All language subtitles for The.Andy.Griffith.Show.S06E30.A.Singer.In.Town.WEBRip.x264-ION10

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:30,464 --> 00:00:31,632 WELL, LOOKS LIKE 2 00:00:31,665 --> 00:00:34,335 YOU'RE GONNA HAVE TO HAVE ANOTHER LENGTH 3 00:00:34,368 --> 00:00:35,669 IN THIS CHAIN, OPE. 4 00:00:35,703 --> 00:00:38,739 THIS BIKE IS JUST NICKEL AND DIMING ME TO DEATH. 5 00:00:38,772 --> 00:00:41,709 WELL, I THINK I CAN FIX IT. 6 00:00:47,881 --> 00:00:49,683 WOW. 7 00:00:49,717 --> 00:00:51,185 DID YOU EVER SEE A THING LIKE THAT 8 00:00:51,219 --> 00:00:52,820 IN YOUR WHOLE BORN LIFE? 9 00:00:52,853 --> 00:00:56,524 YOU CAN FILL HER UP. 10 00:01:00,861 --> 00:01:03,497 HEY, IS THIS ONE OF THOSE FOREIGN CARS? 11 00:01:03,531 --> 00:01:05,633 NO, IT'S JUST A CUSTOM JOB, SON. 12 00:01:05,666 --> 00:01:07,701 MUST HAVE COST A LOT OF MONEY. 13 00:01:07,735 --> 00:01:09,370 WELL, IT WASN'T CHEAP. 14 00:01:09,403 --> 00:01:10,471 CAN I SIT IN IT? 15 00:01:10,504 --> 00:01:12,206 SURE, SON. GO AHEAD. 16 00:01:12,240 --> 00:01:15,743 GEE, THANKS. 17 00:01:15,776 --> 00:01:17,745 CAN I SIT IN IT AFTER HIM? 18 00:01:17,778 --> 00:01:19,313 YEAH, OKAY. 19 00:01:19,347 --> 00:01:20,381 HELP YOURSELF. 20 00:01:20,414 --> 00:01:23,117 THANKS. 21 00:01:23,151 --> 00:01:25,619 VROOM, VROOM, VROOM, VROOM! 22 00:01:25,653 --> 00:01:27,355 SAY, I'M ON MY WAY TO RALEIGH, 23 00:01:27,388 --> 00:01:29,190 AND I'VE GOT A COUPLE EXTRA DAYS. 24 00:01:29,223 --> 00:01:31,192 IS THERE ANY GOOD FISHING AROUND HERE? 25 00:01:31,225 --> 00:01:32,760 OH, I'LL SAY THERE IS. 26 00:01:32,793 --> 00:01:34,828 HOPKINS LAKE -- FINEST TROUT FISHING IN THE COUNTY. 27 00:01:34,862 --> 00:01:36,564 IS THAT RIGHT? YEAH. 28 00:01:38,732 --> 00:01:40,701 HEY, OPE, IT'S MY TURN NOW. 29 00:01:40,734 --> 00:01:43,571 OKAY. 30 00:01:43,604 --> 00:01:45,373 OPE! 31 00:01:54,348 --> 00:01:56,917 ARE YOU KEEVY HAZELTON? 32 00:01:56,950 --> 00:01:58,852 THAT'S RIGHT, SON. 33 00:02:02,823 --> 00:02:04,392 KEEVY HAZELTON. 34 00:02:04,425 --> 00:02:06,360 WOW. 35 00:02:06,394 --> 00:02:08,629 YOU WANT TO KNOW SOMETHING? 36 00:02:08,662 --> 00:02:11,599 YOU LOOK JUST LIKE YOU DO ON TV. 37 00:02:11,632 --> 00:02:12,700 YOU'VE SEEN ME, HUH? 38 00:02:12,733 --> 00:02:14,168 I NEVER MISS YOUR PROGRAM. 39 00:02:14,202 --> 00:02:15,469 ME, EITHER. 40 00:02:15,503 --> 00:02:16,904 I'VE EVEN GOT THREE OF YOUR RECORDS. 41 00:02:16,937 --> 00:02:18,639 WELL, YOU'RE A REAL BUDDY. 42 00:02:18,672 --> 00:02:21,309 YOU KNOW, I JUST MIGHT HANG AROUND HERE 43 00:02:21,342 --> 00:02:23,244 AND GRAB ME SOME OF THAT FISHING. 44 00:02:23,277 --> 00:02:24,612 YOU GOT A HOTEL? 45 00:02:24,645 --> 00:02:27,315 YEAH, A TWO-STORY BUILDING ON MAIN STREET. 46 00:02:27,348 --> 00:02:28,482 YOU CAN'T MISS IT. 47 00:02:28,516 --> 00:02:30,584 OPE, I SAID IT'S MY TURN NOW. 48 00:02:41,995 --> 00:02:43,731 WELL, I'LL TELL YOU ONE THING -- 49 00:02:43,764 --> 00:02:45,599 IT LOOKS LIKE THE WARM WEATHER 50 00:02:45,633 --> 00:02:46,834 WILL NEVER GET HERE. 51 00:02:46,867 --> 00:02:50,871 WELL, AS LONG AS IT STAYS BELOW 65 52 00:02:50,904 --> 00:02:52,940 I'LL WEAR WINTER UNDERWEAR. 53 00:02:52,973 --> 00:02:56,344 WELL, THE IMPORTANT THING IS TO BE COMFORTABLE. 54 00:02:57,511 --> 00:03:00,948 EVEN IF IT GOES UP TO 70, I DON'T CHANGE. 55 00:03:00,981 --> 00:03:03,984 UNLESS IT HOLDS FOR A WEEK OR SO. 56 00:03:04,017 --> 00:03:08,389 YEAH. BETTER TO BE SAFE THAN SORRY. 57 00:03:11,892 --> 00:03:13,394 GOOBER. 58 00:03:15,929 --> 00:03:17,665 GUESS WHO'S IN TOWN. 59 00:03:17,698 --> 00:03:18,666 WHO? 60 00:03:18,699 --> 00:03:20,301 AND HE'S STAYING AT THE HOTEL 61 00:03:20,334 --> 00:03:22,736 AND HE'S GOING FISHING AND I SOLD HIM SOME GAS. 62 00:03:22,770 --> 00:03:24,638 WELL, WHO, GOOB? 63 00:03:26,874 --> 00:03:28,542 KEEVY HAZELTON. 64 00:03:28,576 --> 00:03:30,278 KEEVY HAZELTON? YEAH. 65 00:03:30,311 --> 00:03:31,612 YOU MEAN THE SINGER?! YEAH. 66 00:03:31,645 --> 00:03:32,613 AND HE'S HERE? YEAH. 67 00:03:32,646 --> 00:03:34,648 NO KIDDING? KEEVY HAZELTON? 68 00:03:34,682 --> 00:03:36,350 STAYING OVER AT THE HOTEL? YEAH. 69 00:03:36,384 --> 00:03:37,885 I JUST SAW HIM ON TV LAST WEEK. 70 00:03:37,918 --> 00:03:39,287 YEAH. 71 00:03:39,320 --> 00:03:41,355 ANDY, MAYBE WE OUGHT TO HAVE 72 00:03:41,389 --> 00:03:42,623 SOME CELEBRATION. 73 00:03:42,656 --> 00:03:43,857 OH, I DON'T THINK SO, FLOYD. 74 00:03:43,891 --> 00:03:46,660 IT'S AN HONOR TO HAVE HIM. 75 00:03:46,694 --> 00:03:48,862 WELL, GIVE HIM THE KEY TO THE CITY. 76 00:03:48,896 --> 00:03:51,832 WE HAVEN'T GIVEN ONE OF THOSE OUT IN A LONG TIME. 77 00:03:51,865 --> 00:03:54,702 OH, NO, HE'S JUST HERE TO FISH FOR A LITTLE WHILE. 78 00:03:54,735 --> 00:03:56,804 I DON'T THINK WE OUGHT TO BOTHER HIM. 79 00:03:56,837 --> 00:03:59,473 WELL, GIVING HIM THE KEY WOULDN'T TAKE LONG. 80 00:03:59,507 --> 00:04:01,809 OH, I DON'T THINK SO, FLOYD. 81 00:04:01,842 --> 00:04:03,811 FIVE MINUTES? 82 00:04:03,844 --> 00:04:05,813 NO. 83 00:04:05,846 --> 00:04:07,848 PUT SOME RIBBON ON IT? 84 00:04:07,881 --> 00:04:09,383 OH, NO. 85 00:04:09,417 --> 00:04:10,784 HE SAID I COULD TAKE HIS PICTURE. 86 00:04:10,818 --> 00:04:11,852 MAYBE TOMORROW. 87 00:04:11,885 --> 00:04:13,053 TAKE ONE FOR ME, TOO. 88 00:04:13,086 --> 00:04:14,455 OKAY. 89 00:04:14,488 --> 00:04:15,823 WELL, LET'S NOT WORRY HIM TO DEATH, NOW. 90 00:04:15,856 --> 00:04:17,525 WELL, I'M JUST GOING 91 00:04:17,558 --> 00:04:18,792 TO TAKE HIS PICTURE. 92 00:04:18,826 --> 00:04:20,561 WELL... I GUESS I BETTER GO HOME. 93 00:04:20,594 --> 00:04:22,730 I PROMISED AUNT BEE I'D COME IN FOR LUNCH. 94 00:04:22,763 --> 00:04:23,731 I'LL SEE YOU. 95 00:04:23,764 --> 00:04:25,666 I'LL SEE YOU, ANDY. 96 00:04:25,699 --> 00:04:26,934 HEY, FLOYD... 97 00:04:26,967 --> 00:04:29,303 HEY, HOW ABOUT A PARADE? 98 00:04:29,337 --> 00:04:31,672 YOU OUGHT TO SEE HIS CAR. 99 00:04:31,705 --> 00:04:34,308 HE'S ALWAYS BEEN ONE OF MY FAVORITE SINGERS. 100 00:04:34,342 --> 00:04:35,876 MINE, TOO. 101 00:04:35,909 --> 00:04:37,378 BOY, YOU OUGHT TO SEE HIS CAR. 102 00:04:37,411 --> 00:04:38,379 I SAT IN IT. 103 00:04:38,412 --> 00:04:39,580 I THINK IT WAS THE SONG 104 00:04:39,613 --> 00:04:40,948 "TEXARKANA IN THE MORNING" 105 00:04:40,981 --> 00:04:42,082 THAT HE MADE POPULAR. 106 00:04:42,115 --> 00:04:43,551 YES, FOR A WHILE THERE 107 00:04:43,584 --> 00:04:45,686 YOU COULDN'T TURN ON TV WITHOUT HEARING IT. 108 00:04:45,719 --> 00:04:46,920 IS THAT WHERE HE'S FROM? 109 00:04:46,954 --> 00:04:48,856 OH, NO. HE JUST SINGS THE SONG. 110 00:04:48,889 --> 00:04:51,959 I'LL BET THE FOLKS IN TEXARKANA ARE HAPPY ABOUT IT. 111 00:04:51,992 --> 00:04:53,427 YES. 112 00:04:53,461 --> 00:04:55,529 I DON'T REMEMBER WHERE I HEARD IT 113 00:04:55,563 --> 00:04:56,797 BUT SOMEBODY TOLD ME 114 00:04:56,830 --> 00:04:58,932 IT HAD DONE WONDERS FOR THE PLACE. 115 00:04:58,966 --> 00:05:01,335 THEY BEGAN TO GET A LOT OF TOURISTS 116 00:05:01,369 --> 00:05:03,571 AND IT STILL HASN'T STOPPED GROWING. 117 00:05:03,604 --> 00:05:04,705 JUST FROM A SONG. 118 00:05:04,738 --> 00:05:05,839 AMAZING, ISN'T IT? 119 00:05:05,873 --> 00:05:07,508 TOO BAD WE NEVER HAD A SONG. 120 00:05:07,541 --> 00:05:08,809 YES. 121 00:05:08,842 --> 00:05:11,345 WHAT ABOUT THE ONE YOU AND AUNT BEE SANG 122 00:05:11,379 --> 00:05:13,080 ON FLAG DAY? 123 00:05:13,113 --> 00:05:15,883 OH, HE'S TALKING ABOUT "MY HOMETOWN." 124 00:05:15,916 --> 00:05:19,520 MISS EDWARDS AND I WROTE THAT FOR THE OCCASION. 125 00:05:19,553 --> 00:05:20,788 YEAH. 126 00:05:20,821 --> 00:05:22,756 AND I REMEMBER EVERYBODY APPLAUDING A LOT. 127 00:05:22,790 --> 00:05:24,458 WE DID HAVE TO DO AN ENCORE. 128 00:05:24,492 --> 00:05:25,959 DO YOU REMEMBER, BEE? 129 00:05:25,993 --> 00:05:27,428 YES. 130 00:05:27,461 --> 00:05:28,696 GEE, AUNT BEE, WHY DON'T YOU SHOW IT 131 00:05:28,729 --> 00:05:30,464 TO KEEVY HAZELTON? 132 00:05:30,498 --> 00:05:31,632 MAYBE HE'LL SING IT ON TV. 133 00:05:31,665 --> 00:05:32,966 OH, OPIE. 134 00:05:33,000 --> 00:05:34,435 WELL, WHY NOT? 135 00:05:34,468 --> 00:05:37,004 HE'S ALWAYS SINGING SONGS ABOUT TOWNS. 136 00:05:37,037 --> 00:05:38,906 TEXARKANA, ABILENE, MOBILE. 137 00:05:38,939 --> 00:05:44,011 YOU KNOW, BEE, IT WAS RATHER A NICE SONG. 138 00:05:44,044 --> 00:05:46,547 YES, IT WAS, WASN'T IT? 139 00:05:48,449 --> 00:05:49,617 HI, EVERYBODY. 140 00:05:49,650 --> 00:05:50,951 HI, CLARA. 141 00:05:50,984 --> 00:05:53,387 ANDY, I'LL HAVE YOUR LUNCH READY IN A MINUTE. 142 00:05:53,421 --> 00:05:55,022 I JUST WANT TO ASK YOU A QUESTION. 143 00:05:55,055 --> 00:05:56,156 WHAT? 144 00:05:56,189 --> 00:05:57,658 DO YOU REMEMBER THAT SONG 145 00:05:57,691 --> 00:06:00,027 CLARA AND I WROTE FOR FLAG DAY CELEBRATION? 146 00:06:00,060 --> 00:06:01,495 THE ONE YOU SANG? 147 00:06:01,529 --> 00:06:02,763 MM-HMM. "MY HOMETOWN." 148 00:06:02,796 --> 00:06:04,432 OH, YEAH. 149 00:06:04,465 --> 00:06:05,433 DID YOU LIKE IT? 150 00:06:05,466 --> 00:06:06,767 YEAH, I THOUGHT IT WAS GOOD. 151 00:06:06,800 --> 00:06:07,868 Clara: YOU DID? 152 00:06:07,901 --> 00:06:09,537 DID YOU THINK IT WAS PROFESSIONAL? 153 00:06:09,570 --> 00:06:12,039 YEAH, IT SOUNDED PROFESSIONAL. 154 00:06:12,072 --> 00:06:13,807 NOW, YOU'RE NOT JUST SAYING THAT? 155 00:06:13,841 --> 00:06:15,876 Andy: NO. I THOUGHT IT WAS A FINE SONG. 156 00:06:15,909 --> 00:06:16,944 WHY DO YOU ASK? 157 00:06:16,977 --> 00:06:18,612 CLARA, WHY DON'T WE ASK HIM OVER? 158 00:06:18,646 --> 00:06:19,613 WHO OVER? 159 00:06:19,647 --> 00:06:20,614 Clara: MAYBE FOR DINNER. 160 00:06:20,648 --> 00:06:21,749 WHO FOR DINNER? 161 00:06:21,782 --> 00:06:23,451 I'LL MAKE A POT ROAST. YES, TONIGHT. 162 00:06:23,484 --> 00:06:24,718 A POT ROAST FOR WHO? 163 00:06:24,752 --> 00:06:26,019 KEEVY HAZELTON. 164 00:06:26,053 --> 00:06:30,057 WE'RE GOING TO ASK HIM TO SING OUR SONG ON TV. 165 00:06:30,090 --> 00:06:31,759 OH, NO, AUNT BEE. 166 00:06:31,792 --> 00:06:32,860 NO. 167 00:06:32,893 --> 00:06:34,762 WELL, WHY NOT, ANDY? 168 00:06:34,795 --> 00:06:35,896 BECAUSE THE MAN IS HERE 169 00:06:35,929 --> 00:06:37,465 JUST TO DO A LITTLE FISHING. 170 00:06:37,498 --> 00:06:39,099 YOU CAN'T ASK HIM TO COME OVER HERE 171 00:06:39,132 --> 00:06:40,200 AND LISTEN TO A SONG. 172 00:06:40,233 --> 00:06:42,002 WELL, YOU SAID IT WAS A GOOD SONG. 173 00:06:42,035 --> 00:06:43,036 WELL, I KNOW... 174 00:06:43,070 --> 00:06:44,438 YOU SAID IT WAS PROFESSIONAL. 175 00:06:44,472 --> 00:06:45,506 PUT THAT SOMEWHERE. 176 00:06:45,539 --> 00:06:47,007 ANDY, IF THAT SONG BECAME POPULAR 177 00:06:47,040 --> 00:06:48,809 IT WOULD DO WONDERS FOR MAYBERRY. 178 00:06:48,842 --> 00:06:50,678 BUT YOU CAN'T ASK HIM, AUNT BEE. 179 00:06:50,711 --> 00:06:52,145 WELL, I WASN'T PLANNING TO. 180 00:06:52,179 --> 00:06:53,146 OH? 181 00:06:53,180 --> 00:06:55,048 I THINK YOU SHOULD ASK HIM. 182 00:06:55,082 --> 00:06:57,050 OH, COME ON! 183 00:06:57,084 --> 00:06:59,152 ANDY, DON'T YOU HAVE ANY CIVIC PRIDE? 184 00:06:59,186 --> 00:07:01,722 YEAH, PAW, DON'T YOU HAVE ANY CIVIC PRIDE? 185 00:07:01,755 --> 00:07:03,557 WHY DON'T YOU WASH YOUR HANDS? 186 00:07:03,591 --> 00:07:05,092 WELL, IF ANDY WON'T, CLARA, 187 00:07:05,125 --> 00:07:07,828 WHY DON'T YOU AND I GO OVER AND ASK HIM? 188 00:07:07,861 --> 00:07:08,829 FINE, BEE. 189 00:07:08,862 --> 00:07:10,898 I'LL ASK HIM. 190 00:07:10,931 --> 00:07:13,967 OF COURSE, NOW, YOU HAVE TO REALIZE 191 00:07:14,001 --> 00:07:16,136 THERE'S A GOOD POSSIBILITY 192 00:07:16,169 --> 00:07:19,106 THAT HE MIGHT NOT BE ABLE TO COME. 193 00:07:19,139 --> 00:07:20,941 MM-HMM. POT ROAST, HMM? 194 00:07:20,974 --> 00:07:23,443 FINE. 195 00:07:37,591 --> 00:07:39,059 THANKS. 196 00:07:39,092 --> 00:07:40,828 HI. 197 00:07:40,861 --> 00:07:41,995 HEY, ANDY. 198 00:07:42,029 --> 00:07:44,765 IS, UH...KEEVY HAZELTON AROUND? 199 00:07:44,798 --> 00:07:46,667 NO. HE WENT FISHING. 200 00:07:46,700 --> 00:07:48,736 HE'LL BE POPPING IN HERE ANY MINUTE, THOUGH. 201 00:07:48,769 --> 00:07:50,971 YOU GOING TO TAKE HIS PICTURE, GOOBER? 202 00:07:51,004 --> 00:07:52,640 YEAH. IN COLOR. 203 00:07:52,673 --> 00:07:54,141 YOU WANT ME TO HAVE ONE MADE UP FOR YOU, ANDY? 204 00:07:54,174 --> 00:07:55,275 NO, THANKS, GOOB. 205 00:07:55,308 --> 00:07:56,744 Girl: THERE HE IS! HE'S COMING! 206 00:07:56,777 --> 00:07:57,745 I CAN'T LOOK! 207 00:07:57,778 --> 00:07:58,846 OH, THIS IS JUST TOO MUCH! 208 00:07:58,879 --> 00:07:59,913 I THINK I'M GOING TO FAINT! 209 00:07:59,947 --> 00:08:01,882 HE'S SO MUCH TALLER IN PERSON 210 00:08:01,915 --> 00:08:02,883 THAN HE IS ON TV! 211 00:08:02,916 --> 00:08:04,885 YOU WANT TO MOVE BACK, GIRLS? 212 00:08:05,919 --> 00:08:07,154 HEY, REMEMBER ME? 213 00:08:07,187 --> 00:08:08,155 GOOBER. 214 00:08:08,188 --> 00:08:09,256 OH, YEAH. HI. 215 00:08:09,289 --> 00:08:11,158 HEY, CAN I TAKE ANOTHER ONE? 216 00:08:11,191 --> 00:08:12,593 OH, SURE. 217 00:08:12,626 --> 00:08:13,861 OKAY. 218 00:08:13,894 --> 00:08:15,095 OH, HE'S JUST BEAUTIFUL. 219 00:08:15,128 --> 00:08:16,229 OKAY, HERE WE GO. 220 00:08:16,263 --> 00:08:17,565 CAN I HAVE YOUR AUTOGRAPH? 221 00:08:17,598 --> 00:08:19,066 YEAH. WHAT'S YOUR NAME, HONEY? 222 00:08:19,099 --> 00:08:20,534 DORIS. 223 00:08:20,568 --> 00:08:21,869 OKAY, DORIS. 224 00:08:21,902 --> 00:08:23,537 GERTRUDE. 225 00:08:23,571 --> 00:08:25,305 THERE YOU ARE, GERTIE. 226 00:08:25,338 --> 00:08:26,674 KAREN. 227 00:08:26,707 --> 00:08:29,142 I USED TO GO WITH A GIRL NAMED KAREN. 228 00:08:29,176 --> 00:08:31,779 THIS IS THE PEN THAT HE WROTE WITH! 229 00:08:31,812 --> 00:08:33,647 I'LL NEVER USE IT AGAIN! 230 00:08:33,681 --> 00:08:36,183 SAY, MY MANAGER'S COMING DOWN TOMORROW. 231 00:08:36,216 --> 00:08:38,686 HAVE YOU GOT AN EXTRA ROOM FOR HIM? 232 00:08:38,719 --> 00:08:39,753 OH, YES, SIR. 233 00:08:39,787 --> 00:08:41,989 AND RIGHT NEXT TO YOURS, TOO. 234 00:08:42,022 --> 00:08:44,592 HEY, LEROY, WOULD YOU SNAP ONE? 235 00:08:44,625 --> 00:08:45,793 OH, SURE THING. 236 00:08:45,826 --> 00:08:48,796 WOULD YOU PUT YOUR ARM AROUND MY SHOULDER 237 00:08:48,829 --> 00:08:51,131 LIKE WE WAS BUDDIES? 238 00:08:51,164 --> 00:08:53,266 CHEESE. 239 00:08:53,300 --> 00:08:55,769 THANKS. 240 00:08:55,803 --> 00:08:57,070 WELL, I'LL SEE YOU, ANDY. 241 00:08:57,104 --> 00:08:59,172 KEEV. 242 00:09:11,885 --> 00:09:13,186 HI. 243 00:09:13,220 --> 00:09:14,822 OH, HI. 244 00:09:14,855 --> 00:09:17,290 UM...I'M ANDY TAYLOR. 245 00:09:17,324 --> 00:09:18,792 OH... 246 00:09:18,826 --> 00:09:21,361 I DIDN'T...I DIDN'T COME FOR THAT. 247 00:09:21,394 --> 00:09:22,763 OH? 248 00:09:22,796 --> 00:09:25,833 UM... 249 00:09:25,866 --> 00:09:28,135 UM...WELL, UM... 250 00:09:28,168 --> 00:09:29,269 WHAT IT, UM... 251 00:09:29,302 --> 00:09:30,671 WHAT IT IS 252 00:09:30,704 --> 00:09:34,975 IS MY AUNT BEE AND A FRIEND OF HERS, 253 00:09:35,008 --> 00:09:36,910 CLARA EDWARDS, 254 00:09:36,944 --> 00:09:39,012 THEY WERE WONDERING IF YOU MIGHT LIKE 255 00:09:39,046 --> 00:09:41,882 TO COME OVER TO OUR HOUSE AND EAT SUPPER TONIGHT. 256 00:09:41,915 --> 00:09:44,818 BUT IF YOU CAN'T MAKE IT, NOW, THEY'LL UNDERSTAND. 257 00:09:44,852 --> 00:09:46,153 WELL, AS A MATTER OF FACT 258 00:09:46,186 --> 00:09:47,721 I'VE BEEN UP SINCE 5:00. 259 00:09:47,755 --> 00:09:48,956 THANKS, ANYWAY. 260 00:09:48,989 --> 00:09:51,391 YEAH, THAT FISHING CAN TAKE IT OUT OF YOU. 261 00:09:51,424 --> 00:09:53,927 I'LL EXPLAIN IT TO THEM. 262 00:09:54,795 --> 00:09:55,763 HI, PAW. 263 00:09:55,796 --> 00:09:57,297 HELLO, MR. HAZELTON. 264 00:09:57,330 --> 00:09:58,766 DID YOU ASK HIM? 265 00:09:58,799 --> 00:10:00,801 YEAH, YEAH, AND HE CAN'T MAKE IT, OPE. 266 00:10:00,834 --> 00:10:02,870 GEE WHIZ, MY AUNT BEE AND MISS EDWARDS 267 00:10:02,903 --> 00:10:04,137 REALLY WANT YOU TO COME. 268 00:10:04,171 --> 00:10:05,873 WELL, THAT'S MIGHTY NICE OF THEM. 269 00:10:05,906 --> 00:10:07,074 MAYBE SOME OTHER TIME. 270 00:10:07,107 --> 00:10:08,308 THAT'S RIGHT. 271 00:10:08,341 --> 00:10:09,943 THEY WERE GOING TO HAVE POT ROAST FOR YOU 272 00:10:09,977 --> 00:10:12,212 AND THERE'S NO PLACE ELSE REALLY GOOD TO EAT IN TOWN. 273 00:10:12,245 --> 00:10:13,213 OPE... 274 00:10:13,246 --> 00:10:14,648 THEY'LL BE REAL DISAPPOINTED 275 00:10:14,682 --> 00:10:15,749 IF YOU DON'T COME. 276 00:10:15,783 --> 00:10:16,950 THEY THINK YOU'RE A GREAT SINGER. 277 00:10:16,984 --> 00:10:18,218 THEY'RE CRAZY ABOUT THAT SONG 278 00:10:18,251 --> 00:10:19,653 "TEXARKANA IN THE MORNING." 279 00:10:19,687 --> 00:10:21,421 THEY LOVE IT. THEY DO, HUH? 280 00:10:21,454 --> 00:10:22,923 YEAH. 281 00:10:22,956 --> 00:10:24,792 AND THE SPECIAL AT THE DINER TONIGHT 282 00:10:24,825 --> 00:10:25,993 IS CHICKEN CROQUETTES 283 00:10:26,026 --> 00:10:27,995 AND THEY'RE TERRIBLE, AREN'T THEY, PAW? 284 00:10:28,028 --> 00:10:29,162 OH, THEY'RE NOT TOO BAD. 285 00:10:29,196 --> 00:10:31,198 YOU'RE HAVING POT ROAST, HUH? 286 00:10:31,231 --> 00:10:32,666 YEAH. 287 00:10:32,700 --> 00:10:34,034 BUT I KNOW HOW TIRED YOU MUST BE. 288 00:10:34,067 --> 00:10:35,035 PLEASE, MR. HAZELTON? 289 00:10:35,068 --> 00:10:36,870 OKAY, WHAT TIME YOU WANT ME? 290 00:10:36,904 --> 00:10:37,871 WE ALWAYS EAT AT 6:00. 291 00:10:37,905 --> 00:10:39,006 WE'LL PICK HIM UP, PAW? 292 00:10:39,039 --> 00:10:40,040 YEAH. 293 00:10:40,073 --> 00:10:41,775 I'LL BE READY. 294 00:10:51,084 --> 00:10:54,087 OH, I JUST LOVE THAT SONG. 295 00:10:54,121 --> 00:10:58,358 I COULD HARDLY WAIT TO HEAR IT PLAYED. 296 00:10:58,391 --> 00:10:59,993 IT SOLD A MILLION COPIES. 297 00:11:00,027 --> 00:11:00,994 A MILLION? 298 00:11:01,028 --> 00:11:02,062 THINK OF THAT. 299 00:11:02,095 --> 00:11:03,997 ISN'T THAT REMARKABLE, ANDY? 300 00:11:04,031 --> 00:11:05,766 IT SURE IS. 301 00:11:05,799 --> 00:11:07,968 I SUPPOSE SINCE YOU'RE ON TV SO MUCH 302 00:11:08,001 --> 00:11:10,237 YOU'RE ALWAYS LOOKING FOR NEW SONGS. 303 00:11:10,270 --> 00:11:12,773 Hazelton: THERE'S NO PROBLEM THERE. 304 00:11:12,806 --> 00:11:14,775 I GET SWAMPED WITH NEW SONGS. 305 00:11:14,808 --> 00:11:18,378 DO NON-PROFESSIONALS EVER SUBMIT SONGS? 306 00:11:18,411 --> 00:11:19,847 ALL THE TIME. 307 00:11:19,880 --> 00:11:21,014 MY AUNT BEE'S GOT A... 308 00:11:22,983 --> 00:11:25,118 WELL, I HOPE YOU FOLKS DON'T MIND 309 00:11:25,152 --> 00:11:26,186 IF I EAT AND RUN 310 00:11:26,219 --> 00:11:28,255 BUT I'M REALLY KIND OF BUSHED. 311 00:11:28,288 --> 00:11:30,023 OH, NO. IT WAS A PLEASURE. 312 00:11:30,057 --> 00:11:31,158 I FEEL VERY GUILTY 313 00:11:31,191 --> 00:11:33,260 ABOUT LETTING YOU RUN OFF THIS WAY. 314 00:11:33,293 --> 00:11:34,995 OH, I REALLY ENJOYED MYSELF. 315 00:11:35,028 --> 00:11:36,396 IT WAS A GREAT DINNER. 316 00:11:36,429 --> 00:11:38,265 I DON'T FEEL WE'VE ENTERTAINED YOU PROPERLY. 317 00:11:38,298 --> 00:11:40,200 IT WAS LOVELY. 318 00:11:40,233 --> 00:11:43,170 CLARA, WHY DON'T WE SING A SONG FOR MR. HAZELTON? 319 00:11:43,203 --> 00:11:45,038 NOW, THAT'S THE LEAST WE CAN DO. 320 00:11:45,072 --> 00:11:46,139 WHY, OF COURSE. 321 00:11:46,173 --> 00:11:48,075 NO, NO. NOW, THAT'S NOT NECESSARY. 322 00:11:48,108 --> 00:11:49,076 NO, NO, WE INSIST. 323 00:11:49,109 --> 00:11:50,143 WELL, AUNT BEE, 324 00:11:50,177 --> 00:11:51,511 IF MR. HAZELTON WANTS TO GO... 325 00:11:51,544 --> 00:11:52,813 WE HAVE TO BE POLITE. 326 00:11:52,846 --> 00:11:54,281 NOW YOU JUST COME RIGHT OVER HERE 327 00:11:54,314 --> 00:11:56,349 AND YOU SIT RIGHT DOWN THERE. 328 00:11:56,383 --> 00:11:57,818 IT'S A GREAT SONG. 329 00:11:57,851 --> 00:11:59,219 IT'S ABOUT OUR TOWN. 330 00:11:59,252 --> 00:12:01,421 AND IT'S CALLED "MY HOMETOWN." 331 00:12:01,454 --> 00:12:03,023 CLARA AND I WROTE IT 332 00:12:03,056 --> 00:12:05,158 FOR THE FLAG DAY CELEBRATION. 333 00:12:05,192 --> 00:12:06,794 FINE. 334 00:12:06,827 --> 00:12:08,228 I NEED YOUR COPY, BEE. 335 00:12:08,261 --> 00:12:10,297 OH, I THINK IT'S IN THE BENCH. 336 00:12:10,330 --> 00:12:11,364 THERE WE ARE. 337 00:12:11,398 --> 00:12:12,766 WANT A CUSHION, CLARA? 338 00:12:12,800 --> 00:12:14,034 OH, NO, NO, IT'S JUST FINE. 339 00:12:15,068 --> 00:12:16,103 IS THIS YOUR KEY? 340 00:12:16,136 --> 00:12:17,104 * OOH 341 00:12:17,137 --> 00:12:18,438 A LITTLE LOWER, PLEASE. 342 00:12:19,907 --> 00:12:20,908 Clara: OKAY? 343 00:12:20,941 --> 00:12:22,442 FINE. 344 00:12:24,912 --> 00:12:27,447 * MY HOMETOWN 345 00:12:27,480 --> 00:12:31,184 * IS THE GREATEST PLACE I KNOW 346 00:12:31,218 --> 00:12:35,322 * WHERE THE NEIGHBORS I FIND 347 00:12:35,355 --> 00:12:37,925 * ARE GENTLE AND KIND 348 00:12:37,958 --> 00:12:43,163 * AND THE LIVING EASY AND SLOW * 349 00:12:43,196 --> 00:12:46,466 * MY HOMETOWN 350 00:12:46,499 --> 00:12:50,904 * IS THE ONLY PLACE TO BE 351 00:12:50,938 --> 00:12:53,974 * HERE THE WORRIES ARE SMALL 352 00:12:54,007 --> 00:12:57,077 * AND THE KIDS GROW TALL 353 00:12:57,110 --> 00:13:02,282 * AND STRONG AND HEALTHY AND FREE * 354 00:13:02,315 --> 00:13:05,886 * IT'S MY HOMETOWN 355 00:13:05,919 --> 00:13:09,022 * MY OWN TOWN 356 00:13:09,056 --> 00:13:10,958 * MAYBERRY 357 00:13:10,991 --> 00:13:15,495 * MAYBERRY 358 00:13:25,572 --> 00:13:27,474 THE SONG DIDN'T HAVE A CHANCE, ANDY. 359 00:13:28,508 --> 00:13:30,210 MAYBE HE DIDN'T LIKE IT. 360 00:13:30,243 --> 00:13:32,512 WE DON'T KNOW WHETHER HE LIKED IT OR NOT. 361 00:13:32,545 --> 00:13:34,014 HE DIDN'T HEAR IT. 362 00:13:34,047 --> 00:13:36,449 WELL, GOING TO SLEEP WHILE YOU WERE SINGING IT 363 00:13:36,483 --> 00:13:39,152 DOESN'T EXACTLY MEAN HE WAS THRILLED OVER IT. 364 00:13:39,186 --> 00:13:41,254 HE WENT TO SLEEP BECAUSE HE WAS TIRED, 365 00:13:41,288 --> 00:13:42,455 AND THAT WAS OBVIOUS. 366 00:13:42,489 --> 00:13:44,557 WELL, IT'S JUST ONE OF THOSE THINGS 367 00:13:44,591 --> 00:13:46,960 WE'RE GONNA HAVE TO FORGET, THAT'S ALL. 368 00:13:46,994 --> 00:13:48,328 HE HASN'T LEFT TOWN YET. 369 00:13:48,361 --> 00:13:51,131 YOU'RE NOT THINKING OF HAVING HIM OVER HERE AGAIN? 370 00:13:51,164 --> 00:13:52,866 OF COURSE NOT, ANDY. 371 00:13:52,900 --> 00:13:54,467 I'M NOT THAT FORWARD. 372 00:13:54,501 --> 00:13:56,870 NO, I SUPPOSE NOT. 373 00:13:56,904 --> 00:13:58,605 WE'RE GOING OVER TO SEE HIM. 374 00:13:58,638 --> 00:14:00,107 WHAT?! 375 00:14:01,608 --> 00:14:04,544 THAT MUST BE CLARA. 376 00:14:04,577 --> 00:14:06,546 AUNT BEE! 377 00:14:06,579 --> 00:14:08,415 NOW, YOU... AUNT BEE, YOU... 378 00:14:08,448 --> 00:14:09,883 HI, CLARA! 379 00:14:09,917 --> 00:14:10,984 ALL READY, BEE? 380 00:14:11,018 --> 00:14:12,252 IN A MINUTE. HI, FERDIE. 381 00:14:12,285 --> 00:14:13,253 HI. 382 00:14:13,286 --> 00:14:14,554 ANDY, YOU KNOW MY NEPHEW, 383 00:14:14,587 --> 00:14:15,923 THE ACCORDION PLAYER? 384 00:14:15,956 --> 00:14:17,357 ARE YOU TAKING FERDIE? 385 00:14:17,390 --> 00:14:19,960 YES. WE THOUGHT IT BEST TO TAKE OUR OWN ACCOMPANIMENT. 386 00:14:19,993 --> 00:14:21,161 NOW, LOOK... 387 00:14:21,194 --> 00:14:22,162 SHALL WE GO, BEE? 388 00:14:22,195 --> 00:14:23,463 WE WON'T BE LONG, ANDY. 389 00:14:23,496 --> 00:14:25,298 HAS FERDIE PRACTICED THE SONG? 390 00:14:25,332 --> 00:14:26,299 OH, YES! 391 00:14:26,333 --> 00:14:27,667 NOW, REMEMBER, FERDIE, 392 00:14:27,700 --> 00:14:30,437 ON THE LAST EIGHT BARS, YOU PLAY REAL LOUD 393 00:14:30,470 --> 00:14:32,105 BUT DON'T TAP YOUR FOOT. 394 00:14:32,139 --> 00:14:33,440 IT THROWS ME OFF-KEY. 395 00:14:33,473 --> 00:14:34,441 OKAY. 396 00:14:34,474 --> 00:14:35,442 SHALL WE? 397 00:14:35,475 --> 00:14:37,344 WE WON'T BE LONG, ANDY. BYE. 398 00:14:37,377 --> 00:14:38,478 SEE YA. 399 00:14:38,511 --> 00:14:40,480 I'LL SEE YOU, FERDIE. 400 00:14:41,514 --> 00:14:42,950 LET'S SEE, NOW... 401 00:14:42,983 --> 00:14:45,452 OH, YEAH. THE STUDIO IN RALEIGH IS OKAY. 402 00:14:45,485 --> 00:14:47,320 I CHECKED IT ON THE WAY DOWN. 403 00:14:47,354 --> 00:14:48,455 HOW'S THE MAIL? 404 00:14:48,488 --> 00:14:49,589 ALL RIGHT, I GUESS. 405 00:14:49,622 --> 00:14:51,191 YOU KNOW, SAME AS USUAL. 406 00:14:52,359 --> 00:14:54,995 I'LL GET IT. 407 00:14:57,130 --> 00:14:59,132 WE'D LIKE TO SEE MR. HAZELTON. 408 00:14:59,166 --> 00:15:01,101 ARE YOU AUDITIONING A TRIO? 409 00:15:01,134 --> 00:15:02,102 HI. 410 00:15:02,135 --> 00:15:03,103 GOOD MORNING. 411 00:15:03,136 --> 00:15:04,104 OH, HI. 412 00:15:04,137 --> 00:15:05,472 THIS IS MY NEPHEW FERDIE. 413 00:15:05,505 --> 00:15:06,473 HI, THERE. 414 00:15:06,506 --> 00:15:08,075 MY MANAGER, BILL STONE. 415 00:15:08,108 --> 00:15:09,342 HI. 416 00:15:09,376 --> 00:15:11,311 WELL, WE CAME TO TALK ABOUT OUR SONG. 417 00:15:11,344 --> 00:15:12,679 WE DON'T FEEL YOU HEARD IT 418 00:15:12,712 --> 00:15:14,647 TO ITS BEST ADVANTAGE LAST NIGHT. 419 00:15:14,681 --> 00:15:16,049 OH, I HEARD IT, ALL RIGHT. 420 00:15:16,083 --> 00:15:18,952 OH, NO, YOU HAD YOUR EYES CLOSED. 421 00:15:18,986 --> 00:15:21,354 WELL, A LOT OF TIMES I LISTEN WITH MY EYES CLOSED, 422 00:15:21,388 --> 00:15:23,490 BUT I THOUGHT IT WAS FINE...REAL FINE. 423 00:15:23,523 --> 00:15:25,358 YOU DID? WELL, MAYBE YOU'D LIKE 424 00:15:25,392 --> 00:15:27,094 TO SING IT ON YOUR TV SHOW. 425 00:15:27,127 --> 00:15:28,595 UH, ON MY SHOW? 426 00:15:28,628 --> 00:15:30,964 WE'LL BE VERY GLAD TO SING IT FOR YOU AGAIN. 427 00:15:30,998 --> 00:15:32,966 WE'VE BROUGHT OUR OWN INSTRUMENTALIST. 428 00:15:33,000 --> 00:15:34,034 HI. 429 00:15:34,067 --> 00:15:35,535 THAT'S MIGHTY NICE OF YOU, BUT... 430 00:15:35,568 --> 00:15:36,736 WHAT IS THIS ANYWAY? 431 00:15:36,769 --> 00:15:37,971 WELL, IT'S A SONG 432 00:15:38,005 --> 00:15:39,439 ABOUT THIS TOWN -- MAYBERRY. 433 00:15:39,472 --> 00:15:40,573 WE WROTE IT. 434 00:15:40,607 --> 00:15:42,109 WE FEEL THAT THIS SONG 435 00:15:42,142 --> 00:15:44,978 CAPTURES THE REAL SPIRIT OF A SMALL TOWN -- 436 00:15:45,012 --> 00:15:46,513 MAYBERRY IN PARTICULAR. 437 00:15:46,546 --> 00:15:48,248 WELL, YOU'RE RIGHT ABOUT THAT. 438 00:15:48,281 --> 00:15:50,350 AND WE THINK YOU CAN MAKE A HIT OF IT -- 439 00:15:50,383 --> 00:15:51,418 ANOTHER TEXARKANA. 440 00:15:51,451 --> 00:15:53,120 IT'D BE WONDERFUL FOR MAYBERRY. 441 00:15:53,153 --> 00:15:54,621 IT'D BE GOOD FOR BOTH OF US. 442 00:15:54,654 --> 00:15:57,657 WELL, YOU SEE, I CAN ONLY DO A CERTAIN NUMBER OF SONGS... 443 00:15:57,690 --> 00:15:59,259 HEY, KEEVY, CAN I SEE YOU 444 00:15:59,292 --> 00:16:00,760 IN THE OTHER ROOM A MINUTE? 445 00:16:00,793 --> 00:16:02,095 YEAH, SURE. 446 00:16:02,129 --> 00:16:03,563 EXCUSE US, PLEASE. 447 00:16:07,167 --> 00:16:09,136 I THINK THIS COULD BE SOMETHING. 448 00:16:09,169 --> 00:16:10,670 WHAT ARE YOU TALKING ABOUT? 449 00:16:10,703 --> 00:16:12,239 LOOK, I'VE HEARD WORSE. 450 00:16:12,272 --> 00:16:14,574 BUT WITH OUR OWN ARRANGEMENT, WHO KNOWS? 451 00:16:14,607 --> 00:16:17,144 BESIDES, THAT'S NOT THE IMPORTANT THING. 452 00:16:17,177 --> 00:16:19,746 HERE'S A SONG WRITTEN BY TWO SMALL-TOWN GALS. 453 00:16:19,779 --> 00:16:21,448 SO, WE INTRODUCE THE SONG 454 00:16:21,481 --> 00:16:24,117 AND WE INTRODUCE THE TWO GALS IN THE SHOW -- 455 00:16:24,151 --> 00:16:25,552 MAYBE EVEN INTERVIEW 'EM. 456 00:16:25,585 --> 00:16:28,421 THIS COULD BE JUST THE LIFT WE'RE LOOKING FOR. 457 00:16:28,455 --> 00:16:30,023 OH, COME ON, NOW. 458 00:16:30,057 --> 00:16:32,092 LOOK, I'M NOT KIDDING YOU, KEEVY. 459 00:16:32,125 --> 00:16:35,028 I DIDN'T TELL YOU WHAT THE SPONSOR SAID TODAY. 460 00:16:35,062 --> 00:16:37,530 HE'S GETTING FED UP WITH THAT SAME BIT. 461 00:16:37,564 --> 00:16:40,033 THIS COULD BE FRESH. 462 00:16:40,067 --> 00:16:42,035 GEE, I DON'T KNOW. 463 00:16:42,069 --> 00:16:43,436 LET ME HANDLE IT, WILL YOU? 464 00:16:43,470 --> 00:16:44,704 LEAVE IT TO ME. 465 00:16:44,737 --> 00:16:48,475 HE LIKED IT THAT MUCH, HUH? 466 00:16:48,508 --> 00:16:52,379 YES. HE AND HIS MANAGER, MR. STONE, WENT INTO A ROOM 467 00:16:52,412 --> 00:16:56,083 AND WHEN THEY CAME OUT, HE WAS CRAZY ABOUT IT. 468 00:16:56,116 --> 00:16:59,452 ANDY, YOU CAN DRIVE US TO RALEIGH, CAN'T YOU? 469 00:16:59,486 --> 00:17:02,422 WELL, YEAH, I-I SUPPOSE SO. 470 00:17:02,455 --> 00:17:04,023 OKAY. 471 00:17:09,696 --> 00:17:11,364 THIS IS JUST GONNA BE A PRACTICE. 472 00:17:11,398 --> 00:17:13,100 THIS IS THE LAST RUN-THROUGH BEFORE THE SHOW. 473 00:17:13,133 --> 00:17:14,234 YOU SIT DOWN HERE. 474 00:17:14,267 --> 00:17:15,602 I HAVE TO GO IN THE BOOTH. 475 00:17:15,635 --> 00:17:16,703 I'LL SEE YOU LATER. 476 00:17:16,736 --> 00:17:18,438 OKAY. THANK YOU. 477 00:17:18,471 --> 00:17:19,806 WELL. 478 00:17:19,839 --> 00:17:21,274 OH, MY. 479 00:17:21,308 --> 00:17:23,543 I CAN'T WAIT TO HEAR HIM SING IT. 480 00:17:23,576 --> 00:17:24,844 YES. THIS MIGHT BE 481 00:17:24,877 --> 00:17:27,347 THE TURNING POINT FOR MAYBERRY. 482 00:17:27,380 --> 00:17:29,316 DON'T YOU THINK SO, ANDY? 483 00:17:29,349 --> 00:17:31,451 MAYBE. I-I-I SUPPOSE IT COULD. 484 00:17:31,484 --> 00:17:33,686 WELL, I CAN'T THINK OF ANY OTHER WAY 485 00:17:33,720 --> 00:17:36,156 TO TELL PEOPLE ABOUT OUR TOWN -- 486 00:17:36,189 --> 00:17:38,691 ITS QUIET AND ITS PEACE. 487 00:17:38,725 --> 00:17:42,395 A WHOLE ATMOSPHERE OF COMPLETE TRANQUILITY. 488 00:17:42,429 --> 00:17:44,231 IT'S A WAY OF LIFE. 489 00:17:44,264 --> 00:17:46,233 ALL RIGHT, LET'S RUN THROUGH THE MAYBERRY NUMBER. 490 00:17:46,266 --> 00:17:48,268 KEEVY, START RIGHT HERE. 491 00:17:48,301 --> 00:17:49,402 OKAY. HI. 492 00:17:49,436 --> 00:17:51,638 HI. HI. 493 00:17:57,177 --> 00:18:00,113 * MY HOMETOWN 494 00:18:00,147 --> 00:18:02,649 * IS THE GREATEST PLACE I KNOW 495 00:18:02,682 --> 00:18:04,317 * WHERE THE NEIGHBORS I FIND 496 00:18:04,351 --> 00:18:05,518 * ARE GENTLE AND KIND 497 00:18:05,552 --> 00:18:09,422 * AND THE LIVING EASY AND SLOW 498 00:18:09,456 --> 00:18:11,858 * LOW AND SLOW 499 00:18:11,891 --> 00:18:13,326 * WHOA! 500 00:18:13,360 --> 00:18:16,129 * MY HOMETOWN 501 00:18:16,163 --> 00:18:18,265 * IS THE ONLY PLACE TO BE 502 00:18:18,298 --> 00:18:19,899 * HERE THE WORRIES ARE SMALL 503 00:18:19,932 --> 00:18:21,201 * AND THE KIDS... 504 00:18:21,234 --> 00:18:23,303 WHAT ARE THEY DOING TO OUR SONG?! 505 00:18:23,336 --> 00:18:25,672 IT'S...IT'S PLAGIARISM. 506 00:18:25,705 --> 00:18:27,907 NOW -- NOW, TAKE IT EASY. TAKE IT EASY. 507 00:18:27,940 --> 00:18:30,377 * MAYBERRY, MAYBERRY 508 00:18:47,727 --> 00:18:50,263 * MY HOMETOWN 509 00:18:50,297 --> 00:18:52,665 * IS THE GREATEST PLACE I KNOW 510 00:18:52,699 --> 00:18:54,734 * WHERE THE NEIGHBORS I FIND 511 00:18:54,767 --> 00:18:56,336 * ARE GENTLE AND KIND 512 00:18:56,369 --> 00:18:59,606 * AND THE LIVING EASY AND SLOW * 513 00:18:59,639 --> 00:19:02,375 * LOW AND SLOW 514 00:19:02,409 --> 00:19:03,743 * WHOA! 515 00:19:03,776 --> 00:19:06,213 * MY HOMETOWN 516 00:19:06,246 --> 00:19:08,648 * IS THE ONLY PLACE TO BE 517 00:19:08,681 --> 00:19:10,617 * HERE THE WORRIES ARE SMALL 518 00:19:10,650 --> 00:19:12,219 * AND THE KIDS GROW TALL 519 00:19:12,252 --> 00:19:14,487 * AND STRONG AND HEALTHY AND FREE * 520 00:19:14,521 --> 00:19:16,689 * IT'S MY HOMETOWN 521 00:19:16,723 --> 00:19:18,191 * MY HOMETOWN 522 00:19:18,225 --> 00:19:23,496 * MAYBERRY, MAYBERRY 523 00:19:25,365 --> 00:19:27,467 JOHNNY, HOW'S THAT FOR SOUND? 524 00:19:27,500 --> 00:19:28,768 WELL, HOW'D YOU LIKE IT? 525 00:19:28,801 --> 00:19:30,537 YOU CAN'T DO OUR SONG THAT WAY. 526 00:19:30,570 --> 00:19:31,904 WHAT? AUNT BEE, AUNT BEE... 527 00:19:31,938 --> 00:19:33,906 IT WASN'T MEANT TO BE DONE LIKE THAT. 528 00:19:33,940 --> 00:19:35,275 WE WANT PEOPLE TO KNOW 529 00:19:35,308 --> 00:19:36,943 WHAT A PEACEFUL TOWN MAYBERRY IS. 530 00:19:36,976 --> 00:19:38,978 WELL, WE JUST STIRRED IT UP A LITTLE. 531 00:19:39,011 --> 00:19:40,380 I THOUGHT IT WAS GREAT. 532 00:19:40,413 --> 00:19:42,649 OPIE! IT'S OUR SONG, AND YOU CAN'T DO IT. 533 00:19:42,682 --> 00:19:45,252 MS. TAYLOR, WE GO ON THE AIR IN LESS THAN AN HOUR. 534 00:19:45,285 --> 00:19:46,253 Bee: WE'LL SUE. 535 00:19:46,286 --> 00:19:47,520 IT'S NOT THAT SERIOUS. 536 00:19:47,554 --> 00:19:49,722 IF YOU POURED YOUR HEART AND SOUL INTO A SONG 537 00:19:49,756 --> 00:19:51,324 YOU WOULD KNOW HOW WE FEEL. 538 00:19:51,358 --> 00:19:53,260 Stone: LADIES, YOU GOT TO BE REASONABLE ABOUT IT. 539 00:19:53,293 --> 00:19:54,494 WE ARE BEING REASONABLE. 540 00:19:54,527 --> 00:19:55,928 YOU CAN JUST FORGET THE SONG. 541 00:19:55,962 --> 00:19:57,330 DO ANOTHER SONG. 542 00:19:57,364 --> 00:19:59,266 BUT IT'S TOO LATE, I TOLD YOU. YEAH. 543 00:19:59,299 --> 00:20:01,468 I THINK WE'VE MADE OURSELVES QUITE CLEAR. 544 00:20:01,501 --> 00:20:02,635 NOW, LOOK, AUNT BEE... 545 00:20:02,669 --> 00:20:03,736 ANDY, PLEASE! 546 00:20:03,770 --> 00:20:05,638 CAN HE SING ANOTHER SONG? 547 00:20:05,672 --> 00:20:07,640 I CAN'T CLEAR ANOTHER SONG. 548 00:20:07,674 --> 00:20:08,875 HE CAN'T CLEAR... 549 00:20:08,908 --> 00:20:11,944 CAN HE SING THEIR SONG THE WAY THEY WROTE? 550 00:20:11,978 --> 00:20:13,546 I'LL DIE, I TELL YA. 551 00:20:13,580 --> 00:20:14,747 YOU'LL HAVE TO DIE. 552 00:20:14,781 --> 00:20:16,449 THAT'S WHAT HE'LL HAVE TO DO. 553 00:20:16,483 --> 00:20:17,450 HE'LL HAVE TO DIE. 554 00:20:17,484 --> 00:20:19,018 COME ON. 555 00:20:19,051 --> 00:20:21,488 THE SONG IS SUPPOSED TO GO -- 556 00:20:21,521 --> 00:20:23,623 * MY HOMETOWN 557 00:20:23,656 --> 00:20:26,626 Both: * IS THE GREATEST PLACE I KNOW * 558 00:20:26,659 --> 00:20:29,462 THAT IS HOW IT'S TO GO. * WHERE THE NEIGHBORS... * 559 00:20:29,496 --> 00:20:33,433 Announcer: BACK TO "THE KEEVY HAZELTON SHOW," LIVE FROM RALEIGH. 560 00:20:33,466 --> 00:20:35,735 AND NOW FOLKS, I'D LIKE TO INTRODUCE TO YOU 561 00:20:35,768 --> 00:20:38,571 TWO OF MY FAVORITE SONGWRITERS, A COUPLE OF LADIES 562 00:20:38,605 --> 00:20:41,841 THAT ARE GOING TO MAKE TIN PAN ALLEY SIT UP AND TAKE NOTICE -- 563 00:20:41,874 --> 00:20:44,711 MISS BEE TAYLOR AND MISS CLARA EDWARDS. 564 00:20:46,679 --> 00:20:49,449 THAT'S HIM, ALL RIGHT. 565 00:20:49,482 --> 00:20:50,850 OH, YES. 566 00:20:50,883 --> 00:20:52,785 THIS IS HISTORY. 567 00:20:52,819 --> 00:20:55,855 NOW, IS THIS THE FIRST SONG YOU LADIES HAVE EVER WRITTEN? 568 00:20:55,888 --> 00:20:57,324 YES, OUR VERY FIRST. 569 00:20:57,357 --> 00:20:58,758 AND WHEN DID YOU WRITE IT? 570 00:20:58,791 --> 00:21:00,327 WELL, IT WAS WRITTEN 571 00:21:00,360 --> 00:21:01,994 FOR A FLAG DAY CELEBRATION 572 00:21:02,028 --> 00:21:04,331 TWO YEARS AGO, WASN'T IT, BEE? 573 00:21:04,364 --> 00:21:05,465 OR WAS IT THREE? 574 00:21:05,498 --> 00:21:06,599 THREE, CLARA. 575 00:21:06,633 --> 00:21:07,867 OH. I THOUGHT IT WAS TWO. 576 00:21:07,900 --> 00:21:10,069 NO. TWO YEARS AGO WE HAD THE POEM. 577 00:21:10,102 --> 00:21:11,671 OF COURSE. 578 00:21:11,704 --> 00:21:14,807 AND, UH, JUST WHAT WOULD YOU SAY INSPIRED YOU LADIES 579 00:21:14,841 --> 00:21:16,008 TO WRITE THIS SONG? 580 00:21:16,042 --> 00:21:18,345 WELL, WE WANTED TO SHOW PEOPLE 581 00:21:18,378 --> 00:21:20,313 HOW WE FEEL ABOUT OUR TOWN. 582 00:21:20,347 --> 00:21:22,048 Clara: WE FEEL THAT THIS SONG 583 00:21:22,081 --> 00:21:24,651 CAPTURES THE REAL SPIRIT OF MAYBERRY. 584 00:21:24,684 --> 00:21:26,719 WELL, NOW, I'M SURE IT DOES, 585 00:21:26,753 --> 00:21:28,555 AND I HOPE YOU ENJOY IT. 586 00:21:28,588 --> 00:21:29,889 THANK YOU, LADIES. 587 00:21:31,090 --> 00:21:32,925 WELL. 588 00:21:32,959 --> 00:21:36,629 Hazelton: AND NOW, FOR THE FIRST TIME ON THE AIR, "MY HOMETOWN." 589 00:21:36,663 --> 00:21:42,369 * MY HOMETOWN 590 00:21:42,402 --> 00:21:45,805 * OOH 591 00:21:45,838 --> 00:21:51,378 * IS THE GREATEST PLACE I KNOW 592 00:21:51,411 --> 00:21:57,417 * WHERE THE NEIGHBORS I FIND 593 00:21:57,450 --> 00:22:00,953 * ARE GENTLE AND KIND 594 00:22:00,987 --> 00:22:07,560 * AND THE LIVIN' EASY AND SLOW 595 00:22:07,594 --> 00:22:09,529 * OOH 596 00:22:09,562 --> 00:22:11,063 * OOH 597 00:22:11,097 --> 00:22:16,669 * MY HOMETOWN 598 00:22:16,703 --> 00:22:18,738 * OOH 599 00:22:18,771 --> 00:22:24,711 * IS THE ONLY PLACE TO BE 600 00:22:24,744 --> 00:22:25,912 * OOH 601 00:22:25,945 --> 00:22:29,949 * HERE THE WORRIES ARE SMALL 602 00:22:29,982 --> 00:22:35,888 * AND THE KIDS GROW TALL 603 00:22:35,922 --> 00:22:42,695 * AND STRONG AND HEALTHY AND FREE * 604 00:22:42,729 --> 00:22:47,166 * IT'S MY HOMETOWN 605 00:22:47,199 --> 00:22:51,003 * MY OWN TOWN 606 00:22:51,037 --> 00:22:54,607 * MAYBERRY 607 00:22:54,641 --> 00:23:01,448 * MAYBERRY 608 00:23:02,749 --> 00:23:05,452 GOOD NIGHT, FOLKS. 609 00:23:05,485 --> 00:23:09,422 OH, IT WAS JUST GLORIOUS! 610 00:23:09,456 --> 00:23:10,757 ENCHANTING! 611 00:23:10,790 --> 00:23:12,659 I GOT TO SAY IT SOUNDED FINE TO ME. 612 00:23:12,692 --> 00:23:14,193 I LIKED IT EVEN BETTER THIS WAY. 613 00:23:14,226 --> 00:23:15,462 WELL, IT TURNED OUT 614 00:23:15,495 --> 00:23:16,996 BETTER THAN I THOUGHT IT WOULD. 615 00:23:17,029 --> 00:23:17,997 IT'S A MIRACLE. 616 00:23:18,030 --> 00:23:19,599 THEY'RE CRAZY ABOUT IT. 617 00:23:19,632 --> 00:23:22,068 THAT SWITCHBOARD'S LIGHTING UP LIKE A CHRISTMAS TREE. 618 00:23:22,101 --> 00:23:24,804 PEOPLE ARE CALLING IN FROM ALL OVER. THEY LOVED IT. 619 00:23:24,837 --> 00:23:25,805 OH! 620 00:23:25,838 --> 00:23:26,806 YOU'RE KIDDING. 621 00:23:26,839 --> 00:23:28,074 WHAT DO YOU KNOW. 622 00:23:28,107 --> 00:23:30,142 AND THEY LOVE THE NEW KEEVY HAZELTON. 623 00:23:30,176 --> 00:23:31,844 WELL! WELL, I'LL BE DOGGONE. 624 00:23:31,878 --> 00:23:34,514 WELL, NOW, THERE'S SURE NO DOUBT IN MY MIND 625 00:23:34,547 --> 00:23:35,848 AS TO WHO I'M GRATEFUL TO. 626 00:23:35,882 --> 00:23:37,116 OH... 627 00:23:45,758 --> 00:23:47,193 MM-HMM. THAT'S BETTER. 628 00:23:47,226 --> 00:23:48,461 SLOW IT DOWN THERE? 629 00:23:48,495 --> 00:23:49,629 MM-HMM. 630 00:23:49,662 --> 00:23:51,598 THE LYRICS SEEM TO FIT BETTER. 631 00:23:52,765 --> 00:23:54,166 WELL, ANOTHER BUNCH OF FAN MAIL. 632 00:23:54,200 --> 00:23:56,936 OH, HOW WONDERFUL! 633 00:23:56,969 --> 00:23:58,605 KEEVY HAZELTON CALLED. 634 00:23:58,638 --> 00:24:01,574 HE SAID HE HAD MORE FAN MAIL THIS WEEK THAN EVER BEFORE. 635 00:24:01,608 --> 00:24:02,775 GREAT. 636 00:24:02,809 --> 00:24:04,043 WELL, BACK TO WORK, BEE. 637 00:24:04,076 --> 00:24:05,778 WE'RE WRITING A NEW SONG. 638 00:24:05,812 --> 00:24:06,779 OH? 639 00:24:06,813 --> 00:24:08,114 ABOUT ANOTHER TOWN. 640 00:24:08,147 --> 00:24:09,916 WELL, THAT SEEMS TO BE YOUR SPECIALTY. 641 00:24:09,949 --> 00:24:11,651 VENICE. VENICE? 642 00:24:11,684 --> 00:24:13,119 YES. ITALIAN SONGS ARE DOING VERY WELL. 643 00:24:13,152 --> 00:24:15,555 WE MAY AS WELL GO ALONG WITH THE TREND. 644 00:24:15,588 --> 00:24:17,790 BEE, LET ME HAVE THE LYRICS AGAIN, PLEASE. 645 00:24:17,824 --> 00:24:19,659 IF YOU LIKE POLO, GOLF, OR TENNIS, 646 00:24:19,692 --> 00:24:23,796 THERE IS NO PLACE LIKE... 647 00:24:23,830 --> 00:24:24,964 LIKE VENICE? 648 00:24:27,767 --> 00:24:29,569 HERE WE GO, FROM THE TOP. 649 00:24:29,602 --> 00:24:31,838 IF YOU LIKE POLO, GOLF, OR TENNIS, 650 00:24:31,871 --> 00:24:33,706 THERE IS NO PLACE LIKE VENICE. 42336

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