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1
00:00:27,761 --> 00:00:29,563
RALEIGH POLICE.
2
00:00:29,597 --> 00:00:33,467
NO, CAPTAIN DEWHURST
WON'T BE IN UNTIL 11:00.
3
00:00:33,501 --> 00:00:36,204
ALL RIGHT. GOODBYE.
4
00:00:41,642 --> 00:00:43,711
OH, HI, MISS CLARK.
5
00:00:43,744 --> 00:00:46,414
OH, HI, SHERIFF.
HE'S OVER THERE.
6
00:00:46,447 --> 00:00:48,282
OH, EXCUSE ME.
7
00:00:48,316 --> 00:00:51,552
ANGE! I THOUGHT YOU'D BE
HEADING FOR THE BUS BY NOW.
8
00:00:51,585 --> 00:00:53,287
WELL, I WAS ALMOST ON IT
9
00:00:53,321 --> 00:00:54,722
AND I HAD A THOUGHT.
10
00:00:54,755 --> 00:00:56,457
YOU GOT TWO WEEKS
COMING OFF, RIGHT?
11
00:00:56,490 --> 00:00:58,459
YEAH, YEAH, A BONUS
FROM THE CHIEF,
12
00:00:58,492 --> 00:01:00,761
FOR NABBING THAT
SUPERMARKET GANG LAST WEEK.
13
00:01:00,794 --> 00:01:03,397
EVERY TIME I PICK UP
A NEWSPAPER,
14
00:01:03,431 --> 00:01:04,798
BARNEY FIFE.
15
00:01:04,832 --> 00:01:07,135
WELL, I TAKE IT
IN STRIDE, YOU KNOW.
16
00:01:07,168 --> 00:01:08,469
WHEN YOU'RE
A BIG-CITY COP,
17
00:01:08,502 --> 00:01:10,238
YOU JUST LOOK AT THINGS
FROM DAY TO DAY.
18
00:01:10,271 --> 00:01:11,705
EAT, DRINK, AND BE MERRY,
19
00:01:11,739 --> 00:01:13,841
BECAUSE, TOMORROW, IT'S
FOR WHO THE BELL TOLLS.
20
00:01:13,874 --> 00:01:15,209
THAT'S RIGHT.
THAT'S RIGHT.
21
00:01:15,243 --> 00:01:17,711
NOW, THAT'S
WHAT I CAME BACK FOR.
22
00:01:17,745 --> 00:01:19,447
DURING YOUR
TWO WEEKS OFF,
23
00:01:19,480 --> 00:01:22,383
WHY DON'T YOU COME DOWN
TO MAYBERRY?
24
00:01:22,416 --> 00:01:24,218
HEY, YOU KNOW,
THAT'S A THOUGHT.
25
00:01:24,252 --> 00:01:25,719
YEAH, INSTEAD OF RUNNING
ALL OVER THE COUNTRY.
26
00:01:25,753 --> 00:01:27,655
ALL RIGHT, I'LL DO IT,
ON ONE CONDITION.
27
00:01:27,688 --> 00:01:29,357
YOU'VE GOT IT.
28
00:01:29,390 --> 00:01:31,192
ALL RIGHT, I DON'T WANT
ANY FUSS MADE OVER ME.
29
00:01:31,225 --> 00:01:32,726
I JUST WANT
TO SLIP INTO TOWN,
30
00:01:32,760 --> 00:01:34,595
HAVE A FEW LAUGHS,
SLIP OUT AGAIN,
31
00:01:34,628 --> 00:01:36,530
NO PUBLICITY -- OKAY.
32
00:01:36,564 --> 00:01:37,765
DEAL?
33
00:01:37,798 --> 00:01:39,200
DEAL.
34
00:01:39,233 --> 00:01:41,235
THAT'LL BE GREAT --
MAYBE I CAN BE
35
00:01:41,269 --> 00:01:42,736
JUST PLAIN BARNEY FIFE
FOR A FEW DAYS.
36
00:01:42,770 --> 00:01:44,605
WELL, I'D BETTER GO
AND CATCH THAT BUS.
37
00:01:44,638 --> 00:01:45,839
NOW, LET ME KNOW
WHEN YOU'RE COMING.
38
00:01:45,873 --> 00:01:46,807
ALL RIGHT, I WILL.
BYE.
39
00:01:46,840 --> 00:01:50,478
GOODBYE.
40
00:01:50,511 --> 00:01:55,316
EITHER OF YOU GIRLS
LIKE A BITE OF LUNCH?
41
00:01:55,349 --> 00:01:58,452
NO, THANK YOU.
NO, THANK YOU.
42
00:01:58,486 --> 00:01:59,720
WELL.
43
00:02:07,661 --> 00:02:09,863
ANDY! WHAT'S TAKING YOU
SO LONG?
44
00:02:09,897 --> 00:02:11,265
YOU'LL BE LATE.
45
00:02:11,299 --> 00:02:12,666
THERE'S PLENTY OF TIME.
46
00:02:12,700 --> 00:02:15,636
BARNEY'S TRAIN ISN'T DUE IN
FOR ANOTHER 20 MINUTES.
47
00:02:15,669 --> 00:02:17,938
THERE HASN'T BEEN
THIS MUCH EXCITEMENT
48
00:02:17,971 --> 00:02:20,208
IN MAYBERRY SINCE
I CAN REMEMBER.
49
00:02:20,241 --> 00:02:21,775
I STILL CAN'T
BELIEVE IT.
50
00:02:21,809 --> 00:02:24,278
THE WORLD PREMIERE
OF A MOTION PICTURE
51
00:02:24,312 --> 00:02:25,613
RIGHT HERE IN MAYBERRY.
52
00:02:25,646 --> 00:02:28,282
YEAH, IT'S A GREAT TIME
FOR BARNEY TO COME.
53
00:02:28,316 --> 00:02:29,750
EXCITEMENT AND EVERYTHING.
54
00:02:29,783 --> 00:02:31,285
TEENA ANDREWS'S COMING.
55
00:02:31,319 --> 00:02:32,953
WHOEVER WOULD
HAVE BELIEVED
56
00:02:32,986 --> 00:02:34,955
THAT THAT LITTLE
IRENE PHLOGG
57
00:02:34,988 --> 00:02:37,291
WOULD GROW UP
TO BE TEENA ANDREWS
58
00:02:37,325 --> 00:02:38,692
THE MOTION PICTURE STAR?
59
00:02:38,726 --> 00:02:40,894
YEAH, WELL, THAT
HAPPENS, I GUESS.
60
00:02:40,928 --> 00:02:43,797
YOU KNOW, BARNEY'S
ON THE SAME TRAIN WITH HER.
61
00:02:43,831 --> 00:02:45,433
ISN'T THAT A COINCIDENCE?
62
00:02:45,466 --> 00:02:47,835
WELL, THERE'S JUST
THE ONE TRAIN A DAY.
63
00:02:47,868 --> 00:02:50,704
PAW, YOU SHOULD'VE SEEN
THE CROWD DOWN AT THE STATION.
64
00:02:50,738 --> 00:02:52,706
I'D BETTER GET
DOWN THERE, THEN.
65
00:02:52,740 --> 00:02:54,975
YOU SHOULD'VE SEEN
THE LOOK ON THE KIDS' FACES
66
00:02:55,008 --> 00:02:57,845
WHEN I TOLD THEM YOU WENT
TO SCHOOL WITH TEENA ANDREWS.
67
00:02:57,878 --> 00:03:00,648
YOU CAN TELL THEM I NOT ONLY
WENT TO SCHOOL WITH HER,
68
00:03:00,681 --> 00:03:02,683
BUT I USED TO HELP HER
WITH HER HOMEWORK.
69
00:03:02,716 --> 00:03:03,684
WOW!
70
00:03:03,717 --> 00:03:05,353
ANDY, YOU DIDN'T!
71
00:03:05,386 --> 00:03:06,487
I DID.
72
00:03:06,520 --> 00:03:07,855
YOU DID?
73
00:03:07,888 --> 00:03:09,623
YEAH!
74
00:03:35,683 --> 00:03:37,618
Goober:
FIX YOUR HAIR
OVER THERE.
75
00:03:37,651 --> 00:03:39,453
WE DON'T WANT HER TO
THINK WE'RE COUNTRY.
76
00:03:39,487 --> 00:03:40,821
HI, GOOB!
77
00:03:40,854 --> 00:03:43,324
HEY, ANDY. THIS
IS THE BIGGEST
DAY OF MY LIFE.
78
00:03:43,357 --> 00:03:45,893
WHOEVER THOUGHT I'D
LIVE TO SEE TEENA
ANDREWS IN PERSON.
79
00:03:45,926 --> 00:03:48,529
IT'S A WONDERFUL AGE
WE LIVE IN, GOOB.
80
00:03:48,562 --> 00:03:49,730
HEY, SHE'S COMING!
81
00:03:49,763 --> 00:03:50,964
ANDY, SHE'S COMING!
82
00:03:55,836 --> 00:03:58,005
ANDY, I FEEL WEAK.
83
00:03:58,038 --> 00:03:59,840
JUST TAKE IT EASY, GOOB.
84
00:03:59,873 --> 00:04:02,476
TAKE IT EASY?
THIS IS TEENA ANDREWS.
85
00:04:02,510 --> 00:04:06,380
WHAT WILL I DO IF SHE SAYS
HELLO OR WAVES TO ME?
86
00:04:06,414 --> 00:04:07,681
TRY WAVING BACK.
87
00:04:07,715 --> 00:04:10,384
ANDY, YOU GOT
NERVES OF STEEL.
88
00:04:21,962 --> 00:04:25,299
I TOLD HIM NOT TO DO IT.
89
00:04:25,333 --> 00:04:27,568
SOMETHING WRONG?
90
00:04:27,601 --> 00:04:30,471
OH, THOSE CRAZY KIDS.
91
00:04:30,504 --> 00:04:33,073
IS ALL THAT FOR YOU?
92
00:04:33,106 --> 00:04:34,542
MM-HMM.
93
00:04:34,575 --> 00:04:36,910
YEAH, AND IN MY LINE OF WORK
94
00:04:36,944 --> 00:04:40,748
YOU JUST DON'T EXPECT
GRATITUDE, YOU KNOW.
95
00:04:40,781 --> 00:04:42,950
WHAT DO YOU DO,
MR., UH...
96
00:04:42,983 --> 00:04:44,051
FIFE.
97
00:04:44,084 --> 00:04:45,619
DETECTIVE FIFE.
98
00:04:45,653 --> 00:04:48,989
YOU PROBABLY READ ABOUT ME
IN THE NEWSPAPER.
99
00:04:49,022 --> 00:04:49,990
FIFE?
100
00:04:50,023 --> 00:04:50,991
FIFE?
101
00:04:51,024 --> 00:04:52,826
NO. AFRAID NOT.
102
00:04:52,860 --> 00:04:56,096
OH, WELL, ACCORDING
TO THE REPORTERS
103
00:04:56,129 --> 00:05:00,568
I PRACTICALLY STOPPED
A CRIME WAVE SINGLE-HANDED.
104
00:05:00,601 --> 00:05:02,836
THE PAPERS ARE FULL OF IT.
105
00:05:02,870 --> 00:05:04,538
WELL, I GUESS
YOU'RE ANXIOUS
106
00:05:04,572 --> 00:05:06,340
TO MEET THE
RECEPTION COMMITTEE.
107
00:05:06,374 --> 00:05:07,741
AH, WELL, NO, NO.
108
00:05:07,775 --> 00:05:09,643
YOU GO AHEAD BECAUSE
I'D BETTER BE THE LAST ONE OFF.
109
00:05:09,677 --> 00:05:11,745
THEY'LL PROBABLY WANT ME
TO SAY A FEW WORDS.
110
00:05:20,153 --> 00:05:23,991
OKAY, TEENA, HARRIET,
LOOKS LIKE EVERYBODY'S OFF.
111
00:05:24,024 --> 00:05:25,359
OKAY, HAROLD.
112
00:05:27,160 --> 00:05:29,663
OOH, LET'S GO MEET EVERYBODY.
113
00:05:29,697 --> 00:05:30,698
OH. AFTER YOU.
114
00:05:30,731 --> 00:05:31,765
NO. YOU GO AHEAD.
115
00:05:31,799 --> 00:05:33,000
IT'S BETTER YOU GO FIRST.
116
00:05:33,033 --> 00:05:34,868
THERE ARE PEOPLE
WAITING FOR US.
117
00:05:34,902 --> 00:05:38,005
NO, I'D BETTER GET OFF LAST.
YOU'LL SEE WHY IN A MINUTE.
118
00:05:38,038 --> 00:05:39,072
ALL RIGHT.
119
00:05:54,788 --> 00:05:56,123
HI, BARN.
120
00:05:56,156 --> 00:05:58,158
RIGHT THIS WAY.
121
00:05:58,191 --> 00:06:00,160
WELL, AS LONG
AS IT'S DONE
122
00:06:00,193 --> 00:06:02,863
I MIGHT AS WELL GO
AND SEE EVERYONE.
123
00:06:02,896 --> 00:06:04,398
HEY, LISTEN, BARN...
124
00:06:04,432 --> 00:06:07,401
IT'S OKAY. I GUESS
THEY WANT ME OVER THERE.
125
00:06:07,435 --> 00:06:08,436
FOLKS! FOLKS!
126
00:06:08,469 --> 00:06:10,070
BARNEY!
127
00:06:10,103 --> 00:06:11,705
LADIES AND GENTLEMEN,
128
00:06:11,739 --> 00:06:14,408
I CAN'T TELL YOU HOW MUCH
THIS RECEPTION MEANS TO ME.
129
00:06:14,442 --> 00:06:15,609
HEY, BARNEY.
130
00:06:15,643 --> 00:06:16,644
HI, GOOBER.
131
00:06:16,677 --> 00:06:18,479
AND I HOPE
THAT I'M WORTHY
132
00:06:18,512 --> 00:06:20,548
OF THIS OUTPOURING
OF AFFECTION.
133
00:06:20,581 --> 00:06:22,950
IT'S TIMES LIKE THIS
THAT A MAN REALIZES
134
00:06:22,983 --> 00:06:25,052
HOW MUCH HE MEANS
TO HIS FRIENDS.
135
00:06:25,085 --> 00:06:26,720
BARNEY!
136
00:06:26,754 --> 00:06:28,188
BARNEY!
137
00:06:28,221 --> 00:06:30,491
AND I'M VERY PROUD
THAT YOU CAME DOWN HERE...
138
00:06:30,524 --> 00:06:31,592
BARNEY, BARNEY...
139
00:06:31,625 --> 00:06:32,926
THE CROWD'S GETTING JUMPY.
140
00:06:32,960 --> 00:06:35,929
BARNEY, I'M TRYING
TO TELL YOU SOMETHING.
141
00:06:35,963 --> 00:06:39,533
LISTEN, THAT CROWD CAME
DOWN TO SEE TEENA ANDREWS.
142
00:06:39,567 --> 00:06:41,935
THEY'RE HAVING
THE WORLD PREMIERE
143
00:06:41,969 --> 00:06:47,441
OF HER NEW MOTION PICTURE
HERE IN MAYBERRY.
144
00:06:47,475 --> 00:06:49,076
OH.
145
00:06:49,109 --> 00:06:51,479
BOY, WHAT A RELIEF.
146
00:06:51,512 --> 00:06:55,483
THERE FOR A MINUTE
WHEN I SEEN THAT CROWD, I...
147
00:06:55,516 --> 00:06:58,686
I REALLY STARTED
TO GET SORE AT YOU.
148
00:06:58,719 --> 00:07:00,053
COULD YOU TELL?
149
00:07:00,087 --> 00:07:02,590
YEAH. YEAH,
I COULD TELL.
150
00:07:02,623 --> 00:07:03,957
I REALLY COULD.
151
00:07:03,991 --> 00:07:06,660
'CAUSE YOU KNOW
HOW I HATE TO HAVE ANYBODY
152
00:07:06,694 --> 00:07:07,961
MAKING A FUSS OVER ME.
153
00:07:07,995 --> 00:07:11,164
YEAH, BUT AUNT BEE AND OPIE
WANT TO SEE YOU.
154
00:07:11,198 --> 00:07:13,834
YEAH, WELL,
I WANT TO SEE THEM, TOO.
155
00:07:13,867 --> 00:07:16,570
I REALLY DID START
TO GET SORE AT YOU.
156
00:07:16,604 --> 00:07:18,572
YEAH, YOU WERE ALMOST MAD THERE.
157
00:07:18,606 --> 00:07:19,707
YEAH.
158
00:07:21,775 --> 00:07:24,845
YEAH, I LIKE
TO JUST SNEAK INTO TOWN.
159
00:07:27,948 --> 00:07:29,650
WELL...
160
00:07:29,683 --> 00:07:31,151
WELL...
161
00:07:31,184 --> 00:07:33,020
COME ON.
162
00:07:45,599 --> 00:07:47,501
HERE YOU ARE, BARNEY.
163
00:07:47,535 --> 00:07:49,637
NOW, YOU JUST
HELP YOURSELF.
164
00:07:49,670 --> 00:07:50,804
EAT ALL OF THAT.
165
00:07:50,838 --> 00:07:52,105
I CAN'T RIGHT NOW.
166
00:07:52,139 --> 00:07:55,042
BARNEY, IT'S SO NICE
TO HAVE YOU WITH US.
167
00:07:55,075 --> 00:07:57,645
I WISH YOU COULD
VISIT MORE OFTEN.
168
00:07:57,678 --> 00:07:58,746
WELL, SO DO I.
169
00:07:58,779 --> 00:08:00,781
HE'S PRETTY BUSY
UP THERE.
170
00:08:00,814 --> 00:08:01,982
YEAH.
171
00:08:02,015 --> 00:08:03,551
WASN'T THAT A CROWD
DOWN AT THE STA...?
172
00:08:03,584 --> 00:08:04,785
YEAH.
173
00:08:04,818 --> 00:08:07,788
WELL, EVERYBODY
WAS PRETTY EXCITED
174
00:08:07,821 --> 00:08:09,657
TO SEE TEENA ANDREWS.
175
00:08:11,959 --> 00:08:14,962
IN FACT, YOU OUGHT TO BE
PRETTY EXCITED YOUR OWN SELF.
176
00:08:14,995 --> 00:08:17,531
YOU USED TO DATE HER.
177
00:08:17,565 --> 00:08:19,132
IRENE PHLOGG.
178
00:08:19,166 --> 00:08:21,735
IRENE PHLOGG?
179
00:08:21,769 --> 00:08:24,037
YOU MEAN THAT SKINNY LITTLE GIRL
180
00:08:24,071 --> 00:08:26,139
WITH THE FRECKLES
AND THE BRACES?
181
00:08:26,173 --> 00:08:28,876
THAT'S TEENA ANDREWS?!
182
00:08:28,909 --> 00:08:31,278
THAT'S TEENA ANDREWS,
THE MOVIE STAR.
183
00:08:31,311 --> 00:08:34,815
WELL, BOY,
THAT WAS A LONG TIME AGO.
184
00:08:34,848 --> 00:08:36,784
THAT'S TEENA ANDREWS?
185
00:08:36,817 --> 00:08:38,586
THAT'S TEENA ANDREWS.
186
00:08:38,619 --> 00:08:40,754
HEY, WHY DON'T WE
GO OVER TO THE HOTEL
187
00:08:40,788 --> 00:08:42,089
AND SAY HELLO?
188
00:08:42,122 --> 00:08:43,924
THAT'S A GOOD IDEA.
189
00:08:43,957 --> 00:08:46,627
OH, COME ON.
SHE'D NEVER REMEMBER US.
190
00:08:46,660 --> 00:08:48,596
THAT WAS A LONG TIME AGO.
191
00:08:48,629 --> 00:08:52,099
SHE CAN'T HAVE FORGOTTEN
OLD TIGER FIFE.
192
00:08:52,132 --> 00:08:53,767
:
WELL...
193
00:08:53,801 --> 00:08:56,136
COME ON.
LET'S GIVE IT A TRY.
194
00:08:56,169 --> 00:08:57,170
OH, WELL...
195
00:08:57,204 --> 00:08:59,339
OH, GO ON.
GO ON, BARNEY.
196
00:08:59,372 --> 00:09:00,874
COME ON. COME ON.
197
00:09:00,908 --> 00:09:02,576
DON'T TAKE TOO LONG.
198
00:09:02,610 --> 00:09:04,745
I'LL HAVE
A NICE ROAST READY.
199
00:09:04,778 --> 00:09:05,946
RIGHT. RIGHT.
200
00:09:05,979 --> 00:09:08,215
YOU GET THAT RELEASE
TO ALL THE COLUMNS.
201
00:09:08,248 --> 00:09:09,282
RIGHT.
202
00:09:09,316 --> 00:09:10,684
NOW, TEENA
203
00:09:10,718 --> 00:09:13,086
TRY TO REMEMBER,
NO MORE GLAMOUR GIRL.
204
00:09:13,120 --> 00:09:15,155
WHAT THE PUBLIC
WANTS NOW
205
00:09:15,188 --> 00:09:18,025
IS THE SMALL-TOWN
GIRL-NEXT-DOOR IMAGE
206
00:09:18,058 --> 00:09:20,894
LIKE THE ONE YOU PLAY
IN THIS PICTURE.
207
00:09:20,928 --> 00:09:22,162
THAT'S EASY, HAROLD.
I AM A SMALL-TOWN GIRL.
208
00:09:22,195 --> 00:09:25,098
RIGHT. RIGHT.
209
00:09:25,132 --> 00:09:26,800
OKAY, NOW...
210
00:09:26,834 --> 00:09:28,669
LET ME... HEY!
211
00:09:28,702 --> 00:09:30,337
I GOT AN IDEA!
212
00:09:30,370 --> 00:09:32,873
WE'LL CONTACT SOME
OF YOUR OLD CHILDHOOD BEAUS--
213
00:09:32,906 --> 00:09:34,642
KIDS YOU USED
TO DATE IN SCHOOL.
214
00:09:34,675 --> 00:09:36,944
YOU MIGHT HAVE
SOME TROUBLE THERE.
215
00:09:36,977 --> 00:09:39,279
I DIDN'T DO MUCH
DATING IN SCHOOL.
216
00:09:39,312 --> 00:09:41,348
I WAS THE TOWN
UGLY DUCKLING.
217
00:09:41,381 --> 00:09:42,816
THIS IS RIDICULOUS, ANDY.
218
00:09:42,850 --> 00:09:44,785
SHE'S NOT GOING
TO REMEMBER US.
219
00:09:44,818 --> 00:09:47,187
SHE'LL BE GLAD TO SEE US.
WHAT ARE YOU NERVOUS ABOUT?
220
00:09:47,220 --> 00:09:49,256
NERVOUS? WHAT DO
YOU MEAN NERVOUS?
221
00:09:49,289 --> 00:09:51,725
I'M GONNA GO.
222
00:09:51,759 --> 00:09:53,193
TEENA, IT'S
HARD TO BELIEVE
223
00:09:53,226 --> 00:09:55,663
YOU COULD HAVE CHANGED
AS MUCH AS YOU SAY.
224
00:09:55,696 --> 00:09:56,897
OH, IT'S TRUE ALL RIGHT.
225
00:09:56,930 --> 00:09:58,265
EXCUSE ME,
MISS ANDREWS.
226
00:09:58,298 --> 00:10:00,868
THERE'S AN ANDY TAYLOR
AND BARNEY FIFE OUTSIDE.
227
00:10:00,901 --> 00:10:02,803
ANDY TAYLOR?
BARNEY FIFE?
228
00:10:02,836 --> 00:10:05,272
THEY SAY THEY WENT
TO SCHOOL WITH YOU.
229
00:10:05,305 --> 00:10:07,808
MR. FIFE SAYS
HE USED TO DATE YOU.
230
00:10:07,841 --> 00:10:08,809
OH, OF COURSE!
231
00:10:08,842 --> 00:10:10,878
WELL, SEND THEM IN,
HARRIET.
232
00:10:10,911 --> 00:10:12,345
SAY, I THOUGHT YOU SAID
233
00:10:12,379 --> 00:10:14,948
YOU DIDN'T HAVE
ANY BOYFRIENDS HERE.
234
00:10:14,982 --> 00:10:16,984
I DIDN'T SAY
I NEVER DATED.
235
00:10:17,017 --> 00:10:17,985
RIGHT. RIGHT.
236
00:10:18,018 --> 00:10:19,953
BARNEY!
237
00:10:19,987 --> 00:10:21,789
UH, ACTUALLY...
238
00:10:21,822 --> 00:10:24,725
UH, ACTUALLY,
THAT'S BARNEY THERE.
239
00:10:24,758 --> 00:10:25,959
OH.
240
00:10:25,993 --> 00:10:27,961
OH, BARNEY, BABY,
I'M SORRY.
241
00:10:27,995 --> 00:10:29,196
I DIDN'T RECOGNIZE YOU.
242
00:10:29,229 --> 00:10:30,664
YOU'VE CHANGED SO.
243
00:10:30,698 --> 00:10:31,732
YEAH.
244
00:10:31,765 --> 00:10:33,667
BARNEY FIFE
AND ANDY TAYLOR,
245
00:10:33,701 --> 00:10:35,669
THIS IS MY PUBLICITY MAN,
HAROLD CARSON.
246
00:10:35,703 --> 00:10:36,704
HI, FELLAS.
247
00:10:36,737 --> 00:10:38,005
HIYA, HAL.
248
00:10:38,038 --> 00:10:41,441
WE DON'T WANT TO TAKE UP
TOO MUCH OF YOUR TIME.
249
00:10:41,474 --> 00:10:44,244
OH, DON'T BE SILLY.
YOU'RE OLD FRIENDS.
250
00:10:44,277 --> 00:10:46,747
ANDY, YOU'RE
A SHERIFF NOW!
251
00:10:46,780 --> 00:10:48,181
I'M A DETECTIVE.
252
00:10:48,215 --> 00:10:49,817
OH, UH, DETECTIVE FIFE
253
00:10:49,850 --> 00:10:53,153
TEENA TELLS ME YOU
AND SHE USED TO GO OUT TOGETHER.
254
00:10:53,186 --> 00:10:57,357
:
WELL, IRENE NEVER
COULD KEEP A SECRET.
255
00:10:57,390 --> 00:11:00,327
OH, NOBODY'S
CALLED ME THAT IN YEARS.
256
00:11:01,895 --> 00:11:04,998
YEAH, IRENE AND ME
USED TO RUN TOGETHER.
257
00:11:05,032 --> 00:11:08,736
WE HAD SOME PRETTY GOOD
TIMES, DIDN'T WE, IRENE?
258
00:11:08,769 --> 00:11:10,938
OH, UH...
YES, I GUESS SO.
259
00:11:10,971 --> 00:11:14,107
WELL, WE JUST WANTED TO SAY:
WELCOME HOME, TEENA.
260
00:11:14,141 --> 00:11:15,475
IT'S TIME TO GO, BARN.
261
00:11:15,508 --> 00:11:16,744
WHAT'S THE RUSH?
262
00:11:16,777 --> 00:11:17,811
WE JUST GOT HERE.
263
00:11:17,845 --> 00:11:19,780
TEENA, YOU HAVEN'T ASKED ANYONE
264
00:11:19,813 --> 00:11:22,816
TO TAKE YOU TO THE PREMIERE
TONIGHT, HAVE YOU?
265
00:11:22,850 --> 00:11:25,018
WELL, YOU KNOW, I...
266
00:11:25,052 --> 00:11:27,220
OH, THAT'S
A WONDERFUL IDEA.
267
00:11:27,254 --> 00:11:28,889
BARNEY, WOULD YOU...
268
00:11:28,922 --> 00:11:31,091
WOULD YOU BE MY ESCORT
FOR TONIGHT, HUH?
269
00:11:31,124 --> 00:11:32,459
PLEASE?
270
00:11:32,492 --> 00:11:34,361
WELL, HECK,
I MEAN...
271
00:11:34,394 --> 00:11:36,096
YEAH. MM-HMM.
272
00:11:36,129 --> 00:11:37,397
OH, GOOD! WONDERFUL!
273
00:11:37,430 --> 00:11:38,766
AND, ANDY
274
00:11:38,799 --> 00:11:40,400
COULD YOU COME, TOO?
275
00:11:40,433 --> 00:11:42,069
AND BRING A GIRL?
276
00:11:42,102 --> 00:11:43,103
WELL... YES.
277
00:11:43,136 --> 00:11:45,238
OH, MARVELOUS! GOOD.
278
00:11:45,272 --> 00:11:46,339
WELL, WE...
WE'D BETTER GO, BARN.
279
00:11:46,373 --> 00:11:49,042
WE GOT PLENTY OF TIME.
280
00:11:49,076 --> 00:11:52,012
WELL, WE DO HAVE SOME
NEWSPAPER PEOPLE COMING UP.
281
00:11:52,045 --> 00:11:54,081
OH, THE PRESS, HUH?
282
00:11:54,114 --> 00:11:55,916
OH, WELL... WELL, THEN,
WE-WE'D BETTER GO.
283
00:11:55,949 --> 00:11:57,918
YOU WANT TO STAY
OUT OF THIS, ANGE?
284
00:11:57,951 --> 00:12:00,487
YOU CAN PICK
UP TEENA AT
7:00, BARNEY.
285
00:12:00,520 --> 00:12:01,855
YEAH. 7:00.
286
00:12:01,889 --> 00:12:02,990
7:00.
287
00:12:03,023 --> 00:12:04,457
THANK YOU.
288
00:12:04,491 --> 00:12:05,959
OKAY. BYE.
289
00:12:10,463 --> 00:12:14,001
BOY, FOR SOMEBODY WHO WAS
ANXIOUS TO GET OVER HERE
290
00:12:14,034 --> 00:12:15,468
YOU SURE ARE
IN A RUSH TO LEAVE.
291
00:12:15,502 --> 00:12:17,037
WELL, THEY'RE BUSY.
292
00:12:17,070 --> 00:12:18,205
THEY GOT PEOPLE
COMING UP--
293
00:12:18,238 --> 00:12:19,272
REPORTERS
AND EVERYTHING.
294
00:12:19,306 --> 00:12:20,874
WELL...
295
00:12:20,908 --> 00:12:23,376
BESIDES, YOU'RE
GONNA SEE HER AT 7:00.
296
00:12:23,410 --> 00:12:25,913
YEAH.
297
00:12:25,946 --> 00:12:27,380
YOU DIDN'T SPOT IT,
DID YOU?
298
00:12:27,414 --> 00:12:29,182
SPOT WHAT?
299
00:12:29,216 --> 00:12:32,485
THE SPARK,
THE ELECTRICITY.
300
00:12:32,519 --> 00:12:34,121
ONCE THAT FIRE'S KINDLED,
301
00:12:34,154 --> 00:12:36,256
YOU CAN'T PUT
A THING LIKE THAT OUT.
302
00:12:36,289 --> 00:12:39,159
THEM EMBERS
ARE STILL GLOWING, ANGE.
303
00:12:48,368 --> 00:12:49,502
BUT AUNT BEE...
304
00:12:49,536 --> 00:12:51,304
OPIE, WOULD YOU, PLEASE?
305
00:12:51,338 --> 00:12:53,173
BUT THE COLLAR'S TOO TIGHT.
306
00:12:53,206 --> 00:12:54,441
PLEASE?
307
00:12:54,474 --> 00:12:56,877
AND DON'T GET MUSSED UP
BEFORE WE GO, HMM?
308
00:12:56,910 --> 00:12:58,111
ALL RIGHT.
309
00:12:59,446 --> 00:13:00,914
HELLO, AUNT BEE.
310
00:13:00,948 --> 00:13:02,315
OH, HELLO, HELEN.
311
00:13:02,349 --> 00:13:05,118
OPIE, DON'T YOU
LOOK NICE!
312
00:13:05,152 --> 00:13:07,254
ISN'T BARNEY
READY YET?
313
00:13:07,287 --> 00:13:10,590
HE'S BEEN IN
HIS ROOM FOR
THREE HOURS.
314
00:13:10,623 --> 00:13:11,925
HEY, BARNEY!
315
00:13:11,959 --> 00:13:13,093
COMING, ANGE.
316
00:13:25,038 --> 00:13:26,073
A TUXEDO!
317
00:13:26,106 --> 00:13:28,942
DOUBLE-BREASTED
AND EVERYTHING.
318
00:13:28,976 --> 00:13:30,077
YEAH, WELL.
319
00:13:30,110 --> 00:13:31,945
ISN'T THAT SOMETHING?
320
00:13:31,979 --> 00:13:33,080
THAT CERTAINLY IS.
321
00:13:33,113 --> 00:13:34,214
FOR GOODNESS' SAKES.
322
00:13:34,247 --> 00:13:36,383
WHERE'D YOU RENT IT?
KINKLEHEIMER'S?
323
00:13:36,416 --> 00:13:37,484
THAT'S RIGHT, OPE.
324
00:13:37,517 --> 00:13:39,419
THEY GOT A NICE RANGE
OF SIZES
325
00:13:39,452 --> 00:13:42,022
AND THE WAY THEY PIN THE PANTS
IN THE BACK
326
00:13:42,055 --> 00:13:43,356
IT'S PRACTICALLY CUSTOM.
327
00:13:43,390 --> 00:13:44,624
IT LOOKS
JUST FINE.
328
00:13:44,657 --> 00:13:47,060
I GENERALLY LIKE TO WEAR
MY OWN CLOTHES
329
00:13:47,094 --> 00:13:49,096
BUT ON A SPECIAL CASE
LIKE THIS...
330
00:13:49,129 --> 00:13:51,131
OF COURSE.
OPIE, WE'D BETTER START
331
00:13:51,164 --> 00:13:53,000
OR WE WON'T GET
A GOOD PLACE.
332
00:13:53,033 --> 00:13:54,534
WE'LL SEE YOU ALL LATER.
333
00:13:54,567 --> 00:13:56,503
Helen:
WE'LL SEE YOU
OVER THERE.
334
00:13:56,536 --> 00:13:57,570
OKAY.
335
00:13:57,604 --> 00:13:59,172
EXCUSE ME.
336
00:14:02,409 --> 00:14:04,945
AREN'T YOU SUPPOSED TO WEAR
A BLACK HAT WITH A TUXEDO?
337
00:14:04,978 --> 00:14:08,481
THAT'S A MATTER OF TASTE, OPE.
338
00:14:14,687 --> 00:14:16,089
WELL...
339
00:14:16,123 --> 00:14:17,925
I THINK MAYBE WE'D
BETTER GET STARTED, TOO.
340
00:14:17,958 --> 00:14:20,460
YEAH, DON'T WANT TEENA
STRAINING AT THE LEASH.
341
00:14:20,493 --> 00:14:24,497
NO, NO.
WELL, LET'S GO.
342
00:14:28,035 --> 00:14:29,569
EVERYBODY BACK.
343
00:14:29,602 --> 00:14:30,570
GET BACK.
344
00:14:30,603 --> 00:14:32,205
LET ME OUT FIRST.
345
00:14:32,239 --> 00:14:33,540
EVERYBODY BACK.
346
00:14:33,573 --> 00:14:36,243
EVERYBODY BACK.
347
00:14:36,276 --> 00:14:37,544
EVERYBODY BACK.
348
00:14:37,577 --> 00:14:40,047
WHAT DO YOU THINK
YOU'RE DOING?
349
00:14:40,080 --> 00:14:43,283
I'M JUST OPENING THE CAR
DOOR FOR MISS ANDREWS.
350
00:14:43,316 --> 00:14:46,519
I'LL HANDLE THAT.
351
00:14:46,553 --> 00:14:49,189
THANKS ANYWAY,
YOU NICE MAN.
352
00:14:57,597 --> 00:14:58,665
SHE TOUCHED ME.
353
00:14:58,698 --> 00:15:00,600
TEENA ANDREWS
TOUCHED ME.
354
00:15:00,633 --> 00:15:02,702
GEE, GOOB, SHE'S
JUST A GIRL.
355
00:15:02,735 --> 00:15:05,172
Man:
TEENA, THIS MUST BE
AN EXCITING EVENING FOR YOU.
356
00:15:05,205 --> 00:15:06,439
OH, IT CERTAINLY IS.
357
00:15:06,473 --> 00:15:08,075
ONE OF THOSE
EVENINGS
358
00:15:08,108 --> 00:15:10,343
THAT'LL LONG GO DOWN
IN YOUR MEMORY.
359
00:15:10,377 --> 00:15:11,678
OH, IT CERTAINLY WILL.
360
00:15:11,711 --> 00:15:14,214
YOU MUST BE THRILLED
HAVING A PREMIERE
361
00:15:14,247 --> 00:15:17,217
OF ONE OF YOUR
OWN PICTURES IN
YOUR HOMETOWN.
362
00:15:17,250 --> 00:15:18,451
OH, I CERTAINLY AM.
363
00:15:18,485 --> 00:15:19,953
THANK YOU,
TEENA.
364
00:15:19,987 --> 00:15:22,689
IT'S CERTAINLY
BEEN NICE HAVING
YOU WITH US.
365
00:15:22,722 --> 00:15:24,491
I CERTAINLY...
THANK YOU.
366
00:15:24,524 --> 00:15:26,726
AND THIS
GENTLEMAN
OVER HERE...
367
00:15:26,759 --> 00:15:29,029
OH! WE USED TO GO
TO HIGH SCHOOL TOGETHER.
368
00:15:29,062 --> 00:15:30,197
BARNEY FIFE.
369
00:15:30,230 --> 00:15:31,198
HI.
370
00:15:31,231 --> 00:15:32,399
HI, MR. FIFE.
371
00:15:32,432 --> 00:15:34,201
WOULD YOU TELL OUR VIEWERS
AND LISTENERS
372
00:15:34,234 --> 00:15:36,603
HOW IT FEELS TO ATTEND
A WORLD PREMIERE
373
00:15:36,636 --> 00:15:38,738
NOT ONLY
WITH A FORMER GIRLFRIEND
374
00:15:38,771 --> 00:15:41,741
BUT WITH ONE OF HOLLYWOOD'S
MOST GLAMOROUS STARS?
375
00:15:41,774 --> 00:15:44,177
WELL, I'M VERY HAPPY
TO BE HERE WITH TEENA.
376
00:15:44,211 --> 00:15:46,213
I UNDERSTAND IT'S
AN EXCELLENT PICTURE
377
00:15:46,246 --> 00:15:48,215
AND I'M LOOKING
FORWARD TO SEEING IT.
378
00:15:48,248 --> 00:15:50,550
DO YOU STILL LIVE HERE
IN MAYBERRY, MR. FIFE?
379
00:15:50,583 --> 00:15:52,719
NO, I DON'T.
I NOW RESIDE
IN RALEIGH.
380
00:15:52,752 --> 00:15:55,388
YOU PROBABLY READ
ABOUT ME IN THE
NEWSPAPER...
381
00:15:55,422 --> 00:15:57,324
YOU'RE JUST HERE
ON A VISIT, THEN.
382
00:15:57,357 --> 00:15:58,391
YES. I'M A DETECTIVE
383
00:15:58,425 --> 00:16:00,393
AND YOU PROBABLY
READ ABOUT ME...
384
00:16:00,427 --> 00:16:02,996
HOW LONG DO YOU EXPECT
TO STAY HERE IN MAYBERRY?
385
00:16:03,030 --> 00:16:04,297
THREE OR FOUR DAYS.
386
00:16:04,331 --> 00:16:06,533
THE POLICE DEPARTMENT
UP THERE IS ENTIRELY...
387
00:16:06,566 --> 00:16:08,768
WE HOPE YOU ENJOY
YOUR VISIT. THANK YOU.
388
00:16:08,801 --> 00:16:11,638
Reporter:
I SEE WE'RE RUNNING OUT OF TIME.
389
00:16:11,671 --> 00:16:13,073
THIS IS STATION KNC
390
00:16:13,106 --> 00:16:15,075
WHICH HAS BROUGHT YOU
THESE INTERVIEWS
391
00:16:15,108 --> 00:16:17,077
WITH THESE FAMOUS PEOPLE
HERE TONIGHT
392
00:16:17,110 --> 00:16:18,711
OF COURSE,
ATTENDING THE PREMIERE
393
00:16:18,745 --> 00:16:21,148
OF MISS TEENA ANDREWS'S
LATEST MOTION PICTURE
394
00:16:21,181 --> 00:16:23,150
DIRECTLY
FROM MISS ANDREWS'S HOMETOWN.
395
00:16:23,183 --> 00:16:24,651
I NOW RETURN YOU TO THE STATION.
396
00:16:27,287 --> 00:16:28,388
ANDY?
397
00:16:28,421 --> 00:16:30,257
ANDY, I THINK
MAYBE WE OUGHT TO GO.
398
00:16:30,290 --> 00:16:31,291
GOOD-BYE.
399
00:16:31,324 --> 00:16:32,359
GOOD-BYE.
400
00:16:33,626 --> 00:16:35,195
BYE.
BYE.
401
00:16:35,228 --> 00:16:37,397
Man:
THANKS FOR
COMING, HELEN.
402
00:16:37,430 --> 00:16:39,666
BYE-BYE.
THANKS FOR COMING.
403
00:16:39,699 --> 00:16:41,334
GOOD NIGHT, BARNEY.
404
00:16:41,368 --> 00:16:42,735
GOOD NIGHT, HELEN.
405
00:16:42,769 --> 00:16:44,704
DON'T WAIT UP
FOR ME.
406
00:16:44,737 --> 00:16:47,507
OH. OH, OH.
407
00:16:48,808 --> 00:16:54,347
OH, BARNEY, I'VE HAD
SUCH A WONDERFUL TIME.
408
00:16:54,381 --> 00:16:56,149
OOH.
409
00:17:35,222 --> 00:17:36,323
OOH!
410
00:17:36,356 --> 00:17:37,590
OH, SORRY.
411
00:17:40,160 --> 00:17:42,462
WELL, I-I GUESS
IT'S ABOUT TIME
WE HAD A LITTLE...
412
00:17:42,495 --> 00:17:43,563
LITTLE TALK.
413
00:17:43,596 --> 00:17:46,199
OH, YEAH.
THAT'S A GOOD IDEA.
414
00:17:46,233 --> 00:17:49,202
WE HAVEN'T HAD A CHANCE
ALL EVENING.
415
00:17:49,236 --> 00:17:51,204
ISN'T THAT
THE TRUTH?
416
00:17:57,910 --> 00:17:59,579
OH!
417
00:18:13,226 --> 00:18:16,629
I KNOW IT'S SILLY,
BUT I CAN'T STAND
DIRTY ASHTRAYS.
418
00:18:16,663 --> 00:18:18,531
YOU CAN'T FIGHT IT,
IRENE.
419
00:18:18,565 --> 00:18:20,900
I KNOW. MOST PEOPLE
THINK I'M A NUT.
420
00:18:20,933 --> 00:18:22,835
SORRY TO BREAK
IT UP, KIDS.
421
00:18:22,869 --> 00:18:25,305
TEENA...
422
00:18:25,338 --> 00:18:27,507
YOU'VE GOT AN EARLY-MORNING
INTERVIEW AT THE RADIO STATION.
423
00:18:27,540 --> 00:18:28,741
GOLLY, I FORGOT.
424
00:18:28,775 --> 00:18:30,510
OH, BARNEY,
WOULD YOU FORGIVE ME?
425
00:18:30,543 --> 00:18:32,445
I'VE GOT TO GET
MY BEAUTY SLEEP.
426
00:18:32,479 --> 00:18:33,813
OH, WELL,
HECK, I MEAN
427
00:18:33,846 --> 00:18:35,548
YOU GOT TO GET
YOUR SLEEP.
428
00:18:35,582 --> 00:18:37,417
WH-WHAT ABOUT
LUNCH TOMORROW?
429
00:18:37,450 --> 00:18:38,551
OH, YES, WONDERFUL.
430
00:18:38,585 --> 00:18:39,852
SAY ABOUT
1:00
431
00:18:39,886 --> 00:18:41,288
YEAH, THAT'LL BE FINE.
432
00:18:41,321 --> 00:18:43,223
I KNOW
THIS GREAT LITTLE SPOT.
433
00:18:43,256 --> 00:18:44,424
YOU'LL JUST LOVE IT.
434
00:18:44,457 --> 00:18:45,692
IT'S COMPLETELY UNSPOILED.
435
00:18:45,725 --> 00:18:47,694
THE TOURISTS
HAVEN'T FOUND IT YET.
436
00:18:47,727 --> 00:18:48,861
OH, WONDERFUL.
437
00:18:51,498 --> 00:18:53,233
BARNEY...
438
00:18:53,266 --> 00:18:57,737
I'VE HAD
A WONDERFUL EVENING.
439
00:18:57,770 --> 00:18:59,339
MM-HMM.
440
00:19:09,982 --> 00:19:12,885
I'D LIKE TO MAKE
A RESERVATION.
441
00:19:12,919 --> 00:19:16,489
TABLE FOR TWO,
ABOUT QUARTER PAST 1:00.
442
00:19:17,790 --> 00:19:19,292
YEAH, B. FIFE.
443
00:19:19,326 --> 00:19:20,560
THAT'S RIGHT.
444
00:19:20,593 --> 00:19:22,295
OH, AND LISTEN.
445
00:19:22,329 --> 00:19:26,966
PUT A BOTTLE OF YOUR BEST RED
WINE ON ICE FOR ME, WILL YOU?
446
00:19:26,999 --> 00:19:29,202
ROOM TEMPERATURE?
447
00:19:29,236 --> 00:19:33,840
OH, WELL, THAT'S, UH...
A MATTER OF TASTE.
448
00:19:33,873 --> 00:19:36,476
MM-HMM. FINE.
449
00:19:41,781 --> 00:19:42,949
OH.
450
00:19:42,982 --> 00:19:46,619
YEAH, SOUNDS LIKE
QUITE AN EVENT.
451
00:19:46,653 --> 00:19:48,721
AH, WELL, WE GOT
A LOT TO TALK ABOUT.
452
00:19:48,755 --> 00:19:49,989
YEAH.
453
00:19:50,022 --> 00:19:52,225
YOU KNOW, CONFLICTING CAREERS
AND ALL THAT.
454
00:19:52,259 --> 00:19:53,460
WHAT?
455
00:19:53,493 --> 00:19:56,263
WELL, I GOT A FEELING
THIS THING IS MOVING
456
00:19:56,296 --> 00:19:58,531
TO FULL SPEED AHEAD
FOR BOTH OF US.
457
00:19:58,565 --> 00:19:59,966
UH... OH?
458
00:19:59,999 --> 00:20:02,869
OH, ANGE, LAST NIGHT,
THERE WERE A FEW MAGIC MOMENTS.
459
00:20:02,902 --> 00:20:05,705
OF COURSE YOU'D HAVE
TO UNDERSTAND TEENA
460
00:20:05,738 --> 00:20:07,707
THE WAY I DO
TO KNOW THAT.
461
00:20:07,740 --> 00:20:08,875
WELL, YEAH, UH...
462
00:20:12,379 --> 00:20:14,714
HELLO?
WELL, YEAH.
463
00:20:14,747 --> 00:20:17,850
AS A MATTER OF FACT,
HE'S RIGHT HERE.
464
00:20:17,884 --> 00:20:20,353
IT'S TEENA'S
SECRETARY.
465
00:20:21,654 --> 00:20:24,524
SHE CAN'T EVEN WAIT
TILL 1:00.
466
00:20:24,557 --> 00:20:25,758
HI, HARRIET.
467
00:20:25,792 --> 00:20:26,926
PUT HER ON.
468
00:20:32,632 --> 00:20:33,966
SHE WHAT?
469
00:20:34,000 --> 00:20:38,505
I'M SORRY MR. FIFE,
BUT HER FIANCĂ© CALLED...
470
00:20:38,538 --> 00:20:41,774
HER FIANCĂ©?
471
00:20:41,808 --> 00:20:42,975
WELL...
472
00:20:43,009 --> 00:20:44,611
UH-HUH.
473
00:20:44,644 --> 00:20:46,045
UH-HUH.
474
00:20:46,078 --> 00:20:50,517
WELL, FINE.
475
00:20:50,550 --> 00:20:55,555
TH-THANK YOU.
476
00:20:55,588 --> 00:20:57,724
SHE LEFT FOR CALIFORNIA.
477
00:21:00,427 --> 00:21:01,828
OH.
478
00:21:07,334 --> 00:21:09,802
YOU KNOW... YOU
KNOW SOMETHING?
479
00:21:09,836 --> 00:21:12,939
YOU KNOW, THIS IS
PROBABLY FOR THE BEST
480
00:21:12,972 --> 00:21:16,008
BECAUSE OF WHAT YOU
SAID A WHILE AGO--
481
00:21:16,042 --> 00:21:17,710
CONFLICTING CAREERS.
482
00:21:17,744 --> 00:21:20,647
YEAH, THAT'S,
THAT'S PROBABLY TRUE.
483
00:21:20,680 --> 00:21:21,748
I DEFINITELY
THINK SO.
484
00:21:21,781 --> 00:21:23,416
YEAH.
485
00:21:23,450 --> 00:21:26,786
YOU KNOW, ANGE, I THINK
I'LL BE HEADING BACK TO RALEIGH.
486
00:21:26,819 --> 00:21:28,455
OH, BARN, YOU
JUST GOT HERE.
487
00:21:28,488 --> 00:21:31,057
I KNOW, BUT IT'S A BIG CITY
UP THERE AND THEY'RE BUSY.
488
00:21:31,090 --> 00:21:33,560
THERE'S A LOT OF WORK TO DO.
THEY MAY NEED ME.
489
00:21:33,593 --> 00:21:34,961
WELL, YOU COULD
CALL THEM.
490
00:21:34,994 --> 00:21:36,996
YEAH, I COULD,
BUT I...
491
00:21:37,029 --> 00:21:39,566
I'LL TELL YOU
SOMETHING, ANGE.
492
00:21:39,599 --> 00:21:41,968
YOU START DEALING
WITH A WOMAN
493
00:21:42,001 --> 00:21:45,705
AND YOU ARE DEALING
WITH A TREACHEROUS COMMODITY.
494
00:21:45,738 --> 00:21:47,374
THIS HERE, RIGHT HERE,
495
00:21:47,407 --> 00:21:50,510
THAT'S THE ONLY LOVE
A LAWMAN OUGHT TO HAVE.
496
00:21:50,543 --> 00:21:52,912
YOU KNOW, YOU CAN
DEPEND ON HER.
497
00:22:00,019 --> 00:22:03,656
WELL, I'M-I'M GONNA
GO UP AND PACK.
498
00:22:08,861 --> 00:22:09,996
I CAN'T BELIEVE IT.
499
00:22:10,029 --> 00:22:12,365
IT'S HIM ALL RIGHT.
THERE'S HIS NAME.
500
00:22:12,399 --> 00:22:15,402
"TEENA ANDREWS
AND ESCORT BARNEY FIFE."
501
00:22:15,435 --> 00:22:17,470
LOOK AT THE WAY
SHE'S GRABBING HIM.
502
00:22:17,504 --> 00:22:19,506
BOY, AND ALL THIS TIME,
I THOUGHT HE WAS NOTHING.
503
00:22:19,539 --> 00:22:20,773
NOTHING.
504
00:22:24,844 --> 00:22:26,413
MORNING, GIRLS.
505
00:22:28,948 --> 00:22:33,019
Both: GOOD MORNING,
DETECTIVE FIFE.
506
00:22:33,052 --> 00:22:34,887
UH... GOOD MORNING.
507
00:22:34,921 --> 00:22:37,457
SAY, UH, I-I'M HAVING
A FEW CLOSE FRIENDS
508
00:22:37,490 --> 00:22:38,758
OVER SATURDAY NIGHT
509
00:22:38,791 --> 00:22:41,394
AND DO YOU THINK YOU MIGHT
BE ABLE TO MAKE IT?
510
00:22:43,029 --> 00:22:44,531
UH... WELL...
511
00:22:44,564 --> 00:22:45,932
IF YOU'RE FREE
512
00:22:45,965 --> 00:22:47,500
FOR BRUNCH ON SUNDAY,
513
00:22:47,534 --> 00:22:49,636
I MAKE GREAT
SCRAMBLED EGGS.
514
00:22:49,669 --> 00:22:52,705
:
WELL, UM... I DON'T KNOW.
515
00:22:52,739 --> 00:22:55,508
I THINK MAYBE I COULD PROBABLY
WORK THAT IN.
516
00:22:55,542 --> 00:22:58,110
OF COURSE I WOULDN'T WANT
TO PROMISE ANYTHING
517
00:22:58,144 --> 00:22:59,879
UNTIL I LOOK AT MY CALENDAR.
518
00:22:59,912 --> 00:23:01,080
SEE WHAT'S...
519
00:23:01,113 --> 00:23:03,416
YEAH, I THINK
I COULD MAKE THAT. MM-HMM.
520
00:23:03,450 --> 00:23:04,551
YEAH.
521
00:23:09,789 --> 00:23:13,593
HE SAYS, "THINGS ARE
GOING ALONG SWIMMINGLY
522
00:23:13,626 --> 00:23:15,528
"IN THE DEPARTMENT.
523
00:23:15,562 --> 00:23:17,430
"DO YOU REMEMBER
MISS CLARK?
524
00:23:17,464 --> 00:23:18,965
"SHE WAS THAT SHARP
LITTLE NUMBER
525
00:23:18,998 --> 00:23:20,833
"THAT SAT AT THE DESK
AS YOU ENTERED.
526
00:23:20,867 --> 00:23:22,435
"SHE AND I
HAVE BEEN GETTING
527
00:23:22,469 --> 00:23:25,004
"A LITTLE CHUMMY,
OF LATE.
528
00:23:25,037 --> 00:23:27,707
"AS A MATTER OF FACT,
I'M TAKING HER
529
00:23:27,740 --> 00:23:30,877
"TO THE POLICEMAN'S BALL --
IT'S A MASQUERADE.
530
00:23:30,910 --> 00:23:34,814
"I'M GOING AS JACK
AND SHE'S GOING AS JILL.
531
00:23:34,847 --> 00:23:37,016
"WE WANTED TO DO
SOMETHING DIFFERENT.
532
00:23:37,049 --> 00:23:41,454
"WELL, THAT'S ALL
FOR NOW.
533
00:23:41,488 --> 00:23:44,023
"GIVE MY LOVE TO OPIE,
AUNT BEE, AND HELEN.
534
00:23:44,056 --> 00:23:46,092
YOUR BUDDY, BARNEY."
535
00:23:52,865 --> 00:23:55,835
HE WRITES A NICE LETTER,
DOESN'T HE?
536
00:23:55,868 --> 00:24:00,106
YES, HE DOES.
537
00:24:00,139 --> 00:24:05,478
YOU KNOW,
I MISS BARNEY.
538
00:24:05,512 --> 00:24:07,714
I DO, TOO.
539
00:24:07,747 --> 00:24:10,950
I GUESS THERE'S JUST
THE ONE BARNEY FIFE.
540
00:24:10,983 --> 00:24:16,556
YES.
541
00:24:16,589 --> 00:24:20,660
WELL, I GOT TO GO
BACK TO WORK.
542
00:24:20,693 --> 00:24:22,128
I JUST THOUGHT YOU MIGHT
ENJOY HEARING HIS LETTER.
543
00:24:22,161 --> 00:24:24,631
YES, I DID.
544
00:24:24,664 --> 00:24:26,833
YEAH.
545
00:24:26,866 --> 00:24:30,537
WELL. BYE.
546
00:24:30,570 --> 00:24:31,904
BYE.
36672