Original subtitles

WOULD YOU LIKE SOME COFFEE OR A COLD DRINK?

NO. NO, THANK YOU. NO, THANK YOU.

SWEET, ISN'T SHE?

YES, SHE IS.

HEY, PAW, LOOK DOWN THERE.

HOW DO THEY GET EVERYTHING

IN SUCH NICE, NEAT LITTLE SQUARES?

I DON'T KNOW, BUT IT SURE IS PRETTY, ISN'T IT?

YEAH.

Pilot: Attention, ladies and gentlemen:

We will arrive at the Los Angeles International Airport

in approximately 23 minutes.

The temperature in Los Angeles is a warm 78 degrees.

We hope you've had a pleasant trip

and we hope to be able to serve you again

in the very near future.

Thank you.

23 MINUTES, PAW. WE'RE ALMOST THERE.

SURE ARE.

ANDY, I'M GETTING NERVOUS.

WHY?

WELL, LOS ANGELES IS SUCH A BIG CITY

AND... IT'S FRIGHTENING.

OH, DON'T BE FRIGHTENED.

WE'RE GOING TO HAVE A GOOD TIME.

TWO NICE WEEKS IN HOLLYWOOD...

BE FUN.

HEY, PAW, THERE GOES ANOTHER GROWN-UP LADY IN TROUSERS.

AND GOLD SHOES! MY STARS!

SOMEHOW IT SEEMS ALL RIGHT OUT HERE

BUT I'D SURE HATE TO SEE A THING LIKE

THAT IN MAYBERRY.

MAYBERRY? YOU FOLKS AREN'T FROM MAYBERRY, NORTH CAROLINA?

YEAH. YOU HEARD OF IT?

HEARD OF IT? I'M FROM RUBY CREEK.

YOU'RE NOT. YOU HEAR THAT, AUNT BEE? HE'S FROM RUBY CREEK.

YOU'RE NOT! YES.

Andy: WELL, BLESS YOUR HEART.

HOW LONG YOU BEEN OUT HERE?

SINCE THE WAR -- I WAS IN THE SERVICE OUT HERE

AND JUST NEVER WENT HOME. OH.

YOU FOLKS OUT HERE ON VACATION? WELL, YEAH, SORT OF.

AND THEY'RE MAKING A MOVIE ABOUT MY PAW.

NO

WELL, HOW ABOUT THAT?

ARE YOU A FAMOUS PERSON OR SOMETHING?

WELL, NO... JUST A SHERIFF.

IT'S CALLED SHERIFF WITHOUT A GUN.

THE WAY IT HAPPENED WAS THIS:

THERE WAS AN ARTICLE IN THE SHERIFF'S MAGAZINE ABOUT ANDY

AND THE MOVIE PEOPLE DECIDED TO MAKE A PICTURE OF IT.

WE'RE USING THE MONEY THEY PAID PAW TO TAKE THIS TRIP.

WELL, WHAT DO YOU THINK OF THAT?

I BET THE FOLKS BACK IN MAYBERRY

ARE PRETTY EXCITED ABOUT IT.

OH, INDEED. YOU SHOULD HAVE SEEN

THE SEND-OFF THEY GAVE US.

MISTER, DO YOU DRIVE FOR THIS BUS COMPANY, TOO?

WELL, I SURE DO, SON. I'M JUST HEADING HOME NOW.

COULD YOU TELL ME

ARE WE GOING TO PASS THE LA BREA TAR PITS?

NO, NOT ON THIS ROUTE.

THE BROWN DERBY?

NO.

OR MARINELAND?

NO. THAT'S OUTSIDE OF TOWN.

WE'RE JUST GOING DOWN SUNSET BOULEVARD.

WE'LL GO TO MARINELAND ANOTHER TIME.

THERE'S, UH, LOTS

OF INTERESTING THINGS TO SEE AROUND HERE.

RIGHT OVER THERE'S

DEAN MARTIN'S RESTAURANT.

Andy: OH...

AND THAT'S THE FAMOUS SCHWAB'S DRUGSTORE

WHERE A WHOLE LOT OF MOVIE STARS WERE DISCOVERED.

Andy: OH, YES.

AND WHAT'S THIS OVER HERE?

OH, THAT'S ONE OF THOSE GO-GO PLACES

WHERE THE PEOPLE

TWIST AND SWIM AND JERK.

OH, THE POOR FOLKS.

YOU FOLKS STAYING HERE AT BLAIR HOUSE?

NO. WE'RE GOING TO THE PIEDMONT HOTEL.

IS IT FAR?

NO. JUST A FEW BLOCKS. IT'S THE LAST STOP.

DO WE PASS ANY MOVIE STARS' HOMES ON THE WAY?

NO, I'M AFRAID NOT, SON.

LOOKS LIKE YOU FOLKS ARE THE ONLY ONES

GOING ON TO THE PIEDMONT.

YEAH. LOOKS LIKE.

SO, YOU WANT TO SEE

SOME MOVIE STARS' HOMES, HUH, SON?

YEAH.

WELL, I THINK I CAN ARRANGE THAT.

HEY, JOE, DRIVE UP BEVERLY DRIVE.

GOT SOME FOLKS HERE WHO WANT TO SEE A MOVIE STAR'S HOME.

OH...

WOW.

WELL, THERE IT IS.

Andy: MY GOODNESS.

OH, MY...

WELL, THAT IS SOME HOUSE, ISN'T IT?

OH...

HOW WOULD YOU LIKE TO LIVE

IN A PLACE LIKE THAT?

OH, THAT'D REALLY BE SOMETHING.

CESAR ROMERO LIVES HERE? REALLY AND TRULY?

THAT'S RIGHT--

RIGHT THERE IN THAT HOUSE.

WELL, THAT SURE IS SOMETHING TO SEE.

HEY, PAW, THERE'S HIS PAPER.

LOOKS JUST LIKE THE MAYBERRY PAPER

DON'T IT, PAW?

IT'S A LOT THICKER.

OPIE...

GEE, JUST THINK-- IN A FEW MINUTES

HE'LL BE READING THAT PAPER.

YEAH.

THIS GRASS HAS JUST BEEN SEEDED.

WOULD YOU PEOPLE MIND GETTING OFF THE LAWN, PLEASE?

OH, YES... UH, EXCUSE US.

WE WERE JUST, UH...

WE WERE JUST LOOKING AT HIS PAPER.

GEE, WAIT TILL I TELL THE KIDS AT SCHOOL.

CESAR ROMERO'S MAID TOLD US TO GET OFF THE LAWN...

IN PERSON!

OH. ISN'T THIS LOVELY?

IT SURE IS.

IS THIS WHERE WE'RE GOING TO LIVE, PAW?

YES, SIR, OPE.

FOR THE NEXT TWO WEEKS, THIS'LL BE OUR HOME.

OH, BOY!

THIS SUITE OVERLOOKS THE POOL, YOU KNOW.

IT DOES

OUT HERE.

OH.

WELL, YOU'VE GOT TO STAND OVER HERE, SIR.

SEE OVER THERE? YOU CAN SEE THE DIVING BOARD.

WHERE?

OVER THERE.

OH, OH, I SEE.

OH, YES, THAT'S NICE, ISN'T IT?

COULD WE GO FOR A SWIM, PAW?

I DON'T KNOW WHY NOT.

I'LL PUT THE LADY'S LUGGAGE IN THIS BEDROOM, ALL RIGHT?

OKAY. THOSE TWO, YES.

RIGHT HERE? UH-HUH.

UM... THIS IS THE AIR CONDITIONER OVER HERE.

IF IT GETS TOO WARM FOR YOU

JUST SET THIS DIAL TO WHERE YOU WANT IT.

OH, ALL RIGHT.

WELL, IF THERE'S ANYTHING ELSE, JUST CALL ROOM SERVICE.

THANK YOU.

UM...

OH!

THANK YOU.

OH, THANKS VERY MUCH.

OH, JUST A MINUTE, SIR.

COULD I ASK YOU A FAVOR?

CERTAINLY, MA'AM.

COULD I TAKE YOUR PICTURE?

BU... TAKE MY PICTURE?

WELL, I'M TRYING TO KEEP

A COMPLETE RECORD OF OUR VACATION

FOR THE FOLKS BACK HOME.

AND THEN I COULD SAY TO THE LADIES, "THAT'S OUR BELLBOY."

WELL, OKAY. WHY NOT? WHERE DO YOU WANT ME?

WELL, LET'S SEE. THAT'S AWFULLY PRETTY.

WOULD THAT BE ALL RIGHT?

OH, YES. CERTAINLY.

GO ON, OPIE.

ANDY, YOU STAND ON THE OTHER SIDE THERE.

GET CLOSE TOGETHER.

HERE.

NO, NO, NO. NO, NO, NO. YOU GET IN THE MIDDLE.

THERE YOU ARE. ALL SET? READY AND...

AUNT BEE, WHY DON'T YOU COME AND STAND HERE

AND I'LL TAKE THE PICTURE?

OH, NO, NO.

YEAH, SURE, SURE, AUNT BEE.

IF YOU'RE IN THE PICTURE

THE LADIES WILL KNOW I'M REALLY YOUR BELLBOY.

THAT'S RIGHT.

NOW, YOU COME OVER HERE AND STAND.

ALL RIGHT. THERE YOU GO, ANDY.

NOW, YOU COME HERE.

THAT'S IT.

GET RIGHT IN THERE.

NO, NO, NO!

YOU GET IN THE MIDDLE.

THERE WE ARE.

THERE WE ARE. NOW, WHEN I...

JUST A SECOND. JUST A SECOND.

READY? WHEN I SAY "CHEESE," EVERYBODY SAY "CHEESE."

AND "CHEESE."

All: CHEESE.

THERE WE ARE.

WELL... THANK YOU SO MUCH.

OH, THANK YOU VERY MUCH.

THANK YOU.

AND I HOPE YOU HAVE A VERY NICE TIME WHILE YOU'RE HERE.

WELL... THANK YOU.

I'LL PUT THESE BAGS... OH, NO, I'LL GET THOSE.

OH, FINE.

EXCUSE ME.

BYE.

YOU COME UP ANY TIME.

THANK YOU.

OH, WASN'T HE NICE?

WASN'T HE NICE?

ISN'T THIS SOMETHING?

WELL, HERE WE ARE IN HOLLYWOOD.

WELL, WHAT DO WE DO, PAW?

WELL, I DON'T KNOW.

WE MIGHT...

GO SIGHTSEEING, A LITTLE SHOPPING...

HOW 'BOUT A SWIM?

WELL...

OH, ANDY, I THINK THE FIRST THING YOU'D BETTER DO

IS TO GO AND CALL THOSE MOVIE PEOPLE.

CAN'T I DO THAT LATER?

ANDY, THAT'S NOT POLITE.

IF THEY CAME TO MAYBERRY AND THEY DIDN'T CALL YOU

HOW WOULD YOU FEEL?

WELL, YEAH.

DON'T FORGET --

WE WOULDN'T BE HAVING THIS VACATION IF IT WASN'T FOR THEM.

YOU MIGHT AT LEAST SAY THANK YOU. GO ON.

WELL... I SUPPOSE I SHOULD

BUT, GEE, I DON'T EVEN KNOW WHO TO ASK FOR.

WELL, ASK FOR SOMEBODY IN CHARGE.

WELL, ALL RIGHT.

UH... OPERATOR, WOULD YOU GET ME BELMONT PICTURES?

THANK YOU.

I FEEL KIND OF FOOLISH.

WELL, YOU SHOULDN'T.

THEY'LL BE DELIGHTED TO HEAR FROM YOU.

I DON'T KNOW ABOUT THAT.

HELLO. BELMONT PICTURES?

COULD I SPEAK WITH THE PERSON IN CHARGE?

HE'S IN EGYPT?

WELL, THIS IS ANDY TAYLOR.

HELLO. HELLO?

WHAT'S THE MATTER?

I DON'T KNOW.

WH

THE TAILOR SHOP?

NO, NO. THERE'S BEEN A MISTAKE.

SEE, MY NAME IS ANDY TAYLOR.

YES, AN-AND I-I-I WOULD LIKE TO SPEAK TO SOMEBODY

THAT'S IN CHARGE OF THAT PICTURE THAT THEY'RE MAKING

SHERIFF WITHOUT A GUN.

YEAH, I'LL HOLD ON.

YEAH.

HELLO.

UH, THIS IS ANDY TAYLOR.

I'M THE FELLA THAT THEY'RE MAKING THAT MOVIE ABOUT

SHERIFF WITHOUT A GUN

AND I'D LIKE TO SPEAK WITH SOMEBODY IN CHARGE.

YEAH, I'LL HOLD ON.

WELL, IT'S A BIG PLACE, ANDY.

YEAH.

WHO IS THIS?

THE TAILOR SHOP AGAIN.

WOULD YOU GET ME THE OPERATOR?

OPERATOR, THIS IS ANDY TAYLOR.

NOW, I'M THE TAYLOR

THEY'RE MAKING THAT MOVIE ABOUT, SHERIFF WITHOUT A GUN.

I JUST CALLED UP TO BE POLITE AND IF ANYBODY'S INTERESTED

WE'RE STAYING AT THE PIEDMONT HOTEL, ROOM 403.

GOOD-BYE.

HOPE NOBODY'S INTERESTED.

COME ON, OPE. LET'S GO FOR A SWIM.

HELLO?

IS ANDY TAYLOR THERE?

OH, I SEE.

THIS WOULDN'T BE AUNT BEE, WOULD IT?

WELL, IT'S NICE TO TALK TO YOU, AUNT BEE.

THIS IS A.J. CONSIDINE.

I'M THE DIRECTOR OF SHERIFF WITHOUT A GUN.

OH! OH!

OH!

I'M SORRY THAT MR. TAYLOR'S CALL GOT MISDIRECTED.

I HAD NO IDEA YOU FOLKS WERE IN TOWN.

WELL, WE ARE! WE ARE!

WELL, THIS IS REALLY AN UNEXPECTED PLEASURE.

WHAT ARE YOU FOLKS DOING NOW?

I WAS JUST GOING TO WRITE A LETTER

TO ONE OF THE SMEDLEY SISTERS

AND ANDY AND OPIE ARE DOWN IN THE POOL.

I WAS JUST WONDERING IF YOU FOLKS

WOULDN'T LIKE TO COME OVER TO THE STUDIO.

THE STUDIO?

THE MOV STUDIO?!

YES, AND WE'D SURE LIKE TO HAVE YOU.

WE'VE STARTED THE PICTURE

AND WE'RE SHOOTING A COUPLE OF SCENES TODAY

THAT YOU MIGHT ENJOY WATCHING.

UH, THAT IS, IF YOU'RE NOT TOO BUSY.

OH, NO! NO, WE'RE NOT BUSY!

GOODNESS, NO! NO, WE'RE NOT BUSY AT ALL.

I'LL LEAVE A PASS FOR YOU AT THE GATE

AND YOU CAN DRIVE OUT ANYTIME YOU WANT.

FINE.

GOOD-BYE.

GOOD-BYE.

ANDY?!

OPIE?!

COME QUICK!

WE'RE GOING TO THE MOVIE STUDIO!

UH, TAYLOR. YEAH.

T-A-Y...

THEY GAVE ME THE TAILOR SHOP.

I HAD THE SAME TROUBLE.

UH, WHAT? YEAH.

RIGHT, OKAY.

THEY'RE ON STAGE 40. YOU KNOW WHERE THAT IS?

OH, NO.

COME ON, I'LL SHOW YOU. RIGHT OVER HERE.

GOSH, PAW, IS THIS A MOVIE STUDIO?

I GUESS IT IS, OPE.

IT'S SO BIG.

UH, CAN I HELP YOU FOLKS?

OH, UH, YEAH.

I'M, UH, SHERIFF TAYLOR, AND THIS IS MY AUNT BEE

AND THIS IS, UH, MY SON, OPIE.

OH, OH, SHERIFF TAYLOR.

WELL, WE'VE BEEN EXPECTING YOU.

UH, I'M AL SAUNDERS, THE ASSISTANT DIRECTOR.

I'LL GET MR. CONSIDINE FOR YOU.

MR. CONSIDINE?!

HE'LL BE RIGHT HERE.

WELL... THIS IS, UH, WHERE YOU'RE MAKING THE PICTURE, IS IT?

OH, YES, YES.

YES, IT IS.

WELL, YOU CERTAINLY DO USE A LOT OF PEOPLE.

OH, YES, WE DO. YES.

WHAT'S THAT?

THAT'S MAYBERRY.

THE BACKGROUND FOR THE PICTURE.

MAYBERRY? YEAH, SURE.

WELL, MAYBERRY DOESN'T LOOK LIKE THAT.

MAYBERRY'S A NICE, CLEAN TOWN WITH NICE, CLEAN HOUSES.

OH, OH, OH, YES, I'M, I'M SURE IT IS.

UH... UH...

WELL, IF, UH, YOU FOLKS WILL EXCUSE ME?

WELL, SHERIFF TAYLOR! HOW ARE YOU?

FINE.

OH, UH, I'M A.J. CONSIDINE.

HELLO, AUNT BEE. OH, THIS MUST BE OPIE.

THAT'S OPIE.

HELLO.

WELL, I'M SURE GLAD YOU FOLKS COULD MAKE IT.

YOU'RE JUST IN TIME, TOO.

WE'RE GONNA SHOOT A BIG SCENE IN A FEW MINUTES.

OH, GOOD!

I'D LIKE YOU TO MEET OUR STAR, THE MAN WHO'S PLAYING YOU.

OH, YES!

I'M VERY ANXIOUS TO MEET HIM.

HE'S AN AWFULLY NICE PERSON, AND PERFECT FOR THE PART.

GOOD.

UM, BRYAN?

OH, BRYAN BENDER?

COME HERE FOR A MINUTE, WILL YOU?

HELLO, THERE!

BRYAN, I'D LIKE YOU TO MEET THE REAL SHERIFF TAYLOR.

WELL, HOW DO YOU DO, SHERIFF?

AND THIS IS AUNT BEE.

HELLO. AND OPIE.

IT'S CERTAINLY A PLEASURE MEETING ALL OF YOU--

ESPECIALLY YOU, SHERIFF.

IT'S ALWAYS SO HELPFUL

MEETING THE MAN YOU'RE PORTRAYING.

AND YOU, YOUNG MAN! MY, WHAT A NICE- LOOKING LITTLE CHAP!

NOW, YOU SEE -- HE'S GOT HIS WIG ON NOW.

THAT'S BETTER, ISN'T IT?

Aunt Bee: BUT HE STILL LOOKS NOTHING LIKE YOU, ANDY.

WELL, IT'S JUST A PICTURE.

WHAT DO THEY NEED AN ACTOR THAT LOOKS LIKE ME FOR?

WELL, WHEN THEY MADE A MOVIE OF ABRAHAM LINCOLN,

THEY FOUND AN ACTOR WHO LOOKED LIKE ABRAHAM LINCOLN.

THAT'S DIFFERENT -- EVERYBODY KNOWS WHO HE IS.

PAW? HMM?

IS THAT SUPPOSED TO BE THE SHERIFF'S OFFICE?

IT SURE DON'T LOOK LIKE THE SHERIFF'S OFFICE TO ME.

WELL, MR. CONSIDINE EXPLAINED THAT.

HE SAID THEY HAD TO TAKE SOME LIBERTIES

IN ORDER TO MAKE THE PICTURE MORE INTERESTING.

I DON'T KNOW ABOUT THIS PICTURE, ANDY.

OH, THE WAY THEY DRESS, AND THE TOWN.

AND THE ACTORS?

OH, AUNT BEE.

OH, I JUST HOPE THEY DON'T MAKE IT SILLY AND EXAGGERATE THINGS.

IF THEY DO, THE PEOPLE IN MAYBERRY

ARE GOING TO BE AWFULLY DISAPPOINTED.

WELL, I'M SURE THAT...

Man: ARE WE READY? YEAH, YEAH, YEAH.

ALL RIGHT, QUIET ON THE SET!

PLACES, EVERYBODY!

WE'RE GOING FOR A TAKE.

UH, WE'RE READY, MR. CONSIDINE.

ALL RIGHT, ROLL IT!

SPEED.

ACTION.

SHERIFF TAYLOR!

SHERIFF TAYLOR, WHERE ARE YOU?!

HERE I AM.

CUT. CUT. CUT.

MR. TAYLOR, I... OH, I'M...

OH, I'M, I'M SORRY.

OKAY, LET'S TRY IT AGAIN, FOLKS.

NOW, QUIET ON THE SET.

ALL RIGHT, ROLL IT!

ACTION.

SHERIFF TAYLOR!

SHERIFF TAYLOR, WHERE ARE YOU?!

WHAT IS IT, GEORGE?

THE CALHOUN BROTHERS ARE JUST ACROSS THE STREET

AND IT LOOKS LIKE THEY MEAN BUSINESS.

I THINK THEY'RE PLANNING ON SPRINGING HARRY OUT OF JAIL.

THEY'LL HAVE TO KILL ME FIRST.

I THINK THAT'S WHAT THEY GOT IN MIND, SHERIFF.

SHERIFF?!

HMM?

YOU'VE GOT TO WEAR A GUN!

NEVER!

ANDY...

SHH!

WELL...

HERE COME THE CALHOUN BROTHERS.

IF YOU KNOW WHAT'S GOOD FOR YOU, SHERIFF

YOU BETTER TURN ME LOOSE.

RELAX.

ANDY, YOU NEVER SMOKE A CIGAR!

SHH!

TAYLOR, YOU'VE JUST GOT TEN SECONDS

TO OPEN THAT DOOR.

YOU DON'T SCARE ME.

OH, ANDY, THIS IS RIDICULOUS.

THIS NEVER HAPPENED IN MAYBERRY.

THERE'S NO REASON IT COULDN'T. SHH!

Bryan: I'M NOT OPENING THE DOOR.

I'M GIVING YOU FIVE SECONDS TO GET OUT OF HERE

OR FACE THE CONSEQUENCES.

WHO ARE YOU KIDDING? YOU AIN'T EVEN CARRYING A GUN.

I DON'T NEED A GUN TO TAKE CARE OF RATS LIKE YOU.

WHY, YOU!

AND CUT!

GREAT, GREAT! A DREAM!

WOW, IS THAT SOMETHING!

BOY, THAT'S GONNA BE SOME PICTURE, ISN'T IT?

BOY, YEAH.

OH.

I DON'T LIKE IT, ANDY.

I DON'T LIKE IT ONE LITTLE BIT.

YOU JUST CANNOT LET THEM MAKE THAT PICTURE.

NOW, AUNT BEE...

I NEVER SAW ANYTHING SO OUTLANDISH IN MY WHOLE LIFE!

THE EXAGGERATION...

IT'S NOTHING BUT A LOT OF HUMBUG.

I THOUGHT IT WAS REAL GOOD, AUNT BEE.

I DID, TOO.

ANDY, YOUR CHARACTER -- THEY'RE MAKING A ROUGHNECK OUT OF YOU.

YOU'RE NOT THAT KIND OF A PERSON.

WHY DON'T THEY SHOW SOME OF

THE NICE THINGS YOU DO

LIKE DISTRIBUTING THE BASKETS AT CHRISTMAS

AND GIVING THE SAFETY LECTURES AT THE HIGH SCHOOL?

WELL, PEOPLE DON'T GO TO MOVIES

TO SEE THAT KIND OF THING.

THEY WANT TO SEE ACTION AND EXCITEMENT

DON'T THEY, OPE?

I SURE DO, PAW.

I'M NOT GOING TO BE ABLE

TO HOLD UP MY HEAD IN MAYBERRY WHEN THAT PICTURE COMES OUT.

EVERYBODY'S GOING TO BE LAUGHING AT YOU.

THEY'RE GOING TO BE LAUGHING AT ALL OF US.

ANDY, YOU JUST CAN'T LET THEM DO IT!

WELL, YOU'RE TAKING THIS THE WRONG WAY.

IT'S JUST A MOVIE.

IT'S NOT JUST A MOVIE!

IT'S OUR LIFE!

OPIE, YOU WANT TO GO IN YOUR ROOM

OR FOR A WALK, OR SOMETHING?

OKAY, PAW.

W

WELL, YOU CAN DO SOMETHING!

WELL, WHAT DO YOU WANT ME TO DO?

WHEN YOU GO BACK THERE TOMORROW

YOU MARCH RIGHT UP TO MR. CONSIDINE

AND TELL HIM TO CHANGE THE PICTURE

AND TO MAKE THINGS MORE THE WAY THEY REALLY ARE.

ALL RIGHT, I PROMISE.

I PROMISE JUST AS QUICK AS WE GET THERE IN THE MORNING

I'LL GO RIGHT UP TO HIM, AND I'LL TELL HIM FIRST THING.

BUT DON'T CRY.

GOOD MORNING, FOLKS. YOU'RE JUST IN TIME.

WE'RE GOING TO SHOOT THE BIG SCENE IN THE HOUSE.

OH, GOOD.

GO ON, ANDY.

UH, I WONDER IF I MIGHT HAVE A WORD WITH YOU?

OF COURSE, ANDY, BUT COULD YOU HOLD IT A MINUTE?

WE'RE ALL READY ON THE SET.

AS SOON AS THE SCENE IS OVER, WE CAN TALK.

WHY DON'T YOU FOLKS HAVE A SEAT?

UH, OPIE, YOU AND AUNT BEE...

YOU SHOULD HAVE TOLD HIM RIGHT AWAY.

A FEW MINUTES WON'T MAKE ANY DIFFERENCE.

HEY, PAW, IS THAT OUR HOUSE?

IT SURE LOOKS DIFFERENT.

Man: QUIET ON THE SET.

ROLL 'EM.

SPEED.

ACTION.

AUNT BEE!

AUNT BEE!

WHERE ARE YOU, AUNT BEE?!

I'M COMING, ANDY!

YES, ANDY?

SHE DOESN'T LOOK MUCH LIKE YOU, AUNT BEE.

SHH!

QUIET.

THE CALHOUN BOYS HAVE FOLLOWED ME HOME.

NOW, I WANT YOU TO TAKE OPIE AND GO DOWN TO THE CELLAR.

DOWN TO THE CELLAR? RIDICULOUS.

SHH!

NEVER, ANDY -- YOU KNOW ME BETTER THAN THAT.

I'D NEVER LEAVE YOU

IN TIME OF TROUBLE.

IF YOUR LIFE IS IN DANGER

SO IS MINE!

GOOD! GOOD!

TAKE COVER, AUNT BEE!

THESE CALHOUN BOYS ARE RUTHLESS!

AND A NICE, DELICATE LADY LIKE YOU...

NO, ANDY, I KNOW YOUR OATH NEVER TO SHOOT A GUN

BUT I NEVER TOOK SUCH AN OATH.

I'LL SHOW THOSE CALHOUN BOYS.

THAT'S STUPID!

Considine: CUT! THAT WAS GREAT.

JUST GREAT!

I'M GOING TO TELL HIM RIGHT NOW.

OH, W-WAIT JUST A MINUTE.

WAIT A MINUTE, ANDY.

I'M NOT ABSOLUTELY SURE

I'VE BEEN QUITE RIGHT ABOUT THIS.

YESTERDAY, YOU WERE CRYING ABOUT IT.

I KNOW, BUT SOMEHOW, TODAY IT SEEMS A LITTLE BETTER.

IT'S A MOVIE, ANDY.

THEY HAVE TO TAKE LIBERTIES

IN ORDER TO MAKE IT INTERESTING.

ANDY, DID YOU WANT TO TALK TO ME?

I HAVE SOME TIME NOW.

WE WERE JUST GOING TO SAY

HOW HAPPY WE ARE ABOUT THE WAY

YOU'RE MAKING THE PICTURE.

WELL, THANK YOU.

AND THAT ACTRESS WHO PLAYS ME--

SHE'S MARVELOUS!

I MYSELF CAN'T IMAGINE ANYBODY GIVING A MORE ACCURATE...

SHE DON'T LOOK MUCH LIKE AUNT BEE.

MMM. MMM.

THE WAY SHE'S CAUGHT MY CHARACTER--

IT'S JUST WONDERFUL!

WELL, WASN'T THAT WONDERFUL? YEAH.

IMAGINE US -- MEETING DIRECTORS AND ACTORS AND PRODUCERS.

AND WATCHING THEM MAKE A REAL MOVIE.

I BET JOHNNY PAUL WON'T BELIEVE ME

WHEN I TELL HIM ABOUT THAT.

YEAH, IT'S BEEN SOME VACATION SO FAR.

WELL, WHAT WILL WE DO TONIGHT, ANDY?

WELL, I DON'T KNOW.

WE COULD GO DOWN TO GRAUMAN'S CHINESE THEATRE

OR TAKE A WALK DOWN TO HOLLYWOOD AND VINE.

WELL, THAT SOUNDS NICE.

MM-HMM.

WHAT TIME IS IT, PAW?

OH, I DON'T KNOW. ABOUT 7:00, I GUESS. WHY?

I WAS JUST THINKING --

IF WE WERE BACK IN MAYBERRY,

DO YOU KNOW WHAT I'D BE DOING RIGHT NOW? WHAT?

WATCHING "THE JEROME SANGER SHOW" ON TV.

MM. Aunt Bee: AND I'D BE WATCHING IT WITH YOU.

YOU KNOW, I'M VERY FOND OF THAT PROGRAM MYSELF.

YEAH. IT'S NOT ON OUT HERE, I DON'T EXPECT.

SURE IT IS. I SAW IT IN THE PAPER THIS MORNING.

WHAT?

AND AFTER HIM'S "JIM APACHE, INDIAN SPY."

I BET THEY GOT AN EXCITING ONE ON TONIGHT.

YEAH, THAT'S A GOOD SHOW, BUT WE'RE IN HOLLYWOOD NOW.

WHAT'LL IT BE -- GRAUMAN'S CHINESE THEATRE,

WALK DOWN TO HOLLYWOOD AND VINE

ROOM SERVICE, PLEASE.

ROOM SERVICE, THIS IS 403.

WOULD YOU SEND UP A TELEVISION SET?