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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:27,261 --> 00:00:29,530 WOULD YOU LIKE SOME COFFEE OR A COLD DRINK? 2 00:00:29,563 --> 00:00:33,301 NO. NO, THANK YOU. NO, THANK YOU. 3 00:00:33,334 --> 00:00:34,568 SWEET, ISN'T SHE? 4 00:00:34,602 --> 00:00:36,070 YES, SHE IS. 5 00:00:38,172 --> 00:00:39,473 HEY, PAW, LOOK DOWN THERE. 6 00:00:39,507 --> 00:00:40,808 HOW DO THEY GET EVERYTHING 7 00:00:40,841 --> 00:00:42,676 IN SUCH NICE, NEAT LITTLE SQUARES? 8 00:00:42,710 --> 00:00:44,745 I DON'T KNOW, BUT IT SURE IS PRETTY, ISN'T IT? 9 00:00:44,778 --> 00:00:46,114 YEAH. 10 00:00:46,147 --> 00:00:48,149 Pilot: Attention, ladies and gentlemen: 11 00:00:48,182 --> 00:00:50,151 We will arrive at the Los Angeles International Airport 12 00:00:50,184 --> 00:00:52,186 in approximately 23 minutes. 13 00:00:52,220 --> 00:00:55,123 The temperature in Los Angeles is a warm 78 degrees. 14 00:00:55,156 --> 00:00:56,790 We hope you've had a pleasant trip 15 00:00:56,824 --> 00:00:59,260 and we hope to be able to serve you again 16 00:00:59,293 --> 00:01:00,561 in the very near future. 17 00:01:00,594 --> 00:01:01,695 Thank you. 18 00:01:01,729 --> 00:01:03,597 23 MINUTES, PAW. WE'RE ALMOST THERE. 19 00:01:03,631 --> 00:01:04,598 SURE ARE. 20 00:01:04,632 --> 00:01:06,334 ANDY, I'M GETTING NERVOUS. 21 00:01:06,367 --> 00:01:07,468 WHY? 22 00:01:07,501 --> 00:01:09,637 WELL, LOS ANGELES IS SUCH A BIG CITY 23 00:01:09,670 --> 00:01:12,206 AND... IT'S FRIGHTENING. 24 00:01:12,240 --> 00:01:13,707 OH, DON'T BE FRIGHTENED. 25 00:01:13,741 --> 00:01:15,709 WE'RE GOING TO HAVE A GOOD TIME. 26 00:01:15,743 --> 00:01:17,578 TWO NICE WEEKS IN HOLLYWOOD... 27 00:01:17,611 --> 00:01:19,147 BE FUN. 28 00:01:31,159 --> 00:01:34,162 HEY, PAW, THERE GOES ANOTHER GROWN-UP LADY IN TROUSERS. 29 00:01:34,195 --> 00:01:36,764 AND GOLD SHOES! MY STARS! 30 00:01:36,797 --> 00:01:38,366 SOMEHOW IT SEEMS ALL RIGHT OUT HERE 31 00:01:38,399 --> 00:01:39,600 BUT I'D SURE HATE TO SEE A THING LIKE 32 00:01:39,633 --> 00:01:41,369 THAT IN MAYBERRY. 33 00:01:41,402 --> 00:01:45,439 MAYBERRY? YOU FOLKS AREN'T FROM MAYBERRY, NORTH CAROLINA? 34 00:01:45,473 --> 00:01:46,540 YEAH. YOU HEARD OF IT? 35 00:01:46,574 --> 00:01:48,809 HEARD OF IT? I'M FROM RUBY CREEK. 36 00:01:48,842 --> 00:01:51,779 YOU'RE NOT. YOU HEAR THAT, AUNT BEE? HE'S FROM RUBY CREEK. 37 00:01:51,812 --> 00:01:53,314 YOU'RE NOT! YES. 38 00:01:53,347 --> 00:01:54,848 Andy: WELL, BLESS YOUR HEART. 39 00:01:54,882 --> 00:01:56,417 HOW LONG YOU BEEN OUT HERE? 40 00:01:56,450 --> 00:01:58,652 SINCE THE WAR -- I WAS IN THE SERVICE OUT HERE 41 00:01:58,686 --> 00:02:00,688 AND JUST NEVER WENT HOME. OH. 42 00:02:00,721 --> 00:02:02,856 YOU FOLKS OUT HERE ON VACATION? WELL, YEAH, SORT OF. 43 00:02:02,890 --> 00:02:04,825 AND THEY'RE MAKING A MOVIE ABOUT MY PAW. 44 00:02:04,858 --> 00:02:05,926 NO 45 00:02:05,959 --> 00:02:07,628 WELL, HOW ABOUT THAT? 46 00:02:07,661 --> 00:02:10,231 ARE YOU A FAMOUS PERSON OR SOMETHING? 47 00:02:10,264 --> 00:02:12,666 WELL, NO... JUST A SHERIFF. 48 00:02:12,700 --> 00:02:14,568 IT'S CALLED SHERIFF WITHOUT A GUN. 49 00:02:14,602 --> 00:02:16,270 THE WAY IT HAPPENED WAS THIS: 50 00:02:16,304 --> 00:02:18,939 THERE WAS AN ARTICLE IN THE SHERIFF'S MAGAZINE ABOUT ANDY 51 00:02:18,972 --> 00:02:21,942 AND THE MOVIE PEOPLE DECIDED TO MAKE A PICTURE OF IT. 52 00:02:21,975 --> 00:02:24,378 WE'RE USING THE MONEY THEY PAID PAW TO TAKE THIS TRIP. 53 00:02:24,412 --> 00:02:26,914 WELL, WHAT DO YOU THINK OF THAT? 54 00:02:26,947 --> 00:02:28,682 I BET THE FOLKS BACK IN MAYBERRY 55 00:02:28,716 --> 00:02:30,284 ARE PRETTY EXCITED ABOUT IT. 56 00:02:30,318 --> 00:02:31,852 OH, INDEED. YOU SHOULD HAVE SEEN 57 00:02:31,885 --> 00:02:33,421 THE SEND-OFF THEY GAVE US. 58 00:02:33,454 --> 00:02:35,823 MISTER, DO YOU DRIVE FOR THIS BUS COMPANY, TOO? 59 00:02:35,856 --> 00:02:38,692 WELL, I SURE DO, SON. I'M JUST HEADING HOME NOW. 60 00:02:38,726 --> 00:02:39,927 COULD YOU TELL ME 61 00:02:39,960 --> 00:02:42,430 ARE WE GOING TO PASS THE LA BREA TAR PITS? 62 00:02:42,463 --> 00:02:43,731 NO, NOT ON THIS ROUTE. 63 00:02:43,764 --> 00:02:45,599 THE BROWN DERBY? 64 00:02:45,633 --> 00:02:46,600 NO. 65 00:02:46,634 --> 00:02:47,701 OR MARINELAND? 66 00:02:47,735 --> 00:02:49,337 NO. THAT'S OUTSIDE OF TOWN. 67 00:02:49,370 --> 00:02:51,805 WE'RE JUST GOING DOWN SUNSET BOULEVARD. 68 00:02:51,839 --> 00:02:54,275 WE'LL GO TO MARINELAND ANOTHER TIME. 69 00:02:54,308 --> 00:02:55,709 THERE'S, UH, LOTS 70 00:02:55,743 --> 00:02:58,379 OF INTERESTING THINGS TO SEE AROUND HERE. 71 00:02:58,412 --> 00:02:59,780 RIGHT OVER THERE'S 72 00:02:59,813 --> 00:03:01,415 DEAN MARTIN'S RESTAURANT. 73 00:03:01,449 --> 00:03:02,616 Andy: OH... 74 00:03:02,650 --> 00:03:05,386 AND THAT'S THE FAMOUS SCHWAB'S DRUGSTORE 75 00:03:05,419 --> 00:03:07,988 WHERE A WHOLE LOT OF MOVIE STARS WERE DISCOVERED. 76 00:03:08,021 --> 00:03:09,490 Andy: OH, YES. 77 00:03:09,523 --> 00:03:11,559 AND WHAT'S THIS OVER HERE? 78 00:03:11,592 --> 00:03:14,295 OH, THAT'S ONE OF THOSE GO-GO PLACES 79 00:03:14,328 --> 00:03:15,763 WHERE THE PEOPLE 80 00:03:15,796 --> 00:03:17,465 TWIST AND SWIM AND JERK. 81 00:03:17,498 --> 00:03:19,800 OH, THE POOR FOLKS. 82 00:03:30,444 --> 00:03:32,613 YOU FOLKS STAYING HERE AT BLAIR HOUSE? 83 00:03:32,646 --> 00:03:34,682 NO. WE'RE GOING TO THE PIEDMONT HOTEL. 84 00:03:34,715 --> 00:03:36,250 IS IT FAR? 85 00:03:36,284 --> 00:03:38,486 NO. JUST A FEW BLOCKS. IT'S THE LAST STOP. 86 00:03:38,519 --> 00:03:40,654 DO WE PASS ANY MOVIE STARS' HOMES ON THE WAY? 87 00:03:40,688 --> 00:03:41,855 NO, I'M AFRAID NOT, SON. 88 00:03:43,391 --> 00:03:45,526 LOOKS LIKE YOU FOLKS ARE THE ONLY ONES 89 00:03:45,559 --> 00:03:46,927 GOING ON TO THE PIEDMONT. 90 00:03:46,960 --> 00:03:48,329 YEAH. LOOKS LIKE. 91 00:03:48,362 --> 00:03:49,430 SO, YOU WANT TO SEE 92 00:03:49,463 --> 00:03:51,465 SOME MOVIE STARS' HOMES, HUH, SON? 93 00:03:51,499 --> 00:03:53,000 YEAH. 94 00:03:53,033 --> 00:03:54,968 WELL, I THINK I CAN ARRANGE THAT. 95 00:03:56,570 --> 00:04:00,040 HEY, JOE, DRIVE UP BEVERLY DRIVE. 96 00:04:00,073 --> 00:04:02,776 GOT SOME FOLKS HERE WHO WANT TO SEE A MOVIE STAR'S HOME. 97 00:04:25,833 --> 00:04:27,301 OH... 98 00:04:27,335 --> 00:04:28,302 WOW. 99 00:04:28,336 --> 00:04:29,503 WELL, THERE IT IS. 100 00:04:29,537 --> 00:04:31,305 Andy: MY GOODNESS. 101 00:04:35,676 --> 00:04:37,077 OH, MY... 102 00:04:37,110 --> 00:04:39,079 WELL, THAT IS SOME HOUSE, ISN'T IT? 103 00:04:39,112 --> 00:04:40,348 OH... 104 00:04:40,381 --> 00:04:41,749 HOW WOULD YOU LIKE TO LIVE 105 00:04:41,782 --> 00:04:42,950 IN A PLACE LIKE THAT? 106 00:04:42,983 --> 00:04:44,785 OH, THAT'D REALLY BE SOMETHING. 107 00:04:44,818 --> 00:04:47,321 CESAR ROMERO LIVES HERE? REALLY AND TRULY? 108 00:04:47,355 --> 00:04:48,356 THAT'S RIGHT-- 109 00:04:48,389 --> 00:04:49,657 RIGHT THERE IN THAT HOUSE. 110 00:04:49,690 --> 00:04:51,892 WELL, THAT SURE IS SOMETHING TO SEE. 111 00:04:51,925 --> 00:04:53,594 HEY, PAW, THERE'S HIS PAPER. 112 00:04:56,096 --> 00:04:58,366 LOOKS JUST LIKE THE MAYBERRY PAPER 113 00:04:58,399 --> 00:04:59,533 DON'T IT, PAW? 114 00:04:59,567 --> 00:05:00,968 IT'S A LOT THICKER. 115 00:05:01,001 --> 00:05:02,302 OPIE... 116 00:05:08,776 --> 00:05:10,678 GEE, JUST THINK-- IN A FEW MINUTES 117 00:05:10,711 --> 00:05:12,413 HE'LL BE READING THAT PAPER. 118 00:05:12,446 --> 00:05:13,947 YEAH. 119 00:05:13,981 --> 00:05:16,417 THIS GRASS HAS JUST BEEN SEEDED. 120 00:05:16,450 --> 00:05:18,852 WOULD YOU PEOPLE MIND GETTING OFF THE LAWN, PLEASE? 121 00:05:18,886 --> 00:05:20,554 OH, YES... UH, EXCUSE US. 122 00:05:20,588 --> 00:05:21,689 WE WERE JUST, UH... 123 00:05:21,722 --> 00:05:23,591 WE WERE JUST LOOKING AT HIS PAPER. 124 00:05:28,696 --> 00:05:31,064 GEE, WAIT TILL I TELL THE KIDS AT SCHOOL. 125 00:05:31,098 --> 00:05:34,368 CESAR ROMERO'S MAID TOLD US TO GET OFF THE LAWN... 126 00:05:34,402 --> 00:05:35,569 IN PERSON! 127 00:05:51,619 --> 00:05:55,823 OH. ISN'T THIS LOVELY? 128 00:05:55,856 --> 00:05:57,157 IT SURE IS. 129 00:05:57,190 --> 00:05:59,560 IS THIS WHERE WE'RE GOING TO LIVE, PAW? 130 00:05:59,593 --> 00:06:00,828 YES, SIR, OPE. 131 00:06:00,861 --> 00:06:02,830 FOR THE NEXT TWO WEEKS, THIS'LL BE OUR HOME. 132 00:06:02,863 --> 00:06:05,132 OH, BOY! 133 00:06:05,165 --> 00:06:07,134 THIS SUITE OVERLOOKS THE POOL, YOU KNOW. 134 00:06:07,167 --> 00:06:08,436 IT DOES 135 00:06:08,469 --> 00:06:09,437 OUT HERE. 136 00:06:09,470 --> 00:06:10,538 OH. 137 00:06:16,810 --> 00:06:19,513 WELL, YOU'VE GOT TO STAND OVER HERE, SIR. 138 00:06:19,547 --> 00:06:22,516 SEE OVER THERE? YOU CAN SEE THE DIVING BOARD. 139 00:06:22,550 --> 00:06:23,684 WHERE? 140 00:06:23,717 --> 00:06:24,985 OVER THERE. 141 00:06:26,954 --> 00:06:28,422 OH, OH, I SEE. 142 00:06:28,456 --> 00:06:31,124 OH, YES, THAT'S NICE, ISN'T IT? 143 00:06:31,158 --> 00:06:33,026 COULD WE GO FOR A SWIM, PAW? 144 00:06:33,060 --> 00:06:34,795 I DON'T KNOW WHY NOT. 145 00:06:35,896 --> 00:06:38,766 I'LL PUT THE LADY'S LUGGAGE IN THIS BEDROOM, ALL RIGHT? 146 00:06:38,799 --> 00:06:40,033 OKAY. THOSE TWO, YES. 147 00:06:40,067 --> 00:06:41,869 RIGHT HERE? UH-HUH. 148 00:06:49,076 --> 00:06:51,445 UM... THIS IS THE AIR CONDITIONER OVER HERE. 149 00:06:51,479 --> 00:06:52,846 IF IT GETS TOO WARM FOR YOU 150 00:06:52,880 --> 00:06:54,982 JUST SET THIS DIAL TO WHERE YOU WANT IT. 151 00:06:55,015 --> 00:06:56,684 OH, ALL RIGHT. 152 00:06:56,717 --> 00:06:59,853 WELL, IF THERE'S ANYTHING ELSE, JUST CALL ROOM SERVICE. 153 00:06:59,887 --> 00:07:00,988 THANK YOU. 154 00:07:03,757 --> 00:07:04,725 UM... 155 00:07:04,758 --> 00:07:05,959 OH! 156 00:07:11,499 --> 00:07:12,866 THANK YOU. 157 00:07:12,900 --> 00:07:14,535 OH, THANKS VERY MUCH. 158 00:07:14,568 --> 00:07:16,003 OH, JUST A MINUTE, SIR. 159 00:07:16,036 --> 00:07:17,871 COULD I ASK YOU A FAVOR? 160 00:07:17,905 --> 00:07:19,072 CERTAINLY, MA'AM. 161 00:07:19,106 --> 00:07:20,674 COULD I TAKE YOUR PICTURE? 162 00:07:20,708 --> 00:07:22,943 BU... TAKE MY PICTURE? 163 00:07:22,976 --> 00:07:24,545 WELL, I'M TRYING TO KEEP 164 00:07:24,578 --> 00:07:26,547 A COMPLETE RECORD OF OUR VACATION 165 00:07:26,580 --> 00:07:28,048 FOR THE FOLKS BACK HOME. 166 00:07:28,081 --> 00:07:31,752 AND THEN I COULD SAY TO THE LADIES, "THAT'S OUR BELLBOY." 167 00:07:31,785 --> 00:07:34,888 WELL, OKAY. WHY NOT? WHERE DO YOU WANT ME? 168 00:07:34,922 --> 00:07:37,124 WELL, LET'S SEE. THAT'S AWFULLY PRETTY. 169 00:07:37,157 --> 00:07:38,659 WOULD THAT BE ALL RIGHT? 170 00:07:38,692 --> 00:07:39,927 OH, YES. CERTAINLY. 171 00:07:39,960 --> 00:07:41,194 GO ON, OPIE. 172 00:07:41,228 --> 00:07:42,863 ANDY, YOU STAND ON THE OTHER SIDE THERE. 173 00:07:42,896 --> 00:07:43,997 GET CLOSE TOGETHER. 174 00:07:44,031 --> 00:07:45,733 HERE. 175 00:07:45,766 --> 00:07:47,601 NO, NO, NO. NO, NO, NO. YOU GET IN THE MIDDLE. 176 00:07:47,635 --> 00:07:49,570 THERE YOU ARE. ALL SET? READY AND... 177 00:07:49,603 --> 00:07:51,705 AUNT BEE, WHY DON'T YOU COME AND STAND HERE 178 00:07:51,739 --> 00:07:53,040 AND I'LL TAKE THE PICTURE? 179 00:07:53,073 --> 00:07:54,041 OH, NO, NO. 180 00:07:54,074 --> 00:07:55,609 YEAH, SURE, SURE, AUNT BEE. 181 00:07:55,643 --> 00:07:56,877 IF YOU'RE IN THE PICTURE 182 00:07:56,910 --> 00:07:59,179 THE LADIES WILL KNOW I'M REALLY YOUR BELLBOY. 183 00:07:59,212 --> 00:08:00,548 THAT'S RIGHT. 184 00:08:00,581 --> 00:08:01,882 NOW, YOU COME OVER HERE AND STAND. 185 00:08:01,915 --> 00:08:03,684 ALL RIGHT. THERE YOU GO, ANDY. 186 00:08:03,717 --> 00:08:04,852 NOW, YOU COME HERE. 187 00:08:04,885 --> 00:08:05,853 THAT'S IT. 188 00:08:05,886 --> 00:08:06,920 GET RIGHT IN THERE. 189 00:08:06,954 --> 00:08:07,921 NO, NO, NO! 190 00:08:07,955 --> 00:08:08,922 YOU GET IN THE MIDDLE. 191 00:08:08,956 --> 00:08:10,190 THERE WE ARE. 192 00:08:10,223 --> 00:08:11,525 THERE WE ARE. NOW, WHEN I... 193 00:08:11,559 --> 00:08:12,993 JUST A SECOND. JUST A SECOND. 194 00:08:13,026 --> 00:08:15,663 READY? WHEN I SAY "CHEESE," EVERYBODY SAY "CHEESE." 195 00:08:15,696 --> 00:08:17,064 AND "CHEESE." 196 00:08:17,097 --> 00:08:18,666 All: CHEESE. 197 00:08:18,699 --> 00:08:20,801 THERE WE ARE. 198 00:08:20,834 --> 00:08:22,636 WELL... THANK YOU SO MUCH. 199 00:08:22,670 --> 00:08:24,237 OH, THANK YOU VERY MUCH. 200 00:08:24,271 --> 00:08:25,873 THANK YOU. 201 00:08:25,906 --> 00:08:27,741 AND I HOPE YOU HAVE A VERY NICE TIME WHILE YOU'RE HERE. 202 00:08:27,775 --> 00:08:29,176 WELL... THANK YOU. 203 00:08:29,209 --> 00:08:31,078 I'LL PUT THESE BAGS... OH, NO, I'LL GET THOSE. 204 00:08:31,111 --> 00:08:32,112 OH, FINE. 205 00:08:32,145 --> 00:08:33,280 EXCUSE ME. 206 00:08:33,313 --> 00:08:34,548 BYE. 207 00:08:34,582 --> 00:08:36,717 YOU COME UP ANY TIME. 208 00:08:36,750 --> 00:08:37,851 THANK YOU. 209 00:08:38,919 --> 00:08:40,220 OH, WASN'T HE NICE? 210 00:08:40,253 --> 00:08:41,221 WASN'T HE NICE? 211 00:08:41,254 --> 00:08:44,057 ISN'T THIS SOMETHING? 212 00:08:46,994 --> 00:08:48,962 WELL, HERE WE ARE IN HOLLYWOOD. 213 00:08:48,996 --> 00:08:51,231 WELL, WHAT DO WE DO, PAW? 214 00:08:51,264 --> 00:08:52,833 WELL, I DON'T KNOW. 215 00:08:52,866 --> 00:08:53,967 WE MIGHT... 216 00:08:54,001 --> 00:08:56,570 GO SIGHTSEEING, A LITTLE SHOPPING... 217 00:08:56,604 --> 00:08:57,705 HOW 'BOUT A SWIM? 218 00:08:57,738 --> 00:08:59,072 WELL... 219 00:08:59,106 --> 00:09:02,175 OH, ANDY, I THINK THE FIRST THING YOU'D BETTER DO 220 00:09:02,209 --> 00:09:03,944 IS TO GO AND CALL THOSE MOVIE PEOPLE. 221 00:09:03,977 --> 00:09:05,178 CAN'T I DO THAT LATER? 222 00:09:05,212 --> 00:09:06,947 ANDY, THAT'S NOT POLITE. 223 00:09:06,980 --> 00:09:09,216 IF THEY CAME TO MAYBERRY AND THEY DIDN'T CALL YOU 224 00:09:09,249 --> 00:09:10,784 HOW WOULD YOU FEEL? 225 00:09:10,818 --> 00:09:12,352 WELL, YEAH. 226 00:09:12,385 --> 00:09:14,054 DON'T FORGET -- 227 00:09:14,087 --> 00:09:15,789 WE WOULDN'T BE HAVING THIS VACATION IF IT WASN'T FOR THEM. 228 00:09:15,823 --> 00:09:18,325 YOU MIGHT AT LEAST SAY THANK YOU. GO ON. 229 00:09:18,358 --> 00:09:20,594 WELL... I SUPPOSE I SHOULD 230 00:09:20,628 --> 00:09:24,064 BUT, GEE, I DON'T EVEN KNOW WHO TO ASK FOR. 231 00:09:24,097 --> 00:09:26,233 WELL, ASK FOR SOMEBODY IN CHARGE. 232 00:09:26,266 --> 00:09:27,267 WELL, ALL RIGHT. 233 00:09:32,372 --> 00:09:36,209 UH... OPERATOR, WOULD YOU GET ME BELMONT PICTURES? 234 00:09:36,243 --> 00:09:37,878 THANK YOU. 235 00:09:37,911 --> 00:09:39,079 I FEEL KIND OF FOOLISH. 236 00:09:39,112 --> 00:09:40,247 WELL, YOU SHOULDN'T. 237 00:09:40,280 --> 00:09:42,149 THEY'LL BE DELIGHTED TO HEAR FROM YOU. 238 00:09:42,182 --> 00:09:43,350 I DON'T KNOW ABOUT THAT. 239 00:09:43,383 --> 00:09:44,752 HELLO. BELMONT PICTURES? 240 00:09:44,785 --> 00:09:47,955 COULD I SPEAK WITH THE PERSON IN CHARGE? 241 00:09:47,988 --> 00:09:51,091 HE'S IN EGYPT? 242 00:09:51,124 --> 00:09:54,628 WELL, THIS IS ANDY TAYLOR. 243 00:09:54,662 --> 00:09:56,296 HELLO. HELLO? 244 00:09:56,329 --> 00:09:57,631 WHAT'S THE MATTER? 245 00:09:57,665 --> 00:09:59,633 I DON'T KNOW. 246 00:09:59,667 --> 00:10:02,035 WH 247 00:10:02,069 --> 00:10:04,037 THE TAILOR SHOP? 248 00:10:04,071 --> 00:10:06,674 NO, NO. THERE'S BEEN A MISTAKE. 249 00:10:06,707 --> 00:10:08,909 SEE, MY NAME IS ANDY TAYLOR. 250 00:10:08,942 --> 00:10:11,912 YES, AN-AND I-I-I WOULD LIKE TO SPEAK TO SOMEBODY 251 00:10:11,945 --> 00:10:15,315 THAT'S IN CHARGE OF THAT PICTURE THAT THEY'RE MAKING 252 00:10:15,348 --> 00:10:16,984 SHERIFF WITHOUT A GUN. 253 00:10:17,017 --> 00:10:18,852 YEAH, I'LL HOLD ON. 254 00:10:18,886 --> 00:10:20,754 YEAH. 255 00:10:21,889 --> 00:10:23,256 HELLO. 256 00:10:23,290 --> 00:10:24,925 UH, THIS IS ANDY TAYLOR. 257 00:10:24,958 --> 00:10:28,061 I'M THE FELLA THAT THEY'RE MAKING THAT MOVIE ABOUT 258 00:10:28,095 --> 00:10:29,429 SHERIFF WITHOUT A GUN 259 00:10:29,462 --> 00:10:32,399 AND I'D LIKE TO SPEAK WITH SOMEBODY IN CHARGE. 260 00:10:32,432 --> 00:10:34,702 YEAH, I'LL HOLD ON. 261 00:10:34,735 --> 00:10:36,870 WELL, IT'S A BIG PLACE, ANDY. 262 00:10:36,904 --> 00:10:37,871 YEAH. 263 00:10:37,905 --> 00:10:39,406 WHO IS THIS? 264 00:10:39,439 --> 00:10:42,009 THE TAILOR SHOP AGAIN. 265 00:10:42,042 --> 00:10:44,277 WOULD YOU GET ME THE OPERATOR? 266 00:10:44,311 --> 00:10:46,814 OPERATOR, THIS IS ANDY TAYLOR. 267 00:10:46,847 --> 00:10:48,315 NOW, I'M THE TAYLOR 268 00:10:48,348 --> 00:10:51,284 THEY'RE MAKING THAT MOVIE ABOUT, SHERIFF WITHOUT A GUN. 269 00:10:51,318 --> 00:10:54,888 I JUST CALLED UP TO BE POLITE AND IF ANYBODY'S INTERESTED 270 00:10:54,922 --> 00:10:57,891 WE'RE STAYING AT THE PIEDMONT HOTEL, ROOM 403. 271 00:10:57,925 --> 00:10:59,026 GOOD-BYE. 272 00:10:59,059 --> 00:11:01,361 HOPE NOBODY'S INTERESTED. 273 00:11:01,394 --> 00:11:04,698 COME ON, OPE. LET'S GO FOR A SWIM. 274 00:11:14,341 --> 00:11:15,809 HELLO? 275 00:11:15,843 --> 00:11:17,911 IS ANDY TAYLOR THERE? 276 00:11:17,945 --> 00:11:20,247 OH, I SEE. 277 00:11:20,280 --> 00:11:22,015 THIS WOULDN'T BE AUNT BEE, WOULD IT? 278 00:11:23,183 --> 00:11:26,119 WELL, IT'S NICE TO TALK TO YOU, AUNT BEE. 279 00:11:26,153 --> 00:11:28,188 THIS IS A.J. CONSIDINE. 280 00:11:28,221 --> 00:11:30,090 I'M THE DIRECTOR OF SHERIFF WITHOUT A GUN. 281 00:11:30,123 --> 00:11:31,424 OH! OH! 282 00:11:31,458 --> 00:11:32,960 OH! 283 00:11:32,993 --> 00:11:35,829 I'M SORRY THAT MR. TAYLOR'S CALL GOT MISDIRECTED. 284 00:11:35,863 --> 00:11:37,865 I HAD NO IDEA YOU FOLKS WERE IN TOWN. 285 00:11:37,898 --> 00:11:40,100 WELL, WE ARE! WE ARE! 286 00:11:40,133 --> 00:11:42,936 WELL, THIS IS REALLY AN UNEXPECTED PLEASURE. 287 00:11:42,970 --> 00:11:44,805 WHAT ARE YOU FOLKS DOING NOW? 288 00:11:44,838 --> 00:11:46,740 I WAS JUST GOING TO WRITE A LETTER 289 00:11:46,774 --> 00:11:48,141 TO ONE OF THE SMEDLEY SISTERS 290 00:11:48,175 --> 00:11:50,243 AND ANDY AND OPIE ARE DOWN IN THE POOL. 291 00:11:50,277 --> 00:11:51,845 I WAS JUST WONDERING IF YOU FOLKS 292 00:11:51,879 --> 00:11:53,881 WOULDN'T LIKE TO COME OVER TO THE STUDIO. 293 00:11:53,914 --> 00:11:55,115 THE STUDIO? 294 00:11:55,148 --> 00:11:57,250 THE MOV STUDIO?! 295 00:11:57,284 --> 00:11:58,986 YES, AND WE'D SURE LIKE TO HAVE YOU. 296 00:11:59,019 --> 00:12:00,220 WE'VE STARTED THE PICTURE 297 00:12:00,253 --> 00:12:02,022 AND WE'RE SHOOTING A COUPLE OF SCENES TODAY 298 00:12:02,055 --> 00:12:03,256 THAT YOU MIGHT ENJOY WATCHING. 299 00:12:03,290 --> 00:12:04,992 UH, THAT IS, IF YOU'RE NOT TOO BUSY. 300 00:12:05,025 --> 00:12:06,827 OH, NO! NO, WE'RE NOT BUSY! 301 00:12:06,860 --> 00:12:09,296 GOODNESS, NO! NO, WE'RE NOT BUSY AT ALL. 302 00:12:09,329 --> 00:12:11,464 I'LL LEAVE A PASS FOR YOU AT THE GATE 303 00:12:11,498 --> 00:12:13,934 AND YOU CAN DRIVE OUT ANYTIME YOU WANT. 304 00:12:13,967 --> 00:12:14,968 FINE. 305 00:12:15,002 --> 00:12:16,036 GOOD-BYE. 306 00:12:16,069 --> 00:12:17,437 GOOD-BYE. 307 00:12:24,411 --> 00:12:26,113 ANDY?! 308 00:12:26,146 --> 00:12:27,447 OPIE?! 309 00:12:27,480 --> 00:12:29,182 COME QUICK! 310 00:12:29,216 --> 00:12:32,052 WE'RE GOING TO THE MOVIE STUDIO! 311 00:12:37,390 --> 00:12:39,459 UH, TAYLOR. YEAH. 312 00:12:39,492 --> 00:12:40,560 T-A-Y... 313 00:12:40,593 --> 00:12:44,097 THEY GAVE ME THE TAILOR SHOP. 314 00:12:44,131 --> 00:12:45,298 I HAD THE SAME TROUBLE. 315 00:12:45,332 --> 00:12:47,500 UH, WHAT? YEAH. 316 00:12:47,534 --> 00:12:49,102 RIGHT, OKAY. 317 00:12:49,136 --> 00:12:51,171 THEY'RE ON STAGE 40. YOU KNOW WHERE THAT IS? 318 00:12:51,204 --> 00:12:52,505 OH, NO. 319 00:12:52,539 --> 00:12:54,507 COME ON, I'LL SHOW YOU. RIGHT OVER HERE. 320 00:13:03,116 --> 00:13:06,353 GOSH, PAW, IS THIS A MOVIE STUDIO? 321 00:13:06,386 --> 00:13:08,055 I GUESS IT IS, OPE. 322 00:13:08,088 --> 00:13:10,223 IT'S SO BIG. 323 00:13:10,257 --> 00:13:12,826 UH, CAN I HELP YOU FOLKS? 324 00:13:12,860 --> 00:13:14,161 OH, UH, YEAH. 325 00:13:14,194 --> 00:13:16,830 I'M, UH, SHERIFF TAYLOR, AND THIS IS MY AUNT BEE 326 00:13:16,864 --> 00:13:18,365 AND THIS IS, UH, MY SON, OPIE. 327 00:13:18,398 --> 00:13:19,499 OH, OH, SHERIFF TAYLOR. 328 00:13:19,532 --> 00:13:21,268 WELL, WE'VE BEEN EXPECTING YOU. 329 00:13:21,301 --> 00:13:24,171 UH, I'M AL SAUNDERS, THE ASSISTANT DIRECTOR. 330 00:13:24,204 --> 00:13:26,273 I'LL GET MR. CONSIDINE FOR YOU. 331 00:13:26,306 --> 00:13:27,908 MR. CONSIDINE?! 332 00:13:27,941 --> 00:13:29,509 HE'LL BE RIGHT HERE. 333 00:13:29,542 --> 00:13:34,014 WELL... THIS IS, UH, WHERE YOU'RE MAKING THE PICTURE, IS IT? 334 00:13:34,047 --> 00:13:36,016 OH, YES, YES. 335 00:13:36,049 --> 00:13:37,284 YES, IT IS. 336 00:13:37,317 --> 00:13:39,552 WELL, YOU CERTAINLY DO USE A LOT OF PEOPLE. 337 00:13:39,586 --> 00:13:41,855 OH, YES, WE DO. YES. 338 00:13:41,889 --> 00:13:42,856 WHAT'S THAT? 339 00:13:42,890 --> 00:13:44,091 THAT'S MAYBERRY. 340 00:13:44,124 --> 00:13:46,126 THE BACKGROUND FOR THE PICTURE. 341 00:13:46,159 --> 00:13:47,494 MAYBERRY? YEAH, SURE. 342 00:13:47,527 --> 00:13:49,629 WELL, MAYBERRY DOESN'T LOOK LIKE THAT. 343 00:13:49,662 --> 00:13:53,133 MAYBERRY'S A NICE, CLEAN TOWN WITH NICE, CLEAN HOUSES. 344 00:13:53,166 --> 00:13:55,135 OH, OH, OH, YES, I'M, I'M SURE IT IS. 345 00:13:55,168 --> 00:13:56,403 UH... UH... 346 00:13:56,436 --> 00:13:58,906 WELL, IF, UH, YOU FOLKS WILL EXCUSE ME? 347 00:14:00,673 --> 00:14:03,176 WELL, SHERIFF TAYLOR! HOW ARE YOU? 348 00:14:03,210 --> 00:14:04,177 FINE. 349 00:14:04,211 --> 00:14:05,545 OH, UH, I'M A.J. CONSIDINE. 350 00:14:05,578 --> 00:14:09,016 HELLO, AUNT BEE. OH, THIS MUST BE OPIE. 351 00:14:09,049 --> 00:14:10,317 THAT'S OPIE. 352 00:14:10,350 --> 00:14:11,651 HELLO. 353 00:14:11,684 --> 00:14:13,386 WELL, I'M SURE GLAD YOU FOLKS COULD MAKE IT. 354 00:14:13,420 --> 00:14:15,055 YOU'RE JUST IN TIME, TOO. 355 00:14:15,088 --> 00:14:16,156 WE'RE GONNA SHOOT A BIG SCENE IN A FEW MINUTES. 356 00:14:16,189 --> 00:14:18,191 OH, GOOD! 357 00:14:18,225 --> 00:14:20,627 I'D LIKE YOU TO MEET OUR STAR, THE MAN WHO'S PLAYING YOU. 358 00:14:20,660 --> 00:14:22,029 OH, YES! 359 00:14:22,062 --> 00:14:24,932 I'M VERY ANXIOUS TO MEET HIM. 360 00:14:24,965 --> 00:14:27,234 HE'S AN AWFULLY NICE PERSON, AND PERFECT FOR THE PART. 361 00:14:27,267 --> 00:14:28,235 GOOD. 362 00:14:28,268 --> 00:14:29,903 UM, BRYAN? 363 00:14:29,937 --> 00:14:32,372 OH, BRYAN BENDER? 364 00:14:32,405 --> 00:14:34,074 COME HERE FOR A MINUTE, WILL YOU? 365 00:14:38,011 --> 00:14:39,446 HELLO, THERE! 366 00:14:39,479 --> 00:14:42,249 BRYAN, I'D LIKE YOU TO MEET THE REAL SHERIFF TAYLOR. 367 00:14:42,282 --> 00:14:43,650 WELL, HOW DO YOU DO, SHERIFF? 368 00:14:43,683 --> 00:14:44,651 AND THIS IS AUNT BEE. 369 00:14:44,684 --> 00:14:46,286 HELLO. AND OPIE. 370 00:14:46,319 --> 00:14:47,921 IT'S CERTAINLY A PLEASURE MEETING ALL OF YOU-- 371 00:14:47,955 --> 00:14:49,156 ESPECIALLY YOU, SHERIFF. 372 00:14:49,189 --> 00:14:50,590 IT'S ALWAYS SO HELPFUL 373 00:14:50,623 --> 00:14:52,592 MEETING THE MAN YOU'RE PORTRAYING. 374 00:14:52,625 --> 00:14:56,263 AND YOU, YOUNG MAN! MY, WHAT A NICE- LOOKING LITTLE CHAP! 375 00:15:11,644 --> 00:15:13,646 NOW, YOU SEE -- HE'S GOT HIS WIG ON NOW. 376 00:15:13,680 --> 00:15:15,382 THAT'S BETTER, ISN'T IT? 377 00:15:15,415 --> 00:15:17,250 Aunt Bee: BUT HE STILL LOOKS NOTHING LIKE YOU, ANDY. 378 00:15:17,284 --> 00:15:18,685 WELL, IT'S JUST A PICTURE. 379 00:15:18,718 --> 00:15:21,254 WHAT DO THEY NEED AN ACTOR THAT LOOKS LIKE ME FOR? 380 00:15:21,288 --> 00:15:23,290 WELL, WHEN THEY MADE A MOVIE OF ABRAHAM LINCOLN, 381 00:15:23,323 --> 00:15:26,193 THEY FOUND AN ACTOR WHO LOOKED LIKE ABRAHAM LINCOLN. 382 00:15:26,226 --> 00:15:28,461 THAT'S DIFFERENT -- EVERYBODY KNOWS WHO HE IS. 383 00:15:28,495 --> 00:15:30,163 PAW? HMM? 384 00:15:30,197 --> 00:15:32,299 IS THAT SUPPOSED TO BE THE SHERIFF'S OFFICE? 385 00:15:32,332 --> 00:15:34,734 IT SURE DON'T LOOK LIKE THE SHERIFF'S OFFICE TO ME. 386 00:15:34,767 --> 00:15:36,369 WELL, MR. CONSIDINE EXPLAINED THAT. 387 00:15:36,403 --> 00:15:38,605 HE SAID THEY HAD TO TAKE SOME LIBERTIES 388 00:15:38,638 --> 00:15:41,308 IN ORDER TO MAKE THE PICTURE MORE INTERESTING. 389 00:15:43,676 --> 00:15:46,713 I DON'T KNOW ABOUT THIS PICTURE, ANDY. 390 00:15:46,746 --> 00:15:51,151 OH, THE WAY THEY DRESS, AND THE TOWN. 391 00:15:51,184 --> 00:15:52,685 AND THE ACTORS? 392 00:15:52,719 --> 00:15:54,521 OH, AUNT BEE. 393 00:15:54,554 --> 00:15:58,358 OH, I JUST HOPE THEY DON'T MAKE IT SILLY AND EXAGGERATE THINGS. 394 00:15:58,391 --> 00:16:00,360 IF THEY DO, THE PEOPLE IN MAYBERRY 395 00:16:00,393 --> 00:16:02,462 ARE GOING TO BE AWFULLY DISAPPOINTED. 396 00:16:02,495 --> 00:16:04,031 WELL, I'M SURE THAT... 397 00:16:04,064 --> 00:16:05,298 Man: ARE WE READY? YEAH, YEAH, YEAH. 398 00:16:05,332 --> 00:16:06,699 ALL RIGHT, QUIET ON THE SET! 399 00:16:06,733 --> 00:16:07,767 PLACES, EVERYBODY! 400 00:16:07,800 --> 00:16:09,269 WE'RE GOING FOR A TAKE. 401 00:16:11,071 --> 00:16:13,106 UH, WE'RE READY, MR. CONSIDINE. 402 00:16:13,140 --> 00:16:14,374 ALL RIGHT, ROLL IT! 403 00:16:14,407 --> 00:16:16,443 SPEED. 404 00:16:18,478 --> 00:16:19,512 ACTION. 405 00:16:20,747 --> 00:16:21,781 SHERIFF TAYLOR! 406 00:16:21,814 --> 00:16:23,116 SHERIFF TAYLOR, WHERE ARE YOU?! 407 00:16:23,150 --> 00:16:25,052 HERE I AM. 408 00:16:25,085 --> 00:16:26,319 CUT. CUT. CUT. 409 00:16:27,487 --> 00:16:29,222 MR. TAYLOR, I... OH, I'M... 410 00:16:29,256 --> 00:16:31,324 OH, I'M, I'M SORRY. 411 00:16:31,358 --> 00:16:34,261 OKAY, LET'S TRY IT AGAIN, FOLKS. 412 00:16:34,294 --> 00:16:36,263 NOW, QUIET ON THE SET. 413 00:16:36,296 --> 00:16:38,465 ALL RIGHT, ROLL IT! 414 00:16:38,498 --> 00:16:39,732 ACTION. 415 00:16:39,766 --> 00:16:41,068 SHERIFF TAYLOR! 416 00:16:41,101 --> 00:16:43,336 SHERIFF TAYLOR, WHERE ARE YOU?! 417 00:16:47,440 --> 00:16:48,708 WHAT IS IT, GEORGE? 418 00:16:48,741 --> 00:16:52,079 THE CALHOUN BROTHERS ARE JUST ACROSS THE STREET 419 00:16:52,112 --> 00:16:54,081 AND IT LOOKS LIKE THEY MEAN BUSINESS. 420 00:16:54,114 --> 00:16:57,284 I THINK THEY'RE PLANNING ON SPRINGING HARRY OUT OF JAIL. 421 00:16:57,317 --> 00:17:00,220 THEY'LL HAVE TO KILL ME FIRST. 422 00:17:00,253 --> 00:17:02,755 I THINK THAT'S WHAT THEY GOT IN MIND, SHERIFF. 423 00:17:02,789 --> 00:17:04,091 SHERIFF?! 424 00:17:04,124 --> 00:17:05,125 HMM? 425 00:17:05,158 --> 00:17:06,659 YOU'VE GOT TO WEAR A GUN! 426 00:17:08,528 --> 00:17:10,163 NEVER! 427 00:17:14,534 --> 00:17:15,668 ANDY... 428 00:17:15,702 --> 00:17:16,803 SHH! 429 00:17:16,836 --> 00:17:18,305 WELL... 430 00:17:18,338 --> 00:17:20,340 HERE COME THE CALHOUN BROTHERS. 431 00:17:20,373 --> 00:17:23,110 IF YOU KNOW WHAT'S GOOD FOR YOU, SHERIFF 432 00:17:23,143 --> 00:17:24,744 YOU BETTER TURN ME LOOSE. 433 00:17:24,777 --> 00:17:26,179 RELAX. 434 00:17:28,748 --> 00:17:31,251 ANDY, YOU NEVER SMOKE A CIGAR! 435 00:17:31,284 --> 00:17:32,352 SHH! 436 00:17:33,820 --> 00:17:35,722 TAYLOR, YOU'VE JUST GOT TEN SECONDS 437 00:17:35,755 --> 00:17:36,789 TO OPEN THAT DOOR. 438 00:17:36,823 --> 00:17:38,558 YOU DON'T SCARE ME. 439 00:17:38,591 --> 00:17:40,427 OH, ANDY, THIS IS RIDICULOUS. 440 00:17:40,460 --> 00:17:42,562 THIS NEVER HAPPENED IN MAYBERRY. 441 00:17:42,595 --> 00:17:43,696 THERE'S NO REASON IT COULDN'T. SHH! 442 00:17:43,730 --> 00:17:45,332 Bryan: I'M NOT OPENING THE DOOR. 443 00:17:45,365 --> 00:17:48,668 I'M GIVING YOU FIVE SECONDS TO GET OUT OF HERE 444 00:17:48,701 --> 00:17:50,703 OR FACE THE CONSEQUENCES. 445 00:17:50,737 --> 00:17:54,107 WHO ARE YOU KIDDING? YOU AIN'T EVEN CARRYING A GUN. 446 00:17:54,141 --> 00:17:57,144 I DON'T NEED A GUN TO TAKE CARE OF RATS LIKE YOU. 447 00:17:57,177 --> 00:17:58,411 WHY, YOU! 448 00:18:22,202 --> 00:18:23,736 AND CUT! 449 00:18:23,770 --> 00:18:25,338 GREAT, GREAT! A DREAM! 450 00:18:29,742 --> 00:18:31,311 WOW, IS THAT SOMETHING! 451 00:18:31,344 --> 00:18:33,346 BOY, THAT'S GONNA BE SOME PICTURE, ISN'T IT? 452 00:18:33,380 --> 00:18:34,347 BOY, YEAH. 453 00:18:35,615 --> 00:18:36,716 OH. 454 00:18:36,749 --> 00:18:38,285 I DON'T LIKE IT, ANDY. 455 00:18:38,318 --> 00:18:41,521 I DON'T LIKE IT ONE LITTLE BIT. 456 00:18:44,524 --> 00:18:46,893 YOU JUST CANNOT LET THEM MAKE THAT PICTURE. 457 00:18:46,926 --> 00:18:48,561 NOW, AUNT BEE... 458 00:18:48,595 --> 00:18:51,164 I NEVER SAW ANYTHING SO OUTLANDISH IN MY WHOLE LIFE! 459 00:18:51,198 --> 00:18:52,232 THE EXAGGERATION... 460 00:18:52,265 --> 00:18:54,367 IT'S NOTHING BUT A LOT OF HUMBUG. 461 00:18:54,401 --> 00:18:56,236 I THOUGHT IT WAS REAL GOOD, AUNT BEE. 462 00:18:56,269 --> 00:18:57,804 I DID, TOO. 463 00:18:57,837 --> 00:18:59,939 ANDY, YOUR CHARACTER -- THEY'RE MAKING A ROUGHNECK OUT OF YOU. 464 00:18:59,972 --> 00:19:01,641 YOU'RE NOT THAT KIND OF A PERSON. 465 00:19:01,674 --> 00:19:03,376 WHY DON'T THEY SHOW SOME OF 466 00:19:03,410 --> 00:19:04,611 THE NICE THINGS YOU DO 467 00:19:04,644 --> 00:19:06,746 LIKE DISTRIBUTING THE BASKETS AT CHRISTMAS 468 00:19:06,779 --> 00:19:09,616 AND GIVING THE SAFETY LECTURES AT THE HIGH SCHOOL? 469 00:19:09,649 --> 00:19:11,318 WELL, PEOPLE DON'T GO TO MOVIES 470 00:19:11,351 --> 00:19:12,652 TO SEE THAT KIND OF THING. 471 00:19:12,685 --> 00:19:14,721 THEY WANT TO SEE ACTION AND EXCITEMENT 472 00:19:14,754 --> 00:19:15,722 DON'T THEY, OPE? 473 00:19:15,755 --> 00:19:16,723 I SURE DO, PAW. 474 00:19:16,756 --> 00:19:18,425 I'M NOT GOING TO BE ABLE 475 00:19:18,458 --> 00:19:19,792 TO HOLD UP MY HEAD IN MAYBERRY WHEN THAT PICTURE COMES OUT. 476 00:19:19,826 --> 00:19:22,262 EVERYBODY'S GOING TO BE LAUGHING AT YOU. 477 00:19:22,295 --> 00:19:24,564 THEY'RE GOING TO BE LAUGHING AT ALL OF US. 478 00:19:24,597 --> 00:19:27,234 ANDY, YOU JUST CAN'T LET THEM DO IT! 479 00:19:27,267 --> 00:19:30,203 WELL, YOU'RE TAKING THIS THE WRONG WAY. 480 00:19:30,237 --> 00:19:31,538 IT'S JUST A MOVIE. 481 00:19:31,571 --> 00:19:33,606 IT'S NOT JUST A MOVIE! 482 00:19:33,640 --> 00:19:34,974 IT'S OUR LIFE! 483 00:19:35,007 --> 00:19:36,743 OPIE, YOU WANT TO GO IN YOUR ROOM 484 00:19:36,776 --> 00:19:38,345 OR FOR A WALK, OR SOMETHING? 485 00:19:38,378 --> 00:19:39,412 OKAY, PAW. 486 00:19:39,446 --> 00:19:40,980 W 487 00:19:41,013 --> 00:19:42,549 WELL, YOU CAN DO SOMETHING! 488 00:19:42,582 --> 00:19:44,384 WELL, WHAT DO YOU WANT ME TO DO? 489 00:19:44,417 --> 00:19:45,918 WHEN YOU GO BACK THERE TOMORROW 490 00:19:45,952 --> 00:19:47,854 YOU MARCH RIGHT UP TO MR. CONSIDINE 491 00:19:47,887 --> 00:19:49,789 AND TELL HIM TO CHANGE THE PICTURE 492 00:19:49,822 --> 00:19:51,991 AND TO MAKE THINGS MORE THE WAY THEY REALLY ARE. 493 00:19:52,024 --> 00:19:53,626 ALL RIGHT, I PROMISE. 494 00:19:53,660 --> 00:19:55,695 I PROMISE JUST AS QUICK AS WE GET THERE IN THE MORNING 495 00:19:55,728 --> 00:19:58,698 I'LL GO RIGHT UP TO HIM, AND I'LL TELL HIM FIRST THING. 496 00:19:58,731 --> 00:19:59,966 BUT DON'T CRY. 497 00:20:13,613 --> 00:20:15,848 GOOD MORNING, FOLKS. YOU'RE JUST IN TIME. 498 00:20:15,882 --> 00:20:17,417 WE'RE GOING TO SHOOT THE BIG SCENE IN THE HOUSE. 499 00:20:17,450 --> 00:20:18,585 OH, GOOD. 500 00:20:18,618 --> 00:20:20,420 GO ON, ANDY. 501 00:20:20,453 --> 00:20:23,556 UH, I WONDER IF I MIGHT HAVE A WORD WITH YOU? 502 00:20:23,590 --> 00:20:25,958 OF COURSE, ANDY, BUT COULD YOU HOLD IT A MINUTE? 503 00:20:25,992 --> 00:20:27,494 WE'RE ALL READY ON THE SET. 504 00:20:27,527 --> 00:20:29,762 AS SOON AS THE SCENE IS OVER, WE CAN TALK. 505 00:20:29,796 --> 00:20:32,499 WHY DON'T YOU FOLKS HAVE A SEAT? 506 00:20:32,532 --> 00:20:34,834 UH, OPIE, YOU AND AUNT BEE... 507 00:20:41,341 --> 00:20:43,510 YOU SHOULD HAVE TOLD HIM RIGHT AWAY. 508 00:20:43,543 --> 00:20:46,012 A FEW MINUTES WON'T MAKE ANY DIFFERENCE. 509 00:20:46,045 --> 00:20:47,814 HEY, PAW, IS THAT OUR HOUSE? 510 00:20:47,847 --> 00:20:49,416 IT SURE LOOKS DIFFERENT. 511 00:20:49,449 --> 00:20:50,717 Man: QUIET ON THE SET. 512 00:20:50,750 --> 00:20:51,851 ROLL 'EM. 513 00:20:51,884 --> 00:20:53,986 SPEED. 514 00:20:54,020 --> 00:20:55,322 ACTION. 515 00:20:58,090 --> 00:20:59,659 AUNT BEE! 516 00:20:59,692 --> 00:21:00,793 AUNT BEE! 517 00:21:00,827 --> 00:21:03,430 WHERE ARE YOU, AUNT BEE?! 518 00:21:03,463 --> 00:21:04,764 I'M COMING, ANDY! 519 00:21:06,866 --> 00:21:08,835 YES, ANDY? 520 00:21:13,373 --> 00:21:15,475 SHE DOESN'T LOOK MUCH LIKE YOU, AUNT BEE. 521 00:21:15,508 --> 00:21:16,509 SHH! 522 00:21:16,543 --> 00:21:17,744 QUIET. 523 00:21:17,777 --> 00:21:19,879 THE CALHOUN BOYS HAVE FOLLOWED ME HOME. 524 00:21:19,912 --> 00:21:22,415 NOW, I WANT YOU TO TAKE OPIE AND GO DOWN TO THE CELLAR. 525 00:21:22,449 --> 00:21:23,416 DOWN TO THE CELLAR? RIDICULOUS. 526 00:21:23,450 --> 00:21:24,751 SHH! 527 00:21:24,784 --> 00:21:27,820 NEVER, ANDY -- YOU KNOW ME BETTER THAN THAT. 528 00:21:27,854 --> 00:21:29,622 I'D NEVER LEAVE YOU 529 00:21:29,656 --> 00:21:31,524 IN TIME OF TROUBLE. 530 00:21:31,558 --> 00:21:33,860 IF YOUR LIFE IS IN DANGER 531 00:21:33,893 --> 00:21:34,994 SO IS MINE! 532 00:21:35,027 --> 00:21:37,464 GOOD! GOOD! 533 00:21:38,531 --> 00:21:39,732 TAKE COVER, AUNT BEE! 534 00:21:39,766 --> 00:21:41,568 THESE CALHOUN BOYS ARE RUTHLESS! 535 00:21:41,601 --> 00:21:43,670 AND A NICE, DELICATE LADY LIKE YOU... 536 00:21:43,703 --> 00:21:46,739 NO, ANDY, I KNOW YOUR OATH NEVER TO SHOOT A GUN 537 00:21:46,773 --> 00:21:49,542 BUT I NEVER TOOK SUCH AN OATH. 538 00:21:52,812 --> 00:21:57,717 I'LL SHOW THOSE CALHOUN BOYS. 539 00:22:09,629 --> 00:22:11,898 THAT'S STUPID! 540 00:22:11,931 --> 00:22:13,833 Considine: CUT! THAT WAS GREAT. 541 00:22:13,866 --> 00:22:14,901 JUST GREAT! 542 00:22:14,934 --> 00:22:16,903 I'M GOING TO TELL HIM RIGHT NOW. 543 00:22:16,936 --> 00:22:18,538 OH, W-WAIT JUST A MINUTE. 544 00:22:18,571 --> 00:22:19,772 WAIT A MINUTE, ANDY. 545 00:22:19,806 --> 00:22:21,374 I'M NOT ABSOLUTELY SURE 546 00:22:21,408 --> 00:22:23,476 I'VE BEEN QUITE RIGHT ABOUT THIS. 547 00:22:23,510 --> 00:22:25,678 YESTERDAY, YOU WERE CRYING ABOUT IT. 548 00:22:25,712 --> 00:22:28,948 I KNOW, BUT SOMEHOW, TODAY IT SEEMS A LITTLE BETTER. 549 00:22:28,981 --> 00:22:30,149 IT'S A MOVIE, ANDY. 550 00:22:30,182 --> 00:22:31,918 THEY HAVE TO TAKE LIBERTIES 551 00:22:31,951 --> 00:22:33,986 IN ORDER TO MAKE IT INTERESTING. 552 00:22:34,020 --> 00:22:36,055 ANDY, DID YOU WANT TO TALK TO ME? 553 00:22:36,088 --> 00:22:37,557 I HAVE SOME TIME NOW. 554 00:22:37,590 --> 00:22:38,725 WE WERE JUST GOING TO SAY 555 00:22:38,758 --> 00:22:40,026 HOW HAPPY WE ARE ABOUT THE WAY 556 00:22:40,059 --> 00:22:41,794 YOU'RE MAKING THE PICTURE. 557 00:22:41,828 --> 00:22:42,862 WELL, THANK YOU. 558 00:22:42,895 --> 00:22:44,864 AND THAT ACTRESS WHO PLAYS ME-- 559 00:22:44,897 --> 00:22:47,967 SHE'S MARVELOUS! 560 00:22:48,000 --> 00:22:51,904 I MYSELF CAN'T IMAGINE ANYBODY GIVING A MORE ACCURATE... 561 00:22:51,938 --> 00:22:53,973 SHE DON'T LOOK MUCH LIKE AUNT BEE. 562 00:22:54,006 --> 00:22:56,543 MMM. MMM. 563 00:22:56,576 --> 00:22:59,746 THE WAY SHE'S CAUGHT MY CHARACTER-- 564 00:22:59,779 --> 00:23:02,114 IT'S JUST WONDERFUL! 565 00:23:08,688 --> 00:23:10,823 WELL, WASN'T THAT WONDERFUL? YEAH. 566 00:23:10,857 --> 00:23:14,827 IMAGINE US -- MEETING DIRECTORS AND ACTORS AND PRODUCERS. 567 00:23:14,861 --> 00:23:16,529 AND WATCHING THEM MAKE A REAL MOVIE. 568 00:23:16,563 --> 00:23:17,997 I BET JOHNNY PAUL WON'T BELIEVE ME 569 00:23:18,030 --> 00:23:19,432 WHEN I TELL HIM ABOUT THAT. 570 00:23:19,466 --> 00:23:21,100 YEAH, IT'S BEEN SOME VACATION SO FAR. 571 00:23:21,133 --> 00:23:24,170 WELL, WHAT WILL WE DO TONIGHT, ANDY? 572 00:23:24,203 --> 00:23:25,705 WELL, I DON'T KNOW. 573 00:23:25,738 --> 00:23:27,440 WE COULD GO DOWN TO GRAUMAN'S CHINESE THEATRE 574 00:23:27,474 --> 00:23:29,442 OR TAKE A WALK DOWN TO HOLLYWOOD AND VINE. 575 00:23:29,476 --> 00:23:30,777 WELL, THAT SOUNDS NICE. 576 00:23:30,810 --> 00:23:31,778 MM-HMM. 577 00:23:31,811 --> 00:23:33,112 WHAT TIME IS IT, PAW? 578 00:23:33,145 --> 00:23:35,848 OH, I DON'T KNOW. ABOUT 7:00, I GUESS. WHY? 579 00:23:35,882 --> 00:23:37,149 I WAS JUST THINKING -- 580 00:23:37,183 --> 00:23:38,851 IF WE WERE BACK IN MAYBERRY, 581 00:23:38,885 --> 00:23:41,588 DO YOU KNOW WHAT I'D BE DOING RIGHT NOW? WHAT? 582 00:23:41,621 --> 00:23:44,491 WATCHING "THE JEROME SANGER SHOW" ON TV. 583 00:23:44,524 --> 00:23:46,893 MM. Aunt Bee: AND I'D BE WATCHING IT WITH YOU. 584 00:23:46,926 --> 00:23:49,729 YOU KNOW, I'M VERY FOND OF THAT PROGRAM MYSELF. 585 00:23:49,762 --> 00:23:52,465 YEAH. IT'S NOT ON OUT HERE, I DON'T EXPECT. 586 00:23:52,499 --> 00:23:54,767 SURE IT IS. I SAW IT IN THE PAPER THIS MORNING. 587 00:23:54,801 --> 00:23:56,135 WHAT? 588 00:23:56,168 --> 00:23:59,105 AND AFTER HIM'S "JIM APACHE, INDIAN SPY." 589 00:23:59,138 --> 00:24:01,073 I BET THEY GOT AN EXCITING ONE ON TONIGHT. 590 00:24:01,107 --> 00:24:03,843 YEAH, THAT'S A GOOD SHOW, BUT WE'RE IN HOLLYWOOD NOW. 591 00:24:03,876 --> 00:24:05,244 WHAT'LL IT BE -- GRAUMAN'S CHINESE THEATRE, 592 00:24:05,277 --> 00:24:07,013 WALK DOWN TO HOLLYWOOD AND VINE 593 00:24:20,927 --> 00:24:24,230 ROOM SERVICE, PLEASE. 594 00:24:24,263 --> 00:24:25,932 ROOM SERVICE, THIS IS 403. 595 00:24:25,965 --> 00:24:27,800 WOULD YOU SEND UP A TELEVISION SET? 40419

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