVER TO TELL OPIE...
432
00:18:33,213 --> 00:18:34,314
WHERE IS HE?
433
00:18:34,347 --> 00:18:36,449
THAT'S WHAT I'M
TRYING TO FIND OUT.
434
00:18:36,483 --> 00:18:38,785
WELL, HE WAS HERE
JUST A MINUTE AGO,
435
00:18:38,818 --> 00:18:40,887
PLAYING THE PIANO
BEAUTIFULLY.
436
00:18:40,920 --> 00:18:43,590
THAT WAS ARNOLD PLAYING
THE PIANO BEAUTIFULLY.
437
00:18:43,623 --> 00:18:45,158
IT WAS?
438
00:18:45,192 --> 00:18:47,660
APPARENTLY, ARNOLD IS
PRACTICING FOR OPIE.
439
00:18:47,694 --> 00:18:50,730
SHERIFF TAYLOR, MAYBE IT'D
BE BETTER IF OPIE TOLD YOU.
440
00:18:50,763 --> 00:18:53,500
I'M NOT REALLY VERY GOOD
AT EXPLAINING THINGS.
441
00:18:53,533 --> 00:18:54,701
GO GET HIM.
442
00:18:54,734 --> 00:18:56,769
YES, SIR.
443
00:18:56,803 --> 00:18:58,205
BUT DON'T FORGET --
444
00:18:58,238 --> 00:19:01,874
OPE WAS GOING TO TELL YOU
TONIGHT ANYWAY.
445
00:19:01,908 --> 00:19:03,510
I DON'T UNDERSTAND.
446
00:19:03,543 --> 00:19:09,916
HOW IS IT POSSIBLE FOR ONE BOY
TO PRACTICE FOR ANOTHER?
447
00:19:09,949 --> 00:19:12,419
OPE...
448
00:19:12,452 --> 00:19:15,255
YOUR PAW CAME HOME,
AND SO DID YOUR AUNT BEE.
449
00:19:15,288 --> 00:19:16,956
THEY CAUGHT ME.
OH, ARNOLD!
450
00:19:16,989 --> 00:19:18,425
WHAT'D YOU TELL THEM?
451
00:19:18,458 --> 00:19:20,527
NOTHING. I JUST
TOLD YOUR FATHER
452
00:19:20,560 --> 00:19:22,862
YOU WERE PLANNING
TO TELL HIM TONIGHT.
453
00:19:22,895 --> 00:19:25,432
I'M IN TROUBLE.
454
00:19:25,465 --> 00:19:28,401
OPIE...
455
00:19:33,406 --> 00:19:36,409
ARNOLD... SAY, ARNOLD...
456
00:19:36,443 --> 00:19:40,280
AND I WAS GOING TO TELL YOU
ABOUT IT TONIGHT, PAW.
457
00:19:40,313 --> 00:19:41,714
REALLY, I WAS.
458
00:19:41,748 --> 00:19:44,617
SO I WASN'T ACTUALLY CHEATING
OR DOING ANYTHING WRONG.
459
00:19:44,651 --> 00:19:45,918
NOT RE WRONG.
460
00:19:45,952 --> 00:19:47,387
HOW COULD IT BE WRONG
461
00:19:47,420 --> 00:19:49,622
IF I WAS GOING TO
TELL YOU ABOUT IT?
462
00:19:49,656 --> 00:19:51,491
ISN'T THAT RIGHT,
AUNT BEE?
463
00:19:51,524 --> 00:19:52,692
WELL, I...
464
00:19:52,725 --> 00:19:54,961
IT WAS WRONG,
AND YOU KNOW IT WAS WRONG.
465
00:19:54,994 --> 00:19:57,564
NOW, YOU PROMISED
TO PRACTICE THAT PIANO
466
00:19:57,597 --> 00:19:59,566
TWO HOURS EVERY AFTERNOON.
467
00:19:59,599 --> 00:20:01,868
BUT HOW DID I KNOW FLIP CONROY
WOULD COACH US?
468
00:20:01,901 --> 00:20:04,604
HE'S ONE OF THE BIGGEST
PROFESSIONAL FOOTBALL PLAYERS.
469
00:20:04,637 --> 00:20:08,341
HE DID HAVE A RATHER
DIFFICULT CHOICE, ANDY.
470
00:20:08,375 --> 00:20:10,677
PEOPLE HAVE DIFFICULT CHOICES
THEIR WHOLE LIVES,
471
00:20:10,710 --> 00:20:13,280
AND THEY'VE GOT TO LEARN
TO MAKE THE RIGHT ONES.
472
00:20:13,313 --> 00:20:14,514
I KNEW I WAS
GOING TO WIND UP
473
00:20:14,547 --> 00:20:16,015
FORCING HIM
TO PRACTICE.
474
00:20:16,048 --> 00:20:20,520
OPIE, WHEN YOU START SOMETHING,
YOU HAVE GOT TO FINISH IT.
475
00:20:20,553 --> 00:20:23,456
I STARTED FOOTBALL BEFORE
I STARTED PIANO LESSONS.
476
00:20:23,490 --> 00:20:25,792
THAT'S GOT NOTHING
TO DO WITH ANYTHING.
477
00:20:25,825 --> 00:20:27,694
NOW, YOU MADE UP YOUR OWN MIND
478
00:20:27,727 --> 00:20:30,597
THAT YOU WANTED TO TAKE
PIANO LESSONS, RIGHT?
479
00:20:30,630 --> 00:20:32,399
YES, PAW.
SO YOU'RE TAKING THEM.
480
00:20:32,432 --> 00:20:34,634
AND YOU SAID YOU WANTED
TO BE GOOD AT IT.
481
00:20:34,667 --> 00:20:37,737
AND TO BE GOOD AT ANYTHING,
YOU'VE GOT TO GIVE IT YOUR ALL.
482
00:20:37,770 --> 00:20:39,806
BUT I WANT TO BE GOOD
AT FOOTBALL, TOO,
483
00:20:39,839 --> 00:20:41,474
AND MR. CONROY SAID
484
00:20:41,508 --> 00:20:42,875
I HAVE TO GIVE THAT MY ALL.
485
00:20:42,909 --> 00:20:45,378
THERE ARE MORE IMPORTANT
THINGS THAN FOOTBALL.
486
00:20:45,412 --> 00:20:46,646
BUT, PAW...
487
00:20:46,679 --> 00:20:48,815
AND YOU CAN'T DO TWO
THINGS AT THE SAME TIME
488
00:20:48,848 --> 00:20:50,317
AND DO THEM WELL.
489
00:20:50,350 --> 00:20:52,919
SO... YOU WILL BE
PRACTICING THAT PIANO
490
00:20:52,952 --> 00:20:55,588
EVERY AFTERNOON
FROM 3:30 TO 5:30.
491
00:20:55,622 --> 00:20:57,390
DO YOU UNDERSTAND?
492
00:20:57,424 --> 00:21:00,360
YES, PAW.
493
00:21:04,831 --> 00:21:06,065
SHERIFF TAYLOR?
494
00:21:06,098 --> 00:21:07,434
I'M FLIP CONROY.
495
00:21:07,467 --> 00:21:09,769
OH, COME IN. COME IN.
496
00:21:09,802 --> 00:21:12,572
UH, THIS, UH...
THIS IS MY AUNT.
497
00:21:12,605 --> 00:21:13,573
HELLO.
498
00:21:13,606 --> 00:21:14,874
HOW DO YOU DO?
499
00:21:14,907 --> 00:21:15,942
HI, OPIE.
500
00:21:15,975 --> 00:21:17,577
HI, COACH.
501
00:21:17,610 --> 00:21:19,846
I HEAR WE HAVE
A LITTLE CONFLICT
502
00:21:19,879 --> 00:21:22,349
WITH OUR PRACTICE
SESSIONS.
503
00:21:22,382 --> 00:21:24,784
YES, WE DO.
504
00:21:24,817 --> 00:21:26,753
WELL, THAT SON
OF YOURS IS
505
00:21:26,786 --> 00:21:28,755
SURE A GOOD
FOOTBALL PLAYER.
506
00:21:28,788 --> 00:21:30,490
I'M GLAD TO
HEAR THAT.
507
00:21:30,523 --> 00:21:32,825
I REALLY AM,
BUT HE'S DECIDED
508
00:21:32,859 --> 00:21:35,528
HE WANTS TO BE A GOOD
PIANO PLAYER, TOO.
509
00:21:35,562 --> 00:21:37,830
WELL, THERE'S SURE
NOTHING WRONG WITH THAT.
510
00:21:37,864 --> 00:21:40,333
WELL, LIKE I WAS
EXPLAINING TO HIM,
511
00:21:40,367 --> 00:21:42,902
YOU CAN'T DO TWO THINGS
AT THE SAME TIME
512
00:21:42,935 --> 00:21:45,071
AND DO EITHER ONE
OF THEM RIGHT.
513
00:21:45,104 --> 00:21:46,973
WELL, THERE'S
SOME TRUTH TO THAT.
514
00:21:47,006 --> 00:21:50,109
ON THE OTHER HAND, IF THINGS
ARE PLANNED AND WORKED OUT,
515
00:21:50,142 --> 00:21:53,546
IT'S ALWAYS POSSIBLE TO PURSUE
SEVERAL INTERESTS
516
00:21:53,580 --> 00:21:55,548
AT THE SAME TIME.
517
00:22:37,056 --> 00:22:38,157
WELL, THERE'S...
518
00:22:39,659 --> 00:22:42,862
A LOT OF DIFFERENT WAYS
OF FIGURING THINGS.
519
00:22:53,706 --> 00:22:58,878
[ PLAYING SCALE WITH
OCCASIONAL WRONG NOTES ]
520
00:23:44,156 --> 00:23:46,025
DO YOU KNOW
WHAT TIME IT IS?
521
00:23:46,058 --> 00:23:48,628
YEAH, PAW,
IT'S 6:00.
522
00:23:48,661 --> 00:23:50,830
YOU KNOW, MR. CONROY
SURE WAS RIGHT.
523
00:23:50,863 --> 00:23:53,800
IF YOU JUST PLAN THINGS,
THERE'S TIME FOR EVERYTHING.
524
00:23:56,836 --> 00:23:58,971
EXCEPT SLEEP.
36624
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