Original subtitles

* BEAUTIFUL ISLE AHEM.

* BEAUTIFUL ISLE OF MAKE-BELIEVE *

GEE, PAW, WHY DO YOU KEEP SINGING

THAT SAME THING ALL THE TIME?

I'M PRACTICING.

* BEAUTIFUL ISLE OF MAKE-BELIEVE. *

HOW IS THE QUARTET COMING, ANDY?

FINE.

HOWARD SPRAGUE'S GOING TO SING HIGH TENOR FOR US.

HE'S GOT A PRETTY GOOD VOICE.

OHH, HE MAKES A VERY NICE APPEARANCE

AND THAT'S VERY IMPORTANT,

IN FRONT OF AN AUDIENCE, YOU KNOW, NEATNESS.

YES, RIGHT.

HOW DOES BURT AND WALLY FEEL ABOUT HIM?

FINE.

OF COURSE, WE'RE ALL A LITTLE NERVOUS, YOU KNOW?

WHY?

BECAUSE IF WE WIN THE CONTEST,

THIS WILL BE THE THIRD YEAR IN A ROW

AND WE'LL GET TO KEEP THE TROPHY PERMANENTLY.

OH, YEAH.

YOU KNOW, PAW, US KIDS GOT A QUARTET, TOO.

YOU HAVE?

WHAT PART DO YOU TAKE OFF?

WHAT DO YOU MEAN? WHAT DO YOU SING --

YOU SING TENOR, BASS, BARITONE

OH, WE ALL TAKE TURNS.

YOU DO?

SURE. IT DOESN'T MAKE MUCH DIFFERENCE, ANYWAY --

ALL OUR VOICES ARE CHANGING.

OH.

OH, I FORGOT TO TELL YOU -- WE'RE GOING TO PRACTICE

OVER HERE TOMORROW NIGHT.

OH, FINE.

THEN I'LL HAVE THE LEMONADE AND COOKIES ALL READY.

GOOD.

* BEAUTIFUL ISLE OF MAKE-BELIEVE *

IT AIN'T LIKE HOWARD TO BE LATE FOR REHEARSAL.

SOMETHING'S HAPPENED TO HIM. I CAN FEEL IT!

HE'LL BE HERE IN A LITTLE BIT.

THINK IT WOULD DO ANY GOOD TO GIVE HIM ANOTHER CALL?

I'VE CALLED TWICE AND HE ISN'T THERE.

HIS MOTHER OUGHT TO BE HOME.

SHE'D KNOW WHAT HAPPENED TO HIM.

HIS MOTHER'S IN RALEIGH, BURT.

HERE YOU ARE.

YOU CAN HAVE IT WHENEVER YOU WANT IT.

THANKS, AUNT BEE. HOWARD ISN'T HERE YET.

WHERE IS HE? I DON'T KNOW.

WOULDN'T YOU KNOW? HERE IT IS NEARLY TIME

FOR THE CONTEST AND HE'S LATE.

WHY DON'T WE START WITHOUT HIM?

HOWARD'S GOT THE PITCH PIPE.

WE'LL USE THE PIANO.

BESIDES, WE CAN'T REHEARSE WITHOUT A TENOR.

WELL, AUNT BEE'S NOT A TENOR,

BUT SHE'S GOT A FINE VOICE.

THANK YOU, ANDY.

WOMEN CAN'T TAKE TENOR PARTS.

THEY'RE SOPRANOS.

WHAT DIFFERENCE DOES IT MAKE?

WHY DON'T WE START OFF WITH "IN THE GLOAMING"

IN CASE THEY WANT AN ENCORE.

HERE. ALL RIGHT.

COME ON.

COME ON, WALLY.

THERE'S YOUR NOTE, WALLY.

* MI-MI

BURT.

* MI-MI-MI

AUNT BEE.

* MI-MI-MI

* IN THE GLOAMING

* OH, MY DARLING

* WHEN THE LIGHTS ARE DIM AND LOW... *

HOLD IT.

BURT, YOU'RE OFF.

WELL, SOMETHING'S THROWING ME.

WHAT'S THROWING YOU, BURT?

WELL, NO OFFENSE, BEATRICE,

BUT YOU'RE TOO SQUEAKY.

BURT WILKINS, I AM NOT SQUEAKY.

MY VOICE MAY BE MORE BELL-LIKE

THAN YOU'RE ACCUSTOMED TO

BUT IT'S DEFINITELY NOT SQUEAKY.

NOW DON'T GET UPSET, AUNT BEE...

COME IN.

OH, HOWARD. GOOD.

GOLLY, I'M SORRY I'M LATE.

WHERE YOU BEEN?

I HAD TO GO TO THE DRUGSTORE

TO GET SOME THROAT SPRAY.

THROAT SPRAY?

OH, IT'S NOTHING TO BE ALARMED ABOUT.

PURELY A PRECAUTIONARY MEASURE.

PRECAUTIONARY FOR WHAT, HOWARD?

WELL, I'VE HAD THIS LITTLE TICKLING IN MY THROAT.

TOLD YOU SOMETHING HAPPENED TO HIM.

OH, HOWARD, IT ISN'T GOING TO AFFECT YOUR VOICE, IS IT?

THE CONTEST IS ONLY TWO DAYS AWAY.

OH, I'M SURE IT WON'T.

IT WON'T AFFECT MY VOICE AT ALL.

SOUNDS LIKE IT ALREADY HAS.

YOU WANT TO SING JUST A LITTLE BIT

OF "IN THE GLOAMING," HOWARD?

* MM

* IN THE GLOAMING

* OH...

IT'S JUST A LITTLE TICKLE.

GEE, THAT JUST SOUNDS AWFUL, HOWARD.

IT'S JUST A LITTLE TICKLE.

IT MIGHT TICKLE YOU, BUT IT AIN'T FUNNY TO ME.

ME NEITHER.

YOU KNOW, IF YOU TAKE MY ADVICE

HOWARD SHOULDN'T PRACTICE.

HE SHOULD GO HOME AND TAKE CARE OF THAT THROAT.

THAT MIGHT BE THE BEST IDEA.

AND KEEP YOUR THROAT WARM.

WRAP SOMETHING AROUND IT.

GET YOURSELF A BEAVER PELT.

BEST THING IN THE WORLD FOR WARMTH.

BUT I'M QUITE POSITIVE

THERE'S NOTHING BASICALLY WRONG WITH MY THROAT.

DON'T WORRY, IT WILL BE GOOD AS NEW

IN THE MORNING, YOU'LL SEE.

HEY, SARAH. SARAH, RING HOWARD SPRAGUE'S OFFICE.

I DON'T KNOW. I DON'T KNOW, SARAH.

WELL, THAT'S WHAT I'M CALLING FOR.

WELL, CHICKEN SOUP DOESN'T CURE EVERYTHING, SARAH.

Man: HEY, SHERIFF.

WHAT?

HOW ABOUT TIME OFF FOR GOOD BEHAVIOR?

YOU SHOULD HAVE THOUGHT OF THAT

BEFORE YOU WENT AROUND PICKING POCKETS.

I CAN'T STAND BEING COOPED UP LIKE THIS.

HUSH.

NO, NO.

WELL, TRY HIS HOUSE.

I'VE GIVEN YOU FIVE DAYS FOR FIGHTING

AND TEN DAYS FOR STEALING CHICKENS

AND NOW YOU'RE PICKING POCKETS.

YOU'LL JUST STAY THERE

TILL YOU LEARN TO ACT LIKE SOMEBODY.

WHY DON'T YOU GET A JOB AND GO TO WORK?

IT'S NOT HARD.

YOU THINK STEALING IS EASY?

NOT THERE, SARAH, HUH?

WELL, THANK YOU.

WELL, HOW ABOUT IT, SHERIFF?

DO I GET TIME OFF FOR GOOD BEHAVIOR OR NOT?

LET ME SEE SOME.

COMING.

HI.

WHY DIDN'T YOU ANSWER THE PHONE?

: WELL, I GUESS

I DIDN'T HEAR IT WITH THIS TOWEL ON.

YOU SOUND AWFUL.

I'M NOT AT MY BEST.

DID YOU SEE THE DOCTOR?

WELL, I WAS THINKING OF IT.

WELL, GET YOUR BRITCHES ON.

MAYBE HE'LL GIVE YOU A SHOT OF PENICILLIN.

I'M ALLERGIC TO PENICILLIN.

HE'S OUT, I TELL YOU, HE'S JUST OUT.

WHAT ARE YOU GOING TO DO, ANDY?

WHAT ARE YOU GOING TO DO?

I DON'T KNOW, FLOYD.

NO CHANCE OF HIM IMPROVING?

NOT IN TIME.

WHAT ARE YOU GOING TO DO, ANDY?

I DON'T KNOW, FLOYD.

THE DOCTOR SAID IT WOULD TAKE HIM A WEEK

TO GET HIS VOICE BACK TO NORMAL.

OF ALL THE BREAKS.

WHAT ARE YOU GOING TO DO, ANDY?

I DON'T KNOW, FLOYD!

YOU DON'T HAVE TO YELL.

I'M SORRY.

GO ACROSS THE STREET AND GET BURT

AND TELL HIM TO COME OVER TO THE COURTHOUSE.

WE GOT TO GET A TENOR, RIGHT AWAY.

RIGHT, RIGHT, RIGHT.

WELL, HERE YOU ARE, JEFF.

HEY, SHERIFF, HOW ABOUT TIME OFF

FOR GOOD BEHAVIOR, HUH?

WILL YOU STOP WORRYING ME TO DEATH

ABOUT TIME OFF? EAT.

HEY, FRIED CHICKEN, MASHED POTATOES AND GRAVY.

AT LEAST THE FOOD'S GOOD.

YEAH.

HEY, THEY FORGOT TO GIVE ME A KNIFE.

WHY DON'T YOU USE THE ONE YOU'VE GOT?

WHAT ONE DO I HAVE?

THE ONE YOU STOLE FROM YOUR BREAKFAST TRAY.

WHY DON'T YOU QUIT TRYING TO BREAK OUT OF HERE?

IT WOULD TAKE YOU 20 YEARS.

YOU CAN'T BLAME A GUY FOR TRYING.

I WISH YOU'D TRY SOMETHING WORTHWHILE.

A YOUNG FELLA LIKE YOURSELF COULD TURN OVER A NEW LEAF.

GET YOURSELF A JOB.

PLEASE, SHERIFF, NO LECTURES ON AN EMPTY STOMACH, HUH?

YOU'LL HAVE A LOT OF EMPTY STOMACHS

IF YOU DON'T STRAIGHTEN OUT.

HAVE YOU GOT ANY SALT?

Floyd: OH, ANDY.

I'LL BE WITH YOU IN A MINUTE, FLOYD.

COME ON IN, SIT DOWN.

DID YOU FIGURE OUT WHAT TO DO YET?

NO, FLOYD.

YOU GOT ANY PEPPER?

I'M NOT RUNNING A HOTEL

AND YOU'RE NOT DOING THE COUNTY ANY BIG FAVOR

BY BEING HERE.

EAT!

ARE YOU SURE HE MIGHT NOT BE WELL IN TIME?

I'M SURE, FLOYD.

OH, THAT HOWARD.

GETTING A SORE THROAT AT A TIME LIKE THIS.

HE HAS NO SENSE OF LOYALTY.

DID HE TRY THE BEAVER PELT?

HE'S OUT, BURT. HE'S JUST OUT.

THE MAN'S GOT NO VOICE.

NOW, WE'RE GOING TO HAVE TO FIND

ANOTHER TENOR THAT KNOWS

"BEAUTIFUL ISLE OF MAKE-BELIEVE"

AND "IN THE GLOAMING."

Floyd: I CAN'T THINK OF ANYBODY WHO COULD DO THE JOB.

Wally: WE KNOW ALL THE TENORS IN TOWN.

NONE OF THEM'S GOOD ENOUGH.

WE JUST THINK WE KNOW THEM ALL.

THERE'S GOT TO BE SOMEBODY.

IF WE DON'T FIND ONE, WE'LL WIND UP NOT GOING TO MT. PILOT.

Burt: I KNOW WHO WE CAN GET.

A GREAT TENOR.

FRED CALLAHAN.

FRED CALLAHAN'S PASSED AWAY.

OH, THAT'S RIGHT.

BUT HE WAS A GREAT TENOR.

CLIFF! CLIFF PAMALY!

HE'S GOT A FINE TENOR.

CLIFF'S HARD OF HEARING.

DON'T AFFECT HIS VOICE NONE.

HE HAS TO SING SO LOUD TO HEAR HIMSELF

HE DROWNS OUT EVERYBODY ELSE.

MAYBE YOU COULD STAND HIM IN THE BACK

SO YOU COULDN'T HEAR HIM.

NO, FLOYD.

THEN JUST MUFFLE HIM A LITTLE BIT.

NO, FLOYD.

WELL, THEN STUFF A CLOTH IN HIS MOUTH.

THAT'S NOT FUNNY, FLOYD.

YOU KNOW WHAT WOULD HURT?

YOU KNOW WHAT WOULD REALLY HURT?

All: WHAT?

IF WE WAS TO LOSE THAT TROPHY

TO SHERIFF WILSON OVER IN MT. PILOT.

I OUGHT NOT TO SAY THIS, BUT I WILL--

I DON'T LIKE HIM.

HE'S GOT A MEAN STREAK IN HIM.

WELL, I GUESS THE ONLY THING WE CAN DO

IS SPREAD THE WORD AROUND

THAT WE'RE HOLDING AUDITIONS FOR ANOTHER TENOR.

WE DON'T HAVE MUCH TIME

WE'LL HAVE TO HOLD THEM IN THE COURTHOUSE.

ALL RIGHT, ANDY

WE'LL SPREAD THE WORD.

Floyd: YEAH, WE'LL GET ON THE BALL.

WE'LL SEE YOU, ANDY.

: * IN THE GLOAMING

* OH, MY DARLING

* WHEN THE LIGHTS ARE DIM AND LOW *

* LA-DA-DE-DA

* DA-DA-DE-EE

* SOFTLY COME

* AND SOFTLY GO.

: * ...MAGICAL ISLE OF LOVE.

WELL, UH... UH...

I THINK WE'VE, UH, GOT THE PICTURE.

RIGHT. YEAH.

OF COURSE, I SOUND BETTER WHEN I'M SINGING WITH A GROUP.

OH, WELL, YEAH, YEAH.

I SURE WOULD LIKE TO JOIN YOU FELLAS.

WHAT DO YOU SAY?

WELL, THAT WOULD BE... THAT'D BE GOOD, TOM.

THAT'D BE GOOD, EXCEPT, UH...

FOR ONE THING, YOU'RE TOO SHORT.

TOO SHORT?

WELL, WE... WE KIND OF FEEL

THAT WHEN THE GUYS ARE ALL

YOU KNOW, ABOUT THE SAME HEIGHT

WHY, THEIR VOICES BLEND BETTER.

OH. YEAH. BUT WE, UH...

WE WILL TALK ABOUT IT

AND IF WE DECIDE THAT WE CAN USE YOU

WHY, WE'LL, YOU KNOW, WE'LL GIVE YOU A CALL.

AND THANK YOU SO MUCH FOR COMING BY.

OH, GLAD TO. RIGHT, TOM.

YOU CAN REACH ME AT THE STORE, ANDY.

RIGHT, RIGHT. THANKS.

WELL... ANYBODY ELSE?

NO. HE WAS THE LAST.

OH...

Andy: WELL... OF THE CROWD

I'D SAY PERRY PLUMMER WAS THE BEST.

Wally: OH, NO, NO, NO, NO.

MY PICK'D BE BILL WATKINS.

WELL, WHAT DO YOU... WHAT DO YOU THINK, BURT?

WATKINS OR PLUMMER?

I STILL THINK THERE MUST BE SOMEBODY ELSE.

: * IN THE GLOAMING, OH, MY DARLING... *

QUIET IN THERE.

WE'RE TRYING TO THINK.

SING THAT AGAIN, SON.

* IN THE GLOAMING, OH, MY DARLING *

* SOFTLY COME

* AND SOFTLY GO.

NO.

BUT, ANDY, WHAT A VOICE.

WITH A TENOR LIKE THAT, WE'D BE A CINCH TO WIN.

THE MAN'S IN JAIL FOR COMMITTING A CRIME.

BUT YOU COULD LET HIM OUT, JUST FOR TOMORROW NIGHT.

HE'D TRY TO ESCAPE. PUT HIM ON HIS GOOD BEHAVIOR.

HE DON'T KNOW ABOUT GOOD BEHAVIOR.

BUT YOU GOT TO DO IT, ANDY, IT'S OUR ONLY CHANCE!

I CAN'T.

IT'S NOT LEGAL, IT'S NOT ACCORDING TO THE LAW

AND BESIDES THAT, IT...

IT'S JUST NOT RIGHT.

NO.

BUT, ANDY, THEY SAY HE'S GOT A GREAT VOICE.

I'M NOT LETTING HIM OUT TO SING WITH US, FLOYD.

NOW, IF WE DON'T COME UP WITH SOMEBODY BY THIS AFTERNOON

WE'LL JUST HAVE TO GO WITH PERRY PLUMMER.

WELL, SAY SOMEBODY LEFT THE CELL DOOR OPEN.

YOU KNOW, BY MISTAKE, YOU SEE.

THEN JEFF COULD ESCAPE.

I'M NOT LETTING HIM OUT, FLOYD.

BUT IT'D ALL BE LEGAL, ANDY.

YOU'D CAPTURE HIM RIGHT AWAY

AND THEN WHEN YOU'RE DRIVING BACK TO JAIL

YOU COULD TAKE A LITTLE DETOUR...

SAY UP TO MT. PILOT.

I'M NOT LETTING HIM OUT, FLOYD.

WELL... JUST A THOUGHT.

HI, ANDY. FLOYD.

HOW YOU DOING, BLAKE?

YOU OVER HERE ON OFFICIAL BUSINESS?

NO, JUST PASSING THROUGH ON MY WAY TO BIXBY.

HAD TO STOP AND GET SOME GAS

AND I HEARD SOME VERY DISTRESSING NEWS.

CAME BY TO OFFER MY CONDOLENCES.

OH?

HEARD YOU LOST YOUR TENOR.

WELL, IT WAS MIGHTY CONSIDERATE OF YOU, BLAKE,

TO COME OUT OF YOUR WAY LIKE THIS TO CONSOLE US.

FOUND ANOTHER ONE YET?

WE'RE WORKING ON IT.

WELL, I SURE HOPE YOU FIND A GOOD ONE.

OH, YES.

NO, BUT I DO.

WELL YOU KNOW SOMETHING, ANDY?

WE'RE GOING TO BEAT YOU THIS YEAR

AND I HATE TO BEAT A MAN WITH A BUILT-IN EXCUSE

LIKE LOSING HIS TENOR.

NO MATTER WHAT HAPPENS,

YOU WON'T HEAR ME MAKING ANY EXCUSES.

OH, AND DON'T FEEL TOO BAD

ABOUT NOT BRINGING THAT TROPHY HOME.

IT'S REALLY TOO GOOD FOR MAYBERRY.

IT BELONGS IN A BIG TOWN, LIKE MT. PILOT.

I PROMISE NOT TO TRY TO ESCAPE ON MY WAY TO MT. PILOT...

I PROMISE NOT TO TRY TO ESCAPE ON MY WAY TO MT. PILOT...

WHILE I'M IN MT. PILOT...

WHILE I'M IN MT. PILOT...

ON MY WAY BACK FROM MT. PILOT.

ON MY WAY BACK FROM MT. PILOT.

I GUESS THAT DOES IT. I GUESS THAT...

YOU DON'T HAVE TO SAY THAT PART.

Opie: "TO STAGE AND DRESSING ROOMS."

OH, MY GOODNESS.

OOH, ISN'T IT EXCITING TO BE BACKSTAGE, ANDY?

OH, THERE'S THE CUP.

YEAH.

OH, ISN'T IT BEAUTIFUL? JUST BEAUTIFUL.

I CERTAINLY WISH I COULD BE A PART OF ALL OF THIS.

WELL, MAYBE NEXT YEAR, HOWARD, MAYBE NEXT YEAR.

PAW, WILL I BE ABLE TO SIT IN THE FRONT ROW?

WE'LL TRY.

ANDY, ANDY, YOU BETTER CHECK US IN.

OH, YEAH, I'LL BE BACK.

HI, MR. JOHNSTON.

OH, SHERIFF TAYLOR, NICE SEEING YOU AGAIN.

IT'S NICE TO BE BACK.

NOW, LET'S SEE, WE HAVE YOU SCHEDULED FOR 8:30.

8:30-- THAT'S TWO HOURS.

I ALWAYS BELIEVE IN SAVING THE BEST TILL THE LAST.

WELL...

AND WE HAVE YOU ASSIGNED TO DRESSING ROOM "F."

"F."

IT'S A LITTLE ON THE SMALL SIDE.

I GUESS YOU'LL HAVE TO TAKE TURNS IN IT.

OH, THAT'S ALL RIGHT.

OH, AND, SHERIFF, IF YOU DON'T MIND GETTING DRESSED SOON

WE'D LIKE TO TAKE SOME PICTURES.

OH... FINE.

OH, ANDY, IT IS BEAUTIFUL, ISN'T IT?

PAW, YOU GOING TO FIX IT

SO WE CAN HAVE THAT FOR KEEPS?

WE'LL TRY, HUH?

WE'LL TRY.

FELLAS, FELLAS...

I JUST WANT YOU TO KNOW

THAT EVEN THOUGH I WON'T BE OUT THERE

ON THE STAGE WITH YOU SHOULDER TO SHOULDER

I'LL BE THINKING OF YOU EVERY MINUTE OF THE TIME.

GOOD LUCK.

GIVE IT ALL YOU GOT.

WE'LL TRY.

OH, AND MR. NELSON, I MEANT TO TELL YOU

I THINK IT'S AWFULLY NICE OF YOU TO PROMISE SHERIFF TAYLOR

THAT YOU WOULDN'T TRY TO ESCAPE.

WELL, YOU JUST GIVE IT ALL YOU'VE GOT, HMM?

YES, MA'AM.

WELL, THERE'S NO NEED IN GETTING TOO EXCITED.

WE DON'T GO ON FOR TWO HOURS.

TWO HOURS? TWO HOURS?

THAT'S WHAT THE MAN SAID.

BUT HE WANTS US TO GET DRESSED

'CAUSE THEY WANT TO TAKE A PICTURE.

OH, PICTURES...

WELL, THAT'S THE WAY IT IS WHEN YOU'RE A FAMOUS QUARTET.

OPIE, OPIE, COME ON, COME ON.

HURRY UP, WALLY.

I'M COMING.

YOU'RE GOING TO CHANGE NEXT, AREN'T YOU, JEFF?

YEAH, I GUESS SO.

HERE. UH, ANDY, COULD I HOLD THOSE FOR YOU?

WELL... WELL.

YEAH... THAT'S IT.

OH.

SHERIFF.

SHERIFF.

WELL, SO YOU FOUND YOURSELF A TENOR.

YEAH, WE FOUND OURSELVES A TENOR.

HEY, HAVEN'T I SEEN YOU SOMEPLACE BEFORE?

YEAH, YOU MIGHT HAVE.

YOU EVER BEEN TO NEW YORK?

YEAH, I'VE BEEN TO NEW YORK.

WELL, MAYBE YOU SAW HIM IN THE METROPOLITAN OPERA.

HE'S A REAL FAMOUS SINGER.

JEFF'S SURE TAKING A LONG TIME TO CHANGE.

YEAH, HE SURE IS.

JEFF?

JEFF?

HI.

HI.

I'VE SEEN YOU SOMEPLACE.

YEAH?

AND I SEEN YOU, TOO.

AND I'LL TELL YOU WHERE.

WE WAS IN JAIL TOGETHER OVER IN BIXBY.

YEAH.

HERE, HAVE SOME COFFEE, PAL.

THANKS.

WHERE YOU HEADED?

I DON'T KNOW.

JUST GOT LOOSE.

I WAS IN JAIL OVER IN MAYBERRY.

MAYBERRY?

WELL, WELL...

SHERIFF TAYLOR STILL OVER THERE?

YEAH.

OH, HE'S A GOOD GUY.

I LIKE HIM.

YEAH, HE AIN'T A BAD GUY.

I'LL SAY HE AIN'T A BAD GUY.

YOU KNOW WHAT IT IS WITH SHERIFF TAYLOR?

WHAT?

WELL, YOU SEE, THE REST OF THESE GUYS

THEY JUST TOSS YOU IN AND YOU'RE NOTHING. NOTHING.

MAKES YOU FEEL LIKE DIRT.

BUT WITH TAYLOR, I DON'T KNOW...

TREATS YOU WITH A LITTLE RESPECT.

MAKES YOU FEEL LIKE A REGULAR GUY.

YEP.

YOU KNOW, EVERY TIME I'VE BEEN IN THAT MAYBERRY JAIL

I COME WALKING OUT KIND OF FEELING... DIFFERENT.

MAKE YOU FEEL LIKE... YOU CAN BE TRUSTED.

THINK I'LL TURN IN.

GRAB YOURSELF A PIECE OF GROUND.

YES, SIR...

NEXT TIME I GET ARRESTED

I'LL TRY AND GET ARRESTED OVER AT TAYLOR'S.

HE'S A GOOD MAN.

Johnston: WELL, FOLKS, THAT WAS YOUR MT. PILOT QUARTET.

NO LUCK?

NO LUCK.

THERE GOES THE TROPHY.

WELL, THAT'S NOT AS IMPORTANT TO ME

AS LOSING A PRISONER.

WELL, I GUESS I...

WHERE YOU BEEN?

WELL, SHERIFF, I...

NEVER SANG BEFORE A LIVE AUDIENCE BEFORE

SO I GUESS I GOT A CASE OF COLD FEET

AND TOOK A LITTLE WALK TO CALM DOWN?

YOU'VE ALL BEEN WAITING FOR THE MAYBERRY QUARTET.

BUT DUE TO UNFORESEEN CIRCUMSTANCES

THEY HAVE HAD TO WITHDRAW.

UH, MR. JOHNSTON...

UH, THE UNFORESEEN CIRCUMSTANCES HAVE BEEN CLEARED UP.

WOULD YOU STALL THEM, AND I'LL CHANGE.

SURE.

LADIES AND GENTLEMEN...

STAY WITH HIM, JUST... RIGHT WITH HIM.

All: * MMM...

* BEAUTIFUL ISLE OF MAKE-BELIEVE *

* MAGICAL ISLE OF LOVE

* WONDERFUL DREAMS WITH THEIR MARVELOUS SCENES *

* THAT SEEM LIKE THE HEAVENS SO FAR UP ABOVE *

* MAKE-BELIEVE ISLE WITH ITS TREASURES OF GOLD *

* MAKING COME TRUE ALL MY MEMORIES OF OLD *

* BEAUTIFUL ISLE OF MAKE-BELIEVE *

* MAGICAL ISLAND OF LOVE

* BEAUTIFUL ISLAND OF MAKE-BELIEVE *

* MAGICAL ISLAND OF...

* MAGICAL ISLAND OF LOVE.

LADIES AND GENTLEMEN...

IT DIDN'T TAKE THE JUDGES LONG

TO DECIDE ON A WINNER.

THE MAYBERRY QUARTET.

SHERIFF TAYLOR...

SINCE YOU HAVE WON THIS CONTEST FOR THREE CONSECUTIVE YEARS

IT GIVES US GREAT PLEASURE TO PRESENT THIS TROPHY

TO YOU FOR YOUR PERMANENT POSSESSION.

THANK YOU.

THANK YOU VERY MUCH.

WE APPRECIATE IT.

HOW ABOUT THAT?