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1
00:00:09,710 --> 00:00:13,281
STARRING ANDY GRIFFITH...
2
00:00:13,314 --> 00:00:15,216
WITH RONNY HOWARD...
3
00:00:15,249 --> 00:00:18,452
ALSO STARRING DON KNOTTS.
4
00:00:26,094 --> 00:00:28,296
YES, SIR, OLD WHITEY
FORKED HIS SLICE.
5
00:00:28,329 --> 00:00:31,299
HIS TWO OLD FINGERS
RIGHT ALONG THAT OLD SEAM THERE.
6
00:00:31,332 --> 00:00:34,568
AND WHAMMO!
TWIST IT LIKE THIS
7
00:00:34,602 --> 00:00:36,570
THAT OLD BALL
JUST DIPSY-DOODLED
8
00:00:36,604 --> 00:00:38,172
UP AND DOWN AND AROUND.
9
00:00:38,206 --> 00:00:39,607
AIN'T NOBODY
GONNA HIT IT.
10
00:00:39,640 --> 00:00:40,841
EXCEPT
OLD MICKEY MANTLE.
11
00:00:40,874 --> 00:00:43,377
HE'D STEP RIGHT UP
WITH HIS SPECIAL GRIP
12
00:00:43,411 --> 00:00:45,213
WITH HIS OLD BAT
AND WHAMMO!
13
00:00:45,246 --> 00:00:46,514
RIGHT OUT OF THE PARK.
14
00:00:46,547 --> 00:00:49,283
NOT IF WHITEY GAVE HIM
THAT THERE DIPSY-DOODLE.
15
00:00:49,317 --> 00:00:52,153
SURE HE WOULD.
TOSS IT AT ME.
I'LL SHOW YOU.
16
00:00:52,186 --> 00:00:53,621
I DON'T WANT
TO LOSE IT.
17
00:00:53,654 --> 00:00:54,655
IT'S A NEW BALL.
18
00:00:54,688 --> 00:00:56,124
YOU WON'T LOSE IT.
19
00:00:56,157 --> 00:00:57,291
YEAH, THAT'S RIGHT.
20
00:00:57,325 --> 00:00:59,127
YOU WON'T BE ABLE TO HIT IT.
21
00:01:18,912 --> 00:01:22,216
IT WENT INTO
THE RIMSHAW HOUSE.
22
00:01:22,250 --> 00:01:23,817
YEAH.
23
00:01:37,465 --> 00:01:39,167
YOU GO GET IT.
24
00:01:39,200 --> 00:01:40,734
YOU GO GET IT.
25
00:01:40,768 --> 00:01:42,670
I SAID IT FIRST.
26
00:01:42,703 --> 00:01:44,772
YOU'RE NOT A-SCARED,
ARE YOU?
27
00:01:44,805 --> 00:01:46,840
I'LL GO IF YOU'LL GO.
28
00:01:46,874 --> 00:01:49,443
WHAT IF THERE'S SPOOKS?
29
00:01:49,477 --> 00:01:52,513
THERE WON'T BE
ANY SPOOKS.
30
00:01:52,546 --> 00:01:54,515
NOT IN THE DAYLIGHT.
31
00:01:54,548 --> 00:01:56,317
COME ON.
32
00:02:10,831 --> 00:02:13,534
WELL, WE'RE
ALMOST THERE.
33
00:02:13,567 --> 00:02:14,568
YEAH.
34
00:02:14,602 --> 00:02:17,471
WHO BELIEVES
IN SPOOKS ANYHOW?
35
00:02:17,505 --> 00:02:19,307
YOU GOING?
36
00:02:19,340 --> 00:02:21,209
YOU GOIN'?
37
00:02:21,242 --> 00:02:23,211
I ASKED YOU FIRST.
38
00:02:23,244 --> 00:02:25,413
I WILL IF YOU WILL.
39
00:02:25,446 --> 00:02:27,515
OKAY.
40
00:02:36,357 --> 00:02:37,558
WHAT WAS THAT?
41
00:02:50,838 --> 00:02:52,473
YOU CAN GO, OTIS.
42
00:03:03,617 --> 00:03:05,919
WAIT A MINUTE,
OTIS.
43
00:03:05,953 --> 00:03:07,655
JUST A MINUTE.
44
00:03:10,758 --> 00:03:13,494
He don't look
too steady to me.
45
00:03:13,527 --> 00:03:14,528
I don't think
he's sober.
46
00:03:14,562 --> 00:03:16,797
Andy:
WELL, HE'S ALL RIGHT.
47
00:03:16,830 --> 00:03:19,867
Well, I think
we ought to make him
take a sobriety test.
48
00:03:19,900 --> 00:03:21,835
Have him blow up
one of them balloons
49
00:03:21,869 --> 00:03:22,970
to see is he's steady.
50
00:03:23,003 --> 00:03:24,872
WE DON'T EVEN
HAVE ANY BALLOONS.
51
00:03:24,905 --> 00:03:27,708
I GOT JUST THE THING
TO SEE IF HE CAN MANEUVER.
52
00:03:27,741 --> 00:03:30,244
WHAT'S THAT?
53
00:03:30,278 --> 00:03:31,512
WE'LL MAKE HIM JUMP ROPE.
54
00:03:31,545 --> 00:03:32,780
IF HE CAN DO THAT
55
00:03:32,813 --> 00:03:34,748
THEN HE'S STEADY ENOUGH
TO BE TURNED LOOSE.
56
00:03:34,782 --> 00:03:37,551
ALL RIGHT, OTIS,
STEP OUTSIDE.
57
00:03:37,585 --> 00:03:39,287
YOU AIN'T GOIN'
TO STRING ME UP
58
00:03:39,320 --> 00:03:40,554
FOR JUST
A LITTLE DRINKIN'?
59
00:03:40,588 --> 00:03:41,855
THAT AIN'T RIGHT.
60
00:03:41,889 --> 00:03:43,724
DON'T BE SILLY.
THIS IS TO JUMP ROPE WITH.
61
00:03:43,757 --> 00:03:46,327
OH, WHY DIDN'T --
JUMP ROPE?
62
00:03:46,360 --> 00:03:47,728
IT'S A SOBRIETY TEST.
63
00:03:47,761 --> 00:03:49,563
NOW, HOLD THIS END,
AND I'LL SHOW YOU.
64
00:03:49,597 --> 00:03:52,566
OH, DO I HAVE TO, ANDY?
IT LOOKS LIKE.
65
00:03:52,600 --> 00:03:54,802
THAT OR YOU TELL US
WHERE YOU BEEN GETTING
ALL THAT MOONSHINE.
66
00:03:54,835 --> 00:03:56,404
OH, I CAN'T DO THAT.
67
00:03:56,437 --> 00:03:58,706
WELL, THEN, YOU HAVE TO JUMP.
IT'S JUST THAT SIMPLE.
68
00:03:58,739 --> 00:04:00,941
OHH!
69
00:04:00,974 --> 00:04:02,042
NEED HELP TO TURN.
70
00:04:02,075 --> 00:04:04,044
WATCH CAREFUL,
OTIS.
71
00:04:04,077 --> 00:04:05,946
OKAY, GO AHEAD.
72
00:04:05,979 --> 00:04:06,980
TURN!
73
00:04:09,450 --> 00:04:12,420
CALL FOR THE DOCTOR,
CALL FOR THE NURSE.
74
00:04:12,453 --> 00:04:15,789
CALL FOR THE LADY
WITH THE ALLIGATOR PURSE.
75
00:04:15,823 --> 00:04:19,327
IF PEOPLE SEE ME DOING THAT,
THEY'LL THINK I'M REALLY DRUNK.
76
00:04:19,360 --> 00:04:20,894
YOU WILL DO IT,
OR YOU WON'T LEAVE.
77
00:04:20,928 --> 00:04:22,062
GET OVER THERE.
78
00:04:22,095 --> 00:04:23,297
OHH!
COME ON.
79
00:04:23,331 --> 00:04:24,332
TURN, ANDY.
80
00:04:26,667 --> 00:04:29,503
SLOW IT DOWN AND LET ME IN,
81
00:04:29,537 --> 00:04:32,406
OR I'LL GO OUT
AND GET SOME GIN.
82
00:04:32,440 --> 00:04:34,708
NOW, CUT THAT OUT!
83
00:04:34,742 --> 00:04:36,677
WE HEARD IT, PA!
WE HEARD IT!
84
00:04:36,710 --> 00:04:38,346
WHOA,
HEARD WHAT?
85
00:04:38,379 --> 00:04:39,713
UP AT THE RIMSHAW HOUSE.
86
00:04:39,747 --> 00:04:41,014
THE RIMSHAW HOUSE?
87
00:04:41,048 --> 00:04:42,783
I TOLD YOU BOYS
STAY AWAY FROM THERE.
88
00:04:42,816 --> 00:04:44,485
THAT OLD PLACE
IS NOT SAFE.
89
00:04:44,518 --> 00:04:46,420
YOU'RE RIGHT, PA,
IT SURE AIN'T.
90
00:04:46,454 --> 00:04:48,656
IT'S FULL OF GHOSTS.
WE HEARD THEM.
91
00:04:48,689 --> 00:04:50,691
THEY WENT...
92
00:04:50,724 --> 00:04:51,925
WHAT WERE YOU
DOIN' IN THERE
93
00:04:51,959 --> 00:04:53,093
IN THE FIRST PLACE?
94
00:04:53,126 --> 00:04:55,763
WE HIT A BASEBALL
THROUGH THE WINDOW.
95
00:04:55,796 --> 00:04:58,566
WHEN WE WENT TO GET IT,
THAT'S WHEN WE HEARD THEM.
96
00:04:58,599 --> 00:05:00,701
THEY WENT...
97
00:05:00,734 --> 00:05:02,002
I'M SURPRISED AT YOU ALL.
98
00:05:02,035 --> 00:05:03,571
GREAT, BIG BOYS LIKE YOU --
99
00:05:03,604 --> 00:05:05,406
ALL THIS TALK ABOUT GHOSTS.
100
00:05:05,439 --> 00:05:07,408
PROBABLY JUST THE WIND BLOWIN'.
101
00:05:07,441 --> 00:05:09,410
'COURSE THAT'S
ALL IT WAS.
102
00:05:09,443 --> 00:05:10,544
JUST THE WIND.
103
00:05:10,578 --> 00:05:12,079
WHAT ELSE COULD IT BE?
104
00:05:12,112 --> 00:05:14,748
NOW, LIKE THE SHERIFF SAYS,
YOU'RE BIG BOYS NOW.
105
00:05:14,782 --> 00:05:16,083
YOU CAN'T GO THROUGH LIFE
106
00:05:16,116 --> 00:05:18,018
BEIN' SCARED
OF YOUR OWN SHADOW.
107
00:05:18,051 --> 00:05:19,086
THAT'S RIGHT.
108
00:05:19,119 --> 00:05:20,521
LIKE I ALWAYS SAID,
109
00:05:20,554 --> 00:05:22,956
"THERE'S NOTHING TO FEAR
BUT FEAR ITSELF."
110
00:05:22,990 --> 00:05:26,026
YOU BOYS
REMEMBER THAT, NOW,
111
00:05:26,059 --> 00:05:28,028
AND STAY AWAY FROM
THE RIMSHAW PLACE.
112
00:05:28,061 --> 00:05:29,029
RUN ALONG.
113
00:05:29,062 --> 00:05:30,130
WHAT ABOUT
MY BASEBALL?
114
00:05:30,163 --> 00:05:31,832
OH, WE'LL SEE
ABOUT YOUR BASEBALL.
115
00:05:31,865 --> 00:05:34,635
RUN ALONG.
116
00:05:34,668 --> 00:05:36,470
ACTUALLY, WHAT YOU
SHOULD HAVE DONE
117
00:05:36,504 --> 00:05:38,138
WAS SEND THEM BACK
TO GET THAT BALL.
118
00:05:38,171 --> 00:05:40,040
THAT'LL CURE THEM
OF THE SQUIDGETS --
119
00:05:40,073 --> 00:05:41,709
LIKE WHEN
A HORSE THROWS YOU,
120
00:05:41,742 --> 00:05:42,843
YOU GET RIGHT BACK ON.
121
00:05:42,876 --> 00:05:44,712
YEAH, WELL,
I DON'T WANT THE BOYS
122
00:05:44,745 --> 00:05:46,480
FOOLIN' AROUND
UP THERE, THOUGH.
123
00:05:46,514 --> 00:05:47,715
IT'S DANGEROUS.
124
00:05:47,748 --> 00:05:49,683
A LOT OF LOOSE FLOORBOARDS
AND EVERYTHIN'.
125
00:05:49,717 --> 00:05:52,820
STILL, IT MIGHT HAVE
DONE THEM SOME GOOD.
126
00:05:52,853 --> 00:05:53,854
HMM.
127
00:05:57,658 --> 00:05:59,693
UH, HEY, BARN?
128
00:05:59,727 --> 00:06:01,462
HOW ABOUT YOU GOIN' UP THERE
129
00:06:01,495 --> 00:06:03,030
AND GETTIN' THE BALL
FOR THE BOYS?
130
00:06:03,063 --> 00:06:05,699
ME?
131
00:06:05,733 --> 00:06:07,167
YEAH.
132
00:06:07,200 --> 00:06:10,904
YOU MEAN, YOU WANT ME
TO GO UP TO THAT HAUNTED HOU...
133
00:06:10,938 --> 00:06:12,606
UP TO THE RIMSHAW PLACE?
134
00:06:12,640 --> 00:06:14,041
WELL, LIKE I SAY,
135
00:06:14,074 --> 00:06:17,745
I DON'T WANT THE BOYS
FOOLIN' AROUND UP THERE.
136
00:06:17,778 --> 00:06:19,913
OH, YEAH, WELL, YEAH.
137
00:06:19,947 --> 00:06:24,752
YEAH, WELL,
OH, I'LL BE GLAD TO...
138
00:06:24,785 --> 00:06:28,188
BUT DON'T YOU THINK--
139
00:06:28,221 --> 00:06:30,090
I MEAN, OPIE BEIN'
YOUR BOY AND ALL--
140
00:06:30,123 --> 00:06:31,859
THAT IT WOULD BE BETTER
IF, UH...
141
00:06:31,892 --> 00:06:34,528
WELL, TEACH HIM BETTER,
IF YOU WENT UP?
142
00:06:34,562 --> 00:06:38,699
WELL, I WOULD GO, BUT I'VE GOT
THIS IMPORTANT CALL
143
00:06:38,732 --> 00:06:42,470
COMIN' IN FROM THE CAPITAL,
SO I CAN'T GO.
144
00:06:42,503 --> 00:06:43,904
WELL...
145
00:06:43,937 --> 00:06:48,642
YEAH, WELL, THEN I'LL JUST
RUN ON OVER THERE.
146
00:06:48,676 --> 00:06:50,944
I'LL GET MY HAT.
147
00:06:55,182 --> 00:06:57,818
UM, I'M GOIN'.
148
00:06:57,851 --> 00:06:59,219
I'LL SEE YOU.
149
00:06:59,252 --> 00:07:01,522
I'LL SEE YOU.
150
00:07:06,860 --> 00:07:08,028
I CAN'T LEAVE!
151
00:07:08,061 --> 00:07:10,698
I'VE GOT TO GIVE OTIS
HIS SOBRIETY TEST.
152
00:07:10,731 --> 00:07:11,965
WELL, BARNEY, I...
153
00:07:11,999 --> 00:07:13,701
YOU CAN'T DO IT, ANDY.
154
00:07:13,734 --> 00:07:15,703
YOU DON'T KNOW
THE VERSES OR ANYTHING.
155
00:07:15,736 --> 00:07:19,607
HEY, BARNEY...
156
00:07:19,640 --> 00:07:21,975
COULD IT BE
THAT YOU'RE SHYIN' AWAY
157
00:07:22,009 --> 00:07:24,111
FROM GOIN' TO THE RIMSHAW PLACE?
158
00:07:24,144 --> 00:07:26,146
SHYIN' AWAY?!
AW, COME ON, ANDY!
159
00:07:26,179 --> 00:07:28,048
YOU HEARD WHAT I TOLD THEM BOYS!
160
00:07:28,081 --> 00:07:29,717
STANDIN' RIGHT BACK THERE.
161
00:07:29,750 --> 00:07:31,485
YOU HEARD WHAT I TOLD THEM.
162
00:07:31,519 --> 00:07:32,486
THEN YOU'RE GOIN'?
163
00:07:32,520 --> 00:07:34,588
OF COURSE I'M GOIN'!
164
00:07:34,622 --> 00:07:36,924
THE FIRST CHANCE I GET.
165
00:07:36,957 --> 00:07:38,125
WELL, GO AHEAD.
166
00:07:38,158 --> 00:07:40,060
I'M GOIN'!
167
00:07:40,093 --> 00:07:41,061
HEY, FELLERS.
168
00:07:41,094 --> 00:07:42,262
HEY, GOMER.
169
00:07:42,295 --> 00:07:44,798
THEM BATTERIES YOU ORDERED
JUST COME IN.
170
00:07:44,832 --> 00:07:45,799
OH, THANKS.
171
00:07:45,833 --> 00:07:48,502
GOMER?
172
00:07:48,536 --> 00:07:49,770
ARE YOU BUSY?
173
00:07:49,803 --> 00:07:50,804
UH-UH.
174
00:07:50,838 --> 00:07:51,905
HOW WOULD YOU LIKE
175
00:07:51,939 --> 00:07:53,807
TO GO FOR A LITTLE RIDE WITH ME?
176
00:07:53,841 --> 00:07:56,043
YEAH, I'D LIKE THAT.
177
00:08:00,848 --> 00:08:04,284
GIVE ME THE KEYS.
178
00:08:04,317 --> 00:08:07,154
SO, YOU'RE TAKIN' GOMER
WITH YOU, ARE YOU?
179
00:08:07,187 --> 00:08:09,089
WELL, OF COURSE
I'M TAKIN' GOMER--
180
00:08:09,122 --> 00:08:10,157
FOR THE BOYS' SAKE.
181
00:08:10,190 --> 00:08:12,025
THAT WAY BOTH OF US
CAN SHOW 'EM
182
00:08:12,059 --> 00:08:14,027
THERE'S NOTHIN'
TO BE AFRAID OF.
183
00:08:15,328 --> 00:08:18,732
YOU KNOW THAT?
YOU BEAT EVERYTHIN'.
184
00:08:39,987 --> 00:08:42,923
WHAT ARE WE DOIN' HERE?
185
00:08:42,956 --> 00:08:45,258
UH, THE BOYS LOST
A BASEBALL IN THERE.
186
00:08:45,292 --> 00:08:47,094
WHY DON'T YOU RUN ON UP
AND GET IT?
187
00:08:47,127 --> 00:08:50,530
WELL...
188
00:08:55,736 --> 00:08:56,870
AIN'T YOU COMIN', BARNEY?
189
00:08:56,904 --> 00:08:58,171
NO, I GOT TO
CHECK THE TIMER.
190
00:08:58,205 --> 00:09:00,207
THIS DARN ENGINE'S BEEN
RUNNIN' KIND OF ROUGH.
191
00:09:00,240 --> 00:09:02,075
I'LL CHECK THE ENGINE.
YOU GET THE BALL.
192
00:09:02,109 --> 00:09:04,077
I'LL CHECK THE ENGINE!
I SAID IT FIRST!
193
00:09:04,111 --> 00:09:05,779
YOU NEVER
MENTIONED ONE THING
194
00:09:05,813 --> 00:09:07,180
ABOUT COMIN' UP HERE.
195
00:09:07,214 --> 00:09:09,216
IF YOU'RE GONNA BE
THAT SCAREDY-CAT ABOUT IT,
196
00:09:09,249 --> 00:09:11,184
I'LL GO WITH YOU!
197
00:09:33,874 --> 00:09:36,844
I don't see no baseball.
198
00:09:36,877 --> 00:09:39,613
They said
it went inside.
199
00:10:06,874 --> 00:10:08,075
Go ahead.
200
00:10:08,108 --> 00:10:09,743
AGE BEFORE BEAUTY.
201
00:10:24,725 --> 00:10:27,861
I don't see no baseball
in there, do you?
202
00:10:29,196 --> 00:10:30,263
WHAT WAS THAT?
203
00:10:30,297 --> 00:10:31,965
I DON'T KNOW.
204
00:10:31,999 --> 00:10:34,434
WHATEVER IT WAS,
IT DIDN'T SOUND
LIKE NO BASEBALL.
205
00:10:42,843 --> 00:10:45,746
YOU GET THE BASEBALL?
206
00:10:45,779 --> 00:10:48,716
DID YOU GET
THE BASEBALL?
207
00:10:51,952 --> 00:10:53,420
I NEEDED THAT.
208
00:10:53,453 --> 00:10:55,422
NOW, DON'T TELL ME
209
00:10:55,455 --> 00:10:59,059
THE RIMSHAW PLACE
HAS GOT TO YOU, TOO?
210
00:10:59,092 --> 00:11:02,229
LOOK, ANDY,
WHEN OLD MAN RIMSHAW DIED
211
00:11:02,262 --> 00:11:04,264
HE SAID HE DIDN'T WANT
THAT PLACE DISTURBED.
212
00:11:04,297 --> 00:11:06,767
AND I THINK WE OUGHT TO
RESPECT THE WISHES
213
00:11:06,800 --> 00:11:07,968
OF THE DEAR DEPARTED.
214
00:11:08,001 --> 00:11:09,269
ARE YOU TRYIN'
TO TELL ME
215
00:11:09,302 --> 00:11:11,071
THAT YOU BELIEVE
THAT PLACE IS HAUNTED?
216
00:11:11,104 --> 00:11:13,173
ALL I'M SAYIN' IS
THERE ARE SOME THINGS
217
00:11:13,206 --> 00:11:16,376
BEYOND THE KEN OF MORTAL MAN
THAT SHOULDN'T BE TAMPERED WITH.
218
00:11:16,409 --> 00:11:18,078
WE DON'T KNOW EVERYTHIN', ANDY.
219
00:11:18,111 --> 00:11:20,380
THERE'S PLENTY GOIN' ON
IN THE TWILIGHT ZONE
220
00:11:20,413 --> 00:11:21,982
WE DON'T KNOW ANYTHING ABOUT
221
00:11:22,015 --> 00:11:24,117
AND I THINK
WE OUGHT TO STAY CLEAR.
222
00:11:24,151 --> 00:11:25,418
WASN'T IT YOU THAT SAID,
223
00:11:25,452 --> 00:11:27,320
"THERE'S NOTHING TO FEAR
BUT FEAR ITSELF"?
224
00:11:27,354 --> 00:11:30,057
WELL, THAT'S EXACTLY
WHAT I GOT -- FEAR ITSELF.
225
00:11:30,090 --> 00:11:31,859
BARN.
226
00:11:31,892 --> 00:11:33,994
LOOK, I'LL BUY HIM
ANOTHER BASEBALL.
227
00:11:34,027 --> 00:11:36,196
I GO ALONG
WITH BARNEY ON THIS.
228
00:11:36,229 --> 00:11:38,966
I DON'T WANT ANY PART
OF THAT RIMSHAW HOUSE.
229
00:11:38,999 --> 00:11:40,367
THEY SAY THE WALLS MOVE
230
00:11:40,400 --> 00:11:43,503
AND PICTURES WITH EYES
FOLLOW YOU ALL AROUND THE ROOM
231
00:11:43,536 --> 00:11:45,272
AND AXES FLOAT IN THE AIR.
232
00:11:45,305 --> 00:11:48,141
OH, NO, NOT
FOR ME, MNH-MNH, NO.
233
00:11:48,175 --> 00:11:50,177
UH...
234
00:11:50,210 --> 00:11:52,012
I'LL TELL YOU
WHAT WE'LL DO.
235
00:11:52,045 --> 00:11:54,381
SOON AS MY CALL COMES IN
FROM THE CAPITAL,
236
00:11:54,414 --> 00:11:55,916
WE'LL GET GOMER
237
00:11:55,949 --> 00:11:58,118
AND ME AND YOU AND GOMER
WILL ALL GO OVER THERE,
238
00:11:58,151 --> 00:11:59,386
AND I GUARANTEE YOU
239
00:11:59,419 --> 00:12:01,855
ALL WE'LL FIND IN THERE
IS A BASEBALL.
240
00:12:38,491 --> 00:12:39,960
THERE IT IS.
241
00:12:39,993 --> 00:12:40,961
WHAT?
242
00:12:40,994 --> 00:12:43,363
THE BASEBALL.
243
00:12:43,396 --> 00:12:46,399
WE SHOULD LEAVE.
LET'S GET OUT OF HERE.
244
00:12:46,433 --> 00:12:48,568
LET'S LOOK AROUND
A LITTLE BIT.
245
00:12:48,601 --> 00:12:52,039
I WONDER
WHAT'S IN THERE.
246
00:12:55,208 --> 00:12:57,477
I'LL SEE
WHAT'S IN THERE.
247
00:12:57,510 --> 00:12:59,246
YOU-ALL STAY HERE.
248
00:13:36,917 --> 00:13:41,054
SEE ANYTHING, GOMER?
249
00:13:41,088 --> 00:13:43,156
GOMER?
250
00:13:45,292 --> 00:13:47,260
GOME?
251
00:14:01,241 --> 00:14:02,175
GOMER!
252
00:14:02,209 --> 00:14:03,944
GOMER!
253
00:14:03,977 --> 00:14:04,912
GOMER!
254
00:14:04,945 --> 00:14:05,979
GOMER!
255
00:14:06,013 --> 00:14:07,147
GOMER!
WHAT'S THE MATTER?
256
00:14:07,180 --> 00:14:08,882
WHAT'S THE MATTER?
ANDY, GOMER'S GONE!
257
00:14:08,916 --> 00:14:10,450
HE WAS HERE ONE MINUTE,
GONE THE NEXT.
258
00:14:10,483 --> 00:14:13,253
NOW DO YOU BELIEVE WHAT
I TOLD YOU ABOUT THIS PLACE?!
259
00:14:13,286 --> 00:14:16,023
GOMER! GOMER!
260
00:14:20,427 --> 00:14:22,262
HE MUST HAVE GONE
BACK TO THE CAR.
261
00:14:22,295 --> 00:14:25,065
HE COULDN'T.
HE WOULD HAVE HAD TO GO PAST ME.
262
00:14:25,098 --> 00:14:27,300
I TELL YOU, SOMETHING AWFUL'S
HAPPENED TO GOMER.
263
00:14:27,334 --> 00:14:29,302
HE WAS HERE ONE MINUTE
AND GONE THE NEXT.
264
00:14:29,336 --> 00:14:34,174
HE PROBABLY STEPPED
IN A CLOSET OR SOMETHIN'.
265
00:14:34,207 --> 00:14:36,609
WELL, WHERE DO WE
LOOK FOR HIM?
266
00:14:36,643 --> 00:14:39,079
WHO Y'ALL
LOOKIN' FOR?
267
00:14:39,112 --> 00:14:40,914
WHERE YOU BEEN?
268
00:14:40,948 --> 00:14:43,450
I DON'T KNOW. I STEPPED
IN A CLOSET OR SOMETHIN'.
269
00:14:43,483 --> 00:14:45,518
SEE?
270
00:14:45,552 --> 00:14:47,054
SURE WAS
A FUNNY CLOSET.
271
00:14:47,087 --> 00:14:48,655
IF YOU HADN'T
GIVEN ME THAT PUSH
272
00:14:48,688 --> 00:14:50,557
I NEVER WOULD HAVE
FOUND MY WAY OUT.
273
00:14:50,590 --> 00:14:51,558
WELL, THAT'S...
274
00:14:51,591 --> 00:14:55,262
I DIDN'T GIVE YOU NO PUSH.
275
00:14:55,295 --> 00:14:59,132
WELL, SOMEBODY
OR SOMETHIN' DID.
276
00:15:05,172 --> 00:15:08,275
FUNNY, THIS WALLPAPER TORN
IN JUST THE ONE PLACE.
277
00:15:12,112 --> 00:15:13,413
KIND OF WARM, TOO.
278
00:15:13,446 --> 00:15:16,183
MAYBE SOME
OLD TRAMP'S
BEEN IN HERE
279
00:15:16,216 --> 00:15:18,518
LIGHTIN' FIRES
IN THE FIREPLACE.
280
00:15:18,551 --> 00:15:21,955
ANDY, LOOK UP THERE.
281
00:15:21,989 --> 00:15:24,691
THAT'S OLD MAN RIMSHAW
HIMSELF.
282
00:15:24,724 --> 00:15:26,259
RIMSHAW?
283
00:15:26,293 --> 00:15:29,529
AIN'T HE THE ONE THAT PUT
CHAINS ON HIS HIRED MAN
284
00:15:29,562 --> 00:15:32,365
AND THEN DONE AWAY
WITH HIM?
285
00:15:32,399 --> 00:15:34,667
WITH AN AX.
286
00:15:34,701 --> 00:15:36,403
AN AX?
287
00:15:36,436 --> 00:15:39,372
SHAZAM!
288
00:16:14,707 --> 00:16:17,077
Andy, Andy...
289
00:16:17,110 --> 00:16:18,345
Them eyes...
290
00:16:18,378 --> 00:16:20,013
in that painting...
291
00:16:20,047 --> 00:16:21,648
They're starin'
at us.
292
00:16:22,782 --> 00:16:27,154
I DON'T SEE NOTHIN'
SO STRANGE ABOUT IT.
293
00:16:29,289 --> 00:16:31,424
I TELL YOU, THEY MOVED.
294
00:16:31,458 --> 00:16:33,560
THEY WERE LOOKIN'
RIGHT AT ME.
295
00:16:33,593 --> 00:16:36,763
THAT'S PROBABLY JUST THE WAY
THE LIGHT STRIKES IT.
296
00:16:36,796 --> 00:16:38,698
NOW, ANDY, YOU GOT
THAT BASEBALL.
297
00:16:38,731 --> 00:16:40,567
THERE'S NOTHIN'
TO KEEP US HERE.
298
00:16:40,600 --> 00:16:42,569
EXCEPT MAYBE
YOU'RE RIGHT
299
00:16:42,602 --> 00:16:45,172
ABOUT SOME OLD TRAMP
STAYIN' HERE.
300
00:16:45,205 --> 00:16:47,040
LET'S HAVE A LOOK AROUND.
301
00:16:47,074 --> 00:16:51,478
I'LL LOOK UPSTAIRS,
YOU-ALL LOOK IN THE CELLAR.
302
00:16:58,085 --> 00:17:01,288
I RECKON THE CELLAR
WOULD BE DOWNSTAIRS.
303
00:17:04,224 --> 00:17:06,359
COME ON.
304
00:17:24,277 --> 00:17:26,513
THAT'S JUST
THE LIGHTING...
305
00:17:26,546 --> 00:17:28,448
LIKE ANDY SAID.
306
00:17:37,524 --> 00:17:39,692
THAT'S JUST
THE LIGHTING...
307
00:17:39,726 --> 00:17:42,329
LIKE ANDY SAID.
308
00:18:08,688 --> 00:18:11,391
THAT'S JUST AN AX.
309
00:18:11,424 --> 00:18:13,693
THAT DON'T MEAN
IT'S THE SAME ONE THAT, UH...
310
00:18:13,726 --> 00:18:18,131
YEAH, IT'S PROBABLY
JUST THE LIGHTIN'.
311
00:18:18,165 --> 00:18:22,135
WELL, THAT'S
THE CELLAR THERE.
312
00:18:23,536 --> 00:18:26,173
YEAH, THAT'S
THE CELLAR,
ALL RIGHT.
313
00:18:32,312 --> 00:18:34,781
ANY OLD TRAMPS DOWN THERE?
314
00:18:34,814 --> 00:18:37,450
NOTHIN' DOWN THERE.
315
00:18:53,400 --> 00:18:54,767
EVERYTHING ALL RIGHT?
316
00:18:54,801 --> 00:18:56,903
EVERYTHING'S FINE.
KNOCK ON WOOD.
317
00:19:22,829 --> 00:19:24,664
YOU'RE RIGHT.
318
00:19:24,697 --> 00:19:27,200
THIS IS NO PLACE FOR US.
LET'S GET OUTTA HERE!
319
00:19:45,485 --> 00:19:47,387
IT'S ALL CLEAR.
320
00:20:01,634 --> 00:20:03,736
DID YOU SEE THEM
SCRAMBLE?
321
00:20:03,770 --> 00:20:07,474
THEY RUN EVEN FASTER THAN
THEM KIDS THIS AFTERNOON.
322
00:20:07,507 --> 00:20:08,808
I'M GONNA BE ABLE
323
00:20:08,841 --> 00:20:11,578
TO RUN THAT STILL DOWNSTAIRS
FOR 20 YEARS.
324
00:20:11,611 --> 00:20:12,845
THIS PLACE GETS 'EM ALL.
325
00:20:12,879 --> 00:20:14,681
IT WOULD ME, TOO,
326
00:20:14,714 --> 00:20:16,949
IF I BELIEVED THAT STORY
ABOUT THAT AX MURDER.
327
00:20:16,983 --> 00:20:18,751
DIDN'T HURT NONE
TO SPREAD THAT RUMOR
328
00:20:18,785 --> 00:20:20,853
ABOUT THAT AX
STILL FLOATIN'
AROUND THIS PLACE.
329
00:20:20,887 --> 00:20:22,255
HOW ABOUT THAT?
330
00:20:22,289 --> 00:20:23,656
HOW ABOUT THAT?
331
00:20:23,690 --> 00:20:24,824
HAVE A SNORT.
332
00:20:24,857 --> 00:20:26,459
YEAH, WHY NOT?
333
00:20:34,867 --> 00:20:36,936
IT'S TRUE.
334
00:20:36,969 --> 00:20:38,571
THERE IT IS!
335
00:20:45,778 --> 00:20:47,980
WHAT'S THAT?
336
00:20:48,014 --> 00:20:50,517
I DON'T KNOW.
337
00:20:51,651 --> 00:20:53,853
WHERE DO YOU
SUPPOSE ANDY IS?
338
00:20:56,523 --> 00:20:58,591
I DON'T KNOW! I THOUGHT
HE CAME OUT WITH US.
339
00:20:58,625 --> 00:21:00,793
MAYBE HE NEVER DID
COME OUT.
340
00:21:00,827 --> 00:21:02,895
DO YOU THINK HE'S
STILL IN THERE?
341
00:21:02,929 --> 00:21:06,766
I GUESS THAT MAKES YOU
SHERIFF NOW.
342
00:21:06,799 --> 00:21:10,570
WE, WE CAN'T LEAVE HIM
IN THERE.
343
00:21:10,603 --> 00:21:12,805
I GOTTA GO BACK!
344
00:21:12,839 --> 00:21:14,641
YOU KEEP AN EYE OUT HERE.
345
00:21:14,674 --> 00:21:17,009
I'LL GO AROUND
THE BACK WAY.
346
00:21:29,789 --> 00:21:34,527
THAT PICTURE, THOSE EYES --
THEY'RE LOOKIN' RIGHT AT ME.
347
00:21:41,768 --> 00:21:45,071
WELL, THIS TIME
THEY AIN'T MINE.
348
00:21:45,104 --> 00:21:46,906
LET'S GET OUTTA HERE!
349
00:22:21,441 --> 00:22:23,943
Andy: BARNEY, WAIT,
IT'S OKAY. IT'S ME.
350
00:22:26,012 --> 00:22:27,980
BARN! BARN!
351
00:22:28,014 --> 00:22:31,017
ANDY, WAS THAT YOU?
352
00:22:31,050 --> 00:22:33,420
OH, I WAS JUST
LOOKIN' AROUND
A LITTLE.
353
00:22:33,453 --> 00:22:35,021
OH, I THOUGHT
YOU WAS RIMSHAW.
354
00:22:35,054 --> 00:22:36,956
IT WAS PROBABLY
JUST THE LIGHT.
355
00:22:36,989 --> 00:22:38,591
WHAT'S GOIN' ON HERE?
356
00:22:38,625 --> 00:22:40,126
LET'S GET THIS AX DOWN.
357
00:22:40,159 --> 00:22:41,461
HUH?
358
00:22:41,494 --> 00:22:44,564
WE GOT TO BUST UP
A STILL.
359
00:22:44,597 --> 00:22:45,998
A STILL?
360
00:22:46,032 --> 00:22:48,167
OH, MOONSHINERS.
361
00:22:48,200 --> 00:22:50,036
SO THAT'S WHAT IT IS.
362
00:22:50,069 --> 00:22:52,605
YOU KNOW, I THOUGHT
IT WAS SOMETHING
ALONG THEM VERY LINES.
363
00:22:52,639 --> 00:22:54,641
I WAS JUST TRYIN'...
364
00:23:11,190 --> 00:23:13,159
SHERIFF TAYLOR?
365
00:23:13,192 --> 00:23:14,827
YES, SIR.
366
00:23:14,861 --> 00:23:17,029
FEDERAL AGENT BOWDEN,
ALCOHOL CONTROL DIVISION.
367
00:23:17,063 --> 00:23:18,631
OH, GLAD TO MEET YOU.
368
00:23:18,665 --> 00:23:20,132
I UNDERSTAND YOU PICKED UP
BIG JACK ANDERSON.
369
00:23:20,166 --> 00:23:21,768
SURE GLAD TO HEAR IT.
370
00:23:21,801 --> 00:23:23,636
WE'VE BEEN TRYING TO GET
THAT MOONSHINER FOR YEARS.
371
00:23:23,670 --> 00:23:24,737
WELL, WE GOT HIM.
372
00:23:24,771 --> 00:23:26,105
DON'T KNOW HOW
YOU DID IT.
373
00:23:26,138 --> 00:23:27,807
HE'S TRICKY, AND A MIGHTY
ROUGH CUSTOMER, TOO.
374
00:23:27,840 --> 00:23:28,975
WELL, THERE'S THREE OF US.
375
00:23:29,008 --> 00:23:30,543
THERE'S ME AND MY DEPUTY,
BARNEY FIFE,
376
00:23:30,577 --> 00:23:31,911
AND GOMER PYLE HELPED OUT.
377
00:23:31,944 --> 00:23:33,646
WELL, THEY DESERVE
A LOT OF CREDIT.
378
00:23:33,680 --> 00:23:35,548
GOOD TO KNOW THAT WE'VE GOT
LAW-ENFORCEMENT OFFICERS
379
00:23:35,582 --> 00:23:36,849
MADE OF TOUGH STUFF.
380
00:23:36,883 --> 00:23:38,651
THAT'S WHAT WE NEED
OUT HERE TODAY --
381
00:23:38,685 --> 00:23:40,920
GOOD, ROUGH, TOUGH, RUGGED
OFFICERS.
382
00:23:40,953 --> 00:23:42,989
YEAH. THEY'RE RIGHT INSIDE.
WANT TO MEET 'EM?
383
00:23:43,022 --> 00:23:45,892
SURE WOULD.
COME ON.
384
00:23:45,925 --> 00:23:49,596
Barney: MY MOTHER, YOUR MOTHER
LIVES ACROSS THE WAY.
385
00:23:49,629 --> 00:23:52,932
EVERY NIGHT THEY HAVE A FIGHT
AND THIS IS WHAT THEY SAY.
25878
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