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These are the user uploaded subtitles that are being translated: 1 00:00:09,343 --> 00:00:12,246 STARRING ANDY GRIFFITH... 2 00:00:12,280 --> 00:00:15,316 WITH RONNY HOWARD... 3 00:00:15,349 --> 00:00:17,651 ALSO STARRING DON KNOTTS. 4 00:00:41,609 --> 00:00:43,611 SURE IS BOILING, PA. 5 00:00:43,644 --> 00:00:47,681 THIS MACHINE IS HALF MAD WITH THIRST. 6 00:00:58,492 --> 00:01:00,828 HOW MUCH IT GOING TO TAKE, PA? 7 00:01:00,861 --> 00:01:05,366 SHE'S ALWAYS GOOD FOR 11 HATFULS. 8 00:01:18,512 --> 00:01:20,748 HOWDY. 9 00:01:20,781 --> 00:01:23,517 HOWDY. 10 00:01:26,254 --> 00:01:27,721 HI. 11 00:01:31,425 --> 00:01:33,527 NOW, THAT'S ENOUGH, CHARLENE. 12 00:01:33,561 --> 00:01:35,163 BACK IN THE TRUCK. 13 00:01:35,196 --> 00:01:38,866 OH, PA, CAN'T I EVEN LOOK AT THE PRETTY MAN? 14 00:01:38,899 --> 00:01:40,468 BACK IN THE TRUCK. 15 00:01:53,314 --> 00:01:54,748 SHE'S PROMISED. 16 00:01:54,782 --> 00:01:58,419 PRIVATE FIRST CLASS DUDLEY A. WALSH, 17 00:01:58,452 --> 00:02:02,523 U.S. OF A. ARMY, HONORABLY DISCHARGED. 18 00:02:02,556 --> 00:02:06,294 WELL, THAT'S FINE. 19 00:02:06,327 --> 00:02:08,429 UH, I DON'T WANT TO SOUND -- 20 00:02:08,462 --> 00:02:12,700 PRIVATE FIRST CLASS IS COMING IN ON THE MORNING BUS. 21 00:02:14,702 --> 00:02:16,270 OH, I SEE. 22 00:02:16,304 --> 00:02:17,705 AND YOU FOLKS ARE IN TOWN TO MEET HIM, ARE YOU? 23 00:02:17,738 --> 00:02:22,176 NEWS SURE DOES TRAVEL FAST, DON'T IT? 24 00:02:22,210 --> 00:02:25,346 I DIDN'T HEAR IT ANYWHERE. I JUST -- 25 00:02:25,379 --> 00:02:27,881 NEVER MIND. IT AIN'T THAT IMPORTANT. 26 00:02:27,915 --> 00:02:29,517 IT IS TO HER. 27 00:02:29,550 --> 00:02:32,753 THE BETROTHAL'S BEEN PLEDGED SINCE THEY WERE 5. 28 00:02:34,588 --> 00:02:36,390 WELL, THAT'S FINE. 29 00:02:36,424 --> 00:02:40,728 SO DON'T GO MAKING ANY FANCIES FOR HER. 30 00:02:40,761 --> 00:02:43,297 WELL, THAT'S THE FURTHEST THING FROM MY MIND. 31 00:02:43,331 --> 00:02:49,537 YOUR WORDS SAY NO, BUT YOUR EYES SAY YES. 32 00:02:49,570 --> 00:02:51,939 WELL, BELIEVE ME, THE THOUGHT NEVER ENTERED MY HEAD. 33 00:02:51,972 --> 00:02:55,243 JUST SEE THAT IT DON'T. 34 00:02:55,276 --> 00:02:57,978 TAKE MY WORD FOR IT, MR. UH... 35 00:02:58,011 --> 00:03:00,481 DARLING. 36 00:03:00,514 --> 00:03:03,751 I BEG PARDON? 37 00:03:03,784 --> 00:03:05,686 BRISCOE DARLING. 38 00:03:05,719 --> 00:03:09,223 OH, OH. ANDY TAYLOR. SHERIFF ANDY TAYLOR. 39 00:03:09,257 --> 00:03:10,891 MORE POWER TO YOU. 40 00:03:10,924 --> 00:03:13,494 UH MR. DARLING, AS SHERIFF, 41 00:03:13,527 --> 00:03:15,829 THERE'S SOMETHING I'D LIKE TO SAY TO YOU. 42 00:03:15,863 --> 00:03:17,431 IT'S ABOUT PARKING YOUR TRUCK 43 00:03:17,465 --> 00:03:19,433 HERE IN FRONT OF OUR MEMORIAL TROUGH 44 00:03:19,467 --> 00:03:21,435 AND FILLING YOUR RADIATOR OUT OF IT. 45 00:03:21,469 --> 00:03:24,538 WHAT DID YOU HAVE IN MIND? 46 00:03:24,572 --> 00:03:27,975 WELL, THE FACT IS YOU'RE BREAKING TWO CITY ORDINANCES. 47 00:03:28,008 --> 00:03:30,411 IT'S AGAINST THE LAW TO PARK YOUR TRUCK HERE, 48 00:03:30,444 --> 00:03:32,780 AND YOU'RE DIPPING YOUR HAT INTO THE HORSE TROUGH. 49 00:03:36,650 --> 00:03:37,651 CHARLENE? 50 00:03:37,685 --> 00:03:40,220 KEEP THEM EYES TO YOURSELF. 51 00:03:41,989 --> 00:03:45,959 UH, WELL, ANYWAY, MR. DARLING, 52 00:03:45,993 --> 00:03:49,497 IT'S AGAINST THE LAW TO DIP YOUR HAT INTO THE HORSE TROUGH. 53 00:03:49,530 --> 00:03:51,231 THAT'S FOR HORSES ONLY. 54 00:03:54,468 --> 00:03:57,438 THERE AIN'T A HORSE IN SIGHT. 55 00:03:57,471 --> 00:04:02,543 BUT IF ONE COMES ALONG, I'LL GIVE THEM THE RIGHT OF WAY. 56 00:04:02,576 --> 00:04:05,513 OBLIGED TO YOU FOR NOT GIVING ME AN ARREST. 57 00:04:05,546 --> 00:04:08,949 WELL, WE BELIEVE IN WARNING FOLKS FIRST, 58 00:04:08,982 --> 00:04:11,051 ESPECIALLY STRANGERS. 59 00:04:11,084 --> 00:04:12,320 OBLIGED. 60 00:04:12,353 --> 00:04:14,988 OH, UH, SHERIFF? 61 00:04:15,022 --> 00:04:16,990 WE'RE GONNA NEED A NIGHT'S LODGING. 62 00:04:17,024 --> 00:04:18,459 WHERE MIGHT WE BED DOWN? 63 00:04:18,492 --> 00:04:19,893 WELL, MAYBERRY HOTEL. 64 00:04:19,927 --> 00:04:22,430 RIGHT AROUND THERE IN THE MIDDLE OF THE BLOCK. 65 00:04:22,463 --> 00:04:23,497 OBLIGED. 66 00:04:23,531 --> 00:04:24,898 SEE YOU BOYS. 67 00:04:49,056 --> 00:04:50,591 IS THIS YOUR PLACE? 68 00:04:50,624 --> 00:04:53,994 NO, I'M JOHN MASTERS, YOUR RESERVATIONS CLERK. 69 00:04:54,027 --> 00:04:57,698 WHO I DO SEE ABOUT GETTING A PLACE TO BED DOWN? 70 00:04:57,731 --> 00:05:00,534 I CAN ARRANGE AN ACCOMMODATION. ARE YOU ALONE? 71 00:05:00,568 --> 00:05:02,102 JUST ME AND MY LUGGAGE. 72 00:05:02,135 --> 00:05:04,071 A SINGLE ROOM WITH A BATH IS $2.50 A NIGHT, 73 00:05:04,104 --> 00:05:06,039 SINGLE ROOM WITHOUT A BATH IS $1.75 A NIGHT. 74 00:05:06,073 --> 00:05:09,610 JUST GIVE ME $1.75 WORTH. 75 00:05:09,643 --> 00:05:10,711 VERY WELL. 76 00:05:10,744 --> 00:05:13,581 SIGN RIGHT ON THIS LINE, PLEASE. 77 00:05:26,727 --> 00:05:28,562 BRISCOE DARLING. 78 00:05:28,596 --> 00:05:30,898 VERY WELL, MR. DARLING. 79 00:05:30,931 --> 00:05:33,133 I HAVE A NICE ROOM FOR YOU RIGHT UP IN FRONT. 80 00:05:33,166 --> 00:05:36,970 I'D RATHER HAVE SOMETHING AS FAR BACK AS I CAN GET. 81 00:05:37,004 --> 00:05:39,540 VERY WELL. 82 00:05:39,573 --> 00:05:41,675 ROOM 27. 83 00:05:41,709 --> 00:05:43,010 THANK YOU. 84 00:05:49,650 --> 00:05:52,420 YOU DOWN HERE ALL THE TIME, ARE YOU? 85 00:05:52,453 --> 00:05:55,088 EXCEPT FOR AROUND 8:00, I STEP OUT FOR A BITE TO EAT. 86 00:05:55,122 --> 00:05:56,824 ANYTHING YOU WANT? 87 00:05:56,857 --> 00:05:58,826 JUST A BED AND A BIBLE. 88 00:05:58,859 --> 00:06:00,694 YOU'LL FIND THEM IN YOUR ROOM. 89 00:06:05,098 --> 00:06:07,668 EASY NOW. HERE SHE COME. 90 00:06:15,709 --> 00:06:17,177 SLACK -- SLACK OFF. 91 00:06:17,210 --> 00:06:19,713 SLACK OFF! 92 00:06:19,747 --> 00:06:21,815 MY HEAD'S GETTING SMASHED. 93 00:06:29,723 --> 00:06:32,560 WELL, HERE WE BE ALL TOGETHER AGAIN. 94 00:06:32,593 --> 00:06:34,728 NOT QUITE, PA. 95 00:06:34,762 --> 00:06:35,929 OETHER IS STILL DOWN THERE. 96 00:06:38,499 --> 00:06:39,800 SO HE BE. 97 00:06:39,833 --> 00:06:41,068 DIDN'T EVEN MISS HIM. 98 00:06:41,101 --> 00:06:43,504 DON'T HAVE MUCH PERSONALITY -- THAT BOY. 99 00:06:54,915 --> 00:06:57,518 WE'RE GOING TO HAVE TO DO BETTER THAN THAT 100 00:06:57,551 --> 00:07:00,120 IF WE'RE GOING TO PLAY FOR CHARLENE'S WEDDING. 101 00:07:00,153 --> 00:07:03,123 OH, PA, I CAN'T EVEN REMEMBER WHAT DUD LOOKS LIKE. 102 00:07:03,156 --> 00:07:05,559 YOU LOVE HIM WITH YOUR HEART AND SOUL. 103 00:07:05,593 --> 00:07:06,894 THAT'S ALL THAT MATTERS. 104 00:07:06,927 --> 00:07:08,996 NOW LET'S TRY "SLIMY RIVER BOTTOM," 105 00:07:09,029 --> 00:07:10,698 AND THIS TIME, MAKE IT PURTY. 106 00:07:10,731 --> 00:07:12,600 OH, THAT'N MAKES ME CRY. 107 00:07:12,633 --> 00:07:13,967 HUSH NOW. 108 00:07:14,001 --> 00:07:15,736 WE GOT TO HURRY 109 00:07:15,769 --> 00:07:18,105 BEFORE THAT CLERKIN' FELLER GETS BACK FROM HIS SUPPER. 110 00:07:18,138 --> 00:07:20,574 A ONE AND A TWO. A ONE AND A TWO. 111 00:07:39,760 --> 00:07:41,261 THEY'RE RAISING THE ROOF IN THERE, ANDY, 112 00:07:41,294 --> 00:07:42,896 WITH AT LEAST FIVE INSTRUMENTS. 113 00:07:42,930 --> 00:07:46,199 NOW, THE LAW SAYS ONE OCCUPANT TO A SINGLE ROOM. 114 00:07:46,233 --> 00:07:48,001 I KNOW WHO THEY ARE. 115 00:07:48,035 --> 00:07:51,171 I WARNED THEM EARLIER TODAY ON A 907. 116 00:07:51,204 --> 00:07:52,540 DIPPING A HAT IN THE HORSE TROUGH. 117 00:07:52,573 --> 00:07:54,875 RIGHT. 118 00:07:54,908 --> 00:07:56,243 WELL? 119 00:07:56,276 --> 00:07:59,513 THERE'S A MESS OF THEM IN THERE, ALL RIGHT. 120 00:07:59,547 --> 00:08:01,782 WELL... 121 00:08:07,555 --> 00:08:09,156 I GOT SUSPICIOUS RIGHT OFF 122 00:08:09,189 --> 00:08:11,559 WHEN THAT MR. DARLING ASKED ME WAS I ON DUTY ALL THE TIME? 123 00:08:11,592 --> 00:08:13,894 THAT MUST HAVE BEEN WHEN HE SNEAKED THE OTHERS IN, 124 00:08:13,927 --> 00:08:15,262 WHILE I WAS OUT EATING SUPPER. 125 00:08:15,295 --> 00:08:17,264 GOOD THINKING, JOHN. YEAH. 126 00:08:24,337 --> 00:08:26,540 HOWDY. 127 00:08:26,574 --> 00:08:31,244 WHO DO YOU THINK YOU'RE KIDDING WITH THAT JUG PLAYING? 128 00:08:31,278 --> 00:08:33,714 THAT'S MIGHTY FINE JUGGING, MR. DARLING. 129 00:08:33,747 --> 00:08:35,015 THANK YOU. 130 00:08:35,048 --> 00:08:37,150 I CAN GET BANJO SOUNDS, GUITAR SOUNDS, 131 00:08:37,184 --> 00:08:40,020 WHATEVER I WANT OUT OF IT. 132 00:08:43,190 --> 00:08:45,225 WHERE IS THE REST OF THE FAMILY? 133 00:08:45,258 --> 00:08:47,094 I MEAN, YOU'RE A MIGHTY FINE JUG PLAYER, 134 00:08:47,127 --> 00:08:48,996 BUT I DOUBT THERE'S A PAIR OF LIPS AROUND 135 00:08:49,029 --> 00:08:50,864 WITH THAT MUCH VERSATILITY. 136 00:08:50,898 --> 00:08:53,801 YOU DON'T BELIEVE I CAN GET BANJO SOUNDS OUT OF THIS JUG? 137 00:08:53,834 --> 00:08:55,168 NO. 138 00:08:55,202 --> 00:08:57,938 A MAN IS ENTITLED TO HIS OPINION. 139 00:09:05,145 --> 00:09:06,914 COME ON, JOHN. THERE'S NOBODY HERE. 140 00:09:06,947 --> 00:09:09,717 -BUT THEY MUST BE. -COME ON. 141 00:09:09,750 --> 00:09:11,985 GOOD NIGHT, MR. DARLING. 142 00:09:12,019 --> 00:09:14,888 MORE POWER TO YOU. 143 00:09:14,922 --> 00:09:18,692 ANDY, I KNOW THERE'S MORE THAN ONE MAN IN THAT ROOM. 144 00:09:18,726 --> 00:09:21,629 SO DO I. WE'LL CATCH THEM. 145 00:09:23,964 --> 00:09:27,635 OH, THIS IS SO UPSETTING, ANDY. 146 00:09:27,668 --> 00:09:30,103 I'M BREAKING OUT IN HIVES. 147 00:09:30,137 --> 00:09:32,239 OH, DON'T WORRY ABOUT IT. 148 00:09:40,748 --> 00:09:42,182 WAIT A MINUTE. WAIT A MINUTE. 149 00:09:42,215 --> 00:09:43,717 DON'T KNOCK ON THE DOOR FOR A COUPLE MINUTES. 150 00:09:43,751 --> 00:09:44,952 -BUT THEY'RE -- -JUST A COUPLE MINUTES. 151 00:09:44,985 --> 00:09:46,053 I THINK WE OVERLOOKED SOMETHING. 152 00:09:46,086 --> 00:09:47,387 RIGHT. 153 00:09:47,420 --> 00:09:49,322 * NOW, DOOLEY WAS A GOOD OL' MAN * 154 00:09:49,356 --> 00:09:51,091 * HE LIVED BELOW THE MILL 155 00:09:51,124 --> 00:09:54,695 * DOOLEY HAD TWO DAUGHTERS AND A $40 STILL * 156 00:09:54,728 --> 00:09:56,363 * ONE GAL WATCHED THE BOILER 157 00:09:56,396 --> 00:09:57,965 * THE OTHER WATCHED HIS BATH 158 00:09:57,998 --> 00:09:59,399 * AND MAMA CORKED THE BOTTLES 159 00:09:59,432 --> 00:10:01,635 * WHEN OLD DOOLEY FETCHED THEM OUT * 160 00:10:01,669 --> 00:10:03,303 * DOOLEY SETTIN' UP THE HOLLER * 161 00:10:03,336 --> 00:10:05,105 * DOOLEY TRYIN' TO MAKE A DOLLAR * 162 00:10:47,214 --> 00:10:49,082 SHH. SHH. 163 00:10:56,123 --> 00:10:57,424 MY! 164 00:10:57,457 --> 00:11:00,060 YOU'RE AS STRONG AS A TREE! 165 00:11:00,093 --> 00:11:01,795 YOU'RE DOWN, CHARLENE. 166 00:11:01,829 --> 00:11:05,332 HOW ABOUT IF I SHIMMY UP AND COME BACK DOWN AGAIN? 167 00:11:05,365 --> 00:11:06,399 CHARLENE? 168 00:11:06,433 --> 00:11:07,467 YEAH, PA? 169 00:11:07,500 --> 00:11:09,737 PUT THAT BOY DOWN. 170 00:11:11,304 --> 00:11:13,807 I TOLD YOU SHE WAS PROMISED, SHERIFF. 171 00:11:13,841 --> 00:11:15,976 NOW, LOOK, MR. DARLING -- 172 00:11:16,009 --> 00:11:20,914 YOU CAN'T KEEP YOUR HANDS OR YOUR EYES OFF'N HER, CAN YOU? 173 00:11:20,948 --> 00:11:22,850 I'M NOT TOUCHING HER. 174 00:11:22,883 --> 00:11:25,052 WELL, SEE THAT YOU DON'T. 175 00:11:25,085 --> 00:11:26,954 KEEP AN EYE ON HER, BOYS, TILL I GET DOWN THERE. 176 00:11:39,532 --> 00:11:42,269 DID YOU LIKE THE WHITE BEANS YOU HAD FOR SUPPER? 177 00:11:42,302 --> 00:11:44,237 MM-HMM. 178 00:11:44,271 --> 00:11:47,074 WELL, YOU DIDN'T SAY ANYTHING. 179 00:11:47,107 --> 00:11:49,309 WELL, I ATE FOUR BOWELS. 180 00:11:49,342 --> 00:11:51,779 IF THAT AIN'T A TRIBUTE TO WHITE BEANS, 181 00:11:51,812 --> 00:11:53,013 I DON'T KNOW WHAT IS. 182 00:11:53,046 --> 00:11:54,214 WELL... 183 00:11:54,247 --> 00:11:56,750 EATING SPEAKS LOUDER THAN WORDS. 184 00:11:59,152 --> 00:12:03,123 YOU KNOW YOUR EDUCATION WAS WORTH EVERY PENNY OF IT. 185 00:12:18,972 --> 00:12:20,874 ANDY? 186 00:12:20,908 --> 00:12:22,009 HMM? 187 00:12:22,042 --> 00:12:23,877 DID YOU HEAR SOMETHING? 188 00:12:23,911 --> 00:12:26,379 IT'S THE DARLINGS. 189 00:12:26,413 --> 00:12:28,415 STARLINGS, AT THIS TIME OF YEAR? 190 00:12:28,448 --> 00:12:30,918 YOU'RE FULL OF BEANS. 191 00:12:30,951 --> 00:12:34,788 NO. IT'S A FAMILY NAMED DARLING. 192 00:12:34,822 --> 00:12:36,289 OH. 193 00:12:36,323 --> 00:12:38,992 I GUESS I BETTER GO SEE WHAT THEY'RE UP TO. 194 00:12:40,060 --> 00:12:41,528 REMEMBER, YOU'VE JUST EATEN. 195 00:12:41,561 --> 00:12:43,563 NOW, DON'T RUN ON A FULL STOMACH. 196 00:12:43,596 --> 00:12:46,066 I WON'T. 197 00:13:54,234 --> 00:13:58,105 WHAT NUMBER DID WE COMMIT NOW? 198 00:13:58,138 --> 00:14:00,407 317. 199 00:14:00,440 --> 00:14:04,277 OCCUPANCY OF PRIVATE PROPERTY WITHOUT PERMISSION OF THE OWNER. 200 00:14:06,079 --> 00:14:08,348 I'M SORRY TO HAVE TO CHASE YOU. 201 00:14:08,381 --> 00:14:10,884 OH, THAT'S ALL RIGHT. 202 00:14:10,918 --> 00:14:14,554 WOULDN'T WANT YOU TO GET IN TROUBLE WITH THE HEAD MOUNTIE. 203 00:14:14,587 --> 00:14:17,524 CHARLENE, STOP THAT! 204 00:14:17,557 --> 00:14:22,095 YOU'RE THE FUTURE MRS. PRIVATE-FIRST-CLASS-TO-BE. 205 00:14:22,129 --> 00:14:25,498 AND YOU, STOP TANTALIZING! 206 00:14:39,479 --> 00:14:43,416 HEY! WAIT A MINUTE, MR. DARLING. 207 00:14:43,450 --> 00:14:44,684 I JUST GOT AN IDEA 208 00:14:44,717 --> 00:14:47,420 HOW WE CAN PUT YOU UP FOR THE NIGHT. 209 00:14:47,454 --> 00:14:48,655 IT'S ON ME. 210 00:14:48,688 --> 00:14:51,291 IF IT'S CHARITY, WE WANT NO PART OF IT. 211 00:14:51,324 --> 00:14:55,095 BECAUSE WE AIM THE HANG ON TO OUR POSITION IN THE COMMUNITY. 212 00:14:55,128 --> 00:14:57,430 IT AIN'T CHARITY. COME ON. 213 00:14:59,532 --> 00:15:01,434 ARE YOU SURE YOU HAD ENOUGH, HMM? 214 00:15:01,468 --> 00:15:02,502 ABOUT TO POP. 215 00:15:02,535 --> 00:15:05,939 THANK YOU VERY MUCH. 216 00:15:05,973 --> 00:15:08,541 CHARLENE, LET YOUR OLD PA HAVE THAT HEEL. 217 00:15:08,575 --> 00:15:10,143 THANK YOU, MA'AM. 218 00:15:10,177 --> 00:15:12,612 WELL, YOU'RE A PRETTY YOUNG ONE, AREN'T YOU? 219 00:15:12,645 --> 00:15:15,615 HOW DID YOU LIKE THE WHITE BEANS, MR. BRISCOE? 220 00:15:15,648 --> 00:15:17,584 THEY WAS GOOD. 221 00:15:17,617 --> 00:15:19,452 WELL, YOU DIDN'T SAY ANYTHING. 222 00:15:19,486 --> 00:15:20,687 HE ATE FOUR BOWELS. 223 00:15:20,720 --> 00:15:22,956 AND EATING SPEAKS LOUDER THAN WORDS. 224 00:15:22,990 --> 00:15:25,058 YOU TOLD HIM TO SAY THAT, DIDN'T YOU? 225 00:15:25,092 --> 00:15:27,127 THAT'S A VERY FAMOUS SAYING. 226 00:15:27,160 --> 00:15:28,962 OH? 227 00:15:28,996 --> 00:15:33,400 I STAY IN THE HOUSE TOO MUCH. 228 00:15:33,433 --> 00:15:35,135 WELL, GOOD NIGHT, ALL. NICE SEEING YOU. 229 00:15:35,168 --> 00:15:36,369 GOOD NIGHT, AUNT BEE. 230 00:15:36,403 --> 00:15:38,571 -THANK YOU FOR THE FOOD. -GOOD NIGHT. 231 00:15:38,605 --> 00:15:41,674 I'LL BE HOME AFTER A WHILE. 232 00:15:41,708 --> 00:15:45,545 NOT MANY SHERIFFS HAS GOT AS NICE AN AUNT AS THAT. 233 00:15:45,578 --> 00:15:47,180 SHE DOES VERY WELL. 234 00:15:47,214 --> 00:15:49,282 JEBBIN, IT'S 10:00 AT NIGHT. 235 00:15:49,316 --> 00:15:50,617 OH, LET HIM PLAY. 236 00:15:50,650 --> 00:15:53,453 TOWN DON'T OFFICIALLY CLOSE DOWN TILL 10:30. 237 00:15:53,486 --> 00:15:56,423 WELL, IN THAT CASE, WE'LL SCRUB ONE OFF FOR YOU. 238 00:15:56,456 --> 00:15:59,426 DO YOU LIKE TEARING UP YOUR OLD CLOTHES FOR RAGS? 239 00:15:59,459 --> 00:16:02,029 OH, YEAH. MIND IF I PLAY ALONG WITH YOU? 240 00:16:02,062 --> 00:16:03,430 I DIDN'T KNOW YOU STRANG. 241 00:16:03,463 --> 00:16:04,731 A LITTLE. WHAT KEY? 242 00:16:04,764 --> 00:16:07,400 JUST JUMP IN WHERE YOU CAN AND HANG ON. 243 00:16:07,434 --> 00:16:09,602 A ONE AND A TWO, A ONE AND A TWO. 244 00:17:05,558 --> 00:17:09,796 WELL, THE BUS SHOULD BE IN IN ABOUT FIVE MINUTES. 245 00:17:12,265 --> 00:17:14,834 YOU EXCITED, CHARLENE? 246 00:17:14,867 --> 00:17:18,605 YOU GONNA -- 247 00:17:18,638 --> 00:17:21,441 NOW, WHERE DID THAT GIRL GET TO? 248 00:17:21,474 --> 00:17:24,411 MORE THAN LIKELY SHE'S GOT HER HEAD STUCK 249 00:17:24,444 --> 00:17:26,179 IN SOME FANCY DRY GOODS. 250 00:17:26,213 --> 00:17:28,781 YOU TWO BOYS GO UP THATAWAY. 251 00:17:28,815 --> 00:17:32,219 YOU TWO, CHECK THEM STORES. 252 00:17:39,159 --> 00:17:40,693 NOW, CHARLENE, CUT IT OUT. 253 00:17:40,727 --> 00:17:43,796 COME ON, SHERIFF ANDY. BE STILL. 254 00:17:43,830 --> 00:17:45,732 I JUST WANT TO SNUGGLE UP TO YOU A LITTLE. 255 00:17:45,765 --> 00:17:47,467 CHARLENE, YOU'RE A PROMISED PERSON. 256 00:17:47,500 --> 00:17:50,537 DUD WALSH? I AIN'T EVER PROMISED HIM NOTHING. 257 00:17:50,570 --> 00:17:51,838 IT'S ALL PA'S IDEA. 258 00:17:51,871 --> 00:17:54,174 COME ON. 259 00:17:54,207 --> 00:17:58,111 CHARLENE, I AM OLD ENOUGH TO BE YOUR FATHER. 260 00:17:58,145 --> 00:18:00,513 YOU'VE SURE BEEN BEAUTIFUL PRESERVED. 261 00:18:00,547 --> 00:18:03,683 ALL I WANT TO DO IS HOLD YOU JUST ONCE TO MY ARMS. 262 00:18:03,716 --> 00:18:05,118 I COULDN'T DO THAT. 263 00:18:05,152 --> 00:18:06,719 I WON'T TELL YOUR AUNT. 264 00:18:06,753 --> 00:18:09,722 CHARLENE, YOU OWE SOMETHING TO THAT BOY 265 00:18:09,756 --> 00:18:11,758 THAT'S BEEN IN THE SERVICE FOR THREE YEARS. 266 00:18:11,791 --> 00:18:13,660 I SENT HIM A FRUITCAKE. 267 00:18:13,693 --> 00:18:15,862 -HUGGY, HUGGY. -NO! 268 00:18:23,603 --> 00:18:24,771 CHARLENE! 269 00:18:24,804 --> 00:18:26,273 OH, PA, I GOT HIM TREED. 270 00:18:26,306 --> 00:18:28,375 THE BUS IS ABOUT READY TO DISMOUNT. 271 00:18:28,408 --> 00:18:29,576 DUD'S HOME. 272 00:18:29,609 --> 00:18:31,244 I DON'T WANT DUD. I WANT HIM. 273 00:18:31,278 --> 00:18:35,782 YOU JUST HAD TO GO AND EGG HER ON, DIDN'T YOU? 274 00:18:35,815 --> 00:18:39,486 TURN ON YOUR FANCY WAYS AND YOUR WINNING SMILE. 275 00:18:39,519 --> 00:18:40,887 I DIDN'T DO NOTHING. 276 00:18:40,920 --> 00:18:43,323 IF ANYTHING, I'VE BEEN RUNNING AWAY FROM HER. 277 00:18:43,356 --> 00:18:44,691 PLAYING HARD TO GET. 278 00:18:44,724 --> 00:18:47,527 OH, THAT GETS WOMEN QUICKER THAN ANYTHING. 279 00:18:47,560 --> 00:18:49,729 FOR HEAVEN'S SAKES, MR. DARLING -- 280 00:18:49,762 --> 00:18:50,930 NO MORE TALK. 281 00:18:50,963 --> 00:18:53,766 IF YOU AND CHARLENE WANT EACH OTHER, 282 00:18:53,800 --> 00:18:57,237 WE'LL JUST SETTLE THIS THING BY NATURAL LAW. 283 00:18:57,270 --> 00:19:00,207 YOU AND DUD FIGHT IT OUT. 284 00:19:00,240 --> 00:19:01,908 I'M NOT GOING TO FIGHT DUD. 285 00:19:01,941 --> 00:19:03,876 NATURAL LAW, TOOTH AND CLAW. 286 00:19:03,910 --> 00:19:05,645 I DON'T WANT TO FIGHT DUD. 287 00:19:05,678 --> 00:19:07,247 YOU OWE IT TO THE BOY. 288 00:19:07,280 --> 00:19:09,249 HE'S BEEN SERVICING HIS COUNTRY. 289 00:19:09,282 --> 00:19:11,418 NOW -- 290 00:19:11,451 --> 00:19:14,854 NOW, NOW, LOOK, MR. DARLING. 291 00:19:14,887 --> 00:19:20,360 BOYS, I'M NOT THE LEAST BIT INTERESTED IN YOUR SISTER. 292 00:19:20,393 --> 00:19:23,396 CHARLENE, YOU GOT TO EXPLAIN IT TO THEM. 293 00:19:23,430 --> 00:19:27,166 FINE. I'LL EXPLAIN IT TO DUD. 294 00:19:44,517 --> 00:19:46,419 THERE'S DUD. 295 00:19:52,959 --> 00:19:54,494 WELCOME THE BOY HOME. 296 00:19:54,527 --> 00:19:57,564 IT'S THE LEAST YOU CAN DO BEFORE THE FIGHT STARTS. 297 00:19:57,597 --> 00:19:58,731 LOOK, MR. DARLING. 298 00:19:58,765 --> 00:20:02,269 HUSH. LET THEM COMMUNE. 299 00:20:02,302 --> 00:20:04,937 WELCOME HOME, DUD. 300 00:20:04,971 --> 00:20:07,840 HONEY -- DUD, I -- 301 00:20:07,874 --> 00:20:10,943 I BROUGHT YOU A PRESENT, CHARLENE. 302 00:20:10,977 --> 00:20:15,315 A TIGER EYE RING, RIGHT OUT OF SPOKANE, WASHINGTON. 303 00:20:15,348 --> 00:20:16,549 WHAT'S THAT? 304 00:20:16,583 --> 00:20:18,785 OH, THAT'S MY MONEY BELT. 305 00:20:18,818 --> 00:20:22,389 THAT'S WHERE I KEEP ALL MY VALUABLES. 306 00:20:22,422 --> 00:20:24,857 WHAT'S THAT? 307 00:20:24,891 --> 00:20:28,995 THE LETTERS YOU WROTE ME. 308 00:20:29,028 --> 00:20:31,331 YOU WEAR YOUR LETTERS AROUND YOUR MIDDLE? 309 00:20:31,364 --> 00:20:32,465 UH-HUH. 310 00:20:32,499 --> 00:20:35,835 AND -- AND YOUR HAIR RIBBON. 311 00:20:35,868 --> 00:20:38,938 OH, MY. 312 00:20:38,971 --> 00:20:41,741 AND THESE. 313 00:20:41,774 --> 00:20:43,610 WHAT'S THEM? 314 00:20:43,643 --> 00:20:45,878 THAT'S THE REMAINDERS OF THAT MOUNTAIN GLADIOLA YOU GAVE ME 315 00:20:45,912 --> 00:20:49,682 THE DAY I DEPARTED TO FULFILL MY COUNTRY'S NEEDS. 316 00:20:49,716 --> 00:20:52,619 OH, DUD! 317 00:20:52,652 --> 00:20:55,922 YOU'RE THE SWEETEST BOY WHATEVER GROWED. 318 00:20:57,324 --> 00:20:59,826 I'M SORRY, SHERIFF. 319 00:20:59,859 --> 00:21:03,029 IT LOOKS LIKE THEY'S GONNA GET TOGETHER. 320 00:21:03,062 --> 00:21:06,299 WELL, SOME'S GOT IT AND SOME AIN'T. 22183

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