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These are the user uploaded subtitles that are being translated: 1 00:00:22,146 --> 00:00:25,785 * BEAUTIFUL ISLE AHEM. 2 00:00:25,818 --> 00:00:30,194 * BEAUTIFUL ISLE OF MAKE-BELIEVE * 3 00:00:30,229 --> 00:00:31,530 GEE, PAW, WHY DO YOU KEEP SINGING 4 00:00:31,564 --> 00:00:32,766 THAT SAME THING ALL THE TIME? 5 00:00:32,798 --> 00:00:36,373 I'M PRACTICING. 6 00:00:36,406 --> 00:00:40,548 * BEAUTIFUL ISLE OF MAKE-BELIEVE. * 7 00:00:40,582 --> 00:00:41,784 HOW IS THE QUARTET COMING, ANDY? 8 00:00:41,816 --> 00:00:43,554 FINE. 9 00:00:43,588 --> 00:00:45,524 HOWARD SPRAGUE'S GOING TO SING HIGH TENOR FOR US. 10 00:00:45,558 --> 00:00:46,761 HE'S GOT A PRETTY GOOD VOICE. 11 00:00:46,794 --> 00:00:50,169 OHH, HE MAKES A VERY NICE APPEARANCE 12 00:00:50,202 --> 00:00:51,570 AND THAT'S VERY IMPORTANT, 13 00:00:51,604 --> 00:00:54,277 IN FRONT OF AN AUDIENCE, YOU KNOW, NEATNESS. 14 00:00:54,310 --> 00:00:55,679 YES, RIGHT. 15 00:00:55,712 --> 00:00:57,716 HOW DOES BURT AND WALLY FEEL ABOUT HIM? 16 00:00:57,749 --> 00:00:59,387 FINE. 17 00:00:59,419 --> 00:01:02,693 OF COURSE, WE'RE ALL A LITTLE NERVOUS, YOU KNOW? 18 00:01:02,726 --> 00:01:04,663 WHY? 19 00:01:04,697 --> 00:01:06,834 BECAUSE IF WE WIN THE CONTEST, 20 00:01:06,866 --> 00:01:08,471 THIS WILL BE THE THIRD YEAR IN A ROW 21 00:01:08,505 --> 00:01:09,739 AND WE'LL GET TO KEEP THE TROPHY PERMANENTLY. 22 00:01:09,772 --> 00:01:11,877 OH, YEAH. 23 00:01:11,910 --> 00:01:13,814 YOU KNOW, PAW, US KIDS GOT A QUARTET, TOO. 24 00:01:13,847 --> 00:01:15,584 YOU HAVE? 25 00:01:15,619 --> 00:01:17,355 WHAT PART DO YOU TAKE OFF? 26 00:01:17,389 --> 00:01:19,527 WHAT DO YOU MEAN? WHAT DO YOU SING -- 27 00:01:19,559 --> 00:01:20,662 YOU SING TENOR, BASS, BARITONE 28 00:01:20,695 --> 00:01:22,233 OH, WE ALL TAKE TURNS. 29 00:01:22,266 --> 00:01:23,668 YOU DO? 30 00:01:23,701 --> 00:01:25,839 SURE. IT DOESN'T MAKE MUCH DIFFERENCE, ANYWAY -- 31 00:01:25,871 --> 00:01:27,776 ALL OUR VOICES ARE CHANGING. 32 00:01:27,808 --> 00:01:30,415 OH. 33 00:01:34,489 --> 00:01:36,593 OH, I FORGOT TO TELL YOU -- WE'RE GOING TO PRACTICE 34 00:01:36,626 --> 00:01:37,763 OVER HERE TOMORROW NIGHT. 35 00:01:37,796 --> 00:01:39,767 OH, FINE. 36 00:01:39,800 --> 00:01:42,239 THEN I'LL HAVE THE LEMONADE AND COOKIES ALL READY. 37 00:01:42,273 --> 00:01:44,442 GOOD. 38 00:01:44,477 --> 00:01:48,684 * BEAUTIFUL ISLE OF MAKE-BELIEVE * 39 00:01:53,527 --> 00:01:55,464 IT AIN'T LIKE HOWARD TO BE LATE FOR REHEARSAL. 40 00:01:55,499 --> 00:01:57,702 SOMETHING'S HAPPENED TO HIM. I CAN FEEL IT! 41 00:01:57,736 --> 00:01:59,340 HE'LL BE HERE IN A LITTLE BIT. 42 00:01:59,373 --> 00:02:01,411 THINK IT WOULD DO ANY GOOD TO GIVE HIM ANOTHER CALL? 43 00:02:01,443 --> 00:02:02,946 I'VE CALLED TWICE AND HE ISN'T THERE. 44 00:02:02,979 --> 00:02:04,383 HIS MOTHER OUGHT TO BE HOME. 45 00:02:04,416 --> 00:02:05,718 SHE'D KNOW WHAT HAPPENED TO HIM. 46 00:02:05,752 --> 00:02:07,021 HIS MOTHER'S IN RALEIGH, BURT. 47 00:02:07,053 --> 00:02:08,524 HERE YOU ARE. 48 00:02:08,558 --> 00:02:10,060 YOU CAN HAVE IT WHENEVER YOU WANT IT. 49 00:02:10,093 --> 00:02:12,398 THANKS, AUNT BEE. HOWARD ISN'T HERE YET. 50 00:02:12,432 --> 00:02:14,337 WHERE IS HE? I DON'T KNOW. 51 00:02:14,369 --> 00:02:15,839 WOULDN'T YOU KNOW? HERE IT IS NEARLY TIME 52 00:02:15,871 --> 00:02:17,975 FOR THE CONTEST AND HE'S LATE. 53 00:02:18,009 --> 00:02:19,546 WHY DON'T WE START WITHOUT HIM? 54 00:02:19,580 --> 00:02:20,882 HOWARD'S GOT THE PITCH PIPE. 55 00:02:20,914 --> 00:02:22,353 WE'LL USE THE PIANO. 56 00:02:22,386 --> 00:02:24,088 BESIDES, WE CAN'T REHEARSE WITHOUT A TENOR. 57 00:02:24,120 --> 00:02:25,592 WELL, AUNT BEE'S NOT A TENOR, 58 00:02:25,624 --> 00:02:26,926 BUT SHE'S GOT A FINE VOICE. 59 00:02:26,961 --> 00:02:27,928 THANK YOU, ANDY. 60 00:02:27,963 --> 00:02:29,566 WOMEN CAN'T TAKE TENOR PARTS. 61 00:02:29,600 --> 00:02:30,701 THEY'RE SOPRANOS. 62 00:02:30,734 --> 00:02:32,339 WHAT DIFFERENCE DOES IT MAKE? 63 00:02:32,373 --> 00:02:34,843 WHY DON'T WE START OFF WITH "IN THE GLOAMING" 64 00:02:34,877 --> 00:02:36,514 IN CASE THEY WANT AN ENCORE. 65 00:02:36,546 --> 00:02:39,686 HERE. ALL RIGHT. 66 00:02:39,719 --> 00:02:40,855 COME ON. 67 00:02:40,889 --> 00:02:42,393 COME ON, WALLY. 68 00:02:43,760 --> 00:02:44,930 THERE'S YOUR NOTE, WALLY. 69 00:02:44,963 --> 00:02:45,932 * MI-MI 70 00:02:45,965 --> 00:02:46,934 BURT. 71 00:02:46,967 --> 00:02:47,969 * MI-MI-MI 72 00:02:48,003 --> 00:02:48,971 AUNT BEE. 73 00:02:49,005 --> 00:02:50,808 * MI-MI-MI 74 00:02:50,842 --> 00:02:53,881 * IN THE GLOAMING 75 00:02:53,915 --> 00:02:56,753 * OH, MY DARLING 76 00:02:56,786 --> 00:03:01,396 * WHEN THE LIGHTS ARE DIM AND LOW... * 77 00:03:01,430 --> 00:03:03,132 HOLD IT. 78 00:03:03,165 --> 00:03:05,772 BURT, YOU'RE OFF. 79 00:03:05,804 --> 00:03:07,709 WELL, SOMETHING'S THROWING ME. 80 00:03:07,743 --> 00:03:09,479 WHAT'S THROWING YOU, BURT? 81 00:03:09,512 --> 00:03:11,048 WELL, NO OFFENSE, BEATRICE, 82 00:03:11,081 --> 00:03:12,652 BUT YOU'RE TOO SQUEAKY. 83 00:03:12,686 --> 00:03:14,121 BURT WILKINS, I AM NOT SQUEAKY. 84 00:03:14,154 --> 00:03:15,792 MY VOICE MAY BE MORE BELL-LIKE 85 00:03:15,824 --> 00:03:17,061 THAN YOU'RE ACCUSTOMED TO 86 00:03:17,093 --> 00:03:18,797 BUT IT'S DEFINITELY NOT SQUEAKY. 87 00:03:18,830 --> 00:03:20,534 NOW DON'T GET UPSET, AUNT BEE... 88 00:03:21,937 --> 00:03:22,906 COME IN. 89 00:03:22,939 --> 00:03:23,941 OH, HOWARD. GOOD. 90 00:03:23,975 --> 00:03:25,544 GOLLY, I'M SORRY I'M LATE. 91 00:03:25,579 --> 00:03:26,613 WHERE YOU BEEN? 92 00:03:26,647 --> 00:03:28,451 I HAD TO GO TO THE DRUGSTORE 93 00:03:28,485 --> 00:03:29,920 TO GET SOME THROAT SPRAY. 94 00:03:29,953 --> 00:03:31,223 THROAT SPRAY? 95 00:03:31,255 --> 00:03:33,595 OH, IT'S NOTHING TO BE ALARMED ABOUT. 96 00:03:33,628 --> 00:03:35,499 PURELY A PRECAUTIONARY MEASURE. 97 00:03:35,532 --> 00:03:37,166 PRECAUTIONARY FOR WHAT, HOWARD? 98 00:03:37,201 --> 00:03:40,107 WELL, I'VE HAD THIS LITTLE TICKLING IN MY THROAT. 99 00:03:40,140 --> 00:03:42,077 TOLD YOU SOMETHING HAPPENED TO HIM. 100 00:03:42,111 --> 00:03:45,117 OH, HOWARD, IT ISN'T GOING TO AFFECT YOUR VOICE, IS IT? 101 00:03:45,150 --> 00:03:47,121 THE CONTEST IS ONLY TWO DAYS AWAY. 102 00:03:47,154 --> 00:03:48,591 OH, I'M SURE IT WON'T. 103 00:03:48,625 --> 00:03:50,562 IT WON'T AFFECT MY VOICE AT ALL. 104 00:03:51,763 --> 00:03:53,700 SOUNDS LIKE IT ALREADY HAS. 105 00:03:53,735 --> 00:03:56,139 YOU WANT TO SING JUST A LITTLE BIT 106 00:03:56,172 --> 00:03:58,545 OF "IN THE GLOAMING," HOWARD? 107 00:04:03,920 --> 00:04:05,892 * MM 108 00:04:05,924 --> 00:04:08,697 * IN THE GLOAMING 109 00:04:08,731 --> 00:04:10,067 * OH... 110 00:04:15,077 --> 00:04:17,114 IT'S JUST A LITTLE TICKLE. 111 00:04:17,146 --> 00:04:19,786 GEE, THAT JUST SOUNDS AWFUL, HOWARD. 112 00:04:19,820 --> 00:04:21,757 IT'S JUST A LITTLE TICKLE. 113 00:04:21,790 --> 00:04:23,895 IT MIGHT TICKLE YOU, BUT IT AIN'T FUNNY TO ME. 114 00:04:23,927 --> 00:04:25,030 ME NEITHER. 115 00:04:25,063 --> 00:04:26,767 YOU KNOW, IF YOU TAKE MY ADVICE 116 00:04:26,800 --> 00:04:28,136 HOWARD SHOULDN'T PRACTICE. 117 00:04:28,168 --> 00:04:30,941 HE SHOULD GO HOME AND TAKE CARE OF THAT THROAT. 118 00:04:30,974 --> 00:04:33,079 THAT MIGHT BE THE BEST IDEA. 119 00:04:33,113 --> 00:04:34,348 AND KEEP YOUR THROAT WARM. 120 00:04:34,381 --> 00:04:35,752 WRAP SOMETHING AROUND IT. 121 00:04:35,784 --> 00:04:37,054 GET YOURSELF A BEAVER PELT. 122 00:04:37,087 --> 00:04:38,890 BEST THING IN THE WORLD FOR WARMTH. 123 00:04:38,924 --> 00:04:40,328 BUT I'M QUITE POSITIVE 124 00:04:40,360 --> 00:04:43,768 THERE'S NOTHING BASICALLY WRONG WITH MY THROAT. 125 00:04:43,800 --> 00:04:45,370 DON'T WORRY, IT WILL BE GOOD AS NEW 126 00:04:45,403 --> 00:04:47,776 IN THE MORNING, YOU'LL SEE. 127 00:04:58,997 --> 00:05:03,741 HEY, SARAH. SARAH, RING HOWARD SPRAGUE'S OFFICE. 128 00:05:03,774 --> 00:05:06,145 I DON'T KNOW. I DON'T KNOW, SARAH. 129 00:05:06,179 --> 00:05:08,750 WELL, THAT'S WHAT I'M CALLING FOR. 130 00:05:08,784 --> 00:05:12,290 WELL, CHICKEN SOUP DOESN'T CURE EVERYTHING, SARAH. 131 00:05:12,324 --> 00:05:13,427 Man: HEY, SHERIFF. 132 00:05:13,460 --> 00:05:14,896 WHAT? 133 00:05:14,930 --> 00:05:17,301 HOW ABOUT TIME OFF FOR GOOD BEHAVIOR? 134 00:05:17,334 --> 00:05:18,770 YOU SHOULD HAVE THOUGHT OF THAT 135 00:05:18,805 --> 00:05:20,307 BEFORE YOU WENT AROUND PICKING POCKETS. 136 00:05:20,340 --> 00:05:22,445 I CAN'T STAND BEING COOPED UP LIKE THIS. 137 00:05:22,477 --> 00:05:23,948 HUSH. 138 00:05:23,980 --> 00:05:25,217 NO, NO. 139 00:05:25,250 --> 00:05:26,687 WELL, TRY HIS HOUSE. 140 00:05:26,721 --> 00:05:28,390 I'VE GIVEN YOU FIVE DAYS FOR FIGHTING 141 00:05:28,423 --> 00:05:30,327 AND TEN DAYS FOR STEALING CHICKENS 142 00:05:30,360 --> 00:05:32,164 AND NOW YOU'RE PICKING POCKETS. 143 00:05:32,197 --> 00:05:33,367 YOU'LL JUST STAY THERE 144 00:05:33,399 --> 00:05:35,403 TILL YOU LEARN TO ACT LIKE SOMEBODY. 145 00:05:35,438 --> 00:05:37,342 WHY DON'T YOU GET A JOB AND GO TO WORK? 146 00:05:37,375 --> 00:05:38,344 IT'S NOT HARD. 147 00:05:38,377 --> 00:05:39,947 YOU THINK STEALING IS EASY? 148 00:05:39,979 --> 00:05:42,484 NOT THERE, SARAH, HUH? 149 00:05:42,517 --> 00:05:44,421 WELL, THANK YOU. 150 00:05:45,924 --> 00:05:47,362 WELL, HOW ABOUT IT, SHERIFF? 151 00:05:47,395 --> 00:05:49,967 DO I GET TIME OFF FOR GOOD BEHAVIOR OR NOT? 152 00:05:49,999 --> 00:05:51,202 LET ME SEE SOME. 153 00:05:59,251 --> 00:06:00,721 COMING. 154 00:06:06,433 --> 00:06:07,835 HI. 155 00:06:07,869 --> 00:06:10,006 WHY DIDN'T YOU ANSWER THE PHONE? 156 00:06:10,040 --> 00:06:12,377 : WELL, I GUESS 157 00:06:12,411 --> 00:06:15,016 I DIDN'T HEAR IT WITH THIS TOWEL ON. 158 00:06:15,050 --> 00:06:16,152 YOU SOUND AWFUL. 159 00:06:16,184 --> 00:06:17,454 I'M NOT AT MY BEST. 160 00:06:17,488 --> 00:06:19,190 DID YOU SEE THE DOCTOR? 161 00:06:19,224 --> 00:06:21,129 WELL, I WAS THINKING OF IT. 162 00:06:21,161 --> 00:06:22,498 WELL, GET YOUR BRITCHES ON. 163 00:06:22,531 --> 00:06:24,902 MAYBE HE'LL GIVE YOU A SHOT OF PENICILLIN. 164 00:06:24,937 --> 00:06:26,204 I'M ALLERGIC TO PENICILLIN. 165 00:06:26,238 --> 00:06:28,444 HE'S OUT, I TELL YOU, HE'S JUST OUT. 166 00:06:28,476 --> 00:06:30,448 WHAT ARE YOU GOING TO DO, ANDY? 167 00:06:30,480 --> 00:06:32,116 WHAT ARE YOU GOING TO DO? 168 00:06:32,151 --> 00:06:33,988 I DON'T KNOW, FLOYD. 169 00:06:34,020 --> 00:06:35,458 NO CHANCE OF HIM IMPROVING? 170 00:06:35,491 --> 00:06:36,927 NOT IN TIME. 171 00:06:36,961 --> 00:06:38,329 WHAT ARE YOU GOING TO DO, ANDY? 172 00:06:38,363 --> 00:06:39,833 I DON'T KNOW, FLOYD. 173 00:06:39,867 --> 00:06:41,369 THE DOCTOR SAID IT WOULD TAKE HIM A WEEK 174 00:06:41,403 --> 00:06:43,038 TO GET HIS VOICE BACK TO NORMAL. 175 00:06:43,073 --> 00:06:44,075 OF ALL THE BREAKS. 176 00:06:44,107 --> 00:06:45,377 WHAT ARE YOU GOING TO DO, ANDY? 177 00:06:45,411 --> 00:06:47,415 I DON'T KNOW, FLOYD! 178 00:06:47,448 --> 00:06:48,918 YOU DON'T HAVE TO YELL. 179 00:06:48,951 --> 00:06:50,620 I'M SORRY. 180 00:06:50,653 --> 00:06:53,125 GO ACROSS THE STREET AND GET BURT 181 00:06:53,158 --> 00:06:54,462 AND TELL HIM TO COME OVER TO THE COURTHOUSE. 182 00:06:54,496 --> 00:06:55,999 WE GOT TO GET A TENOR, RIGHT AWAY. 183 00:06:56,032 --> 00:06:58,135 RIGHT, RIGHT, RIGHT. 184 00:07:12,564 --> 00:07:14,101 WELL, HERE YOU ARE, JEFF. 185 00:07:14,134 --> 00:07:16,004 HEY, SHERIFF, HOW ABOUT TIME OFF 186 00:07:16,038 --> 00:07:17,475 FOR GOOD BEHAVIOR, HUH? 187 00:07:17,507 --> 00:07:20,247 WILL YOU STOP WORRYING ME TO DEATH 188 00:07:20,279 --> 00:07:21,582 ABOUT TIME OFF? EAT. 189 00:07:21,616 --> 00:07:23,586 HEY, FRIED CHICKEN, MASHED POTATOES AND GRAVY. 190 00:07:23,620 --> 00:07:24,923 AT LEAST THE FOOD'S GOOD. 191 00:07:24,957 --> 00:07:26,158 YEAH. 192 00:07:26,192 --> 00:07:27,495 HEY, THEY FORGOT TO GIVE ME A KNIFE. 193 00:07:27,527 --> 00:07:30,000 WHY DON'T YOU USE THE ONE YOU'VE GOT? 194 00:07:30,032 --> 00:07:32,204 WHAT ONE DO I HAVE? 195 00:07:32,236 --> 00:07:34,240 THE ONE YOU STOLE FROM YOUR BREAKFAST TRAY. 196 00:07:35,578 --> 00:07:37,682 WHY DON'T YOU QUIT TRYING TO BREAK OUT OF HERE? 197 00:07:37,714 --> 00:07:39,085 IT WOULD TAKE YOU 20 YEARS. 198 00:07:39,118 --> 00:07:41,154 YOU CAN'T BLAME A GUY FOR TRYING. 199 00:07:41,189 --> 00:07:43,026 I WISH YOU'D TRY SOMETHING WORTHWHILE. 200 00:07:43,059 --> 00:07:45,564 A YOUNG FELLA LIKE YOURSELF COULD TURN OVER A NEW LEAF. 201 00:07:45,598 --> 00:07:47,233 GET YOURSELF A JOB. 202 00:07:47,266 --> 00:07:50,406 PLEASE, SHERIFF, NO LECTURES ON AN EMPTY STOMACH, HUH? 203 00:07:50,440 --> 00:07:52,044 YOU'LL HAVE A LOT OF EMPTY STOMACHS 204 00:07:52,077 --> 00:07:53,245 IF YOU DON'T STRAIGHTEN OUT. 205 00:07:53,278 --> 00:07:54,448 HAVE YOU GOT ANY SALT? 206 00:07:58,524 --> 00:08:00,060 Floyd: OH, ANDY. 207 00:08:00,093 --> 00:08:02,665 I'LL BE WITH YOU IN A MINUTE, FLOYD. 208 00:08:02,698 --> 00:08:04,400 COME ON IN, SIT DOWN. 209 00:08:04,435 --> 00:08:07,073 DID YOU FIGURE OUT WHAT TO DO YET? 210 00:08:07,107 --> 00:08:08,610 NO, FLOYD. 211 00:08:08,643 --> 00:08:10,380 YOU GOT ANY PEPPER? 212 00:08:10,412 --> 00:08:11,749 I'M NOT RUNNING A HOTEL 213 00:08:11,783 --> 00:08:14,621 AND YOU'RE NOT DOING THE COUNTY ANY BIG FAVOR 214 00:08:14,655 --> 00:08:15,623 BY BEING HERE. 215 00:08:15,657 --> 00:08:18,096 EAT! 216 00:08:18,128 --> 00:08:20,767 ARE YOU SURE HE MIGHT NOT BE WELL IN TIME? 217 00:08:20,801 --> 00:08:22,171 I'M SURE, FLOYD. 218 00:08:22,203 --> 00:08:25,110 OH, THAT HOWARD. 219 00:08:25,142 --> 00:08:27,446 GETTING A SORE THROAT AT A TIME LIKE THIS. 220 00:08:27,480 --> 00:08:29,819 HE HAS NO SENSE OF LOYALTY. 221 00:08:29,851 --> 00:08:33,258 DID HE TRY THE BEAVER PELT? 222 00:08:33,293 --> 00:08:34,596 HE'S OUT, BURT. HE'S JUST OUT. 223 00:08:34,629 --> 00:08:35,798 THE MAN'S GOT NO VOICE. 224 00:08:35,830 --> 00:08:37,234 NOW, WE'RE GOING TO HAVE TO FIND 225 00:08:37,266 --> 00:08:38,303 ANOTHER TENOR THAT KNOWS 226 00:08:38,335 --> 00:08:39,470 "BEAUTIFUL ISLE OF MAKE-BELIEVE" 227 00:08:39,504 --> 00:08:41,242 AND "IN THE GLOAMING." 228 00:08:41,274 --> 00:08:43,614 Floyd: I CAN'T THINK OF ANYBODY WHO COULD DO THE JOB. 229 00:08:43,647 --> 00:08:45,416 Wally: WE KNOW ALL THE TENORS IN TOWN. 230 00:08:45,449 --> 00:08:46,620 NONE OF THEM'S GOOD ENOUGH. 231 00:08:46,653 --> 00:08:48,455 WE JUST THINK WE KNOW THEM ALL. 232 00:08:48,488 --> 00:08:50,193 THERE'S GOT TO BE SOMEBODY. 233 00:08:50,227 --> 00:08:52,832 IF WE DON'T FIND ONE, WE'LL WIND UP NOT GOING TO MT. PILOT. 234 00:08:52,864 --> 00:08:54,367 Burt: I KNOW WHO WE CAN GET. 235 00:08:54,400 --> 00:08:55,638 A GREAT TENOR. 236 00:08:55,671 --> 00:08:57,373 FRED CALLAHAN. 237 00:08:57,406 --> 00:08:59,878 FRED CALLAHAN'S PASSED AWAY. 238 00:08:59,911 --> 00:09:01,081 OH, THAT'S RIGHT. 239 00:09:01,081 --> 00:09:04,288 BUT HE WAS A GREAT TENOR. 240 00:09:04,321 --> 00:09:06,324 CLIFF! CLIFF PAMALY! 241 00:09:06,359 --> 00:09:07,526 HE'S GOT A FINE TENOR. 242 00:09:07,561 --> 00:09:09,130 CLIFF'S HARD OF HEARING. 243 00:09:09,165 --> 00:09:10,700 DON'T AFFECT HIS VOICE NONE. 244 00:09:10,733 --> 00:09:12,672 HE HAS TO SING SO LOUD TO HEAR HIMSELF 245 00:09:12,704 --> 00:09:14,307 HE DROWNS OUT EVERYBODY ELSE. 246 00:09:14,341 --> 00:09:16,144 MAYBE YOU COULD STAND HIM IN THE BACK 247 00:09:16,179 --> 00:09:17,347 SO YOU COULDN'T HEAR HIM. 248 00:09:17,380 --> 00:09:18,717 NO, FLOYD. 249 00:09:18,749 --> 00:09:20,688 THEN JUST MUFFLE HIM A LITTLE BIT. 250 00:09:20,721 --> 00:09:21,889 NO, FLOYD. 251 00:09:21,923 --> 00:09:24,595 WELL, THEN STUFF A CLOTH IN HIS MOUTH. 252 00:09:28,670 --> 00:09:30,272 THAT'S NOT FUNNY, FLOYD. 253 00:09:35,651 --> 00:09:37,354 YOU KNOW WHAT WOULD HURT? 254 00:09:37,386 --> 00:09:38,956 YOU KNOW WHAT WOULD REALLY HURT? 255 00:09:38,989 --> 00:09:40,293 All: WHAT? 256 00:09:40,327 --> 00:09:42,231 IF WE WAS TO LOSE THAT TROPHY 257 00:09:42,264 --> 00:09:44,534 TO SHERIFF WILSON OVER IN MT. PILOT. 258 00:09:44,567 --> 00:09:46,905 I OUGHT NOT TO SAY THIS, BUT I WILL-- 259 00:09:46,940 --> 00:09:48,209 I DON'T LIKE HIM. 260 00:09:48,243 --> 00:09:50,280 HE'S GOT A MEAN STREAK IN HIM. 261 00:09:51,950 --> 00:09:54,321 WELL, I GUESS THE ONLY THING WE CAN DO 262 00:09:54,355 --> 00:09:55,758 IS SPREAD THE WORD AROUND 263 00:09:55,791 --> 00:09:58,629 THAT WE'RE HOLDING AUDITIONS FOR ANOTHER TENOR. 264 00:09:58,663 --> 00:09:59,931 WE DON'T HAVE MUCH TIME 265 00:09:59,966 --> 00:10:01,201 WE'LL HAVE TO HOLD THEM IN THE COURTHOUSE. 266 00:10:01,201 --> 00:10:02,772 ALL RIGHT, ANDY 267 00:10:02,805 --> 00:10:04,006 WE'LL SPREAD THE WORD. 268 00:10:04,040 --> 00:10:06,279 Floyd: YEAH, WE'LL GET ON THE BALL. 269 00:10:06,311 --> 00:10:07,446 WE'LL SEE YOU, ANDY. 270 00:10:13,293 --> 00:10:16,665 : * IN THE GLOAMING 271 00:10:16,700 --> 00:10:20,741 * OH, MY DARLING 272 00:10:20,774 --> 00:10:27,954 * WHEN THE LIGHTS ARE DIM AND LOW * 273 00:10:27,988 --> 00:10:32,596 * LA-DA-DE-DA 274 00:10:32,631 --> 00:10:38,910 * DA-DA-DE-EE 275 00:10:38,944 --> 00:10:41,715 * SOFTLY COME 276 00:10:41,749 --> 00:10:49,029 * AND SOFTLY GO. 277 00:10:50,667 --> 00:10:57,514 : * ...MAGICAL ISLE OF LOVE. 278 00:10:59,049 --> 00:11:00,587 WELL, UH... UH... 279 00:11:00,619 --> 00:11:03,459 I THINK WE'VE, UH, GOT THE PICTURE. 280 00:11:03,492 --> 00:11:04,929 RIGHT. YEAH. 281 00:11:04,962 --> 00:11:07,934 OF COURSE, I SOUND BETTER WHEN I'M SINGING WITH A GROUP. 282 00:11:07,968 --> 00:11:09,370 OH, WELL, YEAH, YEAH. 283 00:11:09,405 --> 00:11:11,441 I SURE WOULD LIKE TO JOIN YOU FELLAS. 284 00:11:11,474 --> 00:11:13,111 WHAT DO YOU SAY? 285 00:11:13,145 --> 00:11:15,583 WELL, THAT WOULD BE... THAT'D BE GOOD, TOM. 286 00:11:15,616 --> 00:11:16,920 THAT'D BE GOOD, EXCEPT, UH... 287 00:11:16,952 --> 00:11:18,689 FOR ONE THING, YOU'RE TOO SHORT. 288 00:11:18,724 --> 00:11:19,825 TOO SHORT? 289 00:11:19,859 --> 00:11:21,395 WELL, WE... WE KIND OF FEEL 290 00:11:21,429 --> 00:11:22,764 THAT WHEN THE GUYS ARE ALL 291 00:11:22,797 --> 00:11:24,535 YOU KNOW, ABOUT THE SAME HEIGHT 292 00:11:24,567 --> 00:11:26,405 WHY, THEIR VOICES BLEND BETTER. 293 00:11:26,439 --> 00:11:27,742 OH. YEAH. BUT WE, UH... 294 00:11:27,774 --> 00:11:28,877 WE WILL TALK ABOUT IT 295 00:11:28,910 --> 00:11:30,780 AND IF WE DECIDE THAT WE CAN USE YOU 296 00:11:30,813 --> 00:11:33,084 WHY, WE'LL, YOU KNOW, WE'LL GIVE YOU A CALL. 297 00:11:33,118 --> 00:11:35,056 AND THANK YOU SO MUCH FOR COMING BY. 298 00:11:35,089 --> 00:11:37,527 OH, GLAD TO. RIGHT, TOM. 299 00:11:37,561 --> 00:11:39,665 YOU CAN REACH ME AT THE STORE, ANDY. 300 00:11:39,697 --> 00:11:41,669 RIGHT, RIGHT. THANKS. 301 00:11:43,606 --> 00:11:45,978 WELL... ANYBODY ELSE? 302 00:11:46,011 --> 00:11:47,681 NO. HE WAS THE LAST. 303 00:11:47,714 --> 00:11:48,749 OH... 304 00:11:57,200 --> 00:11:59,571 Andy: WELL... OF THE CROWD 305 00:11:59,605 --> 00:12:01,441 I'D SAY PERRY PLUMMER WAS THE BEST. 306 00:12:01,441 --> 00:12:03,078 Wally: OH, NO, NO, NO, NO. 307 00:12:03,112 --> 00:12:04,648 MY PICK'D BE BILL WATKINS. 308 00:12:04,681 --> 00:12:07,052 WELL, WHAT DO YOU... WHAT DO YOU THINK, BURT? 309 00:12:07,086 --> 00:12:08,523 WATKINS OR PLUMMER? 310 00:12:08,555 --> 00:12:11,628 I STILL THINK THERE MUST BE SOMEBODY ELSE. 311 00:12:11,661 --> 00:12:18,107 : * IN THE GLOAMING, OH, MY DARLING... * 312 00:12:18,142 --> 00:12:19,277 QUIET IN THERE. 313 00:12:19,309 --> 00:12:21,649 WE'RE TRYING TO THINK. 314 00:12:24,955 --> 00:12:26,825 SING THAT AGAIN, SON. 315 00:12:28,963 --> 00:12:35,810 * IN THE GLOAMING, OH, MY DARLING * 316 00:12:35,843 --> 00:12:39,084 * SOFTLY COME 317 00:12:39,117 --> 00:12:44,760 * AND SOFTLY GO. 318 00:12:45,762 --> 00:12:46,832 NO. 319 00:12:46,865 --> 00:12:48,302 BUT, ANDY, WHAT A VOICE. 320 00:12:48,334 --> 00:12:51,675 WITH A TENOR LIKE THAT, WE'D BE A CINCH TO WIN. 321 00:12:51,709 --> 00:12:54,715 THE MAN'S IN JAIL FOR COMMITTING A CRIME. 322 00:12:54,748 --> 00:12:56,752 BUT YOU COULD LET HIM OUT, JUST FOR TOMORROW NIGHT. 323 00:12:56,785 --> 00:12:59,858 HE'D TRY TO ESCAPE. PUT HIM ON HIS GOOD BEHAVIOR. 324 00:12:59,891 --> 00:13:01,561 HE DON'T KNOW ABOUT GOOD BEHAVIOR. 325 00:13:01,561 --> 00:13:04,267 BUT YOU GOT TO DO IT, ANDY, IT'S OUR ONLY CHANCE! 326 00:13:04,300 --> 00:13:05,770 I CAN'T. 327 00:13:05,803 --> 00:13:08,007 IT'S NOT LEGAL, IT'S NOT ACCORDING TO THE LAW 328 00:13:08,041 --> 00:13:09,277 AND BESIDES THAT, IT... 329 00:13:09,309 --> 00:13:11,681 IT'S JUST NOT RIGHT. 330 00:13:12,683 --> 00:13:14,186 NO. 331 00:13:14,219 --> 00:13:17,093 BUT, ANDY, THEY SAY HE'S GOT A GREAT VOICE. 332 00:13:17,125 --> 00:13:20,199 I'M NOT LETTING HIM OUT TO SING WITH US, FLOYD. 333 00:13:20,231 --> 00:13:23,205 NOW, IF WE DON'T COME UP WITH SOMEBODY BY THIS AFTERNOON 334 00:13:23,237 --> 00:13:25,643 WE'LL JUST HAVE TO GO WITH PERRY PLUMMER. 335 00:13:25,677 --> 00:13:27,915 WELL, SAY SOMEBODY LEFT THE CELL DOOR OPEN. 336 00:13:27,947 --> 00:13:29,651 YOU KNOW, BY MISTAKE, YOU SEE. 337 00:13:29,685 --> 00:13:30,887 THEN JEFF COULD ESCAPE. 338 00:13:30,921 --> 00:13:32,724 I'M NOT LETTING HIM OUT, FLOYD. 339 00:13:32,756 --> 00:13:34,227 BUT IT'D ALL BE LEGAL, ANDY. 340 00:13:34,260 --> 00:13:35,963 YOU'D CAPTURE HIM RIGHT AWAY 341 00:13:35,997 --> 00:13:38,268 AND THEN WHEN YOU'RE DRIVING BACK TO JAIL 342 00:13:38,302 --> 00:13:40,239 YOU COULD TAKE A LITTLE DETOUR... 343 00:13:40,272 --> 00:13:41,910 SAY UP TO MT. PILOT. 344 00:13:41,942 --> 00:13:44,748 I'M NOT LETTING HIM OUT, FLOYD. 345 00:13:46,251 --> 00:13:48,889 WELL... JUST A THOUGHT. 346 00:14:05,488 --> 00:14:08,427 HI, ANDY. FLOYD. 347 00:14:08,462 --> 00:14:10,266 HOW YOU DOING, BLAKE? 348 00:14:10,298 --> 00:14:12,302 YOU OVER HERE ON OFFICIAL BUSINESS? 349 00:14:12,335 --> 00:14:15,241 NO, JUST PASSING THROUGH ON MY WAY TO BIXBY. 350 00:14:15,276 --> 00:14:17,180 HAD TO STOP AND GET SOME GAS 351 00:14:17,213 --> 00:14:19,818 AND I HEARD SOME VERY DISTRESSING NEWS. 352 00:14:19,850 --> 00:14:21,989 CAME BY TO OFFER MY CONDOLENCES. 353 00:14:22,023 --> 00:14:23,793 OH? 354 00:14:23,826 --> 00:14:26,430 HEARD YOU LOST YOUR TENOR. 355 00:14:26,464 --> 00:14:28,970 WELL, IT WAS MIGHTY CONSIDERATE OF YOU, BLAKE, 356 00:14:29,003 --> 00:14:31,775 TO COME OUT OF YOUR WAY LIKE THIS TO CONSOLE US. 357 00:14:31,809 --> 00:14:33,444 FOUND ANOTHER ONE YET? 358 00:14:33,478 --> 00:14:35,148 WE'RE WORKING ON IT. 359 00:14:35,181 --> 00:14:38,054 WELL, I SURE HOPE YOU FIND A GOOD ONE. 360 00:14:38,087 --> 00:14:39,926 OH, YES. 361 00:14:39,959 --> 00:14:41,294 NO, BUT I DO. 362 00:14:41,328 --> 00:14:42,562 WELL YOU KNOW SOMETHING, ANDY? 363 00:14:42,595 --> 00:14:44,099 WE'RE GOING TO BEAT YOU THIS YEAR 364 00:14:44,133 --> 00:14:47,306 AND I HATE TO BEAT A MAN WITH A BUILT-IN EXCUSE 365 00:14:47,340 --> 00:14:48,944 LIKE LOSING HIS TENOR. 366 00:14:48,977 --> 00:14:50,279 NO MATTER WHAT HAPPENS, 367 00:14:50,312 --> 00:14:52,582 YOU WON'T HEAR ME MAKING ANY EXCUSES. 368 00:14:52,615 --> 00:14:54,219 OH, AND DON'T FEEL TOO BAD 369 00:14:54,253 --> 00:14:56,324 ABOUT NOT BRINGING THAT TROPHY HOME. 370 00:14:56,358 --> 00:14:58,328 IT'S REALLY TOO GOOD FOR MAYBERRY. 371 00:14:58,362 --> 00:15:01,801 IT BELONGS IN A BIG TOWN, LIKE MT. PILOT. 372 00:15:10,585 --> 00:15:13,357 I PROMISE NOT TO TRY TO ESCAPE ON MY WAY TO MT. PILOT... 373 00:15:13,392 --> 00:15:16,097 I PROMISE NOT TO TRY TO ESCAPE ON MY WAY TO MT. PILOT... 374 00:15:16,131 --> 00:15:17,333 WHILE I'M IN MT. PILOT... 375 00:15:17,365 --> 00:15:18,534 WHILE I'M IN MT. PILOT... 376 00:15:18,568 --> 00:15:20,105 ON MY WAY BACK FROM MT. PILOT. 377 00:15:20,139 --> 00:15:21,473 ON MY WAY BACK FROM MT. PILOT. 378 00:15:21,508 --> 00:15:23,378 I GUESS THAT DOES IT. I GUESS THAT... 379 00:15:23,412 --> 00:15:25,248 YOU DON'T HAVE TO SAY THAT PART. 380 00:15:42,682 --> 00:15:44,619 Opie: "TO STAGE AND DRESSING ROOMS." 381 00:15:44,654 --> 00:15:46,158 OH, MY GOODNESS. 382 00:15:46,190 --> 00:15:49,129 OOH, ISN'T IT EXCITING TO BE BACKSTAGE, ANDY? 383 00:15:49,164 --> 00:15:50,399 OH, THERE'S THE CUP. 384 00:15:50,432 --> 00:15:51,668 YEAH. 385 00:15:51,700 --> 00:15:53,572 OH, ISN'T IT BEAUTIFUL? JUST BEAUTIFUL. 386 00:15:53,605 --> 00:15:56,310 I CERTAINLY WISH I COULD BE A PART OF ALL OF THIS. 387 00:15:56,343 --> 00:15:58,714 WELL, MAYBE NEXT YEAR, HOWARD, MAYBE NEXT YEAR. 388 00:15:58,747 --> 00:16:01,287 PAW, WILL I BE ABLE TO SIT IN THE FRONT ROW? 389 00:16:01,320 --> 00:16:01,921 WE'LL TRY. 390 00:16:01,921 --> 00:16:04,260 ANDY, ANDY, YOU BETTER CHECK US IN. 391 00:16:04,294 --> 00:16:06,264 OH, YEAH, I'LL BE BACK. 392 00:16:06,298 --> 00:16:07,599 HI, MR. JOHNSTON. 393 00:16:07,633 --> 00:16:10,172 OH, SHERIFF TAYLOR, NICE SEEING YOU AGAIN. 394 00:16:10,205 --> 00:16:11,540 IT'S NICE TO BE BACK. 395 00:16:11,573 --> 00:16:14,046 NOW, LET'S SEE, WE HAVE YOU SCHEDULED FOR 8:30. 396 00:16:14,079 --> 00:16:15,516 8:30-- THAT'S TWO HOURS. 397 00:16:15,548 --> 00:16:18,122 I ALWAYS BELIEVE IN SAVING THE BEST TILL THE LAST. 398 00:16:18,154 --> 00:16:19,423 WELL... 399 00:16:19,457 --> 00:16:21,761 AND WE HAVE YOU ASSIGNED TO DRESSING ROOM "F." 400 00:16:21,793 --> 00:16:23,032 "F." 401 00:16:23,065 --> 00:16:24,399 IT'S A LITTLE ON THE SMALL SIDE. 402 00:16:24,433 --> 00:16:26,403 I GUESS YOU'LL HAVE TO TAKE TURNS IN IT. 403 00:16:26,437 --> 00:16:28,075 OH, THAT'S ALL RIGHT. 404 00:16:28,107 --> 00:16:30,479 OH, AND, SHERIFF, IF YOU DON'T MIND GETTING DRESSED SOON 405 00:16:30,512 --> 00:16:32,115 WE'D LIKE TO TAKE SOME PICTURES. 406 00:16:32,150 --> 00:16:33,218 OH... FINE. 407 00:16:34,353 --> 00:16:36,258 OH, ANDY, IT IS BEAUTIFUL, ISN'T IT? 408 00:16:36,290 --> 00:16:37,526 PAW, YOU GOING TO FIX IT 409 00:16:37,560 --> 00:16:39,229 SO WE CAN HAVE THAT FOR KEEPS? 410 00:16:39,264 --> 00:16:40,365 WE'LL TRY, HUH? 411 00:16:40,398 --> 00:16:41,534 WE'LL TRY. 412 00:16:41,568 --> 00:16:43,105 FELLAS, FELLAS... 413 00:16:43,138 --> 00:16:44,239 I JUST WANT YOU TO KNOW 414 00:16:44,274 --> 00:16:45,808 THAT EVEN THOUGH I WON'T BE OUT THERE 415 00:16:45,841 --> 00:16:48,048 ON THE STAGE WITH YOU SHOULDER TO SHOULDER 416 00:16:48,082 --> 00:16:50,385 I'LL BE THINKING OF YOU EVERY MINUTE OF THE TIME. 417 00:16:50,418 --> 00:16:51,554 GOOD LUCK. 418 00:16:51,588 --> 00:16:53,125 GIVE IT ALL YOU GOT. 419 00:16:53,158 --> 00:16:54,826 WE'LL TRY. 420 00:16:54,859 --> 00:16:57,233 OH, AND MR. NELSON, I MEANT TO TELL YOU 421 00:16:57,265 --> 00:17:00,706 I THINK IT'S AWFULLY NICE OF YOU TO PROMISE SHERIFF TAYLOR 422 00:17:00,739 --> 00:17:02,042 THAT YOU WOULDN'T TRY TO ESCAPE. 423 00:17:02,042 --> 00:17:05,481 WELL, YOU JUST GIVE IT ALL YOU'VE GOT, HMM? 424 00:17:05,516 --> 00:17:06,783 YES, MA'AM. 425 00:17:06,818 --> 00:17:09,489 WELL, THERE'S NO NEED IN GETTING TOO EXCITED. 426 00:17:09,523 --> 00:17:11,327 WE DON'T GO ON FOR TWO HOURS. 427 00:17:11,361 --> 00:17:12,396 TWO HOURS? TWO HOURS? 428 00:17:12,430 --> 00:17:13,565 THAT'S WHAT THE MAN SAID. 429 00:17:13,597 --> 00:17:15,168 BUT HE WANTS US TO GET DRESSED 430 00:17:15,201 --> 00:17:16,737 'CAUSE THEY WANT TO TAKE A PICTURE. 431 00:17:16,770 --> 00:17:18,474 OH, PICTURES... 432 00:17:18,507 --> 00:17:20,879 WELL, THAT'S THE WAY IT IS WHEN YOU'RE A FAMOUS QUARTET. 433 00:17:20,911 --> 00:17:25,622 OPIE, OPIE, COME ON, COME ON. 434 00:17:29,796 --> 00:17:30,832 HURRY UP, WALLY. 435 00:17:30,865 --> 00:17:32,336 I'M COMING. 436 00:17:32,369 --> 00:17:34,506 YOU'RE GOING TO CHANGE NEXT, AREN'T YOU, JEFF? 437 00:17:34,539 --> 00:17:35,776 YEAH, I GUESS SO. 438 00:17:35,809 --> 00:17:38,882 HERE. UH, ANDY, COULD I HOLD THOSE FOR YOU? 439 00:17:38,914 --> 00:17:40,619 WELL... WELL. 440 00:17:40,652 --> 00:17:42,823 YEAH... THAT'S IT. 441 00:17:45,329 --> 00:17:46,298 OH. 442 00:17:46,331 --> 00:17:47,300 SHERIFF. 443 00:17:47,333 --> 00:17:48,335 SHERIFF. 444 00:17:50,505 --> 00:17:52,843 WELL, SO YOU FOUND YOURSELF A TENOR. 445 00:17:52,875 --> 00:17:55,316 YEAH, WE FOUND OURSELVES A TENOR. 446 00:17:55,349 --> 00:17:57,853 HEY, HAVEN'T I SEEN YOU SOMEPLACE BEFORE? 447 00:17:57,885 --> 00:17:59,324 YEAH, YOU MIGHT HAVE. 448 00:17:59,357 --> 00:18:00,726 YOU EVER BEEN TO NEW YORK? 449 00:18:00,759 --> 00:18:02,162 YEAH, I'VE BEEN TO NEW YORK. 450 00:18:02,162 --> 00:18:05,536 WELL, MAYBE YOU SAW HIM IN THE METROPOLITAN OPERA. 451 00:18:05,568 --> 00:18:07,839 HE'S A REAL FAMOUS SINGER. 452 00:18:13,652 --> 00:18:15,989 JEFF'S SURE TAKING A LONG TIME TO CHANGE. 453 00:18:16,022 --> 00:18:18,394 YEAH, HE SURE IS. 454 00:18:23,572 --> 00:18:24,673 JEFF? 455 00:18:25,841 --> 00:18:27,246 JEFF? 456 00:18:49,489 --> 00:18:50,558 HI. 457 00:18:51,861 --> 00:18:52,963 HI. 458 00:18:57,572 --> 00:18:59,844 I'VE SEEN YOU SOMEPLACE. 459 00:18:59,877 --> 00:19:01,580 YEAH? 460 00:19:01,613 --> 00:19:03,418 AND I SEEN YOU, TOO. 461 00:19:03,452 --> 00:19:05,020 AND I'LL TELL YOU WHERE. 462 00:19:05,053 --> 00:19:07,725 WE WAS IN JAIL TOGETHER OVER IN BIXBY. 463 00:19:07,759 --> 00:19:09,664 YEAH. 464 00:19:10,731 --> 00:19:12,502 HERE, HAVE SOME COFFEE, PAL. 465 00:19:12,536 --> 00:19:13,605 THANKS. 466 00:19:16,042 --> 00:19:17,479 WHERE YOU HEADED? 467 00:19:17,512 --> 00:19:18,615 I DON'T KNOW. 468 00:19:18,647 --> 00:19:19,783 JUST GOT LOOSE. 469 00:19:19,817 --> 00:19:21,720 I WAS IN JAIL OVER IN MAYBERRY. 470 00:19:21,753 --> 00:19:22,856 MAYBERRY? 471 00:19:22,890 --> 00:19:24,827 WELL, WELL... 472 00:19:24,860 --> 00:19:26,998 SHERIFF TAYLOR STILL OVER THERE? 473 00:19:27,030 --> 00:19:28,066 YEAH. 474 00:19:28,099 --> 00:19:29,437 OH, HE'S A GOOD GUY. 475 00:19:29,469 --> 00:19:30,439 I LIKE HIM. 476 00:19:31,508 --> 00:19:32,843 YEAH, HE AIN'T A BAD GUY. 477 00:19:32,876 --> 00:19:34,514 I'LL SAY HE AIN'T A BAD GUY. 478 00:19:34,547 --> 00:19:36,717 YOU KNOW WHAT IT IS WITH SHERIFF TAYLOR? 479 00:19:36,750 --> 00:19:38,152 WHAT? 480 00:19:38,186 --> 00:19:40,124 WELL, YOU SEE, THE REST OF THESE GUYS 481 00:19:40,156 --> 00:19:42,795 THEY JUST TOSS YOU IN AND YOU'RE NOTHING. NOTHING. 482 00:19:42,829 --> 00:19:45,436 MAKES YOU FEEL LIKE DIRT. 483 00:19:45,469 --> 00:19:47,705 BUT WITH TAYLOR, I DON'T KNOW... 484 00:19:47,739 --> 00:19:50,044 TREATS YOU WITH A LITTLE RESPECT. 485 00:19:50,077 --> 00:19:52,550 MAKES YOU FEEL LIKE A REGULAR GUY. 486 00:19:52,583 --> 00:19:54,554 YEP. 487 00:19:54,587 --> 00:19:57,993 YOU KNOW, EVERY TIME I'VE BEEN IN THAT MAYBERRY JAIL 488 00:19:58,026 --> 00:20:01,166 I COME WALKING OUT KIND OF FEELING... DIFFERENT. 489 00:20:01,198 --> 00:20:04,406 MAKE YOU FEEL LIKE... YOU CAN BE TRUSTED. 490 00:20:06,811 --> 00:20:08,514 THINK I'LL TURN IN. 491 00:20:08,548 --> 00:20:10,719 GRAB YOURSELF A PIECE OF GROUND. 492 00:20:21,039 --> 00:20:22,943 YES, SIR... 493 00:20:22,976 --> 00:20:24,713 NEXT TIME I GET ARRESTED 494 00:20:24,747 --> 00:20:28,522 I'LL TRY AND GET ARRESTED OVER AT TAYLOR'S. 495 00:20:28,555 --> 00:20:30,925 HE'S A GOOD MAN. 496 00:20:37,905 --> 00:20:40,979 Johnston: WELL, FOLKS, THAT WAS YOUR MT. PILOT QUARTET. 497 00:20:41,012 --> 00:20:42,014 NO LUCK? 498 00:20:42,048 --> 00:20:43,050 NO LUCK. 499 00:20:43,083 --> 00:20:44,185 THERE GOES THE TROPHY. 500 00:20:44,217 --> 00:20:46,122 WELL, THAT'S NOT AS IMPORTANT TO ME 501 00:20:46,156 --> 00:20:47,291 AS LOSING A PRISONER. 502 00:20:47,324 --> 00:20:49,729 WELL, I GUESS I... 503 00:20:49,764 --> 00:20:50,999 WHERE YOU BEEN? 504 00:20:51,032 --> 00:20:52,201 WELL, SHERIFF, I... 505 00:20:52,233 --> 00:20:54,305 NEVER SANG BEFORE A LIVE AUDIENCE BEFORE 506 00:20:54,338 --> 00:20:56,544 SO I GUESS I GOT A CASE OF COLD FEET 507 00:20:56,578 --> 00:20:59,048 AND TOOK A LITTLE WALK TO CALM DOWN? 508 00:20:59,082 --> 00:21:01,887 YOU'VE ALL BEEN WAITING FOR THE MAYBERRY QUARTET. 509 00:21:01,920 --> 00:21:03,892 BUT DUE TO UNFORESEEN CIRCUMSTANCES 510 00:21:03,924 --> 00:21:05,294 THEY HAVE HAD TO WITHDRAW. 511 00:21:05,327 --> 00:21:08,199 UH, MR. JOHNSTON... 512 00:21:08,233 --> 00:21:11,673 UH, THE UNFORESEEN CIRCUMSTANCES HAVE BEEN CLEARED UP. 513 00:21:11,707 --> 00:21:14,012 WOULD YOU STALL THEM, AND I'LL CHANGE. 514 00:21:14,045 --> 00:21:15,079 SURE. 515 00:21:16,248 --> 00:21:17,819 LADIES AND GENTLEMEN... 516 00:21:17,853 --> 00:21:20,189 STAY WITH HIM, JUST... RIGHT WITH HIM. 517 00:21:24,999 --> 00:21:27,606 All: * MMM... 518 00:21:27,640 --> 00:21:33,282 * BEAUTIFUL ISLE OF MAKE-BELIEVE * 519 00:21:33,317 --> 00:21:39,027 * MAGICAL ISLE OF LOVE 520 00:21:39,061 --> 00:21:44,238 * WONDERFUL DREAMS WITH THEIR MARVELOUS SCENES * 521 00:21:44,272 --> 00:21:52,756 * THAT SEEM LIKE THE HEAVENS SO FAR UP ABOVE * 522 00:21:52,790 --> 00:21:58,433 * MAKE-BELIEVE ISLE WITH ITS TREASURES OF GOLD * 523 00:21:58,466 --> 00:22:04,980 * MAKING COME TRUE ALL MY MEMORIES OF OLD * 524 00:22:05,014 --> 00:22:11,460 * BEAUTIFUL ISLE OF MAKE-BELIEVE * 525 00:22:11,493 --> 00:22:17,238 * MAGICAL ISLAND OF LOVE 526 00:22:17,270 --> 00:22:24,317 * BEAUTIFUL ISLAND OF MAKE-BELIEVE * 527 00:22:24,353 --> 00:22:28,795 * MAGICAL ISLAND OF... 528 00:22:28,827 --> 00:22:35,307 * MAGICAL ISLAND OF LOVE. 529 00:22:47,564 --> 00:22:49,235 LADIES AND GENTLEMEN... 530 00:22:49,268 --> 00:22:51,171 IT DIDN'T TAKE THE JUDGES LONG 531 00:22:51,205 --> 00:22:52,776 TO DECIDE ON A WINNER. 532 00:22:52,810 --> 00:22:55,247 THE MAYBERRY QUARTET. 533 00:23:00,926 --> 00:23:02,529 SHERIFF TAYLOR... 534 00:23:02,561 --> 00:23:06,168 SINCE YOU HAVE WON THIS CONTEST FOR THREE CONSECUTIVE YEARS 535 00:23:06,201 --> 00:23:07,840 IT GIVES US GREAT PLEASURE TO PRESENT THIS TROPHY 536 00:23:07,872 --> 00:23:11,479 TO YOU FOR YOUR PERMANENT POSSESSION. 537 00:23:15,020 --> 00:23:16,122 THANK YOU. 538 00:23:16,156 --> 00:23:18,260 THANK YOU VERY MUCH. 539 00:23:18,293 --> 00:23:19,529 WE APPRECIATE IT. 540 00:23:24,372 --> 00:23:26,878 HOW ABOUT THAT? 36789

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