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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,843 --> 00:00:12,613 STARRING ANDY GRIFFITH... 2 00:00:12,646 --> 00:00:15,549 WITH RONNY HOWARD. 3 00:00:15,583 --> 00:00:19,153 ALSO STARRING DON KNOTTS. 4 00:00:24,725 --> 00:00:27,528 I WANT YOU TO REALIZE THIS WORLD IS MOVING TOO FAST! 5 00:00:27,561 --> 00:00:29,697 WE'VE GOT JET PLANES FLYING COAST TO COAST 6 00:00:29,730 --> 00:00:30,664 IN FOUR HOURS, 7 00:00:30,698 --> 00:00:33,334 SPACESHIPS SPINNING THE EARTH EVERY HOUR. 8 00:00:33,367 --> 00:00:34,735 WELL, YOU TAKE MY WORD FOR IT, 9 00:00:34,768 --> 00:00:36,137 THIS WORLD IS MOVING TOO FAST. 10 00:00:36,170 --> 00:00:37,705 YOU ARE ABSOLUTELY RIGHT. 11 00:00:37,738 --> 00:00:40,508 FLOYD! WATCH THE SCISSOR! 12 00:00:40,541 --> 00:00:41,775 OH, I'M SORRY. 13 00:00:41,809 --> 00:00:43,277 I DON'T KNOW, MAYOR. 14 00:00:43,311 --> 00:00:44,645 SEEMS TO ME IF YOU'RE GOING SOMEWHERE, 15 00:00:44,678 --> 00:00:46,314 YOU OUGHT TO GET THERE AS QUICK AS YOU CAN. 16 00:00:46,347 --> 00:00:48,282 THERE'S A LOT OF GOOD SENSE IN THAT TOO, ANDY. 17 00:00:48,316 --> 00:00:50,684 FLOYD, PLEASE, WATCH THE SCISSOR! 18 00:00:50,718 --> 00:00:52,653 WELL, HOW CAN A MAN APPRECIATE IT 19 00:00:52,686 --> 00:00:55,089 IF HE GETS TO WHERE HE'S GOING TOO FAST? 20 00:00:55,123 --> 00:00:57,358 NOW, FOLKS CROSSING THE COUNTRY IN A COVERED WAGON, 21 00:00:57,391 --> 00:00:59,160 THAT WAS REALLY SOMETHING. 22 00:00:59,193 --> 00:01:00,794 BUT IF THEY GET THERE IN FOUR HOURS, 23 00:01:00,828 --> 00:01:02,496 HOW CAN THEY APPRECIATE IT? 24 00:01:02,530 --> 00:01:04,498 WELL, THEY MAY NOT APPRECIATE IT, MAYOR, 25 00:01:04,532 --> 00:01:06,200 BUT THEIR CLOTHES SURE DON'T GET AS WRINKLED. 26 00:01:06,234 --> 00:01:06,967 OH... 27 00:01:07,000 --> 00:01:08,436 WELL, ANDY'S GOT A POINT THERE. 28 00:01:08,469 --> 00:01:11,205 FLOYD! ARE YOU GIVING ME A HAIRCUT 29 00:01:11,239 --> 00:01:14,375 OR TRYING TO MAKE THE MARK OF ZORRO? 30 00:01:14,408 --> 00:01:15,576 I AGREE WITH THE MAYOR. 31 00:01:15,609 --> 00:01:18,312 PEOPLE ARE IN TOO MUCH OF A HURRY NOWADAYS. 32 00:01:18,346 --> 00:01:20,881 WHAT HAPPENED TO THE FINE ART OF SITTING? 33 00:01:20,914 --> 00:01:22,583 JUST SITTING AND STARING. 34 00:01:22,616 --> 00:01:25,386 OH, THAT'S THE FINEST THING IN THE WORLD, 35 00:01:25,419 --> 00:01:27,121 SIT ON THE PORCH IN THE MOONLIGHT NIGHT, 36 00:01:27,155 --> 00:01:29,223 STARE AT THE SKY. 37 00:01:29,257 --> 00:01:31,525 THAT'S WHAT PROBABLY FOLKS'LL DO WHEN THEY GET TO THE MOON. 38 00:01:31,559 --> 00:01:34,862 THEY'LL SIT ON THE PORCH UP THERE AND STARE DOWN HERE. 39 00:01:34,895 --> 00:01:36,697 THEN WHY THE BIG RUSH TO THE MOON? 40 00:01:36,730 --> 00:01:38,666 MAYBE THEY'RE LOOKING FOR A DIFFERENT PORCH. 41 00:01:40,468 --> 00:01:42,236 A DIFFERENT PORCH! 42 00:01:42,270 --> 00:01:44,672 YOU ARE A CARD, YOU KNOW? 43 00:01:44,705 --> 00:01:45,706 FLOYD, FOR GOD'S SAKE, 44 00:01:45,739 --> 00:01:47,275 FOR CRYING OUT LOUD, BE CAREFUL! 45 00:01:47,308 --> 00:01:49,543 WELL, I'M SORRY -- YOU'RE FINISHED, ANYWAY. 46 00:01:49,577 --> 00:01:52,680 THANK THE -- JUST A SECOND. 47 00:01:52,713 --> 00:01:55,849 "LOOKING FOR A DIFFERENT PORCH." 48 00:01:55,883 --> 00:01:57,251 OH... 49 00:01:57,285 --> 00:01:59,587 FLOYD! DO YOU HAVE TO DUST ME LIKE THAT? 50 00:01:59,620 --> 00:02:01,922 I'M NOT A DISEASED CROP! 51 00:02:01,955 --> 00:02:04,292 I'M GIVING YOUR MONEY'S WORTH. 52 00:02:04,325 --> 00:02:06,594 ALL RIGHT, NEXT. 53 00:02:06,627 --> 00:02:10,164 OKAY. AH, NOT TOO SHORT, FLOYD. AH. 54 00:02:12,466 --> 00:02:14,835 LOOKS LIKE THE NASHVILLE BUS IS COMIN' THROUGH. 55 00:02:14,868 --> 00:02:16,637 YEP, AND RIGHT ON TIME, TOO. 56 00:02:23,377 --> 00:02:27,815 HEY, WILL YOU LOOK WHAT'S GETTING OFF THAT BUS! 57 00:02:42,463 --> 00:02:44,198 RING-A-DING-DING. 58 00:02:44,232 --> 00:02:46,934 THAT IS WHAT I CALL A FEMALE. 59 00:02:46,967 --> 00:02:48,202 ME, TOO. 60 00:02:48,236 --> 00:02:51,305 YES. THAT'S A FEMALE, ALL RIGHT. 61 00:02:51,339 --> 00:02:52,540 RIGHT, ANDY? 62 00:02:52,573 --> 00:02:55,943 YEP. THAT'S DEFINITELY NOT A BOY. 63 00:03:01,749 --> 00:03:02,983 TIMES LIKE THIS 64 00:03:03,016 --> 00:03:05,519 I WOULDN'T MIND BEING A YOUNG BACHELOR. 65 00:03:05,553 --> 00:03:07,588 SHE'S GOT IT, ALL RIGHT. 66 00:03:07,621 --> 00:03:09,490 BARNEY, YOU'RE A BACHELOR. 67 00:03:09,523 --> 00:03:11,592 YOU THINK YOU COULD HANDLE A GAL LIKE THAT? 68 00:03:11,625 --> 00:03:13,294 YOU KIDDING? 69 00:03:13,327 --> 00:03:16,264 YOU THINK YOU'RE TALKING TO A COUNTRY BOY? 70 00:03:16,297 --> 00:03:19,333 SHUCKS, I KNOW JUST WHAT I'D DO WITH A GAL LIKE THAT. 71 00:03:19,367 --> 00:03:21,269 WHA 72 00:03:21,302 --> 00:03:22,303 WHAT WOULD YOU DO? 73 00:03:22,336 --> 00:03:24,372 WELL, I'D BE INCLINED TO TREAT A GIRL LIKE THAT 74 00:03:24,405 --> 00:03:25,273 A LITTLE BIT ROUGH. 75 00:03:25,306 --> 00:03:26,707 THEY EXPECT IT. 76 00:03:26,740 --> 00:03:29,277 YOU KNOW, LET 'EM KNOW RIGHT OFF WHO'S BOSS. 77 00:03:29,310 --> 00:03:31,312 ROUGH 'EM UP A LITTLE BIT. 78 00:03:31,345 --> 00:03:33,013 WELL, YOU MAY GET YOUR CHANCE. 79 00:03:33,046 --> 00:03:34,482 SHE'S HEADED THIS WAY. 80 00:03:34,515 --> 00:03:35,649 HUH? 81 00:03:38,886 --> 00:03:41,555 SHE'S COMING RIGHT IN HERE. 82 00:03:49,062 --> 00:03:52,700 HI THERE. 83 00:03:52,733 --> 00:03:53,934 I'M LOOKING 84 00:03:53,967 --> 00:03:55,836 FOR THE PROPRIETOR. 85 00:03:55,869 --> 00:03:57,771 A 86 00:03:57,805 --> 00:04:01,775 UH, UH, UH, YES, MA'AM, I-I-I AM THE PROPRIETOR. 87 00:04:01,809 --> 00:04:05,446 FLOYD LAWSON, PROPRIETOR-- THAT'S HE. 88 00:04:05,479 --> 00:04:06,980 UH, THAT'S ME. 89 00:04:07,014 --> 00:04:09,917 I BETTER GET BACK TO CITY HALL. 90 00:04:09,950 --> 00:04:10,918 AND I... 91 00:04:10,951 --> 00:04:12,986 UH, I BETTER CHECK AND SEE 92 00:04:13,020 --> 00:04:16,690 IF THERE'S BEEN ANY CRIME WAVES OR ANYTHING. 93 00:04:16,724 --> 00:04:18,859 UH, WELL, GOOD-BYE, FLOYD. 94 00:04:33,641 --> 00:04:37,478 OH, THEY DON'T SEEM FRIENDLY. 95 00:04:37,511 --> 00:04:41,315 OH, BUT, MA'AM, UH, UH, UH... 96 00:04:42,950 --> 00:04:44,452 ISN'T THAT RIGHT, ANDY? 97 00:04:44,485 --> 00:04:46,487 OH, THEY-THEY'RE FRIENDLY, MA'AM. 98 00:04:46,520 --> 00:04:48,322 THEY'RE FRIENDLY AS CAN BE. 99 00:04:48,356 --> 00:04:49,390 THEY'RE JUST SHY. 100 00:04:49,423 --> 00:04:50,658 OH, WELL, I'M GLAD 101 00:04:50,691 --> 00:04:53,026 BECAUSE THAT'S THE ONE THING I'M LOOKING FOR 102 00:04:53,060 --> 00:04:54,395 IS A FRIENDLY PLACE. 103 00:04:54,428 --> 00:04:56,497 WHERE THE PEOPLE ARE FRIENDLY? 104 00:04:56,530 --> 00:04:57,731 I GUESS YOU'RE WONDERING 105 00:04:57,765 --> 00:04:59,600 WHAT I'M DOING HERE IN MAYBERRY. 106 00:04:59,633 --> 00:05:01,602 I WORKED IN THIS BIG-CITY BARBER SHOP 107 00:05:01,635 --> 00:05:04,672 AND THIS BARBER, PIERRE, WAS FOREVER AFTER ME TO MARRY HIM 108 00:05:04,705 --> 00:05:07,040 AND I KEPT SAYING, "I NEED TIME TO THINK." 109 00:05:07,074 --> 00:05:10,378 YOU KNOW HOW A GIRL NEEDS TIME TO THINK? 110 00:05:10,411 --> 00:05:12,813 ONLY HE DIDN'T THINK I NEEDED SO MUCH TIME TO THINK 111 00:05:12,846 --> 00:05:14,615 BUT I DID, AND WE HAD THIS FIGHT, 112 00:05:14,648 --> 00:05:15,883 AND I JUST HAD TO GO AWAY. 113 00:05:15,916 --> 00:05:18,018 WELL, YOU CAN SEE WHY I HAD TO DO THAT. 114 00:05:19,920 --> 00:05:22,523 UH, TO THINK. 115 00:05:22,556 --> 00:05:24,625 AND BESIDES, I WAS GETTING AWFUL TIRED 116 00:05:24,658 --> 00:05:26,560 OF THE BIG CITY BECAUSE, YOU KNOW 117 00:05:26,594 --> 00:05:29,563 IT'S GETTING SO A GIRL CAN'T WALK DOWN THE STREET ANYMORE 118 00:05:29,597 --> 00:05:30,898 WITHOUT BEING WHISTLED AT. 119 00:05:30,931 --> 00:05:32,800 DO YOU KNOW WHY MEN DO THAT? 120 00:05:32,833 --> 00:05:35,068 OH, I WOULDN'T HAVE ANY IDEA. 121 00:05:35,102 --> 00:05:36,570 WOULD YOU, FLOYD? 122 00:05:36,604 --> 00:05:39,740 OH, NO, NO, NO. I-I WOULDN'T KNOW AT ALL. 123 00:05:39,773 --> 00:05:42,876 AND ANOTHER THING, THE BIG CITY ISN'T A VERY FRIENDLY PLACE. 124 00:05:42,910 --> 00:05:45,379 THE PEOPLE AND ALL, THEY'RE NOT FRIENDLY. 125 00:05:45,413 --> 00:05:47,080 SO, I JUST DECIDED I'D GET ON A BUS 126 00:05:47,114 --> 00:05:49,583 AND THE FIRST FRIENDLY-LOOKIN' TOWN I CAME TO 127 00:05:49,617 --> 00:05:52,720 I'D GET OFF AND STAY THERE A WHILE AND THINK THINGS OVER 128 00:05:52,753 --> 00:05:54,922 AND DO YOU KNOW THIS BUS THAT I WAS ON 129 00:05:54,955 --> 00:05:56,524 IT PASSED A SIGN THAT SAID 130 00:05:56,557 --> 00:05:58,859 "WELCOME TO MAYBERRY, THE FRIENDLY TOWN" 131 00:05:58,892 --> 00:06:01,495 AND THAT SEEMED FRIENDLY, SO HERE I AM. 132 00:06:01,529 --> 00:06:03,664 OH, WELL, WE'RE, UH, WE'RE GLAD 133 00:06:03,697 --> 00:06:05,799 THAT YOU THINK WE'RE FRIENDLY. 134 00:06:05,833 --> 00:06:08,669 WELL, YOU'RE PROBABLY WONDERING WHY I CAME IN HERE. 135 00:06:08,702 --> 00:06:11,805 MY CHOSEN PROFESSION HAPPENS TO BE I'M A MANICURIST-- 136 00:06:11,839 --> 00:06:15,409 I DO NAILS-- AND THAT'S WHAT I WAS DOING IN THAT BARBER SHOP 137 00:06:15,443 --> 00:06:17,077 WHERE PIERRE WANTS TO MARRY ME 138 00:06:17,110 --> 00:06:20,180 ONLY HE DOESN'T THINK I NEED TIME TO THINK IT OVER 139 00:06:20,213 --> 00:06:23,083 BUT I DO BECAUSE A GIRL NEEDS TIME TO THINK OVER THAT. 140 00:06:23,116 --> 00:06:26,019 I THOUGHT SINCE I WAS GOING TO BE IN MAYBERRY A WHILE 141 00:06:26,053 --> 00:06:27,555 I'D BE NEEDING A JOB 142 00:06:27,588 --> 00:06:29,990 SO THAT'S WHY I CAME IN HERE TO YOUR BARBER SHOP 143 00:06:30,023 --> 00:06:31,091 TO ASK FOR A JOB. 144 00:06:31,124 --> 00:06:32,826 A MANICURIST? 145 00:06:32,860 --> 00:06:36,029 HERE 146 00:06:36,063 --> 00:06:38,866 THAT'S MY CHOSEN PROFESSION-- I DO NAILS. 147 00:06:38,899 --> 00:06:41,435 WELL, UH, UH, YES, OF COURSE, UH, BUT... 148 00:06:41,469 --> 00:06:43,537 WELL, UH, MA'AM, I-I DON'T BELIEVE 149 00:06:43,571 --> 00:06:46,206 THAT THERE'D BE MUCH CALL FOR A FINGERNAIL DOIN' 150 00:06:46,239 --> 00:06:47,775 HERE IN-IN MAYBERRY. 151 00:06:47,808 --> 00:06:50,444 YEAH. I NEVER HEARD OF ANYBOD IN MAYBERRY 152 00:06:50,478 --> 00:06:51,579 HAVING A MANICURE. 153 00:06:51,612 --> 00:06:52,813 NO. THAT'S RIGHT, MA'AM. 154 00:06:52,846 --> 00:06:55,082 THERE JUST WOULDN'T BE ENOUGH WORK FOR YOU. 155 00:06:55,115 --> 00:06:57,585 I MEAN, WELL, UH... I COULDN'T PAY, OR... 156 00:06:57,618 --> 00:06:59,152 OH, WELL, THAT'S THE GOOD PART. 157 00:06:59,186 --> 00:07:00,954 YOU DON'T HAVE TO PAY ANYTHING. 158 00:07:00,988 --> 00:07:02,690 I WORK STRICTLY ON COMMISSION. 159 00:07:02,723 --> 00:07:05,759 WELL, THAT'S THE WAY WE WORK IN MY CHOSEN PROFESSION. 160 00:07:05,793 --> 00:07:08,762 NOW, I'LL JUST WORK OVER HERE AT THIS TABLE BY THE WINDOW 161 00:07:08,796 --> 00:07:11,832 WHERE I'LL BE OUT OF YOUR WAY, AND THIS CHAIR WILL BE FOR ME 162 00:07:11,865 --> 00:07:13,767 AND THIS WILL BE FOR MY CUSTOMERS. 163 00:07:13,801 --> 00:07:14,835 UH, WHAT CUSTOMERS? 164 00:07:14,868 --> 00:07:16,637 THERE WON'T BE ANY CUSTOMERS. 165 00:07:16,670 --> 00:07:17,638 YOU WAIT AND SEE. 166 00:07:17,671 --> 00:07:19,139 THERE'LL BE ALL KINDS OF 'EM 167 00:07:19,172 --> 00:07:21,942 AND ANYWAY, AS YOU SAY, "WHAT HAVE YOU GOT TO LOSE?" 168 00:07:21,975 --> 00:07:23,243 I DIDN'T SAY THAT. 169 00:07:23,276 --> 00:07:24,277 OH, WELL, YOU WILL. 170 00:07:24,311 --> 00:07:26,814 NOW, I BETTER GET OVER TO THE HOTEL AND GET SETTLED 171 00:07:26,847 --> 00:07:28,616 AND I'LL BE BACK LATER FOR MY THINGS 172 00:07:28,649 --> 00:07:31,051 AND THANKS EVER SO MUCH FOR GIVING ME THIS OPPORTUNITY. 173 00:07:31,084 --> 00:07:32,986 THAT'S ALL RIGHT, B-BUT... 174 00:07:33,020 --> 00:07:34,622 THAT SIGN WAS RIGHT. 175 00:07:34,655 --> 00:07:36,590 MAYBERRY IS A FRIENDLY TOWN 176 00:07:36,624 --> 00:07:40,561 AND THAT'S WHAT I WAS LOOKING FOR IS A FRIENDLY TOWN. 177 00:07:40,594 --> 00:07:46,133 OH... OH, BY THE WAY, MY NAME IS ELLEN BROWN. 178 00:07:46,166 --> 00:07:47,901 ANDY! THIS IS RIDICULOUS. 179 00:07:47,935 --> 00:07:50,504 WHAT ARE YOU GOING TO DO ABOUT IT? 180 00:07:50,538 --> 00:07:52,773 WHAT AM I GOING TO DO ABOUT IT? 181 00:07:52,806 --> 00:07:55,676 WELL, FLOYD, NOW MANICURIN' DON'T EXACTLY 182 00:07:55,709 --> 00:07:58,846 COME UNDER THE HEADIN' OF A BONA FIDE CRIME. 183 00:07:58,879 --> 00:08:00,514 BUT THIS IS REVOLUTIONARY! 184 00:08:00,548 --> 00:08:03,684 MY CUSTOMERS WON'T TAKE TO A DRASTIC THING LIKE THIS. 185 00:08:03,717 --> 00:08:05,085 A MANICURIST. OH, OH.... 186 00:08:05,118 --> 00:08:07,755 NOW, NOW, NOW, FLOYD, DON'T HAVE A SPELL. 187 00:08:07,788 --> 00:08:09,757 IT'S JUST A PASSIN' THING. 188 00:08:09,790 --> 00:08:10,624 YEAH? 189 00:08:10,658 --> 00:08:13,794 SURE. IT WON'T TAKE HER LONG TO FIND OUT 190 00:08:13,827 --> 00:08:15,663 THERE'S NO WORK FOR HER. 191 00:08:15,696 --> 00:08:17,230 I'LL GIVE HER 24 HOURS. 192 00:08:17,264 --> 00:08:18,899 BUT WHILE SHE'S HERE 193 00:08:18,932 --> 00:08:22,002 SHE SURE IS PRETTY TO LOOK AT, AIN'T SHE? 194 00:08:22,035 --> 00:08:25,105 YEAH? KINDA LIKE A CALENDAR COME TO LIFE. 195 00:08:25,138 --> 00:08:26,674 OH, SHE IS. OH. 196 00:08:29,142 --> 00:08:31,311 WHAT YOU FELLAS LOOKIN' AT? 197 00:08:31,344 --> 00:08:32,312 OH... 198 00:08:32,345 --> 00:08:34,948 HI, GANG. WHAT'S GOING ON? 199 00:08:34,982 --> 00:08:36,183 LOOK, LOOK... 200 00:08:36,216 --> 00:08:37,851 LOOK OVER HERE. 201 00:08:39,820 --> 00:08:43,023 WH...? IT'S THAT GIRL FROM THE BUS. 202 00:08:43,056 --> 00:08:45,626 IS SHE WORKING IN HERE? 203 00:08:47,728 --> 00:08:48,962 WELL, COME ON IN, BOYS. 204 00:08:48,996 --> 00:08:51,164 WHAT ARE YOU STANDING OUT THERE FOR? 205 00:08:51,198 --> 00:08:53,734 COME ON. 206 00:09:09,950 --> 00:09:12,953 UH, HMM, MM... 207 00:09:12,986 --> 00:09:14,788 THERE. 208 00:09:17,190 --> 00:09:18,759 HOW DO, GENTLEMEN? 209 00:09:18,792 --> 00:09:21,094 ANYBODY CARE FOR A MANICURE? 210 00:09:24,698 --> 00:09:25,966 HOW 'BOUT YOU, SIR? 211 00:09:25,999 --> 00:09:29,036 UH, NO, THANK YOU, I-I-I WOULDN'T CARE FOR ONE. 212 00:09:29,069 --> 00:09:30,871 MANICURE FOR YOU, SIR? 213 00:09:30,904 --> 00:09:32,906 NO, MA'AM, NO, THANKS. 214 00:09:32,940 --> 00:09:34,107 NO, THANK YOU. 215 00:09:35,909 --> 00:09:37,645 HOW ABOUT YOU, OFFICER? 216 00:09:37,678 --> 00:09:38,646 ME? 217 00:09:38,679 --> 00:09:40,748 WOULD YOU LIKE A MANICURE? 218 00:09:40,781 --> 00:09:42,182 UH... NO. NO, THANKS. 219 00:09:42,215 --> 00:09:45,118 I, UH... I NEVER, UH, NEVER WENT IN, UH 220 00:09:45,152 --> 00:09:47,220 FOR THAT, UH, KIND OF THING. 221 00:10:09,176 --> 00:10:12,880 I HEARD YOU WENT RABBIT HUNTING SUNDAY, MAYOR. 222 00:10:12,913 --> 00:10:14,414 YEAH. 223 00:10:14,447 --> 00:10:15,983 HOW'D YOU DO? 224 00:10:16,016 --> 00:10:17,317 SHOT THREE. 225 00:10:17,350 --> 00:10:21,121 MISSED YOU OUT THERE, SAM. 226 00:10:21,154 --> 00:10:23,156 WHERE WERE YA? 227 00:10:23,190 --> 00:10:24,725 FISHIN'. 228 00:10:24,758 --> 00:10:26,660 DO ANY GOOD? 229 00:10:26,694 --> 00:10:28,929 CAUGHT A HALF-DOZEN TROUT. 230 00:10:31,732 --> 00:10:36,203 Floyd: WHAT DID YOU DO SUNDAY, BARNEY? 231 00:10:36,236 --> 00:10:37,938 STAYED HOME. 232 00:10:37,971 --> 00:10:40,708 HOW'D YOU DO? 233 00:10:40,741 --> 00:10:42,009 CAUGHT THREE. 234 00:10:42,042 --> 00:10:45,078 NOT BAD. 235 00:10:48,816 --> 00:10:51,451 HOW'S EVERYTHING IN THE HARDWARE BUSINESS, SAM? 236 00:10:51,484 --> 00:10:54,221 SLOWEST WEEK I'VE HAD IN THREE YEARS. 237 00:10:54,254 --> 00:10:57,290 THAT'S NICE. 238 00:10:57,324 --> 00:10:59,259 THINKIN' OF RUNNIN' A SALE 239 00:10:59,292 --> 00:11:00,694 TO BOOST BUSINESS. 240 00:11:00,728 --> 00:11:02,062 Barney: OH, YEAH? 241 00:11:02,095 --> 00:11:04,698 WHAT ARE YOU GOING TO PUT ON SALE? 242 00:11:05,866 --> 00:11:07,400 LEGS. 243 00:11:09,870 --> 00:11:13,273 THAT'S ALWAYS A GOOD HOUSEHOLD ITEM. 244 00:11:16,209 --> 00:11:19,279 SURE NONE OF YOU GENTLEMEN WOULD LIKE A MANICURE? 245 00:11:19,312 --> 00:11:20,480 NOW IS THE TIME. 246 00:11:20,513 --> 00:11:22,215 I FIND I HAVE AN OPENIN'. 247 00:11:22,249 --> 00:11:23,450 WELL, NO, I... 248 00:11:23,483 --> 00:11:24,718 NO, I... 249 00:11:37,330 --> 00:11:38,732 HOWDY, FELLAS. 250 00:11:39,833 --> 00:11:40,934 GONE ALREADY, HUH? 251 00:11:40,968 --> 00:11:44,037 I TOLD YOU THAT LITTLE OL' GIRL WOULDN'T LAST 24 HOURS. 252 00:11:44,071 --> 00:11:46,273 IMAGINE HER THINKING ANYBODY IN MAYBERRY 253 00:11:46,306 --> 00:11:48,742 WOULD LET A GIRL CUT THEIR FINGERNAILS 254 00:11:48,776 --> 00:11:50,510 AND PAINT 'EM AND ALL. 255 00:11:50,543 --> 00:11:52,279 AIN'T THAT A LAUGH? 256 00:11:52,312 --> 00:11:54,381 WHY, I'D NO MORE THINK... 257 00:11:54,414 --> 00:11:55,482 UH, HOWDY. 258 00:11:55,515 --> 00:11:57,084 YOU KNOW WHAT I THINK? 259 00:11:57,117 --> 00:12:00,220 I THINK THIS ISN'T A VERY FRIENDLY TOWN AFTER ALL 260 00:12:00,253 --> 00:12:03,356 AND I THINK YOU'VE GOT A NERVE PUTTIN' UP A SIGN 261 00:12:03,390 --> 00:12:04,858 SAYIN' THAT IT IS. 262 00:12:04,892 --> 00:12:07,127 WELL, MA'AM, I DIDN'T KNOW... 263 00:12:07,160 --> 00:12:08,128 EXCUSE ME 264 00:12:08,161 --> 00:12:09,863 BUT I DISTINCTLY HEARD YOU SAY 265 00:12:09,897 --> 00:12:12,132 I WOULDN'T LAST MORE THAN 24 HOURS HERE. 266 00:12:12,165 --> 00:12:14,167 JUST TO MAKE SURE YOU'RE NOT WRONG 267 00:12:14,201 --> 00:12:15,803 I'LL GET MY THINGS TOGETHER 268 00:12:15,836 --> 00:12:18,105 AND I'LL JUST GET BACK ON THAT BUS, AND... 269 00:12:18,138 --> 00:12:19,873 AND I'LL JUST KEEP ON TRAVELIN' 270 00:12:19,907 --> 00:12:22,175 TILL I FIND A TOWN THAT IS FRIENDLY. 271 00:12:32,820 --> 00:12:36,023 NICE GOIN', SHERIFF. 272 00:12:48,902 --> 00:12:52,039 GOODBYE, MR. LAWSON. AND THANK YOU. 273 00:12:52,072 --> 00:12:56,043 SORRY IT DIDN'T TURN OUT WELL. I'M REAL SORRY. 274 00:12:56,076 --> 00:12:59,847 OH, WELL, THAT'S ALL RIGHT. I JUST THOUGHT THAT-- 275 00:13:03,083 --> 00:13:04,084 WHERE YOU GOING? 276 00:13:04,117 --> 00:13:05,385 I'M GOING TO WAIT 277 00:13:05,418 --> 00:13:07,988 FOR THE BUS, IF YOU DON'T MIND. 278 00:13:08,021 --> 00:13:11,524 WELL, UH, THAT DON'T SEEM LIKE VERY GOOD BUSINESS 279 00:13:11,558 --> 00:13:14,527 TO LEAVE WHEN YOU GOT A... A CUSTOMER. 280 00:13:14,561 --> 00:13:16,429 I DON'T SEE A CUSTOMER. 281 00:13:16,463 --> 00:13:18,031 ME. 282 00:13:18,065 --> 00:13:19,867 FLOYD, IF YOUR MANICURIST 283 00:13:19,900 --> 00:13:21,534 HAS GOT A OPEN APPOINTMENT 284 00:13:21,568 --> 00:13:23,971 WHY, I'D LIKE TO GET ME A MANICURE. 285 00:13:24,004 --> 00:13:25,873 HUH? YOU MEAN YOU WOULD...? 286 00:13:25,906 --> 00:13:28,008 WELL, JUST A MINUTE, THEN, ANDY. 287 00:13:28,041 --> 00:13:29,276 GET YOUR THINGS. 288 00:13:32,379 --> 00:13:34,147 OH, YEAH. 289 00:13:34,181 --> 00:13:35,949 GEE WHIZ. 290 00:13:37,918 --> 00:13:39,887 IT'S GOOD OF YOU TO DO THIS, ANDY. 291 00:13:39,920 --> 00:13:42,155 YOU'RE A REAL PRINCE OF A FELLOW, THAT'S WHAT YOU ARE. 292 00:13:42,189 --> 00:13:43,490 A REAL PRINCE. 293 00:13:46,059 --> 00:13:48,862 UH, MANICURIST? 294 00:13:48,896 --> 00:13:50,163 YEAH. 295 00:13:50,197 --> 00:13:51,498 AH... 296 00:13:51,531 --> 00:13:54,234 A REAL PRINCE. 297 00:13:54,267 --> 00:13:58,171 WELL... OH, MANICURIST? 298 00:13:58,205 --> 00:14:01,241 FRONT AND CENTER. 299 00:14:01,274 --> 00:14:02,876 AH... 300 00:14:14,654 --> 00:14:21,528 UH, THEY'RE... THEY'RE A MESS, AIN'T THEY? 301 00:14:21,561 --> 00:14:24,197 I GENERALLY CUT 'EM MYSELF. 302 00:14:24,231 --> 00:14:27,300 MY AUNT BEE'S GOT A GOOD-SIZED PAIR 303 00:14:27,334 --> 00:14:30,537 O' DRESSMAKING SCISSORS THAT I USE... 304 00:14:30,570 --> 00:14:34,207 OR I MIGHT JUST USE HER POULTRY SHEARS. 305 00:14:37,210 --> 00:14:40,914 SOMETIMES I JUST SET OUT IN THE BACKYARD 306 00:14:40,948 --> 00:14:44,217 AND CLIP 'EM WITH THE HEDGE CLIPPER. 307 00:14:45,485 --> 00:14:48,188 DON'T GET 'EM DOWN TOO FAR. 308 00:14:48,221 --> 00:14:50,623 I WANT... I WANT TO LEAVE 309 00:14:50,657 --> 00:14:52,926 A LITTLE BIT FOR SCRATCHIN'. 310 00:14:54,427 --> 00:14:56,263 A REAL PRINCE. 311 00:15:12,679 --> 00:15:15,082 ANDY, WHAT'S SHE DOIN' TO YOU? 312 00:15:15,115 --> 00:15:17,350 SHE'S JUST GIVIN' ME A MANICURE 313 00:15:17,384 --> 00:15:20,387 LIKE ANY CULTURED GENTLEMAN OUGHT TO GET. 314 00:15:20,420 --> 00:15:21,388 OKAY? 315 00:15:21,421 --> 00:15:22,389 YEAH. 316 00:15:22,422 --> 00:15:23,390 YOU'RE NEXT. 317 00:15:23,423 --> 00:15:24,291 WHAT? 318 00:15:24,324 --> 00:15:27,027 JUST BE GLAD YOU'RE A CULTURED GENTLEMAN. 319 00:15:27,060 --> 00:15:28,028 SIT DOWN. 320 00:15:28,061 --> 00:15:29,029 BUT, ANDY... 321 00:15:29,062 --> 00:15:30,163 YOU'LL ENJOY IT. 322 00:15:30,197 --> 00:15:31,331 AS MY DEPUTY, I WANT YOU TO LOOK NICE 323 00:15:31,364 --> 00:15:32,565 RIGHT DOWN TO THE FINGERNAILS. 324 00:15:32,599 --> 00:15:33,600 NOW, ANDY, I... 325 00:15:33,633 --> 00:15:35,002 THAT'S A ORDER. 326 00:15:35,035 --> 00:15:36,403 WELL... 327 00:15:36,436 --> 00:15:38,705 THERE YOU ARE, MISS. 328 00:15:38,738 --> 00:15:40,173 WHY, THANK YOU. 329 00:15:40,207 --> 00:15:41,341 AND MAY I SAY 330 00:15:41,374 --> 00:15:44,311 I HAVE NEVER HAD A FINER MANICURE. 331 00:15:44,344 --> 00:15:45,545 THERE YOU ARE, FLOYD. 332 00:15:45,578 --> 00:15:46,546 THANK YOU. 333 00:15:46,579 --> 00:15:47,547 SHERIFF? 334 00:15:47,580 --> 00:15:48,548 HMM? 335 00:15:48,581 --> 00:15:51,218 AND I REALLY DO MEAN THANK YOU. 336 00:15:51,251 --> 00:15:52,285 WELL, YES'M. 337 00:15:52,319 --> 00:15:53,520 SEE Y'ALL LATER. 338 00:15:53,553 --> 00:15:56,056 ANDY? UM... UH, ANDY...? ANDY! 339 00:15:56,089 --> 00:15:57,157 UM... UH... 340 00:16:01,561 --> 00:16:03,030 WHAT? 341 00:16:03,063 --> 00:16:05,965 WELL, LET ME HAVE YOUR HAND. 342 00:16:09,036 --> 00:16:11,404 I WON'T HURT YOU. 343 00:16:11,438 --> 00:16:12,739 HONEST. 344 00:16:15,442 --> 00:16:16,709 WHAT'S THE MATTER? 345 00:16:16,743 --> 00:16:18,478 IT MAKES MY SKIN CRAWL. 346 00:16:18,511 --> 00:16:20,147 I'LL BE REAL CAREFUL. 347 00:16:20,180 --> 00:16:22,749 WELL, BE EXTRA CAREFUL WITH THAT ONE. 348 00:16:22,782 --> 00:16:24,584 THAT'S MY TRIGGER FINGER. 349 00:16:24,617 --> 00:16:28,455 YOU DAMAGE THAT, AND I MIGHT AS WELL QUIT THE BUSINESS. 350 00:16:28,488 --> 00:16:31,091 ALL RIGHT. I'LL ONLY DO NINE. 351 00:16:36,363 --> 00:16:40,467 NOT FRIGHTENED ANYMORE? 352 00:16:40,500 --> 00:16:44,471 NAH. FEELS KINDA GOOD. 353 00:16:44,504 --> 00:16:47,174 DO THIS ONE. 354 00:16:51,711 --> 00:16:53,513 HOWDY, FELLAS. WHAT'S UP? 355 00:16:53,546 --> 00:16:55,482 ANDY, LOOK. HOW 'BOUT THAT? 356 00:16:55,515 --> 00:16:57,717 DO YOU BELIEVE IT WHEN YOU SEE IT? 357 00:16:57,750 --> 00:17:00,487 IT'S JUST DEPUTY FIFE GETTIN' A MANICURE. 358 00:17:00,520 --> 00:17:01,621 WHAT ABOUT IT? 359 00:17:01,654 --> 00:17:02,389 "JUST"? 360 00:17:02,422 --> 00:17:04,824 WELL, AIN'T EVERYBODY GETTIN' 'EM? 361 00:17:04,857 --> 00:17:06,226 I KNOW I GOT MINE. 362 00:17:06,259 --> 00:17:07,627 YOU 363 00:17:07,660 --> 00:17:09,229 WELL, SURE. LOOKIT THERE. 364 00:17:09,262 --> 00:17:11,498 YOU EVER SEE FINGERS COME OUT SO EVEN? 365 00:17:11,531 --> 00:17:13,466 CAN'T BITE 'EM DOWN THAT GOOD. 366 00:17:13,500 --> 00:17:16,803 YEAH, BUT NOBODY EVER HAD A MANICURE BEFORE IN MAYBERRY. 367 00:17:16,836 --> 00:17:18,338 OH, WELL, THAT'S 'CAUSE 368 00:17:18,371 --> 00:17:20,640 THEY DIDN'T KNOW WHAT THEY WAS MISSIN'. 369 00:17:20,673 --> 00:17:23,243 YOU KNOW WHAT THE BEST PART IS, DON'T YOU? 370 00:17:23,276 --> 00:17:24,244 NO. NO. 371 00:17:24,277 --> 00:17:26,246 HAVIN' A PURTY GIRL LIKE ELLEN 372 00:17:26,279 --> 00:17:28,281 HOLD YOUR HAND THE WHOLE TIME. 373 00:17:28,315 --> 00:17:30,850 SHE, UH... SHE SURE IS A LOOKER, ALL RIGHT. 374 00:17:30,883 --> 00:17:33,120 THERE'S NO DOUBT ABOUT THAT. 375 00:17:33,153 --> 00:17:35,788 OH, SHE IS, AND SHE WEARS THE PURTIE PERFUME. 376 00:17:35,822 --> 00:17:37,390 OH, IT'S JUST A PLEASURE 377 00:17:37,424 --> 00:17:39,792 TO SIT THERE BESIDE OF HER AND BREATHE. 378 00:17:39,826 --> 00:17:42,362 WHY DON'T YOU GO IN AND WAIT YOUR TURN? 379 00:17:42,395 --> 00:17:43,463 OH, I DON'T KNOW. 380 00:17:43,496 --> 00:17:44,697 I... I'M NOT SO SURE 381 00:17:44,731 --> 00:17:47,400 HOW THE LITTLE WOMAN WOULD TAKE IT IF I... 382 00:17:47,434 --> 00:17:50,503 OH, YOU, UH... SCARED OF YOUR WIFE, ARE YOU, MAYOR? 383 00:17:50,537 --> 00:17:52,139 OH, NO. OF COURSE NOT. 384 00:17:52,172 --> 00:17:54,807 SHE BREATHES HEAVY AND HE JUMPS A MILE. 385 00:17:54,841 --> 00:17:55,675 THAT'S NOT TRUE. 386 00:17:55,708 --> 00:17:58,145 IF I WANTED TO GET A MANICURE, I'D DO IT. 387 00:17:58,178 --> 00:17:59,146 WHY DON'T YA? 388 00:17:59,179 --> 00:18:00,313 YEAH. WHY DON'T YA? 389 00:18:00,347 --> 00:18:01,514 WHY DON'T YOU? WHY DON'T YOU? 390 00:18:01,548 --> 00:18:03,283 MAYBE I WILL. MAYBE I WILL, TOO. 391 00:18:03,316 --> 00:18:05,418 ALL RIGHT, LET'S BOTH GO. OKAY WITH ME. 392 00:18:05,452 --> 00:18:06,686 ME, TOO. YOU GO FIRST. 393 00:18:33,713 --> 00:18:36,316 I'LL PUT YOU DOWN FOR 5:00. 394 00:18:36,349 --> 00:18:37,684 FINE, THANK YOU. 395 00:18:37,717 --> 00:18:40,453 YOU MAY HAVE TO WORK OVERTIME. 396 00:18:40,487 --> 00:18:43,723 MY, THIS IS A FRIENDLY TOWN AFTER ALL. 397 00:18:43,756 --> 00:18:45,558 THERE YOU ARE. NEXT. 398 00:18:45,592 --> 00:18:46,759 NEXT. NEXT. 399 00:19:09,916 --> 00:19:10,917 MORNIN', FLOYD. 400 00:19:10,950 --> 00:19:12,219 HOW'S EVERYTHING? 401 00:19:12,252 --> 00:19:13,353 AWFUL, JUST AWFUL. 402 00:19:13,386 --> 00:19:14,487 WHAT'S THE MATTER? 403 00:19:14,521 --> 00:19:16,423 WELL, IT STARTED LAST NIGHT-- 404 00:19:16,456 --> 00:19:18,925 CALL AFTER CALL CANCELING THE APPOINTMENTS 405 00:19:18,958 --> 00:19:20,827 AND THEN MORE THIS MORNING. 406 00:19:20,860 --> 00:19:24,531 WELL, SHE IS GOING TO THINK THIS IS AN UNFRIENDLY TOWN NOW. 407 00:19:24,564 --> 00:19:25,865 WHO CAN BLAME HER? 408 00:19:25,898 --> 00:19:28,635 YOU MEAN THEY'RE CANCELING MANICURE APPOINTMENTS? 409 00:19:28,668 --> 00:19:29,836 YES, RIGHT AND LEFT. 410 00:19:29,869 --> 00:19:31,704 I'LL BET YOU THERE WON'T BE 411 00:19:31,738 --> 00:19:33,840 ONE SINGLE APPOINTMENT KEPT TODAY. 412 00:19:33,873 --> 00:19:35,275 WELL, WHAT HAPPENED? 413 00:19:35,308 --> 00:19:37,277 WIVES. THEY DON'T LIKE THE IDEA 414 00:19:37,310 --> 00:19:39,746 OF THEIR HUSBANDS HAVIN' THEIR HANDS HELD 415 00:19:39,779 --> 00:19:42,349 BY A PRETTY YOUNG THING LIKE MISS ELLEN. 416 00:19:42,382 --> 00:19:44,917 SOMETHING WE SHOULD'VE THOUGHT OF, AIN'T IT? 417 00:19:44,951 --> 00:19:47,420 OH, I DON'T KNOW WHAT TO TELL HER NOW. 418 00:19:47,454 --> 00:19:50,323 THINGS WERE GOIN' ALONG SO WELL AND EVERYTHING. 419 00:19:50,357 --> 00:19:52,325 THIS IS JUST WHERE WE STARTED. 420 00:19:52,359 --> 00:19:56,296 THIS IS GOING TO DESTROY HER FAI IN THIS TOWN, ANDY. 421 00:19:56,329 --> 00:19:58,698 UH... 422 00:19:58,731 --> 00:20:00,367 SAY, ANDY... 423 00:20:00,400 --> 00:20:01,434 HMM? 424 00:20:01,468 --> 00:20:03,470 YOU'RE AWFUL GOOD WITH WORDS. 425 00:20:03,503 --> 00:20:04,904 HOW 'BOUT YOU TELL HER? 426 00:20:04,937 --> 00:20:06,973 NO. NOW, FLOYD, I CAN'T DO... 427 00:20:07,006 --> 00:20:08,708 OH, THERE YOU ARE, FLOYD. 428 00:20:08,741 --> 00:20:10,543 THEY TOLD ME YOU WERE HERE. 429 00:20:10,577 --> 00:20:12,712 I'VE GOT TO GET BACK TO MY SHOP. 430 00:20:12,745 --> 00:20:14,013 SOMETHING'S COME UP. 431 00:20:14,046 --> 00:20:15,615 I HAVE TO TALK TO YOU. 432 00:20:15,648 --> 00:20:16,849 JUST TALK TO ANDY. 433 00:20:16,883 --> 00:20:17,817 UH, FLOYD, UH... 434 00:20:24,023 --> 00:20:26,025 ELLEN, WON'T YOU, UH... 435 00:20:27,794 --> 00:20:29,896 WON'T YOU, UH, SIT DOWN? 436 00:20:29,929 --> 00:20:32,899 WELL... THANK YOU. 437 00:20:32,932 --> 00:20:34,634 BUT I DID WANT TO TALK TO FLOYD 438 00:20:34,667 --> 00:20:36,903 BECAUSE SOMETHING VERY IMPORTANT HAS COME UP. 439 00:20:36,936 --> 00:20:38,605 WHEN I FIRST CAME TO MAYBERRY 440 00:20:38,638 --> 00:20:39,739 I WANTED TIME TO THINK 441 00:20:39,772 --> 00:20:41,374 AND I THOUGHT THIS WOULD BE 442 00:20:41,408 --> 00:20:43,543 A FRIENDLY TOWN IN WHICH TO DO THAT, AND... 443 00:20:43,576 --> 00:20:45,612 I-I-IT IS A FRIENDLY TOWN, MISS ELLEN. 444 00:20:45,645 --> 00:20:47,580 YOU'VE GOT TO BELIEVE THAT 445 00:20:47,614 --> 00:20:51,418 BUT, UH, THERE'S SOMETHIN' THAT, UH, THAT I WANT YOU 446 00:20:51,451 --> 00:20:52,852 TO... TO, UH, UNDERSTAND. 447 00:20:52,885 --> 00:20:53,986 THERE IS? 448 00:20:54,020 --> 00:20:55,455 YES, THERE IS. 449 00:20:55,488 --> 00:20:57,857 NOW, UH, I... I DON'T KNOW WHETHER YOU... 450 00:20:57,890 --> 00:21:02,595 WHETHER YOU KNOW THIS OR NOT, BUT, UH... 451 00:21:02,629 --> 00:21:06,933 WELL, UH... NATURE'S BEEN GOOD TO YOU. 452 00:21:06,966 --> 00:21:10,703 I MEAN REAL, REAL, REAL GOOD. 453 00:21:10,737 --> 00:21:14,006 I CAN'T REMEMBER WHEN I'VE SEEN NATURE SPEND 454 00:21:14,040 --> 00:21:16,676 SO MUCH TIME ON ANY ONE PERSON. 455 00:21:16,709 --> 00:21:20,079 AND, WELL, WHAT I'M, UH, TRYIN' TO TELL YOU 456 00:21:20,112 --> 00:21:22,882 IS THAT BEIN' AS PRETTY AS YOU ARE 457 00:21:22,915 --> 00:21:26,052 AND AS UNATTACHED AS YOU ARE, WELL, UH... 458 00:21:26,085 --> 00:21:28,921 YOU CAN BE A PRETTY WORRISOME THING 459 00:21:28,955 --> 00:21:30,957 TO OTHER, MARRIED WOMEN. 460 00:21:30,990 --> 00:21:31,958 I CAN? 461 00:21:31,991 --> 00:21:33,626 YES, YOU CAN. YOU CAN. 462 00:21:33,660 --> 00:21:34,861 THE FACT IS, UH 463 00:21:34,894 --> 00:21:37,364 SOME OF THE MARRIED WOMEN HERE IN MAYBERRY 464 00:21:37,397 --> 00:21:39,098 ARE AFRAID THAT YOU'RE GONNA 465 00:21:39,131 --> 00:21:41,501 STEAL THEIR HUSBANDS AWAY FROM 'EM. 466 00:21:41,534 --> 00:21:43,035 OH, WELL, THAT'S SILLY. 467 00:21:43,069 --> 00:21:45,472 I'D NEVER DO A THING LIKE THAT. 468 00:21:45,505 --> 00:21:46,606 I KNOW YOU WOULDN'T 469 00:21:46,639 --> 00:21:48,375 BUT IT SURE WOULD HELP MATTERS A LOT 470 00:21:48,408 --> 00:21:50,343 IF YOU WAS TO BE MARRIED YOURSELF. 471 00:21:50,377 --> 00:21:52,011 AND THEN, SEE, THE WIVES HERE 472 00:21:52,044 --> 00:21:53,980 WOULDN'T FEEL SO UNCOMFORTABLE 473 00:21:54,013 --> 00:21:56,549 ABOUT YOU HOLDIN' THEIR HUSBANDS' HANDS. 474 00:21:56,583 --> 00:21:58,451 YOU GET WHAT I'M DRIVIN' AT? 475 00:21:58,485 --> 00:21:59,786 WHY, SHERIFF TAYLOR 476 00:21:59,819 --> 00:22:02,722 THAT IS THE SWEETEST PROPOSAL I HAVE EVER HEARD. 477 00:22:02,755 --> 00:22:05,425 WHAT WAS THAT LAST THING YOU SAID? 478 00:22:05,458 --> 00:22:08,928 I SAID THAT IS THE SWEETEST PROPOSAL I HAVE EVER HEARD. 479 00:22:08,961 --> 00:22:10,763 ELLEN, I... I... 480 00:22:10,797 --> 00:22:13,099 YOU'RE ASKIN' ME TO MARRY YOU. 481 00:22:13,132 --> 00:22:14,867 ELLEN, I, UH... I... 482 00:22:14,901 --> 00:22:16,769 IMAGINE ME THE WIFE OF A SHERIFF. 483 00:22:16,803 --> 00:22:17,937 ELLEN, I... I... 484 00:22:17,970 --> 00:22:19,672 IT'S A GOOD THING YOU DIDN'T TELL ME 485 00:22:19,706 --> 00:22:20,807 ALL THIS YESTERDAY 486 00:22:20,840 --> 00:22:22,642 OR I MIGHT REALLY HAVE BEEN CONFUSED. 487 00:22:22,675 --> 00:22:24,744 BUT I CANNOT ACCEPT YOUR PROPOSAL OF MARRIAGE 488 00:22:24,777 --> 00:22:26,045 BECAUSE I CALLED PIERRE AND TOLD HIM 489 00:22:26,078 --> 00:22:27,447 TO COME AND GET ME 490 00:22:27,480 --> 00:22:28,681 AS I HAVE THOUGHT IT OVER 491 00:22:28,715 --> 00:22:30,717 AND I HAVE AGREED TO BECOME HIS WIFE. 492 00:22:30,750 --> 00:22:32,985 WELL, THAT'S WHAT I WANTED TO TELL FLOYD-- 493 00:22:33,019 --> 00:22:35,087 THAT I CAN'T WORK IN HIS SHOP ANYMORE 494 00:22:35,121 --> 00:22:37,490 BECAUSE PIERRE'S COMIN' TO GET ME ON THE AFTERNOON BUS 495 00:22:37,524 --> 00:22:39,058 BUT IT WAS TERRIBLY SWEET OF YOU TO ASK ME. 496 00:22:39,091 --> 00:22:40,693 WHY, THAT'S THE MOST FLATTERIN' THING 497 00:22:40,727 --> 00:22:41,861 THAT'S EVER HAPPENED TO ME 498 00:22:41,894 --> 00:22:43,530 AND EVEN THOUGH I'M MARRIED TO PIERRE 499 00:22:43,563 --> 00:22:48,468 I'LL ALWAYS HAVE FOND MEMORIES OF YOU. 500 00:22:48,501 --> 00:22:51,404 WELL, I BETTER GET BACK TO THE HOTEL AND GET PACKED. 501 00:22:51,438 --> 00:22:53,440 GOOD-BYE, AND THANKS AGAIN. 502 00:22:55,107 --> 00:22:56,943 OH, HI, BARNEY. 503 00:22:56,976 --> 00:22:58,445 HI. HI... 504 00:22:59,579 --> 00:23:00,947 BYE, BARNEY. 505 00:23:18,931 --> 00:23:22,535 AIN'T WE LUCKY TO BE LIVIN' 506 00:23:22,569 --> 00:23:25,838 IN SUCH A FRIENDLY TOWN? 507 00:23:39,952 --> 00:23:41,721 WASN'T ANYTHING FLOYD COULD DO, 508 00:23:41,754 --> 00:23:43,155 WHAT WITH ELLEN LEAVING AND ALL. 509 00:23:43,189 --> 00:23:44,557 YEAH, BUT IT WASN'T FAIR, 510 00:23:44,591 --> 00:23:46,526 GETTING A FELLA USED TO HAVING A MANICURE 511 00:23:46,559 --> 00:23:48,160 AND THEN CUTTING IT OFF LIKE THAT. 512 00:23:48,194 --> 00:23:49,696 BECOME AN ADDICT, DID YOU? 513 00:23:49,729 --> 00:23:51,931 OH, NO, IT'S NOT THAT I CAN'T -- 514 00:23:53,566 --> 00:23:54,734 ANDY, LOOK! 515 00:23:54,767 --> 00:23:56,703 GOOD OL' FLOYD, HE'S GOT ANOTHER ONE! 516 00:23:56,736 --> 00:23:59,205 I'LL BE DOGGED. 517 00:24:02,241 --> 00:24:04,243 WHERE'S THE MANICURIST? THE SIGN SAID -- 518 00:24:04,276 --> 00:24:05,678 SHE'LL BE RIGHT OUT. 519 00:24:06,613 --> 00:24:09,649 UH, MANICURIST? 520 00:24:09,682 --> 00:24:12,519 WELL, YOU HAD TO BOW TO POPULAR DEMAND, DIDN'T YOU, FLOYD? 521 00:24:12,552 --> 00:24:14,554 IF JOHN Q. PUBLIC WANTS IT, GIVE IT TO HIM. 522 00:24:14,587 --> 00:24:16,823 MANICURIST! CUSTOMERS. 523 00:24:16,856 --> 00:24:20,026 REMEMBER, I'M FIRST, NOW. 524 00:24:24,096 --> 00:24:27,099 THIS TIME I DON'T WANT ANY TROUBLE WITH JEALOUS WIVES. 525 00:24:29,001 --> 00:24:32,572 BUT -- BUT WHAT DOES EMMA WATSON KNOW ABOUT MANICURES? 526 00:24:32,605 --> 00:24:34,707 WHY, LOOK, SHE'S NEVER HAD ANY EXPERIENCE IN HER LIFE! 527 00:24:34,741 --> 00:24:38,210 OH, STOP BLATHERING AND GIVE ME YOUR HAND. 36434

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