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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,318 --> 00:00:20,252 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 2 00:01:24,385 --> 00:01:27,252 [WOMAN SINGING ITALIAN OPERA] 3 00:01:49,477 --> 00:01:52,211 [HITS A HIGH AND PROLONGED NOTE] 4 00:03:26,807 --> 00:03:29,041 [SINGING HIGH, PROLONGED NOTE] 5 00:03:47,962 --> 00:03:50,395 GOOD. THAT WAS VERY GOOD. 6 00:03:50,464 --> 00:03:52,231 YOUR HIGH NOTES ARE IMPROVING, 7 00:03:52,299 --> 00:03:53,732 PURE AND ROUND. 8 00:03:53,801 --> 00:03:55,000 BUT YOUR BREATHING-- 9 00:03:55,069 --> 00:03:56,702 WHAT HAPPENS TO YOUR BREATHING? 10 00:03:56,770 --> 00:03:59,338 EVERY NOW AND THEN, YOU TAKE A BREATH LIKE THIS... 11 00:03:59,406 --> 00:04:01,006 AS THOUGH IT WERE YOUR LAST. 12 00:04:01,075 --> 00:04:02,541 BREATHE EASILY. 13 00:04:02,610 --> 00:04:05,010 ALWAYS BREATHE EASILY, FROM HERE. 14 00:04:05,079 --> 00:04:06,111 NOW TAKE IT AGAIN, FROM... 15 00:04:06,180 --> 00:04:07,145 [SPEAKING ITALIAN] 16 00:04:07,214 --> 00:04:08,347 [PLAYS A NOTE] 17 00:04:08,415 --> 00:04:10,215 UNCLE TITO, PLEASE, LET ME GO TO THE CARNIVAL. 18 00:04:10,284 --> 00:04:11,850 I ALREADY TOLD YOU, TONIGHT YOU WILL WORK. 19 00:04:11,919 --> 00:04:14,586 BUT I WORK EVERY NIGHT. 20 00:04:14,655 --> 00:04:17,789 I WANT TO GO TO THE CARNIVAL AND DANCE... 21 00:04:17,858 --> 00:04:19,625 AND MEET YOUNG MEN. 22 00:04:19,693 --> 00:04:22,027 NEVER MIND ABOUT YOUNG MEN. 23 00:04:22,096 --> 00:04:24,029 GOD HAS GIVEN YOU A VOICE, 24 00:04:24,098 --> 00:04:25,564 AND I'M TRYING TO CULTIVATE IT 25 00:04:25,633 --> 00:04:27,232 IN SPITE OF YOUR LAZINESS. 26 00:04:27,301 --> 00:04:30,769 WHEN I WAS YOUR AGE, I WORKED DAY AND NIGHT. 27 00:04:30,838 --> 00:04:33,105 THAT WAS MY LIFE. I WAS A SINGER! 28 00:04:33,173 --> 00:04:34,406 BUT YOU--AH! 29 00:04:34,475 --> 00:04:37,009 YOU WANT TO GO TO A STREET CARNIVAL AND DANCE. 30 00:04:37,077 --> 00:04:39,044 IN THE NAME OF HEAVEN, DON'T YOU LIKE TO SING? 31 00:04:39,113 --> 00:04:40,512 I LOVE TO SING, BUT-- 32 00:04:40,581 --> 00:04:42,014 WELL THEN, SING. 33 00:04:42,082 --> 00:04:44,249 BUT I LIKE TO DANCE, TOO. 34 00:04:45,586 --> 00:04:47,886 [SPEAKING ITALIAN] 35 00:04:47,955 --> 00:04:49,421 [PLAYING PIANO] 36 00:04:49,490 --> 00:04:52,190 [SINGING IN ITALIAN] 37 00:04:57,798 --> 00:05:00,032 NO, NO, NO. AGAIN. 38 00:05:00,100 --> 00:05:02,701 [REPEATS TUNE] 39 00:05:08,275 --> 00:05:10,275 [FORCEFULLY] NO, NO, NO, AGAIN. 40 00:05:10,344 --> 00:05:13,211 NO, I WON'T! 41 00:05:13,280 --> 00:05:14,946 WHAT DID YOU SAY? 42 00:05:15,015 --> 00:05:17,416 OH, UNCLE TITO, DON'T YOU SEE? 43 00:05:17,484 --> 00:05:19,518 I WANT SOMETHING BESIDES SINGING. 44 00:05:19,586 --> 00:05:21,420 I WANT TO HAVE SOME FUN. 45 00:05:21,488 --> 00:05:23,422 QUIET. 46 00:05:23,490 --> 00:05:26,158 I SEE NOW THAT I HAVE BEEN TOO LENIENT. 47 00:05:26,226 --> 00:05:29,261 I HAVE BEEN TOO KIND, AND YOU HAVE TAKEN ADVANTAGE OF ME. 48 00:05:29,330 --> 00:05:30,329 VERY WELL. 49 00:05:30,397 --> 00:05:32,998 YOU KNOW WHAT I'M GOING TO DO? 50 00:05:33,067 --> 00:05:34,900 I'M GOING TO SEND YOU TO THE CONVENT. 51 00:05:34,968 --> 00:05:36,368 OH, NO, UNCLE TITO! 52 00:05:36,437 --> 00:05:38,270 YES. YOU ARE GOING TO THE CONVENT, 53 00:05:38,339 --> 00:05:39,538 AND YOU WILL STAY THERE. NO. 54 00:05:39,606 --> 00:05:40,706 PERHAPS THE GOOD SISTERS 55 00:05:40,774 --> 00:05:42,507 CAN BREAK YOUR SELFISH TEMPER. 56 00:05:42,576 --> 00:05:45,143 PERHAPS THEY CAN TEACH YOU GRATITUDE. 57 00:05:45,212 --> 00:05:47,012 OH, PLEASE, UNCLE TITO! 58 00:05:47,081 --> 00:05:47,979 NO, NO, I'M THROUGH WITH YOU. 59 00:05:48,048 --> 00:05:49,281 I'VE HAD ENOUGH. 60 00:05:49,350 --> 00:05:50,716 YOU'RE GOING TO APPRECIATE WHAT I DO FOR YOU. 61 00:05:50,784 --> 00:05:53,352 SO THERE IS ONLY ONE THING LEFT FOR YOU: 62 00:05:53,420 --> 00:05:56,688 IN THE MORNING, YOU ARE GOING TO THE CONVENT. 63 00:06:00,327 --> 00:06:03,195 [LIVELY MUSIC PLAYING IN THE DISTANCE] 64 00:06:37,364 --> 00:06:39,731 [WHISTLING] 65 00:06:57,217 --> 00:06:58,817 HEY, WAIT A MINUTE. 66 00:06:58,886 --> 00:06:59,751 NO, PLEASE, LET ME GO. 67 00:06:59,820 --> 00:07:00,752 IT'S NOT VERY POLITE. 68 00:07:00,821 --> 00:07:01,820 FIRST YOU KNOCK ME DOWN, 69 00:07:01,889 --> 00:07:02,854 THEN YOU START TO RUN AWAY. 70 00:07:02,923 --> 00:07:04,423 IN AMERICA, PEOPLE ARE ARRESTED 71 00:07:04,491 --> 00:07:05,524 FOR HIT-AND-RUN TACTICS. 72 00:07:05,592 --> 00:07:07,225 ARRESTED? SURE. 73 00:07:07,294 --> 00:07:08,827 AT LEAST YOU OUGHT TO STOP AND FIND OUT 74 00:07:08,896 --> 00:07:09,928 IF I'VE BROKEN ANY FENDERS 75 00:07:09,997 --> 00:07:11,229 OR SMASHED MY HEADLIGHTS. 76 00:07:11,298 --> 00:07:13,498 MONSIEUR, I HOPE YOU HAVEN'T BROKEN YOUR FENDERS, 77 00:07:13,567 --> 00:07:15,934 BUT I MUST GO. 78 00:07:16,003 --> 00:07:19,971 YOU'RE A FUNNY KID. YOU LIVE AROUND HERE? 79 00:07:20,040 --> 00:07:21,273 UP THERE. 80 00:07:21,341 --> 00:07:24,476 THEN YOU WERE LEAVING HOME WHEN YOU CRACKED UP ON ME. 81 00:07:24,545 --> 00:07:26,578 YES, MONSIEUR, I WAS GOING TO THE CARNIVAL. 82 00:07:26,647 --> 00:07:29,281 NOT HAVING AN ESCORT, YOU JUMPED ON ME TO TAKE YOU. 83 00:07:29,349 --> 00:07:30,649 OH, NO, MONSIEUR. 84 00:07:30,717 --> 00:07:33,351 I DON'T WANT YOU TO TAKE ME. 85 00:07:33,420 --> 00:07:36,188 WHY NOT? WHAT'S THE MATTER WITH ME? 86 00:07:36,256 --> 00:07:37,656 WHY, NOTHING. 87 00:07:37,724 --> 00:07:39,891 PERHAPS... 88 00:07:39,960 --> 00:07:41,660 OK, TOOTS, LET'S GO. 89 00:07:41,728 --> 00:07:44,229 [LIVELY MUSIC PLAYING] 90 00:07:50,370 --> 00:07:52,137 HERE'S TO YOU. 91 00:07:52,206 --> 00:07:53,738 BY THE WAY, WHAT'S YOUR NAME? 92 00:07:53,807 --> 00:07:54,806 ANNETTE. 93 00:07:54,875 --> 00:07:56,308 ANNETTE? THAT'S VERY NICE. 94 00:07:57,644 --> 00:07:58,910 WHAT'S YOUR NAME? 95 00:07:58,979 --> 00:08:01,213 JONATHAN-- JONATHAN STREET. 96 00:08:01,281 --> 00:08:03,915 I'M A COMPOSER. I WRITE MUSIC. 97 00:08:03,984 --> 00:08:05,584 SEE, THE MOMENT I FINISH MY OPERA, 98 00:08:05,652 --> 00:08:06,985 I SHALL BE VERY FAMOUS. 99 00:08:07,054 --> 00:08:09,187 IT'S JUST ABOUT ONE OF THE BEST OPERAS EVER WRITTEN. 100 00:08:09,256 --> 00:08:10,689 I'M SURE IT IS. 101 00:08:13,160 --> 00:08:14,793 ARE YOU REALLY? 102 00:08:16,096 --> 00:08:18,697 YOU'RE ABSOLUTELY RIGHT. 103 00:08:20,834 --> 00:08:22,167 [LAUGHTER] 104 00:08:22,236 --> 00:08:24,236 Crowd: OH! 105 00:08:24,304 --> 00:08:26,505 YAY! [MAN SPEAKS FRENCH] 106 00:08:27,674 --> 00:08:29,908 [LAUGHTER AND APPLAUSE] 107 00:08:29,977 --> 00:08:32,644 I'VE NEVER HAD SUCH A GOOD TIME IN MY LIFE. 108 00:08:32,713 --> 00:08:33,879 OH, THIS IS NOTHING. 109 00:08:33,947 --> 00:08:36,781 MY UNCLE TITO NEVER LETS ME GO ANYWHERE, 110 00:08:36,850 --> 00:08:39,084 AND NOW HE'S GOING TO SEND ME TO A CONVENT. 111 00:08:39,152 --> 00:08:41,586 OH, YOU WON'T HAVE ANY FUN THERE. 112 00:08:41,655 --> 00:08:43,221 YOU OUGHT TO BE LIKE ME. 113 00:08:43,290 --> 00:08:45,023 I WAS BORN IN MICHIGAN. 114 00:08:45,092 --> 00:08:46,024 MICHIGAN? 115 00:08:46,093 --> 00:08:47,025 YES, IN AMERICA. 116 00:08:47,094 --> 00:08:48,460 OH, MICHIGAN. 117 00:08:48,529 --> 00:08:50,896 NOW I LIVE IN PARIS, TOMORROW I MIGHT GO TO BUDAPEST, 118 00:08:50,964 --> 00:08:52,597 MOROCCO-- I NEVER KNOW. 119 00:08:52,666 --> 00:08:55,000 MUST BE WONDERFUL TO BE SO FREE. 120 00:08:55,068 --> 00:08:56,134 IT'S THE ONLY WAY TO LIVE. 121 00:08:56,203 --> 00:08:59,070 YOU HAVE SO MUCH MONEY. 122 00:08:59,139 --> 00:09:00,305 SO MUCH MONEY? 123 00:09:00,374 --> 00:09:02,240 YES, TO TRAVEL SO MUCH. 124 00:09:02,309 --> 00:09:03,742 OH. 125 00:09:03,810 --> 00:09:05,710 YES, YES, INDEED. 126 00:09:05,779 --> 00:09:06,811 YOUR PRIZE, MAMSELLE. 127 00:09:06,880 --> 00:09:07,879 THANK YOU. 128 00:09:07,948 --> 00:09:09,381 IT'S GOOD FOR A MAN OF THE WORLD LIKE ME 129 00:09:09,449 --> 00:09:13,552 TO SEE THE SIMPLE FOLK ENJOYING THEIR SIMPLE PLEASURES. 130 00:09:13,620 --> 00:09:15,120 YOU'RE FLAT! 131 00:09:15,188 --> 00:09:18,490 [BLOWS A LOUD, OFF-KEY NOTE] 132 00:09:18,559 --> 00:09:19,824 [LAUGHTER] 133 00:09:22,262 --> 00:09:23,762 THAT WOULD NEVER HAPPEN IN PARIS. 134 00:09:25,132 --> 00:09:28,833 IN PARIS, THERE'S ALWAYS MORE WINE IN THE BOTTLE. 135 00:09:28,902 --> 00:09:31,236 I'VE ALWAYS WANTED TO GO TO PARIS. 136 00:09:31,305 --> 00:09:32,871 YOU'VE NEVER BEEN TO PARIS? 137 00:09:34,174 --> 00:09:37,208 WELL, THAT'S TERRIBLE. 138 00:09:39,413 --> 00:09:42,013 YOU KNOW, YOU SHOULD GET MARRIED. 139 00:09:42,082 --> 00:09:43,214 SHOULD I? 140 00:09:44,351 --> 00:09:47,218 I WAS NOT FLAT. 141 00:09:52,426 --> 00:09:54,259 [TRUMPETER BEGINS A QUICK TUNE] 142 00:09:54,328 --> 00:09:56,528 MARRY A TRAIN CONDUCTOR, 143 00:09:56,597 --> 00:09:59,030 AND HE'LL TAKE YOU TO PARIS ALL THE TIME ON HIS TRAIN. 144 00:09:59,099 --> 00:10:01,466 BUT I DON'T WANT TO MARRY A TRAIN CONDUCTOR. 145 00:10:03,437 --> 00:10:05,737 COME ON, LET'S DANCE. 146 00:10:07,874 --> 00:10:09,741 [LAUGHTER AND CROWD NOISE] 147 00:10:38,472 --> 00:10:41,806 [CARNIVAL MUSIC PLAYING FAINTLY IN THE DISTANCE] 148 00:11:42,169 --> 00:11:43,902 GOOD MORNING, JOHNNY. 149 00:11:54,848 --> 00:11:57,916 I'M DREADFULLY SORRY. 150 00:11:57,984 --> 00:12:02,220 IF THERE'S ANYTHING I CAN DO, ANY WAY I CAN HELP YOU... 151 00:12:04,958 --> 00:12:05,990 WHAT'S THIS? 152 00:12:06,059 --> 00:12:08,293 THAT'S OUR MARRIAGE CERTIFICATE. 153 00:12:08,361 --> 00:12:09,994 MARRIAGE CERTIFICATE? 154 00:12:12,899 --> 00:12:14,833 I DON'T REMEMBER GETTING MARRIED. 155 00:12:14,901 --> 00:12:17,736 WE HAD TO DRIVE TO MONACO. DON'T YOU REMEMBER? 156 00:12:19,606 --> 00:12:21,506 WE GOT THE MAYOR OUT OF BED, 157 00:12:21,575 --> 00:12:23,541 AND HE COULDN'T FIND HIS SPECTACLES, 158 00:12:23,610 --> 00:12:26,811 AND YOU SAID THAT YOU WOULD KILL YOURSELF 159 00:12:26,880 --> 00:12:28,346 IF I DIDN'T MARRY YOU. 160 00:12:28,415 --> 00:12:31,216 IT MADE ME SO HAPPY. 161 00:12:31,284 --> 00:12:32,884 DON'T YOU REMEMBER? 162 00:12:35,388 --> 00:12:36,855 BUT I DON'T WANT TO BE MARRIED. 163 00:13:16,363 --> 00:13:18,363 IT'S IMPOSSIBLE. 164 00:13:18,431 --> 00:13:19,731 I MUST BE FREE TO DO MY WORK, 165 00:13:19,800 --> 00:13:21,566 TO GO WHEREVER I LIKE. 166 00:13:21,635 --> 00:13:23,268 TIED TO A WOMAN, I COULDN'T WORK. 167 00:13:23,336 --> 00:13:24,469 I COULDN'T BREATHE. 168 00:13:24,538 --> 00:13:26,838 MY SOUL WOULD SHRIVEL UP LIKE A RABBIT. 169 00:13:26,907 --> 00:13:28,506 FIRST THING YOU KNOW, THERE'D BE BABIES. 170 00:13:28,575 --> 00:13:32,477 BABIES! WHOEVER HEARD OF A GREAT COMPOSER HAVING A BABY? 171 00:13:37,017 --> 00:13:39,250 BESIDES, YOU'RE TOO SMALL. 172 00:13:39,319 --> 00:13:40,852 A MAN DOESN'T WANT TO GET DOWN ON HIS KNEES 173 00:13:40,921 --> 00:13:42,620 EVERY TIME HE KISSES HIS WIFE. 174 00:13:42,689 --> 00:13:46,024 YOU'RE SKINNY, TOO. 175 00:13:46,092 --> 00:13:50,395 I ALWAYS IMAGINED MY WIFE WOULD BE TALL AND... 176 00:13:50,463 --> 00:13:53,731 YOU KNOW, A LITTLE BIT ROUND, 177 00:13:53,800 --> 00:13:55,700 AND BLONDE, MAYBE. 178 00:14:02,075 --> 00:14:04,275 DON'T YOU THINK YOU COULD STAND ME... 179 00:14:04,344 --> 00:14:06,044 JUST FOR A LITTLE WHILE? 180 00:14:09,082 --> 00:14:11,349 JUST SO I COULD GET AWAY FROM HERE? 181 00:14:11,418 --> 00:14:14,452 I WOULD COOK FOR YOU AND MAKE YOUR BED AND... 182 00:14:14,521 --> 00:14:17,488 AND I WOULD TRY TO PUT ON A LITTLE FAT. 183 00:14:17,557 --> 00:14:21,059 NO, IT'S IMPOSSIBLE. I'D TREAT YOU VERY BADLY. 184 00:14:21,127 --> 00:14:22,227 YOU'D INTERFERE WITH MY WORK, 185 00:14:22,295 --> 00:14:23,695 AND I COULDN'T HAVE THAT. 186 00:14:23,763 --> 00:14:25,830 I'D PROBABLY BEAT YOU. 187 00:14:25,899 --> 00:14:27,899 OF COURSE, BUT I WOULDN'T CARE. 188 00:14:27,968 --> 00:14:29,334 OH, PLEASE. 189 00:14:29,402 --> 00:14:32,203 IF I KEPT HOUSE FOR YOU, I COULD SAVE YOU MONEY. 190 00:14:32,272 --> 00:14:34,172 YOU WOULDN'T HAVE TO EAT IN A RESTAURANT. 191 00:14:34,241 --> 00:14:36,241 IT WILL BE GOOD FOR YOUR STOMACH. 192 00:14:36,309 --> 00:14:39,244 AND I WILL ALWAYS MAKE THE THINGS YOU LIKE BEST. 193 00:14:41,681 --> 00:14:43,681 YOU KNOW HOW TO MAKE HASENPFEFFER? 194 00:14:43,750 --> 00:14:45,850 OH, YES, VERY WELL. 195 00:14:45,919 --> 00:14:48,119 I SOAK THE MEAT IN BRINE FOR TWO WHOLE DAYS 196 00:14:48,188 --> 00:14:49,187 BEFORE I COOK IT. 197 00:14:49,256 --> 00:14:51,990 THEN I BROWN IT IN HOT BUTTER 198 00:14:52,058 --> 00:14:53,124 AND POUR THE SAUCE ON. 199 00:14:53,193 --> 00:14:54,192 THAT'S IT? 200 00:14:54,261 --> 00:14:57,462 THEN I PUT IN A CUPFUL OF SOUR CREAM, 201 00:14:57,530 --> 00:14:59,797 BUT IT MUST BE GOAT'S CREAM. 202 00:14:59,866 --> 00:15:02,000 SOME PEOPLE USE COW'S CREAM, 203 00:15:02,068 --> 00:15:04,535 AND THAT'S WHY THEY DON'T MAKE GOOD HASENPFEFFER. 204 00:15:17,817 --> 00:15:21,219 [NO AUDIO] 205 00:16:00,327 --> 00:16:02,193 [PLAYING LIGHT TUNE] 206 00:16:14,174 --> 00:16:17,809 DUCHESS. OH, DUCHESS. 207 00:16:17,877 --> 00:16:21,245 YOU GOING TO SPEND ALL DAY IN YOUR BATH? 208 00:16:21,314 --> 00:16:23,348 COME ON, NOW. WE MUST GET TO WORK. 209 00:16:23,416 --> 00:16:26,317 YOU GAVE A VERY BAD PERFORMANCE YESTERDAY. 210 00:16:28,688 --> 00:16:33,324 HOLD IT, HOLD IT. HOLD IT. 211 00:16:33,393 --> 00:16:35,693 LAZY HUSSY. 212 00:16:37,664 --> 00:16:39,664 OH, VERY WELL. 213 00:16:39,733 --> 00:16:41,666 IF YOU WANT TO POUT, GO OVER IN THE CORNER AND DO IT. 214 00:17:05,759 --> 00:17:07,692 [MAN BEGINS TUNE ON FLUTE] 215 00:17:16,936 --> 00:17:20,204 [ANNETTE SINGS OPERATICALLY, REPEATING TUNE] 216 00:17:29,315 --> 00:17:30,948 [REPEATS NOTES] 217 00:17:31,017 --> 00:17:32,984 [FLUTE] 218 00:17:33,053 --> 00:17:36,054 [REPEATS NOTES] 219 00:17:39,893 --> 00:17:41,726 [SINGS] 220 00:17:49,369 --> 00:17:51,669 OH, YOU THINK SO, DO YOU? 221 00:17:55,642 --> 00:17:58,176 [SINGING AS MAN PLAYS] 222 00:18:16,696 --> 00:18:20,164 [MUSIC PLAYING IN A LOW KEY] 223 00:19:25,732 --> 00:19:27,098 DO I SMELL COFFEE? 224 00:19:27,167 --> 00:19:28,566 IT'S ALL READY. 225 00:19:28,635 --> 00:19:31,202 AND IT'S VERY GOOD, TOO. 226 00:19:36,242 --> 00:19:37,642 WHY DO I HAVE TO GET UP? 227 00:19:37,710 --> 00:19:40,444 BECAUSE THE COFFEE WILL GET COLD. 228 00:19:40,513 --> 00:19:41,779 YOU'RE CERTAINLY DETERMINED 229 00:19:41,848 --> 00:19:42,980 TO TAKE CARE OF ME, AREN'T YOU? 230 00:19:43,049 --> 00:19:44,649 YES, I AM. 231 00:19:46,152 --> 00:19:48,986 I THINK NO HAS TAKEN CARE OF YOU FOR A LONG TIME, 232 00:19:49,055 --> 00:19:52,723 AND NOW I'M THE ONE TO DO IT. 233 00:19:54,060 --> 00:19:55,393 GET UP. 234 00:20:18,751 --> 00:20:21,252 IT'S NOT SO BAD BEING MARRIED TO YOU. 235 00:20:22,956 --> 00:20:24,455 BUT I'M STILL SKINNY. 236 00:20:24,524 --> 00:20:28,092 I KNOW, BUT YOU'RE VERY CUTE, AND YOU MAKE ME LAUGH. 237 00:20:28,161 --> 00:20:29,894 BESIDES, A MAN DOESN'T WANT A WIFE SO BIG 238 00:20:29,963 --> 00:20:31,896 HE CAN'T GET HIS ARMS AROUND HER. 239 00:20:31,965 --> 00:20:34,332 AND YOU ARE NOT GOING TO BEAT ME? 240 00:20:34,400 --> 00:20:36,267 OH, THAT'LL COME IN TIME. 241 00:20:46,779 --> 00:20:48,779 JUST TO SHOW YOU WHO'S BOSS. 242 00:20:48,848 --> 00:20:50,715 I KNOW WHO'S BOSS. 243 00:20:50,783 --> 00:20:53,184 MMM, FISH. LOOKS VERY GOOD. 244 00:20:53,253 --> 00:20:54,218 DOES IT? 245 00:21:00,493 --> 00:21:02,360 AND VERY GOOD FISH IT IS. 246 00:21:02,428 --> 00:21:04,228 I'M GLAD YOU LIKE IT. 247 00:21:08,334 --> 00:21:10,001 WHAT'S THE MATTER, AREN'T YOU HUNGRY? 248 00:21:10,069 --> 00:21:13,037 I--I HAD MINE. 249 00:21:13,106 --> 00:21:15,740 AS SOON AS THE OPERA'S FINISHED, YOU WON'T EVEN HAVE TO COOK FOR ME. 250 00:21:15,808 --> 00:21:17,108 WHEN THE OPERA'S PRODUCED, 251 00:21:17,176 --> 00:21:19,610 I'LL BUY YOU ANYTHING YOU WANT. 252 00:21:19,679 --> 00:21:22,246 I'D RATHER HAVE A BABY. 253 00:21:22,315 --> 00:21:24,815 WHAT? OH, NO, YOU DON'T WANT A BABY. 254 00:21:24,884 --> 00:21:26,450 THEY WIGGLE. 255 00:21:26,519 --> 00:21:28,286 THEY MAKE TOO MUCH NOISE. 256 00:21:28,354 --> 00:21:30,821 NOT IF YOU KEEP FEEDING THEM. 257 00:21:30,890 --> 00:21:32,356 BESIDES, I'M TOO BUSY. 258 00:21:32,425 --> 00:21:33,791 I HAVEN'T TIME TO HAVE A BABY. 259 00:21:33,860 --> 00:21:36,127 I HAVE PLENTY OF TIME. 260 00:21:38,364 --> 00:21:39,764 NOW, WAIT A MINUTE. 261 00:21:39,832 --> 00:21:43,134 YOU MUSTN'T START HAVING A LOT OF CRAZY IDEAS. 262 00:21:43,202 --> 00:21:47,271 I DON'T WANT TO HAVE ANY IDEAS. I WANT TO HAVE A BABY. 263 00:21:48,675 --> 00:21:49,840 WHEN YOU HAVE TIME. 264 00:21:57,417 --> 00:21:58,983 ANYWAY, I'VE GOT A LOT OF WORK TO DO TODAY, 265 00:21:59,052 --> 00:22:00,418 AND I DON'T WANT TO BE DISTURBED. 266 00:22:00,486 --> 00:22:02,520 OK, YOU'RE THE BOSS. 267 00:22:05,124 --> 00:22:06,757 JOHNNY. 268 00:22:06,826 --> 00:22:07,825 WELL. 269 00:22:07,894 --> 00:22:10,094 THERE'S NO FOOD IN THE HOUSE FOR LUNCH. 270 00:22:10,163 --> 00:22:12,330 WHY, DEAR, YOU MUST NEVER WORRY ABOUT THE NEXT MEAL 271 00:22:12,398 --> 00:22:14,398 TILL THE LAST ONE'S DIGESTED. 272 00:22:14,467 --> 00:22:17,802 I'M AFRAID I DIGEST VERY QUICKLY. 273 00:22:17,870 --> 00:22:19,704 [JOHNNY PLAYING PIANO] 274 00:22:21,040 --> 00:22:23,040 [SWEEPER SQUEAKING] 275 00:22:34,354 --> 00:22:35,286 [THUMP] 276 00:22:35,355 --> 00:22:36,754 [BANGS ON KEYS] 277 00:22:46,132 --> 00:22:49,400 [SQUEAK SQUEAK] 278 00:23:02,415 --> 00:23:05,583 HOW DO YOU EXPECT ME TO WORK IF YOU KEEP MAKING NOISE? 279 00:23:05,651 --> 00:23:07,785 CAN'T YOU POSSIBLY... 280 00:23:07,854 --> 00:23:09,186 [BARK] 281 00:23:11,357 --> 00:23:13,090 WHAT IN THE W... 282 00:23:14,627 --> 00:23:17,762 JOHNNY! DO YOU SUPPOSE WE CAN KEEP IT? 283 00:23:17,830 --> 00:23:19,563 KEEP A SEAL? 284 00:23:19,632 --> 00:23:21,365 DO YOU WANT TO DRIVE ME CRAZY? 285 00:23:23,236 --> 00:23:25,403 OH, I'M SO SORRY. 286 00:23:25,471 --> 00:23:28,706 AH, THERE YOU ARE, YOU MOODY BEAST. 287 00:23:28,775 --> 00:23:30,341 HOW DO YOU DO, MADAM? 288 00:23:30,410 --> 00:23:31,942 MY NAME'S JONATHAN STREET. 289 00:23:32,011 --> 00:23:34,011 OH, ROGER BRIGGS, 290 00:23:34,080 --> 00:23:36,080 AND THIS IS MY VAUDEVILLE PARTNER, THE DUCHESS. 291 00:23:36,149 --> 00:23:38,115 DUCHESS IS REALLY VERY UNHAPPY THIS MORNING. 292 00:23:38,184 --> 00:23:39,717 SOMEBODY PURLOINED HER BREAKFAST. 293 00:23:39,786 --> 00:23:40,785 STOLE HER BREAKFAST? 294 00:23:40,853 --> 00:23:41,719 WHY, THAT'S TERRIBLE. 295 00:23:41,788 --> 00:23:42,953 YES, ISN'T IT? 296 00:23:43,022 --> 00:23:46,223 YOU SEE, IT WAS A FISH, A BEAUTIFUL LITTLE SMELT. 297 00:23:48,060 --> 00:23:49,193 WHY, WE HAD-- 298 00:23:49,262 --> 00:23:50,327 SOLE! 299 00:23:50,396 --> 00:23:52,296 THAT WAS SOLE WE HAD FOR BREAKFAST, JOHNNY. 300 00:23:52,365 --> 00:23:56,000 WHAT? UH, OH, YES. YES, OF COURSE. 301 00:23:56,068 --> 00:23:57,001 UM, SOLE. 302 00:23:57,069 --> 00:23:58,269 HE'S SO FUNNY. 303 00:23:58,337 --> 00:24:00,738 HE DOESN'T KNOW ONE FISH FROM ANOTHER. 304 00:24:00,807 --> 00:24:03,507 HMM. THE DUCHESS USUALLY CAN SMELL 305 00:24:03,576 --> 00:24:05,309 A STOLEN FISH A MILE AWAY. 306 00:24:05,378 --> 00:24:07,077 YOU STUPID CREATURE. 307 00:24:07,146 --> 00:24:09,580 YOU'VE BEEN BARKING UP THE WRONG TREE. 308 00:24:09,649 --> 00:24:10,915 [BARK] 309 00:24:10,983 --> 00:24:13,184 EXCUSE OUR UNTIMELY INTRUSION. 310 00:24:14,620 --> 00:24:16,320 COME ALONG, YOU NAUGHTY GIRL. 311 00:24:22,562 --> 00:24:24,962 AFTER THIS, IF THERE'S ANY STEALING TO BE DONE, 312 00:24:25,031 --> 00:24:25,930 I'LL DO IT. 313 00:24:36,576 --> 00:24:38,676 IT WAS A LOVELY FISH. 314 00:24:41,080 --> 00:24:42,746 NOW, NO MORE NOISE. 315 00:24:42,815 --> 00:24:44,281 I DON'T WANT TO BE DISTURBED. 316 00:24:44,350 --> 00:24:45,382 OK. 317 00:24:55,661 --> 00:24:57,661 [HUMMING TO JOHNNY'S TUNE] 318 00:25:08,941 --> 00:25:10,241 NO, JOHNNY. 319 00:25:10,309 --> 00:25:12,243 THE WAY YOU PLAYED IT THE FIRST TIME IS BETTER. 320 00:25:12,311 --> 00:25:13,377 WHAT?! 321 00:25:13,446 --> 00:25:15,145 OH, I'M SORRY. 322 00:25:15,214 --> 00:25:16,947 ALL RIGHT, BE QUIET AND LET ME WORK. 323 00:25:17,016 --> 00:25:19,250 BUT I--I-- 324 00:25:19,318 --> 00:25:20,484 BUT WHAT?! 325 00:25:20,553 --> 00:25:22,520 BUT I CAN'T JUST STAY HERE LIKE A STATUE! 326 00:25:22,588 --> 00:25:24,555 THEN TAKE A WALK, RUN, SWIM, FISH! 327 00:25:24,624 --> 00:25:25,823 DO ANYTHING YOU WANT, BUT, PLEASE, 328 00:25:25,892 --> 00:25:27,358 IN HEAVEN'S NAME, LET ME WORK. 329 00:25:32,398 --> 00:25:33,697 ANNETTE. 330 00:25:35,501 --> 00:25:36,700 ANNETTE. 331 00:26:12,772 --> 00:26:14,672 [CARNIVAL MUSIC PLAYING FAINTLY] 332 00:26:35,761 --> 00:26:37,695 [ALL YELLING AT ONCE] 333 00:26:38,931 --> 00:26:40,698 [BOISTEROUS LAUGHTER] 334 00:26:40,766 --> 00:26:42,900 THERE, THERE. 335 00:26:42,969 --> 00:26:46,270 WHAT ARE YOU CRYING FOR? YOU'RE NOT HURT. 336 00:26:46,339 --> 00:26:48,105 OF COURSE NOT. 337 00:26:48,174 --> 00:26:50,608 A BIG MAN LIKE YOU SHOULD NEVER CRY. 338 00:26:50,676 --> 00:26:52,843 I'M NOT A BIG MAN. 339 00:26:52,912 --> 00:26:54,144 [CRYING] 340 00:27:03,422 --> 00:27:06,223 YOU'RE NOT HURT. OF COURSE NOT. 341 00:27:06,292 --> 00:27:09,994 NO, YOU'RE NOT, NO, NO. IT'S ALL RIGHT... 342 00:27:10,062 --> 00:27:11,895 WOULD YOU LIKE TO TAKE HIM FOR A RIDE 343 00:27:11,964 --> 00:27:13,364 WITH THE COMPLIMENTS OF THE MANAGEMENT? 344 00:27:13,432 --> 00:27:14,531 [MUFFLED] MMM. THANK YOU. 345 00:27:14,600 --> 00:27:16,967 COME ALONG, LITTLE MAN. 346 00:27:17,036 --> 00:27:18,969 I'M NOT A LITTLE MAN. 347 00:27:19,038 --> 00:27:21,171 [CHILDREN LAUGHING AND SHOUTING] 348 00:27:25,711 --> 00:27:29,346 [MERRY-GO-ROUND MUSIC PLAYS] 349 00:27:29,415 --> 00:27:30,981 Boy: ♪ DEAN'S GOT A GIRL ♪ 350 00:27:31,050 --> 00:27:32,983 All: ♪ DEAN'S GOT A GIRL ♪ 351 00:27:33,052 --> 00:27:35,152 ♪ DEAN'S GOT A GIRL ♪ 352 00:27:35,221 --> 00:27:37,321 [LAUGHTER] 353 00:27:37,390 --> 00:27:40,691 I WANT MY MACAROONS. 354 00:27:44,830 --> 00:27:48,866 I WANT MY MACAROONS! 355 00:27:48,934 --> 00:27:51,702 NO, NO. NO. 356 00:27:51,771 --> 00:27:53,637 YOU'RE NOT TO CRY LIKE THAT. 357 00:27:53,706 --> 00:27:59,376 I WANT MY MACAROONS! 358 00:27:59,445 --> 00:28:01,445 I WANT MY MACAROONS! 359 00:28:01,514 --> 00:28:03,080 ♪ LA LA LA LA DEE ♪ 360 00:28:03,149 --> 00:28:05,883 ♪ DA DEE DEE LA LA LA ♪ 361 00:28:05,951 --> 00:28:10,054 ♪ LA LA LA DEE DEE DEE ♪ 362 00:28:10,122 --> 00:28:13,557 ♪ LA LA LA DEE DEE DEE ♪ 363 00:28:13,626 --> 00:28:16,193 ♪ DEE DEE DEE DEE DEE ♪ 364 00:28:16,262 --> 00:28:18,595 ♪ DA DEE LA LA LA ♪ 365 00:28:18,664 --> 00:28:23,434 ♪ LA LA LA LA DEE DA DA DEE ♪ 366 00:28:23,502 --> 00:28:31,175 ♪ DEE DEE ♪ 367 00:28:34,313 --> 00:28:37,948 [ANNETTE CONTINUES IN HER OPERATIC STYLE] 368 00:28:54,166 --> 00:28:59,303 ♪ LISTEN WHAT I'LL TELL YOU ♪ 369 00:28:59,371 --> 00:29:01,739 Men: ♪ THERE WAS NOT ONE WHO WOULD DOUBT ♪ 370 00:29:01,807 --> 00:29:03,307 ♪ THE STORY ABOUT ♪ 371 00:29:03,375 --> 00:29:06,009 Together: ♪ THE LITTLE JOCKEY ON THE CAROUSEL ♪ 372 00:29:06,078 --> 00:29:07,177 ♪ IT IS A STORY ♪ 373 00:29:07,246 --> 00:29:09,179 ♪ THAT MY MAMA USED TO TELL ♪ 374 00:29:09,248 --> 00:29:12,249 ♪ MY, MY, DON'T CRY ♪ 375 00:29:12,318 --> 00:29:17,387 ♪ IT WAS MY LULLABY ♪ 376 00:29:17,456 --> 00:29:20,090 ♪ AND THEN ♪ 377 00:29:20,159 --> 00:29:24,895 ♪ WE ARE ALL ENCHANTED ♪ 378 00:29:24,964 --> 00:29:26,930 ♪ WE'D GLADLY CRY FOR A YEAR ♪ 379 00:29:26,999 --> 00:29:28,432 ♪ IF ONLY TO HEAR ♪ 380 00:29:28,501 --> 00:29:30,934 ♪ THE STORY THAT YOUR MAMA USED TO TELL ♪ 381 00:29:31,003 --> 00:29:32,302 ♪ AND WE WILL CRY UNTIL YOU TELL US ♪ 382 00:29:32,371 --> 00:29:33,604 ♪ WHAT SHE SAID ♪ 383 00:29:33,672 --> 00:29:36,106 ♪ ALL ABOUT THE JOCKEY ON THE CAROUSEL ♪ 384 00:29:36,175 --> 00:29:40,878 ♪ HE WAS SO UNHAPPY ♪ 385 00:29:40,946 --> 00:29:43,147 ♪ NEAR TO HIM, TIED TO A PRANCER ♪ 386 00:29:43,215 --> 00:29:44,882 ♪ THERE WAS A DANCER ♪ 387 00:29:44,950 --> 00:29:46,950 ♪ BEAUTIFUL AND VERY, VERY PROUD ♪ 388 00:29:47,019 --> 00:29:48,118 ♪ SHE WAS AS DAINTY ♪ 389 00:29:48,187 --> 00:29:50,621 ♪ AS A FLUFFY LITTLE CLOUD ♪ 390 00:29:50,689 --> 00:29:53,757 ♪ HER TOE, JUST SO ♪ 391 00:29:53,826 --> 00:29:58,362 ♪ WAS POINTED TO THE CROWD ♪ 392 00:29:58,430 --> 00:30:03,467 ♪ OH, OH ♪ 393 00:30:03,536 --> 00:30:06,303 ♪ OH, THE JOCKEY WHIPPED HIS HORSE ♪ 394 00:30:06,372 --> 00:30:09,039 ♪ AND RODE AWAY ♪ 395 00:30:09,108 --> 00:30:11,475 ♪ HE COULD NOT REACH HIS LOVE ♪ 396 00:30:11,544 --> 00:30:14,077 ♪ HE NEVER SAW HER FACE ♪ 397 00:30:14,146 --> 00:30:21,018 ♪ IF SHE RESEMBLED YOU, I'D BE A JOCKEY, TOO ♪ 398 00:30:21,086 --> 00:30:24,321 ♪ HE WAS SAD, THE POOR LITTLE LAD ♪ 399 00:30:24,390 --> 00:30:26,323 ♪ HE SWORE HE WAS EXHAUSTED ♪ 400 00:30:26,392 --> 00:30:27,691 ♪ FROM THE CHASE ♪ 401 00:30:27,760 --> 00:30:32,996 ♪ THAT NEVER GOT HIM ANY PLACE ♪ 402 00:30:33,065 --> 00:30:35,599 ♪ MAMSELLE ♪ 403 00:30:35,668 --> 00:30:40,604 ♪ IF I MAY CONTINUE ♪ 404 00:30:40,673 --> 00:30:44,041 ♪ THIS JOCKEY WANTED TO BRING HIS DAMSEL A RING ♪ 405 00:30:44,109 --> 00:30:47,477 ♪ AND REACHING FOR IT, SUDDENLY HE FELL ♪ 406 00:30:47,546 --> 00:30:50,013 ♪ AND AS HE FELL, HE KISSED HER SLIPPER ♪ 407 00:30:50,082 --> 00:30:52,216 ♪ IN FAREWELL ♪ 408 00:30:52,284 --> 00:30:53,417 ♪ HE DIED FOR LOVE ♪ 409 00:30:53,485 --> 00:30:55,686 ♪ THIS JOCKEY ON THE CAROUSEL ♪ 410 00:30:55,754 --> 00:30:57,387 ♪ AND THAT'S THE STORY ♪ 411 00:30:57,456 --> 00:31:00,557 ♪ THAT YOUR MAMA USED TO TELL ♪ 412 00:31:00,626 --> 00:31:04,027 ♪ 'TIS SAD BUT TRUE ♪ 413 00:31:04,096 --> 00:31:11,301 ♪ HIS POOR HEART BROKE IN TWO ♪ 414 00:31:11,370 --> 00:31:13,303 ♪ NOW THE TALE IS ENDING ♪ 415 00:31:13,372 --> 00:31:15,873 ♪ UNTIL THE VERY END... ♪ 416 00:31:15,941 --> 00:31:18,842 Together: ♪ THIS TALE IS ENDING ♪ 417 00:31:18,911 --> 00:31:28,352 ♪ AH, AH, AH, AH ♪ 418 00:31:28,420 --> 00:31:29,720 [CHEERING AND APPLAUSE] 419 00:31:41,901 --> 00:31:43,533 YOU HAVE A VOICE! YOU CAN SING! 420 00:31:43,602 --> 00:31:44,768 YES, I CAN! 421 00:31:44,837 --> 00:31:46,870 MY WIFE HAS A VOICE LIKE A NIGHTINGALE! 422 00:31:46,939 --> 00:31:47,971 [LAUGHTER AND APPLAUSE] 423 00:31:54,380 --> 00:31:57,447 NOBODY KNEW ABOUT IT UNTIL I CAME ALONG AND DISCOVERED IT. 424 00:31:57,516 --> 00:31:59,316 WE'VE GOT TO DO SOMETHING ABOUT IT! 425 00:31:59,385 --> 00:32:00,851 I'M GOING TO MAKE YOU FAMOUS! 426 00:32:00,920 --> 00:32:02,719 FROM NOW ON, ALL YOUR TROUBLES ARE OVER. 427 00:32:02,788 --> 00:32:04,054 BUT I HAVE NO TROUBLES. 428 00:32:04,123 --> 00:32:05,722 I'M HAPPY JUST TO BE YOUR WIFE. 429 00:32:05,791 --> 00:32:07,491 I'M GOING TO MAKE YOU THE GREATEST SINGER IN FRANCE. 430 00:32:07,559 --> 00:32:08,558 HOW WOULD YOU LIKE THAT? 431 00:32:08,627 --> 00:32:10,594 THAT WHAT YOU WANT ME TO BE? 432 00:32:10,663 --> 00:32:12,796 AND SOMEDAY, MAYBE YOU CAN SING ONE OF MY OPERAS. 433 00:32:12,865 --> 00:32:15,098 OH, JOHNNY, I ADORE THAT! 434 00:32:15,167 --> 00:32:17,167 WE MUST GET A SINGING TEACHER. 435 00:32:17,236 --> 00:32:18,302 THAT'LL COST MONEY. 436 00:32:18,370 --> 00:32:19,736 I COULD GET A JOB. 437 00:32:19,805 --> 00:32:21,672 DON'T BE ABSURD! NO WIFE OF MINE'S GOING TO WORK! 438 00:32:21,740 --> 00:32:22,806 I'LL GET A JOB TOMORROW. BUT-- 439 00:32:22,875 --> 00:32:23,807 BUT YOUR OPERA! 440 00:32:23,876 --> 00:32:24,908 MY OPERA CAN WAIT. 441 00:32:24,977 --> 00:32:26,510 DON'T YOU SEE, IF I HAVE A JOB-- 442 00:32:26,578 --> 00:32:28,111 WOULDN'T YOU LIKE TO BE AN OPERA STAR? 443 00:32:28,180 --> 00:32:29,780 YES, AND... 444 00:32:29,848 --> 00:32:30,881 I'D LIKE SOME LUNCH, TOO. 445 00:32:30,950 --> 00:32:32,616 LUNCH? 446 00:32:32,685 --> 00:32:35,819 HERE. Man: HEY! STOP! 447 00:32:35,888 --> 00:32:36,887 I CAN SEE IT NOW! 448 00:32:36,956 --> 00:32:38,922 YOU'RE SINGING AT THE PARIS OPERA. 449 00:32:38,991 --> 00:32:40,891 THIS IS VERY GOOD CARROT! 450 00:32:40,960 --> 00:32:42,693 YOUR NAME IS IN LIGHTS ALL OVER PARIS-- 451 00:32:42,761 --> 00:32:44,928 ANNETTE MONARD. 452 00:32:44,997 --> 00:32:48,131 YOU'RE THE GREAT ATTRACTION OF THE PARIS OPERA. 453 00:32:48,200 --> 00:32:49,299 ECHO AND NARCISSUS-- 454 00:32:49,368 --> 00:32:51,802 THE SENSATIONAL NEW OPERA BY JONATHAN STREET, 455 00:32:51,870 --> 00:32:53,670 WITH ANNETTE MONARD. 456 00:33:02,982 --> 00:33:04,881 Street: TWO MASSIVE TOWERS CROWN THE PRINCIPLE FACADE. 457 00:33:04,950 --> 00:33:08,452 ITS 3 DOORS ARE DECORATED WITH EARLY GOTHIC CARVING, 458 00:33:08,520 --> 00:33:09,753 SURROUNDED BY A ROW OF FIGURES 459 00:33:09,822 --> 00:33:12,656 REPRESENTING 28 KINGS OF ISRAEL AND JUDAH. 460 00:33:12,725 --> 00:33:14,358 I CALL YOUR ATTENTION TO THE GARGOYLE. 461 00:33:14,426 --> 00:33:16,293 IT'S A DETAIL TYPICAL TO THE BEST GOTHIC STYLE. 462 00:33:16,362 --> 00:33:18,328 ALL RIGHT, BIG BOY. WHERE DO WE GO FROM HERE? 463 00:33:18,397 --> 00:33:20,263 GWENDOLYN, IF YOU'D KEEP STILL ONE MINUTE 464 00:33:20,332 --> 00:33:22,099 YOU MIGHT ACQUIRE SOME CULTURAL BACKGROUND. 465 00:33:22,167 --> 00:33:23,533 I DON'T WANT ANY MORE CULTURE. 466 00:33:23,602 --> 00:33:25,102 IT MAKES MY FEET HURT. 467 00:33:25,170 --> 00:33:26,970 WE CAME OVER HERE TO HAVE SOME FUN. 468 00:33:27,039 --> 00:33:28,505 WHAT ABOUT SEEING SOME OF THE NIGHTLIFE? 469 00:33:28,574 --> 00:33:30,073 I'M SORRY, MR. DILLEY, 470 00:33:30,142 --> 00:33:32,142 BUT THE PARIS NIGHTLIFE IS VERY PECULIAR. 471 00:33:32,211 --> 00:33:34,244 IT DOESN'T START UNTIL AFTER DARK. 472 00:33:34,313 --> 00:33:37,414 Boy: PAPA, WHERE DO WE GO FROM HERE? 473 00:33:37,483 --> 00:33:39,883 Street: OF COURSE, YOU UNDERSTAND THAT I TAKE YOU TO THIS... 474 00:33:39,952 --> 00:33:41,585 DIVE ON YOUR OWN RESPONSIBILITY. 475 00:33:41,653 --> 00:33:45,022 IT'S, UH...PATRONIZED BY THE MOST DEPRAVED PEOPLE IN PARIS. 476 00:33:45,090 --> 00:33:46,823 THAT'S EXACTLY WHAT I WANT TO SEE! 477 00:33:46,892 --> 00:33:48,925 ME, TOO! HUBERT! 478 00:33:48,994 --> 00:33:51,061 Street: OF COURSE, MOST OF THEM CARRY THEIR OWN STILETTOS. 479 00:33:51,130 --> 00:33:54,164 I WANT YOU TO BE VERY CAREFUL WHEN THEY START THROWING THEIR KNIVES. 480 00:33:54,233 --> 00:33:56,833 SO MANY TOURISTS GET HURT THAT WAY. HA HA! 481 00:33:56,902 --> 00:33:59,002 Boy: KNIVES, PAPA! KNIVES! 482 00:33:59,071 --> 00:34:00,670 [UPBEAT MUSIC PLAYS] 483 00:34:03,409 --> 00:34:05,175 THERE YOU ARE. 484 00:34:21,593 --> 00:34:24,461 Boy: PAPA, WHEN ARE THEY GOING TO THROW THE KNIVES? 485 00:34:24,530 --> 00:34:26,196 DON'T LOOK LIKE MUCH TO ME. 486 00:34:26,265 --> 00:34:28,331 WE'VE GOT A CHOP SUEY PLACE IN TULSA 487 00:34:28,400 --> 00:34:30,133 THAT LOOKS JUST ABOUT THE SAME. 488 00:34:30,202 --> 00:34:34,004 YOU SEE THAT LARGE MAN OVER THERE WITH THE UGLY FACE? 489 00:34:34,073 --> 00:34:36,106 VICE KING OF THE PARIS UNDERWORLD. 490 00:34:36,175 --> 00:34:38,075 MY HEAVENS! 491 00:34:38,143 --> 00:34:39,509 AND THE LITTLE GIRL OVER THERE 492 00:34:39,578 --> 00:34:41,745 SITTING WITH THE YOUNG BANK ROBBER? 493 00:34:41,814 --> 00:34:43,113 A MURDERESS! 494 00:34:43,182 --> 00:34:45,549 AND THAT LOVELY YOUNG THING OVER THERE? 495 00:34:45,617 --> 00:34:46,917 POOR CHILD! 496 00:34:46,985 --> 00:34:48,885 I SUPPOSE SHE'S LIKE ALL THE REST OF THEM. 497 00:34:48,954 --> 00:34:50,253 PROBABLY A DOPE FIEND. 498 00:34:50,322 --> 00:34:51,555 MOST OF THEM ARE. 499 00:34:59,665 --> 00:35:01,331 Mrs. Dilley: LOOK! SHE'S GOING TO SING! 500 00:35:04,069 --> 00:35:05,669 [ANNETTE SINGING INDISTINCTLY] 501 00:35:07,706 --> 00:35:10,240 IT'S MY WIFE! ISN'T SHE MARVELOUS? 502 00:35:10,309 --> 00:35:12,309 ♪ ...I SHOULD SAY ♪ 503 00:35:12,377 --> 00:35:16,813 ♪ AND IF I MAY ♪ 504 00:35:16,882 --> 00:35:19,015 ♪ UNTIL TODAY ♪ 505 00:35:19,084 --> 00:35:25,822 ♪ BUT NOW I AM POSITIVELY GAY ♪ 506 00:35:25,891 --> 00:35:29,626 ♪ IF I WERE KING, I'D RUN TO AND HUNT TO ♪ 507 00:35:29,695 --> 00:35:34,598 ♪ THE THINGS ONE CANNOT BUY ♪ 508 00:35:34,666 --> 00:35:39,169 ♪ DO YOU KNOW WHY? ♪ 509 00:35:39,238 --> 00:35:42,906 ♪ I GOT LOVE ♪ 510 00:35:42,975 --> 00:35:47,244 ♪ YOU GOT YOUR PIECE OF MIND THAT I'VE GOT LOVE ♪ 511 00:35:47,312 --> 00:35:51,581 ♪ IN SPITE OF ANY KIND OF LIFE I CHOOSE ♪ 512 00:35:51,650 --> 00:35:55,452 ♪ I'LL WIN, CAN'T LOSE ♪ 513 00:35:55,521 --> 00:35:57,521 ♪ I GOT LOVE ♪ 514 00:35:57,589 --> 00:36:00,757 ♪ I GOT A LIST ♪ 515 00:36:00,826 --> 00:36:05,195 ♪ OF ALL THE LOVELY THINGS I THOUGHT I'D MISS ♪ 516 00:36:05,264 --> 00:36:09,900 ♪ BUT SINCE I KNOW THAT WITH YOUR BEATING KISS ♪ 517 00:36:09,968 --> 00:36:13,370 ♪ DON'T TAKE THAT LIST ♪ 518 00:36:13,438 --> 00:36:15,672 ♪ I GOT LOVE ♪ 519 00:36:15,741 --> 00:36:17,440 ♪ I GOT A SONG ♪ 520 00:36:17,509 --> 00:36:22,479 ♪ DESCRIBING WHAT I'VE BEEN DREAMING OF ♪ 521 00:36:22,548 --> 00:36:27,083 ♪ A LOVE SONG, I'VE GOT LOVE ♪ 522 00:36:28,887 --> 00:36:31,955 ♪ I'M UP ABOVE THE SKY ♪ 523 00:36:32,024 --> 00:36:33,523 Men: ♪ OVER THE SKY ♪ 524 00:36:33,592 --> 00:36:36,293 ♪ I'M LOOKING DOWN AT THE MOON ♪ 525 00:36:36,361 --> 00:36:37,794 ♪ DOWN AT THE MOON ♪ 526 00:36:37,863 --> 00:36:40,163 ♪ IN ALL THE WORLD, I AM THE ONLY ONE ♪ 527 00:36:40,232 --> 00:36:45,936 ♪ I HAVE FOUND THE SUN AT NOON ♪ 528 00:36:46,004 --> 00:36:49,105 ♪ I GOT LOVE ♪ 529 00:36:49,174 --> 00:36:53,176 ♪ YOU GET TO SLEEP AT NIGHT, BUT I'VE GOT LOVE ♪ 530 00:36:53,245 --> 00:36:54,945 ♪ I LOST MY APPETITE ♪ 531 00:36:55,013 --> 00:36:57,514 ♪ AND WON'T ADMIT ♪ 532 00:36:57,583 --> 00:36:59,616 ♪ YOU NEED ♪ 533 00:36:59,685 --> 00:37:00,884 ♪ I GAIN ♪ 534 00:37:00,953 --> 00:37:02,886 ♪ I GOT LOVE ♪ 535 00:37:02,955 --> 00:37:06,022 ♪ I LAUGH AND CRY ♪ 536 00:37:06,091 --> 00:37:10,293 ♪ WHEN I SEE LITTLE CHILDREN DANCING BY ♪ 537 00:37:10,362 --> 00:37:14,598 ♪ I WANT TO FEEL THAT WAY UNTIL I DIE ♪ 538 00:37:14,666 --> 00:37:16,633 ♪ BECAUSE ♪ 539 00:37:16,702 --> 00:37:18,034 ♪ 'CAUSE WHY? ♪ 540 00:37:18,103 --> 00:37:19,603 ♪ I GOT LOVE ♪ 541 00:37:19,671 --> 00:37:24,007 ♪ YOU KEEP YOUR... ♪ 542 00:37:24,076 --> 00:37:28,111 ♪ YOU KEEP YOUR SLEEP AT NIGHT ♪ 543 00:37:28,180 --> 00:37:30,180 ♪ YOU KEEP YOUR APPETITE ♪ 544 00:37:30,249 --> 00:37:32,549 ♪ I'M GONNA BE ALL RIGHT ♪ 545 00:37:32,618 --> 00:37:37,120 ♪ 'CAUSE I GOT LOVE ♪ 546 00:37:37,189 --> 00:37:41,891 Men: ♪ LOVE ♪ 547 00:37:41,960 --> 00:37:43,093 [APPLAUSE AND WHISTLING] 548 00:37:46,431 --> 00:37:48,331 Chef: MAGNIFICENT! 549 00:37:48,400 --> 00:37:49,933 NEVER HAVE I HEARD SUCH A VOICE! 550 00:37:50,002 --> 00:37:51,968 Annette: JOHNNY! 551 00:37:52,037 --> 00:37:53,169 YOU WERE MARVELOUS! 552 00:37:55,140 --> 00:37:56,506 WHAT DO YOU MEAN BY SINGING A SONG LIKE THAT? 553 00:37:56,575 --> 00:37:57,474 YOU'LL RUIN YOUR VOICE! 554 00:37:57,542 --> 00:37:59,309 IT'S A VERY NICE SONG! 555 00:37:59,378 --> 00:38:00,877 THE SAXOPHONE PLAYER TAUGHT ME. 556 00:38:00,946 --> 00:38:02,412 IT'S A TERRIBLE SONG! 557 00:38:02,481 --> 00:38:03,880 BUT I GET PAID FOR THIS! 558 00:38:03,949 --> 00:38:04,981 I'M EARNING MONEY. 559 00:38:05,050 --> 00:38:06,850 MONEY? CAN'T YOU LEAVE THAT TO ME? 560 00:38:06,918 --> 00:38:08,184 YOU THINK I CAN'T SUPPORT YOU? 561 00:38:09,721 --> 00:38:11,354 Man: OH, MONSIEUR D'ARCY. 562 00:38:11,423 --> 00:38:13,290 WE HAVEN'T SEEN YOU IN A LONG WHILE. 563 00:38:13,358 --> 00:38:14,524 DO YOU WANT YOUR REGULAR TABLE? 564 00:38:14,593 --> 00:38:16,926 NO. FIRST I WANT TO TALK WITH FRANCOIS. 565 00:38:16,995 --> 00:38:18,928 THE LAST TIME, HE PUT TOO MUCH GARLIC IN THE SNAILS. 566 00:38:18,997 --> 00:38:20,397 TOO MUCH GARLIC?! 567 00:38:20,465 --> 00:38:21,531 MONSIEUR D'ARCY! 568 00:38:21,600 --> 00:38:23,300 I WILL KILL HIM MYSELF PERSONALLY! 569 00:38:23,368 --> 00:38:24,367 NO, NO, JACQUES. 570 00:38:24,436 --> 00:38:25,669 YOU MUST NEVER KILL AN ARTIST. 571 00:38:25,737 --> 00:38:28,038 THE WORLD HAS TOO FEW OF THEM. 572 00:38:28,106 --> 00:38:29,439 I WON'T GO HOME! 573 00:38:29,508 --> 00:38:31,074 I HAVEN'T BEEN PAID YET! 574 00:38:31,143 --> 00:38:32,676 ALL RIGHT. YOU WAIT HERE. I'LL GET YOUR MONEY. 575 00:38:37,316 --> 00:38:38,648 Chef: AH, MONSIEUR! 576 00:38:38,717 --> 00:38:40,617 IT IS FORTUNATE YOU HAVE COME TONIGHT! 577 00:38:40,686 --> 00:38:41,785 I HAVE HEARD A VOICE-- 578 00:38:41,853 --> 00:38:43,253 I DON'T WANT A VOICE. 579 00:38:43,322 --> 00:38:45,288 I WANT LESS GARLIC WITH MY SNAILS. 580 00:38:45,357 --> 00:38:46,489 THERE WAS TOO MUCH LAST TIME. 581 00:38:46,558 --> 00:38:47,557 TOO MUCH GARLIC, MONSIEUR? 582 00:38:47,626 --> 00:38:49,826 THAT IS PRACTICALLY IMPOSSIBLE. 583 00:38:49,895 --> 00:38:51,461 DID YOU HEAR THIS NEW SINGER OF OURS? 584 00:38:51,530 --> 00:38:52,495 NOPE. I DIDN'T. 585 00:38:52,564 --> 00:38:53,496 OH, MONSIEUR-- 586 00:38:53,565 --> 00:38:54,964 ARE THE SNAILS FRESH? 587 00:38:55,033 --> 00:38:56,166 AH, PERFECTLY, MONSIEUR. 588 00:38:56,234 --> 00:38:57,901 WAIT. I SHOW YOU. 589 00:38:57,969 --> 00:38:59,936 [SOFTLY] THAT IS THE VOICE, OVER THERE. 590 00:39:14,152 --> 00:39:16,419 YOU'RE PRETTY SMALL TO HAVE MUCH OF A VOICE, AREN'T YOU? 591 00:39:16,488 --> 00:39:19,089 YES, I SUPPOSE I AM. 592 00:39:19,157 --> 00:39:21,691 IN FACT, YOU DON'T LOOK LIKE A SINGER AT ALL. 593 00:39:21,760 --> 00:39:24,327 DIDN'T YOU KNOW THAT SINGERS WERE SUPPOSED TO BE... 594 00:39:24,396 --> 00:39:26,162 LARGE AND...HOMELY? 595 00:39:26,231 --> 00:39:28,498 SORT OF LIKE A CHANNEL SWIMMER? 596 00:39:28,567 --> 00:39:29,499 AAH! 597 00:39:34,072 --> 00:39:34,938 OH! 598 00:39:39,678 --> 00:39:41,077 [DISHES SHATTER] 599 00:39:41,146 --> 00:39:43,113 DO YOU KNOW WHAT CAN HAPPEN TO YOU IN A PLACE LIKE THIS? 600 00:39:43,181 --> 00:39:44,581 NOTHING HAPPENED TO ME! IT WAS A MOUSE! 601 00:39:44,649 --> 00:39:45,648 OH, IT WAS, WAS IT? 602 00:39:45,717 --> 00:39:47,517 IT LOOKED LIKE A NECKTIE SALESMAN TO ME! 603 00:39:48,720 --> 00:39:50,387 Street: I KNOW WE NEED MONEY. 604 00:39:50,455 --> 00:39:52,255 I'LL GET IT! LOTS OF IT! HOW? 605 00:39:52,324 --> 00:39:54,023 WILL YOU PLEASE STOP ASKING QUESTIONS? 606 00:39:54,092 --> 00:39:55,859 I WISH YOU'D FORGET ABOUT MY VOICE. 607 00:39:55,927 --> 00:39:57,260 WE CAN'T AFFORD TO PAY FOR LESSONS! 608 00:39:57,329 --> 00:39:58,428 WILL YOU BE QUIET? 609 00:39:58,497 --> 00:39:59,729 YOU'VE GOT TO HAVE LESSONS! 610 00:39:59,798 --> 00:40:01,197 YOU'RE GOING TO BE AN OPERA SINGER! 611 00:40:01,266 --> 00:40:02,699 BUT I DON'T WANT TO BE AN OPERA SINGER! 612 00:40:02,768 --> 00:40:05,168 I JUST WANT TO BE YOUR WIFE! 613 00:40:05,237 --> 00:40:06,770 YOU THINK I CAN'T PAY FOR YOUR SINGING LESSONS! 614 00:40:06,838 --> 00:40:08,238 WELL, YOU'RE WRONG! 615 00:40:08,306 --> 00:40:09,639 I'M GOING TO GIVE YOU EVERYTHING YOU WANT, 616 00:40:09,708 --> 00:40:11,040 WHETHER YOU LIKE IT OR NOT! 617 00:40:11,109 --> 00:40:12,976 WILL YOU PLEASE STOP COMPLAINING! 618 00:40:13,044 --> 00:40:14,944 [HEAVY BREATHING] 619 00:40:27,259 --> 00:40:28,558 [LAUGHTER] 620 00:40:31,997 --> 00:40:36,433 OH, JOHNNY! WE HAVEN'T LAUGHED LIKE THIS FOR DAYS! 621 00:40:36,501 --> 00:40:37,400 DARLING! 622 00:40:45,510 --> 00:40:47,977 [WHISPERING] Do you think the Duchess would mind? 623 00:40:57,456 --> 00:41:00,223 SPRING ALWAYS MAKES HER RESTLESS. 624 00:41:00,292 --> 00:41:03,793 YOU KNOW, THERE'S A GOOD BIT OF THE GYPSY IN HER. 625 00:41:03,862 --> 00:41:05,595 I WISH JOHNNY WOULD COME. 626 00:41:05,664 --> 00:41:07,096 WHERE IS HE? 627 00:41:07,165 --> 00:41:09,599 LOOKING FOR A JOB. 628 00:41:09,668 --> 00:41:12,068 HE LOST THE ONE HE HAD, 629 00:41:12,137 --> 00:41:14,904 AND HE'S STILL TRYING TO PAY FOR MY LESSONS. 630 00:41:14,973 --> 00:41:16,806 OH, HE'LL FIND SOMETHING. 631 00:41:18,276 --> 00:41:20,410 THAT'S OUR GOOD CANDLESTICK! 632 00:41:20,479 --> 00:41:23,046 YOUR CANDLESTICK IS IN THE BEST OF HANDS. 633 00:41:23,114 --> 00:41:25,248 RAMSAY MacDONALD ONCE REMARKED 634 00:41:25,317 --> 00:41:28,418 THAT THE DUCHESS COULD BALANCE ANYTHING BUT THE BRITISH BUDGET. 635 00:41:33,091 --> 00:41:34,491 SHE'S AWFULLY CLEVER. 636 00:41:34,559 --> 00:41:36,493 SHH. PLEASE DON'T FLATTER HER. 637 00:41:36,561 --> 00:41:38,495 SHE'S ALREADY QUITE UNBEARABLE. 638 00:41:38,563 --> 00:41:40,497 BUT SHE SEEMS SO HAPPY. 639 00:41:40,565 --> 00:41:42,732 ON THE CONTRARY, SHE'S VERY UNHAPPY. 640 00:41:42,801 --> 00:41:45,502 SHE HAS BEEN EVER SINCE HER HUSBAND LEFT HER. 641 00:41:45,570 --> 00:41:48,371 I'D BE UNHAPPY, TOO... 642 00:41:48,440 --> 00:41:50,907 IF MY HUSBAND LEFT ME. 643 00:41:52,978 --> 00:41:56,279 I REMEMBER ONE TIME SHORTLY AFTER THE DUKE WAS GONE. 644 00:41:56,348 --> 00:41:59,849 WE WERE PLAYING AT THE PALACE IN NEW YORK, 645 00:41:59,918 --> 00:42:02,785 AND THE DUCHESS THOUGHT SHE SAW HER HUSBAND SITTING OUT FRONT, 646 00:42:02,854 --> 00:42:04,821 SO SHE CLIMBED OVER THE FOOTLIGHTS AND KISSED 647 00:42:04,890 --> 00:42:07,590 A BALDHEADED OLD GENTLEMAN SITTING IN THE THIRD ROW. 648 00:42:09,427 --> 00:42:12,328 VERY EMBARRASSING FOR ME, YOU KNOW, BEING LEFT ALONE ON THE STAGE, 649 00:42:12,397 --> 00:42:14,430 'CAUSE I CAN'T BALANCE A THING. 650 00:42:14,499 --> 00:42:17,400 IF ONLY HE COULD GET HIS OPERA PRODUCED. 651 00:42:17,469 --> 00:42:19,302 WELL, IT MAY BE A GOOD OPERA, 652 00:42:19,371 --> 00:42:22,005 BUT IT WON'T GET PRODUCED LYING THERE ON THE PIANO. 653 00:42:22,073 --> 00:42:25,041 THERE IS A MAN RIGHT IN PARIS WHO COULD DO IT... 654 00:42:25,110 --> 00:42:27,410 IF HE WOULD. 655 00:42:27,479 --> 00:42:28,878 PAUL D'ARCY. 656 00:42:28,947 --> 00:42:31,581 PERHAPS I COULD SEND THE DUCHESS OVER WITH IT. 657 00:42:31,650 --> 00:42:33,883 SHE HAS A WAY WITH MANAGERS. 658 00:42:33,952 --> 00:42:36,853 I'M NOT AFRAID OF PAUL D'ARCY-- 659 00:42:36,922 --> 00:42:39,122 NOT A BIT AFRAID. 660 00:42:42,060 --> 00:42:44,527 I WISH I HAD A NICE NEW HAT. 661 00:42:47,365 --> 00:42:49,399 DO YOU KNOW WHAT HE LOOKS LIKE? 662 00:42:49,467 --> 00:42:50,900 MM-MMM. 663 00:42:55,540 --> 00:42:56,940 ROGER. HMM? 664 00:42:57,008 --> 00:42:58,942 CAN YOU PRAY? 665 00:42:59,010 --> 00:43:01,578 I...I HAVE. 666 00:43:01,646 --> 00:43:04,347 THEN...PRAY FOR ME. 667 00:43:22,934 --> 00:43:24,734 I BEG YOUR PARDON. 668 00:43:24,803 --> 00:43:26,469 I HAVE A MANUSCRIPT-- 669 00:43:26,538 --> 00:43:28,538 AN OPERA BY JONATHAN STREET. 670 00:43:28,607 --> 00:43:31,541 NOT REALLY. 671 00:43:31,610 --> 00:43:33,876 YES. I BROUGHT IT FOR MONSIEUR D'ARCY. 672 00:43:33,945 --> 00:43:36,879 I'M SORRY. YOU CAN'T SEE MONSIEUR D'ARCY. 673 00:43:36,948 --> 00:43:37,880 I'LL WAIT. 674 00:43:37,949 --> 00:43:39,115 [DIALING TELEPHONE] 675 00:43:40,785 --> 00:43:43,086 Secretary: HELLO, HENRI? 676 00:43:43,154 --> 00:43:44,854 THIS IS PAUL D'ARCY'S OFFICE. 677 00:43:44,923 --> 00:43:48,124 I WANT TO ORDER LUNCH FOR MONSIEUR D'ARCY, TO BE SENT UP. 678 00:43:48,193 --> 00:43:50,426 WILL YOU READ THE MENU, PLEASE? 679 00:43:50,495 --> 00:43:55,098 Roger: SO SHE TOOK YOUR MANUSCRIPT UNDER HER ARM AND WENT OFF TO SEE HIM. 680 00:43:55,166 --> 00:43:59,302 Secretary: I TRIED TO GET A DAY OFF LAST WEEK, AND HE WOULDN'T LET ME GO. 681 00:43:59,371 --> 00:44:03,906 NO. OH, NO, I'M SURE I COULDN'T. 682 00:44:03,975 --> 00:44:06,509 NEXT WEEK, MAYBE. 683 00:44:06,578 --> 00:44:09,679 2, 3, 4...PAPRIKA! 684 00:44:09,748 --> 00:44:11,948 NO, NO. REALLY, I CAN'T. 685 00:44:12,017 --> 00:44:13,316 [DOOR CLOSES] 686 00:44:13,385 --> 00:44:15,985 Secretary: FOR LUNCH? YES, I COULD DO THAT. 687 00:44:16,054 --> 00:44:18,254 WHAT TIME? 688 00:44:18,323 --> 00:44:21,257 ALL RIGHT, BUT I'LL HAVE TO BE BACK EARLY, BECAUSE-- 689 00:44:21,326 --> 00:44:23,059 ALL RIGHT, ABOUT 1:00. 690 00:44:23,128 --> 00:44:26,963 I WENT OUT TO LUNCH FOR 2 HOURS YESTERDAY, 691 00:44:27,032 --> 00:44:30,166 AND YOU SHOULD HAVE HEARD WHAT HE SAID TO ME... 692 00:45:01,366 --> 00:45:02,732 WAIT A MINUTE. 693 00:45:04,636 --> 00:45:06,135 I CAN'T EAT OFF THIS TRAY. 694 00:45:21,886 --> 00:45:25,288 SAY, AREN'T YOU THE GIRL WHO... 695 00:45:25,356 --> 00:45:26,856 YES, I AM. 696 00:45:26,925 --> 00:45:29,392 I THOUGHT YOU WERE. 697 00:45:29,461 --> 00:45:32,562 I...I HAVE AN OPERA HERE 698 00:45:32,630 --> 00:45:34,430 BY JONATHAN STREET. 699 00:45:34,499 --> 00:45:35,898 HE'S MY HUSBAND. 700 00:45:35,967 --> 00:45:38,034 I KNOW YOU'LL WANT TO READ IT. 701 00:45:38,103 --> 00:45:40,036 IS THAT SO? 702 00:45:43,975 --> 00:45:47,009 THE NAME OF IT IS ECHO AND NARCISSUS. 703 00:45:47,078 --> 00:45:50,046 DO YOU REALIZE THAT THE LAST TIME I TALKED TO YOU, 704 00:45:50,115 --> 00:45:51,581 I GOT THIS? 705 00:45:51,649 --> 00:45:53,950 YES. I REMEMBER VERY WELL. 706 00:45:54,018 --> 00:45:55,651 SO DO I. 707 00:45:55,720 --> 00:45:59,756 I DIDN'T KNOW YOU WERE PAUL D'ARCY WHEN JOHNNY KNOCKED YOU DOWN. 708 00:45:59,824 --> 00:46:02,792 OH, I WOULD HAVE FAINTED. 709 00:46:02,861 --> 00:46:06,028 THIS IS A VERY NICE OPERA. REALLY, IT IS. 710 00:46:06,097 --> 00:46:08,865 I HOPE YOU READ IT RIGHT AWAY. 711 00:46:08,933 --> 00:46:11,768 MY DEAR CHILD, IT'S IMPOSSIBLE. LOOK AT MY DESK. 712 00:46:11,836 --> 00:46:13,469 OH, BUT YOU MUST READ IT. 713 00:46:13,538 --> 00:46:16,239 MY HUSBAND SAYS YOU ARE VERY LUCKY TO GET IT. 714 00:46:16,307 --> 00:46:18,674 DOES HE? REALLY? 715 00:46:18,743 --> 00:46:20,376 YOU'VE GOT TO READ THIS. 716 00:46:20,445 --> 00:46:22,478 I'LL--I'LL SCREAM! 717 00:46:22,547 --> 00:46:25,281 DO AS YOU PLEASE ABOUT THAT. 718 00:46:27,118 --> 00:46:28,885 IF I LISTENED TO THE MUSIC 719 00:46:28,953 --> 00:46:30,653 OF EVERY UNKNOWN COMPOSER IN PARIS-- 720 00:46:30,722 --> 00:46:32,855 BUT ONE NUMBER. 721 00:46:32,924 --> 00:46:35,792 IT WILL BE QUICKER THAN TO ARGUE WITH ME. 722 00:46:35,860 --> 00:46:39,228 I'M AFRAID YOU'RE RIGHT. 723 00:46:39,297 --> 00:46:41,664 BUT MIND YOU, I DO THIS ON ONE CONDITION-- 724 00:46:41,733 --> 00:46:43,833 THAT HEREAFTER YOU TRY AND ARRANGE YOUR LIFE 725 00:46:43,902 --> 00:46:45,468 SO THAT WE NEVER MEET AGAIN. 726 00:46:45,537 --> 00:46:47,804 I FIND YOU A VERY ANNOYING YOUNG WOMAN. 727 00:46:47,872 --> 00:46:49,806 OH, THANK YOU! 728 00:46:57,115 --> 00:47:00,116 THIS YOUNG LADY HAS SOME MUSIC SHE WANTS ME TO HEAR-- 729 00:47:00,185 --> 00:47:01,317 ONE NUMBER. 730 00:47:02,687 --> 00:47:04,253 [SIGHS] 731 00:47:07,225 --> 00:47:08,591 [PLAYING MELODY] 732 00:47:19,704 --> 00:47:22,271 YOU WILL LIKE THIS. IT'S MY FAVORITE. 733 00:47:27,512 --> 00:47:29,145 [BEGINS PLAYING] 734 00:47:35,453 --> 00:47:38,387 OF COURSE, YOU REALLY CAN'T GET THE FULL EFFECT 735 00:47:38,456 --> 00:47:40,356 JUST HEARING IT ON THE PIANO. 736 00:47:40,425 --> 00:47:43,226 YOU SEE, IN THE OPERA, ECHO IS VERY UNHAPPY 737 00:47:43,294 --> 00:47:46,429 BECAUSE NARCISSUS WON'T PAY ANY ATTENTION TO HER, 738 00:47:46,497 --> 00:47:48,130 AND SHE SINGS THIS SONG. 739 00:47:48,199 --> 00:47:51,133 [TELEPHONE RINGS] 740 00:47:51,202 --> 00:47:53,369 YES? 741 00:47:53,438 --> 00:47:55,004 OH, HELLO, MAURICE. 742 00:47:55,073 --> 00:47:57,440 IS THAT SO? 743 00:47:59,477 --> 00:48:02,445 D'Arcy: I KNOW, BUT I'M NOT GOING TO DO PELEUS THIS SEASON. 744 00:48:02,513 --> 00:48:06,983 YES, I KNOW YOU'D LIKE TO SING IT, BUT I'M NOT GOING TO DO IT. 745 00:48:07,051 --> 00:48:08,384 NO. 746 00:48:08,453 --> 00:48:09,719 NOPE. 747 00:48:11,823 --> 00:48:14,357 D'Arcy: I'M SORRY. I REALLY CAN'T-- 748 00:48:14,425 --> 00:48:16,559 YOU MIGHT AS WELL. 749 00:48:16,628 --> 00:48:19,495 ♪ AH ♪ NOT EVEN IF YOU-- 750 00:48:19,564 --> 00:48:21,030 NO. 751 00:48:21,099 --> 00:48:22,098 NO. 752 00:48:22,166 --> 00:48:23,499 Man, on telephone: BUT, D'ARCY, 753 00:48:23,568 --> 00:48:25,735 I'VE WAITED FOR YEARS TO SING THAT ROLE. 754 00:48:25,803 --> 00:48:28,271 YOU PROMISED ME LAST YEAR THAT YOU WOULD DO IT THIS SEASON. 755 00:48:28,339 --> 00:48:30,373 DON'T YOU REMEMBER? YOU SAID THAT IF I COULD SING-- 756 00:48:30,441 --> 00:48:32,408 IF I COULD SING THAT ROLE, YOU WOULD-- 757 00:48:32,477 --> 00:48:38,748 ♪ I'M THE ECHO MEANT TO ANSWER YOUR CALL ♪ 758 00:48:38,816 --> 00:48:46,956 ♪ I'M THE SHADOW THAT YOU SEE ON YOUR WALL ♪ 759 00:48:47,025 --> 00:48:51,093 ♪ THAT'S WHY I ADORE LIFE ♪ 760 00:48:51,162 --> 00:48:56,832 ♪ BECAUSE I FOUND A PART OF YOUR LIFE ♪ 761 00:48:56,901 --> 00:49:04,807 ♪ AND I REMEMBER I'M THE ECHO ♪ 762 00:49:04,876 --> 00:49:12,515 ♪ YOU'RE THE SONG ♪ 763 00:49:12,583 --> 00:49:15,484 ♪ AH AH AH AH AH ♪ 764 00:49:15,553 --> 00:49:18,154 ♪ AH AH AH AH AH ♪ 765 00:49:18,222 --> 00:49:22,358 ♪ AH AH AH AH AH ♪ 766 00:49:22,427 --> 00:49:31,067 ♪ AH AH AH AH AH ♪ 767 00:49:31,135 --> 00:49:37,006 ♪ AH ♪ 768 00:49:38,443 --> 00:49:40,009 MAGNIFICENT! 769 00:49:40,078 --> 00:49:42,178 IT'S WONDERFUL MUSIC, ISN'T IT? 770 00:49:42,246 --> 00:49:43,846 WELL, THE VOICE IS SUPERB! [SPEAKING ITALIAN] 771 00:49:43,915 --> 00:49:46,082 I NEVER HEARD ANYTHING LIKE IT IN MY LIFE, AND NEITHER DID YOU. 772 00:49:46,150 --> 00:49:47,516 [SPEAKING ITALIAN] [SPEAKING GERMAN] 773 00:49:47,585 --> 00:49:48,985 WONDERFUL! 774 00:49:49,053 --> 00:49:50,953 I DON'T UNDERSTAND IT. WHERE DOES IT ALL COME FROM? 775 00:49:51,022 --> 00:49:52,855 [SPEAKING ITALIAN] 776 00:49:52,924 --> 00:49:54,657 BUT THE MUSIC-- WHAT ABOUT THE MUSIC? 777 00:49:54,726 --> 00:49:57,660 THE MUSIC? OH, A NICE TUNE, PERHAPS, BUT IT'S NOT OPERA. 778 00:49:57,729 --> 00:50:00,629 COME, MY CHILD, MORE. I WANT TO HEAR MORE. 779 00:50:00,698 --> 00:50:03,366 [CONTINUES PLAYING] 780 00:50:03,434 --> 00:50:05,401 ♪ I'M THE ECHO ♪ 781 00:50:05,470 --> 00:50:10,172 ♪ YOU'RE THE SONG THAT I SING ♪ 782 00:50:10,241 --> 00:50:16,645 ♪ SO WITHOUT YOU, I'M A PITIFUL THING ♪ 783 00:50:16,714 --> 00:50:18,748 [SINGING OPERATICALLY] 784 00:50:39,937 --> 00:50:47,076 ♪ I'M THE ECHO MEANT TO ANSWER YOUR CALL ♪ 785 00:50:47,145 --> 00:50:53,949 ♪ I'M THE SHADOW THAT YOU SEE ON YOUR WALL ♪ 786 00:50:54,018 --> 00:50:58,020 ♪ THAT'S WHY I ADORE LIFE ♪ 787 00:50:58,089 --> 00:51:04,393 ♪ BECAUSE I FOUND A PART OF YOUR LIFE ♪ 788 00:51:04,462 --> 00:51:11,000 ♪ AND I REMEMBER I'M THE ECHO ♪ 789 00:51:11,069 --> 00:51:19,141 ♪ YOU'RE THE SONG ♪ 790 00:51:19,210 --> 00:51:22,244 ♪ I'M THE ECHO ♪ 791 00:51:22,313 --> 00:51:28,150 ♪ YOU'RE THE SONG THAT I SING ♪ 792 00:51:29,687 --> 00:51:40,029 ♪ SO WITHOUT YOU, I'M A PITIFUL THING ♪ 793 00:51:40,098 --> 00:51:51,974 ♪ WITHOUT YOU ♪ 794 00:51:52,043 --> 00:51:53,075 BRAVO! MAGNIFICENT! BRAVO! 795 00:51:53,144 --> 00:51:55,811 I KNEW YOU'D LIKE IT. IT'S SUCH LOVELY MUSIC. 796 00:51:55,880 --> 00:51:58,747 MY DEAR, I HAVE FOUND SOMETHING GREAT. 797 00:52:02,553 --> 00:52:04,954 MONSIEUR D'ARCY, MY NAME IS STREET. 798 00:52:05,022 --> 00:52:06,989 I'M TERRIBLY SORRY ABOUT YOUR EYE. 799 00:52:08,426 --> 00:52:11,527 I THOUGHT YOU WERE A NECKTIE SALESMAN. 800 00:52:11,596 --> 00:52:12,795 DID YOU REALLY? 801 00:52:12,864 --> 00:52:14,330 IT'S VERY FUNNY. 802 00:52:14,398 --> 00:52:18,167 I MEAN, YOUR LIKING MY MUSIC AFTER WHAT I DID TO YOU. 803 00:52:18,236 --> 00:52:21,036 OF COURSE, MY WIFE SINGS VERY NICELY, BUT WHEN YOU HEAR IT SUNG BY-- 804 00:52:21,105 --> 00:52:23,839 YOUR WIFE HAS THE BEST VOICE THAT I'VE HEARD IN YEARS. 805 00:52:23,908 --> 00:52:25,774 I WANT TO PUT HER UNDER CONTRACT. 806 00:52:25,843 --> 00:52:28,043 I'M GOING TO GIVE HER THE FINEST MUSICAL TRAINING IN EUROPE-- 807 00:52:28,112 --> 00:52:29,912 PUT HER IN OPERA, WHERE SHE BELONGS. 808 00:52:29,981 --> 00:52:31,847 IT'S A CRIME SHE HASN'T BEEN DISCOVERED BEFORE. 809 00:52:31,916 --> 00:52:33,849 Man, on telephone: I'VE WAITED FOR THIS CHANCE ALL MY LIFE. 810 00:52:33,918 --> 00:52:35,885 NOW, ARE YOU GOING TO LISTEN TO ME OR AREN'T YOU? 811 00:52:35,953 --> 00:52:36,819 YES! 812 00:52:42,760 --> 00:52:44,059 HELLO, TIRANDELLI? 813 00:52:44,128 --> 00:52:45,861 PAUL D'ARCY. 814 00:52:45,930 --> 00:52:48,197 VERY WELL, THANK YOU. HOW ARE YOU? 815 00:52:48,266 --> 00:52:50,766 MY FRIEND, I HAVE DISCOVERED A VOICE. 816 00:52:50,835 --> 00:52:52,568 BUT, MONSIEUR D'ARCY, THE MUSIC! 817 00:52:52,637 --> 00:52:53,802 JOHNNY'S MUSIC. 818 00:52:53,871 --> 00:52:55,337 D'Arcy: A YOUNG SOPRANO. 819 00:52:55,406 --> 00:52:57,306 YOU MEAN, YOU DON'T WANT MY OPERA? 820 00:52:57,375 --> 00:52:59,074 I'M GOING TO PLACE HER IN YOUR HANDS. 821 00:52:59,143 --> 00:53:01,544 I WANT YOU TO GIVE HER THE FINEST MUSICAL TRAINING YOU CAN. 822 00:53:01,612 --> 00:53:03,179 DARLING, I KNOW. I WON'T DO IT. 823 00:53:03,247 --> 00:53:05,281 YOU'RE TO SPARE NO TIME AND NO EXPENSE. 824 00:53:05,349 --> 00:53:07,449 OH, BUT YOU MUST. I WANT YOU TO. 825 00:53:07,518 --> 00:53:09,852 I'LL GIVE YOU ANY AMOUNT OF MONEY THAT'S NECESSARY. 826 00:53:09,921 --> 00:53:11,320 IF I BECOME SUCCESSFUL, 827 00:53:11,389 --> 00:53:13,422 I COULD DO SOMETHING FOR YOUR OPERA. 828 00:53:13,491 --> 00:53:14,690 D'Arcy: GOOD. 829 00:53:14,759 --> 00:53:17,459 PERHAPS THEN... I COULD HELP YOU. 830 00:53:17,528 --> 00:53:20,329 I'LL SEND HER OVER TO SEE YOU TOMORROW. 831 00:53:20,398 --> 00:53:23,332 YES. PERHAPS YOU COULD. [HANGS UP TELEPHONE] 832 00:53:23,401 --> 00:53:25,367 WELL, THAT'S THAT. YOU WILL STUDY WITH TIRANDELLI, 833 00:53:25,436 --> 00:53:28,571 BUT YOU WILL BE UNDER MY PERSONAL MANAGEMENT, BECAUSE WE HAVE WORK TO DO. 834 00:53:28,639 --> 00:53:30,105 BUT WAIT A MINUTE! 835 00:53:30,174 --> 00:53:32,241 YOU'LL STUDY FOR A YEAR, THEN A SEASON IN THE PROVINCES-- 836 00:53:32,310 --> 00:53:34,310 A TOUR, PERHAPS-- AND FINALLY YOUR DEBUT AT THE PARIS OPERA. 837 00:53:34,378 --> 00:53:36,612 BUT, UH, ONLY WHEN YOU'RE READY-- 838 00:53:36,681 --> 00:53:38,314 WHEN THE LITTLE COUNTRY GIRL HAS BECOME A WOMAN OF THE WORLD, 839 00:53:38,382 --> 00:53:39,782 AFTER WE'VE CHANGED YOU COMPLETELY. 840 00:53:39,850 --> 00:53:41,217 BUT I DON'T WANT MY WIFE CHANGED! 841 00:53:41,285 --> 00:53:43,686 YOUR CLOTHES, YOUR MANNER, YOUR HAIR, THE WAY YOU TALK... 842 00:53:43,754 --> 00:53:45,554 NO, NO! WHEN YOU ARE A PERFECT CREATION! 843 00:53:45,623 --> 00:53:48,324 I TELL YOU, I DON'T WANT MY WIFE CHANGED! 844 00:54:03,674 --> 00:54:05,541 [NO AUDIO] 845 00:54:16,754 --> 00:54:18,621 [SINGING IN FRENCH] 846 00:56:12,069 --> 00:56:13,435 [NOT AUDIBLE] 847 00:56:17,007 --> 00:56:18,874 [SINGING IN FRENCH] 848 00:57:09,560 --> 00:57:11,527 [SINGING IN BELL-LIKE TONES] 849 00:57:31,415 --> 00:57:34,216 [MUSIC PAUSES, THEN BEGINS AGAIN] 850 00:57:37,855 --> 00:57:39,721 [SINGING IN FRENCH] 851 00:59:06,277 --> 00:59:08,243 [SINGING IN BELL-LIKE TONES] 852 01:00:03,601 --> 01:00:06,068 [MUSIC ENDS, AUDIENCE APPLAUDS] 853 01:00:19,483 --> 01:00:21,183 [ORCHESTRA PLAYING WALTZ] 854 01:00:54,418 --> 01:00:55,784 [SILENTLY] 855 01:01:16,507 --> 01:01:19,074 [CROWD MURMURS AND APPLAUDS] 856 01:01:31,488 --> 01:01:32,587 WE HEARD YOU AT LA SCALA. 857 01:01:32,656 --> 01:01:33,822 MARVELOUS, MADAME! 858 01:01:33,891 --> 01:01:35,257 THANK YOU. 859 01:01:39,163 --> 01:01:40,929 SO KIND OF YOU. 860 01:01:49,540 --> 01:01:52,274 I'M SO SORRY. YOU HAVE TO EXCUSE ME. 861 01:02:12,196 --> 01:02:13,829 YOU SANG BEAUTIFULLY TONIGHT, DARLING. 862 01:02:13,897 --> 01:02:15,564 YOU LOOK VERY BEAUTIFUL, TOO. 863 01:02:15,632 --> 01:02:16,965 OH, JOHNNY. 864 01:02:17,034 --> 01:02:19,768 I SUPPOSE EVERYBODY'S TOLD YOU THAT BY THIS TIME. 865 01:02:19,837 --> 01:02:22,170 THEY DON'T LEAVE ME ANYTHING TO SAY. 866 01:02:22,239 --> 01:02:23,939 DON'T SAY ANYTHING. 867 01:02:30,447 --> 01:02:33,715 YOU COULD DO BETTER THAN THAT IF YOU TRIED. 868 01:02:33,784 --> 01:02:37,119 I WISH I COULD TELL YOU ALL THE THINGS I WANT TO SAY, 869 01:02:37,187 --> 01:02:40,288 BUT ALL THOSE PEOPLE-- THEY MAKE ME FEEL SO FAR AWAY FROM YOU. 870 01:02:42,292 --> 01:02:44,559 JUST TELL ME THAT YOU LOVE ME... 871 01:02:44,628 --> 01:02:48,563 AND TRY TO LAUGH AS YOU DID WHEN YOU LIVED IN THE ATTIC. 872 01:02:48,632 --> 01:02:51,700 I HAVEN'T FELT MUCH LIKE LAUGHING LATELY. 873 01:02:51,769 --> 01:02:54,870 I KNOW, DARLING, BUT YOU WILL. 874 01:02:54,938 --> 01:02:57,939 EVERYTHING WE PLANNED IS COMING TRUE. 875 01:02:58,008 --> 01:03:01,910 IN A FEW WEEKS, I WILL SING YOUR OPERA IN MONTE CARLO. 876 01:03:01,979 --> 01:03:04,679 I'VE WAITED A LONG TIME FOR THAT. 877 01:03:04,748 --> 01:03:06,915 IT'S GOT TO BE A SUCCESS. 878 01:03:06,984 --> 01:03:09,050 OF COURSE IT WILL BE A SUCCESS. 879 01:03:09,119 --> 01:03:12,020 WE'LL BE ON TOP OF THE WORLD. 880 01:03:12,089 --> 01:03:14,623 THINGS WILL BE DIFFERENT THEN, WON'T THEY, ANNETTE? 881 01:03:14,691 --> 01:03:18,660 I MEAN...YOU WON'T HAVE TO FEEL ASHAMED OF ME ANY LONGER. 882 01:03:18,729 --> 01:03:20,929 OH, JOHNNY. 883 01:03:20,998 --> 01:03:23,365 DON'T EVER SAY THAT AGAIN. 884 01:03:23,433 --> 01:03:24,900 PLEASE, DARLING. 885 01:03:26,804 --> 01:03:30,472 DID I EVER REMEMBER TO TELL YOU THAT I LOVE YOU VERY MUCH? 886 01:03:37,014 --> 01:03:39,347 THAT'S BETTER. 887 01:03:39,416 --> 01:03:42,217 MUCH BETTER. 888 01:03:42,286 --> 01:03:44,452 YOU, YOU'RE JUST A FUNNY LITTLE GIRL. 889 01:03:46,123 --> 01:03:49,825 EVEN IF YOU BECOME THE MOST FAMOUS SINGER IN THE WORLD, 890 01:03:49,893 --> 01:03:52,694 YOU'LL STILL BE JUST A FUNNY LITTLE GIRL. 891 01:03:55,332 --> 01:03:56,965 [FOOTSTEPS] 892 01:03:57,034 --> 01:04:00,001 OH, ANNETTE. THERE ARE SOME PEOPLE HERE THAT I WANT YOU TO MEET. 893 01:04:00,070 --> 01:04:03,104 THEY'RE VERY IMPORTANT. COME IN, WON'T YOU, PLEASE? I'M SORRY, JOHNNY. 894 01:04:30,868 --> 01:04:32,701 HORS D'OEUVRE, SIR? 895 01:04:34,504 --> 01:04:35,604 ROGER! 896 01:04:36,840 --> 01:04:38,340 JONATHAN! 897 01:04:38,408 --> 01:04:39,975 HOW ARE YOU? 898 01:04:40,043 --> 01:04:41,843 MISERABLE, THANKS. SIT DOWN. 899 01:04:43,380 --> 01:04:44,846 WHAT ARE YOU DOING HERE? 900 01:04:44,915 --> 01:04:47,616 I'VE BEEN SENT UP FROM THE DINING ROOM. I'M A WAITER NOW. 901 01:04:47,684 --> 01:04:48,984 IT'S A SHOCKING PROFESSION. 902 01:04:49,052 --> 01:04:51,119 ONE LEARNS HOW DANGEROUS EATING REALLY IS. 903 01:04:51,188 --> 01:04:53,188 NOW, YOU TAKE THAT CAVIAR, FOR INSTANCE. 904 01:04:53,257 --> 01:04:55,824 THAT'S PROBABLY TEEMING WITH PTOMAINE. 905 01:04:55,893 --> 01:04:59,895 OH, BY THE WAY, JONATHAN, I WANT TO CONGRATULATE YOU UPON ANNETTE'S GREAT SUCCESS. 906 01:04:59,963 --> 01:05:02,297 DON'T CONGRATULATE ME. I'M ONLY HER HUSBAND. 907 01:05:02,366 --> 01:05:03,865 WHAT HAVE YOU BEEN DOING? 908 01:05:03,934 --> 01:05:07,269 OH, IT'S A LONG STORY, AND I WON'T BORE YOU WITH IT. 909 01:05:07,337 --> 01:05:10,171 YES, ON SECOND THOUGHT, I THINK I WILL BORE YOU WITH IT. 910 01:05:10,240 --> 01:05:12,040 IT ALL STARTED WITH THE DUCHESS. 911 01:05:12,109 --> 01:05:14,209 SHE, UH... SHE PASSED ON, YOU KNOW. 912 01:05:14,278 --> 01:05:16,111 OH, I'M SORRY TO HEAR THAT. 913 01:05:16,179 --> 01:05:17,846 DON'T TOUCH THOSE. THEY'RE TERRIBLY GREASY. 914 01:05:17,915 --> 01:05:20,582 YES, SHE DIED IN MY ARMS. OH, IT WAS BEAUTIFUL. 915 01:05:20,651 --> 01:05:23,151 HAVE YOU EVER HAD A SEAL DIE IN YOUR ARMS? 916 01:05:23,220 --> 01:05:24,552 NO, I NEVER DID. 917 01:05:24,621 --> 01:05:25,987 OH. WELL, YOU TAKE MY ADVICE. 918 01:05:26,056 --> 01:05:28,523 IF EVER YOU GET A SEAL AND IT LOOKS LIKE DYING, 919 01:05:28,592 --> 01:05:30,258 YOU HAVE IT TO DIE IN YOUR ARMS. 920 01:05:30,327 --> 01:05:31,493 IT'S JUST BEAUTIFUL. 921 01:05:31,561 --> 01:05:34,129 WAITER! I WANT SOME FOOD! 922 01:05:35,766 --> 01:05:37,499 HE'S DRUNK. HAVE YOU EVER NOTICED 923 01:05:37,567 --> 01:05:39,601 THAT WAITERS HAVE MUCH BETTER MANNERS THAN GUESTS? 924 01:05:39,670 --> 01:05:41,002 WAITER! 925 01:05:41,071 --> 01:05:43,271 I WANT SOMETHING TO DRINK! 926 01:05:43,340 --> 01:05:45,607 Johnny: WHEN SHE'S GOT A SORE THROAT, 927 01:05:45,676 --> 01:05:49,311 THEY ALL LOOK AT ME AS THOUGH I'D GIVEN IT TO HER. 928 01:05:49,379 --> 01:05:53,581 A LOT OF TIMES, THEY DON'T EVEN LET ME SEE HER AT ALL. 929 01:05:53,650 --> 01:05:56,818 THEY ALL MAKE ME FEEL SO USELESS. 930 01:05:56,887 --> 01:05:58,620 I KNOW. IT MAKES ONE-- 931 01:05:58,689 --> 01:06:01,756 MAKES ONE FEEL LIKE AN EXTRA FLY IN THE OINTMENT. 932 01:06:01,825 --> 01:06:03,425 WAITER! 933 01:06:03,493 --> 01:06:05,193 I WANT SOMETHING TO DRINK! 934 01:06:20,744 --> 01:06:22,344 AHH! 935 01:06:22,412 --> 01:06:23,945 THESE ARE VERY GOOD, SIR. 936 01:06:25,415 --> 01:06:26,514 [MUTTERS] 937 01:06:26,583 --> 01:06:27,916 I WANT A DRINK! 938 01:06:27,985 --> 01:06:30,185 NONSENSE. YOU HAD TOO MUCH ALREADY. 939 01:06:30,253 --> 01:06:31,886 WHAT?! GIVE ME THAT GLASS. 940 01:06:31,955 --> 01:06:33,888 NO, NO, SIR. THIS IS MINE. 941 01:06:33,957 --> 01:06:37,158 GET ME THE HEADWAITER. I'LL HAVE YOU DISCHARGED! 942 01:06:37,227 --> 01:06:40,295 I'LL THANK YOU, SIR, TO REMEMBER THAT YOU'RE A GENTLEMAN. 943 01:06:41,865 --> 01:06:43,131 BUT HER LUCIA... 944 01:06:43,200 --> 01:06:46,001 I SHOULD GO TO MONTE CARLO TO HEAR IT AGAIN. 945 01:06:46,069 --> 01:06:48,770 MONTE CARLO? BUT SHE'S NOT SINGING LUCIA IN MONTE CARLO. 946 01:06:48,839 --> 01:06:50,705 NO? NO. 947 01:06:50,774 --> 01:06:53,375 SHE'S GOING THERE TO DO A NEW OPERA-- ECHO AND NARCISSUS. 948 01:06:53,443 --> 01:06:54,743 WELL, IS IT A GOOD OPERA? 949 01:06:54,811 --> 01:06:57,412 IT WAS REJECTED ALL OVER EUROPE. 950 01:06:57,481 --> 01:06:59,014 WELL, HOW IN THE WORLD-- 951 01:06:59,082 --> 01:07:00,715 DIDN'T YOU KNOW? 952 01:07:00,784 --> 01:07:02,384 THE COMPOSER IS HER HUSBAND. 953 01:07:02,452 --> 01:07:04,619 BUT HOW DID SHE GET THEM TO-- 954 01:07:04,688 --> 01:07:07,155 SHE'S PAYING FOR THE PRODUCTION. 955 01:07:07,224 --> 01:07:08,990 OH, I SEE-- FAMILY MATTER. 956 01:07:09,059 --> 01:07:12,794 WELL, IN THAT CASE, I SHAN'T BOTHER TO GO TO MONTE CARLO. 957 01:07:15,499 --> 01:07:18,666 WELL, JONATHAN, YOU LOOK LIKE THE END OF THE WORLD. 958 01:07:18,735 --> 01:07:20,568 COME ALONG. ANNETTE'S READY TO SING. 959 01:07:20,637 --> 01:07:22,537 SHE WANTS YOU TO ACCOMPANY HER. 960 01:07:22,606 --> 01:07:25,240 YOU CAN TELL ANNETTE TO GO TO THE DEVIL. 961 01:07:25,308 --> 01:07:26,808 I'M THROUGH. 962 01:07:26,877 --> 01:07:28,243 WAIT A MINUTE. 963 01:07:28,311 --> 01:07:30,512 YOU'RE A LITTLE BIT DRUNK, AREN'T YOU? 964 01:07:30,580 --> 01:07:33,114 NO. I'M NOT DRUNK! 965 01:07:44,961 --> 01:07:47,429 MAY I SPEAK WITH YOU FOR A MOMENT? 966 01:07:57,340 --> 01:07:59,107 JOHNNY! WHAT ARE YOU DOING? 967 01:07:59,176 --> 01:08:00,408 I'M GETTING OUT. 968 01:08:00,477 --> 01:08:03,545 I'M TIRED OF BEING A LAP DOG FOR AN OPERA STAR. 969 01:08:03,613 --> 01:08:04,913 JOHNNY, YOU'VE GONE CRAZY! 970 01:08:04,981 --> 01:08:07,382 I'M NO GOOD TO YOU. YOU DON'T NEED ME. 971 01:08:07,451 --> 01:08:09,884 I KNOW WHAT I AM. I'M A LAP DOG. 972 01:08:09,953 --> 01:08:12,687 OH, JOHNNY, NO! YOU CAN'T LEAVE ME! 973 01:08:12,756 --> 01:08:15,623 THINK OF THE THINGS WE PLANNED TOGETHER. 974 01:08:15,692 --> 01:08:16,958 YOUR OPERA! 975 01:08:17,027 --> 01:08:18,927 MY OPERA? 976 01:08:18,995 --> 01:08:21,362 WHY DON'T YOU CALL IT YOUR OPERA? 977 01:08:21,431 --> 01:08:22,797 YOU'RE PAYING FOR IT. 978 01:08:22,866 --> 01:08:24,365 OH, DARLING, PLEASE! I-- 979 01:08:24,434 --> 01:08:27,569 I KNOW, I KNOW. "KEEP HIM HAPPY. TOSS HIM A BONE." 980 01:08:27,637 --> 01:08:29,737 PEOPLE WOULD'VE HAD A GOOD LAUGH ABOUT THAT, 981 01:08:29,806 --> 01:08:32,273 BUT THEY'RE NOT GOING TO LAUGH AT ME. 982 01:08:35,278 --> 01:08:37,312 HERE, HOLD THAT. 983 01:08:37,380 --> 01:08:38,780 JOHNNY... 984 01:08:38,849 --> 01:08:41,549 WON'T YOU PLEASE TRY TO UNDERSTAND? 985 01:08:41,618 --> 01:08:44,752 I UNDERSTAND, ALL RIGHT. GET AWAY FROM THERE. 986 01:08:44,821 --> 01:08:47,021 YOU DON'T WANT ME TO AMOUNT TO ANYTHING. 987 01:08:47,090 --> 01:08:49,224 YOU'D RATHER I HAD TO DEPEND ON YOU. 988 01:08:49,292 --> 01:08:52,494 BUT I DON'T HAVE TO. NO, THANK YOU. 989 01:08:52,562 --> 01:08:55,063 I HAVE A GREAT TALENT, 990 01:08:55,132 --> 01:08:57,031 AND I WON'T HAVE IT CHEAPENED. 991 01:08:57,100 --> 01:08:58,666 NO, THANK YOU. 992 01:08:58,735 --> 01:09:00,435 [LATCH POPS OPEN] 993 01:09:00,504 --> 01:09:02,804 THANK YOU. GO ON WITH YOUR SUCCESS. 994 01:09:02,873 --> 01:09:04,672 GO HIGHER AND HIGHER AND HIGHER. 995 01:09:04,741 --> 01:09:06,541 JOHNNY, WAIT! 996 01:09:06,610 --> 01:09:08,443 I DON'T WANT SUCCESS! 997 01:09:08,512 --> 01:09:10,245 I'LL NEVER SING AGAIN--NEVER! 998 01:09:10,313 --> 01:09:12,914 OF COURSE YOU WANT SUCCESS, AND YOU'VE GOT IT. 999 01:09:12,983 --> 01:09:15,750 BUT JUST REMEMBER ONE THING. 1000 01:09:15,819 --> 01:09:17,919 YOU CAN'T BUY ME WITH IT. 1001 01:09:22,159 --> 01:09:24,359 OH, JOHNNY! 1002 01:09:35,939 --> 01:09:37,639 [SOBBING] 1003 01:09:37,707 --> 01:09:40,608 OH, PAUL... 1004 01:09:40,677 --> 01:09:43,811 I WISH I'D NEVER SUNG A NOTE. 1005 01:10:36,766 --> 01:10:39,801 ANNETTE MONARD'S TRIUMPHAL RETURN TO THE PARIS OPERA-- 1006 01:10:39,869 --> 01:10:42,303 FAINTING LIKE A SCHOOLGIRL. 1007 01:10:42,372 --> 01:10:45,240 ANOTHER INCIDENT LIKE THAT, AND YOUR CAREER WILL BE FINISHED. 1008 01:10:45,308 --> 01:10:48,543 WHAT OF IT? I DIDN'T WANT A CAREER. 1009 01:10:48,612 --> 01:10:51,012 I WAS PUSHED INTO IT. 1010 01:10:51,081 --> 01:10:54,082 I LOST EVERYTHING I REALLY WANTED. 1011 01:10:54,150 --> 01:10:57,252 IN HEAVEN'S NAME, WHAT IS IT THAT YOU DO WANT? 1012 01:10:57,320 --> 01:10:59,020 I DON'T KNOW ANYMORE. 1013 01:10:59,089 --> 01:11:01,556 [TELEPHONE RINGS] 1014 01:11:04,728 --> 01:11:06,461 I WANT SOME FUN. 1015 01:11:08,265 --> 01:11:12,100 I'M TIRED OF BEING COOPED UP LIKE A CANARY. 1016 01:11:12,168 --> 01:11:14,636 YOU'D BETTER LIE DOWN. YOU'RE SINGING TOMORROW NIGHT. 1017 01:11:14,704 --> 01:11:16,204 I WON'T LIE DOWN, 1018 01:11:16,273 --> 01:11:18,039 AND I WON'T SING TOMORROW NIGHT. 1019 01:11:18,108 --> 01:11:20,074 YES? LONDON? 1020 01:11:20,143 --> 01:11:21,843 WELL, PUT THEM ON. 1021 01:11:24,047 --> 01:11:26,714 I'M NEVER GOING TO SING AGAIN. 1022 01:11:26,783 --> 01:11:28,616 WILL YOU PLEASE KEEP QUIET? 1023 01:11:28,685 --> 01:11:30,118 I BEG YOUR PARDON. 1024 01:11:30,186 --> 01:11:32,387 YES. OH, SPEAKING. 1025 01:11:32,455 --> 01:11:33,755 HELLO! 1026 01:11:35,659 --> 01:11:38,026 SUE ME? FOR WHAT? 1027 01:11:39,863 --> 01:11:43,431 BUT THAT'S RIDICULOUS. OF COURSE SHE'S GOING TO SING TOMORROW NIGHT. 1028 01:11:43,500 --> 01:11:46,367 WHAT? JUST A MOMENT. 1029 01:11:46,436 --> 01:11:49,103 DID YOU WIRE LONDON THAT YOU'RE NOT GOING TO KEEP YOUR ENGAGEMENT THERE? 1030 01:11:49,172 --> 01:11:50,038 YES. 1031 01:11:50,106 --> 01:11:51,439 HAVE YOU GONE MAD? 1032 01:11:51,508 --> 01:11:53,308 YES, I HAVE, AND I LIKE IT. 1033 01:11:53,376 --> 01:11:55,510 HOLD THE WIRE. 1034 01:11:55,578 --> 01:11:58,079 ANNETTE, YOU CAN'T DO THIS TO ME. 1035 01:11:58,148 --> 01:12:00,848 YOU DON'T WANT TO SEE ME THROWN IN JAIL, DO YOU, 1036 01:12:00,917 --> 01:12:02,950 WITH NOTHING TO EAT BUT AN OLD PIECE OF BREAD? 1037 01:12:03,019 --> 01:12:05,486 YOU'LL SING, WON'T YOU, DEAR? 1038 01:12:05,555 --> 01:12:07,322 JUST FOR ME. 1039 01:12:07,390 --> 01:12:09,424 WELL... 1040 01:12:09,492 --> 01:12:10,925 JUST FOR YOU. 1041 01:12:12,929 --> 01:12:16,497 BUT NOT IN FRONT OF A LOT OF PEOPLE. 1042 01:12:18,335 --> 01:12:21,369 YOU'RE DRIVING ME CRAZY! 1043 01:12:21,438 --> 01:12:23,938 NO, NO, NOT YOU. 1044 01:12:24,007 --> 01:12:26,541 BUT YOU'RE NOT BEING MUCH HELP. 1045 01:12:26,609 --> 01:12:31,279 I KNOW, I KNOW. WAIT JUST ONE MOMENT, WILL YOU, PLEASE? 1046 01:12:31,348 --> 01:12:34,315 NOW, ANNETTE, YOU CAN'T LET ME DOWN LIKE THIS. 1047 01:12:34,384 --> 01:12:38,453 I PROMISED THEM A CONCERT. I'VE GOT TO GIVE IT TO THEM. 1048 01:12:38,521 --> 01:12:39,887 ALL RIGHT. 1049 01:12:41,825 --> 01:12:44,292 YOU PROMISED IT TO THEM, YOU SING. 1050 01:12:44,361 --> 01:12:48,396 SHE, UH...UM, I, UH... 1051 01:12:48,465 --> 01:12:50,765 [WHISPERING] What am I going to tell him? 1052 01:12:50,834 --> 01:12:52,900 Tell him... 1053 01:12:52,969 --> 01:12:55,770 Tell him I've got a run in my stockings, 1054 01:12:55,839 --> 01:12:58,573 and I can't leave the house. 1055 01:13:01,811 --> 01:13:03,911 GOOD-BYE, YOU BABOON. 1056 01:13:03,980 --> 01:13:05,847 NOW, WAIT A MINUTE. WHERE ARE YOU GOING? 1057 01:13:05,915 --> 01:13:08,683 YOUR CANARY IS FLYING THE COOP. 1058 01:13:08,752 --> 01:13:10,618 WAIT A MINUTE! DON'T BE A FOOL! 1059 01:13:10,687 --> 01:13:12,086 NO! ANNETTE! 1060 01:13:12,155 --> 01:13:13,921 WILL YOU WAIT JUST ONE MOMENT? 1061 01:13:13,990 --> 01:13:15,890 I ASSURE YOU THAT SHE WILL LEAVE 1062 01:13:15,959 --> 01:13:17,658 ON THE 7:00 TRAIN FOR LONDON TONIGHT! 1063 01:13:27,036 --> 01:13:28,836 [SPEAKING FRENCH] 1064 01:13:28,905 --> 01:13:30,671 WHERE TO, MADAME? 1065 01:13:30,740 --> 01:13:32,440 JOHNNY! 1066 01:13:38,548 --> 01:13:39,914 STOP THE CAB. 1067 01:13:46,523 --> 01:13:48,423 [CAR DOOR CLOSES] 1068 01:13:50,126 --> 01:13:51,959 THERE. THIS IS BETTER. 1069 01:13:52,028 --> 01:13:55,296 NOW WE CAN TALK. 1070 01:13:55,365 --> 01:13:57,865 OF COURSE, IF MADAME WISHES TO GO SLUMMING. 1071 01:13:57,934 --> 01:13:59,600 JOHNNY, STOP IT. 1072 01:14:01,538 --> 01:14:04,071 I WANT TO KNOW WHAT YOU'VE BEEN DOING. 1073 01:14:04,140 --> 01:14:05,973 DRIVING A TAXICAB. 1074 01:14:06,042 --> 01:14:09,143 ARE YOU... ARE YOU HAPPY, JOHNNY? 1075 01:14:09,212 --> 01:14:10,611 OF COURSE I'M HAPPY. 1076 01:14:10,680 --> 01:14:13,114 I'VE FOUND SOMETHING TO DO THAT SUITS MY TALENTS. 1077 01:14:13,183 --> 01:14:15,450 DO YOU LIKE DRIVING A TAXI? 1078 01:14:15,518 --> 01:14:16,651 OF COURSE I LIKE IT. 1079 01:14:16,719 --> 01:14:19,153 IT KEEPS ME OUT IN THE FRESH AIR. 1080 01:14:19,222 --> 01:14:21,522 YOU'RE ALWAYS...MEETING INTERESTING PEOPLE. 1081 01:14:23,259 --> 01:14:24,859 BEAUTIFUL WOMEN. 1082 01:14:24,928 --> 01:14:26,527 THERE'S ALWAYS SOMETHING DIFFERENT. 1083 01:14:29,265 --> 01:14:30,731 YOU'RE VERY HAPPY, I SUPPOSE. 1084 01:14:30,800 --> 01:14:33,468 HAPPY? YES, YES, OF COURSE. 1085 01:14:33,536 --> 01:14:34,969 THAT'S NICE. 1086 01:14:35,038 --> 01:14:36,871 NATURALLY I'M HAPPY. 1087 01:14:36,940 --> 01:14:41,008 I HAVE EVERYTHING I WANT. EVERYTHING. 1088 01:14:41,077 --> 01:14:44,245 LAST WEEK, A DUKE ASKED ME TO MARRY HIM. 1089 01:14:44,314 --> 01:14:45,913 WELL, WHY DIDN'T YOU? 1090 01:14:48,318 --> 01:14:50,751 BECAUSE I WAS TOO BUSY BEING HAPPY. 1091 01:14:53,089 --> 01:14:54,455 GLAD YOU'RE HAPPY. 1092 01:14:54,524 --> 01:14:57,825 AND BESIDES, I'M STILL MARRIED TO YOU. 1093 01:15:00,497 --> 01:15:02,363 I DON'T KNOW WHY I'M CRYING. 1094 01:15:02,432 --> 01:15:04,699 NEITHER DO I. 1095 01:15:07,170 --> 01:15:08,836 I GUESS I MUST BE ANGRY. 1096 01:15:11,941 --> 01:15:14,442 JOHNNY? 1097 01:15:14,511 --> 01:15:18,112 WILL YOU LET ME... TAKE YOU TO LUNCH? 1098 01:15:18,181 --> 01:15:21,983 WE COULD GO...TO THE CAFE DE PARIS OR SOMEPLACE? 1099 01:15:22,051 --> 01:15:23,317 THE CAFE DE PARIS? 1100 01:15:23,386 --> 01:15:24,485 THEY WOULDN'T LET ME IN. 1101 01:15:24,554 --> 01:15:28,489 IF YOU ASSOCIATE WITH TAXI DRIVERS, 1102 01:15:28,558 --> 01:15:30,491 YOU'VE GOT TO EAT WHERE THEY EAT. 1103 01:15:30,560 --> 01:15:33,561 OH! I'D LOVE TO! 1104 01:15:40,169 --> 01:15:42,670 [CHATTER] 1105 01:15:42,739 --> 01:15:44,405 [DOOR SLAMS] 1106 01:15:44,474 --> 01:15:46,173 [CHATTER STOPS] 1107 01:15:51,080 --> 01:15:52,513 [CHATTER RESUMES] 1108 01:15:57,453 --> 01:16:00,354 NOT MUCH LIKE THE CAFE DE PARIS, IS IT? 1109 01:16:00,423 --> 01:16:02,557 IT'S-- IT'S VERY NICE. 1110 01:16:02,625 --> 01:16:03,691 SO COZY. 1111 01:16:03,760 --> 01:16:05,126 [DISHES SHATTER] 1112 01:16:05,194 --> 01:16:06,394 [LAUGHTER] 1113 01:16:13,770 --> 01:16:15,102 IT'S QUITE A LOT, ISN'T IT? 1114 01:16:15,171 --> 01:16:17,438 BIGGEST MEAL IN FRANCE FOR 10 FRANCS. 1115 01:16:22,545 --> 01:16:23,844 IT'S VERY GOOD. NOT LIKE THAT. 1116 01:16:23,913 --> 01:16:25,746 THAT'S NOT THE WAY TAXI DRIVERS EAT. HERE, LIKE THIS. 1117 01:16:25,815 --> 01:16:28,649 FIRST YOU BREAK OFF A BIG PIECE OF BREAD, 1118 01:16:28,718 --> 01:16:31,218 AND YOU SWISH IT AROUND IN THE GRAVY LIKE THAT, SEE? 1119 01:16:31,287 --> 01:16:32,520 THEN YOU OPEN YOUR MOUTH VERY WIDE, 1120 01:16:32,589 --> 01:16:34,121 AS IF YOU WERE GOING TO SING E FLAT ABOVE HIGH C, 1121 01:16:34,190 --> 01:16:35,323 LIKE THIS, 1122 01:16:35,391 --> 01:16:36,457 AND THEN SHOVEL IT IN. 1123 01:16:36,526 --> 01:16:37,391 I'LL TRY. 1124 01:16:44,100 --> 01:16:45,032 HOW'S THAT? [LAUGHS] 1125 01:16:45,101 --> 01:16:46,367 YOU LOOK VERY FUNNY. 1126 01:16:46,436 --> 01:16:47,868 [THEY LAUGH] 1127 01:16:47,937 --> 01:16:49,070 THAT DUKE OUGHT TO SEE YOU NOW! 1128 01:16:49,138 --> 01:16:51,138 [THEY LAUGH HARD] 1129 01:16:51,207 --> 01:16:52,406 [CHOKING COUGH] 1130 01:16:58,848 --> 01:17:00,648 [STRETCHES AND GROANS] 1131 01:17:00,717 --> 01:17:02,249 [GROANS] MMM! 1132 01:17:02,318 --> 01:17:04,051 [LAUGHTER] 1133 01:17:05,622 --> 01:17:08,556 I'VE ALWAYS WANTED TO DRIVE A TAXI. 1134 01:17:08,625 --> 01:17:10,758 ALL RIGHT, YOU DRIVE, I'LL SING. 1135 01:17:12,061 --> 01:17:13,361 [CAR SQUEAKS] 1136 01:17:21,971 --> 01:17:25,072 [CAROUSEL MUSIC AND CHILDREN LAUGHING] 1137 01:17:29,746 --> 01:17:32,446 [CHILDREN CHATTERING] 1138 01:17:32,515 --> 01:17:33,781 [CHILDREN CHEERING] 1139 01:17:38,488 --> 01:17:40,054 All: COME ON! COME ON! 1140 01:17:45,895 --> 01:17:46,894 [LAUGHTER] 1141 01:17:53,503 --> 01:17:55,169 [JOHNNY AND ANNETTE LAUGH] 1142 01:18:00,109 --> 01:18:03,377 YOU LOOKED SO FUNNY FALLING OFF THAT POLICEMAN'S HORSE! 1143 01:18:03,446 --> 01:18:05,913 [LAUGHING] YOU KNOW, IT HURTS 1144 01:18:05,982 --> 01:18:08,549 TO FALL OFF A POLICEMAN'S HORSE. 1145 01:18:08,618 --> 01:18:10,851 [LAUGHTER] 1146 01:18:10,920 --> 01:18:12,887 I'VE BEEN TELEPHONING EVERY POLICE STATION IN PARIS. 1147 01:18:12,955 --> 01:18:14,188 HOW DID THEY GET WAY OUT HERE? 1148 01:18:14,257 --> 01:18:15,623 WHAT HAVE THEY DONE? TELL ME! 1149 01:18:15,692 --> 01:18:17,491 THESE PEOPLE ARE DESPERATE CRIMINALS. 1150 01:18:17,560 --> 01:18:20,094 OBVIOUSLY INSANE, IF YOU WANT MY OPINION. 1151 01:18:20,163 --> 01:18:22,329 WELL, WAS IT SO TERRIBLE? 1152 01:18:22,398 --> 01:18:23,731 IT MIGHT HAVE BEEN AN ACCIDENT, YOU KNOW. 1153 01:18:23,800 --> 01:18:25,199 ACCIDENT? HA! 1154 01:18:25,268 --> 01:18:27,401 THEY WERE FOUND WADING IN THE PUBLIC POND, 1155 01:18:27,470 --> 01:18:29,637 THE POND THAT IS RESERVED EXCLUSIVELY 1156 01:18:29,706 --> 01:18:31,272 FOR THE MUNICIPAL SWANS. 1157 01:18:31,340 --> 01:18:32,840 [LAUGHTER] 1158 01:18:36,379 --> 01:18:39,346 DON'T LOOK NOW, BUT THERE'S THAT MAN. 1159 01:18:41,884 --> 01:18:44,485 HELLO, PAUL! YOU REMEMBER MY HUSBAND, DON'T YOU? 1160 01:18:44,554 --> 01:18:46,554 SORRY WE CAN'T ASK YOU IN. 1161 01:18:46,622 --> 01:18:49,023 DO YOU REALIZE THAT OUR TRAIN LEAVES IN AN HOUR? 1162 01:18:49,092 --> 01:18:50,691 I'VE BEEN LOOKING FOR YOU ALL DAY! 1163 01:18:50,760 --> 01:18:52,026 BUT I TOLD YOU, 1164 01:18:52,095 --> 01:18:53,694 I'M NOT GOING TO LONDON. 1165 01:18:53,763 --> 01:18:55,429 OH, YES, YOU ARE! 1166 01:18:55,498 --> 01:18:57,698 I'M NEVER GOING TO SING AGAIN! 1167 01:18:59,302 --> 01:19:03,304 I'M GOING TO BE A TAXI DRIVER'S WIFE... 1168 01:19:03,372 --> 01:19:05,005 AND HAVE A BABY. 1169 01:19:08,911 --> 01:19:09,844 OPEN THE DOOR. 1170 01:19:09,912 --> 01:19:10,845 YES, SIR. 1171 01:19:14,951 --> 01:19:16,217 D'Arcy: I'VE ARRANGED FOR YOUR RELEASE. 1172 01:19:18,254 --> 01:19:19,720 NOW THEN, COME ALONG. 1173 01:19:26,129 --> 01:19:27,628 HEY! 1174 01:19:27,697 --> 01:19:28,562 [LAUGHING] 1175 01:19:30,433 --> 01:19:31,432 HEY, YOU-- 1176 01:19:31,501 --> 01:19:32,867 GET THOSE! HURRY UP! HURRY UP! 1177 01:19:32,935 --> 01:19:34,568 IF I LOSE THEM NOW, I'LL NEVER SEE THEM AGAIN! 1178 01:19:34,637 --> 01:19:35,803 YES, SIR. COME ON! HURRY UP! 1179 01:19:35,872 --> 01:19:37,438 HURRY UP! 1180 01:19:39,575 --> 01:19:40,875 [JOHNNY AND ANNETTE LAUGHING] 1181 01:20:01,164 --> 01:20:04,098 IT'S--IT'S VERY NICE, JOHNNY! 1182 01:20:04,167 --> 01:20:06,500 OF COURSE, IT'S A LITTLE SMALL. 1183 01:20:06,569 --> 01:20:08,102 DON'T SIT THERE! THAT CHAIR IS BROKEN. 1184 01:20:10,807 --> 01:20:13,774 I USUALLY... SIT ON THE BED. 1185 01:20:13,843 --> 01:20:15,976 WE CAN FIX IT UP BEAUTIFULLY. 1186 01:20:16,045 --> 01:20:18,979 CURTAINS FOR THE WINDOWS, SOME FURNITURE. 1187 01:20:19,048 --> 01:20:20,681 WE'RE NOT GOING TO HAVE MUCH MONEY, YOU KNOW. 1188 01:20:20,750 --> 01:20:22,650 BUT I HAVE PLENTY OF MONEY, DARLING. 1189 01:20:38,534 --> 01:20:41,769 WE WON'T TALK ABOUT MONEY. 1190 01:20:41,838 --> 01:20:43,337 WE DON'T NEED MONEY. 1191 01:20:46,576 --> 01:20:49,476 WELL, THIS IS CHARMING. 1192 01:20:49,545 --> 01:20:50,511 CHARMING. 1193 01:20:50,580 --> 01:20:52,213 PAUL, GO AWAY! 1194 01:20:52,281 --> 01:20:53,781 AND LEAVE US ALONE! 1195 01:20:53,850 --> 01:20:56,083 YOU, UH, PLAN TO LIVE HERE, DO YOU? 1196 01:20:56,152 --> 01:20:57,351 Annette: YES. 1197 01:21:00,289 --> 01:21:02,957 DON'T YOU, UH, THINK IT WILL BE A LITTLE BIT CROWDED 1198 01:21:03,025 --> 01:21:06,427 WHEN MADAME GETS HER TRUNKS MOVED IN? 1199 01:21:06,495 --> 01:21:09,230 THERE ARE 14 OF THEM, YOU KNOW. 1200 01:21:09,298 --> 01:21:12,132 10 FOR CLOTHES, 2 FOR HATS, 2 FOR SHOES. 1201 01:21:12,201 --> 01:21:13,267 PAUL! 1202 01:21:13,336 --> 01:21:16,871 ONLY TRYING TO BE PRACTICAL, MY DEAR. 1203 01:21:16,939 --> 01:21:20,441 AND THERE'LL HARDLY BE ROOM TO RAISE MUCH OF A FAMILY, WILL THERE? 1204 01:21:25,948 --> 01:21:27,314 WILL YOU PLEASE GO NOW? 1205 01:21:31,354 --> 01:21:34,655 I'LL BE WAITING DOWNSTAIRS IN THE CAR. 1206 01:21:34,724 --> 01:21:36,657 OUR TRAIN LEAVES IN HALF AN HOUR. 1207 01:21:52,508 --> 01:21:54,475 HE'S RIGHT. 1208 01:21:54,543 --> 01:21:55,709 IT WON'T WORK. 1209 01:21:57,580 --> 01:21:58,812 DO YOU THINK I'D ALLOW MY WIFE 1210 01:21:58,881 --> 01:22:00,281 TO LIVE IN A PLACE LIKE THIS? 1211 01:22:00,349 --> 01:22:02,950 OF COURSE NOT. 1212 01:22:03,019 --> 01:22:04,418 IT'S ALL RIGHT FOR ME. I LIKE IT. 1213 01:22:08,357 --> 01:22:11,358 THEN I LIKE IT, TOO. 1214 01:22:11,427 --> 01:22:13,594 BESIDES, I DON'T WANT MY ROOM CLUTTERED UP 1215 01:22:13,663 --> 01:22:15,362 WITH A LOT OF TRUNKS AND SERVANTS. 1216 01:22:15,431 --> 01:22:17,865 WE'LL GET A LARGER PLACE. 1217 01:22:17,934 --> 01:22:19,133 PLEASE, DARLING. 1218 01:22:19,201 --> 01:22:20,968 I CAN'T AFFORD A LARGER PLACE, 1219 01:22:21,037 --> 01:22:23,904 AND I DON'T INTEND TO BE KEPT BY MY WIFE AGAIN. 1220 01:22:23,973 --> 01:22:26,273 JOHNNY. 1221 01:22:26,342 --> 01:22:28,709 YOU DON'T LOVE ME ENOUGH? 1222 01:22:28,778 --> 01:22:30,611 YES. THAT'S IT. 1223 01:22:32,615 --> 01:22:36,850 YOUR SILLY PRIDE IS MORE IMPORTANT TO YOU THAN I AM. 1224 01:22:48,764 --> 01:22:51,265 D'ARCY'S WAITING DOWNSTAIRS. 1225 01:22:51,334 --> 01:22:52,967 GO ON TO LONDON AND SING. 1226 01:22:54,403 --> 01:22:57,705 [STAMPING FOOT] WHAT DO I CARE ABOUT SINGING? 1227 01:22:57,773 --> 01:22:59,606 I NEVER WANTED TO BE A SINGER! 1228 01:23:04,914 --> 01:23:07,147 I JUST WANTED TO BE YOUR WIFE. 1229 01:23:08,551 --> 01:23:10,451 BUT YOU WON'T LET ME. 1230 01:23:12,021 --> 01:23:13,220 GOOD-BYE, JOHNNY. 1231 01:23:23,366 --> 01:23:26,100 THERE MUST BE SOMETHING I CAN DO. 1232 01:23:26,168 --> 01:23:28,402 HE NEEDS A LITTLE SUCCESS. 1233 01:23:31,707 --> 01:23:33,173 PAUL! 1234 01:23:33,242 --> 01:23:35,275 I'VE GOT AN IDEA! 1235 01:23:35,344 --> 01:23:39,413 IF I GO TO LONDON TONIGHT AND SING FOR YOU, 1236 01:23:39,482 --> 01:23:41,081 YOU'VE GOT TO DO SOMETHING FOR ME. 1237 01:23:55,698 --> 01:23:58,732 [REHEARSAL PIANO PLAYS AND GIRLS TAP] 1238 01:24:15,718 --> 01:24:16,850 [TAPS TO BEAT] 1239 01:24:20,189 --> 01:24:21,622 [CLAPPING] NO, NO, NO, NO, NO, NO, NO, NO! 1240 01:24:21,690 --> 01:24:23,757 FASTER! IT MUST GO FASTER! 1241 01:24:23,826 --> 01:24:25,159 THIS IS NOT AN OPERA. 1242 01:24:25,227 --> 01:24:26,493 IT'S MUSICAL COMEDY. 1243 01:24:26,562 --> 01:24:27,961 NOW, TRY IT AGAIN. 1244 01:24:28,030 --> 01:24:29,029 Man: ALL RIGHT, HIT IT. 1245 01:24:29,098 --> 01:24:30,497 JONATHAN WILL LOVE YOU FOR THIS. 1246 01:24:30,566 --> 01:24:32,132 HE'LL CUT YOU UP IN LITTLE BITS. 1247 01:24:32,201 --> 01:24:34,735 OH, NO. HE WON'T. 1248 01:24:34,804 --> 01:24:36,804 I HAD HIM PUT BACK IN JAIL. 1249 01:24:40,509 --> 01:24:42,576 LET ME OUT OF HERE! 1250 01:24:42,645 --> 01:24:44,111 LET ME OUT! 1251 01:24:44,180 --> 01:24:45,946 YOU CAN'T PUT ME IN HERE! 1252 01:24:50,653 --> 01:24:52,653 MONSIEUR. 1253 01:24:52,721 --> 01:24:54,188 I'VE JUST RECEIVED WORD. 1254 01:24:54,256 --> 01:24:57,124 THE CHARGES AGAINST YOU HAVE BEEN WITHDRAWN. 1255 01:24:57,193 --> 01:24:59,193 WILL I HAVE TIME TO MAKE THE PLANE FOR LONDON? 1256 01:24:59,261 --> 01:25:00,260 I BELIEVE SO. 1257 01:25:00,329 --> 01:25:02,529 I HOPE WE'LL SEE YOU AGAIN SOMETIME. 1258 01:25:02,598 --> 01:25:03,864 YOU'D BETTER SAVE ME A CELL. 1259 01:25:03,933 --> 01:25:05,566 I'M GOING TO LONDON TO MURDER MY WIFE! 1260 01:25:38,434 --> 01:25:39,867 [ORCHESTRA PLAYING] 1261 01:25:45,941 --> 01:25:50,844 Men: ♪ STARS FADE OUT OF THE SKIES ♪ 1262 01:25:50,913 --> 01:25:55,315 ♪ JUST TO REST IN HER EYES ♪ 1263 01:25:55,384 --> 01:26:00,254 ♪ HER STEP IS LIKE A SLENDER DAFFODIL SWAYING ♪ 1264 01:26:00,322 --> 01:26:07,327 ♪ HER VOICE IS LIKE A MUTED VIOLIN PLAYING ♪ 1265 01:26:07,396 --> 01:26:12,032 ♪ THE LIGHT WILL BLOOM AND QUITE DISPEL THE GLOOM ♪ 1266 01:26:12,101 --> 01:26:21,608 ♪ ON SIGHT OF HER WHO CAN CHARMINGLY GRACE A ROOM ♪ 1267 01:26:21,677 --> 01:26:28,315 ♪ YOU CANNOT GUESS WHAT LOVELINESS BELONGS TO YOU ♪ 1268 01:26:28,384 --> 01:26:36,323 ♪ IF YOU WOULD DANCE, WE'D HAVE A CHANCE TO SHARE IT, TOO ♪ 1269 01:26:36,392 --> 01:26:40,727 Annette: ♪ I AM NOT GAY ENOUGH ♪ 1270 01:26:40,796 --> 01:26:44,298 ♪ TO SHARE A WALTZ ♪ 1271 01:26:44,366 --> 01:26:55,175 ♪ TONIGHT I BOAST ONE OF MY MOST UNHAPPY FAULTS ♪ 1272 01:26:58,747 --> 01:27:02,649 ♪ I DREAM TOO MUCH ♪ 1273 01:27:02,718 --> 01:27:05,686 ♪ BUT IF I DREAM TOO MUCH ♪ 1274 01:27:05,754 --> 01:27:08,355 ♪ I ONLY DREAM TO TOUCH ♪ 1275 01:27:08,424 --> 01:27:12,092 ♪ YOUR HEART AGAIN ♪ 1276 01:27:12,161 --> 01:27:20,334 ♪ I CLOSE MY EYES TO SEE YOUR HAND ♪ 1277 01:27:20,402 --> 01:27:27,608 ♪ YOUR SMILE, YOUR JOY IN LOVING ME ♪ 1278 01:27:27,676 --> 01:27:29,977 ♪ WE DANCE AND SING ♪ 1279 01:27:30,045 --> 01:27:32,579 ♪ WE STEAL A TOUCH OF SPRING ♪ 1280 01:27:32,648 --> 01:27:35,148 ♪ I DREAM OF EVERYTHING ♪ 1281 01:27:35,217 --> 01:27:39,152 ♪ WE TWO HAVE KNOWN ♪ 1282 01:27:39,221 --> 01:27:45,792 ♪ AND YET MY DREAMS HAVE SHOWN ♪ 1283 01:27:45,861 --> 01:27:57,437 ♪ PERHAPS I DREAM TOO MUCH ALONE ♪ 1284 01:27:57,506 --> 01:27:59,239 All: ♪ I DREAM TOO MUCH ♪ 1285 01:27:59,308 --> 01:28:01,041 ♪ BUT IF I DREAM TOO MUCH ♪ 1286 01:28:01,110 --> 01:28:05,712 ♪ I ONLY DREAM TO TOUCH YOUR HEART AGAIN ♪ 1287 01:28:05,781 --> 01:28:10,984 Annette, over others: ♪ I CLOSE MY EYES TO SEE ♪ 1288 01:28:11,053 --> 01:28:17,991 ♪ YOUR HAND, YOUR SMILE, YOUR JOY IN LOVING ME ♪ 1289 01:28:18,060 --> 01:28:19,726 Chorus: ♪ WE DANCE AND SING ♪ 1290 01:28:19,795 --> 01:28:21,728 ♪ WE STEAL A TOUCH OF SPRING ♪ 1291 01:28:21,797 --> 01:28:23,664 All: ♪ I DREAM OF EVERYTHING ♪ 1292 01:28:23,732 --> 01:28:26,733 ♪ WE'VE ALWAYS KNOWN ♪ 1293 01:28:26,802 --> 01:28:32,272 Annette: ♪ AND YET MY DREAMS HAVE SHOWN ♪ 1294 01:28:32,341 --> 01:28:38,078 ♪ PERHAPS I DREAM ♪ 1295 01:28:38,147 --> 01:28:42,049 ♪ TOO MUCH ALONE ♪ 1296 01:28:42,117 --> 01:28:43,350 Men: ♪ ALONE ♪ 1297 01:32:11,827 --> 01:32:14,160 Women: ♪ IF I AM GAY ♪ 1298 01:32:14,229 --> 01:32:15,929 ♪ YOU'LL KNOW THE DAY ♪ 1299 01:32:15,998 --> 01:32:19,065 ♪ YOU CAME MY WAY ♪ 1300 01:32:19,134 --> 01:32:21,501 Annette: ♪ I CAN'T DENY ♪ 1301 01:32:21,570 --> 01:32:23,637 ♪ THE REASON WHY ♪ 1302 01:32:25,908 --> 01:32:28,341 Chorus: ♪ I DREAM TOO MUCH ♪ 1303 01:32:28,410 --> 01:32:29,843 All: ♪ BUT IF I DREAM TOO MUCH ♪ 1304 01:32:29,912 --> 01:32:33,980 ♪ I ONLY DREAM TO TOUCH YOUR HEART AGAIN ♪ 1305 01:32:34,049 --> 01:32:37,984 Annette: ♪ I CLOSE MY EYES TO SEE ♪ 1306 01:32:38,053 --> 01:32:40,487 ♪ YOUR HAND, YOUR SMILE, 1307 01:32:40,556 --> 01:32:43,924 All: ♪ YOUR JOY IN LOVING ME ♪ 1308 01:32:43,992 --> 01:32:45,792 Chorus: ♪ WE DANCE AND SING ♪ 1309 01:32:45,861 --> 01:32:47,861 ♪ WE STEAL A TOUCH OF SPRING ♪ 1310 01:32:47,930 --> 01:32:51,965 ♪ I DREAM OF EVERYTHING WE TWO HAVE KNOWN ♪ 1311 01:32:52,034 --> 01:32:57,137 Annette: ♪ AND YET MY DREAMS HAVE SHOWN ♪ 1312 01:32:57,205 --> 01:33:02,642 ♪ I DREAM TOO MUCH ♪ 1313 01:33:02,711 --> 01:33:07,113 All: ♪ ALONE ♪ 1314 01:33:07,182 --> 01:33:08,815 ♪ AH-AH, AH-AH ♪ 1315 01:33:08,884 --> 01:33:10,717 ♪ AH-AH, AH-AH ♪ 1316 01:33:10,786 --> 01:33:14,220 ♪ AH-AH, AH-AH ♪ 1317 01:33:14,289 --> 01:33:18,291 ♪ AH-AH, AH-AH, AH ♪ 1318 01:33:18,360 --> 01:33:23,330 ♪ AH-AH, AH-AH, AH ♪ 1319 01:33:23,398 --> 01:33:24,931 ♪ AH-AH, AH, AH ♪ 1320 01:33:25,000 --> 01:33:27,133 Women: ♪ I'M THE ECHO ♪ 1321 01:33:27,202 --> 01:33:29,736 ♪ I'M THE ECHO ♪ 1322 01:33:29,805 --> 01:33:31,371 Men: ♪ I'M THE ECHO ♪ 1323 01:33:31,440 --> 01:33:36,476 ♪ YOU'RE THE SONG THAT I SING ♪ 1324 01:33:36,545 --> 01:33:39,446 Annette: ♪ AH ♪ 1325 01:33:39,514 --> 01:33:42,282 [APPLAUSE AND CHEERING] 1326 01:33:55,330 --> 01:33:56,796 JOHNNY, MY BOY! CONGRATULATIONS! 1327 01:33:56,865 --> 01:33:58,965 IT'S TREMENDOUS! YOUR FORTUNE'S MADE! 1328 01:33:59,034 --> 01:34:00,700 GO ON, LAUGH. IT'S VERY FUNNY, ISN'T IT? 1329 01:34:00,769 --> 01:34:02,469 BUT I TELL YOU, YOU'VE GOT A SMASH HIT! 1330 01:34:02,537 --> 01:34:04,871 20 MILLION PEOPLE WILL BE WHISTLING THOSE TUNES OF YOURS. 1331 01:34:04,940 --> 01:34:05,972 Man: MARVELOUS! Woman: BEAUTIFUL! 1332 01:34:06,041 --> 01:34:07,807 Second Man: EXCELLENT! 1333 01:34:07,876 --> 01:34:08,942 IS THIS THE COMPOSER? 1334 01:34:09,011 --> 01:34:09,976 CONGRATULATIONS, D'ARCY! 1335 01:34:10,045 --> 01:34:11,511 YOU'VE DISCOVERED A GREAT TALENT. 1336 01:34:11,580 --> 01:34:12,646 LADY WHITLEY, MAY I PRESENT 1337 01:34:12,714 --> 01:34:14,214 THE COMPOSER, MR. STREET. 1338 01:34:14,282 --> 01:34:16,716 HOW DO YOU DO? AND THE COUNT TRAGET, MR. STREET. 1339 01:34:16,785 --> 01:34:17,884 MR. STREET, 1340 01:34:17,953 --> 01:34:19,419 SUCH MARVELOUS MUSIC! 1341 01:34:19,488 --> 01:34:21,721 IT'S LIKE...WHY, IT'S LIKE SCHUBERT! 1342 01:34:21,790 --> 01:34:23,289 I DON'T KNOW HOW YOU DO IT! 1343 01:34:25,327 --> 01:34:28,061 WELL, IT'S NOTHING. NOTHING AT ALL. 1344 01:34:28,130 --> 01:34:29,496 YOU SEE, I... JUST TRY TO WRITE 1345 01:34:29,564 --> 01:34:31,131 THE KIND OF MUSIC THAT PEOPLE WANT, 1346 01:34:31,199 --> 01:34:32,565 TUNES THEY CAN WHISTLE. 1347 01:34:32,634 --> 01:34:35,435 AND YOUR WIFE GIVES SUCH A BEAUTIFUL PERFORMANCE. 1348 01:34:35,504 --> 01:34:36,436 SHE IS GOOD, ISN'T SHE? 1349 01:34:36,505 --> 01:34:38,571 [ALL MURMUR] 1350 01:34:38,640 --> 01:34:39,939 YOU KNOW, SHE SINGS MY SONGS 1351 01:34:40,008 --> 01:34:41,207 JUST THE WAY I WRITE THEM. 1352 01:34:43,011 --> 01:34:44,878 [PLAYING SLOW TUNE] 1353 01:34:53,655 --> 01:34:55,055 LISTEN TO THIS ONE. 1354 01:34:57,125 --> 01:34:59,592 "JONATHAN STREET, THE BRILLIANT NEW COMPOSER OF--" 1355 01:34:59,661 --> 01:35:01,261 ANNETTE, PLEASE. I'M WORKING. 1356 01:35:02,631 --> 01:35:04,531 UH, WHAT WAS THE REST OF IT? 1357 01:35:04,599 --> 01:35:07,634 "THE BRILLIANT NEW COMPOSER OF I DREAM TOO MUCH, 1358 01:35:07,703 --> 01:35:10,870 "THE MUSICAL COMEDY SENSATION OF LONDON, 1359 01:35:10,939 --> 01:35:12,672 NOW IN ITS SECOND YEAR--" 1360 01:35:12,741 --> 01:35:16,843 YOU KNOW, I'M SORRY YOU LEFT THE SHOW. 1361 01:35:16,912 --> 01:35:18,144 YOU WERE VERY GOOD. 1362 01:35:19,581 --> 01:35:20,980 WAS I, DARLING? 1363 01:35:21,049 --> 01:35:22,882 YOU WERE RIGHT TO RETIRE, THOUGH. 1364 01:35:22,951 --> 01:35:23,883 OF COURSE, YOU SANG VERY NICELY, 1365 01:35:23,952 --> 01:35:25,919 BUT AFTER ALL, GENIUS IS ANOTHER THING. 1366 01:35:25,987 --> 01:35:27,754 TO WRITE GREAT MELODIES, 1367 01:35:27,823 --> 01:35:29,122 TUNES THAT 20 MILLION PEOPLE WHISTLE, 1368 01:35:29,191 --> 01:35:30,557 YOU HAVE TO HAVE-- 1369 01:35:35,664 --> 01:35:37,464 YES, DARLING. 1370 01:35:41,169 --> 01:35:42,569 AND YOU HAVE IT. 1371 01:35:46,241 --> 01:35:47,774 YOU KNOW WHAT I MEAN. 1372 01:35:47,843 --> 01:35:49,776 SOME PEOPLE ARE BORN TO GREATNESS. 1373 01:35:49,845 --> 01:35:51,044 YES, DEAR. 1374 01:35:51,113 --> 01:35:52,412 I KNOW WHAT YOU MEAN. 1375 01:35:53,949 --> 01:35:55,882 [PLAYS PIANO] 1376 01:35:55,951 --> 01:35:57,851 AND SOME PEOPLE... 1377 01:35:57,919 --> 01:35:59,586 ARE BORN TO HAVE A BABY. 1378 01:36:04,493 --> 01:36:06,693 [CAROUSEL MUSIC PLAYS] 1379 01:36:10,198 --> 01:36:15,702 ♪ LISTEN WHAT I TELL YOU ♪ 1380 01:36:15,771 --> 01:36:18,037 ♪ AH-AH, AH-AH, AH-AH-AH ♪ 1381 01:36:18,106 --> 01:36:22,509 ♪ THE STORY ABOUT THE LITTLE JOCKEY ON THE CAROUSEL ♪ 1382 01:36:22,577 --> 01:36:25,712 ♪ IT WAS A STORY THAT MY MAMA USED TO TELL ♪ 1383 01:36:25,781 --> 01:36:29,516 ♪ WHEN I WOULD CRY ♪ 1384 01:36:29,584 --> 01:36:34,254 ♪ IT WAS MY LULLABY ♪ 1385 01:36:38,560 --> 01:36:41,628 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 1386 01:36:41,696 --> 01:36:44,430 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 111353