Original subtitles

STARRING ANDY GRIFFITH...

WITH RONNY HOWARD...

ALSO STARRING DON KNOTTS.

* HERE BALMY BREEZES BLOW

* PURE JOYS INVITE US

* AND AS WE GENTLY ROW

* ALL THINGS DELIGHT US

* HARK, HOW THE SAILORS CRY

* JOYOUSLY ECHOES NIGH

* SANTA LUCIA

* SANTA LUCIA

Together: * HOME OF FAIR POESY

* REALM OF PURE HARMONY

Barney: * SANTA LUCIA

* SANTA LUCIA

Together: * SANTA LUCIA

* SANTA-A LUCIA-A

GOOD, GOOD. WE'RE COMING ALONG JUST FINE.

OH, UH, BARNEY, YOU WENT JUST THE LEAST BIT FLAT THERE

AT, UH, 14.

NOW, THERE'S A PAUSE BACK THERE AT 12.

A BIG BREATH THERE WILL HELP. CHECK.

AND, SHARON, YOU CAME IN JUST A LITTLE BIT TOO SOON.

YOU'RE OVERANXIOUS. I'M SORRY, MR. MASTERS.

ALL RIGHT, FINE. NOW, I'D LIKE EVERYBODY BACK HERE AT 5:00, PLEASE.

5:00. OKAY.

OH, UH, ANDY, ANDY.

UH, ANDY, WE'RE IN TROUBLE.

BARNEY'S TERRIBLE.

WELL, I THOUGHT HE DID PRETTY GOOD, CONSIDERING.

HE ENUNCIATED EVERY WORD.

OH, I KNOW, BUT THERE'S NO VOICE QUALITY THERE.

IT JUST COMES FROM HIS LUNGS, RIGHT UP THROUGH HIS NOSE,

WITHOUT EVER STOPPING FOR MODULATION.

JOHN, HE'S THE ONLY TENOR YOU GOT.

WELL, WE'VE STILL GOT FIVE DAYS UNTIL CONCERT TIME.

I'M GONNA KEEP ON LOOKING.

THERE'S GOT TO BE A DECENT TENOR SOMEPLACE

IN A TOWN OF 2,000 PEOPLE.

LAST TENOR I REMEMBER AROUND HERE WAS BRUCE FLOWERS.

HE COULD ONLY SING HIGH AFTER A FIGHT WITH HIS MOTHER.

BESIDES, IF YOU REPLACE BARNEY AT THIS LATE DATE,

IT'S GONNA KILL HIM. HE'S BEEN TAKING

VOICE LESSONS FROM MISS POULTICE AND EVERYTHING.

I'M SORRY, ANDY,

BUT IT'S MY DUTY TO TRY AND FIND THE BEST TENOR I CAN.

Barney: Y'ALL SET, ANGE?

UH, RIGHT.

I WANT TO GET OVER TO MY VOICE LESSON

WHILE MY VOICE BOX AND MY MUSCLES ARE STILL LOOSE.

[ VOCALIZING SCALE EXERCISES ]

Andy: UH, YOU SOUND PRETTY LOOSE, ALL RIGHT.

YEAH, WELL.

SEE YOU AT 5:00, JOHN. SEE YA, JOHNNY.

YOU KNOW, ANDY,

THERE'S NO GREATER FEELING THAN KNOWING YOU WERE PERFECT.

WHAT DO YOU MEAN? WHAT DO I MEAN?

YOU BIG LUG, YOU KNOW WHAT I MEAN.

I WAS REALLY ON IN THERE.

OH.

MY VOICE WAS SURGING OUT OF MY BODY

LIKE NIAGARA FALLS COMING OVER THAT CLIFF

IN ROCHESTER, NEW YORK.

BUFFALO. HUH?

NOTHING.

YEAH, MY VOICE WAS SO STRONG AND FULL,

I COULD FEEL THE VIBRATIONS IN MY HEAD.

I THINK THAT'S PROBABLY 'CAUSE YOU'RE STRAINING SO HARD.

NO, I WASN'T PUSHING, HONEST.

LET'S FACE IT, ANGE, I WAS SONIC.

I OUGHT TO KNOW.

I WAS LISTENING TO MYSELF.

I NOTICED YOU HAD YOUR EYES CLOSED.

OH, WELL, THAT'S JUST TECHNIQUE.

YOU KNOW HOW I KNEW I WAS REALLY CLICKING?

NO IDEA.

I ENJOYED IT. GOOD.

WHAT MORE REWARD CAN AN ARTIST ASK?

GOOD AFTERNOON, BARNEY.

ELEANORA. COME IN.

LEAVE YOUR HAT RIGHT THERE. OKAY.

WE'LL START WITH YOUR LESSON RIGHT AWAY.

ALL RIGHT.

BEAUTIFUL DAY OUTSIDE. BEAUTIFUL.

ELEANORA? YES?

I DID THE SOLO TODAY.

NO. YEAH.

OH, TELL ME, TELL ME.

I KNOCKED 'EM DEAD.

OH, BARNEY, HOW WONDERFUL.

ALL THE WAY THROUGH, I DIDN'T MISS ONE WORD.

I FEEL IT. I CAN JUST FEEL IT.

YOU'RE GOING TO BE ANOTHER LEONARD BLUSH.

OH, NO, NO. THAT'S TOO MUCH TO ASK.

WELL, WHY NOT?

HE JUST WALKED IN HERE OFF THE STREET ONE DAY.

TWO YEARS LATER, HE SANG "THE STAR-SPANGLED BANNER"

AT THE OPENING OF THE COUNTY INSECTICIDE CONVENTION.

THE REST IS HISTORY.

AND HE STILL HAS THAT RADIO PROGRAM, DOESN'T HE?

THIRD TUESDAY, EVERY MONTH,

STATION YLRB, MOUNT PILOT.

THE BIG TIME.

DOES HE STILL WEAR THAT BLACK MASK WHEN HE SINGS ON THE RADIO?

NO, NO, HE JUST WORE THAT FOR A YEAR

WHEN HE HAD THAT SKIN CONDITION.

PROBABLY EMOTIONAL. HE WENT TO THE TOP SO FAST.

VERY METEORIC, VERY.

WELL, NOW, ENOUGH ABOUT LEONARD BLUSH.

LET'S GET YOUR FUTURE SETTLED.

OKAY.

HAVE YOU BEEN PRACTICING YOUR BREATHING?

EVERY CHANCE I GET.

GOOD. IN THROUGH THE NOSE, OUT THROUGH THE MOUTH.

I'VE JUST GIVEN YOU AN "A" IN BREATHING.

OH.

NOW, THEN.

* ME, THEY, ME, THEY, ME, THEY *

* ME, THEY, ME, THEY, ME, THEY *

* I-O-U, I-O-U, I-O-U *

* I-O-U, I-O-U, I-O-U *

* "U" * "U"

* HOLD IT

* "U" * "U"

* ROUND * ROUND

* NO, "U"

* ME

EXCELLENT, EXCELLENT.

I WAS GETTING A CRAMP IN MY JAW, THERE.

OH, THAT'S NATURAL. IT'S VERY NATURAL.

YOU'RE DISCOVERING MOUTH MUSCLES YOU'VE NEVER USED BEFORE.

NOW, THEN, SHALL WE TRY YOUR SONG?

OKAY, I'M READY.

"NOW IS THE MONTH OF MAYING."

[ PIANO PLAYS INTRO TO "NOW IN THE MONTH OF MAYING" ]

* NOW IS THE MONTH OF MAYING *

* WHEN MERRY LADS ARE PLAYING *

* FA-LA LA LA LA, LA LA LA LA *

* FA-LA-LA LA-LA-LA LA LA *

* EACH WITH HIS BONNY LASS

* UPON THE GREENY GRASS

* FA-LA LA LA LA, LA LA LA LA *

* FA-LA-LA LA-LA-LA LA LA-A *

GOOD. GOOD, BARNEY. GOOD.

* THEY, ME

* THEY-EY

* ME-E

* THEY-EY, ME-E

* THEY-EY

* HI, ANGE

* ME, THEY, ME, THEY, ME, THEY, ME, THEY, ME, THEY *

[ CLEARS THROAT, EXHALES HEAVILY ]

MISS POULTICE TEACH YOU A NEW SONG?

OH, NO.

NO, THAT'S A LARYNX AND VOICE-BOX CALISTHENIC.

OH. EXERCISING, HUH?

WELL, OF A MORE EXOTIC NATURE, YEAH.

ANDY?

WHAT'S ON YOUR MIND?

WELL, ANDY, IT, UH -- IT LOOKS LIKE I'VE GOT IT.

WELL, DON'T GET TOO CLOSE TO ME.

OH, NO. I DON'T MEAN A DISEASE.

WELL, WHAT HAVE YOU GOT?

WELL...

BRACE YOURSELF, ANDY, BUT...

ACCORDING TO MISS POULTICE...

WELL, I'M A BIG BUNDLE OF SINGING TALENT.

OH, MISS POULTICE TOLD YOU THAT, DID SHE?

WELL, SHE COMPARED ME TO LEONARD BLUSH.

WHO?

LEONARD BLUSH.

YLRB, MOUNT PILOT.

BOY, DO YOU LIVE IN A WORLD OF YOUR OWN.

HE DOES ALL THE VOCALS ON THE ETHEL PAGE ORGAN RECITALS.

I NEVER HEARD ANY HUMAN WORDS ON THAT,

JUST A CANARY SINGING IN THE BACKGROUND.

OH, ANDY, YOU'RE 10 YEARS BEHIND THE TIMES.

THAT CANARY HASN'T BEEN WITH HER

SINCE SHE SANG SUNDAY AFTERNOONS AT THE POT O' HONEY RESTAURANT.

OH.

WELL, WHAT IS IT YOU'RE TRYING TO TELL ME?

WELL, WHAT I'M TRYING TO TELL YOU

IS THAT IT'S JUST ENTIRELY POSSIBLE

THAT THE SHOW-BUSINESS LIGHTNING

MAY STRIKE ME ANY DAY NOW.

NOW, THAT'S JUST ENTIRELY POSSIBLE.

UH...

BARN...

UH, SIT DOWN.

HUH? JUST SIT DOWN.

NOW I'M GONNA TELL YOU WHAT I'M GONNA TELL YOU

FOR YOUR OWN GOOD.

ARE YOU READY? YEAH.

YOU'RE PUMPING UP YOUR HEELS TOO FAST.

WHAT DO YOU MEAN?

WELL, I KNOW YOU'VE SUNG THE TENOR SOLO

TWICE IN REHEARSALS NOW.

YEAH.

BUT THERE'S SOMETHING ELSE YOU OUGHT TO KNOW.

WHAT?

IF JOHN MASTERS FINDS ANOTHER TENOR,

HE JUST MIGHT LET HIM SING THE SOLO.

WELL, WHY, FOR PETE'S SAKE?

WELL, HE MIGHT LIKE THE WAY THE OTHER FELLA DOES IT.

AND JUST WHO WOULD THIS OTHER FELLA BE?

WELL, THAT'S WHAT HE DON'T KNOW YET.

BUT I'M JUST WARNING YOU, IF HE DOES FIND ANOTHER TENOR,

HE JUST MIGHT LET HIM SING THE SOLO.

MM-HMM.

WELL...

YOU JUST LET JOHN MASTERS TROT 'EM OUT,

AND I'LL TAKE 'EM ONE AT A TIME.

[ VOCALIZING SCALE EXERCISES ]

[ VOCALIZING SCALE EXERCISES ]

HOWDY, GOMER. HI, GOME.

HEY, ANDY! HEY, BARNEY!

I'M CHANGING THE TIRE ON MR. MASTERS' CAR.

YEAH, I CAN SEE YOU ARE.

PEOPLE SURE ARE ODD.

THEY SEE A FOREIGN OBJECT IN THEIR TIRE,

AND THEY JUST GOT TO PULL IT OUT.

AND WHEN THEY DO THAT, THE AIR'S JUST NATURALLY

GONNA HISS RIGHT OUT IN THE STREET.

LEAVE IT IN, AND THEY COULD DRIVE TO THE SERVICE STATION.

YEAH. PEOPLE SURE ARE ODD.

THAT'S A GOOD'UN, ANDY.

Together: * NOW 'NEATH THE SILVER MOON

* OCEAN IS GLOWING

* O'ER THE CALM BILLOW

* SOFT WINDS ARE BLOWING * SOFT WINDS ARE BLOWING

* HERE, BALMY BREEZES BLOW *

* PURE JOYS INVITE US

* AND AS WE GENTLY ROW

* ALL THINGS DELIGHT US

* HARK, HOW THE SAILORS CRY * HARK, HOW THE SAILORS...

* JOYOUSLY ECHOES NIGH

* SANTA LUCIA

* SANTA LUCIA

* HOME OF FAIR POESY

* REALM OF PURE HARMONY

* SANTA LUCIA

* SANTA LUCIA

WOW. WONDERFUL. CAN YOU BELIEVE THAT?

JUST WONDERFUL. GOMER WITH A VOICE LIKE THAT.

DID YOU HEAR THAT VOICE, ANDY?

DID YOU HEAR THAT BEAUTIFUL INSTRUMENT OUT THERE?

I SURE DID. Woman: OF ALL PEOPLE.

WHAT DID YOU THINK, BARNEY?

WELL, NOT BAD, NOT BAD. CERTAINLY A POTENTIAL THERE.

IT'S CRUDE, BUT IT'S ABOUT, OH, I'D SAY,

FIVE YEARS AWAY FROM PERFORMING LEVEL.

BUT I WAS THINKING --

LOOK, IF YOU WANT TO PUT GOMER IN THE CHORUS, IT'S OKAY WITH ME.

PUT HIM BEHIND SOME GIRLS. HE WON'T OBTRUDE.

ALL RIGHT, THANK YOU, PEOPLE. THAT'LL BE ALL.

I'LL SEE YOU AT LUNCHTIME TOMORROW.

ANDY, GET GOMER IN HERE.

OH, WELL -- JUST GET GOMER IN HERE, ANDY.

WELL...

* WITH A GENTLE, UNKNOWN WOE *

* WILL YOU THINK OF ME

* AND LOVE ME

* AS YOU DID ONCE

* LO

GOMER, THAT WAS JUST BEAUTIFUL.

AH, I WAS JUST CATERWAULING.

ANDY?

GOMER, YOU CERTAINLY HAVE GOT A HIGH ROOF TO YOUR MOUTH.

AW.

NO, I KNEW YOU HAD A STRONG SPEAKING VOICE,

BUT I HAD NO IDEA YOU COULD SING LIKE THAT.

WELL...

IT WAS JUST WONDERFUL, GOMER. THANK YOU.

Y'ALL GOT TO EXCUSE ME. I GOT TO GET BACK TO THE GARAGE.

YOUR INNER TUBE NEEDS PATCHING.

I'LL SEE YA, HEAR? OKAY, GOMER.

WELL, ANDY, THAT SETTLES IT.

AS OF TODAY, GOMER PYLE IS MY SOLOIST.

YOU'RE SURE? WELL, ANDY, YOU HEARD HIM SING.

HE'S THE BEST I'VE HEARD AROUND HERE.

YEAH. GONNA KILL BARNEY.

I'M SORRY, BUT I HAVE TO THINK OF THE GROUP.

AFTER ALL, WE SENT TO NEW YORK FOR THAT ARRANGEMENT.

I KNOW.

OH, AND, ANDY,

UH, WOULD YOU MIND TELLING BARNEY?

WELL, AFTER ALL, YOU'RE HIS BEST FRIEND.

I THINK HE'LL ACCEPT IT BETTER FROM YOU.

MM.

IT AIN'T GONNA BE EASY.

WHO'LL KNOW THE DIFFERENCE 100 YEARS FROM NOW?

WELL, BARNEY'S NOT THE KIND TO FORGET.

Barney: * ME, THEY, ME, THEY, I-O-U *

* I-O-U, ME, THEY, ME, THEY *

* ME, THEY, ME, THEY, ME, THEY, ME -- *

HEY, BARN? [ VOCALIZING SCALE EXERCISES ]

HEY, BARN! YEAH? WHAT DO YOU WANT?

YOU WANT TO STEP OUT HERE A MINUTE.

I GOT SOMETHING I WANT TO TALK TO YOU ABOUT.

OKAY.

* AH, AH, AH

WHAT DO YOU WANT?

UH...

BARN, UH...

YOU REMEMBER, UH, A FEW MONTHS AGO,

YOU WAS TALKING ABOUT HOW -- HOW LIFE IS KIND OF LIKE A ROAD?

AND SOMETIMES THERE ARE SMOOTH PLACES

WHERE THE GOING'S NICE AND EASY AND OTHER TIMES,

THERE ARE PLACES WHERE YOU MIGHT RUN INTO A RUT

OR A DETOUR OR A WASHED

YEAH, I REMEMBER SAYING THAT.

PHILOSOPHICAL MEANDERINGS, YOU CALL THAT.

A LOT OF TRUTH TO IT, THOUGH.

I AGREE. I AGREE. I AGREE.

WELL, YOU SURE WERE RIGHT

WHEN YOU SAID THAT LIFE HAS ITS ROUGH SPOTS.

THEY'RE JUST PART OF LIVING.

WELL, NOW, NOBODY KNOWS THAT BETTER THAN I DO.

HEAVENS KNOWS, I'VE HAD MY SHARE.

BUT YOU KNOW SOMETHING?

I WOULDN'T TRADE THOSE ROUGH SPOTS

FOR ALL THE MONEY IN THE WORLD.

AND YOU KNOW WHY? I'LL TELL YOU.

EVERY ROUGH SPOT I'VE GONE THROUGH

HAS ADDED A MUSCLE TO MY EMOTIONAL CONSTITUTION.

I CAN TAKE ANYTHING NOW.

WELL, I'M GLAD TO HEAR YOU SAY THAT.

CAST IRON.

'CAUSE SOMEBODY ELSE IS GONNA SING THE SOLO

AT THE CHORALE CONCERT.

OH?

WELL, NOW, REMEMBER YOU -- YOU KIND OF OFFERED

TO STEP ASIDE FOR A BETTER MAN.

WELL, YEAH.

WELL, W

MORTON DOWNEY OR KENNY BAKER

GOMER.

HUH?

GOMER PYLE.

GOMER?

YEAH.

ARE YOU ALL RIGHT?

WELL, YEAH. I'M -- I'M FINE.

IS, UH -- IS THERE ANYTHING I CAN DO?

NO, I'M FINE.

NOW -- NOW, REMEMBER WHAT YOU SAID ABOUT THE ROAD, BARN.

YOU'RE ON THE WORST PART RIGHT NOW.

Gomer: * HOME OF FAIR POESY

* REALM OF PURE HARMONY

* SANTA LUCIA

* SANTA LUCIA-A

OH, THAT'S FINE, GOMER.

THAT'S ALL FOR TONIGHT, HAZEL. THANK YOU.

NIGHT, MA'AM.

SURE WISH THIS WAS TOMORROW NIGHT AND IT WAS ALL OVER WITH.

I THINK I'M STARTING TO GET THE HIVES.

OH, NO, YOU'LL DO FINE, GOMER.

WELL, I HOPE SO.

SURE.

NOW, IF YOU CAN GET TOGETHER WITH ME TOMORROW AFTERNOON,

WE'LL GO OVER IT A FEW MORE TIMES.

OKAY, I'LL TRY, BUT I GOT A CLOGGED RADIATOR AT 10:00,

AND I GOT TO PACK A WATER PUMP AT 11:00.

I CAN SEE YOU AFTER MISS DRUM'S BATTERY CHARGE, OKAY?

ALL RIGHT, FINE.

DOGGONE, I FORGOT MY MUSIC.

I BETTER DUCK BACK IN AND GET IT.

ALL RIGHT, I'LL SEE YOU TOMORROW, GOMER.

* HERE, BALMY BREEZES BLOW *

* PURE JOYS INVITE US *

* AND AS WE GENTLY ROW *

* ALL THINGS DELIGHT US *

* HARK, HOW THE SAILORS CRY

* JOYOUSLY ECHOES NIGH

[ INDISTINCT TALKING AND SINGING ]

* ME ME-ME-ME-ME ME-ME-ME-ME ME * OH, ANDY, ARE YOU NERVOUS?

OH, SAME OLD CLAMMY FEET GRINDING IN THE STOMACH.

John: GOMER?

GOMER? GO--

ANDY, WHERE'S GOMER?

WELL, IT TAKES A FEW MINUTES FOR A GARAGE MAN

TO WASH HIS HANDS, JOHN.

I KNOW, BUT -- HERE HE IS.

OH, GOMER. GOMER, THANK GOODNESS YOU'RE HERE.

YOU BETTER COUNT ME OUT, MR. MASTERS.

WHAT HAPPENED TO YOU?

YOU REMEMBER THAT CLOGGED RADIATOR I TOLD YOU ABOUT?

FLUSHED OUT ALL OVER MY FEET.

YOU MEAN, YOU'RE -- YOU MEAN, YOU CAN'T?

CAN'T SING A NOTE. SEE?

OHH.

OH, NO. WHAT ARE WE GONNA DO?

THIS IS TERRIBLE. WE'LL THINK OF SOMETHING.

WELL, ANDY, YOU CAN'T HAVE A CONCERT WITHOUT A SOLOIST.

WHAT ABOUT BARNEY? NO.

YOU GOT NO CHOICE, JOHN. HE KNOWS THE SONG.

HE'S BEEN SINGING WITH THE GROUP ALL WEEK.

HE'S PROMPT AND HONEST. NOTHING ELSE YOU CAN DO.

YOU -- OH, ALL RIGHT, ALL RIGHT, BUT WHERE IS HE?

AIN'T HE HERE?

COME ON, GOMER, I THINK I KNOW WHERE HE PROBABLY IS.

I'M SORRY TO INTERRUPT, MISS POULTICE,

BUT WE NEED BARNEY RIGHT AWAY.

BIG EMERGENCY. I CAN'T SING A NOTE, BARN.

COME ON, BARNEY, THE SHOW STARTS IN A FEW MINUTES.

YOU SHOULD HAVE BEEN THERE TO BEGIN WITH.

YOU SEE, BARNEY? FATE.

FATE WILL OUT IN THE END. NOW, GET GOING.

I DON'T WANT TO.

UH... WHAT?!

AND YOU CALL YOURSELF A TROUPER.

YOU GET OVER TO THAT HALL AND GIVE THEM WHAT-FOR!

YOU ALL DON'T SEEM TO UNDERSTAND!

I'M NOT A PLAYTHING THAT YOU CAN JUST PLAY WITH

AND THEN TOSS TO ONE SIDE! I'VE GOT SOME PRIDE!

I KNOW YOU'VE GOTTEN A RAW DEAL, BARN,

BUT THINK OF YOUR FELLOW MAYBERRIANS.

THE CHORUS NEEDS YOU. YOU GOT TO PULL US THROUGH.

THAT'S RIGHT.

I CAN'T. I JUST CAN'T.

WELL, I GUESS WE CAN RETURN ALL THE MONEY

AND CALL OFF THE CONCERT.

BERNARD FIFE, YOU GET ON YOUR FEET THIS MOMENT!

AS YOUR MENTOR, I INSIST YOU SING AT THIS CONCERT!

A MAN WITH YOUR TALENT!

NEVER LET IT BE SAID

THAT BERNARD FIFE LET DOWN ELEANORA POULTICE.

I'M GOING ON.

MY MUSIC, ELEANORA.

PLACES, EVERYBODY. PLACES. CURTAIN GOING UP.

ONE MINUTE.

OH, 30 SECONDS, 30 SECONDS.

GOOD LUCK, ALL!

SING IT GOOD, BARNEY.

GOMER, YOUR VOICE, IT'S ALL RIGHT!

HERE. WELL, I WAS JUST -- I WAS JUST TRYING TO --

WHAT ARE YOU PULLING HERE?! YOU WERE FAKING!

WELL, I KNEW HOW MUCH IT MEANT TO YOU.

Shh! CURTAIN GOING UP. WELL, I DON'T WANT YOUR CHARITY.

I'M NOT TRYING TO GIVE YOU CHARITY, BARN.

BARNEY, GOMER! BARNEY, GOMER, BE QUIET!

Together: * SANTA LUCIA

* SANTA LUCIA

* SANTA LUCIA-A-A

* NOW 'NEATH THE SILVER MOON

* OCEAN IS GLOWING

* O'ER THE CALM BILLOW

* SOFT WINDS ARE BLOWING

* HERE, BALMY BREEZES BLOW

* PURE JOYS INVITE US

* AND AS WE GENTLY ROW

* ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *

* ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *

* ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *

* HARK, HOW THE SAILORS CRY

* JOYOUSLY ECHOES NIGH

* SANTA LUCIA

* SANTA LUCIA

Together: * SANTA LUCIA

* SANTA-A LUCIA-A-A

REALLY -- REALLY, YOU WERE JUST MARVELOUS.

THANK YOU. SIMPLY MARVELOUS.

THANKS.

NOW, IF YOU'RE WILLING TO STICK TOGETHER

AND TAKE A LITTLE COACHING,

I PREDICT YOUR FUTURES CAN BE AS BRIGHT AS THE NORTH STAR.

OH, WELL, MISS POULTICE,

WE HAVE NO AMBITIONS IN THAT DIRECTION.

OH, NOW, NOW, NOW, ANDY, LET ME FINISH.

WE'LL FIND A CLASSY, CATCHY NAME FOR YOU,

LIKE, UH, UH, THE THREE BELLS.

WELL, I... NO, NO. THAT'S MORE FOR GIRLS.

YES.

HOW ABOUT, UH, THE ARISTOCRATS?

WELL...

OH, OH, I TELL YOU, TAYLOR, PYLE, AND FIFE.

NO, NO, THAT'S TOO MUCH LIKE PETER, PYLE, AND MARY, ISN'T IT?

I'LL THINK OF SOMETHING.

WELL, A-ACTUALLY, WHAT WE ARE IS TWO SHERIFFS AND A MECHANIC,

AND WE'D JUST LIKE TO KEEP IT THAT WAY.

THAT'S RIGHT.

WELL, NOW, YOU'RE SURE? WELL, YEAH.

HOW ABOUT THE BROTHERS THREE?

NO, EXCUSE US, MISS POULTICE.

OR THE NEW MAYBERRY MINSTRELS.

WELL, NO. OR TWO LADS AND A SHERIFF?

WELL.

WELL, LIKE I WAS TRYING TO TELL YOU,

SHOW BUSINESS IS FULL OF UPS AND DOWN.

YEAH.