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These are the user uploaded subtitles that are being translated: 1 00:00:09,610 --> 00:00:13,314 STARRING ANDY GRIFFITH... 2 00:00:13,347 --> 00:00:15,449 WITH RONNY HOWARD... 3 00:00:15,483 --> 00:00:19,019 ALSO STARRING DON KNOTTS. 4 00:00:23,091 --> 00:00:26,227 CHILDREN, I WANT YOU TO REMEMBER THAT ALL THESE DANCES WE DO 5 00:00:26,260 --> 00:00:29,263 ARE PART OF LEARNING ABOUT THE PEOPLE WHO CAME BEFORE US. 6 00:00:29,297 --> 00:00:32,466 THE COMMUNITY DANCE WAS A VERY IMPORTANT PART OF PIONEER LIFE. 7 00:00:32,500 --> 00:00:34,468 ON SATURDAY NIGHT WHEN THEY'D FINISH WORKING, 8 00:00:34,502 --> 00:00:36,170 THEY'D GATHER AT THE MEETING HALL, 9 00:00:36,204 --> 00:00:38,072 AND THIS WAS THEIR FORM OF ENTERTAINMENT, 10 00:00:38,106 --> 00:00:40,374 WHETHER IT WAS A WALTZ, SQUARE DANCE, OR WHATEVER. 11 00:00:40,408 --> 00:00:41,775 ALL RIGHT, DANCE GROUPS, 12 00:00:41,809 --> 00:00:43,811 SHALL WE SEE HOW WELL WE CAN DO WITH THE WALTZ? 13 00:00:48,516 --> 00:00:50,651 OH, WHAT IS IT, OPIE? 14 00:00:50,684 --> 00:00:52,253 SHARON ISN'T HERE TODAY. 15 00:00:52,286 --> 00:00:54,255 OH, THAT'S RIGHT. 16 00:00:54,288 --> 00:00:56,324 HER BRACE GOT LOOSE, AND SHE BIT ON IT. 17 00:00:56,357 --> 00:00:57,725 OH, I SEE. 18 00:00:57,758 --> 00:00:59,760 WELL, I'LL TELL YOU WHAT, OPIE -- YOU DANCE WITH ME. 19 00:00:59,793 --> 00:01:02,530 ALL RIGHT, EVERYBODY TAKE THEIR POSITIONS. 20 00:01:04,632 --> 00:01:06,667 [ "OH MY DARLING, CLEMENTINE" PLAYS ] 21 00:01:46,240 --> 00:01:47,841 FINE, CHILDREN. 22 00:01:47,875 --> 00:01:50,644 THAT WAS FINE, CLASS -- JUST FINE. 23 00:01:50,678 --> 00:01:53,714 OH, YOU ALWAYS COMPLAIN! 24 00:01:53,747 --> 00:01:57,618 ALL RIGHT, CLASS, YOU HAVE YOUR HOMEWORK ASSIGNMENTS. 25 00:01:57,651 --> 00:01:58,886 CLASS DISMISSED. 26 00:02:16,337 --> 00:02:17,838 OH, YES, OPIE? 27 00:02:17,871 --> 00:02:19,640 WANT ME TO SCRUB YOUR BLACKBOARD FOR YOU? 28 00:02:19,673 --> 00:02:21,709 OH, NO, THANK YOU, OPIE. IT DOESN'T NEED IT TODAY. 29 00:02:21,742 --> 00:02:23,344 WELL, I COULD SHARPEN YOUR PENCILS. 30 00:02:23,377 --> 00:02:24,745 WELL, THANK YOU FOR OFFERING, OPIE, 31 00:02:24,778 --> 00:02:26,280 BUT I HAVEN'T EVEN USED THEM. 32 00:02:26,314 --> 00:02:28,449 YOU WANT ME TO WAIT IN CASE YOU DO USE 'EM? 33 00:02:28,482 --> 00:02:30,451 OH, I'M GOING NOW MYSELF, OPIE. 34 00:02:30,484 --> 00:02:31,519 OH. 35 00:02:31,552 --> 00:02:33,387 WELL, THANK YOU. 36 00:02:36,924 --> 00:02:39,593 WELL, THANK YOU, OPIE. 37 00:02:51,705 --> 00:02:53,741 BOY, IF THAT AIN'T A PICTURE. 38 00:02:53,774 --> 00:02:55,643 WHAT'S THAT? 39 00:02:55,676 --> 00:02:57,411 YOUR SON AND HEIR WALKING ALONG 40 00:02:57,445 --> 00:02:58,946 WITH HELEN CRUMP HAND IN HAND. 41 00:02:58,979 --> 00:03:02,250 OH, YEAH. MUST BE COMING HOME FROM SCHOOL. 42 00:03:02,283 --> 00:03:04,852 YEAH. 43 00:03:04,885 --> 00:03:06,887 THAT'S SWEET. 44 00:03:09,957 --> 00:03:11,759 BOY, THINGS SURE WERE DIFFERENT 45 00:03:11,792 --> 00:03:13,527 WHEN YOU AND I WENT TO SCHOOL. 46 00:03:13,561 --> 00:03:14,928 REMEMBER? 47 00:03:14,962 --> 00:03:17,531 TEACHERS AND KIDS WERE NATURAL ENEMIES THEN. 48 00:03:17,565 --> 00:03:19,633 YEAH. 49 00:03:19,667 --> 00:03:21,402 HEY, REMEMBER MRS. VON ROEDER? 50 00:03:21,435 --> 00:03:22,970 OH, THE BEAST OF THE FOURTH FLOOR? 51 00:03:24,305 --> 00:03:25,839 BEAST OF THE FOURTH FLOOR. 52 00:03:25,873 --> 00:03:27,941 REMEMBER WHEN WE PUT INK IN HER THERMOS BOTTLE? 53 00:03:27,975 --> 00:03:29,643 REMEMBER THE TACK ON HER CHAIR? 54 00:03:29,677 --> 00:03:32,480 THEN WE PUT THAT GARTER SNAKE IN HER DESK DRAWER. 55 00:03:32,513 --> 00:03:34,515 YEAH. 56 00:03:34,548 --> 00:03:37,651 BOY, SHE SURE WAS MEAN. 57 00:03:38,719 --> 00:03:40,988 WELL, ANYWAY, IT LOOKS LIKE THINGS HAVE CHANGED. 58 00:03:41,021 --> 00:03:43,824 THERE'S AN ENTIRELY DIFFERENT TEACHER/PUPIL RELATIONSHIP, 59 00:03:43,857 --> 00:03:45,559 AND I THINK IT'S VERY ENCOURAGING. 60 00:03:45,593 --> 00:03:46,727 I DO, TOO. 61 00:03:46,760 --> 00:03:48,596 IT'S A STEP IN THE RIGHT DIRECTION, 62 00:03:48,629 --> 00:03:49,730 I'LL TELL YOU THAT. 63 00:03:51,632 --> 00:03:54,602 YOU KNOW, THAT'D MAKE IT REAL NICE FOR YOU, TOO, ANGE. 64 00:03:54,635 --> 00:03:56,470 WHAT DO YOU MEAN? 65 00:03:56,504 --> 00:03:59,440 HELEN AND OPIE WALKING ALONG TOGETHER LIKE THAT. 66 00:03:59,473 --> 00:04:02,042 OH. 67 00:04:02,075 --> 00:04:04,745 WELL, I MEAN, IN CASE YOU AND HELEN 68 00:04:04,778 --> 00:04:08,349 EVER DECIDE TO TAKE THAT BIG STEP. 69 00:04:08,382 --> 00:04:10,284 NOW, DON'T START THAT AGAIN. 70 00:04:10,318 --> 00:04:12,320 ANY PLANS? NO, NOT YET. 71 00:04:12,353 --> 00:04:13,987 WELL, YOU MUST'VE TALKED ABOUT IT. 72 00:04:14,021 --> 00:04:15,656 NOT REALLY. COME ON, OPEN UP. 73 00:04:15,689 --> 00:04:17,358 BARN, THERE'S NOTHING TO SAY. 74 00:04:17,391 --> 00:04:18,326 YOU CAN TELL A FRIEND. 75 00:04:18,359 --> 00:04:19,527 THERE'S NOTHING TO TELL. 76 00:04:19,560 --> 00:04:20,728 WHEN ARE YOU TWO GETTING MARRIED? 77 00:04:20,761 --> 00:04:21,995 BARNEY! IT JUST SEEMS TO ME 78 00:04:22,029 --> 00:04:23,797 THAT AFTER YOU'VE BEEN GOING WITH A GIRL 79 00:04:23,831 --> 00:04:24,965 FOR OVER TWO YEARS -- 80 00:04:24,998 --> 00:04:26,334 WHAT ABOUT YOU AND THELMA LOU? 81 00:04:26,367 --> 00:04:27,635 WHAT ABOUT ME AND THELMA LOU? 82 00:04:27,668 --> 00:04:29,470 YOU'VE BEEN GOING WITH HER FOR TWO YEARS. 83 00:04:29,503 --> 00:04:30,604 WHEN YOU GONNA GET MARRIED? 84 00:04:30,638 --> 00:04:32,072 WHAT ARE YOU TALKING ABOUT? 85 00:04:32,105 --> 00:04:34,575 COME ON, OPEN UP. THERE'S NOTHING TO OPEN UP ABOUT. 86 00:04:34,608 --> 00:04:37,077 YOU CAN TELL A FRIEND. WHEN YOU GONNA GET MARRIED? 87 00:04:37,110 --> 00:04:40,681 IS THAT ALL YOU CAN TALK ABOUT? 88 00:04:43,684 --> 00:04:46,787 PAW, CAN A BOY GO WITH A GIRL WHO'S OLDER THAN HE IS? 89 00:04:46,820 --> 00:04:48,389 DO THEY ALLOW THAT? 90 00:04:48,422 --> 00:04:50,724 OPIE, WHY DO YOU ALWAYS SAVE STUFF LIKE THAT 91 00:04:50,758 --> 00:04:52,025 FOR EARLY IN THE MORNING? 92 00:04:52,059 --> 00:04:54,061 WELL, CAN HE? 93 00:04:54,094 --> 00:04:55,863 WELL, THERE'S NO LAW AGAINST IT. 94 00:04:55,896 --> 00:04:57,598 WHY, SHARON OLDER THAN YOU ARE? 95 00:04:57,631 --> 00:04:59,367 I'M NOT TALKING ABOUT SHARON. 96 00:04:59,400 --> 00:05:00,868 YOU'VE GOT A NEW GIRL? 97 00:05:00,901 --> 00:05:02,403 I'M NOT SURE YET. 98 00:05:02,436 --> 00:05:03,904 HMM. 99 00:05:03,937 --> 00:05:06,740 WELL, I WOULDN'T SAY AGE IS REAL IMPORTANT. 100 00:05:06,774 --> 00:05:09,042 IF SHE LIKES YOU AND YOU LIKE HER, THAT'S THE MAIN THING. 101 00:05:09,076 --> 00:05:12,513 I THINK SHE LIKES ME. SHE SMILES AT ME A LOT. 102 00:05:12,546 --> 00:05:14,081 HMM. WELL, SHE LIKES YOU. 103 00:05:14,114 --> 00:05:15,416 EAT. 104 00:05:17,150 --> 00:05:19,086 WHAT ABOUT HER BEING OLDER THAN I AM? 105 00:05:19,119 --> 00:05:23,424 WELL, I WOULDN'T LET THAT BOTHER ME. 106 00:05:23,457 --> 00:05:25,459 I REMEMBER WHEN I WAS ABOUT YOUR AGE, 107 00:05:25,493 --> 00:05:26,794 I WAS TRYING TO COURT A LITTLE GIRL 108 00:05:26,827 --> 00:05:28,596 NAMED BARBARA EDWARDS. 109 00:05:28,629 --> 00:05:32,633 SHE WAS IN THE UPPER FIFTH GRADE, AND I WAS IN THE LOWER. 110 00:05:32,666 --> 00:05:35,135 NOW, I WILL ADMIT THERE WAS SOME TALK, 111 00:05:35,168 --> 00:05:37,905 BUT I DIDN'T LET IT BOTHER ME. 112 00:05:37,938 --> 00:05:39,573 WHAT IF SHE'S OLDER THAN THAT? 113 00:05:39,607 --> 00:05:40,841 HOW MUCH OLDER? 114 00:05:40,874 --> 00:05:42,376 I DON'T KNOW. 115 00:05:42,410 --> 00:05:44,512 WITH GIRLS, IT'S HARD TO TELL HOW OLD THEY ARE. 116 00:05:44,545 --> 00:05:46,380 EAT. 117 00:05:46,414 --> 00:05:48,749 I DON'T RECKON YOU'D WANNA TELL ME WHO IT IS. 118 00:05:48,782 --> 00:05:50,851 WELL, IT'S A SECRET. 119 00:05:50,884 --> 00:05:52,386 OH. 120 00:05:52,420 --> 00:05:55,122 PAW? HMM? 121 00:05:55,155 --> 00:05:56,790 HOW DO I TELL HER I LIKE HER? 122 00:05:56,824 --> 00:05:59,760 HOW DID YOU TELL SHARON YOU LIKED HER? 123 00:05:59,793 --> 00:06:01,662 I DIDN'T HAVE TO. SHE KNEW IT. 124 00:06:01,695 --> 00:06:02,930 OH. 125 00:06:02,963 --> 00:06:04,498 LAST TERM WHEN SHE TOLD THE TEACHER 126 00:06:04,532 --> 00:06:05,966 THE BOYS WERE THE ONES 127 00:06:05,999 --> 00:06:07,935 THAT WERE MAKING ALL THE NOISE ON THE PLAYGROUND, 128 00:06:07,968 --> 00:06:10,738 I WAS THE ONLY BOY THAT DIDN'T HIT HER. 129 00:06:10,771 --> 00:06:13,040 AND BESIDES, I GIVE HER MY BRAND-NEW ERASER. 130 00:06:13,073 --> 00:06:16,744 MM. WELL, WHY DON'T YOU GIVE THIS GIRL AN ERASER? 131 00:06:16,777 --> 00:06:19,813 NAH, I THINK I WANNA GET HER SOMETHING REAL GOOD. HUH. 132 00:06:19,847 --> 00:06:21,582 I HAVE 62 CENTS SAVED UP, 133 00:06:21,615 --> 00:06:24,518 NOT COUNTING 6 POP BOTTLES AUNT BEE SAID I COULD TAKE BACK. 134 00:06:24,552 --> 00:06:26,987 THAT'S A PILE OF MONEY TO SPEND ON A GIRL, AIN'T IT? 135 00:06:27,020 --> 00:06:28,021 PLEASE, PAW. 136 00:06:30,023 --> 00:06:31,925 WELL, GO AHEAD IF YOU WANT TO. 137 00:06:31,959 --> 00:06:34,428 THE WOMEN WILL GET IT ANYWAY, I RECKON. 138 00:06:34,462 --> 00:06:36,464 GEE, THANKS, PAW. 139 00:06:38,799 --> 00:06:41,168 74 CENTS? YEAH. 140 00:06:41,201 --> 00:06:43,837 BOY, 74 CENTS -- 141 00:06:43,871 --> 00:06:47,040 THAT'S A LOT OF MONEY FOR A KID TO SPEND ON A PRESENT. 142 00:06:47,074 --> 00:06:49,610 DID YOU TELL HIM IT WAS OKAY? YEAH. 143 00:06:49,643 --> 00:06:53,013 I GUESS HE'S REALLY GOT IT BAD THIS TIME, HUH? 144 00:06:53,046 --> 00:06:54,648 YEAH. 145 00:06:54,682 --> 00:06:57,851 WELL, I SUPPOSE KIDS ARE NO DIFFERENT THAN GROWN-UPS. 146 00:06:57,885 --> 00:06:59,553 I REMEMBER I WENT OVERBOARD 147 00:06:59,587 --> 00:07:01,589 WITH THELMA LOU ON HER LAST BIRTHDAY. 148 00:07:01,622 --> 00:07:03,090 DID YOU GET HER SOMETHING NICE? 149 00:07:03,123 --> 00:07:06,026 NICEST PRESENT I EVER GAVE HER. 150 00:07:06,059 --> 00:07:07,661 KNOW WHAT I DID? 151 00:07:07,695 --> 00:07:08,762 HMM. 152 00:07:08,796 --> 00:07:10,798 TOOK HER OUT TO DINNER. 153 00:07:12,265 --> 00:07:13,834 TOOK HER OUT TO DINNER? 154 00:07:13,867 --> 00:07:16,504 WELL, YEAH, YOU KNOW WE USUALLY GO DUTCH. 155 00:07:18,506 --> 00:07:20,040 TOOK HER TO MORELLI'S. 156 00:07:20,073 --> 00:07:22,075 OH, MORELLI'S. YEAH. 157 00:07:22,109 --> 00:07:24,545 HUH? YEAH. 158 00:07:25,846 --> 00:07:28,215 NOW, THERE'S A PLACE TO TAKE A GIRL. 159 00:07:28,248 --> 00:07:31,151 OUT ON THE HIGHWAY LIKE THAT, NICE AND SECLUDED. 160 00:07:31,184 --> 00:07:33,754 RED-CHECKERED TABLECLOTHS. 161 00:07:33,787 --> 00:07:36,657 OH, YEAH, FANCY. FANCY. FANCY. 162 00:07:38,225 --> 00:07:41,028 YOU KNOW, THEY'LL LET YOU TAKE A BOTTLE IN THERE. 163 00:07:41,061 --> 00:07:43,163 YOU DIDN'T, DID YOU? NO. 164 00:07:47,234 --> 00:07:48,569 WHAT DID YOU HAVE TO EAT? 165 00:07:48,602 --> 00:07:50,604 HAD THEIR DELUXE SPECIAL. 166 00:07:50,638 --> 00:07:52,806 YOU KNOW, YOU CAN HOLD IT DOWN TO $1.85 OUT THERE 167 00:07:52,840 --> 00:07:54,675 IF YOU DON'T HAVE THE SHRIMP COCKTAIL. 168 00:07:54,708 --> 00:07:56,009 DID YOU HAVE SHRIMP COCKTAIL? 169 00:07:56,043 --> 00:07:57,845 WELL, NO. 170 00:07:57,878 --> 00:08:00,914 I TOLD THELMA LOU, I SAID, "LET'S NOT FILL UP." 171 00:08:02,550 --> 00:08:04,985 THE MINESTRONE WAS DELICIOUS, THOUGH. PHEW! 172 00:08:05,018 --> 00:08:07,821 YEAH, WHEN THAT'S MADE RIGHT, THAT'S REALLY SOMETHING. 173 00:08:07,855 --> 00:08:11,825 AND FOR THE MAIN DISH, POUNDED STEAK A LA MORELLI. 174 00:08:11,859 --> 00:08:12,760 OH? 175 00:08:12,793 --> 00:08:14,127 IT'S REALLY POUNDED, TOO. 176 00:08:14,161 --> 00:08:15,529 NO QUESTION ABOUT IT. 177 00:08:15,563 --> 00:08:16,864 THEY GOT ONE OF THESE OPEN KITCHENS, 178 00:08:16,897 --> 00:08:18,198 AND YOU CAN LOOK RIGHT IN THERE 179 00:08:18,231 --> 00:08:19,933 AND WATCH 'EM POUND IT RIGHT WITH YOUR OWN EYES. 180 00:08:19,967 --> 00:08:22,836 OH, YEAH -- KIND OF SEE WHAT YOU'RE GETTING. 181 00:08:22,870 --> 00:08:24,137 YEAH. 182 00:08:24,171 --> 00:08:25,906 I TELL YOU, ANDY, WHEN THAT MEAL WAS FINISHED, 183 00:08:25,939 --> 00:08:27,541 I DID SOMETHING I RARELY DO. WHAT? 184 00:08:27,575 --> 00:08:30,243 I SENT MY COMPLIMENTS BACK TO THE CHEF. 185 00:08:30,277 --> 00:08:32,546 I APPRECIATE THEM THINGS. 186 00:08:34,014 --> 00:08:38,185 HE KIND OF LOOKED UP FROM HIS POUNDING AND WAVED AT ME. 187 00:08:40,087 --> 00:08:43,290 I'M GONNA HAVE TO TAKE HELEN OVER THERE ONE OF THESE DAYS. 188 00:08:43,323 --> 00:08:45,826 OH, SHE'D LOVE IT -- LOVE IT. 189 00:08:45,859 --> 00:08:48,829 IT'S NOT ONLY THE FOOD, EITHER. IT'S THE ATMOSPHERE. 190 00:08:48,862 --> 00:08:52,099 YOU KNOW, THEY GOT THE CANDLES ON THE TABLES AND THE MUSIC. 191 00:08:52,132 --> 00:08:54,702 THEY GOT A GYPSY VIOLINIST OUT THERE. 192 00:08:54,735 --> 00:08:58,772 HE MUST'VE PLAYED SIX OR EIGHT SONGS STANDING OVER OUR TABLE. 193 00:08:58,806 --> 00:09:01,208 OF COURSE, YOU GOT TO SLIP HIM A QUARTER. 194 00:09:02,375 --> 00:09:04,845 YEAH, THOSE FELLAS WORK ON TIPS. 195 00:09:04,878 --> 00:09:09,282 ONE THING ABOUT GYPSIES, THOUGH-- THEY'RE MOODY. 196 00:09:11,251 --> 00:09:13,120 BUT THE POINT I'M TRYING TO MAKE IS, 197 00:09:13,153 --> 00:09:15,355 IF OUR KIDS WANNA SPLURGE ON THEIR GIRLFRIENDS, 198 00:09:15,388 --> 00:09:17,090 WHAT DO YOU EXPECT? 199 00:09:17,124 --> 00:09:19,860 THEY GET IT FROM US. 200 00:09:20,661 --> 00:09:22,796 THANK YOU VERY MUCH, AND DO COME BACK AGAIN, WON'T YOU? 201 00:09:23,964 --> 00:09:25,699 WELL, HELLO, OPIE. HI. 202 00:09:25,733 --> 00:09:27,234 IF YOU'RE COLLECTING FOR RED CROSS 203 00:09:27,267 --> 00:09:28,335 I ALREADY GAVE LAST WEEK. 204 00:09:28,368 --> 00:09:29,703 NO, I WANNA BUY A PRESENT. 205 00:09:29,737 --> 00:09:31,238 OH, SOMETHING FOR AUNT BEE? 206 00:09:31,271 --> 00:09:33,040 NO, ANOTHER LADY. OH, I SEE. 207 00:09:33,073 --> 00:09:35,175 WELL, HOW MUCH DO YOU WANT TO SPEND? 208 00:09:35,208 --> 00:09:36,309 74 CENTS. 209 00:09:36,343 --> 00:09:38,679 NOW, LET ME THINK. 210 00:09:38,712 --> 00:09:41,281 SAY, HOW ABOUT A NICE HANDKERCHIEF, HMM? 211 00:09:41,314 --> 00:09:42,916 OKAY. 212 00:09:42,950 --> 00:09:45,118 LOOK, ISN'T THAT A PRETTY ONE? GEE, IT'S SMALL. 213 00:09:45,152 --> 00:09:47,955 WELL, THAT'S THE WAY LADIES' HANDKERCHIEFS ARE, OPIE, 214 00:09:47,988 --> 00:09:50,891 ALTHOUGH I DO HAVE SOME LARGER ONES. 215 00:09:50,924 --> 00:09:51,925 LET ME SEE. 216 00:09:51,959 --> 00:09:54,161 OH, YES. HERE IT IS. 217 00:09:54,194 --> 00:09:57,330 HOW ABOUT THIS ONE? THAT'S LARGER. 218 00:09:57,364 --> 00:09:59,066 DO YOU HAVE ANY COLORED ONES? 219 00:09:59,099 --> 00:10:00,634 YOU DON'T LIKE THESE. 220 00:10:00,668 --> 00:10:02,269 WELL, IF YOU HAD A BLUE ONE, MAYBE. 221 00:10:02,302 --> 00:10:04,672 BLUE. BLUE. 222 00:10:04,705 --> 00:10:07,407 I DID SEE A BLUE -- OH, HERE IT IS. 223 00:10:07,440 --> 00:10:09,877 THERE. THERE'S A BLUE ONE. 224 00:10:09,910 --> 00:10:11,712 DO YOU HAVE ANY OTHER COLORS? 225 00:10:25,358 --> 00:10:26,426 I'LL TAKE THIS ONE. 226 00:10:26,459 --> 00:10:27,795 FINE. 227 00:10:27,828 --> 00:10:30,130 THAT'LL BE 50 CENTS PLUS TAX. 228 00:10:30,163 --> 00:10:33,000 OH, BUT I WANNA SPEND MY WHOLE 74 CENTS. 229 00:10:33,033 --> 00:10:34,234 MY DEAR OPIE, 230 00:10:34,267 --> 00:10:36,103 MY DEAR, DEAR OPIE, 231 00:10:36,136 --> 00:10:40,107 WE ARE NOT GOING TO FIND SOMETHING FOR EXACTLY 74 CENTS. 232 00:10:40,140 --> 00:10:41,374 WE JUST ARE NOT. 233 00:10:41,408 --> 00:10:43,877 I'LL BE WITH YOU IN A MOMENT. 234 00:10:43,911 --> 00:10:45,913 WELL, DO YOU HAVE ANYTHING FOR A LITTLE BIT MORE? 235 00:10:45,946 --> 00:10:48,248 WELL, I DO HAVE SOMETHING 236 00:10:48,281 --> 00:10:51,251 THAT WOULD MAKE A VERY NICE GIFT FOR 80 CENTS, 237 00:10:51,284 --> 00:10:52,986 BUT THAT WOULD BE IT. 238 00:10:53,020 --> 00:10:54,121 80 CENTS. 239 00:10:54,154 --> 00:10:56,456 I'LL TAKE IT. I'LL BE RIGHT BACK. 240 00:10:56,489 --> 00:10:58,091 OPIE, WHERE ARE YOU GOING? 241 00:10:58,125 --> 00:11:00,360 I HAVE TO GO HOME AND DRINK THREE BOTTLES OF POP. 242 00:11:09,803 --> 00:11:10,971 Andy: OPE? 243 00:11:11,004 --> 00:11:14,842 HOW COME YOU'RE NOT OUT PLAYING? 244 00:11:14,875 --> 00:11:16,844 WELL, I'VE BEEN BUSY. 245 00:11:16,877 --> 00:11:18,846 OH, I SEE YOU BOUGHT YOUR PRESENT. 246 00:11:18,879 --> 00:11:21,048 YEAH. I'M NOT SURE SHE'S GONNA LIKE IT, THOUGH. 247 00:11:21,081 --> 00:11:22,282 I EXPECT SHE WILL. 248 00:11:22,315 --> 00:11:24,217 I'D SAY YOU GOT PRETTY GOOD TASTE. 249 00:11:24,251 --> 00:11:25,452 WHAT DID YOU GET? 250 00:11:25,485 --> 00:11:27,855 GEE, PAW, DO I HAVE TO SHOW IT TO YOU? 251 00:11:27,888 --> 00:11:30,090 COME ON, SHOW ME WHAT YOU GOT. 252 00:11:30,123 --> 00:11:31,792 WELL, OKAY, I'LL SHOW IT TO YOU, 253 00:11:31,825 --> 00:11:32,960 BUT I CAN'T TELL YOU WHO IT'S FOR. 254 00:11:32,993 --> 00:11:34,394 THAT'S A SECRET. 255 00:11:34,427 --> 00:11:36,396 PRETTY PACKAGE. MAYBE YOU BETTER NOT OPEN IT. 256 00:11:36,429 --> 00:11:38,465 IT'S OKAY. I CAN FIX IT UP AGAIN. 257 00:11:38,498 --> 00:11:39,967 I BET I CAN GUESS. 258 00:11:40,000 --> 00:11:40,868 WHAT? 259 00:11:40,901 --> 00:11:41,969 JIGSAW PUZZLE. 260 00:11:42,002 --> 00:11:43,103 MNH-MNH. 261 00:11:43,136 --> 00:11:44,404 BOX OF FISHHOOKS. 262 00:11:44,437 --> 00:11:45,806 NOPE. 263 00:11:45,839 --> 00:11:47,240 MODEL AIRPLANE? NO. 264 00:11:47,274 --> 00:11:49,442 WELL, LET'S SEE WHAT YOU GOT YOUR LITTLE FRIEND. 265 00:11:50,878 --> 00:11:52,746 THERE. 266 00:12:05,292 --> 00:12:09,763 OPIE, UH, WHO YOU PLANNING ON GIVING THESE STOCKINGS TO? 267 00:12:09,797 --> 00:12:10,530 A LADY. 268 00:12:10,563 --> 00:12:12,365 WELL, I FIGURED THAT MUCH. 269 00:12:12,399 --> 00:12:14,001 WHOEVER IT IS, 270 00:12:14,034 --> 00:12:16,069 I DON'T THINK STOCKINGS IS THE RIGHT KIND OF GIFT. 271 00:12:16,103 --> 00:12:17,871 MISS PRIMROSE SAID ANY LADY WOULD LIKE 'EM. 272 00:12:17,905 --> 00:12:20,440 WELL, SURE, SURE, 273 00:12:20,473 --> 00:12:23,043 BUT YOU GOT TO KNOW A PERSON REAL WELL 274 00:12:23,076 --> 00:12:25,412 'FORE YOU GIVE 'EM ANYTHING LIKE THAT. 275 00:12:25,445 --> 00:12:27,948 AND GOT TO BE OLDER. 276 00:12:27,981 --> 00:12:32,052 SEE, SEE, STOCKINGS IS PERSONAL -- VERY PERSONAL. 277 00:12:32,085 --> 00:12:33,286 YOU UNDERSTAND? 278 00:12:33,320 --> 00:12:34,454 NO. 279 00:12:34,487 --> 00:12:37,090 WELL... 280 00:12:37,124 --> 00:12:40,460 SUPPOSE YOU WAS TO GIVE THIS YOUNG LADY SOME CANDY 281 00:12:40,493 --> 00:12:41,895 OR SOME FLOWERS. 282 00:12:41,929 --> 00:12:43,263 THAT WOULD BE OKAY. 283 00:12:43,296 --> 00:12:44,297 YOU KNOW WHAT I MEAN? 284 00:12:44,331 --> 00:12:45,465 NO, PAW. 285 00:12:46,900 --> 00:12:52,072 OPIE, STOCKINGS IS SOMETHING A LADY WEARS. 286 00:12:53,273 --> 00:12:56,810 CANDY -- WELL, EVERYBODY GIVES CANDY. 287 00:12:56,844 --> 00:12:58,511 CANDY'S JUST SOMETHING YOU EAT. 288 00:12:58,545 --> 00:13:01,014 NOW, THERE'S YOUR DIFFERENCE RIGHT THERE. 289 00:13:01,048 --> 00:13:04,117 BUT WHAT ABOUT STOCKINGS? 290 00:13:04,151 --> 00:13:08,088 WELL, OPIE... STOCKINGS, UH... 291 00:13:09,556 --> 00:13:11,825 JUST TAKE MY WORD FOR IT. 292 00:13:11,859 --> 00:13:14,261 UH, I'D RATHER YOU TAKE THESE STOCKINGS BACK. 293 00:13:14,294 --> 00:13:16,964 I'D REALLY JUST RATHER YOU JUST TAKE 'EM BACK. 294 00:13:16,997 --> 00:13:18,899 NOW, I'VE GOT TO GET ON BACK TO WORK. 295 00:13:18,932 --> 00:13:20,233 I'M LATE AS IT IS. 296 00:13:29,409 --> 00:13:32,812 SARAH, GET ME THE BLUEBIRD DINER, WILL YOU? 297 00:13:42,289 --> 00:13:44,858 HI, SWEETIE PIE. 298 00:13:44,892 --> 00:13:46,927 OH, HELLO, FRANK. 299 00:13:46,960 --> 00:13:49,196 IS JUANITA THERE? 300 00:13:49,229 --> 00:13:50,597 OKAY. 301 00:13:53,666 --> 00:13:57,004 NITE? BARN. HOW YOU DOING? 302 00:13:58,438 --> 00:14:01,141 OKAY. YEAH. 303 00:14:01,174 --> 00:14:03,977 LISTEN, I GOT A LITTLE EXTRA-SPECIAL TREAT 304 00:14:04,011 --> 00:14:05,345 IN MIND FOR TONIGHT. 305 00:14:06,646 --> 00:14:09,182 DRIVE-IN MOVIE AT MOUNT PILOT. 306 00:14:10,918 --> 00:14:13,020 OH, I DON'T KNOW WHAT'S PLAYING. 307 00:14:13,053 --> 00:14:14,922 WHAT DIFFERENCE DOES IT MAKE? 308 00:14:16,924 --> 00:14:18,591 WELL, YOU KNOW WHAT I MEAN. 309 00:14:20,093 --> 00:14:21,561 COME ON. 310 00:14:21,594 --> 00:14:24,231 DON'T TELL ME YOU DON'T KNOW WHAT I MEAN. 311 00:14:24,264 --> 00:14:27,234 YEAH. OF COURSE YOU DO. 312 00:14:27,267 --> 00:14:30,537 WELL, WE WERE OUT THERE ONCE BEFORE. 313 00:14:30,570 --> 00:14:33,173 WELL, WHAT TIME YOU GONNA GET OFF? 314 00:14:33,206 --> 00:14:35,909 NOT TILL THEN? 315 00:14:35,943 --> 00:14:39,346 WELL, THEN, YOU WON'T HAVE TIME TO GO HOME AND CHANGE CLOTHES. 316 00:14:39,379 --> 00:14:41,548 WELL, THAT'S ALL RIGHT. 317 00:14:41,581 --> 00:14:43,316 YOU'LL HAVE TO WEAR YOUR UNIFORM. 318 00:14:44,717 --> 00:14:48,421 YOU WEAR YOUR UNIFORM, AND I'LL WEAR MY UNIFORM. 319 00:14:52,559 --> 00:14:55,462 UH, THAT'S RIGHT, 7:30, UNIFORM. GOOD-BYE. 320 00:14:55,495 --> 00:14:57,130 HI, OPE. YOUR PAW'S NOT HERE. 321 00:14:57,164 --> 00:14:58,265 THAT'S OKAY. 322 00:14:58,298 --> 00:15:00,100 CAN I ASK YOU SOMETHING, BARNEY? 323 00:15:00,133 --> 00:15:01,701 SURE. WHAT DO YOU WANT TO ASK ME? 324 00:15:01,734 --> 00:15:05,005 YOU GO WITH A LOT OF DIFFERENT LADIES, DON'T YOU? 325 00:15:05,038 --> 00:15:07,674 WELL, WHAT MAKES YOU ASK A THING LIKE THAT? 326 00:15:07,707 --> 00:15:09,209 DON'T YOU, BARNEY? 327 00:15:09,242 --> 00:15:11,945 WELL... 328 00:15:14,081 --> 00:15:17,584 AS A RULE, I ONLY GO WITH ONE GIRL AT A TIME, 329 00:15:17,617 --> 00:15:19,719 BUT I SUPPOSE YOU MIGHT SAY 330 00:15:19,752 --> 00:15:23,590 I'VE COVERED A LITTLE GROUND IN MY TIME. WHY? 331 00:15:23,623 --> 00:15:26,193 HOW DO YOU SAY IT WHEN YOU WANT TO TELL 'EM THAT YOU LIKE 'EM? 332 00:15:28,261 --> 00:15:30,397 WELL, I THINK YOU OUGHT TO TALK TO YOUR PAW 333 00:15:30,430 --> 00:15:32,065 ABOUT A THING LIKE THAT, OPE. 334 00:15:32,099 --> 00:15:34,301 I TRIED TO, BUT HE DIDN'T HAVE THE TIME, 335 00:15:34,334 --> 00:15:37,437 AND BESIDES, THERE'S SOME THINGS PAW JUST DON'T UNDERSTAND. 336 00:15:37,470 --> 00:15:39,339 TELL ME, WHAT SHOULD I SAY TO HER? 337 00:15:39,372 --> 00:15:44,611 WELL...THERE'S TWO WAYS YOU CAN GO ABOUT THIS THING. 338 00:15:44,644 --> 00:15:47,380 ONE WAY IS TO PLAY IT HARD TO GET, IF YOU KNOW WHAT I MEAN. 339 00:15:47,414 --> 00:15:50,183 WELL, I DON'T WANT TO BE HARD TO GET. I LIKE HER. 340 00:15:50,217 --> 00:15:52,619 OH, WELL, THEN YOU GOT TO GO THE OTHER WAY -- 341 00:15:52,652 --> 00:15:55,722 YOU KNOW, WITH SWEET TALK, LIKE WITH POETRY AND ALL THAT. 342 00:15:55,755 --> 00:15:57,290 ALL RIGHT. 343 00:15:57,324 --> 00:15:59,626 KIND OF A SLOPPY WAY OF GOING ABOUT IT, 344 00:15:59,659 --> 00:16:01,694 BUT IT USUALLY WORKS. 345 00:16:01,728 --> 00:16:03,630 DO YOU KNOW ANY POEMS? 346 00:16:03,663 --> 00:16:05,465 YEAH, WE LEARNED SOME IN SCHOOL. 347 00:16:05,498 --> 00:16:07,567 "I HAD A DOG, AND HIS NAME WAS SPOT --" 348 00:16:07,600 --> 00:16:09,369 NO, NO, NO. 349 00:16:09,402 --> 00:16:10,670 WE LEARNED ANOTHER ONE, TOO. 350 00:16:10,703 --> 00:16:12,539 "THE BOY STOOD ON THE BURNING DECK --" 351 00:16:12,572 --> 00:16:15,008 NO, THAT'S NOT -- 352 00:16:15,042 --> 00:16:17,344 YOU SEE, IT'S-IT'S GOT TO BE A POEM 353 00:16:17,377 --> 00:16:18,711 WITH -- WELL, I MEAN, 354 00:16:18,745 --> 00:16:21,514 IT WOULDN'T HAVE ANYTHING TO DO WITH DOGS 355 00:16:21,548 --> 00:16:24,384 OR A BOY BEING BRAVE OR ANYTHING LIKE THAT. 356 00:16:24,417 --> 00:16:28,655 WELL, IT'S GOT TO HAVE SOME ROMANCE IN IT. 357 00:16:28,688 --> 00:16:31,091 IT'S GOT TO BE A POEM WITH -- WELL, YOU KNOW -- 358 00:16:31,124 --> 00:16:33,526 WHERE YOU TELL A GIRL HOW GREAT SHE IS AND EVERYTHING. 359 00:16:33,560 --> 00:16:35,728 THEY DIDN'T TEACH US ANYTHING LIKE THAT YET. 360 00:16:35,762 --> 00:16:37,397 THEY DIDN'T, HUH? NO. 361 00:16:37,430 --> 00:16:39,199 MAYBE WE GET THAT NEXT TERM. 362 00:16:44,604 --> 00:16:48,075 YOU THINK YOUR GIRLFRIEND'S HOME RIGHT NOW? I THINK SO. 363 00:16:48,108 --> 00:16:50,677 LOOK, HERE'S WHAT WE'LL DO. YOU GET HER ON THE TELEPHONE. 364 00:16:50,710 --> 00:16:53,646 I'LL GO IN THE BACK AND SEE IF I CAN FIND THAT BOOK OF POEMS. 365 00:16:53,680 --> 00:16:55,115 AND YOU'LL TELL ME WHAT TO SAY? 366 00:16:55,148 --> 00:16:56,283 RIGHT. 367 00:17:01,154 --> 00:17:02,389 MISS SARAH? 368 00:17:02,422 --> 00:17:04,424 WILL YOU GET ME MISS CRUMP, PLEASE? 369 00:17:09,096 --> 00:17:11,731 HERE IT IS. 370 00:17:11,764 --> 00:17:13,366 SURE, I'LL WAIT. 371 00:17:13,400 --> 00:17:14,834 HER PHONE'S BUSY. 372 00:17:14,867 --> 00:17:16,569 OH, UH, DYNAMITE. 373 00:17:16,603 --> 00:17:19,572 THESE THINGS ARE JUST DYNAMITE. 374 00:17:19,606 --> 00:17:21,208 ARE THOSE WHAT I SHOULD SAY, BARNEY? 375 00:17:21,241 --> 00:17:22,475 THEY SURE ARE. 376 00:17:22,509 --> 00:17:25,378 "POEMS OF ROMANCE" BY T. JONATHAN OSGOOD. 377 00:17:25,412 --> 00:17:27,614 NOW, THIS IS REAL LITERATURE. 378 00:17:27,647 --> 00:17:30,350 OH, HERE'S ONE I USED A COUPLE OF TIMES. 379 00:17:30,383 --> 00:17:32,285 HELLO 380 00:17:32,319 --> 00:17:33,520 UH, THIS IS OPIE. 381 00:17:33,553 --> 00:17:35,222 WELL, HELLO, OPIE. HOW ARE YOU? 382 00:17:35,255 --> 00:17:36,423 WHAT CAN I DO FOR YOU? 383 00:17:36,456 --> 00:17:40,193 UH, I WANT TO TELL YOU SOMETHING. 384 00:17:40,227 --> 00:17:44,531 "WHEN YOU AND I ARE FAR APART..." 385 00:17:44,564 --> 00:17:47,834 "WHEN YOU AND I ARE FAR APART..." 386 00:17:47,867 --> 00:17:50,503 "...I NO LONGER LIVE." 387 00:17:50,537 --> 00:17:53,373 "...I NO LONGER LIVE." 388 00:17:53,406 --> 00:17:56,643 "MY HEART IS BURSTING FROM WITHIN..." 389 00:17:56,676 --> 00:17:59,879 "MY HEART IS BURSTING FROM WITHIN..." 390 00:17:59,912 --> 00:18:03,650 "...WITH ALL MY LOVE TO GIVE." 391 00:18:03,683 --> 00:18:06,519 "...WITH ALL MY LOVE TO GIVE." 392 00:18:06,553 --> 00:18:08,388 OPIE, WHAT ARE YOU READING? 393 00:18:08,421 --> 00:18:10,157 WHAT IS IT? 394 00:18:10,190 --> 00:18:12,825 IT'S A POEM, AND I BOUGHT A PRESENT FOR YOU, TOO. 395 00:18:14,427 --> 00:18:16,863 "LOVESICK AS --" 396 00:18:16,896 --> 00:18:18,531 "LOVESICK AS I AM..." 397 00:18:18,565 --> 00:18:20,400 "LOVESICK AS I AM..." 398 00:18:20,433 --> 00:18:21,534 OPIE, THAT'S ENOUGH. 399 00:18:21,568 --> 00:18:23,170 IS THERE SOMEONE THERE WITH YOU? 400 00:18:23,203 --> 00:18:24,471 JUST A MINUTE. 401 00:18:24,504 --> 00:18:26,473 SHE WANTS TO KNOW WHO'S HERE WITH ME. 402 00:18:26,506 --> 00:18:27,640 Nobody. 403 00:18:27,674 --> 00:18:29,509 BARNEY SAYS NOBODY. 404 00:18:29,542 --> 00:18:30,810 OPIE, COME OVER HERE RIGHT AWAY. 405 00:18:30,843 --> 00:18:32,245 I'D LIKE TO SEE YOU. 406 00:18:32,279 --> 00:18:34,681 ALL RIGHT. RIGHT AWAY! GUESS WHAT! 407 00:18:34,714 --> 00:18:37,350 SHE WANTS ME TO COME OVER TO HER HOUSE RIGHT AWAY. 408 00:18:37,384 --> 00:18:39,619 WELL, NOW, THAT'S WHAT I CALL REAL ACTION. 409 00:18:39,652 --> 00:18:41,688 I TOLD YOU THESE THINGS ARE SUREFIRE. 410 00:18:41,721 --> 00:18:43,156 GEE, THANKS, BARNEY. 411 00:18:43,190 --> 00:18:44,257 GLAD TO DO IT, OPE. 412 00:18:44,291 --> 00:18:45,392 GLAD TO DO IT. 413 00:18:58,838 --> 00:19:00,707 SHERIFF'S OFFICE. 414 00:19:00,740 --> 00:19:02,675 OH, HI, HELEN. 415 00:19:02,709 --> 00:19:04,344 OPIE? HE JUST LEFT. 416 00:19:04,377 --> 00:19:06,413 HOW'D YOU KNOW HE WAS HERE? 417 00:19:10,383 --> 00:19:11,884 YOU? 418 00:19:11,918 --> 00:19:14,587 YOU MEAN, HE WAS TALKING TO YOU? 419 00:19:16,356 --> 00:19:18,925 WELL, THOSE ARE JUST SOME POEMS 420 00:19:18,958 --> 00:19:21,761 THAT I HAPPENED TO REMEMBER FROM MY CHILDHOOD. 421 00:19:21,794 --> 00:19:23,496 W-WELL... 422 00:19:23,530 --> 00:19:26,499 I-I THOUGHT WAS SOME KID FROM SCHOOL HE WAS CRAZY ABOUT. 423 00:19:26,533 --> 00:19:28,468 I FIGURED I WAS JUST HELPING HIM. 424 00:19:28,501 --> 00:19:32,572 THERE'S MORE TO A CHILD'S EDUCATION THAN 2 X 2, YOU KNOW. 425 00:19:32,605 --> 00:19:36,243 WELL, I'M A LITTLE SURPRISED MYSELF, FRANKLY. 426 00:19:36,276 --> 00:19:37,844 WELL, GOODBYE TO YOU, TOO. 427 00:19:44,384 --> 00:19:47,487 WELL, IF IT AIN'T DADDY LONGLEGS. 428 00:19:47,520 --> 00:19:49,322 WHAT'S THAT SUPPOSED TO MEAN? 429 00:19:49,356 --> 00:19:50,857 WHAT'S THAT SUPPOSED TO MEAN? 430 00:19:50,890 --> 00:19:52,992 I'LL TELL YOU WHAT IT'S SUPPOSED TO MEAN. 431 00:19:53,025 --> 00:19:55,828 IT'S ABOUT TIME YOU LEARNED HOW TO HANDLE YOUR OWN SON. 432 00:19:55,862 --> 00:19:57,497 WHAT ARE YOU TALKING ABOUT? 433 00:19:57,530 --> 00:19:59,232 WELL, IF IT DON'T BOTHER YOU 434 00:19:59,266 --> 00:20:01,801 THAT YOUR OWN BOY IS CRAZY ABOUT SOMEBODY 435 00:20:01,834 --> 00:20:03,903 THAT'S MORE THAN TWICE HIS OWN AGE. 436 00:20:03,936 --> 00:20:06,373 WELL, THEN, I JUST -- I JUST DON'T... 437 00:20:06,406 --> 00:20:08,708 KNOW ANYTHING. 438 00:20:08,741 --> 00:20:10,743 OH. 439 00:20:10,777 --> 00:20:13,280 I KNOW HE'S GOT A CRUSH ON AN OLDER GIRL. 440 00:20:13,313 --> 00:20:14,847 YOU DO, HUH? SURE. 441 00:20:14,881 --> 00:20:16,816 YOU DON'T EVEN KNOW WHO SHE IS, DO YOU? 442 00:20:16,849 --> 00:20:19,018 NO. HE WANTS TO KEEP IT A SECRET. 443 00:20:19,051 --> 00:20:21,588 MM-HMM. WELL, BRACE YOURSELF, BUSTER. 444 00:20:21,621 --> 00:20:24,524 IT HAPPENS TO BE HELEN. 445 00:20:24,557 --> 00:20:25,725 HELEN? 446 00:20:25,758 --> 00:20:27,360 HELEN CRUMP. 447 00:20:27,394 --> 00:20:28,795 DID HE TELL YOU THAT? 448 00:20:28,828 --> 00:20:30,863 NO, NO, HE DIDN'T TELL ME. 449 00:20:30,897 --> 00:20:34,534 NO, I HAD TO MAKE A GREAT BIG FOOL OUT OF MYSELF TO FIND OUT. 450 00:20:34,567 --> 00:20:37,970 HE HAD HER ON THE TELEPHONE THERE AND I WAS HELPING HIM. 451 00:20:38,004 --> 00:20:40,039 WITH THIS? 452 00:20:40,072 --> 00:20:42,375 WELL, THAT'S NOT THE ISSUE. 453 00:20:42,409 --> 00:20:44,644 THAT HAPPENED TO BE HANDY. 454 00:20:44,677 --> 00:20:47,280 WHAT KIND OF A FATHER ARE YOU ANYWAYS 455 00:20:47,314 --> 00:20:49,716 THAT YOU DON'T EVEN KNOW WHAT YOUR OWN BOY IS UP TO? 456 00:20:49,749 --> 00:20:52,419 HE TOLD ME YOU DIDN'T HAVE TIME TO TALK TO HIM. 457 00:20:52,452 --> 00:20:54,854 WELL, BARN, I'M SORRY YOU HAD TO GET INVOLVED. 458 00:20:54,887 --> 00:20:58,558 WELL, THE CHILD NEEDS SOMEBODY TO TURN TO. 459 00:20:58,591 --> 00:21:00,593 HE'S OVER THERE AT HELEN'S RIGHT NOW. 460 00:21:00,627 --> 00:21:04,030 A KID FALLING IN LOVE WITH HIS TEACHER. 461 00:21:04,063 --> 00:21:07,266 "POEMS OF ROMANCE." 462 00:21:10,036 --> 00:21:11,938 WELL, WHAT ARE YOU GONNA DO ABOUT IT? 463 00:21:11,971 --> 00:21:15,442 WELL, I SUPPOSE I OUGHT TO GO OVER THERE. 464 00:21:15,475 --> 00:21:17,810 YEAH, THAT'D BE A GOOD IDEA. 465 00:21:19,412 --> 00:21:21,314 WELL, WHY DON'T YOU GO ON? 466 00:21:21,348 --> 00:21:23,983 OKAY. YOU WANT TO TAKE PATROL FOR ME? 467 00:21:24,016 --> 00:21:25,685 SURE, I'LL TAKE PATROL. 468 00:21:25,718 --> 00:21:27,687 WELL, GO, GO, GO! 469 00:21:28,855 --> 00:21:31,458 IF YOU ASK ME, THE OLD SCHOOL SYSTEM WAS BETTER -- 470 00:21:31,491 --> 00:21:33,760 WHERE YOU GREW UP HATING YOUR TEACHER. 471 00:21:33,793 --> 00:21:35,695 IT WAS A LOT LESS COMPLICATED! 472 00:21:38,398 --> 00:21:41,368 WELL, IT WAS VERY THOUGHTFUL OF YOU, OPIE, 473 00:21:41,401 --> 00:21:43,736 BUT, WELL, I-I CAN'T ACCEPT THEM. 474 00:21:43,770 --> 00:21:46,105 DON'T YOU LIKE 'EM? 475 00:21:46,138 --> 00:21:49,376 IT ISN'T THAT. IT'S -- 476 00:21:53,780 --> 00:21:56,449 OH, HELLO, ANDY. HELEN. 477 00:21:59,919 --> 00:22:04,524 OPIE, I THOUGHT I TOLD YOU TO TAKE THOSE STOCKINGS BACK. 478 00:22:04,557 --> 00:22:06,859 PAW, YOU SAID YOU'D RATHER I WOULD. 479 00:22:06,893 --> 00:22:08,561 YOU DIDN'T SAY I HAD TO. 480 00:22:08,595 --> 00:22:10,863 I THINK WE'D BETTER TALK ABOUT THIS THING. 481 00:22:10,897 --> 00:22:12,899 I HAVE SOME THINGS -- NO, NO, NO, NO, NO. 482 00:22:12,932 --> 00:22:14,434 YOU STAY. 483 00:22:17,604 --> 00:22:20,973 UH, OPIE, MISS CRUMP IS A FINE PERSON, 484 00:22:21,007 --> 00:22:22,975 JUST A FINE PERSON, 485 00:22:23,009 --> 00:22:25,144 AND I CAN UNDERSTAND YOU LIKING HER A LOT. 486 00:22:25,177 --> 00:22:26,413 YES? 487 00:22:28,147 --> 00:22:33,853 BUT, OPE, THE TRUTH OF THE MATTER IS, 488 00:22:33,886 --> 00:22:38,425 MISS CRUMP IS A LITTLE MORE IN LINE WITH MY AGE. 489 00:22:41,193 --> 00:22:43,596 AS A MATTER OF FACT, SHE'S MY GIRL. 490 00:22:43,630 --> 00:22:46,799 YOU'RE KINDA STEPPING INTO MY TERRITORY. 491 00:22:46,833 --> 00:22:48,535 THAT'S RIGHT. 492 00:22:48,568 --> 00:22:53,640 SHE'S MY GIRL, LIKE SHARON McCALL WAS YOUR GIRL. 493 00:22:53,673 --> 00:22:55,808 GEE, PAW, I DIDN'T KNOW THAT. 494 00:22:55,842 --> 00:22:58,845 I KNOW YOU DIDN'T, SON. 495 00:22:58,878 --> 00:23:00,747 I WON'T DO ANYTHING TO BREAK IT UP. 496 00:23:00,780 --> 00:23:03,149 IF SHE'S YOUR GIRL, I JUST WON'T CALL HER ANYMORE. 497 00:23:03,182 --> 00:23:06,018 THANKS. 498 00:23:06,052 --> 00:23:09,989 YOU MEAN, YOU AND MISS CRUMP MIGHT GET MARRIED SOME DAY? 499 00:23:10,022 --> 00:23:12,692 OH, I DON'T KNOW. 500 00:23:12,725 --> 00:23:14,694 WE-WE MIGHT. 501 00:23:14,727 --> 00:23:16,796 GEE, PAW, THAT'S SWELL. 502 00:23:16,829 --> 00:23:18,097 AS LONG AS SHE'S IN THE FAMILY, 503 00:23:18,130 --> 00:23:19,966 I DON'T CARE IF SHE'S MY WIFE OR MY MOTHER. 504 00:23:44,491 --> 00:23:47,527 THAT WAS VERY GOOD, CHILDREN. THAT'LL BE ALL FOR TODAY. 505 00:23:58,505 --> 00:24:01,073 WELL, IT LOOKS LIKE I GOT HERE JUST IN TIME. 506 00:24:01,107 --> 00:24:02,542 SHARON. 507 00:24:04,877 --> 00:24:06,946 YOU WANT ME TO CARRY YOUR BOOKS FOR YOU? 508 00:24:06,979 --> 00:24:08,981 NO. WHY NOT? 509 00:24:09,015 --> 00:24:11,117 JOHNNY PAUL TOLD ME YOU LOVE MISS CRUMP. 510 00:24:11,150 --> 00:24:13,753 THAT WAS YESTERDAY WHEN YOU WERE GETTING YOUR BRACE FIXED. 511 00:24:13,786 --> 00:24:15,221 WELL, I COULDN'T HELP IT. 512 00:24:15,254 --> 00:24:17,857 YOU WANT TO HEAR SOMETHING? WHAT? 513 00:24:17,890 --> 00:24:20,192 "WHEN YOU AND I ARE FAR APART, I NO LONGER LIVE. 514 00:24:20,226 --> 00:24:23,129 MY HEART IS BURSTING FROM WITHIN WITH ALL MY LOVE TO GIVE." 515 00:24:26,165 --> 00:24:28,701 DO YOU WANT TO GO OVER TO MY HOUSE AND PLAY STOOPBALL? 516 00:24:28,735 --> 00:24:29,836 OKAY. 517 00:24:33,139 --> 00:24:35,942 WELL... 518 00:24:35,975 --> 00:24:38,077 LOOKS LIKE YOU'RE LEFT OUT IN THE COLD. 519 00:24:38,110 --> 00:24:40,513 I NEVER WAS MUCH GOOD AT STOOPBALL. 520 00:24:40,547 --> 00:24:41,648 MM. 521 00:24:41,681 --> 00:24:43,182 WALK YOU HOME, MISS CRUMP? 522 00:24:43,215 --> 00:24:45,718 WHY, CERTAINLY, ANDREW. 37139

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